Speaker 1: Secret societies, a sex magic, all the stuff I said
Speaker 1: it was about. So you better believe that I'm the
Speaker 1: pioneering cool guy analyzing David Lynch. And I didn't just
Speaker 1: start this yesterday. I wasn't Lynchian yesterday. We did these
Speaker 1: breakdowns over ten years ago. Dog, we did these ten
Speaker 1: years ago, son, But I got some treats for you
Speaker 1: all tonight. We haven't broken down Blue Velvet ever. We
Speaker 1: haven't broken down Inland Empire ever. I haven't done a
Speaker 1: podcast or discussion of Lost Highway in ten years. And
Speaker 1: back then I could barely even talk. Sounded like I
Speaker 1: think retort when I was talking on podcasts trying to
Speaker 1: make it happen. You gotta make it up, thank you.
Speaker 1: I was lynch pilled before all of you'all. Look at
Speaker 1: all of that. Look at that as a fine cup
Speaker 1: of joe. Way to go, Coop, that is a fine
Speaker 1: cup of joe. A okay, buster inquire or ten dollars
Speaker 1: you said before that you asked Calvinists and Presbyterians questions
Speaker 1: that they couldn't answer. I love how like a David
Speaker 1: Lynch dream just start getting that people just asked the
Speaker 1: theology questions. I'm just joking. It's okay. You asked questions
Speaker 1: they couldn't answer. At that time, when I was reformed,
Speaker 1: I was asking questions about Augustine. What did he mean
Speaker 1: in the City of God when he said this and that.
Speaker 1: I started reading about the Canada Scripture, and that's primarily
Speaker 1: what I meant. I had questions about the Calvinist interpretation
Speaker 1: of things from Cyprian. I went and read Cyprian and
Speaker 1: they were totally lying about what Cyprian said, or they
Speaker 1: were just totally ignorant. So that's what I was referring to.
Speaker 1: Justin washek has taken the cake today with a five
Speaker 1: hundred dollars super chat. Look at that. We don't even
Speaker 1: got to do no stream today. He just paid for
Speaker 1: the whole stream. See y'all peace out, I'm out eat.
Speaker 1: He done pay for the whole stream and next stream
Speaker 1: with that one. Shout out to all y'all gifted memberships
Speaker 1: being everybody's being generous. People love these YouTube memberships. I
Speaker 1: just can't believe how how much more popping off popular
Speaker 1: they are than they were five years ago when I
Speaker 1: was last time. I remember being monetized, so things have changed, hopefully, y'all,
Speaker 1: enjoyed the fourth hour of Lord Voldemort today. I think
Speaker 1: it came out pretty good. I had no idea what
Speaker 1: was going to talk about until right before it, and
Speaker 1: then I was just like grab a book and just
Speaker 1: start yapping. So think it turned out pretty good though,
Speaker 1: for it was about a half a hour. So shout
Speaker 1: out to the new members we got. Whiskey Jack became
Speaker 1: a member. Shout out to him. Moral Autist formerly g W.
Speaker 1: Barfer of some serious names going down right there became
Speaker 1: a member. Osten became a member. Writer Grenier became a member. Uh,
Speaker 1: miss apostate repentant became gave out five memberships. We got
Speaker 1: big money just throwing it around in the chat, just
Speaker 1: just straight up. Daddy wore bucks in the chat. Jay
Speaker 1: thinks he can do a Sam. What's a Sam? What
Speaker 1: are you'll even talking about?
Speaker 2: Uh?
Speaker 1: What does do a Sam? Don't mute him. I don't
Speaker 1: want to know what he's talking about. Do a Sam.
Speaker 1: I've been doing live streams for ages, bro, what are
Speaker 1: you talking about us? You're talking about Sam? Hide Sam, Shamun,
Speaker 1: Sam Ayel, Who's a Sam? Thomas Libby became a member.
Speaker 1: Shout out to Thomas Libby what's up man? How you doing?
Speaker 1: This is the Year of the Love and the Love Hammers?
Speaker 1: Sam Shamun, I don't know what that means. Can you
Speaker 1: do a shit? Sam Shamun? Oh his name is Sam
Speaker 1: and then he puts Shamun. I don't get it. We're
Speaker 1: going to be diving deep today. We're going to be
Speaker 1: diving into stuff that we haven't talked about again in
Speaker 1: about ten years. And if you don't know, both Esltar
Speaker 1: Hollywood one and two have extensive twin Peaks and mhand
Speaker 1: drive analysis, so we're gonna do a little bit of
Speaker 1: refreshing going back into some of that. We're also going
Speaker 1: to look into some material that I've never analyzed before,
Speaker 1: like the Inlin Empire analysis and guess what, there will
Speaker 1: be some of this in Essatar Hollywood three. So look
Speaker 1: forward to that. We talk about I think so I
Speaker 1: can do us and Robin did I just I co
Speaker 1: wrote the first two episodes of the Sam Hi Show.
Speaker 1: What the fuck are you even talking about? I don't
Speaker 1: understand it. I guess everybody's people are jealous or what
Speaker 1: you what's the problem, Francis Boulet, I can't pay you
Speaker 1: five hundred pounds but here's a little bit to help
Speaker 1: and prayers. Thank you, man, I appreciate that. Welcome. Justin's
Speaker 1: already pay for everybody's do your fees. Your fees were
Speaker 1: already due, and Justin uncovered all of y'all. His imputed
Speaker 1: righteousness is sent into your fictional bank account. So you
Speaker 1: are made righteous in my sight as your spiritual legal judge,
Speaker 1: I am your judge, and you all have been made
Speaker 1: righteous tonight through his generous actions. Yoj how I caught
Speaker 1: a quasi moto ten dollars? Are you talking about your
Speaker 1: your little brother on your shoulder? Are you referring to
Speaker 1: the possibility of obtaining a lump on your shoulder which
Speaker 1: you could personify as a little brother. In that case,
Speaker 1: I would say, look into ways to attain cancerous growths,
Speaker 1: and then you'll have a little bro on your shoulder.
Speaker 1: Oh what's up? Loocome everybody? All right? I loved it.
Speaker 1: I'm so glad to be remonetized. A's like the work
Speaker 1: gets It's like I got a paycheck again for the work.
Speaker 1: You know, I'm not like working for free or whatever.
Speaker 1: I'm kidding. Y'all were very generous on stream labs, and
Speaker 1: you can still use stream labs if you choose to
Speaker 1: our buddy here big justin let me refresh this. He says,
Speaker 1: you were instrumental in my conversion from Orthodoxy to Protestant.
Speaker 1: I can't thank you enough. Many happy healthy years to
Speaker 1: you and Jamie for your marriage. Thank you again, bro,
Speaker 1: Thank you man. You just you just pay for the
Speaker 1: whole year.
Speaker 3: Dog.
Speaker 1: Only bad news is it all goes to the I
Speaker 1: R S. Jamie's in there laughing, but it ain't no joke.
Speaker 1: It's like, no, I really does go to the RS.
Speaker 1: What you're talking about? Uh? Can something? Can Trump hurry
Speaker 1: up and sign an executive order so I don't have
Speaker 1: to send all of this to the IRS? Can he
Speaker 1: just get rid of this thing? Right now? Trump? Where
Speaker 1: you at? I'm jag efe the wonderful IRS. We're gonna
Speaker 1: do a new Irsh's gonna be great. It's gonna be wonderful.
Speaker 1: It's gonna bring in twenty times more money.
Speaker 4: The I R S?
Speaker 1: The I Have you heard of this?
Speaker 4: The ers?
Speaker 3: Ers?
Speaker 1: Does it irk? More? Likely? The IRK? Does it irk?
Speaker 5: You?
Speaker 1: The I R k irk? You?
Speaker 4: We gotta get rid of it. Probably probably we will
Speaker 4: get rid of the Irish I don't know what youthy.
Speaker 1: Probably we will preempt upart gardens for that five hundred dollars.
Speaker 1: That's what I'm talking about. That's what i'm talking about.
Speaker 1: That's what i'm talking. That's what I'm talking. In dreams,
Speaker 1: I dream all of you. How's it go? Mm hm
Speaker 1: hmmm hm. In dreams, I walk with you, shout out.
Speaker 1: I'm gonna get an IRS T shirt. I'm gonna get
Speaker 1: I want. I want the agents to sign it. Everybody's
Speaker 1: obsessed with James Bond and secret agents. I'm obsessed with
Speaker 1: money agents. That's where the real money is at. Where
Speaker 1: the secret IRS agent signatures. That's what I'm talking That's
Speaker 1: a real James Bond, James Government Bond because he works
Speaker 1: with IRS. Who are all this? What is all this
Speaker 1: Sam talk? I don't even know what you're talking about.
Speaker 1: Are you talking about Sam Shamun? And why is every
Speaker 1: talking about Sam in the chat, the Saint, the Sam Show.
Speaker 1: I'm so jealous of all the Sam's. I can't be
Speaker 1: the SAMs. What if I was Sam hide Shamun and
Speaker 1: I was a morphed mix of those two and I
Speaker 1: just did weird comedy to the Muslims. What would that
Speaker 1: be like Sam Hide Shamin. Somebody make make an ai
Speaker 1: blended image of U Sam Hide Shamun, and then worlds
Speaker 1: will collide. World's collide. In dreams, I walk, will you am?
Speaker 1: I yeah, I look just like Sam Shimun, Sam Hide Moon,
Speaker 1: Sam sham Hide, Sam sham Hide Sam hid Shamun. Sounds
Speaker 1: like a go a great combo. Why is YouTube doing
Speaker 1: ads on a live trenk to pay my bills?
Speaker 3: Dog?
Speaker 1: That's why? Because in dreams, I walk with you and
Speaker 1: you walk with me? Son shout out to free kittens. No,
Speaker 1: that's the dude to ask for quasi motos. He's trying
Speaker 1: to cop a feel on a quasi moto. He wants
Speaker 1: a little brother on his side. Right here, Rinaldo Lopez
Speaker 1: isn't a member. Shout out, man, but we already looked.
Speaker 1: I racked up like one hundred and fifty members in
Speaker 1: a few days. Man, shout out Creed. How would Creed
Speaker 1: sing Roy Orbison songs in dreams? How long? Weird? That's
Speaker 1: pretty good? Actually, tell I messed up. Uh let's see.
Speaker 1: Now we're not gonna start with elephant man, We're not
Speaker 1: gonna start with eraser Head. I'm just not really in
Speaker 1: the vibe for something weird and that level weird and dark.
Speaker 1: Let's start out with Blue Velvet, and this is back
Speaker 1: in the early days of David Lynch. My favorite David Lynch.
Speaker 1: It's hard to say. I mean, I like Twin Peaks
Speaker 1: a lot, probably Twin Peaks, and I like Wild at
Speaker 1: Heart a lot that makes me laugh and Dune, so
Speaker 1: probably ones that people don't expect. You know, there's a
Speaker 1: lot of good David Lynch stuff, but he's one of
Speaker 1: my favorites. Bl says for five dollars, did David Lynch
Speaker 1: go to Heaven? I hope. So we don't know people's destinies,
Speaker 1: but you know, we can always hope that people repented.
Speaker 1: Bob Johnson five dollars. Have you seen the movie Scanner Darkly?
Speaker 1: Of course, it has Keanu Reeves, Robert Downey Jr. And
Speaker 1: a person you might have heard of called Alex Jones
Speaker 1: that I talked to today and I hosted a show.
Speaker 1: So you're asking if I've seen Skinner Darkly, bro I
Speaker 1: was on the damn show of the guy in the
Speaker 1: movie today. What you're talking about, Son? Do the entire
Speaker 1: show in David Lynch's voice, A okay, but will do
Speaker 1: mister B. Ten dollars. Y'all just sending so much money,
Speaker 1: I can't even think. Man, we've already got like seven
Speaker 1: hundred dollars in the stream. We ain't even started yet.
Speaker 1: The stream's already paid for. Man, I ain't gotta do
Speaker 1: it now, mister B. I'll send you a love letter
Speaker 1: straight from my heart mother. Efferr talking raded r, cuss words,
Speaker 1: cussling every day. I'm struggling every day. I'm hustling every day.
Speaker 1: I'm struggle. LNT says for one hundred dollars, Jay, I'm
Speaker 1: ready to the Old Testament. The Orthodox Baptism is coming
Speaker 1: up at POSTCO. I totally understand Christianity. It is superiority
Speaker 1: to Judaism philosophically. But I'm wondering on the basis of
Speaker 1: scripture in the Old Testament, how do you ever do
Speaker 1: you wrestle with doubts about if Jesus is the Messiah?
Speaker 1: And what is your answer? No, because we've done many, many,
Speaker 1: many talks that deal with this issue. For example, the
Speaker 1: talk that I did first, I would start off with
Speaker 1: is Trinity Old Testament. I always forget the title of
Speaker 1: this one, and then there's a newer, updated version. First
Speaker 1: of all, you want to watch this one is the
Speaker 1: newer one. Here, Trinity and the Old Testament Part one.
Speaker 1: I go through the tour up and I just made
Speaker 1: the part two available to subscribers over here the members
Speaker 1: over here for the members, Ta, where's the old one?
Speaker 1: This stuff never comes up here? It is No, that's
Speaker 1: not it. Another one is Trinity of Trinity, indeed of
Speaker 1: Christ and Ezekiel. Once you see that Trinity the Old Testament,
Speaker 1: it's gonna all make sense. It's gonna be obvious. And uh,
Speaker 1: let me try this. I know it says something like
Speaker 1: Jesus is Jesus God or something like that. Let's see
Speaker 1: in dreams I walk this is it is Jesus God
Speaker 1: is God. A Trinity response to critics. That's the first
Speaker 1: one we did six years ago, where I walk through
Speaker 1: tons and tons and tons of Old Testament texts. But
Speaker 1: the updated version, the Trinity in the Torah is even
Speaker 1: better because I go through many, many, many that I
Speaker 1: missed in that old talk right here. So those are
Speaker 1: two places to start. And then on top of that
Speaker 1: is we've done at least two or three podcasts on
Speaker 1: Messianic prophecies, and it's not the handful that evangelicals think, right,
Speaker 1: it's way more more. So go watch those podcasts. A
Speaker 1: couple of those I think we did with Shamun sam
Speaker 1: Hi Shimun. So here's one from five years ago. These
Speaker 1: might be the same. I don't know. But here's a
Speaker 1: clip Messianic Prophecies. There's two hours, twenty minutes. Here's another one.
Speaker 1: I did Messianic Prophecies Part one and this is just
Speaker 1: the psalms. Right, so there's some answers to that big
Speaker 1: fat super chat. Thank you for that. Appreciate all the
Speaker 1: generosities tonight, gener hostilities, tonight, gender hostilities, tonight. Welcome everybody.
Speaker 1: We got five hundred on a nice balmy January evening.
Speaker 1: Let's get into Blue Velvet. This is early David Lynch,
Speaker 1: first sort of big level of success. Now I think
Speaker 1: he was already kind of known for Elephant Man and
Speaker 1: that kind of stuff. But so you know, the Lynch
Speaker 1: had early success, probably earlier than most people most directors
Speaker 1: expect to get. And then we get this very odd
Speaker 1: au tour outing Blue Velvet. Coll McLaughlin, Laura Dern, Dennis Hopper,
Speaker 1: Robert Logia was supposed to play Crazy Frank. He got
Speaker 1: really mad that he didn't play it, and then I
Speaker 1: think that's why he put him in lost Highway. Vaine says,
Speaker 1: for five dollars, maybe it is your internet, but the
Speaker 1: last several streams of the cameras choppy. Yes, this has
Speaker 1: been a long standing problem with the internet in Florida.
Speaker 1: I've had the people out here more times than we
Speaker 1: can count. And I don't know why it does that
Speaker 1: for the I just I don't know. YouTube is always
Speaker 1: telling me that I up, I need to up the
Speaker 1: bit rate. When I up the bit rate, it just
Speaker 1: messes everything up, so I have to I don't know,
Speaker 1: and this has been an ongoing problem for years. So
Speaker 1: I'm at a point where I just don't even know
Speaker 1: what to do. I don't know what to tell you.
Speaker 1: Maybe there's not a solution because if I switch over
Speaker 1: to the bigger, higher connection because we have so cold
Speaker 1: five G, it still doesn't work. In dreams, I walk
Speaker 1: weird from an article. When Wildehart came out, Lynch gave
Speaker 1: Laura Dern animal kits and insects to take apart for
Speaker 1: her to put back together. This scared her well. David
Speaker 1: Lynch is a weirdo. I don't think anybody can deny
Speaker 1: that he was an odd I bought you some animal
Speaker 1: kits and bug kits for you to take apart and
Speaker 1: then put them back together. Anyway, now, I think this
Speaker 1: did well at con And was he already dating Isabella Rosalini.
Speaker 1: I don't remember at this time or was this where
Speaker 1: they met. Perhaps I don't know all the perfect details
Speaker 1: of his life, so you have to forgive me about that.
Speaker 1: But I'm not a huge fan of Blue Velvet. I
Speaker 1: think probably that'll surprise a lot of people. It's hard
Speaker 1: to watch. It's kind of a brutal film. It's dark,
Speaker 1: and I don't mind, for example, twin Peaks Fire What
Speaker 1: with Me? Like, I can watch Firewalk with me. But
Speaker 1: I'm not a huge fan of Blue Velvet. I understand
Speaker 1: it's a well made film, the cinematography, the you know, absurdities.
Speaker 1: Crazy Frank is probably one of the best villains in
Speaker 1: all movies ever. He's probably one of the top villains.
Speaker 1: Thank you for that, by the way, John mister Bee
Speaker 1: says for ten dollars, Michael Heronsie was also considered for
Speaker 1: the role of Frank. Could you imagine that imagine hearing
Speaker 1: don't be a good neighbor in Sam Fisher's voice, Thomas
Speaker 1: Libby became a member, Lil Gain became a member. We
Speaker 1: got a member of Upgrade, We got some Chad members.
Speaker 1: Now we've got Chad nerds, and then people update to
Speaker 1: full Chad. Ten dollars is the full Chad. This is
Speaker 1: the coming of age film. And you know, the first
Speaker 1: thing I think people notice is the darkness under the
Speaker 1: perceived facade of Americanism. And this will be a theme
Speaker 1: that runs all the way through Lynch films. You have
Speaker 1: what appears to be fifties suburban America, and people are out,
Speaker 1: you know, watering the yard, and there's the milkman and
Speaker 1: all this kind of stuff. And then you've got a
Speaker 1: severed ear laying in a yard card and we enter
Speaker 1: the ear. If I recall JV free for two dollars, Jay,
Speaker 1: bring Jamie, bring Jay a double espresso. Yeah, you know
Speaker 1: what's up. You know how it works around here. Shout
Speaker 1: out to that dude. Thank you guys again for all
Speaker 1: these generous super chastity. If you would hit like as well,
Speaker 1: we've got to get them likes up. And so it's
Speaker 1: I tended to be a critique of what we think
Speaker 1: of as perfect Americana in the fifties suburb era. But
Speaker 1: it's also an eighties movie. But there's nothing really in
Speaker 1: terms of the vibe or the esthetic or the feel
Speaker 1: of the movie that makes us think it's the eighties,
Speaker 1: even though it's the eighties, and we know it's the eighties.
Speaker 1: Everything is fifties, and I've always liked that juxtaposition that
Speaker 1: sort of throws us off. And I think a lot
Speaker 1: of movies since this time have tried to copy this.
Speaker 1: If you watch, for example, and not always bad, it's
Speaker 1: it's not a bad copy. If you watch it follows,
Speaker 1: it's very difficult to exactly place when it's happening. It
Speaker 1: Follows is contemporary, but no one uses or has cell phones,
Speaker 1: even though it's contemporary, and the TVs the imagery a
Speaker 1: lot of its eighties and so it's kind of has
Speaker 1: this eighties horror feel to it, but it's contemporary and
Speaker 1: yet nobody has a cell phone, which I liked. And
Speaker 1: you know, Colin McLaughlin is coming of age and he's
Speaker 1: experiencing changes in his body, and he's interested in girls,
Speaker 1: and he's a high schooler. I forget exactly what if
Speaker 1: he's like a senior. Maybe he's a senior, but he
Speaker 1: really likes Laura Dern and they're obviously kind of a
Speaker 1: perfect match. She's also a high schooler. And yet he
Speaker 1: is obsessed with the lounge singer at this local club
Speaker 1: who's played by Isabella Russolini, who ends up being his
Speaker 1: girlfriend for many years. Maybe they were married, I can't remember.
Speaker 1: And if you don't know, Isabella Rosalini is of course
Speaker 1: Ingrid Bergman's daughter, So Hollywood Royalty. David Lynch was able
Speaker 1: to immediately link up with Hollywood Royalty right there. And
Speaker 1: you'll notice other themes that are present here that will
Speaker 1: reappear throughout the rest of the Lynch Cannon. The ominous,
Speaker 1: omnipresent red curtain. Of course, the curtain comes up in
Speaker 1: Mahon Drive. The curtain comes up in Twin Peaks in
Speaker 1: the in between, as well as even kind of the
Speaker 1: lounge singer, right because we get Julie Cruz and Twin
Speaker 1: Peaks and we get no Hi Bondo and that weirdo
Speaker 1: Hispanic booby chick singing in Mahland Drive in front of
Speaker 1: the curtain and doing the sort of lounge singing, so
Speaker 1: there's there's a weird lounge theme going on, and also
Speaker 1: kind of the voyeuristic thing. That voyeurism is a kind
Speaker 1: of a theme in this and other elements that we
Speaker 1: probably can't really discuss over here on the y T.
Speaker 1: But I think if we see this as kind of
Speaker 1: a kind of a it's a horror satire really, that
Speaker 1: is what I think this movie is. And you'll notice
Speaker 1: a lot of things that that sort of tie into
Speaker 1: Twin Peaks. That Lumberton I think is a connection to
Speaker 1: the the Sawmill's Josie Packers Sawmill, all of the the
Speaker 1: critique of the dark underbelly is also a big part
Speaker 1: of Twin Peaks. But we have this villain that is
Speaker 1: and this of course is the scene at the beginning,
Speaker 1: as we said, where everything seems normal and healthy, and
Speaker 1: then through his fascination and obsession you could say with
Speaker 1: Isabella Rosalini, he's immediately sort of set on this adventure
Speaker 1: with all of these weirdo quacks, creeps and lunatics. Because
Speaker 1: of course, Isabella Rosdellini is the lover girlfriend to Dennis
Speaker 1: Hopper who plays Crazy Frank, and originally Crazy Frank's sort
Speaker 1: of tick was supposed to be that he inhales nitrous
Speaker 1: oxide and that's supposed to make him talk in helium voice.
Speaker 1: They all felt it was too absurd, and Dennis Hopper
Speaker 1: said it was too difficult to constantly talking helium voice
Speaker 1: and play Crazy Frank. But that would have actually been
Speaker 1: pretty funny because if you recall in I Think While
Speaker 1: to Heart, we get the return of people just out
Speaker 1: of nowhere having helium voice, which is very absurdist. But
Speaker 1: instead Dennis Hopper said, no, it's got to be sodium
Speaker 1: amatal or something like that, which kind of makes you
Speaker 1: feel loopy and crazy, I think, And he said, I
Speaker 1: got to play Frank because I am Frank. I am
Speaker 1: this crazy wacko dude. And I'll see his father was Oss,
Speaker 1: So that there's a weird thing with Dennis Hopper background
Speaker 1: being Oss. Dean Stockwell there who is the woman wearing
Speaker 1: woman clothes wearing person who doesn't actually sing but pantomime
Speaker 1: mouths the Roy Orbison song. For some reason, Crazy Frank
Speaker 1: as this obsession with watching him pantomime the song. It's
Speaker 1: all super bizarre because Crazy Frank is literally like just
Speaker 1: totally crazy weird fixations, has a fixation on shall we say,
Speaker 1: smacking ladies around, so to speak. And in Isabella's case,
Speaker 1: she's into this heath to me, don't he he to me,
Speaker 1: don't eat me, as she says to Colm maicclaughlin. And
Speaker 1: this throws comic Laughlin for a loop because he's just
Speaker 1: a young guy thinking about, Oh, here's a you know,
Speaker 1: attractive older woman. I'm gonna get wild have some fun here,
Speaker 1: and he's immediately thrown into how shall we say, sex weirdness,
Speaker 1: and he doesn't know how to process this, but his
Speaker 1: stepping into that domain, that temptation, leads him down this
Speaker 1: road of almost dying by falling in with this crowd
Speaker 1: of absolute lunatics. And I think that's the best part
Speaker 1: of this film. And by the way, the same sort
Speaker 1: of demonic insanity of wearing lady things and makeup, seems
Speaker 1: to also be part of Frank's psyche, right, And I
Speaker 1: guess we're supposed to just think Frank is this this
Speaker 1: he's kind of a drug dealer or maybe a kind
Speaker 1: of a gang, but his gang is just the most
Speaker 1: out just insane, outlandish, a bunch of weirdos, right, So
Speaker 1: he definitely makes I think for the greatest villain, probably
Speaker 1: one of the top villains of all time, and I
Speaker 1: love we begin to see I mean you kind of
Speaker 1: saw some of this in E Raise Her Head, but
Speaker 1: you begin to see the things that will become staples
Speaker 1: in later Lynch films, like just the random weirdos in
Speaker 1: the background. You know, you've got this fat chick over there,
Speaker 1: this dude standing on the couch. You get the stock
Speaker 1: Well pantomiming Roy Orbison songs, singing into a lamp. Dennis
Speaker 1: Hopper's obsessed with it. Just there's the background weirdos, right,
Speaker 1: Just that is almost enough. Look there's a guy back
Speaker 1: there playing with tape and the absurdism comes to the
Speaker 1: foe here to make this also a very funny film.
Speaker 1: A lot of people don't think about David Lynch movies
Speaker 1: as comedy, but they're actually really comedic. And if you've
Speaker 1: not watched, if you've only watched Waldehart like once, go
Speaker 1: back and watch it because the more you watch Wild
Speaker 1: at Heart, the funnier it becomes. And of course I'm
Speaker 1: not gonna spoil it for you if you've never seen it,
Speaker 1: but it's a great film on certain levels. It's just
Speaker 1: not my favorite David Lynch film, there might be some
Speaker 1: Rosicrucian symbolism going on, because the rose imagery does play
Speaker 1: kind of a key element in the film. And I
Speaker 1: think at the very end, we see call McLoughlin comes
Speaker 1: home after all this nightmare adventure that he's been on,
Speaker 1: and he goes, I'm going on this joy ride with Frank,
Speaker 1: and you know, Frank says to hint to Jeffrey, You're
Speaker 1: like me, We're the same. And then Jeffrey ends up
Speaker 1: killing Frank, and it ends on the ear and the bird,
Speaker 1: And I think the point here is that that bird
Speaker 1: is actually the same. It's like very similar to the
Speaker 1: bird at the beginning of Twin Peaks. So it's kind
Speaker 1: of like Blue Velvet kind of sets the stage for
Speaker 1: the next phase of Lynch. Yeah, I forgot to mention, Yeah, exactly.
Speaker 1: So we're talking about Hollywood royalty and intelligence agencies, we
Speaker 1: can't forget Bruce Dern and the Dern family. They come
Speaker 1: from a long line of actual skull and bones Henry
Speaker 1: leoce Oss people, right, So Laura Derns, I think Granddad
Speaker 1: it is was part of the He was like the
Speaker 1: Secretary of Defense or the Secretary of War back then,
Speaker 1: and that is significant. Dave McGowan makes note of this
Speaker 1: in Weird Season Inside the Canyon because he connects both
Speaker 1: Bruce Dern the father or the uncle for what it is,
Speaker 1: but the one that was like secretary of War, and
Speaker 1: then the Darns being kind of Hollywood royalty. As a result,
Speaker 1: you've got Hopper's dad being oss and there are we
Speaker 1: don't know if this is true, but there's reports that
Speaker 1: Dennis Hopper was also interested in the OTO, and Dean
Speaker 1: Stockwell was reportedly a member of the OTO. So quite
Speaker 1: a bit of Hollywood royalty into Yo Crolean stuff going
Speaker 1: on in the From the outset here but we're gonna
Speaker 1: move on to wild Heart is a version of oh
Speaker 1: waitever you get pulled up, excuse me, Wizard of Oz.
Speaker 1: So if you didn't know Waldehart is Wizard of Oz.
Speaker 1: This is a few years later we get the nineteen
Speaker 1: ninety film We're Gonna Go, We're Gonna Do Twin Peaks.
Speaker 1: I know that's nineteen ninety to ninety two, but I
Speaker 1: wanted to mention Waldeheart because this one is more of
Speaker 1: a comedy. And of course Laura Darn's mom plays Laura
Speaker 1: Darn's mom. In the film, Nicholas Cage plays the character
Speaker 1: of Sailor perfectly. He's it's a very absurdist satire of
Speaker 1: America and Americanism once again, and here America is Oz.
Speaker 1: So you have the Wizard of Oz motif pasted on
Speaker 1: to this absurdist presentation of another adventure of these sort
Speaker 1: of these two teenage rebels that kind of run away
Speaker 1: from the controlling figure of Lord Dearn's mom, and then
Speaker 1: these other well we later find out are mafia people
Speaker 1: in the background. There's a lot of occultic stuff going on.
Speaker 1: And while at heart that is worth mentioning, we're not
Speaker 1: going to delve too deeply into that because I'm gonna
Speaker 1: put the uneceessary colleague with three. There'll be some discussion
Speaker 1: of this, uh and I mean there's voodoo comes up.
Speaker 1: There's this sort of Illuminati character in the film who
Speaker 1: you know. I think he's a sort of a maybe
Speaker 1: a Southern Dixie mafia type of character, and eventually he
Speaker 1: calls for the assassination of Sailor and Willem Dafoe I
Speaker 1: think plays a very so this wow, this one and
Speaker 1: the con film festal I forgot that so he won
Speaker 1: Best Picture in con At nineteen ninety for this. But
Speaker 1: Willem Defoe plays a kind of demonic another villain in
Speaker 1: the film. But ultimately it's a satire. It's very funny
Speaker 1: and uh voodoo plays a key role in the film.
Speaker 1: And we also see characters that kind of reappear later
Speaker 1: when they are at the Texas ranch where the shall
Speaker 1: we say, the Piggy movies are made. There's a character
Speaker 1: that walks by in the background who appears to be
Speaker 1: the Cowboy, and the Cowboy makes his odd appearance as
Speaker 1: everyone knows in Mahan Drive. Now, I don't know if
Speaker 1: it's the same actor, but it's almost like there is
Speaker 1: this overlap of the dream worlds and the various universes,
Speaker 1: so to speak, in all throughout David Lynch films and
Speaker 1: throughout the Lynch Cannon and greatest example of us. How
Speaker 1: does Wild at Heart end? Well, it ends with Laura
Speaker 1: Palmer as the good Witch Glinda, because I remember it's
Speaker 1: the Wizard of Oz story appearing to Sailor when he
Speaker 1: gets beat up. And I think that's something that not
Speaker 1: many people point out about. I mean, if you're a
Speaker 1: really big Lynch nerd you will know about and you
Speaker 1: will have paid attention to the overlap throughout the Lynch universe.
Speaker 1: And another example is Audrey Horn. If you're remember and
Speaker 1: Wild at Heart, there's this scene where Sailor and what's
Speaker 1: her face, they're driving across the Lost Highway in the
Speaker 1: desert and they come across a rack and it's Cheryl
Speaker 1: Rylyn Finn from Quinn Peaks, right, and she's had this
Speaker 1: head injury and she doesn't know what's going on. And
Speaker 1: it's as if this might be when Audrey Horn leaves
Speaker 1: Twin Peaks to go to Hollywood. Is this her going
Speaker 1: on her way and then encountering Sailor and Lord Dern.
Speaker 1: Is that a possibility? Not many people, I don't think
Speaker 1: have noticed this or mention this, but this is a
Speaker 1: common feature in Lynch films. So when Nicholas Cage and
Speaker 1: Sailor's beat up and he's about to give up, you
Speaker 1: get Laura Palmer as the good Witch Glinda, who tells
Speaker 1: him to get up and run to Laura Dern. Right,
Speaker 1: and then keep in mind this notion of the world's overlapping.
Speaker 1: I thought this is gonna have this to be the
Speaker 1: scene where we see sherylyn Finn in Well at Heart.
Speaker 1: Let's see, yes here it is. Now if you're a
Speaker 1: super different David Lynch NERD then you have noticed this.
Speaker 1: But I've not really seen anybody else noticing this. So
Speaker 1: you'll notice, as Sailor and Lula are driving down the
Speaker 1: law Highway, it looks just like Fred Madison at the
Speaker 1: beginning of Lost Highway, right, He's driving on this desert,
Speaker 1: you know, upside down ether in the inside the ether
Speaker 1: in the middle of nowhere desert highway. And then they
Speaker 1: come across the rack where sheryln Finn has this head wound.
Speaker 1: And you're gonna notice head wounds also recurring themes and
Speaker 1: David lynch movies, because when we get to Lost Highway,
Speaker 1: the balth is our getty excuse me, the yeah, bath
Speaker 1: is our getty character Pete relates, doesn't he also have
Speaker 1: a head wound two? And this relates to kind of
Speaker 1: his dissociative state. The characters are oftentimes in sort of
Speaker 1: fugue states and dissociative states due to head wounds. And
Speaker 1: here again, I don't know if this is intended to
Speaker 1: be Horn wandering away on her way to California, but
Speaker 1: in Twin Peaks when she decides to leave, is it
Speaker 1: wasn't she going to California to be an actress or something?
Speaker 1: And then of course she dies, and presumably it is
Speaker 1: supposed to be Audrey Horn, but that speculation. But I
Speaker 1: do want to go to Lost Highway because now things
Speaker 1: are getting a little more esoteric, and then we're gonna
Speaker 1: go to Twin Peaks and you get a lot of overlaps.
Speaker 1: And in the Lost Highway we have, of course this
Speaker 1: man Robert Blake playing the Man in Black or this
Speaker 1: sort of enigmatic, demonic entity. Fred Madison is played by
Speaker 1: Bill Pullman, who in the first half of the film
Speaker 1: we think this is just sort of a successful Hollywood
Speaker 1: musician who starts having these really weird things happen to him.
Speaker 1: He starts receiving these vhs, VHS copies appearing at his doorstep,
Speaker 1: and the vhs are images of people walking inside of
Speaker 1: his house and taping him while he's asleep at night.
Speaker 1: And so they bring in these cops and it's very
Speaker 1: confusing and nobody can seem to figure out what's going on,
Speaker 1: and we find out that Patricia Arcuat, who's sort of
Speaker 1: the girlfriend wife character to Fred Madison, she has been cheating.
Speaker 1: And so as we begin to piece this together, we'll
Speaker 1: go come over to my analysis. I noted that it's
Speaker 1: although this mystified most people, what connects it is the
Speaker 1: rest of the David Lynch films and the patterns that
Speaker 1: will notice the doubling, the dissociation, the few states, the
Speaker 1: mpdd I d let me see what I got into.
Speaker 1: Shamanic journeys, I think are a good way to understand
Speaker 1: Lynch films. So we're going on a kind of a
Speaker 1: psychedelic journey, and that's the intention, I think, and that's
Speaker 1: why they are stories that are pieced together out of
Speaker 1: David Lynch's transittal meditation, dream states and or both. And
Speaker 1: so they're going to be nonlinear. They're going to be
Speaker 1: influenced by a lot of nineteen forties, fifties and noir,
Speaker 1: especially things like you know, Sunset Boulevard, other films like Persona,
Speaker 1: and those are keys to understanding the architecture and the layout,
Speaker 1: so to speak. Of how to understand a David Lynch film.
Speaker 1: We're also going to need to understand and be aware
Speaker 1: of things like Hindu philosophy and metaphysics. That's going to
Speaker 1: be a big element in Lost Highway. Tibetan Buddhism is
Speaker 1: a key to a lot of things, especially Twin Peaks,
Speaker 1: and then other conspiratorial motifs I think that Lynch doesn't
Speaker 1: explicitly talk about a whole lot do play into his films,
Speaker 1: such as the notions of alternate personalities, trauma based mind control,
Speaker 1: which are never explicit, but I think they're in the background.
Speaker 1: And one of the reasons I think that I'm right
Speaker 1: in that analysis was that when I did my lengthy
Speaker 1: Twin Peaks breakdown many years ago, to me, that was
Speaker 1: there in a lot of the symbolism throughout the first
Speaker 1: two seasons of Twin Peaks in the film, and then again,
Speaker 1: as you guys know, as we pointed out many times,
Speaker 1: when Mark Frost put out the History of Twin Peaks book,
Speaker 1: the Big Green Book, that was all vindicated, multiple chapters
Speaker 1: detailing the entire history of Twin Peaks as an esoteric
Speaker 1: occult presentation. We have mentions of Kroley SCX magic. Literally
Speaker 1: all of the stuff that I said was one spot
Speaker 1: on if you read and Mark Frost is the co
Speaker 1: writer with Lynch, So for those that don't know it's
Speaker 1: the big green Try remember the exact title of the book.
Speaker 1: I don't have it at this house. Let's see, it's
Speaker 1: Twin Peaks History. If you are a Twin Peaks nerd,
Speaker 1: it'll be then you you will want the Secret History
Speaker 1: of of Twin Peaks by Mark Frost. It's actually big.
Speaker 1: It's a cool, big hardback green book right here. Yeah,
Speaker 1: it's really good. And most of again, most of what
Speaker 1: I theorized was one percent medicated, even to the point
Speaker 1: of like the ring being kind of a Krollyan magic ring.
Speaker 1: Like even that was mentioned. I was like, man, I
Speaker 1: just got everything correct on this one. But back to
Speaker 1: while de heart so, Fred Madison is experiencing the suppressed
Speaker 1: this is my theory memories of murdering Patricia Arquett So
Speaker 1: his wife who had cheated on him. He'd had enough
Speaker 1: of it. He is the result of her early demise.
Speaker 1: But he's almost dissociated and repressed these memories, like he's
Speaker 1: they're out of his head, right, So he doesn't even
Speaker 1: he's so repressed these memories that he's dissociated and actually
Speaker 1: does not remember doing it. And the VHS copies of
Speaker 1: the Stalker that appear at his doorstep. They either are
Speaker 1: or are not him, or just his memories of the
Speaker 1: pieces of the evidence of what he did coming back
Speaker 1: to haunt him. And so this is all suppressed and
Speaker 1: sort of hidden. So speaking is subconscious, and it's too
Speaker 1: much a guilt for him to face up to the
Speaker 1: murder of his wife or an a and two others.
Speaker 1: Due to this vengeful jealousy is what led to an
Speaker 1: associative split in his consciousness and his dark side became possessed.
Speaker 1: And so the man in black that we see at
Speaker 1: the party is essentially it's the devil. The first scene
Speaker 1: is an anxious thread lighting a cigarette. The igniting of
Speaker 1: a flame is a staple of Lynch films, and it
Speaker 1: signifies this dark, foreboding or evil presence that's about to emerge.
Speaker 1: And I know, I'm I was not happy that David
Speaker 1: Lynch passed away, but of course cigarettes happened to unfortunately
Speaker 1: be what led to his passing. So don't smoke cigarettes.
Speaker 1: The fire walk right, fire walk with me, the lighting
Speaker 1: the fire of a cigarette. This is the shamanic practice
Speaker 1: right when you're firewalking, and that is done supposedly through
Speaker 1: a demonic power, tapping into the spirits to be able
Speaker 1: to walk on fire right. So it's either a possession
Speaker 1: or a demonstration of demonic power. And thus it also
Speaker 1: corresponds to the walk or the journey that the medicine
Speaker 1: man or the shaman takes. Right, one shouts out between
Speaker 1: the world's fire walk with me. That's a shamanic phrase.
Speaker 1: The famous Twin Peaks phrase, right, is about the shamanic journey.
Speaker 1: Now I'm not into that really, I've read quite a
Speaker 1: bit about it. I've had my past times of bad
Speaker 1: acid trips. I've had enough of those. So I've done
Speaker 1: the firewalk, so to speak, and I've been on the
Speaker 1: shamanic quest. I have no desire to go back on
Speaker 1: a shamanic quest. They were pretty nightmarish in my experience.
Speaker 1: But I have called out between two worlds, don't fire
Speaker 1: walk with me? And I think, I think if you
Speaker 1: have done hallucinogens, maybe David Lynch films do come easily
Speaker 1: to They come more naturally, I guess, than if you
Speaker 1: have not. But the idea I think is that it's
Speaker 1: a national journey of the shaman as well in terms
Speaker 1: of the viewer, and it's a it can be a
Speaker 1: hallucinogenic or a spiritually new state, taking you down a
Speaker 1: ritual path of in the case of the shaman, a
Speaker 1: personal dismemberment and then reassemblage. That's a resurrection motif. And
Speaker 1: I'm not just saying that. Let's like I've got a giant,
Speaker 1: big fat academic text I've read on shamanism. It's Oxford
Speaker 1: Publicational History Shamanic Traditions, and they actually say that in
Speaker 1: the book that that's the common pattern, in an archetypal sense,
Speaker 1: across various shamanic traditions is that the shaman has to
Speaker 1: be eaten by the gods, spit out, and then put
Speaker 1: back together. And it's a resurrection motif, a death barrel
Speaker 1: resurrection motif that we find in shamanic religions and traditions.
Speaker 1: In Lynch's film, it is Fred, or our shaman, who
Speaker 1: will be resurrected. His wife, Renee, is the one that
Speaker 1: will undergo this dismemberment, and it is Fred who will
Speaker 1: suffer the punishment of guilt and torture with no escape
Speaker 1: from this self imposed cyclical nightmare prison. And you'll notice
Speaker 1: that Roseanne Arquette is pictured in this sort of scarlet
Speaker 1: woman motif, sort of maybe a Krollian image. I'm not sure,
Speaker 1: but if you've read the Senator Forces trilogy, Peter Leavendez says,
Speaker 1: I learned this is quoting David Lynch an interview. I
Speaker 1: learned that just beneath the surface, there's another world, and
Speaker 1: still different worlds as you dig deeper. And so for
Speaker 1: the artist, Lynch, I think sees himself as a shamanic
Speaker 1: adventurer who is plumbing the depths of the subs. This
Speaker 1: is what he believes he's doing in transittal meditation and
Speaker 1: then drawing out of these worlds or these realms, an
Speaker 1: idea that, as Lynch says an interview, it's becomes a
Speaker 1: whole world. So you catch an idea, and that idea
Speaker 1: brings with it this string of pearls of other ideas
Speaker 1: and associations. You have an idea of I don't know,
Speaker 1: Naomi Watts opening a box, and then you need the
Speaker 1: music that goes with that, and does this box open
Speaker 1: up a whole nother alternate reality this kind of stuff.
Speaker 1: So there is a sort of Hindu multiverse idea going on.
Speaker 1: Perhaps that's also in Tibetan Buddhism. I'm not sure, Ndred Percent,
Speaker 1: I'm not super studied on I know a little bit
Speaker 1: about Tibetan Buddhism, but I think they have this kind
Speaker 1: of view of multiple worlds or something. But that's where
Speaker 1: Lynch is pulling from. I definitely know that exists in
Speaker 1: Hindu thought, and Hinduism is really a key to inn Empire.
Speaker 1: I decoded a lot of Inland Empire, but I did
Speaker 1: find another guy's video who went way beyond me, and
Speaker 1: he got like you got it all. So like some
Speaker 1: dude like devoted some legit time and literally has decoded
Speaker 1: Inlin Empire. It's pretty wild too. I mean, like the
Speaker 1: level of I mean, I don't care about Hinduism per se,
Speaker 1: but like the level of Hindu lore, theology, and metaphysics
Speaker 1: that this guy went into or maybe he knew to
Speaker 1: decode Inland Empire was pretty intense. And I'll show you
Speaker 1: this video in the moment, you guys can go watch that.
Speaker 1: I will cite that guy in my analysis. Somebody was
Speaker 1: bitching the other day, like when you did your Twin
Speaker 1: Peaks analysis, you just got shit from rob Ager. Are
Speaker 1: you aware that when you write in academia, you source
Speaker 1: it in a footnote And if you read my chapter
Speaker 1: I cited rob Ager in the footnotes. That's how analysis works.
Speaker 1: No one analyzes something or writes in you know, a
Speaker 1: professional or academic setting and makes it all up on
Speaker 1: the spot, knowing everything on their own. Everyone reads other
Speaker 1: people's research and then you write in the footnotes where
Speaker 1: you got it. That's what everyone does, dummy. There's no
Speaker 1: such thing as somebody who just like Fresh, comes to
Speaker 1: some you know, great work of art and like knows
Speaker 1: it all right away and decodes it without looking at
Speaker 1: tons and tons and tons of secondary literature. So to me,
Speaker 1: it was just like the stupidest comment I've ever heard.
Speaker 1: There's these absolutely ignorant, just goobers, never written a college paper,
Speaker 1: no idea. What all you do is cite your sources, dummy,
Speaker 1: And everyone has to do that. Do you think David
Speaker 1: Lynch like didn't watch anyone else's movies and he just
Speaker 1: raw fresh, just sort of putting out movies as if
Speaker 1: they're not influenced by Cobbetan, Buddhism, trans meditation and all
Speaker 1: the other tons of directors that he's talked about that
Speaker 1: he likes. Of course this is idiotic, but recurring features
Speaker 1: that we see in David Lynch films are things like
Speaker 1: the flickering light that's happening when there's a demonic, dark,
Speaker 1: spiritual presence, or even something otherworldly that's being invading our reality.
Speaker 1: We see this in Twin Peaks Far Awall with Me
Speaker 1: when Chris Isaac and Keifer Sutherland arrive at the diner
Speaker 1: at the very beginning. The lights are flickering, and we
Speaker 1: see other Twin Peaks characters popping in and out there
Speaker 1: as well, people from other dimensions, the logsmen, the woodsmen,
Speaker 1: I should say, pop up there. We have the flickering
Speaker 1: lights when Justin Thurreau talks to the cowboy in muhulland Drive.
Speaker 1: So flickering lights happen a lot. Rotating things happened a lot.
Speaker 1: And the reason rotating thing has happened a lot, I
Speaker 1: think has to do with cyclical reality, cyclical versus h
Speaker 1: you know, beginning, middle end, structures of time, philosophies of time.
Speaker 1: That's a key point in Inland Empire. Inland Empire is
Speaker 1: definitely premised on an acyclical view of time, and that's
Speaker 1: why it shifts back and forth between the Polish prostitutes
Speaker 1: one hundred years ago. Fast forwarding to Laura dern today
Speaker 1: and that's key, like they have to understand all that's
Speaker 1: like Hindu, you know, Buddhist Tibetan Buddhist views of time.
Speaker 1: That's not Western, you know, Biblical chronological time. I forgot
Speaker 1: what it's going to go to. It every sometimes going
Speaker 1: to pull up flickering light. Oh ybody's gonna pull up.
Speaker 1: So you'll notice ceiling fans. The ceiling fans are often
Speaker 1: appearing in David Lynch films on purpose. It's not accidental.
Speaker 1: They're appearing because there's an intended signification. These also come
Speaker 1: up to David Lynch films music videos as well. Of
Speaker 1: cyclical time. Right, So it's like the records playing over
Speaker 1: and whatever. The record is a recording, no high bindo,
Speaker 1: there is no recording there. It's all recorded, but there
Speaker 1: is no recording. In Twin Peaks season three, you get
Speaker 1: the record player out in space or in the ether
Speaker 1: that is sort of playing into existence reality like a
Speaker 1: musical note. That's another theme going on here, and that's
Speaker 1: because David Lynch was a musician as well and did
Speaker 1: quite a few things with Crysta Bell, like Crystal Bell
Speaker 1: quite a bit. Her music is pretty good, and you'll
Speaker 1: notice all of those videos are also very Lynchian. So
Speaker 1: we'll look at one of these in just a second.
Speaker 1: I don't like all of there's one of her songs
Speaker 1: that I'm not happy with, but we'll look here. So
Speaker 1: the song, one of the bigger songs that she wrote
Speaker 1: with David Lynch, has all the lynching symbolism that we're
Speaker 1: all familiar with. And how does it begin? The record player? Right,
Speaker 1: so the record player is playing, it's it's cyclical history.
Speaker 1: The rest of the imagery is not super relevant to
Speaker 1: our discussion. There is some sort of like monarch type
Speaker 1: symbolism with monarch butterfly. I think she looks in the mirror,
Speaker 1: the mirror breaks. Let's see, here's the monarch stuff right here.
Speaker 1: I lost it. There's the I feel like this. Here's
Speaker 1: the log, right, so we get log lady. Here, here's
Speaker 1: the log in the crystal Ball video. Where is the
Speaker 1: monarch symbolism? I just saw it in this one. There's
Speaker 1: like some like Russian hit man who comes and assassinates her.
Speaker 1: But it's supposed to be symbolic for her heart, right,
Speaker 1: like you broke up with me and so you know
Speaker 1: now it's like a hit man killed me that's kind
Speaker 1: of the surface level analysis of the video. I'm just
Speaker 1: trying to find that one scene with the butterflies here
Speaker 1: it is, so here's her, She's pictured next to the
Speaker 1: Monarch butterfly imagery, and then she undergoes a death after
Speaker 1: she's been stabbed out here. This is a very Lynching
Speaker 1: imagery here talking on the phone. But the other video
Speaker 1: that they together, the song they did together, is sort
Speaker 1: of another Monarch theme film where Bird of Flames, that
Speaker 1: would be the Phoenix, right, So she's a phoenix and
Speaker 1: she emerges from the ashes from her cocoon. It's a
Speaker 1: very Lynchian video again, bird in the cage, which can
Speaker 1: symbolize alternate personalities in the subconscious, and then the emerging
Speaker 1: from the cocoon. And what's interesting about the rest of
Speaker 1: the video to watch it, she's even though she's emerged
Speaker 1: from the cocoon as a new creation, as perhaps this
Speaker 1: pop star or whatever she's supposed to be, she's essentially
Speaker 1: controlled like a marionette, right, So she doesn't have free will.
Speaker 1: She's sort of the mind controlled pop star. That's at
Speaker 1: least kind of the read that I have of this,
Speaker 1: and it just illustrates that even when we go into
Speaker 1: the music videos, Lynchian themed and written things have all
Speaker 1: of the same language of symbols, so to speak. But
Speaker 1: back to Lost Highway, the flickering electronic light appears elsewhere
Speaker 1: it announces the appearance of the Cowboy, bizarre character who
Speaker 1: speaks in nomic riddles across between Gary Cooper and David Carrodine,
Speaker 1: that is the cowboy in Twin Peaks. The light over
Speaker 1: the morgue blinks where the body Laura Palmer's found, and
Speaker 1: then we have the visitation of Mike, the one our
Speaker 1: man who recites the poem through the darkness of futures past.
Speaker 1: The magician longs to see one chance out between two
Speaker 1: worlds fire walk with me. So we know this is
Speaker 1: a reference to ritual magic and the shamanic hallucinogenic journeys,
Speaker 1: and that's precisely what Mark Frost's book ends up vindicating. Thus,
Speaker 1: in that one little strange verse, we kind of have
Speaker 1: a key to unlocking the mysteries not only Twin Peaks,
Speaker 1: but virtually all of the lynch canon. It is a
Speaker 1: suspension of normal laws of time, that is the cyclical
Speaker 1: as I mentioned, and so we get the words future
Speaker 1: passed and the idea that the magician lives between these
Speaker 1: two worlds, the waking world, the dream state, the conscious world,
Speaker 1: the surreal state. And Lynch is a surrealist filmmaker. He
Speaker 1: is influenced, by his own admission, by many surrealist filmmakers
Speaker 1: like Cocktau and others, and the surrealists actually wanted to,
Speaker 1: through their art destroy the border between the surreal, the
Speaker 1: waking state, and the dream state. That is the purpose
Speaker 1: of surrealism is to remove the veil between those two
Speaker 1: to the extent that even the artist might believe that
Speaker 1: there is no longer that veil and that they are
Speaker 1: in a waking dream state. Even in Dune we get this.
Speaker 1: The sleeper must awaken, the awakened, wake the waking dream.
Speaker 1: Thus the entire canon and corpus of Lynch is a dreamlike,
Speaker 1: hallucinatory set of images that do actually contain quite a
Speaker 1: bit of consistency over the different decades and narratives they're
Speaker 1: taking place all over the fourth dimension. And this is
Speaker 1: Lynch's appeal as a director, and it's what makes his
Speaker 1: films frustrating for most film goers. His realization is that
Speaker 1: there are two worlds, and the artist, the sham and
Speaker 1: the director stands between these two worlds, and that is
Speaker 1: what contributes to his aura as a twenty first century
Speaker 1: perhaps initiate of the ministry of the mysteries. And when
Speaker 1: I say mystery serims again like mystery in the pagan
Speaker 1: initiatory sense. That's the analysis that you read, for example
Speaker 1: on Blomeing three of simisor forces. And I think this
Speaker 1: is the key to lost title as well. The shamanic
Speaker 1: magical elements are out in full force. Spread is a
Speaker 1: character trapped in a different psychical, indifferent psychical worlds. It
Speaker 1: seemed to envelop sue me, me unfold and envelop other psyches.
Speaker 1: And this is where it gets really confusing. Fred walks
Speaker 1: to his front door and he hears police sirens and
Speaker 1: a voice that says Dick Laurent is dead. The key
Speaker 1: to my thesis is that the film is a cyclical
Speaker 1: mental prison and that the end of the film shows
Speaker 1: who the voice was saying Dick Lauren is dead. It
Speaker 1: was Fred himself, and so we've got two Freds speaking
Speaker 1: so dissociation. The police sirens are the cops coming after
Speaker 1: him after the murder of Renee. This is at the
Speaker 1: very end of the film. So the very end of
Speaker 1: the film is the very beginning. That's a big record
Speaker 1: playing cycle. You see.
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Speaker 1: Cyclical. As we said, the beginning narrative is the cops
Speaker 1: coming after him because he of the murder of Renee,
Speaker 1: Andy Pete and mister Eddie known as Dick Laurent. The
Speaker 1: mobster sort of got the next few scenes that truth
Speaker 1: is hinted at as Renee and Fred begin to receive
Speaker 1: the odd VHS tapes on their doorstep and they begin
Speaker 1: to feel like they're being stalked and surveiled. They blow
Speaker 1: it off. Eventually, this leads to the cops coming, and
Speaker 1: of course we find out as he said, that she
Speaker 1: has cheated on him, and he eventually snaps and in
Speaker 1: a rage, had apparently not just done her in but
Speaker 1: actually perhaps in a shamanic way, ritually dismembered. For this,
Speaker 1: it's a very gruesome death. And the idea, I think
Speaker 1: is that there's something demonic and shamanic going on here,
Speaker 1: and so that all comes out when he's you know,
Speaker 1: comes back and he's trying to get whether they're trying
Speaker 1: to be intimate, he's trying to mac on her, and
Speaker 1: we get the Cocktau Twins famous song Song of the
Speaker 1: Siren that I dream you dreamed about me again. Dream
Speaker 1: within a dream is the reference here. Fred dreams that
Speaker 1: night that night that he cannot find Renee, and he
Speaker 1: is immediately confronted by the strange presence of the camera
Speaker 1: that frightens him. It is if Fred's world has come
Speaker 1: in contact with us the viewer, we have the breaking
Speaker 1: to the fourth wall. The reason for that, I think,
Speaker 1: is that Lynch believes that there are worlds of worlds right,
Speaker 1: dreams within dreams. So breaking the fourth wall is this
Speaker 1: world from within David Lynch's subconscious and psyche that he
Speaker 1: has pulled out. What he thinks is this whole other
Speaker 1: potential world that we must now see as a world.
Speaker 1: We have just seen into it and been exposed to
Speaker 1: a new world. And that's why David Lynch oftentimes in
Speaker 1: the interview speaks this way. He says, you know, I
Speaker 1: walk into a place and I have a feeling, and
Speaker 1: it's a world. It's a whole world. That's why when
Speaker 1: we get to inl An Empire and Laura Dern burns
Speaker 1: a hole with a cigarette and a cloth and she
Speaker 1: looks through it, it's.
Speaker 4: A whole world.
Speaker 1: You see. When this presence appears of the camera, which
Speaker 1: is us looking into Fred's world, it is that Fred's
Speaker 1: world has come in contact with us, and this thus
Speaker 1: the coming of the Man in Black is what later
Speaker 1: Fred sees being recorded at the very end. So there's
Speaker 1: an overlapping of these different experiences in worlds. The meaning
Speaker 1: here is the jumbling up of these dream worlds that
Speaker 1: Fred is lost in. In the dream state, a smoke appears,
Speaker 1: of fire roars, and the face of the man in
Speaker 1: black appears upon Renee's face. The man in black is
Speaker 1: the devil whom Fred has given entrance into his consciousness too.
Speaker 1: In union archetypes and studies psychoanalysis, the house is an
Speaker 1: image of the mind. Rooms are like memories or places
Speaker 1: where within the brain where memories are stored storehouses of memory,
Speaker 1: so to speak. Fred's house is thus the mind, his mind,
Speaker 1: and the entrance of the devil into this house is
Speaker 1: the beginning of the cause of Fred's suppressed guilt, madness,
Speaker 1: and personality. Splitting from this trauma and wickedness that he's committed.
Speaker 1: Fred's displaced guilt for murder is placed upon Renee. He's
Speaker 1: actually guilty, but he blames her even though she's not guiltless.
Speaker 1: She did cheat, but that doesn't give him the right
Speaker 1: to engage in this gruesome revenge. This is precisely why
Speaker 1: he projects evil onto her and sees the devil in
Speaker 1: her face, but it is actually Fred that is possessed
Speaker 1: with the devil. It's important to note that in Fred's
Speaker 1: dreams he walks deeper and deeper into dark hallways into
Speaker 1: the bedroom. This is him going further and further into
Speaker 1: his own subconscious uncovering the truth of the crime that
Speaker 1: he committed, and thus he's suppressed. As the next VHS
Speaker 1: tape arrives, it is even more frightening, and it shows
Speaker 1: that camcorder entering the house and filming them sleep. Fred
Speaker 1: insists that Renee watch it. She is reluctant, but his
Speaker 1: insistence demonstrates that he is likely the culprit. When the
Speaker 1: cops arrive, they are suspicious that Fred is the one
Speaker 1: behind it. In reality, we don't know for sure yet
Speaker 1: what's real and what's a dream stay in regard to
Speaker 1: these videotapes. But what we do know is that Fred
Speaker 1: wants Renee to feel threatened and that she is a
Speaker 1: surveillance for his infidelities. In other words, it is Fred,
Speaker 1: and Fred's doing it because he wants to scare Renee
Speaker 1: from cheating, And so we get this weird element of
Speaker 1: like all seeing eye panopticism, surveillance, but it's actually Fred
Speaker 1: that's behind it, or is the perhaps even Lynch speaking
Speaker 1: to the future of a totally panoptic surveilled society that
Speaker 1: we're going into, perhaps there is that element as well.
Speaker 1: I mean, this is the world that we're going into,
Speaker 1: the video drone world where everything is tracked to trace.
Speaker 1: AI is going to be watching over us all supposedly
Speaker 1: according to Larry Elson's Project Stargate theory, but that's a stretch.
Speaker 1: We don't know if that's what was meant. Sorry, no,
Speaker 1: not you. I don't even talk to you, right now, Hush, hush, Sirih. Okay, yeah,
Speaker 1: go away. I'm not talking to you. You and I
Speaker 1: are we're broke. We're breaking up, sirih. I'm breaking up
Speaker 1: with you. I'm with Jamie. I can't be with you anymore, Siri. Jamie,
Speaker 1: I'm not with Sirih anymore, Jamie. Can you come here?
Speaker 1: I broke up with Siris, so you and I can
Speaker 1: be a couple. Hear me? Could you make me an espresso?
Speaker 1: So we get the idea here about you know, I'm
Speaker 1: not gonna keep rehashing all this Fred stuff. We get
Speaker 1: the famous party scene where the man in black, Robert Blake,
Speaker 1: comes to the party. They have this creepy conversation that
Speaker 1: he's already in Fred's house and Fred invited him in.
Speaker 1: And so I think that's a key to my thesis,
Speaker 1: my analysis here that the long dark hallway is the
Speaker 1: interest into his subconscious. At the end of hall he
Speaker 1: sees himself in a mirror, and we understand, Oh wait,
Speaker 1: there's two freds. Fred has been trauma based mind control's
Speaker 1: patrols split or he's the source of his own trauma
Speaker 1: based mind control through his evil, which caused the dissociative
Speaker 1: split or he was always dissociative and Darkfred is the
Speaker 1: man in black that possesses his threat. This caused him
Speaker 1: to split, and this is why he did what he did,
Speaker 1: and it was kind of a dark ritual event. He's
Speaker 1: being interrogated. And then this is where it's a little
Speaker 1: more difficult to interpret. But I think Lynch does this
Speaker 1: quite often in his films. We see this form of
Speaker 1: doubling in Wild at Heart, where Isabella Rosolini plays two
Speaker 1: different characters who seem to be the same. We'll see
Speaker 1: the same doubling actually in this film where Patricia Arquette
Speaker 1: has one version of her with Fred Madison and there
Speaker 1: seems to be another Patricia Arquette in the whole second
Speaker 1: half sequence with the p ro N director. So a
Speaker 1: lot of doubling going on, a lot of and that's
Speaker 1: a Hitchcock thing, right, Hitchcock would do this kind of doubling,
Speaker 1: and it introduces this interesting element of confusion and mystery
Speaker 1: that we can't exactly pinpoint who is who. We get
Speaker 1: it with Laura Dern too, right, because Laura Dern in
Speaker 1: an Empire is breaking the fourth wall. Laura Dern, the
Speaker 1: actress in the movie getting a role. But when there
Speaker 1: is the dissociative flashing back to the prostitutes in Poland
Speaker 1: and them being trafficked here through the circus people, that
Speaker 1: seems to be another Laura Dern anyway, Or is that
Speaker 1: Laura Dern the prostitute in the nineteen forties or whatever
Speaker 1: it is right, the Polish girl. It's intentionally confusing. But
Speaker 1: whether we interpret Pete as an altar in the psyche
Speaker 1: of Fred Madison or a completely different person who perhaps
Speaker 1: has had this mystical astral connection with Fred Madison. The
Speaker 1: movie now switches to the character Pete, and so we
Speaker 1: have kind of a totally different movie. This is almost
Speaker 1: two movies, one movie and then another movie, and then
Speaker 1: a merging of the two movies at the end to
Speaker 1: make sense of this madness. So this is actually, I
Speaker 1: think very well done. I actually I like Lost Highway
Speaker 1: better than Blue Velvet. It's just so wild. And when
Speaker 1: I first saw it, I hated this movie. It didn't
Speaker 1: make any sense to me. I thought it was just crazy.
Speaker 1: But I like it now looking back years later, now
Speaker 1: that I understand the sort of shamanic and multi dimensional
Speaker 1: thing going on with it. There's also a critique of
Speaker 1: Hollywood going on here. And this is why my friends
Speaker 1: and I we kind of call this the Hollywood trilogy.
Speaker 1: So we have we have Lost Highway, we have mohaland Drive,
Speaker 1: and then we have Inland Empire, and this kind of
Speaker 1: loose trilogy, so to speak, forms a interesting critique of Hollywood.
Speaker 1: You know, you have other films like Well to Heart
Speaker 1: and Twin Peaks critiquing America. Then we're getting the critique
Speaker 1: of Hollywood itself. And we are introduced into this not
Speaker 1: so much a dream world, but a nightmare world of
Speaker 1: prawn moguls, movie stars, mobsters with the Eddie mister Eddie character,
Speaker 1: and even perhaps satanic colts. And now it's not all explicit,
Speaker 1: it's all very subtle and very odd and perhaps even
Speaker 1: s n uff right, perhaps this event with the Roseenne
Speaker 1: Arquette character has been filmed, because the filming of these
Speaker 1: things seems to be or play a key role at
Speaker 1: the very end of the film, when we have the
Speaker 1: guest appearance of Marilyn Manson and all these weirdos watching
Speaker 1: whatever has been filmed. So mister Pete threatens mister Eddie,
Speaker 1: I should say, threatens Pete, who is the baltha Zargetti
Speaker 1: plays a young mechanic in this second film that is
Speaker 1: tempted with a different version of Roseenne Arquette, who is
Speaker 1: the girlfriend of the mobster. He begins an affair with her,
Speaker 1: and of course this leads to a bunch of drama
Speaker 1: as Pete is enticed by the fem fatale. He ends
Speaker 1: up chasing her into the wilderness. They're going to have
Speaker 1: some intimacy there out. Her name here is Alice. Did
Speaker 1: it not do right? Did you hit two? It just
Speaker 1: tasted like a cup of coffee.
Speaker 3: I don't know.
Speaker 1: They just do their own thing, don't they. Did you
Speaker 1: do something different? All right? So, either this is a
Speaker 1: different character or this is Fred Madison reimagining himself as
Speaker 1: Pete in the way that he would have lived out
Speaker 1: his life right with the danger and the you know,
Speaker 1: seducing this beautiful woman away from the mobster. You know,
Speaker 1: you can read this either way. But it ends with
Speaker 1: them being taken out to the Lost Highway hotel where
Speaker 1: Renee is cheating with a Dick Lorent. This I think
Speaker 1: is the memory that Fred Madison has of where he
Speaker 1: found them cheating. So, in other words, the sequence of
Speaker 1: events when Fred went and discovered this and then ended her.
Speaker 1: These fragments of memories are all being pieced together in
Speaker 1: the mind of another character. So I'll end it with that.
Speaker 1: There's more to this. You can go read the rest
Speaker 1: of it here at my website if you want to
Speaker 1: read that. But I'm going to rewrite this and it'll
Speaker 1: be in the new book as well as Inland Empire.
Speaker 1: In the new book, Astar Color with three. So that's
Speaker 1: Lost Highway, and again Lost Highway ends where it begins
Speaker 1: twin Peaks. David Lynch moves into the domain of television,
Speaker 1: and it's just so wild when you watch this show.
Speaker 1: I mean, you would never see a TV show like
Speaker 1: this on a major network or films like Lost Highway
Speaker 1: being in theaters. It's just so foreign to the way
Speaker 1: we think nowadays, and how movies and theatrical releases progressed
Speaker 1: to think that something so wild occultic, insane, abstract, bizarre,
Speaker 1: absurdist dark. You would just never have something like Lost
Speaker 1: Highway or in the movie in theaters. And I can't
Speaker 1: remember if Lost Highway did that way, it might not
Speaker 1: have done that well in the box office. Let's take
Speaker 1: a look and see really quick, just out of curiosity,
Speaker 1: because I can't imagine Americans had any idea like what
Speaker 1: the heck this was about? You know what I mean,
Speaker 1: Like nobody knew. You know, we know a lot more
Speaker 1: about all this stuff nowadays than in the nineties. Dude, Normies.
Speaker 1: Can you imagine normis watching us. We'd have no idea
Speaker 1: what that's going on? This stuff? Here we are twenty
Speaker 1: years later at reading, after reading hundreds of books and
Speaker 1: all this stuff, beginning to piece all this crazy stuff together,
Speaker 1: and like a nineties normy like they would have no idea,
Speaker 1: what the that's going on? Now? I forgot what I
Speaker 1: was looking at. Oh yeah, let's see what did Lost
Speaker 1: Highway do in the box office? I will be surprised
Speaker 1: if this was a success. Three million, three point eight
Speaker 1: million in the box office. How much did it cost?
Speaker 1: It doesn't say how much it costs. So and critics
Speaker 1: did not like Firewalk with Me. I watched an old
Speaker 1: interview with David Lynch yesterday and he was like, I
Speaker 1: hope one day critics take another look at this film.
Speaker 1: I think it's good. I do think it's good too.
Speaker 1: I actually like it quite a bit. In Let's see
Speaker 1: if it was any kind of a success. It was
Speaker 1: not a box office success, cost ten million and made
Speaker 1: four so and of course David Lynch not having final
Speaker 1: cut on Dune, he hates Dune. I don't hate Dune.
Speaker 1: I think it's good even though everybody hates it. I
Speaker 1: think the key to this is to watch the longer version,
Speaker 1: and nerds on the internet have like reconstructed it with
Speaker 1: like storyboards that help explain the background, like for the
Speaker 1: first thirty minutes. If you can find these old nerd versions,
Speaker 1: they're pretty good. It ends up being a out of
Speaker 1: three to four hour movie. And you know, when David
Speaker 1: Lynch was interviewed, he's like, there is no three hour Doom.
Speaker 1: There's not that he did. But nerds have pieced it
Speaker 1: together and there is one, so there kind of is,
Speaker 1: and you can still find it going around the internet.
Speaker 1: I think I even found it on YouTube ironically, like
Speaker 1: the full, you know, three and a half hour nerd cut,
Speaker 1: it's pretty good. I actually I actually like the full,
Speaker 1: the full. If I watched the David Lynch Dune, I
Speaker 1: watched the nerd cut of the three and a half
Speaker 1: fan made version, because that's kind of what it was
Speaker 1: supposed to be. But this was a huge flop in
Speaker 1: terms of the Dala reentises. We're very mad about this.
Speaker 1: I would be two right, forty to forty two million
Speaker 1: dollars and it makes thirty to thirty seven, So they
Speaker 1: lost millions of dollars on it. David Lynch, for whatever reason,
Speaker 1: I forget why didn't have final cut on it, and
Speaker 1: so he has forever complained and said that it was
Speaker 1: just a giant disaster and that he would never ever
Speaker 1: do a film without getting final cut again. But Firewalk
Speaker 1: with Me was not. Also, I can't imagine this making
Speaker 1: sense to the audiences. Like, I mean, the lore of
Speaker 1: this show is just so out there, and it brings
Speaker 1: in so many different things from detective fiction to soap opera, satire,
Speaker 1: dark comedy, the occult. You know, by the time we
Speaker 1: get Wyndham Earl, he's like a straight up Satanist. So
Speaker 1: you've got like hardcore dark Satanism going on. You've got UFO,
Speaker 1: MJ twelve stuff coming in with the major I mean,
Speaker 1: it's just all like so much weird, all over the
Speaker 1: place stuff going on. And we have even had some
Speaker 1: overlap with Twin p with the X Files, with the
Speaker 1: David d'covney t r NZ t R a n Z
Speaker 1: character which also in a kind of in a way
Speaker 1: is kind of prophetic. But and another element, by the
Speaker 1: way of the overlap with Twin Peaks is blue Rose,
Speaker 1: blue Rose. What's blue Rose? Well, in season three we
Speaker 1: got more indicators of what that was, because Crysta Bell
Speaker 1: plays the FBI operative in charge of the Blue Rose cases,
Speaker 1: and we find out that blue Rose is X files.
Speaker 1: Blue Rose is FBI investigations of occult paranormal phenomena that
Speaker 1: they that the normies can't explain. And of course blue
Speaker 1: Rose is a key element to what's going on in
Speaker 1: Twin Peaks, where you have this pool of oil out
Speaker 1: in the middle of the woods, which is kind of
Speaker 1: an ancient alien ritual. It's an ancient Indian ritual site
Speaker 1: that also is this doorway between the worlds, and so
Speaker 1: that's the same world that the shaman, the magician, the
Speaker 1: firewalker walker is entering. And so because we in the
Speaker 1: modern world are so divorced from the way that the
Speaker 1: ancient medieval world thought, the way man or the way
Speaker 1: man in shamanic traditions thought, they saw the world as
Speaker 1: a network of corresponding symbols, a language of symbols, and
Speaker 1: not just symbols abstractly, but symbols imbued with actual occult powers. Right,
Speaker 1: so there would be a language, a commonality amongst these symbols,
Speaker 1: a correspondence, an occult correspondence, the doctrine of correspondences, as
Speaker 1: it's called. And you'll notice that throughout Twin Peaks, especially
Speaker 1: because the point of it is that the rest of
Speaker 1: Twin Peaks, all the normies. They can't really fathom the
Speaker 1: fact that, first of all, Leland is kind of in
Speaker 1: this loosely speaking group of men who are into sex stuff,
Speaker 1: but he begins to be possessed and is doing unimaginable
Speaker 1: things with his daughter, Laura Palmer. Laura Palmer's supposed to
Speaker 1: be sort of the prom queen. She's the prettiest girl
Speaker 1: in school, and she's also a dissociative because she's in
Speaker 1: being abused by her own father, who's a member of
Speaker 1: this ring symbolized by the ring, and they're basically into
Speaker 1: Krollian sex magic. That's what we can derive from the
Speaker 1: mark for book. For example, Moral Autist sends two dollars,
Speaker 1: did you ever use tobacco? I smoked American spirits for
Speaker 1: about six years five years, and then we quit and
Speaker 1: then i'd vait for a little while, but that was
Speaker 1: just to quit smoking cigarettes. Mark's aid five dollars. Have
Speaker 1: you seen the Japanese psychological horror Cure? I have not
Speaker 1: not familiar with it. Maybe I should write that down.
Speaker 1: You guys always give me really great recommendations, so I
Speaker 1: need to be more attentive to the things that you
Speaker 1: guys talk about, because a lot of times I write
Speaker 1: these down, I forget them or the piece of paper
Speaker 1: gets gets lost. But Cure nineteen ninety seven, so yeah,
Speaker 1: I appreciate that. I'll take a look at it. It
Speaker 1: covers elements of Western mysticism and esotericism that you often
Speaker 1: talk about. Well, that's odd that it's a Japanese film
Speaker 1: that covers those elements, but I guess that does make sense.
Speaker 1: John Kell twenty bucks. Thank you so much, man. I
Speaker 1: appreciate that you guys are being very generous. Tonight we
Speaker 1: got a lot of new members. John Kell became a member.
Speaker 1: He's a Chad member, straight white male. Five dollars. I
Speaker 1: fell asleep listening to you talk about this for the
Speaker 1: last thirty minutes, and I had an insane dream. Well
Speaker 1: that will happen, especially as we're talking about the insane
Speaker 1: dream world of Dave Lynch stormed the Cat since ten
Speaker 1: Bucks and says in Twin Peaks when a Tulpa is destroyed,
Speaker 1: they turned into a black sphere of smoke coming from it.
Speaker 1: And this also happens in Inland Empire. Yeah, thank you
Speaker 1: so much. Like I mean, I'm sure there's all kinds
Speaker 1: of common allergies and correspondences that I missed, so you
Speaker 1: guys can bring in these kinds of things as well
Speaker 1: that I even miss. George Lucas asked Dave Lynch to
Speaker 1: direct Return the Jedi, and he didn't do it because
Speaker 1: he chose to do Dune. Yeah. This is a classic
Speaker 1: Hollywood story that David Lynch has told over the years,
Speaker 1: and I bet he wishes that he had chosen Return
Speaker 1: of the Jedi. Uh. But you know what, I still
Speaker 1: love Dune. I don't. I don't even care that David
Speaker 1: Lynch doesn't like it if I get to watch my
Speaker 1: I mean, I grew up with the David Lynch Dune.
Speaker 1: It's just I have a giant, expensive poster of the
Speaker 1: David Lynch Dune. That's how much I like the David
Speaker 1: Lynch dune. You know, I also, you know, I always
Speaker 1: wanted to meet David Lynch or interview David Lynch. So
Speaker 1: I guess that won't be possible. But I thought at
Speaker 1: one point we got kind of close, we were almost
Speaker 1: going to have an interview with Laura Palmer. That that
Speaker 1: was a that was on the table a few years ago.
Speaker 1: But that never that never came to fruition. But that's okay, Jay,
Speaker 1: that I guess that could still happen. I can still
Speaker 1: try to interview her. Jay Dunn popped them off. I'm curious,
Speaker 1: what is your everyday carry? What do you carry in
Speaker 1: your pockets every day? Are you talking about what gun
Speaker 1: do we have? I don't understand, like we have a
Speaker 1: I have a Nato barrel at my house, Polish barrel rifle,
Speaker 1: and then I have a fancy, expensive Italian rifle that
Speaker 1: my dad gifted me the other day. And then I
Speaker 1: have a small luger. That is the daily carry. I
Speaker 1: don't know if you're talking about, like what bubble gum
Speaker 1: is in my pocket? That gum you like, is going
Speaker 1: to come back swarm the cat. No, I already read that.
Speaker 1: Let's see Eric z says for five dollars, you must
Speaker 1: read Jay Dyer's book Esoter Collywood. This is not optional. Well,
Speaker 1: guess what, there's also esoter Colleau with two, and there's
Speaker 1: also Esoteric Hollywood three. Somebody said, appeal to poster fallacy exactly. Anyway,
Speaker 1: I'm not going to rehearse, you know, everything about Twin
Speaker 1: Peaks because you know this is stuff that this is
Speaker 1: where he's talking about Blue Rose, by the way, because
Speaker 1: it's in the books. We've covered it. It's it gets
Speaker 1: especially into the notion of Jack Parsons, you know, opening
Speaker 1: up the portal through that the ritual stuff when we see,
Speaker 1: you know, in season three, the entity coming out of
Speaker 1: the big the White Sands Trinity Site explosion. I covered
Speaker 1: that in the That's the Call You Wood two, and
Speaker 1: I'll read a little bit from Sex and Rockets, I
Speaker 1: think is what this is from. No, this is from
Speaker 1: Secret Society's psychological warfare. The reason that the Trinity Site
Speaker 1: and the explosion is relevant is that the creation of
Speaker 1: destruction of primordial matter or premium materia at the head
Speaker 1: or the ancient of days White Sands, New Mexico Trinity
Speaker 1: Site matters is because this is the beginning of the
Speaker 1: ancient Western road known as Old Mexico or the Journey
Speaker 1: of the Dead in terms of the topography, Fabled alchemy
Speaker 1: has always had three goals to accomplish. Before the complete
Speaker 1: decay of matter, the total breakdown that we were witnessing
Speaker 1: today was fulfilled through number one. The creation and destruction
Speaker 1: of primordial matter, that's the supposed atomic explosions. The killing
Speaker 1: of the divine king. This is of course either referring
Speaker 1: to archetypically Christ JFK, etc. And the bringing of prima
Speaker 1: materia into prima terra. That's what is an now chemical
Speaker 1: analysis of Manhattan Project and all the stuff that's going
Speaker 1: on that even people like Jack Parsons are trying to
Speaker 1: do with the I'm trying to remember the name of
Speaker 1: There's a whole section on this in the Mark Frost book.
Speaker 1: I'm trying to remember the name of the site. We
Speaker 1: can look it up where Parsons thought he was going
Speaker 1: to open up like a demon portal. That's what's going
Speaker 1: on in season three. If you've ever wondered about the
Speaker 1: weirdness of season three with the demonic portals in Twin Peaks,
Speaker 1: is universe there's different places where these portals open up, right,
Speaker 1: So in the woods in Twin Peaks where they call
Speaker 1: what they call Glastonbury Grove where the oil is, that's
Speaker 1: one portal that opens up to the other side. Trinity
Speaker 1: Site was another portal, and that's why you see that
Speaker 1: demon coming through the portal in season three or Twin Peaks.
Speaker 1: I was trying to remember the name of Jack Parson's
Speaker 1: ritual site where he thought he was going to open
Speaker 1: up one of these portals. It's actually you can actually
Speaker 1: drive to this in California because we were thinking about
Speaker 1: Devil's Gate. Damn, that's it. Before FDA moved to Montana,
Speaker 1: we were talking about going to look Parsons Portal to
Speaker 1: hell this is it. Supposedly it is in the caverns
Speaker 1: somewhere around the JPL laboratory. Anyway, here's a Vice magazine
Speaker 1: article about it from twenty twelve, so you can see, like,
Speaker 1: obviously this is you know, I'm not making this up.
Speaker 1: And again, the reason how I know that this is
Speaker 1: related to Twin Peaks is because it's literally listed and
Speaker 1: explained in the Mark Frost's book, who wrote Twin Peaks,
Speaker 1: that this is about Twin Peaks straight white male. No,
Speaker 1: we already read that. Excuse me anyway, So we the
Speaker 1: reason that how does this relate to Laura Palmer Well,
Speaker 1: the opening of the portals, they're supposed to be apocalyptic,
Speaker 1: and there's a connection between Bob and Lamb because Croley's
Speaker 1: babylon working, the ritual that is supposed to initiate the
Speaker 1: end of days is what opens a portal to the
Speaker 1: infernal plane that in Crolian system is supposed to bring
Speaker 1: about the birth of Antichrist. And I'm going to read
Speaker 1: from Mark Frost's Twin Peaks book. He says, the word
Speaker 1: of the law is Thelma, do what thou wilt shall
Speaker 1: be the whole of the law. Love is the law,
Speaker 1: love under will. He recites this as if addressing a
Speaker 1: congregation by wrote like a groat, like a groove on
Speaker 1: a record. Did you hear that spinning record? Then he
Speaker 1: turns his eyes and he speaks to me. Intimately, this
Speaker 1: is supposed to be Jack Parsons speaking about the history
Speaker 1: of the Portals in the Twin Peaks book. Okay, do
Speaker 1: you see the power of the will is all without
Speaker 1: arrows or without agape, love and sex joined together. Will
Speaker 1: is nothing but hollow patriarchal power without direction or force.
Speaker 1: This is Jack Parsons speaking. What he taught us is
Speaker 1: that both forces must exist in balance. In order to
Speaker 1: stand beside God, you have to first reject the idea
Speaker 1: of God. Then and only then will you become Will
Speaker 1: you come to realize you are God. Every man and
Speaker 1: every woman is a star. That's Parsons citing Croley. I see,
Speaker 1: I notice he's worrying about. He's wearing a ring on
Speaker 1: his finger, A flat green stone it is. It is
Speaker 1: something stitched with some sort of inscription. Jack Parson says,
Speaker 1: rockets and magic m agik, the arts of rebellion against
Speaker 1: the limits of gravity and inertia and the limits of
Speaker 1: human existence. We will only be held down earth bound
Speaker 1: for so long. Two sides of the same coin. He
Speaker 1: then takes what looks like an ancient silver coin from
Speaker 1: his pocket and performs a sleight of hand with it.
Speaker 1: Suddenly there are two coins, just like in While at Heart,
Speaker 1: when the mobster, the mobsters and the people with him,
Speaker 1: they have the coins. Alchemy isn't about chemistry only. It
Speaker 1: is about turning or turning base metals into gold. Medieval
Speaker 1: philosophers and alchemists knew this. Even Isaac Newton knew this,
Speaker 1: but their knowledge was lost until Crowley brought it back.
Speaker 1: This is Mark Frost, the right of Twin Peaks, telling
Speaker 1: you what Twin Peaks about. You see, Alchemy totally speaks
Speaker 1: to internal processes, radical revolution in our spiritual development, transforming
Speaker 1: the base metals of primitive man into gold or the
Speaker 1: enlightened soul. Rockets and magic are both about breaking through
Speaker 1: animal boundaries of space and time that hold us back
Speaker 1: from realizing our true potentia. Either way, both will someday
Speaker 1: take place. So that's directly from Mark Frost. And that's
Speaker 1: why when you see the little the little drawing of
Speaker 1: the two mountains with the that's the portal between the
Speaker 1: two twin Peaks, you say. And lastly on this point,
Speaker 1: I also think you have to have known and studied
Speaker 1: and read about things like the mob Zone from Kenneth Grant,
Speaker 1: because when Cooper gets trapped in the other world, he's
Speaker 1: stuck in the mob Zone. It's intentionally mauv and I
Speaker 1: interpreted that to be literally from beyond the Mob Zone
Speaker 1: by Grant, another one of Croley's followers, and I also
Speaker 1: go into the symbolism of what Lamb is and what
Speaker 1: Bob is and all that. I'm not going to repeat
Speaker 1: all that, but David Bowie plays a key role, of
Speaker 1: course in I mean it's brief, but it's a crucial
Speaker 1: role in the film Firewalk with Me. And that's Ralevant
Speaker 1: because of course David Bowie was for a good time
Speaker 1: in involved in the Hermetic Order of the Golden Dawn,
Speaker 1: so he was also a kind of Crowleian for a while.
Speaker 1: But what I wanted to end with was in terms
Speaker 1: of Twin Peaks, was that a lot of people weren't
Speaker 1: were confused about Laura Palmer and that she was in
Speaker 1: the notion of Judy or jow Day. Jow Day is
Speaker 1: said to be an ancient Sumerian deity. Let me, I'll
Speaker 1: just read this and you can come to your own conclusion.
Speaker 1: As Dougie stumbles awake into Awakening as the real agent Cooper,
Speaker 1: the rest of the crew in Twin Peaks unravels the
Speaker 1: twenty five year old mystery of the disappearance of Major Briggs, Dougie,
Speaker 1: like Diane, we later learn tulpas they're beings created from
Speaker 1: the mind out of Tibetan Buddhism. More portals are discovered
Speaker 1: and Andy being sucked into them. In one is shown
Speaker 1: visions by the Giant discovering the secrets above Laura and Coop.
Speaker 1: Andy's visions become the key to discovering the full meaning
Speaker 1: of the series, as he sees six and then another
Speaker 1: six and another six, and the location of Laura's imprisonment,
Speaker 1: prisonment being in a world where Laura works at a
Speaker 1: diner called Judy's or jow Day's. Meanwhile, Mister C seeks
Speaker 1: out Agent Jeffreys David Bowie in his present form in
Speaker 1: this universe, which is as a large teapot. He has
Speaker 1: instructing them that he has been. He's already seen. You
Speaker 1: don't need to see Jude. So this is pulling all
Speaker 1: the way from Twin Peaks Firewalk with Me. You don't
Speaker 1: want to talk about Jude Joo Day the ancient Sumerian Mesopotamia.
Speaker 1: Mister C has apparently slept with Audrey and has given
Speaker 1: her driven her insane. We later discover while Laura's mom
Speaker 1: is fully possessed by what appears to be a demon
Speaker 1: called Judy or jow Day, perhaps Laura's mom is now
Speaker 1: jow Day following the awakening Cooper in the Destruction of Bob,
Speaker 1: Cooper decides that he can enter the portal and find Laura,
Speaker 1: who has been stuck in a time loop and imprisoned
Speaker 1: by jow Day. Jow Day was instructed by the agent
Speaker 1: Cole David Lynch. Excuse me, Dowaday, We were instructed by
Speaker 1: David Lynch, who plays the agent character is the ancient
Speaker 1: Sumerian demonesse form of bay All in what was called
Speaker 1: a blue rose case. And so the Blue Rose Case,
Speaker 1: going back to Chris Isaac and Keeper Sutherland later on
Speaker 1: Christa Bell is the investigation of the demonesque bay All
Speaker 1: possess saying Laura Palmer's mom. Mark Frost's books says in
Speaker 1: stories from ancient Samarian mythology dating to about three thousand BC,
Speaker 1: jow Day is the female form of Utuku, an escaped
Speaker 1: wandering demones that feeds on human suffering garmin bosia. It
Speaker 1: was said that the female and the male form, the
Speaker 1: male form is Bayal. Never ever married well, I can't
Speaker 1: maybe I meant to put maybe this's a typo never
Speaker 1: married well on Earth. The union would produce an even
Speaker 1: more mint eleven being that would Hasten the end of
Speaker 1: the world, and so perhaps Laura Palmer is the end
Speaker 1: of the world. Some people have argued that, and so
Speaker 1: Laura Palmer's the apocalypse. I don't know what do you
Speaker 1: guys think, but that's definitely the meaning of jow Day.
Speaker 1: Do you have any thoughts on Twin Peaks Twin Perfect
Speaker 1: popular YouTube video theory twin Peaks actually explained, I have
Speaker 1: not watched that, so I can't speak to somebody else's analysis.
Speaker 1: I mean, if they are working from the Mark Frost book,
Speaker 1: then it's probably gonna be the same type of analysis
Speaker 1: that you hear from me. But I don't know, so
Speaker 1: I can't speak to that. I mean, once I wrote
Speaker 1: my stuff and then I saw that Mark Frost pretty
Speaker 1: much vindicated all that. I didn't go too deep into
Speaker 1: a bunch of other people's Twin Peaks material, but I
Speaker 1: did go deep into other people's inl An Empire material.
Speaker 1: So let's look at, for example, this video, which I
Speaker 1: thought was really well done. I'm not familiar with this
Speaker 1: guy doesn't have many subscribers, but this video did pretty good.
Speaker 1: And we'll look at just a second of this.
Speaker 4: Weird for the same being weird. He replies by saying, no,
Speaker 4: you never do that to an audience.
Speaker 2: He hopes to believe that's clues on beautiful because we
Speaker 2: are detective small things so and then see things.
Speaker 1: Out, and that's true. David Lynch says this all the time,
Speaker 1: that we are detectives and we love to piece together
Speaker 1: stories and figure them out. So with that mindset, it
Speaker 1: doesn't make sense that in an empire, for example, would
Speaker 1: be something completely.
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Speaker 1: Unsensible, he says.
Speaker 2: The fastest don't need him to help them out In
Speaker 2: figuring out his films, and that the beauty is doing
Speaker 2: it for yourself.
Speaker 4: Well.
Speaker 2: Telling the audience is a meaning robs them of the
Speaker 2: joy of thinking and feeling it through to come to
Speaker 2: a conclusion by one's own merits. In the cases of
Speaker 2: most films, it is practically impossible to have all the answers.
Speaker 2: Sometimes people look too much into small details. That does
Speaker 2: the product of randomness. All we're chosen with no reasons
Speaker 2: in particular, like blue boss is the key for Wohl
Speaker 2: and Drive, for example.
Speaker 4: Other aspects are based on real life experiences like the.
Speaker 1: Now you'll get these quotes where I don't know what
Speaker 1: that means. I don't know what the block the blue
Speaker 1: box with the blue key is or whatever. From All
Speaker 1: and Drive. I theorize in my book that that's another dissociative,
Speaker 1: you know, multiple personality thing going on. And we didn't
Speaker 1: talk about mahaland Drive tonight, but that is also in
Speaker 1: Eswater Hollywood one. So I mean, again, it's a thing
Speaker 1: that we've talked about so often that I didn't feel
Speaker 1: the need to kind of go through that again. If
Speaker 1: you do want to read my analysis, you can get
Speaker 1: Esso Turk Hollywood one, which has Twin Peaks and Maholland
Speaker 1: Drive and then Essa tur Hollywood two has Twin Peaks
Speaker 1: Season three and fire Walk with Me really long in
Speaker 1: depth analyses. I went pretty deep on season three in
Speaker 1: my second book, and of course Inland Empire and uh
Speaker 1: Mahland Drive as she Lost Highway and maybe some Blue
Speaker 1: Velvet will be in Ester Hollywood three, which will be
Speaker 1: out in a couple months. Most likely. I've got three
Speaker 1: hundred and twenty pages right now.
Speaker 2: So he intocome seeing from Lost Highway. Oh, this is
Speaker 2: his number one, introducing herself as a new neighbor.
Speaker 4: In summary, I'm.
Speaker 1: Not gonna play this whole video. I'm just pointing out
Speaker 1: that this guy, I did watch his video a few
Speaker 1: months ago. He went really deep into it. We're gonna
Speaker 1: skip over here to the spirituality of Inlin Empire. I
Speaker 1: think this is the key and why this guy got
Speaker 1: it right.
Speaker 2: The original story was about a couple of married lovers
Speaker 2: who had an affair, were caught by those passes and
Speaker 2: then murdered by.
Speaker 1: Each other's house.
Speaker 2: Before the female lover is killed, she prosecutes herself to
Speaker 2: survive after being thrown out of her husband's house while
Speaker 2: reincarvation isn't mentioned explicitly, the concept is implied with many
Speaker 2: characters being shown to have lived a previous life.
Speaker 1: Yes, so here we have the Hindu or perhaps still
Speaker 1: Tibetan Buddhism notions of reincarnation. That's a key element to
Speaker 1: how it can be. You know, characters in different generations
Speaker 1: linking up with their past.
Speaker 2: Lot we just said it in the past that he
Speaker 2: believes in reincarvation, and the whole film is known to
Speaker 2: be plagued with the displays of religious spiritual beliefs. Before
Speaker 2: some screens of the film, he likes presenting a quote
Speaker 2: from one of the most important Hindu texts, referencing how what.
Speaker 1: Did I say? Hindu text?
Speaker 2: Even though the faults and inventions by humans, they end
Speaker 2: up living in it and not knowing how to get out.
Speaker 4: He also used a chode in Twin Peaks.
Speaker 1: Elected dream dreams, then lives inside the dream. I forgot
Speaker 1: there was a Monica Balucci cameo in season three or
Speaker 1: Twin Peaks. We are like the dreamer who dreams and
Speaker 1: then lives inside the dream. We are like the dreamer
Speaker 1: who dreams and then lives inside the dream.
Speaker 2: The people living in the film make up their own
Speaker 2: stories and then live and tide them.
Speaker 4: Thus the stories become their lives.
Speaker 1: What do we say about Fred Madison Exactly.
Speaker 2: That's why the curse of the story consists in the
Speaker 2: actors ending up chapped inside their characters' lives. That's dreaming
Speaker 2: and moving along in their dreams. Stories are metaphors for lives,
Speaker 2: retold stories, our lives lived more than once.
Speaker 4: The variations between each story represent the differences between one
Speaker 4: life and the next.
Speaker 2: Some things remained intact while others changed. For example, originally
Speaker 2: the male lover's wife was the infertive world.
Speaker 1: Keep in mind too, and this guy doesn't he doesn't
Speaker 1: mention anything conspiratorial, which for example, when we did the
Speaker 1: Eyes Watch Shut deep dive analysis breakdown. When I first
Speaker 1: put that out, by the way, I was the first
Speaker 1: one to really go into the deep eyes watch Shut
Speaker 1: conspiracy analys if no one else had done that. I
Speaker 1: wrote my analysis really long, in depth analysis twenty ten,
Speaker 1: and that's what led to me eventually making the video
Speaker 1: and putting that chapter in the first book. And that's
Speaker 1: how we were talking about all of the Epstein style
Speaker 1: stuff way before Epstein, right, I mean this was. I mean,
Speaker 1: I wrote this stuff in twenty ten, twenty eleven, twenty twelve,
Speaker 1: and then it made it into the book by twenty sixteen.
Speaker 1: I watch shut and I was pointing out that, like
Speaker 1: this is telling us what they really do. This is
Speaker 1: what they're all up to, right, that kind of stuff.
Speaker 1: And I was drawing attention to the Crowley stuff, right.
Speaker 1: So I'm not saying I was the first talking about
Speaker 1: Crowley in Hollywood. Other people have done that, but applying
Speaker 1: it specifically to these certain films was something that we've
Speaker 1: been doing for a long time over here, and we
Speaker 1: were spot on all this stuff.
Speaker 4: But in the remake is the female lover's husband.
Speaker 1: I know, it's the fact I can't father. Now. The
Speaker 1: reason we're watching this is primarily to get those quotes
Speaker 1: about the Hindu text. And then this next section.
Speaker 4: This concept of different variations of the same story. It's
Speaker 4: introduced by visiting number one.
Speaker 1: Good.
Speaker 4: She also introduces the market to place in the palace,
Speaker 4: two concepts used by.
Speaker 2: Maharshi Mahshyogi, an Indian guru of um Lint, was known
Speaker 2: to be a big disciple.
Speaker 1: So Lynch is a disciple of this Hindu yogi. Hints
Speaker 1: obviously the transnial meditation. But this notion of marketplace and
Speaker 1: pallace is a key to decoding in an Empire because
Speaker 1: there's this sort of pathways between these two realms.
Speaker 2: The market place refers to the problematic limits of ordinary
Speaker 2: domestic and public transactions. It's a level of reality at
Speaker 2: which illusions of stability are.
Speaker 4: Promoted by our culture.
Speaker 2: In other words, it's our day to day lives where
Speaker 2: we can easily get lost on our way to the palace.
Speaker 2: It expresses the inefficiency of mundane daily matters that do
Speaker 2: not help us reach the palace, but on the contrary,
Speaker 2: drive us away from it by instructiveness. In the film,
Speaker 2: the marketplace is represented as having several dimensions or worlds.
Speaker 2: They are all connected by all the band of the
Speaker 2: saaleway with red handrails, which acts as a kind of
Speaker 2: portal between these diablations.
Speaker 1: So you notice that had you not known the Hindu
Speaker 1: themes and motifs and metaphysics, it would be IMpower possible
Speaker 1: then to the code in an Empire. Let me skip ahead,
Speaker 1: see if he talks about the palace here, let's.
Speaker 3: See this regarding bea has a blood, she has a pet, monkey.
Speaker 2: According to the heart, the true worship of God can
Speaker 2: only start once the person has reached enlightenment.
Speaker 3: Disregarding being from them.
Speaker 1: You must have the bulgarya to have the enlightenment.
Speaker 3: The field of devotion is taking devotion to a baseless
Speaker 3: It's like building castles in the air. It's not possible
Speaker 3: to establish the field of devotion to respect you of
Speaker 3: your awareness.
Speaker 1: Anyway, you get the idea. I can't play too much
Speaker 1: as videos or you know, to get dinged. But then
Speaker 1: we want to talk. We want to look at his
Speaker 1: points about traveling between dimensions and worlds.
Speaker 2: Traveling from one dimension to another is something that many
Speaker 2: characters do in the film, including Nicky Shoe Billy, the
Speaker 2: Lost Girl, and the Lady. However, doing it for the
Speaker 2: first time is accompanied by a sense of confusion and
Speaker 2: not recognizing familiar places.
Speaker 1: Jimmy as tesher, all right, we'll stop there, because there's
Speaker 1: quite a bit more I think you'll find fascinating. But
Speaker 1: even in this film you get conspiratorial elements because not
Speaker 1: just do we have Laura Dern sort of dissociating with
Speaker 1: you know, being this Hollywood a lister. We had the
Speaker 1: exact same story with Naomi Watts dissociating in Holland Drive.
Speaker 1: She basically ends up a crack w h o r E.
Speaker 1: And she was supposed to be the next big thing
Speaker 1: in Hollywood, right, That's kind of the point of the film.
Speaker 1: Wins this dance contest, she goes to Hollywood, She's going
Speaker 1: to be a star, and she ends up a crack whore.
Speaker 1: And we kind of have the same imagery with the
Speaker 1: Laura Dern character because at the end of the film,
Speaker 1: Laura Dearn's wandering around on the streets like a fentanyl zombie,
Speaker 1: you know, hanging out with like other addicts, spouting gibberish.
Speaker 1: But there's actually meaning to the gibbers that they spell.
Speaker 1: And this guy's video I think is good for that.
Speaker 1: But the I just went, like, now, Julian Moore, it's
Speaker 1: on the tip of my tongue, the famous brunette actress
Speaker 1: who has a minor role also being insane in the film.
Speaker 1: She spouts a bunch of conspiracy stuff. Maybe she's just
Speaker 1: supposed to be Julia Ormond, excuse me. Maybe she's just
Speaker 1: supposed to be like a paranoid street schizophrenic. But she
Speaker 1: talks about them poisoning the skies dropping poison from the skies?
Speaker 1: Is that a reference to view engineering? Perhaps it's an
Speaker 1: odd reference thrown in for Julia Ormond to talk about.
Speaker 1: But Dave says for a dollar. I'm not sure if
Speaker 1: he recommended the book to New Orthodox believers, but I'm
Speaker 1: reading theos is the true purpose of human life? I'm
Speaker 1: not familiar with that book. Isn't the idea of becoming
Speaker 1: your own God Antichrist? We do not become our own God.
Speaker 1: We become like God by participating in grace, which Jesus
Speaker 1: says in John seventeen is the glory of God. He
Speaker 1: calls us to a participation in that grace and glory,
Speaker 1: Whereas what apotheosis is is man becoming his own God.
Speaker 1: So that's not what the Orthodox believe. So I enjoyed
Speaker 1: David Lynch films growing up. I enjoyed stuff. I have
Speaker 1: like some David Lynch books, multiple books that relate to
Speaker 1: David Lynch and books about him, And you know, he's
Speaker 1: one of my favorite directors. I will definitely miss David
Speaker 1: Lynch some of my favorite movies and definitely Oddballs Dune
Speaker 1: is one of the favorites, and we did by the way,
Speaker 1: for those that are curious. Dune is also in Esoltaire
Speaker 1: Hollywood too, and when I did the Esota Hollywood analysis
Speaker 1: of Dune, it's still pretty good, but there's a lot
Speaker 1: I didn't know because I had not read Dune Messiah,
Speaker 1: which we did a whole breakdown of doing Messiah. It's
Speaker 1: a really deep, fascinating story. Dune is really the best
Speaker 1: s I'm not a huge sci fi person, but c
Speaker 1: s Lewispace trilogy and Dune that's like the only good
Speaker 1: sci fi ever. But if you aren't interested, I did
Speaker 1: do a breakdown video wise of Dune six years ago.
Speaker 3: We are book of the Mind, so I'll.
Speaker 1: Give you guys the full Dune breakdown, and then if
Speaker 1: you want a more informed modern analysis of Doune that
Speaker 1: takes into account the insights from Doom Messiah that I
Speaker 1: didn't know, you can look on my channel for let's see.
Speaker 1: I think there's at least two videos that discuss this.
Speaker 1: Dune and Doo Messiah explained Deep dive from a year ago.
Speaker 1: This goes a lot deeper, and then there's this one
Speaker 1: here Dune Too in the History of Osscia is another
Speaker 1: related video, so we haven't forgotten Dune. I know people
Speaker 1: wanted me to talk probably about Elephant Man or Eraserhead
Speaker 1: or a straight story, and that's all cool and whatnot,
Speaker 1: but it doesn't really fit within the esoteric conals. So
Speaker 1: I'm not saying they're bad movies. And I'm sure you
Speaker 1: could say eraser Head has kind of weird, weird elements
Speaker 1: that you can analyze, but I mean, for example, you'll
Speaker 1: find in eraser Head, I think you have like the
Speaker 1: picture of the nuclear blast that comes up in you know,
Speaker 1: Agent Cole's office in season three. So I need some
Speaker 1: water in my mouth getting und I'm still a little
Speaker 1: I've still got a little bit of a cold. Yeah,
Speaker 1: Virginia Madison should have had a bigger role in the
Speaker 1: in the film, shouldn't she She wasn't in it for
Speaker 1: very long. But I think that that's the problem is
Speaker 1: that you know, people, because the theatrical release of Dune
Speaker 1: is still like two and a half hours, and like
Speaker 1: normy is and weirdo normies could not figure out this
Speaker 1: massively complicated weirdo plot, right, Like, I mean, I don't
Speaker 1: know how Dennis is gonna be able to make Dune Messiah.
Speaker 1: I mean good luck. I mean I'm I'm I'm hoping
Speaker 1: it's gonna be good, and I think it will be
Speaker 1: because I think he did a phenomenal job with Dune
Speaker 1: one and two, which is just doone, but Dune three,
Speaker 1: which will be done Messiah. I mean, bro, that's a
Speaker 1: crazy novel. I don't know how they're gonna make that
Speaker 1: the craziest novel into a movie. But we'll see, we'll see.
Speaker 1: I hope, I hope, I hope, so hope it'll be good.
Speaker 1: Dave says, for a dollar, I bought the m I
Speaker 1: six Stephen Dorrel book, Secret Agent sixty sixty six. I
Speaker 1: bought the Gold Spies book, the John de Book. I
Speaker 1: bought Trilateral over Washington. That's an old school one aquarium
Speaker 1: conspiracy memoirs of David Rockefeller. I bought Fateman Freeway. I
Speaker 1: bought Kisus Blood. Can you tell me where you made
Speaker 1: a video of a few of those that I haven't
Speaker 1: a few of these books as I haven't read. I mean,
Speaker 1: I've got like sixty book analyzes of the global elite,
Speaker 1: So I don't know if you mean I don't know
Speaker 1: if you mean that you have read all of those,
Speaker 1: and where's the rest or if you mean, where are
Speaker 1: the videos of the ones you listed? I mean, you're
Speaker 1: just gonna have to go to my channel, and I
Speaker 1: mean I have playlists which have most of them. So
Speaker 1: if you scroll down here too, on the main page,
Speaker 1: writings of the elite, like right there is Secret Destiny
Speaker 1: of America malp Hall right there. The first one is
Speaker 1: the Jacquette Lee book on the Millennium Free tof Copra
Speaker 1: Turning Point is one of them. Julian Huxley's Philosophy Globalism.
Speaker 1: I think this one is Terence McKenna. There. You've got
Speaker 1: two videos on at Quickly's other book, Anglo American Establishment.
Speaker 1: This is the history of the CIA and Religion with
Speaker 1: the Dune imagery there. This is the Oord book on
Speaker 1: the History of sc xpionage. So you click on this
Speaker 1: and it's a giant playlist. So I'm not being mean
Speaker 1: to you today or rude. I just don't understand why
Speaker 1: people like they don't know what playlists are. I mean, like,
Speaker 1: this has been on my channel for like ten years.
Speaker 1: I'm not fussing at you. I'm saying people are always
Speaker 1: asking these questions and it's like, man, why do you
Speaker 1: think I made these playlists? So they're all right here.
Speaker 1: This is the whim Hoff book. This is Gateway Process Analysis.
Speaker 1: This is Joan Ratia's book Silent Webs for Quiet warst
Speaker 1: document This is Klaus Tibetan Book of the Dead, Tim
Speaker 1: Leary wim Hoff's book. HG. Wells' book, Terrence McKenna's book,
Speaker 1: Brazenski's Books. This one is Ghosts in the Machine Arthur Kessler, Bertrand, Russell, HG. Wells,
Speaker 1: Birch and Russell, Edward Burnets, Frankfurt School, Acquiring Conspiracy, Jacquette
Speaker 1: Lee History of DARPA. H. She Wells in Culture Book.
Speaker 1: And it's all right here. Charles Galton Darwin right here,
Speaker 1: Devil's Game. This is going back like eight years right here.
Speaker 1: Alex Ebeia Dark Secrets of the Rand Corporation. I made
Speaker 1: a whole mini documentary right there. C A and Religion.
Speaker 1: Arthur Kessler right here, Grand Chess Board. It's a giant
Speaker 1: playlist right here. Twin Perfect Score. Theory is that Twin
Speaker 1: Peaks is a meta commentary on TV and violence. That's
Speaker 1: pretty weak, dude. I mean, the Mark Frost book says
Speaker 1: it's esoteric sex, magic Crowley stuff, So I'm right. I
Speaker 1: beat him. Also, for those that like this kind of
Speaker 1: an there's a playlist called Esoter Hollywood right here and
Speaker 1: you can click on that and low and bohold look
Speaker 1: at this, endless podcasts on movies going back ten years.
Speaker 1: Look at all that. So if you like this, look
Speaker 1: at this. We did a Twin Peaks breakdown right here
Speaker 1: eight years ago. By the way, I have a whole
Speaker 1: breakdown video mini documentary of Muhland Drive too. Forgot about that,
Speaker 1: so for those who want that, I did that as well. Well.
Speaker 1: Rest in peace, David Lynch. It's right here. This is
Speaker 1: my old Lost Highway analysis from that's literally ten years ago.
Speaker 1: This one is six years old. I'll put it in
Speaker 1: the chat for you guys. So there's that. Otherwise, shout
Speaker 1: outs to I think we got some new members here
Speaker 1: sky No Sky Scraper Philosopher. I thought he became a member,
Speaker 1: but we did get fourteen new members tonight from the stream.
Speaker 1: Welcome all you new members. If you're new to the
Speaker 1: members section, what you do is you come over here
Speaker 1: and on my members tab. I have added some new things.
Speaker 1: I'll do some more either today or tomorrow. I added
Speaker 1: the part two of the Pagan Renaissance ocult Rome from
Speaker 1: our trip to Rome. I added the discussion with Matthew Eirep.
Speaker 1: I add the part two of Religion and Espionage. I
Speaker 1: added the part two of Doune and Religious Manipulation, the
Speaker 1: Trinity and the Toil Part two, How the Left took
Speaker 1: over Part two and the Black Gold Spies Part two
Speaker 1: from a week ago. And then this is all old
Speaker 1: stuff from five years ago. But I will be making
Speaker 1: more things accessible to the members. And of course everything
Speaker 1: that's over there is also on the website. So if
Speaker 1: your website member, you don't have to join here unless
Speaker 1: you just want to sponsor me and support me in
Speaker 1: some additional way. But shout out to the guys from
Speaker 1: the five hundred dollars super chat. That was really generous
Speaker 1: of you. Appreciate that we get another one from Dave.
Speaker 1: I appreciate it. I'm only twenty two, but I have
Speaker 1: the mind of a boomer. We'll just remember that pretty
Speaker 1: much everything is accessible here. You can also search the website.
Speaker 1: The website has a search function as well at Jasonnalysis
Speaker 1: dot com. And if you want copies of Eslitary Hollywood,
Speaker 1: I still have those, and if you want to start
Speaker 1: reading one and two before part three. You don't have
Speaker 1: to read one. They're independent, they don't have to go together.
Speaker 1: They're film analysis books, so they don't have a narrative
Speaker 1: that requires you to read part one. But you can
Speaker 1: get signed copies over here in the shop as well
Speaker 1: as Jamie's books, and also head on over to Jamie's
Speaker 1: channel because I'm gonna off close up this episode and
Speaker 1: Jamie is doing a show or she's playing a show
Speaker 1: that she did on history of Freemasonry and serious, so
Speaker 1: y'all head on over here to Jamie's channel. I'll drop
Speaker 1: this in the chat for you guys, and be sure
Speaker 1: and hit like and share and let me know what
Speaker 1: you guys think about