WEBVTT

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<v Speaker 1>Hullo. I'm welcomed stories all the time. The lad you

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<v Speaker 1>are here, Let's get into it. One spring morning, before

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<v Speaker 1>the river had burned off its mist and the city

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<v Speaker 1>had properly worken, I found myself descending the main staircase

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<v Speaker 1>in the town library with a pad of graph paper

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<v Speaker 1>tucked under my arm. The sub basement was always to him,

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<v Speaker 1>but that day the light almost seemed to change, thicker,

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<v Speaker 1>as if every landing divided the air into separate rooms.

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<v Speaker 1>I counted the steps without thinking, thirteen from the ground

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<v Speaker 1>floor down, then a landing, and then twelve. More er

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<v Speaker 1>was of fourteen. I paused, felt beneath my foot, and

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<v Speaker 1>tried again, thirteen going down, but only twelve coming back up.

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<v Speaker 1>The numbers stuck in my head as I turned, letting

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<v Speaker 1>the door close softly behind me. I'd been an engineer

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<v Speaker 1>long enough to know that old building stretched and sagged,

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<v Speaker 1>that stairs ballast as loosened with time over decades. A

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<v Speaker 1>wall could drift by an inch, a ceiling dep by hair.

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<v Speaker 1>But these details meant something in the language of Asian

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<v Speaker 1>nother near arithmetic of to day. Still it needled me.

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<v Speaker 1>My right knee felt every stair, and it reported one

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<v Speaker 1>more on the way down, as if the building forgot itself.

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<v Speaker 1>Inside the first sub basement, the air was cool, smelling

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<v Speaker 1>of stone, dry and glue, and yesterday's detergent. The libraries

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<v Speaker 1>in this town always ran along the river, clinging to

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<v Speaker 1>the dry seasons and sheltering from floods when they arrived.

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<v Speaker 1>This one had been rebuilt twice already in my lifetime.

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<v Speaker 1>I'd watched it rise from mud and sand begs as

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<v Speaker 1>a young engineer, later returned to Vizan waterproofing, and now

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<v Speaker 1>in retirement, I volunteered in the mornings before the city's

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<v Speaker 1>noise penetrated these walls. If not for a weathered fondness,

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<v Speaker 1>and I'll admit a persistent restlessness, I'd never have noticed

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<v Speaker 1>what the rest seemed to take for granted, the ceiling

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<v Speaker 1>in it hallway was lower than I remembered. It pressed

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<v Speaker 1>just above my head, but the open floor beyond spread

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<v Speaker 1>wider than seemed possible. Door frames, when traced with my eyes,

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<v Speaker 1>failed to align with those on the upper level. I

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<v Speaker 1>ran my hand along one absently, tracing were plaster bulshed

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<v Speaker 1>and would sack from an old flood. The main corridor

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<v Speaker 1>felt shifted at askew somewhere below I should have been

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<v Speaker 1>another floor down, Yet here I was surrounded by cinderblock

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<v Speaker 1>walls and the vakedrone of the ventilation. I checked my

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<v Speaker 1>watch as if time might offer us uncompressible logic, but

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<v Speaker 1>it only blinked back the minutes. Unconcerned, Marnie, the morning supervisor,

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<v Speaker 1>called up as I hesitated by the next door. She

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<v Speaker 1>was brisk in her movements, her grave bob flicking as

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<v Speaker 1>she looked back at her clipboard. You lost or ready, tom?

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<v Speaker 1>I offered her my most unbothered grin just checking the steps.

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<v Speaker 1>Something didn't add up. She didn't so much as slow

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<v Speaker 1>her stride. Old building oddities. They never fixed the stack

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<v Speaker 1>hand after the last carpet job. Don't let drivy nuts nuts?

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<v Speaker 1>Maybe not curious, Certainly I made a mental note to

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<v Speaker 1>pay closer attention. There was order in old wood and

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<v Speaker 1>poor concrete, But this building, I was starting to suspect,

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<v Speaker 1>had more stories touched beneath it than I'd given credit for.

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<v Speaker 1>Once the light changed behind me, some breaking through glass

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<v Speaker 1>blocks somewhere overhead, I moved toward the utility closet. This

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<v Speaker 1>was my morning routine chart up, which let flicker which

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<v Speaker 1>piped stripped from the ceiling. Town took comfort in the

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<v Speaker 1>library's routines when the river swelled in the well felt uncertain.

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<v Speaker 1>This was where people came to read and wait out disaster,

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<v Speaker 1>to mark time among their neighbors. I'd seen it more

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<v Speaker 1>often than I could count. Now, in quieter times, with

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<v Speaker 1>retirement pressing in, I found perhaps ancouring myself to species

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<v Speaker 1>like these. Marnie preferred efficiency, not nostalgia. She corralled her

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<v Speaker 1>volunteers in the main staff room every morning, splitting the

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<v Speaker 1>work as briskly as she took inventory. Eric at twenty, lanky,

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<v Speaker 1>unfailingly polite, always paid the more obscure tasks so he

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<v Speaker 1>could collect building stories, as he called it miss cesspower

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<v Speaker 1>at the last of the old God, favored her catalog

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<v Speaker 1>of cards, and was known for her memory on any topic, except, strangely,

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<v Speaker 1>the nuts and bolts of the building itself. I like

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<v Speaker 1>to think I'd made myself useful, not by getting in

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<v Speaker 1>the way, but by patching things others work passed. The

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<v Speaker 1>main staircase on the grand floor creaked three times as

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<v Speaker 1>reliably as a heartbeat. Low only two steps creak, though

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<v Speaker 1>the stairs were made of the very same mind. Humming

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<v Speaker 1>buzz from a distant transformer followed a different path through

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<v Speaker 1>the ceiling beams with every rain. Eric caught up with

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<v Speaker 1>me as I examined the utility. Cause it watching me

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<v Speaker 1>fiddle with my tape measure you record these things in

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<v Speaker 1>a journal or gesture head? I smiled, bit of both.

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<v Speaker 1>Want to check something with me? He nodded and bent

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<v Speaker 1>to see what had caught my attention. Is it the

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<v Speaker 1>weird air, he asked, feels different by the old bathrooms,

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<v Speaker 1>Not like regular humidity, I shrugged. It's always more humid

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<v Speaker 1>after rain, but this spot's something else. Eric put his

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<v Speaker 1>hand flat against a wall and sniffed the air theatrically.

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<v Speaker 1>It's not the books. That's like river fog, but dry

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<v Speaker 1>aging brickwork, maybe, I offered, but I was unconvinced. I

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<v Speaker 1>dropped my tape back into my satchel and wrote down

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<v Speaker 1>an extra mark on the graph paper, one for every

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<v Speaker 1>odd sensation. To the people who cared, the library was

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<v Speaker 1>more than just mortar and glass walls, it was a

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<v Speaker 1>monument of flood survived, A marker of stories kept up

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<v Speaker 1>of the highway to mark its edges held that stubborn

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<v Speaker 1>pride found in towns built on floodplains equal pots anxiety, humor,

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<v Speaker 1>and ingenuity. I spent the rest of that morning tracing

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<v Speaker 1>my steps through the low boiler room, pacing from west

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<v Speaker 1>to east wall. The floor pitched slightly, nothing unusual for

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<v Speaker 1>a poet's slab above a river. Yet the corridor next

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<v Speaker 1>to the ouckouse seemed wider than it had on last

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<v Speaker 1>week's walk. Back in the staff room, I started a

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<v Speaker 1>sketch on my graph paper. To anyone else, it probably

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<v Speaker 1>looked like a series of rectangles, strong together at odd angles.

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<v Speaker 1>But there was a reassuring logic to mapping things, even

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<v Speaker 1>if the answers weren't there yet. I held my notes

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<v Speaker 1>up to the wall display of floorplands sturdy official blueprints

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<v Speaker 1>behind glass. My numbers, paces and steps didn't quite line

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<v Speaker 1>with the ones marked in inch. I measured again. The

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<v Speaker 1>main corridor by the archives stretched forty two feet on

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<v Speaker 1>the printed plan, but I consistently measured four to four

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<v Speaker 1>with my tape. I checked for transposed digits or miss columns,

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<v Speaker 1>not Then the more I compaied, the less the building

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<v Speaker 1>agreed with itself. That same afternoon, I happened to mention

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<v Speaker 1>my puzzles to Eieric as we organized a card of

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<v Speaker 1>return books. He leaned his hip against a metal shelving

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<v Speaker 1>unit and said, I mapped the basement once for a

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<v Speaker 1>school history project. There is the ground floor, first sub basement,

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<v Speaker 1>second and third rite, I frowned. Marnie says there's only

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<v Speaker 1>two sub levels. City records agree, he laughed quietly. Then

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<v Speaker 1>where are the stairers accounted last year? There's got to

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<v Speaker 1>be three, maybe four, if you can the crawl spaces.

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<v Speaker 1>Misses Bauer organizing catalog cards near by China, and with

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<v Speaker 1>that of hand confidence only she could muster. There used

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<v Speaker 1>to be an east reading room underground, lovely orange lamps,

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<v Speaker 1>very cozy, she wrinkled her brow. Maybe not so cozy

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<v Speaker 1>if you were claustrophobic. But it was there, all right.

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<v Speaker 1>Eric shot me a look. I shrunked back. I'd never

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<v Speaker 1>seen such a room, nor was it mocked on any

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<v Speaker 1>current nap. Yet Missess Barr was certain. That night I

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<v Speaker 1>lay in bed mentally rearranging walls, doors, hallways, recalling the

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<v Speaker 1>extra step on the stairs and the half lined door frames.

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<v Speaker 1>More than curiosity now tugged at me, a desire to

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<v Speaker 1>explain the unexplainable to fit what I knew about building

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<v Speaker 1>with what I was experiencing. Our next volunteer day, I

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<v Speaker 1>invited Eric to join in a more systematic mapping. We

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<v Speaker 1>armed ourselves with a laser tape and a compass up

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<v Speaker 1>on his phone. The plan was simple. Starred at the

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<v Speaker 1>main entrance, moved methodically through the lower halls, noting every measure,

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<v Speaker 1>every door, every angle. Maybe it would amount to nothing,

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<v Speaker 1>but I needed to show myself that the building could

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<v Speaker 1>be measured, that every oddity was a product of neglect, renovation,

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<v Speaker 1>or a time. The trouble began quickly. We marked the

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<v Speaker 1>main corridor at twenty five feet from north to south.

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<v Speaker 1>When I checked it from the opposite end twenty minutes later,

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<v Speaker 1>the laser tapes baut At thirty one. I looked up,

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<v Speaker 1>expecting some explanation, a jog in the wall, an alcove missed,

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<v Speaker 1>but the corridor was as straight as any I'd ever seen.

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<v Speaker 1>We laugh at first blaming the technology, then the amateur

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<v Speaker 1>cartographers ourselves included, and finally the building itself. I tried

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<v Speaker 1>the mob closet next. By every plan I'd seen, it

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<v Speaker 1>should have been just a brooms lent deep a service crawl.

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<v Speaker 1>I locked my fingers around the old latch, expecting the

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<v Speaker 1>soft assistance of a shallow space. Instead, the door opened

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<v Speaker 1>into a narrow alkilve stretching back several feet and a

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<v Speaker 1>single dirty window, half fogged from condensation. Looked at at

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<v Speaker 1>what should have been blind earth. I pressed my forehead

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<v Speaker 1>against the glass. It made my field of view swim,

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<v Speaker 1>but I could see a wedge of the river bank

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<v Speaker 1>in fracture, daylight, and angle that shouldn't exist from this depth.

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<v Speaker 1>For long seconds, I waited for my mind to resolve

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<v Speaker 1>what I saw into something rational, but the sensation was

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<v Speaker 1>more like balancing at the edge of a waking dream.

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<v Speaker 1>Eric peered over my shoulder. That can't be right. That's

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<v Speaker 1>a ferry dock or something like it. That's impossible. I said,

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<v Speaker 1>We're at least ten feet underground here, and the window

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<v Speaker 1>was about quart a story above grade. He shrugged, trying

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<v Speaker 1>to joke it away. Maybe we're in two places at once.

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<v Speaker 1>We took turns, testing each door, each wal even measuring

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<v Speaker 1>temperature gradients, searching for plumbing leaks. The answers were treated

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<v Speaker 1>with every step. At lunch, we showed our crooked sketches

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<v Speaker 1>to Marnie, who was organizing forms behind her desk. She

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<v Speaker 1>tilted her head half focused, then fran for the first

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<v Speaker 1>time since I'd known her. That's not right, she murmured,

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<v Speaker 1>comparing our marks against the tidy blueprin behind her. Her

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<v Speaker 1>eyes fixed between maps, and then she waved us off.

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<v Speaker 1>Probably just marked wrong. I'll have to check one. I

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<v Speaker 1>have a minute. Eric and I exchange glances. He smirked,

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<v Speaker 1>shrugging as if to say, you see what I mean.

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<v Speaker 1>It was around then that Jasmine joined us, a friend

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<v Speaker 1>of Eric's studying geography at the college. She brought an

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<v Speaker 1>old servy map from the town archives and laid it

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<v Speaker 1>out on the staff table. This is from nineteen forty six,

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<v Speaker 1>she said, tapping swells of hand drawn lines and blocks.

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<v Speaker 1>It's marked future site, unbuilt. But y've all been in

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<v Speaker 1>this part of the building. Yes, I traced her finger

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<v Speaker 1>along the block extending west. According to her map, half

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<v Speaker 1>of the Modern's abasement didn't exist. But here we all

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<v Speaker 1>were putting our hands on the walls. Miss Sespower, trailing

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<v Speaker 1>the discussion with friendly amusement, left and returned, dragging a

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<v Speaker 1>yellow folder florpund from before the renovations. She announced. She

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<v Speaker 1>pointed to her rectangular room along the outer wall, label

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<v Speaker 1>sub level, reading lounge lovely spot. I read half the

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<v Speaker 1>classics stand there as a girl. None of us could

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<v Speaker 1>recall a lounge on any current apple find a space

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<v Speaker 1>that matched where it should be. Miss Espower simply nodded

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<v Speaker 1>as if the matter were closed, and tidied her folder away.

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<v Speaker 1>With every exchange, the lines blood further. The sub basement

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<v Speaker 1>seemed to shift with memory. The oarc of stretched time

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<v Speaker 1>as well as space, and the physical wells refused to

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<v Speaker 1>sit still long enough to be measured. When I checked

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<v Speaker 1>the staff break room a second time, it no longer

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<v Speaker 1>existed where I was cerfind left it. Instead, the old

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<v Speaker 1>ocad vault had moved in. My engineer's brain ticked over,

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<v Speaker 1>considering settling warping renovations. But no, these were room sections

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<v Speaker 1>of hallway dose maneuvering through the logic of memory, not

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<v Speaker 1>through the mechanics of construction. I looked to Eric. Could

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<v Speaker 1>the building have been built in layers like sediment, one

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<v Speaker 1>on top of the other, old rooms bricked behind new ones.

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<v Speaker 1>He shook his head, crooning at the way the idea

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<v Speaker 1>ignited his curiosity. Either that or we missed the day

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<v Speaker 1>they taught to un travel in architecture. Marnie Overhearing added

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<v Speaker 1>her own skepticism as she filed a stack of returns.

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<v Speaker 1>I've worked here twenty years. There are two sub basements. Period,

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<v Speaker 1>don't complicate it. We press her for details, but she deflected,

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<v Speaker 1>more interested in checked and books than checked out theories.

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<v Speaker 1>One Jasmine compared the present day space with her old map.

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<v Speaker 1>She frowned. According to this, she said, these rooms shouldn't

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<v Speaker 1>even exist, but we're in them. If the building was odd,

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00:10:42.159 --> 00:10:45.840
<v Speaker 1>their records were odder. Additions from the nineteen fifties included

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<v Speaker 1>rooms drawn in on one sheet, raised from another, and

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<v Speaker 1>doubled on a third. Once I found an annotation in

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<v Speaker 1>green pen re measured after small flood nineteen sixty four,

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<v Speaker 1>seat ass sketch. No sketch was attached. That afternoon, Eric

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<v Speaker 1>and I crept back to the block Over the window.

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<v Speaker 1>The sunlight was gone, replaced by the blank monotone of

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<v Speaker 1>cinder block and dust. Someone had left a pair of

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<v Speaker 1>galoshes in a corner, sasso small, they to fit a child.

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<v Speaker 1>I jotted that down. The longer we explored, the more

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<v Speaker 1>I felt that the building's lays ran deeper than concrete

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<v Speaker 1>or brick. After two weeks mapping, our best efforts were

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<v Speaker 1>shot through with contradiction. The more detail we plotted, the

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<v Speaker 1>more that detail refused to be pinned down. The biggest

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00:11:24.559 --> 00:11:27.360
<v Speaker 1>oddities never repeated precisely, like a trick of daylight shifting

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<v Speaker 1>with the weather, or sound echoing from the wrong direction.

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<v Speaker 1>I had prided it myself for decades on solving little mysteries.

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<v Speaker 1>A section of walmus aligned, a leak that only appeared

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<v Speaker 1>under certain pressure, a saddling crack. But this wasn't a

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00:11:38.399 --> 00:11:40.480
<v Speaker 1>puzzle that could be solved by replacing a gasket or

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<v Speaker 1>withdrawing a blueprint. The urge that had begun as idle

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<v Speaker 1>curiosity was now pressing need a certainty that something in

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<v Speaker 1>this place did not want to be measured, mapped, or

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<v Speaker 1>made definitive. I set out for City Hall with the

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<v Speaker 1>original blueprints and jasmine survey map in a battered shoulder back,

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00:11:54.399 --> 00:11:57.440
<v Speaker 1>determined to settle the matter once and for all. City

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00:11:57.480 --> 00:12:01.039
<v Speaker 1>records produced as many contradictions as answers. The stack of

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<v Speaker 1>files at the Planning Office was surprisingly thin for a

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<v Speaker 1>building of such long service. The official plans listed three

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<v Speaker 1>full sub basement levels, but none for the curious. How four,

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00:12:09.639 --> 00:12:12.799
<v Speaker 1>as Eric's wore, he'd explored a room marked doc have storage,

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<v Speaker 1>vanished from a later planning revision, replaced by a jog

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<v Speaker 1>in the hallway labeled maintenance access. I returned to the

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<v Speaker 1>library with the corpus of three decades worth of plans,

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<v Speaker 1>everyone differing in some small but essential detail. Decades after

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<v Speaker 1>the last recorded flood, the building lines had shifted on

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00:12:27.440 --> 00:12:31.480
<v Speaker 1>paper almost as much as in practice. Eric, restless, as always,

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<v Speaker 1>was unbowed by bureaucracy. Let's just walk it, he said.

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<v Speaker 1>Let's go all the way down and count together. It

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<v Speaker 1>was a Tuesday, after a quick thall and steady rain

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<v Speaker 1>and springs. Dampness hung in the air. The marble steps

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00:12:43.240 --> 00:12:46.559
<v Speaker 1>were faintly slick. We began at the top, counting aloud,

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<v Speaker 1>each landing a checkpoint. Passing through the may Knock Aft

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00:12:49.759 --> 00:12:52.960
<v Speaker 1>corridor felt unremarkable at first. He low hum from fluorescent tubes,

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<v Speaker 1>the sharp time of Kleano where someone had mopped earlier.

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<v Speaker 1>For halfway down the next corridor, Eric's wuon compasspun twice

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<v Speaker 1>as we crossed under a beak are path, doubling back

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<v Speaker 1>without warning when we reached the bottom, expecting a door

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<v Speaker 1>to the mechanical room. We instead faced a blank wall.

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<v Speaker 1>Eric tapped it, suspecting a fire door or access panel,

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<v Speaker 1>but there was nothing. The only sound was the gentle

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<v Speaker 1>press of water through pipes hidden deep in the wall.

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<v Speaker 1>We went the wrong way, he said, though we both

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<v Speaker 1>knew we hadn't. We were traced our steps this time.

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<v Speaker 1>The old entrance appeared as if it had never left,

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<v Speaker 1>though utility sign that had been there that morning was gone.

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<v Speaker 1>I wrote it all down, wondering if the record would

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<v Speaker 1>mean anything by tomorrow. Jasmon arrived soon after, comparing her fundings.

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<v Speaker 1>How the city's first river bridge had once landed just

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00:13:34.240 --> 00:13:36.720
<v Speaker 1>east of the library. Howse sections of the earliest town

280
00:13:36.720 --> 00:13:39.200
<v Speaker 1>griered had been touched away under landful and floodplaine recovery.

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<v Speaker 1>To see, she pressed, pointing out overlapping lines on the

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<v Speaker 1>old map, the grounds always rising, sinking. Maybe that's why

283
00:13:45.120 --> 00:13:48.120
<v Speaker 1>nothing lines up the building. Settling could explain a lot,

284
00:13:48.200 --> 00:13:51.080
<v Speaker 1>I admitted, But not doors shifting always stretching, or windows

285
00:13:51.080 --> 00:13:54.360
<v Speaker 1>showing daylight when your room's underground. Her voice brightened, half

286
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<v Speaker 1>in serious interests, half in speculative fun. There are stories

287
00:13:57.559 --> 00:14:00.240
<v Speaker 1>the layers of a town, all pass rooms that only

288
00:14:00.240 --> 00:14:02.960
<v Speaker 1>open after a flood. Some places hold onto their old footprints.

289
00:14:03.000 --> 00:14:05.559
<v Speaker 1>Maybe here is just a little more active. That got

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00:14:05.600 --> 00:14:07.399
<v Speaker 1>a laugh, then a pause. The sword that sparks when

291
00:14:07.399 --> 00:14:10.000
<v Speaker 1>everyone stands on the edge of a new idea. We

292
00:14:10.039 --> 00:14:12.519
<v Speaker 1>made our way back up stairs, past miss Espauer, who

293
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<v Speaker 1>was muttering over a pile of catalog cards. She looked

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<v Speaker 1>up as we came near. It's just like when I

295
00:14:18.000 --> 00:14:20.200
<v Speaker 1>was little. The stairs were different every few years after

296
00:14:20.240 --> 00:14:23.080
<v Speaker 1>big floods, after they moved the stacks. My mother always

297
00:14:23.080 --> 00:14:25.200
<v Speaker 1>said the basement grew every time the river cane close.

298
00:14:25.960 --> 00:14:29.399
<v Speaker 1>She chuckled. Maybe she meant mole, not rooms. Hard to say.

299
00:14:29.399 --> 00:14:32.320
<v Speaker 1>Now that evening, reviewing our map spread on the long

300
00:14:32.399 --> 00:14:34.840
<v Speaker 1>reading table where pigeons would soon return, a thought began

301
00:14:34.879 --> 00:14:38.039
<v Speaker 1>to crystallize. The irregularities had taken on a life of

302
00:14:38.039 --> 00:14:41.080
<v Speaker 1>their own. We'd come from counting bricks and tracing moles

303
00:14:41.080 --> 00:14:43.600
<v Speaker 1>to drawing a tangled web of memories and maps, all

304
00:14:43.679 --> 00:14:46.720
<v Speaker 1>traditions and impossible measurements. The more we tried to pin

305
00:14:46.799 --> 00:14:49.720
<v Speaker 1>things down, the more elucid the truth became. I looked

306
00:14:49.720 --> 00:14:52.200
<v Speaker 1>at the brash school age sketches. Eric had dug out

307
00:14:52.200 --> 00:14:54.720
<v Speaker 1>of his back back. These should not all be true

308
00:14:54.720 --> 00:14:58.720
<v Speaker 1>at once. Maybe none of them are, Jasmine joked, No,

309
00:14:58.879 --> 00:15:00.559
<v Speaker 1>maybe all of them are in their our own way,

310
00:15:00.639 --> 00:15:03.720
<v Speaker 1>I replied, only half in jest. We gathered once more

311
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<v Speaker 1>at the staff room, the others hoping for a simpler

312
00:15:05.679 --> 00:15:09.240
<v Speaker 1>answer than the ones multiplying in our notes. Marnie, always

313
00:15:09.320 --> 00:15:12.480
<v Speaker 1>level headed, rolled her eyes at the imagined complexity. The

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00:15:12.559 --> 00:15:14.720
<v Speaker 1>old plans were always sloppy. Old time is like to

315
00:15:14.759 --> 00:15:17.720
<v Speaker 1>leave surprises, that's part of working here. But I could

316
00:15:17.759 --> 00:15:20.000
<v Speaker 1>tell the contradictions were starting to warn their way under

317
00:15:20.000 --> 00:15:22.919
<v Speaker 1>her skin as well. The doubt grew with each passing day.

318
00:15:23.559 --> 00:15:26.720
<v Speaker 1>My tape measure evidence, once solid, behaved like a top Frid's,

319
00:15:26.679 --> 00:15:30.200
<v Speaker 1>slackening and tightening without warning. Shadows and hallways changed not

320
00:15:30.240 --> 00:15:32.240
<v Speaker 1>only with the sun, but with the movement of people

321
00:15:32.240 --> 00:15:35.799
<v Speaker 1>through rooms half remembered and newly discovered. One mile Thursday,

322
00:15:35.919 --> 00:15:37.720
<v Speaker 1>after the city had dried off from a week of rain,

323
00:15:37.840 --> 00:15:39.480
<v Speaker 1>our little group made a new attempt to fix the

324
00:15:39.519 --> 00:15:42.919
<v Speaker 1>location of the infamacised reading room. Miss Cess Bauer, bright

325
00:15:42.919 --> 00:15:45.080
<v Speaker 1>eyed at the adventure, promised to guide us according to

326
00:15:45.159 --> 00:15:48.240
<v Speaker 1>childhood memory. The library echoed with dust and the shuffling

327
00:15:48.240 --> 00:15:50.759
<v Speaker 1>of staff above, their steps drifting and from above around.

328
00:15:51.360 --> 00:15:54.879
<v Speaker 1>We moved as one, counting doorways, peering round corners, feeling

329
00:15:54.879 --> 00:15:58.080
<v Speaker 1>walls for slight coolness. We reached a narrow passage that,

330
00:15:58.120 --> 00:16:01.879
<v Speaker 1>by any calculation, should have been part of them Intian's corridor. Instead,

331
00:16:01.960 --> 00:16:05.000
<v Speaker 1>it was a dead end. No reading room, just faint

332
00:16:05.000 --> 00:16:07.159
<v Speaker 1>marks in the dust, as if some one had rearranged

333
00:16:07.200 --> 00:16:10.120
<v Speaker 1>things behind the scenes of a theater set. Eric's voice

334
00:16:10.120 --> 00:16:13.399
<v Speaker 1>was hushed. You get the feeling the building's listening. We

335
00:16:13.480 --> 00:16:16.519
<v Speaker 1>all chuckled, too, and settled to deny outright. I tried

336
00:16:16.559 --> 00:16:19.600
<v Speaker 1>once more to chart distances, counting shadows, steps, and the

337
00:16:19.679 --> 00:16:22.960
<v Speaker 1>length of my own sarade. I recorded everything twice, then

338
00:16:23.000 --> 00:16:26.200
<v Speaker 1>three times, and found the numbers disagreed by small but

339
00:16:26.279 --> 00:16:30.480
<v Speaker 1>persistent margins. Then, yet, though small mismatches slowly gathered gravity,

340
00:16:30.559 --> 00:16:33.799
<v Speaker 1>each inconsistent measurement weighed on my mind. By this point

341
00:16:34.120 --> 00:16:37.399
<v Speaker 1>we'd earned enough sidelong glances from the other volunteers. With

342
00:16:37.480 --> 00:16:40.279
<v Speaker 1>every puzzle, I confessed to feeling both foolish and exhilerated,

343
00:16:40.320 --> 00:16:41.879
<v Speaker 1>as if I had stumbled into the middle of someone

344
00:16:41.919 --> 00:16:44.519
<v Speaker 1>else's secret written under the floorboards in a language only

345
00:16:44.519 --> 00:16:47.200
<v Speaker 1>half under my command. There came a certain release in

346
00:16:47.200 --> 00:16:50.759
<v Speaker 1>admitting confusion. I let myself enjoyed anomaly, not as a threat,

347
00:16:50.799 --> 00:16:54.639
<v Speaker 1>but as an invitation. So what next, boss, Eric asked

348
00:16:54.639 --> 00:16:56.639
<v Speaker 1>at the end of that week, folding up his own sketch,

349
00:16:56.759 --> 00:16:59.360
<v Speaker 1>kentucking it into a messenger back scrolled with band stickers.

350
00:17:00.080 --> 00:17:03.080
<v Speaker 1>I grinned, shaking my head in amusement. Try not to

351
00:17:03.120 --> 00:17:06.359
<v Speaker 1>fall through to the next floor or the past. He grinned, back,

352
00:17:06.440 --> 00:17:09.000
<v Speaker 1>his eyes a storm of questions, but my own mind

353
00:17:09.039 --> 00:17:11.920
<v Speaker 1>ticked over again, as always did. There were holes in

354
00:17:11.920 --> 00:17:14.920
<v Speaker 1>the building, story spaces where logic thinned and memory flooded in,

355
00:17:15.119 --> 00:17:18.039
<v Speaker 1>Refusing to be built over entirely. We agreed to step

356
00:17:18.119 --> 00:17:22.119
<v Speaker 1>up our investigations, no more half measures. If the building

357
00:17:22.119 --> 00:17:24.519
<v Speaker 1>wanted to play games with space and recollection, it would

358
00:17:24.519 --> 00:17:27.319
<v Speaker 1>have to suffer a team of retirees, students, and true believers,

359
00:17:27.359 --> 00:17:30.359
<v Speaker 1>measuring every square foot it could conjure. The following Monday,

360
00:17:30.440 --> 00:17:33.119
<v Speaker 1>we arned ourselves with boxes of colored pins and sticky notes,

361
00:17:33.440 --> 00:17:37.279
<v Speaker 1>extra clipboards, spare batteries. We laid out our current subbasement map,

362
00:17:37.440 --> 00:17:40.960
<v Speaker 1>mocking every nun door, corridor, alcove, and stair, each of

363
00:17:41.039 --> 00:17:43.640
<v Speaker 1>us took a different colored set of pins. The plan

364
00:17:43.839 --> 00:17:46.079
<v Speaker 1>placed the pins in every location as we moved through,

365
00:17:46.200 --> 00:17:50.359
<v Speaker 1>confirming placement every hour, we chart movement, see what changed

366
00:17:50.440 --> 00:17:54.079
<v Speaker 1>and compare notes. Jasmine set out east airquent west, miss

367
00:17:54.160 --> 00:17:56.880
<v Speaker 1>Espoun north to her supposed reading lounge, and I traced

368
00:17:56.880 --> 00:18:00.240
<v Speaker 1>the central corridors. Within two hours flop and look like

369
00:18:00.240 --> 00:18:03.119
<v Speaker 1>a printing press had run wild, pins had migrated or

370
00:18:03.160 --> 00:18:06.759
<v Speaker 1>been replaced without explanation. Misses sparswore she left of red

371
00:18:06.759 --> 00:18:09.119
<v Speaker 1>pin by the old storage closet. Now it had appeared

372
00:18:09.119 --> 00:18:11.960
<v Speaker 1>by a stair there shouldn't have been there. Jasmine's sequence

373
00:18:11.960 --> 00:18:13.960
<v Speaker 1>of yellow stickers led to a blank wall. On the

374
00:18:13.960 --> 00:18:17.559
<v Speaker 1>next round, My green pin, meant to mark the electrical panel,

375
00:18:17.599 --> 00:18:20.279
<v Speaker 1>materialized instead by a windowless room filled with nothing but

376
00:18:20.319 --> 00:18:22.599
<v Speaker 1>an old book trolley and the smell of wet cardboard.

377
00:18:23.200 --> 00:18:26.559
<v Speaker 1>We gathered at the main sub basement intersection, comparing our findings.

378
00:18:27.200 --> 00:18:30.200
<v Speaker 1>Jasmine laughed, shaking her head. It's like the building's a

379
00:18:30.200 --> 00:18:33.559
<v Speaker 1>mace that shuffles when you're not looking. Maronie, summoned reluctantly

380
00:18:33.559 --> 00:18:36.799
<v Speaker 1>to consult, pressed her lips together, not pleased by the inefficiency.

381
00:18:37.400 --> 00:18:39.799
<v Speaker 1>It's an old place. Don't get too wound up, doors

382
00:18:39.799 --> 00:18:42.799
<v Speaker 1>get moved, wall shift, that's what happens. But she looked

383
00:18:42.799 --> 00:18:44.640
<v Speaker 1>over the new map and front, her finger pressing on

384
00:18:44.680 --> 00:18:46.440
<v Speaker 1>the necks that should have matched a stair, only to

385
00:18:46.480 --> 00:18:49.359
<v Speaker 1>find the stair now led nowhere. We washed her struggle

386
00:18:49.359 --> 00:18:51.480
<v Speaker 1>with uncertainty for the first time, the shirdy in her

387
00:18:51.519 --> 00:18:54.319
<v Speaker 1>voice wavered. That was the moment, the gentle given the

388
00:18:54.359 --> 00:18:57.440
<v Speaker 1>mask of certainty, the moment when even the stubbornly practical

389
00:18:57.480 --> 00:19:00.079
<v Speaker 1>had to concede that the ordinary rules had slipped. I

390
00:19:00.119 --> 00:19:03.079
<v Speaker 1>glanced around the circle of our little group. Each of us,

391
00:19:03.119 --> 00:19:05.119
<v Speaker 1>in our own way, felt the thrill of standing with

392
00:19:05.119 --> 00:19:07.079
<v Speaker 1>both feet and mystery, the kind that doesn't threaten so

393
00:19:07.160 --> 00:19:09.720
<v Speaker 1>much as beckon hinting at something larger beneath the surface.

394
00:19:10.440 --> 00:19:12.400
<v Speaker 1>We stood in silence for a minute, each of us

395
00:19:12.440 --> 00:19:15.640
<v Speaker 1>processing a puzzle in our own tongues. I'm starting to think,

396
00:19:15.880 --> 00:19:18.240
<v Speaker 1>Eric said, speaking as much to himself as to us,

397
00:19:18.319 --> 00:19:20.279
<v Speaker 1>that it's not just the building we're trying to measure.

398
00:19:20.880 --> 00:19:24.160
<v Speaker 1>For a heartbeat, nobody disagree. Jasmine picked up one of

399
00:19:24.160 --> 00:19:26.799
<v Speaker 1>the colored pins between thumb and forefinger, squinting at it

400
00:19:26.799 --> 00:19:28.759
<v Speaker 1>as if she could spot any explanation in the walls

401
00:19:28.799 --> 00:19:31.680
<v Speaker 1>of plastic. How does a green pin move by itself?

402
00:19:31.720 --> 00:19:34.839
<v Speaker 1>She asked me, but her voice held more wonder than skepticism.

403
00:19:35.119 --> 00:19:37.559
<v Speaker 1>I looked around at our cluster framed and flickering light,

404
00:19:37.599 --> 00:19:40.200
<v Speaker 1>as the old fluorescent tube of her head buzzed, sometimes

405
00:19:40.200 --> 00:19:42.720
<v Speaker 1>fading in and out, as if the electricity itself was nervous.

406
00:19:43.599 --> 00:19:46.720
<v Speaker 1>Eric crossed likely beside his bat at messenger bag, drummed

407
00:19:46.720 --> 00:19:49.640
<v Speaker 1>his fingers against a loose floor tile. Missus Bewer leaned

408
00:19:49.680 --> 00:19:51.599
<v Speaker 1>on her cane, tapping it gently, her eyes half to

409
00:19:51.680 --> 00:19:54.279
<v Speaker 1>find half distant. I pressed my hand to the col

410
00:19:54.319 --> 00:19:57.000
<v Speaker 1>cinder block. The wall's felf as real as they had

411
00:19:57.000 --> 00:19:59.359
<v Speaker 1>when I was a young man drawing up reinforcement plans

412
00:19:59.359 --> 00:20:02.640
<v Speaker 1>for the post flood repairs. But lately the library's substance

413
00:20:02.640 --> 00:20:04.519
<v Speaker 1>had become less certain, as if the act of paying

414
00:20:04.519 --> 00:20:07.079
<v Speaker 1>attention could change rare in what it was. The air

415
00:20:07.119 --> 00:20:09.079
<v Speaker 1>seemed denser, and a faint scent of river mud that

416
00:20:09.119 --> 00:20:11.759
<v Speaker 1>always lingered after vrain had seeped in again stronger than

417
00:20:11.759 --> 00:20:14.240
<v Speaker 1>it should be. So far down. We need to map

418
00:20:14.279 --> 00:20:16.960
<v Speaker 1>this in real time, Eric said, pitching his voice lower,

419
00:20:17.160 --> 00:20:21.240
<v Speaker 1>meaning to sound official. Simultaneous observers. The things move of pins,

420
00:20:21.359 --> 00:20:23.599
<v Speaker 1>doors or rooms don't line up for each of us,

421
00:20:23.599 --> 00:20:27.440
<v Speaker 1>then it's not but bad memory or misplaced pluprints. Jasmine nodded,

422
00:20:27.559 --> 00:20:30.599
<v Speaker 1>glancing at her phone's compass, which bun twice before sticking north.

423
00:20:31.160 --> 00:20:33.960
<v Speaker 1>It's almost interactive, like we changed the space by choosing

424
00:20:33.960 --> 00:20:37.119
<v Speaker 1>a route or expecting something. I offered a skeptical arch

425
00:20:37.160 --> 00:20:39.359
<v Speaker 1>of an eyebrow, but I was less committed to certainty

426
00:20:39.400 --> 00:20:42.200
<v Speaker 1>than I been. Whatever we were mapping now it wasn't

427
00:20:42.240 --> 00:20:45.160
<v Speaker 1>just stone and steel. A long echo of voices filtered

428
00:20:45.200 --> 00:20:48.759
<v Speaker 1>down the staywall from the morning volunteers, Marnie's PRIs kasions,

429
00:20:48.799 --> 00:20:51.400
<v Speaker 1>a heavy male off probably balowed from facilities, and the

430
00:20:51.440 --> 00:20:53.480
<v Speaker 1>snatch of something that sounded like a folks on from

431
00:20:53.480 --> 00:20:57.000
<v Speaker 1>the children's librarian. The sub basement's hush was never absolute.

432
00:20:57.039 --> 00:20:59.000
<v Speaker 1>There was always a distant resonance, a sense of the

433
00:20:59.079 --> 00:21:02.000
<v Speaker 1>day's live trickling down along with the light. Miss espar

434
00:21:02.119 --> 00:21:04.960
<v Speaker 1>broke the moment her gaze unsettled. When I was young,

435
00:21:05.119 --> 00:21:07.440
<v Speaker 1>there was a workshop down the east corridor. Mister Nouveldt,

436
00:21:07.440 --> 00:21:09.680
<v Speaker 1>the old janitor, had a work bunch there. He'd let

437
00:21:09.759 --> 00:21:11.920
<v Speaker 1>me help polish wood sometimes. But it's not there now,

438
00:21:12.079 --> 00:21:16.039
<v Speaker 1>is it? No? I confirmed it isn't not that any

439
00:21:16.079 --> 00:21:20.039
<v Speaker 1>of us could find er khunch forward eager, let's ask

440
00:21:20.200 --> 00:21:23.839
<v Speaker 1>not just staff residence old timers. He was already crafting

441
00:21:23.839 --> 00:21:26.519
<v Speaker 1>messages to post, scribbling reminders in the margin of his map.

442
00:21:27.119 --> 00:21:30.880
<v Speaker 1>That afternoon, sun flickering behind riverbank willow leaves, we joined

443
00:21:30.880 --> 00:21:33.559
<v Speaker 1>a community coffee social at the local church hall. I

444
00:21:33.599 --> 00:21:36.960
<v Speaker 1>felt finely ridiculous engineer with a cliport accosting retired school

445
00:21:36.960 --> 00:21:39.680
<v Speaker 1>teachers and crossing God about their memories of a library basement.

446
00:21:40.319 --> 00:21:42.839
<v Speaker 1>But as people gathered in circles, spooning powdered cream into

447
00:21:42.880 --> 00:21:45.480
<v Speaker 1>mugs and arguing about which decade the floods had been worst,

448
00:21:45.559 --> 00:21:48.920
<v Speaker 1>I reassured myself even the most unlikely dat points sometimes

449
00:21:48.960 --> 00:21:53.039
<v Speaker 1>hid the true connections. I started with Earl Hoskins, former postmaster.

450
00:21:53.640 --> 00:21:56.240
<v Speaker 1>He was clear eyed in his eighties memory shop when

451
00:21:56.240 --> 00:21:59.240
<v Speaker 1>a suit at him sub basement. Sure I remember bringing

452
00:21:59.279 --> 00:22:01.680
<v Speaker 1>camp beds down there during that big Filodelo eighty nine

453
00:22:01.960 --> 00:22:05.319
<v Speaker 1>maybe or earlier. He waved a hand. There was a

454
00:22:05.359 --> 00:22:08.160
<v Speaker 1>side room near the boilers, always two warm pipes overhead.

455
00:22:08.200 --> 00:22:10.079
<v Speaker 1>We'd keep the radio going. You tell me it's not

456
00:22:10.160 --> 00:22:13.319
<v Speaker 1>there now, I shook my head. No room like that

457
00:22:13.400 --> 00:22:17.960
<v Speaker 1>on the foreplans. Now did it use to flood? He blinked, flood. No,

458
00:22:18.480 --> 00:22:20.400
<v Speaker 1>never saw any water down there after. They sealed up

459
00:22:20.400 --> 00:22:22.799
<v Speaker 1>around seventy two. But odd though, Now you say, some

460
00:22:22.880 --> 00:22:25.359
<v Speaker 1>mornings after snow mall, you'd swear you smelt the river.

461
00:22:26.000 --> 00:22:29.440
<v Speaker 1>His words settled and settling. Other residents sold Hailey Kore,

462
00:22:29.519 --> 00:22:32.440
<v Speaker 1>who ran the Green Crozer, Gladys Prentis, who once ran

463
00:22:32.480 --> 00:22:36.519
<v Speaker 1>after School Storyo, offered their own such recollections. Gladys a

464
00:22:36.599 --> 00:22:39.119
<v Speaker 1>river reading room with blue tiles on the walls, stories

465
00:22:39.200 --> 00:22:41.319
<v Speaker 1>during the rainy season. It had a glass block window.

466
00:22:41.400 --> 00:22:44.720
<v Speaker 1>Not sure where it's gone. Each memory had its unique geography.

467
00:22:45.400 --> 00:22:48.279
<v Speaker 1>Sometimes two different people described the same object of brass

468
00:22:48.279 --> 00:22:50.920
<v Speaker 1>sign that once marked flood level nineteen thirteen, but placed

469
00:22:50.920 --> 00:22:55.680
<v Speaker 1>it intutally incompatible rooms. Several remembered an annual basement candle walk,

470
00:22:55.799 --> 00:22:59.279
<v Speaker 1>but it never appeared in official programming. The contradictions built

471
00:22:59.359 --> 00:23:02.359
<v Speaker 1>like sediment, evidence of some shifting fossil history beneath the town.

472
00:23:03.039 --> 00:23:04.839
<v Speaker 1>On my way out, I bumped into Anna, my wife,

473
00:23:04.839 --> 00:23:06.720
<v Speaker 1>who had come just to say hello, but got drawn

474
00:23:06.759 --> 00:23:08.680
<v Speaker 1>in as she often did, by the lore of unwinding

475
00:23:08.720 --> 00:23:11.480
<v Speaker 1>local mysteries. She stood quietly by my side as I

476
00:23:11.559 --> 00:23:13.559
<v Speaker 1>recounted what people had told me. Her brow knit with

477
00:23:13.559 --> 00:23:16.839
<v Speaker 1>half amusement. You know, she said, I read about towns

478
00:23:16.839 --> 00:23:19.359
<v Speaker 1>where every generation thought they'd met the whole place, only

479
00:23:19.400 --> 00:23:21.759
<v Speaker 1>to find there were gaps, the buildings layered atop themselves,

480
00:23:21.880 --> 00:23:24.000
<v Speaker 1>or the river started to shift it banks, stories flowed

481
00:23:24.000 --> 00:23:26.240
<v Speaker 1>down like sil filling the gaps. When facts ran out,

482
00:23:26.839 --> 00:23:29.839
<v Speaker 1>I smiled, comforted more than I admitted. Do you believe

483
00:23:29.839 --> 00:23:32.440
<v Speaker 1>a building can have memories? Anna looked up at the

484
00:23:32.519 --> 00:23:36.079
<v Speaker 1>dark clouds gathering above the steeple. Maybe not memories, maybe

485
00:23:36.079 --> 00:23:38.640
<v Speaker 1>places hauled onto the shape of stories, things people steped

486
00:23:38.640 --> 00:23:41.359
<v Speaker 1>to see or need to remember. Sometimes if enough people

487
00:23:41.400 --> 00:23:43.480
<v Speaker 1>walk the same hole, it's as real as a wall.

488
00:23:44.079 --> 00:23:46.759
<v Speaker 1>Eric Shepherd. Missessked burrow toward us, eager for her guidance.

489
00:23:46.759 --> 00:23:50.000
<v Speaker 1>In the River reading room, she paused before describing its layout,

490
00:23:50.000 --> 00:23:52.359
<v Speaker 1>claimed at hello benches, a wall covered with old prints

491
00:23:52.359 --> 00:23:54.519
<v Speaker 1>of the river, and a big slow found that creaked

492
00:23:54.519 --> 00:23:57.960
<v Speaker 1>on its chain. Neither blueprints nor living memory could reconcile

493
00:23:58.000 --> 00:23:59.920
<v Speaker 1>the room's position, but she drew the rout all the

494
00:24:00.160 --> 00:24:02.640
<v Speaker 1>saying it was this way I used to do my

495
00:24:02.720 --> 00:24:05.599
<v Speaker 1>reading there. After quiet practice, we agreed to try and

496
00:24:05.640 --> 00:24:09.599
<v Speaker 1>retrace her steps. Later that week our memory walk meander

497
00:24:09.680 --> 00:24:12.480
<v Speaker 1>through the sub basements. Mercess bar tapped her cane on

498
00:24:12.519 --> 00:24:15.400
<v Speaker 1>warm flockstones, tracing her childhood path by the fading logic

499
00:24:15.400 --> 00:24:18.400
<v Speaker 1>of recollection. Gismond held her phone up to catch any

500
00:24:18.440 --> 00:24:22.319
<v Speaker 1>geomagnetic oddities. We found ourselves in a corridor between knockoff

501
00:24:22.359 --> 00:24:24.759
<v Speaker 1>storage and old mechanical so an arrow of three people

502
00:24:24.759 --> 00:24:28.640
<v Speaker 1>could barely walk abreast. Miss esspos stopped a wall, ran

503
00:24:28.680 --> 00:24:30.880
<v Speaker 1>her hand along the cinder block seam, and said, simply

504
00:24:30.960 --> 00:24:33.920
<v Speaker 1>here the reading room door was here. Yet when we

505
00:24:33.960 --> 00:24:36.640
<v Speaker 1>returned the next day, the corridor was walled off, corrogated,

506
00:24:36.640 --> 00:24:38.640
<v Speaker 1>a conduit running over what should have been a doorway,

507
00:24:38.759 --> 00:24:42.000
<v Speaker 1>no hint of passage. Eric grinned, a little odd, a

508
00:24:42.000 --> 00:24:45.759
<v Speaker 1>little dismayed. Did we dream it? I shook my head,

509
00:24:46.359 --> 00:24:49.440
<v Speaker 1>No dream, just another layer. I patted the wall as

510
00:24:49.480 --> 00:24:52.240
<v Speaker 1>if it could recall its own history. Each day brought

511
00:24:52.279 --> 00:24:54.640
<v Speaker 1>a new account of vanished workshop, a corridor that leaped

512
00:24:54.640 --> 00:24:57.599
<v Speaker 1>impossibly back into itself, a room assess bowswore was real,

513
00:24:57.640 --> 00:25:00.319
<v Speaker 1>and Anna remembered visiting with our daughter, but not quite

514
00:25:00.359 --> 00:25:03.000
<v Speaker 1>in the same season or with the same particulars. The

515
00:25:03.039 --> 00:25:05.279
<v Speaker 1>more people we asked, the more stubborn that the details

516
00:25:05.279 --> 00:25:08.559
<v Speaker 1>refused to stay fixed, even tangible objects the old green

517
00:25:08.559 --> 00:25:10.799
<v Speaker 1>book caught on the second level. The dented brass flood

518
00:25:10.880 --> 00:25:13.559
<v Speaker 1>level plaque sometimes found by the washrooms, migrated through time

519
00:25:13.599 --> 00:25:16.359
<v Speaker 1>and for turning up wherever someone expected to see them.

520
00:25:16.680 --> 00:25:18.839
<v Speaker 1>During a break in the middle of spring rains, Eric

521
00:25:18.920 --> 00:25:21.960
<v Speaker 1>arrived breathless with what he called evidence. Sheets of local

522
00:25:22.039 --> 00:25:24.519
<v Speaker 1>legend Ford copied from the high school year because challenges

523
00:25:24.519 --> 00:25:27.880
<v Speaker 1>of Montien's fine phantom rooms, stories of library adventures where

524
00:25:27.920 --> 00:25:30.759
<v Speaker 1>the only way out was two follow yesterday's footprints. Some

525
00:25:30.960 --> 00:25:33.319
<v Speaker 1>tales ended with a closing bell ringing at midnight from

526
00:25:33.359 --> 00:25:37.160
<v Speaker 1>a level everyone agreed didn't exist. We compared focal to recos,

527
00:25:37.200 --> 00:25:39.960
<v Speaker 1>examining every anecdote for clues. A pattern began to emerge.

528
00:25:40.640 --> 00:25:44.440
<v Speaker 1>No major catastrophe, nothing dramatic or destructive, just persistent shape

529
00:25:44.440 --> 00:25:48.799
<v Speaker 1>shifting anecdotes, particularly vivid after floods or renovations. One morning,

530
00:25:48.880 --> 00:25:50.799
<v Speaker 1>after a night of thunder and heavy rainfall, I made

531
00:25:50.839 --> 00:25:53.480
<v Speaker 1>my way down extra early the shop Tanng of Ozen

532
00:25:53.559 --> 00:25:56.119
<v Speaker 1>lingered in the stairwells, the river's breath traveling deep through

533
00:25:56.240 --> 00:25:59.640
<v Speaker 1>scene channels, descending into the sub basement. I paused at

534
00:25:59.640 --> 00:26:02.400
<v Speaker 1>the last landing. The first flight was dry, but the

535
00:26:02.400 --> 00:26:05.720
<v Speaker 1>bottom four steps glistened with a thin layer of standing water, coals,

536
00:26:05.759 --> 00:26:08.799
<v Speaker 1>melted snow. The boundary was sharp as a ruler's edge,

537
00:26:08.839 --> 00:26:13.680
<v Speaker 1>above dry painted wood, below water shining darkly. Yet only

538
00:26:13.720 --> 00:26:16.160
<v Speaker 1>at the mid landing did the water extend beyond. The

539
00:26:16.200 --> 00:26:19.400
<v Speaker 1>stairs continued dry, as if nothing was amiss. I bent

540
00:26:19.480 --> 00:26:22.880
<v Speaker 1>finger tips brush into water. It was stagnant, but not foul,

541
00:26:22.960 --> 00:26:24.799
<v Speaker 1>and astray leaf, one of the little willow leave so

542
00:26:24.839 --> 00:26:27.759
<v Speaker 1>often swept into the library's vestibule, sat perfectly centered in

543
00:26:27.799 --> 00:26:31.839
<v Speaker 1>a puddle. I considered pipes leak, spurious condensation, drain and

544
00:26:31.920 --> 00:26:35.759
<v Speaker 1>sheech engineer's answer, but nune sufficed. I waited, watching the

545
00:26:35.839 --> 00:26:38.519
<v Speaker 1>daylight seep across the steps, and slowly, as if embarrassed,

546
00:26:38.559 --> 00:26:41.160
<v Speaker 1>the water began to drain. It left behind a scent

547
00:26:41.279 --> 00:26:44.720
<v Speaker 1>not of plumbing, old books, but clean riverbanker mud after storm.

548
00:26:44.960 --> 00:26:48.400
<v Speaker 1>When I told the others, Jasmine Grinn delighted. It's like

549
00:26:48.440 --> 00:26:50.640
<v Speaker 1>the library acts out the river's stories on its bones.

550
00:26:51.400 --> 00:26:53.519
<v Speaker 1>Eric rolled his eyes but smiled, caught in the tug

551
00:26:53.519 --> 00:26:56.359
<v Speaker 1>of war between skepticism and wonder. Yet the more we

552
00:26:56.400 --> 00:26:58.559
<v Speaker 1>pushed the puzzle, the more it seemed to resist, obliging

553
00:26:58.680 --> 00:27:01.960
<v Speaker 1>us with glimpses, but never the saying twice we pivoted

554
00:27:01.960 --> 00:27:04.759
<v Speaker 1>from seeking more examples, none repeated to asking a deeper question,

555
00:27:05.000 --> 00:27:07.440
<v Speaker 1>Why did the anomalies come and go it all? What

556
00:27:07.559 --> 00:27:10.599
<v Speaker 1>tied the strange special shifts to rain, or to collective memory,

557
00:27:10.759 --> 00:27:14.079
<v Speaker 1>or to renovations and rituals lost to time. Anna suggested

558
00:27:14.119 --> 00:27:16.480
<v Speaker 1>we search for the river's original footprints. She found maps

559
00:27:16.480 --> 00:27:18.799
<v Speaker 1>at City Hall, shering past channels. The river had once

560
00:27:18.880 --> 00:27:21.119
<v Speaker 1>run directly under the west wing of the current library,

561
00:27:21.319 --> 00:27:24.880
<v Speaker 1>Fearing only after a catastrophic flood in nineteen thirteen, layers

562
00:27:24.920 --> 00:27:27.519
<v Speaker 1>of silt were transported in new foundations laid atop the

563
00:27:27.559 --> 00:27:30.200
<v Speaker 1>old water course. She joined us for a nighttime walk

564
00:27:30.240 --> 00:27:32.960
<v Speaker 1>under light rain, tracing the old path. The air down

565
00:27:33.039 --> 00:27:36.240
<v Speaker 1>stairs was thick with the same living wetther smell. Jasmine

566
00:27:36.279 --> 00:27:38.640
<v Speaker 1>noted her compass lock north more consistently as we near

567
00:27:38.680 --> 00:27:41.400
<v Speaker 1>where the river had once flow. A certain block in

568
00:27:41.400 --> 00:27:43.359
<v Speaker 1>the sub basement, the one closest to the old river

569
00:27:43.400 --> 00:27:45.559
<v Speaker 1>PEDI felt the hair on my arms rise, as if

570
00:27:45.559 --> 00:27:48.960
<v Speaker 1>the floor itself was electrically charged. We stopped. Our store

571
00:27:49.000 --> 00:27:51.839
<v Speaker 1>room locked most of the year at our request. Monia

572
00:27:51.920 --> 00:27:53.799
<v Speaker 1>led us inside, more out of a desire to squash

573
00:27:53.799 --> 00:27:56.720
<v Speaker 1>foolishness than to foster it. I think under the buzz

574
00:27:56.720 --> 00:27:58.960
<v Speaker 1>of bare bulbs, we found a window set high in

575
00:27:58.960 --> 00:28:02.559
<v Speaker 1>the wall. Impossible, this far below grade. Yet through the

576
00:28:02.599 --> 00:28:05.039
<v Speaker 1>class dap of gold light poured in, as if the

577
00:28:05.039 --> 00:28:08.079
<v Speaker 1>sun were setting over the water. Jasmine and Eric stayed

578
00:28:08.119 --> 00:28:10.880
<v Speaker 1>without talking. Then slowly the view damed, the light flickering

579
00:28:10.880 --> 00:28:13.279
<v Speaker 1>out like a candle snuffed by wind. I left the

580
00:28:13.279 --> 00:28:15.920
<v Speaker 1>store room in silence, unable to explain the slip, and nerved,

581
00:28:15.920 --> 00:28:18.759
<v Speaker 1>but not afraid. If anything, I felt as if we

582
00:28:18.759 --> 00:28:20.640
<v Speaker 1>were seeing a shadow and old world surface in for

583
00:28:20.680 --> 00:28:24.000
<v Speaker 1>a moment, the river's memory burning through Sterne. The next day,

584
00:28:24.039 --> 00:28:27.559
<v Speaker 1>Anna called her friend, our retired tumplanner named a whit Over,

585
00:28:27.720 --> 00:28:29.880
<v Speaker 1>over big coffee in the staff room. He told us

586
00:28:29.880 --> 00:28:32.799
<v Speaker 1>how the library's deepest fittings were built atop salvaged masonry

587
00:28:32.839 --> 00:28:36.000
<v Speaker 1>pieces from buildings submerged during the early twentieth century. Floods

588
00:28:36.039 --> 00:28:38.319
<v Speaker 1>caught at him when the land was only just stabilized.

589
00:28:38.960 --> 00:28:41.559
<v Speaker 1>They didn't throw away anything that survived, maybe even some

590
00:28:41.799 --> 00:28:44.960
<v Speaker 1>entire cellars filled and re used. De Whitt described a

591
00:28:45.000 --> 00:28:47.559
<v Speaker 1>founding ceremony. The townsfolk had lined the walls with black

592
00:28:47.599 --> 00:28:50.079
<v Speaker 1>paint marking high water, then buried corns and tokens to

593
00:28:50.119 --> 00:28:52.880
<v Speaker 1>appease the river. We wanted the place to remember both

594
00:28:52.880 --> 00:28:55.359
<v Speaker 1>the worst days and the best. I asked him if

595
00:28:55.400 --> 00:28:58.319
<v Speaker 1>he thought the land itself could remember. He laughed, displaying

596
00:28:58.319 --> 00:29:00.880
<v Speaker 1>his big hands on the table. He spend enough time

597
00:29:00.920 --> 00:29:04.720
<v Speaker 1>in river country, you know the grounds, always moving, buildings, roads, people,

598
00:29:04.759 --> 00:29:07.079
<v Speaker 1>They all drift and reappear. May be spaces due to

599
00:29:07.799 --> 00:29:11.200
<v Speaker 1>After he left Jasmineport, over maps for hours, she found

600
00:29:11.240 --> 00:29:14.400
<v Speaker 1>that old layet, when overlaid with present blueprints, lined up

601
00:29:14.440 --> 00:29:19.200
<v Speaker 1>at odd impossible intersections, rooms, overlapping doors, duplicated corridors existing

602
00:29:19.200 --> 00:29:22.920
<v Speaker 1>only when memory insisted, it's a palempsis, She murmured, tracing

603
00:29:22.920 --> 00:29:26.079
<v Speaker 1>with her finger a manuscript written over the old Still

604
00:29:26.160 --> 00:29:29.839
<v Speaker 1>peeking through, we gathered our growing pile of blueprints, personal maps,

605
00:29:29.839 --> 00:29:34.480
<v Speaker 1>community recollections, and photographs. Tom the builder, the engineer, pushed

606
00:29:34.519 --> 00:29:37.480
<v Speaker 1>for a synthesis. There was a logic wanting to emerge,

607
00:29:37.480 --> 00:29:41.079
<v Speaker 1>but not a geometric one lane transparencies atop one another

608
00:29:41.160 --> 00:29:43.880
<v Speaker 1>under the reading room lamp. I saw it recurring. Impossible

609
00:29:43.960 --> 00:29:46.799
<v Speaker 1>rooms appeared at the intersection of past and present layouts,

610
00:29:47.319 --> 00:29:50.119
<v Speaker 1>the same sub level reading lunge. Missess barclained the same

611
00:29:50.200 --> 00:29:53.519
<v Speaker 1>vanished Workshoppel remembered the narrow blind corry doors each overlap

612
00:29:53.559 --> 00:29:56.640
<v Speaker 1>when two plans disagreed, occupying the same locusts in different

613
00:29:56.720 --> 00:29:59.720
<v Speaker 1>versions of the building's history. It was as though collective

614
00:29:59.720 --> 00:30:02.279
<v Speaker 1>expres tian could open or closer room, guide a hallway,

615
00:30:02.359 --> 00:30:05.039
<v Speaker 1>or lock a door. The library ship was being written

616
00:30:05.039 --> 00:30:08.000
<v Speaker 1>and rewritten by years of stories, plans, and memories, with

617
00:30:08.079 --> 00:30:10.440
<v Speaker 1>the river's old course serving as the hidden through line.

618
00:30:10.799 --> 00:30:13.160
<v Speaker 1>Frustrated by the lack of hard proof, we brought out

619
00:30:13.160 --> 00:30:16.599
<v Speaker 1>a camera trying to catch one of the shifting doors. Channi,

620
00:30:16.880 --> 00:30:19.240
<v Speaker 1>a short minded volunteer need that week, helped us by

621
00:30:19.240 --> 00:30:22.839
<v Speaker 1>watching one store and for whole morning. Reviewing the camera's footage,

622
00:30:22.880 --> 00:30:25.079
<v Speaker 1>we found it in one frame. Had do simply wasn't

623
00:30:25.079 --> 00:30:27.000
<v Speaker 1>there just a blank wall? But every time Shanny looked

624
00:30:27.079 --> 00:30:28.799
<v Speaker 1>up from her cross words, she saw it open and

625
00:30:28.839 --> 00:30:32.480
<v Speaker 1>close as usual to her, nothing had changed. I found

626
00:30:32.519 --> 00:30:35.160
<v Speaker 1>myself saying aloud, what if the space flexus to memory.

627
00:30:35.200 --> 00:30:37.559
<v Speaker 1>If enough people expect a room, it's here for a while.

628
00:30:38.079 --> 00:30:41.799
<v Speaker 1>Anna nodded her eyes alight. Cities every river room assemble,

629
00:30:41.880 --> 00:30:44.880
<v Speaker 1>layered cities where old spaces surface in floods or festivals

630
00:30:45.000 --> 00:30:47.079
<v Speaker 1>or dreams. You can chart the lines, but the meaning

631
00:30:47.119 --> 00:30:49.960
<v Speaker 1>lives in what the community remembers together, or what it

632
00:30:50.039 --> 00:30:53.720
<v Speaker 1>needs to remember. Jasmin added quietly that evening, as we

633
00:30:53.759 --> 00:30:56.119
<v Speaker 1>sat at the big basement table, turning pins and plans

634
00:30:56.119 --> 00:30:58.359
<v Speaker 1>over in our hands, I realized what had been dancing

635
00:30:58.400 --> 00:31:01.400
<v Speaker 1>at the edge of logical alarm. Every change, every new wing,

636
00:31:01.559 --> 00:31:05.400
<v Speaker 1>every flood, every generation's repairs, road, the building, the sub basements,

637
00:31:05.480 --> 00:31:07.960
<v Speaker 1>more than the floors above were imprinted with these changes,

638
00:31:08.119 --> 00:31:10.799
<v Speaker 1>like mud press by countless footprintsince the town first built

639
00:31:10.799 --> 00:31:13.160
<v Speaker 1>by the river. When the river swelled, or the town

640
00:31:13.160 --> 00:31:17.000
<v Speaker 1>shifted of mudded recollections, new stories, rituals. The library's depths

641
00:31:17.000 --> 00:31:21.400
<v Speaker 1>obliged revealing their layers, impossible rooms and corridor surface not

642
00:31:21.480 --> 00:31:23.400
<v Speaker 1>as a threat, but as a kind of community echo,

643
00:31:23.480 --> 00:31:27.039
<v Speaker 1>summoned into reality by consensus of memory, necessity, and tradition.

644
00:31:27.599 --> 00:31:30.359
<v Speaker 1>The revelation hum through me, not fear but marveling humility.

645
00:31:30.920 --> 00:31:33.880
<v Speaker 1>Wherever many lives pressed together overlap in their needs and

646
00:31:33.920 --> 00:31:36.680
<v Speaker 1>their stories, a past and present could stand side by side,

647
00:31:36.720 --> 00:31:39.920
<v Speaker 1>each unlilling to fully vanish I sketched a master map

648
00:31:39.960 --> 00:31:41.839
<v Speaker 1>with the rest, knowing even this could not capture all

649
00:31:41.839 --> 00:31:45.720
<v Speaker 1>the shifting boundaries, but it was something, a living recor,

650
00:31:45.799 --> 00:31:47.640
<v Speaker 1>if only for as long as we believed in it.

651
00:31:48.319 --> 00:31:51.839
<v Speaker 1>That spring culminated in one final act, Anna suggested we

652
00:31:51.920 --> 00:31:53.960
<v Speaker 1>try what massess by recall from childhood the mid we

653
00:31:54.039 --> 00:31:56.640
<v Speaker 1>to close in ritual. We couldn't wait for the right date,

654
00:31:56.799 --> 00:31:58.640
<v Speaker 1>so we made you a closing ceremony in one of

655
00:31:58.640 --> 00:32:00.759
<v Speaker 1>the impossible rooms, the one none of us could find

656
00:32:00.799 --> 00:32:03.359
<v Speaker 1>on a blueprint, but each of us believe existed for now.

657
00:32:04.039 --> 00:32:07.319
<v Speaker 1>We gathered trinkets and tokens. Annas pressed penny from the

658
00:32:07.400 --> 00:32:10.480
<v Speaker 1>river front fare. Eric's hand drawn map, crude and bright

659
00:32:10.519 --> 00:32:15.920
<v Speaker 1>with hope, Jaosman's compass recalibrated again, Missus Bowers's ancient library cards,

660
00:32:16.000 --> 00:32:19.359
<v Speaker 1>much but legible. I supplied a battered pencil, stub used

661
00:32:19.400 --> 00:32:22.559
<v Speaker 1>and sharpened for decades of sketches. We placed each object

662
00:32:22.599 --> 00:32:25.319
<v Speaker 1>on the low center table, spoke wishes, some for clarity,

663
00:32:25.440 --> 00:32:27.880
<v Speaker 1>some for memory, some for the simple joy of witnessing oddness.

664
00:32:27.880 --> 00:32:30.640
<v Speaker 1>Together we sat in silence, the air dense with the

665
00:32:30.640 --> 00:32:32.960
<v Speaker 1>smell of damp stone, the muffled pulse of the river

666
00:32:33.000 --> 00:32:36.119
<v Speaker 1>deep below. Cheney and Marney joined, each incertain in their

667
00:32:36.160 --> 00:32:38.880
<v Speaker 1>own way, each quietly contributing a button, a folded note,

668
00:32:38.880 --> 00:32:42.440
<v Speaker 1>a brass pin. We waited. As I closed my eyes,

669
00:32:42.519 --> 00:32:44.279
<v Speaker 1>I heard the distant, dream like sound of a bell,

670
00:32:44.359 --> 00:32:46.920
<v Speaker 1>not the library's shine, order, rounder deeper, as if an

671
00:32:46.920 --> 00:32:49.839
<v Speaker 1>echo from water logged would. When we opened our eyes again,

672
00:32:49.920 --> 00:32:52.920
<v Speaker 1>every object was gone. Only the table and an impression

673
00:32:52.920 --> 00:32:55.960
<v Speaker 1>in the dust remained. We left the room together, hesitating

674
00:32:56.000 --> 00:32:59.160
<v Speaker 1>at the threshold, unwilling to look back. In the morning.

675
00:32:59.279 --> 00:33:01.920
<v Speaker 1>When I went back, all the door led to Janitor's closet,

676
00:33:02.039 --> 00:33:05.160
<v Speaker 1>smelling faintly of wax and cedar. There was no table,

677
00:33:05.240 --> 00:33:07.960
<v Speaker 1>no dust, no hint of what we'd done. Weeks pasted

678
00:33:08.640 --> 00:33:11.400
<v Speaker 1>in midsummer, a new volunteery, young woman named Petro brought

679
00:33:11.440 --> 00:33:13.119
<v Speaker 1>up a battle pencil stubs she had found in the

680
00:33:13.119 --> 00:33:15.920
<v Speaker 1>far back of the tilty shelf on its warm side.

681
00:33:15.920 --> 00:33:18.039
<v Speaker 1>My initials were faintly carved, just as I'd done as

682
00:33:18.039 --> 00:33:20.799
<v Speaker 1>a board under grande at half a lifetime agir. She

683
00:33:20.920 --> 00:33:23.960
<v Speaker 1>handed it to me, assuming I'd dropped it recently. I

684
00:33:23.960 --> 00:33:26.440
<v Speaker 1>turned it over in my palm, feeling a quite shiver

685
00:33:26.480 --> 00:33:29.240
<v Speaker 1>of recognition. Had the space returned it as a kind

686
00:33:29.240 --> 00:33:33.400
<v Speaker 1>of kindness or as a gentle reminder, I couldn't say.

687
00:33:33.759 --> 00:33:37.079
<v Speaker 1>Petra watched me, but amused by my credulity, curiosity mixing

688
00:33:37.119 --> 00:33:39.480
<v Speaker 1>into her own. Perhaps the rooms weren't meant to be

689
00:33:39.480 --> 00:33:42.440
<v Speaker 1>solf just encountered by this willing to look. Perhaps it

690
00:33:42.480 --> 00:33:44.799
<v Speaker 1>was enough that for a moment impossible space had gathered

691
00:33:44.880 --> 00:33:47.079
<v Speaker 1>us together, writing our story among the others buried under

692
00:33:47.079 --> 00:33:49.720
<v Speaker 1>the river and its restless city. When I next measured

693
00:33:49.720 --> 00:33:52.079
<v Speaker 1>the main corridor, I found it at length I didn't expect,

694
00:33:52.119 --> 00:33:55.039
<v Speaker 1>and let the discrepancy remain. The urge to correct was

695
00:33:55.079 --> 00:33:58.200
<v Speaker 1>replaced by a subtle, perpetual readiness to discover and acknowledgment

696
00:33:58.200 --> 00:34:00.279
<v Speaker 1>that some mysteries prefer to remain just beyond the reach

697
00:34:00.279 --> 00:34:03.480
<v Speaker 1>of tape and line. I found myself sharing little fragments

698
00:34:03.480 --> 00:34:05.559
<v Speaker 1>of all this with newer volunteers, a hint here an

699
00:34:05.599 --> 00:34:08.800
<v Speaker 1>unexplained creek, their encouragement not to take the ordinary for granted,

700
00:34:09.440 --> 00:34:12.079
<v Speaker 1>not as a warning, but as an invitation. There is

701
00:34:12.159 --> 00:34:14.760
<v Speaker 1>base here, I'd say, for your story too. On a

702
00:34:14.840 --> 00:34:17.400
<v Speaker 1>late spring afternoon, lights stall slick on the streets, after

703
00:34:17.519 --> 00:34:19.960
<v Speaker 1>rain had paused. Under the shelter of the library. Overhand,

704
00:34:20.519 --> 00:34:23.159
<v Speaker 1>the river blow ran high, sky lingered between blue and pewter.

705
00:34:23.880 --> 00:34:26.119
<v Speaker 1>Looking back, the lines of the buildings stacked, all the

706
00:34:26.119 --> 00:34:28.559
<v Speaker 1>angles seeming to melt into each other, doors framing more

707
00:34:28.559 --> 00:34:31.440
<v Speaker 1>than they should. I found myself speaking aloud to no

708
00:34:31.519 --> 00:34:33.760
<v Speaker 1>one in particular, and to every one who dever cared

709
00:34:33.760 --> 00:34:35.719
<v Speaker 1>to wonder at the quite strangeness of an old place.

710
00:34:36.440 --> 00:34:39.360
<v Speaker 1>What other buildings, what other streets and pucks slipped between

711
00:34:39.400 --> 00:34:42.239
<v Speaker 1>their lines? When memory and geography and twine. What if

712
00:34:42.239 --> 00:34:44.840
<v Speaker 1>every town hides at least one impossible room, patient waiting

713
00:34:44.880 --> 00:34:47.280
<v Speaker 1>for the right question, the careful look, the collective need

714
00:34:47.280 --> 00:34:50.800
<v Speaker 1>for a story. Returned, rain tapped at the gutters. Some

715
00:34:50.840 --> 00:34:53.039
<v Speaker 1>one inside the library laughed as they shelved a stack

716
00:34:53.079 --> 00:34:56.320
<v Speaker 1>of returned books. I felt, for the first time in years,

717
00:34:56.360 --> 00:34:58.639
<v Speaker 1>deeply at home, inside a puzzle that deserved its permanence.

718
00:34:59.280 --> 00:35:01.320
<v Speaker 1>Perhaps some place are meant to change ship when we

719
00:35:01.360 --> 00:35:04.639
<v Speaker 1>remember them, And perhaps that wonder, layered and open ended,

720
00:35:04.719 --> 00:35:10.039
<v Speaker 1>is meaning enough and that is the end. Thank you

721
00:35:10.079 --> 00:35:20.039
<v Speaker 1>for listening, and I will see you in the next one.
