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Speaker 1: Secret societies, a sex magic, all the stuff I said

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it was about. So you better believe that I'm the

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pioneering cool guy analyzing David Lynch. And I didn't just

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start this yesterday. I wasn't Lynchian yesterday. We did these

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breakdowns over ten years ago. Dog, we did these ten

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years ago, son, But I got some treats for you

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all tonight. We haven't broken down Blue Velvet ever. We

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haven't broken down Inland Empire ever. I haven't done a

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podcast or discussion of Lost Highway in ten years. And

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back then I could barely even talk. Sounded like I

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think retort when I was talking on podcasts trying to

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make it happen. You gotta make it up, thank you.

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I was lynch pilled before all of you'all. Look at

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all of that. Look at that as a fine cup

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of joe. Way to go, Coop, that is a fine

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cup of joe. A okay, buster inquire or ten dollars

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you said before that you asked Calvinists and Presbyterians questions

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that they couldn't answer. I love how like a David

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Lynch dream just start getting that people just asked the

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theology questions. I'm just joking. It's okay. You asked questions

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they couldn't answer. At that time, when I was reformed,

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I was asking questions about Augustine. What did he mean

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in the City of God when he said this and that.

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I started reading about the Canada Scripture, and that's primarily

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what I meant. I had questions about the Calvinist interpretation

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of things from Cyprian. I went and read Cyprian and

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they were totally lying about what Cyprian said, or they

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were just totally ignorant. So that's what I was referring to.

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Justin washek has taken the cake today with a five

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hundred dollars super chat. Look at that. We don't even

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got to do no stream today. He just paid for

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the whole stream. See y'all peace out, I'm out eat.

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He done pay for the whole stream and next stream

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with that one. Shout out to all y'all gifted memberships

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being everybody's being generous. People love these YouTube memberships. I

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just can't believe how how much more popping off popular

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they are than they were five years ago when I

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was last time. I remember being monetized, so things have changed, hopefully, y'all,

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enjoyed the fourth hour of Lord Voldemort today. I think

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it came out pretty good. I had no idea what

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was going to talk about until right before it, and

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then I was just like grab a book and just

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start yapping. So think it turned out pretty good though,

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for it was about a half a hour. So shout

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out to the new members we got. Whiskey Jack became

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a member. Shout out to him. Moral Autist formerly g W.

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Barfer of some serious names going down right there became

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a member. Osten became a member. Writer Grenier became a member. Uh,

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miss apostate repentant became gave out five memberships. We got

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big money just throwing it around in the chat, just

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just straight up. Daddy wore bucks in the chat. Jay

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thinks he can do a Sam. What's a Sam? What

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are you'll even talking about?

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Speaker 2: Uh?

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Speaker 1: What does do a Sam? Don't mute him. I don't

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want to know what he's talking about. Do a Sam.

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I've been doing live streams for ages, bro, what are

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you talking about us? You're talking about Sam? Hide Sam, Shamun,

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Sam Ayel, Who's a Sam? Thomas Libby became a member.

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Shout out to Thomas Libby what's up man? How you doing?

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This is the Year of the Love and the Love Hammers?

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Sam Shamun, I don't know what that means. Can you

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do a shit? Sam Shamun? Oh his name is Sam

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and then he puts Shamun. I don't get it. We're

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going to be diving deep today. We're going to be

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diving into stuff that we haven't talked about again in

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about ten years. And if you don't know, both Esltar

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Hollywood one and two have extensive twin Peaks and mhand

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drive analysis, so we're gonna do a little bit of

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refreshing going back into some of that. We're also going

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to look into some material that I've never analyzed before,

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like the Inlin Empire analysis and guess what, there will

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be some of this in Essatar Hollywood three. So look

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forward to that. We talk about I think so I

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can do us and Robin did I just I co

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wrote the first two episodes of the Sam Hi Show.

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What the fuck are you even talking about? I don't

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understand it. I guess everybody's people are jealous or what

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you what's the problem, Francis Boulet, I can't pay you

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five hundred pounds but here's a little bit to help

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and prayers. Thank you, man, I appreciate that. Welcome. Justin's

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already pay for everybody's do your fees. Your fees were

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already due, and Justin uncovered all of y'all. His imputed

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righteousness is sent into your fictional bank account. So you

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are made righteous in my sight as your spiritual legal judge,

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I am your judge, and you all have been made

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righteous tonight through his generous actions. Yoj how I caught

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a quasi moto ten dollars? Are you talking about your

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your little brother on your shoulder? Are you referring to

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the possibility of obtaining a lump on your shoulder which

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you could personify as a little brother. In that case,

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I would say, look into ways to attain cancerous growths,

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and then you'll have a little bro on your shoulder.

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Oh what's up? Loocome everybody? All right? I loved it.

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I'm so glad to be remonetized. A's like the work

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gets It's like I got a paycheck again for the work.

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You know, I'm not like working for free or whatever.

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I'm kidding. Y'all were very generous on stream labs, and

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you can still use stream labs if you choose to

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our buddy here big justin let me refresh this. He says,

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you were instrumental in my conversion from Orthodoxy to Protestant.

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I can't thank you enough. Many happy healthy years to

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you and Jamie for your marriage. Thank you again, bro,

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Thank you man. You just you just pay for the

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whole year.

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Speaker 3: Dog.

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Speaker 1: Only bad news is it all goes to the I

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R S. Jamie's in there laughing, but it ain't no joke.

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It's like, no, I really does go to the RS.

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What you're talking about? Uh? Can something? Can Trump hurry

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up and sign an executive order so I don't have

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to send all of this to the IRS? Can he

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just get rid of this thing? Right now? Trump? Where

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you at? I'm jag efe the wonderful IRS. We're gonna

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do a new Irsh's gonna be great. It's gonna be wonderful.

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It's gonna bring in twenty times more money.

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Speaker 4: The I R S?

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Speaker 1: The I Have you heard of this?

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Speaker 4: The ers?

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Speaker 3: Ers?

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Speaker 1: Does it irk? More? Likely? The IRK? Does it irk?

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Speaker 5: You?

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Speaker 1: The I R k irk? You?

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Speaker 4: We gotta get rid of it. Probably probably we will

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get rid of the Irish I don't know what youthy.

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Speaker 1: Probably we will preempt upart gardens for that five hundred dollars.

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That's what I'm talking about. That's what i'm talking about.

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That's what i'm talking. That's what I'm talking. In dreams,

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I dream all of you. How's it go? Mm hm

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hmmm hm. In dreams, I walk with you, shout out.

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I'm gonna get an IRS T shirt. I'm gonna get

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I want. I want the agents to sign it. Everybody's

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obsessed with James Bond and secret agents. I'm obsessed with

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money agents. That's where the real money is at. Where

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the secret IRS agent signatures. That's what I'm talking That's

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a real James Bond, James Government Bond because he works

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with IRS. Who are all this? What is all this

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Sam talk? I don't even know what you're talking about.

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Are you talking about Sam Shamun? And why is every

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talking about Sam in the chat, the Saint, the Sam Show.

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I'm so jealous of all the Sam's. I can't be

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the SAMs. What if I was Sam hide Shamun and

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I was a morphed mix of those two and I

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just did weird comedy to the Muslims. What would that

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be like Sam Hide Shamin. Somebody make make an ai

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blended image of U Sam Hide Shamun, and then worlds

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will collide. World's collide. In dreams, I walk, will you am?

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I yeah, I look just like Sam Shimun, Sam Hide Moon,

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Sam sham Hide, Sam sham Hide Sam hid Shamun. Sounds

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like a go a great combo. Why is YouTube doing

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ads on a live trenk to pay my bills?

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Speaker 3: Dog?

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Speaker 1: That's why? Because in dreams, I walk with you and

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you walk with me? Son shout out to free kittens. No,

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that's the dude to ask for quasi motos. He's trying

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to cop a feel on a quasi moto. He wants

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a little brother on his side. Right here, Rinaldo Lopez

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isn't a member. Shout out, man, but we already looked.

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I racked up like one hundred and fifty members in

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a few days. Man, shout out Creed. How would Creed

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sing Roy Orbison songs in dreams? How long? Weird? That's

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pretty good? Actually, tell I messed up. Uh let's see.

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Now we're not gonna start with elephant man, We're not

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gonna start with eraser Head. I'm just not really in

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the vibe for something weird and that level weird and dark.

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Let's start out with Blue Velvet, and this is back

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in the early days of David Lynch. My favorite David Lynch.

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It's hard to say. I mean, I like Twin Peaks

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a lot, probably Twin Peaks, and I like Wild at

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Heart a lot that makes me laugh and Dune, so

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probably ones that people don't expect. You know, there's a

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lot of good David Lynch stuff, but he's one of

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my favorites. Bl says for five dollars, did David Lynch

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go to Heaven? I hope. So we don't know people's destinies,

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but you know, we can always hope that people repented.

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Bob Johnson five dollars. Have you seen the movie Scanner Darkly?

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Of course, it has Keanu Reeves, Robert Downey Jr. And

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a person you might have heard of called Alex Jones

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that I talked to today and I hosted a show.

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So you're asking if I've seen Skinner Darkly, bro I

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was on the damn show of the guy in the

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movie today. What you're talking about, Son? Do the entire

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show in David Lynch's voice, A okay, but will do

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mister B. Ten dollars. Y'all just sending so much money,

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I can't even think. Man, we've already got like seven

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hundred dollars in the stream. We ain't even started yet.

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The stream's already paid for. Man, I ain't gotta do

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it now, mister B. I'll send you a love letter

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straight from my heart mother. Efferr talking raded r, cuss words,

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cussling every day. I'm struggling every day. I'm hustling every day.

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I'm struggle. LNT says for one hundred dollars, Jay, I'm

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ready to the Old Testament. The Orthodox Baptism is coming

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up at POSTCO. I totally understand Christianity. It is superiority

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to Judaism philosophically. But I'm wondering on the basis of

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scripture in the Old Testament, how do you ever do

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you wrestle with doubts about if Jesus is the Messiah?

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And what is your answer? No, because we've done many, many,

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many talks that deal with this issue. For example, the

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talk that I did first, I would start off with

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is Trinity Old Testament. I always forget the title of

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this one, and then there's a newer, updated version. First

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of all, you want to watch this one is the

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newer one. Here, Trinity and the Old Testament Part one.

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I go through the tour up and I just made

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the part two available to subscribers over here the members

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over here for the members, Ta, where's the old one?

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This stuff never comes up here? It is No, that's

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not it. Another one is Trinity of Trinity, indeed of

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Christ and Ezekiel. Once you see that Trinity the Old Testament,

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it's gonna all make sense. It's gonna be obvious. And uh,

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let me try this. I know it says something like

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Jesus is Jesus God or something like that. Let's see

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in dreams I walk this is it is Jesus God

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is God. A Trinity response to critics. That's the first

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one we did six years ago, where I walk through

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tons and tons and tons of Old Testament texts. But

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the updated version, the Trinity in the Torah is even

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better because I go through many, many, many that I

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missed in that old talk right here. So those are

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two places to start. And then on top of that

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is we've done at least two or three podcasts on

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Messianic prophecies, and it's not the handful that evangelicals think, right,

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it's way more more. So go watch those podcasts. A

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couple of those I think we did with Shamun sam

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Hi Shimun. So here's one from five years ago. These

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might be the same. I don't know. But here's a

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clip Messianic Prophecies. There's two hours, twenty minutes. Here's another one.

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I did Messianic Prophecies Part one and this is just

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the psalms. Right, so there's some answers to that big

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fat super chat. Thank you for that. Appreciate all the

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generosities tonight, gener hostilities, tonight, gender hostilities, tonight. Welcome everybody.

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We got five hundred on a nice balmy January evening.

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Let's get into Blue Velvet. This is early David Lynch,

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first sort of big level of success. Now I think

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he was already kind of known for Elephant Man and

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that kind of stuff. But so you know, the Lynch

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had early success, probably earlier than most people most directors

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expect to get. And then we get this very odd

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au tour outing Blue Velvet. Coll McLaughlin, Laura Dern, Dennis Hopper,

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Robert Logia was supposed to play Crazy Frank. He got

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really mad that he didn't play it, and then I

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think that's why he put him in lost Highway. Vaine says,

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for five dollars, maybe it is your internet, but the

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last several streams of the cameras choppy. Yes, this has

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been a long standing problem with the internet in Florida.

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I've had the people out here more times than we

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can count. And I don't know why it does that

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for the I just I don't know. YouTube is always

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telling me that I up, I need to up the

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bit rate. When I up the bit rate, it just

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messes everything up, so I have to I don't know,

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and this has been an ongoing problem for years. So

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I'm at a point where I just don't even know

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what to do. I don't know what to tell you.

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Maybe there's not a solution because if I switch over

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to the bigger, higher connection because we have so cold

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five G, it still doesn't work. In dreams, I walk

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weird from an article. When Wildehart came out, Lynch gave

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Laura Dern animal kits and insects to take apart for

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her to put back together. This scared her well. David

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Lynch is a weirdo. I don't think anybody can deny

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that he was an odd I bought you some animal

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kits and bug kits for you to take apart and

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then put them back together. Anyway, now, I think this

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did well at con And was he already dating Isabella Rosalini.

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I don't remember at this time or was this where

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they met. Perhaps I don't know all the perfect details

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of his life, so you have to forgive me about that.

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But I'm not a huge fan of Blue Velvet. I

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think probably that'll surprise a lot of people. It's hard

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to watch. It's kind of a brutal film. It's dark,

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and I don't mind, for example, twin Peaks Fire What

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with Me? Like, I can watch Firewalk with me. But

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I'm not a huge fan of Blue Velvet. I understand

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it's a well made film, the cinematography, the you know, absurdities.

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Crazy Frank is probably one of the best villains in

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all movies ever. He's probably one of the top villains.

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Thank you for that, by the way, John mister Bee

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says for ten dollars, Michael Heronsie was also considered for

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the role of Frank. Could you imagine that imagine hearing

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don't be a good neighbor in Sam Fisher's voice, Thomas

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Libby became a member, Lil Gain became a member. We

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got a member of Upgrade, We got some Chad members.

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Now we've got Chad nerds, and then people update to

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full Chad. Ten dollars is the full Chad. This is

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the coming of age film. And you know, the first

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thing I think people notice is the darkness under the

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perceived facade of Americanism. And this will be a theme

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that runs all the way through Lynch films. You have

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what appears to be fifties suburban America, and people are out,

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you know, watering the yard, and there's the milkman and

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all this kind of stuff. And then you've got a

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severed ear laying in a yard card and we enter

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the ear. If I recall JV free for two dollars, Jay,

295
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bring Jamie, bring Jay a double espresso. Yeah, you know

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what's up. You know how it works around here. Shout

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out to that dude. Thank you guys again for all

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these generous super chastity. If you would hit like as well,

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we've got to get them likes up. And so it's

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I tended to be a critique of what we think

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of as perfect Americana in the fifties suburb era. But

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it's also an eighties movie. But there's nothing really in

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terms of the vibe or the esthetic or the feel

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of the movie that makes us think it's the eighties,

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even though it's the eighties, and we know it's the eighties.

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Everything is fifties, and I've always liked that juxtaposition that

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sort of throws us off. And I think a lot

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of movies since this time have tried to copy this.

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If you watch, for example, and not always bad, it's

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it's not a bad copy. If you watch it follows,

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it's very difficult to exactly place when it's happening. It

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Follows is contemporary, but no one uses or has cell phones,

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even though it's contemporary, and the TVs the imagery a

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lot of its eighties and so it's kind of has

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this eighties horror feel to it, but it's contemporary and

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yet nobody has a cell phone, which I liked. And

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you know, Colin McLaughlin is coming of age and he's

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experiencing changes in his body, and he's interested in girls,

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and he's a high schooler. I forget exactly what if

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he's like a senior. Maybe he's a senior, but he

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really likes Laura Dern and they're obviously kind of a

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perfect match. She's also a high schooler. And yet he

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is obsessed with the lounge singer at this local club

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who's played by Isabella Russolini, who ends up being his

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girlfriend for many years. Maybe they were married, I can't remember.

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And if you don't know, Isabella Rosalini is of course

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Ingrid Bergman's daughter, So Hollywood Royalty. David Lynch was able

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to immediately link up with Hollywood Royalty right there. And

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you'll notice other themes that are present here that will

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reappear throughout the rest of the Lynch Cannon. The ominous,

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omnipresent red curtain. Of course, the curtain comes up in

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Mahon Drive. The curtain comes up in Twin Peaks in

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the in between, as well as even kind of the

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lounge singer, right because we get Julie Cruz and Twin

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Peaks and we get no Hi Bondo and that weirdo

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Hispanic booby chick singing in Mahland Drive in front of

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the curtain and doing the sort of lounge singing, so

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there's there's a weird lounge theme going on, and also

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kind of the voyeuristic thing. That voyeurism is a kind

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of a theme in this and other elements that we

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probably can't really discuss over here on the y T.

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But I think if we see this as kind of

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a kind of a it's a horror satire really, that

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is what I think this movie is. And you'll notice

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a lot of things that that sort of tie into

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Twin Peaks. That Lumberton I think is a connection to

347
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the the Sawmill's Josie Packers Sawmill, all of the the

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critique of the dark underbelly is also a big part

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of Twin Peaks. But we have this villain that is

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and this of course is the scene at the beginning,

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as we said, where everything seems normal and healthy, and

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then through his fascination and obsession you could say with

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Isabella Rosalini, he's immediately sort of set on this adventure

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with all of these weirdo quacks, creeps and lunatics. Because

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of course, Isabella Rosdellini is the lover girlfriend to Dennis

356
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Hopper who plays Crazy Frank, and originally Crazy Frank's sort

357
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of tick was supposed to be that he inhales nitrous

358
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oxide and that's supposed to make him talk in helium voice.

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They all felt it was too absurd, and Dennis Hopper

360
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said it was too difficult to constantly talking helium voice

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and play Crazy Frank. But that would have actually been

362
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pretty funny because if you recall in I Think While

363
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to Heart, we get the return of people just out

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of nowhere having helium voice, which is very absurdist. But

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instead Dennis Hopper said, no, it's got to be sodium

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amatal or something like that, which kind of makes you

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feel loopy and crazy, I think, And he said, I

368
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got to play Frank because I am Frank. I am

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this crazy wacko dude. And I'll see his father was Oss,

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So that there's a weird thing with Dennis Hopper background

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being Oss. Dean Stockwell there who is the woman wearing

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woman clothes wearing person who doesn't actually sing but pantomime

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mouths the Roy Orbison song. For some reason, Crazy Frank

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as this obsession with watching him pantomime the song. It's

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all super bizarre because Crazy Frank is literally like just

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totally crazy weird fixations, has a fixation on shall we say,

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smacking ladies around, so to speak. And in Isabella's case,

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she's into this heath to me, don't he he to me,

379
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don't eat me, as she says to Colm maicclaughlin. And

380
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this throws comic Laughlin for a loop because he's just

381
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a young guy thinking about, Oh, here's a you know,

382
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attractive older woman. I'm gonna get wild have some fun here,

383
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and he's immediately thrown into how shall we say, sex weirdness,

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and he doesn't know how to process this, but his

385
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stepping into that domain, that temptation, leads him down this

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road of almost dying by falling in with this crowd

387
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of absolute lunatics. And I think that's the best part

388
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of this film. And by the way, the same sort

389
00:27:08,000 --> 00:27:14,640
of demonic insanity of wearing lady things and makeup, seems

390
00:27:14,680 --> 00:27:19,680
to also be part of Frank's psyche, right, And I

391
00:27:19,720 --> 00:27:21,759
guess we're supposed to just think Frank is this this

392
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he's kind of a drug dealer or maybe a kind

393
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of a gang, but his gang is just the most

394
00:27:28,119 --> 00:27:33,240
out just insane, outlandish, a bunch of weirdos, right, So

395
00:27:33,319 --> 00:27:37,519
he definitely makes I think for the greatest villain, probably

396
00:27:37,839 --> 00:27:39,759
one of the top villains of all time, and I

397
00:27:39,880 --> 00:27:42,359
love we begin to see I mean you kind of

398
00:27:42,359 --> 00:27:45,319
saw some of this in E Raise Her Head, but

399
00:27:45,359 --> 00:27:48,119
you begin to see the things that will become staples

400
00:27:48,720 --> 00:27:53,319
in later Lynch films, like just the random weirdos in

401
00:27:53,359 --> 00:27:55,880
the background. You know, you've got this fat chick over there,

402
00:27:56,039 --> 00:28:00,440
this dude standing on the couch. You get the stock

403
00:28:00,519 --> 00:28:07,240
Well pantomiming Roy Orbison songs, singing into a lamp. Dennis

404
00:28:07,279 --> 00:28:10,279
Hopper's obsessed with it. Just there's the background weirdos, right,

405
00:28:10,359 --> 00:28:13,079
Just that is almost enough. Look there's a guy back

406
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there playing with tape and the absurdism comes to the

407
00:28:18,440 --> 00:28:23,119
foe here to make this also a very funny film.

408
00:28:23,200 --> 00:28:25,599
A lot of people don't think about David Lynch movies

409
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as comedy, but they're actually really comedic. And if you've

410
00:28:29,240 --> 00:28:33,119
not watched, if you've only watched Waldehart like once, go

411
00:28:33,240 --> 00:28:35,079
back and watch it because the more you watch Wild

412
00:28:35,119 --> 00:28:41,119
at Heart, the funnier it becomes. And of course I'm

413
00:28:41,119 --> 00:28:42,839
not gonna spoil it for you if you've never seen it,

414
00:28:42,880 --> 00:28:46,960
but it's a great film on certain levels. It's just

415
00:28:47,000 --> 00:28:51,119
not my favorite David Lynch film, there might be some

416
00:28:51,279 --> 00:28:55,680
Rosicrucian symbolism going on, because the rose imagery does play

417
00:28:55,839 --> 00:28:58,839
kind of a key element in the film. And I

418
00:28:58,880 --> 00:29:03,960
think at the very end, we see call McLoughlin comes

419
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home after all this nightmare adventure that he's been on,

420
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and he goes, I'm going on this joy ride with Frank,

421
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and you know, Frank says to hint to Jeffrey, You're

422
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like me, We're the same. And then Jeffrey ends up

423
00:29:22,680 --> 00:29:31,359
killing Frank, and it ends on the ear and the bird,

424
00:29:32,240 --> 00:29:34,440
And I think the point here is that that bird

425
00:29:35,400 --> 00:29:38,519
is actually the same. It's like very similar to the

426
00:29:38,519 --> 00:29:41,359
bird at the beginning of Twin Peaks. So it's kind

427
00:29:41,359 --> 00:29:43,720
of like Blue Velvet kind of sets the stage for

428
00:29:43,759 --> 00:29:54,960
the next phase of Lynch. Yeah, I forgot to mention, Yeah, exactly.

429
00:29:55,039 --> 00:29:59,240
So we're talking about Hollywood royalty and intelligence agencies, we

430
00:29:59,279 --> 00:30:03,680
can't forget Bruce Dern and the Dern family. They come

431
00:30:03,799 --> 00:30:08,400
from a long line of actual skull and bones Henry

432
00:30:08,480 --> 00:30:15,920
leoce Oss people, right, So Laura Derns, I think Granddad

433
00:30:15,960 --> 00:30:19,200
it is was part of the He was like the

434
00:30:19,240 --> 00:30:21,559
Secretary of Defense or the Secretary of War back then,

435
00:30:23,240 --> 00:30:28,640
and that is significant. Dave McGowan makes note of this

436
00:30:28,839 --> 00:30:32,519
in Weird Season Inside the Canyon because he connects both

437
00:30:32,960 --> 00:30:36,680
Bruce Dern the father or the uncle for what it is,

438
00:30:36,720 --> 00:30:40,359
but the one that was like secretary of War, and

439
00:30:40,400 --> 00:30:43,480
then the Darns being kind of Hollywood royalty. As a result,

440
00:30:44,279 --> 00:30:48,640
you've got Hopper's dad being oss and there are we

441
00:30:48,680 --> 00:30:50,319
don't know if this is true, but there's reports that

442
00:30:50,319 --> 00:30:54,200
Dennis Hopper was also interested in the OTO, and Dean

443
00:30:54,240 --> 00:30:58,000
Stockwell was reportedly a member of the OTO. So quite

444
00:30:58,039 --> 00:31:01,319
a bit of Hollywood royalty into Yo Crolean stuff going

445
00:31:01,319 --> 00:31:08,680
on in the From the outset here but we're gonna

446
00:31:08,759 --> 00:31:17,680
move on to wild Heart is a version of oh

447
00:31:17,720 --> 00:31:21,039
waitever you get pulled up, excuse me, Wizard of Oz.

448
00:31:21,240 --> 00:31:23,519
So if you didn't know Waldehart is Wizard of Oz.

449
00:31:24,480 --> 00:31:26,559
This is a few years later we get the nineteen

450
00:31:26,640 --> 00:31:29,480
ninety film We're Gonna Go, We're Gonna Do Twin Peaks.

451
00:31:29,480 --> 00:31:32,920
I know that's nineteen ninety to ninety two, but I

452
00:31:32,960 --> 00:31:36,720
wanted to mention Waldeheart because this one is more of

453
00:31:36,720 --> 00:31:39,640
a comedy. And of course Laura Darn's mom plays Laura

454
00:31:39,720 --> 00:31:44,599
Darn's mom. In the film, Nicholas Cage plays the character

455
00:31:44,680 --> 00:31:51,519
of Sailor perfectly. He's it's a very absurdist satire of

456
00:31:51,559 --> 00:31:57,240
America and Americanism once again, and here America is Oz.

457
00:31:57,799 --> 00:32:01,400
So you have the Wizard of Oz motif pasted on

458
00:32:01,559 --> 00:32:06,319
to this absurdist presentation of another adventure of these sort

459
00:32:06,319 --> 00:32:10,880
of these two teenage rebels that kind of run away

460
00:32:11,000 --> 00:32:16,160
from the controlling figure of Lord Dearn's mom, and then

461
00:32:16,160 --> 00:32:20,960
these other well we later find out are mafia people

462
00:32:21,319 --> 00:32:24,960
in the background. There's a lot of occultic stuff going on.

463
00:32:25,079 --> 00:32:27,640
And while at heart that is worth mentioning, we're not

464
00:32:27,640 --> 00:32:29,240
going to delve too deeply into that because I'm gonna

465
00:32:29,240 --> 00:32:32,279
put the uneceessary colleague with three. There'll be some discussion

466
00:32:32,279 --> 00:32:35,640
of this, uh and I mean there's voodoo comes up.

467
00:32:35,680 --> 00:32:39,319
There's this sort of Illuminati character in the film who

468
00:32:39,920 --> 00:32:44,720
you know. I think he's a sort of a maybe

469
00:32:44,720 --> 00:32:49,799
a Southern Dixie mafia type of character, and eventually he

470
00:32:50,279 --> 00:32:58,359
calls for the assassination of Sailor and Willem Dafoe I

471
00:32:58,359 --> 00:33:01,200
think plays a very so this wow, this one and

472
00:33:01,240 --> 00:33:04,160
the con film festal I forgot that so he won

473
00:33:04,440 --> 00:33:08,240
Best Picture in con At nineteen ninety for this. But

474
00:33:08,279 --> 00:33:13,680
Willem Defoe plays a kind of demonic another villain in

475
00:33:13,680 --> 00:33:18,319
the film. But ultimately it's a satire. It's very funny

476
00:33:18,440 --> 00:33:22,680
and uh voodoo plays a key role in the film.

477
00:33:23,039 --> 00:33:25,559
And we also see characters that kind of reappear later

478
00:33:26,480 --> 00:33:31,160
when they are at the Texas ranch where the shall

479
00:33:31,200 --> 00:33:36,519
we say, the Piggy movies are made. There's a character

480
00:33:36,599 --> 00:33:39,079
that walks by in the background who appears to be

481
00:33:39,359 --> 00:33:43,839
the Cowboy, and the Cowboy makes his odd appearance as

482
00:33:43,960 --> 00:33:46,119
everyone knows in Mahan Drive. Now, I don't know if

483
00:33:46,119 --> 00:33:48,880
it's the same actor, but it's almost like there is

484
00:33:48,920 --> 00:33:53,039
this overlap of the dream worlds and the various universes,

485
00:33:53,079 --> 00:33:56,200
so to speak, in all throughout David Lynch films and

486
00:33:56,240 --> 00:34:01,319
throughout the Lynch Cannon and greatest example of us. How

487
00:34:01,440 --> 00:34:07,960
does Wild at Heart end? Well, it ends with Laura

488
00:34:08,000 --> 00:34:12,719
Palmer as the good Witch Glinda, because I remember it's

489
00:34:12,760 --> 00:34:20,400
the Wizard of Oz story appearing to Sailor when he

490
00:34:20,440 --> 00:34:26,679
gets beat up. And I think that's something that not

491
00:34:26,760 --> 00:34:28,559
many people point out about. I mean, if you're a

492
00:34:28,559 --> 00:34:32,840
really big Lynch nerd you will know about and you

493
00:34:32,880 --> 00:34:49,159
will have paid attention to the overlap throughout the Lynch universe.

494
00:34:51,719 --> 00:34:58,480
And another example is Audrey Horn. If you're remember and

495
00:34:58,559 --> 00:35:04,679
Wild at Heart, there's this scene where Sailor and what's

496
00:35:04,719 --> 00:35:07,800
her face, they're driving across the Lost Highway in the

497
00:35:07,840 --> 00:35:15,159
desert and they come across a rack and it's Cheryl

498
00:35:16,000 --> 00:35:21,559
Rylyn Finn from Quinn Peaks, right, and she's had this

499
00:35:22,239 --> 00:35:25,760
head injury and she doesn't know what's going on. And

500
00:35:25,800 --> 00:35:30,599
it's as if this might be when Audrey Horn leaves

501
00:35:30,639 --> 00:35:34,360
Twin Peaks to go to Hollywood. Is this her going

502
00:35:34,719 --> 00:35:39,559
on her way and then encountering Sailor and Lord Dern.

503
00:35:39,639 --> 00:35:41,840
Is that a possibility? Not many people, I don't think

504
00:35:41,880 --> 00:35:48,280
have noticed this or mention this, but this is a

505
00:35:48,320 --> 00:35:51,320
common feature in Lynch films. So when Nicholas Cage and

506
00:35:51,320 --> 00:35:56,039
Sailor's beat up and he's about to give up, you

507
00:35:56,159 --> 00:36:01,440
get Laura Palmer as the good Witch Glinda, who tells

508
00:36:01,480 --> 00:36:06,559
him to get up and run to Laura Dern. Right,

509
00:36:09,679 --> 00:36:22,039
and then keep in mind this notion of the world's overlapping.

510
00:36:26,480 --> 00:36:27,679
I thought this is gonna have this to be the

511
00:36:27,719 --> 00:36:33,800
scene where we see sherylyn Finn in Well at Heart.

512
00:36:33,880 --> 00:36:51,039
Let's see, yes here it is. Now if you're a

513
00:36:51,039 --> 00:36:53,519
super different David Lynch NERD then you have noticed this.

514
00:36:53,679 --> 00:36:56,639
But I've not really seen anybody else noticing this. So

515
00:36:56,880 --> 00:36:59,719
you'll notice, as Sailor and Lula are driving down the

516
00:36:59,760 --> 00:37:04,400
law Highway, it looks just like Fred Madison at the

517
00:37:04,440 --> 00:37:08,840
beginning of Lost Highway, right, He's driving on this desert,

518
00:37:09,039 --> 00:37:12,519
you know, upside down ether in the inside the ether

519
00:37:13,960 --> 00:37:18,480
in the middle of nowhere desert highway. And then they

520
00:37:18,519 --> 00:37:26,800
come across the rack where sheryln Finn has this head wound.

521
00:37:27,960 --> 00:37:30,639
And you're gonna notice head wounds also recurring themes and

522
00:37:30,760 --> 00:37:34,880
David lynch movies, because when we get to Lost Highway,

523
00:37:34,920 --> 00:37:38,679
the balth is our getty excuse me, the yeah, bath

524
00:37:38,760 --> 00:37:43,840
is our getty character Pete relates, doesn't he also have

525
00:37:43,880 --> 00:37:46,119
a head wound two? And this relates to kind of

526
00:37:46,119 --> 00:37:49,679
his dissociative state. The characters are oftentimes in sort of

527
00:37:49,760 --> 00:37:53,880
fugue states and dissociative states due to head wounds. And

528
00:37:54,000 --> 00:37:59,639
here again, I don't know if this is intended to

529
00:37:59,639 --> 00:38:03,400
be Horn wandering away on her way to California, but

530
00:38:03,480 --> 00:38:07,079
in Twin Peaks when she decides to leave, is it

531
00:38:07,119 --> 00:38:09,559
wasn't she going to California to be an actress or something?

532
00:38:10,199 --> 00:38:14,800
And then of course she dies, and presumably it is

533
00:38:14,840 --> 00:38:20,400
supposed to be Audrey Horn, but that speculation. But I

534
00:38:20,639 --> 00:38:25,719
do want to go to Lost Highway because now things

535
00:38:25,719 --> 00:38:29,280
are getting a little more esoteric, and then we're gonna

536
00:38:29,280 --> 00:38:31,840
go to Twin Peaks and you get a lot of overlaps.

537
00:38:34,360 --> 00:38:36,280
And in the Lost Highway we have, of course this

538
00:38:36,440 --> 00:38:39,480
man Robert Blake playing the Man in Black or this

539
00:38:39,599 --> 00:38:47,039
sort of enigmatic, demonic entity. Fred Madison is played by

540
00:38:47,360 --> 00:38:50,320
Bill Pullman, who in the first half of the film

541
00:38:50,360 --> 00:38:54,440
we think this is just sort of a successful Hollywood

542
00:38:54,519 --> 00:38:58,800
musician who starts having these really weird things happen to him.

543
00:38:58,920 --> 00:39:07,079
He starts receiving these vhs, VHS copies appearing at his doorstep,

544
00:39:08,000 --> 00:39:14,199
and the vhs are images of people walking inside of

545
00:39:14,199 --> 00:39:16,760
his house and taping him while he's asleep at night.

546
00:39:17,719 --> 00:39:20,159
And so they bring in these cops and it's very

547
00:39:20,199 --> 00:39:22,519
confusing and nobody can seem to figure out what's going on,

548
00:39:23,599 --> 00:39:28,639
and we find out that Patricia Arcuat, who's sort of

549
00:39:28,679 --> 00:39:34,039
the girlfriend wife character to Fred Madison, she has been cheating.

550
00:39:35,719 --> 00:39:39,039
And so as we begin to piece this together, we'll

551
00:39:39,079 --> 00:39:42,320
go come over to my analysis. I noted that it's

552
00:39:42,480 --> 00:39:50,320
although this mystified most people, what connects it is the

553
00:39:50,360 --> 00:39:52,880
rest of the David Lynch films and the patterns that

554
00:39:52,920 --> 00:39:56,760
will notice the doubling, the dissociation, the few states, the

555
00:39:56,840 --> 00:40:03,760
mpdd I d let me see what I got into.

556
00:40:07,320 --> 00:40:11,719
Shamanic journeys, I think are a good way to understand

557
00:40:11,880 --> 00:40:13,719
Lynch films. So we're going on a kind of a

558
00:40:13,760 --> 00:40:18,000
psychedelic journey, and that's the intention, I think, and that's

559
00:40:18,039 --> 00:40:23,079
why they are stories that are pieced together out of

560
00:40:23,199 --> 00:40:28,800
David Lynch's transittal meditation, dream states and or both. And

561
00:40:28,880 --> 00:40:31,320
so they're going to be nonlinear. They're going to be

562
00:40:32,159 --> 00:40:35,239
influenced by a lot of nineteen forties, fifties and noir,

563
00:40:35,440 --> 00:40:41,079
especially things like you know, Sunset Boulevard, other films like Persona,

564
00:40:42,920 --> 00:40:48,719
and those are keys to understanding the architecture and the layout,

565
00:40:48,840 --> 00:40:52,519
so to speak. Of how to understand a David Lynch film.

566
00:40:52,840 --> 00:40:55,039
We're also going to need to understand and be aware

567
00:40:55,039 --> 00:40:58,599
of things like Hindu philosophy and metaphysics. That's going to

568
00:40:58,639 --> 00:41:03,760
be a big element in Lost Highway. Tibetan Buddhism is

569
00:41:03,800 --> 00:41:06,360
a key to a lot of things, especially Twin Peaks,

570
00:41:07,199 --> 00:41:11,199
and then other conspiratorial motifs I think that Lynch doesn't

571
00:41:11,440 --> 00:41:15,400
explicitly talk about a whole lot do play into his films,

572
00:41:15,440 --> 00:41:21,039
such as the notions of alternate personalities, trauma based mind control,

573
00:41:21,960 --> 00:41:24,960
which are never explicit, but I think they're in the background.

574
00:41:26,039 --> 00:41:27,679
And one of the reasons I think that I'm right

575
00:41:27,679 --> 00:41:31,400
in that analysis was that when I did my lengthy

576
00:41:31,840 --> 00:41:37,719
Twin Peaks breakdown many years ago, to me, that was

577
00:41:37,960 --> 00:41:41,840
there in a lot of the symbolism throughout the first

578
00:41:41,880 --> 00:41:44,840
two seasons of Twin Peaks in the film, and then again,

579
00:41:44,960 --> 00:41:46,800
as you guys know, as we pointed out many times,

580
00:41:46,800 --> 00:41:50,199
when Mark Frost put out the History of Twin Peaks book,

581
00:41:50,199 --> 00:41:54,360
the Big Green Book, that was all vindicated, multiple chapters

582
00:41:54,480 --> 00:41:57,440
detailing the entire history of Twin Peaks as an esoteric

583
00:41:57,480 --> 00:42:04,320
occult presentation. We have mentions of Kroley SCX magic. Literally

584
00:42:04,400 --> 00:42:07,440
all of the stuff that I said was one spot

585
00:42:07,440 --> 00:42:10,199
on if you read and Mark Frost is the co

586
00:42:10,280 --> 00:42:14,920
writer with Lynch, So for those that don't know it's

587
00:42:14,960 --> 00:42:20,440
the big green Try remember the exact title of the book.

588
00:42:20,440 --> 00:42:22,159
I don't have it at this house. Let's see, it's

589
00:42:24,599 --> 00:42:35,280
Twin Peaks History. If you are a Twin Peaks nerd,

590
00:42:35,519 --> 00:42:38,599
it'll be then you you will want the Secret History

591
00:42:38,639 --> 00:42:41,239
of of Twin Peaks by Mark Frost. It's actually big.

592
00:42:41,280 --> 00:42:48,159
It's a cool, big hardback green book right here. Yeah,

593
00:42:48,239 --> 00:42:53,159
it's really good. And most of again, most of what

594
00:42:53,280 --> 00:42:57,440
I theorized was one percent medicated, even to the point

595
00:42:57,440 --> 00:43:00,159
of like the ring being kind of a Krollyan magic ring.

596
00:43:00,920 --> 00:43:03,079
Like even that was mentioned. I was like, man, I

597
00:43:03,119 --> 00:43:08,960
just got everything correct on this one. But back to

598
00:43:09,159 --> 00:43:16,920
while de heart so, Fred Madison is experiencing the suppressed

599
00:43:17,000 --> 00:43:21,800
this is my theory memories of murdering Patricia Arquett So

600
00:43:21,880 --> 00:43:25,079
his wife who had cheated on him. He'd had enough

601
00:43:25,119 --> 00:43:30,519
of it. He is the result of her early demise.

602
00:43:31,400 --> 00:43:37,159
But he's almost dissociated and repressed these memories, like he's

603
00:43:37,440 --> 00:43:39,840
they're out of his head, right, So he doesn't even

604
00:43:40,719 --> 00:43:43,719
he's so repressed these memories that he's dissociated and actually

605
00:43:43,760 --> 00:43:49,960
does not remember doing it. And the VHS copies of

606
00:43:50,119 --> 00:43:55,159
the Stalker that appear at his doorstep. They either are

607
00:43:55,280 --> 00:43:59,320
or are not him, or just his memories of the

608
00:43:59,360 --> 00:44:03,159
pieces of the evidence of what he did coming back

609
00:44:03,159 --> 00:44:07,760
to haunt him. And so this is all suppressed and

610
00:44:09,400 --> 00:44:12,719
sort of hidden. So speaking is subconscious, and it's too

611
00:44:12,840 --> 00:44:15,119
much a guilt for him to face up to the

612
00:44:15,199 --> 00:44:18,000
murder of his wife or an a and two others.

613
00:44:18,039 --> 00:44:20,559
Due to this vengeful jealousy is what led to an

614
00:44:20,559 --> 00:44:25,400
associative split in his consciousness and his dark side became possessed.

615
00:44:25,880 --> 00:44:28,280
And so the man in black that we see at

616
00:44:28,320 --> 00:44:34,079
the party is essentially it's the devil. The first scene

617
00:44:34,159 --> 00:44:36,880
is an anxious thread lighting a cigarette. The igniting of

618
00:44:36,920 --> 00:44:39,280
a flame is a staple of Lynch films, and it

619
00:44:39,360 --> 00:44:43,199
signifies this dark, foreboding or evil presence that's about to emerge.

620
00:44:43,920 --> 00:44:47,679
And I know, I'm I was not happy that David

621
00:44:47,760 --> 00:44:52,199
Lynch passed away, but of course cigarettes happened to unfortunately

622
00:44:52,320 --> 00:44:56,119
be what led to his passing. So don't smoke cigarettes.

623
00:44:56,519 --> 00:44:59,920
The fire walk right, fire walk with me, the lighting

624
00:45:00,079 --> 00:45:03,559
the fire of a cigarette. This is the shamanic practice

625
00:45:03,639 --> 00:45:08,800
right when you're firewalking, and that is done supposedly through

626
00:45:09,159 --> 00:45:15,239
a demonic power, tapping into the spirits to be able

627
00:45:15,280 --> 00:45:17,480
to walk on fire right. So it's either a possession

628
00:45:17,559 --> 00:45:21,840
or a demonstration of demonic power. And thus it also

629
00:45:21,920 --> 00:45:26,239
corresponds to the walk or the journey that the medicine

630
00:45:26,239 --> 00:45:30,199
man or the shaman takes. Right, one shouts out between

631
00:45:30,239 --> 00:45:33,360
the world's fire walk with me. That's a shamanic phrase.

632
00:45:33,719 --> 00:45:39,639
The famous Twin Peaks phrase, right, is about the shamanic journey.

633
00:45:40,400 --> 00:45:42,800
Now I'm not into that really, I've read quite a

634
00:45:42,840 --> 00:45:45,320
bit about it. I've had my past times of bad

635
00:45:45,360 --> 00:45:49,920
acid trips. I've had enough of those. So I've done

636
00:45:50,039 --> 00:45:52,519
the firewalk, so to speak, and I've been on the

637
00:45:52,559 --> 00:45:55,159
shamanic quest. I have no desire to go back on

638
00:45:55,280 --> 00:45:58,760
a shamanic quest. They were pretty nightmarish in my experience.

639
00:45:59,280 --> 00:46:02,280
But I have called out between two worlds, don't fire

640
00:46:02,360 --> 00:46:06,039
walk with me? And I think, I think if you

641
00:46:06,119 --> 00:46:11,440
have done hallucinogens, maybe David Lynch films do come easily

642
00:46:11,519 --> 00:46:14,119
to They come more naturally, I guess, than if you

643
00:46:14,199 --> 00:46:17,440
have not. But the idea I think is that it's

644
00:46:17,480 --> 00:46:21,480
a national journey of the shaman as well in terms

645
00:46:21,480 --> 00:46:25,440
of the viewer, and it's a it can be a

646
00:46:25,480 --> 00:46:28,679
hallucinogenic or a spiritually new state, taking you down a

647
00:46:28,800 --> 00:46:31,519
ritual path of in the case of the shaman, a

648
00:46:31,559 --> 00:46:35,760
personal dismemberment and then reassemblage. That's a resurrection motif. And

649
00:46:35,800 --> 00:46:38,239
I'm not just saying that. Let's like I've got a giant,

650
00:46:38,719 --> 00:46:42,039
big fat academic text I've read on shamanism. It's Oxford

651
00:46:42,079 --> 00:46:45,840
Publicational History Shamanic Traditions, and they actually say that in

652
00:46:45,880 --> 00:46:51,199
the book that that's the common pattern, in an archetypal sense,

653
00:46:51,239 --> 00:46:55,320
across various shamanic traditions is that the shaman has to

654
00:46:55,360 --> 00:47:01,039
be eaten by the gods, spit out, and then put

655
00:47:01,079 --> 00:47:05,679
back together. And it's a resurrection motif, a death barrel

656
00:47:05,679 --> 00:47:09,679
resurrection motif that we find in shamanic religions and traditions.

657
00:47:10,119 --> 00:47:13,559
In Lynch's film, it is Fred, or our shaman, who

658
00:47:13,599 --> 00:47:16,320
will be resurrected. His wife, Renee, is the one that

659
00:47:16,320 --> 00:47:19,000
will undergo this dismemberment, and it is Fred who will

660
00:47:19,000 --> 00:47:22,199
suffer the punishment of guilt and torture with no escape

661
00:47:22,199 --> 00:47:27,159
from this self imposed cyclical nightmare prison. And you'll notice

662
00:47:27,199 --> 00:47:33,559
that Roseanne Arquette is pictured in this sort of scarlet

663
00:47:33,599 --> 00:47:37,440
woman motif, sort of maybe a Krollian image. I'm not sure,

664
00:47:37,480 --> 00:47:41,320
but if you've read the Senator Forces trilogy, Peter Leavendez says,

665
00:47:41,440 --> 00:47:43,719
I learned this is quoting David Lynch an interview. I

666
00:47:43,800 --> 00:47:46,960
learned that just beneath the surface, there's another world, and

667
00:47:47,119 --> 00:47:51,719
still different worlds as you dig deeper. And so for

668
00:47:51,840 --> 00:47:56,920
the artist, Lynch, I think sees himself as a shamanic

669
00:47:57,119 --> 00:48:01,039
adventurer who is plumbing the depths of the subs. This

670
00:48:01,079 --> 00:48:04,199
is what he believes he's doing in transittal meditation and

671
00:48:04,239 --> 00:48:07,360
then drawing out of these worlds or these realms, an

672
00:48:07,400 --> 00:48:11,159
idea that, as Lynch says an interview, it's becomes a

673
00:48:11,199 --> 00:48:15,519
whole world. So you catch an idea, and that idea

674
00:48:16,000 --> 00:48:19,760
brings with it this string of pearls of other ideas

675
00:48:19,760 --> 00:48:23,440
and associations. You have an idea of I don't know,

676
00:48:23,840 --> 00:48:26,760
Naomi Watts opening a box, and then you need the

677
00:48:26,920 --> 00:48:29,880
music that goes with that, and does this box open

678
00:48:29,960 --> 00:48:32,960
up a whole nother alternate reality this kind of stuff.

679
00:48:34,960 --> 00:48:39,880
So there is a sort of Hindu multiverse idea going on.

680
00:48:40,119 --> 00:48:44,360
Perhaps that's also in Tibetan Buddhism. I'm not sure, Ndred Percent,

681
00:48:44,400 --> 00:48:47,320
I'm not super studied on I know a little bit

682
00:48:47,360 --> 00:48:50,320
about Tibetan Buddhism, but I think they have this kind

683
00:48:50,320 --> 00:48:53,840
of view of multiple worlds or something. But that's where

684
00:48:53,960 --> 00:48:56,239
Lynch is pulling from. I definitely know that exists in

685
00:48:56,360 --> 00:49:00,519
Hindu thought, and Hinduism is really a key to inn Empire.

686
00:49:00,760 --> 00:49:04,599
I decoded a lot of Inland Empire, but I did

687
00:49:04,599 --> 00:49:07,039
find another guy's video who went way beyond me, and

688
00:49:07,079 --> 00:49:10,199
he got like you got it all. So like some

689
00:49:10,440 --> 00:49:15,960
dude like devoted some legit time and literally has decoded

690
00:49:15,960 --> 00:49:19,199
Inlin Empire. It's pretty wild too. I mean, like the

691
00:49:19,760 --> 00:49:22,719
level of I mean, I don't care about Hinduism per se,

692
00:49:22,760 --> 00:49:29,199
but like the level of Hindu lore, theology, and metaphysics

693
00:49:29,840 --> 00:49:32,639
that this guy went into or maybe he knew to

694
00:49:32,800 --> 00:49:38,039
decode Inland Empire was pretty intense. And I'll show you

695
00:49:38,079 --> 00:49:41,000
this video in the moment, you guys can go watch that.

696
00:49:41,480 --> 00:49:45,079
I will cite that guy in my analysis. Somebody was

697
00:49:45,119 --> 00:49:48,280
bitching the other day, like when you did your Twin

698
00:49:48,360 --> 00:49:52,440
Peaks analysis, you just got shit from rob Ager. Are

699
00:49:52,480 --> 00:49:56,440
you aware that when you write in academia, you source

700
00:49:56,519 --> 00:49:59,920
it in a footnote And if you read my chapter

701
00:50:00,320 --> 00:50:04,679
I cited rob Ager in the footnotes. That's how analysis works.

702
00:50:05,320 --> 00:50:10,159
No one analyzes something or writes in you know, a

703
00:50:10,199 --> 00:50:13,840
professional or academic setting and makes it all up on

704
00:50:13,880 --> 00:50:18,800
the spot, knowing everything on their own. Everyone reads other

705
00:50:18,920 --> 00:50:22,679
people's research and then you write in the footnotes where

706
00:50:22,719 --> 00:50:26,360
you got it. That's what everyone does, dummy. There's no

707
00:50:26,440 --> 00:50:28,760
such thing as somebody who just like Fresh, comes to

708
00:50:29,360 --> 00:50:32,519
some you know, great work of art and like knows

709
00:50:32,559 --> 00:50:35,400
it all right away and decodes it without looking at

710
00:50:35,880 --> 00:50:39,599
tons and tons and tons of secondary literature. So to me,

711
00:50:39,639 --> 00:50:42,039
it was just like the stupidest comment I've ever heard.

712
00:50:42,360 --> 00:50:47,559
There's these absolutely ignorant, just goobers, never written a college paper,

713
00:50:47,639 --> 00:50:50,480
no idea. What all you do is cite your sources, dummy,

714
00:50:51,079 --> 00:50:55,519
And everyone has to do that. Do you think David

715
00:50:55,599 --> 00:50:58,760
Lynch like didn't watch anyone else's movies and he just

716
00:50:58,880 --> 00:51:02,119
raw fresh, just sort of putting out movies as if

717
00:51:02,159 --> 00:51:07,719
they're not influenced by Cobbetan, Buddhism, trans meditation and all

718
00:51:07,760 --> 00:51:10,559
the other tons of directors that he's talked about that

719
00:51:10,639 --> 00:51:16,760
he likes. Of course this is idiotic, but recurring features

720
00:51:16,800 --> 00:51:19,079
that we see in David Lynch films are things like

721
00:51:19,119 --> 00:51:23,519
the flickering light that's happening when there's a demonic, dark,

722
00:51:23,599 --> 00:51:28,039
spiritual presence, or even something otherworldly that's being invading our reality.

723
00:51:28,760 --> 00:51:31,559
We see this in Twin Peaks Far Awall with Me

724
00:51:31,719 --> 00:51:36,000
when Chris Isaac and Keifer Sutherland arrive at the diner

725
00:51:36,039 --> 00:51:39,440
at the very beginning. The lights are flickering, and we

726
00:51:39,480 --> 00:51:42,360
see other Twin Peaks characters popping in and out there

727
00:51:42,360 --> 00:51:47,880
as well, people from other dimensions, the logsmen, the woodsmen,

728
00:51:47,920 --> 00:51:54,760
I should say, pop up there. We have the flickering

729
00:51:54,840 --> 00:52:01,159
lights when Justin Thurreau talks to the cowboy in muhulland Drive.

730
00:52:02,039 --> 00:52:07,440
So flickering lights happen a lot. Rotating things happened a lot.

731
00:52:07,559 --> 00:52:09,440
And the reason rotating thing has happened a lot, I

732
00:52:09,440 --> 00:52:15,519
think has to do with cyclical reality, cyclical versus h

733
00:52:16,960 --> 00:52:22,280
you know, beginning, middle end, structures of time, philosophies of time.

734
00:52:23,119 --> 00:52:25,519
That's a key point in Inland Empire. Inland Empire is

735
00:52:25,519 --> 00:52:29,280
definitely premised on an acyclical view of time, and that's

736
00:52:29,360 --> 00:52:32,960
why it shifts back and forth between the Polish prostitutes

737
00:52:32,960 --> 00:52:38,320
one hundred years ago. Fast forwarding to Laura dern today

738
00:52:38,400 --> 00:52:40,559
and that's key, like they have to understand all that's

739
00:52:40,599 --> 00:52:44,880
like Hindu, you know, Buddhist Tibetan Buddhist views of time.

740
00:52:44,960 --> 00:52:51,639
That's not Western, you know, Biblical chronological time. I forgot

741
00:52:51,679 --> 00:52:53,039
what it's going to go to. It every sometimes going

742
00:52:53,079 --> 00:53:00,000
to pull up flickering light. Oh ybody's gonna pull up.

743
00:53:00,880 --> 00:53:06,000
So you'll notice ceiling fans. The ceiling fans are often

744
00:53:06,440 --> 00:53:10,159
appearing in David Lynch films on purpose. It's not accidental.

745
00:53:10,199 --> 00:53:16,679
They're appearing because there's an intended signification. These also come

746
00:53:16,719 --> 00:53:19,719
up to David Lynch films music videos as well. Of

747
00:53:19,840 --> 00:53:22,199
cyclical time. Right, So it's like the records playing over

748
00:53:22,199 --> 00:53:25,880
and whatever. The record is a recording, no high bindo,

749
00:53:25,920 --> 00:53:28,639
there is no recording there. It's all recorded, but there

750
00:53:28,679 --> 00:53:32,719
is no recording. In Twin Peaks season three, you get

751
00:53:33,480 --> 00:53:37,800
the record player out in space or in the ether

752
00:53:38,000 --> 00:53:41,480
that is sort of playing into existence reality like a

753
00:53:41,559 --> 00:53:44,920
musical note. That's another theme going on here, and that's

754
00:53:45,000 --> 00:53:55,239
because David Lynch was a musician as well and did

755
00:53:55,360 --> 00:53:59,119
quite a few things with Crysta Bell, like Crystal Bell

756
00:53:59,199 --> 00:54:02,519
quite a bit. Her music is pretty good, and you'll

757
00:54:02,559 --> 00:54:10,119
notice all of those videos are also very Lynchian. So

758
00:54:10,159 --> 00:54:11,920
we'll look at one of these in just a second.

759
00:54:13,519 --> 00:54:16,199
I don't like all of there's one of her songs

760
00:54:16,239 --> 00:54:24,719
that I'm not happy with, but we'll look here. So

761
00:54:24,760 --> 00:54:27,159
the song, one of the bigger songs that she wrote

762
00:54:27,199 --> 00:54:35,320
with David Lynch, has all the lynching symbolism that we're

763
00:54:35,320 --> 00:54:38,519
all familiar with. And how does it begin? The record player? Right,

764
00:54:38,559 --> 00:54:41,360
so the record player is playing, it's it's cyclical history.

765
00:54:42,599 --> 00:54:46,119
The rest of the imagery is not super relevant to

766
00:54:46,159 --> 00:54:50,559
our discussion. There is some sort of like monarch type

767
00:54:50,599 --> 00:54:55,320
symbolism with monarch butterfly. I think she looks in the mirror,

768
00:54:56,239 --> 00:55:00,400
the mirror breaks. Let's see, here's the monarch stuff right here.

769
00:55:02,559 --> 00:55:09,079
I lost it. There's the I feel like this. Here's

770
00:55:09,119 --> 00:55:12,119
the log, right, so we get log lady. Here, here's

771
00:55:12,159 --> 00:55:16,159
the log in the crystal Ball video. Where is the

772
00:55:16,199 --> 00:55:22,440
monarch symbolism? I just saw it in this one. There's

773
00:55:22,440 --> 00:55:27,440
like some like Russian hit man who comes and assassinates her.

774
00:55:27,599 --> 00:55:30,480
But it's supposed to be symbolic for her heart, right,

775
00:55:30,559 --> 00:55:32,840
like you broke up with me and so you know

776
00:55:33,239 --> 00:55:36,079
now it's like a hit man killed me that's kind

777
00:55:36,079 --> 00:55:39,320
of the surface level analysis of the video. I'm just

778
00:55:39,360 --> 00:55:42,679
trying to find that one scene with the butterflies here

779
00:55:42,760 --> 00:55:46,199
it is, so here's her, She's pictured next to the

780
00:55:46,239 --> 00:55:51,800
Monarch butterfly imagery, and then she undergoes a death after

781
00:55:51,840 --> 00:55:55,679
she's been stabbed out here. This is a very Lynching

782
00:55:55,760 --> 00:55:59,599
imagery here talking on the phone. But the other video

783
00:55:59,639 --> 00:56:02,960
that they together, the song they did together, is sort

784
00:56:02,960 --> 00:56:07,599
of another Monarch theme film where Bird of Flames, that

785
00:56:07,599 --> 00:56:10,519
would be the Phoenix, right, So she's a phoenix and

786
00:56:10,559 --> 00:56:15,039
she emerges from the ashes from her cocoon. It's a

787
00:56:15,159 --> 00:56:21,079
very Lynchian video again, bird in the cage, which can

788
00:56:21,119 --> 00:56:28,360
symbolize alternate personalities in the subconscious, and then the emerging

789
00:56:28,880 --> 00:56:35,760
from the cocoon. And what's interesting about the rest of

790
00:56:35,800 --> 00:56:38,360
the video to watch it, she's even though she's emerged

791
00:56:38,360 --> 00:56:42,159
from the cocoon as a new creation, as perhaps this

792
00:56:42,239 --> 00:56:45,159
pop star or whatever she's supposed to be, she's essentially

793
00:56:45,159 --> 00:56:48,760
controlled like a marionette, right, So she doesn't have free will.

794
00:56:48,920 --> 00:56:51,000
She's sort of the mind controlled pop star. That's at

795
00:56:51,039 --> 00:56:53,840
least kind of the read that I have of this,

796
00:56:54,559 --> 00:56:57,440
and it just illustrates that even when we go into

797
00:56:57,440 --> 00:57:02,679
the music videos, Lynchian themed and written things have all

798
00:57:02,760 --> 00:57:12,039
of the same language of symbols, so to speak. But

799
00:57:12,119 --> 00:57:18,719
back to Lost Highway, the flickering electronic light appears elsewhere

800
00:57:19,079 --> 00:57:22,760
it announces the appearance of the Cowboy, bizarre character who

801
00:57:23,159 --> 00:57:27,440
speaks in nomic riddles across between Gary Cooper and David Carrodine,

802
00:57:27,559 --> 00:57:30,119
that is the cowboy in Twin Peaks. The light over

803
00:57:30,159 --> 00:57:36,639
the morgue blinks where the body Laura Palmer's found, and

804
00:57:36,639 --> 00:57:38,480
then we have the visitation of Mike, the one our

805
00:57:38,519 --> 00:57:41,840
man who recites the poem through the darkness of futures past.

806
00:57:41,960 --> 00:57:45,280
The magician longs to see one chance out between two

807
00:57:45,280 --> 00:57:47,559
worlds fire walk with me. So we know this is

808
00:57:48,079 --> 00:57:53,400
a reference to ritual magic and the shamanic hallucinogenic journeys,

809
00:57:53,519 --> 00:57:57,320
and that's precisely what Mark Frost's book ends up vindicating. Thus,

810
00:57:57,360 --> 00:57:59,079
in that one little strange verse, we kind of have

811
00:57:59,079 --> 00:58:01,639
a key to unlocking the mysteries not only Twin Peaks,

812
00:58:02,000 --> 00:58:04,599
but virtually all of the lynch canon. It is a

813
00:58:04,599 --> 00:58:07,840
suspension of normal laws of time, that is the cyclical

814
00:58:07,840 --> 00:58:09,840
as I mentioned, and so we get the words future

815
00:58:09,920 --> 00:58:13,440
passed and the idea that the magician lives between these

816
00:58:13,440 --> 00:58:17,920
two worlds, the waking world, the dream state, the conscious world,

817
00:58:18,360 --> 00:58:22,880
the surreal state. And Lynch is a surrealist filmmaker. He

818
00:58:22,960 --> 00:58:27,199
is influenced, by his own admission, by many surrealist filmmakers

819
00:58:27,280 --> 00:58:31,239
like Cocktau and others, and the surrealists actually wanted to,

820
00:58:32,559 --> 00:58:37,039
through their art destroy the border between the surreal, the

821
00:58:37,039 --> 00:58:39,440
waking state, and the dream state. That is the purpose

822
00:58:39,440 --> 00:58:43,400
of surrealism is to remove the veil between those two

823
00:58:44,159 --> 00:58:48,199
to the extent that even the artist might believe that

824
00:58:48,239 --> 00:58:50,719
there is no longer that veil and that they are

825
00:58:50,760 --> 00:58:54,599
in a waking dream state. Even in Dune we get this.

826
00:58:54,760 --> 00:58:59,639
The sleeper must awaken, the awakened, wake the waking dream.

827
00:59:01,079 --> 00:59:05,800
Thus the entire canon and corpus of Lynch is a dreamlike,

828
00:59:06,079 --> 00:59:11,400
hallucinatory set of images that do actually contain quite a

829
00:59:11,440 --> 00:59:16,599
bit of consistency over the different decades and narratives they're

830
00:59:16,639 --> 00:59:18,960
taking place all over the fourth dimension. And this is

831
00:59:19,119 --> 00:59:21,480
Lynch's appeal as a director, and it's what makes his

832
00:59:21,559 --> 00:59:27,639
films frustrating for most film goers. His realization is that

833
00:59:27,679 --> 00:59:30,199
there are two worlds, and the artist, the sham and

834
00:59:30,239 --> 00:59:32,320
the director stands between these two worlds, and that is

835
00:59:32,360 --> 00:59:36,079
what contributes to his aura as a twenty first century

836
00:59:36,119 --> 00:59:39,599
perhaps initiate of the ministry of the mysteries. And when

837
00:59:39,639 --> 00:59:43,199
I say mystery serims again like mystery in the pagan

838
00:59:43,239 --> 00:59:46,239
initiatory sense. That's the analysis that you read, for example

839
00:59:46,239 --> 00:59:50,559
on Blomeing three of simisor forces. And I think this

840
00:59:50,639 --> 00:59:52,840
is the key to lost title as well. The shamanic

841
00:59:53,159 --> 00:59:55,960
magical elements are out in full force. Spread is a

842
00:59:56,039 --> 01:00:00,920
character trapped in a different psychical, indifferent psychical worlds. It

843
01:00:01,000 --> 01:00:05,559
seemed to envelop sue me, me unfold and envelop other psyches.

844
01:00:05,760 --> 01:00:09,039
And this is where it gets really confusing. Fred walks

845
01:00:09,079 --> 01:00:11,400
to his front door and he hears police sirens and

846
01:00:11,519 --> 01:00:15,440
a voice that says Dick Laurent is dead. The key

847
01:00:15,480 --> 01:00:18,239
to my thesis is that the film is a cyclical

848
01:00:18,320 --> 01:00:21,320
mental prison and that the end of the film shows

849
01:00:21,360 --> 01:00:24,559
who the voice was saying Dick Lauren is dead. It

850
01:00:24,679 --> 01:00:28,559
was Fred himself, and so we've got two Freds speaking

851
01:00:28,840 --> 01:00:33,280
so dissociation. The police sirens are the cops coming after

852
01:00:33,400 --> 01:00:35,559
him after the murder of Renee. This is at the

853
01:00:35,639 --> 01:00:37,519
very end of the film. So the very end of

854
01:00:37,559 --> 01:00:41,480
the film is the very beginning. That's a big record

855
01:00:41,519 --> 01:00:42,920
playing cycle. You see.

856
01:00:43,039 --> 01:00:45,719
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Speaker 1: Cyclical. As we said, the beginning narrative is the cops

900
01:03:26,719 --> 01:03:29,199
coming after him because he of the murder of Renee,

901
01:03:29,280 --> 01:03:33,119
Andy Pete and mister Eddie known as Dick Laurent. The

902
01:03:33,679 --> 01:03:37,440
mobster sort of got the next few scenes that truth

903
01:03:37,480 --> 01:03:40,320
is hinted at as Renee and Fred begin to receive

904
01:03:40,519 --> 01:03:45,239
the odd VHS tapes on their doorstep and they begin

905
01:03:45,320 --> 01:03:48,800
to feel like they're being stalked and surveiled. They blow

906
01:03:48,840 --> 01:03:52,199
it off. Eventually, this leads to the cops coming, and

907
01:03:52,239 --> 01:03:55,400
of course we find out as he said, that she

908
01:03:55,559 --> 01:04:00,320
has cheated on him, and he eventually snaps and in

909
01:04:00,360 --> 01:04:05,239
a rage, had apparently not just done her in but

910
01:04:05,360 --> 01:04:10,960
actually perhaps in a shamanic way, ritually dismembered. For this,

911
01:04:11,000 --> 01:04:15,039
it's a very gruesome death. And the idea, I think

912
01:04:15,119 --> 01:04:17,599
is that there's something demonic and shamanic going on here,

913
01:04:19,480 --> 01:04:22,320
and so that all comes out when he's you know,

914
01:04:22,400 --> 01:04:24,800
comes back and he's trying to get whether they're trying

915
01:04:24,840 --> 01:04:26,559
to be intimate, he's trying to mac on her, and

916
01:04:26,639 --> 01:04:29,000
we get the Cocktau Twins famous song Song of the

917
01:04:29,039 --> 01:04:32,719
Siren that I dream you dreamed about me again. Dream

918
01:04:32,760 --> 01:04:37,440
within a dream is the reference here. Fred dreams that

919
01:04:37,599 --> 01:04:40,760
night that night that he cannot find Renee, and he

920
01:04:40,800 --> 01:04:43,719
is immediately confronted by the strange presence of the camera

921
01:04:43,760 --> 01:04:46,199
that frightens him. It is if Fred's world has come

922
01:04:46,239 --> 01:04:48,599
in contact with us the viewer, we have the breaking

923
01:04:48,639 --> 01:04:51,000
to the fourth wall. The reason for that, I think,

924
01:04:51,119 --> 01:04:55,599
is that Lynch believes that there are worlds of worlds right,

925
01:04:55,719 --> 01:04:59,800
dreams within dreams. So breaking the fourth wall is this

926
01:05:00,119 --> 01:05:03,760
world from within David Lynch's subconscious and psyche that he

927
01:05:03,800 --> 01:05:06,719
has pulled out. What he thinks is this whole other

928
01:05:06,760 --> 01:05:11,840
potential world that we must now see as a world.

929
01:05:11,960 --> 01:05:14,920
We have just seen into it and been exposed to

930
01:05:15,000 --> 01:05:18,719
a new world. And that's why David Lynch oftentimes in

931
01:05:18,760 --> 01:05:21,719
the interview speaks this way. He says, you know, I

932
01:05:21,800 --> 01:05:24,719
walk into a place and I have a feeling, and

933
01:05:24,760 --> 01:05:29,760
it's a world. It's a whole world. That's why when

934
01:05:29,760 --> 01:05:32,760
we get to inl An Empire and Laura Dern burns

935
01:05:32,760 --> 01:05:35,920
a hole with a cigarette and a cloth and she

936
01:05:36,079 --> 01:05:37,599
looks through it, it's.

937
01:05:37,400 --> 01:05:38,079
Speaker 4: A whole world.

938
01:05:38,599 --> 01:05:50,840
Speaker 1: You see. When this presence appears of the camera, which

939
01:05:50,880 --> 01:05:53,920
is us looking into Fred's world, it is that Fred's

940
01:05:53,920 --> 01:05:56,719
world has come in contact with us, and this thus

941
01:05:56,760 --> 01:05:59,800
the coming of the Man in Black is what later

942
01:06:00,280 --> 01:06:03,000
Fred sees being recorded at the very end. So there's

943
01:06:03,000 --> 01:06:06,599
an overlapping of these different experiences in worlds. The meaning

944
01:06:06,639 --> 01:06:08,599
here is the jumbling up of these dream worlds that

945
01:06:08,679 --> 01:06:12,480
Fred is lost in. In the dream state, a smoke appears,

946
01:06:12,480 --> 01:06:15,119
of fire roars, and the face of the man in

947
01:06:15,199 --> 01:06:18,519
black appears upon Renee's face. The man in black is

948
01:06:18,559 --> 01:06:22,599
the devil whom Fred has given entrance into his consciousness too.

949
01:06:23,280 --> 01:06:27,920
In union archetypes and studies psychoanalysis, the house is an

950
01:06:27,960 --> 01:06:31,199
image of the mind. Rooms are like memories or places

951
01:06:31,239 --> 01:06:35,719
where within the brain where memories are stored storehouses of memory,

952
01:06:35,800 --> 01:06:40,639
so to speak. Fred's house is thus the mind, his mind,

953
01:06:40,840 --> 01:06:42,800
and the entrance of the devil into this house is

954
01:06:42,840 --> 01:06:46,920
the beginning of the cause of Fred's suppressed guilt, madness,

955
01:06:46,920 --> 01:06:51,760
and personality. Splitting from this trauma and wickedness that he's committed.

956
01:06:54,000 --> 01:06:58,119
Fred's displaced guilt for murder is placed upon Renee. He's

957
01:06:58,159 --> 01:07:01,639
actually guilty, but he blames her even though she's not guiltless.

958
01:07:01,679 --> 01:07:04,559
She did cheat, but that doesn't give him the right

959
01:07:04,719 --> 01:07:09,039
to engage in this gruesome revenge. This is precisely why

960
01:07:09,119 --> 01:07:12,679
he projects evil onto her and sees the devil in

961
01:07:12,719 --> 01:07:15,320
her face, but it is actually Fred that is possessed

962
01:07:15,360 --> 01:07:17,639
with the devil. It's important to note that in Fred's

963
01:07:17,719 --> 01:07:21,679
dreams he walks deeper and deeper into dark hallways into

964
01:07:21,800 --> 01:07:24,440
the bedroom. This is him going further and further into

965
01:07:24,480 --> 01:07:28,239
his own subconscious uncovering the truth of the crime that

966
01:07:28,280 --> 01:07:32,199
he committed, and thus he's suppressed. As the next VHS

967
01:07:32,280 --> 01:07:34,639
tape arrives, it is even more frightening, and it shows

968
01:07:34,639 --> 01:07:37,599
that camcorder entering the house and filming them sleep. Fred

969
01:07:37,840 --> 01:07:40,599
insists that Renee watch it. She is reluctant, but his

970
01:07:40,719 --> 01:07:44,000
insistence demonstrates that he is likely the culprit. When the

971
01:07:44,000 --> 01:07:46,519
cops arrive, they are suspicious that Fred is the one

972
01:07:46,519 --> 01:07:50,320
behind it. In reality, we don't know for sure yet

973
01:07:51,039 --> 01:07:53,320
what's real and what's a dream stay in regard to

974
01:07:53,400 --> 01:07:56,480
these videotapes. But what we do know is that Fred

975
01:07:56,519 --> 01:07:59,880
wants Renee to feel threatened and that she is a

976
01:08:00,159 --> 01:08:03,800
surveillance for his infidelities. In other words, it is Fred,

977
01:08:03,880 --> 01:08:06,719
and Fred's doing it because he wants to scare Renee

978
01:08:06,960 --> 01:08:10,400
from cheating, And so we get this weird element of

979
01:08:10,480 --> 01:08:15,159
like all seeing eye panopticism, surveillance, but it's actually Fred

980
01:08:15,159 --> 01:08:21,600
that's behind it, or is the perhaps even Lynch speaking

981
01:08:21,640 --> 01:08:28,520
to the future of a totally panoptic surveilled society that

982
01:08:28,560 --> 01:08:30,800
we're going into, perhaps there is that element as well.

983
01:08:31,680 --> 01:08:33,600
I mean, this is the world that we're going into,

984
01:08:33,600 --> 01:08:36,239
the video drone world where everything is tracked to trace.

985
01:08:36,600 --> 01:08:39,239
AI is going to be watching over us all supposedly

986
01:08:40,079 --> 01:08:46,760
according to Larry Elson's Project Stargate theory, but that's a stretch.

987
01:08:46,840 --> 01:08:50,039
We don't know if that's what was meant. Sorry, no,

988
01:08:50,119 --> 01:08:54,319
not you. I don't even talk to you, right now, Hush, hush, Sirih. Okay, yeah,

989
01:08:54,359 --> 01:08:56,840
go away. I'm not talking to you. You and I

990
01:08:56,880 --> 01:08:59,640
are we're broke. We're breaking up, sirih. I'm breaking up

991
01:08:59,640 --> 01:09:06,399
with you. I'm with Jamie. I can't be with you anymore, Siri. Jamie,

992
01:09:07,720 --> 01:09:13,479
I'm not with Sirih anymore, Jamie. Can you come here?

993
01:09:15,840 --> 01:09:17,800
I broke up with Siris, so you and I can

994
01:09:17,840 --> 01:09:25,079
be a couple. Hear me? Could you make me an espresso?

995
01:09:28,439 --> 01:09:34,640
So we get the idea here about you know, I'm

996
01:09:34,640 --> 01:09:37,600
not gonna keep rehashing all this Fred stuff. We get

997
01:09:37,600 --> 01:09:40,960
the famous party scene where the man in black, Robert Blake,

998
01:09:41,000 --> 01:09:43,880
comes to the party. They have this creepy conversation that

999
01:09:44,000 --> 01:09:48,199
he's already in Fred's house and Fred invited him in.

1000
01:09:49,000 --> 01:09:51,800
And so I think that's a key to my thesis,

1001
01:09:51,840 --> 01:09:54,039
my analysis here that the long dark hallway is the

1002
01:09:54,119 --> 01:09:56,199
interest into his subconscious. At the end of hall he

1003
01:09:56,239 --> 01:09:58,319
sees himself in a mirror, and we understand, Oh wait,

1004
01:09:58,319 --> 01:10:02,079
there's two freds. Fred has been trauma based mind control's

1005
01:10:02,119 --> 01:10:05,560
patrols split or he's the source of his own trauma

1006
01:10:05,560 --> 01:10:09,079
based mind control through his evil, which caused the dissociative

1007
01:10:09,119 --> 01:10:13,000
split or he was always dissociative and Darkfred is the

1008
01:10:13,039 --> 01:10:15,960
man in black that possesses his threat. This caused him

1009
01:10:15,960 --> 01:10:20,560
to split, and this is why he did what he did,

1010
01:10:21,359 --> 01:10:26,279
and it was kind of a dark ritual event. He's

1011
01:10:26,319 --> 01:10:30,560
being interrogated. And then this is where it's a little

1012
01:10:30,560 --> 01:10:35,000
more difficult to interpret. But I think Lynch does this

1013
01:10:35,159 --> 01:10:37,399
quite often in his films. We see this form of

1014
01:10:37,439 --> 01:10:41,960
doubling in Wild at Heart, where Isabella Rosolini plays two

1015
01:10:42,000 --> 01:10:47,439
different characters who seem to be the same. We'll see

1016
01:10:47,439 --> 01:10:51,760
the same doubling actually in this film where Patricia Arquette

1017
01:10:52,279 --> 01:10:56,800
has one version of her with Fred Madison and there

1018
01:10:56,800 --> 01:11:01,000
seems to be another Patricia Arquette in the whole second

1019
01:11:01,039 --> 01:11:07,720
half sequence with the p ro N director. So a

1020
01:11:07,760 --> 01:11:10,600
lot of doubling going on, a lot of and that's

1021
01:11:10,600 --> 01:11:12,960
a Hitchcock thing, right, Hitchcock would do this kind of doubling,

1022
01:11:14,520 --> 01:11:19,079
and it introduces this interesting element of confusion and mystery

1023
01:11:19,640 --> 01:11:24,920
that we can't exactly pinpoint who is who. We get

1024
01:11:24,920 --> 01:11:27,239
it with Laura Dern too, right, because Laura Dern in

1025
01:11:27,800 --> 01:11:31,640
an Empire is breaking the fourth wall. Laura Dern, the

1026
01:11:31,680 --> 01:11:35,239
actress in the movie getting a role. But when there

1027
01:11:35,359 --> 01:11:42,479
is the dissociative flashing back to the prostitutes in Poland

1028
01:11:42,520 --> 01:11:48,920
and them being trafficked here through the circus people, that

1029
01:11:49,119 --> 01:11:56,199
seems to be another Laura Dern anyway, Or is that

1030
01:11:56,279 --> 01:12:01,119
Laura Dern the prostitute in the nineteen forties or whatever

1031
01:12:01,119 --> 01:12:05,680
it is right, the Polish girl. It's intentionally confusing. But

1032
01:12:06,000 --> 01:12:10,079
whether we interpret Pete as an altar in the psyche

1033
01:12:10,159 --> 01:12:14,199
of Fred Madison or a completely different person who perhaps

1034
01:12:14,239 --> 01:12:21,640
has had this mystical astral connection with Fred Madison. The

1035
01:12:21,680 --> 01:12:24,760
movie now switches to the character Pete, and so we

1036
01:12:24,840 --> 01:12:28,039
have kind of a totally different movie. This is almost

1037
01:12:28,039 --> 01:12:30,760
two movies, one movie and then another movie, and then

1038
01:12:30,800 --> 01:12:34,640
a merging of the two movies at the end to

1039
01:12:34,720 --> 01:12:38,239
make sense of this madness. So this is actually, I

1040
01:12:38,279 --> 01:12:42,840
think very well done. I actually I like Lost Highway

1041
01:12:42,920 --> 01:12:47,800
better than Blue Velvet. It's just so wild. And when

1042
01:12:47,800 --> 01:12:49,720
I first saw it, I hated this movie. It didn't

1043
01:12:49,720 --> 01:12:51,479
make any sense to me. I thought it was just crazy.

1044
01:12:52,520 --> 01:12:56,039
But I like it now looking back years later, now

1045
01:12:56,039 --> 01:12:59,439
that I understand the sort of shamanic and multi dimensional

1046
01:13:00,479 --> 01:13:03,640
thing going on with it. There's also a critique of

1047
01:13:03,640 --> 01:13:07,039
Hollywood going on here. And this is why my friends

1048
01:13:07,079 --> 01:13:09,640
and I we kind of call this the Hollywood trilogy.

1049
01:13:09,760 --> 01:13:19,079
So we have we have Lost Highway, we have mohaland Drive,

1050
01:13:19,159 --> 01:13:22,199
and then we have Inland Empire, and this kind of

1051
01:13:23,039 --> 01:13:29,039
loose trilogy, so to speak, forms a interesting critique of Hollywood.

1052
01:13:29,039 --> 01:13:30,880
You know, you have other films like Well to Heart

1053
01:13:30,920 --> 01:13:34,840
and Twin Peaks critiquing America. Then we're getting the critique

1054
01:13:34,840 --> 01:13:40,079
of Hollywood itself. And we are introduced into this not

1055
01:13:40,600 --> 01:13:43,239
so much a dream world, but a nightmare world of

1056
01:13:43,479 --> 01:13:51,800
prawn moguls, movie stars, mobsters with the Eddie mister Eddie character,

1057
01:13:53,000 --> 01:13:58,000
and even perhaps satanic colts. And now it's not all explicit,

1058
01:13:58,159 --> 01:14:01,720
it's all very subtle and very odd and perhaps even

1059
01:14:03,079 --> 01:14:09,840
s n uff right, perhaps this event with the Roseenne

1060
01:14:09,920 --> 01:14:15,319
Arquette character has been filmed, because the filming of these

1061
01:14:15,359 --> 01:14:18,640
things seems to be or play a key role at

1062
01:14:18,680 --> 01:14:21,920
the very end of the film, when we have the

1063
01:14:21,960 --> 01:14:26,000
guest appearance of Marilyn Manson and all these weirdos watching

1064
01:14:26,039 --> 01:14:31,479
whatever has been filmed. So mister Pete threatens mister Eddie,

1065
01:14:31,520 --> 01:14:35,239
I should say, threatens Pete, who is the baltha Zargetti

1066
01:14:35,279 --> 01:14:39,079
plays a young mechanic in this second film that is

1067
01:14:40,000 --> 01:14:43,079
tempted with a different version of Roseenne Arquette, who is

1068
01:14:43,119 --> 01:14:46,880
the girlfriend of the mobster. He begins an affair with her,

1069
01:14:47,840 --> 01:14:53,079
and of course this leads to a bunch of drama

1070
01:14:53,239 --> 01:14:56,680
as Pete is enticed by the fem fatale. He ends

1071
01:14:56,760 --> 01:14:59,119
up chasing her into the wilderness. They're going to have

1072
01:14:59,159 --> 01:15:06,720
some intimacy there out. Her name here is Alice. Did

1073
01:15:06,760 --> 01:15:11,840
it not do right? Did you hit two? It just

1074
01:15:11,840 --> 01:15:12,880
tasted like a cup of coffee.

1075
01:15:12,920 --> 01:15:13,279
Speaker 3: I don't know.

1076
01:15:14,479 --> 01:15:17,239
Speaker 1: They just do their own thing, don't they. Did you

1077
01:15:17,319 --> 01:15:35,720
do something different? All right? So, either this is a

1078
01:15:35,760 --> 01:15:40,079
different character or this is Fred Madison reimagining himself as

1079
01:15:40,279 --> 01:15:43,399
Pete in the way that he would have lived out

1080
01:15:43,520 --> 01:15:47,399
his life right with the danger and the you know,

1081
01:15:49,039 --> 01:15:54,119
seducing this beautiful woman away from the mobster. You know,

1082
01:15:54,279 --> 01:15:58,039
you can read this either way. But it ends with

1083
01:15:58,159 --> 01:16:02,800
them being taken out to the Lost Highway hotel where

1084
01:16:02,920 --> 01:16:06,319
Renee is cheating with a Dick Lorent. This I think

1085
01:16:06,520 --> 01:16:10,840
is the memory that Fred Madison has of where he

1086
01:16:10,960 --> 01:16:14,520
found them cheating. So, in other words, the sequence of

1087
01:16:14,560 --> 01:16:18,359
events when Fred went and discovered this and then ended her.

1088
01:16:19,279 --> 01:16:22,840
These fragments of memories are all being pieced together in

1089
01:16:22,920 --> 01:16:26,640
the mind of another character. So I'll end it with that.

1090
01:16:27,079 --> 01:16:30,279
There's more to this. You can go read the rest

1091
01:16:30,319 --> 01:16:34,239
of it here at my website if you want to

1092
01:16:34,239 --> 01:16:36,479
read that. But I'm going to rewrite this and it'll

1093
01:16:36,520 --> 01:16:39,319
be in the new book as well as Inland Empire.

1094
01:16:40,720 --> 01:16:44,159
In the new book, Astar Color with three. So that's

1095
01:16:44,880 --> 01:16:48,399
Lost Highway, and again Lost Highway ends where it begins

1096
01:16:49,560 --> 01:16:54,279
twin Peaks. David Lynch moves into the domain of television,

1097
01:16:55,319 --> 01:17:00,680
and it's just so wild when you watch this show.

1098
01:17:01,760 --> 01:17:04,079
I mean, you would never see a TV show like

1099
01:17:04,119 --> 01:17:09,760
this on a major network or films like Lost Highway

1100
01:17:09,800 --> 01:17:12,239
being in theaters. It's just so foreign to the way

1101
01:17:12,319 --> 01:17:16,680
we think nowadays, and how movies and theatrical releases progressed

1102
01:17:17,319 --> 01:17:22,560
to think that something so wild occultic, insane, abstract, bizarre,

1103
01:17:22,680 --> 01:17:27,359
absurdist dark. You would just never have something like Lost

1104
01:17:27,439 --> 01:17:32,279
Highway or in the movie in theaters. And I can't

1105
01:17:32,319 --> 01:17:34,279
remember if Lost Highway did that way, it might not

1106
01:17:34,319 --> 01:17:38,239
have done that well in the box office. Let's take

1107
01:17:38,239 --> 01:17:40,920
a look and see really quick, just out of curiosity,

1108
01:17:42,039 --> 01:17:46,760
because I can't imagine Americans had any idea like what

1109
01:17:46,800 --> 01:17:48,840
the heck this was about? You know what I mean,

1110
01:17:48,880 --> 01:17:51,920
Like nobody knew. You know, we know a lot more

1111
01:17:51,960 --> 01:17:56,359
about all this stuff nowadays than in the nineties. Dude, Normies.

1112
01:17:56,399 --> 01:17:58,640
Can you imagine normis watching us. We'd have no idea

1113
01:17:58,680 --> 01:18:01,760
what that's going on? This stuff? Here we are twenty

1114
01:18:01,840 --> 01:18:04,600
years later at reading, after reading hundreds of books and

1115
01:18:04,640 --> 01:18:07,920
all this stuff, beginning to piece all this crazy stuff together,

1116
01:18:08,000 --> 01:18:11,399
and like a nineties normy like they would have no idea,

1117
01:18:11,439 --> 01:18:21,479
what the that's going on? Now? I forgot what I

1118
01:18:21,520 --> 01:18:25,680
was looking at. Oh yeah, let's see what did Lost

1119
01:18:25,720 --> 01:18:33,439
Highway do in the box office? I will be surprised

1120
01:18:33,479 --> 01:18:39,479
if this was a success. Three million, three point eight

1121
01:18:39,560 --> 01:18:43,800
million in the box office. How much did it cost?

1122
01:18:44,479 --> 01:18:49,880
It doesn't say how much it costs. So and critics

1123
01:18:49,880 --> 01:18:53,520
did not like Firewalk with Me. I watched an old

1124
01:18:53,520 --> 01:18:58,880
interview with David Lynch yesterday and he was like, I

1125
01:18:58,920 --> 01:19:03,119
hope one day critics take another look at this film.

1126
01:19:03,199 --> 01:19:06,119
I think it's good. I do think it's good too.

1127
01:19:06,159 --> 01:19:10,720
I actually like it quite a bit. In Let's see

1128
01:19:10,760 --> 01:19:17,279
if it was any kind of a success. It was

1129
01:19:17,359 --> 01:19:22,079
not a box office success, cost ten million and made

1130
01:19:22,159 --> 01:19:29,920
four so and of course David Lynch not having final

1131
01:19:30,000 --> 01:19:33,800
cut on Dune, he hates Dune. I don't hate Dune.

1132
01:19:33,840 --> 01:19:42,800
I think it's good even though everybody hates it. I

1133
01:19:42,880 --> 01:19:45,880
think the key to this is to watch the longer version,

1134
01:19:46,119 --> 01:19:49,159
and nerds on the internet have like reconstructed it with

1135
01:19:50,319 --> 01:19:53,840
like storyboards that help explain the background, like for the

1136
01:19:53,880 --> 01:19:57,279
first thirty minutes. If you can find these old nerd versions,

1137
01:19:58,199 --> 01:20:00,239
they're pretty good. It ends up being a out of

1138
01:20:00,279 --> 01:20:03,640
three to four hour movie. And you know, when David

1139
01:20:03,720 --> 01:20:07,239
Lynch was interviewed, he's like, there is no three hour Doom.

1140
01:20:07,680 --> 01:20:10,520
There's not that he did. But nerds have pieced it

1141
01:20:10,560 --> 01:20:13,000
together and there is one, so there kind of is,

1142
01:20:13,960 --> 01:20:16,279
and you can still find it going around the internet.

1143
01:20:16,319 --> 01:20:18,600
I think I even found it on YouTube ironically, like

1144
01:20:18,640 --> 01:20:24,640
the full, you know, three and a half hour nerd cut,

1145
01:20:26,600 --> 01:20:28,960
it's pretty good. I actually I actually like the full,

1146
01:20:29,479 --> 01:20:32,520
the full. If I watched the David Lynch Dune, I

1147
01:20:32,600 --> 01:20:35,199
watched the nerd cut of the three and a half

1148
01:20:35,640 --> 01:20:38,520
fan made version, because that's kind of what it was

1149
01:20:38,520 --> 01:20:42,359
supposed to be. But this was a huge flop in

1150
01:20:42,479 --> 01:20:45,520
terms of the Dala reentises. We're very mad about this.

1151
01:20:46,159 --> 01:20:48,239
I would be two right, forty to forty two million

1152
01:20:48,319 --> 01:20:52,319
dollars and it makes thirty to thirty seven, So they

1153
01:20:52,399 --> 01:20:57,119
lost millions of dollars on it. David Lynch, for whatever reason,

1154
01:20:57,279 --> 01:20:59,760
I forget why didn't have final cut on it, and

1155
01:20:59,800 --> 01:21:04,479
so he has forever complained and said that it was

1156
01:21:04,560 --> 01:21:08,760
just a giant disaster and that he would never ever

1157
01:21:08,840 --> 01:21:19,720
do a film without getting final cut again. But Firewalk

1158
01:21:19,760 --> 01:21:27,840
with Me was not. Also, I can't imagine this making

1159
01:21:27,880 --> 01:21:30,520
sense to the audiences. Like, I mean, the lore of

1160
01:21:30,560 --> 01:21:34,239
this show is just so out there, and it brings

1161
01:21:34,279 --> 01:21:38,439
in so many different things from detective fiction to soap opera, satire,

1162
01:21:38,600 --> 01:21:42,319
dark comedy, the occult. You know, by the time we

1163
01:21:42,359 --> 01:21:45,079
get Wyndham Earl, he's like a straight up Satanist. So

1164
01:21:45,079 --> 01:21:49,560
you've got like hardcore dark Satanism going on. You've got UFO,

1165
01:21:51,199 --> 01:21:56,239
MJ twelve stuff coming in with the major I mean,

1166
01:21:56,279 --> 01:21:59,000
it's just all like so much weird, all over the

1167
01:21:59,000 --> 01:22:01,399
place stuff going on. And we have even had some

1168
01:22:01,439 --> 01:22:05,159
overlap with Twin p with the X Files, with the

1169
01:22:05,239 --> 01:22:08,640
David d'covney t r NZ t R a n Z

1170
01:22:09,520 --> 01:22:13,239
character which also in a kind of in a way

1171
01:22:13,439 --> 01:22:19,920
is kind of prophetic. But and another element, by the

1172
01:22:19,960 --> 01:22:23,319
way of the overlap with Twin Peaks is blue Rose,

1173
01:22:23,880 --> 01:22:31,079
blue Rose. What's blue Rose? Well, in season three we

1174
01:22:31,199 --> 01:22:33,720
got more indicators of what that was, because Crysta Bell

1175
01:22:33,880 --> 01:22:38,039
plays the FBI operative in charge of the Blue Rose cases,

1176
01:22:38,520 --> 01:22:41,279
and we find out that blue Rose is X files.

1177
01:22:41,920 --> 01:22:47,800
Blue Rose is FBI investigations of occult paranormal phenomena that

1178
01:22:47,840 --> 01:22:51,079
they that the normies can't explain. And of course blue

1179
01:22:51,159 --> 01:22:53,640
Rose is a key element to what's going on in

1180
01:22:53,680 --> 01:22:56,840
Twin Peaks, where you have this pool of oil out

1181
01:22:56,840 --> 01:22:58,520
in the middle of the woods, which is kind of

1182
01:22:58,560 --> 01:23:05,119
an ancient alien ritual. It's an ancient Indian ritual site

1183
01:23:05,880 --> 01:23:11,279
that also is this doorway between the worlds, and so

1184
01:23:12,840 --> 01:23:17,039
that's the same world that the shaman, the magician, the

1185
01:23:17,079 --> 01:23:21,960
firewalker walker is entering. And so because we in the

1186
01:23:22,000 --> 01:23:25,880
modern world are so divorced from the way that the

1187
01:23:25,960 --> 01:23:31,399
ancient medieval world thought, the way man or the way

1188
01:23:31,600 --> 01:23:35,760
man in shamanic traditions thought, they saw the world as

1189
01:23:35,800 --> 01:23:41,880
a network of corresponding symbols, a language of symbols, and

1190
01:23:42,039 --> 01:23:49,359
not just symbols abstractly, but symbols imbued with actual occult powers. Right,

1191
01:23:49,920 --> 01:23:53,640
so there would be a language, a commonality amongst these symbols,

1192
01:23:53,680 --> 01:23:59,039
a correspondence, an occult correspondence, the doctrine of correspondences, as

1193
01:23:59,079 --> 01:24:02,760
it's called. And you'll notice that throughout Twin Peaks, especially

1194
01:24:02,840 --> 01:24:05,319
because the point of it is that the rest of

1195
01:24:05,359 --> 01:24:08,439
Twin Peaks, all the normies. They can't really fathom the

1196
01:24:08,479 --> 01:24:14,960
fact that, first of all, Leland is kind of in

1197
01:24:15,239 --> 01:24:23,079
this loosely speaking group of men who are into sex stuff,

1198
01:24:24,279 --> 01:24:29,119
but he begins to be possessed and is doing unimaginable

1199
01:24:29,159 --> 01:24:34,239
things with his daughter, Laura Palmer. Laura Palmer's supposed to

1200
01:24:34,279 --> 01:24:36,720
be sort of the prom queen. She's the prettiest girl

1201
01:24:36,760 --> 01:24:43,600
in school, and she's also a dissociative because she's in

1202
01:24:44,000 --> 01:24:47,000
being abused by her own father, who's a member of

1203
01:24:47,039 --> 01:24:52,720
this ring symbolized by the ring, and they're basically into

1204
01:24:52,840 --> 01:24:59,479
Krollian sex magic. That's what we can derive from the

1205
01:24:59,520 --> 01:25:04,760
mark for book. For example, Moral Autist sends two dollars,

1206
01:25:04,840 --> 01:25:10,640
did you ever use tobacco? I smoked American spirits for

1207
01:25:10,640 --> 01:25:15,359
about six years five years, and then we quit and

1208
01:25:15,359 --> 01:25:17,600
then i'd vait for a little while, but that was

1209
01:25:17,680 --> 01:25:21,520
just to quit smoking cigarettes. Mark's aid five dollars. Have

1210
01:25:21,640 --> 01:25:25,800
you seen the Japanese psychological horror Cure? I have not

1211
01:25:26,319 --> 01:25:28,399
not familiar with it. Maybe I should write that down.

1212
01:25:28,439 --> 01:25:31,720
You guys always give me really great recommendations, so I

1213
01:25:31,760 --> 01:25:34,520
need to be more attentive to the things that you

1214
01:25:34,520 --> 01:25:36,439
guys talk about, because a lot of times I write

1215
01:25:36,439 --> 01:25:38,920
these down, I forget them or the piece of paper

1216
01:25:38,960 --> 01:25:46,479
gets gets lost. But Cure nineteen ninety seven, so yeah,

1217
01:25:46,520 --> 01:25:49,279
I appreciate that. I'll take a look at it. It

1218
01:25:49,319 --> 01:25:52,560
covers elements of Western mysticism and esotericism that you often

1219
01:25:52,600 --> 01:25:55,479
talk about. Well, that's odd that it's a Japanese film

1220
01:25:55,520 --> 01:25:58,199
that covers those elements, but I guess that does make sense.

1221
01:25:58,880 --> 01:26:00,800
John Kell twenty bucks. Thank you so much, man. I

1222
01:26:00,800 --> 01:26:03,399
appreciate that you guys are being very generous. Tonight we

1223
01:26:03,439 --> 01:26:05,680
got a lot of new members. John Kell became a member.

1224
01:26:06,079 --> 01:26:08,479
He's a Chad member, straight white male. Five dollars. I

1225
01:26:08,520 --> 01:26:11,920
fell asleep listening to you talk about this for the

1226
01:26:12,000 --> 01:26:14,359
last thirty minutes, and I had an insane dream. Well

1227
01:26:14,479 --> 01:26:19,039
that will happen, especially as we're talking about the insane

1228
01:26:19,119 --> 01:26:22,760
dream world of Dave Lynch stormed the Cat since ten

1229
01:26:22,800 --> 01:26:26,359
Bucks and says in Twin Peaks when a Tulpa is destroyed,

1230
01:26:26,880 --> 01:26:31,039
they turned into a black sphere of smoke coming from it.

1231
01:26:31,079 --> 01:26:33,319
And this also happens in Inland Empire. Yeah, thank you

1232
01:26:33,359 --> 01:26:36,960
so much. Like I mean, I'm sure there's all kinds

1233
01:26:37,000 --> 01:26:40,640
of common allergies and correspondences that I missed, so you

1234
01:26:40,680 --> 01:26:42,560
guys can bring in these kinds of things as well

1235
01:26:43,520 --> 01:26:46,800
that I even miss. George Lucas asked Dave Lynch to

1236
01:26:46,840 --> 01:26:50,079
direct Return the Jedi, and he didn't do it because

1237
01:26:50,079 --> 01:26:52,560
he chose to do Dune. Yeah. This is a classic

1238
01:26:52,640 --> 01:26:57,600
Hollywood story that David Lynch has told over the years,

1239
01:26:58,399 --> 01:27:00,800
and I bet he wishes that he had chosen Return

1240
01:27:00,840 --> 01:27:04,840
of the Jedi. Uh. But you know what, I still

1241
01:27:04,880 --> 01:27:06,560
love Dune. I don't. I don't even care that David

1242
01:27:06,600 --> 01:27:08,359
Lynch doesn't like it if I get to watch my

1243
01:27:09,880 --> 01:27:12,600
I mean, I grew up with the David Lynch Dune.

1244
01:27:12,680 --> 01:27:18,159
It's just I have a giant, expensive poster of the

1245
01:27:18,239 --> 01:27:20,600
David Lynch Dune. That's how much I like the David

1246
01:27:20,640 --> 01:27:25,439
Lynch dune. You know, I also, you know, I always

1247
01:27:25,439 --> 01:27:28,800
wanted to meet David Lynch or interview David Lynch. So

1248
01:27:28,880 --> 01:27:31,880
I guess that won't be possible. But I thought at

1249
01:27:31,920 --> 01:27:34,319
one point we got kind of close, we were almost

1250
01:27:34,359 --> 01:27:38,079
going to have an interview with Laura Palmer. That that

1251
01:27:38,159 --> 01:27:41,199
was a that was on the table a few years ago.

1252
01:27:41,279 --> 01:27:45,359
But that never that never came to fruition. But that's okay, Jay,

1253
01:27:45,640 --> 01:27:47,239
that I guess that could still happen. I can still

1254
01:27:47,279 --> 01:27:52,079
try to interview her. Jay Dunn popped them off. I'm curious,

1255
01:27:52,399 --> 01:27:55,640
what is your everyday carry? What do you carry in

1256
01:27:55,640 --> 01:27:57,760
your pockets every day? Are you talking about what gun

1257
01:27:57,800 --> 01:27:59,520
do we have? I don't understand, like we have a

1258
01:28:02,239 --> 01:28:07,840
I have a Nato barrel at my house, Polish barrel rifle,

1259
01:28:09,479 --> 01:28:16,439
and then I have a fancy, expensive Italian rifle that

1260
01:28:16,479 --> 01:28:19,439
my dad gifted me the other day. And then I

1261
01:28:19,520 --> 01:28:25,760
have a small luger. That is the daily carry. I

1262
01:28:25,800 --> 01:28:27,640
don't know if you're talking about, like what bubble gum

1263
01:28:27,680 --> 01:28:30,439
is in my pocket? That gum you like, is going

1264
01:28:30,520 --> 01:28:35,640
to come back swarm the cat. No, I already read that.

1265
01:28:37,159 --> 01:28:42,319
Let's see Eric z says for five dollars, you must

1266
01:28:42,359 --> 01:28:45,840
read Jay Dyer's book Esoter Collywood. This is not optional. Well,

1267
01:28:45,840 --> 01:28:50,800
guess what, there's also esoter Colleau with two, and there's

1268
01:28:50,840 --> 01:29:01,319
also Esoteric Hollywood three. Somebody said, appeal to poster fallacy exactly. Anyway,

1269
01:29:01,439 --> 01:29:05,720
I'm not going to rehearse, you know, everything about Twin

1270
01:29:05,720 --> 01:29:07,800
Peaks because you know this is stuff that this is

1271
01:29:07,800 --> 01:29:11,439
where he's talking about Blue Rose, by the way, because

1272
01:29:11,439 --> 01:29:15,600
it's in the books. We've covered it. It's it gets

1273
01:29:15,720 --> 01:29:20,399
especially into the notion of Jack Parsons, you know, opening

1274
01:29:20,479 --> 01:29:24,920
up the portal through that the ritual stuff when we see,

1275
01:29:25,000 --> 01:29:31,319
you know, in season three, the entity coming out of

1276
01:29:31,359 --> 01:29:38,359
the big the White Sands Trinity Site explosion. I covered

1277
01:29:38,359 --> 01:29:41,479
that in the That's the Call You Wood two, and

1278
01:29:41,600 --> 01:29:45,960
I'll read a little bit from Sex and Rockets, I

1279
01:29:45,960 --> 01:29:48,119
think is what this is from. No, this is from

1280
01:29:49,039 --> 01:29:54,479
Secret Society's psychological warfare. The reason that the Trinity Site

1281
01:29:54,479 --> 01:29:56,319
and the explosion is relevant is that the creation of

1282
01:29:56,319 --> 01:30:00,399
destruction of primordial matter or premium materia at the head

1283
01:30:00,479 --> 01:30:03,279
or the ancient of days White Sands, New Mexico Trinity

1284
01:30:03,399 --> 01:30:06,199
Site matters is because this is the beginning of the

1285
01:30:06,239 --> 01:30:11,279
ancient Western road known as Old Mexico or the Journey

1286
01:30:11,319 --> 01:30:15,039
of the Dead in terms of the topography, Fabled alchemy

1287
01:30:15,079 --> 01:30:17,760
has always had three goals to accomplish. Before the complete

1288
01:30:17,760 --> 01:30:20,560
decay of matter, the total breakdown that we were witnessing

1289
01:30:20,560 --> 01:30:24,199
today was fulfilled through number one. The creation and destruction

1290
01:30:24,279 --> 01:30:28,520
of primordial matter, that's the supposed atomic explosions. The killing

1291
01:30:28,560 --> 01:30:31,640
of the divine king. This is of course either referring

1292
01:30:31,680 --> 01:30:37,199
to archetypically Christ JFK, etc. And the bringing of prima

1293
01:30:37,279 --> 01:30:41,039
materia into prima terra. That's what is an now chemical

1294
01:30:41,039 --> 01:30:45,520
analysis of Manhattan Project and all the stuff that's going

1295
01:30:45,520 --> 01:30:48,560
on that even people like Jack Parsons are trying to

1296
01:30:48,560 --> 01:30:56,000
do with the I'm trying to remember the name of

1297
01:30:56,159 --> 01:30:58,560
There's a whole section on this in the Mark Frost book.

1298
01:31:02,880 --> 01:31:06,199
I'm trying to remember the name of the site. We

1299
01:31:06,239 --> 01:31:09,199
can look it up where Parsons thought he was going

1300
01:31:09,239 --> 01:31:11,399
to open up like a demon portal. That's what's going

1301
01:31:11,439 --> 01:31:15,079
on in season three. If you've ever wondered about the

1302
01:31:15,159 --> 01:31:20,760
weirdness of season three with the demonic portals in Twin Peaks,

1303
01:31:20,840 --> 01:31:24,600
is universe there's different places where these portals open up, right,

1304
01:31:24,640 --> 01:31:28,119
So in the woods in Twin Peaks where they call

1305
01:31:28,159 --> 01:31:31,159
what they call Glastonbury Grove where the oil is, that's

1306
01:31:31,319 --> 01:31:36,760
one portal that opens up to the other side. Trinity

1307
01:31:36,840 --> 01:31:38,800
Site was another portal, and that's why you see that

1308
01:31:38,840 --> 01:31:42,039
demon coming through the portal in season three or Twin Peaks.

1309
01:31:45,199 --> 01:31:49,640
I was trying to remember the name of Jack Parson's

1310
01:31:49,960 --> 01:31:52,079
ritual site where he thought he was going to open

1311
01:31:52,199 --> 01:32:00,479
up one of these portals. It's actually you can actually

1312
01:32:00,560 --> 01:32:08,399
drive to this in California because we were thinking about

1313
01:32:08,640 --> 01:32:16,720
Devil's Gate. Damn, that's it. Before FDA moved to Montana,

1314
01:32:16,880 --> 01:32:24,760
we were talking about going to look Parsons Portal to

1315
01:32:24,800 --> 01:32:28,279
hell this is it. Supposedly it is in the caverns

1316
01:32:28,319 --> 01:32:35,479
somewhere around the JPL laboratory. Anyway, here's a Vice magazine

1317
01:32:35,560 --> 01:32:39,119
article about it from twenty twelve, so you can see, like,

1318
01:32:39,239 --> 01:32:41,319
obviously this is you know, I'm not making this up.

1319
01:32:41,720 --> 01:32:44,039
And again, the reason how I know that this is

1320
01:32:44,079 --> 01:32:47,399
related to Twin Peaks is because it's literally listed and

1321
01:32:47,439 --> 01:32:51,319
explained in the Mark Frost's book, who wrote Twin Peaks,

1322
01:32:51,720 --> 01:32:55,680
that this is about Twin Peaks straight white male. No,

1323
01:32:55,720 --> 01:33:09,560
we already read that. Excuse me anyway, So we the

1324
01:33:09,640 --> 01:33:12,760
reason that how does this relate to Laura Palmer Well,

1325
01:33:12,880 --> 01:33:17,960
the opening of the portals, they're supposed to be apocalyptic,

1326
01:33:20,720 --> 01:33:26,680
and there's a connection between Bob and Lamb because Croley's

1327
01:33:26,720 --> 01:33:29,880
babylon working, the ritual that is supposed to initiate the

1328
01:33:30,000 --> 01:33:33,920
end of days is what opens a portal to the

1329
01:33:33,920 --> 01:33:36,600
infernal plane that in Crolian system is supposed to bring

1330
01:33:36,680 --> 01:33:39,479
about the birth of Antichrist. And I'm going to read

1331
01:33:39,479 --> 01:33:46,039
from Mark Frost's Twin Peaks book. He says, the word

1332
01:33:46,079 --> 01:33:48,600
of the law is Thelma, do what thou wilt shall

1333
01:33:48,640 --> 01:33:50,079
be the whole of the law. Love is the law,

1334
01:33:50,199 --> 01:33:53,439
love under will. He recites this as if addressing a

1335
01:33:53,520 --> 01:33:57,800
congregation by wrote like a groat, like a groove on

1336
01:33:57,880 --> 01:34:01,439
a record. Did you hear that spinning record? Then he

1337
01:34:01,920 --> 01:34:06,479
turns his eyes and he speaks to me. Intimately, this

1338
01:34:06,600 --> 01:34:10,279
is supposed to be Jack Parsons speaking about the history

1339
01:34:10,359 --> 01:34:14,000
of the Portals in the Twin Peaks book. Okay, do

1340
01:34:14,119 --> 01:34:17,199
you see the power of the will is all without

1341
01:34:17,600 --> 01:34:21,399
arrows or without agape, love and sex joined together. Will

1342
01:34:21,520 --> 01:34:27,399
is nothing but hollow patriarchal power without direction or force.

1343
01:34:27,560 --> 01:34:31,680
This is Jack Parsons speaking. What he taught us is

1344
01:34:31,720 --> 01:34:37,560
that both forces must exist in balance. In order to

1345
01:34:37,600 --> 01:34:41,079
stand beside God, you have to first reject the idea

1346
01:34:41,159 --> 01:34:45,600
of God. Then and only then will you become Will

1347
01:34:45,640 --> 01:34:47,880
you come to realize you are God. Every man and

1348
01:34:47,920 --> 01:34:54,760
every woman is a star. That's Parsons citing Croley. I see,

1349
01:34:55,199 --> 01:34:57,399
I notice he's worrying about. He's wearing a ring on

1350
01:34:57,439 --> 01:35:03,600
his finger, A flat green stone it is. It is

1351
01:35:03,800 --> 01:35:09,399
something stitched with some sort of inscription. Jack Parson says,

1352
01:35:10,000 --> 01:35:16,359
rockets and magic m agik, the arts of rebellion against

1353
01:35:16,399 --> 01:35:19,640
the limits of gravity and inertia and the limits of

1354
01:35:19,720 --> 01:35:23,119
human existence. We will only be held down earth bound

1355
01:35:23,239 --> 01:35:26,920
for so long. Two sides of the same coin. He

1356
01:35:26,960 --> 01:35:29,840
then takes what looks like an ancient silver coin from

1357
01:35:29,840 --> 01:35:32,800
his pocket and performs a sleight of hand with it.

1358
01:35:33,359 --> 01:35:37,479
Suddenly there are two coins, just like in While at Heart,

1359
01:35:37,680 --> 01:35:41,520
when the mobster, the mobsters and the people with him,

1360
01:35:41,520 --> 01:35:45,840
they have the coins. Alchemy isn't about chemistry only. It

1361
01:35:45,880 --> 01:35:50,600
is about turning or turning base metals into gold. Medieval

1362
01:35:50,600 --> 01:35:54,239
philosophers and alchemists knew this. Even Isaac Newton knew this,

1363
01:35:55,199 --> 01:35:58,359
but their knowledge was lost until Crowley brought it back.

1364
01:35:58,439 --> 01:36:01,800
This is Mark Frost, the right of Twin Peaks, telling

1365
01:36:01,840 --> 01:36:07,920
you what Twin Peaks about. You see, Alchemy totally speaks

1366
01:36:07,960 --> 01:36:14,000
to internal processes, radical revolution in our spiritual development, transforming

1367
01:36:14,039 --> 01:36:19,720
the base metals of primitive man into gold or the

1368
01:36:19,800 --> 01:36:25,159
enlightened soul. Rockets and magic are both about breaking through

1369
01:36:25,239 --> 01:36:28,840
animal boundaries of space and time that hold us back

1370
01:36:29,199 --> 01:36:34,479
from realizing our true potentia. Either way, both will someday

1371
01:36:34,560 --> 01:36:38,600
take place. So that's directly from Mark Frost. And that's

1372
01:36:38,640 --> 01:36:46,479
why when you see the little the little drawing of

1373
01:36:46,520 --> 01:36:54,279
the two mountains with the that's the portal between the

1374
01:36:54,319 --> 01:37:04,600
two twin Peaks, you say. And lastly on this point,

1375
01:37:06,600 --> 01:37:09,520
I also think you have to have known and studied

1376
01:37:09,560 --> 01:37:14,439
and read about things like the mob Zone from Kenneth Grant,

1377
01:37:14,720 --> 01:37:20,920
because when Cooper gets trapped in the other world, he's

1378
01:37:21,239 --> 01:37:25,680
stuck in the mob Zone. It's intentionally mauv and I

1379
01:37:25,760 --> 01:37:28,880
interpreted that to be literally from beyond the Mob Zone

1380
01:37:29,000 --> 01:37:35,279
by Grant, another one of Croley's followers, and I also

1381
01:37:35,319 --> 01:37:38,000
go into the symbolism of what Lamb is and what

1382
01:37:38,119 --> 01:37:40,279
Bob is and all that. I'm not going to repeat

1383
01:37:40,279 --> 01:37:50,319
all that, but David Bowie plays a key role, of

1384
01:37:50,359 --> 01:37:53,039
course in I mean it's brief, but it's a crucial

1385
01:37:53,119 --> 01:37:58,119
role in the film Firewalk with Me. And that's Ralevant

1386
01:37:58,119 --> 01:38:01,039
because of course David Bowie was for a good time

1387
01:38:02,239 --> 01:38:06,399
in involved in the Hermetic Order of the Golden Dawn,

1388
01:38:06,560 --> 01:38:10,199
so he was also a kind of Crowleian for a while.

1389
01:38:25,479 --> 01:38:27,920
But what I wanted to end with was in terms

1390
01:38:27,920 --> 01:38:31,159
of Twin Peaks, was that a lot of people weren't

1391
01:38:31,199 --> 01:38:36,600
were confused about Laura Palmer and that she was in

1392
01:38:36,600 --> 01:38:40,039
the notion of Judy or jow Day. Jow Day is

1393
01:38:40,079 --> 01:38:43,359
said to be an ancient Sumerian deity. Let me, I'll

1394
01:38:43,359 --> 01:38:46,680
just read this and you can come to your own conclusion.

1395
01:38:46,720 --> 01:38:51,399
As Dougie stumbles awake into Awakening as the real agent Cooper,

1396
01:38:51,439 --> 01:38:53,720
the rest of the crew in Twin Peaks unravels the

1397
01:38:53,720 --> 01:38:57,920
twenty five year old mystery of the disappearance of Major Briggs, Dougie,

1398
01:38:58,159 --> 01:39:02,279
like Diane, we later learn tulpas they're beings created from

1399
01:39:02,319 --> 01:39:06,439
the mind out of Tibetan Buddhism. More portals are discovered

1400
01:39:06,439 --> 01:39:10,600
and Andy being sucked into them. In one is shown

1401
01:39:10,720 --> 01:39:15,039
visions by the Giant discovering the secrets above Laura and Coop.

1402
01:39:15,479 --> 01:39:18,199
Andy's visions become the key to discovering the full meaning

1403
01:39:18,239 --> 01:39:21,079
of the series, as he sees six and then another

1404
01:39:21,159 --> 01:39:25,279
six and another six, and the location of Laura's imprisonment,

1405
01:39:25,439 --> 01:39:30,159
prisonment being in a world where Laura works at a

1406
01:39:30,239 --> 01:39:34,840
diner called Judy's or jow Day's. Meanwhile, Mister C seeks

1407
01:39:34,840 --> 01:39:38,920
out Agent Jeffreys David Bowie in his present form in

1408
01:39:38,920 --> 01:39:42,239
this universe, which is as a large teapot. He has

1409
01:39:42,279 --> 01:39:45,359
instructing them that he has been. He's already seen. You

1410
01:39:45,439 --> 01:39:49,680
don't need to see Jude. So this is pulling all

1411
01:39:49,720 --> 01:39:52,920
the way from Twin Peaks Firewalk with Me. You don't

1412
01:39:52,960 --> 01:40:03,039
want to talk about Jude Joo Day the ancient Sumerian Mesopotamia.

1413
01:40:03,439 --> 01:40:06,159
Mister C has apparently slept with Audrey and has given

1414
01:40:06,199 --> 01:40:09,680
her driven her insane. We later discover while Laura's mom

1415
01:40:09,720 --> 01:40:12,000
is fully possessed by what appears to be a demon

1416
01:40:12,560 --> 01:40:17,760
called Judy or jow Day, perhaps Laura's mom is now

1417
01:40:17,920 --> 01:40:21,840
jow Day following the awakening Cooper in the Destruction of Bob,

1418
01:40:22,000 --> 01:40:24,800
Cooper decides that he can enter the portal and find Laura,

1419
01:40:24,840 --> 01:40:27,439
who has been stuck in a time loop and imprisoned

1420
01:40:27,439 --> 01:40:30,680
by jow Day. Jow Day was instructed by the agent

1421
01:40:30,800 --> 01:40:34,600
Cole David Lynch. Excuse me, Dowaday, We were instructed by

1422
01:40:35,119 --> 01:40:39,760
David Lynch, who plays the agent character is the ancient

1423
01:40:39,800 --> 01:40:44,119
Sumerian demonesse form of bay All in what was called

1424
01:40:44,159 --> 01:40:47,399
a blue rose case. And so the Blue Rose Case,

1425
01:40:47,880 --> 01:40:53,359
going back to Chris Isaac and Keeper Sutherland later on

1426
01:40:53,479 --> 01:40:59,520
Christa Bell is the investigation of the demonesque bay All

1427
01:40:59,640 --> 01:41:07,000
possess saying Laura Palmer's mom. Mark Frost's books says in

1428
01:41:07,119 --> 01:41:10,640
stories from ancient Samarian mythology dating to about three thousand BC,

1429
01:41:10,960 --> 01:41:14,960
jow Day is the female form of Utuku, an escaped

1430
01:41:15,039 --> 01:41:21,039
wandering demones that feeds on human suffering garmin bosia. It

1431
01:41:21,079 --> 01:41:23,000
was said that the female and the male form, the

1432
01:41:23,000 --> 01:41:29,479
male form is Bayal. Never ever married well, I can't

1433
01:41:29,560 --> 01:41:31,520
maybe I meant to put maybe this's a typo never

1434
01:41:31,520 --> 01:41:33,920
married well on Earth. The union would produce an even

1435
01:41:33,920 --> 01:41:35,920
more mint eleven being that would Hasten the end of

1436
01:41:35,960 --> 01:41:40,279
the world, and so perhaps Laura Palmer is the end

1437
01:41:40,279 --> 01:41:46,119
of the world. Some people have argued that, and so

1438
01:41:46,239 --> 01:41:48,479
Laura Palmer's the apocalypse. I don't know what do you

1439
01:41:48,479 --> 01:41:53,359
guys think, but that's definitely the meaning of jow Day.

1440
01:41:53,920 --> 01:41:58,239
Do you have any thoughts on Twin Peaks Twin Perfect

1441
01:41:58,359 --> 01:42:02,920
popular YouTube video theory twin Peaks actually explained, I have

1442
01:42:03,039 --> 01:42:08,000
not watched that, so I can't speak to somebody else's analysis.

1443
01:42:08,039 --> 01:42:11,840
I mean, if they are working from the Mark Frost book,

1444
01:42:11,960 --> 01:42:14,479
then it's probably gonna be the same type of analysis

1445
01:42:14,479 --> 01:42:17,039
that you hear from me. But I don't know, so

1446
01:42:17,119 --> 01:42:20,880
I can't speak to that. I mean, once I wrote

1447
01:42:20,920 --> 01:42:23,199
my stuff and then I saw that Mark Frost pretty

1448
01:42:23,239 --> 01:42:25,880
much vindicated all that. I didn't go too deep into

1449
01:42:25,880 --> 01:42:28,600
a bunch of other people's Twin Peaks material, but I

1450
01:42:28,640 --> 01:42:32,520
did go deep into other people's inl An Empire material.

1451
01:42:32,600 --> 01:42:37,920
So let's look at, for example, this video, which I

1452
01:42:37,920 --> 01:42:42,000
thought was really well done. I'm not familiar with this

1453
01:42:42,000 --> 01:42:45,680
guy doesn't have many subscribers, but this video did pretty good.

1454
01:42:46,720 --> 01:42:48,560
And we'll look at just a second of this.

1455
01:42:52,159 --> 01:42:55,880
Speaker 4: Weird for the same being weird. He replies by saying, no,

1456
01:42:56,199 --> 01:42:58,239
you never do that to an audience.

1457
01:42:59,239 --> 01:43:01,399
Speaker 2: He hopes to believe that's clues on beautiful because we

1458
01:43:01,479 --> 01:43:04,279
are detective small things so and then see things.

1459
01:43:04,079 --> 01:43:07,319
Speaker 1: Out, and that's true. David Lynch says this all the time,

1460
01:43:07,359 --> 01:43:12,479
that we are detectives and we love to piece together

1461
01:43:12,800 --> 01:43:17,760
stories and figure them out. So with that mindset, it

1462
01:43:17,800 --> 01:43:20,920
doesn't make sense that in an empire, for example, would

1463
01:43:20,920 --> 01:43:23,479
be something completely.

1464
01:43:23,199 --> 01:43:26,880
Speaker 6: Non chad Mode is your ultimate natural pre workout designed

1465
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1507
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Do not buy if you are a Beta, we will

1508
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refund your money.

1509
01:46:08,920 --> 01:46:10,520
Speaker 1: Unsensible, he says.

1510
01:46:10,560 --> 01:46:12,159
Speaker 2: The fastest don't need him to help them out In

1511
01:46:12,199 --> 01:46:14,920
figuring out his films, and that the beauty is doing

1512
01:46:14,960 --> 01:46:15,680
it for yourself.

1513
01:46:16,079 --> 01:46:16,239
Speaker 4: Well.

1514
01:46:16,279 --> 01:46:18,039
Speaker 2: Telling the audience is a meaning robs them of the

1515
01:46:18,119 --> 01:46:19,960
joy of thinking and feeling it through to come to

1516
01:46:20,000 --> 01:46:22,720
a conclusion by one's own merits. In the cases of

1517
01:46:22,720 --> 01:46:25,960
most films, it is practically impossible to have all the answers.

1518
01:46:26,119 --> 01:46:29,000
Sometimes people look too much into small details. That does

1519
01:46:29,000 --> 01:46:31,880
the product of randomness. All we're chosen with no reasons

1520
01:46:31,920 --> 01:46:35,800
in particular, like blue boss is the key for Wohl

1521
01:46:35,840 --> 01:46:36,800
and Drive, for example.

1522
01:46:36,920 --> 01:46:39,720
Speaker 4: Other aspects are based on real life experiences like the.

1523
01:46:40,520 --> 01:46:43,439
Speaker 1: Now you'll get these quotes where I don't know what

1524
01:46:43,479 --> 01:46:45,960
that means. I don't know what the block the blue

1525
01:46:46,000 --> 01:46:48,760
box with the blue key is or whatever. From All

1526
01:46:48,800 --> 01:46:54,760
and Drive. I theorize in my book that that's another dissociative,

1527
01:46:54,960 --> 01:46:59,800
you know, multiple personality thing going on. And we didn't

1528
01:46:59,800 --> 01:47:03,279
talk about mahaland Drive tonight, but that is also in

1529
01:47:03,479 --> 01:47:06,720
Eswater Hollywood one. So I mean, again, it's a thing

1530
01:47:06,720 --> 01:47:10,039
that we've talked about so often that I didn't feel

1531
01:47:10,840 --> 01:47:12,720
the need to kind of go through that again. If

1532
01:47:12,720 --> 01:47:15,399
you do want to read my analysis, you can get

1533
01:47:15,439 --> 01:47:19,159
Esso Turk Hollywood one, which has Twin Peaks and Maholland

1534
01:47:19,239 --> 01:47:22,239
Drive and then Essa tur Hollywood two has Twin Peaks

1535
01:47:22,239 --> 01:47:26,319
Season three and fire Walk with Me really long in

1536
01:47:26,399 --> 01:47:30,119
depth analyses. I went pretty deep on season three in

1537
01:47:30,199 --> 01:47:33,800
my second book, and of course Inland Empire and uh

1538
01:47:33,920 --> 01:47:37,359
Mahland Drive as she Lost Highway and maybe some Blue

1539
01:47:37,439 --> 01:47:40,680
Velvet will be in Ester Hollywood three, which will be

1540
01:47:40,720 --> 01:47:43,560
out in a couple months. Most likely. I've got three

1541
01:47:43,640 --> 01:47:44,840
hundred and twenty pages right now.

1542
01:47:44,920 --> 01:47:47,960
Speaker 2: So he intocome seeing from Lost Highway. Oh, this is

1543
01:47:47,960 --> 01:47:50,439
his number one, introducing herself as a new neighbor.

1544
01:47:50,640 --> 01:47:51,600
Speaker 4: In summary, I'm.

1545
01:47:51,439 --> 01:47:53,439
Speaker 1: Not gonna play this whole video. I'm just pointing out

1546
01:47:53,479 --> 01:47:55,840
that this guy, I did watch his video a few

1547
01:47:55,840 --> 01:47:58,960
months ago. He went really deep into it. We're gonna

1548
01:47:58,960 --> 01:48:02,479
skip over here to the spirituality of Inlin Empire. I

1549
01:48:02,520 --> 01:48:05,640
think this is the key and why this guy got

1550
01:48:05,680 --> 01:48:05,960
it right.

1551
01:48:06,239 --> 01:48:08,800
Speaker 2: The original story was about a couple of married lovers

1552
01:48:08,800 --> 01:48:11,319
who had an affair, were caught by those passes and

1553
01:48:11,319 --> 01:48:12,119
then murdered by.

1554
01:48:12,039 --> 01:48:12,920
Speaker 1: Each other's house.

1555
01:48:13,399 --> 01:48:16,399
Speaker 2: Before the female lover is killed, she prosecutes herself to

1556
01:48:16,439 --> 01:48:20,079
survive after being thrown out of her husband's house while

1557
01:48:20,119 --> 01:48:23,640
reincarvation isn't mentioned explicitly, the concept is implied with many

1558
01:48:23,720 --> 01:48:26,399
characters being shown to have lived a previous life.

1559
01:48:27,000 --> 01:48:30,960
Speaker 1: Yes, so here we have the Hindu or perhaps still

1560
01:48:31,000 --> 01:48:34,680
Tibetan Buddhism notions of reincarnation. That's a key element to

1561
01:48:35,479 --> 01:48:38,920
how it can be. You know, characters in different generations

1562
01:48:40,560 --> 01:48:41,680
linking up with their past.

1563
01:48:41,760 --> 01:48:43,439
Speaker 2: Lot we just said it in the past that he

1564
01:48:43,479 --> 01:48:46,039
believes in reincarvation, and the whole film is known to

1565
01:48:46,079 --> 01:48:49,760
be plagued with the displays of religious spiritual beliefs. Before

1566
01:48:49,800 --> 01:48:52,479
some screens of the film, he likes presenting a quote

1567
01:48:52,560 --> 01:48:56,680
from one of the most important Hindu texts, referencing how what.

1568
01:48:56,680 --> 01:48:58,520
Speaker 1: Did I say? Hindu text?

1569
01:48:58,880 --> 01:49:02,680
Speaker 2: Even though the faults and inventions by humans, they end

1570
01:49:02,800 --> 01:49:04,880
up living in it and not knowing how to get out.

1571
01:49:05,279 --> 01:49:07,479
Speaker 4: He also used a chode in Twin Peaks.

1572
01:49:08,159 --> 01:49:16,079
Speaker 1: Elected dream dreams, then lives inside the dream. I forgot

1573
01:49:16,079 --> 01:49:18,920
there was a Monica Balucci cameo in season three or

1574
01:49:18,920 --> 01:49:23,840
Twin Peaks. We are like the dreamer who dreams and

1575
01:49:23,920 --> 01:49:28,239
then lives inside the dream. We are like the dreamer

1576
01:49:28,359 --> 01:49:33,720
who dreams and then lives inside the dream.

1577
01:49:33,840 --> 01:49:35,880
Speaker 2: The people living in the film make up their own

1578
01:49:35,920 --> 01:49:37,720
stories and then live and tide them.

1579
01:49:38,000 --> 01:49:39,880
Speaker 4: Thus the stories become their lives.

1580
01:49:40,479 --> 01:49:43,920
Speaker 1: What do we say about Fred Madison Exactly.

1581
01:49:44,199 --> 01:49:46,399
Speaker 2: That's why the curse of the story consists in the

1582
01:49:46,439 --> 01:49:50,239
actors ending up chapped inside their characters' lives. That's dreaming

1583
01:49:50,239 --> 01:49:54,359
and moving along in their dreams. Stories are metaphors for lives,

1584
01:49:54,600 --> 01:49:56,880
retold stories, our lives lived more than once.

1585
01:49:57,239 --> 01:50:01,159
Speaker 4: The variations between each story represent the differences between one

1586
01:50:01,239 --> 01:50:02,279
life and the next.

1587
01:50:02,600 --> 01:50:06,880
Speaker 2: Some things remained intact while others changed. For example, originally

1588
01:50:06,960 --> 01:50:09,760
the male lover's wife was the infertive world.

1589
01:50:11,880 --> 01:50:14,680
Speaker 1: Keep in mind too, and this guy doesn't he doesn't

1590
01:50:14,720 --> 01:50:20,000
mention anything conspiratorial, which for example, when we did the

1591
01:50:20,960 --> 01:50:25,000
Eyes Watch Shut deep dive analysis breakdown. When I first

1592
01:50:25,000 --> 01:50:27,920
put that out, by the way, I was the first

1593
01:50:27,920 --> 01:50:31,359
one to really go into the deep eyes watch Shut

1594
01:50:31,359 --> 01:50:34,000
conspiracy analys if no one else had done that. I

1595
01:50:34,079 --> 01:50:37,840
wrote my analysis really long, in depth analysis twenty ten,

1596
01:50:39,000 --> 01:50:41,520
and that's what led to me eventually making the video

1597
01:50:41,600 --> 01:50:45,479
and putting that chapter in the first book. And that's

1598
01:50:45,520 --> 01:50:48,319
how we were talking about all of the Epstein style

1599
01:50:48,399 --> 01:50:52,520
stuff way before Epstein, right, I mean this was. I mean,

1600
01:50:52,760 --> 01:50:56,439
I wrote this stuff in twenty ten, twenty eleven, twenty twelve,

1601
01:50:56,479 --> 01:50:58,800
and then it made it into the book by twenty sixteen.

1602
01:50:59,199 --> 01:51:04,159
I watch shut and I was pointing out that, like

1603
01:51:04,199 --> 01:51:06,199
this is telling us what they really do. This is

1604
01:51:06,199 --> 01:51:08,079
what they're all up to, right, that kind of stuff.

1605
01:51:09,039 --> 01:51:11,520
And I was drawing attention to the Crowley stuff, right.

1606
01:51:11,600 --> 01:51:14,600
So I'm not saying I was the first talking about

1607
01:51:14,680 --> 01:51:17,439
Crowley in Hollywood. Other people have done that, but applying

1608
01:51:17,439 --> 01:51:20,199
it specifically to these certain films was something that we've

1609
01:51:20,239 --> 01:51:21,960
been doing for a long time over here, and we

1610
01:51:22,119 --> 01:51:23,840
were spot on all this stuff.

1611
01:51:26,199 --> 01:51:28,880
Speaker 4: But in the remake is the female lover's husband.

1612
01:51:29,039 --> 01:51:37,079
Speaker 1: I know, it's the fact I can't father. Now. The

1613
01:51:37,119 --> 01:51:39,920
reason we're watching this is primarily to get those quotes

1614
01:51:39,920 --> 01:51:43,560
about the Hindu text. And then this next section.

1615
01:51:43,439 --> 01:51:46,399
Speaker 4: This concept of different variations of the same story. It's

1616
01:51:46,399 --> 01:51:48,439
introduced by visiting number one.

1617
01:51:49,760 --> 01:51:49,920
Speaker 1: Good.

1618
01:51:51,640 --> 01:51:54,079
Speaker 4: She also introduces the market to place in the palace,

1619
01:51:54,159 --> 01:51:55,359
two concepts used by.

1620
01:51:55,319 --> 01:51:58,720
Speaker 2: Maharshi Mahshyogi, an Indian guru of um Lint, was known

1621
01:51:58,720 --> 01:51:59,760
to be a big disciple.

1622
01:52:01,079 --> 01:52:06,000
Speaker 1: So Lynch is a disciple of this Hindu yogi. Hints

1623
01:52:06,119 --> 01:52:10,159
obviously the transnial meditation. But this notion of marketplace and

1624
01:52:10,279 --> 01:52:14,399
pallace is a key to decoding in an Empire because

1625
01:52:14,439 --> 01:52:17,159
there's this sort of pathways between these two realms.

1626
01:52:17,520 --> 01:52:20,479
Speaker 2: The market place refers to the problematic limits of ordinary

1627
01:52:20,600 --> 01:52:24,119
domestic and public transactions. It's a level of reality at

1628
01:52:24,119 --> 01:52:26,079
which illusions of stability are.

1629
01:52:25,960 --> 01:52:27,319
Speaker 4: Promoted by our culture.

1630
01:52:27,560 --> 01:52:30,079
Speaker 2: In other words, it's our day to day lives where

1631
01:52:30,079 --> 01:52:32,239
we can easily get lost on our way to the palace.

1632
01:52:32,359 --> 01:52:35,359
It expresses the inefficiency of mundane daily matters that do

1633
01:52:35,439 --> 01:52:37,800
not help us reach the palace, but on the contrary,

1634
01:52:37,920 --> 01:52:40,880
drive us away from it by instructiveness. In the film,

1635
01:52:40,880 --> 01:52:44,520
the marketplace is represented as having several dimensions or worlds.

1636
01:52:44,640 --> 01:52:46,560
They are all connected by all the band of the

1637
01:52:46,640 --> 01:52:49,439
saaleway with red handrails, which acts as a kind of

1638
01:52:49,520 --> 01:52:51,239
portal between these diablations.

1639
01:52:51,600 --> 01:52:55,279
Speaker 1: So you notice that had you not known the Hindu

1640
01:52:55,600 --> 01:53:00,439
themes and motifs and metaphysics, it would be IMpower possible

1641
01:53:00,479 --> 01:53:03,560
then to the code in an Empire. Let me skip ahead,

1642
01:53:03,560 --> 01:53:05,520
see if he talks about the palace here, let's.

1643
01:53:05,359 --> 01:53:15,760
Speaker 3: See this regarding bea has a blood, she has a pet, monkey.

1644
01:53:16,319 --> 01:53:18,560
Speaker 2: According to the heart, the true worship of God can

1645
01:53:18,600 --> 01:53:21,640
only start once the person has reached enlightenment.

1646
01:53:21,760 --> 01:53:24,039
Speaker 3: Disregarding being from them.

1647
01:53:24,239 --> 01:53:28,239
Speaker 1: You must have the bulgarya to have the enlightenment.

1648
01:53:29,159 --> 01:53:34,479
Speaker 3: The field of devotion is taking devotion to a baseless

1649
01:53:35,199 --> 01:53:39,760
It's like building castles in the air. It's not possible

1650
01:53:40,359 --> 01:53:45,680
to establish the field of devotion to respect you of

1651
01:53:46,239 --> 01:53:47,680
your awareness.

1652
01:53:49,000 --> 01:53:52,479
Speaker 1: Anyway, you get the idea. I can't play too much

1653
01:53:52,479 --> 01:53:55,920
as videos or you know, to get dinged. But then

1654
01:53:55,920 --> 01:53:57,960
we want to talk. We want to look at his

1655
01:53:58,319 --> 01:54:01,600
points about traveling between dimensions and worlds.

1656
01:54:02,960 --> 01:54:05,600
Speaker 2: Traveling from one dimension to another is something that many

1657
01:54:05,720 --> 01:54:09,199
characters do in the film, including Nicky Shoe Billy, the

1658
01:54:09,239 --> 01:54:11,920
Lost Girl, and the Lady. However, doing it for the

1659
01:54:11,960 --> 01:54:14,279
first time is accompanied by a sense of confusion and

1660
01:54:14,520 --> 01:54:16,279
not recognizing familiar places.

1661
01:54:19,319 --> 01:54:30,079
Speaker 1: Jimmy as tesher, all right, we'll stop there, because there's

1662
01:54:30,119 --> 01:54:33,199
quite a bit more I think you'll find fascinating. But

1663
01:54:33,760 --> 01:54:37,880
even in this film you get conspiratorial elements because not

1664
01:54:38,159 --> 01:54:40,960
just do we have Laura Dern sort of dissociating with

1665
01:54:41,319 --> 01:54:43,920
you know, being this Hollywood a lister. We had the

1666
01:54:43,960 --> 01:54:48,720
exact same story with Naomi Watts dissociating in Holland Drive.

1667
01:54:49,279 --> 01:54:54,479
She basically ends up a crack w h o r E.

1668
01:54:55,079 --> 01:54:58,039
And she was supposed to be the next big thing

1669
01:54:58,039 --> 01:54:59,800
in Hollywood, right, That's kind of the point of the film.

1670
01:55:00,079 --> 01:55:02,319
Wins this dance contest, she goes to Hollywood, She's going

1671
01:55:02,359 --> 01:55:06,600
to be a star, and she ends up a crack whore.

1672
01:55:08,319 --> 01:55:12,439
And we kind of have the same imagery with the

1673
01:55:12,520 --> 01:55:15,079
Laura Dern character because at the end of the film,

1674
01:55:15,159 --> 01:55:18,760
Laura Dearn's wandering around on the streets like a fentanyl zombie,

1675
01:55:19,600 --> 01:55:23,680
you know, hanging out with like other addicts, spouting gibberish.

1676
01:55:23,720 --> 01:55:26,000
But there's actually meaning to the gibbers that they spell.

1677
01:55:26,800 --> 01:55:29,359
And this guy's video I think is good for that.

1678
01:55:29,680 --> 01:55:42,359
But the I just went, like, now, Julian Moore, it's

1679
01:55:42,359 --> 01:55:44,680
on the tip of my tongue, the famous brunette actress

1680
01:55:44,680 --> 01:55:50,239
who has a minor role also being insane in the film.

1681
01:55:50,359 --> 01:55:53,359
She spouts a bunch of conspiracy stuff. Maybe she's just

1682
01:55:53,359 --> 01:55:56,520
supposed to be Julia Ormond, excuse me. Maybe she's just

1683
01:55:56,520 --> 01:56:00,399
supposed to be like a paranoid street schizophrenic. But she

1684
01:56:00,479 --> 01:56:04,840
talks about them poisoning the skies dropping poison from the skies?

1685
01:56:04,960 --> 01:56:10,520
Is that a reference to view engineering? Perhaps it's an

1686
01:56:10,520 --> 01:56:15,119
odd reference thrown in for Julia Ormond to talk about.

1687
01:56:15,159 --> 01:56:17,279
But Dave says for a dollar. I'm not sure if

1688
01:56:17,279 --> 01:56:19,920
he recommended the book to New Orthodox believers, but I'm

1689
01:56:19,920 --> 01:56:24,079
reading theos is the true purpose of human life? I'm

1690
01:56:24,079 --> 01:56:26,680
not familiar with that book. Isn't the idea of becoming

1691
01:56:26,680 --> 01:56:30,920
your own God Antichrist? We do not become our own God.

1692
01:56:31,039 --> 01:56:36,800
We become like God by participating in grace, which Jesus

1693
01:56:36,840 --> 01:56:39,000
says in John seventeen is the glory of God. He

1694
01:56:39,079 --> 01:56:42,800
calls us to a participation in that grace and glory,

1695
01:56:43,159 --> 01:56:48,039
Whereas what apotheosis is is man becoming his own God.

1696
01:56:48,880 --> 01:57:08,600
So that's not what the Orthodox believe. So I enjoyed

1697
01:57:08,640 --> 01:57:12,079
David Lynch films growing up. I enjoyed stuff. I have

1698
01:57:12,439 --> 01:57:14,920
like some David Lynch books, multiple books that relate to

1699
01:57:15,000 --> 01:57:18,880
David Lynch and books about him, And you know, he's

1700
01:57:18,880 --> 01:57:22,680
one of my favorite directors. I will definitely miss David

1701
01:57:22,720 --> 01:57:27,479
Lynch some of my favorite movies and definitely Oddballs Dune

1702
01:57:27,920 --> 01:57:30,800
is one of the favorites, and we did by the way,

1703
01:57:30,920 --> 01:57:33,520
for those that are curious. Dune is also in Esoltaire

1704
01:57:33,560 --> 01:57:40,800
Hollywood too, and when I did the Esota Hollywood analysis

1705
01:57:40,800 --> 01:57:43,399
of Dune, it's still pretty good, but there's a lot

1706
01:57:43,439 --> 01:57:46,600
I didn't know because I had not read Dune Messiah,

1707
01:57:47,439 --> 01:57:49,319
which we did a whole breakdown of doing Messiah. It's

1708
01:57:49,319 --> 01:57:54,159
a really deep, fascinating story. Dune is really the best

1709
01:57:54,239 --> 01:57:56,439
s I'm not a huge sci fi person, but c

1710
01:57:56,600 --> 01:57:59,560
s Lewispace trilogy and Dune that's like the only good

1711
01:58:00,079 --> 01:58:03,119
sci fi ever. But if you aren't interested, I did

1712
01:58:03,159 --> 01:58:09,600
do a breakdown video wise of Dune six years ago.

1713
01:58:10,600 --> 01:58:13,800
Speaker 3: We are book of the Mind, so I'll.

1714
01:58:13,680 --> 01:58:16,720
Speaker 1: Give you guys the full Dune breakdown, and then if

1715
01:58:16,720 --> 01:58:22,000
you want a more informed modern analysis of Doune that

1716
01:58:22,239 --> 01:58:26,920
takes into account the insights from Doom Messiah that I

1717
01:58:26,960 --> 01:58:31,000
didn't know, you can look on my channel for let's see.

1718
01:58:31,239 --> 01:58:33,520
I think there's at least two videos that discuss this.

1719
01:58:36,000 --> 01:58:38,960
Dune and Doo Messiah explained Deep dive from a year ago.

1720
01:58:39,039 --> 01:58:41,880
This goes a lot deeper, and then there's this one

1721
01:58:41,880 --> 01:58:44,279
here Dune Too in the History of Osscia is another

1722
01:58:44,359 --> 01:58:50,479
related video, so we haven't forgotten Dune. I know people

1723
01:58:50,520 --> 01:58:54,199
wanted me to talk probably about Elephant Man or Eraserhead

1724
01:58:54,399 --> 01:58:57,720
or a straight story, and that's all cool and whatnot,

1725
01:58:57,800 --> 01:59:00,119
but it doesn't really fit within the esoteric conals. So

1726
01:59:00,159 --> 01:59:01,880
I'm not saying they're bad movies. And I'm sure you

1727
01:59:01,880 --> 01:59:05,800
could say eraser Head has kind of weird, weird elements

1728
01:59:05,800 --> 01:59:09,880
that you can analyze, but I mean, for example, you'll

1729
01:59:09,920 --> 01:59:13,199
find in eraser Head, I think you have like the

1730
01:59:13,439 --> 01:59:18,520
picture of the nuclear blast that comes up in you know,

1731
01:59:18,600 --> 01:59:24,479
Agent Cole's office in season three. So I need some

1732
01:59:24,560 --> 01:59:26,159
water in my mouth getting und I'm still a little

1733
01:59:26,239 --> 01:59:36,920
I've still got a little bit of a cold. Yeah,

1734
01:59:37,000 --> 01:59:39,479
Virginia Madison should have had a bigger role in the

1735
01:59:39,640 --> 01:59:42,560
in the film, shouldn't she She wasn't in it for

1736
01:59:42,640 --> 01:59:47,479
very long. But I think that that's the problem is

1737
01:59:47,520 --> 01:59:53,800
that you know, people, because the theatrical release of Dune

1738
01:59:53,920 --> 01:59:56,920
is still like two and a half hours, and like

1739
01:59:57,039 --> 02:00:00,399
normy is and weirdo normies could not figure out this

1740
02:00:00,640 --> 02:00:05,439
massively complicated weirdo plot, right, Like, I mean, I don't

1741
02:00:05,479 --> 02:00:10,680
know how Dennis is gonna be able to make Dune Messiah.

1742
02:00:11,119 --> 02:00:14,520
I mean good luck. I mean I'm I'm I'm hoping

1743
02:00:14,560 --> 02:00:17,439
it's gonna be good, and I think it will be

1744
02:00:17,439 --> 02:00:21,239
because I think he did a phenomenal job with Dune

1745
02:00:21,319 --> 02:00:26,279
one and two, which is just doone, but Dune three,

1746
02:00:26,359 --> 02:00:30,880
which will be done Messiah. I mean, bro, that's a

1747
02:00:31,000 --> 02:00:33,720
crazy novel. I don't know how they're gonna make that

1748
02:00:34,960 --> 02:00:39,079
the craziest novel into a movie. But we'll see, we'll see.

1749
02:00:39,159 --> 02:00:45,600
I hope, I hope, I hope, so hope it'll be good.

1750
02:00:46,479 --> 02:00:49,119
Dave says, for a dollar, I bought the m I

1751
02:00:49,239 --> 02:00:53,279
six Stephen Dorrel book, Secret Agent sixty sixty six. I

1752
02:00:53,319 --> 02:00:58,439
bought the Gold Spies book, the John de Book. I

1753
02:00:58,520 --> 02:01:03,159
bought Trilateral over Washington. That's an old school one aquarium

1754
02:01:03,159 --> 02:01:06,600
conspiracy memoirs of David Rockefeller. I bought Fateman Freeway. I

1755
02:01:06,600 --> 02:01:09,680
bought Kisus Blood. Can you tell me where you made

1756
02:01:09,840 --> 02:01:12,479
a video of a few of those that I haven't

1757
02:01:13,640 --> 02:01:19,119
a few of these books as I haven't read. I mean,

1758
02:01:19,159 --> 02:01:24,560
I've got like sixty book analyzes of the global elite,

1759
02:01:24,600 --> 02:01:27,680
So I don't know if you mean I don't know

1760
02:01:27,680 --> 02:01:29,760
if you mean that you have read all of those,

1761
02:01:29,840 --> 02:01:33,680
and where's the rest or if you mean, where are

1762
02:01:33,720 --> 02:01:36,159
the videos of the ones you listed? I mean, you're

1763
02:01:36,159 --> 02:01:39,359
just gonna have to go to my channel, and I

1764
02:01:39,359 --> 02:01:42,079
mean I have playlists which have most of them. So

1765
02:01:42,079 --> 02:01:45,520
if you scroll down here too, on the main page,

1766
02:01:47,640 --> 02:01:52,159
writings of the elite, like right there is Secret Destiny

1767
02:01:52,159 --> 02:01:57,399
of America malp Hall right there. The first one is

1768
02:01:57,439 --> 02:02:04,279
the Jacquette Lee book on the Millennium Free tof Copra

1769
02:02:04,439 --> 02:02:08,520
Turning Point is one of them. Julian Huxley's Philosophy Globalism.

1770
02:02:09,199 --> 02:02:14,039
I think this one is Terence McKenna. There. You've got

1771
02:02:14,079 --> 02:02:17,960
two videos on at Quickly's other book, Anglo American Establishment.

1772
02:02:19,079 --> 02:02:21,239
This is the history of the CIA and Religion with

1773
02:02:21,319 --> 02:02:26,600
the Dune imagery there. This is the Oord book on

1774
02:02:26,640 --> 02:02:30,079
the History of sc xpionage. So you click on this

1775
02:02:31,279 --> 02:02:34,239
and it's a giant playlist. So I'm not being mean

1776
02:02:34,279 --> 02:02:37,279
to you today or rude. I just don't understand why

1777
02:02:37,279 --> 02:02:41,000
people like they don't know what playlists are. I mean, like,

1778
02:02:41,439 --> 02:02:44,000
this has been on my channel for like ten years.

1779
02:02:44,079 --> 02:02:46,960
I'm not fussing at you. I'm saying people are always

1780
02:02:46,960 --> 02:02:48,880
asking these questions and it's like, man, why do you

1781
02:02:48,920 --> 02:02:50,760
think I made these playlists? So they're all right here.

1782
02:02:50,800 --> 02:02:56,520
This is the whim Hoff book. This is Gateway Process Analysis.

1783
02:02:56,560 --> 02:03:08,039
This is Joan Ratia's book Silent Webs for Quiet warst

1784
02:03:08,039 --> 02:03:11,680
document This is Klaus Tibetan Book of the Dead, Tim

1785
02:03:11,760 --> 02:03:17,840
Leary wim Hoff's book. HG. Wells' book, Terrence McKenna's book,

1786
02:03:19,000 --> 02:03:31,560
Brazenski's Books. This one is Ghosts in the Machine Arthur Kessler, Bertrand, Russell, HG. Wells,

1787
02:03:31,760 --> 02:03:38,720
Birch and Russell, Edward Burnets, Frankfurt School, Acquiring Conspiracy, Jacquette

1788
02:03:38,840 --> 02:03:45,199
Lee History of DARPA. H. She Wells in Culture Book.

1789
02:03:47,920 --> 02:03:51,000
And it's all right here. Charles Galton Darwin right here,

1790
02:03:53,199 --> 02:03:57,920
Devil's Game. This is going back like eight years right here.

1791
02:04:03,159 --> 02:04:06,199
Alex Ebeia Dark Secrets of the Rand Corporation. I made

1792
02:04:06,199 --> 02:04:12,039
a whole mini documentary right there. C A and Religion.

1793
02:04:19,479 --> 02:04:27,239
Arthur Kessler right here, Grand Chess Board. It's a giant

1794
02:04:27,239 --> 02:04:32,840
playlist right here. Twin Perfect Score. Theory is that Twin

1795
02:04:32,880 --> 02:04:36,640
Peaks is a meta commentary on TV and violence. That's

1796
02:04:36,680 --> 02:04:39,680
pretty weak, dude. I mean, the Mark Frost book says

1797
02:04:39,720 --> 02:04:46,319
it's esoteric sex, magic Crowley stuff, So I'm right. I

1798
02:04:46,399 --> 02:04:59,760
beat him. Also, for those that like this kind of

1799
02:04:59,760 --> 02:05:05,039
an there's a playlist called Esoter Hollywood right here and

1800
02:05:05,079 --> 02:05:08,039
you can click on that and low and bohold look

1801
02:05:08,039 --> 02:05:13,479
at this, endless podcasts on movies going back ten years.

1802
02:05:13,960 --> 02:05:17,159
Look at all that. So if you like this, look

1803
02:05:17,199 --> 02:05:20,399
at this. We did a Twin Peaks breakdown right here

1804
02:05:20,520 --> 02:05:25,479
eight years ago. By the way, I have a whole

1805
02:05:25,479 --> 02:05:30,119
breakdown video mini documentary of Muhland Drive too. Forgot about that,

1806
02:05:31,800 --> 02:05:40,359
so for those who want that, I did that as well. Well.

1807
02:05:40,560 --> 02:05:47,720
Rest in peace, David Lynch. It's right here. This is

1808
02:05:47,760 --> 02:05:51,079
my old Lost Highway analysis from that's literally ten years ago.

1809
02:05:52,039 --> 02:05:57,079
This one is six years old. I'll put it in

1810
02:05:57,079 --> 02:06:09,359
the chat for you guys. So there's that. Otherwise, shout

1811
02:06:09,359 --> 02:06:11,840
outs to I think we got some new members here

1812
02:06:16,760 --> 02:06:23,399
sky No Sky Scraper Philosopher. I thought he became a member,

1813
02:06:25,119 --> 02:06:27,840
but we did get fourteen new members tonight from the stream.

1814
02:06:27,920 --> 02:06:30,600
Welcome all you new members. If you're new to the

1815
02:06:30,640 --> 02:06:33,039
members section, what you do is you come over here

1816
02:06:33,760 --> 02:06:37,840
and on my members tab. I have added some new things.

1817
02:06:37,920 --> 02:06:41,119
I'll do some more either today or tomorrow. I added

1818
02:06:41,159 --> 02:06:44,439
the part two of the Pagan Renaissance ocult Rome from

1819
02:06:44,439 --> 02:06:48,079
our trip to Rome. I added the discussion with Matthew Eirep.

1820
02:06:48,680 --> 02:06:52,640
I add the part two of Religion and Espionage. I

1821
02:06:52,800 --> 02:06:57,159
added the part two of Doune and Religious Manipulation, the

1822
02:06:57,199 --> 02:06:59,920
Trinity and the Toil Part two, How the Left took

1823
02:07:00,079 --> 02:07:04,640
over Part two and the Black Gold Spies Part two

1824
02:07:04,680 --> 02:07:07,680
from a week ago. And then this is all old

1825
02:07:07,680 --> 02:07:11,439
stuff from five years ago. But I will be making

1826
02:07:11,520 --> 02:07:14,079
more things accessible to the members. And of course everything

1827
02:07:14,079 --> 02:07:16,039
that's over there is also on the website. So if

1828
02:07:16,039 --> 02:07:18,840
your website member, you don't have to join here unless

1829
02:07:18,880 --> 02:07:22,079
you just want to sponsor me and support me in

1830
02:07:22,079 --> 02:07:24,640
some additional way. But shout out to the guys from

1831
02:07:24,680 --> 02:07:27,279
the five hundred dollars super chat. That was really generous

1832
02:07:27,319 --> 02:07:30,479
of you. Appreciate that we get another one from Dave.

1833
02:07:31,000 --> 02:07:33,319
I appreciate it. I'm only twenty two, but I have

1834
02:07:33,359 --> 02:07:36,560
the mind of a boomer. We'll just remember that pretty

1835
02:07:36,640 --> 02:07:40,319
much everything is accessible here. You can also search the website.

1836
02:07:40,319 --> 02:07:43,720
The website has a search function as well at Jasonnalysis

1837
02:07:43,800 --> 02:07:46,800
dot com. And if you want copies of Eslitary Hollywood,

1838
02:07:46,960 --> 02:07:49,920
I still have those, and if you want to start

1839
02:07:49,920 --> 02:07:52,479
reading one and two before part three. You don't have

1840
02:07:52,560 --> 02:07:56,000
to read one. They're independent, they don't have to go together.

1841
02:07:58,079 --> 02:08:01,680
They're film analysis books, so they don't have a narrative

1842
02:08:01,720 --> 02:08:04,479
that requires you to read part one. But you can

1843
02:08:04,479 --> 02:08:06,600
get signed copies over here in the shop as well

1844
02:08:06,600 --> 02:08:12,960
as Jamie's books, and also head on over to Jamie's

1845
02:08:13,039 --> 02:08:20,079
channel because I'm gonna off close up this episode and

1846
02:08:20,479 --> 02:08:23,840
Jamie is doing a show or she's playing a show

1847
02:08:23,880 --> 02:08:28,680
that she did on history of Freemasonry and serious, so

1848
02:08:28,800 --> 02:08:33,079
y'all head on over here to Jamie's channel. I'll drop

1849
02:08:33,159 --> 02:08:41,479
this in the chat for you guys, and be sure

1850
02:08:41,560 --> 02:08:43,640
and hit like and share and let me know what

1851
02:08:43,680 --> 02:08:44,560
you guys think about