Speaker 1: Secret societies, a sex magic, all the stuff I said
it was about. So you better believe that I'm the
pioneering cool guy analyzing David Lynch. And I didn't just
start this yesterday. I wasn't Lynchian yesterday. We did these
breakdowns over ten years ago. Dog, we did these ten
years ago, son, But I got some treats for you
all tonight. We haven't broken down Blue Velvet ever. We
haven't broken down Inland Empire ever. I haven't done a
podcast or discussion of Lost Highway in ten years. And
back then I could barely even talk. Sounded like I
think retort when I was talking on podcasts trying to
make it happen. You gotta make it up, thank you.
I was lynch pilled before all of you'all. Look at
all of that. Look at that as a fine cup
of joe. Way to go, Coop, that is a fine
cup of joe. A okay, buster inquire or ten dollars
you said before that you asked Calvinists and Presbyterians questions
that they couldn't answer. I love how like a David
Lynch dream just start getting that people just asked the
theology questions. I'm just joking. It's okay. You asked questions
they couldn't answer. At that time, when I was reformed,
I was asking questions about Augustine. What did he mean
in the City of God when he said this and that.
I started reading about the Canada Scripture, and that's primarily
what I meant. I had questions about the Calvinist interpretation
of things from Cyprian. I went and read Cyprian and
they were totally lying about what Cyprian said, or they
were just totally ignorant. So that's what I was referring to.
Justin washek has taken the cake today with a five
hundred dollars super chat. Look at that. We don't even
got to do no stream today. He just paid for
the whole stream. See y'all peace out, I'm out eat.
He done pay for the whole stream and next stream
with that one. Shout out to all y'all gifted memberships
being everybody's being generous. People love these YouTube memberships. I
just can't believe how how much more popping off popular
they are than they were five years ago when I
was last time. I remember being monetized, so things have changed, hopefully, y'all,
enjoyed the fourth hour of Lord Voldemort today. I think
it came out pretty good. I had no idea what
was going to talk about until right before it, and
then I was just like grab a book and just
start yapping. So think it turned out pretty good though,
for it was about a half a hour. So shout
out to the new members we got. Whiskey Jack became
a member. Shout out to him. Moral Autist formerly g W.
Barfer of some serious names going down right there became
a member. Osten became a member. Writer Grenier became a member. Uh,
miss apostate repentant became gave out five memberships. We got
big money just throwing it around in the chat, just
just straight up. Daddy wore bucks in the chat. Jay
thinks he can do a Sam. What's a Sam? What
are you'll even talking about?
Speaker 2: Uh?
Speaker 1: What does do a Sam? Don't mute him. I don't
want to know what he's talking about. Do a Sam.
I've been doing live streams for ages, bro, what are
you talking about us? You're talking about Sam? Hide Sam, Shamun,
Sam Ayel, Who's a Sam? Thomas Libby became a member.
Shout out to Thomas Libby what's up man? How you doing?
This is the Year of the Love and the Love Hammers?
Sam Shamun, I don't know what that means. Can you
do a shit? Sam Shamun? Oh his name is Sam
and then he puts Shamun. I don't get it. We're
going to be diving deep today. We're going to be
diving into stuff that we haven't talked about again in
about ten years. And if you don't know, both Esltar
Hollywood one and two have extensive twin Peaks and mhand
drive analysis, so we're gonna do a little bit of
refreshing going back into some of that. We're also going
to look into some material that I've never analyzed before,
like the Inlin Empire analysis and guess what, there will
be some of this in Essatar Hollywood three. So look
forward to that. We talk about I think so I
can do us and Robin did I just I co
wrote the first two episodes of the Sam Hi Show.
What the fuck are you even talking about? I don't
understand it. I guess everybody's people are jealous or what
you what's the problem, Francis Boulet, I can't pay you
five hundred pounds but here's a little bit to help
and prayers. Thank you, man, I appreciate that. Welcome. Justin's
already pay for everybody's do your fees. Your fees were
already due, and Justin uncovered all of y'all. His imputed
righteousness is sent into your fictional bank account. So you
are made righteous in my sight as your spiritual legal judge,
I am your judge, and you all have been made
righteous tonight through his generous actions. Yoj how I caught
a quasi moto ten dollars? Are you talking about your
your little brother on your shoulder? Are you referring to
the possibility of obtaining a lump on your shoulder which
you could personify as a little brother. In that case,
I would say, look into ways to attain cancerous growths,
and then you'll have a little bro on your shoulder.
Oh what's up? Loocome everybody? All right? I loved it.
I'm so glad to be remonetized. A's like the work
gets It's like I got a paycheck again for the work.
You know, I'm not like working for free or whatever.
I'm kidding. Y'all were very generous on stream labs, and
you can still use stream labs if you choose to
our buddy here big justin let me refresh this. He says,
you were instrumental in my conversion from Orthodoxy to Protestant.
I can't thank you enough. Many happy healthy years to
you and Jamie for your marriage. Thank you again, bro,
Thank you man. You just you just pay for the
whole year.
Speaker 3: Dog.
Speaker 1: Only bad news is it all goes to the I
R S. Jamie's in there laughing, but it ain't no joke.
It's like, no, I really does go to the RS.
What you're talking about? Uh? Can something? Can Trump hurry
up and sign an executive order so I don't have
to send all of this to the IRS? Can he
just get rid of this thing? Right now? Trump? Where
you at? I'm jag efe the wonderful IRS. We're gonna
do a new Irsh's gonna be great. It's gonna be wonderful.
It's gonna bring in twenty times more money.
Speaker 4: The I R S?
Speaker 1: The I Have you heard of this?
Speaker 4: The ers?
Speaker 3: Ers?
Speaker 1: Does it irk? More? Likely? The IRK? Does it irk?
Speaker 5: You?
Speaker 1: The I R k irk? You?
Speaker 4: We gotta get rid of it. Probably probably we will
get rid of the Irish I don't know what youthy.
Speaker 1: Probably we will preempt upart gardens for that five hundred dollars.
That's what I'm talking about. That's what i'm talking about.
That's what i'm talking. That's what I'm talking. In dreams,
I dream all of you. How's it go? Mm hm
hmmm hm. In dreams, I walk with you, shout out.
I'm gonna get an IRS T shirt. I'm gonna get
I want. I want the agents to sign it. Everybody's
obsessed with James Bond and secret agents. I'm obsessed with
money agents. That's where the real money is at. Where
the secret IRS agent signatures. That's what I'm talking That's
a real James Bond, James Government Bond because he works
with IRS. Who are all this? What is all this
Sam talk? I don't even know what you're talking about.
Are you talking about Sam Shamun? And why is every
talking about Sam in the chat, the Saint, the Sam Show.
I'm so jealous of all the Sam's. I can't be
the SAMs. What if I was Sam hide Shamun and
I was a morphed mix of those two and I
just did weird comedy to the Muslims. What would that
be like Sam Hide Shamin. Somebody make make an ai
blended image of U Sam Hide Shamun, and then worlds
will collide. World's collide. In dreams, I walk, will you am?
I yeah, I look just like Sam Shimun, Sam Hide Moon,
Sam sham Hide, Sam sham Hide Sam hid Shamun. Sounds
like a go a great combo. Why is YouTube doing
ads on a live trenk to pay my bills?
Speaker 3: Dog?
Speaker 1: That's why? Because in dreams, I walk with you and
you walk with me? Son shout out to free kittens. No,
that's the dude to ask for quasi motos. He's trying
to cop a feel on a quasi moto. He wants
a little brother on his side. Right here, Rinaldo Lopez
isn't a member. Shout out, man, but we already looked.
I racked up like one hundred and fifty members in
a few days. Man, shout out Creed. How would Creed
sing Roy Orbison songs in dreams? How long? Weird? That's
pretty good? Actually, tell I messed up. Uh let's see.
Now we're not gonna start with elephant man, We're not
gonna start with eraser Head. I'm just not really in
the vibe for something weird and that level weird and dark.
Let's start out with Blue Velvet, and this is back
in the early days of David Lynch. My favorite David Lynch.
It's hard to say. I mean, I like Twin Peaks
a lot, probably Twin Peaks, and I like Wild at
Heart a lot that makes me laugh and Dune, so
probably ones that people don't expect. You know, there's a
lot of good David Lynch stuff, but he's one of
my favorites. Bl says for five dollars, did David Lynch
go to Heaven? I hope. So we don't know people's destinies,
but you know, we can always hope that people repented.
Bob Johnson five dollars. Have you seen the movie Scanner Darkly?
Of course, it has Keanu Reeves, Robert Downey Jr. And
a person you might have heard of called Alex Jones
that I talked to today and I hosted a show.
So you're asking if I've seen Skinner Darkly, bro I
was on the damn show of the guy in the
movie today. What you're talking about, Son? Do the entire
show in David Lynch's voice, A okay, but will do
mister B. Ten dollars. Y'all just sending so much money,
I can't even think. Man, we've already got like seven
hundred dollars in the stream. We ain't even started yet.
The stream's already paid for. Man, I ain't gotta do
it now, mister B. I'll send you a love letter
straight from my heart mother. Efferr talking raded r, cuss words,
cussling every day. I'm struggling every day. I'm hustling every day.
I'm struggle. LNT says for one hundred dollars, Jay, I'm
ready to the Old Testament. The Orthodox Baptism is coming
up at POSTCO. I totally understand Christianity. It is superiority
to Judaism philosophically. But I'm wondering on the basis of
scripture in the Old Testament, how do you ever do
you wrestle with doubts about if Jesus is the Messiah?
And what is your answer? No, because we've done many, many,
many talks that deal with this issue. For example, the
talk that I did first, I would start off with
is Trinity Old Testament. I always forget the title of
this one, and then there's a newer, updated version. First
of all, you want to watch this one is the
newer one. Here, Trinity and the Old Testament Part one.
I go through the tour up and I just made
the part two available to subscribers over here the members
over here for the members, Ta, where's the old one?
This stuff never comes up here? It is No, that's
not it. Another one is Trinity of Trinity, indeed of
Christ and Ezekiel. Once you see that Trinity the Old Testament,
it's gonna all make sense. It's gonna be obvious. And uh,
let me try this. I know it says something like
Jesus is Jesus God or something like that. Let's see
in dreams I walk this is it is Jesus God
is God. A Trinity response to critics. That's the first
one we did six years ago, where I walk through
tons and tons and tons of Old Testament texts. But
the updated version, the Trinity in the Torah is even
better because I go through many, many, many that I
missed in that old talk right here. So those are
two places to start. And then on top of that
is we've done at least two or three podcasts on
Messianic prophecies, and it's not the handful that evangelicals think, right,
it's way more more. So go watch those podcasts. A
couple of those I think we did with Shamun sam
Hi Shimun. So here's one from five years ago. These
might be the same. I don't know. But here's a
clip Messianic Prophecies. There's two hours, twenty minutes. Here's another one.
I did Messianic Prophecies Part one and this is just
the psalms. Right, so there's some answers to that big
fat super chat. Thank you for that. Appreciate all the
generosities tonight, gener hostilities, tonight, gender hostilities, tonight. Welcome everybody.
We got five hundred on a nice balmy January evening.
Let's get into Blue Velvet. This is early David Lynch,
first sort of big level of success. Now I think
he was already kind of known for Elephant Man and
that kind of stuff. But so you know, the Lynch
had early success, probably earlier than most people most directors
expect to get. And then we get this very odd
au tour outing Blue Velvet. Coll McLaughlin, Laura Dern, Dennis Hopper,
Robert Logia was supposed to play Crazy Frank. He got
really mad that he didn't play it, and then I
think that's why he put him in lost Highway. Vaine says,
for five dollars, maybe it is your internet, but the
last several streams of the cameras choppy. Yes, this has
been a long standing problem with the internet in Florida.
I've had the people out here more times than we
can count. And I don't know why it does that
for the I just I don't know. YouTube is always
telling me that I up, I need to up the
bit rate. When I up the bit rate, it just
messes everything up, so I have to I don't know,
and this has been an ongoing problem for years. So
I'm at a point where I just don't even know
what to do. I don't know what to tell you.
Maybe there's not a solution because if I switch over
to the bigger, higher connection because we have so cold
five G, it still doesn't work. In dreams, I walk
weird from an article. When Wildehart came out, Lynch gave
Laura Dern animal kits and insects to take apart for
her to put back together. This scared her well. David
Lynch is a weirdo. I don't think anybody can deny
that he was an odd I bought you some animal
kits and bug kits for you to take apart and
then put them back together. Anyway, now, I think this
did well at con And was he already dating Isabella Rosalini.
I don't remember at this time or was this where
they met. Perhaps I don't know all the perfect details
of his life, so you have to forgive me about that.
But I'm not a huge fan of Blue Velvet. I
think probably that'll surprise a lot of people. It's hard
to watch. It's kind of a brutal film. It's dark,
and I don't mind, for example, twin Peaks Fire What
with Me? Like, I can watch Firewalk with me. But
I'm not a huge fan of Blue Velvet. I understand
it's a well made film, the cinematography, the you know, absurdities.
Crazy Frank is probably one of the best villains in
all movies ever. He's probably one of the top villains.
Thank you for that, by the way, John mister Bee
says for ten dollars, Michael Heronsie was also considered for
the role of Frank. Could you imagine that imagine hearing
don't be a good neighbor in Sam Fisher's voice, Thomas
Libby became a member, Lil Gain became a member. We
got a member of Upgrade, We got some Chad members.
Now we've got Chad nerds, and then people update to
full Chad. Ten dollars is the full Chad. This is
the coming of age film. And you know, the first
thing I think people notice is the darkness under the
perceived facade of Americanism. And this will be a theme
that runs all the way through Lynch films. You have
what appears to be fifties suburban America, and people are out,
you know, watering the yard, and there's the milkman and
all this kind of stuff. And then you've got a
severed ear laying in a yard card and we enter
the ear. If I recall JV free for two dollars, Jay,
bring Jamie, bring Jay a double espresso. Yeah, you know
what's up. You know how it works around here. Shout
out to that dude. Thank you guys again for all
these generous super chastity. If you would hit like as well,
we've got to get them likes up. And so it's
I tended to be a critique of what we think
of as perfect Americana in the fifties suburb era. But
it's also an eighties movie. But there's nothing really in
terms of the vibe or the esthetic or the feel
of the movie that makes us think it's the eighties,
even though it's the eighties, and we know it's the eighties.
Everything is fifties, and I've always liked that juxtaposition that
sort of throws us off. And I think a lot
of movies since this time have tried to copy this.
If you watch, for example, and not always bad, it's
it's not a bad copy. If you watch it follows,
it's very difficult to exactly place when it's happening. It
Follows is contemporary, but no one uses or has cell phones,
even though it's contemporary, and the TVs the imagery a
lot of its eighties and so it's kind of has
this eighties horror feel to it, but it's contemporary and
yet nobody has a cell phone, which I liked. And
you know, Colin McLaughlin is coming of age and he's
experiencing changes in his body, and he's interested in girls,
and he's a high schooler. I forget exactly what if
he's like a senior. Maybe he's a senior, but he
really likes Laura Dern and they're obviously kind of a
perfect match. She's also a high schooler. And yet he
is obsessed with the lounge singer at this local club
who's played by Isabella Russolini, who ends up being his
girlfriend for many years. Maybe they were married, I can't remember.
And if you don't know, Isabella Rosalini is of course
Ingrid Bergman's daughter, So Hollywood Royalty. David Lynch was able
to immediately link up with Hollywood Royalty right there. And
you'll notice other themes that are present here that will
reappear throughout the rest of the Lynch Cannon. The ominous,
omnipresent red curtain. Of course, the curtain comes up in
Mahon Drive. The curtain comes up in Twin Peaks in
the in between, as well as even kind of the
lounge singer, right because we get Julie Cruz and Twin
Peaks and we get no Hi Bondo and that weirdo
Hispanic booby chick singing in Mahland Drive in front of
the curtain and doing the sort of lounge singing, so
there's there's a weird lounge theme going on, and also
kind of the voyeuristic thing. That voyeurism is a kind
of a theme in this and other elements that we
probably can't really discuss over here on the y T.
But I think if we see this as kind of
a kind of a it's a horror satire really, that
is what I think this movie is. And you'll notice
a lot of things that that sort of tie into
Twin Peaks. That Lumberton I think is a connection to
the the Sawmill's Josie Packers Sawmill, all of the the
critique of the dark underbelly is also a big part
of Twin Peaks. But we have this villain that is
and this of course is the scene at the beginning,
as we said, where everything seems normal and healthy, and
then through his fascination and obsession you could say with
Isabella Rosalini, he's immediately sort of set on this adventure
with all of these weirdo quacks, creeps and lunatics. Because
of course, Isabella Rosdellini is the lover girlfriend to Dennis
Hopper who plays Crazy Frank, and originally Crazy Frank's sort
of tick was supposed to be that he inhales nitrous
oxide and that's supposed to make him talk in helium voice.
They all felt it was too absurd, and Dennis Hopper
said it was too difficult to constantly talking helium voice
and play Crazy Frank. But that would have actually been
pretty funny because if you recall in I Think While
to Heart, we get the return of people just out
of nowhere having helium voice, which is very absurdist. But
instead Dennis Hopper said, no, it's got to be sodium
amatal or something like that, which kind of makes you
feel loopy and crazy, I think, And he said, I
got to play Frank because I am Frank. I am
this crazy wacko dude. And I'll see his father was Oss,
So that there's a weird thing with Dennis Hopper background
being Oss. Dean Stockwell there who is the woman wearing
woman clothes wearing person who doesn't actually sing but pantomime
mouths the Roy Orbison song. For some reason, Crazy Frank
as this obsession with watching him pantomime the song. It's
all super bizarre because Crazy Frank is literally like just
totally crazy weird fixations, has a fixation on shall we say,
smacking ladies around, so to speak. And in Isabella's case,
she's into this heath to me, don't he he to me,
don't eat me, as she says to Colm maicclaughlin. And
this throws comic Laughlin for a loop because he's just
a young guy thinking about, Oh, here's a you know,
attractive older woman. I'm gonna get wild have some fun here,
and he's immediately thrown into how shall we say, sex weirdness,
and he doesn't know how to process this, but his
stepping into that domain, that temptation, leads him down this
road of almost dying by falling in with this crowd
of absolute lunatics. And I think that's the best part
of this film. And by the way, the same sort
of demonic insanity of wearing lady things and makeup, seems
to also be part of Frank's psyche, right, And I
guess we're supposed to just think Frank is this this
he's kind of a drug dealer or maybe a kind
of a gang, but his gang is just the most
out just insane, outlandish, a bunch of weirdos, right, So
he definitely makes I think for the greatest villain, probably
one of the top villains of all time, and I
love we begin to see I mean you kind of
saw some of this in E Raise Her Head, but
you begin to see the things that will become staples
in later Lynch films, like just the random weirdos in
the background. You know, you've got this fat chick over there,
this dude standing on the couch. You get the stock
Well pantomiming Roy Orbison songs, singing into a lamp. Dennis
Hopper's obsessed with it. Just there's the background weirdos, right,
Just that is almost enough. Look there's a guy back
there playing with tape and the absurdism comes to the
foe here to make this also a very funny film.
A lot of people don't think about David Lynch movies
as comedy, but they're actually really comedic. And if you've
not watched, if you've only watched Waldehart like once, go
back and watch it because the more you watch Wild
at Heart, the funnier it becomes. And of course I'm
not gonna spoil it for you if you've never seen it,
but it's a great film on certain levels. It's just
not my favorite David Lynch film, there might be some
Rosicrucian symbolism going on, because the rose imagery does play
kind of a key element in the film. And I
think at the very end, we see call McLoughlin comes
home after all this nightmare adventure that he's been on,
and he goes, I'm going on this joy ride with Frank,
and you know, Frank says to hint to Jeffrey, You're
like me, We're the same. And then Jeffrey ends up
killing Frank, and it ends on the ear and the bird,
And I think the point here is that that bird
is actually the same. It's like very similar to the
bird at the beginning of Twin Peaks. So it's kind
of like Blue Velvet kind of sets the stage for
the next phase of Lynch. Yeah, I forgot to mention, Yeah, exactly.
So we're talking about Hollywood royalty and intelligence agencies, we
can't forget Bruce Dern and the Dern family. They come
from a long line of actual skull and bones Henry
leoce Oss people, right, So Laura Derns, I think Granddad
it is was part of the He was like the
Secretary of Defense or the Secretary of War back then,
and that is significant. Dave McGowan makes note of this
in Weird Season Inside the Canyon because he connects both
Bruce Dern the father or the uncle for what it is,
but the one that was like secretary of War, and
then the Darns being kind of Hollywood royalty. As a result,
you've got Hopper's dad being oss and there are we
don't know if this is true, but there's reports that
Dennis Hopper was also interested in the OTO, and Dean
Stockwell was reportedly a member of the OTO. So quite
a bit of Hollywood royalty into Yo Crolean stuff going
on in the From the outset here but we're gonna
move on to wild Heart is a version of oh
waitever you get pulled up, excuse me, Wizard of Oz.
So if you didn't know Waldehart is Wizard of Oz.
This is a few years later we get the nineteen
ninety film We're Gonna Go, We're Gonna Do Twin Peaks.
I know that's nineteen ninety to ninety two, but I
wanted to mention Waldeheart because this one is more of
a comedy. And of course Laura Darn's mom plays Laura
Darn's mom. In the film, Nicholas Cage plays the character
of Sailor perfectly. He's it's a very absurdist satire of
America and Americanism once again, and here America is Oz.
So you have the Wizard of Oz motif pasted on
to this absurdist presentation of another adventure of these sort
of these two teenage rebels that kind of run away
from the controlling figure of Lord Dearn's mom, and then
these other well we later find out are mafia people
in the background. There's a lot of occultic stuff going on.
And while at heart that is worth mentioning, we're not
going to delve too deeply into that because I'm gonna
put the uneceessary colleague with three. There'll be some discussion
of this, uh and I mean there's voodoo comes up.
There's this sort of Illuminati character in the film who
you know. I think he's a sort of a maybe
a Southern Dixie mafia type of character, and eventually he
calls for the assassination of Sailor and Willem Dafoe I
think plays a very so this wow, this one and
the con film festal I forgot that so he won
Best Picture in con At nineteen ninety for this. But
Willem Defoe plays a kind of demonic another villain in
the film. But ultimately it's a satire. It's very funny
and uh voodoo plays a key role in the film.
And we also see characters that kind of reappear later
when they are at the Texas ranch where the shall
we say, the Piggy movies are made. There's a character
that walks by in the background who appears to be
the Cowboy, and the Cowboy makes his odd appearance as
everyone knows in Mahan Drive. Now, I don't know if
it's the same actor, but it's almost like there is
this overlap of the dream worlds and the various universes,
so to speak, in all throughout David Lynch films and
throughout the Lynch Cannon and greatest example of us. How
does Wild at Heart end? Well, it ends with Laura
Palmer as the good Witch Glinda, because I remember it's
the Wizard of Oz story appearing to Sailor when he
gets beat up. And I think that's something that not
many people point out about. I mean, if you're a
really big Lynch nerd you will know about and you
will have paid attention to the overlap throughout the Lynch universe.
And another example is Audrey Horn. If you're remember and
Wild at Heart, there's this scene where Sailor and what's
her face, they're driving across the Lost Highway in the
desert and they come across a rack and it's Cheryl
Rylyn Finn from Quinn Peaks, right, and she's had this
head injury and she doesn't know what's going on. And
it's as if this might be when Audrey Horn leaves
Twin Peaks to go to Hollywood. Is this her going
on her way and then encountering Sailor and Lord Dern.
Is that a possibility? Not many people, I don't think
have noticed this or mention this, but this is a
common feature in Lynch films. So when Nicholas Cage and
Sailor's beat up and he's about to give up, you
get Laura Palmer as the good Witch Glinda, who tells
him to get up and run to Laura Dern. Right,
and then keep in mind this notion of the world's overlapping.
I thought this is gonna have this to be the
scene where we see sherylyn Finn in Well at Heart.
Let's see, yes here it is. Now if you're a
super different David Lynch NERD then you have noticed this.
But I've not really seen anybody else noticing this. So
you'll notice, as Sailor and Lula are driving down the
law Highway, it looks just like Fred Madison at the
beginning of Lost Highway, right, He's driving on this desert,
you know, upside down ether in the inside the ether
in the middle of nowhere desert highway. And then they
come across the rack where sheryln Finn has this head wound.
And you're gonna notice head wounds also recurring themes and
David lynch movies, because when we get to Lost Highway,
the balth is our getty excuse me, the yeah, bath
is our getty character Pete relates, doesn't he also have
a head wound two? And this relates to kind of
his dissociative state. The characters are oftentimes in sort of
fugue states and dissociative states due to head wounds. And
here again, I don't know if this is intended to
be Horn wandering away on her way to California, but
in Twin Peaks when she decides to leave, is it
wasn't she going to California to be an actress or something?
And then of course she dies, and presumably it is
supposed to be Audrey Horn, but that speculation. But I
do want to go to Lost Highway because now things
are getting a little more esoteric, and then we're gonna
go to Twin Peaks and you get a lot of overlaps.
And in the Lost Highway we have, of course this
man Robert Blake playing the Man in Black or this
sort of enigmatic, demonic entity. Fred Madison is played by
Bill Pullman, who in the first half of the film
we think this is just sort of a successful Hollywood
musician who starts having these really weird things happen to him.
He starts receiving these vhs, VHS copies appearing at his doorstep,
and the vhs are images of people walking inside of
his house and taping him while he's asleep at night.
And so they bring in these cops and it's very
confusing and nobody can seem to figure out what's going on,
and we find out that Patricia Arcuat, who's sort of
the girlfriend wife character to Fred Madison, she has been cheating.
And so as we begin to piece this together, we'll
go come over to my analysis. I noted that it's
although this mystified most people, what connects it is the
rest of the David Lynch films and the patterns that
will notice the doubling, the dissociation, the few states, the
mpdd I d let me see what I got into.
Shamanic journeys, I think are a good way to understand
Lynch films. So we're going on a kind of a
psychedelic journey, and that's the intention, I think, and that's
why they are stories that are pieced together out of
David Lynch's transittal meditation, dream states and or both. And
so they're going to be nonlinear. They're going to be
influenced by a lot of nineteen forties, fifties and noir,
especially things like you know, Sunset Boulevard, other films like Persona,
and those are keys to understanding the architecture and the layout,
so to speak. Of how to understand a David Lynch film.
We're also going to need to understand and be aware
of things like Hindu philosophy and metaphysics. That's going to
be a big element in Lost Highway. Tibetan Buddhism is
a key to a lot of things, especially Twin Peaks,
and then other conspiratorial motifs I think that Lynch doesn't
explicitly talk about a whole lot do play into his films,
such as the notions of alternate personalities, trauma based mind control,
which are never explicit, but I think they're in the background.
And one of the reasons I think that I'm right
in that analysis was that when I did my lengthy
Twin Peaks breakdown many years ago, to me, that was
there in a lot of the symbolism throughout the first
two seasons of Twin Peaks in the film, and then again,
as you guys know, as we pointed out many times,
when Mark Frost put out the History of Twin Peaks book,
the Big Green Book, that was all vindicated, multiple chapters
detailing the entire history of Twin Peaks as an esoteric
occult presentation. We have mentions of Kroley SCX magic. Literally
all of the stuff that I said was one spot
on if you read and Mark Frost is the co
writer with Lynch, So for those that don't know it's
the big green Try remember the exact title of the book.
I don't have it at this house. Let's see, it's
Twin Peaks History. If you are a Twin Peaks nerd,
it'll be then you you will want the Secret History
of of Twin Peaks by Mark Frost. It's actually big.
It's a cool, big hardback green book right here. Yeah,
it's really good. And most of again, most of what
I theorized was one percent medicated, even to the point
of like the ring being kind of a Krollyan magic ring.
Like even that was mentioned. I was like, man, I
just got everything correct on this one. But back to
while de heart so, Fred Madison is experiencing the suppressed
this is my theory memories of murdering Patricia Arquett So
his wife who had cheated on him. He'd had enough
of it. He is the result of her early demise.
But he's almost dissociated and repressed these memories, like he's
they're out of his head, right, So he doesn't even
he's so repressed these memories that he's dissociated and actually
does not remember doing it. And the VHS copies of
the Stalker that appear at his doorstep. They either are
or are not him, or just his memories of the
pieces of the evidence of what he did coming back
to haunt him. And so this is all suppressed and
sort of hidden. So speaking is subconscious, and it's too
much a guilt for him to face up to the
murder of his wife or an a and two others.
Due to this vengeful jealousy is what led to an
associative split in his consciousness and his dark side became possessed.
And so the man in black that we see at
the party is essentially it's the devil. The first scene
is an anxious thread lighting a cigarette. The igniting of
a flame is a staple of Lynch films, and it
signifies this dark, foreboding or evil presence that's about to emerge.
And I know, I'm I was not happy that David
Lynch passed away, but of course cigarettes happened to unfortunately
be what led to his passing. So don't smoke cigarettes.
The fire walk right, fire walk with me, the lighting
the fire of a cigarette. This is the shamanic practice
right when you're firewalking, and that is done supposedly through
a demonic power, tapping into the spirits to be able
to walk on fire right. So it's either a possession
or a demonstration of demonic power. And thus it also
corresponds to the walk or the journey that the medicine
man or the shaman takes. Right, one shouts out between
the world's fire walk with me. That's a shamanic phrase.
The famous Twin Peaks phrase, right, is about the shamanic journey.
Now I'm not into that really, I've read quite a
bit about it. I've had my past times of bad
acid trips. I've had enough of those. So I've done
the firewalk, so to speak, and I've been on the
shamanic quest. I have no desire to go back on
a shamanic quest. They were pretty nightmarish in my experience.
But I have called out between two worlds, don't fire
walk with me? And I think, I think if you
have done hallucinogens, maybe David Lynch films do come easily
to They come more naturally, I guess, than if you
have not. But the idea I think is that it's
a national journey of the shaman as well in terms
of the viewer, and it's a it can be a
hallucinogenic or a spiritually new state, taking you down a
ritual path of in the case of the shaman, a
personal dismemberment and then reassemblage. That's a resurrection motif. And
I'm not just saying that. Let's like I've got a giant,
big fat academic text I've read on shamanism. It's Oxford
Publicational History Shamanic Traditions, and they actually say that in
the book that that's the common pattern, in an archetypal sense,
across various shamanic traditions is that the shaman has to
be eaten by the gods, spit out, and then put
back together. And it's a resurrection motif, a death barrel
resurrection motif that we find in shamanic religions and traditions.
In Lynch's film, it is Fred, or our shaman, who
will be resurrected. His wife, Renee, is the one that
will undergo this dismemberment, and it is Fred who will
suffer the punishment of guilt and torture with no escape
from this self imposed cyclical nightmare prison. And you'll notice
that Roseanne Arquette is pictured in this sort of scarlet
woman motif, sort of maybe a Krollian image. I'm not sure,
but if you've read the Senator Forces trilogy, Peter Leavendez says,
I learned this is quoting David Lynch an interview. I
learned that just beneath the surface, there's another world, and
still different worlds as you dig deeper. And so for
the artist, Lynch, I think sees himself as a shamanic
adventurer who is plumbing the depths of the subs. This
is what he believes he's doing in transittal meditation and
then drawing out of these worlds or these realms, an
idea that, as Lynch says an interview, it's becomes a
whole world. So you catch an idea, and that idea
brings with it this string of pearls of other ideas
and associations. You have an idea of I don't know,
Naomi Watts opening a box, and then you need the
music that goes with that, and does this box open
up a whole nother alternate reality this kind of stuff.
So there is a sort of Hindu multiverse idea going on.
Perhaps that's also in Tibetan Buddhism. I'm not sure, Ndred Percent,
I'm not super studied on I know a little bit
about Tibetan Buddhism, but I think they have this kind
of view of multiple worlds or something. But that's where
Lynch is pulling from. I definitely know that exists in
Hindu thought, and Hinduism is really a key to inn Empire.
I decoded a lot of Inland Empire, but I did
find another guy's video who went way beyond me, and
he got like you got it all. So like some
dude like devoted some legit time and literally has decoded
Inlin Empire. It's pretty wild too. I mean, like the
level of I mean, I don't care about Hinduism per se,
but like the level of Hindu lore, theology, and metaphysics
that this guy went into or maybe he knew to
decode Inland Empire was pretty intense. And I'll show you
this video in the moment, you guys can go watch that.
I will cite that guy in my analysis. Somebody was
bitching the other day, like when you did your Twin
Peaks analysis, you just got shit from rob Ager. Are
you aware that when you write in academia, you source
it in a footnote And if you read my chapter
I cited rob Ager in the footnotes. That's how analysis works.
No one analyzes something or writes in you know, a
professional or academic setting and makes it all up on
the spot, knowing everything on their own. Everyone reads other
people's research and then you write in the footnotes where
you got it. That's what everyone does, dummy. There's no
such thing as somebody who just like Fresh, comes to
some you know, great work of art and like knows
it all right away and decodes it without looking at
tons and tons and tons of secondary literature. So to me,
it was just like the stupidest comment I've ever heard.
There's these absolutely ignorant, just goobers, never written a college paper,
no idea. What all you do is cite your sources, dummy,
And everyone has to do that. Do you think David
Lynch like didn't watch anyone else's movies and he just
raw fresh, just sort of putting out movies as if
they're not influenced by Cobbetan, Buddhism, trans meditation and all
the other tons of directors that he's talked about that
he likes. Of course this is idiotic, but recurring features
that we see in David Lynch films are things like
the flickering light that's happening when there's a demonic, dark,
spiritual presence, or even something otherworldly that's being invading our reality.
We see this in Twin Peaks Far Awall with Me
when Chris Isaac and Keifer Sutherland arrive at the diner
at the very beginning. The lights are flickering, and we
see other Twin Peaks characters popping in and out there
as well, people from other dimensions, the logsmen, the woodsmen,
I should say, pop up there. We have the flickering
lights when Justin Thurreau talks to the cowboy in muhulland Drive.
So flickering lights happen a lot. Rotating things happened a lot.
And the reason rotating thing has happened a lot, I
think has to do with cyclical reality, cyclical versus h
you know, beginning, middle end, structures of time, philosophies of time.
That's a key point in Inland Empire. Inland Empire is
definitely premised on an acyclical view of time, and that's
why it shifts back and forth between the Polish prostitutes
one hundred years ago. Fast forwarding to Laura dern today
and that's key, like they have to understand all that's
like Hindu, you know, Buddhist Tibetan Buddhist views of time.
That's not Western, you know, Biblical chronological time. I forgot
what it's going to go to. It every sometimes going
to pull up flickering light. Oh ybody's gonna pull up.
So you'll notice ceiling fans. The ceiling fans are often
appearing in David Lynch films on purpose. It's not accidental.
They're appearing because there's an intended signification. These also come
up to David Lynch films music videos as well. Of
cyclical time. Right, So it's like the records playing over
and whatever. The record is a recording, no high bindo,
there is no recording there. It's all recorded, but there
is no recording. In Twin Peaks season three, you get
the record player out in space or in the ether
that is sort of playing into existence reality like a
musical note. That's another theme going on here, and that's
because David Lynch was a musician as well and did
quite a few things with Crysta Bell, like Crystal Bell
quite a bit. Her music is pretty good, and you'll
notice all of those videos are also very Lynchian. So
we'll look at one of these in just a second.
I don't like all of there's one of her songs
that I'm not happy with, but we'll look here. So
the song, one of the bigger songs that she wrote
with David Lynch, has all the lynching symbolism that we're
all familiar with. And how does it begin? The record player? Right,
so the record player is playing, it's it's cyclical history.
The rest of the imagery is not super relevant to
our discussion. There is some sort of like monarch type
symbolism with monarch butterfly. I think she looks in the mirror,
the mirror breaks. Let's see, here's the monarch stuff right here.
I lost it. There's the I feel like this. Here's
the log, right, so we get log lady. Here, here's
the log in the crystal Ball video. Where is the
monarch symbolism? I just saw it in this one. There's
like some like Russian hit man who comes and assassinates her.
But it's supposed to be symbolic for her heart, right,
like you broke up with me and so you know
now it's like a hit man killed me that's kind
of the surface level analysis of the video. I'm just
trying to find that one scene with the butterflies here
it is, so here's her, She's pictured next to the
Monarch butterfly imagery, and then she undergoes a death after
she's been stabbed out here. This is a very Lynching
imagery here talking on the phone. But the other video
that they together, the song they did together, is sort
of another Monarch theme film where Bird of Flames, that
would be the Phoenix, right, So she's a phoenix and
she emerges from the ashes from her cocoon. It's a
very Lynchian video again, bird in the cage, which can
symbolize alternate personalities in the subconscious, and then the emerging
from the cocoon. And what's interesting about the rest of
the video to watch it, she's even though she's emerged
from the cocoon as a new creation, as perhaps this
pop star or whatever she's supposed to be, she's essentially
controlled like a marionette, right, So she doesn't have free will.
She's sort of the mind controlled pop star. That's at
least kind of the read that I have of this,
and it just illustrates that even when we go into
the music videos, Lynchian themed and written things have all
of the same language of symbols, so to speak. But
back to Lost Highway, the flickering electronic light appears elsewhere
it announces the appearance of the Cowboy, bizarre character who
speaks in nomic riddles across between Gary Cooper and David Carrodine,
that is the cowboy in Twin Peaks. The light over
the morgue blinks where the body Laura Palmer's found, and
then we have the visitation of Mike, the one our
man who recites the poem through the darkness of futures past.
The magician longs to see one chance out between two
worlds fire walk with me. So we know this is
a reference to ritual magic and the shamanic hallucinogenic journeys,
and that's precisely what Mark Frost's book ends up vindicating. Thus,
in that one little strange verse, we kind of have
a key to unlocking the mysteries not only Twin Peaks,
but virtually all of the lynch canon. It is a
suspension of normal laws of time, that is the cyclical
as I mentioned, and so we get the words future
passed and the idea that the magician lives between these
two worlds, the waking world, the dream state, the conscious world,
the surreal state. And Lynch is a surrealist filmmaker. He
is influenced, by his own admission, by many surrealist filmmakers
like Cocktau and others, and the surrealists actually wanted to,
through their art destroy the border between the surreal, the
waking state, and the dream state. That is the purpose
of surrealism is to remove the veil between those two
to the extent that even the artist might believe that
there is no longer that veil and that they are
in a waking dream state. Even in Dune we get this.
The sleeper must awaken, the awakened, wake the waking dream.
Thus the entire canon and corpus of Lynch is a dreamlike,
hallucinatory set of images that do actually contain quite a
bit of consistency over the different decades and narratives they're
taking place all over the fourth dimension. And this is
Lynch's appeal as a director, and it's what makes his
films frustrating for most film goers. His realization is that
there are two worlds, and the artist, the sham and
the director stands between these two worlds, and that is
what contributes to his aura as a twenty first century
perhaps initiate of the ministry of the mysteries. And when
I say mystery serims again like mystery in the pagan
initiatory sense. That's the analysis that you read, for example
on Blomeing three of simisor forces. And I think this
is the key to lost title as well. The shamanic
magical elements are out in full force. Spread is a
character trapped in a different psychical, indifferent psychical worlds. It
seemed to envelop sue me, me unfold and envelop other psyches.
And this is where it gets really confusing. Fred walks
to his front door and he hears police sirens and
a voice that says Dick Laurent is dead. The key
to my thesis is that the film is a cyclical
mental prison and that the end of the film shows
who the voice was saying Dick Lauren is dead. It
was Fred himself, and so we've got two Freds speaking
so dissociation. The police sirens are the cops coming after
him after the murder of Renee. This is at the
very end of the film. So the very end of
the film is the very beginning. That's a big record
playing cycle. You see.
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Speaker 1: Cyclical. As we said, the beginning narrative is the cops
coming after him because he of the murder of Renee,
Andy Pete and mister Eddie known as Dick Laurent. The
mobster sort of got the next few scenes that truth
is hinted at as Renee and Fred begin to receive
the odd VHS tapes on their doorstep and they begin
to feel like they're being stalked and surveiled. They blow
it off. Eventually, this leads to the cops coming, and
of course we find out as he said, that she
has cheated on him, and he eventually snaps and in
a rage, had apparently not just done her in but
actually perhaps in a shamanic way, ritually dismembered. For this,
it's a very gruesome death. And the idea, I think
is that there's something demonic and shamanic going on here,
and so that all comes out when he's you know,
comes back and he's trying to get whether they're trying
to be intimate, he's trying to mac on her, and
we get the Cocktau Twins famous song Song of the
Siren that I dream you dreamed about me again. Dream
within a dream is the reference here. Fred dreams that
night that night that he cannot find Renee, and he
is immediately confronted by the strange presence of the camera
that frightens him. It is if Fred's world has come
in contact with us the viewer, we have the breaking
to the fourth wall. The reason for that, I think,
is that Lynch believes that there are worlds of worlds right,
dreams within dreams. So breaking the fourth wall is this
world from within David Lynch's subconscious and psyche that he
has pulled out. What he thinks is this whole other
potential world that we must now see as a world.
We have just seen into it and been exposed to
a new world. And that's why David Lynch oftentimes in
the interview speaks this way. He says, you know, I
walk into a place and I have a feeling, and
it's a world. It's a whole world. That's why when
we get to inl An Empire and Laura Dern burns
a hole with a cigarette and a cloth and she
looks through it, it's.
Speaker 4: A whole world.
Speaker 1: You see. When this presence appears of the camera, which
is us looking into Fred's world, it is that Fred's
world has come in contact with us, and this thus
the coming of the Man in Black is what later
Fred sees being recorded at the very end. So there's
an overlapping of these different experiences in worlds. The meaning
here is the jumbling up of these dream worlds that
Fred is lost in. In the dream state, a smoke appears,
of fire roars, and the face of the man in
black appears upon Renee's face. The man in black is
the devil whom Fred has given entrance into his consciousness too.
In union archetypes and studies psychoanalysis, the house is an
image of the mind. Rooms are like memories or places
where within the brain where memories are stored storehouses of memory,
so to speak. Fred's house is thus the mind, his mind,
and the entrance of the devil into this house is
the beginning of the cause of Fred's suppressed guilt, madness,
and personality. Splitting from this trauma and wickedness that he's committed.
Fred's displaced guilt for murder is placed upon Renee. He's
actually guilty, but he blames her even though she's not guiltless.
She did cheat, but that doesn't give him the right
to engage in this gruesome revenge. This is precisely why
he projects evil onto her and sees the devil in
her face, but it is actually Fred that is possessed
with the devil. It's important to note that in Fred's
dreams he walks deeper and deeper into dark hallways into
the bedroom. This is him going further and further into
his own subconscious uncovering the truth of the crime that
he committed, and thus he's suppressed. As the next VHS
tape arrives, it is even more frightening, and it shows
that camcorder entering the house and filming them sleep. Fred
insists that Renee watch it. She is reluctant, but his
insistence demonstrates that he is likely the culprit. When the
cops arrive, they are suspicious that Fred is the one
behind it. In reality, we don't know for sure yet
what's real and what's a dream stay in regard to
these videotapes. But what we do know is that Fred
wants Renee to feel threatened and that she is a
surveillance for his infidelities. In other words, it is Fred,
and Fred's doing it because he wants to scare Renee
from cheating, And so we get this weird element of
like all seeing eye panopticism, surveillance, but it's actually Fred
that's behind it, or is the perhaps even Lynch speaking
to the future of a totally panoptic surveilled society that
we're going into, perhaps there is that element as well.
I mean, this is the world that we're going into,
the video drone world where everything is tracked to trace.
AI is going to be watching over us all supposedly
according to Larry Elson's Project Stargate theory, but that's a stretch.
We don't know if that's what was meant. Sorry, no,
not you. I don't even talk to you, right now, Hush, hush, Sirih. Okay, yeah,
go away. I'm not talking to you. You and I
are we're broke. We're breaking up, sirih. I'm breaking up
with you. I'm with Jamie. I can't be with you anymore, Siri. Jamie,
I'm not with Sirih anymore, Jamie. Can you come here?
I broke up with Siris, so you and I can
be a couple. Hear me? Could you make me an espresso?
So we get the idea here about you know, I'm
not gonna keep rehashing all this Fred stuff. We get
the famous party scene where the man in black, Robert Blake,
comes to the party. They have this creepy conversation that
he's already in Fred's house and Fred invited him in.
And so I think that's a key to my thesis,
my analysis here that the long dark hallway is the
interest into his subconscious. At the end of hall he
sees himself in a mirror, and we understand, Oh wait,
there's two freds. Fred has been trauma based mind control's
patrols split or he's the source of his own trauma
based mind control through his evil, which caused the dissociative
split or he was always dissociative and Darkfred is the
man in black that possesses his threat. This caused him
to split, and this is why he did what he did,
and it was kind of a dark ritual event. He's
being interrogated. And then this is where it's a little
more difficult to interpret. But I think Lynch does this
quite often in his films. We see this form of
doubling in Wild at Heart, where Isabella Rosolini plays two
different characters who seem to be the same. We'll see
the same doubling actually in this film where Patricia Arquette
has one version of her with Fred Madison and there
seems to be another Patricia Arquette in the whole second
half sequence with the p ro N director. So a
lot of doubling going on, a lot of and that's
a Hitchcock thing, right, Hitchcock would do this kind of doubling,
and it introduces this interesting element of confusion and mystery
that we can't exactly pinpoint who is who. We get
it with Laura Dern too, right, because Laura Dern in
an Empire is breaking the fourth wall. Laura Dern, the
actress in the movie getting a role. But when there
is the dissociative flashing back to the prostitutes in Poland
and them being trafficked here through the circus people, that
seems to be another Laura Dern anyway, Or is that
Laura Dern the prostitute in the nineteen forties or whatever
it is right, the Polish girl. It's intentionally confusing. But
whether we interpret Pete as an altar in the psyche
of Fred Madison or a completely different person who perhaps
has had this mystical astral connection with Fred Madison. The
movie now switches to the character Pete, and so we
have kind of a totally different movie. This is almost
two movies, one movie and then another movie, and then
a merging of the two movies at the end to
make sense of this madness. So this is actually, I
think very well done. I actually I like Lost Highway
better than Blue Velvet. It's just so wild. And when
I first saw it, I hated this movie. It didn't
make any sense to me. I thought it was just crazy.
But I like it now looking back years later, now
that I understand the sort of shamanic and multi dimensional
thing going on with it. There's also a critique of
Hollywood going on here. And this is why my friends
and I we kind of call this the Hollywood trilogy.
So we have we have Lost Highway, we have mohaland Drive,
and then we have Inland Empire, and this kind of
loose trilogy, so to speak, forms a interesting critique of Hollywood.
You know, you have other films like Well to Heart
and Twin Peaks critiquing America. Then we're getting the critique
of Hollywood itself. And we are introduced into this not
so much a dream world, but a nightmare world of
prawn moguls, movie stars, mobsters with the Eddie mister Eddie character,
and even perhaps satanic colts. And now it's not all explicit,
it's all very subtle and very odd and perhaps even
s n uff right, perhaps this event with the Roseenne
Arquette character has been filmed, because the filming of these
things seems to be or play a key role at
the very end of the film, when we have the
guest appearance of Marilyn Manson and all these weirdos watching
whatever has been filmed. So mister Pete threatens mister Eddie,
I should say, threatens Pete, who is the baltha Zargetti
plays a young mechanic in this second film that is
tempted with a different version of Roseenne Arquette, who is
the girlfriend of the mobster. He begins an affair with her,
and of course this leads to a bunch of drama
as Pete is enticed by the fem fatale. He ends
up chasing her into the wilderness. They're going to have
some intimacy there out. Her name here is Alice. Did
it not do right? Did you hit two? It just
tasted like a cup of coffee.
Speaker 3: I don't know.
Speaker 1: They just do their own thing, don't they. Did you
do something different? All right? So, either this is a
different character or this is Fred Madison reimagining himself as
Pete in the way that he would have lived out
his life right with the danger and the you know,
seducing this beautiful woman away from the mobster. You know,
you can read this either way. But it ends with
them being taken out to the Lost Highway hotel where
Renee is cheating with a Dick Lorent. This I think
is the memory that Fred Madison has of where he
found them cheating. So, in other words, the sequence of
events when Fred went and discovered this and then ended her.
These fragments of memories are all being pieced together in
the mind of another character. So I'll end it with that.
There's more to this. You can go read the rest
of it here at my website if you want to
read that. But I'm going to rewrite this and it'll
be in the new book as well as Inland Empire.
In the new book, Astar Color with three. So that's
Lost Highway, and again Lost Highway ends where it begins
twin Peaks. David Lynch moves into the domain of television,
and it's just so wild when you watch this show.
I mean, you would never see a TV show like
this on a major network or films like Lost Highway
being in theaters. It's just so foreign to the way
we think nowadays, and how movies and theatrical releases progressed
to think that something so wild occultic, insane, abstract, bizarre,
absurdist dark. You would just never have something like Lost
Highway or in the movie in theaters. And I can't
remember if Lost Highway did that way, it might not
have done that well in the box office. Let's take
a look and see really quick, just out of curiosity,
because I can't imagine Americans had any idea like what
the heck this was about? You know what I mean,
Like nobody knew. You know, we know a lot more
about all this stuff nowadays than in the nineties. Dude, Normies.
Can you imagine normis watching us. We'd have no idea
what that's going on? This stuff? Here we are twenty
years later at reading, after reading hundreds of books and
all this stuff, beginning to piece all this crazy stuff together,
and like a nineties normy like they would have no idea,
what the that's going on? Now? I forgot what I
was looking at. Oh yeah, let's see what did Lost
Highway do in the box office? I will be surprised
if this was a success. Three million, three point eight
million in the box office. How much did it cost?
It doesn't say how much it costs. So and critics
did not like Firewalk with Me. I watched an old
interview with David Lynch yesterday and he was like, I
hope one day critics take another look at this film.
I think it's good. I do think it's good too.
I actually like it quite a bit. In Let's see
if it was any kind of a success. It was
not a box office success, cost ten million and made
four so and of course David Lynch not having final
cut on Dune, he hates Dune. I don't hate Dune.
I think it's good even though everybody hates it. I
think the key to this is to watch the longer version,
and nerds on the internet have like reconstructed it with
like storyboards that help explain the background, like for the
first thirty minutes. If you can find these old nerd versions,
they're pretty good. It ends up being a out of
three to four hour movie. And you know, when David
Lynch was interviewed, he's like, there is no three hour Doom.
There's not that he did. But nerds have pieced it
together and there is one, so there kind of is,
and you can still find it going around the internet.
I think I even found it on YouTube ironically, like
the full, you know, three and a half hour nerd cut,
it's pretty good. I actually I actually like the full,
the full. If I watched the David Lynch Dune, I
watched the nerd cut of the three and a half
fan made version, because that's kind of what it was
supposed to be. But this was a huge flop in
terms of the Dala reentises. We're very mad about this.
I would be two right, forty to forty two million
dollars and it makes thirty to thirty seven, So they
lost millions of dollars on it. David Lynch, for whatever reason,
I forget why didn't have final cut on it, and
so he has forever complained and said that it was
just a giant disaster and that he would never ever
do a film without getting final cut again. But Firewalk
with Me was not. Also, I can't imagine this making
sense to the audiences. Like, I mean, the lore of
this show is just so out there, and it brings
in so many different things from detective fiction to soap opera, satire,
dark comedy, the occult. You know, by the time we
get Wyndham Earl, he's like a straight up Satanist. So
you've got like hardcore dark Satanism going on. You've got UFO,
MJ twelve stuff coming in with the major I mean,
it's just all like so much weird, all over the
place stuff going on. And we have even had some
overlap with Twin p with the X Files, with the
David d'covney t r NZ t R a n Z
character which also in a kind of in a way
is kind of prophetic. But and another element, by the
way of the overlap with Twin Peaks is blue Rose,
blue Rose. What's blue Rose? Well, in season three we
got more indicators of what that was, because Crysta Bell
plays the FBI operative in charge of the Blue Rose cases,
and we find out that blue Rose is X files.
Blue Rose is FBI investigations of occult paranormal phenomena that
they that the normies can't explain. And of course blue
Rose is a key element to what's going on in
Twin Peaks, where you have this pool of oil out
in the middle of the woods, which is kind of
an ancient alien ritual. It's an ancient Indian ritual site
that also is this doorway between the worlds, and so
that's the same world that the shaman, the magician, the
firewalker walker is entering. And so because we in the
modern world are so divorced from the way that the
ancient medieval world thought, the way man or the way
man in shamanic traditions thought, they saw the world as
a network of corresponding symbols, a language of symbols, and
not just symbols abstractly, but symbols imbued with actual occult powers. Right,
so there would be a language, a commonality amongst these symbols,
a correspondence, an occult correspondence, the doctrine of correspondences, as
it's called. And you'll notice that throughout Twin Peaks, especially
because the point of it is that the rest of
Twin Peaks, all the normies. They can't really fathom the
fact that, first of all, Leland is kind of in
this loosely speaking group of men who are into sex stuff,
but he begins to be possessed and is doing unimaginable
things with his daughter, Laura Palmer. Laura Palmer's supposed to
be sort of the prom queen. She's the prettiest girl
in school, and she's also a dissociative because she's in
being abused by her own father, who's a member of
this ring symbolized by the ring, and they're basically into
Krollian sex magic. That's what we can derive from the
mark for book. For example, Moral Autist sends two dollars,
did you ever use tobacco? I smoked American spirits for
about six years five years, and then we quit and
then i'd vait for a little while, but that was
just to quit smoking cigarettes. Mark's aid five dollars. Have
you seen the Japanese psychological horror Cure? I have not
not familiar with it. Maybe I should write that down.
You guys always give me really great recommendations, so I
need to be more attentive to the things that you
guys talk about, because a lot of times I write
these down, I forget them or the piece of paper
gets gets lost. But Cure nineteen ninety seven, so yeah,
I appreciate that. I'll take a look at it. It
covers elements of Western mysticism and esotericism that you often
talk about. Well, that's odd that it's a Japanese film
that covers those elements, but I guess that does make sense.
John Kell twenty bucks. Thank you so much, man. I
appreciate that you guys are being very generous. Tonight we
got a lot of new members. John Kell became a member.
He's a Chad member, straight white male. Five dollars. I
fell asleep listening to you talk about this for the
last thirty minutes, and I had an insane dream. Well
that will happen, especially as we're talking about the insane
dream world of Dave Lynch stormed the Cat since ten
Bucks and says in Twin Peaks when a Tulpa is destroyed,
they turned into a black sphere of smoke coming from it.
And this also happens in Inland Empire. Yeah, thank you
so much. Like I mean, I'm sure there's all kinds
of common allergies and correspondences that I missed, so you
guys can bring in these kinds of things as well
that I even miss. George Lucas asked Dave Lynch to
direct Return the Jedi, and he didn't do it because
he chose to do Dune. Yeah. This is a classic
Hollywood story that David Lynch has told over the years,
and I bet he wishes that he had chosen Return
of the Jedi. Uh. But you know what, I still
love Dune. I don't. I don't even care that David
Lynch doesn't like it if I get to watch my
I mean, I grew up with the David Lynch Dune.
It's just I have a giant, expensive poster of the
David Lynch Dune. That's how much I like the David
Lynch dune. You know, I also, you know, I always
wanted to meet David Lynch or interview David Lynch. So
I guess that won't be possible. But I thought at
one point we got kind of close, we were almost
going to have an interview with Laura Palmer. That that
was a that was on the table a few years ago.
But that never that never came to fruition. But that's okay, Jay,
that I guess that could still happen. I can still
try to interview her. Jay Dunn popped them off. I'm curious,
what is your everyday carry? What do you carry in
your pockets every day? Are you talking about what gun
do we have? I don't understand, like we have a
I have a Nato barrel at my house, Polish barrel rifle,
and then I have a fancy, expensive Italian rifle that
my dad gifted me the other day. And then I
have a small luger. That is the daily carry. I
don't know if you're talking about, like what bubble gum
is in my pocket? That gum you like, is going
to come back swarm the cat. No, I already read that.
Let's see Eric z says for five dollars, you must
read Jay Dyer's book Esoter Collywood. This is not optional. Well,
guess what, there's also esoter Colleau with two, and there's
also Esoteric Hollywood three. Somebody said, appeal to poster fallacy exactly. Anyway,
I'm not going to rehearse, you know, everything about Twin
Peaks because you know this is stuff that this is
where he's talking about Blue Rose, by the way, because
it's in the books. We've covered it. It's it gets
especially into the notion of Jack Parsons, you know, opening
up the portal through that the ritual stuff when we see,
you know, in season three, the entity coming out of
the big the White Sands Trinity Site explosion. I covered
that in the That's the Call You Wood two, and
I'll read a little bit from Sex and Rockets, I
think is what this is from. No, this is from
Secret Society's psychological warfare. The reason that the Trinity Site
and the explosion is relevant is that the creation of
destruction of primordial matter or premium materia at the head
or the ancient of days White Sands, New Mexico Trinity
Site matters is because this is the beginning of the
ancient Western road known as Old Mexico or the Journey
of the Dead in terms of the topography, Fabled alchemy
has always had three goals to accomplish. Before the complete
decay of matter, the total breakdown that we were witnessing
today was fulfilled through number one. The creation and destruction
of primordial matter, that's the supposed atomic explosions. The killing
of the divine king. This is of course either referring
to archetypically Christ JFK, etc. And the bringing of prima
materia into prima terra. That's what is an now chemical
analysis of Manhattan Project and all the stuff that's going
on that even people like Jack Parsons are trying to
do with the I'm trying to remember the name of
There's a whole section on this in the Mark Frost book.
I'm trying to remember the name of the site. We
can look it up where Parsons thought he was going
to open up like a demon portal. That's what's going
on in season three. If you've ever wondered about the
weirdness of season three with the demonic portals in Twin Peaks,
is universe there's different places where these portals open up, right,
So in the woods in Twin Peaks where they call
what they call Glastonbury Grove where the oil is, that's
one portal that opens up to the other side. Trinity
Site was another portal, and that's why you see that
demon coming through the portal in season three or Twin Peaks.
I was trying to remember the name of Jack Parson's
ritual site where he thought he was going to open
up one of these portals. It's actually you can actually
drive to this in California because we were thinking about
Devil's Gate. Damn, that's it. Before FDA moved to Montana,
we were talking about going to look Parsons Portal to
hell this is it. Supposedly it is in the caverns
somewhere around the JPL laboratory. Anyway, here's a Vice magazine
article about it from twenty twelve, so you can see, like,
obviously this is you know, I'm not making this up.
And again, the reason how I know that this is
related to Twin Peaks is because it's literally listed and
explained in the Mark Frost's book, who wrote Twin Peaks,
that this is about Twin Peaks straight white male. No,
we already read that. Excuse me anyway, So we the
reason that how does this relate to Laura Palmer Well,
the opening of the portals, they're supposed to be apocalyptic,
and there's a connection between Bob and Lamb because Croley's
babylon working, the ritual that is supposed to initiate the
end of days is what opens a portal to the
infernal plane that in Crolian system is supposed to bring
about the birth of Antichrist. And I'm going to read
from Mark Frost's Twin Peaks book. He says, the word
of the law is Thelma, do what thou wilt shall
be the whole of the law. Love is the law,
love under will. He recites this as if addressing a
congregation by wrote like a groat, like a groove on
a record. Did you hear that spinning record? Then he
turns his eyes and he speaks to me. Intimately, this
is supposed to be Jack Parsons speaking about the history
of the Portals in the Twin Peaks book. Okay, do
you see the power of the will is all without
arrows or without agape, love and sex joined together. Will
is nothing but hollow patriarchal power without direction or force.
This is Jack Parsons speaking. What he taught us is
that both forces must exist in balance. In order to
stand beside God, you have to first reject the idea
of God. Then and only then will you become Will
you come to realize you are God. Every man and
every woman is a star. That's Parsons citing Croley. I see,
I notice he's worrying about. He's wearing a ring on
his finger, A flat green stone it is. It is
something stitched with some sort of inscription. Jack Parson says,
rockets and magic m agik, the arts of rebellion against
the limits of gravity and inertia and the limits of
human existence. We will only be held down earth bound
for so long. Two sides of the same coin. He
then takes what looks like an ancient silver coin from
his pocket and performs a sleight of hand with it.
Suddenly there are two coins, just like in While at Heart,
when the mobster, the mobsters and the people with him,
they have the coins. Alchemy isn't about chemistry only. It
is about turning or turning base metals into gold. Medieval
philosophers and alchemists knew this. Even Isaac Newton knew this,
but their knowledge was lost until Crowley brought it back.
This is Mark Frost, the right of Twin Peaks, telling
you what Twin Peaks about. You see, Alchemy totally speaks
to internal processes, radical revolution in our spiritual development, transforming
the base metals of primitive man into gold or the
enlightened soul. Rockets and magic are both about breaking through
animal boundaries of space and time that hold us back
from realizing our true potentia. Either way, both will someday
take place. So that's directly from Mark Frost. And that's
why when you see the little the little drawing of
the two mountains with the that's the portal between the
two twin Peaks, you say. And lastly on this point,
I also think you have to have known and studied
and read about things like the mob Zone from Kenneth Grant,
because when Cooper gets trapped in the other world, he's
stuck in the mob Zone. It's intentionally mauv and I
interpreted that to be literally from beyond the Mob Zone
by Grant, another one of Croley's followers, and I also
go into the symbolism of what Lamb is and what
Bob is and all that. I'm not going to repeat
all that, but David Bowie plays a key role, of
course in I mean it's brief, but it's a crucial
role in the film Firewalk with Me. And that's Ralevant
because of course David Bowie was for a good time
in involved in the Hermetic Order of the Golden Dawn,
so he was also a kind of Crowleian for a while.
But what I wanted to end with was in terms
of Twin Peaks, was that a lot of people weren't
were confused about Laura Palmer and that she was in
the notion of Judy or jow Day. Jow Day is
said to be an ancient Sumerian deity. Let me, I'll
just read this and you can come to your own conclusion.
As Dougie stumbles awake into Awakening as the real agent Cooper,
the rest of the crew in Twin Peaks unravels the
twenty five year old mystery of the disappearance of Major Briggs, Dougie,
like Diane, we later learn tulpas they're beings created from
the mind out of Tibetan Buddhism. More portals are discovered
and Andy being sucked into them. In one is shown
visions by the Giant discovering the secrets above Laura and Coop.
Andy's visions become the key to discovering the full meaning
of the series, as he sees six and then another
six and another six, and the location of Laura's imprisonment,
prisonment being in a world where Laura works at a
diner called Judy's or jow Day's. Meanwhile, Mister C seeks
out Agent Jeffreys David Bowie in his present form in
this universe, which is as a large teapot. He has
instructing them that he has been. He's already seen. You
don't need to see Jude. So this is pulling all
the way from Twin Peaks Firewalk with Me. You don't
want to talk about Jude Joo Day the ancient Sumerian Mesopotamia.
Mister C has apparently slept with Audrey and has given
her driven her insane. We later discover while Laura's mom
is fully possessed by what appears to be a demon
called Judy or jow Day, perhaps Laura's mom is now
jow Day following the awakening Cooper in the Destruction of Bob,
Cooper decides that he can enter the portal and find Laura,
who has been stuck in a time loop and imprisoned
by jow Day. Jow Day was instructed by the agent
Cole David Lynch. Excuse me, Dowaday, We were instructed by
David Lynch, who plays the agent character is the ancient
Sumerian demonesse form of bay All in what was called
a blue rose case. And so the Blue Rose Case,
going back to Chris Isaac and Keeper Sutherland later on
Christa Bell is the investigation of the demonesque bay All
possess saying Laura Palmer's mom. Mark Frost's books says in
stories from ancient Samarian mythology dating to about three thousand BC,
jow Day is the female form of Utuku, an escaped
wandering demones that feeds on human suffering garmin bosia. It
was said that the female and the male form, the
male form is Bayal. Never ever married well, I can't
maybe I meant to put maybe this's a typo never
married well on Earth. The union would produce an even
more mint eleven being that would Hasten the end of
the world, and so perhaps Laura Palmer is the end
of the world. Some people have argued that, and so
Laura Palmer's the apocalypse. I don't know what do you
guys think, but that's definitely the meaning of jow Day.
Do you have any thoughts on Twin Peaks Twin Perfect
popular YouTube video theory twin Peaks actually explained, I have
not watched that, so I can't speak to somebody else's analysis.
I mean, if they are working from the Mark Frost book,
then it's probably gonna be the same type of analysis
that you hear from me. But I don't know, so
I can't speak to that. I mean, once I wrote
my stuff and then I saw that Mark Frost pretty
much vindicated all that. I didn't go too deep into
a bunch of other people's Twin Peaks material, but I
did go deep into other people's inl An Empire material.
So let's look at, for example, this video, which I
thought was really well done. I'm not familiar with this
guy doesn't have many subscribers, but this video did pretty good.
And we'll look at just a second of this.
Speaker 4: Weird for the same being weird. He replies by saying, no,
you never do that to an audience.
Speaker 2: He hopes to believe that's clues on beautiful because we
are detective small things so and then see things.
Speaker 1: Out, and that's true. David Lynch says this all the time,
that we are detectives and we love to piece together
stories and figure them out. So with that mindset, it
doesn't make sense that in an empire, for example, would
be something completely.
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Speaker 1: Unsensible, he says.
Speaker 2: The fastest don't need him to help them out In
figuring out his films, and that the beauty is doing
it for yourself.
Speaker 4: Well.
Speaker 2: Telling the audience is a meaning robs them of the
joy of thinking and feeling it through to come to
a conclusion by one's own merits. In the cases of
most films, it is practically impossible to have all the answers.
Sometimes people look too much into small details. That does
the product of randomness. All we're chosen with no reasons
in particular, like blue boss is the key for Wohl
and Drive, for example.
Speaker 4: Other aspects are based on real life experiences like the.
Speaker 1: Now you'll get these quotes where I don't know what
that means. I don't know what the block the blue
box with the blue key is or whatever. From All
and Drive. I theorize in my book that that's another dissociative,
you know, multiple personality thing going on. And we didn't
talk about mahaland Drive tonight, but that is also in
Eswater Hollywood one. So I mean, again, it's a thing
that we've talked about so often that I didn't feel
the need to kind of go through that again. If
you do want to read my analysis, you can get
Esso Turk Hollywood one, which has Twin Peaks and Maholland
Drive and then Essa tur Hollywood two has Twin Peaks
Season three and fire Walk with Me really long in
depth analyses. I went pretty deep on season three in
my second book, and of course Inland Empire and uh
Mahland Drive as she Lost Highway and maybe some Blue
Velvet will be in Ester Hollywood three, which will be
out in a couple months. Most likely. I've got three
hundred and twenty pages right now.
Speaker 2: So he intocome seeing from Lost Highway. Oh, this is
his number one, introducing herself as a new neighbor.
Speaker 4: In summary, I'm.
Speaker 1: Not gonna play this whole video. I'm just pointing out
that this guy, I did watch his video a few
months ago. He went really deep into it. We're gonna
skip over here to the spirituality of Inlin Empire. I
think this is the key and why this guy got
it right.
Speaker 2: The original story was about a couple of married lovers
who had an affair, were caught by those passes and
then murdered by.
Speaker 1: Each other's house.
Speaker 2: Before the female lover is killed, she prosecutes herself to
survive after being thrown out of her husband's house while
reincarvation isn't mentioned explicitly, the concept is implied with many
characters being shown to have lived a previous life.
Speaker 1: Yes, so here we have the Hindu or perhaps still
Tibetan Buddhism notions of reincarnation. That's a key element to
how it can be. You know, characters in different generations
linking up with their past.
Speaker 2: Lot we just said it in the past that he
believes in reincarvation, and the whole film is known to
be plagued with the displays of religious spiritual beliefs. Before
some screens of the film, he likes presenting a quote
from one of the most important Hindu texts, referencing how what.
Speaker 1: Did I say? Hindu text?
Speaker 2: Even though the faults and inventions by humans, they end
up living in it and not knowing how to get out.
Speaker 4: He also used a chode in Twin Peaks.
Speaker 1: Elected dream dreams, then lives inside the dream. I forgot
there was a Monica Balucci cameo in season three or
Twin Peaks. We are like the dreamer who dreams and
then lives inside the dream. We are like the dreamer
who dreams and then lives inside the dream.
Speaker 2: The people living in the film make up their own
stories and then live and tide them.
Speaker 4: Thus the stories become their lives.
Speaker 1: What do we say about Fred Madison Exactly.
Speaker 2: That's why the curse of the story consists in the
actors ending up chapped inside their characters' lives. That's dreaming
and moving along in their dreams. Stories are metaphors for lives,
retold stories, our lives lived more than once.
Speaker 4: The variations between each story represent the differences between one
life and the next.
Speaker 2: Some things remained intact while others changed. For example, originally
the male lover's wife was the infertive world.
Speaker 1: Keep in mind too, and this guy doesn't he doesn't
mention anything conspiratorial, which for example, when we did the
Eyes Watch Shut deep dive analysis breakdown. When I first
put that out, by the way, I was the first
one to really go into the deep eyes watch Shut
conspiracy analys if no one else had done that. I
wrote my analysis really long, in depth analysis twenty ten,
and that's what led to me eventually making the video
and putting that chapter in the first book. And that's
how we were talking about all of the Epstein style
stuff way before Epstein, right, I mean this was. I mean,
I wrote this stuff in twenty ten, twenty eleven, twenty twelve,
and then it made it into the book by twenty sixteen.
I watch shut and I was pointing out that, like
this is telling us what they really do. This is
what they're all up to, right, that kind of stuff.
And I was drawing attention to the Crowley stuff, right.
So I'm not saying I was the first talking about
Crowley in Hollywood. Other people have done that, but applying
it specifically to these certain films was something that we've
been doing for a long time over here, and we
were spot on all this stuff.
Speaker 4: But in the remake is the female lover's husband.
Speaker 1: I know, it's the fact I can't father. Now. The
reason we're watching this is primarily to get those quotes
about the Hindu text. And then this next section.
Speaker 4: This concept of different variations of the same story. It's
introduced by visiting number one.
Speaker 1: Good.
Speaker 4: She also introduces the market to place in the palace,
two concepts used by.
Speaker 2: Maharshi Mahshyogi, an Indian guru of um Lint, was known
to be a big disciple.
Speaker 1: So Lynch is a disciple of this Hindu yogi. Hints
obviously the transnial meditation. But this notion of marketplace and
pallace is a key to decoding in an Empire because
there's this sort of pathways between these two realms.
Speaker 2: The market place refers to the problematic limits of ordinary
domestic and public transactions. It's a level of reality at
which illusions of stability are.
Speaker 4: Promoted by our culture.
Speaker 2: In other words, it's our day to day lives where
we can easily get lost on our way to the palace.
It expresses the inefficiency of mundane daily matters that do
not help us reach the palace, but on the contrary,
drive us away from it by instructiveness. In the film,
the marketplace is represented as having several dimensions or worlds.
They are all connected by all the band of the
saaleway with red handrails, which acts as a kind of
portal between these diablations.
Speaker 1: So you notice that had you not known the Hindu
themes and motifs and metaphysics, it would be IMpower possible
then to the code in an Empire. Let me skip ahead,
see if he talks about the palace here, let's.
Speaker 3: See this regarding bea has a blood, she has a pet, monkey.
Speaker 2: According to the heart, the true worship of God can
only start once the person has reached enlightenment.
Speaker 3: Disregarding being from them.
Speaker 1: You must have the bulgarya to have the enlightenment.
Speaker 3: The field of devotion is taking devotion to a baseless
It's like building castles in the air. It's not possible
to establish the field of devotion to respect you of
your awareness.
Speaker 1: Anyway, you get the idea. I can't play too much
as videos or you know, to get dinged. But then
we want to talk. We want to look at his
points about traveling between dimensions and worlds.
Speaker 2: Traveling from one dimension to another is something that many
characters do in the film, including Nicky Shoe Billy, the
Lost Girl, and the Lady. However, doing it for the
first time is accompanied by a sense of confusion and
not recognizing familiar places.
Speaker 1: Jimmy as tesher, all right, we'll stop there, because there's
quite a bit more I think you'll find fascinating. But
even in this film you get conspiratorial elements because not
just do we have Laura Dern sort of dissociating with
you know, being this Hollywood a lister. We had the
exact same story with Naomi Watts dissociating in Holland Drive.
She basically ends up a crack w h o r E.
And she was supposed to be the next big thing
in Hollywood, right, That's kind of the point of the film.
Wins this dance contest, she goes to Hollywood, She's going
to be a star, and she ends up a crack whore.
And we kind of have the same imagery with the
Laura Dern character because at the end of the film,
Laura Dearn's wandering around on the streets like a fentanyl zombie,
you know, hanging out with like other addicts, spouting gibberish.
But there's actually meaning to the gibbers that they spell.
And this guy's video I think is good for that.
But the I just went, like, now, Julian Moore, it's
on the tip of my tongue, the famous brunette actress
who has a minor role also being insane in the film.
She spouts a bunch of conspiracy stuff. Maybe she's just
supposed to be Julia Ormond, excuse me. Maybe she's just
supposed to be like a paranoid street schizophrenic. But she
talks about them poisoning the skies dropping poison from the skies?
Is that a reference to view engineering? Perhaps it's an
odd reference thrown in for Julia Ormond to talk about.
But Dave says for a dollar. I'm not sure if
he recommended the book to New Orthodox believers, but I'm
reading theos is the true purpose of human life? I'm
not familiar with that book. Isn't the idea of becoming
your own God Antichrist? We do not become our own God.
We become like God by participating in grace, which Jesus
says in John seventeen is the glory of God. He
calls us to a participation in that grace and glory,
Whereas what apotheosis is is man becoming his own God.
So that's not what the Orthodox believe. So I enjoyed
David Lynch films growing up. I enjoyed stuff. I have
like some David Lynch books, multiple books that relate to
David Lynch and books about him, And you know, he's
one of my favorite directors. I will definitely miss David
Lynch some of my favorite movies and definitely Oddballs Dune
is one of the favorites, and we did by the way,
for those that are curious. Dune is also in Esoltaire
Hollywood too, and when I did the Esota Hollywood analysis
of Dune, it's still pretty good, but there's a lot
I didn't know because I had not read Dune Messiah,
which we did a whole breakdown of doing Messiah. It's
a really deep, fascinating story. Dune is really the best
s I'm not a huge sci fi person, but c
s Lewispace trilogy and Dune that's like the only good
sci fi ever. But if you aren't interested, I did
do a breakdown video wise of Dune six years ago.
Speaker 3: We are book of the Mind, so I'll.
Speaker 1: Give you guys the full Dune breakdown, and then if
you want a more informed modern analysis of Doune that
takes into account the insights from Doom Messiah that I
didn't know, you can look on my channel for let's see.
I think there's at least two videos that discuss this.
Dune and Doo Messiah explained Deep dive from a year ago.
This goes a lot deeper, and then there's this one
here Dune Too in the History of Osscia is another
related video, so we haven't forgotten Dune. I know people
wanted me to talk probably about Elephant Man or Eraserhead
or a straight story, and that's all cool and whatnot,
but it doesn't really fit within the esoteric conals. So
I'm not saying they're bad movies. And I'm sure you
could say eraser Head has kind of weird, weird elements
that you can analyze, but I mean, for example, you'll
find in eraser Head, I think you have like the
picture of the nuclear blast that comes up in you know,
Agent Cole's office in season three. So I need some
water in my mouth getting und I'm still a little
I've still got a little bit of a cold. Yeah,
Virginia Madison should have had a bigger role in the
in the film, shouldn't she She wasn't in it for
very long. But I think that that's the problem is
that you know, people, because the theatrical release of Dune
is still like two and a half hours, and like
normy is and weirdo normies could not figure out this
massively complicated weirdo plot, right, Like, I mean, I don't
know how Dennis is gonna be able to make Dune Messiah.
I mean good luck. I mean I'm I'm I'm hoping
it's gonna be good, and I think it will be
because I think he did a phenomenal job with Dune
one and two, which is just doone, but Dune three,
which will be done Messiah. I mean, bro, that's a
crazy novel. I don't know how they're gonna make that
the craziest novel into a movie. But we'll see, we'll see.
I hope, I hope, I hope, so hope it'll be good.
Dave says, for a dollar, I bought the m I
six Stephen Dorrel book, Secret Agent sixty sixty six. I
bought the Gold Spies book, the John de Book. I
bought Trilateral over Washington. That's an old school one aquarium
conspiracy memoirs of David Rockefeller. I bought Fateman Freeway. I
bought Kisus Blood. Can you tell me where you made
a video of a few of those that I haven't
a few of these books as I haven't read. I mean,
I've got like sixty book analyzes of the global elite,
So I don't know if you mean I don't know
if you mean that you have read all of those,
and where's the rest or if you mean, where are
the videos of the ones you listed? I mean, you're
just gonna have to go to my channel, and I
mean I have playlists which have most of them. So
if you scroll down here too, on the main page,
writings of the elite, like right there is Secret Destiny
of America malp Hall right there. The first one is
the Jacquette Lee book on the Millennium Free tof Copra
Turning Point is one of them. Julian Huxley's Philosophy Globalism.
I think this one is Terence McKenna. There. You've got
two videos on at Quickly's other book, Anglo American Establishment.
This is the history of the CIA and Religion with
the Dune imagery there. This is the Oord book on
the History of sc xpionage. So you click on this
and it's a giant playlist. So I'm not being mean
to you today or rude. I just don't understand why
people like they don't know what playlists are. I mean, like,
this has been on my channel for like ten years.
I'm not fussing at you. I'm saying people are always
asking these questions and it's like, man, why do you
think I made these playlists? So they're all right here.
This is the whim Hoff book. This is Gateway Process Analysis.
This is Joan Ratia's book Silent Webs for Quiet warst
document This is Klaus Tibetan Book of the Dead, Tim
Leary wim Hoff's book. HG. Wells' book, Terrence McKenna's book,
Brazenski's Books. This one is Ghosts in the Machine Arthur Kessler, Bertrand, Russell, HG. Wells,
Birch and Russell, Edward Burnets, Frankfurt School, Acquiring Conspiracy, Jacquette
Lee History of DARPA. H. She Wells in Culture Book.
And it's all right here. Charles Galton Darwin right here,
Devil's Game. This is going back like eight years right here.
Alex Ebeia Dark Secrets of the Rand Corporation. I made
a whole mini documentary right there. C A and Religion.
Arthur Kessler right here, Grand Chess Board. It's a giant
playlist right here. Twin Perfect Score. Theory is that Twin
Peaks is a meta commentary on TV and violence. That's
pretty weak, dude. I mean, the Mark Frost book says
it's esoteric sex, magic Crowley stuff, So I'm right. I
beat him. Also, for those that like this kind of
an there's a playlist called Esoter Hollywood right here and
you can click on that and low and bohold look
at this, endless podcasts on movies going back ten years.
Look at all that. So if you like this, look
at this. We did a Twin Peaks breakdown right here
eight years ago. By the way, I have a whole
breakdown video mini documentary of Muhland Drive too. Forgot about that,
so for those who want that, I did that as well. Well.
Rest in peace, David Lynch. It's right here. This is
my old Lost Highway analysis from that's literally ten years ago.
This one is six years old. I'll put it in
the chat for you guys. So there's that. Otherwise, shout
outs to I think we got some new members here
sky No Sky Scraper Philosopher. I thought he became a member,
but we did get fourteen new members tonight from the stream.
Welcome all you new members. If you're new to the
members section, what you do is you come over here
and on my members tab. I have added some new things.
I'll do some more either today or tomorrow. I added
the part two of the Pagan Renaissance ocult Rome from
our trip to Rome. I added the discussion with Matthew Eirep.
I add the part two of Religion and Espionage. I
added the part two of Doune and Religious Manipulation, the
Trinity and the Toil Part two, How the Left took
over Part two and the Black Gold Spies Part two
from a week ago. And then this is all old
stuff from five years ago. But I will be making
more things accessible to the members. And of course everything
that's over there is also on the website. So if
your website member, you don't have to join here unless
you just want to sponsor me and support me in
some additional way. But shout out to the guys from
the five hundred dollars super chat. That was really generous
of you. Appreciate that we get another one from Dave.
I appreciate it. I'm only twenty two, but I have
the mind of a boomer. We'll just remember that pretty
much everything is accessible here. You can also search the website.
The website has a search function as well at Jasonnalysis
dot com. And if you want copies of Eslitary Hollywood,
I still have those, and if you want to start
reading one and two before part three. You don't have
to read one. They're independent, they don't have to go together.
They're film analysis books, so they don't have a narrative
that requires you to read part one. But you can
get signed copies over here in the shop as well
as Jamie's books, and also head on over to Jamie's
channel because I'm gonna off close up this episode and
Jamie is doing a show or she's playing a show
that she did on history of Freemasonry and serious, so
y'all head on over here to Jamie's channel. I'll drop
this in the chat for you guys, and be sure
and hit like and share and let me know what
you guys think about