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Speaker 1: If you are listening to do Wuminate.

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Speaker 2: World premiere.

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Speaker 3: Cosmic Blossom, take your time.

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Speaker 4: M h, I'm gonna spend my days.

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Speaker 5: Walking through the sun. Could you have thought?

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Speaker 6: But you can still half I'm.

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Speaker 7: Not both can call me a to because they have

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me like doing that? You BoNT it telling to makers

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out Stan. Why don't remembers a time as a comb

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to the man I'm on about my my little circle jump?

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Then not playing tools being Almo.

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Speaker 8: Just take a turn there, Rain, don't need to cost

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game there, give him.

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Speaker 5: Song and sweet chi.

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Speaker 9: Can you know I'm gonna tell.

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Speaker 10: That spending my night that's right here again the groove, Yeah,

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I sure do.

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Speaker 11: Love the way that you move.

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Speaker 2: I'm thinking of that, Y'all'm gonna find I'm gonna sweet

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simple due.

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Speaker 5: All I care about is getting you all.

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Speaker 11: Then the mood.

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Speaker 2: You know, I'm a little soul.

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Speaker 12: It ain't gonna stand and says no adult.

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Speaker 13: If I don't get the noise to ask you all

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the days, I just don't go catch you and field

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so the little gims anymore?

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Speaker 9: Oh no, no, he's getting nine place. It was being limpid.

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Speaker 14: Oh God, don't do your time, go that braindo names the.

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Speaker 5: Second to the three.

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Speaker 6: You're not brand name rest No, you are listening to

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w M and H Commander, don't get Supreme Leada Matzell.

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Speaker 3: Coming, Good morning everybody, Welcome, Here we go again. It

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is that time Matt Connorton unleashed and we are live

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from the studios of w m n H ninety five

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point three FM Glorious Manchester, New Hampshire. Streaming worldwide of

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course at Matt connorton dot com slash live, where you

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can find all the info about the show, about where

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you can stream it and how to contact us, and

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live streaming options, social media links, et cetera, et cetera.

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Today is Saturday May thirty one, twenty twenty five, and

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I am not alone. Good morning, Sunshine. Yes, Jenny is

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here at the news table and we have an exciting

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show for you. By the way, we opened with the

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brand new track from Cosmic Blossom, which I think just

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became available on all the streaming platforms. But that was

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the world radio premiere of that song Awesome, the first

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time ever played on the radio here on WMNH. Gary Smith, who, again,

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as I always say, one of the most talented and

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absolutely busiest musicians I know sent us that track. That

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was kind of a late addition, but very very happy

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to play that on the show. And by the way,

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speed of music, that theme music. If you like that

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theme music that you hear at the beginning of every show,

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it's not gonna be around much longer. We got something

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new coming so intin intent. Yeah, and it's going to

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be really good too. I'm very excited about that. Very

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excited me too. But we have a very busy show

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for you coming up in just a couple of minutes.

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The Worry People are going to be joining us all

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the way from the UK. Great duo. We actually played

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their newest single, Gold recently, and we're going to play

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that again in just a couple of moments and then

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we'll get them on. We're using Google Teams now for

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the first time on the show, so hopefully everything goes

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well with that. We've we've used WhatsApp and that went well,

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that was a success, But Google teams that's what Peter

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White seems to be using on the Morning Show and

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it's working well for him. So we're using that now

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too because Skype has gone away, so we'll be talking

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to the Worry People. We're going to play that track again,

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Gold and then we'll talk to the Worry people. I

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don't know if it's gonna be both guys, and then

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we'll at the end of it, we'll play another great

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song of theirs.

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Speaker 11: Uh.

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Speaker 3: Coming up in the second hour this week on the show,

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we've got the Forensics, another great band from the UK,

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and looking forward to that. And then in the third hour,

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Kevin Horn, a great singer songwriter from the area. He's

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got a bunch of new studio tracks and I think

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he's gonna play live too, correct.

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Speaker 9: I believe so.

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Speaker 3: Did he did the last time he was on the

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show and he's amazing, so looking forward to it. He

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plays at the Great North air Wark, Yes, yes, and

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he's got a big show coming up too with Cosmic Blossom.

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Actually they're gonna be on the same show, so yeah,

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so really looking forward to that. Always great to see

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Kevin and he's amazing. I love his voice. Such a

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such a cool uh, such a cool voice. Art scene

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in Manchester is amazing. Yes, yes, really, so welcome to

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the program everybody. By the way, I see Gary Hancock

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in the Facebook live chat. Hello Gary of course from

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big GSPR or big GPR here in over in the

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UK and they're great and Gary and Eden. They send

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us a lot of great guests and we love that. Also,

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Who I Am is in the Facebook lift chat, also

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known as Lacey. I'm never sure if it's Bibe or Bebe,

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but lovely to see you. Let me know when it's

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time to rock my favorite song from H from Who

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I Am. Absolutely let's see and who else? Well, I

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might have some other people in the Facebook live chat too.

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It's funny sometimes I can't see all the uh what

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screen you're in. I can't see everyone's comments at once,

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depending on whether they're watching on YouTube or on Facebook.

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With reestream, I'm supposed to be able to see everything

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in one chat, but it's not working. But but but

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sometimes I can't. It's uh, it's kind of interesting. Yes, yes,

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so uh also too, we're gonna be recording uh later

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later today. For those of you listening live on Saturday,

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this is something completely separate from w M and H.

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But keep an eye out because Eric Pilcher and I

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and longtime listeners of the show are familiar with Eric

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Pilcher uh because he's been a part of Matt Connorton

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Unleashed in various ways over the years. But he and

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I have a podcast called Tough Bumps and we're gonna

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be doing episode six today and the last couple of them.

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Instead of simply recording them and putting them up, we

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stream them live, So keep an eye out. I think

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probably around three pm Eastern this afternoon, we're gonna do

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episode six of Tough Bumps. So we don't really do

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a lot to promote the live stream because it's kind

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of not really officially a live show. It's a podcast

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that we record, but if we feel like going live,

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we do, and it's kind of fun to go live

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with that, So if you want to enjoy that, of course,

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I like Tough Bumps on social media, but also just

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keep an eye out and you'll see that live notification

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today and maybe you can join us on the show.

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So little plug for Tough Bumps. But I think what

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we should do now, I think we should go ahead

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and play this track again from the Worry People Gold,

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such a great song and I really love They've got

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an other song too called Naked, which we'll play at

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the end of the track, which is also just a

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really really cool track. But looking forward to talking with them,

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so if you are joining us live on Saturday morning.

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We've got a lot of great stuff today. But uh,

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if you didn't hear the world premiere of this or

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the American radio premiere, I should say, uh, here it is,

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this is gold and this is the worry people.

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Speaker 15: Would you recognize me if you saw me them? I

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cut my head, just bat your face like im hoian.

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Speaker 2: Now we will be strangers.

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Speaker 1: And I thought that a journey.

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Speaker 2: It soon it's time to come around.

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Speaker 15: But the season has coming gone coming.

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Speaker 16: Me being your gold and wrapped me round jumping.

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Speaker 1: Give you something super believe in, something like Forever wor.

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Speaker 15: World house built of houses on foundations they do sin

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so why I was as surprised when it all came

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crashing down.

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Speaker 17: Don't want to call it love not me.

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Speaker 18: He came so close.

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Speaker 2: But the ruble just reminds me I was a tourist.

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Speaker 19: I'm young ghost calling.

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Speaker 16: Me up in your golden backed me around, jumping the

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give you.

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Speaker 20: Something super believe in, something like forever.

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Speaker 16: Well one.

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Speaker 19: Where the world one going up to the one one word.

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Speaker 9: The word.

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Speaker 19: One on the way.

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Speaker 16: You cut them in your thing, go go and wrap

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me round jumping the time.

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Speaker 20: Something something leaving something like forever or.

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Speaker 19: Who cut them in?

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Speaker 11: You thing?

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Speaker 20: Go go and wrap me round jumping the time something

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something leaving, something like forever.

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Speaker 16: Oh h.

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Speaker 3: That is called gold and that is by the Worry People,

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a great duo from the UK. This is good too.

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This is called dot naked. This is also uh the

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Worry People.

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Speaker 2: Lord, I want to know, do you want me? Now

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you've seen it all. I can hold my breath to

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keep my thoughts wrong father now but it's playing tu

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see all that I don't want as ever and.

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Speaker 17: Now well well hard, but I'm still farther sharp.

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Speaker 2: And the worst part.

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Speaker 21: It's how I want the ball.

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Speaker 1: Over across my hot from there. I'm not falling back.

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This is all too well, as I shoutself.

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Speaker 22: Down, brow Back memories smy nine and all that something

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changes son run back memories say Knight and both that something.

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Speaker 2: Changes tone, brown Back Memories.

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Speaker 22: Nine both that something changes time, bron Back Memory one

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thot I watched.

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Speaker 19: Very down, Oh law you m oh loyleb.

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Speaker 12: Let me do.

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Speaker 3: Hey, welcome back everybody. I think we've got the Worry

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People on with us via WhatsApp. Oh I hear something

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that's a good sign.

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Speaker 23: Hello, Hello, Hello, Hey, Hey, welcome.

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Speaker 3: Uh yeah, sorry about that. Apparently Google Teams is not cooperating.

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But I'm glad we get to speak to you via

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What's app So always good to have a backup. Are

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both are both of you?

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Speaker 21: There?

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Speaker 23: This sounds big? I'm no sure rhymes?

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Speaker 3: Okay, all right, so we've got oh absolutely, yeah, no,

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really glad to talk to you. I love your song.

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You know, we just played We played Gold and then

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we also played Naked, a couple of great tracks.

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Speaker 21: Yeah.

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Speaker 3: I love your sound. I love your sound. It's it's

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interesting that you guys are a duo. What what goes

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on in the studio because obviously it sounds like a

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full band like anyone you know, I'm sure you run

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into this all the time.

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Speaker 24: Uh.

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Speaker 3: People hear your music and they assume it's a full band.

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Speaker 23: Right, Yeah, absolutely. I mean we started off as a

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two piece. We met in school, so we just kind

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of spent a lot of our time just jamming together

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in the music room and trying to come up with

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a sound. But there's a there's a band over this

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way called Royal Blood that are quite heavy. It's just

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like a drum and based thing, and we absolutely love them.

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But we also wanted to avoid that kind of comparison,

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so we tried to find a way of conveying our

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studio sound in a live setting. So yeah, we do

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incorporate a base into our and to our live set,

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and our producer is actually bas player, so he's been

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joining us on stage lately. So it's been a lot

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of fun just to have that new dynamic and more

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of a you know, a sort of more natural band

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dynamic on stage. You know, real good friends. So that's

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good fun.

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Speaker 3: That's that's convenient.

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Speaker 9: Uh.

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Speaker 3: One of the things too about that track Gold that

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really strikes me is I love the way you know,

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it's it's very catchy, it's a little poppy, but then

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it gets to that part where it kind of gets heavy,

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you know, with the guitar, it kind of gets uh,

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it gets pretty heavy there for a minute. And I

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really like that too, And I like that contrast within

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the song. You know, it totally fits. It's a surprise,

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but it also completely fits, and it's uh, yeah, that's

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just really really good.

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Speaker 23: Yeah. I mean, we've I've spent a lot of time

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just trying to come up with new ways of writing

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songs because I kind of consider myself to be a songwriter,

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like first and foremost, so just to try and break

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out of that typical mode. And we have so many

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influences between us that we've never really apart from our

250
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last single Stamp, we've never really had like that heavier

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element to what we do. So yeah, it's nice to

252
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hint at that without sort of showing that's like our

253
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entire identity because we are made up of so many

254
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different parts. So it's a lot of fun to play.

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Speaker 3: And I was reading too, So you guys are you

256
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and you and Ryan? You guys are childhood friends, you

257
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grew up together.

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Speaker 23: Yeah, yeah, I mean he was in the above Met's

259
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and we I mean, Rome was in a different band

260
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at the time, and I was always kind of banging

261
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on that door and I play with you guys, but yeah,

262
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they were a tight group at the time. But yeah,

263
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I mean it was during the pandemic where I think

264
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the nineteen seventy five who is a big influence. They

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released an album and Ryan reached out, I think his

266
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band went doing so much at the time, and he said, oh,

267
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I know you're a fan of them. Do you want

268
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to get in the room, maybe do a cover or something,

269
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so yeah, we jumped in, we did it, and I went, well,

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I've actually got a few songs if you want to

271
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give him a try, and yeah, the rest was history.

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Speaker 3: Really yeah, it sounds like it came together pretty quickly then.

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Speaker 23: Yeah, yeah, it was all very natural. I think that's

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a big part of being in the band. Like we've

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done the two piece thing for maybe two even a

276
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bit of years now, I think. Yeah, but because we've

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become such good friends with our producer, it's been very

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natural progression for him to join us on stage because

279
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we are friends before bandmates, so it really helps.

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Speaker 3: That must be nice too in the sunset. And this

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is a conversation that comes up a lot on the show.

282
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You know, when you have, say you've got a band

283
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of four guys or five guys or you know, and

284
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and you've got to work around everyone's schedule and everyone's

285
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kind of got different, you know, their own creative ideas

286
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and so forth, and sometimes it works, and sometimes there's

287
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that tug and pull, which can be healthy but not

288
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always and all of that. But but it sounds like

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this with what you're doing, and especially as you mentioned

290
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to you, your producer who kind of becomes that third member,

291
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but also is very easy to work with and in

292
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tune with what you guys are doing. I mean it

293
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sounds like it. It must be, because I assume you've

294
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played in bands like where You've got a bunch of

295
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people right now.

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Speaker 23: This is actually my first band. Oh no kidding, Yeah,

297
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my first and only band. Our producer Charlie. He's worked

298
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with several bands before, and Ryan's obviously had his previous band.

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Speaker 3: But yeah, wow, well you're off to a hell of

300
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a good start.

301
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Speaker 23: Then good for you, Good for you.

302
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Speaker 3: No, this is such a great project. That's that's fantastic.

303
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Speaker 15: Question.

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Speaker 3: I'm sure this comes up all the time. But where

305
00:22:02,359 --> 00:22:04,000
does the name come from? The worry people?

306
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Speaker 23: Okay, yeah, so it's I'm not sure if you've heard

307
00:22:07,680 --> 00:22:11,799
of them. They're called Guatemalan worry dolls, and have you

308
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heard of them before?

309
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Speaker 3: I am not familiar with this, but I'm very intrigued.

310
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Speaker 23: So basically, I was a bit of an anxious kid

311
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at school in primary school, and my mum came home

312
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one day with this little bag and it had like

313
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these little late matchstick figured people in there. Yeah, and

314
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they're all like they had like faces drawn on them

315
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and they wrapped and kind of sounds a bit weird,

316
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but basically it came with a bit of paper and

317
00:22:34,799 --> 00:22:36,960
it said, if there's anything that you're worrying about, you

318
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tell them what you're worried about. You put it under

319
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your pillow, go to sleep, and in the morning they've

320
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taken all your worries away. And it really helped me

321
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in school. So I just wanted to pay homage to that, really, So, yeah,

322
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the worry people. Obviously we've already got the goo Goo dolls,

323
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so I don't want to to go too far down

324
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that route. So yeah, the worry people.

325
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Speaker 3: It was right right, did So did Ryan go for

326
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that right away too? I mean, did you have to

327
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sell it or was he on board immediately?

328
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Speaker 23: No? I mean Ryan's pretty sure about most things, to

329
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be honest, He's happy to go to flow.

330
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Speaker 16: Yeah.

331
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Speaker 3: No, that's cool. I actually, so, now that you've described it,

332
00:23:10,160 --> 00:23:12,119
I actually have heard of that concept, but I didn't

333
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know what they were called. They're called Guatemalan worry people.

334
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Speaker 23: Is that that's it?

335
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Speaker 3: Yeah, Yeah, Guatemlan worried dolls. I saw someone had described

336
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something like that to me once a long time ago,

337
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but I'd forgotten that that's that's what they were called.

338
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That's interesting. I'm very curious because this is something that

339
00:23:26,559 --> 00:23:28,400
also comes up a lot on the show Mental Health

340
00:23:28,480 --> 00:23:30,880
and all of that. So did that help you when

341
00:23:30,920 --> 00:23:32,880
you were a kid quite a bit? Did you get?

342
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Speaker 21: Yeah?

343
00:23:35,160 --> 00:23:35,359
Speaker 11: Yeah?

344
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Speaker 23: Yeah, I mean I can't say I had too many,

345
00:23:39,640 --> 00:23:42,759
like a massive friend circle growing up, and I'm glad

346
00:23:42,799 --> 00:23:46,079
that Ryan was that guy for me. So yeah, yeah,

347
00:23:46,119 --> 00:23:48,759
I mean we've we've written about song, We've written about

348
00:23:48,839 --> 00:23:51,880
topics to do with mental health as well. So yeah,

349
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I think it's quite important, especially our four EP and

350
00:23:55,240 --> 00:23:57,799
stuff like that. And we have a track called Face

351
00:23:57,880 --> 00:24:01,920
on our third EP which is specifically about mental issues,

352
00:24:02,079 --> 00:24:06,640
mental health issues and guys. Yeah, just if you if

353
00:24:06,680 --> 00:24:09,200
you have a friend who you think might need needs

354
00:24:09,200 --> 00:24:11,599
any help, then just ask be their friends, you know,

355
00:24:11,799 --> 00:24:12,319
be that guy.

356
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Speaker 3: Oh that's very interesting, and that's cool because I think, well,

357
00:24:16,680 --> 00:24:18,920
first of all, you know, any any kind of problems.

358
00:24:18,960 --> 00:24:22,240
I mean, I think the best therapy is being creative,

359
00:24:22,559 --> 00:24:24,319
right if you can, if you can take the things

360
00:24:24,720 --> 00:24:27,240
that you struggle with in life, whether it be anxiety

361
00:24:27,359 --> 00:24:29,079
or whatever it is, any kind of mental health issues,

362
00:24:29,319 --> 00:24:31,680
and if you can take that and create something from

363
00:24:31,720 --> 00:24:35,359
it or or trauma or or anything anything negative. If

364
00:24:35,400 --> 00:24:38,119
you can take that and create something positive with it

365
00:24:38,200 --> 00:24:41,119
and create art from it, I think that's that's the best.

366
00:24:41,759 --> 00:24:43,680
I think that's the best therapy that there is. And

367
00:24:43,759 --> 00:24:46,240
I think that so I really commend that.

368
00:24:47,799 --> 00:24:51,359
Speaker 23: You know that you're able to, especially with our FOURTHVP

369
00:24:52,799 --> 00:24:54,839
the way I looked at that because it was sort

370
00:24:54,839 --> 00:24:58,480
of about you know, maybe a not so great relationship

371
00:24:58,559 --> 00:25:02,200
and whatever. Sure, and it's a way. When I was writing,

372
00:25:02,240 --> 00:25:03,559
it was a way for me to sort of process

373
00:25:03,680 --> 00:25:05,599
that in all of those feelings, but when we put

374
00:25:05,640 --> 00:25:07,319
it out, it was more of like a sense of

375
00:25:07,400 --> 00:25:10,160
ownership of those feelings. So you know, once you put

376
00:25:10,200 --> 00:25:13,440
it out, it's a release. So I totally agree. You know,

377
00:25:13,720 --> 00:25:15,640
being able to dive into music in that way and

378
00:25:16,119 --> 00:25:17,680
help you work through what if you're going through is

379
00:25:17,680 --> 00:25:18,319
a beautiful thing.

380
00:25:19,200 --> 00:25:21,039
Speaker 3: I'm curious. Are you an introvert.

381
00:25:22,119 --> 00:25:22,160
Speaker 18: U?

382
00:25:23,640 --> 00:25:26,240
Speaker 23: I mean it depends on the circumstances.

383
00:25:26,359 --> 00:25:26,480
Speaker 12: You know.

384
00:25:26,559 --> 00:25:29,000
Speaker 23: I love going to gigs and seeing my friends who

385
00:25:29,039 --> 00:25:31,079
also played music, So in that case, I love to

386
00:25:31,119 --> 00:25:35,559
get stuck in. But I mean in any other social situation,

387
00:25:36,279 --> 00:25:37,599
I like to keep to myself.

388
00:25:37,759 --> 00:25:40,799
Speaker 3: Yep, yep, I can relate to that. I was curious

389
00:25:40,839 --> 00:25:44,319
because a lot of people, a lot of musicians especially

390
00:25:44,519 --> 00:25:48,599
are are introverts. But but people are surprised, Like I've

391
00:25:48,640 --> 00:25:50,480
had people say to me. You know, I've told people

392
00:25:50,480 --> 00:25:52,079
I'm an introvert and they're like, what, You're an intro

393
00:25:52,160 --> 00:25:54,000
How can you be an introvert? You know, you've played

394
00:25:54,039 --> 00:25:56,799
in bands, you're on the radio and you know. And

395
00:25:56,920 --> 00:25:59,720
I explain to them, well, yes, but that doesn't mean

396
00:25:59,759 --> 00:26:01,920
that I I go to parties and have a good time,

397
00:26:01,960 --> 00:26:06,920
because I do not do that. But but people have

398
00:26:07,000 --> 00:26:10,359
misunderstandings about about what an introvert is, what it means

399
00:26:10,359 --> 00:26:12,200
to be an introvert. But I also feel that that

400
00:26:12,440 --> 00:26:15,720
that many of us who are we like to express

401
00:26:15,759 --> 00:26:18,960
ourselves with music and performance and all of that.

402
00:26:19,319 --> 00:26:21,359
Speaker 23: Yeah, it's a bit of a catch twenty two be

403
00:26:21,480 --> 00:26:23,319
the musician because you know, we love going out there

404
00:26:23,359 --> 00:26:25,480
and playing music, but we alstill love being in bed

405
00:26:25,519 --> 00:26:25,839
by ten.

406
00:26:28,200 --> 00:26:31,839
Speaker 3: Well said, have you have you guys put out a

407
00:26:31,920 --> 00:26:34,079
full album yet or has it strictly been EPs up

408
00:26:34,119 --> 00:26:34,880
to this point.

409
00:26:35,519 --> 00:26:38,200
Speaker 23: Yeah, it's been an EPs. We've put a couple of singles.

410
00:26:38,519 --> 00:26:40,359
We would love to do an album, to be honest,

411
00:26:40,680 --> 00:26:42,319
but we're still in the face of sort of like

412
00:26:42,640 --> 00:26:45,880
you know, meeting new people and potential fans, are trying

413
00:26:45,920 --> 00:26:47,839
to get our name out there. So when we do

414
00:26:47,960 --> 00:26:50,119
eventually come to put an album out, we want to

415
00:26:50,119 --> 00:26:52,079
make sure that we've got all of the right is listening.

416
00:26:52,720 --> 00:26:54,799
Speaker 3: Yeah, absolutely, it's uh, you know, we live in a

417
00:26:54,839 --> 00:26:57,200
time where there's so many different approaches that you can take,

418
00:26:57,319 --> 00:27:00,519
and of course a lot of musicians now use you know,

419
00:27:00,599 --> 00:27:03,240
they call it the waterfall approach, where you actually release

420
00:27:03,319 --> 00:27:06,119
a series of singles and you know that may or

421
00:27:06,160 --> 00:27:09,519
may not eventually become an EP or an album, which

422
00:27:09,599 --> 00:27:12,440
is you know, I'm older and for me growing up,

423
00:27:12,480 --> 00:27:14,160
it was the inverse of that. It was, you know,

424
00:27:14,920 --> 00:27:18,000
first single goes to radio before the album, but after that,

425
00:27:18,160 --> 00:27:21,559
you know, it's the album and then a series of singles.

426
00:27:21,640 --> 00:27:23,200
But we live in a time where you can really

427
00:27:23,480 --> 00:27:27,799
approach it many different ways. Absolutely, you just have to

428
00:27:27,839 --> 00:27:30,759
do for you Yeah, how many EPs do you guys

429
00:27:30,839 --> 00:27:31,440
have at this point?

430
00:27:32,519 --> 00:27:33,480
Speaker 23: We've got four EPs?

431
00:27:33,680 --> 00:27:33,839
Speaker 25: Four?

432
00:27:34,000 --> 00:27:36,440
Speaker 23: Okay, Yeah, so we put out four across two years,

433
00:27:36,519 --> 00:27:39,160
so we were very busy recording and just playing as

434
00:27:39,240 --> 00:27:42,359
much as we could. But yeah, I mean, we're taking

435
00:27:42,359 --> 00:27:45,359
our time with the singles at the moment, but yeah,

436
00:27:45,440 --> 00:27:48,119
we're always looking to the larger picture of things and

437
00:27:48,279 --> 00:27:50,799
just you know, we'll put out whatever feel is right. Really,

438
00:27:50,960 --> 00:27:54,759
I do appreciate there is an industry standard, but at

439
00:27:54,759 --> 00:27:56,119
the end of the day, you know, you've got to

440
00:27:56,160 --> 00:27:58,559
stay true to who you are as an artist and

441
00:27:58,720 --> 00:27:59,359
what you believe in.

442
00:27:59,759 --> 00:27:59,920
Speaker 14: Yeah.

443
00:28:00,200 --> 00:28:02,720
Speaker 3: Absolutely. By the way, when you play live, is it

444
00:28:02,839 --> 00:28:05,880
a different experience in terms of because obviously it's a

445
00:28:05,880 --> 00:28:08,759
different configuration than while in the studio you can do

446
00:28:08,839 --> 00:28:11,640
anything you want. You can you can be a full

447
00:28:11,720 --> 00:28:15,240
band quote unquote in the studio when you're when you

448
00:28:15,319 --> 00:28:17,400
play live, is it is it a little bit stripped down?

449
00:28:17,480 --> 00:28:19,400
Is it a little bit different? Or do you do

450
00:28:19,480 --> 00:28:20,880
you try to rap with them?

451
00:28:21,039 --> 00:28:21,240
Speaker 21: Yeah?

452
00:28:21,279 --> 00:28:24,240
Speaker 23: With technology these days, we're every element that we play

453
00:28:24,240 --> 00:28:27,759
in the studio that we can't play in a live situation,

454
00:28:28,119 --> 00:28:30,519
we just put it on a track and we can.

455
00:28:30,680 --> 00:28:33,160
We can do that so very much. What you hear

456
00:28:33,480 --> 00:28:35,559
if you listen to us on any streaming service or

457
00:28:35,640 --> 00:28:38,480
on this amazing radio station right now is what you'll

458
00:28:38,519 --> 00:28:38,880
hear live.

459
00:28:39,359 --> 00:28:41,759
Speaker 3: I was curious about that because I know that sometimes

460
00:28:41,880 --> 00:28:44,559
I was in a project called Chemical Distance and we

461
00:28:44,720 --> 00:28:47,039
kind of did this. We we did a similar thing

462
00:28:47,200 --> 00:28:49,559
like that where you know, some some things would be

463
00:28:49,640 --> 00:28:52,400
on tracks, but sometimes things would go wrong with that too,

464
00:28:53,000 --> 00:28:56,079
And this was yeah, this was you know, and this

465
00:28:56,240 --> 00:28:57,799
this was quite some time ago that I did that.

466
00:28:57,960 --> 00:29:01,000
But I so I'm sure there's there's software now that

467
00:29:01,160 --> 00:29:02,759
is much more stable.

468
00:29:03,720 --> 00:29:05,920
Speaker 23: Yes, you can do that way. Trankly, we haven't had

469
00:29:05,960 --> 00:29:08,000
too many sort of major problems playing live.

470
00:29:08,559 --> 00:29:12,200
Speaker 3: Oh, that's good, that's good. I'm curious people. Do people

471
00:29:12,240 --> 00:29:14,559
talk to you about your songs and come up to

472
00:29:14,599 --> 00:29:17,640
you after shows or maybe contact you online and say,

473
00:29:18,000 --> 00:29:20,440
you know, because we were talking about how the content

474
00:29:20,599 --> 00:29:22,680
and the inspiration of some of your music being around

475
00:29:23,079 --> 00:29:25,759
mental health, do you hear from people who say, you know,

476
00:29:25,880 --> 00:29:28,200
this song really connected with me for this reason or

477
00:29:28,240 --> 00:29:30,759
help me with this problem, or does that happen?

478
00:29:31,839 --> 00:29:34,839
Speaker 23: It actually hasn't, but maybe I'd like to think that,

479
00:29:35,039 --> 00:29:38,000
you know, they've they've taken something away with them from

480
00:29:38,039 --> 00:29:39,839
the show that they can just sort of keep for themselves.

481
00:29:39,880 --> 00:29:42,599
So sure, I'll take that as a win.

482
00:29:43,440 --> 00:29:46,079
Speaker 3: Oh, no doubt, absolutely, one hundred percent. What is the

483
00:29:46,160 --> 00:29:47,920
live situation, by the way, for you guys, are you

484
00:29:48,000 --> 00:29:49,519
touring a lot. Are you doing a lot of shows?

485
00:29:50,480 --> 00:29:52,799
Speaker 23: Yeah, I mean we've we played plenty of shows in

486
00:29:52,880 --> 00:29:56,960
our home county, but we've been breaching out across the

487
00:29:57,000 --> 00:29:58,720
whole of the UK with the help of our manager

488
00:29:58,759 --> 00:30:00,960
over the past couple of years now. So it's been

489
00:30:01,000 --> 00:30:03,440
a great experience just to see more of the place

490
00:30:03,519 --> 00:30:06,680
we live. And you know, even though you're only traveling

491
00:30:06,680 --> 00:30:08,920
a bit further up the country, how different that music

492
00:30:09,039 --> 00:30:12,599
scene is and how the crowd responds and it's it's brilliant. Yeah,

493
00:30:12,640 --> 00:30:15,359
I mean we'll play wherever we can we can go.

494
00:30:15,480 --> 00:30:18,599
Speaker 3: Really, have you had an opportunity to do any festivals

495
00:30:18,680 --> 00:30:20,519
or do you have any festivals coming up this summer?

496
00:30:21,359 --> 00:30:21,519
Speaker 11: Yeah?

497
00:30:21,519 --> 00:30:24,160
Speaker 23: Absolutely, I mean there's plenty of festivals in the UK.

498
00:30:24,319 --> 00:30:26,960
I mean last year we actually did a what was it,

499
00:30:27,000 --> 00:30:28,799
I think it was like a twelve hour drive up

500
00:30:28,839 --> 00:30:32,240
to Inverness in Scotland, or just outside of Inverness. Yeah,

501
00:30:32,880 --> 00:30:36,559
that was a bell called bellat Drum Festival. That's probably

502
00:30:36,599 --> 00:30:39,599
like the biggest festival that we've played so far. Yeah,

503
00:30:39,599 --> 00:30:42,440
it was. It was an amazing experience and we'd happily

504
00:30:43,039 --> 00:30:45,759
do more festivals this year as well, and it.

505
00:30:45,759 --> 00:30:47,559
Speaker 3: Looks like too. From what I was reading, you're having

506
00:30:47,599 --> 00:30:52,519
some success there on radio. Yeah, I'm looking.

507
00:30:53,839 --> 00:30:56,000
Speaker 23: Right here so far, and you've been kind enough to

508
00:30:56,039 --> 00:30:56,359
have us.

509
00:30:56,440 --> 00:31:00,559
Speaker 3: Oh, absolutely, absolutely no, We're happy to be your your

510
00:31:00,640 --> 00:31:04,200
conduit into the American radio market because yeah, like I said,

511
00:31:04,240 --> 00:31:06,400
we love what you guys are doing. Absolutely amazing. Thank

512
00:31:06,400 --> 00:31:09,920
you so much, absolutely amazing. What should I What should

513
00:31:09,960 --> 00:31:12,680
people know Sam about where to keep up with everything

514
00:31:12,720 --> 00:31:14,720
that you're doing. Where should they go online?

515
00:31:15,680 --> 00:31:17,680
Speaker 23: Well, I mean you can follow us on all socials

516
00:31:17,759 --> 00:31:20,599
at the word People Music. However, we do have a

517
00:31:20,680 --> 00:31:23,359
website as well where we talk about what shows we've

518
00:31:23,359 --> 00:31:26,440
got coming up. We've got newsletter where we also send

519
00:31:26,480 --> 00:31:31,599
out regular newsletters to do with upcoming shows, any new singles,

520
00:31:31,680 --> 00:31:33,799
like previews and stuff like that. And that's the worry

521
00:31:33,839 --> 00:31:34,839
people dot co dot UK.

522
00:31:36,160 --> 00:31:38,880
Speaker 3: Very good, Very good. I was thinking about to end

523
00:31:38,920 --> 00:31:42,599
the segment. I here's here's what I'm I'm thinking about doing.

524
00:31:43,240 --> 00:31:45,119
Uh with your with your approval, tell me I feel

525
00:31:45,119 --> 00:31:47,880
about this seeing about playing face, because we were talking

526
00:31:47,920 --> 00:31:49,599
about it and I haven't listened to that one yet,

527
00:31:49,640 --> 00:31:51,039
and I'm really curious to hear that one.

528
00:31:52,240 --> 00:31:53,920
Speaker 23: Okay, and then and then.

529
00:31:53,880 --> 00:31:57,559
Speaker 3: After that I'll also play I'll also play Gold again

530
00:31:57,640 --> 00:31:59,319
because that's such a great track and I know that's

531
00:31:59,319 --> 00:32:01,359
the newest single and is that out yet or is

532
00:32:01,599 --> 00:32:03,559
that coming out in June? Is that is that a

533
00:32:03,960 --> 00:32:04,480
June sixth?

534
00:32:05,039 --> 00:32:06,440
Speaker 23: June sixth, Yeah, June sixth.

535
00:32:06,480 --> 00:32:09,519
Speaker 3: Okay, so yeah, so that's that's cool to feature that too,

536
00:32:09,599 --> 00:32:11,680
because again we're giving people a preview that'll be on

537
00:32:11,759 --> 00:32:14,039
all the streaming platforms I assume.

538
00:32:14,839 --> 00:32:16,519
Speaker 23: Yes, yeah, definitely anyway you listen to.

539
00:32:16,599 --> 00:32:19,640
Speaker 3: Music outstanding, Yeah, so we'll give that another spin too

540
00:32:19,720 --> 00:32:24,000
because that is that is such a great track. But yeah, absolutely,

541
00:32:24,240 --> 00:32:27,200
but Sam listen. Uh, it's it's been great talking with you,

542
00:32:27,279 --> 00:32:29,799
and I appreciate your patience. Again, we tried Google teams

543
00:32:29,839 --> 00:32:32,759
and it didn't quite work out, but there's WhatsApp has

544
00:32:33,079 --> 00:32:35,519
proven to be a worthy back up the day. It

545
00:32:35,640 --> 00:32:39,000
saved the day, absolutely, and we'll definitely do this again.

546
00:32:39,160 --> 00:32:39,279
Speaker 26: Uh.

547
00:32:39,720 --> 00:32:41,680
Speaker 3: You guys are very busy. It sounds like you've got

548
00:32:41,720 --> 00:32:43,720
a lot coming up and you're gonna be continuing to

549
00:32:43,759 --> 00:32:46,400
release new music. So as you do that, like I said, uh,

550
00:32:46,640 --> 00:32:49,079
we're happy to give it a spin here at w

551
00:32:49,359 --> 00:32:51,279
M and H and and and we'd we'd love to

552
00:32:51,319 --> 00:32:54,240
have you on and and hopefully hopefully get Ryan on too,

553
00:32:54,359 --> 00:32:57,000
and and we can have more conversations in the future.

554
00:32:57,039 --> 00:32:59,640
But but we're big fans here, so uh, keep up

555
00:32:59,640 --> 00:33:03,920
the great appreciate that. Absolutely, we'll talk again soon, all right, Sam,

556
00:33:04,000 --> 00:33:07,920
thank you, you got it? Bye bye? All right? Excellent.

557
00:33:08,000 --> 00:33:12,519
That was Sam from the Worry People. And uh, I think, yeah,

558
00:33:12,519 --> 00:33:15,799
I think we should play this track Face absolutely, absolutely,

559
00:33:15,799 --> 00:33:17,079
and I want to give a shout out to a

560
00:33:17,160 --> 00:33:20,519
waiting Abigail. I see you, I love you. Oh yes,

561
00:33:20,720 --> 00:33:23,799
one of my favorite T shirts to wear. Oh absolutely, yeah, Yeah,

562
00:33:23,799 --> 00:33:26,519
we love awaiting Abigail definitely. So let's give So we're

563
00:33:26,519 --> 00:33:27,960
gonna play a couple of these. So we're gonna play

564
00:33:28,000 --> 00:33:30,359
Face because we were talking about it during our conversation

565
00:33:30,519 --> 00:33:33,079
with Sam, and then we're gonna play and then we'll

566
00:33:33,079 --> 00:33:37,039
give Gold another spin too, and again the single Yeah

567
00:33:37,079 --> 00:33:39,559
I Do too, and the single Gold from the Worry

568
00:33:39,599 --> 00:33:43,480
People that will be out on June sixth. But you've

569
00:33:43,480 --> 00:33:45,359
been hearing it here first, you've been hearing it for

570
00:33:45,440 --> 00:33:48,200
the first time in the United States. At least, it's

571
00:33:48,240 --> 00:33:51,000
probably already getting played in the UK. I get to

572
00:33:51,039 --> 00:33:52,559
say it when I'm on this side of the pond,

573
00:33:52,720 --> 00:33:55,240
that's right. But in the United States you're hearing it

574
00:33:55,319 --> 00:33:58,119
for the first time. Absolutely So if you are listening

575
00:33:58,200 --> 00:34:00,680
live on Saturdays, stick around. We've got plenty show coming up.

576
00:34:00,680 --> 00:34:02,920
We've got the Forensics at the top of the hour,

577
00:34:02,960 --> 00:34:05,039
another great UK band, and then in the third hour

578
00:34:05,119 --> 00:34:07,839
Kevin Horn joins us live in studio. But here it is,

579
00:34:07,920 --> 00:34:09,960
this is this is called face and this is of

580
00:34:10,119 --> 00:34:11,519
course from the worry people.

581
00:34:13,079 --> 00:34:13,360
Speaker 27: It's not.

582
00:34:13,599 --> 00:34:25,760
Speaker 26: Actually he was told the Devil Days.

583
00:34:27,039 --> 00:34:35,280
Speaker 2: Is better than the Devil Day. Just a boy twin.

584
00:34:39,239 --> 00:34:42,639
Speaker 26: Crass and bossas a show.

585
00:34:45,440 --> 00:34:49,840
Speaker 2: Spends on the bar, seven strangers.

586
00:34:50,000 --> 00:34:53,719
Speaker 19: You go what the shamies.

587
00:34:53,079 --> 00:35:04,000
Speaker 2: Coos home mad saw the blowers over certain side.

588
00:35:05,360 --> 00:35:06,760
Speaker 19: Up the times.

589
00:35:09,199 --> 00:35:14,960
Speaker 18: To the never A game of deep was.

590
00:35:16,519 --> 00:35:18,360
Speaker 19: Beyond the basest time.

591
00:35:21,159 --> 00:35:23,400
Speaker 16: So swam and through the.

592
00:35:27,199 --> 00:35:31,440
Speaker 19: Wearing different faces, soon connected.

593
00:35:33,119 --> 00:35:39,039
Speaker 2: Smoke and d and asleep, and through the day the

594
00:35:39,280 --> 00:35:42,559
resty hand was getting on the way.

595
00:35:45,639 --> 00:35:49,840
Speaker 5: Deep In the B twenty five, Can escaped.

596
00:35:49,519 --> 00:35:53,199
Speaker 20: From his own mind up the hod and no one

597
00:35:53,400 --> 00:35:55,320
left to Carl.

598
00:36:00,159 --> 00:36:04,039
Speaker 19: Thought the blow was overson side.

599
00:36:05,280 --> 00:36:06,679
Speaker 9: Of the Times.

600
00:36:09,199 --> 00:36:13,079
Speaker 18: To the vanaicad.

601
00:36:14,239 --> 00:36:31,039
Speaker 27: He was chang on the bis time. Thought the blow

602
00:36:31,280 --> 00:36:34,119
was over itson side.

603
00:36:35,280 --> 00:36:43,079
Speaker 5: Not the times, the vanaicad.

604
00:36:44,280 --> 00:36:48,320
Speaker 4: He was che on the Bannis time.

605
00:37:34,320 --> 00:37:39,960
Speaker 15: Would you recognize me if you saw me now I

606
00:37:40,119 --> 00:37:43,639
cut my head to spatch your fist like im holy y.

607
00:37:43,960 --> 00:37:49,159
Speaker 2: Now we will bear the strangers. And I thought that

608
00:37:49,480 --> 00:37:50,400
dream was gone.

609
00:37:51,639 --> 00:37:55,239
Speaker 15: It sure's some time to come around, but the season's

610
00:37:55,360 --> 00:37:56,000
coming gone.

611
00:37:57,760 --> 00:38:02,360
Speaker 28: Telling me little being young, go don't wrap me round, jumpinger,

612
00:38:03,559 --> 00:38:04,880
Give something to.

613
00:38:05,159 --> 00:38:08,599
Speaker 1: Be believe in, something like forever.

614
00:38:08,679 --> 00:38:31,400
Speaker 15: Who house building houses on foundations of sense?

615
00:38:32,559 --> 00:38:36,079
Speaker 2: So why I was as surprised when it all came

616
00:38:36,239 --> 00:38:36,920
crashing down.

617
00:38:38,679 --> 00:38:40,360
Speaker 16: Don't want to call it.

618
00:38:41,039 --> 00:38:43,199
Speaker 2: Lord knows me he care was so close.

619
00:38:43,920 --> 00:38:47,840
Speaker 5: But the ruble just reminds me I was a tourist.

620
00:38:48,000 --> 00:38:52,880
Speaker 28: I'm young, cross calling me up in your gold and

621
00:38:53,079 --> 00:38:55,039
wrapped me around your finger.

622
00:38:56,239 --> 00:38:59,840
Speaker 1: Give him something to believe in, something like.

623
00:39:00,079 --> 00:39:02,159
Speaker 16: Oh man, the swell on.

624
00:39:04,719 --> 00:39:29,760
Speaker 19: The world, one going up on one word, one way.

625
00:40:18,239 --> 00:40:21,320
Speaker 16: Cut the man, you thing, go go and wrap me

626
00:40:21,679 --> 00:40:22,960
round jumping uh?

627
00:40:24,079 --> 00:40:29,719
Speaker 20: Can something something even something like forever blow.

628
00:40:32,119 --> 00:40:36,480
Speaker 19: Who uh cull the man?

629
00:40:36,679 --> 00:40:37,159
Speaker 12: No thing?

630
00:40:37,400 --> 00:40:40,519
Speaker 19: Go gold and wrap me round jumping uh?

631
00:40:41,639 --> 00:40:47,119
Speaker 20: Can something something leaving something like forever bur.

632
00:40:49,639 --> 00:41:23,760
Speaker 29: Buru on another road today, Make a little magic, take

633
00:41:23,800 --> 00:41:28,440
a little something drift and roll away, burn a little

634
00:41:28,719 --> 00:41:33,000
time instead, something in the shadow.

635
00:41:33,239 --> 00:41:34,199
Speaker 21: Send me back and.

636
00:41:34,440 --> 00:41:35,679
Speaker 11: Make me think again.

637
00:41:37,119 --> 00:41:43,679
Speaker 29: I'm getting alonger, let's time back and find me. I'll

638
00:41:43,760 --> 00:41:47,840
be howling letting me while I'm getting lost.

639
00:41:48,840 --> 00:41:52,960
Speaker 5: Who wall cross a lane and find.

640
00:41:52,760 --> 00:42:18,039
Speaker 21: Myself away from my land Here, I'm so high to see.

641
00:42:20,119 --> 00:42:21,400
Speaker 16: What I want to hide?

642
00:42:21,480 --> 00:42:23,400
Speaker 21: You know that's all in front of me.

643
00:42:25,119 --> 00:42:31,800
Speaker 30: Oh you an cuerm field, then the murge diving generally

644
00:42:32,039 --> 00:42:35,760
carry about the breath, Come in along.

645
00:42:39,280 --> 00:42:44,360
Speaker 29: You can't buy the islanders fine halfway to hell of

646
00:42:44,639 --> 00:42:45,639
the laws?

647
00:42:46,440 --> 00:42:47,239
Speaker 21: Wo won.

648
00:42:48,840 --> 00:42:52,079
Speaker 29: Cross the line and find myself away from all?

649
00:42:56,000 --> 00:43:11,159
Speaker 19: Sont be any further from life? He say, leave, realize that.

650
00:43:34,800 --> 00:43:35,840
Speaker 29: I'm getting locked.

651
00:43:39,559 --> 00:43:40,800
Speaker 11: Im back you find me.

652
00:43:41,000 --> 00:43:45,280
Speaker 29: Y'll be bouncing around, move the air when I'm getting luck,

653
00:43:45,559 --> 00:43:46,519
cause what.

654
00:43:46,920 --> 00:43:47,960
Speaker 11: Won't look for?

655
00:43:48,760 --> 00:43:52,960
Speaker 21: Because I I didn't find myself way from my work.

656
00:43:53,960 --> 00:43:55,519
Speaker 5: I'm getting a loved.

657
00:43:59,519 --> 00:43:59,719
Speaker 11: Love.

658
00:44:00,519 --> 00:44:11,079
Speaker 31: Oh fum, I'm here, whoa cross almucause I'm on.

659
00:44:11,239 --> 00:44:56,360
Speaker 32: The In times of crisis, you need a law firm

660
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663
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664
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667
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668
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669
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Speaker 35: When it comes to keeping WMNH on the air and

686
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Speaker 31: Seven times out of ten we listened to our music

695
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at night.

696
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Speaker 4: That's one titled businessess program.

697
00:47:20,159 --> 00:47:22,599
Speaker 36: Late Night to Light with DJ Midas right here on

698
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699
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Speaker 11: Saturdays and Sunday nights midnight.

700
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Speaker 21: To four am.

701
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Speaker 25: This hour on WMNH is sponsored by CGI Business Solutions,

702
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hearts of our creative realm at one nineteen Canal Street,

714
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where innovation and sound collage. They're the impro moder of

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Manchester Public Television Service in the venerable City of Manchester,

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00:48:32,400 --> 00:48:36,159
New Hampshire, USA. Enrich your auditory journey with the depth

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00:48:36,239 --> 00:48:39,960
of our license to wesidens wept your missives. Do WMNH

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00:48:40,079 --> 00:48:43,199
ninety five to three at gmail dot com or traverse

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00:48:43,239 --> 00:48:47,320
the virtual corridors of wmnhradio dot org. Engage with our

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00:48:47,360 --> 00:48:50,360
sonic vibrations by communing with us through the digital channel

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00:48:50,760 --> 00:48:54,400
or radio beckons eager to enthrall you with its mesmerizing

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00:48:54,480 --> 00:48:57,719
kidence and develop you with a sympony of foundless auditories.

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00:48:57,760 --> 00:49:04,800
Speaker 11: One dude, w m n H will rip the novels.

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00:49:05,840 --> 00:49:07,960
Speaker 4: This is Eleanor Langthorne from Vices, Inc.

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00:49:08,159 --> 00:49:11,519
Speaker 3: And you're listening to Matt Connorton Unleashed on ninety five

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00:49:11,599 --> 00:49:13,760
point three w m n H.

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00:49:16,880 --> 00:49:18,760
Speaker 2: You are listening to w m n H.

728
00:49:20,840 --> 00:49:21,800
Speaker 36: World Premiere.

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00:49:47,920 --> 00:49:51,800
Speaker 4: I'm gonna spend my days walking.

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00:49:51,480 --> 00:49:57,039
Speaker 7: Through the sex you get still half.

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00:50:00,679 --> 00:50:04,239
Speaker 5: I'm not botka and called me a to.

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00:50:06,639 --> 00:50:07,800
Speaker 4: Because I didn't be.

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00:50:08,199 --> 00:50:09,960
Speaker 2: Like to a low way.

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00:50:12,920 --> 00:50:15,960
Speaker 5: You bought it by till the to makers.

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00:50:15,599 --> 00:50:20,440
Speaker 4: Out stand why my bird of don as a come

736
00:50:20,559 --> 00:50:21,880
back to the man.

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00:50:25,599 --> 00:50:29,079
Speaker 2: I'm on a bound of a low circle.

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Speaker 5: Jump cannot playing tools being.

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00:50:34,039 --> 00:50:59,400
Speaker 11: Out Amo, just take a turn.

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00:51:04,360 --> 00:51:11,239
Speaker 5: That rain don't need to stand there, Give him a

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00:51:11,280 --> 00:51:12,400
song and sweet.

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00:51:16,920 --> 00:51:18,519
Speaker 11: You know I'm gonna tell.

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00:51:18,400 --> 00:51:34,280
Speaker 9: Their spending my night.

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00:51:34,960 --> 00:51:36,679
Speaker 11: That's right here again in the groove.

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00:51:38,960 --> 00:51:41,440
Speaker 9: Yeah, I sure do love the way that you move.

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00:51:45,079 --> 00:51:45,719
Speaker 2: I'm thinking of.

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Speaker 17: That You'm gonna find.

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00:51:47,199 --> 00:51:49,159
Speaker 2: I'm on a sweet simple dude.

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00:51:51,360 --> 00:51:54,559
Speaker 12: All I care about is getting you all in the mood.

750
00:51:57,400 --> 00:51:59,920
You know I'm a little soul. It ain't gonna stay,

751
00:52:00,280 --> 00:52:01,679
it says, no adult.

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00:52:03,599 --> 00:52:06,119
Speaker 13: If I don't get the noise, they'll ask you all

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00:52:06,280 --> 00:52:12,000
the days. I just don't go catch him field so

754
00:52:12,239 --> 00:52:14,000
the little Jim anymore?

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00:52:14,519 --> 00:52:17,400
Speaker 9: You no, No, he's getting nine plans.

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00:52:17,480 --> 00:52:19,760
Speaker 11: He was being und them blod.

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00:52:20,440 --> 00:52:43,760
Speaker 5: Oh God, don't do your time.

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00:52:48,480 --> 00:52:50,199
Speaker 9: God rid the names.

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00:52:55,159 --> 00:53:01,599
Speaker 5: Saying to the street, want.

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00:53:01,400 --> 00:53:02,079
Speaker 18: A friend with me?

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00:53:21,400 --> 00:53:27,920
Speaker 37: Just can't forget all the places what we've been. And

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00:53:28,119 --> 00:53:31,000
I just kind of readies all the things out we

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00:53:31,280 --> 00:53:37,719
have seen now that are you away? Because I see you,

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00:53:38,079 --> 00:53:43,559
I magine, oh please man see.

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00:53:45,320 --> 00:53:46,039
Speaker 16: Send me a.

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00:53:46,159 --> 00:54:17,400
Speaker 18: Free god a fish na.

767
00:54:19,280 --> 00:54:24,159
Speaker 2: Swimming against the side. The money brings me.

768
00:54:24,480 --> 00:54:31,440
Speaker 24: Green and needs us wondering why mass by the grease

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00:54:32,199 --> 00:54:38,679
And we stayed everything in suthing it all even don't

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00:54:38,719 --> 00:54:39,159
we ask?

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00:54:40,559 --> 00:54:40,880
Speaker 18: Al?

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00:54:41,440 --> 00:54:44,320
Speaker 20: So mean said lines, And I tell a scot to

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00:54:44,480 --> 00:54:47,719
God then said, its like these things.

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00:54:50,239 --> 00:54:53,159
Speaker 19: Now I'm trying to start a raise other things out

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00:54:53,360 --> 00:54:59,880
we got see now you know? Does you see it?

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00:55:01,239 --> 00:55:09,119
Speaker 20: Teams go please class seven three.

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Speaker 18: Scene see you stand around the scene, l.

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00:55:30,719 --> 00:55:31,760
Speaker 21: You feel like it?

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00:55:31,960 --> 00:55:33,039
Speaker 9: Don bom.

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00:55:34,320 --> 00:55:36,199
Speaker 2: Three five thos a sea name.

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Speaker 24: They're still the theay on sounding you went on Sleeza

782
00:55:43,800 --> 00:55:48,199
and this house says they bus.

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00:55:48,920 --> 00:55:53,960
Speaker 16: Say the leasing got to wed your mess, and.

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00:55:54,119 --> 00:56:21,639
Speaker 19: No SI does say that, says.

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00:56:23,559 --> 00:56:53,320
Speaker 18: Say that, does say.

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Speaker 19: That, than say.

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00:57:13,119 --> 00:57:14,719
Speaker 21: The same

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Speaker 19: Exactly say