WEBVTT

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<v Speaker 1>Secret societies, a sex magic, all the stuff I said

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<v Speaker 1>it was about. So you better believe that I'm the

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<v Speaker 1>pioneering cool guy analyzing David Lynch. And I didn't just

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<v Speaker 1>start this yesterday. I wasn't Lynchian yesterday. We did these

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<v Speaker 1>breakdowns over ten years ago. Dog, we did these ten

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<v Speaker 1>years ago, son, But I got some treats for you

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<v Speaker 1>all tonight. We haven't broken down Blue Velvet ever. We

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<v Speaker 1>haven't broken down Inland Empire ever. I haven't done a

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<v Speaker 1>podcast or discussion of Lost Highway in ten years. And

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<v Speaker 1>back then I could barely even talk. Sounded like I

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<v Speaker 1>think retort when I was talking on podcasts trying to

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<v Speaker 1>make it happen. You gotta make it up, thank you.

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<v Speaker 1>I was lynch pilled before all of you'all. Look at

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<v Speaker 1>all of that. Look at that as a fine cup

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<v Speaker 1>of joe. Way to go, Coop, that is a fine

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<v Speaker 1>cup of joe. A okay, buster inquire or ten dollars

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<v Speaker 1>you said before that you asked Calvinists and Presbyterians questions

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<v Speaker 1>that they couldn't answer. I love how like a David

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<v Speaker 1>Lynch dream just start getting that people just asked the

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<v Speaker 1>theology questions. I'm just joking. It's okay. You asked questions

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<v Speaker 1>they couldn't answer. At that time, when I was reformed,

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<v Speaker 1>I was asking questions about Augustine. What did he mean

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<v Speaker 1>in the City of God when he said this and that.

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<v Speaker 1>I started reading about the Canada Scripture, and that's primarily

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<v Speaker 1>what I meant. I had questions about the Calvinist interpretation

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<v Speaker 1>of things from Cyprian. I went and read Cyprian and

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<v Speaker 1>they were totally lying about what Cyprian said, or they

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<v Speaker 1>were just totally ignorant. So that's what I was referring to.

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<v Speaker 1>Justin washek has taken the cake today with a five

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<v Speaker 1>hundred dollars super chat. Look at that. We don't even

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<v Speaker 1>got to do no stream today. He just paid for

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<v Speaker 1>the whole stream. See y'all peace out, I'm out eat.

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<v Speaker 1>He done pay for the whole stream and next stream

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<v Speaker 1>with that one. Shout out to all y'all gifted memberships

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<v Speaker 1>being everybody's being generous. People love these YouTube memberships. I

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<v Speaker 1>just can't believe how how much more popping off popular

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<v Speaker 1>they are than they were five years ago when I

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<v Speaker 1>was last time. I remember being monetized, so things have changed, hopefully, y'all,

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<v Speaker 1>enjoyed the fourth hour of Lord Voldemort today. I think

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<v Speaker 1>it came out pretty good. I had no idea what

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<v Speaker 1>was going to talk about until right before it, and

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<v Speaker 1>then I was just like grab a book and just

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<v Speaker 1>start yapping. So think it turned out pretty good though,

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<v Speaker 1>for it was about a half a hour. So shout

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<v Speaker 1>out to the new members we got. Whiskey Jack became

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<v Speaker 1>a member. Shout out to him. Moral Autist formerly g W.

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<v Speaker 1>Barfer of some serious names going down right there became

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<v Speaker 1>a member. Osten became a member. Writer Grenier became a member. Uh,

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<v Speaker 1>miss apostate repentant became gave out five memberships. We got

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<v Speaker 1>big money just throwing it around in the chat, just

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<v Speaker 1>just straight up. Daddy wore bucks in the chat. Jay

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<v Speaker 1>thinks he can do a Sam. What's a Sam? What

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<v Speaker 1>are you'll even talking about?

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<v Speaker 2>Uh?

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<v Speaker 1>What does do a Sam? Don't mute him. I don't

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<v Speaker 1>want to know what he's talking about. Do a Sam.

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<v Speaker 1>I've been doing live streams for ages, bro, what are

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<v Speaker 1>you talking about us? You're talking about Sam? Hide Sam, Shamun,

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<v Speaker 1>Sam Ayel, Who's a Sam? Thomas Libby became a member.

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<v Speaker 1>Shout out to Thomas Libby what's up man? How you doing?

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<v Speaker 1>This is the Year of the Love and the Love Hammers?

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<v Speaker 1>Sam Shamun, I don't know what that means. Can you

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<v Speaker 1>do a shit? Sam Shamun? Oh his name is Sam

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<v Speaker 1>and then he puts Shamun. I don't get it. We're

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<v Speaker 1>going to be diving deep today. We're going to be

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<v Speaker 1>diving into stuff that we haven't talked about again in

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<v Speaker 1>about ten years. And if you don't know, both Esltar

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<v Speaker 1>Hollywood one and two have extensive twin Peaks and mhand

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<v Speaker 1>drive analysis, so we're gonna do a little bit of

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<v Speaker 1>refreshing going back into some of that. We're also going

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<v Speaker 1>to look into some material that I've never analyzed before,

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<v Speaker 1>like the Inlin Empire analysis and guess what, there will

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<v Speaker 1>be some of this in Essatar Hollywood three. So look

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<v Speaker 1>forward to that. We talk about I think so I

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<v Speaker 1>can do us and Robin did I just I co

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<v Speaker 1>wrote the first two episodes of the Sam Hi Show.

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<v Speaker 1>What the fuck are you even talking about? I don't

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<v Speaker 1>understand it. I guess everybody's people are jealous or what

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<v Speaker 1>you what's the problem, Francis Boulet, I can't pay you

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<v Speaker 1>five hundred pounds but here's a little bit to help

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<v Speaker 1>and prayers. Thank you, man, I appreciate that. Welcome. Justin's

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<v Speaker 1>already pay for everybody's do your fees. Your fees were

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<v Speaker 1>already due, and Justin uncovered all of y'all. His imputed

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<v Speaker 1>righteousness is sent into your fictional bank account. So you

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<v Speaker 1>are made righteous in my sight as your spiritual legal judge,

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<v Speaker 1>I am your judge, and you all have been made

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<v Speaker 1>righteous tonight through his generous actions. Yoj how I caught

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<v Speaker 1>a quasi moto ten dollars? Are you talking about your

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<v Speaker 1>your little brother on your shoulder? Are you referring to

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<v Speaker 1>the possibility of obtaining a lump on your shoulder which

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<v Speaker 1>you could personify as a little brother. In that case,

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<v Speaker 1>I would say, look into ways to attain cancerous growths,

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<v Speaker 1>and then you'll have a little bro on your shoulder.

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<v Speaker 1>Oh what's up? Loocome everybody? All right? I loved it.

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<v Speaker 1>I'm so glad to be remonetized. A's like the work

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<v Speaker 1>gets It's like I got a paycheck again for the work.

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<v Speaker 1>You know, I'm not like working for free or whatever.

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<v Speaker 1>I'm kidding. Y'all were very generous on stream labs, and

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<v Speaker 1>you can still use stream labs if you choose to

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<v Speaker 1>our buddy here big justin let me refresh this. He says,

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<v Speaker 1>you were instrumental in my conversion from Orthodoxy to Protestant.

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<v Speaker 1>I can't thank you enough. Many happy healthy years to

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<v Speaker 1>you and Jamie for your marriage. Thank you again, bro,

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<v Speaker 1>Thank you man. You just you just pay for the

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<v Speaker 1>whole year.

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<v Speaker 3>Dog.

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<v Speaker 1>Only bad news is it all goes to the I

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<v Speaker 1>R S. Jamie's in there laughing, but it ain't no joke.

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<v Speaker 1>It's like, no, I really does go to the RS.

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<v Speaker 1>What you're talking about? Uh? Can something? Can Trump hurry

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<v Speaker 1>up and sign an executive order so I don't have

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<v Speaker 1>to send all of this to the IRS? Can he

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<v Speaker 1>just get rid of this thing? Right now? Trump? Where

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<v Speaker 1>you at? I'm jag efe the wonderful IRS. We're gonna

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<v Speaker 1>do a new Irsh's gonna be great. It's gonna be wonderful.

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<v Speaker 1>It's gonna bring in twenty times more money.

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<v Speaker 4>The I R S?

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<v Speaker 1>The I Have you heard of this?

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<v Speaker 4>The ers?

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<v Speaker 3>Ers?

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<v Speaker 1>Does it irk? More? Likely? The IRK? Does it irk?

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<v Speaker 5>You?

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<v Speaker 1>The I R k irk? You?

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<v Speaker 4>We gotta get rid of it. Probably probably we will

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<v Speaker 4>get rid of the Irish I don't know what youthy.

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<v Speaker 1>Probably we will preempt upart gardens for that five hundred dollars.

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<v Speaker 1>That's what I'm talking about. That's what i'm talking about.

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<v Speaker 1>That's what i'm talking. That's what I'm talking. In dreams,

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<v Speaker 1>I dream all of you. How's it go? Mm hm

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<v Speaker 1>hmmm hm. In dreams, I walk with you, shout out.

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<v Speaker 1>I'm gonna get an IRS T shirt. I'm gonna get

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<v Speaker 1>I want. I want the agents to sign it. Everybody's

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<v Speaker 1>obsessed with James Bond and secret agents. I'm obsessed with

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<v Speaker 1>money agents. That's where the real money is at. Where

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<v Speaker 1>the secret IRS agent signatures. That's what I'm talking That's

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<v Speaker 1>a real James Bond, James Government Bond because he works

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<v Speaker 1>with IRS. Who are all this? What is all this

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<v Speaker 1>Sam talk? I don't even know what you're talking about.

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<v Speaker 1>Are you talking about Sam Shamun? And why is every

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<v Speaker 1>talking about Sam in the chat, the Saint, the Sam Show.

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<v Speaker 1>I'm so jealous of all the Sam's. I can't be

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<v Speaker 1>the SAMs. What if I was Sam hide Shamun and

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<v Speaker 1>I was a morphed mix of those two and I

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<v Speaker 1>just did weird comedy to the Muslims. What would that

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<v Speaker 1>be like Sam Hide Shamin. Somebody make make an ai

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<v Speaker 1>blended image of U Sam Hide Shamun, and then worlds

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<v Speaker 1>will collide. World's collide. In dreams, I walk, will you am?

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<v Speaker 1>I yeah, I look just like Sam Shimun, Sam Hide Moon,

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<v Speaker 1>Sam sham Hide, Sam sham Hide Sam hid Shamun. Sounds

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<v Speaker 1>like a go a great combo. Why is YouTube doing

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<v Speaker 1>ads on a live trenk to pay my bills?

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<v Speaker 3>Dog?

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<v Speaker 1>That's why? Because in dreams, I walk with you and

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<v Speaker 1>you walk with me? Son shout out to free kittens. No,

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<v Speaker 1>that's the dude to ask for quasi motos. He's trying

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<v Speaker 1>to cop a feel on a quasi moto. He wants

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<v Speaker 1>a little brother on his side. Right here, Rinaldo Lopez

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<v Speaker 1>isn't a member. Shout out, man, but we already looked.

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<v Speaker 1>I racked up like one hundred and fifty members in

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<v Speaker 1>a few days. Man, shout out Creed. How would Creed

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<v Speaker 1>sing Roy Orbison songs in dreams? How long? Weird? That's

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<v Speaker 1>pretty good? Actually, tell I messed up. Uh let's see.

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<v Speaker 1>Now we're not gonna start with elephant man, We're not

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<v Speaker 1>gonna start with eraser Head. I'm just not really in

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<v Speaker 1>the vibe for something weird and that level weird and dark.

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<v Speaker 1>Let's start out with Blue Velvet, and this is back

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<v Speaker 1>in the early days of David Lynch. My favorite David Lynch.

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<v Speaker 1>It's hard to say. I mean, I like Twin Peaks

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<v Speaker 1>a lot, probably Twin Peaks, and I like Wild at

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<v Speaker 1>Heart a lot that makes me laugh and Dune, so

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<v Speaker 1>probably ones that people don't expect. You know, there's a

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<v Speaker 1>lot of good David Lynch stuff, but he's one of

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<v Speaker 1>my favorites. Bl says for five dollars, did David Lynch

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<v Speaker 1>go to Heaven? I hope. So we don't know people's destinies,

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<v Speaker 1>but you know, we can always hope that people repented.

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<v Speaker 1>Bob Johnson five dollars. Have you seen the movie Scanner Darkly?

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<v Speaker 1>Of course, it has Keanu Reeves, Robert Downey Jr. And

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<v Speaker 1>a person you might have heard of called Alex Jones

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<v Speaker 1>that I talked to today and I hosted a show.

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<v Speaker 1>So you're asking if I've seen Skinner Darkly, bro I

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<v Speaker 1>was on the damn show of the guy in the

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<v Speaker 1>movie today. What you're talking about, Son? Do the entire

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<v Speaker 1>show in David Lynch's voice, A okay, but will do

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<v Speaker 1>mister B. Ten dollars. Y'all just sending so much money,

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<v Speaker 1>I can't even think. Man, we've already got like seven

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<v Speaker 1>hundred dollars in the stream. We ain't even started yet.

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<v Speaker 1>The stream's already paid for. Man, I ain't gotta do

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<v Speaker 1>it now, mister B. I'll send you a love letter

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<v Speaker 1>straight from my heart mother. Efferr talking raded r, cuss words,

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<v Speaker 1>cussling every day. I'm struggling every day. I'm hustling every day.

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<v Speaker 1>I'm struggle. LNT says for one hundred dollars, Jay, I'm

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<v Speaker 1>ready to the Old Testament. The Orthodox Baptism is coming

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<v Speaker 1>up at POSTCO. I totally understand Christianity. It is superiority

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<v Speaker 1>to Judaism philosophically. But I'm wondering on the basis of

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<v Speaker 1>scripture in the Old Testament, how do you ever do

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<v Speaker 1>you wrestle with doubts about if Jesus is the Messiah?

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<v Speaker 1>And what is your answer? No, because we've done many, many,

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<v Speaker 1>many talks that deal with this issue. For example, the

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<v Speaker 1>talk that I did first, I would start off with

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<v Speaker 1>is Trinity Old Testament. I always forget the title of

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<v Speaker 1>this one, and then there's a newer, updated version. First

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<v Speaker 1>of all, you want to watch this one is the

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<v Speaker 1>newer one. Here, Trinity and the Old Testament Part one.

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<v Speaker 1>I go through the tour up and I just made

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<v Speaker 1>the part two available to subscribers over here the members

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<v Speaker 1>over here for the members, Ta, where's the old one?

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<v Speaker 1>This stuff never comes up here? It is No, that's

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<v Speaker 1>not it. Another one is Trinity of Trinity, indeed of

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<v Speaker 1>Christ and Ezekiel. Once you see that Trinity the Old Testament,

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<v Speaker 1>it's gonna all make sense. It's gonna be obvious. And uh,

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<v Speaker 1>let me try this. I know it says something like

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<v Speaker 1>Jesus is Jesus God or something like that. Let's see

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<v Speaker 1>in dreams I walk this is it is Jesus God

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<v Speaker 1>is God. A Trinity response to critics. That's the first

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<v Speaker 1>one we did six years ago, where I walk through

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<v Speaker 1>tons and tons and tons of Old Testament texts. But

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<v Speaker 1>the updated version, the Trinity in the Torah is even

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<v Speaker 1>better because I go through many, many, many that I

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<v Speaker 1>missed in that old talk right here. So those are

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<v Speaker 1>two places to start. And then on top of that

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<v Speaker 1>is we've done at least two or three podcasts on

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<v Speaker 1>Messianic prophecies, and it's not the handful that evangelicals think, right,

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<v Speaker 1>it's way more more. So go watch those podcasts. A

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<v Speaker 1>couple of those I think we did with Shamun sam

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<v Speaker 1>Hi Shimun. So here's one from five years ago. These

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<v Speaker 1>might be the same. I don't know. But here's a

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<v Speaker 1>clip Messianic Prophecies. There's two hours, twenty minutes. Here's another one.

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<v Speaker 1>I did Messianic Prophecies Part one and this is just

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<v Speaker 1>the psalms. Right, so there's some answers to that big

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<v Speaker 1>fat super chat. Thank you for that. Appreciate all the

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<v Speaker 1>generosities tonight, gener hostilities, tonight, gender hostilities, tonight. Welcome everybody.

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<v Speaker 1>We got five hundred on a nice balmy January evening.

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<v Speaker 1>Let's get into Blue Velvet. This is early David Lynch,

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<v Speaker 1>first sort of big level of success. Now I think

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<v Speaker 1>he was already kind of known for Elephant Man and

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<v Speaker 1>that kind of stuff. But so you know, the Lynch

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<v Speaker 1>had early success, probably earlier than most people most directors

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<v Speaker 1>expect to get. And then we get this very odd

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<v Speaker 1>au tour outing Blue Velvet. Coll McLaughlin, Laura Dern, Dennis Hopper,

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<v Speaker 1>Robert Logia was supposed to play Crazy Frank. He got

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<v Speaker 1>really mad that he didn't play it, and then I

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<v Speaker 1>think that's why he put him in lost Highway. Vaine says,

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<v Speaker 1>for five dollars, maybe it is your internet, but the

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<v Speaker 1>last several streams of the cameras choppy. Yes, this has

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<v Speaker 1>been a long standing problem with the internet in Florida.

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<v Speaker 1>I've had the people out here more times than we

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<v Speaker 1>can count. And I don't know why it does that

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<v Speaker 1>for the I just I don't know. YouTube is always

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<v Speaker 1>telling me that I up, I need to up the

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<v Speaker 1>bit rate. When I up the bit rate, it just

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<v Speaker 1>messes everything up, so I have to I don't know,

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<v Speaker 1>and this has been an ongoing problem for years. So

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<v Speaker 1>I'm at a point where I just don't even know

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<v Speaker 1>what to do. I don't know what to tell you.

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<v Speaker 1>Maybe there's not a solution because if I switch over

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<v Speaker 1>to the bigger, higher connection because we have so cold

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<v Speaker 1>five G, it still doesn't work. In dreams, I walk

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<v Speaker 1>weird from an article. When Wildehart came out, Lynch gave

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<v Speaker 1>Laura Dern animal kits and insects to take apart for

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<v Speaker 1>her to put back together. This scared her well. David

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<v Speaker 1>Lynch is a weirdo. I don't think anybody can deny

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<v Speaker 1>that he was an odd I bought you some animal

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<v Speaker 1>kits and bug kits for you to take apart and

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<v Speaker 1>then put them back together. Anyway, now, I think this

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<v Speaker 1>did well at con And was he already dating Isabella Rosalini.

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<v Speaker 1>I don't remember at this time or was this where

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<v Speaker 1>they met. Perhaps I don't know all the perfect details

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<v Speaker 1>of his life, so you have to forgive me about that.

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<v Speaker 1>But I'm not a huge fan of Blue Velvet. I

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<v Speaker 1>think probably that'll surprise a lot of people. It's hard

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<v Speaker 1>to watch. It's kind of a brutal film. It's dark,

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<v Speaker 1>and I don't mind, for example, twin Peaks Fire What

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<v Speaker 1>with Me? Like, I can watch Firewalk with me. But

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<v Speaker 1>I'm not a huge fan of Blue Velvet. I understand

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<v Speaker 1>it's a well made film, the cinematography, the you know, absurdities.

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<v Speaker 1>Crazy Frank is probably one of the best villains in

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<v Speaker 1>all movies ever. He's probably one of the top villains.

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<v Speaker 1>Thank you for that, by the way, John mister Bee

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<v Speaker 1>says for ten dollars, Michael Heronsie was also considered for

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<v Speaker 1>the role of Frank. Could you imagine that imagine hearing

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<v Speaker 1>don't be a good neighbor in Sam Fisher's voice, Thomas

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<v Speaker 1>Libby became a member, Lil Gain became a member. We

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<v Speaker 1>got a member of Upgrade, We got some Chad members.

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<v Speaker 1>Now we've got Chad nerds, and then people update to

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<v Speaker 1>full Chad. Ten dollars is the full Chad. This is

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<v Speaker 1>the coming of age film. And you know, the first

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<v Speaker 1>thing I think people notice is the darkness under the

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<v Speaker 1>perceived facade of Americanism. And this will be a theme

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<v Speaker 1>that runs all the way through Lynch films. You have

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<v Speaker 1>what appears to be fifties suburban America, and people are out,

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<v Speaker 1>you know, watering the yard, and there's the milkman and

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<v Speaker 1>all this kind of stuff. And then you've got a

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<v Speaker 1>severed ear laying in a yard card and we enter

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<v Speaker 1>the ear. If I recall JV free for two dollars, Jay,

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<v Speaker 1>bring Jamie, bring Jay a double espresso. Yeah, you know

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<v Speaker 1>what's up. You know how it works around here. Shout

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<v Speaker 1>out to that dude. Thank you guys again for all

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<v Speaker 1>these generous super chastity. If you would hit like as well,

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<v Speaker 1>we've got to get them likes up. And so it's

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<v Speaker 1>I tended to be a critique of what we think

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<v Speaker 1>of as perfect Americana in the fifties suburb era. But

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<v Speaker 1>it's also an eighties movie. But there's nothing really in

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<v Speaker 1>terms of the vibe or the esthetic or the feel

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<v Speaker 1>of the movie that makes us think it's the eighties,

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<v Speaker 1>even though it's the eighties, and we know it's the eighties.

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<v Speaker 1>Everything is fifties, and I've always liked that juxtaposition that

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<v Speaker 1>sort of throws us off. And I think a lot

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<v Speaker 1>of movies since this time have tried to copy this.

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<v Speaker 1>If you watch, for example, and not always bad, it's

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<v Speaker 1>it's not a bad copy. If you watch it follows,

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<v Speaker 1>it's very difficult to exactly place when it's happening. It

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<v Speaker 1>Follows is contemporary, but no one uses or has cell phones,

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<v Speaker 1>even though it's contemporary, and the TVs the imagery a

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<v Speaker 1>lot of its eighties and so it's kind of has

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<v Speaker 1>this eighties horror feel to it, but it's contemporary and

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<v Speaker 1>yet nobody has a cell phone, which I liked. And

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<v Speaker 1>you know, Colin McLaughlin is coming of age and he's

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<v Speaker 1>experiencing changes in his body, and he's interested in girls,

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<v Speaker 1>and he's a high schooler. I forget exactly what if

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<v Speaker 1>he's like a senior. Maybe he's a senior, but he

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<v Speaker 1>really likes Laura Dern and they're obviously kind of a

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<v Speaker 1>perfect match. She's also a high schooler. And yet he

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<v Speaker 1>is obsessed with the lounge singer at this local club

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<v Speaker 1>who's played by Isabella Russolini, who ends up being his

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<v Speaker 1>girlfriend for many years. Maybe they were married, I can't remember.

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<v Speaker 1>And if you don't know, Isabella Rosalini is of course

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<v Speaker 1>Ingrid Bergman's daughter, So Hollywood Royalty. David Lynch was able

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<v Speaker 1>to immediately link up with Hollywood Royalty right there. And

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<v Speaker 1>you'll notice other themes that are present here that will

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<v Speaker 1>reappear throughout the rest of the Lynch Cannon. The ominous,

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<v Speaker 1>omnipresent red curtain. Of course, the curtain comes up in

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<v Speaker 1>Mahon Drive. The curtain comes up in Twin Peaks in

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<v Speaker 1>the in between, as well as even kind of the

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<v Speaker 1>lounge singer, right because we get Julie Cruz and Twin

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<v Speaker 1>Peaks and we get no Hi Bondo and that weirdo

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<v Speaker 1>Hispanic booby chick singing in Mahland Drive in front of

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<v Speaker 1>the curtain and doing the sort of lounge singing, so

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<v Speaker 1>there's there's a weird lounge theme going on, and also

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<v Speaker 1>kind of the voyeuristic thing. That voyeurism is a kind

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<v Speaker 1>of a theme in this and other elements that we

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<v Speaker 1>probably can't really discuss over here on the y T.

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<v Speaker 1>But I think if we see this as kind of

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<v Speaker 1>a kind of a it's a horror satire really, that

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<v Speaker 1>is what I think this movie is. And you'll notice

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<v Speaker 1>a lot of things that that sort of tie into

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<v Speaker 1>Twin Peaks. That Lumberton I think is a connection to

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<v Speaker 1>the the Sawmill's Josie Packers Sawmill, all of the the

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<v Speaker 1>critique of the dark underbelly is also a big part

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<v Speaker 1>of Twin Peaks. But we have this villain that is

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<v Speaker 1>and this of course is the scene at the beginning,

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<v Speaker 1>as we said, where everything seems normal and healthy, and

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<v Speaker 1>then through his fascination and obsession you could say with

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<v Speaker 1>Isabella Rosalini, he's immediately sort of set on this adventure

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<v Speaker 1>with all of these weirdo quacks, creeps and lunatics. Because

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<v Speaker 1>of course, Isabella Rosdellini is the lover girlfriend to Dennis

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<v Speaker 1>Hopper who plays Crazy Frank, and originally Crazy Frank's sort

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<v Speaker 1>of tick was supposed to be that he inhales nitrous

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<v Speaker 1>oxide and that's supposed to make him talk in helium voice.

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<v Speaker 1>They all felt it was too absurd, and Dennis Hopper

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<v Speaker 1>said it was too difficult to constantly talking helium voice

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<v Speaker 1>and play Crazy Frank. But that would have actually been

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<v Speaker 1>pretty funny because if you recall in I Think While

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<v Speaker 1>to Heart, we get the return of people just out

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<v Speaker 1>of nowhere having helium voice, which is very absurdist. But

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<v Speaker 1>instead Dennis Hopper said, no, it's got to be sodium

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<v Speaker 1>amatal or something like that, which kind of makes you

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<v Speaker 1>feel loopy and crazy, I think, And he said, I

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<v Speaker 1>got to play Frank because I am Frank. I am

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<v Speaker 1>this crazy wacko dude. And I'll see his father was Oss,

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<v Speaker 1>So that there's a weird thing with Dennis Hopper background

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<v Speaker 1>being Oss. Dean Stockwell there who is the woman wearing

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<v Speaker 1>woman clothes wearing person who doesn't actually sing but pantomime

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<v Speaker 1>mouths the Roy Orbison song. For some reason, Crazy Frank

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<v Speaker 1>as this obsession with watching him pantomime the song. It's

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<v Speaker 1>all super bizarre because Crazy Frank is literally like just

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<v Speaker 1>totally crazy weird fixations, has a fixation on shall we say,

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<v Speaker 1>smacking ladies around, so to speak. And in Isabella's case,

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<v Speaker 1>she's into this heath to me, don't he he to me,

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<v Speaker 1>don't eat me, as she says to Colm maicclaughlin. And

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<v Speaker 1>this throws comic Laughlin for a loop because he's just

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<v Speaker 1>a young guy thinking about, Oh, here's a you know,

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<v Speaker 1>attractive older woman. I'm gonna get wild have some fun here,

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<v Speaker 1>and he's immediately thrown into how shall we say, sex weirdness,

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<v Speaker 1>and he doesn't know how to process this, but his

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<v Speaker 1>stepping into that domain, that temptation, leads him down this

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<v Speaker 1>road of almost dying by falling in with this crowd

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<v Speaker 1>of absolute lunatics. And I think that's the best part

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<v Speaker 1>of this film. And by the way, the same sort

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<v Speaker 1>of demonic insanity of wearing lady things and makeup, seems

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<v Speaker 1>to also be part of Frank's psyche, right, And I

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<v Speaker 1>guess we're supposed to just think Frank is this this

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<v Speaker 1>he's kind of a drug dealer or maybe a kind

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<v Speaker 1>of a gang, but his gang is just the most

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<v Speaker 1>out just insane, outlandish, a bunch of weirdos, right, So

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<v Speaker 1>he definitely makes I think for the greatest villain, probably

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<v Speaker 1>one of the top villains of all time, and I

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<v Speaker 1>love we begin to see I mean you kind of

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<v Speaker 1>saw some of this in E Raise Her Head, but

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<v Speaker 1>you begin to see the things that will become staples

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<v Speaker 1>in later Lynch films, like just the random weirdos in

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<v Speaker 1>the background. You know, you've got this fat chick over there,

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<v Speaker 1>this dude standing on the couch. You get the stock

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<v Speaker 1>Well pantomiming Roy Orbison songs, singing into a lamp. Dennis

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<v Speaker 1>Hopper's obsessed with it. Just there's the background weirdos, right,

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<v Speaker 1>Just that is almost enough. Look there's a guy back

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<v Speaker 1>there playing with tape and the absurdism comes to the

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<v Speaker 1>foe here to make this also a very funny film.

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<v Speaker 1>A lot of people don't think about David Lynch movies

409
00:28:25.599 --> 00:28:29.240
<v Speaker 1>as comedy, but they're actually really comedic. And if you've

410
00:28:29.240 --> 00:28:33.119
<v Speaker 1>not watched, if you've only watched Waldehart like once, go

411
00:28:33.240 --> 00:28:35.079
<v Speaker 1>back and watch it because the more you watch Wild

412
00:28:35.119 --> 00:28:41.119
<v Speaker 1>at Heart, the funnier it becomes. And of course I'm

413
00:28:41.119 --> 00:28:42.839
<v Speaker 1>not gonna spoil it for you if you've never seen it,

414
00:28:42.880 --> 00:28:46.960
<v Speaker 1>but it's a great film on certain levels. It's just

415
00:28:47.000 --> 00:28:51.119
<v Speaker 1>not my favorite David Lynch film, there might be some

416
00:28:51.279 --> 00:28:55.680
<v Speaker 1>Rosicrucian symbolism going on, because the rose imagery does play

417
00:28:55.839 --> 00:28:58.839
<v Speaker 1>kind of a key element in the film. And I

418
00:28:58.880 --> 00:29:03.960
<v Speaker 1>think at the very end, we see call McLoughlin comes

419
00:29:03.960 --> 00:29:06.160
<v Speaker 1>home after all this nightmare adventure that he's been on,

420
00:29:07.359 --> 00:29:11.039
<v Speaker 1>and he goes, I'm going on this joy ride with Frank,

421
00:29:12.440 --> 00:29:19.079
<v Speaker 1>and you know, Frank says to hint to Jeffrey, You're

422
00:29:19.200 --> 00:29:22.599
<v Speaker 1>like me, We're the same. And then Jeffrey ends up

423
00:29:22.680 --> 00:29:31.359
<v Speaker 1>killing Frank, and it ends on the ear and the bird,

424
00:29:32.240 --> 00:29:34.440
<v Speaker 1>And I think the point here is that that bird

425
00:29:35.400 --> 00:29:38.519
<v Speaker 1>is actually the same. It's like very similar to the

426
00:29:38.519 --> 00:29:41.359
<v Speaker 1>bird at the beginning of Twin Peaks. So it's kind

427
00:29:41.359 --> 00:29:43.720
<v Speaker 1>of like Blue Velvet kind of sets the stage for

428
00:29:43.759 --> 00:29:54.960
<v Speaker 1>the next phase of Lynch. Yeah, I forgot to mention, Yeah, exactly.

429
00:29:55.039 --> 00:29:59.240
<v Speaker 1>So we're talking about Hollywood royalty and intelligence agencies, we

430
00:29:59.279 --> 00:30:03.680
<v Speaker 1>can't forget Bruce Dern and the Dern family. They come

431
00:30:03.799 --> 00:30:08.400
<v Speaker 1>from a long line of actual skull and bones Henry

432
00:30:08.480 --> 00:30:15.920
<v Speaker 1>leoce Oss people, right, So Laura Derns, I think Granddad

433
00:30:15.960 --> 00:30:19.200
<v Speaker 1>it is was part of the He was like the

434
00:30:19.240 --> 00:30:21.559
<v Speaker 1>Secretary of Defense or the Secretary of War back then,

435
00:30:23.240 --> 00:30:28.640
<v Speaker 1>and that is significant. Dave McGowan makes note of this

436
00:30:28.839 --> 00:30:32.519
<v Speaker 1>in Weird Season Inside the Canyon because he connects both

437
00:30:32.960 --> 00:30:36.680
<v Speaker 1>Bruce Dern the father or the uncle for what it is,

438
00:30:36.720 --> 00:30:40.359
<v Speaker 1>but the one that was like secretary of War, and

439
00:30:40.400 --> 00:30:43.480
<v Speaker 1>then the Darns being kind of Hollywood royalty. As a result,

440
00:30:44.279 --> 00:30:48.640
<v Speaker 1>you've got Hopper's dad being oss and there are we

441
00:30:48.680 --> 00:30:50.319
<v Speaker 1>don't know if this is true, but there's reports that

442
00:30:50.319 --> 00:30:54.200
<v Speaker 1>Dennis Hopper was also interested in the OTO, and Dean

443
00:30:54.240 --> 00:30:58.000
<v Speaker 1>Stockwell was reportedly a member of the OTO. So quite

444
00:30:58.039 --> 00:31:01.319
<v Speaker 1>a bit of Hollywood royalty into Yo Crolean stuff going

445
00:31:01.319 --> 00:31:08.680
<v Speaker 1>on in the From the outset here but we're gonna

446
00:31:08.759 --> 00:31:17.680
<v Speaker 1>move on to wild Heart is a version of oh

447
00:31:17.720 --> 00:31:21.039
<v Speaker 1>waitever you get pulled up, excuse me, Wizard of Oz.

448
00:31:21.240 --> 00:31:23.519
<v Speaker 1>So if you didn't know Waldehart is Wizard of Oz.

449
00:31:24.480 --> 00:31:26.559
<v Speaker 1>This is a few years later we get the nineteen

450
00:31:26.640 --> 00:31:29.480
<v Speaker 1>ninety film We're Gonna Go, We're Gonna Do Twin Peaks.

451
00:31:29.480 --> 00:31:32.920
<v Speaker 1>I know that's nineteen ninety to ninety two, but I

452
00:31:32.960 --> 00:31:36.720
<v Speaker 1>wanted to mention Waldeheart because this one is more of

453
00:31:36.720 --> 00:31:39.640
<v Speaker 1>a comedy. And of course Laura Darn's mom plays Laura

454
00:31:39.720 --> 00:31:44.599
<v Speaker 1>Darn's mom. In the film, Nicholas Cage plays the character

455
00:31:44.680 --> 00:31:51.519
<v Speaker 1>of Sailor perfectly. He's it's a very absurdist satire of

456
00:31:51.559 --> 00:31:57.240
<v Speaker 1>America and Americanism once again, and here America is Oz.

457
00:31:57.799 --> 00:32:01.400
<v Speaker 1>So you have the Wizard of Oz motif pasted on

458
00:32:01.559 --> 00:32:06.319
<v Speaker 1>to this absurdist presentation of another adventure of these sort

459
00:32:06.319 --> 00:32:10.880
<v Speaker 1>of these two teenage rebels that kind of run away

460
00:32:11.000 --> 00:32:16.160
<v Speaker 1>from the controlling figure of Lord Dearn's mom, and then

461
00:32:16.160 --> 00:32:20.960
<v Speaker 1>these other well we later find out are mafia people

462
00:32:21.319 --> 00:32:24.960
<v Speaker 1>in the background. There's a lot of occultic stuff going on.

463
00:32:25.079 --> 00:32:27.640
<v Speaker 1>And while at heart that is worth mentioning, we're not

464
00:32:27.640 --> 00:32:29.240
<v Speaker 1>going to delve too deeply into that because I'm gonna

465
00:32:29.240 --> 00:32:32.279
<v Speaker 1>put the uneceessary colleague with three. There'll be some discussion

466
00:32:32.279 --> 00:32:35.640
<v Speaker 1>of this, uh and I mean there's voodoo comes up.

467
00:32:35.680 --> 00:32:39.319
<v Speaker 1>There's this sort of Illuminati character in the film who

468
00:32:39.920 --> 00:32:44.720
<v Speaker 1>you know. I think he's a sort of a maybe

469
00:32:44.720 --> 00:32:49.799
<v Speaker 1>a Southern Dixie mafia type of character, and eventually he

470
00:32:50.279 --> 00:32:58.359
<v Speaker 1>calls for the assassination of Sailor and Willem Dafoe I

471
00:32:58.359 --> 00:33:01.200
<v Speaker 1>think plays a very so this wow, this one and

472
00:33:01.240 --> 00:33:04.160
<v Speaker 1>the con film festal I forgot that so he won

473
00:33:04.440 --> 00:33:08.240
<v Speaker 1>Best Picture in con At nineteen ninety for this. But

474
00:33:08.279 --> 00:33:13.680
<v Speaker 1>Willem Defoe plays a kind of demonic another villain in

475
00:33:13.680 --> 00:33:18.319
<v Speaker 1>the film. But ultimately it's a satire. It's very funny

476
00:33:18.440 --> 00:33:22.680
<v Speaker 1>and uh voodoo plays a key role in the film.

477
00:33:23.039 --> 00:33:25.559
<v Speaker 1>And we also see characters that kind of reappear later

478
00:33:26.480 --> 00:33:31.160
<v Speaker 1>when they are at the Texas ranch where the shall

479
00:33:31.200 --> 00:33:36.519
<v Speaker 1>we say, the Piggy movies are made. There's a character

480
00:33:36.599 --> 00:33:39.079
<v Speaker 1>that walks by in the background who appears to be

481
00:33:39.359 --> 00:33:43.839
<v Speaker 1>the Cowboy, and the Cowboy makes his odd appearance as

482
00:33:43.960 --> 00:33:46.119
<v Speaker 1>everyone knows in Mahan Drive. Now, I don't know if

483
00:33:46.119 --> 00:33:48.880
<v Speaker 1>it's the same actor, but it's almost like there is

484
00:33:48.920 --> 00:33:53.039
<v Speaker 1>this overlap of the dream worlds and the various universes,

485
00:33:53.079 --> 00:33:56.200
<v Speaker 1>so to speak, in all throughout David Lynch films and

486
00:33:56.240 --> 00:34:01.319
<v Speaker 1>throughout the Lynch Cannon and greatest example of us. How

487
00:34:01.440 --> 00:34:07.960
<v Speaker 1>does Wild at Heart end? Well, it ends with Laura

488
00:34:08.000 --> 00:34:12.719
<v Speaker 1>Palmer as the good Witch Glinda, because I remember it's

489
00:34:12.760 --> 00:34:20.400
<v Speaker 1>the Wizard of Oz story appearing to Sailor when he

490
00:34:20.440 --> 00:34:26.679
<v Speaker 1>gets beat up. And I think that's something that not

491
00:34:26.760 --> 00:34:28.559
<v Speaker 1>many people point out about. I mean, if you're a

492
00:34:28.559 --> 00:34:32.840
<v Speaker 1>really big Lynch nerd you will know about and you

493
00:34:32.880 --> 00:34:49.159
<v Speaker 1>will have paid attention to the overlap throughout the Lynch universe.

494
00:34:51.719 --> 00:34:58.480
<v Speaker 1>And another example is Audrey Horn. If you're remember and

495
00:34:58.559 --> 00:35:04.679
<v Speaker 1>Wild at Heart, there's this scene where Sailor and what's

496
00:35:04.719 --> 00:35:07.800
<v Speaker 1>her face, they're driving across the Lost Highway in the

497
00:35:07.840 --> 00:35:15.159
<v Speaker 1>desert and they come across a rack and it's Cheryl

498
00:35:16.000 --> 00:35:21.559
<v Speaker 1>Rylyn Finn from Quinn Peaks, right, and she's had this

499
00:35:22.239 --> 00:35:25.760
<v Speaker 1>head injury and she doesn't know what's going on. And

500
00:35:25.800 --> 00:35:30.599
<v Speaker 1>it's as if this might be when Audrey Horn leaves

501
00:35:30.639 --> 00:35:34.360
<v Speaker 1>Twin Peaks to go to Hollywood. Is this her going

502
00:35:34.719 --> 00:35:39.559
<v Speaker 1>on her way and then encountering Sailor and Lord Dern.

503
00:35:39.639 --> 00:35:41.840
<v Speaker 1>Is that a possibility? Not many people, I don't think

504
00:35:41.880 --> 00:35:48.280
<v Speaker 1>have noticed this or mention this, but this is a

505
00:35:48.320 --> 00:35:51.320
<v Speaker 1>common feature in Lynch films. So when Nicholas Cage and

506
00:35:51.320 --> 00:35:56.039
<v Speaker 1>Sailor's beat up and he's about to give up, you

507
00:35:56.159 --> 00:36:01.440
<v Speaker 1>get Laura Palmer as the good Witch Glinda, who tells

508
00:36:01.480 --> 00:36:06.559
<v Speaker 1>him to get up and run to Laura Dern. Right,

509
00:36:09.679 --> 00:36:22.039
<v Speaker 1>and then keep in mind this notion of the world's overlapping.

510
00:36:26.480 --> 00:36:27.679
<v Speaker 1>I thought this is gonna have this to be the

511
00:36:27.719 --> 00:36:33.800
<v Speaker 1>scene where we see sherylyn Finn in Well at Heart.

512
00:36:33.880 --> 00:36:51.039
<v Speaker 1>Let's see, yes here it is. Now if you're a

513
00:36:51.039 --> 00:36:53.519
<v Speaker 1>super different David Lynch NERD then you have noticed this.

514
00:36:53.679 --> 00:36:56.639
<v Speaker 1>But I've not really seen anybody else noticing this. So

515
00:36:56.880 --> 00:36:59.719
<v Speaker 1>you'll notice, as Sailor and Lula are driving down the

516
00:36:59.760 --> 00:37:04.400
<v Speaker 1>law Highway, it looks just like Fred Madison at the

517
00:37:04.440 --> 00:37:08.840
<v Speaker 1>beginning of Lost Highway, right, He's driving on this desert,

518
00:37:09.039 --> 00:37:12.519
<v Speaker 1>you know, upside down ether in the inside the ether

519
00:37:13.960 --> 00:37:18.480
<v Speaker 1>in the middle of nowhere desert highway. And then they

520
00:37:18.519 --> 00:37:26.800
<v Speaker 1>come across the rack where sheryln Finn has this head wound.

521
00:37:27.960 --> 00:37:30.639
<v Speaker 1>And you're gonna notice head wounds also recurring themes and

522
00:37:30.760 --> 00:37:34.880
<v Speaker 1>David lynch movies, because when we get to Lost Highway,

523
00:37:34.920 --> 00:37:38.679
<v Speaker 1>the balth is our getty excuse me, the yeah, bath

524
00:37:38.760 --> 00:37:43.840
<v Speaker 1>is our getty character Pete relates, doesn't he also have

525
00:37:43.880 --> 00:37:46.119
<v Speaker 1>a head wound two? And this relates to kind of

526
00:37:46.119 --> 00:37:49.679
<v Speaker 1>his dissociative state. The characters are oftentimes in sort of

527
00:37:49.760 --> 00:37:53.880
<v Speaker 1>fugue states and dissociative states due to head wounds. And

528
00:37:54.000 --> 00:37:59.639
<v Speaker 1>here again, I don't know if this is intended to

529
00:37:59.639 --> 00:38:03.400
<v Speaker 1>be Horn wandering away on her way to California, but

530
00:38:03.480 --> 00:38:07.079
<v Speaker 1>in Twin Peaks when she decides to leave, is it

531
00:38:07.119 --> 00:38:09.559
<v Speaker 1>wasn't she going to California to be an actress or something?

532
00:38:10.199 --> 00:38:14.800
<v Speaker 1>And then of course she dies, and presumably it is

533
00:38:14.840 --> 00:38:20.400
<v Speaker 1>supposed to be Audrey Horn, but that speculation. But I

534
00:38:20.639 --> 00:38:25.719
<v Speaker 1>do want to go to Lost Highway because now things

535
00:38:25.719 --> 00:38:29.280
<v Speaker 1>are getting a little more esoteric, and then we're gonna

536
00:38:29.280 --> 00:38:31.840
<v Speaker 1>go to Twin Peaks and you get a lot of overlaps.

537
00:38:34.360 --> 00:38:36.280
<v Speaker 1>And in the Lost Highway we have, of course this

538
00:38:36.440 --> 00:38:39.480
<v Speaker 1>man Robert Blake playing the Man in Black or this

539
00:38:39.599 --> 00:38:47.039
<v Speaker 1>sort of enigmatic, demonic entity. Fred Madison is played by

540
00:38:47.360 --> 00:38:50.320
<v Speaker 1>Bill Pullman, who in the first half of the film

541
00:38:50.360 --> 00:38:54.440
<v Speaker 1>we think this is just sort of a successful Hollywood

542
00:38:54.519 --> 00:38:58.800
<v Speaker 1>musician who starts having these really weird things happen to him.

543
00:38:58.920 --> 00:39:07.079
<v Speaker 1>He starts receiving these vhs, VHS copies appearing at his doorstep,

544
00:39:08.000 --> 00:39:14.199
<v Speaker 1>and the vhs are images of people walking inside of

545
00:39:14.199 --> 00:39:16.760
<v Speaker 1>his house and taping him while he's asleep at night.

546
00:39:17.719 --> 00:39:20.159
<v Speaker 1>And so they bring in these cops and it's very

547
00:39:20.199 --> 00:39:22.519
<v Speaker 1>confusing and nobody can seem to figure out what's going on,

548
00:39:23.599 --> 00:39:28.639
<v Speaker 1>and we find out that Patricia Arcuat, who's sort of

549
00:39:28.679 --> 00:39:34.039
<v Speaker 1>the girlfriend wife character to Fred Madison, she has been cheating.

550
00:39:35.719 --> 00:39:39.039
<v Speaker 1>And so as we begin to piece this together, we'll

551
00:39:39.079 --> 00:39:42.320
<v Speaker 1>go come over to my analysis. I noted that it's

552
00:39:42.480 --> 00:39:50.320
<v Speaker 1>although this mystified most people, what connects it is the

553
00:39:50.360 --> 00:39:52.880
<v Speaker 1>rest of the David Lynch films and the patterns that

554
00:39:52.920 --> 00:39:56.760
<v Speaker 1>will notice the doubling, the dissociation, the few states, the

555
00:39:56.840 --> 00:40:03.760
<v Speaker 1>mpdd I d let me see what I got into.

556
00:40:07.320 --> 00:40:11.719
<v Speaker 1>Shamanic journeys, I think are a good way to understand

557
00:40:11.880 --> 00:40:13.719
<v Speaker 1>Lynch films. So we're going on a kind of a

558
00:40:13.760 --> 00:40:18.000
<v Speaker 1>psychedelic journey, and that's the intention, I think, and that's

559
00:40:18.039 --> 00:40:23.079
<v Speaker 1>why they are stories that are pieced together out of

560
00:40:23.199 --> 00:40:28.800
<v Speaker 1>David Lynch's transittal meditation, dream states and or both. And

561
00:40:28.880 --> 00:40:31.320
<v Speaker 1>so they're going to be nonlinear. They're going to be

562
00:40:32.159 --> 00:40:35.239
<v Speaker 1>influenced by a lot of nineteen forties, fifties and noir,

563
00:40:35.440 --> 00:40:41.079
<v Speaker 1>especially things like you know, Sunset Boulevard, other films like Persona,

564
00:40:42.920 --> 00:40:48.719
<v Speaker 1>and those are keys to understanding the architecture and the layout,

565
00:40:48.840 --> 00:40:52.519
<v Speaker 1>so to speak. Of how to understand a David Lynch film.

566
00:40:52.840 --> 00:40:55.039
<v Speaker 1>We're also going to need to understand and be aware

567
00:40:55.039 --> 00:40:58.599
<v Speaker 1>of things like Hindu philosophy and metaphysics. That's going to

568
00:40:58.639 --> 00:41:03.760
<v Speaker 1>be a big element in Lost Highway. Tibetan Buddhism is

569
00:41:03.800 --> 00:41:06.360
<v Speaker 1>a key to a lot of things, especially Twin Peaks,

570
00:41:07.199 --> 00:41:11.199
<v Speaker 1>and then other conspiratorial motifs I think that Lynch doesn't

571
00:41:11.440 --> 00:41:15.400
<v Speaker 1>explicitly talk about a whole lot do play into his films,

572
00:41:15.440 --> 00:41:21.039
<v Speaker 1>such as the notions of alternate personalities, trauma based mind control,

573
00:41:21.960 --> 00:41:24.960
<v Speaker 1>which are never explicit, but I think they're in the background.

574
00:41:26.039 --> 00:41:27.679
<v Speaker 1>And one of the reasons I think that I'm right

575
00:41:27.679 --> 00:41:31.400
<v Speaker 1>in that analysis was that when I did my lengthy

576
00:41:31.840 --> 00:41:37.719
<v Speaker 1>Twin Peaks breakdown many years ago, to me, that was

577
00:41:37.960 --> 00:41:41.840
<v Speaker 1>there in a lot of the symbolism throughout the first

578
00:41:41.880 --> 00:41:44.840
<v Speaker 1>two seasons of Twin Peaks in the film, and then again,

579
00:41:44.960 --> 00:41:46.800
<v Speaker 1>as you guys know, as we pointed out many times,

580
00:41:46.800 --> 00:41:50.199
<v Speaker 1>when Mark Frost put out the History of Twin Peaks book,

581
00:41:50.199 --> 00:41:54.360
<v Speaker 1>the Big Green Book, that was all vindicated, multiple chapters

582
00:41:54.480 --> 00:41:57.440
<v Speaker 1>detailing the entire history of Twin Peaks as an esoteric

583
00:41:57.480 --> 00:42:04.320
<v Speaker 1>occult presentation. We have mentions of Kroley SCX magic. Literally

584
00:42:04.400 --> 00:42:07.440
<v Speaker 1>all of the stuff that I said was one spot

585
00:42:07.440 --> 00:42:10.199
<v Speaker 1>on if you read and Mark Frost is the co

586
00:42:10.280 --> 00:42:14.920
<v Speaker 1>writer with Lynch, So for those that don't know it's

587
00:42:14.960 --> 00:42:20.440
<v Speaker 1>the big green Try remember the exact title of the book.

588
00:42:20.440 --> 00:42:22.159
<v Speaker 1>I don't have it at this house. Let's see, it's

589
00:42:24.599 --> 00:42:35.280
<v Speaker 1>Twin Peaks History. If you are a Twin Peaks nerd,

590
00:42:35.519 --> 00:42:38.599
<v Speaker 1>it'll be then you you will want the Secret History

591
00:42:38.639 --> 00:42:41.239
<v Speaker 1>of of Twin Peaks by Mark Frost. It's actually big.

592
00:42:41.280 --> 00:42:48.159
<v Speaker 1>It's a cool, big hardback green book right here. Yeah,

593
00:42:48.239 --> 00:42:53.159
<v Speaker 1>it's really good. And most of again, most of what

594
00:42:53.280 --> 00:42:57.440
<v Speaker 1>I theorized was one percent medicated, even to the point

595
00:42:57.440 --> 00:43:00.159
<v Speaker 1>of like the ring being kind of a Krollyan magic ring.

596
00:43:00.920 --> 00:43:03.079
<v Speaker 1>Like even that was mentioned. I was like, man, I

597
00:43:03.119 --> 00:43:08.960
<v Speaker 1>just got everything correct on this one. But back to

598
00:43:09.159 --> 00:43:16.920
<v Speaker 1>while de heart so, Fred Madison is experiencing the suppressed

599
00:43:17.000 --> 00:43:21.800
<v Speaker 1>this is my theory memories of murdering Patricia Arquett So

600
00:43:21.880 --> 00:43:25.079
<v Speaker 1>his wife who had cheated on him. He'd had enough

601
00:43:25.119 --> 00:43:30.519
<v Speaker 1>of it. He is the result of her early demise.

602
00:43:31.400 --> 00:43:37.159
<v Speaker 1>But he's almost dissociated and repressed these memories, like he's

603
00:43:37.440 --> 00:43:39.840
<v Speaker 1>they're out of his head, right, So he doesn't even

604
00:43:40.719 --> 00:43:43.719
<v Speaker 1>he's so repressed these memories that he's dissociated and actually

605
00:43:43.760 --> 00:43:49.960
<v Speaker 1>does not remember doing it. And the VHS copies of

606
00:43:50.119 --> 00:43:55.159
<v Speaker 1>the Stalker that appear at his doorstep. They either are

607
00:43:55.280 --> 00:43:59.320
<v Speaker 1>or are not him, or just his memories of the

608
00:43:59.360 --> 00:44:03.159
<v Speaker 1>pieces of the evidence of what he did coming back

609
00:44:03.159 --> 00:44:07.760
<v Speaker 1>to haunt him. And so this is all suppressed and

610
00:44:09.400 --> 00:44:12.719
<v Speaker 1>sort of hidden. So speaking is subconscious, and it's too

611
00:44:12.840 --> 00:44:15.119
<v Speaker 1>much a guilt for him to face up to the

612
00:44:15.199 --> 00:44:18.000
<v Speaker 1>murder of his wife or an a and two others.

613
00:44:18.039 --> 00:44:20.559
<v Speaker 1>Due to this vengeful jealousy is what led to an

614
00:44:20.559 --> 00:44:25.400
<v Speaker 1>associative split in his consciousness and his dark side became possessed.

615
00:44:25.880 --> 00:44:28.280
<v Speaker 1>And so the man in black that we see at

616
00:44:28.320 --> 00:44:34.079
<v Speaker 1>the party is essentially it's the devil. The first scene

617
00:44:34.159 --> 00:44:36.880
<v Speaker 1>is an anxious thread lighting a cigarette. The igniting of

618
00:44:36.920 --> 00:44:39.280
<v Speaker 1>a flame is a staple of Lynch films, and it

619
00:44:39.360 --> 00:44:43.199
<v Speaker 1>signifies this dark, foreboding or evil presence that's about to emerge.

620
00:44:43.920 --> 00:44:47.679
<v Speaker 1>And I know, I'm I was not happy that David

621
00:44:47.760 --> 00:44:52.199
<v Speaker 1>Lynch passed away, but of course cigarettes happened to unfortunately

622
00:44:52.320 --> 00:44:56.119
<v Speaker 1>be what led to his passing. So don't smoke cigarettes.

623
00:44:56.519 --> 00:44:59.920
<v Speaker 1>The fire walk right, fire walk with me, the lighting

624
00:45:00.079 --> 00:45:03.559
<v Speaker 1>the fire of a cigarette. This is the shamanic practice

625
00:45:03.639 --> 00:45:08.800
<v Speaker 1>right when you're firewalking, and that is done supposedly through

626
00:45:09.159 --> 00:45:15.239
<v Speaker 1>a demonic power, tapping into the spirits to be able

627
00:45:15.280 --> 00:45:17.480
<v Speaker 1>to walk on fire right. So it's either a possession

628
00:45:17.559 --> 00:45:21.840
<v Speaker 1>or a demonstration of demonic power. And thus it also

629
00:45:21.920 --> 00:45:26.239
<v Speaker 1>corresponds to the walk or the journey that the medicine

630
00:45:26.239 --> 00:45:30.199
<v Speaker 1>man or the shaman takes. Right, one shouts out between

631
00:45:30.239 --> 00:45:33.360
<v Speaker 1>the world's fire walk with me. That's a shamanic phrase.

632
00:45:33.719 --> 00:45:39.639
<v Speaker 1>The famous Twin Peaks phrase, right, is about the shamanic journey.

633
00:45:40.400 --> 00:45:42.800
<v Speaker 1>Now I'm not into that really, I've read quite a

634
00:45:42.840 --> 00:45:45.320
<v Speaker 1>bit about it. I've had my past times of bad

635
00:45:45.360 --> 00:45:49.920
<v Speaker 1>acid trips. I've had enough of those. So I've done

636
00:45:50.039 --> 00:45:52.519
<v Speaker 1>the firewalk, so to speak, and I've been on the

637
00:45:52.559 --> 00:45:55.159
<v Speaker 1>shamanic quest. I have no desire to go back on

638
00:45:55.280 --> 00:45:58.760
<v Speaker 1>a shamanic quest. They were pretty nightmarish in my experience.

639
00:45:59.280 --> 00:46:02.280
<v Speaker 1>But I have called out between two worlds, don't fire

640
00:46:02.360 --> 00:46:06.039
<v Speaker 1>walk with me? And I think, I think if you

641
00:46:06.119 --> 00:46:11.440
<v Speaker 1>have done hallucinogens, maybe David Lynch films do come easily

642
00:46:11.519 --> 00:46:14.119
<v Speaker 1>to They come more naturally, I guess, than if you

643
00:46:14.199 --> 00:46:17.440
<v Speaker 1>have not. But the idea I think is that it's

644
00:46:17.480 --> 00:46:21.480
<v Speaker 1>a national journey of the shaman as well in terms

645
00:46:21.480 --> 00:46:25.440
<v Speaker 1>of the viewer, and it's a it can be a

646
00:46:25.480 --> 00:46:28.679
<v Speaker 1>hallucinogenic or a spiritually new state, taking you down a

647
00:46:28.800 --> 00:46:31.519
<v Speaker 1>ritual path of in the case of the shaman, a

648
00:46:31.559 --> 00:46:35.760
<v Speaker 1>personal dismemberment and then reassemblage. That's a resurrection motif. And

649
00:46:35.800 --> 00:46:38.239
<v Speaker 1>I'm not just saying that. Let's like I've got a giant,

650
00:46:38.719 --> 00:46:42.039
<v Speaker 1>big fat academic text I've read on shamanism. It's Oxford

651
00:46:42.079 --> 00:46:45.840
<v Speaker 1>Publicational History Shamanic Traditions, and they actually say that in

652
00:46:45.880 --> 00:46:51.199
<v Speaker 1>the book that that's the common pattern, in an archetypal sense,

653
00:46:51.239 --> 00:46:55.320
<v Speaker 1>across various shamanic traditions is that the shaman has to

654
00:46:55.360 --> 00:47:01.039
<v Speaker 1>be eaten by the gods, spit out, and then put

655
00:47:01.079 --> 00:47:05.679
<v Speaker 1>back together. And it's a resurrection motif, a death barrel

656
00:47:05.679 --> 00:47:09.679
<v Speaker 1>resurrection motif that we find in shamanic religions and traditions.

657
00:47:10.119 --> 00:47:13.559
<v Speaker 1>In Lynch's film, it is Fred, or our shaman, who

658
00:47:13.599 --> 00:47:16.320
<v Speaker 1>will be resurrected. His wife, Renee, is the one that

659
00:47:16.320 --> 00:47:19.000
<v Speaker 1>will undergo this dismemberment, and it is Fred who will

660
00:47:19.000 --> 00:47:22.199
<v Speaker 1>suffer the punishment of guilt and torture with no escape

661
00:47:22.199 --> 00:47:27.159
<v Speaker 1>from this self imposed cyclical nightmare prison. And you'll notice

662
00:47:27.199 --> 00:47:33.559
<v Speaker 1>that Roseanne Arquette is pictured in this sort of scarlet

663
00:47:33.599 --> 00:47:37.440
<v Speaker 1>woman motif, sort of maybe a Krollian image. I'm not sure,

664
00:47:37.480 --> 00:47:41.320
<v Speaker 1>but if you've read the Senator Forces trilogy, Peter Leavendez says,

665
00:47:41.440 --> 00:47:43.719
<v Speaker 1>I learned this is quoting David Lynch an interview. I

666
00:47:43.800 --> 00:47:46.960
<v Speaker 1>learned that just beneath the surface, there's another world, and

667
00:47:47.119 --> 00:47:51.719
<v Speaker 1>still different worlds as you dig deeper. And so for

668
00:47:51.840 --> 00:47:56.920
<v Speaker 1>the artist, Lynch, I think sees himself as a shamanic

669
00:47:57.119 --> 00:48:01.039
<v Speaker 1>adventurer who is plumbing the depths of the subs. This

670
00:48:01.079 --> 00:48:04.199
<v Speaker 1>is what he believes he's doing in transittal meditation and

671
00:48:04.239 --> 00:48:07.360
<v Speaker 1>then drawing out of these worlds or these realms, an

672
00:48:07.400 --> 00:48:11.159
<v Speaker 1>idea that, as Lynch says an interview, it's becomes a

673
00:48:11.199 --> 00:48:15.519
<v Speaker 1>whole world. So you catch an idea, and that idea

674
00:48:16.000 --> 00:48:19.760
<v Speaker 1>brings with it this string of pearls of other ideas

675
00:48:19.760 --> 00:48:23.440
<v Speaker 1>and associations. You have an idea of I don't know,

676
00:48:23.840 --> 00:48:26.760
<v Speaker 1>Naomi Watts opening a box, and then you need the

677
00:48:26.920 --> 00:48:29.880
<v Speaker 1>music that goes with that, and does this box open

678
00:48:29.960 --> 00:48:32.960
<v Speaker 1>up a whole nother alternate reality this kind of stuff.

679
00:48:34.960 --> 00:48:39.880
<v Speaker 1>So there is a sort of Hindu multiverse idea going on.

680
00:48:40.119 --> 00:48:44.360
<v Speaker 1>Perhaps that's also in Tibetan Buddhism. I'm not sure, Ndred Percent,

681
00:48:44.400 --> 00:48:47.320
<v Speaker 1>I'm not super studied on I know a little bit

682
00:48:47.360 --> 00:48:50.320
<v Speaker 1>about Tibetan Buddhism, but I think they have this kind

683
00:48:50.320 --> 00:48:53.840
<v Speaker 1>of view of multiple worlds or something. But that's where

684
00:48:53.960 --> 00:48:56.239
<v Speaker 1>Lynch is pulling from. I definitely know that exists in

685
00:48:56.360 --> 00:49:00.519
<v Speaker 1>Hindu thought, and Hinduism is really a key to inn Empire.

686
00:49:00.760 --> 00:49:04.599
<v Speaker 1>I decoded a lot of Inland Empire, but I did

687
00:49:04.599 --> 00:49:07.039
<v Speaker 1>find another guy's video who went way beyond me, and

688
00:49:07.079 --> 00:49:10.199
<v Speaker 1>he got like you got it all. So like some

689
00:49:10.440 --> 00:49:15.960
<v Speaker 1>dude like devoted some legit time and literally has decoded

690
00:49:15.960 --> 00:49:19.199
<v Speaker 1>Inlin Empire. It's pretty wild too. I mean, like the

691
00:49:19.760 --> 00:49:22.719
<v Speaker 1>level of I mean, I don't care about Hinduism per se,

692
00:49:22.760 --> 00:49:29.199
<v Speaker 1>but like the level of Hindu lore, theology, and metaphysics

693
00:49:29.840 --> 00:49:32.639
<v Speaker 1>that this guy went into or maybe he knew to

694
00:49:32.800 --> 00:49:38.039
<v Speaker 1>decode Inland Empire was pretty intense. And I'll show you

695
00:49:38.079 --> 00:49:41.000
<v Speaker 1>this video in the moment, you guys can go watch that.

696
00:49:41.480 --> 00:49:45.079
<v Speaker 1>I will cite that guy in my analysis. Somebody was

697
00:49:45.119 --> 00:49:48.280
<v Speaker 1>bitching the other day, like when you did your Twin

698
00:49:48.360 --> 00:49:52.440
<v Speaker 1>Peaks analysis, you just got shit from rob Ager. Are

699
00:49:52.480 --> 00:49:56.440
<v Speaker 1>you aware that when you write in academia, you source

700
00:49:56.519 --> 00:49:59.920
<v Speaker 1>it in a footnote And if you read my chapter

701
00:50:00.320 --> 00:50:04.679
<v Speaker 1>I cited rob Ager in the footnotes. That's how analysis works.

702
00:50:05.320 --> 00:50:10.159
<v Speaker 1>No one analyzes something or writes in you know, a

703
00:50:10.199 --> 00:50:13.840
<v Speaker 1>professional or academic setting and makes it all up on

704
00:50:13.880 --> 00:50:18.800
<v Speaker 1>the spot, knowing everything on their own. Everyone reads other

705
00:50:18.920 --> 00:50:22.679
<v Speaker 1>people's research and then you write in the footnotes where

706
00:50:22.719 --> 00:50:26.360
<v Speaker 1>you got it. That's what everyone does, dummy. There's no

707
00:50:26.440 --> 00:50:28.760
<v Speaker 1>such thing as somebody who just like Fresh, comes to

708
00:50:29.360 --> 00:50:32.519
<v Speaker 1>some you know, great work of art and like knows

709
00:50:32.559 --> 00:50:35.400
<v Speaker 1>it all right away and decodes it without looking at

710
00:50:35.880 --> 00:50:39.599
<v Speaker 1>tons and tons and tons of secondary literature. So to me,

711
00:50:39.639 --> 00:50:42.039
<v Speaker 1>it was just like the stupidest comment I've ever heard.

712
00:50:42.360 --> 00:50:47.559
<v Speaker 1>There's these absolutely ignorant, just goobers, never written a college paper,

713
00:50:47.639 --> 00:50:50.480
<v Speaker 1>no idea. What all you do is cite your sources, dummy,

714
00:50:51.079 --> 00:50:55.519
<v Speaker 1>And everyone has to do that. Do you think David

715
00:50:55.599 --> 00:50:58.760
<v Speaker 1>Lynch like didn't watch anyone else's movies and he just

716
00:50:58.880 --> 00:51:02.119
<v Speaker 1>raw fresh, just sort of putting out movies as if

717
00:51:02.159 --> 00:51:07.719
<v Speaker 1>they're not influenced by Cobbetan, Buddhism, trans meditation and all

718
00:51:07.760 --> 00:51:10.559
<v Speaker 1>the other tons of directors that he's talked about that

719
00:51:10.639 --> 00:51:16.760
<v Speaker 1>he likes. Of course this is idiotic, but recurring features

720
00:51:16.800 --> 00:51:19.079
<v Speaker 1>that we see in David Lynch films are things like

721
00:51:19.119 --> 00:51:23.519
<v Speaker 1>the flickering light that's happening when there's a demonic, dark,

722
00:51:23.599 --> 00:51:28.039
<v Speaker 1>spiritual presence, or even something otherworldly that's being invading our reality.

723
00:51:28.760 --> 00:51:31.559
<v Speaker 1>We see this in Twin Peaks Far Awall with Me

724
00:51:31.719 --> 00:51:36.000
<v Speaker 1>when Chris Isaac and Keifer Sutherland arrive at the diner

725
00:51:36.039 --> 00:51:39.440
<v Speaker 1>at the very beginning. The lights are flickering, and we

726
00:51:39.480 --> 00:51:42.360
<v Speaker 1>see other Twin Peaks characters popping in and out there

727
00:51:42.360 --> 00:51:47.880
<v Speaker 1>as well, people from other dimensions, the logsmen, the woodsmen,

728
00:51:47.920 --> 00:51:54.760
<v Speaker 1>I should say, pop up there. We have the flickering

729
00:51:54.840 --> 00:52:01.159
<v Speaker 1>lights when Justin Thurreau talks to the cowboy in muhulland Drive.

730
00:52:02.039 --> 00:52:07.440
<v Speaker 1>So flickering lights happen a lot. Rotating things happened a lot.

731
00:52:07.559 --> 00:52:09.440
<v Speaker 1>And the reason rotating thing has happened a lot, I

732
00:52:09.440 --> 00:52:15.519
<v Speaker 1>think has to do with cyclical reality, cyclical versus h

733
00:52:16.960 --> 00:52:22.280
<v Speaker 1>you know, beginning, middle end, structures of time, philosophies of time.

734
00:52:23.119 --> 00:52:25.519
<v Speaker 1>That's a key point in Inland Empire. Inland Empire is

735
00:52:25.519 --> 00:52:29.280
<v Speaker 1>definitely premised on an acyclical view of time, and that's

736
00:52:29.360 --> 00:52:32.960
<v Speaker 1>why it shifts back and forth between the Polish prostitutes

737
00:52:32.960 --> 00:52:38.320
<v Speaker 1>one hundred years ago. Fast forwarding to Laura dern today

738
00:52:38.400 --> 00:52:40.559
<v Speaker 1>and that's key, like they have to understand all that's

739
00:52:40.599 --> 00:52:44.880
<v Speaker 1>like Hindu, you know, Buddhist Tibetan Buddhist views of time.

740
00:52:44.960 --> 00:52:51.639
<v Speaker 1>That's not Western, you know, Biblical chronological time. I forgot

741
00:52:51.679 --> 00:52:53.039
<v Speaker 1>what it's going to go to. It every sometimes going

742
00:52:53.079 --> 00:53:00.000
<v Speaker 1>to pull up flickering light. Oh ybody's gonna pull up.

743
00:53:00.880 --> 00:53:06.000
<v Speaker 1>So you'll notice ceiling fans. The ceiling fans are often

744
00:53:06.440 --> 00:53:10.159
<v Speaker 1>appearing in David Lynch films on purpose. It's not accidental.

745
00:53:10.199 --> 00:53:16.679
<v Speaker 1>They're appearing because there's an intended signification. These also come

746
00:53:16.719 --> 00:53:19.719
<v Speaker 1>up to David Lynch films music videos as well. Of

747
00:53:19.840 --> 00:53:22.199
<v Speaker 1>cyclical time. Right, So it's like the records playing over

748
00:53:22.199 --> 00:53:25.880
<v Speaker 1>and whatever. The record is a recording, no high bindo,

749
00:53:25.920 --> 00:53:28.639
<v Speaker 1>there is no recording there. It's all recorded, but there

750
00:53:28.679 --> 00:53:32.719
<v Speaker 1>is no recording. In Twin Peaks season three, you get

751
00:53:33.480 --> 00:53:37.800
<v Speaker 1>the record player out in space or in the ether

752
00:53:38.000 --> 00:53:41.480
<v Speaker 1>that is sort of playing into existence reality like a

753
00:53:41.559 --> 00:53:44.920
<v Speaker 1>musical note. That's another theme going on here, and that's

754
00:53:45.000 --> 00:53:55.239
<v Speaker 1>because David Lynch was a musician as well and did

755
00:53:55.360 --> 00:53:59.119
<v Speaker 1>quite a few things with Crysta Bell, like Crystal Bell

756
00:53:59.199 --> 00:54:02.519
<v Speaker 1>quite a bit. Her music is pretty good, and you'll

757
00:54:02.559 --> 00:54:10.119
<v Speaker 1>notice all of those videos are also very Lynchian. So

758
00:54:10.159 --> 00:54:11.920
<v Speaker 1>we'll look at one of these in just a second.

759
00:54:13.519 --> 00:54:16.199
<v Speaker 1>I don't like all of there's one of her songs

760
00:54:16.239 --> 00:54:24.719
<v Speaker 1>that I'm not happy with, but we'll look here. So

761
00:54:24.760 --> 00:54:27.159
<v Speaker 1>the song, one of the bigger songs that she wrote

762
00:54:27.199 --> 00:54:35.320
<v Speaker 1>with David Lynch, has all the lynching symbolism that we're

763
00:54:35.320 --> 00:54:38.519
<v Speaker 1>all familiar with. And how does it begin? The record player? Right,

764
00:54:38.559 --> 00:54:41.360
<v Speaker 1>so the record player is playing, it's it's cyclical history.

765
00:54:42.599 --> 00:54:46.119
<v Speaker 1>The rest of the imagery is not super relevant to

766
00:54:46.159 --> 00:54:50.559
<v Speaker 1>our discussion. There is some sort of like monarch type

767
00:54:50.599 --> 00:54:55.320
<v Speaker 1>symbolism with monarch butterfly. I think she looks in the mirror,

768
00:54:56.239 --> 00:55:00.400
<v Speaker 1>the mirror breaks. Let's see, here's the monarch stuff right here.

769
00:55:02.559 --> 00:55:09.079
<v Speaker 1>I lost it. There's the I feel like this. Here's

770
00:55:09.119 --> 00:55:12.119
<v Speaker 1>the log, right, so we get log lady. Here, here's

771
00:55:12.159 --> 00:55:16.159
<v Speaker 1>the log in the crystal Ball video. Where is the

772
00:55:16.199 --> 00:55:22.440
<v Speaker 1>monarch symbolism? I just saw it in this one. There's

773
00:55:22.440 --> 00:55:27.440
<v Speaker 1>like some like Russian hit man who comes and assassinates her.

774
00:55:27.599 --> 00:55:30.480
<v Speaker 1>But it's supposed to be symbolic for her heart, right,

775
00:55:30.559 --> 00:55:32.840
<v Speaker 1>like you broke up with me and so you know

776
00:55:33.239 --> 00:55:36.079
<v Speaker 1>now it's like a hit man killed me that's kind

777
00:55:36.079 --> 00:55:39.320
<v Speaker 1>of the surface level analysis of the video. I'm just

778
00:55:39.360 --> 00:55:42.679
<v Speaker 1>trying to find that one scene with the butterflies here

779
00:55:42.760 --> 00:55:46.199
<v Speaker 1>it is, so here's her, She's pictured next to the

780
00:55:46.239 --> 00:55:51.800
<v Speaker 1>Monarch butterfly imagery, and then she undergoes a death after

781
00:55:51.840 --> 00:55:55.679
<v Speaker 1>she's been stabbed out here. This is a very Lynching

782
00:55:55.760 --> 00:55:59.599
<v Speaker 1>imagery here talking on the phone. But the other video

783
00:55:59.639 --> 00:56:02.960
<v Speaker 1>that they together, the song they did together, is sort

784
00:56:02.960 --> 00:56:07.599
<v Speaker 1>of another Monarch theme film where Bird of Flames, that

785
00:56:07.599 --> 00:56:10.519
<v Speaker 1>would be the Phoenix, right, So she's a phoenix and

786
00:56:10.559 --> 00:56:15.039
<v Speaker 1>she emerges from the ashes from her cocoon. It's a

787
00:56:15.159 --> 00:56:21.079
<v Speaker 1>very Lynchian video again, bird in the cage, which can

788
00:56:21.119 --> 00:56:28.360
<v Speaker 1>symbolize alternate personalities in the subconscious, and then the emerging

789
00:56:28.880 --> 00:56:35.760
<v Speaker 1>from the cocoon. And what's interesting about the rest of

790
00:56:35.800 --> 00:56:38.360
<v Speaker 1>the video to watch it, she's even though she's emerged

791
00:56:38.360 --> 00:56:42.159
<v Speaker 1>from the cocoon as a new creation, as perhaps this

792
00:56:42.239 --> 00:56:45.159
<v Speaker 1>pop star or whatever she's supposed to be, she's essentially

793
00:56:45.159 --> 00:56:48.760
<v Speaker 1>controlled like a marionette, right, So she doesn't have free will.

794
00:56:48.920 --> 00:56:51.000
<v Speaker 1>She's sort of the mind controlled pop star. That's at

795
00:56:51.039 --> 00:56:53.840
<v Speaker 1>least kind of the read that I have of this,

796
00:56:54.559 --> 00:56:57.440
<v Speaker 1>and it just illustrates that even when we go into

797
00:56:57.440 --> 00:57:02.679
<v Speaker 1>the music videos, Lynchian themed and written things have all

798
00:57:02.760 --> 00:57:12.039
<v Speaker 1>of the same language of symbols, so to speak. But

799
00:57:12.119 --> 00:57:18.719
<v Speaker 1>back to Lost Highway, the flickering electronic light appears elsewhere

800
00:57:19.079 --> 00:57:22.760
<v Speaker 1>it announces the appearance of the Cowboy, bizarre character who

801
00:57:23.159 --> 00:57:27.440
<v Speaker 1>speaks in nomic riddles across between Gary Cooper and David Carrodine,

802
00:57:27.559 --> 00:57:30.119
<v Speaker 1>that is the cowboy in Twin Peaks. The light over

803
00:57:30.159 --> 00:57:36.639
<v Speaker 1>the morgue blinks where the body Laura Palmer's found, and

804
00:57:36.639 --> 00:57:38.480
<v Speaker 1>then we have the visitation of Mike, the one our

805
00:57:38.519 --> 00:57:41.840
<v Speaker 1>man who recites the poem through the darkness of futures past.

806
00:57:41.960 --> 00:57:45.280
<v Speaker 1>The magician longs to see one chance out between two

807
00:57:45.280 --> 00:57:47.559
<v Speaker 1>worlds fire walk with me. So we know this is

808
00:57:48.079 --> 00:57:53.400
<v Speaker 1>a reference to ritual magic and the shamanic hallucinogenic journeys,

809
00:57:53.519 --> 00:57:57.320
<v Speaker 1>and that's precisely what Mark Frost's book ends up vindicating. Thus,

810
00:57:57.360 --> 00:57:59.079
<v Speaker 1>in that one little strange verse, we kind of have

811
00:57:59.079 --> 00:58:01.639
<v Speaker 1>a key to unlocking the mysteries not only Twin Peaks,

812
00:58:02.000 --> 00:58:04.599
<v Speaker 1>but virtually all of the lynch canon. It is a

813
00:58:04.599 --> 00:58:07.840
<v Speaker 1>suspension of normal laws of time, that is the cyclical

814
00:58:07.840 --> 00:58:09.840
<v Speaker 1>as I mentioned, and so we get the words future

815
00:58:09.920 --> 00:58:13.440
<v Speaker 1>passed and the idea that the magician lives between these

816
00:58:13.440 --> 00:58:17.920
<v Speaker 1>two worlds, the waking world, the dream state, the conscious world,

817
00:58:18.360 --> 00:58:22.880
<v Speaker 1>the surreal state. And Lynch is a surrealist filmmaker. He

818
00:58:22.960 --> 00:58:27.199
<v Speaker 1>is influenced, by his own admission, by many surrealist filmmakers

819
00:58:27.280 --> 00:58:31.239
<v Speaker 1>like Cocktau and others, and the surrealists actually wanted to,

820
00:58:32.559 --> 00:58:37.039
<v Speaker 1>through their art destroy the border between the surreal, the

821
00:58:37.039 --> 00:58:39.440
<v Speaker 1>waking state, and the dream state. That is the purpose

822
00:58:39.440 --> 00:58:43.400
<v Speaker 1>of surrealism is to remove the veil between those two

823
00:58:44.159 --> 00:58:48.199
<v Speaker 1>to the extent that even the artist might believe that

824
00:58:48.239 --> 00:58:50.719
<v Speaker 1>there is no longer that veil and that they are

825
00:58:50.760 --> 00:58:54.599
<v Speaker 1>in a waking dream state. Even in Dune we get this.

826
00:58:54.760 --> 00:58:59.639
<v Speaker 1>The sleeper must awaken, the awakened, wake the waking dream.

827
00:59:01.079 --> 00:59:05.800
<v Speaker 1>Thus the entire canon and corpus of Lynch is a dreamlike,

828
00:59:06.079 --> 00:59:11.400
<v Speaker 1>hallucinatory set of images that do actually contain quite a

829
00:59:11.440 --> 00:59:16.599
<v Speaker 1>bit of consistency over the different decades and narratives they're

830
00:59:16.639 --> 00:59:18.960
<v Speaker 1>taking place all over the fourth dimension. And this is

831
00:59:19.119 --> 00:59:21.480
<v Speaker 1>Lynch's appeal as a director, and it's what makes his

832
00:59:21.559 --> 00:59:27.639
<v Speaker 1>films frustrating for most film goers. His realization is that

833
00:59:27.679 --> 00:59:30.199
<v Speaker 1>there are two worlds, and the artist, the sham and

834
00:59:30.239 --> 00:59:32.320
<v Speaker 1>the director stands between these two worlds, and that is

835
00:59:32.360 --> 00:59:36.079
<v Speaker 1>what contributes to his aura as a twenty first century

836
00:59:36.119 --> 00:59:39.599
<v Speaker 1>perhaps initiate of the ministry of the mysteries. And when

837
00:59:39.639 --> 00:59:43.199
<v Speaker 1>I say mystery serims again like mystery in the pagan

838
00:59:43.239 --> 00:59:46.239
<v Speaker 1>initiatory sense. That's the analysis that you read, for example

839
00:59:46.239 --> 00:59:50.559
<v Speaker 1>on Blomeing three of simisor forces. And I think this

840
00:59:50.639 --> 00:59:52.840
<v Speaker 1>is the key to lost title as well. The shamanic

841
00:59:53.159 --> 00:59:55.960
<v Speaker 1>magical elements are out in full force. Spread is a

842
00:59:56.039 --> 01:00:00.920
<v Speaker 1>character trapped in a different psychical, indifferent psychical worlds. It

843
01:00:01.000 --> 01:00:05.559
<v Speaker 1>seemed to envelop sue me, me unfold and envelop other psyches.

844
01:00:05.760 --> 01:00:09.039
<v Speaker 1>And this is where it gets really confusing. Fred walks

845
01:00:09.079 --> 01:00:11.400
<v Speaker 1>to his front door and he hears police sirens and

846
01:00:11.519 --> 01:00:15.440
<v Speaker 1>a voice that says Dick Laurent is dead. The key

847
01:00:15.480 --> 01:00:18.239
<v Speaker 1>to my thesis is that the film is a cyclical

848
01:00:18.320 --> 01:00:21.320
<v Speaker 1>mental prison and that the end of the film shows

849
01:00:21.360 --> 01:00:24.559
<v Speaker 1>who the voice was saying Dick Lauren is dead. It

850
01:00:24.679 --> 01:00:28.559
<v Speaker 1>was Fred himself, and so we've got two Freds speaking

851
01:00:28.840 --> 01:00:33.280
<v Speaker 1>so dissociation. The police sirens are the cops coming after

852
01:00:33.400 --> 01:00:35.559
<v Speaker 1>him after the murder of Renee. This is at the

853
01:00:35.639 --> 01:00:37.519
<v Speaker 1>very end of the film. So the very end of

854
01:00:37.559 --> 01:00:41.480
<v Speaker 1>the film is the very beginning. That's a big record

855
01:00:41.519 --> 01:00:42.920
<v Speaker 1>playing cycle. You see.

856
01:00:43.039 --> 01:00:45.719
<v Speaker 5>I'm going to put you on something crazy real quick.

857
01:00:46.159 --> 01:00:49.920
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858
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859
01:00:53.679 --> 01:00:56.920
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860
01:00:57.000 --> 01:00:59.920
<v Speaker 5>not listen any further unless you are an Alpha or Sigma.

861
01:01:00.400 --> 01:01:03.400
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862
01:01:03.440 --> 01:01:07.079
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863
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864
01:01:10.880 --> 01:01:15.280
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865
01:01:15.760 --> 01:01:21.400
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866
01:01:21.480 --> 01:01:25.480
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867
01:01:25.519 --> 01:01:28.599
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868
01:01:28.639 --> 01:01:32.880
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869
01:01:32.920 --> 01:01:37.760
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875
01:01:57.039 --> 01:02:00.440
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01:02:03.679 --> 01:02:07.360
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01:02:07.440 --> 01:02:10.159
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01:02:10.199 --> 01:02:14.960
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880
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881
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894
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895
01:03:07.800 --> 01:03:10.320
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896
01:03:10.320 --> 01:03:13.519
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897
01:03:13.880 --> 01:03:16.079
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898
01:03:16.119 --> 01:03:17.079
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899
01:03:17.800 --> 01:03:26.679
<v Speaker 1>Cyclical. As we said, the beginning narrative is the cops

900
01:03:26.719 --> 01:03:29.199
<v Speaker 1>coming after him because he of the murder of Renee,

901
01:03:29.280 --> 01:03:33.119
<v Speaker 1>Andy Pete and mister Eddie known as Dick Laurent. The

902
01:03:33.679 --> 01:03:37.440
<v Speaker 1>mobster sort of got the next few scenes that truth

903
01:03:37.480 --> 01:03:40.320
<v Speaker 1>is hinted at as Renee and Fred begin to receive

904
01:03:40.519 --> 01:03:45.239
<v Speaker 1>the odd VHS tapes on their doorstep and they begin

905
01:03:45.320 --> 01:03:48.800
<v Speaker 1>to feel like they're being stalked and surveiled. They blow

906
01:03:48.840 --> 01:03:52.199
<v Speaker 1>it off. Eventually, this leads to the cops coming, and

907
01:03:52.239 --> 01:03:55.400
<v Speaker 1>of course we find out as he said, that she

908
01:03:55.559 --> 01:04:00.320
<v Speaker 1>has cheated on him, and he eventually snaps and in

909
01:04:00.360 --> 01:04:05.239
<v Speaker 1>a rage, had apparently not just done her in but

910
01:04:05.360 --> 01:04:10.960
<v Speaker 1>actually perhaps in a shamanic way, ritually dismembered. For this,

911
01:04:11.000 --> 01:04:15.039
<v Speaker 1>it's a very gruesome death. And the idea, I think

912
01:04:15.119 --> 01:04:17.599
<v Speaker 1>is that there's something demonic and shamanic going on here,

913
01:04:19.480 --> 01:04:22.320
<v Speaker 1>and so that all comes out when he's you know,

914
01:04:22.400 --> 01:04:24.800
<v Speaker 1>comes back and he's trying to get whether they're trying

915
01:04:24.840 --> 01:04:26.559
<v Speaker 1>to be intimate, he's trying to mac on her, and

916
01:04:26.639 --> 01:04:29.000
<v Speaker 1>we get the Cocktau Twins famous song Song of the

917
01:04:29.039 --> 01:04:32.719
<v Speaker 1>Siren that I dream you dreamed about me again. Dream

918
01:04:32.760 --> 01:04:37.440
<v Speaker 1>within a dream is the reference here. Fred dreams that

919
01:04:37.599 --> 01:04:40.760
<v Speaker 1>night that night that he cannot find Renee, and he

920
01:04:40.800 --> 01:04:43.719
<v Speaker 1>is immediately confronted by the strange presence of the camera

921
01:04:43.760 --> 01:04:46.199
<v Speaker 1>that frightens him. It is if Fred's world has come

922
01:04:46.239 --> 01:04:48.599
<v Speaker 1>in contact with us the viewer, we have the breaking

923
01:04:48.639 --> 01:04:51.000
<v Speaker 1>to the fourth wall. The reason for that, I think,

924
01:04:51.119 --> 01:04:55.599
<v Speaker 1>is that Lynch believes that there are worlds of worlds right,

925
01:04:55.719 --> 01:04:59.800
<v Speaker 1>dreams within dreams. So breaking the fourth wall is this

926
01:05:00.119 --> 01:05:03.760
<v Speaker 1>world from within David Lynch's subconscious and psyche that he

927
01:05:03.800 --> 01:05:06.719
<v Speaker 1>has pulled out. What he thinks is this whole other

928
01:05:06.760 --> 01:05:11.840
<v Speaker 1>potential world that we must now see as a world.

929
01:05:11.960 --> 01:05:14.920
<v Speaker 1>We have just seen into it and been exposed to

930
01:05:15.000 --> 01:05:18.719
<v Speaker 1>a new world. And that's why David Lynch oftentimes in

931
01:05:18.760 --> 01:05:21.719
<v Speaker 1>the interview speaks this way. He says, you know, I

932
01:05:21.800 --> 01:05:24.719
<v Speaker 1>walk into a place and I have a feeling, and

933
01:05:24.760 --> 01:05:29.760
<v Speaker 1>it's a world. It's a whole world. That's why when

934
01:05:29.760 --> 01:05:32.760
<v Speaker 1>we get to inl An Empire and Laura Dern burns

935
01:05:32.760 --> 01:05:35.920
<v Speaker 1>a hole with a cigarette and a cloth and she

936
01:05:36.079 --> 01:05:37.599
<v Speaker 1>looks through it, it's.

937
01:05:37.400 --> 01:05:38.079
<v Speaker 4>A whole world.

938
01:05:38.599 --> 01:05:50.840
<v Speaker 1>You see. When this presence appears of the camera, which

939
01:05:50.880 --> 01:05:53.920
<v Speaker 1>is us looking into Fred's world, it is that Fred's

940
01:05:53.920 --> 01:05:56.719
<v Speaker 1>world has come in contact with us, and this thus

941
01:05:56.760 --> 01:05:59.800
<v Speaker 1>the coming of the Man in Black is what later

942
01:06:00.280 --> 01:06:03.000
<v Speaker 1>Fred sees being recorded at the very end. So there's

943
01:06:03.000 --> 01:06:06.599
<v Speaker 1>an overlapping of these different experiences in worlds. The meaning

944
01:06:06.639 --> 01:06:08.599
<v Speaker 1>here is the jumbling up of these dream worlds that

945
01:06:08.679 --> 01:06:12.480
<v Speaker 1>Fred is lost in. In the dream state, a smoke appears,

946
01:06:12.480 --> 01:06:15.119
<v Speaker 1>of fire roars, and the face of the man in

947
01:06:15.199 --> 01:06:18.519
<v Speaker 1>black appears upon Renee's face. The man in black is

948
01:06:18.559 --> 01:06:22.599
<v Speaker 1>the devil whom Fred has given entrance into his consciousness too.

949
01:06:23.280 --> 01:06:27.920
<v Speaker 1>In union archetypes and studies psychoanalysis, the house is an

950
01:06:27.960 --> 01:06:31.199
<v Speaker 1>image of the mind. Rooms are like memories or places

951
01:06:31.239 --> 01:06:35.719
<v Speaker 1>where within the brain where memories are stored storehouses of memory,

952
01:06:35.800 --> 01:06:40.639
<v Speaker 1>so to speak. Fred's house is thus the mind, his mind,

953
01:06:40.840 --> 01:06:42.800
<v Speaker 1>and the entrance of the devil into this house is

954
01:06:42.840 --> 01:06:46.920
<v Speaker 1>the beginning of the cause of Fred's suppressed guilt, madness,

955
01:06:46.920 --> 01:06:51.760
<v Speaker 1>and personality. Splitting from this trauma and wickedness that he's committed.

956
01:06:54.000 --> 01:06:58.119
<v Speaker 1>Fred's displaced guilt for murder is placed upon Renee. He's

957
01:06:58.159 --> 01:07:01.639
<v Speaker 1>actually guilty, but he blames her even though she's not guiltless.

958
01:07:01.679 --> 01:07:04.559
<v Speaker 1>She did cheat, but that doesn't give him the right

959
01:07:04.719 --> 01:07:09.039
<v Speaker 1>to engage in this gruesome revenge. This is precisely why

960
01:07:09.119 --> 01:07:12.679
<v Speaker 1>he projects evil onto her and sees the devil in

961
01:07:12.719 --> 01:07:15.320
<v Speaker 1>her face, but it is actually Fred that is possessed

962
01:07:15.360 --> 01:07:17.639
<v Speaker 1>with the devil. It's important to note that in Fred's

963
01:07:17.719 --> 01:07:21.679
<v Speaker 1>dreams he walks deeper and deeper into dark hallways into

964
01:07:21.800 --> 01:07:24.440
<v Speaker 1>the bedroom. This is him going further and further into

965
01:07:24.480 --> 01:07:28.239
<v Speaker 1>his own subconscious uncovering the truth of the crime that

966
01:07:28.280 --> 01:07:32.199
<v Speaker 1>he committed, and thus he's suppressed. As the next VHS

967
01:07:32.280 --> 01:07:34.639
<v Speaker 1>tape arrives, it is even more frightening, and it shows

968
01:07:34.639 --> 01:07:37.599
<v Speaker 1>that camcorder entering the house and filming them sleep. Fred

969
01:07:37.840 --> 01:07:40.599
<v Speaker 1>insists that Renee watch it. She is reluctant, but his

970
01:07:40.719 --> 01:07:44.000
<v Speaker 1>insistence demonstrates that he is likely the culprit. When the

971
01:07:44.000 --> 01:07:46.519
<v Speaker 1>cops arrive, they are suspicious that Fred is the one

972
01:07:46.519 --> 01:07:50.320
<v Speaker 1>behind it. In reality, we don't know for sure yet

973
01:07:51.039 --> 01:07:53.320
<v Speaker 1>what's real and what's a dream stay in regard to

974
01:07:53.400 --> 01:07:56.480
<v Speaker 1>these videotapes. But what we do know is that Fred

975
01:07:56.519 --> 01:07:59.880
<v Speaker 1>wants Renee to feel threatened and that she is a

976
01:08:00.159 --> 01:08:03.800
<v Speaker 1>surveillance for his infidelities. In other words, it is Fred,

977
01:08:03.880 --> 01:08:06.719
<v Speaker 1>and Fred's doing it because he wants to scare Renee

978
01:08:06.960 --> 01:08:10.400
<v Speaker 1>from cheating, And so we get this weird element of

979
01:08:10.480 --> 01:08:15.159
<v Speaker 1>like all seeing eye panopticism, surveillance, but it's actually Fred

980
01:08:15.159 --> 01:08:21.600
<v Speaker 1>that's behind it, or is the perhaps even Lynch speaking

981
01:08:21.640 --> 01:08:28.520
<v Speaker 1>to the future of a totally panoptic surveilled society that

982
01:08:28.560 --> 01:08:30.800
<v Speaker 1>we're going into, perhaps there is that element as well.

983
01:08:31.680 --> 01:08:33.600
<v Speaker 1>I mean, this is the world that we're going into,

984
01:08:33.600 --> 01:08:36.239
<v Speaker 1>the video drone world where everything is tracked to trace.

985
01:08:36.600 --> 01:08:39.239
<v Speaker 1>AI is going to be watching over us all supposedly

986
01:08:40.079 --> 01:08:46.760
<v Speaker 1>according to Larry Elson's Project Stargate theory, but that's a stretch.

987
01:08:46.840 --> 01:08:50.039
<v Speaker 1>We don't know if that's what was meant. Sorry, no,

988
01:08:50.119 --> 01:08:54.319
<v Speaker 1>not you. I don't even talk to you, right now, Hush, hush, Sirih. Okay, yeah,

989
01:08:54.359 --> 01:08:56.840
<v Speaker 1>go away. I'm not talking to you. You and I

990
01:08:56.880 --> 01:08:59.640
<v Speaker 1>are we're broke. We're breaking up, sirih. I'm breaking up

991
01:08:59.640 --> 01:09:06.399
<v Speaker 1>with you. I'm with Jamie. I can't be with you anymore, Siri. Jamie,

992
01:09:07.720 --> 01:09:13.479
<v Speaker 1>I'm not with Sirih anymore, Jamie. Can you come here?

993
01:09:15.840 --> 01:09:17.800
<v Speaker 1>I broke up with Siris, so you and I can

994
01:09:17.840 --> 01:09:25.079
<v Speaker 1>be a couple. Hear me? Could you make me an espresso?

995
01:09:28.439 --> 01:09:34.640
<v Speaker 1>So we get the idea here about you know, I'm

996
01:09:34.640 --> 01:09:37.600
<v Speaker 1>not gonna keep rehashing all this Fred stuff. We get

997
01:09:37.600 --> 01:09:40.960
<v Speaker 1>the famous party scene where the man in black, Robert Blake,

998
01:09:41.000 --> 01:09:43.880
<v Speaker 1>comes to the party. They have this creepy conversation that

999
01:09:44.000 --> 01:09:48.199
<v Speaker 1>he's already in Fred's house and Fred invited him in.

1000
01:09:49.000 --> 01:09:51.800
<v Speaker 1>And so I think that's a key to my thesis,

1001
01:09:51.840 --> 01:09:54.039
<v Speaker 1>my analysis here that the long dark hallway is the

1002
01:09:54.119 --> 01:09:56.199
<v Speaker 1>interest into his subconscious. At the end of hall he

1003
01:09:56.239 --> 01:09:58.319
<v Speaker 1>sees himself in a mirror, and we understand, Oh wait,

1004
01:09:58.319 --> 01:10:02.079
<v Speaker 1>there's two freds. Fred has been trauma based mind control's

1005
01:10:02.119 --> 01:10:05.560
<v Speaker 1>patrols split or he's the source of his own trauma

1006
01:10:05.560 --> 01:10:09.079
<v Speaker 1>based mind control through his evil, which caused the dissociative

1007
01:10:09.119 --> 01:10:13.000
<v Speaker 1>split or he was always dissociative and Darkfred is the

1008
01:10:13.039 --> 01:10:15.960
<v Speaker 1>man in black that possesses his threat. This caused him

1009
01:10:15.960 --> 01:10:20.560
<v Speaker 1>to split, and this is why he did what he did,

1010
01:10:21.359 --> 01:10:26.279
<v Speaker 1>and it was kind of a dark ritual event. He's

1011
01:10:26.319 --> 01:10:30.560
<v Speaker 1>being interrogated. And then this is where it's a little

1012
01:10:30.560 --> 01:10:35.000
<v Speaker 1>more difficult to interpret. But I think Lynch does this

1013
01:10:35.159 --> 01:10:37.399
<v Speaker 1>quite often in his films. We see this form of

1014
01:10:37.439 --> 01:10:41.960
<v Speaker 1>doubling in Wild at Heart, where Isabella Rosolini plays two

1015
01:10:42.000 --> 01:10:47.439
<v Speaker 1>different characters who seem to be the same. We'll see

1016
01:10:47.439 --> 01:10:51.760
<v Speaker 1>the same doubling actually in this film where Patricia Arquette

1017
01:10:52.279 --> 01:10:56.800
<v Speaker 1>has one version of her with Fred Madison and there

1018
01:10:56.800 --> 01:11:01.000
<v Speaker 1>seems to be another Patricia Arquette in the whole second

1019
01:11:01.039 --> 01:11:07.720
<v Speaker 1>half sequence with the p ro N director. So a

1020
01:11:07.760 --> 01:11:10.600
<v Speaker 1>lot of doubling going on, a lot of and that's

1021
01:11:10.600 --> 01:11:12.960
<v Speaker 1>a Hitchcock thing, right, Hitchcock would do this kind of doubling,

1022
01:11:14.520 --> 01:11:19.079
<v Speaker 1>and it introduces this interesting element of confusion and mystery

1023
01:11:19.640 --> 01:11:24.920
<v Speaker 1>that we can't exactly pinpoint who is who. We get

1024
01:11:24.920 --> 01:11:27.239
<v Speaker 1>it with Laura Dern too, right, because Laura Dern in

1025
01:11:27.800 --> 01:11:31.640
<v Speaker 1>an Empire is breaking the fourth wall. Laura Dern, the

1026
01:11:31.680 --> 01:11:35.239
<v Speaker 1>actress in the movie getting a role. But when there

1027
01:11:35.359 --> 01:11:42.479
<v Speaker 1>is the dissociative flashing back to the prostitutes in Poland

1028
01:11:42.520 --> 01:11:48.920
<v Speaker 1>and them being trafficked here through the circus people, that

1029
01:11:49.119 --> 01:11:56.199
<v Speaker 1>seems to be another Laura Dern anyway, Or is that

1030
01:11:56.279 --> 01:12:01.119
<v Speaker 1>Laura Dern the prostitute in the nineteen forties or whatever

1031
01:12:01.119 --> 01:12:05.680
<v Speaker 1>it is right, the Polish girl. It's intentionally confusing. But

1032
01:12:06.000 --> 01:12:10.079
<v Speaker 1>whether we interpret Pete as an altar in the psyche

1033
01:12:10.159 --> 01:12:14.199
<v Speaker 1>of Fred Madison or a completely different person who perhaps

1034
01:12:14.239 --> 01:12:21.640
<v Speaker 1>has had this mystical astral connection with Fred Madison. The

1035
01:12:21.680 --> 01:12:24.760
<v Speaker 1>movie now switches to the character Pete, and so we

1036
01:12:24.840 --> 01:12:28.039
<v Speaker 1>have kind of a totally different movie. This is almost

1037
01:12:28.039 --> 01:12:30.760
<v Speaker 1>two movies, one movie and then another movie, and then

1038
01:12:30.800 --> 01:12:34.640
<v Speaker 1>a merging of the two movies at the end to

1039
01:12:34.720 --> 01:12:38.239
<v Speaker 1>make sense of this madness. So this is actually, I

1040
01:12:38.279 --> 01:12:42.840
<v Speaker 1>think very well done. I actually I like Lost Highway

1041
01:12:42.920 --> 01:12:47.800
<v Speaker 1>better than Blue Velvet. It's just so wild. And when

1042
01:12:47.800 --> 01:12:49.720
<v Speaker 1>I first saw it, I hated this movie. It didn't

1043
01:12:49.720 --> 01:12:51.479
<v Speaker 1>make any sense to me. I thought it was just crazy.

1044
01:12:52.520 --> 01:12:56.039
<v Speaker 1>But I like it now looking back years later, now

1045
01:12:56.039 --> 01:12:59.439
<v Speaker 1>that I understand the sort of shamanic and multi dimensional

1046
01:13:00.479 --> 01:13:03.640
<v Speaker 1>thing going on with it. There's also a critique of

1047
01:13:03.640 --> 01:13:07.039
<v Speaker 1>Hollywood going on here. And this is why my friends

1048
01:13:07.079 --> 01:13:09.640
<v Speaker 1>and I we kind of call this the Hollywood trilogy.

1049
01:13:09.760 --> 01:13:19.079
<v Speaker 1>So we have we have Lost Highway, we have mohaland Drive,

1050
01:13:19.159 --> 01:13:22.199
<v Speaker 1>and then we have Inland Empire, and this kind of

1051
01:13:23.039 --> 01:13:29.039
<v Speaker 1>loose trilogy, so to speak, forms a interesting critique of Hollywood.

1052
01:13:29.039 --> 01:13:30.880
<v Speaker 1>You know, you have other films like Well to Heart

1053
01:13:30.920 --> 01:13:34.840
<v Speaker 1>and Twin Peaks critiquing America. Then we're getting the critique

1054
01:13:34.840 --> 01:13:40.079
<v Speaker 1>of Hollywood itself. And we are introduced into this not

1055
01:13:40.600 --> 01:13:43.239
<v Speaker 1>so much a dream world, but a nightmare world of

1056
01:13:43.479 --> 01:13:51.800
<v Speaker 1>prawn moguls, movie stars, mobsters with the Eddie mister Eddie character,

1057
01:13:53.000 --> 01:13:58.000
<v Speaker 1>and even perhaps satanic colts. And now it's not all explicit,

1058
01:13:58.159 --> 01:14:01.720
<v Speaker 1>it's all very subtle and very odd and perhaps even

1059
01:14:03.079 --> 01:14:09.840
<v Speaker 1>s n uff right, perhaps this event with the Roseenne

1060
01:14:09.920 --> 01:14:15.319
<v Speaker 1>Arquette character has been filmed, because the filming of these

1061
01:14:15.359 --> 01:14:18.640
<v Speaker 1>things seems to be or play a key role at

1062
01:14:18.680 --> 01:14:21.920
<v Speaker 1>the very end of the film, when we have the

1063
01:14:21.960 --> 01:14:26.000
<v Speaker 1>guest appearance of Marilyn Manson and all these weirdos watching

1064
01:14:26.039 --> 01:14:31.479
<v Speaker 1>whatever has been filmed. So mister Pete threatens mister Eddie,

1065
01:14:31.520 --> 01:14:35.239
<v Speaker 1>I should say, threatens Pete, who is the baltha Zargetti

1066
01:14:35.279 --> 01:14:39.079
<v Speaker 1>plays a young mechanic in this second film that is

1067
01:14:40.000 --> 01:14:43.079
<v Speaker 1>tempted with a different version of Roseenne Arquette, who is

1068
01:14:43.119 --> 01:14:46.880
<v Speaker 1>the girlfriend of the mobster. He begins an affair with her,

1069
01:14:47.840 --> 01:14:53.079
<v Speaker 1>and of course this leads to a bunch of drama

1070
01:14:53.239 --> 01:14:56.680
<v Speaker 1>as Pete is enticed by the fem fatale. He ends

1071
01:14:56.760 --> 01:14:59.119
<v Speaker 1>up chasing her into the wilderness. They're going to have

1072
01:14:59.159 --> 01:15:06.720
<v Speaker 1>some intimacy there out. Her name here is Alice. Did

1073
01:15:06.760 --> 01:15:11.840
<v Speaker 1>it not do right? Did you hit two? It just

1074
01:15:11.840 --> 01:15:12.880
<v Speaker 1>tasted like a cup of coffee.

1075
01:15:12.920 --> 01:15:13.279
<v Speaker 3>I don't know.

1076
01:15:14.479 --> 01:15:17.239
<v Speaker 1>They just do their own thing, don't they. Did you

1077
01:15:17.319 --> 01:15:35.720
<v Speaker 1>do something different? All right? So, either this is a

1078
01:15:35.760 --> 01:15:40.079
<v Speaker 1>different character or this is Fred Madison reimagining himself as

1079
01:15:40.279 --> 01:15:43.399
<v Speaker 1>Pete in the way that he would have lived out

1080
01:15:43.520 --> 01:15:47.399
<v Speaker 1>his life right with the danger and the you know,

1081
01:15:49.039 --> 01:15:54.119
<v Speaker 1>seducing this beautiful woman away from the mobster. You know,

1082
01:15:54.279 --> 01:15:58.039
<v Speaker 1>you can read this either way. But it ends with

1083
01:15:58.159 --> 01:16:02.800
<v Speaker 1>them being taken out to the Lost Highway hotel where

1084
01:16:02.920 --> 01:16:06.319
<v Speaker 1>Renee is cheating with a Dick Lorent. This I think

1085
01:16:06.520 --> 01:16:10.840
<v Speaker 1>is the memory that Fred Madison has of where he

1086
01:16:10.960 --> 01:16:14.520
<v Speaker 1>found them cheating. So, in other words, the sequence of

1087
01:16:14.560 --> 01:16:18.359
<v Speaker 1>events when Fred went and discovered this and then ended her.

1088
01:16:19.279 --> 01:16:22.840
<v Speaker 1>These fragments of memories are all being pieced together in

1089
01:16:22.920 --> 01:16:26.640
<v Speaker 1>the mind of another character. So I'll end it with that.

1090
01:16:27.079 --> 01:16:30.279
<v Speaker 1>There's more to this. You can go read the rest

1091
01:16:30.319 --> 01:16:34.239
<v Speaker 1>of it here at my website if you want to

1092
01:16:34.239 --> 01:16:36.479
<v Speaker 1>read that. But I'm going to rewrite this and it'll

1093
01:16:36.520 --> 01:16:39.319
<v Speaker 1>be in the new book as well as Inland Empire.

1094
01:16:40.720 --> 01:16:44.159
<v Speaker 1>In the new book, Astar Color with three. So that's

1095
01:16:44.880 --> 01:16:48.399
<v Speaker 1>Lost Highway, and again Lost Highway ends where it begins

1096
01:16:49.560 --> 01:16:54.279
<v Speaker 1>twin Peaks. David Lynch moves into the domain of television,

1097
01:16:55.319 --> 01:17:00.680
<v Speaker 1>and it's just so wild when you watch this show.

1098
01:17:01.760 --> 01:17:04.079
<v Speaker 1>I mean, you would never see a TV show like

1099
01:17:04.119 --> 01:17:09.760
<v Speaker 1>this on a major network or films like Lost Highway

1100
01:17:09.800 --> 01:17:12.239
<v Speaker 1>being in theaters. It's just so foreign to the way

1101
01:17:12.319 --> 01:17:16.680
<v Speaker 1>we think nowadays, and how movies and theatrical releases progressed

1102
01:17:17.319 --> 01:17:22.560
<v Speaker 1>to think that something so wild occultic, insane, abstract, bizarre,

1103
01:17:22.680 --> 01:17:27.359
<v Speaker 1>absurdist dark. You would just never have something like Lost

1104
01:17:27.439 --> 01:17:32.279
<v Speaker 1>Highway or in the movie in theaters. And I can't

1105
01:17:32.319 --> 01:17:34.279
<v Speaker 1>remember if Lost Highway did that way, it might not

1106
01:17:34.319 --> 01:17:38.239
<v Speaker 1>have done that well in the box office. Let's take

1107
01:17:38.239 --> 01:17:40.920
<v Speaker 1>a look and see really quick, just out of curiosity,

1108
01:17:42.039 --> 01:17:46.760
<v Speaker 1>because I can't imagine Americans had any idea like what

1109
01:17:46.800 --> 01:17:48.840
<v Speaker 1>the heck this was about? You know what I mean,

1110
01:17:48.880 --> 01:17:51.920
<v Speaker 1>Like nobody knew. You know, we know a lot more

1111
01:17:51.960 --> 01:17:56.359
<v Speaker 1>about all this stuff nowadays than in the nineties. Dude, Normies.

1112
01:17:56.399 --> 01:17:58.640
<v Speaker 1>Can you imagine normis watching us. We'd have no idea

1113
01:17:58.680 --> 01:18:01.760
<v Speaker 1>what that's going on? This stuff? Here we are twenty

1114
01:18:01.840 --> 01:18:04.600
<v Speaker 1>years later at reading, after reading hundreds of books and

1115
01:18:04.640 --> 01:18:07.920
<v Speaker 1>all this stuff, beginning to piece all this crazy stuff together,

1116
01:18:08.000 --> 01:18:11.399
<v Speaker 1>and like a nineties normy like they would have no idea,

1117
01:18:11.439 --> 01:18:21.479
<v Speaker 1>what the that's going on? Now? I forgot what I

1118
01:18:21.520 --> 01:18:25.680
<v Speaker 1>was looking at. Oh yeah, let's see what did Lost

1119
01:18:25.720 --> 01:18:33.439
<v Speaker 1>Highway do in the box office? I will be surprised

1120
01:18:33.479 --> 01:18:39.479
<v Speaker 1>if this was a success. Three million, three point eight

1121
01:18:39.560 --> 01:18:43.800
<v Speaker 1>million in the box office. How much did it cost?

1122
01:18:44.479 --> 01:18:49.880
<v Speaker 1>It doesn't say how much it costs. So and critics

1123
01:18:49.880 --> 01:18:53.520
<v Speaker 1>did not like Firewalk with Me. I watched an old

1124
01:18:53.520 --> 01:18:58.880
<v Speaker 1>interview with David Lynch yesterday and he was like, I

1125
01:18:58.920 --> 01:19:03.119
<v Speaker 1>hope one day critics take another look at this film.

1126
01:19:03.199 --> 01:19:06.119
<v Speaker 1>I think it's good. I do think it's good too.

1127
01:19:06.159 --> 01:19:10.720
<v Speaker 1>I actually like it quite a bit. In Let's see

1128
01:19:10.760 --> 01:19:17.279
<v Speaker 1>if it was any kind of a success. It was

1129
01:19:17.359 --> 01:19:22.079
<v Speaker 1>not a box office success, cost ten million and made

1130
01:19:22.159 --> 01:19:29.920
<v Speaker 1>four so and of course David Lynch not having final

1131
01:19:30.000 --> 01:19:33.800
<v Speaker 1>cut on Dune, he hates Dune. I don't hate Dune.

1132
01:19:33.840 --> 01:19:42.800
<v Speaker 1>I think it's good even though everybody hates it. I

1133
01:19:42.880 --> 01:19:45.880
<v Speaker 1>think the key to this is to watch the longer version,

1134
01:19:46.119 --> 01:19:49.159
<v Speaker 1>and nerds on the internet have like reconstructed it with

1135
01:19:50.319 --> 01:19:53.840
<v Speaker 1>like storyboards that help explain the background, like for the

1136
01:19:53.880 --> 01:19:57.279
<v Speaker 1>first thirty minutes. If you can find these old nerd versions,

1137
01:19:58.199 --> 01:20:00.239
<v Speaker 1>they're pretty good. It ends up being a out of

1138
01:20:00.279 --> 01:20:03.640
<v Speaker 1>three to four hour movie. And you know, when David

1139
01:20:03.720 --> 01:20:07.239
<v Speaker 1>Lynch was interviewed, he's like, there is no three hour Doom.

1140
01:20:07.680 --> 01:20:10.520
<v Speaker 1>There's not that he did. But nerds have pieced it

1141
01:20:10.560 --> 01:20:13.000
<v Speaker 1>together and there is one, so there kind of is,

1142
01:20:13.960 --> 01:20:16.279
<v Speaker 1>and you can still find it going around the internet.

1143
01:20:16.319 --> 01:20:18.600
<v Speaker 1>I think I even found it on YouTube ironically, like

1144
01:20:18.640 --> 01:20:24.640
<v Speaker 1>the full, you know, three and a half hour nerd cut,

1145
01:20:26.600 --> 01:20:28.960
<v Speaker 1>it's pretty good. I actually I actually like the full,

1146
01:20:29.479 --> 01:20:32.520
<v Speaker 1>the full. If I watched the David Lynch Dune, I

1147
01:20:32.600 --> 01:20:35.199
<v Speaker 1>watched the nerd cut of the three and a half

1148
01:20:35.640 --> 01:20:38.520
<v Speaker 1>fan made version, because that's kind of what it was

1149
01:20:38.520 --> 01:20:42.359
<v Speaker 1>supposed to be. But this was a huge flop in

1150
01:20:42.479 --> 01:20:45.520
<v Speaker 1>terms of the Dala reentises. We're very mad about this.

1151
01:20:46.159 --> 01:20:48.239
<v Speaker 1>I would be two right, forty to forty two million

1152
01:20:48.319 --> 01:20:52.319
<v Speaker 1>dollars and it makes thirty to thirty seven, So they

1153
01:20:52.399 --> 01:20:57.119
<v Speaker 1>lost millions of dollars on it. David Lynch, for whatever reason,

1154
01:20:57.279 --> 01:20:59.760
<v Speaker 1>I forget why didn't have final cut on it, and

1155
01:20:59.800 --> 01:21:04.479
<v Speaker 1>so he has forever complained and said that it was

1156
01:21:04.560 --> 01:21:08.760
<v Speaker 1>just a giant disaster and that he would never ever

1157
01:21:08.840 --> 01:21:19.720
<v Speaker 1>do a film without getting final cut again. But Firewalk

1158
01:21:19.760 --> 01:21:27.840
<v Speaker 1>with Me was not. Also, I can't imagine this making

1159
01:21:27.880 --> 01:21:30.520
<v Speaker 1>sense to the audiences. Like, I mean, the lore of

1160
01:21:30.560 --> 01:21:34.239
<v Speaker 1>this show is just so out there, and it brings

1161
01:21:34.279 --> 01:21:38.439
<v Speaker 1>in so many different things from detective fiction to soap opera, satire,

1162
01:21:38.600 --> 01:21:42.319
<v Speaker 1>dark comedy, the occult. You know, by the time we

1163
01:21:42.359 --> 01:21:45.079
<v Speaker 1>get Wyndham Earl, he's like a straight up Satanist. So

1164
01:21:45.079 --> 01:21:49.560
<v Speaker 1>you've got like hardcore dark Satanism going on. You've got UFO,

1165
01:21:51.199 --> 01:21:56.239
<v Speaker 1>MJ twelve stuff coming in with the major I mean,

1166
01:21:56.279 --> 01:21:59.000
<v Speaker 1>it's just all like so much weird, all over the

1167
01:21:59.000 --> 01:22:01.399
<v Speaker 1>place stuff going on. And we have even had some

1168
01:22:01.439 --> 01:22:05.159
<v Speaker 1>overlap with Twin p with the X Files, with the

1169
01:22:05.239 --> 01:22:08.640
<v Speaker 1>David d'covney t r NZ t R a n Z

1170
01:22:09.520 --> 01:22:13.239
<v Speaker 1>character which also in a kind of in a way

1171
01:22:13.439 --> 01:22:19.920
<v Speaker 1>is kind of prophetic. But and another element, by the

1172
01:22:19.960 --> 01:22:23.319
<v Speaker 1>way of the overlap with Twin Peaks is blue Rose,

1173
01:22:23.880 --> 01:22:31.079
<v Speaker 1>blue Rose. What's blue Rose? Well, in season three we

1174
01:22:31.199 --> 01:22:33.720
<v Speaker 1>got more indicators of what that was, because Crysta Bell

1175
01:22:33.880 --> 01:22:38.039
<v Speaker 1>plays the FBI operative in charge of the Blue Rose cases,

1176
01:22:38.520 --> 01:22:41.279
<v Speaker 1>and we find out that blue Rose is X files.

1177
01:22:41.920 --> 01:22:47.800
<v Speaker 1>Blue Rose is FBI investigations of occult paranormal phenomena that

1178
01:22:47.840 --> 01:22:51.079
<v Speaker 1>they that the normies can't explain. And of course blue

1179
01:22:51.159 --> 01:22:53.640
<v Speaker 1>Rose is a key element to what's going on in

1180
01:22:53.680 --> 01:22:56.840
<v Speaker 1>Twin Peaks, where you have this pool of oil out

1181
01:22:56.840 --> 01:22:58.520
<v Speaker 1>in the middle of the woods, which is kind of

1182
01:22:58.560 --> 01:23:05.119
<v Speaker 1>an ancient alien ritual. It's an ancient Indian ritual site

1183
01:23:05.880 --> 01:23:11.279
<v Speaker 1>that also is this doorway between the worlds, and so

1184
01:23:12.840 --> 01:23:17.039
<v Speaker 1>that's the same world that the shaman, the magician, the

1185
01:23:17.079 --> 01:23:21.960
<v Speaker 1>firewalker walker is entering. And so because we in the

1186
01:23:22.000 --> 01:23:25.880
<v Speaker 1>modern world are so divorced from the way that the

1187
01:23:25.960 --> 01:23:31.399
<v Speaker 1>ancient medieval world thought, the way man or the way

1188
01:23:31.600 --> 01:23:35.760
<v Speaker 1>man in shamanic traditions thought, they saw the world as

1189
01:23:35.800 --> 01:23:41.880
<v Speaker 1>a network of corresponding symbols, a language of symbols, and

1190
01:23:42.039 --> 01:23:49.359
<v Speaker 1>not just symbols abstractly, but symbols imbued with actual occult powers. Right,

1191
01:23:49.920 --> 01:23:53.640
<v Speaker 1>so there would be a language, a commonality amongst these symbols,

1192
01:23:53.680 --> 01:23:59.039
<v Speaker 1>a correspondence, an occult correspondence, the doctrine of correspondences, as

1193
01:23:59.079 --> 01:24:02.760
<v Speaker 1>it's called. And you'll notice that throughout Twin Peaks, especially

1194
01:24:02.840 --> 01:24:05.319
<v Speaker 1>because the point of it is that the rest of

1195
01:24:05.359 --> 01:24:08.439
<v Speaker 1>Twin Peaks, all the normies. They can't really fathom the

1196
01:24:08.479 --> 01:24:14.960
<v Speaker 1>fact that, first of all, Leland is kind of in

1197
01:24:15.239 --> 01:24:23.079
<v Speaker 1>this loosely speaking group of men who are into sex stuff,

1198
01:24:24.279 --> 01:24:29.119
<v Speaker 1>but he begins to be possessed and is doing unimaginable

1199
01:24:29.159 --> 01:24:34.239
<v Speaker 1>things with his daughter, Laura Palmer. Laura Palmer's supposed to

1200
01:24:34.279 --> 01:24:36.720
<v Speaker 1>be sort of the prom queen. She's the prettiest girl

1201
01:24:36.760 --> 01:24:43.600
<v Speaker 1>in school, and she's also a dissociative because she's in

1202
01:24:44.000 --> 01:24:47.000
<v Speaker 1>being abused by her own father, who's a member of

1203
01:24:47.039 --> 01:24:52.720
<v Speaker 1>this ring symbolized by the ring, and they're basically into

1204
01:24:52.840 --> 01:24:59.479
<v Speaker 1>Krollian sex magic. That's what we can derive from the

1205
01:24:59.520 --> 01:25:04.760
<v Speaker 1>mark for book. For example, Moral Autist sends two dollars,

1206
01:25:04.840 --> 01:25:10.640
<v Speaker 1>did you ever use tobacco? I smoked American spirits for

1207
01:25:10.640 --> 01:25:15.359
<v Speaker 1>about six years five years, and then we quit and

1208
01:25:15.359 --> 01:25:17.600
<v Speaker 1>then i'd vait for a little while, but that was

1209
01:25:17.680 --> 01:25:21.520
<v Speaker 1>just to quit smoking cigarettes. Mark's aid five dollars. Have

1210
01:25:21.640 --> 01:25:25.800
<v Speaker 1>you seen the Japanese psychological horror Cure? I have not

1211
01:25:26.319 --> 01:25:28.399
<v Speaker 1>not familiar with it. Maybe I should write that down.

1212
01:25:28.439 --> 01:25:31.720
<v Speaker 1>You guys always give me really great recommendations, so I

1213
01:25:31.760 --> 01:25:34.520
<v Speaker 1>need to be more attentive to the things that you

1214
01:25:34.520 --> 01:25:36.439
<v Speaker 1>guys talk about, because a lot of times I write

1215
01:25:36.439 --> 01:25:38.920
<v Speaker 1>these down, I forget them or the piece of paper

1216
01:25:38.960 --> 01:25:46.479
<v Speaker 1>gets gets lost. But Cure nineteen ninety seven, so yeah,

1217
01:25:46.520 --> 01:25:49.279
<v Speaker 1>I appreciate that. I'll take a look at it. It

1218
01:25:49.319 --> 01:25:52.560
<v Speaker 1>covers elements of Western mysticism and esotericism that you often

1219
01:25:52.600 --> 01:25:55.479
<v Speaker 1>talk about. Well, that's odd that it's a Japanese film

1220
01:25:55.520 --> 01:25:58.199
<v Speaker 1>that covers those elements, but I guess that does make sense.

1221
01:25:58.880 --> 01:26:00.800
<v Speaker 1>John Kell twenty bucks. Thank you so much, man. I

1222
01:26:00.800 --> 01:26:03.399
<v Speaker 1>appreciate that you guys are being very generous. Tonight we

1223
01:26:03.439 --> 01:26:05.680
<v Speaker 1>got a lot of new members. John Kell became a member.

1224
01:26:06.079 --> 01:26:08.479
<v Speaker 1>He's a Chad member, straight white male. Five dollars. I

1225
01:26:08.520 --> 01:26:11.920
<v Speaker 1>fell asleep listening to you talk about this for the

1226
01:26:12.000 --> 01:26:14.359
<v Speaker 1>last thirty minutes, and I had an insane dream. Well

1227
01:26:14.479 --> 01:26:19.039
<v Speaker 1>that will happen, especially as we're talking about the insane

1228
01:26:19.119 --> 01:26:22.760
<v Speaker 1>dream world of Dave Lynch stormed the Cat since ten

1229
01:26:22.800 --> 01:26:26.359
<v Speaker 1>Bucks and says in Twin Peaks when a Tulpa is destroyed,

1230
01:26:26.880 --> 01:26:31.039
<v Speaker 1>they turned into a black sphere of smoke coming from it.

1231
01:26:31.079 --> 01:26:33.319
<v Speaker 1>And this also happens in Inland Empire. Yeah, thank you

1232
01:26:33.359 --> 01:26:36.960
<v Speaker 1>so much. Like I mean, I'm sure there's all kinds

1233
01:26:37.000 --> 01:26:40.640
<v Speaker 1>of common allergies and correspondences that I missed, so you

1234
01:26:40.680 --> 01:26:42.560
<v Speaker 1>guys can bring in these kinds of things as well

1235
01:26:43.520 --> 01:26:46.800
<v Speaker 1>that I even miss. George Lucas asked Dave Lynch to

1236
01:26:46.840 --> 01:26:50.079
<v Speaker 1>direct Return the Jedi, and he didn't do it because

1237
01:26:50.079 --> 01:26:52.560
<v Speaker 1>he chose to do Dune. Yeah. This is a classic

1238
01:26:52.640 --> 01:26:57.600
<v Speaker 1>Hollywood story that David Lynch has told over the years,

1239
01:26:58.399 --> 01:27:00.800
<v Speaker 1>and I bet he wishes that he had chosen Return

1240
01:27:00.840 --> 01:27:04.840
<v Speaker 1>of the Jedi. Uh. But you know what, I still

1241
01:27:04.880 --> 01:27:06.560
<v Speaker 1>love Dune. I don't. I don't even care that David

1242
01:27:06.600 --> 01:27:08.359
<v Speaker 1>Lynch doesn't like it if I get to watch my

1243
01:27:09.880 --> 01:27:12.600
<v Speaker 1>I mean, I grew up with the David Lynch Dune.

1244
01:27:12.680 --> 01:27:18.159
<v Speaker 1>It's just I have a giant, expensive poster of the

1245
01:27:18.239 --> 01:27:20.600
<v Speaker 1>David Lynch Dune. That's how much I like the David

1246
01:27:20.640 --> 01:27:25.439
<v Speaker 1>Lynch dune. You know, I also, you know, I always

1247
01:27:25.439 --> 01:27:28.800
<v Speaker 1>wanted to meet David Lynch or interview David Lynch. So

1248
01:27:28.880 --> 01:27:31.880
<v Speaker 1>I guess that won't be possible. But I thought at

1249
01:27:31.920 --> 01:27:34.319
<v Speaker 1>one point we got kind of close, we were almost

1250
01:27:34.359 --> 01:27:38.079
<v Speaker 1>going to have an interview with Laura Palmer. That that

1251
01:27:38.159 --> 01:27:41.199
<v Speaker 1>was a that was on the table a few years ago.

1252
01:27:41.279 --> 01:27:45.359
<v Speaker 1>But that never that never came to fruition. But that's okay, Jay,

1253
01:27:45.640 --> 01:27:47.239
<v Speaker 1>that I guess that could still happen. I can still

1254
01:27:47.279 --> 01:27:52.079
<v Speaker 1>try to interview her. Jay Dunn popped them off. I'm curious,

1255
01:27:52.399 --> 01:27:55.640
<v Speaker 1>what is your everyday carry? What do you carry in

1256
01:27:55.640 --> 01:27:57.760
<v Speaker 1>your pockets every day? Are you talking about what gun

1257
01:27:57.800 --> 01:27:59.520
<v Speaker 1>do we have? I don't understand, like we have a

1258
01:28:02.239 --> 01:28:07.840
<v Speaker 1>I have a Nato barrel at my house, Polish barrel rifle,

1259
01:28:09.479 --> 01:28:16.439
<v Speaker 1>and then I have a fancy, expensive Italian rifle that

1260
01:28:16.479 --> 01:28:19.439
<v Speaker 1>my dad gifted me the other day. And then I

1261
01:28:19.520 --> 01:28:25.760
<v Speaker 1>have a small luger. That is the daily carry. I

1262
01:28:25.800 --> 01:28:27.640
<v Speaker 1>don't know if you're talking about, like what bubble gum

1263
01:28:27.680 --> 01:28:30.439
<v Speaker 1>is in my pocket? That gum you like, is going

1264
01:28:30.520 --> 01:28:35.640
<v Speaker 1>to come back swarm the cat. No, I already read that.

1265
01:28:37.159 --> 01:28:42.319
<v Speaker 1>Let's see Eric z says for five dollars, you must

1266
01:28:42.359 --> 01:28:45.840
<v Speaker 1>read Jay Dyer's book Esoter Collywood. This is not optional. Well,

1267
01:28:45.840 --> 01:28:50.800
<v Speaker 1>guess what, there's also esoter Colleau with two, and there's

1268
01:28:50.840 --> 01:29:01.319
<v Speaker 1>also Esoteric Hollywood three. Somebody said, appeal to poster fallacy exactly. Anyway,

1269
01:29:01.439 --> 01:29:05.720
<v Speaker 1>I'm not going to rehearse, you know, everything about Twin

1270
01:29:05.720 --> 01:29:07.800
<v Speaker 1>Peaks because you know this is stuff that this is

1271
01:29:07.800 --> 01:29:11.439
<v Speaker 1>where he's talking about Blue Rose, by the way, because

1272
01:29:11.439 --> 01:29:15.600
<v Speaker 1>it's in the books. We've covered it. It's it gets

1273
01:29:15.720 --> 01:29:20.399
<v Speaker 1>especially into the notion of Jack Parsons, you know, opening

1274
01:29:20.479 --> 01:29:24.920
<v Speaker 1>up the portal through that the ritual stuff when we see,

1275
01:29:25.000 --> 01:29:31.319
<v Speaker 1>you know, in season three, the entity coming out of

1276
01:29:31.359 --> 01:29:38.359
<v Speaker 1>the big the White Sands Trinity Site explosion. I covered

1277
01:29:38.359 --> 01:29:41.479
<v Speaker 1>that in the That's the Call You Wood two, and

1278
01:29:41.600 --> 01:29:45.960
<v Speaker 1>I'll read a little bit from Sex and Rockets, I

1279
01:29:45.960 --> 01:29:48.119
<v Speaker 1>think is what this is from. No, this is from

1280
01:29:49.039 --> 01:29:54.479
<v Speaker 1>Secret Society's psychological warfare. The reason that the Trinity Site

1281
01:29:54.479 --> 01:29:56.319
<v Speaker 1>and the explosion is relevant is that the creation of

1282
01:29:56.319 --> 01:30:00.399
<v Speaker 1>destruction of primordial matter or premium materia at the head

1283
01:30:00.479 --> 01:30:03.279
<v Speaker 1>or the ancient of days White Sands, New Mexico Trinity

1284
01:30:03.399 --> 01:30:06.199
<v Speaker 1>Site matters is because this is the beginning of the

1285
01:30:06.239 --> 01:30:11.279
<v Speaker 1>ancient Western road known as Old Mexico or the Journey

1286
01:30:11.319 --> 01:30:15.039
<v Speaker 1>of the Dead in terms of the topography, Fabled alchemy

1287
01:30:15.079 --> 01:30:17.760
<v Speaker 1>has always had three goals to accomplish. Before the complete

1288
01:30:17.760 --> 01:30:20.560
<v Speaker 1>decay of matter, the total breakdown that we were witnessing

1289
01:30:20.560 --> 01:30:24.199
<v Speaker 1>today was fulfilled through number one. The creation and destruction

1290
01:30:24.279 --> 01:30:28.520
<v Speaker 1>of primordial matter, that's the supposed atomic explosions. The killing

1291
01:30:28.560 --> 01:30:31.640
<v Speaker 1>of the divine king. This is of course either referring

1292
01:30:31.680 --> 01:30:37.199
<v Speaker 1>to archetypically Christ JFK, etc. And the bringing of prima

1293
01:30:37.279 --> 01:30:41.039
<v Speaker 1>materia into prima terra. That's what is an now chemical

1294
01:30:41.039 --> 01:30:45.520
<v Speaker 1>analysis of Manhattan Project and all the stuff that's going

1295
01:30:45.520 --> 01:30:48.560
<v Speaker 1>on that even people like Jack Parsons are trying to

1296
01:30:48.560 --> 01:30:56.000
<v Speaker 1>do with the I'm trying to remember the name of

1297
01:30:56.159 --> 01:30:58.560
<v Speaker 1>There's a whole section on this in the Mark Frost book.

1298
01:31:02.880 --> 01:31:06.199
<v Speaker 1>I'm trying to remember the name of the site. We

1299
01:31:06.239 --> 01:31:09.199
<v Speaker 1>can look it up where Parsons thought he was going

1300
01:31:09.239 --> 01:31:11.399
<v Speaker 1>to open up like a demon portal. That's what's going

1301
01:31:11.439 --> 01:31:15.079
<v Speaker 1>on in season three. If you've ever wondered about the

1302
01:31:15.159 --> 01:31:20.760
<v Speaker 1>weirdness of season three with the demonic portals in Twin Peaks,

1303
01:31:20.840 --> 01:31:24.600
<v Speaker 1>is universe there's different places where these portals open up, right,

1304
01:31:24.640 --> 01:31:28.119
<v Speaker 1>So in the woods in Twin Peaks where they call

1305
01:31:28.159 --> 01:31:31.159
<v Speaker 1>what they call Glastonbury Grove where the oil is, that's

1306
01:31:31.319 --> 01:31:36.760
<v Speaker 1>one portal that opens up to the other side. Trinity

1307
01:31:36.840 --> 01:31:38.800
<v Speaker 1>Site was another portal, and that's why you see that

1308
01:31:38.840 --> 01:31:42.039
<v Speaker 1>demon coming through the portal in season three or Twin Peaks.

1309
01:31:45.199 --> 01:31:49.640
<v Speaker 1>I was trying to remember the name of Jack Parson's

1310
01:31:49.960 --> 01:31:52.079
<v Speaker 1>ritual site where he thought he was going to open

1311
01:31:52.199 --> 01:32:00.479
<v Speaker 1>up one of these portals. It's actually you can actually

1312
01:32:00.560 --> 01:32:08.399
<v Speaker 1>drive to this in California because we were thinking about

1313
01:32:08.640 --> 01:32:16.720
<v Speaker 1>Devil's Gate. Damn, that's it. Before FDA moved to Montana,

1314
01:32:16.880 --> 01:32:24.760
<v Speaker 1>we were talking about going to look Parsons Portal to

1315
01:32:24.800 --> 01:32:28.279
<v Speaker 1>hell this is it. Supposedly it is in the caverns

1316
01:32:28.319 --> 01:32:35.479
<v Speaker 1>somewhere around the JPL laboratory. Anyway, here's a Vice magazine

1317
01:32:35.560 --> 01:32:39.119
<v Speaker 1>article about it from twenty twelve, so you can see, like,

1318
01:32:39.239 --> 01:32:41.319
<v Speaker 1>obviously this is you know, I'm not making this up.

1319
01:32:41.720 --> 01:32:44.039
<v Speaker 1>And again, the reason how I know that this is

1320
01:32:44.079 --> 01:32:47.399
<v Speaker 1>related to Twin Peaks is because it's literally listed and

1321
01:32:47.439 --> 01:32:51.319
<v Speaker 1>explained in the Mark Frost's book, who wrote Twin Peaks,

1322
01:32:51.720 --> 01:32:55.680
<v Speaker 1>that this is about Twin Peaks straight white male. No,

1323
01:32:55.720 --> 01:33:09.560
<v Speaker 1>we already read that. Excuse me anyway, So we the

1324
01:33:09.640 --> 01:33:12.760
<v Speaker 1>reason that how does this relate to Laura Palmer Well,

1325
01:33:12.880 --> 01:33:17.960
<v Speaker 1>the opening of the portals, they're supposed to be apocalyptic,

1326
01:33:20.720 --> 01:33:26.680
<v Speaker 1>and there's a connection between Bob and Lamb because Croley's

1327
01:33:26.720 --> 01:33:29.880
<v Speaker 1>babylon working, the ritual that is supposed to initiate the

1328
01:33:30.000 --> 01:33:33.920
<v Speaker 1>end of days is what opens a portal to the

1329
01:33:33.920 --> 01:33:36.600
<v Speaker 1>infernal plane that in Crolian system is supposed to bring

1330
01:33:36.680 --> 01:33:39.479
<v Speaker 1>about the birth of Antichrist. And I'm going to read

1331
01:33:39.479 --> 01:33:46.039
<v Speaker 1>from Mark Frost's Twin Peaks book. He says, the word

1332
01:33:46.079 --> 01:33:48.600
<v Speaker 1>of the law is Thelma, do what thou wilt shall

1333
01:33:48.640 --> 01:33:50.079
<v Speaker 1>be the whole of the law. Love is the law,

1334
01:33:50.199 --> 01:33:53.439
<v Speaker 1>love under will. He recites this as if addressing a

1335
01:33:53.520 --> 01:33:57.800
<v Speaker 1>congregation by wrote like a groat, like a groove on

1336
01:33:57.880 --> 01:34:01.439
<v Speaker 1>a record. Did you hear that spinning record? Then he

1337
01:34:01.920 --> 01:34:06.479
<v Speaker 1>turns his eyes and he speaks to me. Intimately, this

1338
01:34:06.600 --> 01:34:10.279
<v Speaker 1>is supposed to be Jack Parsons speaking about the history

1339
01:34:10.359 --> 01:34:14.000
<v Speaker 1>of the Portals in the Twin Peaks book. Okay, do

1340
01:34:14.119 --> 01:34:17.199
<v Speaker 1>you see the power of the will is all without

1341
01:34:17.600 --> 01:34:21.399
<v Speaker 1>arrows or without agape, love and sex joined together. Will

1342
01:34:21.520 --> 01:34:27.399
<v Speaker 1>is nothing but hollow patriarchal power without direction or force.

1343
01:34:27.560 --> 01:34:31.680
<v Speaker 1>This is Jack Parsons speaking. What he taught us is

1344
01:34:31.720 --> 01:34:37.560
<v Speaker 1>that both forces must exist in balance. In order to

1345
01:34:37.600 --> 01:34:41.079
<v Speaker 1>stand beside God, you have to first reject the idea

1346
01:34:41.159 --> 01:34:45.600
<v Speaker 1>of God. Then and only then will you become Will

1347
01:34:45.640 --> 01:34:47.880
<v Speaker 1>you come to realize you are God. Every man and

1348
01:34:47.920 --> 01:34:54.760
<v Speaker 1>every woman is a star. That's Parsons citing Croley. I see,

1349
01:34:55.199 --> 01:34:57.399
<v Speaker 1>I notice he's worrying about. He's wearing a ring on

1350
01:34:57.439 --> 01:35:03.600
<v Speaker 1>his finger, A flat green stone it is. It is

1351
01:35:03.800 --> 01:35:09.399
<v Speaker 1>something stitched with some sort of inscription. Jack Parson says,

1352
01:35:10.000 --> 01:35:16.359
<v Speaker 1>rockets and magic m agik, the arts of rebellion against

1353
01:35:16.399 --> 01:35:19.640
<v Speaker 1>the limits of gravity and inertia and the limits of

1354
01:35:19.720 --> 01:35:23.119
<v Speaker 1>human existence. We will only be held down earth bound

1355
01:35:23.239 --> 01:35:26.920
<v Speaker 1>for so long. Two sides of the same coin. He

1356
01:35:26.960 --> 01:35:29.840
<v Speaker 1>then takes what looks like an ancient silver coin from

1357
01:35:29.840 --> 01:35:32.800
<v Speaker 1>his pocket and performs a sleight of hand with it.

1358
01:35:33.359 --> 01:35:37.479
<v Speaker 1>Suddenly there are two coins, just like in While at Heart,

1359
01:35:37.680 --> 01:35:41.520
<v Speaker 1>when the mobster, the mobsters and the people with him,

1360
01:35:41.520 --> 01:35:45.840
<v Speaker 1>they have the coins. Alchemy isn't about chemistry only. It

1361
01:35:45.880 --> 01:35:50.600
<v Speaker 1>is about turning or turning base metals into gold. Medieval

1362
01:35:50.600 --> 01:35:54.239
<v Speaker 1>philosophers and alchemists knew this. Even Isaac Newton knew this,

1363
01:35:55.199 --> 01:35:58.359
<v Speaker 1>but their knowledge was lost until Crowley brought it back.

1364
01:35:58.439 --> 01:36:01.800
<v Speaker 1>This is Mark Frost, the right of Twin Peaks, telling

1365
01:36:01.840 --> 01:36:07.920
<v Speaker 1>you what Twin Peaks about. You see, Alchemy totally speaks

1366
01:36:07.960 --> 01:36:14.000
<v Speaker 1>to internal processes, radical revolution in our spiritual development, transforming

1367
01:36:14.039 --> 01:36:19.720
<v Speaker 1>the base metals of primitive man into gold or the

1368
01:36:19.800 --> 01:36:25.159
<v Speaker 1>enlightened soul. Rockets and magic are both about breaking through

1369
01:36:25.239 --> 01:36:28.840
<v Speaker 1>animal boundaries of space and time that hold us back

1370
01:36:29.199 --> 01:36:34.479
<v Speaker 1>from realizing our true potentia. Either way, both will someday

1371
01:36:34.560 --> 01:36:38.600
<v Speaker 1>take place. So that's directly from Mark Frost. And that's

1372
01:36:38.640 --> 01:36:46.479
<v Speaker 1>why when you see the little the little drawing of

1373
01:36:46.520 --> 01:36:54.279
<v Speaker 1>the two mountains with the that's the portal between the

1374
01:36:54.319 --> 01:37:04.600
<v Speaker 1>two twin Peaks, you say. And lastly on this point,

1375
01:37:06.600 --> 01:37:09.520
<v Speaker 1>I also think you have to have known and studied

1376
01:37:09.560 --> 01:37:14.439
<v Speaker 1>and read about things like the mob Zone from Kenneth Grant,

1377
01:37:14.720 --> 01:37:20.920
<v Speaker 1>because when Cooper gets trapped in the other world, he's

1378
01:37:21.239 --> 01:37:25.680
<v Speaker 1>stuck in the mob Zone. It's intentionally mauv and I

1379
01:37:25.760 --> 01:37:28.880
<v Speaker 1>interpreted that to be literally from beyond the Mob Zone

1380
01:37:29.000 --> 01:37:35.279
<v Speaker 1>by Grant, another one of Croley's followers, and I also

1381
01:37:35.319 --> 01:37:38.000
<v Speaker 1>go into the symbolism of what Lamb is and what

1382
01:37:38.119 --> 01:37:40.279
<v Speaker 1>Bob is and all that. I'm not going to repeat

1383
01:37:40.279 --> 01:37:50.319
<v Speaker 1>all that, but David Bowie plays a key role, of

1384
01:37:50.359 --> 01:37:53.039
<v Speaker 1>course in I mean it's brief, but it's a crucial

1385
01:37:53.119 --> 01:37:58.119
<v Speaker 1>role in the film Firewalk with Me. And that's Ralevant

1386
01:37:58.119 --> 01:38:01.039
<v Speaker 1>because of course David Bowie was for a good time

1387
01:38:02.239 --> 01:38:06.399
<v Speaker 1>in involved in the Hermetic Order of the Golden Dawn,

1388
01:38:06.560 --> 01:38:10.199
<v Speaker 1>so he was also a kind of Crowleian for a while.

1389
01:38:25.479 --> 01:38:27.920
<v Speaker 1>But what I wanted to end with was in terms

1390
01:38:27.920 --> 01:38:31.159
<v Speaker 1>of Twin Peaks, was that a lot of people weren't

1391
01:38:31.199 --> 01:38:36.600
<v Speaker 1>were confused about Laura Palmer and that she was in

1392
01:38:36.600 --> 01:38:40.039
<v Speaker 1>the notion of Judy or jow Day. Jow Day is

1393
01:38:40.079 --> 01:38:43.359
<v Speaker 1>said to be an ancient Sumerian deity. Let me, I'll

1394
01:38:43.359 --> 01:38:46.680
<v Speaker 1>just read this and you can come to your own conclusion.

1395
01:38:46.720 --> 01:38:51.399
<v Speaker 1>As Dougie stumbles awake into Awakening as the real agent Cooper,

1396
01:38:51.439 --> 01:38:53.720
<v Speaker 1>the rest of the crew in Twin Peaks unravels the

1397
01:38:53.720 --> 01:38:57.920
<v Speaker 1>twenty five year old mystery of the disappearance of Major Briggs, Dougie,

1398
01:38:58.159 --> 01:39:02.279
<v Speaker 1>like Diane, we later learn tulpas they're beings created from

1399
01:39:02.319 --> 01:39:06.439
<v Speaker 1>the mind out of Tibetan Buddhism. More portals are discovered

1400
01:39:06.439 --> 01:39:10.600
<v Speaker 1>and Andy being sucked into them. In one is shown

1401
01:39:10.720 --> 01:39:15.039
<v Speaker 1>visions by the Giant discovering the secrets above Laura and Coop.

1402
01:39:15.479 --> 01:39:18.199
<v Speaker 1>Andy's visions become the key to discovering the full meaning

1403
01:39:18.239 --> 01:39:21.079
<v Speaker 1>of the series, as he sees six and then another

1404
01:39:21.159 --> 01:39:25.279
<v Speaker 1>six and another six, and the location of Laura's imprisonment,

1405
01:39:25.439 --> 01:39:30.159
<v Speaker 1>prisonment being in a world where Laura works at a

1406
01:39:30.239 --> 01:39:34.840
<v Speaker 1>diner called Judy's or jow Day's. Meanwhile, Mister C seeks

1407
01:39:34.840 --> 01:39:38.920
<v Speaker 1>out Agent Jeffreys David Bowie in his present form in

1408
01:39:38.920 --> 01:39:42.239
<v Speaker 1>this universe, which is as a large teapot. He has

1409
01:39:42.279 --> 01:39:45.359
<v Speaker 1>instructing them that he has been. He's already seen. You

1410
01:39:45.439 --> 01:39:49.680
<v Speaker 1>don't need to see Jude. So this is pulling all

1411
01:39:49.720 --> 01:39:52.920
<v Speaker 1>the way from Twin Peaks Firewalk with Me. You don't

1412
01:39:52.960 --> 01:40:03.039
<v Speaker 1>want to talk about Jude Joo Day the ancient Sumerian Mesopotamia.

1413
01:40:03.439 --> 01:40:06.159
<v Speaker 1>Mister C has apparently slept with Audrey and has given

1414
01:40:06.199 --> 01:40:09.680
<v Speaker 1>her driven her insane. We later discover while Laura's mom

1415
01:40:09.720 --> 01:40:12.000
<v Speaker 1>is fully possessed by what appears to be a demon

1416
01:40:12.560 --> 01:40:17.760
<v Speaker 1>called Judy or jow Day, perhaps Laura's mom is now

1417
01:40:17.920 --> 01:40:21.840
<v Speaker 1>jow Day following the awakening Cooper in the Destruction of Bob,

1418
01:40:22.000 --> 01:40:24.800
<v Speaker 1>Cooper decides that he can enter the portal and find Laura,

1419
01:40:24.840 --> 01:40:27.439
<v Speaker 1>who has been stuck in a time loop and imprisoned

1420
01:40:27.439 --> 01:40:30.680
<v Speaker 1>by jow Day. Jow Day was instructed by the agent

1421
01:40:30.800 --> 01:40:34.600
<v Speaker 1>Cole David Lynch. Excuse me, Dowaday, We were instructed by

1422
01:40:35.119 --> 01:40:39.760
<v Speaker 1>David Lynch, who plays the agent character is the ancient

1423
01:40:39.800 --> 01:40:44.119
<v Speaker 1>Sumerian demonesse form of bay All in what was called

1424
01:40:44.159 --> 01:40:47.399
<v Speaker 1>a blue rose case. And so the Blue Rose Case,

1425
01:40:47.880 --> 01:40:53.359
<v Speaker 1>going back to Chris Isaac and Keeper Sutherland later on

1426
01:40:53.479 --> 01:40:59.520
<v Speaker 1>Christa Bell is the investigation of the demonesque bay All

1427
01:40:59.640 --> 01:41:07.000
<v Speaker 1>possess saying Laura Palmer's mom. Mark Frost's books says in

1428
01:41:07.119 --> 01:41:10.640
<v Speaker 1>stories from ancient Samarian mythology dating to about three thousand BC,

1429
01:41:10.960 --> 01:41:14.960
<v Speaker 1>jow Day is the female form of Utuku, an escaped

1430
01:41:15.039 --> 01:41:21.039
<v Speaker 1>wandering demones that feeds on human suffering garmin bosia. It

1431
01:41:21.079 --> 01:41:23.000
<v Speaker 1>was said that the female and the male form, the

1432
01:41:23.000 --> 01:41:29.479
<v Speaker 1>male form is Bayal. Never ever married well, I can't

1433
01:41:29.560 --> 01:41:31.520
<v Speaker 1>maybe I meant to put maybe this's a typo never

1434
01:41:31.520 --> 01:41:33.920
<v Speaker 1>married well on Earth. The union would produce an even

1435
01:41:33.920 --> 01:41:35.920
<v Speaker 1>more mint eleven being that would Hasten the end of

1436
01:41:35.960 --> 01:41:40.279
<v Speaker 1>the world, and so perhaps Laura Palmer is the end

1437
01:41:40.279 --> 01:41:46.119
<v Speaker 1>of the world. Some people have argued that, and so

1438
01:41:46.239 --> 01:41:48.479
<v Speaker 1>Laura Palmer's the apocalypse. I don't know what do you

1439
01:41:48.479 --> 01:41:53.359
<v Speaker 1>guys think, but that's definitely the meaning of jow Day.

1440
01:41:53.920 --> 01:41:58.239
<v Speaker 1>Do you have any thoughts on Twin Peaks Twin Perfect

1441
01:41:58.359 --> 01:42:02.920
<v Speaker 1>popular YouTube video theory twin Peaks actually explained, I have

1442
01:42:03.039 --> 01:42:08.000
<v Speaker 1>not watched that, so I can't speak to somebody else's analysis.

1443
01:42:08.039 --> 01:42:11.840
<v Speaker 1>I mean, if they are working from the Mark Frost book,

1444
01:42:11.960 --> 01:42:14.479
<v Speaker 1>then it's probably gonna be the same type of analysis

1445
01:42:14.479 --> 01:42:17.039
<v Speaker 1>that you hear from me. But I don't know, so

1446
01:42:17.119 --> 01:42:20.880
<v Speaker 1>I can't speak to that. I mean, once I wrote

1447
01:42:20.920 --> 01:42:23.199
<v Speaker 1>my stuff and then I saw that Mark Frost pretty

1448
01:42:23.239 --> 01:42:25.880
<v Speaker 1>much vindicated all that. I didn't go too deep into

1449
01:42:25.880 --> 01:42:28.600
<v Speaker 1>a bunch of other people's Twin Peaks material, but I

1450
01:42:28.640 --> 01:42:32.520
<v Speaker 1>did go deep into other people's inl An Empire material.

1451
01:42:32.600 --> 01:42:37.920
<v Speaker 1>So let's look at, for example, this video, which I

1452
01:42:37.920 --> 01:42:42.000
<v Speaker 1>thought was really well done. I'm not familiar with this

1453
01:42:42.000 --> 01:42:45.680
<v Speaker 1>guy doesn't have many subscribers, but this video did pretty good.

1454
01:42:46.720 --> 01:42:48.560
<v Speaker 1>And we'll look at just a second of this.

1455
01:42:52.159 --> 01:42:55.880
<v Speaker 4>Weird for the same being weird. He replies by saying, no,

1456
01:42:56.199 --> 01:42:58.239
<v Speaker 4>you never do that to an audience.

1457
01:42:59.239 --> 01:43:01.399
<v Speaker 2>He hopes to believe that's clues on beautiful because we

1458
01:43:01.479 --> 01:43:04.279
<v Speaker 2>are detective small things so and then see things.

1459
01:43:04.079 --> 01:43:07.319
<v Speaker 1>Out, and that's true. David Lynch says this all the time,

1460
01:43:07.359 --> 01:43:12.479
<v Speaker 1>that we are detectives and we love to piece together

1461
01:43:12.800 --> 01:43:17.760
<v Speaker 1>stories and figure them out. So with that mindset, it

1462
01:43:17.800 --> 01:43:20.920
<v Speaker 1>doesn't make sense that in an empire, for example, would

1463
01:43:20.920 --> 01:43:23.479
<v Speaker 1>be something completely.

1464
01:43:23.199 --> 01:43:26.880
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1465
01:43:26.880 --> 01:43:30.439
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1466
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1477
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1487
01:44:53.520 --> 01:44:58.199
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1492
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<v Speaker 6>Mode has been flying off the shelves because it's the

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1507
01:46:05.520 --> 01:46:07.760
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1508
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1509
01:46:08.920 --> 01:46:10.520
<v Speaker 1>Unsensible, he says.

1510
01:46:10.560 --> 01:46:12.159
<v Speaker 2>The fastest don't need him to help them out In

1511
01:46:12.199 --> 01:46:14.920
<v Speaker 2>figuring out his films, and that the beauty is doing

1512
01:46:14.960 --> 01:46:15.680
<v Speaker 2>it for yourself.

1513
01:46:16.079 --> 01:46:16.239
<v Speaker 4>Well.

1514
01:46:16.279 --> 01:46:18.039
<v Speaker 2>Telling the audience is a meaning robs them of the

1515
01:46:18.119 --> 01:46:19.960
<v Speaker 2>joy of thinking and feeling it through to come to

1516
01:46:20.000 --> 01:46:22.720
<v Speaker 2>a conclusion by one's own merits. In the cases of

1517
01:46:22.720 --> 01:46:25.960
<v Speaker 2>most films, it is practically impossible to have all the answers.

1518
01:46:26.119 --> 01:46:29.000
<v Speaker 2>Sometimes people look too much into small details. That does

1519
01:46:29.000 --> 01:46:31.880
<v Speaker 2>the product of randomness. All we're chosen with no reasons

1520
01:46:31.920 --> 01:46:35.800
<v Speaker 2>in particular, like blue boss is the key for Wohl

1521
01:46:35.840 --> 01:46:36.800
<v Speaker 2>and Drive, for example.

1522
01:46:36.920 --> 01:46:39.720
<v Speaker 4>Other aspects are based on real life experiences like the.

1523
01:46:40.520 --> 01:46:43.439
<v Speaker 1>Now you'll get these quotes where I don't know what

1524
01:46:43.479 --> 01:46:45.960
<v Speaker 1>that means. I don't know what the block the blue

1525
01:46:46.000 --> 01:46:48.760
<v Speaker 1>box with the blue key is or whatever. From All

1526
01:46:48.800 --> 01:46:54.760
<v Speaker 1>and Drive. I theorize in my book that that's another dissociative,

1527
01:46:54.960 --> 01:46:59.800
<v Speaker 1>you know, multiple personality thing going on. And we didn't

1528
01:46:59.800 --> 01:47:03.279
<v Speaker 1>talk about mahaland Drive tonight, but that is also in

1529
01:47:03.479 --> 01:47:06.720
<v Speaker 1>Eswater Hollywood one. So I mean, again, it's a thing

1530
01:47:06.720 --> 01:47:10.039
<v Speaker 1>that we've talked about so often that I didn't feel

1531
01:47:10.840 --> 01:47:12.720
<v Speaker 1>the need to kind of go through that again. If

1532
01:47:12.720 --> 01:47:15.399
<v Speaker 1>you do want to read my analysis, you can get

1533
01:47:15.439 --> 01:47:19.159
<v Speaker 1>Esso Turk Hollywood one, which has Twin Peaks and Maholland

1534
01:47:19.239 --> 01:47:22.239
<v Speaker 1>Drive and then Essa tur Hollywood two has Twin Peaks

1535
01:47:22.239 --> 01:47:26.319
<v Speaker 1>Season three and fire Walk with Me really long in

1536
01:47:26.399 --> 01:47:30.119
<v Speaker 1>depth analyses. I went pretty deep on season three in

1537
01:47:30.199 --> 01:47:33.800
<v Speaker 1>my second book, and of course Inland Empire and uh

1538
01:47:33.920 --> 01:47:37.359
<v Speaker 1>Mahland Drive as she Lost Highway and maybe some Blue

1539
01:47:37.439 --> 01:47:40.680
<v Speaker 1>Velvet will be in Ester Hollywood three, which will be

1540
01:47:40.720 --> 01:47:43.560
<v Speaker 1>out in a couple months. Most likely. I've got three

1541
01:47:43.640 --> 01:47:44.840
<v Speaker 1>hundred and twenty pages right now.

1542
01:47:44.920 --> 01:47:47.960
<v Speaker 2>So he intocome seeing from Lost Highway. Oh, this is

1543
01:47:47.960 --> 01:47:50.439
<v Speaker 2>his number one, introducing herself as a new neighbor.

1544
01:47:50.640 --> 01:47:51.600
<v Speaker 4>In summary, I'm.

1545
01:47:51.439 --> 01:47:53.439
<v Speaker 1>Not gonna play this whole video. I'm just pointing out

1546
01:47:53.479 --> 01:47:55.840
<v Speaker 1>that this guy, I did watch his video a few

1547
01:47:55.840 --> 01:47:58.960
<v Speaker 1>months ago. He went really deep into it. We're gonna

1548
01:47:58.960 --> 01:48:02.479
<v Speaker 1>skip over here to the spirituality of Inlin Empire. I

1549
01:48:02.520 --> 01:48:05.640
<v Speaker 1>think this is the key and why this guy got

1550
01:48:05.680 --> 01:48:05.960
<v Speaker 1>it right.

1551
01:48:06.239 --> 01:48:08.800
<v Speaker 2>The original story was about a couple of married lovers

1552
01:48:08.800 --> 01:48:11.319
<v Speaker 2>who had an affair, were caught by those passes and

1553
01:48:11.319 --> 01:48:12.119
<v Speaker 2>then murdered by.

1554
01:48:12.039 --> 01:48:12.920
<v Speaker 1>Each other's house.

1555
01:48:13.399 --> 01:48:16.399
<v Speaker 2>Before the female lover is killed, she prosecutes herself to

1556
01:48:16.439 --> 01:48:20.079
<v Speaker 2>survive after being thrown out of her husband's house while

1557
01:48:20.119 --> 01:48:23.640
<v Speaker 2>reincarvation isn't mentioned explicitly, the concept is implied with many

1558
01:48:23.720 --> 01:48:26.399
<v Speaker 2>characters being shown to have lived a previous life.

1559
01:48:27.000 --> 01:48:30.960
<v Speaker 1>Yes, so here we have the Hindu or perhaps still

1560
01:48:31.000 --> 01:48:34.680
<v Speaker 1>Tibetan Buddhism notions of reincarnation. That's a key element to

1561
01:48:35.479 --> 01:48:38.920
<v Speaker 1>how it can be. You know, characters in different generations

1562
01:48:40.560 --> 01:48:41.680
<v Speaker 1>linking up with their past.

1563
01:48:41.760 --> 01:48:43.439
<v Speaker 2>Lot we just said it in the past that he

1564
01:48:43.479 --> 01:48:46.039
<v Speaker 2>believes in reincarvation, and the whole film is known to

1565
01:48:46.079 --> 01:48:49.760
<v Speaker 2>be plagued with the displays of religious spiritual beliefs. Before

1566
01:48:49.800 --> 01:48:52.479
<v Speaker 2>some screens of the film, he likes presenting a quote

1567
01:48:52.560 --> 01:48:56.680
<v Speaker 2>from one of the most important Hindu texts, referencing how what.

1568
01:48:56.680 --> 01:48:58.520
<v Speaker 1>Did I say? Hindu text?

1569
01:48:58.880 --> 01:49:02.680
<v Speaker 2>Even though the faults and inventions by humans, they end

1570
01:49:02.800 --> 01:49:04.880
<v Speaker 2>up living in it and not knowing how to get out.

1571
01:49:05.279 --> 01:49:07.479
<v Speaker 4>He also used a chode in Twin Peaks.

1572
01:49:08.159 --> 01:49:16.079
<v Speaker 1>Elected dream dreams, then lives inside the dream. I forgot

1573
01:49:16.079 --> 01:49:18.920
<v Speaker 1>there was a Monica Balucci cameo in season three or

1574
01:49:18.920 --> 01:49:23.840
<v Speaker 1>Twin Peaks. We are like the dreamer who dreams and

1575
01:49:23.920 --> 01:49:28.239
<v Speaker 1>then lives inside the dream. We are like the dreamer

1576
01:49:28.359 --> 01:49:33.720
<v Speaker 1>who dreams and then lives inside the dream.

1577
01:49:33.840 --> 01:49:35.880
<v Speaker 2>The people living in the film make up their own

1578
01:49:35.920 --> 01:49:37.720
<v Speaker 2>stories and then live and tide them.

1579
01:49:38.000 --> 01:49:39.880
<v Speaker 4>Thus the stories become their lives.

1580
01:49:40.479 --> 01:49:43.920
<v Speaker 1>What do we say about Fred Madison Exactly.

1581
01:49:44.199 --> 01:49:46.399
<v Speaker 2>That's why the curse of the story consists in the

1582
01:49:46.439 --> 01:49:50.239
<v Speaker 2>actors ending up chapped inside their characters' lives. That's dreaming

1583
01:49:50.239 --> 01:49:54.359
<v Speaker 2>and moving along in their dreams. Stories are metaphors for lives,

1584
01:49:54.600 --> 01:49:56.880
<v Speaker 2>retold stories, our lives lived more than once.

1585
01:49:57.239 --> 01:50:01.159
<v Speaker 4>The variations between each story represent the differences between one

1586
01:50:01.239 --> 01:50:02.279
<v Speaker 4>life and the next.

1587
01:50:02.600 --> 01:50:06.880
<v Speaker 2>Some things remained intact while others changed. For example, originally

1588
01:50:06.960 --> 01:50:09.760
<v Speaker 2>the male lover's wife was the infertive world.

1589
01:50:11.880 --> 01:50:14.680
<v Speaker 1>Keep in mind too, and this guy doesn't he doesn't

1590
01:50:14.720 --> 01:50:20.000
<v Speaker 1>mention anything conspiratorial, which for example, when we did the

1591
01:50:20.960 --> 01:50:25.000
<v Speaker 1>Eyes Watch Shut deep dive analysis breakdown. When I first

1592
01:50:25.000 --> 01:50:27.920
<v Speaker 1>put that out, by the way, I was the first

1593
01:50:27.920 --> 01:50:31.359
<v Speaker 1>one to really go into the deep eyes watch Shut

1594
01:50:31.359 --> 01:50:34.000
<v Speaker 1>conspiracy analys if no one else had done that. I

1595
01:50:34.079 --> 01:50:37.840
<v Speaker 1>wrote my analysis really long, in depth analysis twenty ten,

1596
01:50:39.000 --> 01:50:41.520
<v Speaker 1>and that's what led to me eventually making the video

1597
01:50:41.600 --> 01:50:45.479
<v Speaker 1>and putting that chapter in the first book. And that's

1598
01:50:45.520 --> 01:50:48.319
<v Speaker 1>how we were talking about all of the Epstein style

1599
01:50:48.399 --> 01:50:52.520
<v Speaker 1>stuff way before Epstein, right, I mean this was. I mean,

1600
01:50:52.760 --> 01:50:56.439
<v Speaker 1>I wrote this stuff in twenty ten, twenty eleven, twenty twelve,

1601
01:50:56.479 --> 01:50:58.800
<v Speaker 1>and then it made it into the book by twenty sixteen.

1602
01:50:59.199 --> 01:51:04.159
<v Speaker 1>I watch shut and I was pointing out that, like

1603
01:51:04.199 --> 01:51:06.199
<v Speaker 1>this is telling us what they really do. This is

1604
01:51:06.199 --> 01:51:08.079
<v Speaker 1>what they're all up to, right, that kind of stuff.

1605
01:51:09.039 --> 01:51:11.520
<v Speaker 1>And I was drawing attention to the Crowley stuff, right.

1606
01:51:11.600 --> 01:51:14.600
<v Speaker 1>So I'm not saying I was the first talking about

1607
01:51:14.680 --> 01:51:17.439
<v Speaker 1>Crowley in Hollywood. Other people have done that, but applying

1608
01:51:17.439 --> 01:51:20.199
<v Speaker 1>it specifically to these certain films was something that we've

1609
01:51:20.239 --> 01:51:21.960
<v Speaker 1>been doing for a long time over here, and we

1610
01:51:22.119 --> 01:51:23.840
<v Speaker 1>were spot on all this stuff.

1611
01:51:26.199 --> 01:51:28.880
<v Speaker 4>But in the remake is the female lover's husband.

1612
01:51:29.039 --> 01:51:37.079
<v Speaker 1>I know, it's the fact I can't father. Now. The

1613
01:51:37.119 --> 01:51:39.920
<v Speaker 1>reason we're watching this is primarily to get those quotes

1614
01:51:39.920 --> 01:51:43.560
<v Speaker 1>about the Hindu text. And then this next section.

1615
01:51:43.439 --> 01:51:46.399
<v Speaker 4>This concept of different variations of the same story. It's

1616
01:51:46.399 --> 01:51:48.439
<v Speaker 4>introduced by visiting number one.

1617
01:51:49.760 --> 01:51:49.920
<v Speaker 1>Good.

1618
01:51:51.640 --> 01:51:54.079
<v Speaker 4>She also introduces the market to place in the palace,

1619
01:51:54.159 --> 01:51:55.359
<v Speaker 4>two concepts used by.

1620
01:51:55.319 --> 01:51:58.720
<v Speaker 2>Maharshi Mahshyogi, an Indian guru of um Lint, was known

1621
01:51:58.720 --> 01:51:59.760
<v Speaker 2>to be a big disciple.

1622
01:52:01.079 --> 01:52:06.000
<v Speaker 1>So Lynch is a disciple of this Hindu yogi. Hints

1623
01:52:06.119 --> 01:52:10.159
<v Speaker 1>obviously the transnial meditation. But this notion of marketplace and

1624
01:52:10.279 --> 01:52:14.399
<v Speaker 1>pallace is a key to decoding in an Empire because

1625
01:52:14.439 --> 01:52:17.159
<v Speaker 1>there's this sort of pathways between these two realms.

1626
01:52:17.520 --> 01:52:20.479
<v Speaker 2>The market place refers to the problematic limits of ordinary

1627
01:52:20.600 --> 01:52:24.119
<v Speaker 2>domestic and public transactions. It's a level of reality at

1628
01:52:24.119 --> 01:52:26.079
<v Speaker 2>which illusions of stability are.

1629
01:52:25.960 --> 01:52:27.319
<v Speaker 4>Promoted by our culture.

1630
01:52:27.560 --> 01:52:30.079
<v Speaker 2>In other words, it's our day to day lives where

1631
01:52:30.079 --> 01:52:32.239
<v Speaker 2>we can easily get lost on our way to the palace.

1632
01:52:32.359 --> 01:52:35.359
<v Speaker 2>It expresses the inefficiency of mundane daily matters that do

1633
01:52:35.439 --> 01:52:37.800
<v Speaker 2>not help us reach the palace, but on the contrary,

1634
01:52:37.920 --> 01:52:40.880
<v Speaker 2>drive us away from it by instructiveness. In the film,

1635
01:52:40.880 --> 01:52:44.520
<v Speaker 2>the marketplace is represented as having several dimensions or worlds.

1636
01:52:44.640 --> 01:52:46.560
<v Speaker 2>They are all connected by all the band of the

1637
01:52:46.640 --> 01:52:49.439
<v Speaker 2>saaleway with red handrails, which acts as a kind of

1638
01:52:49.520 --> 01:52:51.239
<v Speaker 2>portal between these diablations.

1639
01:52:51.600 --> 01:52:55.279
<v Speaker 1>So you notice that had you not known the Hindu

1640
01:52:55.600 --> 01:53:00.439
<v Speaker 1>themes and motifs and metaphysics, it would be IMpower possible

1641
01:53:00.479 --> 01:53:03.560
<v Speaker 1>then to the code in an Empire. Let me skip ahead,

1642
01:53:03.560 --> 01:53:05.520
<v Speaker 1>see if he talks about the palace here, let's.

1643
01:53:05.359 --> 01:53:15.760
<v Speaker 3>See this regarding bea has a blood, she has a pet, monkey.

1644
01:53:16.319 --> 01:53:18.560
<v Speaker 2>According to the heart, the true worship of God can

1645
01:53:18.600 --> 01:53:21.640
<v Speaker 2>only start once the person has reached enlightenment.

1646
01:53:21.760 --> 01:53:24.039
<v Speaker 3>Disregarding being from them.

1647
01:53:24.239 --> 01:53:28.239
<v Speaker 1>You must have the bulgarya to have the enlightenment.

1648
01:53:29.159 --> 01:53:34.479
<v Speaker 3>The field of devotion is taking devotion to a baseless

1649
01:53:35.199 --> 01:53:39.760
<v Speaker 3>It's like building castles in the air. It's not possible

1650
01:53:40.359 --> 01:53:45.680
<v Speaker 3>to establish the field of devotion to respect you of

1651
01:53:46.239 --> 01:53:47.680
<v Speaker 3>your awareness.

1652
01:53:49.000 --> 01:53:52.479
<v Speaker 1>Anyway, you get the idea. I can't play too much

1653
01:53:52.479 --> 01:53:55.920
<v Speaker 1>as videos or you know, to get dinged. But then

1654
01:53:55.920 --> 01:53:57.960
<v Speaker 1>we want to talk. We want to look at his

1655
01:53:58.319 --> 01:54:01.600
<v Speaker 1>points about traveling between dimensions and worlds.

1656
01:54:02.960 --> 01:54:05.600
<v Speaker 2>Traveling from one dimension to another is something that many

1657
01:54:05.720 --> 01:54:09.199
<v Speaker 2>characters do in the film, including Nicky Shoe Billy, the

1658
01:54:09.239 --> 01:54:11.920
<v Speaker 2>Lost Girl, and the Lady. However, doing it for the

1659
01:54:11.960 --> 01:54:14.279
<v Speaker 2>first time is accompanied by a sense of confusion and

1660
01:54:14.520 --> 01:54:16.279
<v Speaker 2>not recognizing familiar places.

1661
01:54:19.319 --> 01:54:30.079
<v Speaker 1>Jimmy as tesher, all right, we'll stop there, because there's

1662
01:54:30.119 --> 01:54:33.199
<v Speaker 1>quite a bit more I think you'll find fascinating. But

1663
01:54:33.760 --> 01:54:37.880
<v Speaker 1>even in this film you get conspiratorial elements because not

1664
01:54:38.159 --> 01:54:40.960
<v Speaker 1>just do we have Laura Dern sort of dissociating with

1665
01:54:41.319 --> 01:54:43.920
<v Speaker 1>you know, being this Hollywood a lister. We had the

1666
01:54:43.960 --> 01:54:48.720
<v Speaker 1>exact same story with Naomi Watts dissociating in Holland Drive.

1667
01:54:49.279 --> 01:54:54.479
<v Speaker 1>She basically ends up a crack w h o r E.

1668
01:54:55.079 --> 01:54:58.039
<v Speaker 1>And she was supposed to be the next big thing

1669
01:54:58.039 --> 01:54:59.800
<v Speaker 1>in Hollywood, right, That's kind of the point of the film.

1670
01:55:00.079 --> 01:55:02.319
<v Speaker 1>Wins this dance contest, she goes to Hollywood, She's going

1671
01:55:02.359 --> 01:55:06.600
<v Speaker 1>to be a star, and she ends up a crack whore.

1672
01:55:08.319 --> 01:55:12.439
<v Speaker 1>And we kind of have the same imagery with the

1673
01:55:12.520 --> 01:55:15.079
<v Speaker 1>Laura Dern character because at the end of the film,

1674
01:55:15.159 --> 01:55:18.760
<v Speaker 1>Laura Dearn's wandering around on the streets like a fentanyl zombie,

1675
01:55:19.600 --> 01:55:23.680
<v Speaker 1>you know, hanging out with like other addicts, spouting gibberish.

1676
01:55:23.720 --> 01:55:26.000
<v Speaker 1>But there's actually meaning to the gibbers that they spell.

1677
01:55:26.800 --> 01:55:29.359
<v Speaker 1>And this guy's video I think is good for that.

1678
01:55:29.680 --> 01:55:42.359
<v Speaker 1>But the I just went, like, now, Julian Moore, it's

1679
01:55:42.359 --> 01:55:44.680
<v Speaker 1>on the tip of my tongue, the famous brunette actress

1680
01:55:44.680 --> 01:55:50.239
<v Speaker 1>who has a minor role also being insane in the film.

1681
01:55:50.359 --> 01:55:53.359
<v Speaker 1>She spouts a bunch of conspiracy stuff. Maybe she's just

1682
01:55:53.359 --> 01:55:56.520
<v Speaker 1>supposed to be Julia Ormond, excuse me. Maybe she's just

1683
01:55:56.520 --> 01:56:00.399
<v Speaker 1>supposed to be like a paranoid street schizophrenic. But she

1684
01:56:00.479 --> 01:56:04.840
<v Speaker 1>talks about them poisoning the skies dropping poison from the skies?

1685
01:56:04.960 --> 01:56:10.520
<v Speaker 1>Is that a reference to view engineering? Perhaps it's an

1686
01:56:10.520 --> 01:56:15.119
<v Speaker 1>odd reference thrown in for Julia Ormond to talk about.

1687
01:56:15.159 --> 01:56:17.279
<v Speaker 1>But Dave says for a dollar. I'm not sure if

1688
01:56:17.279 --> 01:56:19.920
<v Speaker 1>he recommended the book to New Orthodox believers, but I'm

1689
01:56:19.920 --> 01:56:24.079
<v Speaker 1>reading theos is the true purpose of human life? I'm

1690
01:56:24.079 --> 01:56:26.680
<v Speaker 1>not familiar with that book. Isn't the idea of becoming

1691
01:56:26.680 --> 01:56:30.920
<v Speaker 1>your own God Antichrist? We do not become our own God.

1692
01:56:31.039 --> 01:56:36.800
<v Speaker 1>We become like God by participating in grace, which Jesus

1693
01:56:36.840 --> 01:56:39.000
<v Speaker 1>says in John seventeen is the glory of God. He

1694
01:56:39.079 --> 01:56:42.800
<v Speaker 1>calls us to a participation in that grace and glory,

1695
01:56:43.159 --> 01:56:48.039
<v Speaker 1>Whereas what apotheosis is is man becoming his own God.

1696
01:56:48.880 --> 01:57:08.600
<v Speaker 1>So that's not what the Orthodox believe. So I enjoyed

1697
01:57:08.640 --> 01:57:12.079
<v Speaker 1>David Lynch films growing up. I enjoyed stuff. I have

1698
01:57:12.439 --> 01:57:14.920
<v Speaker 1>like some David Lynch books, multiple books that relate to

1699
01:57:15.000 --> 01:57:18.880
<v Speaker 1>David Lynch and books about him, And you know, he's

1700
01:57:18.880 --> 01:57:22.680
<v Speaker 1>one of my favorite directors. I will definitely miss David

1701
01:57:22.720 --> 01:57:27.479
<v Speaker 1>Lynch some of my favorite movies and definitely Oddballs Dune

1702
01:57:27.920 --> 01:57:30.800
<v Speaker 1>is one of the favorites, and we did by the way,

1703
01:57:30.920 --> 01:57:33.520
<v Speaker 1>for those that are curious. Dune is also in Esoltaire

1704
01:57:33.560 --> 01:57:40.800
<v Speaker 1>Hollywood too, and when I did the Esota Hollywood analysis

1705
01:57:40.800 --> 01:57:43.399
<v Speaker 1>of Dune, it's still pretty good, but there's a lot

1706
01:57:43.439 --> 01:57:46.600
<v Speaker 1>I didn't know because I had not read Dune Messiah,

1707
01:57:47.439 --> 01:57:49.319
<v Speaker 1>which we did a whole breakdown of doing Messiah. It's

1708
01:57:49.319 --> 01:57:54.159
<v Speaker 1>a really deep, fascinating story. Dune is really the best

1709
01:57:54.239 --> 01:57:56.439
<v Speaker 1>s I'm not a huge sci fi person, but c

1710
01:57:56.600 --> 01:57:59.560
<v Speaker 1>s Lewispace trilogy and Dune that's like the only good

1711
01:58:00.079 --> 01:58:03.119
<v Speaker 1>sci fi ever. But if you aren't interested, I did

1712
01:58:03.159 --> 01:58:09.600
<v Speaker 1>do a breakdown video wise of Dune six years ago.

1713
01:58:10.600 --> 01:58:13.800
<v Speaker 3>We are book of the Mind, so I'll.

1714
01:58:13.680 --> 01:58:16.720
<v Speaker 1>Give you guys the full Dune breakdown, and then if

1715
01:58:16.720 --> 01:58:22.000
<v Speaker 1>you want a more informed modern analysis of Doune that

1716
01:58:22.239 --> 01:58:26.920
<v Speaker 1>takes into account the insights from Doom Messiah that I

1717
01:58:26.960 --> 01:58:31.000
<v Speaker 1>didn't know, you can look on my channel for let's see.

1718
01:58:31.239 --> 01:58:33.520
<v Speaker 1>I think there's at least two videos that discuss this.

1719
01:58:36.000 --> 01:58:38.960
<v Speaker 1>Dune and Doo Messiah explained Deep dive from a year ago.

1720
01:58:39.039 --> 01:58:41.880
<v Speaker 1>This goes a lot deeper, and then there's this one

1721
01:58:41.880 --> 01:58:44.279
<v Speaker 1>here Dune Too in the History of Osscia is another

1722
01:58:44.359 --> 01:58:50.479
<v Speaker 1>related video, so we haven't forgotten Dune. I know people

1723
01:58:50.520 --> 01:58:54.199
<v Speaker 1>wanted me to talk probably about Elephant Man or Eraserhead

1724
01:58:54.399 --> 01:58:57.720
<v Speaker 1>or a straight story, and that's all cool and whatnot,

1725
01:58:57.800 --> 01:59:00.119
<v Speaker 1>but it doesn't really fit within the esoteric conals. So

1726
01:59:00.159 --> 01:59:01.880
<v Speaker 1>I'm not saying they're bad movies. And I'm sure you

1727
01:59:01.880 --> 01:59:05.800
<v Speaker 1>could say eraser Head has kind of weird, weird elements

1728
01:59:05.800 --> 01:59:09.880
<v Speaker 1>that you can analyze, but I mean, for example, you'll

1729
01:59:09.920 --> 01:59:13.199
<v Speaker 1>find in eraser Head, I think you have like the

1730
01:59:13.439 --> 01:59:18.520
<v Speaker 1>picture of the nuclear blast that comes up in you know,

1731
01:59:18.600 --> 01:59:24.479
<v Speaker 1>Agent Cole's office in season three. So I need some

1732
01:59:24.560 --> 01:59:26.159
<v Speaker 1>water in my mouth getting und I'm still a little

1733
01:59:26.239 --> 01:59:36.920
<v Speaker 1>I've still got a little bit of a cold. Yeah,

1734
01:59:37.000 --> 01:59:39.479
<v Speaker 1>Virginia Madison should have had a bigger role in the

1735
01:59:39.640 --> 01:59:42.560
<v Speaker 1>in the film, shouldn't she She wasn't in it for

1736
01:59:42.640 --> 01:59:47.479
<v Speaker 1>very long. But I think that that's the problem is

1737
01:59:47.520 --> 01:59:53.800
<v Speaker 1>that you know, people, because the theatrical release of Dune

1738
01:59:53.920 --> 01:59:56.920
<v Speaker 1>is still like two and a half hours, and like

1739
01:59:57.039 --> 02:00:00.399
<v Speaker 1>normy is and weirdo normies could not figure out this

1740
02:00:00.640 --> 02:00:05.439
<v Speaker 1>massively complicated weirdo plot, right, Like, I mean, I don't

1741
02:00:05.479 --> 02:00:10.680
<v Speaker 1>know how Dennis is gonna be able to make Dune Messiah.

1742
02:00:11.119 --> 02:00:14.520
<v Speaker 1>I mean good luck. I mean I'm I'm I'm hoping

1743
02:00:14.560 --> 02:00:17.439
<v Speaker 1>it's gonna be good, and I think it will be

1744
02:00:17.439 --> 02:00:21.239
<v Speaker 1>because I think he did a phenomenal job with Dune

1745
02:00:21.319 --> 02:00:26.279
<v Speaker 1>one and two, which is just doone, but Dune three,

1746
02:00:26.359 --> 02:00:30.880
<v Speaker 1>which will be done Messiah. I mean, bro, that's a

1747
02:00:31.000 --> 02:00:33.720
<v Speaker 1>crazy novel. I don't know how they're gonna make that

1748
02:00:34.960 --> 02:00:39.079
<v Speaker 1>the craziest novel into a movie. But we'll see, we'll see.

1749
02:00:39.159 --> 02:00:45.600
<v Speaker 1>I hope, I hope, I hope, so hope it'll be good.

1750
02:00:46.479 --> 02:00:49.119
<v Speaker 1>Dave says, for a dollar, I bought the m I

1751
02:00:49.239 --> 02:00:53.279
<v Speaker 1>six Stephen Dorrel book, Secret Agent sixty sixty six. I

1752
02:00:53.319 --> 02:00:58.439
<v Speaker 1>bought the Gold Spies book, the John de Book. I

1753
02:00:58.520 --> 02:01:03.159
<v Speaker 1>bought Trilateral over Washington. That's an old school one aquarium

1754
02:01:03.159 --> 02:01:06.600
<v Speaker 1>conspiracy memoirs of David Rockefeller. I bought Fateman Freeway. I

1755
02:01:06.600 --> 02:01:09.680
<v Speaker 1>bought Kisus Blood. Can you tell me where you made

1756
02:01:09.840 --> 02:01:12.479
<v Speaker 1>a video of a few of those that I haven't

1757
02:01:13.640 --> 02:01:19.119
<v Speaker 1>a few of these books as I haven't read. I mean,

1758
02:01:19.159 --> 02:01:24.560
<v Speaker 1>I've got like sixty book analyzes of the global elite,

1759
02:01:24.600 --> 02:01:27.680
<v Speaker 1>So I don't know if you mean I don't know

1760
02:01:27.680 --> 02:01:29.760
<v Speaker 1>if you mean that you have read all of those,

1761
02:01:29.840 --> 02:01:33.680
<v Speaker 1>and where's the rest or if you mean, where are

1762
02:01:33.720 --> 02:01:36.159
<v Speaker 1>the videos of the ones you listed? I mean, you're

1763
02:01:36.159 --> 02:01:39.359
<v Speaker 1>just gonna have to go to my channel, and I

1764
02:01:39.359 --> 02:01:42.079
<v Speaker 1>mean I have playlists which have most of them. So

1765
02:01:42.079 --> 02:01:45.520
<v Speaker 1>if you scroll down here too, on the main page,

1766
02:01:47.640 --> 02:01:52.159
<v Speaker 1>writings of the elite, like right there is Secret Destiny

1767
02:01:52.159 --> 02:01:57.399
<v Speaker 1>of America malp Hall right there. The first one is

1768
02:01:57.439 --> 02:02:04.279
<v Speaker 1>the Jacquette Lee book on the Millennium Free tof Copra

1769
02:02:04.439 --> 02:02:08.520
<v Speaker 1>Turning Point is one of them. Julian Huxley's Philosophy Globalism.

1770
02:02:09.199 --> 02:02:14.039
<v Speaker 1>I think this one is Terence McKenna. There. You've got

1771
02:02:14.079 --> 02:02:17.960
<v Speaker 1>two videos on at Quickly's other book, Anglo American Establishment.

1772
02:02:19.079 --> 02:02:21.239
<v Speaker 1>This is the history of the CIA and Religion with

1773
02:02:21.319 --> 02:02:26.600
<v Speaker 1>the Dune imagery there. This is the Oord book on

1774
02:02:26.640 --> 02:02:30.079
<v Speaker 1>the History of sc xpionage. So you click on this

1775
02:02:31.279 --> 02:02:34.239
<v Speaker 1>and it's a giant playlist. So I'm not being mean

1776
02:02:34.279 --> 02:02:37.279
<v Speaker 1>to you today or rude. I just don't understand why

1777
02:02:37.279 --> 02:02:41.000
<v Speaker 1>people like they don't know what playlists are. I mean, like,

1778
02:02:41.439 --> 02:02:44.000
<v Speaker 1>this has been on my channel for like ten years.

1779
02:02:44.079 --> 02:02:46.960
<v Speaker 1>I'm not fussing at you. I'm saying people are always

1780
02:02:46.960 --> 02:02:48.880
<v Speaker 1>asking these questions and it's like, man, why do you

1781
02:02:48.920 --> 02:02:50.760
<v Speaker 1>think I made these playlists? So they're all right here.

1782
02:02:50.800 --> 02:02:56.520
<v Speaker 1>This is the whim Hoff book. This is Gateway Process Analysis.

1783
02:02:56.560 --> 02:03:08.039
<v Speaker 1>This is Joan Ratia's book Silent Webs for Quiet warst

1784
02:03:08.039 --> 02:03:11.680
<v Speaker 1>document This is Klaus Tibetan Book of the Dead, Tim

1785
02:03:11.760 --> 02:03:17.840
<v Speaker 1>Leary wim Hoff's book. HG. Wells' book, Terrence McKenna's book,

1786
02:03:19.000 --> 02:03:31.560
<v Speaker 1>Brazenski's Books. This one is Ghosts in the Machine Arthur Kessler, Bertrand, Russell, HG. Wells,

1787
02:03:31.760 --> 02:03:38.720
<v Speaker 1>Birch and Russell, Edward Burnets, Frankfurt School, Acquiring Conspiracy, Jacquette

1788
02:03:38.840 --> 02:03:45.199
<v Speaker 1>Lee History of DARPA. H. She Wells in Culture Book.

1789
02:03:47.920 --> 02:03:51.000
<v Speaker 1>And it's all right here. Charles Galton Darwin right here,

1790
02:03:53.199 --> 02:03:57.920
<v Speaker 1>Devil's Game. This is going back like eight years right here.

1791
02:04:03.159 --> 02:04:06.199
<v Speaker 1>Alex Ebeia Dark Secrets of the Rand Corporation. I made

1792
02:04:06.199 --> 02:04:12.039
<v Speaker 1>a whole mini documentary right there. C A and Religion.

1793
02:04:19.479 --> 02:04:27.239
<v Speaker 1>Arthur Kessler right here, Grand Chess Board. It's a giant

1794
02:04:27.239 --> 02:04:32.840
<v Speaker 1>playlist right here. Twin Perfect Score. Theory is that Twin

1795
02:04:32.880 --> 02:04:36.640
<v Speaker 1>Peaks is a meta commentary on TV and violence. That's

1796
02:04:36.680 --> 02:04:39.680
<v Speaker 1>pretty weak, dude. I mean, the Mark Frost book says

1797
02:04:39.720 --> 02:04:46.319
<v Speaker 1>it's esoteric sex, magic Crowley stuff, So I'm right. I

1798
02:04:46.399 --> 02:04:59.760
<v Speaker 1>beat him. Also, for those that like this kind of

1799
02:04:59.760 --> 02:05:05.039
<v Speaker 1>an there's a playlist called Esoter Hollywood right here and

1800
02:05:05.079 --> 02:05:08.039
<v Speaker 1>you can click on that and low and bohold look

1801
02:05:08.039 --> 02:05:13.479
<v Speaker 1>at this, endless podcasts on movies going back ten years.

1802
02:05:13.960 --> 02:05:17.159
<v Speaker 1>Look at all that. So if you like this, look

1803
02:05:17.199 --> 02:05:20.399
<v Speaker 1>at this. We did a Twin Peaks breakdown right here

1804
02:05:20.520 --> 02:05:25.479
<v Speaker 1>eight years ago. By the way, I have a whole

1805
02:05:25.479 --> 02:05:30.119
<v Speaker 1>breakdown video mini documentary of Muhland Drive too. Forgot about that,

1806
02:05:31.800 --> 02:05:40.359
<v Speaker 1>so for those who want that, I did that as well. Well.

1807
02:05:40.560 --> 02:05:47.720
<v Speaker 1>Rest in peace, David Lynch. It's right here. This is

1808
02:05:47.760 --> 02:05:51.079
<v Speaker 1>my old Lost Highway analysis from that's literally ten years ago.

1809
02:05:52.039 --> 02:05:57.079
<v Speaker 1>This one is six years old. I'll put it in

1810
02:05:57.079 --> 02:06:09.359
<v Speaker 1>the chat for you guys. So there's that. Otherwise, shout

1811
02:06:09.359 --> 02:06:11.840
<v Speaker 1>outs to I think we got some new members here

1812
02:06:16.760 --> 02:06:23.399
<v Speaker 1>sky No Sky Scraper Philosopher. I thought he became a member,

1813
02:06:25.119 --> 02:06:27.840
<v Speaker 1>but we did get fourteen new members tonight from the stream.

1814
02:06:27.920 --> 02:06:30.600
<v Speaker 1>Welcome all you new members. If you're new to the

1815
02:06:30.640 --> 02:06:33.039
<v Speaker 1>members section, what you do is you come over here

1816
02:06:33.760 --> 02:06:37.840
<v Speaker 1>and on my members tab. I have added some new things.

1817
02:06:37.920 --> 02:06:41.119
<v Speaker 1>I'll do some more either today or tomorrow. I added

1818
02:06:41.159 --> 02:06:44.439
<v Speaker 1>the part two of the Pagan Renaissance ocult Rome from

1819
02:06:44.439 --> 02:06:48.079
<v Speaker 1>our trip to Rome. I added the discussion with Matthew Eirep.

1820
02:06:48.680 --> 02:06:52.640
<v Speaker 1>I add the part two of Religion and Espionage. I

1821
02:06:52.800 --> 02:06:57.159
<v Speaker 1>added the part two of Doune and Religious Manipulation, the

1822
02:06:57.199 --> 02:06:59.920
<v Speaker 1>Trinity and the Toil Part two, How the Left took

1823
02:07:00.079 --> 02:07:04.640
<v Speaker 1>over Part two and the Black Gold Spies Part two

1824
02:07:04.680 --> 02:07:07.680
<v Speaker 1>from a week ago. And then this is all old

1825
02:07:07.680 --> 02:07:11.439
<v Speaker 1>stuff from five years ago. But I will be making

1826
02:07:11.520 --> 02:07:14.079
<v Speaker 1>more things accessible to the members. And of course everything

1827
02:07:14.079 --> 02:07:16.039
<v Speaker 1>that's over there is also on the website. So if

1828
02:07:16.039 --> 02:07:18.840
<v Speaker 1>your website member, you don't have to join here unless

1829
02:07:18.880 --> 02:07:22.079
<v Speaker 1>you just want to sponsor me and support me in

1830
02:07:22.079 --> 02:07:24.640
<v Speaker 1>some additional way. But shout out to the guys from

1831
02:07:24.680 --> 02:07:27.279
<v Speaker 1>the five hundred dollars super chat. That was really generous

1832
02:07:27.319 --> 02:07:30.479
<v Speaker 1>of you. Appreciate that we get another one from Dave.

1833
02:07:31.000 --> 02:07:33.319
<v Speaker 1>I appreciate it. I'm only twenty two, but I have

1834
02:07:33.359 --> 02:07:36.560
<v Speaker 1>the mind of a boomer. We'll just remember that pretty

1835
02:07:36.640 --> 02:07:40.319
<v Speaker 1>much everything is accessible here. You can also search the website.

1836
02:07:40.319 --> 02:07:43.720
<v Speaker 1>The website has a search function as well at Jasonnalysis

1837
02:07:43.800 --> 02:07:46.800
<v Speaker 1>dot com. And if you want copies of Eslitary Hollywood,

1838
02:07:46.960 --> 02:07:49.920
<v Speaker 1>I still have those, and if you want to start

1839
02:07:49.920 --> 02:07:52.479
<v Speaker 1>reading one and two before part three. You don't have

1840
02:07:52.560 --> 02:07:56.000
<v Speaker 1>to read one. They're independent, they don't have to go together.

1841
02:07:58.079 --> 02:08:01.680
<v Speaker 1>They're film analysis books, so they don't have a narrative

1842
02:08:01.720 --> 02:08:04.479
<v Speaker 1>that requires you to read part one. But you can

1843
02:08:04.479 --> 02:08:06.600
<v Speaker 1>get signed copies over here in the shop as well

1844
02:08:06.600 --> 02:08:12.960
<v Speaker 1>as Jamie's books, and also head on over to Jamie's

1845
02:08:13.039 --> 02:08:20.079
<v Speaker 1>channel because I'm gonna off close up this episode and

1846
02:08:20.479 --> 02:08:23.840
<v Speaker 1>Jamie is doing a show or she's playing a show

1847
02:08:23.880 --> 02:08:28.680
<v Speaker 1>that she did on history of Freemasonry and serious, so

1848
02:08:28.800 --> 02:08:33.079
<v Speaker 1>y'all head on over here to Jamie's channel. I'll drop

1849
02:08:33.159 --> 02:08:41.479
<v Speaker 1>this in the chat for you guys, and be sure

1850
02:08:41.560 --> 02:08:43.640
<v Speaker 1>and hit like and share and let me know what

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02:08:43.680 --> 02:08:44.560
<v Speaker 1>you guys think about