Speaker 1: Oh better, that are.
Speaker 2: M hm.
Speaker 1: Trigger Warrener.
Speaker 3: This podcast may include explicit content that will take you
Speaker 3: out of your comfort zone and make you question reality.
Speaker 3: Listener's discretion is advised. What is going on? Everybody? Welcome
Speaker 3: back to the Gray Pill Podcast. Good evening, I guess,
Speaker 3: good evening, and welcome back to the Gray Pull Podcast.
Speaker 3: I am your host, Jules, the Mississippi Mystic Sound Scientists,
Speaker 3: the eloheem Etymologist. You know why I'm here, you know
Speaker 3: what we're here to do. Here for another banger of
Speaker 3: an episode. Guys, before we get started, be sure to
Speaker 3: like the stream, share it with your friends and your
Speaker 3: family at at your own risk. Like I said, have
Speaker 3: a banger lined up for us tonight. We are joined
Speaker 3: by my friend and fellow reject occult reject that is
Speaker 3: Julia of the Cosmic Peach podcast. Julia, how are we
Speaker 3: doing this evening?
Speaker 1: I'm good.
Speaker 3: At trying to work. We're kind of work with the soundboard.
Speaker 3: We're trying to trying new things here on. I'm grateful.
Speaker 1: I like it, I love it. I feel appreciated already,
Speaker 1: So thank you for having me.
Speaker 3: We should guys. This is Julia. She's the host of
Speaker 3: the Cosmic Peach podcast. I've been meaning to get her
Speaker 3: on for a minute. We both are on the Occult
Speaker 3: Rejects panel together, so we we do some shows together,
Speaker 3: but we've never, you know, been a guest on each
Speaker 3: other's perspective show. So, uh, Julia, tell us a little
Speaker 3: bit about it. For people who don't know you, I,
Speaker 3: I know you've been in this game for a minute now,
Speaker 3: you know.
Speaker 1: Yeah, actually, yeah, sometimes well, I mean I think about
Speaker 1: it sometimes and it feels like you haven't been doing
Speaker 1: it very long, and then sometimes I feel like I've
Speaker 1: been doing it forever. But yeah, when people ask like, oh,
Speaker 1: what do you do and I say, oh, I have
Speaker 1: a podcast, people think like it's just a hobby something
Speaker 1: that I do for fun on the side. But I've
Speaker 1: been working at it for several years now. It definitely
Speaker 1: didn't just pop off overnight. It's been like a slow,
Speaker 1: gradual rise, you know. But I'm really appreciative for the
Speaker 1: people who have listened to my show from the very beginning,
Speaker 1: because it's like with any conspiracy theory journey, I started
Speaker 1: off like real skeptical about everything, and then I started
Speaker 1: like discovering like neffeline stuff, and then I talked to
Speaker 1: like Gary Wayne and I did like the Genesis six
Speaker 1: conspiracy stuff, and then you know, I got into like
Speaker 1: Dave McGowan's work in the Laurel Canyon and Program to Kill,
Speaker 1: and it's just been it's been a ride, and I
Speaker 1: feel like the people that listen to my show have
Speaker 1: kind of like went along with me on the ride,
Speaker 1: because like at first, you you think like Bigfoot's just Bigfoot,
Speaker 1: and like there's act, maybe there's actually extraterrestrials and shit
Speaker 1: like that. But now I'm to the point where everything's
Speaker 1: like some type of weird nephulum creature and hybrid comers
Speaker 1: and use some type of trimera. Yeah, yeah, yeah, basically.
Speaker 3: We can get into talking about that too. I know
Speaker 3: we had kind of talked earlier. You had some presentations
Speaker 3: I think that you wanted to pull up. We were
Speaker 3: gonna get into Laurel Canyon, some mk ULTR stuff. So again, guys, share,
Speaker 3: share the show and be sure to hit that like button.
Speaker 3: But before we get started talking about anything, So you've
Speaker 3: been doing this how long you said?
Speaker 1: You said, I think like twenty twenty two.
Speaker 3: Really, yeah, it feels like, yeah, I see, it feels
Speaker 3: like you've been doing it a lot longer. I think
Speaker 3: we've had this discussion before.
Speaker 1: Yeah, well, I feel like sometimes it does feel like
Speaker 1: a long time, especially when you're looking for new topics
Speaker 1: and new guests and like fun new things to cover.
Speaker 1: Since twenty twenty two, I've you know, sometimes it's like
Speaker 1: I want to cover the same stuff other people are
Speaker 1: talking about, but then I don't want to sound like,
Speaker 1: you know, I'm just writing their coat tails. So I
Speaker 1: try to find like my own interesting shit to talk about.
Speaker 1: And so yeah, I mean sometimes it feels like a
Speaker 1: real struggle. Sometimes I can't.
Speaker 3: Even listen, you know, half the time, because I'm like, dude,
Speaker 3: if I hear something and it's even remotely close to
Speaker 3: what I have to say about this subject, and then
Speaker 3: it didn't come to me, you know, Yeah, yeah you
Speaker 3: have to. Yeah, I think a.
Speaker 1: Good podcast host always like listens to other podcasts and
Speaker 1: they'll like get ideas and stuff. But I wanted to
Speaker 1: be my own ideas about it, don't know.
Speaker 3: And because you're a like totally authentic person, you and
Speaker 3: Coleby both and like, you know, yeah, no, I could
Speaker 3: tell when I when I first when I first met
Speaker 3: you guys, and uh, you know, you have a very
Speaker 3: authentic following. It seems organic following. That's how that's how
Speaker 3: it is for me, and I struggle to get past
Speaker 3: a certain amount of followers. But uh, and I've had
Speaker 3: people tell me that, yeah, find you, like I search
Speaker 3: you up, I can't find you. You have to go
Speaker 3: like you have to I guess type in the link.
Speaker 3: You got to you got to get the link. So
Speaker 3: I've been I just printed some uh QR code stickers
Speaker 3: guys sending those out with sticker packs.
Speaker 1: Oh that's so smart.
Speaker 3: Yes, yes, I thought about it, and I was like,
Speaker 3: you know, mm.
Speaker 1: Hmm, yeah, No, that's so smart because I don't know,
Speaker 1: I don't get a lot of people say that they
Speaker 1: can't find me. But it's like some of the like bigger,
Speaker 1: bigger shows that I've been on, I feel like really
Speaker 1: lucky to get to be a part of the show
Speaker 1: or whatever, and then afterwards, I'm like, I don't know
Speaker 1: if that was like the right topic to cover. Like
Speaker 1: I try. I always try to like bring the heat
Speaker 1: when I go on bigger shows because I want to
Speaker 1: give them a taste of like what it would be
Speaker 1: like to listen to my show. And sometimes I get
Speaker 1: really nervous, and then I'm like, oh, I fucked up. No,
Speaker 1: he's gonna come fucking listen to my show now. I
Speaker 1: sounded like a retard the whole time. So it took
Speaker 1: a while for me to like be able to relax
Speaker 1: and just like enjoy the conversation without am I saying this? Right? Am?
Speaker 1: I doing this? Right? Am? I? You know?
Speaker 3: Coming home? I am an anxious son of a bitch too.
Speaker 3: I am spastic at times.
Speaker 1: Probably that like mannic, that's how I get to Yeah,
Speaker 1: Like I went on Tinfoil Hat two times, and both
Speaker 1: times I felt like I was going to throw up
Speaker 1: the entire time. And then after I got done with
Speaker 1: the show, I was like, nobody's gonna come find my shit? Now.
Speaker 1: I sound fucking stupid. I just like, you know, I'm
Speaker 1: a nervous wreck the entire time. And Yeah, but it
Speaker 1: took it took a while for me to just relax
Speaker 1: and not worry so much about if if people come
Speaker 1: to find the show, because if they want to find it,
Speaker 1: they will, And I'm really opinionated on a lot of
Speaker 1: stuff and probably lose a lot of people because of it,
Speaker 1: you know what I mean?
Speaker 3: Me too, Yeah, I've seen this happen. Kobee.
Speaker 1: Well, I was talking to Colby this morning about coming
Speaker 1: on the show tonight, and he said he heard you
Speaker 1: on the White Rabbit podcast and that you have an
Speaker 1: interesting take on Christianity. And I was just curious what that.
Speaker 3: Is man was was he was he referring to me
Speaker 3: talking about Christian mysticism.
Speaker 1: Probably probably because he was like, you should ask him
Speaker 1: about it, and because I have my own thoughts on
Speaker 1: it too, and I feel like I lose a lot
Speaker 1: of people because of that. But I was just curious
Speaker 1: what you guys had talked about.
Speaker 3: Uh well, you know we Uh well, he was asking
Speaker 3: me a lot about my first when I first started podcasting,
Speaker 3: I was real big Well, I had read a lot
Speaker 3: of Sitchen right, a lot of Sitchen and Lawrence Gardner,
Speaker 3: a little bit of Michael Heiser, but I agreed more
Speaker 3: with Sitchen because I was doing research on other pantheons
Speaker 3: as well, and I was like comparing names. I have
Speaker 3: charts and everything, and like who like the symbols, who
Speaker 3: they were worshiped as, what their name meant, and like
Speaker 3: what it was translated to and how, and you know,
Speaker 3: I was like, well, wait a minute, all these mainly
Speaker 3: like when you look back into the Bible and stuff,
Speaker 3: you see all these different deities mentioned, and like most
Speaker 3: fundamentalists Christians believe that there is like a Satan, right,
Speaker 3: and I think there are many h different deities trying
Speaker 3: to uh like fighting you know, for for power, like
Speaker 3: devils like yeah, well, I mean you know it means adversary, right,
Speaker 3: and not necessarily fighting each well, fighting each other in
Speaker 3: in the spiritual realm. They use other people to do
Speaker 3: their bidding here in the physical plane. But you know,
Speaker 3: just the fact that like I don't know, there's so
Speaker 3: much there's so many similarities between all these ancient stories
Speaker 3: of these uh, these beings that came from heaven to earth. Right,
Speaker 3: it's all translated different you know ways. You have these names,
Speaker 3: the the anechem, the uh the sons of a knock,
Speaker 3: the onnake, you know, and you see it in all
Speaker 3: in all these cultures, right, they have all these stories
Speaker 3: of of the gods, and uh, you know, it could
Speaker 3: all be metaphysical and symbolic. I I I dive into
Speaker 3: that a lot too. You know. I'm big into esoteric symbolism.
Speaker 3: And I think maybe people who have translated books in
Speaker 3: the past didn't understand what they were translating.
Speaker 1: You know, well, do you think this might be a
Speaker 1: good segue, But do you think that our government is
Speaker 1: working with these entities the CIA? Yeah, like all the
Speaker 1: three letters, the weirdos.
Speaker 3: I believe that these entities are actually adverse to each other.
Speaker 3: I believe there's two sides to them. Now I don't
Speaker 3: I think that they're both kind of neutral and one
Speaker 3: more towards like mysticism in the arts, and the other
Speaker 3: is more of like a warlike you know what I mean.
Speaker 3: So you have that of like, yeah, you know the
Speaker 3: ice here in the Vanyar or like the Rustic gods,
Speaker 3: and then you know the gods of war. But and
Speaker 3: you see the same in these Semitic pantheons, So you know,
Speaker 3: maybe they're just you know, there's all these aspects to
Speaker 3: these different pantheons with these different archetypes, because you know,
Speaker 3: they could just be characteristics of humanity right described in
Speaker 3: a in this divine state, you know what I mean,
Speaker 3: drawn up and worshiped, and I've talked about Eggrigor's and
Speaker 3: all that good stuff and how things can be created
Speaker 3: over time, you know, mm hmm, Yeah.
Speaker 1: No, I agree because I know NASA works with them.
Speaker 1: In my opinion, I think that they do. I think
Speaker 1: that our government is definitely tapped into some shit and
Speaker 1: they're working with like some Babylonian rituals and shit like that.
Speaker 1: And I think, Okay, like your opinion then, because this
Speaker 1: is what I think and I could be wrong. But
Speaker 1: people talk about the Laurel Canyon, right, and they talk
Speaker 1: about how the sixties movement was like a fabricated like
Speaker 1: it wasn't about peace and love and like all this
Speaker 1: this shit that we're supposed to think, right, it was
Speaker 1: the facade, right. And they were mostly military kids, not
Speaker 1: mostly like all of them are military kids, and their
Speaker 1: dads were like, you know, like Frank Zappa's dad worked
Speaker 1: at Edgewood Arsenal and was doing some like weird stuff
Speaker 1: for the government. And it's like, could they have used
Speaker 1: this hippie movement quote unquote this new sound with music
Speaker 1: and the lyrics. It was almost like it changed culture,
Speaker 1: but it's almost like they were trying to dredge something up,
Speaker 1: like it like ritualistically that they literally changed culture. They
Speaker 1: changed everything with the sixties. I mean, like, what do
Speaker 1: you think about that?
Speaker 3: Well? Think about. I mean the fact that it's music, right,
Speaker 3: and and everything is felt through sound resonance, right, That's
Speaker 3: what I'm basically and spiritually, you know. So yeah, I
Speaker 3: mean I think I think the first time I heard
Speaker 3: you talk, I may have been on ten Foot No, no,
Speaker 3: it was on Reality is Ours?
Speaker 1: Oh cool, that was I think Jim Carrey.
Speaker 3: Yeah, it was with Nate Thomas, and I think that
Speaker 3: was when Tony was still doing the show with them.
Speaker 3: I think you were talking about Marilyn Monroe.
Speaker 1: Oh okay, yeah, yeah, with them a couple of times.
Speaker 3: I think I don't want to spoil anything.
Speaker 1: Yeah, no, we'll save that.
Speaker 3: Yeah. Yeah, but no, I definitely think. And then when
Speaker 3: you look at all these these stars, their pairs, it's
Speaker 3: are implicated in the military or some kind of government agency. Absolutely,
Speaker 3: every single one.
Speaker 1: Well, this is this is what I think if you
Speaker 1: look at music and culture before this hippie movement, right,
Speaker 1: this slural canyon weirdo ship, it was like Buddy Hawley,
Speaker 1: which he died pretty ritualistically, let's just say, along with
Speaker 1: two other dudes.
Speaker 3: Yeah about those plane wrecks that are very ritualistic. I
Speaker 3: don't know who to talk to about it. But that's
Speaker 3: funny you bring that up. I was thinking about skinnerd.
Speaker 1: And Skinned and Aliyah and.
Speaker 3: The thing with a Leah is crazy that. I mean,
Speaker 3: it was the same year she did Queen of the Damned,
Speaker 3: where she is clearly doing blood rituals in the movie. Yes,
Speaker 3: you're speaking ancient like it's based off of ancient sum
Speaker 3: like straight up, that's it's some Uh. I love that movie, dude,
Speaker 3: Fucking all movies like that.
Speaker 1: Again, she was she was fucking jay Z and doing
Speaker 1: all kinds of stuff, and it's it's like.
Speaker 3: For me, jahove.
Speaker 1: If you look, if you look at the plane, the
Speaker 1: weird plane crashes, that could be its own episode. But
Speaker 1: like right before this big boom of the hippie culture
Speaker 1: and like love who you want to love, and take
Speaker 1: birth control and just you know, braid each other's pit
Speaker 1: hair and like just show off your vagina to the
Speaker 1: public like whatever it was that they were doing this
Speaker 1: free love shit. Think about the culture and the music
Speaker 1: and like the the the general vibe of the fifties,
Speaker 1: like the forties and the.
Speaker 3: Fifties coming out and you know that that uh post
Speaker 3: war era too, right, yeah, yeah, yeah, and yeah, you
Speaker 3: know that the feeling of like it sounds like a
Speaker 3: real good thing, right, But you had all these boomers
Speaker 3: that were real I guess they weren't boomers at the time.
Speaker 3: They would be considered boomers now, but they were like,
Speaker 3: you know, what's this this hippie queer ship, you know
Speaker 3: what I mean? Like, yeah, your hair, you fag.
Speaker 1: They call them like long hairs and ship like that,
Speaker 1: and I love.
Speaker 3: Your hair, Scott, don't cut your hair, Scott. Sorry, it's
Speaker 3: one of my own.
Speaker 1: No, I mean, it's like normal now, but like for
Speaker 1: the time, it was the Beatles who started off as
Speaker 1: like kind of bubblegummy ship like that, like the Buddy
Speaker 1: Holly stuff and like you.
Speaker 3: Know, unpopular pick not a fan of the Beatles, but well.
Speaker 1: I mean there's so many stories about the Beatles and
Speaker 1: whether or not it's the real Paul and like all
Speaker 1: that ship which I have talked about before, but.
Speaker 3: You can look at that as biblical as well. Uh,
Speaker 3: with two Pauls in the Bible.
Speaker 1: Nemm oh my god, that.
Speaker 3: Bible conspiracy theories.
Speaker 1: Like I said, well, and there's like is aicle evidence
Speaker 1: like he grew six inches and shit like that. It's
Speaker 1: like things that you can't.
Speaker 3: Make me, which could be uh, you know, esotery, right,
Speaker 3: I don't know. So you see that number six a lot,
Speaker 3: as well as three maybe, and seven and twelve, and
Speaker 3: it's it's how the numbers are used, right. But you're
Speaker 3: I think you're spot on about this stuff being a ritual,
Speaker 3: and I think this whole movement definitely could have been
Speaker 3: a ritual in itself.
Speaker 1: I think so yeah, I mean yeah, I.
Speaker 3: Mean I'll shut up and let you talk.
Speaker 1: No, no, no, I mean I you're good. I definitely
Speaker 1: think so this is this is what I'll say.
Speaker 4: Uh.
Speaker 1: Crosby Stills in Nash, Jim Morrison, Frank Zappa, The Birds,
Speaker 1: Jackson Brown, cant He, the Moms and the Papas, the
Speaker 1: actors of the time, Jack Nicholson, Warren Batty, Dennis Hopper,
Speaker 1: Peter font On. Uh, like all the shit. It's all military.
Speaker 1: A lot of them grew up on the same military
Speaker 1: complex as each other, and then they it's like, oh,
Speaker 1: they just found each other at a bar and like
Speaker 1: they formed No, they didn't. They they literally grew up
Speaker 1: in military schools together. All their parents are military, and
Speaker 1: they hid that from the public because they're supposed to
Speaker 1: be anti establishment, right and peace and no war and
Speaker 1: love and all this, and you're it's like your dad's
Speaker 1: like literally, like Jackson Brown's dad was a part of
Speaker 1: the OSS, which was the precursor to the CIA. It's like,
Speaker 1: all you fucks come from military background.
Speaker 3: You're telling the enemy your dad is selling guns to
Speaker 3: the enemy while you're out there, you know, putting flowers
Speaker 3: and the bear.
Speaker 1: That's the problem. And if the government, as I suspect,
Speaker 1: works with these weird entities, then the whole movement is probably,
Speaker 1: in my opinion, some type of ritualistic, you know, because
Speaker 1: everything changed after that. I mean, Jim Morrison's dad was
Speaker 1: literally responsible for like the Tonkin Gulf incident which started
Speaker 1: the Vietnam War, which, by the way, the Vietnam War
Speaker 1: going on around Laurel Canyon times, big ass fucking blood
Speaker 1: ritual that didn't need to happen whatsoever. We did that shit,
Speaker 1: We started that ship and for what It's just yeah, I.
Speaker 3: Mean, what do you think about that about Vietnam? Yeah, well,
Speaker 3: besides the opium trade being set up through that, I mean,
Speaker 3: that's how it all. You know, Frank Lucas the whole
Speaker 3: If you've seen American gangster, but I mean it was
Speaker 3: being supplied to him, I think by you see, I
Speaker 3: mean it's the same thing with Freeway Rick Ross, you
Speaker 3: know that guy too. But the the Vietnam War, you know, especially,
Speaker 3: I don't know, it just seems to me that we
Speaker 3: shouldn't I don't know, we shouldn't be fighting any of
Speaker 3: these wars. There's not one war I don't think that
Speaker 3: we should have ever really been in. Not one.
Speaker 1: They're all like huge blood rituals, but it was like
Speaker 1: they needed the bodies to power the ritual of what
Speaker 1: they were trying to pull off in the sixties. They
Speaker 1: needed the bodies. And you know, even besides that, if
Speaker 1: you look at like all the fucking people that just
Speaker 1: turned up fucking dead in the Laurel Canyon, there's like
Speaker 1: one hundred people.
Speaker 3: M damn. Yeah, that surprised me.
Speaker 1: That's there's like a whole murderless oh bless them.
Speaker 3: Well, I was gonna say, I mean, think about war.
Speaker 3: There's gods that are dedicated to to war. So war
Speaker 3: in itself is a ritual, you know, the entire like
Speaker 3: the war and then the blood. You know, depending on
Speaker 3: where you're fighting, is it being uh you know, shed
Speaker 3: on on in Vietnam. It's being shed all over the earth, right,
Speaker 3: more than buildings and uh you know in in uh
Speaker 3: some city. But uh, you know, I I definitely think
Speaker 3: there's something to that that's actually something to look into.
Speaker 3: This is one of the times you never really touched,
Speaker 3: to be quite honest with you, I mean.
Speaker 1: It's just it goes along with everything that we talk about.
Speaker 1: I mean there's like weird murders, weird serial killers, the
Speaker 1: Manson family, all that shit came out of the sixties,
Speaker 1: Laurel Canyon, Vietnam, all of it. It's like a weird
Speaker 1: fucking program they were running.
Speaker 3: Yeah, yeah, I mean I don't know that. So was
Speaker 3: Laurel Canyon tied into the No War.
Speaker 1: Yeah, because it was all like hippies and like with
Speaker 1: their signs and like we want peace and love and
Speaker 1: I will hang on.
Speaker 3: You're sorry, No, I told you. Look, look, look everyone
Speaker 3: here knows. They've seen they've heard, my kids, my dog,
Speaker 3: my wife, my family. It's it's fine, you're you're on
Speaker 3: Gray Pield.
Speaker 1: Yeah, it gets contankerous when I'm talking. He wants to
Speaker 1: be a part of the show. But yeah, that's when
Speaker 1: that's when Maryland comes into it because it's like she
Speaker 1: was part of the Laurel Canyon scene and part of
Speaker 1: the sixties. And I talked to people about all these
Speaker 1: weird ritualistic deaths that came out of the sixties, like
Speaker 1: you know, movie stars James Dean and like a lot
Speaker 1: like Jim Morrison.
Speaker 3: Ooh guy, man, it seems those guys were just nothing
Speaker 3: but a sacrifice, right.
Speaker 1: That's what I'm saying. If they're even dead, they could
Speaker 1: have like staged some shit, you know what I'm saying.
Speaker 3: That you have to look at. But if they are dead, Julia,
Speaker 3: then like think about the how many of those I mean,
Speaker 3: they were all probably sacrifices right on some level, these people.
Speaker 3: And I think these people may have they were so
Speaker 3: spun out on LSD and and you know, opium and
Speaker 3: even harder shit. And yes, they they I think they
Speaker 3: definitely knew what they were doing. I mean what Jim
Speaker 3: Morrison called himself, the Lizard came right, oh.
Speaker 1: Yeah, and he called everybody slaves and like whatever. And
Speaker 1: see before.
Speaker 3: We didn't know how to look at it through the
Speaker 3: same lens we look at it today. If he did
Speaker 3: that shit today, guaranteed he would. I mean, I don't know.
Speaker 3: I think somebody would have gone and dragged him off
Speaker 3: the fucking stage. And you know, I don't know, probably not,
Speaker 3: because if you think about it, the people that go
Speaker 3: to the mainstream events, you know, the big concerts, they
Speaker 3: are in some way slaves. I'm not going to say
Speaker 3: all of them, because some are you know, they want
Speaker 3: to take their kids. I personally will not after seeing
Speaker 3: the Astro World thing, and and uh, you know all
Speaker 3: all these other festivals and shows where there's weird energy
Speaker 3: there and just like like, I don't I don't want
Speaker 3: my kid to know that these people even exist, you
Speaker 3: know what I mean, Like it is, these people are freaks,
Speaker 3: and uh yeah, so that's all my son. He can
Speaker 3: go to a show with me or something. I don't
Speaker 3: know if it's.
Speaker 1: The same, yeah, because he might get sacrificed in the
Speaker 1: middle of a crowd. You never know.
Speaker 3: I mean, hey, Travis Scott, That's what I was saying,
Speaker 3: you know. And it seems like so it seems like
Speaker 3: music has always in some way kind of carried on
Speaker 3: some some sort of sacrificial, dark sacrificial ride.
Speaker 1: Well before before Astro World or whatever it was, they
Speaker 1: there was the Ultamont in Laurel Canyon with the Rolling
Speaker 1: Stones because they threw like a free concert or whatever,
Speaker 1: and they had the Hell's Angels there and a dude
Speaker 1: was literally stabbed to death, just bled out in the
Speaker 1: middle of the crowd while everybody was jumping around and singing.
Speaker 1: And that was like, it's like I said, it's just
Speaker 1: it's all part it's all weird and ritualistic and shit.
Speaker 1: And then you know the song American Pie, like bye
Speaker 1: Bye Miss American Pie. Yeah, they talk about the Ultimont
Speaker 1: concert in that song, about how it was a ritual
Speaker 1: and how it was for the devil and all this shit.
Speaker 3: I mean, does surprise me?
Speaker 1: Google the lyrics?
Speaker 3: Pull them up? Okay, did you said you had like
Speaker 3: a presentation or something?
Speaker 1: Yeah? I do.
Speaker 3: Hang on, just Don Don what what's his.
Speaker 1: Name mccle.
Speaker 3: Or is it? I thought I was Don? My fucking
Speaker 3: it's wrong with me. Hold on now that's the Eagles guy, right.
Speaker 1: Yeah, American Pie lyrics?
Speaker 3: Oh my god, Uh, I'm sorry. Yeah, it's it's Don McLean. Sorry,
Speaker 3: that's that's all me. Julia all right, all right, I'm
Speaker 3: gonna pull these lyrics up. Oh she's there. Some of
Speaker 3: the baby all right, I'm gonna pull these lyrics up, guys.
Speaker 1: Yeah, if you go down, I think it's like the
Speaker 1: last this.
Speaker 3: Is so there's somebody pop ups on that one. Hold on,
Speaker 3: let me, oh, there's there's a is it on? No? Fuck?
Speaker 3: Why would you even pull that up?
Speaker 1: Then?
Speaker 3: For me? Google fuck the lyrics. I'm trying to find
Speaker 3: the lyrics, but it's just given me Quorra and Facebook. Okay,
Speaker 3: we're just gonna go to genius. There we go. But yeah,
Speaker 3: a bunch of pop ups. That's great? All right, share this,
Speaker 3: I mean, think about it. It's probably some of the
Speaker 3: most happy melody, you know, harmonic songs that have the
Speaker 3: darkest energy behind them. You feel me. Not in every case,
Speaker 3: but I think when it on very popular songs that
Speaker 3: that you know, people sing for generations, there has to
Speaker 3: be some kind of hypnotic, some kind of hypnotism that
Speaker 3: that they do with people to have that happen, right,
Speaker 3: I mean they can't. Song's not that good? Am I wrong? Julia?
Speaker 3: You good? You good? Oh? The baby? Okay, So we're
Speaker 3: gonna take a look at the lyrics, guys, I should
Speaker 3: be wait for Julia's dealing with the baby. I completely
Speaker 3: feel it let's see baby screaming. Well, hey, I literally
Speaker 3: got in the car and headed home and h call
Speaker 3: my wife and that's the first thing I heard was
Speaker 3: my daughter screaming because she wanted my dog to come
Speaker 3: with her and he didn't want to. May I think
Speaker 3: he may be terrified of her.
Speaker 1: I don't know.
Speaker 3: She shouldn't heart him or anything. She just chases him around.
Speaker 3: He doesn't like it. He's small. Julia is tending to
Speaker 3: her Ah infant, God bless the little baby. We love babies, especially.
Speaker 3: You know, we need more white babies. You know, I
Speaker 3: have two arrows. I have to you and my wife
Speaker 3: have to. We want to have another one, but we
Speaker 3: just know that we can't right now. It would just
Speaker 3: be okay.
Speaker 1: So if you scroll all the way down to the
Speaker 1: bottom of this, I can show you exactly where it is.
Speaker 1: And thanks for your patients.
Speaker 3: Sorry, you're good. You're good. I have small talk. It's fine.
Speaker 3: Like I said, no more about it. So, yeah, these
Speaker 3: lyrics right here.
Speaker 1: Everybody knows this song too, that's the crazy thing. And
Speaker 1: they like sing it and it's just like part of
Speaker 1: the you know this oldies everybody.
Speaker 3: Knows right right, That's what I was saying one of
Speaker 3: those could classics. They call it a cult classic.
Speaker 1: Yeah yeah, and you know to say, okay, so how
Speaker 1: many times have you heard this song? And how many
Speaker 1: times have you realized he makes references to the Manson family.
Speaker 1: He makes references to like literally is this this is
Speaker 1: like literally from the top. Yeah, yeah, yeah, Okay, keep
Speaker 1: going down. I'll show you a couple of references here.
Speaker 3: Okay, so I remember hold on.
Speaker 1: And he mentions Buddy Holly's plane crashing here.
Speaker 3: And the coat he barred from James Dean.
Speaker 1: Oh there, yep, there goes a James Deen reference.
Speaker 3: When the Jester sang for the King and Queen and
Speaker 3: a coat he borrowed from James Dean.
Speaker 1: And then okay, keep going Okay, the Day the Music, Yeah,
Speaker 1: the day the Music died.
Speaker 3: What a morbid title?
Speaker 1: Well, yeah, the day the Music died Buddy Holly, right,
Speaker 1: because that was like the end of an era. That
Speaker 1: was the end of the you know, American graffiti esque,
Speaker 1: like holding hands a bubble gum, and then it was
Speaker 1: total debauchery after that. Yeah, yeah, okay, keep scrolling, scroll scroll,
Speaker 1: helter skelter in a sum merce welter. So that's about
Speaker 1: the Manson family, and then the birds obviously are the
Speaker 1: birds from the Laurel Canyon era.
Speaker 3: Keep going the band right, like the band, and.
Speaker 1: Then I think the Sergeant's played a marching tune that
Speaker 1: could be a Beatles reference.
Speaker 3: And Sergeant Pepper, who's on the cover of Sergeant.
Speaker 1: Pepper, well, lots of people actually.
Speaker 3: Well I know lots of people, but you know, you know,
Speaker 3: I know who.
Speaker 1: And they're standing over a fucking grave. So in the
Speaker 1: Sergeant Peppers.
Speaker 3: You know, I'd I'd always just seen Crowley on there
Speaker 3: and been like, oh, they got Crowley on there, but
Speaker 3: now it's like they have.
Speaker 1: Like they have well we can get into that in
Speaker 1: a minute, but keeps.
Speaker 3: Yeah, no, I'd love to take a look at who
Speaker 3: else they got. I never even you know, once I
Speaker 3: saw I was like, oh that's all. That's yeah, you
Speaker 3: know that's you see that, you know.
Speaker 1: Okay, So the jack be nimble, jack be quick. Yeah,
Speaker 1: that's uh, the jack be nimble, jack bee quick. That's
Speaker 1: I want to say, jumpin jack flash. That's a Rolling
Speaker 1: Stones reference right here. It says, okay, go up just
Speaker 1: a little bit. Yeah. So the the the jack be nimble,
Speaker 1: jack be quick. That's a Rolling Stone song. The Rolling
Speaker 1: Stones were putting on a free concert at Altamont when
Speaker 1: that guy was stabbed to death, and it says Jack
Speaker 1: Flash sat on a candlestick. They had that song jumping
Speaker 1: Jack Flash or whatever, and it says cause fire is
Speaker 1: the Devil's only friend. And as I watched him on
Speaker 1: the stage, my hands were clinched and fists of rage.
Speaker 1: No angel born in Hell, because the Hell's angels were
Speaker 1: the security. Yeah, could break that Satan spell. And as
Speaker 1: the flames climbed high into the night to light the superficial, right,
Speaker 1: I saw Satan laughing with the the music died, Like,
Speaker 1: how many times have you sang that song and not
Speaker 1: known what the fuck was?
Speaker 3: Yeah?
Speaker 1: Ye bye Miss American five. Everybody knows this song, but
Speaker 1: this whole last paragraph, Yeah, yeah, it's how a dude
Speaker 1: getting literally stabbed out in the middle of a Rolling
Speaker 1: Stones concert. So that's why I say, like, when you
Speaker 1: look at the Laurel Canyon era, the sixties of Vietnam
Speaker 1: War and all the ritualism that went on with the uh,
Speaker 1: the music, the culture. If you can't be with the
Speaker 1: one you want, be with the one you're with, just
Speaker 1: fuck whoever be with whoever birth control pills were rolled out.
Speaker 1: I mean it was just like you know, free love whatever.
Speaker 1: And all of their fucking parents were in the military.
Speaker 1: I'm telling you all of them. And like with David Crosby,
Speaker 1: his family line goes all the way back to like
Speaker 1: signers of the Declaration of Independence.
Speaker 3: Let's say you remember John Todd, the crazy schizo guy
Speaker 3: or well, he was a meth addict who claimed he
Speaker 3: was part of the Collins family, like the elite bloodline,
Speaker 3: and then he found Christ and exposed the Illuminati, but
Speaker 3: then was like locked up there was there. There's those
Speaker 3: tapes of him on YouTube. You ever you ever heard
Speaker 3: of him?
Speaker 1: No, but I know of the Collins elite family actually
Speaker 1: have a whole conspiracy about them.
Speaker 3: Well, well it's it's it's the show that uh what's
Speaker 3: the show that was based off of them? Dark Shadows
Speaker 3: was based off the family.
Speaker 1: That's part of my theory. I'm so glad you know
Speaker 1: about that.
Speaker 3: Okay, you need to watch me Hero Nord American and
Speaker 3: Annie Asaru did an episode on John Todd where we
Speaker 3: go through we listened to some of like his interview
Speaker 3: and his speech, and we go through. I have like
Speaker 3: three pages of notes on them that I took. It
Speaker 3: was one of the first things I ever wanted to
Speaker 3: do a deep dive on and I finally finally did it.
Speaker 1: And yeah, I mean the Collins Family Dark Shadows, my mom.
Speaker 3: I grew up the shows. Yeah, I grew up. It
Speaker 3: would come on TMC yeah in the mornings, and I'd
Speaker 3: wake up at like six in the morning and the
Speaker 3: sun would be like not up yet, real eerie Dark
Speaker 3: Shadows would be on and I would just sit there
Speaker 3: and love it and love it, love the feeling of
Speaker 3: being scared and just oh man, oh my god.
Speaker 1: I loved it. So my mom loved it. We watched
Speaker 1: it all the time. But when they came out with
Speaker 1: the Tim Burton one, of course it's Scott Johnny Depp
Speaker 1: playing Barnabas and like whatever. But they made it into
Speaker 1: a comedy, which I was cool with because it was funny, but.
Speaker 3: They could have justice with drama.
Speaker 1: Yeah, horror draw based in like the Laurel Canyon Era two.
Speaker 1: Yeah you think, and all the soundtrack is Laurel Canyon music,
Speaker 1: like fucking.
Speaker 3: You know, programming or was that like done on I think?
Speaker 1: So that's what I'm saying. It's about this Collinsilly bloodline
Speaker 1: and all this ship right in the Vampire. It's got
Speaker 1: fucking Johnny Depp playing the main and the soundtrack is
Speaker 1: Laurel Canyon.
Speaker 3: Yeah, I was gonna say, if most people don't know,
Speaker 3: he is a I think a very uh high ranking
Speaker 3: wizard and whatever Covin or initiate one he is a
Speaker 3: part of. I think he is a yeah, and it
Speaker 3: has been for some time. That's why he's in so
Speaker 3: many movies. But what I was saying was John Todd
Speaker 3: on Collins whatever he called himself, Like I said, the
Speaker 3: guy was kind of skitzo because he had been on meth.
Speaker 3: But apparently like he had, there's he has this whole
Speaker 3: story and it's a it's crazy. His story is you
Speaker 3: should definitely.
Speaker 1: Oh, I'll check it out for sure.
Speaker 3: But yeah. He runs into David Crosby from Crosby, Stills,
Speaker 3: Nash and Young and he asked him, hey, so, uh,
Speaker 3: do y'all still do the ritual when you put the master,
Speaker 3: when you put the Master on, when you put it
Speaker 3: all you like, when you do the final product. And
Speaker 3: he's like yeah, and he's asked him all these questions
Speaker 3: and he's like, well, so he asked him something. He goes, yes,
Speaker 3: she like he basically tells him, Uh, you have to
Speaker 3: be in initiated which or wizard to be a part
Speaker 3: of Hollywood fabulous taman industry. And that's I think that,
Speaker 3: you know, I mean that we know how any mystery
Speaker 3: schools exist, how many different types of magic there are
Speaker 3: in practition, or you know, how many things people can practice,
Speaker 3: and how many deities they can they can worship, right Like,
Speaker 3: people don't understand it's it's not all to the same deity.
Speaker 3: I mean, I mean some in some cases. But so yeah,
Speaker 3: I definitely think there is some Now that's interesting that
Speaker 3: you bring up. And that's so funny that it's always
Speaker 3: the seventies vibe that gets brought back right every time
Speaker 3: in the nineties. I guess it's a generation because.
Speaker 1: Because because the punk, the punk shit, the Nirvana shit
Speaker 1: it was, it's the It's Laurel Canyon two point zero. Okay.
Speaker 1: People need to understand that is they ran game on
Speaker 1: us in the sixties and seventies, but they ran the
Speaker 1: same game with the grunge, weird punk stuff like all
Speaker 1: of that is. I want to say, they've ran game
Speaker 1: on us, like multiple times throughout different generations. Like the
Speaker 1: first one was maybe Laurel Canyon, and then it was
Speaker 1: like grunge, and then it was like my generation with
Speaker 1: all the boy bands and like yeah the Britney Spears
Speaker 1: is and like the Christina Aguileras and stuff like that.
Speaker 1: It's just it's the same program. It's just like repeated
Speaker 1: multiple times throughout.
Speaker 3: Yeah, I grew up playing I talked about all of them.
Speaker 3: I know, people, I'm beating a dead horse. He's dead,
Speaker 3: dead and gone. Now I'm beating the horse ghosts. But
Speaker 3: I played drums growing up in hardcore and a few
Speaker 3: hardcore bands, punk hardcore, you know, metal, whatever you want
Speaker 3: to call it, there was. It was very like obscure
Speaker 3: genres of underground they music. It's something I've I've always
Speaker 3: been into both. I was a rapper at one point too, Julia,
Speaker 3: very dark time in my life, me and my wife both.
Speaker 3: But uh, you know, so it seems to me now
Speaker 3: that the punk rock scene was a si op. It
Speaker 3: was most of those guys are fags. Oh sure, the
Speaker 3: COVID thing happened, they were all licking the boot. Oh yeah,
Speaker 3: that had been on their damn neck their entire life.
Speaker 3: That they have been raging against, like you know, the
Speaker 3: rage for the Machine now or whatever. I'm pretty sure. Uh.
Speaker 3: Sam Tripley had a shirt that that's a you know,
Speaker 3: just call calling it out because I mean it's it's uh.
Speaker 3: But when when you think about it, it's like, was
Speaker 3: that set up to be like that, to make all
Speaker 3: these people, you know, be rebellious towards their parents, and
Speaker 3: then now they're cutting their dicks off and you.
Speaker 1: Oh, they're doing all kinds of stuff that they're supporting,
Speaker 1: like the jabs and like something that I just recently
Speaker 1: was talking to my husband about because I was listening
Speaker 1: to the Ramones and he was like, I can't even
Speaker 1: listen to the Ramones. They have like a Pfeiser commercial
Speaker 1: and so it's like another one that really bothered me
Speaker 1: was I love nineties country. I'm a nineties country girl
Speaker 1: all the way, and Dolly Parton all of those shitheads
Speaker 1: they had vaccine songs and like they were promoting this
Speaker 1: ship and it bothered me, and it's like you can't
Speaker 1: never look at them the same now. And yeah she did.
Speaker 1: She redid thed Joe Lene and she said vaccine, vaccine. Yeah,
Speaker 1: so that's why that's what I'm saying is like you can't.
Speaker 1: There's nothing sacred anymore, not even not even Dolly. And
Speaker 1: I fucking love Dolly. I love it all.
Speaker 3: You know, wife loves Dolly, dude. My daughter doesn't even
Speaker 3: know who Dolly is and has a damn Dolly Parton shirt.
Speaker 1: Oh I have a Holly Dolly Christmas setup with Dolly's
Speaker 1: face and like a little Santa hat, and like, you know,
Speaker 1: it's just it sucks because you can't enjoy anything anymore.
Speaker 1: It's all. And I think even like part of the
Speaker 1: Satanic Panic, it was all a program because the music
Speaker 1: that was coming out at the time, the murders, the
Speaker 1: weird stuff with like the West Memphis three, all that.
Speaker 1: My husband and I have talked about that before because
Speaker 1: obviously for those who don't know, he also is a
Speaker 1: conspiracy theories pod has a conspiracy theory But yeah, we're
Speaker 1: just too weirdo's in love. But yeah, you have to
Speaker 1: find someone who can match your crazy some kind of
Speaker 1: especially twenty five. Yeah, and to raise kids.
Speaker 3: Right, dating now, I would be I'd be uh probably celibate,
Speaker 3: uh right, but uh you know I would uh slippery slope.
Speaker 3: Now I feel it's I'm truly. Yeah, I don't want
Speaker 3: to stay scared, but like, you know, kind of like
Speaker 3: for my son, I'm like, you know these well, he
Speaker 3: are okay, he already has a girlfriend and her parents
Speaker 3: didn't know until recently. But uh, I think she may
Speaker 3: be older than him. I don't know. Well, hopefully she's
Speaker 3: she's in his grade though.
Speaker 1: But I mean, there's enough conspiracy theory conspiracy theorists out
Speaker 1: there that are having kids. I think there could be
Speaker 1: hope for the future. But we'll have to start like
Speaker 1: a dating app for them so they can find each
Speaker 1: other because we're all spread out right, they're gonna have
Speaker 1: they're gonna be homeschooled. Weird does on a conspiracy theory
Speaker 1: dating site somewhere in the near future.
Speaker 3: That's a great idea we should, uh, we could capitalize
Speaker 3: on that. You should do that, Julia.
Speaker 1: I mean, I'm bouncing my baby right now. I don't
Speaker 1: think he's gonna be dating anytime soon. But I think
Speaker 1: for your kids and like the kids.
Speaker 3: Have arranged marriages and the Yeah, I've already talked with
Speaker 3: with Restore Christen, the Nephel and Murder Crew God bless
Speaker 3: the Pere because I think they may have betrothed their
Speaker 3: daughter to my son. I don't know. So you got
Speaker 3: he got a good kid. He can move the yard
Speaker 3: and he can he can change the oil and and
Speaker 3: and a jeep.
Speaker 1: So that's all you need.
Speaker 3: Yeah, he's a good kid. Uh rough around the edge
Speaker 3: sometimes you know, he has a mouth on him.
Speaker 1: That's all right, he's opinion.
Speaker 3: Very much like me when I you know, when your
Speaker 3: parents say, like, you need to be nice to me
Speaker 3: because you know your kids will treat you either. Absolutely
Speaker 3: fucking right. There's anybody walking right now. If I have
Speaker 3: any God forbid, I have any teenage fans, be nice
Speaker 3: to your parents. Listen to them because they know what's
Speaker 3: best for you, unless they are telling you that you
Speaker 3: were the opposite gender.
Speaker 1: Unless they're trying to stab you with heavy metal vaccines.
Speaker 3: That too, maybe distance.
Speaker 1: Cut your penis off.
Speaker 3: Well that yeah, yeah, anyway, I let's get back to uh.
Speaker 1: Well. I So the whole thing, like with that song
Speaker 1: and shit like that, is that there was so many
Speaker 1: like weird sacrifices and shit going on around the sixties,
Speaker 1: and I think it's continued on to today. It just
Speaker 1: looks different like Amy Winehouse and like some shit like that.
Speaker 1: You can still find them if you look for him.
Speaker 1: But the sixties was just rampant with that shit. And
Speaker 1: one of the weirdest suicides that I can't believe people
Speaker 1: still think is a suicide came from the sixties, which
Speaker 1: was Marilyn Monroe. How people still think that's a genuine
Speaker 1: suicide after all this time. I will never fucking understand
Speaker 1: the breakdown.
Speaker 3: What was like they said happen and then what you
Speaker 3: found really happened.
Speaker 1: Yeah, yeah, So you know, she was discovered supposedly working
Speaker 1: in a factory during World War Two, but her backstory
Speaker 1: is all hazy because she grew up in like an
Speaker 1: orphanage or some shit like that. And I think they
Speaker 1: look for kids and orphanages. I think they look for
Speaker 1: like broken people and people that are easily manipulated to
Speaker 1: turn them into these megastars, use them ins, and then
Speaker 1: later they become like weird sacrificial lambs. But Marilyn checks
Speaker 1: all those boxes, like had no family, uh, already was
Speaker 1: fucked up in the head, was desperate for attention, willing
Speaker 1: to do anything for a successful career. I mean, she
Speaker 1: literally checks all those boxes. And they changed her name,
Speaker 1: they changed her face, they bleached her hair. They did
Speaker 1: all of like the weird sex getting stuff to her,
Speaker 1: and she ends up hanging out with like politicians. She's
Speaker 1: fucking h John F. Kennedy and his brother. Okay, some
Speaker 1: people don't realize that she was fucking both of them
Speaker 1: and she the police department even knew about it. They
Speaker 1: had some kind of weird Marilyn Moro file, uh, and
Speaker 1: it was documented in there that she was fucking both
Speaker 1: of them, and that it was some type of national
Speaker 1: security folder because she was also fucking this guy that
Speaker 1: was a part of the Soviet Union or something like that,
Speaker 1: a Soviet spy. His name was Frederick Field, and so
Speaker 1: they had this file on her, and she was fucking
Speaker 1: a Chicago mafia boss name Sam g and Kannas. So
Speaker 1: she was fucking the mob and our president and some
Speaker 1: Soviet Union guy. And they had to keep tabs on
Speaker 1: her because she was doing some weird sex kit and
Speaker 1: stuff and obviously being used as an asset in some way,
Speaker 1: and they needed to keep track of her. So the
Speaker 1: US government and separately the mob had her house and
Speaker 1: her phone tapped, so they they heard all of her
Speaker 1: phone calls and any conversation that went in in the house.
Speaker 1: So not only were the mob keeping tabs on her,
Speaker 1: the US government was, so she was getting double tapped,
Speaker 1: literally double tapped by the President and his brother, double
Speaker 1: tapped by the mob and the government double like literally
Speaker 1: getting trained ran on her from all directions. Her phone's tapped,
Speaker 1: her house is bugged place, even like her friends' houses
Speaker 1: that she would like frequently go and spend time, their
Speaker 1: houses were all bugged, and so they were keeping a
Speaker 1: really close eye on her. And she pulled this stunt
Speaker 1: at the President's birthday where everybody knows this. She wore
Speaker 1: like a completely transparent see through dress saying Happy Birthday
Speaker 1: to the President. She was actually uninvited from his birthday party,
Speaker 1: and she was like, well, fuck you, I'm Marilyn Monroe.
Speaker 1: I'm gonna show up. Anyways. Not only did she show up,
Speaker 1: she showed up in a transparent dress. You could see
Speaker 1: her whole ass in vagina hanging out and she was
Speaker 1: hanging all over. Well that's I mean, that's a power
Speaker 1: move if I ever saw one. It's like, we disinvited
Speaker 1: you from the party, and she's like, fuck you. Not
Speaker 1: only am I coming, I'm gonna show up naked basically,
Speaker 1: and I'm gonna sing to the president. So she pulled
Speaker 1: that little stunt and it was like a like a
Speaker 1: month later something like that, she shows up dead. Now
Speaker 1: they say that she committed suicide. There is This is
Speaker 1: my problem, and this is what I'll start with for
Speaker 1: anybody who's gonna argue with me about this, because there
Speaker 1: is no argument. Really. There is probably twenty thirty Marilyn
Speaker 1: Monroe documentaries out there that people can tell me to watch, like, oh,
Speaker 1: look how sad she was, Look how depressed she was.
Speaker 1: Look she had a horrible life. Oh she had a
Speaker 1: bunch of miscarriages and she just could never get over it.
Speaker 1: That's why she killed herself. That's fine. And I'm sure
Speaker 1: netflixon Hulu and Amazon Prime and HBO Max would love
Speaker 1: for you to believe that Marilyn was just a severely
Speaker 1: depressed pill head who just couldn't take one more fucking
Speaker 1: undercover operation and she just had to end it. Whatever.
Speaker 1: That's what they want you to believe. The forensic evidence,
Speaker 1: not my opinion. My opinion would be, you know, I
Speaker 1: think she didn't kill herself. This is different. This is
Speaker 1: forensic evidence. This is not an opinion. She couldn't have
Speaker 1: killed herself. So right, that's different. That's different from me
Speaker 1: saying I believe she might have been like a sacrificial lamb.
Speaker 1: That's an opinion. The evidence is they found that she
Speaker 1: had sixty to seventy nimbutah in her system in nineteen
Speaker 1: to twenty chloral hydrate tablets in her system. So let's
Speaker 1: just break that down. The amount of nimbutahl and chloral
Speaker 1: hydrate found in her system, particularly her liver, would suggest
Speaker 1: that she swallowed sixty to seventy nimbutah which is a
Speaker 1: sleeping pill, and nineteen to twenty chloral hydrate tablets. Fine,
Speaker 1: that's a massive overdose. And I don't know anybody who
Speaker 1: can dry swallow sixty to seven buttah in nineteen to
Speaker 1: twenty chloral hydrate tablets. And I'll tell you why she
Speaker 1: would have had to dry swallow them in a minute.
Speaker 1: But congrats for her if she was able to do that.
Speaker 1: The problem is when they cracked her stomach open, there
Speaker 1: were no tablets found in her stomach, no trace of
Speaker 1: a tablet, no uh fragments of a tablet, no refractive crystals,
Speaker 1: which is what pills break down. As you know, as
Speaker 1: they're digested, they turn into these refractive crystals. So no tablets,
Speaker 1: no refractive crystals. And nimbutohl has like this weird yellow dye.
Speaker 1: I guess that coats. It's like a candy coated motherfucker.
Speaker 1: And there was none of that. So how then, if
Speaker 1: she killed herself by swallowing pills, which is what they
Speaker 1: want you to believe, how is it then that she
Speaker 1: has no trace whatsoever of any tablets in her stomach period.
Speaker 3: Well, someone in the chat is saying that they shoved
Speaker 3: them up her her ass.
Speaker 1: They did, And I don't know a lot of people
Speaker 1: who commit suicide by liquefying nimbutol and chlorohydrate and then
Speaker 1: squirting it up their ass. I don't know a lot
Speaker 1: of people who commit suicide that way. If you look
Speaker 1: at all the newspapers. They took a picture of her
Speaker 1: face down, completely naked, with the sheet barely covering her,
Speaker 1: and some weirdo pointing at a bottle of pills next
Speaker 1: to the nightstand, and the headline was like Maryland dead
Speaker 1: swallowed pills. They made sure to emphasize that she swallowed
Speaker 1: pills and pointed at the pill bottle for this photo
Speaker 1: shoot or whatever, and they kept like driving it home
Speaker 1: that Marylyn committed suicide by swallowing pills. Swallowing pills. And
Speaker 1: the officer, the first officer on the scene, his name
Speaker 1: was Sergeant Jack Clemens. He said, when he arrived at
Speaker 1: the scene, there was already a house full of people there.
Speaker 1: Uh before they ever called the cops. They called like
Speaker 1: her psychiatrist, and her primary care provider, and her publicist,
Speaker 1: and like her maid was there, and there was just
Speaker 1: a house full of people. And he said, there was
Speaker 1: no pill bottle any fucking wear when he got there.
Speaker 1: There's no pill bottle in the room, there was no
Speaker 1: pill bottle on the nightstand, there was no fucking pills anywhere.
Speaker 1: There was no drinking glass anywhere. And actually Marilyn was
Speaker 1: renovating her house at the time, and they had shut
Speaker 1: the water off to her house. So if this is
Speaker 1: what we're supposed to believe, and she dry swallowed sixty
Speaker 1: to seventy nmbutah in nineteen to twenty chloral hydrate, she
Speaker 1: would have had a dry swallow them. And there was
Speaker 1: no drinking glass in the room, and there was no
Speaker 1: bottle of pills in the room, and there's no tablets
Speaker 1: in her stomach when they do the autopsy. So you
Speaker 1: explained to me how that fucking makes sense at all
Speaker 1: for a classic suicide case. And right before, like the
Speaker 1: newspaper people and all, like the tabloid whatever. Before they
Speaker 1: got there, Sergeant Jack Clemens left the room to interview
Speaker 1: the housekeeper, and when he got back, there goes a
Speaker 1: drinking glass in a bottle of pills next to the nightstand,
Speaker 1: right before it's fucking photo shoot time. So I mean literally,
Speaker 1: and this guy wasn't allowed to testify, disallowed.
Speaker 3: To kind of like that guy from January sixth, right,
Speaker 3: uh ray uh ray epps. You remember that guy that
Speaker 3: had the maga hat on was telling everyone to go
Speaker 3: in the capitol and then you know everyone was calling
Speaker 3: him a fed and he's kind.
Speaker 1: Of like, right, I mean, if you have something, if
Speaker 1: you have anything worthwhile to say at all, you're gonna
Speaker 1: be disallowed from fucking saying anything because this sergeant, he said,
Speaker 1: in his experience, when he has responded to a murder scene,
Speaker 1: crime scene, death scene, whatever, and the person has overdosed
Speaker 1: themselves on like orally on sedative drugs or whatever, your
Speaker 1: body goes into like evacuation mode halfway through digesting.
Speaker 3: The amount of can you start shitting everywhere?
Speaker 1: You start puking everywhere? Nice, because your body's like trying
Speaker 1: to keep you alive. So like halfway through digesting that
Speaker 1: overload of medication you just took, you start fucking projectile
Speaker 1: vomiting everywhere. And the sergeant that responded to the nine
Speaker 1: to one to one call or whatever for Maryland, he said,
Speaker 1: it was the cleanest death scene i've especially if this
Speaker 1: is supposed to be a suicide by oral overdose. There's
Speaker 1: no vomit anywhere. The sheets looked freshly cleaned. It was
Speaker 1: like when you got there, the housekeeper was on. She said,
Speaker 1: like her third load of laundry or something like that.
Speaker 1: So the sheets looked freshly laundered. There's no vomit anywhere.
Speaker 1: There's nothing on her face. Nothing. I mean, when you
Speaker 1: when your body starts evacuating this ship, you almost have
Speaker 1: to wonder if part of your death is an aspiration,
Speaker 1: because you're you're just.
Speaker 3: Did anyone see her that night?
Speaker 1: Robert Kennedy saw her that morning.
Speaker 3: That's That's that's where I was getting to. What do
Speaker 3: you think the Kennedy brothers besides uh, double teaming her?
Speaker 3: It's interesting, what do you think they are. I mean,
Speaker 3: what knowledge did they give to her because they I
Speaker 3: think it was definitely things that they told her that
Speaker 3: other people figured out she knew and they were.
Speaker 1: Like, hey, definitely, definitely and.
Speaker 3: If you get all you gotta go and your brother. Yeah.
Speaker 1: The fact that the Kennedy brothers died not long after Marylyn,
Speaker 1: A lot of people want to go, oh, it was
Speaker 1: the Kennedy brothers that got marylynd killed. I don't think so,
Speaker 1: because they got killed too. It's actually a third party
Speaker 1: that wanted all of them dead. Yeah. Probably, And he's
Speaker 1: a mass murderer. If people tell you that there was
Speaker 1: this guy, I think his name was Mac something or
Speaker 1: other that used to be like his hit man, and
Speaker 1: he murdered this dude. He sent this Lyndon B. Johnson
Speaker 1: sent his hit man, his name is Mac something, to
Speaker 1: this dude's house that had discovered he was laundering money.
Speaker 1: He blasted him in the chest with a shotgun like
Speaker 1: eight times, and then they had it ruled a suicide.
Speaker 1: So I don't know how in the world after you've
Speaker 1: loaded and blasted yourself in the chest with a shotgun,
Speaker 1: once you get back up and then you seven more
Speaker 1: times should blast your own self in the chest and
Speaker 1: all while having he had like a chloroform rag over
Speaker 1: his face, so he chloroformed himself and then blasted his
Speaker 1: own chest out with a shotgun eight times. According to
Speaker 1: Lyndon B. Johnson, like, the guy's a scumbag. The guy's
Speaker 1: literally a mass murderer for those who don't know. So,
Speaker 1: who then is responsible for Maryland's death if it wasn't
Speaker 1: the Kennedy brothers, because I think that they were set
Speaker 1: up to make it look like it was the Kennedy brothers.
Speaker 1: John F. Kennedy had really pissed off the mob in
Speaker 1: more ways than one. He said that, you know, the
Speaker 1: he got all of their support when it was like
Speaker 1: time to like run for office and ship, and then when.
Speaker 3: He got into the.
Speaker 1: Yeah, he basically like.
Speaker 3: Attorney general and then he went after them and.
Speaker 1: He yeah, like he went after them after they fucking
Speaker 1: helped him out.
Speaker 3: So you know, Dad Joe Kennedy was a bootlegger. I
Speaker 3: mean bloodline and Illuminati bloodline allegedly, right.
Speaker 1: Yeah, and he's supposedly gay. Their dad had like some
Speaker 1: weird guy that was just like lived with them at
Speaker 1: the White House and ship like that. Or wherever they
Speaker 1: were living. But because Robert visited Maryland that morning, the
Speaker 1: neighbors reported them fighting and hearing them screaming at each other,
Speaker 1: and then he left and she died that night, and
Speaker 1: a lot of people think, oh, it had to be
Speaker 1: the Kennedy brothers. I mean, she was fighting with him,
Speaker 1: she was doing whatever. Herd house was tapped by the
Speaker 1: government and the mob. I think that the mob set
Speaker 1: it up to look like it was the Kennedy brothers.
Speaker 1: But they had actually made a habit out of killing
Speaker 1: people by deadly enemas. That was like one of their things.
Speaker 1: That was like their go to thing. If they wanted
Speaker 1: like an untraceable type of death, not to stab them
Speaker 1: or shoot them or whatever, they would give people deadly enemas.
Speaker 1: And that's what Marilyn got. Her colon was purple, it
Speaker 1: was swollen, it was twice the size that it should
Speaker 1: have been. She had bruises on the back of both
Speaker 1: of her legs like she had and held down. She
Speaker 1: had bruises on her butt cheeks. And so I don't
Speaker 1: know a lot of people who commit suicide by holding
Speaker 1: their own self down, Like, how was she a contortionist
Speaker 1: to she gave herself bruises on the backs of her
Speaker 1: legs and her butt cheeks. And she also then like
Speaker 1: shoved a huge dildo up her ass, but took it
Speaker 1: out right before she died, like why, Like the forensic
Speaker 1: evidence does not suggest that this was a suicide whatsoever.
Speaker 1: And she actually she had called her hair girl like
Speaker 1: thirty minutes before she died and was like, hey, girl,
Speaker 1: just want to let you know I'm going to make
Speaker 1: it to my appointment tomorrow morning, looking forward to it whatever.
Speaker 1: And that was like the last phone call she made.
Speaker 1: And it's like, why would you, like, in the throes
Speaker 1: of murdering yourself, why are you going to call and
Speaker 1: confirm your hair appointment for the next day and shit
Speaker 1: like that, Like none of it made sense whatsoever. She
Speaker 1: also had something called oh what is it where you
Speaker 1: die so fast cyanosis? You die so rapidly that like
Speaker 1: your blood vessels burst, and if you if you take
Speaker 1: it like a sedative overdose, you die real slow as
Speaker 1: your body digests the medications, and then you go through
Speaker 1: like the agonal phases where you're vomiting and like shitting
Speaker 1: or whatever. None of that was none of that was
Speaker 1: clear in Marylyn's death. Actually it was the opposite where
Speaker 1: if you, if you like, took a massive overdose, like
Speaker 1: if you like injected yourself with a massive overdose, you
Speaker 1: would have cyanosis.
Speaker 3: I would just say, shout out another fellow reject of ours,
Speaker 3: Robbie Marx Uh. He says, injections behind the knees and
Speaker 3: under arm. So I mean that mm hmm, that lines.
Speaker 3: I mean, that's probably how most people, you know, when
Speaker 3: when it's made to look a certain way, you know
Speaker 3: it's it's it's the opposite, right.
Speaker 1: It is the opposite. I mean, and they're they're so
Speaker 1: slick about it too. But if you know what you're
Speaker 1: looking for, obviously, like with the autopsy, it's not there's
Speaker 1: no indication that she killed herself whatsoever. She had lividity markings.
Speaker 1: That so lividity is when your blood settles after you die.
Speaker 1: Every dead body is going to have lividity markings. But
Speaker 1: what the lividity markings in Maryland's case showed is that
Speaker 1: she died face down in what's called the soldier's position,
Speaker 1: with her arms and legs down and at the sides,
Speaker 1: with her head hanging off the bed, and then at
Speaker 1: some point after her death, she was rolled over onto
Speaker 1: her back for a considerable period of time they say
Speaker 1: probably four hours, and then at some point before his
Speaker 1: sergeant Clemens arrived, she was rolled back into the face
Speaker 1: down death position. So again not my opinion, this is
Speaker 1: the forensic. Her fucking body showed lividity markings showed that
Speaker 1: she had been moved several times after how many fucking
Speaker 1: dead people do you know that just rolls around like
Speaker 1: are you kidding me? Like and like I don't know, Oh,
Speaker 1: I mean, she killed herself, she committed suicide, She took
Speaker 1: all these pills, and then after she died she rolled
Speaker 1: around in the bed for a couple hours. Like none
Speaker 1: of this is making sense for the story.
Speaker 3: And well, I was gonna ask you, we have the
Speaker 3: keen kill ritual that that we've seen with JFK and
Speaker 3: like Franz Ferdinand and like all these other people. Is
Speaker 3: there I wonder if there's some kind of I don't know,
Speaker 3: feminine occult like to some kind of I can tell you.
Speaker 1: That I think that I think that there is. And
Speaker 1: this is where I kind of talk about eyes wide
Speaker 1: shut and like the weird rituals they have with women
Speaker 1: and like being naked, and she was a sex symbol.
Speaker 1: She was known for being gorgeous, beautiful, could have whoever
Speaker 1: she wanted, literally the president. And in the death photos,
Speaker 1: she's naked, no makeup on, her hair's all matted to
Speaker 1: her head. She looks horrible. She looks almost like unrecognizable.
Speaker 1: And I do think it was like a humiliation ritual
Speaker 1: for her. And the address in the house where she
Speaker 1: was murdered was six oh five Helena Drive or something
Speaker 1: like that.
Speaker 3: Let me find it, and clockwas says the Horror Babylon archetype. Yeah,
Speaker 3: but you could also put Princess Diana under the same Yeah,
Speaker 3: and she wasn't really the same boat, but she wasn't.
Speaker 3: She was more of like a uh and and this
Speaker 3: is just a what would it be like a euphemism
Speaker 3: or metaphor, because Mother Teresa, we know now, was a
Speaker 3: terrible person, but like a Mother Teresa type figure, you know.
Speaker 3: But yeah, I.
Speaker 1: Mean so she definitely was like the Horror of Babylon
Speaker 1: or whatever she was in these weird sex kitten operations.
Speaker 1: And so the the address was one two three oh
Speaker 1: five fifth Helena Drive. And the little girl in eyes
Speaker 1: Wide shut that gets sacrificed at the end in my opinion,
Speaker 1: because she's being led off by two dudes at the
Speaker 1: end of the movie and her mom is Alice. Right,
Speaker 1: And I don't know if you've paid much attention to
Speaker 1: that movie, but it's like of just a big it's
Speaker 1: all about like weird ritualistic shit. But the little girl
Speaker 1: in eyes White Chat her name is Helena, and I
Speaker 1: do think that there is like some it's they could
Speaker 1: have really murdered her anywhere.
Speaker 3: Well they that's they took her at at the end,
Speaker 3: right They Yeah, they did.
Speaker 1: The little girl. They took her at the very end
Speaker 1: of the movie.
Speaker 3: You know, no one if you don't know what to
Speaker 3: look for. I'm sure they first saw that in theaters,
Speaker 3: saw that and were just like, you know, just like, oh,
Speaker 3: they're just in a toy store.
Speaker 1: Well. The crazy part about that too, is like if
Speaker 1: you look in the toy store as they're walking down
Speaker 1: the aisles, there's a there's a gentleman. Gentleman's preferred blondes
Speaker 1: Marilyn Monroe Barbie and it's like right there in like
Speaker 1: the side of the aisle, and you know, you talk
Speaker 1: about Princess Diana. The song Candle in the Wind is
Speaker 1: Elton John. He talks a lot about writing his songs
Speaker 1: in which language. He wrote Candle in the Wind for Maryland,
Speaker 1: and then when Princess Diana died, he rewrote the lyrics
Speaker 1: and sang it at her funeral. So it's just it's
Speaker 1: all connected. It's all ritualistic. And I know Diana didn't
Speaker 1: die in the sixties, but Maryland did, and so did
Speaker 1: you know JFK. And it's again, it's like this weird
Speaker 1: like people getting stabbed to death of concerts, Hippie movement,
Speaker 1: Vietnam War, Marilyn Monroe's suicide, like all this stuff. It's like,
Speaker 1: what a time to be alive. Really in the nineteen sixties,
Speaker 1: I'm surprised anyone even made it the fuck out.
Speaker 3: And I mean you could say that, I'm sure not
Speaker 3: many people made it out mentally, you know.
Speaker 1: Right, And like that's got to play a part in
Speaker 1: like the way that like how we've ended up here,
Speaker 1: because it was so successful that they just kept repeating it.
Speaker 3: Well, I think there was a veil that was opened
Speaker 3: up during that time, and then a veil a little
Speaker 3: later on with nine to eleven, and you know, they're
Speaker 3: shorely completing these smaller like all these smaller sacrificial rides
Speaker 3: in these little rituals here and there for this much larger, uh,
Speaker 3: much larger ritual.
Speaker 1: Oh yeah. And the thing too is like the guy
Speaker 1: who did Marylynd's autopsy, he he couldn't believe his eyes
Speaker 1: basically when he saw all this, because he was like, oh,
Speaker 1: she didn't kill herself, and he to like retest all
Speaker 1: the samples of her organs, and somebody had fucking taken
Speaker 1: them all and they were gone, they had disappeared, and
Speaker 1: some guy from like the Pentagon took the file with
Speaker 1: all the shit and they he never saw it again,
Speaker 1: and her body went missing for like four hours or
Speaker 1: something like that before her funeral. And you know, it's
Speaker 1: like you it's like, literally, for anybody who pays like
Speaker 1: thirty minutes of attention to Marylynd's suicide quote unquote, we'll
Speaker 1: find out that they've been running game on us, suiciding
Speaker 1: people for forever long. I mean, like that's.
Speaker 3: Why I don't know this information and still think it
Speaker 3: and think anything different than than she was, because they
Speaker 3: come out with the sacrifice by.
Speaker 1: The Netflix documentaries, Fucking Netflix, because oh she was so sad,
Speaker 1: and she was depressed. You know, sometimes I feel a
Speaker 1: little blue, Okay, sometimes I'm having a bad day. I'm
Speaker 1: not even Marilyn Monroe. I can't imagine the type of
Speaker 1: life she had, or how fucked up she was, or
Speaker 1: how sad she was. But she didn't kill herself, right, Like,
Speaker 1: you can be depressed and not kill yourself. Like those
Speaker 1: two things can exist at the same time. You can
Speaker 1: be Marilyn Monroe, you can be depressed, you can have
Speaker 1: a shitty life and still not want to kill yourself.
Speaker 1: I mean, she was getting help, like she was having
Speaker 1: trouble sleeping and shit like that. But all of her
Speaker 1: psychiatrist sessions were taped, and when you listen back to
Speaker 1: those tapes, she was actually really hopeful for the future.
Speaker 1: She was working on like a bunch of like new
Speaker 1: projects and movies and all this shit, and she was
Speaker 1: you know, it's like people who are hopeful for the future,
Speaker 1: who confirmed their hair appointment for the next morning, Like
Speaker 1: these aren't usually the people that suicide themselves their.
Speaker 3: Lives, right, right, Yeah, And it's it's so funny, you
Speaker 3: see that happened so much in that in that industry, right,
Speaker 3: And it's because you know, maybe some some of the
Speaker 3: people were really sad and trying to escape demons that
Speaker 3: that they really couldn't shake.
Speaker 1: Okay, yeah, but you can say that about Kurt Cobain,
Speaker 1: and he didn't kill himself either.
Speaker 3: Right right, when you look at it, it's like, well,
Speaker 3: wait a minute, I mean, you know, yeah, that could
Speaker 3: be true, but the evidence it's like your your your
Speaker 3: eyes aren't lying to you, you know what I mean.
Speaker 1: He pulled the trigger with his fucking shoe on his
Speaker 1: fucking like the way that he would have had to
Speaker 1: have killed himself. He would have had to use his
Speaker 1: toe to pull the in right before he shot himself.
Speaker 1: He also went downstairs and slashed his own tires. And
Speaker 1: like it's like, okay, like I said, you can be
Speaker 1: a tortured soul, Okay, you can be a terribly miserable
Speaker 1: person but still get murdered, right, Amy Winehouse, Britney Murphy,
Speaker 1: Kurt Cobain, Marilyn Monroe. People need to look at this shit.
Speaker 1: They did not kill themselves.
Speaker 3: You could say it was ritualistic, but at the same time,
Speaker 3: it could have been because they were trying to speak
Speaker 3: up about something, you know, and.
Speaker 1: Or it was time to pay the fiddler who fucking knows.
Speaker 3: Yeah, they could have known, like I said earlier, they
Speaker 3: could have known that they were gonna be offered up
Speaker 3: for a sacrifice m M one day.
Speaker 1: You know, like they didn't know when their time was
Speaker 1: gonna come, but they knew that it was gonna come
Speaker 1: around eventually. But I you know, they used music and
Speaker 1: movies and actresses and whatever. We fall in love with
Speaker 1: these people. We idolize these people like the you know,
Speaker 1: they say golden idols or whatever, and then they murder
Speaker 1: them in front of us. And then they say like
Speaker 1: they killed themselves and how sad it is, And it's
Speaker 1: all part it's all part of the programming. It's all
Speaker 1: part of like the trauma based mind control. You know,
Speaker 1: all of the people that you idolize as a kid,
Speaker 1: you grow up and realize that they were their parents
Speaker 1: were in the military, and this it was all fake
Speaker 1: and staged and they you know, it's just it's a shame.
Speaker 3: Really, it's it's sad. Yeah, no, it's it's actually very sad.
Speaker 3: And it's like, you know, where these people's souls at
Speaker 3: when when this happens, Like where are where are they? Spiritually? M?
Speaker 1: Yeah, And I mean it's kind of like what you
Speaker 1: were saying at the beginning of the episode, and that's
Speaker 1: why I asked you. I do think at level Hollywood industry,
Speaker 1: you know, like the entertainment industry, the government, uh, they're NASA,
Speaker 1: they're all in cahoots with spiritualism that we don't understand.
Speaker 1: There is a war for your soul and we're victims
Speaker 1: of it. Even someone like you and I who try
Speaker 1: to like understand this shit, we still get caught up
Speaker 1: in it, right because we all have music and movies
Speaker 1: and shit that we like to like listen to and
Speaker 1: watch and whatever. And it's it's like they if it
Speaker 1: wasn't successful, they wouldn't do it. If it if they
Speaker 1: weren't getting results, they would stop doing it. Laurel Canyon
Speaker 1: music is great and everybody loves it. It sounds wonderful.
Speaker 1: Nirvana was great. Everybody loved it. It was wonderful. Disney Channel,
Speaker 1: everybody loved it. It was wonderful. I mean like they
Speaker 1: they literally draw us in with like magic. Oh, sorry, you're.
Speaker 3: Good, you're good. No, well, speaking of magic, yeah no.
Speaker 3: And that's one main component behind it, I think. And
Speaker 3: it's been like this since antiquity.
Speaker 1: Oh yeah, this old black magic.
Speaker 3: Yeah, there's been the rulers and the elite class, and
Speaker 3: people think that, you know, they're at the top. What
Speaker 3: they don't know is that the people really pulling the
Speaker 3: strings are the priests, the king priests, so to say,
Speaker 3: of these ancient of these ancient cults, these ancient mystery cults,
Speaker 3: and uh, you know, they are the ones that communicate
Speaker 3: with the gods or with their God, with their certain
Speaker 3: deity whoever they worship. And uh, well it's.
Speaker 1: Just like in the Bible, you know, Psalms means songs
Speaker 1: and David danced before the Lord and sing a new song,
Speaker 1: and like there is so many references to like dance
Speaker 1: and singing and vibration.
Speaker 3: And there's references to I mean, there's stuff that aligns
Speaker 3: with the Druidic mystery schools. And people may not know this,
Speaker 3: but Jacob when he wrestles with God, is he is
Speaker 3: going through an initiation the Yeah it's Moses was doing
Speaker 3: magic in the desert. He was he was out there
Speaker 3: talking to multiple entities and they were tricks and ship
Speaker 3: by fire, blittant fire at night, by clouds that day
Speaker 3: and you know, I mean he came from Kim where
Speaker 3: alchemy was created. You know, I have a theory that
Speaker 3: he was an alchemist. He's been portrayed with the alchemical
Speaker 3: horns coming from his uh you know, his light. You know,
Speaker 3: some people, why is Moses portrayed with horns? It's like, yeah,
Speaker 3: well why was he holding the caduceus?
Speaker 1: And he was raised as a prince of Egypt.
Speaker 3: He was raised in the mystery schools.
Speaker 1: That's what I'm saying.
Speaker 4: Yeah, yeah, yeah, all the all the he was raised
Speaker 4: in the uh the main castle or that you know,
Speaker 4: the main the main uh palace.
Speaker 3: All the elite. Yeah, all the royalty and the elite
Speaker 3: were all involved in the mysteries. And they themselves when
Speaker 3: you know, they didn't, like I said, they didn't communicate
Speaker 3: with the gods. That was for the priests. They still
Speaker 3: they had to say and and and everything.
Speaker 1: Uh.
Speaker 3: That's well that's if if you know the or the
Speaker 3: if the god was not there physically, you know, manifesting
Speaker 3: or whatever, that's that's another story. Because you know, once
Speaker 3: in Egypt the gods walked among men.
Speaker 1: So but that's because they don't they don't want you
Speaker 1: to think that. The hieroglyphics could be literal, but they probably.
Speaker 3: Are literal and symbolic, you know, the so below the microcosm, macrocosm.
Speaker 3: You know, I definitely think what happens in other realms
Speaker 3: manifest here for sure.
Speaker 1: Yeah, I think this is about all the time I'm
Speaker 1: gonna have with little stinker.
Speaker 3: I know, I know. I was about to say, we're
Speaker 3: probably gonna get out of here here and here in
Speaker 3: a minute. Guys, Julia, this was fun, and we need
Speaker 3: to get together sometime some other time, maybe on a
Speaker 3: weekend when I haven't when I haven't worked all day.
Speaker 3: I you know, I always give myself a hard time,
Speaker 3: and I'm like, I never think that I do a
Speaker 3: good job during the week, but then my audience tells
Speaker 3: me differently.
Speaker 1: So wow, I think it was a great conversation.
Speaker 3: So it was.
Speaker 1: It was a last I love talking about football.
Speaker 3: Well, there's so much more that week to get into.
Speaker 3: So if you want to go ahead and tell people
Speaker 3: where they can find you, and you can go ahead
Speaker 3: and get out of here. If if you need to
Speaker 3: just tell people where they can find you, and if
Speaker 3: there's anything that you got coming soon.
Speaker 1: Yeah, I am a new mom, so I'm doing the
Speaker 1: best I can every day. But yeah, Cosmic Pea podcasts,
Speaker 1: wherever you listen to the podcasts.
Speaker 3: We have it pulled up and I'll put it in
Speaker 3: the description. So and uh, I'll have to get you
Speaker 3: back on again. I need to introduce you to my wife,
Speaker 3: and uh, maybe you can go on her podcas. She
Speaker 3: barely has time to do it, but she's trying. She'll
Speaker 3: she'll be trying here soon to do a few episodes
Speaker 3: son trying to hook her up with some people.
Speaker 1: So I would love to have her on my show
Speaker 1: or go on her show whichever.
Speaker 3: Yeah, for sure, for sure, And yeah we could definitely
Speaker 3: do that. Me and you could do a swapcast. You
Speaker 3: have Colby Khan and you know we can. I'm sure
Speaker 3: I'll see you soon on an Occult Reject show. But
Speaker 3: I appreciate you coming hanging out with me tonight. I'm
Speaker 3: glad you finally booked. Glad I finally made a call
Speaker 3: in Lee so you could because before that my scheduling
Speaker 3: was dog shit. But anyway, thank you, Julia. Guys, go
Speaker 3: subscribe to Julia's channel, and yeah, go to her patreon.
Speaker 3: Let her patreon, support her, support her baby, her beautiful
Speaker 3: little baby who got to join us for the episode
Speaker 3: tonight as well. Y'all have a good, good rest of
Speaker 3: your week and I'm sure i'll see you all this weekend. Guys,
Speaker 3: stay great. Piled later when the two is found.
Speaker 1: To be.
Speaker 2: No jun.
Speaker 1: Then you.
Speaker 2: Dies go to and somebody love go to me, somebody
Speaker 2: in love to Lot, somebody somebody love