1 00:00:13,320 --> 00:00:20,199 Speaker 1: No man's flowers, little kissers, so that showers, secret wishes, 2 00:00:24,719 --> 00:00:28,000 snow fights when drops people like me CBS to talk 3 00:00:28,120 --> 00:00:29,120 pebl stack. 4 00:00:34,479 --> 00:00:44,000 Speaker 2: This last question wants to start walking paintings and the 5 00:00:44,079 --> 00:00:45,719 beach talking is kating. 6 00:00:45,880 --> 00:00:54,600 Speaker 1: Oh God's pages, Sunday sunset flip was fishman. 7 00:00:54,799 --> 00:00:55,840 Speaker 3: Of course. 8 00:01:00,399 --> 00:01:04,239 Speaker 2: I know that that's the moms faints him. 9 00:01:16,079 --> 00:01:17,879 Speaker 4: So you love that face. 10 00:01:26,959 --> 00:01:31,879 Speaker 1: It does moments frans me to towards your ask for my. 11 00:01:32,040 --> 00:01:38,879 Speaker 2: Mind dance with robot cookies. Thank you so gos wok. 12 00:01:38,920 --> 00:01:40,560 Speaker 5: We'll see you later. 13 00:01:44,719 --> 00:01:48,519 Speaker 4: Now wa cheus. Last question yal man mis. 14 00:02:08,319 --> 00:02:12,039 Speaker 6: Hay, because I just saw your face. 15 00:02:14,159 --> 00:02:27,240 Speaker 2: What just saw your lovely face? 16 00:02:37,159 --> 00:02:39,919 Speaker 5: It is not now going by. 17 00:02:51,680 --> 00:02:54,000 Speaker 4: Just sow your lovely face. 18 00:03:02,479 --> 00:03:04,840 Speaker 7: There you go. That is your lovely face by the 19 00:03:04,960 --> 00:03:07,759 rightful airs and they are here and we're going to 20 00:03:07,800 --> 00:03:10,080 talk to them in just a moment. Welcome everybody. We 21 00:03:10,159 --> 00:03:12,800 have entered our number three New Marrow trace of Matt 22 00:03:13,000 --> 00:03:16,879 Connorton Unleashed and we are live from the studios of 23 00:03:17,080 --> 00:03:19,360 w m n H ninety five point three FM and 24 00:03:19,360 --> 00:03:22,000 Glorious Manchester, New Hampshire. And of course you can stream 25 00:03:22,039 --> 00:03:24,560 the show from anywhere. Go to Matt connorton dot com, 26 00:03:24,719 --> 00:03:27,599 slash live for all of your live streaming options, social 27 00:03:27,680 --> 00:03:30,800 media links, contact and foshow archives, et cetera, et cetera. 28 00:03:30,919 --> 00:03:36,280 Happy Valentine's Day. Today is Saturday, February fourteen, twenty twenty six. 29 00:03:36,800 --> 00:03:39,520 Jenny is here at the news table, President and account 30 00:03:39,560 --> 00:03:42,439 of for and I think actually we should mention the 31 00:03:42,560 --> 00:03:45,840 show tonight and then you know, we'll we'll mention it 32 00:03:45,919 --> 00:03:48,039 again at the oh at the end of the hour. 33 00:03:48,159 --> 00:03:50,240 But for people just joining us, because tonight's a big 34 00:03:50,319 --> 00:03:52,560 night of course at the Mosaic Art Collective. 35 00:03:52,840 --> 00:03:55,400 Speaker 8: Yeah, Tonight at the Mosaic Art Collective is the opening 36 00:03:55,479 --> 00:03:59,520 of the Peaceful Rebellion Juried Art Show. The opening is 37 00:03:59,560 --> 00:04:02,840 from five to seven. Matt and I will be there, 38 00:04:02,919 --> 00:04:05,719 so please do come join us at sixty six Hanover Street, 39 00:04:05,960 --> 00:04:08,240 Sweet two to oh one. If you've never been, you've 40 00:04:08,280 --> 00:04:10,240 got to come check out the Mosaic Art Collective. 41 00:04:10,319 --> 00:04:11,759 Speaker 9: It is a great gallery. 42 00:04:12,319 --> 00:04:15,000 Speaker 7: Yes, absolutely, we do love them. And how many pieces 43 00:04:15,039 --> 00:04:15,960 do you have in the show? 44 00:04:16,040 --> 00:04:18,040 Speaker 8: I actually have two pieces of the prevision of it, 45 00:04:18,079 --> 00:04:20,240 which was really an honor for me. 46 00:04:20,319 --> 00:04:22,079 Speaker 9: It's it's a it's a joy to get one in. 47 00:04:22,160 --> 00:04:23,319 If you get two, it's like, oh. 48 00:04:23,240 --> 00:04:26,079 Speaker 8: My god, yeah, this is the Yeah, but you know what, 49 00:04:26,240 --> 00:04:28,839 definitely also make sure you check out their website Mosaic 50 00:04:29,240 --> 00:04:31,959 Artcollective dot com for more information on things they're doing. 51 00:04:32,160 --> 00:04:35,120 They have an upcoming art and advocacy panel that you'll 52 00:04:35,199 --> 00:04:36,199 definitely want to check out. 53 00:04:36,399 --> 00:04:39,920 Speaker 7: All right, outstanding, and let's see. So let's get those 54 00:04:40,000 --> 00:04:45,680 mics up here. So we have John Montalto and Sunny Burretto. 55 00:04:45,800 --> 00:04:46,439 Did I get that right? 56 00:04:46,600 --> 00:04:46,759 Speaker 9: Yes? 57 00:04:47,120 --> 00:04:51,399 Speaker 7: I did? Okay, excellent, wonderful, So welcome back. It's been uh, 58 00:04:51,680 --> 00:04:52,240 it's been a while. 59 00:04:52,279 --> 00:04:52,480 Speaker 10: Jeez. 60 00:04:52,519 --> 00:04:54,639 Speaker 7: When was the last time you're both on the show? 61 00:04:54,639 --> 00:04:56,519 It had to be over a year ago, right, twenty 62 00:04:56,519 --> 00:05:01,319 four September of twenty twenty four, Yes, oh wow, okay, 63 00:05:01,360 --> 00:05:04,160 so it has been a while. So of course together 64 00:05:04,240 --> 00:05:06,920 you are the rightful heirs. We played that song your 65 00:05:06,959 --> 00:05:09,800 Lovely Face. You've got a bunch of new songs that 66 00:05:09,879 --> 00:05:11,720 you sent me that I really like, and you're gonna 67 00:05:11,720 --> 00:05:12,199 play for us. 68 00:05:12,319 --> 00:05:13,680 Speaker 9: But what so what what? 69 00:05:13,879 --> 00:05:16,639 Speaker 7: What's what has happened uh with uh? With the project 70 00:05:16,720 --> 00:05:18,399 since the last time we talked, since the last time 71 00:05:18,399 --> 00:05:18,839 we had you on. 72 00:05:19,160 --> 00:05:22,399 Speaker 10: Well, we have a new project with thirteen tracks Okay, 73 00:05:22,920 --> 00:05:25,959 that we've been working on for over a year. So 74 00:05:26,160 --> 00:05:30,240 it's we're in the final throes of releasing that. We've 75 00:05:30,360 --> 00:05:35,079 just had the last the five pieces mastered that hopefully 76 00:05:35,120 --> 00:05:36,639 you'll play today, okay. 77 00:05:36,680 --> 00:05:39,000 Speaker 9: And yeah, it's a lot of work. 78 00:05:39,240 --> 00:05:41,439 Speaker 7: Yeah, yeah, no doubt, no doubt, since we had to 79 00:05:41,480 --> 00:05:44,120 travel to New York to do it. Okay, yeah, tell 80 00:05:44,160 --> 00:05:44,560 me about that. 81 00:05:46,639 --> 00:05:51,639 Speaker 11: Uh we recorded it, uh with our beloved producer Lincoln 82 00:05:51,920 --> 00:05:56,360 Schleifer in Bronx, New York. That's where we recorded the 83 00:05:56,399 --> 00:05:58,360 first project. But oh yeah, we were living in New 84 00:05:58,399 --> 00:05:59,839 York at the time, so it was it was an 85 00:06:00,000 --> 00:06:03,319 easy fifteen minute commute as opposed to a four hour 86 00:06:03,399 --> 00:06:10,000 commute now, right, right, But it was another rewarding process 87 00:06:10,120 --> 00:06:12,959 and it took us, as Sonny mentioned, a little over 88 00:06:13,000 --> 00:06:15,600 a year. But we're we're really really, really pleased with 89 00:06:16,199 --> 00:06:17,439 the outcome of the project. 90 00:06:17,600 --> 00:06:22,800 Speaker 7: Yeah, yeah, absolutely. And then so it's it's an EPH 91 00:06:24,160 --> 00:06:26,680 do you record did you just do? Are you just 92 00:06:26,759 --> 00:06:27,759 doing individual tracks? 93 00:06:27,959 --> 00:06:31,759 Speaker 10: We'll probably release each track individually, oh okay, but you know, 94 00:06:31,839 --> 00:06:34,319 we're just also just kind of doing it as a 95 00:06:34,399 --> 00:06:37,439 CD for you know, kind of the old school people 96 00:06:37,439 --> 00:06:37,839 who like. 97 00:06:38,319 --> 00:06:42,560 Speaker 7: Gotcha gotcha, gotcha. Well, are you gonna play something for us? Dine? 98 00:06:42,600 --> 00:06:43,120 Are you play? 99 00:06:43,480 --> 00:06:43,680 Speaker 12: Yeah? 100 00:06:43,680 --> 00:06:47,600 Speaker 9: Absolutely. We have two tracks that we're gonna play. 101 00:06:47,720 --> 00:06:50,959 Speaker 10: One of them it's called fifth Generation war that's not 102 00:06:51,160 --> 00:06:54,720 on this project, that's newer than this project, okay. And 103 00:06:54,839 --> 00:06:57,839 then the other one is called Shivertown, and that is 104 00:06:57,959 --> 00:07:02,439 on the project. But the version on the project will 105 00:07:02,519 --> 00:07:06,040 sound much different. Oh okay, because there's just the two 106 00:07:06,079 --> 00:07:08,519 of us here, but we've got a whole band on 107 00:07:08,639 --> 00:07:13,560 the projects. Oh interesting one like little disclaimer. I just 108 00:07:13,639 --> 00:07:16,720 want to say that no AI was used to make 109 00:07:16,879 --> 00:07:21,720 any of our music, and okay, or lyrics or anything 110 00:07:21,839 --> 00:07:22,040 like that. 111 00:07:22,720 --> 00:07:25,560 Speaker 7: Okay, well fair enough, yes, all right, very good. Yeah, 112 00:07:25,680 --> 00:07:27,240 So what are you gonna play for us? 113 00:07:27,279 --> 00:07:27,399 Speaker 12: Now? 114 00:07:27,759 --> 00:07:29,439 Speaker 9: Called Fifth Generation Warfare? 115 00:07:29,720 --> 00:07:32,879 Speaker 7: Fifth Generation Warfare? All right? The Rightful Era is live 116 00:07:32,920 --> 00:07:34,199 in studio. Yeah, whenever you're ready. 117 00:07:48,079 --> 00:07:53,279 Speaker 2: Your dad is what you do, not just who they are. 118 00:07:54,399 --> 00:07:57,240 I've got to tell somebody of them. 119 00:07:58,800 --> 00:08:02,759 Speaker 13: All this goes to but your mood is boys and tea, 120 00:08:03,959 --> 00:08:06,000 and the gil is just a new disease. 121 00:08:07,199 --> 00:08:12,759 Speaker 2: People are in here bought. It's just like the one 122 00:08:13,040 --> 00:08:21,800 really wants to see. No one ever releases Elbow seas 123 00:08:21,920 --> 00:08:22,639 at all. 124 00:08:25,639 --> 00:08:26,360 Speaker 3: We're in a. 125 00:08:26,560 --> 00:08:28,480 Speaker 4: Fifth generation war. 126 00:08:31,839 --> 00:08:39,639 Speaker 2: Ess, it's a fifth generation war. Do you to woman 127 00:08:39,919 --> 00:08:43,679 versus man? Friends of ants? 128 00:08:43,799 --> 00:08:44,120 Speaker 5: Friend? 129 00:08:45,840 --> 00:08:46,759 Speaker 7: How does it. 130 00:08:59,720 --> 00:09:01,960 Speaker 5: You try to get those facts? 131 00:09:02,799 --> 00:09:08,360 Speaker 2: This information e very well at our side. Rotax, you 132 00:09:08,679 --> 00:09:14,279 be temple what you shure, it's down to what you bee. 133 00:09:15,480 --> 00:09:17,600 Speaker 4: That's the child the king go true. 134 00:09:18,679 --> 00:09:24,000 Speaker 2: You've got to hide in your pills, be my flow, 135 00:09:24,679 --> 00:09:25,840 little truth. 136 00:09:31,240 --> 00:09:38,879 Speaker 14: Were in the fifth horational war. Yes, it's a fifty 137 00:09:39,000 --> 00:09:40,480 generation wall. 138 00:09:42,120 --> 00:09:44,039 Speaker 15: What Williamson. 139 00:09:44,840 --> 00:09:53,639 Speaker 2: Born of versus man? Friend of Yes, friend, he goes 140 00:09:53,759 --> 00:09:54,879 to Mollia Long. 141 00:09:55,279 --> 00:10:00,639 Speaker 14: You'll never want to let go rot from this dark 142 00:10:00,960 --> 00:10:08,919 dissent getting close to who you love. You never want 143 00:10:09,039 --> 00:10:13,679 to let you go run from this dark of bison. 144 00:10:15,559 --> 00:10:20,399 Speaker 2: The world is breaking down. We love not breaking down. 145 00:10:36,200 --> 00:10:40,200 Watch them do bt a song, Cancel. 146 00:10:39,840 --> 00:10:45,159 Speaker 16: Hoo, buby and strongle. Therein't no one that you can't 147 00:10:45,320 --> 00:10:50,320 go Now that Broud is wrong your minds look back 148 00:10:50,440 --> 00:10:55,879 to pee. You're the one bringing as blacks. Now you 149 00:10:56,120 --> 00:10:58,440 know how it feels to relive. 150 00:10:59,720 --> 00:11:02,399 Speaker 5: Be a man of me, he love. 151 00:11:07,960 --> 00:11:15,519 Speaker 14: We're in a fifth generational wall. Yes, it's a fifth 152 00:11:15,720 --> 00:11:17,240 generational ball. 153 00:11:17,679 --> 00:11:23,480 Speaker 4: Who will do o versus man? 154 00:11:24,879 --> 00:11:25,279 Speaker 5: Friend? 155 00:11:25,519 --> 00:11:32,919 Speaker 13: And answered the cause to who you love, your never 156 00:11:33,240 --> 00:11:38,840 want to love you. But from this dog a dissa 157 00:11:40,519 --> 00:11:47,159 world's breaking down, We're not breaking down. Don't be a 158 00:11:47,320 --> 00:11:48,399 breaking down. 159 00:11:49,799 --> 00:12:00,360 Speaker 2: Don't let it take you down downtown. Don like it. 160 00:12:00,559 --> 00:12:01,000 Speaker 10: I like it. 161 00:12:01,360 --> 00:12:05,519 Speaker 7: The Rightful Airs here with Us Live in Studio and 162 00:12:06,039 --> 00:12:08,480 Fifth Generation War very good, very good. I feel like 163 00:12:08,519 --> 00:12:11,240 a lot of your songs are kind of topical. Have 164 00:12:11,679 --> 00:12:14,799 there's a lot of social commentary. I remember noticing that 165 00:12:14,879 --> 00:12:16,360 too the last time that you were on I mean, 166 00:12:16,679 --> 00:12:18,919 is that is that something that's that's important to you 167 00:12:19,039 --> 00:12:20,960 to express? Or you are and are you trying to 168 00:12:21,039 --> 00:12:23,120 address things that maybe you don't feel r being addressed? 169 00:12:23,720 --> 00:12:28,559 Speaker 10: Well, I think, of course we're not really a political band, 170 00:12:28,639 --> 00:12:32,039 but I would say that, you know, we have a 171 00:12:32,159 --> 00:12:34,600 couple of mean points. So one of the things is, 172 00:12:35,279 --> 00:12:38,559 you know, try to focus on the positive, but don't 173 00:12:39,840 --> 00:12:44,720 forget like what's what's really going on? Like really, you know, 174 00:12:44,879 --> 00:12:47,240 try to think of things. I think that you know, 175 00:12:48,840 --> 00:12:51,159 we really just kind of play what comes up, and 176 00:12:51,240 --> 00:12:54,120 we've got all kinds of the songs just kind of 177 00:12:54,320 --> 00:12:55,279 like happen. 178 00:12:55,840 --> 00:12:58,919 Speaker 9: It's not like we set out to write this song. 179 00:12:59,200 --> 00:13:00,480 Speaker 7: Actually, you know, it's. 180 00:13:00,480 --> 00:13:04,279 Speaker 10: Like the music came and then the lyrics were what 181 00:13:04,519 --> 00:13:06,720 was called for by the music. I mean, I know, 182 00:13:06,840 --> 00:13:09,720 it's like kind of like the music gods dictate how 183 00:13:09,799 --> 00:13:13,440 these things happen, but certainly what what we believe in, 184 00:13:13,559 --> 00:13:15,639 our beliefs kind of do filter through. 185 00:13:16,120 --> 00:13:21,159 Speaker 7: Yeah, yeah, of course, yeah, well said, Well said, I 186 00:13:21,279 --> 00:13:25,799 want to play this studio track, but like I said, 187 00:13:25,919 --> 00:13:28,440 you sent us several I really love this song bad 188 00:13:28,519 --> 00:13:31,960 Trip Turnaround, but I want to know before we before 189 00:13:31,960 --> 00:13:33,320 we play it, I want to know more about this. 190 00:13:33,480 --> 00:13:34,919 This is this is kind of my my favorite of 191 00:13:34,919 --> 00:13:37,000 the ones, he said, But yeah, tell us about this song. 192 00:13:37,480 --> 00:13:43,240 Speaker 10: Okay, So this song is really about introspection, and you know, 193 00:13:44,919 --> 00:13:49,519 for some people, I mean it's some people are doing introspection, 194 00:13:50,120 --> 00:13:53,039 you know, meditation wise. Some people are doing it full 195 00:13:53,120 --> 00:13:55,679 out like Iohasca and all kinds of things like that. 196 00:13:55,919 --> 00:13:58,639 So this kind of speaks to to a lot of 197 00:13:58,799 --> 00:14:01,159 things that that people are doing. But it's really like 198 00:14:02,000 --> 00:14:05,200 it's a spiritual journey and it's about it's about spirit, 199 00:14:05,240 --> 00:14:09,519 it's about finding yourself. And you know what we would 200 00:14:09,600 --> 00:14:12,080 hope if if people get anything out of our music 201 00:14:12,320 --> 00:14:15,360 is that you know, they see us as people who 202 00:14:15,480 --> 00:14:21,519 really kind of are advocating looking inward and getting more 203 00:14:21,559 --> 00:14:24,320 out of yourself, like bringing yourself to another level. 204 00:14:24,519 --> 00:14:27,759 Speaker 7: Okay, okay, John, anything to add on that or well. 205 00:14:28,759 --> 00:14:31,919 Speaker 11: Sonny always has an interesting process of how she comes 206 00:14:32,000 --> 00:14:34,399 up with the words. What I usually do is I 207 00:14:34,480 --> 00:14:37,559 come up with the music in the melody. And she 208 00:14:37,720 --> 00:14:40,759 says that when she's listening to the idea over and over, 209 00:14:41,720 --> 00:14:46,200 the song tells her what it's going to be written about. 210 00:14:46,919 --> 00:14:49,519 And this particular track, it was a day we were 211 00:14:49,559 --> 00:14:52,360 hanging out and I wasn't really feeling so great and 212 00:14:52,679 --> 00:14:55,799 I was just noodling around and this idea was brewing, 213 00:14:56,399 --> 00:14:57,960 and I looked at Sony and I'm like, you know, 214 00:14:58,240 --> 00:15:01,039 I'm not feeling so great. I need to I need 215 00:15:01,120 --> 00:15:06,039 to turn his bad trip around. And that kind of 216 00:15:06,080 --> 00:15:10,360 stuck in her head as a foundational theme, and she 217 00:15:10,480 --> 00:15:12,679 delivered the words. And once again, it's always for me, 218 00:15:13,840 --> 00:15:17,159 that moment where I get the text and the words 219 00:15:17,200 --> 00:15:21,720 are there are really exciting because that's what really closes 220 00:15:22,480 --> 00:15:26,200 and the song and cements it puts it together. 221 00:15:26,440 --> 00:15:27,879 Speaker 7: Yeah. Very cool. 222 00:15:28,080 --> 00:15:30,480 Speaker 10: Oh, before we say anything, before we spin the song, 223 00:15:30,559 --> 00:15:32,240 I just want to do a shout out because like 224 00:15:32,360 --> 00:15:34,960 we don't we sing backrups on this song, we don't 225 00:15:35,159 --> 00:15:38,279 we're not the lead singer. Josh Dion is the lead 226 00:15:38,360 --> 00:15:41,080 singer on the song Okay, so where this song features 227 00:15:41,159 --> 00:15:44,840 Josh Dion from Paris Monster. He's an amazing voice, okay, 228 00:15:44,840 --> 00:15:47,759 and he just really takes the song to the next level. 229 00:15:47,879 --> 00:15:51,559 Speaker 9: So I just wanted to you know, we don't sound 230 00:15:51,720 --> 00:15:51,879 like this. 231 00:15:52,320 --> 00:15:55,240 Speaker 11: Well, we realized, we realized that this song, out of 232 00:15:55,320 --> 00:15:58,080 all of them, there was limitations. And I had heard 233 00:15:58,240 --> 00:16:04,039 Josh sing uh uh with Paris Monster, and like that 234 00:16:04,399 --> 00:16:06,320 guy's voice would be perfect for the song. 235 00:16:06,480 --> 00:16:06,600 Speaker 5: Oh. 236 00:16:06,679 --> 00:16:09,519 Speaker 11: It took a little convincing, but it turned out to 237 00:16:09,559 --> 00:16:10,159 be the right call. 238 00:16:10,279 --> 00:16:12,480 Speaker 10: And he's the drummer for all the tracks on our 239 00:16:12,759 --> 00:16:15,000 Oh okay, oh neat, Oh gotcha? 240 00:16:15,159 --> 00:16:15,480 Speaker 7: Gotcha? 241 00:16:15,559 --> 00:16:16,799 Speaker 9: Okay, ye Yeah, he's amazing. 242 00:16:16,960 --> 00:16:17,600 Speaker 7: Yeah, yeah, I. 243 00:16:17,639 --> 00:16:18,240 Speaker 2: Love the story. 244 00:16:18,440 --> 00:16:21,519 Speaker 8: If you often, hey, we're going to do back up 245 00:16:21,559 --> 00:16:23,480 on our song, we want you to. That's that's an 246 00:16:23,559 --> 00:16:25,360 unusual thing to do. I think it's really neat. 247 00:16:25,559 --> 00:16:25,759 Speaker 7: Yeah. 248 00:16:25,840 --> 00:16:30,080 Speaker 11: Well, we want the song to be presented in this 249 00:16:30,240 --> 00:16:34,759 best possible manners. So it was once we heard Josh 250 00:16:34,840 --> 00:16:37,679 sing it, we knew that it was definitely the right call. Yeah, 251 00:16:37,679 --> 00:16:40,120 And so once again a shout out to Josh Dion 252 00:16:40,240 --> 00:16:43,600 and to Paris Monster. Check him out, you'll be amazed. 253 00:16:43,679 --> 00:16:47,879 Josh plays drums, keyboard and sings at the same time. 254 00:16:48,000 --> 00:16:49,840 It's it's quite a performance. 255 00:16:49,919 --> 00:16:50,200 Speaker 7: Okay. 256 00:16:50,799 --> 00:16:54,000 Speaker 9: He's one of the most thought after session players for drumming. 257 00:16:54,279 --> 00:16:56,879 Speaker 7: Oh no kidding, yeah, oh, very good, very good. All right, 258 00:16:56,960 --> 00:16:59,480 let's give this a listen. This is a bad Trip 259 00:16:59,559 --> 00:17:01,600 turn around and this is the right ulaires. 260 00:17:25,359 --> 00:17:37,160 Speaker 5: This all comes down to the diagem turning around the 261 00:17:38,359 --> 00:17:59,799 side and one round away into lem away the street. 262 00:18:00,119 --> 00:18:08,200 What to me, I'm trying, man, oh man, I just 263 00:18:08,359 --> 00:18:25,920 break break you maything so much all and you see 264 00:18:31,720 --> 00:18:44,480 stand like a thing you see one god have to 265 00:18:54,079 --> 00:18:58,440 just strip what timmy I'm try. 266 00:19:01,119 --> 00:19:04,400 Speaker 2: W but I just break break. 267 00:19:15,640 --> 00:19:20,839 Speaker 5: Im? Wait another time, it's ship. 268 00:19:22,200 --> 00:19:26,640 Speaker 2: I'm not so short jet. 269 00:19:30,480 --> 00:19:32,599 Speaker 14: What we. 270 00:19:37,759 --> 00:20:12,400 Speaker 5: Can by STI side. That's not. 271 00:20:14,240 --> 00:20:15,400 Speaker 10: The true. 272 00:20:18,799 --> 00:20:51,880 Speaker 5: Say, it's a side to side now time following. That's why. 273 00:21:02,559 --> 00:21:05,880 Speaker 7: Does bad Trip turn around? And that is the rightful 274 00:21:06,039 --> 00:21:09,400 airs with what's the name of the gentleman who does 275 00:21:09,400 --> 00:21:12,799 the vocal on that again? Josh Josh? Yeah? And what 276 00:21:13,160 --> 00:21:17,119 what's his what's his other band? His main project, Paris 277 00:21:17,240 --> 00:21:20,000 Monster Paris Monster. Where are they are they from? Here? 278 00:21:20,079 --> 00:21:20,839 Are they in New York? 279 00:21:20,880 --> 00:21:21,519 Speaker 5: They're in New York. 280 00:21:21,559 --> 00:21:25,240 Speaker 7: They're in New York. Okay, but but he but he 281 00:21:25,279 --> 00:21:26,559 also plays drums on everything. 282 00:21:27,759 --> 00:21:31,720 Speaker 9: He's a multi talented artist. You know his band. He 283 00:21:31,839 --> 00:21:34,039 plays keyboards and drums at the same time. 284 00:21:34,200 --> 00:21:36,880 Speaker 7: Instincts, So how does he how does he do that 285 00:21:37,559 --> 00:21:38,559 at the same time? 286 00:21:38,880 --> 00:21:42,640 Speaker 11: One hand, I forget which I think it's the left hand. 287 00:21:42,680 --> 00:21:44,480 He's playing keyboard with the right hand. 288 00:21:44,599 --> 00:21:45,480 Speaker 5: He's he's. 289 00:21:46,920 --> 00:21:49,000 Speaker 11: In a snare and the toms and yeah, high hat 290 00:21:49,119 --> 00:21:49,400 and all that. 291 00:21:49,559 --> 00:21:50,440 Speaker 7: Wow, one man. 292 00:21:50,440 --> 00:21:53,599 Speaker 11: Man and all of the guys who came down and 293 00:21:53,720 --> 00:21:56,079 played and when we had the same cast come down, 294 00:21:56,359 --> 00:22:00,880 Oh h not are they just outstand players, but they're 295 00:22:00,920 --> 00:22:03,079 also really great human beings. 296 00:22:03,240 --> 00:22:03,440 Speaker 7: Yeah. 297 00:22:03,559 --> 00:22:06,839 Speaker 11: Really, they took a lot of care and attention to 298 00:22:06,880 --> 00:22:09,359 make sure that our music was the best it could 299 00:22:09,400 --> 00:22:09,920 possibly be. 300 00:22:10,279 --> 00:22:10,359 Speaker 2: Ye. 301 00:22:11,160 --> 00:22:15,240 Speaker 11: So we're greatly, greatly appreciative and in debt for their 302 00:22:15,400 --> 00:22:16,039 their efforts. 303 00:22:16,240 --> 00:22:20,640 Speaker 7: Yeah, yeah, absolutely. You want to play another, uh, another 304 00:22:20,720 --> 00:22:22,039 lap song? I'm done here? Another lap? 305 00:22:23,319 --> 00:22:23,640 Speaker 4: Okay? 306 00:22:24,680 --> 00:22:25,559 Speaker 11: You going to do Shivertown? 307 00:22:26,440 --> 00:22:26,720 Speaker 9: Sure? 308 00:22:27,599 --> 00:22:32,480 Speaker 11: Okay, so this song is going to be appearing on 309 00:22:32,680 --> 00:22:33,920 the upcoming project. 310 00:22:34,200 --> 00:22:36,319 Speaker 7: Okay, uh, it's called Shivertown. 311 00:22:37,160 --> 00:22:39,519 Speaker 11: Do you want to give some backdrop those too? 312 00:22:40,799 --> 00:22:42,839 Speaker 10: The only thing I could say is, you know, just 313 00:22:42,920 --> 00:22:45,519 kind of like how bad trip turn around that that 314 00:22:45,839 --> 00:22:47,880 kind of name of the song kind of came out. 315 00:22:48,000 --> 00:22:51,160 There was an interesting story about how Shivertown came about 316 00:22:51,799 --> 00:22:57,359 was I was stuck in an ice storm with my 317 00:22:57,559 --> 00:23:02,680 son driving and we're stuck on Shivertown Road. Oh yeah, 318 00:23:02,799 --> 00:23:07,440 And I was thinking, this is like, like a great word, 319 00:23:08,079 --> 00:23:10,759 You've never heard of it. There's no place and there's 320 00:23:10,799 --> 00:23:14,559 no place in the United States called Shivertown, Okay, but 321 00:23:14,680 --> 00:23:16,000 there is a Shiverartown Road. 322 00:23:16,240 --> 00:23:19,720 Speaker 9: Yeah, and uh, I think it's like near New Balls. 323 00:23:19,559 --> 00:23:21,759 Speaker 7: Or something like that, upstate New Yark, Okay. 324 00:23:21,880 --> 00:23:24,480 Speaker 9: And we're like, wow, that that needs to be a song. 325 00:23:24,720 --> 00:23:24,920 Speaker 7: Yeah. 326 00:23:25,000 --> 00:23:30,440 Speaker 10: Then the music kind of presented itself and then Shivertown 327 00:23:30,759 --> 00:23:31,480 kind of came to be. 328 00:23:31,759 --> 00:23:33,000 Speaker 7: Yeah, that makes sense. 329 00:23:33,319 --> 00:23:35,839 Speaker 11: I was watching a Tom Petty documentary and so there 330 00:23:35,920 --> 00:23:39,279 was definitely a Tom Petty influence in the in the 331 00:23:39,359 --> 00:23:41,519 music and the rhythm of of this track. 332 00:23:41,680 --> 00:23:44,839 Speaker 7: Okay, so let's do it Shivertown. Yeah, all right, the 333 00:23:44,960 --> 00:23:46,359 Rightful Era is live in studio. 334 00:23:49,400 --> 00:23:51,119 Speaker 11: Let's false start. 335 00:24:09,680 --> 00:24:12,480 Speaker 14: That's not I went up there to see your face, 336 00:24:14,000 --> 00:24:16,799 got mask you hid behind, won't keep you safe. 337 00:24:18,359 --> 00:24:19,000 Speaker 2: Went out to. 338 00:24:19,079 --> 00:24:21,240 Speaker 3: Grab a drink, but they were closed. 339 00:24:22,759 --> 00:24:24,839 Speaker 4: Usiness is left out in the cool. 340 00:24:25,880 --> 00:24:33,519 Speaker 17: I need hold him, I create touching, I need loving. 341 00:24:34,000 --> 00:24:40,440 You just shut it out, so I leave the Shipper time. 342 00:24:51,640 --> 00:24:56,119 Speaker 2: All I want from you is the truth. You put 343 00:24:56,240 --> 00:25:00,559 me down and then you get so rude. Friends, they 344 00:25:00,640 --> 00:25:05,359 want you just to hide away. I don't believe a 345 00:25:05,519 --> 00:25:06,279 thing they say. 346 00:25:07,200 --> 00:25:14,839 Speaker 18: You need golden, you create to shame, you need love 347 00:25:14,920 --> 00:25:17,680 and they can't keep you down. 348 00:25:19,000 --> 00:25:26,000 Speaker 2: Won't you leave the Shiver, leave the shiver to. 349 00:25:28,880 --> 00:25:36,319 Speaker 19: And I won't they come in back round? Won't you 350 00:25:36,880 --> 00:25:38,920 leave this Shiver town? 351 00:25:41,480 --> 00:26:01,839 Speaker 3: Hey, I'll come back again. 352 00:26:01,680 --> 00:26:06,000 Speaker 2: In a couple of days. Maybe then you will have 353 00:26:06,240 --> 00:26:07,119 changed your ways. 354 00:26:08,599 --> 00:26:13,400 Speaker 13: The things they talk about about the flies yea, he 355 00:26:13,599 --> 00:26:19,720 should be asking where. Just shot back and change your passwords. 356 00:26:19,920 --> 00:26:20,119 Speaker 10: Now. 357 00:26:20,759 --> 00:26:26,480 Speaker 13: Don't look back or turn your head or round. 358 00:26:28,519 --> 00:26:36,920 Speaker 2: We need holding, we create touching, we need love. They 359 00:26:37,480 --> 00:26:42,440 can hold us down. You got to leave this s 360 00:26:42,880 --> 00:26:44,519 for time home. 361 00:26:50,880 --> 00:26:54,039 Speaker 7: I like it. I like it. The Rightful Era is 362 00:26:54,160 --> 00:26:58,839 live in studio Shiverartown Now, great song? Great song? Do 363 00:26:58,920 --> 00:27:00,200 you have plans to record that one? 364 00:27:00,680 --> 00:27:02,680 Speaker 11: That one will be on the project that is Yeah, 365 00:27:02,720 --> 00:27:04,240 that's be course waiting to be mastered with. 366 00:27:04,559 --> 00:27:06,799 Speaker 9: Oh it is okay, Josh playing drums, and. 367 00:27:08,359 --> 00:27:11,480 Speaker 11: We got Danny Lewis, the keyboard player of Government Mule. 368 00:27:11,759 --> 00:27:15,160 He appears on Really Yeah, appeared on the last project, 369 00:27:15,200 --> 00:27:16,319 and he came back for this one. 370 00:27:16,480 --> 00:27:18,279 Speaker 7: Oh wow, oh that's very cool. 371 00:27:18,359 --> 00:27:20,000 Speaker 4: Yeah most of the tracks. 372 00:27:20,079 --> 00:27:23,759 Speaker 7: Oh really yeah, Oh that's awesome. That's awesome. Should we 373 00:27:23,880 --> 00:27:26,880 play Uh, let's see, so I'm curious to play. Uh, 374 00:27:27,319 --> 00:27:29,160 tell me about in Due Time the Devil. 375 00:27:30,480 --> 00:27:35,799 Speaker 9: Okay, so that's the There was kind of like we 376 00:27:36,039 --> 00:27:38,920 we put these songs together. John and I were just 377 00:27:39,039 --> 00:27:40,160 playing it one day. 378 00:27:40,240 --> 00:27:44,359 Speaker 10: He just kind of segued into the second song, and 379 00:27:44,519 --> 00:27:47,519 we love the way they kind of like went together. Yeah, 380 00:27:47,759 --> 00:27:50,759 and in Due Time is really it's only like two verses, 381 00:27:50,799 --> 00:27:52,920 so it never really was a full song. 382 00:27:53,039 --> 00:27:56,200 Speaker 9: So we just decided let's put these two songs together. 383 00:27:56,519 --> 00:27:56,839 Speaker 7: Okay. 384 00:27:58,160 --> 00:27:58,319 Speaker 4: Yeah. 385 00:27:58,359 --> 00:28:01,319 Speaker 10: The producer liked it too, and you know, he came 386 00:28:01,400 --> 00:28:05,880 up us really cool, really cool sounds. 387 00:28:06,200 --> 00:28:06,400 Speaker 7: Yeah. 388 00:28:06,640 --> 00:28:11,440 Speaker 10: Then just really both of these tracks, so they exceed 389 00:28:11,519 --> 00:28:12,440 our expectations. 390 00:28:12,599 --> 00:28:15,240 Speaker 7: Yeah, kind of kind of takes down a journey when 391 00:28:15,359 --> 00:28:15,960 you listen to it. 392 00:28:16,440 --> 00:28:18,680 Speaker 11: We we did play this the last time we were 393 00:28:18,720 --> 00:28:22,319 here live, and oh I loved in due time and 394 00:28:22,400 --> 00:28:25,079 I wanted war and so I say, nope, that's it. Yeah, 395 00:28:25,160 --> 00:28:26,680 And I always felt that it was a little bit 396 00:28:26,880 --> 00:28:30,880 short of being a complete song. Okay, So when I 397 00:28:31,000 --> 00:28:33,680 was noodling around one day, I just went down to 398 00:28:33,759 --> 00:28:37,240 half a step where the Devil starts, and it just 399 00:28:37,319 --> 00:28:39,279 made sense to put the two songs together. 400 00:28:39,480 --> 00:28:39,799 Speaker 7: Okay. 401 00:28:40,200 --> 00:28:42,880 Speaker 11: So yeah, it was a lot of fun. It was 402 00:28:42,880 --> 00:28:47,839 a lot of fun making uh it happen. Yeah, So 403 00:28:48,240 --> 00:28:50,920 we're looking forward to having the audience here how it 404 00:28:51,000 --> 00:28:51,400 turned out. 405 00:28:51,480 --> 00:28:53,480 Speaker 7: Yeah, yeah, I really like this one a lot too. 406 00:28:53,839 --> 00:28:56,400 All right, let's give this a spend and we have 407 00:28:56,480 --> 00:28:58,279 the rightful airs here with us if you're just joining 408 00:28:58,400 --> 00:28:59,359 us live in studio. 409 00:29:21,519 --> 00:29:28,960 Speaker 20: She knelt down upon his grave, a black stream said, 410 00:29:29,680 --> 00:29:31,160 fluzzle weak. 411 00:29:32,519 --> 00:29:39,519 Speaker 5: Where she's here and he is gone? Movies, who slipt 412 00:29:39,599 --> 00:29:41,160 to carry? 413 00:29:43,960 --> 00:29:48,400 Speaker 13: She'll just take your lady, Sam said, all the life, 414 00:29:49,559 --> 00:29:53,119 oh questions, and say him. 415 00:29:53,200 --> 00:29:54,079 Speaker 16: To time. 416 00:30:05,279 --> 00:30:09,559 Speaker 5: On sol. Tear is all she said. 417 00:30:11,240 --> 00:30:19,039 Speaker 20: From the vimy of that. Now that more than hands 418 00:30:19,240 --> 00:30:25,599 gone over the little tear, hands turned to cool. 419 00:30:27,920 --> 00:30:35,119 Speaker 15: Just take him, please, said side. Then all question, said, 420 00:30:35,400 --> 00:30:38,200 said he to turn him? 421 00:30:42,039 --> 00:30:42,519 Speaker 16: Living? 422 00:30:43,599 --> 00:30:45,880 Speaker 4: Can't be reveal. 423 00:31:18,799 --> 00:31:22,200 Speaker 5: When you knock in to the miver? 424 00:31:23,200 --> 00:31:26,039 Speaker 4: Is there no one left to see? 425 00:31:27,240 --> 00:31:30,920 Speaker 6: As the yemage becomes clearer. 426 00:31:31,200 --> 00:31:34,319 Speaker 4: Who's the master? Who's the sleep? 427 00:31:35,279 --> 00:31:36,480 Speaker 5: And whose rules? 428 00:31:36,599 --> 00:31:37,160 Speaker 10: To you? 429 00:31:37,559 --> 00:31:38,079 Speaker 2: Old me? 430 00:31:47,440 --> 00:31:54,559 Speaker 6: I have seen your face, thought history had certainly will. 431 00:31:55,640 --> 00:31:58,839 Speaker 5: There'll be those who take your hands. 432 00:31:59,400 --> 00:32:02,720 Speaker 4: But O mothermder your spill. 433 00:32:03,799 --> 00:32:06,839 Speaker 3: I won't follow you to hill. 434 00:32:09,839 --> 00:32:12,720 Speaker 5: Would you know the devil. 435 00:32:13,960 --> 00:32:24,240 Speaker 4: If he looked into your round? Would you know the tale? 436 00:32:26,200 --> 00:32:29,279 And it comes no surprise? 437 00:32:31,000 --> 00:32:35,880 Speaker 21: There you mad him the tide? You think you can't 438 00:32:36,079 --> 00:32:41,440 do no wrong, do no wrong? 439 00:32:44,200 --> 00:32:55,200 Speaker 5: Do you long? If we are to have a. 440 00:32:55,440 --> 00:33:02,079 Speaker 4: Shadow and we almost made good choice? Not too camn 441 00:33:02,559 --> 00:33:07,960 you would shadow? Would you suppen to the bonnet? 442 00:33:08,880 --> 00:33:11,920 Speaker 2: You just need to raise a word? 443 00:33:15,000 --> 00:33:27,960 Speaker 5: Did you know the table? Did dot your you know 444 00:33:28,119 --> 00:33:29,319 all the tail? 445 00:33:31,200 --> 00:33:34,400 Speaker 4: And it calls us no more surprise? 446 00:33:36,680 --> 00:33:42,079 Speaker 13: Then here the tides to think if you can't do nover, 447 00:33:45,240 --> 00:33:46,480 do no wrong? 448 00:33:49,319 --> 00:33:50,599 Speaker 5: Didn't go wrong? 449 00:34:00,079 --> 00:34:12,719 Speaker 14: You know. 450 00:34:22,719 --> 00:34:27,159 Speaker 2: Thea you thinking you can't do no wrong? 451 00:34:31,039 --> 00:34:33,840 Speaker 7: Mmmm, that is so good. I just want to let 452 00:34:33,880 --> 00:34:36,519 that hang for a second. I love that. I love 453 00:34:36,599 --> 00:34:39,320 that that is in due time the devil by the 454 00:34:39,480 --> 00:34:41,679 Rightful Airs and we have the Rightful Airs here with 455 00:34:41,840 --> 00:34:45,719 us in studio. Yeah, it's such an interesting track. John, 456 00:34:45,760 --> 00:34:48,280 you were talking off here about how your your producer, 457 00:34:48,400 --> 00:34:51,800 tried to get Ian Anderson. Uh, this is an interesting story. 458 00:34:52,320 --> 00:34:55,480 Speaker 11: We have a song called in My World and it's 459 00:34:55,840 --> 00:34:58,000 it's a little bit of a throwback. It's it's it's 460 00:34:58,000 --> 00:35:00,639 a very it's a very kind of sixties way. The 461 00:35:01,079 --> 00:35:06,320 track came out and Lincoln heard flute, which we were like, okay, 462 00:35:06,400 --> 00:35:12,880 we'll trust Lincoln. We didn't hear flute, but he he's 463 00:35:12,960 --> 00:35:19,679 friends with the drummer jetro Toe, and he said, guys, 464 00:35:19,719 --> 00:35:22,320 how about I try to get Ian Anderson for this track? 465 00:35:23,440 --> 00:35:26,800 And Ian graciously did get back to us and he 466 00:35:26,960 --> 00:35:30,000 thanked us, but his touring schedule just did not allow 467 00:35:30,119 --> 00:35:31,320 for him to have the time to. 468 00:35:32,599 --> 00:35:33,280 Speaker 10: Perform on it. 469 00:35:33,639 --> 00:35:38,000 Speaker 11: So instead we had a really great session player, New 470 00:35:38,039 --> 00:35:40,480 York session player come in and do the track. So 471 00:35:42,760 --> 00:35:44,719 watch out for that track when it's released in My 472 00:35:44,800 --> 00:35:47,880 World and you'll be able to hear all of its goodness. 473 00:35:48,039 --> 00:35:51,599 Speaker 7: Okay, okay, excellent. Now I haven't asked you about this, 474 00:35:51,719 --> 00:35:54,599 So what's what's the live situation? 475 00:35:54,760 --> 00:35:54,880 Speaker 15: Ben? 476 00:35:54,960 --> 00:35:57,320 Speaker 7: Have you been been playing shows, have been touring. 477 00:35:57,119 --> 00:35:59,159 Speaker 10: Or what, Oh, it's been non existent all we do 478 00:35:59,280 --> 00:36:02,159 this album really yeh, Like it's been a lot of 479 00:36:02,239 --> 00:36:04,960 work and yeah, we also have day jobs and. 480 00:36:05,079 --> 00:36:07,400 Speaker 11: We moved in the middle of all of it as well. 481 00:36:07,440 --> 00:36:11,480 You did, so it's yeah, so what we want to 482 00:36:11,519 --> 00:36:14,079 put out there because it's it's been one of the 483 00:36:14,199 --> 00:36:18,440 challenges to find. There's so many great musicians in this area. Yes, 484 00:36:19,599 --> 00:36:23,360 most of them want to play cover songs, yep, especially 485 00:36:23,400 --> 00:36:26,280 in our age set. So if anyone out there is 486 00:36:26,400 --> 00:36:30,800 intrigued and enjoys listening to the music and would like 487 00:36:30,880 --> 00:36:34,400 to contact us through our website at www. The Rightful 488 00:36:34,440 --> 00:36:42,480 Airs dot com and you're interested in playing guitar, drums, keyboard, whatever, 489 00:36:43,880 --> 00:36:45,840 give us a shout out. We'd love to find some 490 00:36:46,000 --> 00:36:48,400 really great musicians to add to what we're doing. 491 00:36:48,639 --> 00:36:53,199 Speaker 9: Yeah, yeah, that's Rightful Airs w R I T. E. L. 492 00:36:53,519 --> 00:36:55,159 Speaker 11: One of the things we are planning on doing this 493 00:36:55,280 --> 00:36:59,480 time because we do have more more time devoted in 494 00:36:59,599 --> 00:37:02,280 our skill schedule, is to get a booking agent and 495 00:37:02,320 --> 00:37:03,400 to do regional shows. 496 00:37:03,639 --> 00:37:08,440 Speaker 7: Yeah, okay, no, that makes sense. That makes sense. So 497 00:37:08,519 --> 00:37:10,519 we've got another studio track here that you sent me. 498 00:37:11,280 --> 00:37:15,599 This Muscleman, tell me about this. 499 00:37:16,239 --> 00:37:19,000 Speaker 10: Oh, the song's kind of like you know, you know, 500 00:37:19,519 --> 00:37:22,679 every time I look at my my YouTube feed, there's 501 00:37:22,679 --> 00:37:25,800 always like something about narcissists, and I guess this is 502 00:37:26,000 --> 00:37:30,199 like your kind of what it would be like if 503 00:37:30,239 --> 00:37:35,239 you were dating a narcissist, right, Okay, So that's kind 504 00:37:35,280 --> 00:37:36,440 of the origin of this song. 505 00:37:36,639 --> 00:37:38,119 Speaker 7: Okay, that's kind of fun. 506 00:37:38,199 --> 00:37:40,400 Speaker 11: But there is there is an interesting side note to 507 00:37:40,480 --> 00:37:43,519 this song because this song was given to me about 508 00:37:43,599 --> 00:37:47,079 six years ago. Sonny handed me the lyrics, which she 509 00:37:47,199 --> 00:37:50,320 doesn't often do. Yeah, and she said, you put music 510 00:37:50,400 --> 00:37:53,800 to this, and I did, and she didn't like it. Okay, 511 00:37:53,960 --> 00:37:56,880 She's like, no, this is not this is not acceptable. 512 00:37:56,960 --> 00:38:01,039 This doesn't really go with the words. So the music 513 00:38:01,159 --> 00:38:04,320 for what I originally wrote Muscleman for became a song 514 00:38:04,360 --> 00:38:07,280 that appeared on our last project called Tear It Down. 515 00:38:07,800 --> 00:38:11,119 So we got a two for one. So fast forward 516 00:38:11,199 --> 00:38:13,920 about four or five years after she originally gave me 517 00:38:14,039 --> 00:38:17,159 the word. She said, you know what, you never finished 518 00:38:17,159 --> 00:38:20,440 this song, and I think Lincoln could do a better job. 519 00:38:20,519 --> 00:38:23,320 I'm going to give it to him. And I said, 520 00:38:24,079 --> 00:38:28,559 you know, f that, give me it, and within five 521 00:38:28,679 --> 00:38:31,559 minutes I banged out. It's not it's kind of bluesy, 522 00:38:31,599 --> 00:38:35,480 which is really my style. But you know, the gauntlet 523 00:38:35,599 --> 00:38:38,760 was thrown down, so I had I rise to the challenge. 524 00:38:38,840 --> 00:38:40,960 Speaker 7: All right, all right, let's give this a spend the 525 00:38:41,119 --> 00:38:46,239 rightful errors and this is called muscle man, muscle. 526 00:38:46,000 --> 00:38:52,719 Speaker 2: Man, why don't you move me if you can? 527 00:39:00,320 --> 00:39:01,840 Speaker 5: The muslm. 528 00:39:03,239 --> 00:39:05,000 Speaker 2: What don't you move me? 529 00:39:05,639 --> 00:39:06,239 Speaker 3: If you can? 530 00:39:07,000 --> 00:39:07,239 Speaker 10: Can? 531 00:39:07,920 --> 00:39:18,880 Speaker 13: Have a prodigy, no ambition and your massmen your mission. 532 00:39:20,199 --> 00:39:21,320 Speaker 5: Of sense. 533 00:39:21,440 --> 00:39:31,199 Speaker 22: I have obliged to say the lady Muslim, don't you 534 00:39:31,559 --> 00:39:32,119 move me? 535 00:39:32,760 --> 00:39:33,320 Speaker 3: If you can? 536 00:39:40,760 --> 00:39:46,840 Speaker 2: The muscl made will know you to me again? 537 00:39:47,559 --> 00:39:48,840 Speaker 5: Can can. 538 00:39:53,440 --> 00:39:59,039 Speaker 13: Watch the supposed condition? Can't you see what you've been missing? 539 00:40:00,199 --> 00:40:09,400 Speaker 2: Pre Roman history? And come feel from street? She must made? 540 00:40:10,800 --> 00:40:37,280 Why don't you boove me again? Upside the outside? Won't 541 00:40:37,400 --> 00:40:39,800 by your from your answer? 542 00:40:40,880 --> 00:40:45,599 Speaker 5: What's from the outside, We'll call your problem. 543 00:40:47,159 --> 00:40:48,079 Speaker 2: Your reptile. 544 00:40:48,920 --> 00:40:51,000 Speaker 5: That one is so. 545 00:40:57,679 --> 00:41:24,039 Speaker 23: Hey, hey, hey, cute, you got to move must Why 546 00:41:24,320 --> 00:41:26,280 don't you move me. 547 00:41:27,239 --> 00:41:28,199 Speaker 2: If you can? 548 00:41:41,239 --> 00:41:43,440 Speaker 7: The rightful airs. We've been hearing a lot of new 549 00:41:43,519 --> 00:41:45,199 music and they played a couple of songs for us, 550 00:41:45,280 --> 00:41:47,920 and uh, John and Sonny, I do appreciate you so 551 00:41:48,079 --> 00:41:52,760 much coming in and this has been great. So what 552 00:41:52,840 --> 00:41:55,199 are kind of the So obviously you've got new more 553 00:41:55,320 --> 00:41:57,719 music on the way. Do you know when the next 554 00:41:58,199 --> 00:41:59,840 and what the next single is going to be? 555 00:42:01,239 --> 00:42:04,480 Speaker 10: So for the release schedule, we haven't really figured out 556 00:42:04,639 --> 00:42:08,400 exactly which songs will be releasing. But okay, last time 557 00:42:08,480 --> 00:42:11,719 we did a large project and we just basically released 558 00:42:11,760 --> 00:42:14,360 each song. Yeah, like almost like once a month for 559 00:42:14,920 --> 00:42:18,719 a while. Yeah, so that will be coming up. We're 560 00:42:18,760 --> 00:42:24,360 still mastering the songs and also working on kind of 561 00:42:24,400 --> 00:42:28,679 some of our artwork and other things like that. Yeah, 562 00:42:28,960 --> 00:42:32,960 we don't have a definitive exact timeline, but you know, 563 00:42:33,280 --> 00:42:36,119 we're hoping that sometime in March we'll be you know, 564 00:42:36,599 --> 00:42:39,360 rolling out one of those one of our first few tracks. 565 00:42:39,519 --> 00:42:43,960 Speaker 7: Oh, excellent, outstanding, outstanding. Where should people go online? Like, 566 00:42:43,960 --> 00:42:45,559 where's the best place to go online to keep up 567 00:42:45,599 --> 00:42:46,719 with everything that y'all are doing. 568 00:42:46,880 --> 00:42:49,360 Speaker 9: So we have a website www. 569 00:42:49,559 --> 00:42:53,639 Speaker 10: Dot The Rightful Airs dot com and it's w R 570 00:42:53,760 --> 00:42:56,800 I T E f U l H E I R 571 00:42:56,960 --> 00:43:01,679 s okay, So you can kind of see links to 572 00:43:01,800 --> 00:43:04,159 kind of all of our songs from our last tracks. 573 00:43:05,000 --> 00:43:08,320 Our last tracks were out there on all the major 574 00:43:08,960 --> 00:43:11,840 platforms like you know, Amazon, Spotify, et cetera. 575 00:43:12,199 --> 00:43:17,519 Speaker 7: Yeah, so, yeah, outstanding. All right, very good. And then 576 00:43:18,840 --> 00:43:22,000 for obviously we talked about this because I was asked 577 00:43:22,039 --> 00:43:23,960 this question the first time you were on the show. 578 00:43:24,039 --> 00:43:27,480 But for people who didn't hear that conversation, Uh, where 579 00:43:27,519 --> 00:43:29,079 does the name the Rightful Airs come from? 580 00:43:29,960 --> 00:43:30,119 Speaker 10: Oh? 581 00:43:30,199 --> 00:43:32,039 Speaker 9: Well, you know, we just figured that. 582 00:43:33,519 --> 00:43:36,840 Speaker 10: We are heirs to kind of like a musical legacy, 583 00:43:37,000 --> 00:43:39,280 you know, having grown up at the time that we did, 584 00:43:39,440 --> 00:43:42,400 we got to listen to, you know, and be influenced 585 00:43:42,480 --> 00:43:46,000 by some of the greats like Jennis Joplin and you know, 586 00:43:47,519 --> 00:43:49,719 Pink Floyd and things like that that you know, we 587 00:43:49,880 --> 00:43:54,239 just felt like, you know, we love to write. We're 588 00:43:54,559 --> 00:43:57,800 songwriters first and foremost. Is why we have kind of 589 00:43:58,000 --> 00:44:03,039 like a makeshift band together by producer. But you know 590 00:44:04,280 --> 00:44:06,639 that we feel like that's a legacy and that we're 591 00:44:06,719 --> 00:44:07,280 airs to that. 592 00:44:07,719 --> 00:44:13,679 Speaker 7: Okay, okay, very cool, very cool. So when we wrap up, 593 00:44:13,679 --> 00:44:16,480 because we are approaching the top of the hour, there's 594 00:44:16,559 --> 00:44:21,039 a song that I want to play to end the segment, 595 00:44:21,079 --> 00:44:23,480 which is one that we played on the show last time, 596 00:44:24,639 --> 00:44:27,400 The American Dream. I wanted to play that because I 597 00:44:27,480 --> 00:44:30,280 love that song so much so the radio the radio 598 00:44:30,400 --> 00:44:34,639 edit of course, I still have it so but I 599 00:44:34,679 --> 00:44:37,000 think but I think it continues to be to very 600 00:44:37,320 --> 00:44:41,119 be very apropos shall we say? But Jenny. Also, before 601 00:44:41,159 --> 00:44:43,679 we wrap up today for our live listeners on Saturday, 602 00:44:43,719 --> 00:44:46,360 we should mention the uh the Art show again tonight 603 00:44:46,480 --> 00:44:49,719 at the Mosaic Art Collective where you've got a couple 604 00:44:49,800 --> 00:44:52,960 of your your paintings are are being shown and will 605 00:44:53,039 --> 00:44:54,519 be there of course on. 606 00:44:55,079 --> 00:44:57,559 Speaker 8: Yeah, I'm really excited about this. Join us tonight at 607 00:44:57,639 --> 00:45:00,840 the Mosaic Art Collective for the opening of the Peaceful 608 00:45:01,079 --> 00:45:04,840 Rebellion Juried Art Show. This is all about Good Trouble folks, 609 00:45:04,880 --> 00:45:06,719 so you definitely want to come down and check this out. 610 00:45:07,119 --> 00:45:09,320 You can find the Mosaic Our Collective at sixty six 611 00:45:09,400 --> 00:45:12,480 Hanover Street, Suite two one, in Manchester. Matt and I 612 00:45:12,519 --> 00:45:14,480 will be there. The opening is from five to seven 613 00:45:14,559 --> 00:45:17,960 this evening. Looking forward to seeing you and seeing all 614 00:45:18,000 --> 00:45:19,920 the other works that can be hanging. So make sure 615 00:45:19,920 --> 00:45:21,840 you check out the Mosaic arc Collective dot com for 616 00:45:22,000 --> 00:45:22,719 more information. 617 00:45:23,400 --> 00:45:24,960 Speaker 7: And if people want to keep up with everything you've 618 00:45:24,960 --> 00:45:26,039 been up to, where should they go? 619 00:45:26,400 --> 00:45:27,320 Speaker 8: My Good Trouble can. 620 00:45:27,239 --> 00:45:29,599 Speaker 7: Be found at Gencoffee dot com. J E N N 621 00:45:29,760 --> 00:45:32,119 c O F f uy dot com And if you 622 00:45:32,159 --> 00:45:33,400 want to keep up with me, you can go to 623 00:45:33,440 --> 00:45:37,760 Matt Connorton dot com and uh again, John and Sonny, 624 00:45:37,800 --> 00:45:39,519 the Rightful Heiress thank you both so much. 625 00:45:39,920 --> 00:45:44,280 Speaker 11: Thank you man, Matt, Thank you absolutely for having this 626 00:45:44,440 --> 00:45:47,239 platform where local artists could come in and get heard. 627 00:45:47,719 --> 00:45:50,079 It's really important for us, so thank you so much 628 00:45:50,119 --> 00:45:52,199 for having us. Jed, thank you so much for being 629 00:45:52,320 --> 00:45:55,800 here and being our kind of master of ceremonies for 630 00:45:56,239 --> 00:45:58,440 all of us. And pleasure to be here. 631 00:45:58,559 --> 00:46:00,519 Speaker 7: Yeah, well, thank you, thank you. I'm glad here and 632 00:46:00,880 --> 00:46:02,239 thank you for that. I love to do it. There's 633 00:46:02,239 --> 00:46:05,119 so much incredible talent around here, you know. And so 634 00:46:05,199 --> 00:46:08,400 we'll close out with this. This is American Dream by 635 00:46:08,440 --> 00:46:09,239 the Rightful Heiress. 636 00:46:09,880 --> 00:46:12,559 Speaker 4: I lived the American dream. 637 00:46:15,480 --> 00:46:22,440 Speaker 5: Good things aren't really worthy. Sing worked on my life. 638 00:46:22,599 --> 00:46:29,920 You don't want me here? I lived, and the American dream. 639 00:46:40,360 --> 00:46:42,000 Speaker 2: The same old thing today. 640 00:46:42,599 --> 00:46:51,360 Speaker 6: Bills paid, the sinking feeling you will never find. I 641 00:46:51,519 --> 00:46:55,639 did everything, who went spent till I've made, packed up 642 00:46:55,719 --> 00:46:58,280 building at my home for a better job. 643 00:47:00,119 --> 00:47:05,960 Speaker 12: But I was dropped um up in a hotel douse 644 00:47:08,559 --> 00:47:11,599 or what else could I with thouse. 645 00:47:14,880 --> 00:47:17,840 Speaker 2: I live and tie the American Dream. 646 00:47:20,320 --> 00:47:23,320 Speaker 4: Because the time, believe was the see. 647 00:47:26,079 --> 00:47:32,440 Speaker 24: Works so damn hard to keep her cream. I lived 648 00:47:32,519 --> 00:47:34,559 in the American dream. 649 00:47:44,119 --> 00:47:48,440 Speaker 5: You know a lot of Senator Coles take up hill. 650 00:47:48,880 --> 00:47:50,840 Speaker 4: What else can you do to go? 651 00:47:51,159 --> 00:47:52,039 Speaker 3: Take your head. 652 00:47:53,960 --> 00:47:54,760 Speaker 7: To your. 653 00:47:56,119 --> 00:48:00,760 Speaker 6: Try not to get old, no one to hold Amilia 654 00:48:00,880 --> 00:48:02,880 and all those who live just like. 655 00:48:04,920 --> 00:48:05,639 Speaker 4: Concert. 656 00:48:07,760 --> 00:48:10,719 Speaker 5: I'm on and off our road time. 657 00:48:13,400 --> 00:48:16,159 Speaker 2: I say it's goddamn c. 658 00:48:19,840 --> 00:48:25,840 Speaker 24: I lived and died the American injury. Packed up my 659 00:48:26,119 --> 00:48:37,360 bride in my ESSU has b coovy Nancy. I lived 660 00:48:37,440 --> 00:48:39,400 and died the American Injury. 661 00:48:46,159 --> 00:48:48,760 Speaker 5: Tell me when I want to be. 662 00:48:52,960 --> 00:48:59,559 Speaker 24: Okay, fill up with spendings. 663 00:49:00,079 --> 00:49:18,000 Speaker 5: Read dream. I'm treating men, barb. 664 00:49:22,239 --> 00:49:25,079 Speaker 4: I lived and tied the American Dream. 665 00:49:27,199 --> 00:49:34,800 Speaker 5: I'm still in love with my country. My rocking role 666 00:49:34,880 --> 00:49:36,199 will keep me free. 667 00:49:39,440 --> 00:49:44,760 Speaker 20: I lived ntied the American Dream.