WEBVTT

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<v Speaker 1>So I was at the therapist's office the other day.

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<v Speaker 1>We say, we all boosed amongst us, and I was

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<v Speaker 1>like talking to her about like wanting to live in

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<v Speaker 1>the moment more and not being so afraid all the

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<v Speaker 1>time and blah blah blah. And I don't know why

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<v Speaker 1>I mentioned she's she's clearly younger than me, which I

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<v Speaker 1>don't hold against her because she's a very good therapist.

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<v Speaker 1>I was like, you know that play Art Town. Yeah, no, no,

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<v Speaker 1>I said to her, and she was like no. And

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<v Speaker 1>I was like, so at the end of Our Town,

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<v Speaker 1>there's like a scene right where a bunch of the

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<v Speaker 1>characters have died and now they're they're in heaven or whatever.

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<v Speaker 1>It's some liminal space, and this one girl gets to

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<v Speaker 1>go back for a day. And I acted out the

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<v Speaker 1>entire last scene of Our Town to her, where I

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<v Speaker 1>was like, hot coffee in beds. Is it possible we

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<v Speaker 1>missed all of this while it was really happening, And

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<v Speaker 1>like she and I swear to god, I almost had

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<v Speaker 1>her crying. I was crying. She was in tears. She

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<v Speaker 1>was like that play sounds amazing, you know, like it's

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<v Speaker 1>on Broadway right now. You could go see it.

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<v Speaker 2>Sheldon's in it. The first stage manager to say, bazinga.

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<v Speaker 1>It's amazing. Hey on Paul in America and this is

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<v Speaker 1>that aged well, yesterday's pop culture.

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<v Speaker 2>Today it's January. It's a new year.

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<v Speaker 1>It's twenty twenty five, baby, that's.

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<v Speaker 2>Right, And for January twenty twenty five, we're doing nighttime soaps.

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<v Speaker 1>They're steamy, they're sexy, they make no fucking sense.

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<v Speaker 2>They have casts that are no fewer than seventeen people

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<v Speaker 2>at any given taken and.

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<v Speaker 1>All of them are blondes, all of them. It's for you.

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<v Speaker 1>Daphne's gonna go. We see you girls.

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<v Speaker 2>There's one brunette and she's either she's either the smart

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<v Speaker 2>one or like the unattractive one, yeah, or.

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<v Speaker 1>Usually both or usually both. Yeah. Yeah, she's the villain.

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<v Speaker 1>Maybe I don't sometimes something, yeah, a Redheads villain if

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<v Speaker 1>you're the Brenda, for example, and then a two and

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<v Speaker 1>oh you're you're you're the lead, but also kind of

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<v Speaker 1>the villain.

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<v Speaker 2>Of the show. Before we get to today's nighttime soap Erica,

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<v Speaker 2>we do have a couple of five star Apple podcast reviews.

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<v Speaker 2>Shall I read?

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<v Speaker 1>Sure?

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<v Speaker 2>All right? So this is from Kathia eighty and they

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<v Speaker 2>write love it. I've said it before, and I feel

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<v Speaker 2>the need to say it again in such a stressful time.

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<v Speaker 2>What are you talking about?

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<v Speaker 1>I don't know what you're talking about. I feel great. Yeah, nothing,

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<v Speaker 1>nothing terrible is happening.

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<v Speaker 2>It is so fun to listen to the movie recaps

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<v Speaker 2>and laugh along. I thoroughly enjoyed Drop Dead, Fred and Mermaids.

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<v Speaker 2>Thank you for doing the Urbs. It's one of my favorites. Suggestion.

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<v Speaker 2>One of my favorite lesser known and reviewed movies Welcome

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<v Speaker 2>Home Roxy Carmichael.

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<v Speaker 1>Ooh, okay, this is at least the second review we've

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<v Speaker 1>read that's done, that's requested. Welcome Home Roxy Car Michel

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<v Speaker 1>is someone a writer joint? Yes, it is Jeff Daniels

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<v Speaker 1>when on a writer. I saw it when I was

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<v Speaker 1>a kid. I kind of remember liking this movie. I

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<v Speaker 1>think I think we should do Welcome Home Rocks the

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<v Speaker 1>Car Michael.

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<v Speaker 2>I wonder if I may have actually seen it. I'd

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<v Speaker 2>like the vaguest memories.

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<v Speaker 1>I feel like it should have been a hit, but

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<v Speaker 1>that that title hamstrung it. Sure like no one wanted

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<v Speaker 1>to see it.

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<v Speaker 2>Well, as soon as you find out that Winona Ryder

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<v Speaker 2>is not playing Roxy Carmichael, You're like, what the fuck

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<v Speaker 2>are we doing?

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<v Speaker 1>Why? But what why do you lie to me? Shall

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<v Speaker 1>I read our second review?

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<v Speaker 2>Please do?

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<v Speaker 1>Second review comes from thank you five.

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<v Speaker 2>Thank you five, Thank you five, Thank you theater kids.

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<v Speaker 1>The theater kid. This the theater kid. Love this show.

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<v Speaker 1>I haven't left this hard in my car ever. Well,

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<v Speaker 1>you've never committed vehicular homicide.

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<v Speaker 2>Remember Erica. Not everyone thinks that's hysterical.

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<v Speaker 1>It's hilarious of the time. This funny and informative show

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<v Speaker 1>about pop culture hits and missus is amazing. Such a

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<v Speaker 1>pick me up. I highly recommend the episode on Casper

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<v Speaker 1>had me in tears. I kind of remember. There's a

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<v Speaker 1>lot of splooge jokes.

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<v Speaker 2>There was a lot of splooge jokes. There was there

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<v Speaker 2>was a perennial that age. Well favorite Kathy Moriarty scream

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<v Speaker 2>speaking all of her lines.

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<v Speaker 1>To a poor Eric Idol.

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<v Speaker 2>Eric Idol, Yeah, I can't remember his lawyers that the

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<v Speaker 2>characters name he was are lawyer liar.

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<v Speaker 1>Amazing?

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<v Speaker 2>All right, So, Kathia eighty, thank you five. Thank you

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<v Speaker 2>so much for these reviews. If you would like aid that, hwell,

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<v Speaker 2>topeag go ahead and contact us. I will send it

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<v Speaker 2>off for you right away, Erica, what is our inaugural

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<v Speaker 2>nighttime soap that we're kicking off January with?

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<v Speaker 1>We're kicking it off with a bang, y'all. Today, we're

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<v Speaker 1>covering an episode of melrose Place.

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<v Speaker 2>So this was requested by Robin Don, Jan Miggey, Shannon Luis,

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<v Speaker 2>Aurelian Camille, Kevin, Mike, William, Vanessa and Adam so. Melrose

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<v Speaker 2>Place was a primetime soap and part of the Beverly

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<v Speaker 2>Hills nine two one zero Expanded.

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<v Speaker 1>Universe created by Darren Stott.

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<v Speaker 2>I didn't know that there was a Beverly Hills nine

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<v Speaker 2>two universe until extend Universe, until I started researching the show.

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<v Speaker 1>Oh yeah, wait a minute, aside, I guess because stuff

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<v Speaker 1>span spun off from melrose Place, but nothing else. I'll

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<v Speaker 1>ink nothing else spun off of nine two and oh

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<v Speaker 1>did they? Or did California Dreams spin off from nine

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<v Speaker 1>o two?

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<v Speaker 2>And oh?

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<v Speaker 1>California Dreams was another one in this era that had

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<v Speaker 1>Jamie Walters in it, and I had such a crush

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<v Speaker 1>and had that song how Do You Talk to an Angel?

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<v Speaker 1>Which I could sing today to this day. Every lyric,

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<v Speaker 1>every goddamn lyric, but I think that might have also

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<v Speaker 1>been a spinoff of nine to two. And oh, don't

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<v Speaker 1>quote me on that exit thing, but I do remember

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<v Speaker 1>it's Grant Show. Is the connective tissue between this show and.

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<v Speaker 2>Because Kelly had a crush on Grant Show, Jake.

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<v Speaker 1>Yeah, I think they may have maybe dated, which would

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<v Speaker 1>have been less than kosher given Kelly was underage. But whatever,

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<v Speaker 1>moving on.

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<v Speaker 2>We didn't really worry about that this time. So Melrose

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<v Speaker 2>Place aired from nineteen ninety two to nineteen ninety nine.

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<v Speaker 2>We will be discussing season two, episode twenty eight, entitled

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<v Speaker 2>the Bitches Back.

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<v Speaker 1>Okay, there were thirty one episodes in season two. They

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<v Speaker 1>were banging this shit out yep like it was a

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<v Speaker 1>fucking fact, Like it was a tears and slap factory.

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<v Speaker 2>Like tears and slap factory.

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<v Speaker 1>I cannot believe the amount of episodes that we used

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<v Speaker 1>to watch on television. Yeah, if I watch a show

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<v Speaker 1>that has more than six episodes, now, I'm like, oh,

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<v Speaker 1>we get a whole eight episodes of this.

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<v Speaker 2>I know. Yeah, it's really more of a tears and

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<v Speaker 2>slap and sex.

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<v Speaker 1>Factory, tears slaps and sex slap and tickle slap and

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<v Speaker 1>Tickle and Tears Factory.

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<v Speaker 2>Okay, so this episode was written by Frank South. It

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<v Speaker 2>stars Josie Bissett, Thomas Calabro, Doug Savant, Grant Show, Andrew Schue,

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<v Speaker 2>Courtney Thorne Smith, Daphne's A Niga, Heather Locklear, Laura Layton,

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<v Speaker 2>and Marsha Cross.

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<v Speaker 1>The Great Marshacross, Truly, Truly, the Great the Great marsh Across.

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<v Speaker 1>Like so fucking goodness, we'll get to it.

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<v Speaker 2>Yeah.

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<v Speaker 1>Heather Tylo was originally cast in melrose Place, but was

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<v Speaker 1>fired by producer Aaron Spelling prior to filming because she

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<v Speaker 1>was pregnant.

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<v Speaker 2>Future Paul Here, listen, I'm here to say that that

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<v Speaker 2>actress's name was Hunter Tylo, not Heather Tylo. That's on me.

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<v Speaker 2>Read the whole thing. Didn't get that right. I don't

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<v Speaker 2>know what to tell you. I was drunk. Hunter Tylo

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<v Speaker 2>is that person's name.

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<v Speaker 1>Tylo suit Spelling for discrimination and one four point eight

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<v Speaker 1>million work. The case was very important in establishing performers'

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<v Speaker 1>rights to work while pregnant. I have to admit I've,

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<v Speaker 1>prior to reading this, I've never heard of Heather Tylo.

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<v Speaker 2>She was a daytime soap actress. Apparently, and I think

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<v Speaker 2>this was her big break and then it didn't happen.

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<v Speaker 1>Oh bummer, bummer, bummer. I do love when pregnant women

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<v Speaker 1>are on TV shows and they just have them holding

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<v Speaker 1>bags of groceries for a whole year. I know, we're

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<v Speaker 1>standing behind a wall.

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<v Speaker 2>We're not writing this in, we're not doing that. I

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<v Speaker 2>just thought that was really interesting because we're going to

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<v Speaker 2>get into the show. The show is very silly.

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<v Speaker 1>Oh my god, so silly.

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<v Speaker 2>These nighttime soaps are kind of like groundbreaking lots of

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<v Speaker 2>times in their ways, and it's kind of interesting.

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<v Speaker 1>This one, uh, which surprised me the most about Melrose Place,

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<v Speaker 1>because I have not seen it in a long time,

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<v Speaker 1>is how cheap it looks like it really. I mean,

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<v Speaker 1>you can tell they're cranking out thirty one episodes at

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<v Speaker 1>a time, and like the costumes are just whatever the

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<v Speaker 1>fuck people had laying around, frankly, and the sets look

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<v Speaker 1>like it looked like a high school production of a team. Like,

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<v Speaker 1>it's just so cheap looking.

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<v Speaker 2>I was so surprised, totally, it like extremely unexpectedly cheap looking.

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<v Speaker 2>And I don't even mean that as an insult, It

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<v Speaker 2>just I wasn't expecting.

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<v Speaker 1>It I wasn't expected, and well I think too, because

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<v Speaker 1>again TV has changed and so more money is being

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<v Speaker 1>put into it, and it's the cheapest, cheapest show you

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<v Speaker 1>watch now does not look as cheap as melrose Place, which,

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<v Speaker 1>to be clear, was a humongous, giant hit. So it's

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<v Speaker 1>not like it's not like they were doing this like

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<v Speaker 1>as a cheap as a passion project.

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<v Speaker 2>It's cheap.

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<v Speaker 1>No money was being put into this.

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<v Speaker 2>All right, Erica. So melrose Place season two has an

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<v Speaker 2>eighty percent critical rating on Rotten Tomatoes.

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<v Speaker 1>That's so that's surprising, Paul.

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<v Speaker 2>It is.

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<v Speaker 1>That's very surprising.

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<v Speaker 2>It is because you know, we still have nighttime soaps now,

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<v Speaker 2>we do like like they still have like it. I mean,

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<v Speaker 2>I don't think they've had a really big hit in

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<v Speaker 2>a while, but like I think of like Revenge.

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<v Speaker 1>Oh I loved Revenge.

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<v Speaker 2>Like the first season of Revenge was so fun, and yeah,

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<v Speaker 2>that show.

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<v Speaker 1>Got bonkers raise anatomy. Like the whole Shonda universe. Those

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<v Speaker 1>are all night time soaps and they're exceless scandal.

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<v Speaker 2>Yeah, they're fantastic and as bonkers as they got. Nothing

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<v Speaker 2>like this. This is truly like a step between those

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<v Speaker 2>Shonda shows and like Days of Our Lives, like you.

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<v Speaker 1>Can see bonkers.

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<v Speaker 2>It's insane what happens in this episode, you guys. I'm

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<v Speaker 2>fine with the eighty percent critical rating. I don't think

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<v Speaker 2>it holds up now, but I can understand that. I

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<v Speaker 2>don't think it looked cheap in the eighties. I don't

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<v Speaker 2>think anyone would like it, or in the nineties. I mean,

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<v Speaker 2>I don't think it would have. People would not have

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<v Speaker 2>looked at it and been like, that's not what TV

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<v Speaker 2>looks like.

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<v Speaker 1>You know, Yes, I so I was recently watching just

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<v Speaker 1>like an episode of My so called life randomly, and

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<v Speaker 1>like that looked better than this show. Like that looks cinematic.

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<v Speaker 2>But they only did sixteen episodes, to be clear, to.

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<v Speaker 1>Be clear, they had Yeah, they use their money more wisely.

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<v Speaker 1>It's just shocking like this. There's just such an old

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<v Speaker 1>timiness to the way this is filmed. It's filmed like

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<v Speaker 1>a regular soap opera. I think that's what it is.

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<v Speaker 1>So it's got like regular soap opera, like running on

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<v Speaker 1>the Fly. It's cheap. It's like they're doing this really quick.

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<v Speaker 1>They're putting upsets and taking them down really fast.

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<v Speaker 2>Like I was just surprisedes all like totally all right, Erica,

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<v Speaker 2>when did you first see Melrose Place?

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<v Speaker 1>I watched it from the beginning, poll, I didn't stick

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<v Speaker 1>with it. I like a knife time soap, but I

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<v Speaker 1>bail very early on. I've never completed a knife time soap. Okay,

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<v Speaker 1>I've never ever completed I've watched the first two seasons

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<v Speaker 1>of Everything, of This, of Nanta to Andero, of Revenge,

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<v Speaker 1>of Gossip Girl, of the oc of Grey's Anatomy, Like

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<v Speaker 1>I will watch the first two seasons of anything, and

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<v Speaker 1>in the minute it starts to like there's a tipping

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<v Speaker 1>point where it's like, Okay, I have to bail now

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<v Speaker 1>because the last.

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<v Speaker 2>Passing underneath the show is that a shark? Okay out the.

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<v Speaker 1>Last one I remember watching that. I was like, I

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<v Speaker 1>really had high hopes for it. I was like, I'm

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<v Speaker 1>going to watch the shit out of this. I'm going

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<v Speaker 1>to watch this to the end. And I bailed literally

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<v Speaker 1>after two seasons. Was Riverdale? Okay, that's the last one

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<v Speaker 1>I could remember watching. Okay, how about.

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<v Speaker 2>You, I've never seen melrose Place.

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<v Speaker 1>That was your first episode ever of melrose.

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<v Speaker 2>First episode Holy Shure of mel I was absolutely not

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<v Speaker 2>have been allowed to watch this in nineteen ninety two.

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<v Speaker 1>Absolutely in the first season, Michael's a nice guy, and

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<v Speaker 1>then they just decided, I guess the actor was like,

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<v Speaker 1>can you do something fun with me because I'm so

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<v Speaker 1>boring on this show? And they're like, done, done?

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<v Speaker 2>What was that you said?

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<v Speaker 1>Great, we're turning you into the worst person. The first

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<v Speaker 1>season of Melrose Place, Michael and Josie Bissett are married

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<v Speaker 1>and they just are just like the boring couple. Yeah

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<v Speaker 1>in the show.

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<v Speaker 2>Yeah, So I was watching this. I did a lot

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<v Speaker 2>of research while doing it, trying to understand, like these

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<v Speaker 2>relationships and all of the insanity that has gone on

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<v Speaker 2>in the in the fifty episode that these characters have

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<v Speaker 2>existed on this on this television show. I enjoyed it

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<v Speaker 2>as like an insane forty five minutes. It's really very,

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<v Speaker 2>very entertaining. The acting is there's one person I know

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<v Speaker 2>we agree on, one person, who Marshacross, who.

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<v Speaker 1>Is unimpeachable so fucking good.

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<v Speaker 2>I'm like, maybe she should have an oscar, Like I'm

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<v Speaker 2>not like if she's making this seem so real, natural

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<v Speaker 2>and natural and no one else and like some of

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<v Speaker 2>the some of the actors really have very little to

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<v Speaker 2>do in this episode, so I don't feel.

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<v Speaker 1>Qualified to like Daphne's Nigga has nothing to do.

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<v Speaker 2>Yeah, I'm like she might. She also maybe is an

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<v Speaker 2>incredible actress. I can't tell based on this because she

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<v Speaker 2>has two scenes and she's just tasked to like look concerned.

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<v Speaker 1>Josie Bassett has like one scene.

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<v Speaker 2>Yeah, but like Marcia Cross makes this shit work.

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<v Speaker 1>She's so good. You're absolutely right. Actually, her career should

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<v Speaker 1>have taken like a turn at some point, Like I

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<v Speaker 1>know she she was like the queen of nighttime soaps

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<v Speaker 1>for a while, but like she is, she really should

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<v Speaker 1>have like jumped into movies one point and come yeah yeah,

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<v Speaker 1>and had like a more The word I want to

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<v Speaker 1>say is dignified. That's not fair, It's not fair. But

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<v Speaker 1>a more dignified career is what I want to say.

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<v Speaker 1>And you know what, I can't think of a better

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<v Speaker 1>way to say it.

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<v Speaker 2>Right now. It's early, y'all, it's the morning. Uh okay, Erica.

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<v Speaker 2>The tagline from melrose Place was lying, cheating, stealing, seduction, betrayal, jealousy, greed, murder,

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<v Speaker 2>It's just another day at melrose Place.

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<v Speaker 1>No. The saurus Thesaurus the saurus, seduction, betrayal, murder, It's

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<v Speaker 1>just another day at Melrose Place. Boom, you get three,

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<v Speaker 1>you get three, you have to pick three. You cannot

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<v Speaker 1>you cannot be redundant.

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<v Speaker 2>Can I's a question since you've seen the show. I

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<v Speaker 2>thought melrose Place was the street. Is melrose Place actually

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<v Speaker 2>the name of their.

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<v Speaker 1>Apartment apartment complex they all live in.

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<v Speaker 2>Oh they live at Melrose Place?

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<v Speaker 1>Yeah?

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<v Speaker 2>Oh interesting?

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<v Speaker 1>Yeah, yeah, I guess it's on Melrose I've never really

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<v Speaker 1>thought about it, but yeah, it's so when they're they

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<v Speaker 1>actually will be like, I'm going back to Melrose Place

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<v Speaker 1>like blah blah blah.

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<v Speaker 2>Yeah. Do you want to read the iTunes synopsis for

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<v Speaker 2>the Bitch Is Back?

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<v Speaker 1>Sure?

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<v Speaker 2>I'm a bitch. I'm a bitch. I'm a bitch, and

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<v Speaker 2>I'm back.

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<v Speaker 1>Michael is astonished when Kimberly pays him a late night visit.

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<v Speaker 1>She reveals that she was in a coma for months

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<v Speaker 1>and that her mother claimed she had died to keep

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<v Speaker 1>Michael away from her. A lot of other stuff happens, Yeah,

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<v Speaker 1>none of it matters the.

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<v Speaker 2>Fact that this actually does ruin. Like the beginning of

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<v Speaker 2>this episode, when I tell you this happens in the

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<v Speaker 2>first ten minutes in this episode. Yeah, and you have

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<v Speaker 2>another thirty to go. Yeah, we are climbing up a hill. Erica,

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<v Speaker 2>do you have an actual synopsis for this episode of

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<v Speaker 2>melrose Place?

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<v Speaker 1>That guy?

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<v Speaker 2>Oh? Yeah, ah yeah, him, him.

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<v Speaker 1>We're doing all this for him, for him. That guy.

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<v Speaker 2>This one, we're.

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<v Speaker 1>Lying, cheating, murdering, betraying for that guy.

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<v Speaker 2>This guy. Okay, okay, okay, no judgment, I mean a

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<v Speaker 2>little Judgment's fine.

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<v Speaker 1>He's fine, but he's fine looking, I guess. But that guy,

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<v Speaker 1>that guy, Okay, the amount of ass this man gets

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<v Speaker 1>on this show. He gets more asked than like Grant

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<v Speaker 1>show does I think? And I'm like, but I don't understand.

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<v Speaker 1>He gets way more asked. Andrews Shoe, who's legit hot?

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<v Speaker 2>All right, everyone, so stick around. We're gonna play some commercials.

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<v Speaker 2>If don't want to hear commercials, you can go to

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<v Speaker 2>our Patreon, Patreon dot com, slash do age Weel podcast.

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00:15:25.399 --> 00:15:28.159
<v Speaker 2>You sign up for any paid tier and you get

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<v Speaker 2>ad free episodes. If you don't want to do that, that's

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<v Speaker 2>cool too. You can just sit down here, listen to

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<v Speaker 2>a couple of commercials, and then we will come back

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<v Speaker 2>and we will take you through season two, episode twenty

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<v Speaker 2>eight of melrose Place, entitled the Bitch Is It Back?

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<v Speaker 1>And We're Back.

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<v Speaker 2>We open with a ninety second opening credit sequence.

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<v Speaker 1>They had a lot of real estate back in the day,

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<v Speaker 1>so much real estate they had thirty one episodes to

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<v Speaker 1>write one season alone.

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<v Speaker 2>Like Jesus, there's I mean, someone is absolutely wailing on

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<v Speaker 2>the saxophone. We eventually get to melrose Place. We pan

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<v Speaker 2>up to the door. There's a very kind of sad

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<v Speaker 2>looking pool in the courtyard at Melrose Place.

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<v Speaker 1>Okay, that's the other thing when I remember watching this

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<v Speaker 1>the first time and that it seems so sexy. There

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<v Speaker 1>was like a pool in the courtyard and they could

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<v Speaker 1>watch each other swim, and like it was. I can't

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<v Speaker 1>tell you enough how sad this set looks down, how depressing.

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<v Speaker 1>Also like like some of these people make a good

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<v Speaker 1>amount of money, and I'm like, you could do better

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<v Speaker 1>than this place. Yeah, you could definitely live in a

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<v Speaker 1>better part of la if you wanted to.

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<v Speaker 2>One hundred percent. We go into the apartment of the

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<v Speaker 2>affiance to Billy Campbell played by Andrew Shoe incredibly like

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<v Speaker 2>nineties hot. It's like that long face.

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<v Speaker 1>I kind him very attractive.

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<v Speaker 2>Yeah, I'm knowing.

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<v Speaker 1>Get it to Andrew Shoe Yeah. Yeah.

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<v Speaker 2>And Alison Parker played by Courtney thorn Smith. It is morning.

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<v Speaker 2>Bill is still in bed. Alison brushes her hair in

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<v Speaker 2>the bathroom mirror and a thought occurs to her. She

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<v Speaker 2>heads back into bed and she crawls up next to Billy.

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<v Speaker 2>She kisses him on the shoulder. She wakes him up

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<v Speaker 2>and she initiates a bone sash and he says that

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<v Speaker 2>he thought she wanted to wait until they're married. Now

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<v Speaker 2>before we even get going. I want everyone to understand,

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<v Speaker 2>because I look this up. They have had sex, They

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<v Speaker 2>have had sex before, so this is one of those

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<v Speaker 2>I'm sorry. Look, if you don't want to have sex

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<v Speaker 2>prior to marriage, that is your choice. It is absolutely

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<v Speaker 2>a valid choice. If you do want to have sex

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<v Speaker 2>before you're married, that is your choice. It is absolutely

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<v Speaker 2>valid choice. I'm sorry. It is stupid to have sex

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<v Speaker 2>with someone prior to getting engaged and then decide at

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<v Speaker 2>some point during the engage we're not going to have

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<v Speaker 2>sex again until we're.

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<v Speaker 1>Married, just to make it fun on the wedding night,

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<v Speaker 1>make it special.

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00:17:46.200 --> 00:17:49.920
<v Speaker 2>And I'm not sorry if you did it and you're offended, Like, look.

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<v Speaker 1>If you need to, if you need to hold off

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<v Speaker 1>for six months to make it quote unquote special, you're

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<v Speaker 1>not thinking outside the box.

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<v Speaker 2>That's right.

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<v Speaker 1>There are other things you can do to make it

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<v Speaker 1>special and different on your wedding night if you want to.

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<v Speaker 1>I don't be gross. I know what you're all thinking

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<v Speaker 1>of talking about, and I'm not talking about that. I'm

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<v Speaker 1>talking about another thing.

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<v Speaker 2>I am talking about very calmly. If we're not going

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<v Speaker 2>to have sex before marriage, let's sit in these two

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00:18:13.000 --> 00:18:15.160
<v Speaker 2>armchairs across room for each other and absolutely go to

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<v Speaker 2>town on ourselves while we're watching.

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00:18:17.000 --> 00:18:20.559
<v Speaker 1>Oh that is romantic. That's so sweet. I'm picturing like,

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<v Speaker 1>I know you don't like sexophone of fireplaces, but how

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00:18:22.559 --> 00:18:24.480
<v Speaker 1>do you feel about masturbating in front of a fireplace.

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<v Speaker 2>I'm more okay with that because it's only one person's

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00:18:26.400 --> 00:18:26.839
<v Speaker 2>body heat.

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00:18:26.880 --> 00:18:28.720
<v Speaker 1>I feel like that. I feel like there's they're sitting

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00:18:28.759 --> 00:18:32.279
<v Speaker 1>in like leather settee is next to a fireplace masturbating. Yeah,

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<v Speaker 1>mutually masturbating.

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00:18:33.519 --> 00:18:35.480
<v Speaker 2>Hopefully with a towel down, just we don't want to

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<v Speaker 2>ruin the leather. Yeah, you know sweet, So.

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<v Speaker 1>That's not what I was thinking of. But i you

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<v Speaker 1>know what. I like that that's where your mind went.

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<v Speaker 1>Can we talk for a quick second about those the

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00:18:45.319 --> 00:18:46.400
<v Speaker 1>opening credit sequence?

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<v Speaker 2>Oh please?

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00:18:47.000 --> 00:18:50.359
<v Speaker 1>And how unbelieved it is a a fondue pot of

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<v Speaker 1>velvet to chase the cheesiest fucking thing.

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<v Speaker 2>I think you're calling it a cheese product, just to be.

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<v Speaker 1>Clear, But she's a pr product. It is it is.

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<v Speaker 1>It is a heartbreaking ninety seconds of actors like doing

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00:19:04.640 --> 00:19:08.160
<v Speaker 1>a random activity like catching a frisbee and then turning

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<v Speaker 1>to a camera and smiling.

424
00:19:09.759 --> 00:19:12.240
<v Speaker 2>I feel like it's literally what the Saturday Live credits

425
00:19:12.279 --> 00:19:12.960
<v Speaker 2>are making fun of.

426
00:19:13.319 --> 00:19:17.359
<v Speaker 1>It is so hard to watch, It is so embarrassing

427
00:19:17.480 --> 00:19:18.039
<v Speaker 1>to watch.

428
00:19:18.359 --> 00:19:20.559
<v Speaker 2>All Right, So Billy says, I thought you want to

429
00:19:20.599 --> 00:19:24.599
<v Speaker 2>wait until we're married, And she says, the nightmares have stopped. Erica,

430
00:19:24.880 --> 00:19:27.720
<v Speaker 2>you watch the show. Do you remember what Allison's nightmares

431
00:19:27.720 --> 00:19:28.279
<v Speaker 2>are about?

432
00:19:28.680 --> 00:19:32.519
<v Speaker 1>Is this the building exploding? I remember the building buildings later,

433
00:19:32.640 --> 00:19:34.960
<v Speaker 1>the building explode. Okay, so that hasn't happened yet.

434
00:19:35.039 --> 00:19:38.279
<v Speaker 2>No, Okay, this is these nightmares are about. It's seating

435
00:19:38.279 --> 00:19:41.319
<v Speaker 2>a plot that will ultimately stop Billy and Allison's wedding

436
00:19:41.319 --> 00:19:44.200
<v Speaker 2>before it can happen, which is that Allison was sexually

437
00:19:44.279 --> 00:19:46.400
<v Speaker 2>molested by her father growing up, and she starts having

438
00:19:46.480 --> 00:19:48.519
<v Speaker 2>nightmares about it and remembers it on her wedding day

439
00:19:48.519 --> 00:19:49.599
<v Speaker 2>when her father hugs her.

440
00:19:49.720 --> 00:19:53.039
<v Speaker 1>Oh no, that's intense.

441
00:19:52.720 --> 00:19:53.400
<v Speaker 2>That's too much.

442
00:19:53.480 --> 00:19:54.000
<v Speaker 1>That's a lot.

443
00:19:54.119 --> 00:19:56.960
<v Speaker 2>That's a lot evil twins murder, No problem, that shit

444
00:19:57.039 --> 00:19:57.559
<v Speaker 2>is too real.

445
00:19:57.720 --> 00:20:01.799
<v Speaker 1>It's too real. Yeah, oh weird. Okay, that seeds a

446
00:20:01.839 --> 00:20:03.759
<v Speaker 1>lot of what's happening in this episode with her with that,

447
00:20:03.920 --> 00:20:06.599
<v Speaker 1>like her wedding planner being like, your dad wants you

448
00:20:06.599 --> 00:20:07.759
<v Speaker 1>to have the best wedding ever.

449
00:20:09.880 --> 00:20:12.319
<v Speaker 2>So Alison is tired of dwelling in the past, even

450
00:20:12.319 --> 00:20:13.759
<v Speaker 2>though at this point she doesn't know that what that

451
00:20:13.799 --> 00:20:16.119
<v Speaker 2>passage she's dwelling it is. And they bone down.

452
00:20:16.279 --> 00:20:18.960
<v Speaker 1>Okay, cool question. They live right in front of that pool.

453
00:20:19.000 --> 00:20:22.720
<v Speaker 1>Does their house smell like chlorine? They must all those

454
00:20:22.720 --> 00:20:27.240
<v Speaker 1>ground floor apartments just reek of chlorine.

455
00:20:26.359 --> 00:20:28.359
<v Speaker 2>Or possibly urine, depending on who's been in the pool

456
00:20:28.359 --> 00:20:28.880
<v Speaker 2>most recently.

457
00:20:28.880 --> 00:20:30.599
<v Speaker 1>I feel like these people don't urinate in the pool.

458
00:20:30.640 --> 00:20:33.519
<v Speaker 1>These people haven't had anything to eat or drink in days.

459
00:20:33.640 --> 00:20:37.000
<v Speaker 2>Grant show only urinates.

460
00:20:39.480 --> 00:20:42.279
<v Speaker 1>Doug Savant because he will never get a love interest.

461
00:20:42.400 --> 00:20:44.599
<v Speaker 1>Is the only one who eats on this show. Ever,

462
00:20:44.880 --> 00:20:48.039
<v Speaker 1>we cut to a beach house in La because Michael

463
00:20:48.799 --> 00:20:51.759
<v Speaker 1>lived in melrose Place but also owns a Malibu beach house.

464
00:20:51.759 --> 00:20:53.079
<v Speaker 1>Why do you live in melrose Place?

465
00:20:53.680 --> 00:20:54.640
<v Speaker 2>How much money do you have?

466
00:20:54.799 --> 00:20:57.880
<v Speaker 1>You have money, just live in your Malibu beach house.

467
00:20:58.200 --> 00:21:01.240
<v Speaker 1>We cut to the beach house where married couple married.

468
00:21:01.279 --> 00:21:05.400
<v Speaker 1>At this point, doctor Michael Mancini, Thomas Collaboro just pulling

469
00:21:05.519 --> 00:21:08.079
<v Speaker 1>like you would not believe on the show, kicking ass.

470
00:21:08.200 --> 00:21:12.119
<v Speaker 1>Well done, Thomas Collabroo. The poor man's Michael. Imperially, it's

471
00:21:12.119 --> 00:21:15.160
<v Speaker 1>true everyone's but he like like he turns his face

472
00:21:15.200 --> 00:21:17.680
<v Speaker 1>a certain way, and I'm like, Christopher, is that you?

473
00:21:17.799 --> 00:21:23.039
<v Speaker 1>Christopha and Sydney Andrews played by Laura Leeton. They were

474
00:21:23.079 --> 00:21:25.119
<v Speaker 1>walking arm in arm on the beach with their good

475
00:21:25.119 --> 00:21:29.480
<v Speaker 1>morning coffee, happy newlyweds. Nothing could go wrong, nothing could

476
00:21:29.559 --> 00:21:31.920
<v Speaker 1>ever possibly go wrong for old Michael and Sidney.

477
00:21:32.119 --> 00:21:34.200
<v Speaker 2>We are pictured, by the way, the picture you're painting

478
00:21:34.279 --> 00:21:37.400
<v Speaker 2>is like this beautiful like beach house. It's really not

479
00:21:37.839 --> 00:21:41.160
<v Speaker 2>like attractive, like it's the beach is it's kind of

480
00:21:41.160 --> 00:21:44.079
<v Speaker 2>a gray day and there's like La sprawl is very

481
00:21:44.160 --> 00:21:47.039
<v Speaker 2>visible in the background. Like it's not a beautiful picturesque

482
00:21:47.079 --> 00:21:47.640
<v Speaker 2>beach house.

483
00:21:47.960 --> 00:21:50.319
<v Speaker 1>I don't know. I think I think it's just nineties attractive.

484
00:21:50.640 --> 00:21:53.000
<v Speaker 1>It's the best they could do. It's beg It's so

485
00:21:53.039 --> 00:21:55.279
<v Speaker 1>funny because there are no fewer than like three beach

486
00:21:55.319 --> 00:21:58.039
<v Speaker 1>scenes in this episode, and they clearly just got a

487
00:21:58.079 --> 00:22:01.359
<v Speaker 1>shitty week where it just was like gray and overcast

488
00:22:01.440 --> 00:22:04.000
<v Speaker 1>all week. There's I'm just gonna spoil it now. There's

489
00:22:04.000 --> 00:22:06.759
<v Speaker 1>a scene later where there's this photographer taking photos and

490
00:22:06.799 --> 00:22:09.200
<v Speaker 1>you a photo shoot on the beach and someone's like,

491
00:22:09.319 --> 00:22:13.359
<v Speaker 1>we're losing the light and I'm like, there is no light. No,

492
00:22:13.440 --> 00:22:15.920
<v Speaker 1>you have no light. They could not write themselves out

493
00:22:15.920 --> 00:22:18.559
<v Speaker 1>of this hole. They're like, fuck, we already booked the beach.

494
00:22:18.599 --> 00:22:21.400
<v Speaker 1>We just have to film here, even though it's drizzling

495
00:22:21.480 --> 00:22:25.000
<v Speaker 1>the entire time we're here. So okay, Sidney declares that,

496
00:22:25.759 --> 00:22:30.599
<v Speaker 1>so casual, so nungchalant. Imagine okay, imagine you're me audience, Huh.

497
00:22:30.759 --> 00:22:32.680
<v Speaker 1>You probably don't have to because you're in the same

498
00:22:32.720 --> 00:22:35.240
<v Speaker 1>boat I'm in. You have not watched this show since

499
00:22:35.279 --> 00:22:39.160
<v Speaker 1>it aired in nineteen ninety three, and now and now

500
00:22:39.319 --> 00:22:41.559
<v Speaker 1>you're trying to remember what's going on and catch up,

501
00:22:41.599 --> 00:22:43.440
<v Speaker 1>and then all of a sudden, the character just turns

502
00:22:43.440 --> 00:22:45.680
<v Speaker 1>to another character and says, I think I'm gonna get

503
00:22:45.680 --> 00:22:47.640
<v Speaker 1>out of the hooker business for good.

504
00:22:47.799 --> 00:22:52.000
<v Speaker 2>For good? What the hook business like?

505
00:22:52.039 --> 00:22:54.319
<v Speaker 1>It's the most casual fucking thing in the world to

506
00:22:54.359 --> 00:22:56.000
<v Speaker 1>say I think we can get out of the hooker

507
00:22:56.039 --> 00:22:57.720
<v Speaker 1>business for good, this time to.

508
00:22:57.799 --> 00:23:01.240
<v Speaker 2>Her husband, who does not react at all.

509
00:23:01.359 --> 00:23:05.839
<v Speaker 1>I actually say that's quite progressive for him to be like, girl,

510
00:23:06.000 --> 00:23:08.319
<v Speaker 1>do you do you stay in the hooker business? Don't

511
00:23:08.359 --> 00:23:11.119
<v Speaker 1>stay in the hooker business. I'm good either way. I

512
00:23:11.160 --> 00:23:12.839
<v Speaker 1>actually was like, really impressed with that.

513
00:23:13.680 --> 00:23:16.240
<v Speaker 2>Less impressive when you remember the backstory of this marriage,

514
00:23:16.240 --> 00:23:17.559
<v Speaker 2>which I will fill you in on in Justice.

515
00:23:17.960 --> 00:23:20.119
<v Speaker 1>I did not remember, and I was like, okay, so

516
00:23:20.200 --> 00:23:22.759
<v Speaker 1>I remember sort of these two being married. Okay, I

517
00:23:22.799 --> 00:23:26.319
<v Speaker 1>guess this is happening. So she's like, I want to

518
00:23:26.319 --> 00:23:28.920
<v Speaker 1>get out of the hooker business and just be your wife,

519
00:23:28.960 --> 00:23:32.279
<v Speaker 1>which sounds regressive, but honestly, I would rather just be

520
00:23:32.359 --> 00:23:34.319
<v Speaker 1>a rich guy's wife than fuck a bunch of random's.

521
00:23:34.519 --> 00:23:38.119
<v Speaker 1>So yeah, well done for you. Sydney. Michael is thrilled.

522
00:23:38.200 --> 00:23:41.640
<v Speaker 1>He's he wants that little trad wife he's always dreamed of.

523
00:23:41.920 --> 00:23:44.160
<v Speaker 1>He says, no one's ever done that for me before,

524
00:23:44.279 --> 00:23:45.839
<v Speaker 1>no one's ever given up their career.

525
00:23:47.480 --> 00:23:49.240
<v Speaker 2>What a dream, What a dream?

526
00:23:49.359 --> 00:23:52.079
<v Speaker 1>And he hugs her and kisses her. She says, I'm

527
00:23:52.079 --> 00:23:55.119
<v Speaker 1>gonna just do one more party tonight, and that's it.

528
00:23:55.359 --> 00:23:59.079
<v Speaker 2>The number of scenes they don't show in this episode.

529
00:23:59.160 --> 00:24:00.920
<v Speaker 2>This is check off hooker party.

530
00:24:01.240 --> 00:24:02.440
<v Speaker 1>It does not come.

531
00:24:02.720 --> 00:24:05.440
<v Speaker 2>It does we do not orgasm, It does not throw

532
00:24:05.480 --> 00:24:06.000
<v Speaker 2>down the tarp.

533
00:24:06.200 --> 00:24:07.119
<v Speaker 1>We never see it.

534
00:24:07.200 --> 00:24:10.000
<v Speaker 2>It doesn't deliver the fifty gallon drum of lube.

535
00:24:10.400 --> 00:24:12.319
<v Speaker 1>To the point where I was like, is she a madam?

536
00:24:12.480 --> 00:24:16.319
<v Speaker 1>Like it seems so nonplussed, Like so he's She's like,

537
00:24:16.319 --> 00:24:18.240
<v Speaker 1>I'll just have one more party at a hotel tonight,

538
00:24:18.279 --> 00:24:21.759
<v Speaker 1>and then that's it. He's like, cool, excellent, wonderful love

539
00:24:21.799 --> 00:24:24.759
<v Speaker 1>that for everyone in this room. What is happening?

540
00:24:24.839 --> 00:24:25.880
<v Speaker 2>What a great beach day, What a.

541
00:24:25.880 --> 00:24:27.799
<v Speaker 1>Great beach day we're having. And then they both throw

542
00:24:27.839 --> 00:24:30.200
<v Speaker 1>their mugs on the beach and make out, like what

543
00:24:30.240 --> 00:24:33.599
<v Speaker 1>the fuck is happening? So they're kissing, and the camera

544
00:24:33.720 --> 00:24:36.720
<v Speaker 1>swirls around them and a piano softly plays in the background,

545
00:24:36.759 --> 00:24:41.200
<v Speaker 1>and then a figure catches Michael's eye, a tall woman

546
00:24:41.400 --> 00:24:43.480
<v Speaker 1>on the on the deck of their house. Yes, in

547
00:24:43.559 --> 00:24:47.799
<v Speaker 1>the distance, a portentous note sounds in the soundtrack, and

548
00:24:47.839 --> 00:24:51.000
<v Speaker 1>the figure is walking out onto the front porch in

549
00:24:51.039 --> 00:24:54.960
<v Speaker 1>a satin negligee. Yep, he blinks and she's gone. It's

550
00:24:55.240 --> 00:24:55.640
<v Speaker 1>a ghost.

551
00:24:55.720 --> 00:24:56.200
<v Speaker 2>A ghost.

552
00:24:57.160 --> 00:24:59.160
<v Speaker 1>It would have been more It would have actually made

553
00:24:59.160 --> 00:25:02.880
<v Speaker 1>more sense if this was a ghost. Ghost makes sense.

554
00:25:03.240 --> 00:25:05.480
<v Speaker 1>What happens makes less sense than that.

555
00:25:05.400 --> 00:25:07.839
<v Speaker 2>This figure has the powers of Michael Myers from Halloween,

556
00:25:07.920 --> 00:25:10.680
<v Speaker 2>in the sense that this person can teleport.

557
00:25:10.319 --> 00:25:11.920
<v Speaker 1>Can just fucking disappear at will.

558
00:25:12.039 --> 00:25:14.440
<v Speaker 2>Yeah, okay, So let me give you the backstory on

559
00:25:14.519 --> 00:25:15.279
<v Speaker 2>this marriage.

560
00:25:15.359 --> 00:25:18.000
<v Speaker 1>I don't want any honestly, I'm good. I'm good. The

561
00:25:18.000 --> 00:25:19.279
<v Speaker 1>audience probably needs something.

562
00:25:19.240 --> 00:25:23.559
<v Speaker 2>But let me tell you something you want it. So

563
00:25:23.799 --> 00:25:26.240
<v Speaker 2>the show. When the show started, as you said, Michael

564
00:25:26.279 --> 00:25:28.799
<v Speaker 2>was married to Jane. That's Josie Bissett. Will meet her later.

565
00:25:29.319 --> 00:25:30.759
<v Speaker 2>During the course of the first season, he has an

566
00:25:30.799 --> 00:25:33.839
<v Speaker 2>affair with doctor Kimberly Shaw we will also meet her later.

567
00:25:34.200 --> 00:25:37.200
<v Speaker 2>Breaks up his marriage. He gets engaged to Kimberly. He's

568
00:25:37.279 --> 00:25:40.319
<v Speaker 2>drunk driving one night, gets into a car accident. Kimberly dies.

569
00:25:40.759 --> 00:25:44.240
<v Speaker 2>Oh no, oh no. He's very upset about this. Sydney

570
00:25:44.480 --> 00:25:47.160
<v Speaker 2>finds out about it, and she blackmails him into marrying

571
00:25:47.200 --> 00:25:48.920
<v Speaker 2>her or else she'll go to the police and tell

572
00:25:48.960 --> 00:25:52.640
<v Speaker 2>her tell the police that he's essentially guilty of vehicular manslaughter.

573
00:25:53.039 --> 00:25:55.240
<v Speaker 1>So did he have an affair with Sidney also while

574
00:25:55.240 --> 00:25:58.599
<v Speaker 1>he was married to Jane? Oh? I remember it wrong.

575
00:25:59.039 --> 00:26:01.240
<v Speaker 1>I remembered him having an affair with Sydney while he

576
00:26:01.319 --> 00:26:02.960
<v Speaker 1>was like while she was living with them.

577
00:26:03.000 --> 00:26:05.079
<v Speaker 2>I believe that had a very contentious relationship. There was

578
00:26:05.079 --> 00:26:06.079
<v Speaker 2>a lot of sexual tension.

579
00:26:06.160 --> 00:26:06.799
<v Speaker 1>Got it okay?

580
00:26:06.839 --> 00:26:09.759
<v Speaker 2>All right? So okay, So she blackmails him into marrying her.

581
00:26:10.000 --> 00:26:13.279
<v Speaker 2>Throughout their whole courtship. It's very it's very difficult. Right.

582
00:26:13.559 --> 00:26:15.799
<v Speaker 2>They go on their honeymoon camping trip where I believe

583
00:26:15.839 --> 00:26:18.200
<v Speaker 2>he tries to kill her twice.

584
00:26:18.720 --> 00:26:19.640
<v Speaker 1>But it just doesn't take.

585
00:26:19.640 --> 00:26:20.400
<v Speaker 2>It just doesn't take.

586
00:26:20.480 --> 00:26:22.720
<v Speaker 1>You know what, He's used to saving lives, not taking them.

587
00:26:22.759 --> 00:26:23.920
<v Speaker 1>He doesn't know what he's doing.

588
00:26:24.000 --> 00:26:26.039
<v Speaker 2>He's apparently, from what I read, about to push her

589
00:26:26.039 --> 00:26:28.759
<v Speaker 2>off a cliff when he realizes that he actually loves

590
00:26:28.799 --> 00:26:37.839
<v Speaker 2>her tool And that happened two episodes ago. They have

591
00:26:37.880 --> 00:26:40.799
<v Speaker 2>not had a long and happy marriage. In case anyone's wondering.

592
00:26:40.720 --> 00:26:43.680
<v Speaker 1>This is the happiest these two ever have been or

593
00:26:43.720 --> 00:26:46.799
<v Speaker 1>ever will be again. Yep, she shouldn't get out of

594
00:26:46.839 --> 00:26:49.039
<v Speaker 1>that hooker business. So fast, Not so fast, Not so

595
00:26:49.119 --> 00:26:49.680
<v Speaker 1>fast girl.

596
00:26:50.200 --> 00:26:52.920
<v Speaker 2>All right. So we cut to Michael at the hospital

597
00:26:53.119 --> 00:26:56.720
<v Speaker 2>and his friend and coworker Matt Fielding played by Doug Savant.

598
00:26:56.480 --> 00:26:59.240
<v Speaker 1>Another resident of Melrose playing Ye the.

599
00:26:59.319 --> 00:27:01.519
<v Speaker 2>Gay one, so the one who will have nothing to

600
00:27:01.559 --> 00:27:02.559
<v Speaker 2>do in this episode.

601
00:27:02.799 --> 00:27:05.039
<v Speaker 1>Yeah, I remember an old SNL sketch where they made

602
00:27:05.039 --> 00:27:06.880
<v Speaker 1>fun of him. Yeah, well we were making fun of

603
00:27:06.880 --> 00:27:09.640
<v Speaker 1>mel Respis was when Heather Lockley was on on SNL.

604
00:27:09.839 --> 00:27:12.400
<v Speaker 1>And I can't remember who plays this character. I think

605
00:27:12.400 --> 00:27:14.680
<v Speaker 1>it's David's paid. He just like walks out and goes

606
00:27:14.720 --> 00:27:16.680
<v Speaker 1>and I'm the gay one and then just leaves you.

607
00:27:19.960 --> 00:27:23.640
<v Speaker 2>So Michael is rattled, and he says he's seeing Kimberly everywhere.

608
00:27:23.680 --> 00:27:25.359
<v Speaker 2>So this figure that he saw on the porch he's

609
00:27:25.359 --> 00:27:28.480
<v Speaker 2>identifying as Kimberly, his fiancee who died in the drunk

610
00:27:28.559 --> 00:27:31.279
<v Speaker 2>driving accident of which he was guilty. He's worried. He's

611
00:27:31.279 --> 00:27:33.799
<v Speaker 2>cracking up. He wonders if Kimberly could still be alive.

612
00:27:34.200 --> 00:27:37.559
<v Speaker 2>But Matta shreson, he's just tired. After all. Michael and

613
00:27:37.599 --> 00:27:41.039
<v Speaker 2>Sidney had a quote unquote fairly exhausting courtship, which I've

614
00:27:41.079 --> 00:27:43.200
<v Speaker 2>just described for you a few moments ago. Yeah. Yeah,

615
00:27:43.240 --> 00:27:45.000
<v Speaker 2>involved no fewer than two murder.

616
00:27:44.759 --> 00:27:49.440
<v Speaker 1>Attempts and so much blackmail, so much blackmail. I love

617
00:27:49.480 --> 00:27:51.200
<v Speaker 1>how he's like, I think I'm seeing ghosts, and the

618
00:27:51.240 --> 00:27:53.880
<v Speaker 1>other for the friends, like it's just stress. Yeah, that's

619
00:27:53.920 --> 00:27:56.359
<v Speaker 1>what he's not. Yes, ending I'm guess hand you. By

620
00:27:56.359 --> 00:27:58.559
<v Speaker 1>the way, if you were like, I'm seeing ghosts, I'd

621
00:27:58.599 --> 00:28:01.240
<v Speaker 1>be like, tell me every thing. Yeah, I mean I

622
00:28:01.240 --> 00:28:02.279
<v Speaker 1>would think you were crazy.

623
00:28:02.319 --> 00:28:02.480
<v Speaker 2>Don't.

624
00:28:02.720 --> 00:28:04.640
<v Speaker 1>Don't get me wrong, I would think you were an idiot.

625
00:28:04.920 --> 00:28:06.680
<v Speaker 1>But I would yes, and a shit out of that.

626
00:28:06.720 --> 00:28:08.680
<v Speaker 2>You would report me to my husband behind my back

627
00:28:08.960 --> 00:28:09.839
<v Speaker 2>like a real friend.

628
00:28:10.039 --> 00:28:12.640
<v Speaker 1>Like a real friend, I wouldn't to your face be like,

629
00:28:12.680 --> 00:28:15.559
<v Speaker 1>you are stressed out. You need to you need to

630
00:28:15.599 --> 00:28:16.920
<v Speaker 1>take some clonapin and chill.

631
00:28:17.160 --> 00:28:19.279
<v Speaker 2>You would be like, tell me who the ghost is,

632
00:28:19.359 --> 00:28:21.799
<v Speaker 2>what's their backstory? Why have they not left this plane?

633
00:28:21.920 --> 00:28:26.599
<v Speaker 1>How naked are they? Meanwhile in crossover land, because we are.

634
00:28:26.920 --> 00:28:29.519
<v Speaker 1>It's only the second season in Melrose's Place, and already

635
00:28:29.599 --> 00:28:32.079
<v Speaker 1>Aaron Spelling's like, I got a third show. I got

636
00:28:32.119 --> 00:28:35.079
<v Speaker 1>a third show, cooking another hit. It's called Models Inc.

637
00:28:35.480 --> 00:28:36.119
<v Speaker 2>It was not a hit.

638
00:28:36.240 --> 00:28:38.480
<v Speaker 1>It was not a hit. Hang on, guys, I gotta

639
00:28:38.480 --> 00:28:39.079
<v Speaker 1>look something up.

640
00:28:56.720 --> 00:28:59.759
<v Speaker 2>It's not trying to catch your phone.

641
00:29:00.119 --> 00:29:03.440
<v Speaker 1>Okay, we're back, Paul, and I looked something up. I

642
00:29:03.559 --> 00:29:05.559
<v Speaker 1>was wrong. California Dreams is not the name of the

643
00:29:05.559 --> 00:29:07.599
<v Speaker 1>show I was thinking of. It was The Heights. And

644
00:29:07.640 --> 00:29:10.279
<v Speaker 1>it was not a spinoff of nine O two one zero.

645
00:29:10.759 --> 00:29:15.000
<v Speaker 1>Jamie Walters was just in both shows, and can you

646
00:29:15.039 --> 00:29:16.799
<v Speaker 1>believe it? He just didn't have the range for me

647
00:29:16.839 --> 00:29:21.119
<v Speaker 1>to remember that it was two different characters completely. So

648
00:29:21.519 --> 00:29:24.720
<v Speaker 1>Models In is the only spin off of Melrose Place. Yes,

649
00:29:25.119 --> 00:29:26.559
<v Speaker 1>it was not a hit. We had to look this

650
00:29:26.599 --> 00:29:28.640
<v Speaker 1>all up because it was driving me crazy that I

651
00:29:28.680 --> 00:29:29.440
<v Speaker 1>could not remember.

652
00:29:31.400 --> 00:29:33.200
<v Speaker 2>And we're back, and we're back.

653
00:29:33.160 --> 00:29:38.960
<v Speaker 1>So okay. Photographer Joe Reynolds, played by Daphne Zunega aka

654
00:29:39.359 --> 00:29:43.599
<v Speaker 1>Princess Vespa from Spaceballs, sets up a shoot with Sarah,

655
00:29:43.640 --> 00:29:45.000
<v Speaker 1>a model from the.

656
00:29:46.519 --> 00:29:47.000
<v Speaker 2>Model Zing.

657
00:29:47.759 --> 00:29:50.440
<v Speaker 1>Here's where we're setting up our third TV show. Joe

658
00:29:50.480 --> 00:29:53.519
<v Speaker 1>gets Sarah and the other models into these I mean,

659
00:29:53.880 --> 00:30:00.000
<v Speaker 1>like gross, Laura Ashley, like the nineties were sexless.

660
00:30:00.519 --> 00:30:04.200
<v Speaker 2>We have come down really hard on Beige on this

661
00:30:04.240 --> 00:30:06.519
<v Speaker 2>podcast in the nineties, but if these are the colors

662
00:30:06.559 --> 00:30:07.640
<v Speaker 2>the nineties has to offer.

663
00:30:07.960 --> 00:30:10.440
<v Speaker 1>Bea up, baby, go back to beaje, bea up.

664
00:30:10.480 --> 00:30:13.319
<v Speaker 2>This is off. The front of this woman's dress looks

665
00:30:13.359 --> 00:30:14.240
<v Speaker 2>like a lace apron.

666
00:30:14.480 --> 00:30:18.000
<v Speaker 1>It's a pastel lavender.

667
00:30:17.559 --> 00:30:19.160
<v Speaker 2>Like compound wife dress.

668
00:30:19.480 --> 00:30:24.559
<v Speaker 1>Chloral, Yeah, it's the I mean, this is a gorgeous woman, gorgeous,

669
00:30:24.680 --> 00:30:28.119
<v Speaker 1>and they are making her look so depressing, like she's

670
00:30:28.160 --> 00:30:30.400
<v Speaker 1>about to churn some butter. That's what she's here for.

671
00:30:30.640 --> 00:30:33.279
<v Speaker 2>She is. She is an actress who is so gorgeous

672
00:30:33.319 --> 00:30:36.039
<v Speaker 2>that she was cast as the lead in a TV

673
00:30:36.119 --> 00:30:37.000
<v Speaker 2>show about.

674
00:30:36.720 --> 00:30:39.640
<v Speaker 1>Models, models in This is the lead of Models, Inc.

675
00:30:39.759 --> 00:30:41.279
<v Speaker 2>That's how good looking this woman is.

676
00:30:41.960 --> 00:30:45.319
<v Speaker 1>So okay, So Sarah is just dressing in these nasty

677
00:30:45.359 --> 00:30:49.039
<v Speaker 1>asque like potato sacks that they're putting her in. But

678
00:30:49.519 --> 00:30:53.839
<v Speaker 1>she shines. She's got it. She's a star. Unfortunately, who

679
00:30:53.839 --> 00:30:59.720
<v Speaker 1>should appear midshoot. But Amanda Woodward Heather Locklear.

680
00:30:59.519 --> 00:31:01.599
<v Speaker 2>Walking on the beach in a pair of pumps. I'm like,

681
00:31:01.640 --> 00:31:02.960
<v Speaker 2>how are you even doing that?

682
00:31:03.240 --> 00:31:04.920
<v Speaker 1>How are you doing that? She does it so well

683
00:31:05.039 --> 00:31:07.240
<v Speaker 1>you would not even know. You have not even noticed.

684
00:31:07.359 --> 00:31:10.319
<v Speaker 1>She is stomping on those heels. Look, she's not the

685
00:31:10.319 --> 00:31:13.720
<v Speaker 1>greatest actress ever, But fucking Heather Locklear is a star,

686
00:31:14.440 --> 00:31:18.119
<v Speaker 1>is just a star. She angrily informs Joe that D

687
00:31:18.200 --> 00:31:21.799
<v Speaker 1>and D, the advertising agency that she and Courtney Thorne

688
00:31:21.839 --> 00:31:26.920
<v Speaker 1>Smith work at, would never never use Models Inc. To

689
00:31:27.079 --> 00:31:28.920
<v Speaker 1>cast their shootes. This is the last time I let

690
00:31:28.920 --> 00:31:31.680
<v Speaker 1>you cast a shoot by yourself, Joe. You ignorant sluts,

691
00:31:31.839 --> 00:31:34.720
<v Speaker 1>ignorant slat. I'm like, guys, maybe don't work with your neighbors. Yeah,

692
00:31:35.240 --> 00:31:37.359
<v Speaker 1>this is it seems like a real bad mix of

693
00:31:37.440 --> 00:31:39.559
<v Speaker 1>like work life balance not working out.

694
00:31:39.720 --> 00:31:43.680
<v Speaker 2>This is Los Angeles, there's it's famously sprawling.

695
00:31:43.720 --> 00:31:46.599
<v Speaker 1>You kids, many nooks and crannies from which to hide

696
00:31:46.640 --> 00:31:49.880
<v Speaker 1>from your colleagues. Don't live in the same apartment complex. Yeah,

697
00:31:49.960 --> 00:31:51.880
<v Speaker 1>I think these who even dated the same guy. I

698
00:31:51.880 --> 00:31:54.559
<v Speaker 1>think Grant Show was with Joe for a minute, or

699
00:31:54.599 --> 00:31:58.359
<v Speaker 1>he was with Heather Locklear. So She's like, we never

700
00:31:58.440 --> 00:32:00.480
<v Speaker 1>use Models Inc. You have to fire that girl. And

701
00:32:00.519 --> 00:32:03.119
<v Speaker 1>then Joe's like, but she's wonderful, she's got it, she's

702
00:32:03.119 --> 00:32:06.000
<v Speaker 1>a star. Why should I fire her? Doesn't make any sense.

703
00:32:06.039 --> 00:32:09.279
<v Speaker 1>And a man is like, don't ask questions, you photographer,

704
00:32:09.640 --> 00:32:11.839
<v Speaker 1>And Joe's like, if I didn't need the money, I'd

705
00:32:11.880 --> 00:32:16.519
<v Speaker 1>walk out right now, excellent, all of this is wonderful. Basically,

706
00:32:16.519 --> 00:32:18.480
<v Speaker 1>she has to fire that girl. Actually she doesn't even

707
00:32:18.480 --> 00:32:21.759
<v Speaker 1>do it like Heather Locklear, takes great pleasure and being

708
00:32:21.799 --> 00:32:23.359
<v Speaker 1>like you you're.

709
00:32:23.200 --> 00:32:24.440
<v Speaker 2>Out, get out.

710
00:32:24.440 --> 00:32:26.400
<v Speaker 1>And then the girl's like but why, and she's like,

711
00:32:26.519 --> 00:32:29.079
<v Speaker 1>you went to the wrong agency.

712
00:32:29.960 --> 00:32:31.000
<v Speaker 2>How just how it works.

713
00:32:31.079 --> 00:32:33.240
<v Speaker 1>That's how everything works. That's how modeling works, that's how

714
00:32:33.279 --> 00:32:35.359
<v Speaker 1>TV works. This is how beaches work. Yep.

715
00:32:36.200 --> 00:32:38.880
<v Speaker 2>After a long day of work, Billy returns home to

716
00:32:38.920 --> 00:32:42.039
<v Speaker 2>find Allison on the phone with her wealthy parents, who,

717
00:32:42.079 --> 00:32:45.279
<v Speaker 2>it turns out good news, want to help them pay

718
00:32:45.319 --> 00:32:49.680
<v Speaker 2>for their upcoming wedding. Unfortunately, Allison's parents are not in

719
00:32:49.880 --> 00:32:53.400
<v Speaker 2>La so instead they've hired a quote unquote Beverly Hill's

720
00:32:53.440 --> 00:32:55.720
<v Speaker 2>wedding planner to take care of everything.

721
00:32:55.920 --> 00:32:57.559
<v Speaker 1>Oh what a dream, What a dream?

722
00:32:58.079 --> 00:33:00.640
<v Speaker 2>Alison asks Billy if that would be okay, After all,

723
00:33:00.640 --> 00:33:03.839
<v Speaker 2>the bride's family is supposed to pay, and Billy says

724
00:33:04.039 --> 00:33:06.359
<v Speaker 2>all right. And then rather than eating their clams and

725
00:33:06.400 --> 00:33:10.680
<v Speaker 2>cream sauce, well, is that what she's making? Or clams

726
00:33:10.680 --> 00:33:14.200
<v Speaker 2>in the linguinilauce.

727
00:33:12.720 --> 00:33:15.799
<v Speaker 1>Or something not look good? It's so funny because she's

728
00:33:16.079 --> 00:33:18.759
<v Speaker 1>Cordy Thorne Smith has clearly never cooked anything in her

729
00:33:18.920 --> 00:33:22.240
<v Speaker 1>entire life. She's just like poking at it with a spoon,

730
00:33:22.640 --> 00:33:24.960
<v Speaker 1>and Billy comes in and he's like, smells amazing, and

731
00:33:25.400 --> 00:33:27.599
<v Speaker 1>I'm like, she did not cook that, Billy, she did

732
00:33:27.680 --> 00:33:30.079
<v Speaker 1>not cook. She poured that from a can into the

733
00:33:30.160 --> 00:33:32.400
<v Speaker 1>pan and was inserted poking.

734
00:33:32.039 --> 00:33:36.079
<v Speaker 2>At a spoon. They make out on the kitchen counter.

735
00:33:36.640 --> 00:33:39.160
<v Speaker 1>What does Billy do for a living? Do you know?

736
00:33:38.839 --> 00:33:40.240
<v Speaker 1>I don't know either.

737
00:33:40.359 --> 00:33:42.359
<v Speaker 2>I just imagining that my feeling it's could be one

738
00:33:42.359 --> 00:33:44.759
<v Speaker 2>of those business business business, business business.

739
00:33:44.440 --> 00:33:47.960
<v Speaker 1>Because there's something so unserious about Andrew Shoe that I

740
00:33:48.000 --> 00:33:49.839
<v Speaker 1>just cannot imagine him in an office setting.

741
00:33:49.960 --> 00:33:51.119
<v Speaker 2>He seems like an eighteen year old.

742
00:33:51.119 --> 00:33:53.599
<v Speaker 1>She's also a frat boy at all times, like a

743
00:33:54.079 --> 00:33:56.119
<v Speaker 1>very nice frat boy, to be clear. He seems like

744
00:33:56.160 --> 00:33:58.680
<v Speaker 1>a like a lovely person like the character I don't

745
00:33:58.680 --> 00:34:01.440
<v Speaker 1>even know. I don't know anything about Andrew's you but

746
00:34:02.319 --> 00:34:03.119
<v Speaker 1>super into soccer.

747
00:34:03.240 --> 00:34:06.079
<v Speaker 2>But he was he was the husband of the woman

748
00:34:06.119 --> 00:34:08.320
<v Speaker 2>who had on Morning TV, who had that affair. He

749
00:34:08.440 --> 00:34:11.880
<v Speaker 2>was that he was the husband who got left. Amy

750
00:34:12.000 --> 00:34:13.880
<v Speaker 2>was married to Andrew Shoe and then had an affair

751
00:34:13.920 --> 00:34:14.239
<v Speaker 2>with her.

752
00:34:14.119 --> 00:34:19.559
<v Speaker 1>Coworker scanniness scandero. I know he he left acting to

753
00:34:19.719 --> 00:34:23.440
<v Speaker 1>get into like major league soccer because he's as like

754
00:34:23.480 --> 00:34:25.400
<v Speaker 1>a manager or something, because he's he was going to

755
00:34:25.440 --> 00:34:27.719
<v Speaker 1>be a soccer player, but then decided it the last

756
00:34:27.719 --> 00:34:29.679
<v Speaker 1>minute when he was a teenager to turn to acting.

757
00:34:30.119 --> 00:34:32.719
<v Speaker 1>And then I guess he was like, oops, I would

758
00:34:32.760 --> 00:34:34.880
<v Speaker 1>have actually been a much better soccer player than.

759
00:34:35.079 --> 00:34:36.719
<v Speaker 2>My sister is much better at this than me.

760
00:34:36.960 --> 00:34:39.039
<v Speaker 1>Yeah, so now he went back to soccer. That's all

761
00:34:39.039 --> 00:34:41.480
<v Speaker 1>I know about him. That's actually a lot more than

762
00:34:41.519 --> 00:34:44.599
<v Speaker 1>I would have thought when I started talking that. When

763
00:34:44.599 --> 00:34:46.679
<v Speaker 1>I started that sentence, I was like, I don't know

764
00:34:46.719 --> 00:34:48.960
<v Speaker 1>anything about Andrew Shoe except his blood type, his social

765
00:34:48.960 --> 00:34:53.039
<v Speaker 1>Security number, where he lives, what his ex wife is doing, where.

766
00:34:52.719 --> 00:34:53.840
<v Speaker 2>That mole on his body is.

767
00:34:54.039 --> 00:34:57.679
<v Speaker 1>Check that out, clearly, I know, Like that all came

768
00:34:57.719 --> 00:35:00.760
<v Speaker 1>from the back of my brain. There are other more

769
00:35:00.840 --> 00:35:02.519
<v Speaker 1>salient facts that I have forgotten.

770
00:35:03.199 --> 00:35:04.760
<v Speaker 2>That's where algebra's supposed to be.

771
00:35:07.360 --> 00:35:10.519
<v Speaker 1>That's where like my social Security number is, and instead

772
00:35:10.519 --> 00:35:13.079
<v Speaker 1>it's like, oh, were you looking for this? All I

773
00:35:13.119 --> 00:35:18.000
<v Speaker 1>have here is Andrew Sho's life that night while Sydney

774
00:35:18.039 --> 00:35:21.079
<v Speaker 1>is off doing quote unquote hooker stuff. Don't worry about it.

775
00:35:21.079 --> 00:35:21.960
<v Speaker 2>You guys, don't worry about it.

776
00:35:21.960 --> 00:35:24.519
<v Speaker 1>At her party, I cannot stress enough how little the

777
00:35:24.599 --> 00:35:26.920
<v Speaker 1>show gives a shit that she is a prostitute. It

778
00:35:27.079 --> 00:35:31.119
<v Speaker 1>is absolutely excellent that the show could not care less.

779
00:35:31.599 --> 00:35:36.039
<v Speaker 1>Michael lies in bed reading and then thunder crashes. He

780
00:35:36.039 --> 00:35:39.920
<v Speaker 1>here's the door open and close. He goes Sydney, Sidney.

781
00:35:39.960 --> 00:35:43.039
<v Speaker 1>He is in Janeare. He is just like this actor

782
00:35:43.199 --> 00:35:45.559
<v Speaker 1>is like I am in my gothic era. This is

783
00:35:45.599 --> 00:35:47.559
<v Speaker 1>what I'm doing. He is fully acting like he is

784
00:35:47.599 --> 00:35:51.639
<v Speaker 1>in Janeare. He walks slowly in the pitch dark living room.

785
00:35:51.639 --> 00:35:55.760
<v Speaker 1>I'm like, pitch, turn on the lights, yep, calling for Sydney, Sydney, Sydney.

786
00:35:55.800 --> 00:35:59.239
<v Speaker 1>Are you home by home from your hooker stuff? It's

787
00:35:59.239 --> 00:36:01.320
<v Speaker 1>only nine p I guess the hook her stuff didn't

788
00:36:01.320 --> 00:36:01.840
<v Speaker 1>go that well.

789
00:36:05.440 --> 00:36:06.760
<v Speaker 2>The party was a real flopping.

790
00:36:06.880 --> 00:36:11.360
<v Speaker 1>The party was a real bummer man lightning crashes, illuminating

791
00:36:11.400 --> 00:36:17.159
<v Speaker 1>the figure of his presumed dead ex fiance, doctor Kimberly Shaw,

792
00:36:17.599 --> 00:36:20.480
<v Speaker 1>played by the luminous and Amazing and too good for

793
00:36:20.519 --> 00:36:21.840
<v Speaker 1>this world Marcia Cross.

794
00:36:22.000 --> 00:36:22.239
<v Speaker 2>Uh huh.

795
00:36:22.880 --> 00:36:27.159
<v Speaker 1>He turns on the lights and Kimberly in tones, nice

796
00:36:27.199 --> 00:36:30.840
<v Speaker 1>to see you. Again, Michael, She's alive.

797
00:36:30.920 --> 00:36:33.519
<v Speaker 2>He's alive. I want I want everyone to know that

798
00:36:33.679 --> 00:36:36.400
<v Speaker 2>this show is so confident in itself. This is not

799
00:36:36.480 --> 00:36:39.480
<v Speaker 2>a commercial break. They don't like see her editing cut

800
00:36:39.480 --> 00:36:45.280
<v Speaker 2>to commercial. They just keep going. That is incredible. So

801
00:36:45.400 --> 00:36:48.920
<v Speaker 2>Michael pretty wildly underreacts to someone he thought was dead

802
00:36:48.920 --> 00:36:54.159
<v Speaker 2>appearing in his living room. He doesn't scream shit, holy shit,

803
00:36:54.239 --> 00:36:54.679
<v Speaker 2>none of that.

804
00:36:54.800 --> 00:36:56.559
<v Speaker 1>Does it throw something at her to see if it

805
00:36:56.599 --> 00:36:58.880
<v Speaker 1>falls goes through her. That's what the first thing I

806
00:36:58.920 --> 00:37:01.639
<v Speaker 1>would do if it was a ghost of someone I loved,

807
00:37:01.719 --> 00:37:03.559
<v Speaker 1>like my mother or something, I'd be like, I'd just

808
00:37:03.639 --> 00:37:06.280
<v Speaker 1>throw something at the torso to see if it went through.

809
00:37:07.280 --> 00:37:10.960
<v Speaker 2>He asks, is it really you? And Kimberly asks, do

810
00:37:11.000 --> 00:37:12.719
<v Speaker 2>you want to touch me to see if I'm real?

811
00:37:13.280 --> 00:37:15.199
<v Speaker 2>She walks towards him, and she holds up her hands

812
00:37:15.239 --> 00:37:17.800
<v Speaker 2>and they clasp hands. She tells him that she was

813
00:37:17.800 --> 00:37:20.719
<v Speaker 2>in a coma for months and that her mother reported

814
00:37:20.719 --> 00:37:24.000
<v Speaker 2>her dead because she was trying to protect Kimberly from Michael.

815
00:37:24.320 --> 00:37:27.360
<v Speaker 1>Marsha Cross is so fucking just so good. She says

816
00:37:27.400 --> 00:37:31.440
<v Speaker 1>this insane nonsense and it works. She just makes it work,

817
00:37:31.599 --> 00:37:33.840
<v Speaker 1>and I can't. Paul was doing the gesture. I cannot

818
00:37:33.840 --> 00:37:36.639
<v Speaker 1>tell you, guys enough, how fucking weird. She holds up

819
00:37:36.679 --> 00:37:40.119
<v Speaker 1>her hands like two high fives, and Michael like they

820
00:37:40.159 --> 00:37:42.960
<v Speaker 1>do that thing where they're they caress high fives for

821
00:37:43.039 --> 00:37:43.719
<v Speaker 1>a moment.

822
00:37:43.760 --> 00:37:44.719
<v Speaker 2>They hop palm each other.

823
00:37:45.239 --> 00:37:47.519
<v Speaker 1>They hop on each other's palms and then like lays

824
00:37:47.599 --> 00:37:50.199
<v Speaker 1>their hands together. But they're both like like doing the

825
00:37:50.239 --> 00:37:53.719
<v Speaker 1>thriller dance at each other. And they were just standing

826
00:37:53.760 --> 00:37:56.639
<v Speaker 1>there while Marsha cross dead eyes. Look this man looks

827
00:37:56.679 --> 00:37:58.559
<v Speaker 1>this man in the face and is like I was

828
00:37:58.599 --> 00:38:00.559
<v Speaker 1>in a coma for four months and my mother kept

829
00:38:00.559 --> 00:38:03.639
<v Speaker 1>me hidden from you, even though you are a doctor,

830
00:38:04.239 --> 00:38:07.960
<v Speaker 1>and like presumably no people in the medical profession who

831
00:38:07.960 --> 00:38:11.679
<v Speaker 1>can tell you whether or not I am dead. We

832
00:38:11.760 --> 00:38:15.039
<v Speaker 1>are colleagues. We work together. If one of my colleagues

833
00:38:15.199 --> 00:38:18.800
<v Speaker 1>died in a fucking car accident tomorrow, we would be

834
00:38:18.920 --> 00:38:23.719
<v Speaker 1>talking about it at work. And I'm not even a doctor.

835
00:38:23.840 --> 00:38:24.320
<v Speaker 2>It's true.

836
00:38:25.079 --> 00:38:26.679
<v Speaker 1>I know a lot of people think I am because

837
00:38:26.679 --> 00:38:29.519
<v Speaker 1>I'm so smart and I'm so good at doctor stuff.

838
00:38:29.960 --> 00:38:31.760
<v Speaker 1>It's like her being good with hook her stuff. I'm

839
00:38:31.800 --> 00:38:34.199
<v Speaker 1>really good at doctor stuff. I'm gonna quit the doctor

840
00:38:34.239 --> 00:38:36.480
<v Speaker 1>stuff actually to do this podcasting thing, full.

841
00:38:36.400 --> 00:38:38.760
<v Speaker 2>Full time, full time. It pays better, all right. So

842
00:38:38.840 --> 00:38:40.760
<v Speaker 2>Michael says if he had known, he would have been

843
00:38:40.800 --> 00:38:43.159
<v Speaker 2>there for her, and Kimberly tells him, it's all right.

844
00:38:43.840 --> 00:38:45.719
<v Speaker 2>I'm fine. Good news.

845
00:38:45.760 --> 00:38:48.039
<v Speaker 1>They're still clasping hands, you guys, it's so weird.

846
00:38:48.320 --> 00:38:51.880
<v Speaker 2>Lightning crashes. And he says he's sorry for his mistakes,

847
00:38:52.159 --> 00:38:55.519
<v Speaker 2>and she kisses him, and she shows him her engagement

848
00:38:55.599 --> 00:38:59.280
<v Speaker 2>ring and says, I still have this, and that means

849
00:39:00.039 --> 00:39:01.920
<v Speaker 2>I still have you.

850
00:39:01.559 --> 00:39:04.000
<v Speaker 1>Him that guy. You came back from the dead for

851
00:39:04.039 --> 00:39:04.360
<v Speaker 1>that guy.

852
00:39:04.760 --> 00:39:08.400
<v Speaker 2>This seems like an easy exit strategy, are you Frankly.

853
00:39:08.159 --> 00:39:10.239
<v Speaker 1>This is an amazing way to just like moon walk

854
00:39:10.280 --> 00:39:12.519
<v Speaker 1>out of his legs and find someone better.

855
00:39:12.639 --> 00:39:17.360
<v Speaker 2>No picture her doing the Drew Barrymore thing. Charlie's angels

856
00:39:17.400 --> 00:39:19.440
<v Speaker 2>and he says he has to tell her something, but

857
00:39:19.480 --> 00:39:21.519
<v Speaker 2>she brings her hand to her head as if she's

858
00:39:21.559 --> 00:39:24.400
<v Speaker 2>in pain, and she says, not now, I have to go.

859
00:39:25.960 --> 00:39:32.320
<v Speaker 2>Like she came back to her, she came back from

860
00:39:32.320 --> 00:39:34.599
<v Speaker 2>the dead, but she is booked and busy.

861
00:39:36.360 --> 00:39:39.840
<v Speaker 1>Also she's like she's like hold clutching her head like ouch,

862
00:39:40.039 --> 00:39:43.320
<v Speaker 1>and both doctors. I cannot stress enough how both of

863
00:39:43.360 --> 00:39:46.800
<v Speaker 1>these people are doctors, and he's not, like, what's going

864
00:39:46.840 --> 00:39:49.559
<v Speaker 1>on with your head? Do I need to examine your

865
00:39:49.559 --> 00:39:51.079
<v Speaker 1>head that you're clutching?

866
00:39:51.360 --> 00:39:53.079
<v Speaker 2>Came in for three minutes and it's like I have

867
00:39:53.119 --> 00:39:54.679
<v Speaker 2>to go know where is she going.

868
00:39:54.519 --> 00:39:57.840
<v Speaker 1>At eleven pm? How does she get into the house?

869
00:39:58.920 --> 00:40:01.199
<v Speaker 1>Do they not lock their door? Where is in Los Angeles?

870
00:40:01.360 --> 00:40:03.719
<v Speaker 1>I've always heard that at Los Angeles it was kind

871
00:40:03.719 --> 00:40:06.199
<v Speaker 1>of a dodgy place. You might want to lock your doors.

872
00:40:06.079 --> 00:40:09.039
<v Speaker 2>So he protests, but she says that she has a

873
00:40:09.039 --> 00:40:12.360
<v Speaker 2>big day at the hospital tomorrow. What now you might

874
00:40:12.480 --> 00:40:14.199
<v Speaker 2>think that she has to go to the hospital to

875
00:40:14.199 --> 00:40:14.840
<v Speaker 2>be tree.

876
00:40:14.639 --> 00:40:18.639
<v Speaker 1>Surgery for follow up, for some kind of therapy for

877
00:40:18.760 --> 00:40:21.360
<v Speaker 1>these jolting head gnes. She's having.

878
00:40:21.519 --> 00:40:24.480
<v Speaker 2>No it's Kimberly's first day back at work tomorrow.

879
00:40:25.400 --> 00:40:30.039
<v Speaker 1>They're colleagues. If a colleague of mine died in a

880
00:40:30.079 --> 00:40:33.960
<v Speaker 1>car accident and then showed up four months later and

881
00:40:34.480 --> 00:40:37.320
<v Speaker 1>got rehired, and turns out they weren't dead, they were

882
00:40:37.320 --> 00:40:39.599
<v Speaker 1>in a coma and their mother lied to everyone about

883
00:40:39.599 --> 00:40:42.679
<v Speaker 1>it to keep them away from my job, and then

884
00:40:42.760 --> 00:40:45.480
<v Speaker 1>people at my job saw them, there would be confirmation.

885
00:40:46.199 --> 00:40:47.960
<v Speaker 1>How does Michael not know any of this? There is

886
00:40:48.079 --> 00:40:51.400
<v Speaker 1>no one at the hospital talk to Michael. Is Michael

887
00:40:51.440 --> 00:40:51.880
<v Speaker 1>the ghost?

888
00:40:52.079 --> 00:40:53.079
<v Speaker 2>Maybe Michael's a ghost.

889
00:40:53.119 --> 00:40:55.559
<v Speaker 1>Michael's a ghost, and only Dougs a man can see him.

890
00:40:55.679 --> 00:40:58.199
<v Speaker 2>That's it, that makes sense. So she says she has

891
00:40:58.199 --> 00:41:00.840
<v Speaker 2>a big day at the hospital tomorrow, she'll see him there.

892
00:41:00.880 --> 00:41:04.280
<v Speaker 2>And she turns around and she's like high heels and

893
00:41:04.320 --> 00:41:08.639
<v Speaker 2>it is a downpour thunder outside. She has a trench

894
00:41:08.679 --> 00:41:10.480
<v Speaker 2>coat just you know how they just drape them over

895
00:41:10.519 --> 00:41:12.800
<v Speaker 2>your shoulders, so it's not like attached in any way.

896
00:41:13.119 --> 00:41:16.639
<v Speaker 2>And she starts walking towards a glass door, like leaning

897
00:41:16.639 --> 00:41:17.400
<v Speaker 2>out onto the porch.

898
00:41:17.599 --> 00:41:20.440
<v Speaker 1>She thinks she was gonna go through the door. One

899
00:41:20.559 --> 00:41:23.039
<v Speaker 1>hundred thought she was gonna walk through. I knew she was,

900
00:41:23.159 --> 00:41:25.280
<v Speaker 1>because I knew she was not a ghost, but like

901
00:41:25.360 --> 00:41:26.880
<v Speaker 1>I still didn't. I couldn't help it. I was like,

902
00:41:27.000 --> 00:41:28.800
<v Speaker 1>she's gonna walk through that door. She's gonna walk through

903
00:41:28.800 --> 00:41:29.039
<v Speaker 1>the door.

904
00:41:31.119 --> 00:41:33.519
<v Speaker 2>So it cuts away before she can get to the

905
00:41:33.679 --> 00:41:35.280
<v Speaker 2>before she can get to the door, and we just

906
00:41:35.320 --> 00:41:38.320
<v Speaker 2>see Michael's face and the lightning and thunder crashes again

907
00:41:38.360 --> 00:41:41.960
<v Speaker 2>as he watches her walk away. At no point is

908
00:41:41.960 --> 00:41:43.159
<v Speaker 2>he like, but I have.

909
00:41:43.159 --> 00:41:47.719
<v Speaker 1>Questions, Wait, you're going back to work. Are you, okay,

910
00:41:48.039 --> 00:41:51.320
<v Speaker 1>do you have the cognitive skills to doctor people? The

911
00:41:51.400 --> 00:41:55.199
<v Speaker 1>next morning, Sydney kisses Michael awake. How Michael fell asleep

912
00:41:55.239 --> 00:41:57.719
<v Speaker 1>after that? I don't know. I don't know. Not enough

913
00:41:57.800 --> 00:42:00.719
<v Speaker 1>volume in the world. Nope, Michael is still overcome from

914
00:42:00.719 --> 00:42:02.599
<v Speaker 1>the events of the prior evening. Sydney is trying to

915
00:42:02.599 --> 00:42:05.400
<v Speaker 1>have a little, a little afternoon delight but in the morning,

916
00:42:05.719 --> 00:42:09.000
<v Speaker 1>and Michael's like, wait, wait, what's the word morning glory?

917
00:42:08.599 --> 00:42:11.119
<v Speaker 1>She's trying to have a little morning glory with Michael.

918
00:42:11.320 --> 00:42:13.880
<v Speaker 1>Michael's not having it. Michael's had a fucking night, Sydney.

919
00:42:14.280 --> 00:42:16.880
<v Speaker 2>Not now, Not now, Sydney, I could not get hard

920
00:42:16.880 --> 00:42:19.280
<v Speaker 2>if my ex ex fiancee, I mean no, my ex

921
00:42:19.320 --> 00:42:20.199
<v Speaker 2>fiancee did not walk in.

922
00:42:20.119 --> 00:42:22.079
<v Speaker 1>Here, not walking here last night. How was your sex

923
00:42:22.079 --> 00:42:24.159
<v Speaker 1>stuff last night? How was your hooker stuff? Did the

924
00:42:24.159 --> 00:42:25.000
<v Speaker 1>hooker stuff go well?

925
00:42:25.039 --> 00:42:26.679
<v Speaker 2>How many men did you sleep with last night? Tell

926
00:42:26.719 --> 00:42:28.960
<v Speaker 2>me graphically, in detail, tell me everything.

927
00:42:28.760 --> 00:42:30.920
<v Speaker 1>About the hooker stuff you did last night. And he's like,

928
00:42:30.960 --> 00:42:32.400
<v Speaker 1>I gotta go to work, and he gets out of bed,

929
00:42:32.440 --> 00:42:36.880
<v Speaker 1>and Sydney looks upset. The amount of upset she looks

930
00:42:36.920 --> 00:42:39.199
<v Speaker 1>is so ridiculous. Given like, yeah, you woke him up

931
00:42:39.239 --> 00:42:42.000
<v Speaker 1>from a dead sleep. He is canonically a doctor. Yeah,

932
00:42:42.199 --> 00:42:43.719
<v Speaker 1>Like he has to go to work and he's like,

933
00:42:43.719 --> 00:42:45.480
<v Speaker 1>I gotta go to work, and she's like, he didn't

934
00:42:45.519 --> 00:42:47.599
<v Speaker 1>want to fuck me. What happened? What's going on? Is

935
00:42:48.679 --> 00:42:49.920
<v Speaker 1>it is dead ex fiancee.

936
00:42:50.440 --> 00:42:52.360
<v Speaker 2>Also, if she's not a madam, how much sex did

937
00:42:52.360 --> 00:42:54.360
<v Speaker 2>she have last night that she wants to have sex again?

938
00:42:54.599 --> 00:42:57.199
<v Speaker 1>You know what, she's a workaholic, Paul. She brings it home,

939
00:42:57.280 --> 00:42:58.840
<v Speaker 1>she brings out. She's not one of those. She's not

940
00:42:58.880 --> 00:43:00.599
<v Speaker 1>a work life balanced type. That's why she has to

941
00:43:00.639 --> 00:43:03.840
<v Speaker 1>quit it all together. Cold turkey on the hooker staff.

942
00:43:04.599 --> 00:43:07.239
<v Speaker 1>Michael's about to get more sex than he could possibly handle.

943
00:43:07.960 --> 00:43:10.159
<v Speaker 1>We cut to D and D, which is an advertising

944
00:43:10.199 --> 00:43:12.559
<v Speaker 1>agency in this universe and not Dungeons and Dragons.

945
00:43:12.880 --> 00:43:13.639
<v Speaker 2>I wish it was both.

946
00:43:13.760 --> 00:43:15.880
<v Speaker 1>I wish it was both. That is how that is

947
00:43:15.920 --> 00:43:18.480
<v Speaker 1>how little like Aaron Spelling knows about anything in the

948
00:43:18.480 --> 00:43:22.039
<v Speaker 1>world other than soap operas. He named something D and

949
00:43:22.119 --> 00:43:25.280
<v Speaker 1>D and had no idea that he was accidentally name

950
00:43:25.360 --> 00:43:28.719
<v Speaker 1>means it's something D and D. Amanda is called into

951
00:43:28.760 --> 00:43:31.480
<v Speaker 1>a meeting with her boss, who is wearing an unforgivably

952
00:43:31.559 --> 00:43:34.039
<v Speaker 1>ugly tie I would have taken I could, I would

953
00:43:34.039 --> 00:43:35.800
<v Speaker 1>not have been able to meet with that person until

954
00:43:35.800 --> 00:43:37.320
<v Speaker 1>I took a pair of scissors and just cut the

955
00:43:37.360 --> 00:43:39.320
<v Speaker 1>tie off at the neck and be like, you can't

956
00:43:39.320 --> 00:43:42.440
<v Speaker 1>wear this in front of me. It's gonna cause a seizure.

957
00:43:42.559 --> 00:43:43.679
<v Speaker 2>This is a personal boundary.

958
00:43:43.920 --> 00:43:46.679
<v Speaker 1>She gets chewed out for her vendetta against Models Inc.

959
00:43:46.679 --> 00:43:50.159
<v Speaker 1>Turns out it's not company policy, it's Amanda Woodward policy.

960
00:43:50.960 --> 00:43:52.880
<v Speaker 1>He tells her that she has to apologize to the

961
00:43:52.880 --> 00:43:55.119
<v Speaker 1>Models Inc. Own or not just apologize. I want you

962
00:43:55.199 --> 00:43:59.880
<v Speaker 1>to grovel because you have cost us potentially the ability

963
00:43:59.920 --> 00:44:03.480
<v Speaker 1>to work with this up and coming, super strong agency forever.

964
00:44:04.159 --> 00:44:07.199
<v Speaker 2>So at the hospital, Kimberly and Michael meet at the

965
00:44:07.239 --> 00:44:09.480
<v Speaker 2>lockers as they get ready for their day. Look, not

966
00:44:09.599 --> 00:44:11.599
<v Speaker 2>everyone at the hospital knew Kimberly was back. How is

967
00:44:11.639 --> 00:44:14.320
<v Speaker 2>she just walking through the halls of the hospital and

968
00:44:14.320 --> 00:44:15.320
<v Speaker 2>like the nurses.

969
00:44:14.960 --> 00:44:17.079
<v Speaker 1>Aren't like, oh my god, she's alive.

970
00:44:20.280 --> 00:44:22.920
<v Speaker 2>Michael tells her that he got married to Sydney, and

971
00:44:22.960 --> 00:44:25.760
<v Speaker 2>he's even honest about why. He says she she blackmailed

972
00:44:25.760 --> 00:44:28.519
<v Speaker 2>me into it. Doesn't tell her why how she blackmailed

973
00:44:28.599 --> 00:44:30.679
<v Speaker 2>him into it, but does tell her she blackmailed me.

974
00:44:31.400 --> 00:44:34.079
<v Speaker 2>Kimberly slams the locker door and tells him it doesn't

975
00:44:34.119 --> 00:44:36.320
<v Speaker 2>matter why, You'll just have to get rid of her,

976
00:44:36.960 --> 00:44:39.320
<v Speaker 2>and she kisses him and smiles.

977
00:44:40.199 --> 00:44:42.679
<v Speaker 1>Him him that guy, mars Cross.

978
00:44:42.719 --> 00:44:44.840
<v Speaker 2>I'm so sorry. I know you're not in your greatest

979
00:44:44.880 --> 00:44:46.360
<v Speaker 2>mind right now, but have you seen you?

980
00:44:46.360 --> 00:44:49.159
<v Speaker 1>You're gonna fight another girl for that guy? Yeah, just

981
00:44:49.239 --> 00:44:52.239
<v Speaker 1>let her have him? Yeah, that guy? All right. We

982
00:44:52.320 --> 00:44:57.800
<v Speaker 1>cut to Billy and Allison. They're so boring and they're

983
00:44:57.800 --> 00:45:00.800
<v Speaker 1>meeting their wedding planner, Sheila, played by Susan Lee.

984
00:45:00.719 --> 00:45:03.920
<v Speaker 2>Hoffman, who almost single handedly rescues this entire plot line.

985
00:45:04.039 --> 00:45:06.559
<v Speaker 2>Almost This is a fantastic performance.

986
00:45:06.599 --> 00:45:08.119
<v Speaker 1>Look, I don't mean to be mean, but I'm about

987
00:45:08.119 --> 00:45:10.760
<v Speaker 1>to be so mean. Yeah, Courtney Thorn Smith and Andrew

988
00:45:10.840 --> 00:45:15.920
<v Speaker 1>Schue are a black hole of charisma. Mean does that mean?

989
00:45:16.360 --> 00:45:17.639
<v Speaker 2>I mean? It wasn't nice?

990
00:45:17.920 --> 00:45:21.800
<v Speaker 1>Needs to have You have to pair these two people

991
00:45:21.880 --> 00:45:26.000
<v Speaker 1>with better, more charismatic actors. You cannot put these two

992
00:45:26.039 --> 00:45:28.960
<v Speaker 1>together as a couple on this show. It does not work.

993
00:45:29.000 --> 00:45:33.679
<v Speaker 1>They are they are so boring together. They have absolutely

994
00:45:33.760 --> 00:45:36.840
<v Speaker 1>no chemistry between the true of them, and like they're

995
00:45:36.880 --> 00:45:39.400
<v Speaker 1>they're terrible they're just terrible together.

996
00:45:39.559 --> 00:45:43.079
<v Speaker 2>I was, having not watched other episodes of this show.

997
00:45:43.239 --> 00:45:45.119
<v Speaker 2>I had the same reaction of view as being like this,

998
00:45:45.280 --> 00:45:46.280
<v Speaker 2>these two are quite boring.

999
00:45:46.400 --> 00:45:49.719
<v Speaker 1>These like the long like star cross lovers of the show. Yeah,

1000
00:45:49.800 --> 00:45:51.880
<v Speaker 1>they meet in the first episode and they're like the

1001
00:45:51.880 --> 00:45:54.239
<v Speaker 1>they're the people that we're supposed to be like so

1002
00:45:54.599 --> 00:45:57.039
<v Speaker 1>thrilled when they get together at the end, and think

1003
00:45:57.360 --> 00:46:00.800
<v Speaker 1>these actors are They're not good. They're not good actors

1004
00:46:01.119 --> 00:46:02.719
<v Speaker 1>and they cannot make this work.

1005
00:46:02.960 --> 00:46:06.239
<v Speaker 2>I was just I was presuming that, Like I'm like,

1006
00:46:06.239 --> 00:46:08.079
<v Speaker 2>this is a bad episode for them because they're like

1007
00:46:08.280 --> 00:46:10.000
<v Speaker 2>they're not having any of the fun crazy stuff. Like

1008
00:46:10.159 --> 00:46:12.599
<v Speaker 2>they are a little boring in this episode, somewhat on

1009
00:46:12.639 --> 00:46:16.000
<v Speaker 2>purpose because they're bouncing off this great wedding planner performance

1010
00:46:16.320 --> 00:46:19.599
<v Speaker 2>and like there's plenty going on and the other storylines.

1011
00:46:19.679 --> 00:46:21.400
<v Speaker 2>We don't need this to be bonkers as well. So

1012
00:46:21.519 --> 00:46:23.679
<v Speaker 2>I my reaction was like, they're a little boring, but

1013
00:46:24.159 --> 00:46:26.599
<v Speaker 2>I'm sure in other episodes they're more interesting, but you're

1014
00:46:26.599 --> 00:46:27.199
<v Speaker 2>telling me not.

1015
00:46:27.119 --> 00:46:30.159
<v Speaker 1>So chackle of charisma. Okay, both of these actors look

1016
00:46:30.199 --> 00:46:32.800
<v Speaker 1>maybe another episode, I'm just remembering it wrong. But I

1017
00:46:33.440 --> 00:46:37.719
<v Speaker 1>just they're so boring. So Sheila the wedding planner is overbearing.

1018
00:46:38.039 --> 00:46:40.639
<v Speaker 1>She shows no actual interest in what Billy and Allison wants.

1019
00:46:40.679 --> 00:46:43.000
<v Speaker 1>She's she keeps saying, we have two days. I've never

1020
00:46:43.039 --> 00:46:46.239
<v Speaker 1>been married, Paul, you have, Yeah, let's let's discuss wedding

1021
00:46:46.280 --> 00:46:49.199
<v Speaker 1>planning for a second. Here they don't have a venue,

1022
00:46:49.679 --> 00:46:52.760
<v Speaker 1>so their date is fairly arbitrary at this point, I

1023
00:46:52.800 --> 00:46:55.239
<v Speaker 1>would say, so it's like the freak out that this

1024
00:46:55.280 --> 00:46:57.599
<v Speaker 1>woman is having is that they have literally two days

1025
00:46:58.079 --> 00:47:01.559
<v Speaker 1>to put an entire wedding together. They push it out

1026
00:47:01.599 --> 00:47:05.760
<v Speaker 1>a month, Give yourself a fucking month, give yourself seven months.

1027
00:47:05.840 --> 00:47:09.199
<v Speaker 1>You have time. Although these two now, well no, because

1028
00:47:09.199 --> 00:47:11.039
<v Speaker 1>they fuck this morning, so that clock is no longer

1029
00:47:11.079 --> 00:47:14.559
<v Speaker 1>taking either. There's no time clock here, There's no they're

1030
00:47:14.599 --> 00:47:17.239
<v Speaker 1>not pregnant. There's no reason these to like have to

1031
00:47:17.280 --> 00:47:21.000
<v Speaker 1>get married fast, Like what is happening? So this woman

1032
00:47:21.159 --> 00:47:23.320
<v Speaker 1>is she shows no interest in them. She just hurts

1033
00:47:23.320 --> 00:47:26.400
<v Speaker 1>them along to her chosen path towards their nuptials. Alison

1034
00:47:26.440 --> 00:47:29.519
<v Speaker 1>immediately can't stand her. Billy is a little less like

1035
00:47:29.639 --> 00:47:31.960
<v Speaker 1>he's like, she seems okay, he's such a guy. He's like,

1036
00:47:32.000 --> 00:47:33.639
<v Speaker 1>I don't care as long as long as I don't

1037
00:47:33.679 --> 00:47:35.840
<v Speaker 1>have to look at napkins, I'm fine with it. But

1038
00:47:35.920 --> 00:47:38.480
<v Speaker 1>he keeps she keeps calling him William h and that

1039
00:47:38.679 --> 00:47:41.079
<v Speaker 1>does get under his skin. He's like, it's Billy. Yeah,

1040
00:47:41.119 --> 00:47:44.079
<v Speaker 1>no problem, William, it's Billy. And that's that's the little

1041
00:47:44.119 --> 00:47:44.920
<v Speaker 1>crack in his armor.

1042
00:47:45.119 --> 00:47:48.199
<v Speaker 2>They're at this restaurant and it's it's the restaurant. She's

1043
00:47:48.239 --> 00:47:50.639
<v Speaker 2>chosen to do the food and she's like, well, what

1044
00:47:50.679 --> 00:47:52.679
<v Speaker 2>do you think of the food here? And she's like,

1045
00:47:52.840 --> 00:47:55.119
<v Speaker 2>you must like it, Michael, and he goes, yeah, it

1046
00:47:55.159 --> 00:47:55.760
<v Speaker 2>was good.

1047
00:47:55.960 --> 00:47:58.760
<v Speaker 1>Meaty, meaty, meaty. There.

1048
00:47:58.760 --> 00:47:59.960
<v Speaker 2>Really, what a compliment.

1049
00:48:00.039 --> 00:48:02.679
<v Speaker 1>The writers don't like this. This these actors, they're just

1050
00:48:02.719 --> 00:48:06.239
<v Speaker 1>not giving them. Doug's event has two seconds in the show,

1051
00:48:06.239 --> 00:48:08.880
<v Speaker 1>and he makes them sing like Doug spant however that's

1052
00:48:09.039 --> 00:48:12.119
<v Speaker 1>his name, is pronounced like. He's really funny, Like you.

1053
00:48:12.119 --> 00:48:14.840
<v Speaker 1>You are the other comedic relief on this in this episode.

1054
00:48:14.880 --> 00:48:17.360
<v Speaker 1>You've got to be funnier than this. You totally step

1055
00:48:17.400 --> 00:48:17.760
<v Speaker 1>it up.

1056
00:48:18.119 --> 00:48:21.079
<v Speaker 2>So Michael heads home in the middle of the day

1057
00:48:21.119 --> 00:48:23.280
<v Speaker 2>because doctors don't need to be at the hospital all

1058
00:48:23.320 --> 00:48:24.159
<v Speaker 2>the time when they're working.

1059
00:48:24.360 --> 00:48:26.599
<v Speaker 1>Doctoring is notoriously an easy job.

1060
00:48:26.719 --> 00:48:29.519
<v Speaker 2>Yep, he finds Sidney eating lunch at the kitchen counter.

1061
00:48:29.639 --> 00:48:31.159
<v Speaker 2>She has a buffet.

1062
00:48:30.920 --> 00:48:35.239
<v Speaker 1>Shot an enormous like like punch bowl full of tuna salad.

1063
00:48:36.079 --> 00:48:38.000
<v Speaker 1>It's like, what is happening?

1064
00:48:38.079 --> 00:48:40.960
<v Speaker 2>You're making it for one open one can of tuna?

1065
00:48:41.800 --> 00:48:44.840
<v Speaker 1>Why did you put four cans of tuna into this

1066
00:48:44.960 --> 00:48:45.679
<v Speaker 1>fucking bowl?

1067
00:48:46.320 --> 00:48:51.079
<v Speaker 2>Michael? Now, I can't stress enough. Before this, like Michael

1068
00:48:51.079 --> 00:48:53.280
<v Speaker 2>and Sidney seemed happy on the beach, and then he.

1069
00:48:53.280 --> 00:48:56.519
<v Speaker 1>Saw Kimberly excited. Yeah, she's gonna make his dreams come true.

1070
00:48:56.559 --> 00:48:58.280
<v Speaker 2>He's gonna be just a doctor's wife who's there to

1071
00:48:58.320 --> 00:49:02.199
<v Speaker 2>take care of him Kimberly. Appea, He's taken aback by

1072
00:49:02.239 --> 00:49:05.239
<v Speaker 2>Kimberly's appearance. He doesn't. I mean, he's happy that she's

1073
00:49:05.280 --> 00:49:09.639
<v Speaker 2>not dead, but he's not like fully on board. He's confused, understandably,

1074
00:49:09.639 --> 00:49:13.199
<v Speaker 2>so he comes in and he breaks up with Sidney

1075
00:49:13.239 --> 00:49:14.199
<v Speaker 2>with glee.

1076
00:49:14.159 --> 00:49:17.519
<v Speaker 1>The cruelest fucking thing he can way he can.

1077
00:49:18.239 --> 00:49:21.119
<v Speaker 2>He tells her to get out of his house, and

1078
00:49:21.159 --> 00:49:23.760
<v Speaker 2>Sydney tries to protest. She even brings up you know

1079
00:49:24.239 --> 00:49:26.800
<v Speaker 2>I can make things go bad for you. Remember how

1080
00:49:26.840 --> 00:49:28.960
<v Speaker 2>we got together in the first place. I blackmailed you

1081
00:49:29.000 --> 00:49:32.280
<v Speaker 2>into marrying me and he's unmoved. He tells her to

1082
00:49:32.400 --> 00:49:35.559
<v Speaker 2>pack her bags and she loses it. She yells, he's

1083
00:49:35.599 --> 00:49:38.079
<v Speaker 2>going to prison where he's going to be the wife.

1084
00:49:38.199 --> 00:49:39.079
<v Speaker 2>How do you like that?

1085
00:49:39.199 --> 00:49:41.400
<v Speaker 1>Okay, look, the joke doesn't age well. Yeah, but this

1086
00:49:41.440 --> 00:49:43.880
<v Speaker 1>actress really nails it. She nails it.

1087
00:49:44.280 --> 00:49:48.719
<v Speaker 2>Michael smirks, he's unconcerned, and Sydney grabs her person storms

1088
00:49:48.719 --> 00:49:49.679
<v Speaker 2>out of the beach house.

1089
00:49:50.039 --> 00:49:53.320
<v Speaker 1>He's skipping. He is so happy, Yeah, to break up

1090
00:49:53.360 --> 00:49:54.920
<v Speaker 1>with this woman that he was madly in love with

1091
00:49:55.000 --> 00:49:56.000
<v Speaker 1>twenty four hours ago.

1092
00:49:56.079 --> 00:49:56.280
<v Speaker 2>Yep.

1093
00:49:56.519 --> 00:50:01.079
<v Speaker 1>We cut back to billionaire Sheila to the home of

1094
00:50:01.079 --> 00:50:05.039
<v Speaker 1>their fashion designer friend Jane Josie Bissett, who's another full

1095
00:50:05.119 --> 00:50:08.440
<v Speaker 1>character on this show. Don't worry about it. She's making

1096
00:50:08.519 --> 00:50:11.079
<v Speaker 1>Allison's really truly hideous wedding dress.

1097
00:50:11.280 --> 00:50:14.000
<v Speaker 2>So I was okay, I was like, this looks really ugly,

1098
00:50:14.360 --> 00:50:14.960
<v Speaker 2>and then I was.

1099
00:50:14.960 --> 00:50:17.760
<v Speaker 1>Like, it's nineties ugly, and you look at what Josie

1100
00:50:17.760 --> 00:50:20.760
<v Speaker 1>Bissett is wearing and you're like, oh, I see, I

1101
00:50:20.800 --> 00:50:21.119
<v Speaker 1>get it.

1102
00:50:21.519 --> 00:50:24.280
<v Speaker 2>But I looked up the actual wedding episode because I

1103
00:50:24.320 --> 00:50:26.360
<v Speaker 2>was like, because they have this big bow that's just

1104
00:50:26.400 --> 00:50:28.719
<v Speaker 2>sitting on the on the top of the neck of

1105
00:50:28.760 --> 00:50:31.519
<v Speaker 2>the dress form. I'm like, is that supposed to go

1106
00:50:31.639 --> 00:50:34.639
<v Speaker 2>in her hair? It's not. It goes on her ass,

1107
00:50:34.679 --> 00:50:38.199
<v Speaker 2>which is somewhat better. But I only saw the top

1108
00:50:38.239 --> 00:50:41.199
<v Speaker 2>of the dress. It wasn't hideous. It was like it

1109
00:50:41.239 --> 00:50:44.400
<v Speaker 2>was like a rhinestone bustier. Not my taste, but not

1110
00:50:44.599 --> 00:50:47.679
<v Speaker 2>like not like the toilet paper roll dress from Golden Girls, right, Like.

1111
00:50:47.639 --> 00:50:49.920
<v Speaker 1>That's truly the pinnacle of bad wedding dresses.

1112
00:50:50.159 --> 00:50:51.559
<v Speaker 2>That's the pinnacle of bed everything.

1113
00:50:52.000 --> 00:50:54.840
<v Speaker 1>So okay, So this didn't have like epaulets. I swear

1114
00:50:54.880 --> 00:50:56.119
<v Speaker 1>to god I saw epilet.

1115
00:50:56.159 --> 00:50:58.480
<v Speaker 2>I'm not certain it's actually the same dress.

1116
00:50:58.760 --> 00:51:00.719
<v Speaker 1>Okay, that makes a lot a lot of sense. That

1117
00:51:00.760 --> 00:51:03.360
<v Speaker 1>makes a lot of sense, got it? Okay, So Sheila

1118
00:51:03.480 --> 00:51:06.400
<v Speaker 1>compliments Jane on her work. Jane's like thrilled. I'm so

1119
00:51:06.559 --> 00:51:08.800
<v Speaker 1>happy to make the dress to these two people that

1120
00:51:08.840 --> 00:51:11.440
<v Speaker 1>I love and live twenty feet away from.

1121
00:51:11.800 --> 00:51:14.800
<v Speaker 2>And it's also like, potentially, Jane is a fashion designer

1122
00:51:15.079 --> 00:51:17.760
<v Speaker 2>and it's potentially a really good connection for her if

1123
00:51:17.760 --> 00:51:20.280
<v Speaker 2>this wedding planner is someone who might like refer clients

1124
00:51:20.280 --> 00:51:21.320
<v Speaker 2>to her in the future.

1125
00:51:21.480 --> 00:51:24.239
<v Speaker 1>As soon as it go outside, Sheila's like, yuck, right,

1126
00:51:24.400 --> 00:51:26.679
<v Speaker 1>that dress? Am I right? You guys? That was gross

1127
00:51:27.199 --> 00:51:30.039
<v Speaker 1>And she says to Alison the line you said your

1128
00:51:30.079 --> 00:51:33.199
<v Speaker 1>dress was white, that was practically eggshell?

1129
00:51:34.760 --> 00:51:37.840
<v Speaker 2>Are you are? Actress is leaning in so much and

1130
00:51:37.880 --> 00:51:38.639
<v Speaker 2>it's so good.

1131
00:51:38.760 --> 00:51:40.960
<v Speaker 1>She has her five minutes Paul, Yeah, and she has

1132
00:51:41.000 --> 00:51:45.079
<v Speaker 1>her one seat more one episode star from this she

1133
00:51:45.119 --> 00:51:48.159
<v Speaker 1>got to do in nineteen ninety three. Allison's like, I

1134
00:51:48.280 --> 00:51:50.400
<v Speaker 1>like the dress. I picked out that dress. I'd helped

1135
00:51:50.440 --> 00:51:53.199
<v Speaker 1>her design it. And she's like, oh, okay, then well,

1136
00:51:53.400 --> 00:51:54.960
<v Speaker 1>if she's your friend and you want to use it,

1137
00:51:54.960 --> 00:51:58.280
<v Speaker 1>that's fine. But then she bulldozes them about tuxes. She's like, Billy,

1138
00:51:58.480 --> 00:52:01.280
<v Speaker 1>meet me at ARMANI tomorrow. I'm sharp and he's like, oh,

1139
00:52:01.320 --> 00:52:02.519
<v Speaker 1>but I don't want to wear them. She's like, you

1140
00:52:02.639 --> 00:52:06.639
<v Speaker 1>worry our money. Bye, and it just leaves thank you,

1141
00:52:06.679 --> 00:52:08.639
<v Speaker 1>William and he goes, my name is Billy.

1142
00:52:09.360 --> 00:52:12.480
<v Speaker 2>We cut to d and d Amanda is pacing nervously

1143
00:52:12.559 --> 00:52:14.760
<v Speaker 2>waiting to be called into the meeting with models. Inc. Okay,

1144
00:52:14.800 --> 00:52:16.760
<v Speaker 2>so this is this is just a dumb staging thing.

1145
00:52:16.880 --> 00:52:20.280
<v Speaker 2>But like she's pacing outside of this one office, there's

1146
00:52:20.280 --> 00:52:23.079
<v Speaker 2>a guy in the office that like stands up. He's

1147
00:52:23.079 --> 00:52:24.880
<v Speaker 2>like he's like in a cubicle, he's facing a wall.

1148
00:52:25.000 --> 00:52:26.679
<v Speaker 2>Uh huh. He stands up, he walks out. He's like,

1149
00:52:26.679 --> 00:52:28.480
<v Speaker 2>they're ready for you, Amanda, and she's like great, and

1150
00:52:28.519 --> 00:52:31.639
<v Speaker 2>then she walks away from him, like through the whole

1151
00:52:31.639 --> 00:52:33.679
<v Speaker 2>office to get so, like ny all out of the

1152
00:52:33.679 --> 00:52:36.199
<v Speaker 2>conference room? Did that guy that guy to tell her

1153
00:52:36.239 --> 00:52:38.800
<v Speaker 2>to come rather than simply having her like be in

1154
00:52:38.880 --> 00:52:40.760
<v Speaker 2>her office and then buzz her whatever?

1155
00:52:41.000 --> 00:52:44.079
<v Speaker 1>Whatever, You're right, that makes no sense. Why why did

1156
00:52:44.119 --> 00:52:44.559
<v Speaker 1>they do that?

1157
00:52:45.159 --> 00:52:47.960
<v Speaker 2>So we cut to the Model's Inc. Meeting where Hillary

1158
00:52:48.039 --> 00:52:52.199
<v Speaker 2>Michael's played by Linda Gray, the Dallas alum, who is excellent.

1159
00:52:52.719 --> 00:52:54.360
<v Speaker 1>I have to say I saw her name pop up

1160
00:52:54.360 --> 00:52:56.320
<v Speaker 1>in the credits at the beginning of the episode, and

1161
00:52:56.360 --> 00:52:58.960
<v Speaker 1>I was, like, Linda Gray is in this episode of

1162
00:52:59.039 --> 00:53:00.000
<v Speaker 1>Meloe's plays.

1163
00:53:00.599 --> 00:53:02.880
<v Speaker 2>Yeah. Yeah. First of all, let me tell let's start here.

1164
00:53:03.320 --> 00:53:06.480
<v Speaker 2>I love a business meeting where the most important person

1165
00:53:07.039 --> 00:53:11.800
<v Speaker 2>is sitting on the conference table, fully facing away from everybody.

1166
00:53:11.400 --> 00:53:13.559
<v Speaker 1>Else's the vill tearing out the window.

1167
00:53:13.840 --> 00:53:16.960
<v Speaker 2>And just dictating what's going on exactly how all business

1168
00:53:17.000 --> 00:53:22.079
<v Speaker 2>meetings have ever been happened? Anyway, Hillary is refusing any apologies.

1169
00:53:22.159 --> 00:53:25.559
<v Speaker 2>She's insisting that she wants the person responsible, and Amanda

1170
00:53:25.679 --> 00:53:27.480
<v Speaker 2>enters and the two women meet eyes and Hillary is

1171
00:53:27.519 --> 00:53:32.880
<v Speaker 2>surprised and she says Amanda, and Amanda says, hello, mother,

1172
00:53:33.800 --> 00:53:34.960
<v Speaker 2>done dun dum.

1173
00:53:37.519 --> 00:53:40.119
<v Speaker 1>This is a commercial break, right, let's get a commercial break.

1174
00:53:40.119 --> 00:53:43.039
<v Speaker 1>That's a good that's a good commercial break. We cut

1175
00:53:43.079 --> 00:53:45.760
<v Speaker 1>to after the meeting as Amanda and Hillary leave the

1176
00:53:45.840 --> 00:53:47.360
<v Speaker 1>Dungeons and Dragon offices.

1177
00:53:48.320 --> 00:53:52.320
<v Speaker 2>They've defeated they've defeated the the Orc King, and they're

1178
00:53:52.360 --> 00:53:53.440
<v Speaker 2>headed back to the Keep.

1179
00:53:53.599 --> 00:53:58.760
<v Speaker 1>They've defeated the Demi Gorgon. Hillary tries to make small talk,

1180
00:53:58.800 --> 00:54:00.679
<v Speaker 1>but Amanda is not interested. She says she may have

1181
00:54:00.679 --> 00:54:02.880
<v Speaker 1>to do business with her mother, but she wants no

1182
00:54:03.199 --> 00:54:06.679
<v Speaker 1>further relationship, not after Hillary left Amanda and her father

1183
00:54:06.800 --> 00:54:10.719
<v Speaker 1>years ago. Hillary protests, you don't know the whole story.

1184
00:54:10.760 --> 00:54:13.480
<v Speaker 1>Does anyone ever know any of the whole stories? But

1185
00:54:13.559 --> 00:54:15.320
<v Speaker 1>you don't know the whole story. What's the whole story?

1186
00:54:15.400 --> 00:54:17.000
<v Speaker 1>I left? Oh? You know what? You did know those

1187
00:54:17.239 --> 00:54:17.599
<v Speaker 1>that was it?

1188
00:54:17.719 --> 00:54:18.039
<v Speaker 2>You know what?

1189
00:54:18.079 --> 00:54:19.840
<v Speaker 1>I thought there was more story, but as I said

1190
00:54:19.840 --> 00:54:23.159
<v Speaker 1>it out loud, I left. Yeah, No, that was the

1191
00:54:23.199 --> 00:54:27.360
<v Speaker 1>whole story. You gotta telled it. I didn't want to

1192
00:54:27.360 --> 00:54:30.000
<v Speaker 1>be a mom. You were a terrible kid. Yeah, glad,

1193
00:54:30.000 --> 00:54:33.400
<v Speaker 1>I said that aloud. Amanda's like, I don't want to

1194
00:54:33.440 --> 00:54:36.079
<v Speaker 1>hear your whole story, and she cuts her off and leaves.

1195
00:54:36.760 --> 00:54:39.280
<v Speaker 2>I wouldn't have left, but I actually really disliked you.

1196
00:54:39.280 --> 00:54:41.519
<v Speaker 2>You were the problem. We cut that.

1197
00:54:41.719 --> 00:54:46.760
<v Speaker 1>Okay, okay, excited, I'm so excited to talk about this scene.

1198
00:54:47.440 --> 00:54:49.599
<v Speaker 2>We cut back to the hospital. The setting for this

1199
00:54:49.760 --> 00:54:55.639
<v Speaker 2>scene is deranged, so we cut back the hospital. Standing

1200
00:54:55.639 --> 00:55:01.760
<v Speaker 2>in a line are doctor Michael Mancini, then Sidney, his

1201
00:55:02.039 --> 00:55:02.519
<v Speaker 2>soon to be.

1202
00:55:02.559 --> 00:55:04.480
<v Speaker 1>Ex wife, he's a strange ext wife.

1203
00:55:04.840 --> 00:55:09.039
<v Speaker 2>Then Matt Fielding Gay the gay. They're standing in line

1204
00:55:09.159 --> 00:55:11.239
<v Speaker 2>in like an examining room in the hospital. The door

1205
00:55:11.280 --> 00:55:14.920
<v Speaker 2>is wide open. Also in the room is a police

1206
00:55:14.960 --> 00:55:16.960
<v Speaker 2>detective just.

1207
00:55:17.400 --> 00:55:20.320
<v Speaker 1>Our hands on hips being all detectivey.

1208
00:55:20.840 --> 00:55:25.599
<v Speaker 2>He's interrogating Michael about accusations made by Sidney. This is

1209
00:55:25.639 --> 00:55:30.639
<v Speaker 2>exactly where police usually choose to discuss potential vehicular homicides.

1210
00:55:31.199 --> 00:55:32.159
<v Speaker 1>Ha.

1211
00:55:33.079 --> 00:55:37.119
<v Speaker 2>So Michael says that Sydney is crazy. He doesn't even

1212
00:55:37.119 --> 00:55:39.360
<v Speaker 2>know what she's talking about, and she's like, no, like

1213
00:55:39.440 --> 00:55:43.199
<v Speaker 2>I have proof, my sister will will testify, blah blah,

1214
00:55:43.280 --> 00:55:47.360
<v Speaker 2>and on cue Kimberly enters. She says Hi, they're sid

1215
00:55:47.800 --> 00:55:52.039
<v Speaker 2>and Sidney faints and then Kimberly dead pans. Finally, the

1216
00:55:52.079 --> 00:55:53.480
<v Speaker 2>reaction I've been looking for.

1217
00:55:53.960 --> 00:55:55.199
<v Speaker 1>Amazing, amazing.

1218
00:55:55.519 --> 00:55:58.239
<v Speaker 2>The reason Matt is in this scene is to catch

1219
00:55:58.320 --> 00:55:59.800
<v Speaker 2>Sydney when she faints.

1220
00:56:00.039 --> 00:56:03.320
<v Speaker 1>His reaction shot is very good. Is very very good.

1221
00:56:03.480 --> 00:56:05.719
<v Speaker 2>I mean, they paid Doug Savant for this episode, so

1222
00:56:05.719 --> 00:56:07.000
<v Speaker 2>they might as well have him come in for the sea.

1223
00:56:07.119 --> 00:56:09.599
<v Speaker 1>Yeah. Look, if you have a comedic like assassin on

1224
00:56:09.639 --> 00:56:12.960
<v Speaker 1>your hands, like Doug Savant, you're using him basically Michael's

1225
00:56:12.960 --> 00:56:15.320
<v Speaker 1>then like, uh, there can't be a murder if there's

1226
00:56:15.360 --> 00:56:19.559
<v Speaker 1>no murder victim. Dun, dun, dun. We cut to Hillary

1227
00:56:19.679 --> 00:56:22.920
<v Speaker 1>knocking on Amanda's apartment door. Here's the problem with soap operas, too,

1228
00:56:23.480 --> 00:56:26.559
<v Speaker 1>is it like there's five plots in this episode and

1229
00:56:26.639 --> 00:56:28.599
<v Speaker 1>only one of them do I give a shit about? Yeah,

1230
00:56:28.639 --> 00:56:30.679
<v Speaker 1>And so every time they cut away and I look,

1231
00:56:30.760 --> 00:56:32.760
<v Speaker 1>this is Linda Gray that like, I'm all in on

1232
00:56:32.800 --> 00:56:35.119
<v Speaker 1>this one too, I guess. But like every time they

1233
00:56:35.119 --> 00:56:39.039
<v Speaker 1>cut to something else that's not the insane thing happening

1234
00:56:39.039 --> 00:56:42.599
<v Speaker 1>with Michael, I'm like, just do the insane thing happening

1235
00:56:42.599 --> 00:56:44.599
<v Speaker 1>with Michael for a whole episode, please.

1236
00:56:44.360 --> 00:56:47.360
<v Speaker 2>Well, because everything else is cresting, right This is it's peaking.

1237
00:56:47.400 --> 00:56:49.800
<v Speaker 2>This storyline is peaking right now, everything else is building.

1238
00:56:49.800 --> 00:56:52.039
<v Speaker 2>So there's another I'm sure next episode it's gonna be

1239
00:56:52.280 --> 00:56:54.679
<v Speaker 2>Daphne's Aniga figuring out that model has been abused, and

1240
00:56:54.719 --> 00:56:55.880
<v Speaker 2>we're gonna a lot of drama that.

1241
00:56:56.280 --> 00:56:57.840
<v Speaker 1>I mean, it has to be like a Linda Gray

1242
00:56:57.880 --> 00:57:00.320
<v Speaker 1>Heather Lockleyer food fight right at some point, like in

1243
00:57:00.320 --> 00:57:03.119
<v Speaker 1>a fancy restaurant somewhere like that has to have happened,

1244
00:57:03.519 --> 00:57:05.480
<v Speaker 1>So I get it. But that is my problem with

1245
00:57:05.519 --> 00:57:07.000
<v Speaker 1>soap operas, where I'm just like, just stick to the

1246
00:57:07.039 --> 00:57:10.280
<v Speaker 1>thing that's really interesting, you guys. Hillary knocks in Amanda's door.

1247
00:57:10.320 --> 00:57:12.800
<v Speaker 1>Amanda isn't there, but the door is answered by her boyfriend,

1248
00:57:12.920 --> 00:57:14.199
<v Speaker 1>Jake Hansen played by.

1249
00:57:14.159 --> 00:57:16.360
<v Speaker 2>Grant Show, another person on the show.

1250
00:57:16.360 --> 00:57:19.480
<v Speaker 1>Like legitimately thirty five minutes into this episode and he

1251
00:57:19.519 --> 00:57:22.639
<v Speaker 1>finally shows up. Yeah, Jake invites Hillary in, despite having

1252
00:57:22.679 --> 00:57:24.800
<v Speaker 1>at least some idea of the state of her relationship

1253
00:57:24.800 --> 00:57:27.039
<v Speaker 1>with Amanda. He's like, Oh, you're her a strange mother

1254
00:57:27.079 --> 00:57:28.719
<v Speaker 1>that she hates. Yeah, do you want to come in?

1255
00:57:28.880 --> 00:57:31.320
<v Speaker 1>To be clear, he does not live there. He is

1256
00:57:31.719 --> 00:57:34.599
<v Speaker 1>like making dinner for Amanda before Amanda gets home from work,

1257
00:57:34.639 --> 00:57:35.000
<v Speaker 1>because I.

1258
00:57:34.960 --> 00:57:37.199
<v Speaker 2>Get marinating steaks because he's a man. That's all you

1259
00:57:37.199 --> 00:57:37.480
<v Speaker 2>can do.

1260
00:57:37.559 --> 00:57:39.719
<v Speaker 1>Because apparently Jake doesn't have a job. I don't know

1261
00:57:39.800 --> 00:57:40.519
<v Speaker 1>what Jake does.

1262
00:57:40.599 --> 00:57:42.679
<v Speaker 2>Here's the secret, kids. If you can marinate steaks, you

1263
00:57:42.719 --> 00:57:44.639
<v Speaker 2>can marinate literally anything else.

1264
00:57:45.000 --> 00:57:47.559
<v Speaker 1>Wait, hang on to write this one down. What can

1265
00:57:47.599 --> 00:57:48.440
<v Speaker 1>you marinate chicken?

1266
00:57:48.519 --> 00:57:48.920
<v Speaker 2>Yeah? Huh?

1267
00:57:49.119 --> 00:57:53.320
<v Speaker 1>Can you marinate salmon? Can you marinate donkey? Could you

1268
00:57:53.360 --> 00:57:54.280
<v Speaker 1>marinate vegetables?

1269
00:57:54.400 --> 00:57:54.679
<v Speaker 2>Yeah?

1270
00:57:54.719 --> 00:57:56.599
<v Speaker 1>Hang on, guys, I have like fifteen more? And then

1271
00:57:56.599 --> 00:57:58.440
<v Speaker 1>I'm not I sweart. Can you marinate?

1272
00:57:58.480 --> 00:57:58.559
<v Speaker 2>No?

1273
00:57:59.199 --> 00:58:01.599
<v Speaker 1>Like, yeah, it's so well, it's anyway. So he's just

1274
00:58:01.760 --> 00:58:04.519
<v Speaker 1>visiting Amanda's house. She's she's given him a key to

1275
00:58:04.559 --> 00:58:07.559
<v Speaker 1>her house, and he's like, yeah, sure, Ald, invite your

1276
00:58:07.639 --> 00:58:11.199
<v Speaker 1>estrange mother right on in. Yeah, PSA for this episode.

1277
00:58:11.280 --> 00:58:11.719
<v Speaker 1>Don't do that.

1278
00:58:11.760 --> 00:58:12.280
<v Speaker 2>Don't do that.

1279
00:58:12.480 --> 00:58:14.920
<v Speaker 1>He offers her a glass of wine, and Hillary is

1280
00:58:15.000 --> 00:58:17.400
<v Speaker 1>overcome with pride for her daughter, who has made such

1281
00:58:17.400 --> 00:58:20.320
<v Speaker 1>an amazing life for herself. She's taken two steps into

1282
00:58:20.320 --> 00:58:24.000
<v Speaker 1>this woman's living room seeing furniture, Yeah, just basic furniture,

1283
00:58:24.000 --> 00:58:27.280
<v Speaker 1>and is like, oh my god, she made it. She survived.

1284
00:58:27.480 --> 00:58:29.480
<v Speaker 2>But you know what, Lindic Gray makes it work. She

1285
00:58:29.559 --> 00:58:32.480
<v Speaker 2>does that woman knows her way around a soap opera script. Like,

1286
00:58:32.719 --> 00:58:35.519
<v Speaker 2>I feel like so many soap opera actors get a

1287
00:58:35.559 --> 00:58:37.639
<v Speaker 2>bad rapper or they don't get the respect they deserve

1288
00:58:37.760 --> 00:58:40.519
<v Speaker 2>because they are particularly on the daytime soap, so they're

1289
00:58:40.559 --> 00:58:43.519
<v Speaker 2>churning out five fucking episodes a week. Yeah, that is

1290
00:58:43.599 --> 00:58:47.840
<v Speaker 2>a work horse, Like you are learning lines and somehow

1291
00:58:47.840 --> 00:58:50.199
<v Speaker 2>getting through scenes like that's hard.

1292
00:58:50.079 --> 00:58:53.239
<v Speaker 1>Scenes that were written fifteen minutes ago by exhausted writers

1293
00:58:53.239 --> 00:58:55.119
<v Speaker 1>who are like, I don't know, Yeah, just hit him

1294
00:58:55.159 --> 00:58:56.280
<v Speaker 1>across the face and walk away.

1295
00:58:56.360 --> 00:58:57.920
<v Speaker 2>Yeah, make sure that you can cry and go do

1296
00:58:57.960 --> 00:59:01.360
<v Speaker 2>it like and there's they deserve their props.

1297
00:59:01.440 --> 00:59:04.000
<v Speaker 1>It's true. That's why is when someone like Marcia Cross

1298
00:59:04.480 --> 00:59:08.639
<v Speaker 1>is like so good at it, it's like you are

1299
00:59:08.719 --> 00:59:12.679
<v Speaker 1>a genius actor. To make this seem natural. Hillary says

1300
00:59:12.719 --> 00:59:15.719
<v Speaker 1>she wants a chance to explain herself to Amanda, and

1301
00:59:15.840 --> 00:59:18.079
<v Speaker 1>Jake hugs Hillary because she's crying and he don't know

1302
00:59:18.079 --> 00:59:19.480
<v Speaker 1>what to do, so he kind of like hugs her

1303
00:59:19.719 --> 00:59:22.320
<v Speaker 1>and offers to talk to Amanda for her. He's like,

1304
00:59:22.519 --> 00:59:24.719
<v Speaker 1>let me be the bridge, let me fix this relationship

1305
00:59:24.760 --> 00:59:26.760
<v Speaker 1>between you and your daughter. Ye. I don't know how

1306
00:59:26.760 --> 00:59:28.719
<v Speaker 1>long Heather Lockley has been on this show, but these

1307
00:59:28.719 --> 00:59:30.360
<v Speaker 1>two could not have been together for more than a

1308
00:59:30.400 --> 00:59:32.880
<v Speaker 1>month before he was like, hang on, I got this.

1309
00:59:33.320 --> 00:59:36.000
<v Speaker 2>What exactly is going on with Grant Show's outfit.

1310
00:59:36.559 --> 00:59:40.440
<v Speaker 1>The mom jeans? This is they have put him in

1311
00:59:41.280 --> 00:59:45.760
<v Speaker 1>a chastity belt in denim form. It is so hideous.

1312
00:59:45.840 --> 00:59:48.559
<v Speaker 2>This is worse than the model stresses. I actually think

1313
00:59:48.599 --> 00:59:52.159
<v Speaker 2>the model stresses look better Grant Show. In the credits,

1314
00:59:52.199 --> 00:59:55.159
<v Speaker 2>Grant Show is shirtless. They know why Grant Show is there?

1315
00:59:55.280 --> 00:59:58.960
<v Speaker 1>And or white tank top with a leather jacket like classic,

1316
00:59:59.119 --> 01:00:02.199
<v Speaker 1>classic handsome. I'm sitting on top of a motorcycle. It's

1317
01:00:02.280 --> 01:00:03.440
<v Speaker 1>his job, motorcycle.

1318
01:00:03.559 --> 01:00:04.440
<v Speaker 2>I believe it's mechanic.

1319
01:00:04.559 --> 01:00:08.119
<v Speaker 1>Is that his his job's his job is motorcycles.

1320
01:00:07.719 --> 01:00:09.239
<v Speaker 2>Jobs, motorcycle. I said what I said?

1321
01:00:09.320 --> 01:00:11.440
<v Speaker 1>I said what I said. Yeah, okay, that makes a

1322
01:00:11.480 --> 01:00:14.800
<v Speaker 1>little more sense then okay, you no, this outfit is

1323
01:00:15.239 --> 01:00:17.920
<v Speaker 1>it's just the most sexless thing I've ever seen a

1324
01:00:17.960 --> 01:00:18.440
<v Speaker 1>man wear.

1325
01:00:18.559 --> 01:00:20.840
<v Speaker 2>It's like those eight that eighties wash of jeans or

1326
01:00:20.880 --> 01:00:23.079
<v Speaker 2>nineties washing jeans where it's like pale blue and then

1327
01:00:23.079 --> 01:00:26.440
<v Speaker 2>he has a shirt on that's almost the same color.

1328
01:00:26.519 --> 01:00:28.639
<v Speaker 2>It's not denim, but it's almost the same color. It's

1329
01:00:28.639 --> 01:00:30.840
<v Speaker 2>also quite baggy. I'm like, I know that's a good

1330
01:00:30.880 --> 01:00:34.199
<v Speaker 2>looking man, but I can't see past the the schmot

1331
01:00:34.239 --> 01:00:34.920
<v Speaker 2>that you have on him.

1332
01:00:35.000 --> 01:00:37.039
<v Speaker 1>It's like he's on the news and they've blurred out

1333
01:00:37.079 --> 01:00:40.599
<v Speaker 1>his body. There is like it's not his face but

1334
01:00:40.719 --> 01:00:43.079
<v Speaker 1>his body. They're like, we cannot show you this man's body,

1335
01:00:43.079 --> 01:00:45.679
<v Speaker 1>and they blurred him out. It's because you can't see

1336
01:00:45.760 --> 01:00:48.159
<v Speaker 1>any any definition anything.

1337
01:00:48.199 --> 01:00:50.280
<v Speaker 2>There's nothing that actually nude. And they added all his

1338
01:00:50.400 --> 01:00:51.280
<v Speaker 2>clothes posts.

1339
01:00:53.000 --> 01:00:55.840
<v Speaker 1>It's that's grant show only works in the nude. It's

1340
01:00:55.840 --> 01:00:57.960
<v Speaker 1>the only way he can remember his lines correct, so

1341
01:00:58.000 --> 01:00:59.719
<v Speaker 1>they have to they have to add on the clothes

1342
01:00:59.719 --> 01:01:01.199
<v Speaker 1>afters in post, I.

1343
01:01:01.119 --> 01:01:03.000
<v Speaker 2>Mean, get me a job on a Grand show show.

1344
01:01:03.119 --> 01:01:04.960
<v Speaker 1>Right now, it's a Grand show show.

1345
01:01:05.000 --> 01:01:06.880
<v Speaker 2>It's a Grand show show. We cut to Michael and

1346
01:01:06.960 --> 01:01:09.760
<v Speaker 2>Kimberly at dinner. Michael, who he must remember it has

1347
01:01:09.880 --> 01:01:14.880
<v Speaker 2>been freshly exonerated for a potential vehicular manslaughter due to

1348
01:01:14.920 --> 01:01:17.880
<v Speaker 2>his drunk driving, from which he has been emotionally suffering

1349
01:01:17.960 --> 01:01:19.800
<v Speaker 2>for I don't know, let's say six months. I have

1350
01:01:19.800 --> 01:01:21.599
<v Speaker 2>no idea what the time of the show is is.

1351
01:01:21.559 --> 01:01:24.559
<v Speaker 1>Four months, she says it for four months.

1352
01:01:24.599 --> 01:01:27.039
<v Speaker 2>He is sucking down drinks and wants to order another.

1353
01:01:27.320 --> 01:01:29.960
<v Speaker 1>He's like, whoah, let's party a free.

1354
01:01:30.119 --> 01:01:33.719
<v Speaker 2>Let's remember that while Kimberly did survive, she was still

1355
01:01:34.559 --> 01:01:38.519
<v Speaker 2>severely injured in a drunk driving accident that this man

1356
01:01:38.639 --> 01:01:42.199
<v Speaker 2>was responsible for. Kimberly stops him cold. This is where

1357
01:01:42.239 --> 01:01:44.079
<v Speaker 2>Marcia Cross is starting to come out right. She has

1358
01:01:44.119 --> 01:01:45.480
<v Speaker 2>no menus.

1359
01:01:45.920 --> 01:01:48.639
<v Speaker 1>He has had at least two cocktails before they've even

1360
01:01:48.760 --> 01:01:53.320
<v Speaker 1>gotten a menu, not their food, a menu, and she's like,

1361
01:01:53.400 --> 01:01:55.800
<v Speaker 1>She tells the waiter She's like, menus now, and the

1362
01:01:55.840 --> 01:02:00.400
<v Speaker 1>waiter looks at Michael is like, sorry, what a bit right.

1363
01:02:01.119 --> 01:02:03.119
<v Speaker 2>She holds the crown of her head again and she

1364
01:02:03.159 --> 01:02:05.320
<v Speaker 2>pulls out some pills and she explains that I have

1365
01:02:05.400 --> 01:02:06.800
<v Speaker 2>these for these headaches I've been getting.

1366
01:02:06.960 --> 01:02:09.920
<v Speaker 1>Yeah again he is a doctor. Yeah, he asks, no question,

1367
01:02:09.960 --> 01:02:12.320
<v Speaker 1>no follow up. No, he's not like, what meds are

1368
01:02:12.320 --> 01:02:15.000
<v Speaker 1>you on? Like? Who prescribed him for you? How many

1369
01:02:15.039 --> 01:02:17.239
<v Speaker 1>do you take in a day? Exactly where in your

1370
01:02:17.280 --> 01:02:20.679
<v Speaker 1>head are these headaches coming from? Nothing, no interests at

1371
01:02:20.679 --> 01:02:25.599
<v Speaker 1>all in his girlfriend's well being. We cut back to Amanda.

1372
01:02:25.679 --> 01:02:28.760
<v Speaker 1>Amanda is chewing Jake out for his impertinence and getting

1373
01:02:28.800 --> 01:02:31.840
<v Speaker 1>involved in her relationship with her mother. She is not wrong,

1374
01:02:32.039 --> 01:02:34.000
<v Speaker 1>Jake says, look like it or not. She is your

1375
01:02:34.039 --> 01:02:36.679
<v Speaker 1>mother and you can't just run away from that. Yeah,

1376
01:02:36.719 --> 01:02:39.000
<v Speaker 1>And I'm like, Jake must be so good in bed.

1377
01:02:39.079 --> 01:02:41.000
<v Speaker 1>Oh yeah, for her to eat, not just be like

1378
01:02:41.199 --> 01:02:43.960
<v Speaker 1>we're done. I can't with you. I can't with you.

1379
01:02:44.679 --> 01:02:46.840
<v Speaker 1>Put on something with definition and get out of here.

1380
01:02:47.000 --> 01:02:48.800
<v Speaker 2>Take off this blurring. I need to see his penis.

1381
01:02:49.280 --> 01:02:52.480
<v Speaker 2>I need to remember why he's here. We cut to Sydney.

1382
01:02:52.519 --> 01:02:55.119
<v Speaker 2>Remember Sydney when when we last saw her she was

1383
01:02:55.159 --> 01:02:56.639
<v Speaker 2>fainting into Matte Fielding's arm.

1384
01:02:56.679 --> 01:02:57.960
<v Speaker 1>Well, she is. She in the hook her business.

1385
01:02:58.320 --> 01:03:00.559
<v Speaker 2>She wasn't hooker business, but she left it for good, gotcha.

1386
01:03:00.679 --> 01:03:02.800
<v Speaker 1>Yeah, she's carrying I hope she didn't burn any bridges

1387
01:03:02.880 --> 01:03:05.960
<v Speaker 1>the way out. I hope she didn't do a Yeah,

1388
01:03:05.960 --> 01:03:07.840
<v Speaker 1>I hope she didn't do a Jerry Maguire last night

1389
01:03:07.880 --> 01:03:11.199
<v Speaker 1>and leave the hotel room being like, fuck you, fuck you,

1390
01:03:11.199 --> 01:03:15.000
<v Speaker 1>You're cool. I'm taking the goldfish with me.

1391
01:03:16.440 --> 01:03:19.559
<v Speaker 2>She's carrying a suitcase. She's walking up to Melrose Place

1392
01:03:19.559 --> 01:03:23.400
<v Speaker 2>and she knocks on Jane's door. Now, Erica do you

1393
01:03:23.519 --> 01:03:25.920
<v Speaker 2>know what these two characters are to each other?

1394
01:03:26.599 --> 01:03:27.039
<v Speaker 1>Sisters?

1395
01:03:27.079 --> 01:03:27.880
<v Speaker 2>These are sisters.

1396
01:03:27.920 --> 01:03:30.280
<v Speaker 1>I did know that. I remember that these are sisters.

1397
01:03:30.360 --> 01:03:31.960
<v Speaker 2>I did not know that until I looked it up.

1398
01:03:33.800 --> 01:03:38.440
<v Speaker 2>So these are two sisters. She knocks on Jane's door.

1399
01:03:38.519 --> 01:03:41.760
<v Speaker 2>Jane opens it. She is absolutely not interested in anything

1400
01:03:41.840 --> 01:03:44.920
<v Speaker 2>Sidney has to say. She very calmly tells her that

1401
01:03:44.960 --> 01:03:48.119
<v Speaker 2>blackmail just isn't a good building block for a relationship.

1402
01:03:48.199 --> 01:03:51.159
<v Speaker 1>I just just remind people who don't remember, Jane was

1403
01:03:51.320 --> 01:03:54.599
<v Speaker 1>married to Michael before all of this went down with

1404
01:03:54.719 --> 01:03:55.639
<v Speaker 1>Kimberly and Sydney.

1405
01:03:55.760 --> 01:03:58.519
<v Speaker 2>Yeah, Jane is the wife that Michael left for Kimberly.

1406
01:03:59.119 --> 01:04:02.840
<v Speaker 2>Jane is Sydney's sister. Sidney was married to Michael after

1407
01:04:02.840 --> 01:04:06.039
<v Speaker 2>she blackmailed him but accidentally killing Kimberly. Are we all together?

1408
01:04:06.159 --> 01:04:09.880
<v Speaker 2>There will be a test. Sidney tearfully asks if she

1409
01:04:09.920 --> 01:04:12.960
<v Speaker 2>can stay, and Jane says she'd rather set fire to herself.

1410
01:04:13.440 --> 01:04:16.400
<v Speaker 1>Harsh, Love you, Jane, love you, love you to pieces Jane.

1411
01:04:16.840 --> 01:04:20.480
<v Speaker 2>Sidney cries that she's having a nervous breakdown, and Jane says,

1412
01:04:20.840 --> 01:04:23.239
<v Speaker 2>and I wish you would have it someplace else and

1413
01:04:23.280 --> 01:04:24.559
<v Speaker 2>closes the door in her face.

1414
01:04:24.800 --> 01:04:28.239
<v Speaker 1>So good. Yeah, I have to say, I don't remember

1415
01:04:28.320 --> 01:04:30.440
<v Speaker 1>Josie Beset much from this show, and I don't know

1416
01:04:30.480 --> 01:04:32.480
<v Speaker 1>that she worked too much after this, because I don't

1417
01:04:32.519 --> 01:04:35.360
<v Speaker 1>know what I've seen her in. Frank she's really good

1418
01:04:35.480 --> 01:04:37.719
<v Speaker 1>in this episode. She's very little to do, but she's

1419
01:04:37.840 --> 01:04:40.360
<v Speaker 1>very very good, and like, I think she's one of

1420
01:04:40.360 --> 01:04:41.639
<v Speaker 1>the better actors on this show.

1421
01:04:41.960 --> 01:04:44.199
<v Speaker 2>Possibly, I mean this is my only Yeah, Like, she's good.

1422
01:04:44.199 --> 01:04:46.119
<v Speaker 2>In the scene, she has a very very good job

1423
01:04:46.159 --> 01:04:48.039
<v Speaker 2>of being funny, which is the job here.

1424
01:04:48.119 --> 01:04:50.079
<v Speaker 1>Kind of a bitch, but funny, And then yeah, I

1425
01:04:50.119 --> 01:04:54.199
<v Speaker 1>think she's great. We cut to Billionaires I fell asleep,

1426
01:04:54.280 --> 01:04:56.679
<v Speaker 1>were they're debating on where they want to have their reception.

1427
01:04:57.639 --> 01:05:00.320
<v Speaker 1>Allison wants to make a decision before Shela has chance

1428
01:05:00.320 --> 01:05:03.039
<v Speaker 1>and bulldoze them to wherever she wants them to go. Right,

1429
01:05:03.719 --> 01:05:06.920
<v Speaker 1>this conversation is insane. Allison's like, what if we have

1430
01:05:07.000 --> 01:05:09.440
<v Speaker 1>it at like a fancy hotel and Billy's like okay,

1431
01:05:09.800 --> 01:05:11.920
<v Speaker 1>And she's like, well you don't like that, clearly because

1432
01:05:11.920 --> 01:05:13.599
<v Speaker 1>I just said okay, And he's like, I don't know.

1433
01:05:13.639 --> 01:05:15.599
<v Speaker 1>He's like, how about that place where they have chicken

1434
01:05:15.639 --> 01:05:20.679
<v Speaker 1>wings that I like? And I'm like you two should

1435
01:05:20.760 --> 01:05:21.599
<v Speaker 1>not be getting married.

1436
01:05:21.719 --> 01:05:22.119
<v Speaker 2>Yeah.

1437
01:05:22.119 --> 01:05:24.400
<v Speaker 1>There's a knock at the door and it's not Sheila

1438
01:05:24.519 --> 01:05:27.599
<v Speaker 1>the wedding planner, it's Jane. And Jane walks in upset

1439
01:05:27.639 --> 01:05:29.559
<v Speaker 1>and she's like, you know what, I really wish you

1440
01:05:29.599 --> 01:05:31.519
<v Speaker 1>had told me to my face you didn't like the

1441
01:05:31.519 --> 01:05:34.400
<v Speaker 1>wedding dress before you had that woman fire me. Yeah,

1442
01:05:34.440 --> 01:05:37.400
<v Speaker 1>and Allison's like, I never had anyone fire you, and

1443
01:05:37.440 --> 01:05:40.400
<v Speaker 1>I fully plan on wearing your dress, So what the

1444
01:05:40.440 --> 01:05:43.199
<v Speaker 1>hell's going on? And then right on cue, Sheila appears

1445
01:05:43.679 --> 01:05:46.880
<v Speaker 1>and she's like, oh good, we're all still friends even

1446
01:05:46.920 --> 01:05:51.199
<v Speaker 1>though this didn't work out right, and Allison's like, fuck you, you're fired.

1447
01:05:51.239 --> 01:05:52.119
<v Speaker 1>Get out of my house.

1448
01:05:52.320 --> 01:05:53.760
<v Speaker 2>By the way, Jane, I was thinking, do you do

1449
01:05:53.800 --> 01:05:56.039
<v Speaker 2>table clothes at all? What bitch?

1450
01:05:56.679 --> 01:06:00.480
<v Speaker 1>What a bitch? The wedding planner snaps that she's billing

1451
01:06:00.519 --> 01:06:03.400
<v Speaker 1>Alison's father for everything, and then they won't have enough

1452
01:06:03.480 --> 01:06:06.119
<v Speaker 1>money to get married in a bus station. What are

1453
01:06:06.159 --> 01:06:08.519
<v Speaker 1>you billing them for? Yeah, nothing has happened. You've worked

1454
01:06:08.519 --> 01:06:10.519
<v Speaker 1>with them for twenty four hours unless you charge two

1455
01:06:10.559 --> 01:06:11.880
<v Speaker 1>hundred thousand dollars an hour.

1456
01:06:12.079 --> 01:06:14.639
<v Speaker 2>We cut to Amanda and Jake and they are having

1457
01:06:14.639 --> 01:06:16.880
<v Speaker 2>dinner with Hillary and her boyfriend Chaz.

1458
01:06:17.000 --> 01:06:20.000
<v Speaker 1>Okay, so Amanda turned around on this right quick.

1459
01:06:20.119 --> 01:06:22.760
<v Speaker 2>Yep. Jake got through to her. He said, you can't

1460
01:06:22.760 --> 01:06:23.400
<v Speaker 2>pick your parents.

1461
01:06:23.400 --> 01:06:26.199
<v Speaker 1>He took his shirt off, and she was like, Okay, she's.

1462
01:06:26.039 --> 01:06:29.079
<v Speaker 2>The only mother you'll ever have. So Hillary tries to

1463
01:06:29.079 --> 01:06:32.320
<v Speaker 2>make overtures towards peace with her daughter while Chaz attempts

1464
01:06:32.360 --> 01:06:35.760
<v Speaker 2>to play foot seats with Amanda under the table. Amanda

1465
01:06:35.800 --> 01:06:37.840
<v Speaker 2>tells her mother to keep a leash on her boyfriend,

1466
01:06:38.119 --> 01:06:39.800
<v Speaker 2>but does agree to stay at dinner. So this is

1467
01:06:39.880 --> 01:06:41.760
<v Speaker 2>just set up for wherever this is going.

1468
01:06:41.920 --> 01:06:43.760
<v Speaker 1>I do love this scene because Aman is like, put

1469
01:06:43.760 --> 01:06:46.320
<v Speaker 1>a leisha on Chaz, and then Linda Gray says he

1470
01:06:46.400 --> 01:06:48.760
<v Speaker 1>won't speak for the rest of dinner, and the actor

1471
01:06:48.800 --> 01:06:50.800
<v Speaker 1>who plays Chaz just has to sit there and take it.

1472
01:06:50.840 --> 01:06:52.760
<v Speaker 1>I'm like, this is one.

1473
01:06:53.159 --> 01:06:53.880
<v Speaker 2>This is interesting.

1474
01:06:53.960 --> 01:06:55.679
<v Speaker 1>I want all of this. Give me more of this.

1475
01:06:56.360 --> 01:06:58.880
<v Speaker 1>Back at the Beach House, Michael and Kimberly have I

1476
01:06:58.920 --> 01:06:59.960
<v Speaker 1>can't believe you're not dead.

1477
01:07:00.440 --> 01:07:02.840
<v Speaker 2>If you're wondering what that's like, it involves satin sheets

1478
01:07:02.880 --> 01:07:04.119
<v Speaker 2>and a lot of soft lighting, A.

1479
01:07:04.039 --> 01:07:05.679
<v Speaker 1>Lot of soft lighting, satin sheets and.

1480
01:07:06.440 --> 01:07:08.880
<v Speaker 2>Cowgirl, cowgirl, and there's a lot of that hair had

1481
01:07:08.880 --> 01:07:10.800
<v Speaker 2>a cowgirl a lot of having to like kind of

1482
01:07:10.800 --> 01:07:12.559
<v Speaker 2>take your hair and take it from one side of

1483
01:07:12.559 --> 01:07:14.039
<v Speaker 2>your head and brush it all the way over the

1484
01:07:14.119 --> 01:07:14.920
<v Speaker 2>other side of your head.

1485
01:07:15.239 --> 01:07:17.800
<v Speaker 1>The Okay, I think most people who are listening to

1486
01:07:17.840 --> 01:07:19.960
<v Speaker 1>this know what episode we're talking about. Yeah, I'm gonna

1487
01:07:19.960 --> 01:07:23.239
<v Speaker 1>spoil something slightly real quick. No, you know what. I

1488
01:07:23.239 --> 01:07:25.000
<v Speaker 1>won't spoil anything because those of you who don't know,

1489
01:07:25.039 --> 01:07:27.599
<v Speaker 1>I don't want to spoil it. I'm just gonna tell you.

1490
01:07:27.679 --> 01:07:31.320
<v Speaker 1>There is Chekhov's hair pulling happening throughout the episode, where

1491
01:07:31.440 --> 01:07:35.559
<v Speaker 1>Marcia Cross continuously like like takes her hands and rubs

1492
01:07:35.599 --> 01:07:38.800
<v Speaker 1>them like vigorously through her hair. Yeah, and in this

1493
01:07:38.960 --> 01:07:42.159
<v Speaker 1>sex scene she's like doing it back and forth like

1494
01:07:42.280 --> 01:07:46.599
<v Speaker 1>she thinks it's a sexy maneuver. I don't know exactly why,

1495
01:07:46.719 --> 01:07:50.960
<v Speaker 1>except to show the audience that that hair is definitely

1496
01:07:51.000 --> 01:07:54.159
<v Speaker 1>her hair and definitely plant it on her head in

1497
01:07:54.239 --> 01:07:58.880
<v Speaker 1>a very straightforward and it doesn't make any sense. No

1498
01:07:58.920 --> 01:08:01.599
<v Speaker 1>one does anything like this, No one fucks like this,

1499
01:08:01.679 --> 01:08:04.519
<v Speaker 1>no one eats like this one, no one becomes a

1500
01:08:04.559 --> 01:08:09.239
<v Speaker 1>doctor like this. So they're having sex, she's she's rubbing

1501
01:08:09.280 --> 01:08:12.039
<v Speaker 1>her hair way too much. I founder Michael, I'd be like,

1502
01:08:12.079 --> 01:08:14.519
<v Speaker 1>do you have lice? Yeah, what's happening with your head?

1503
01:08:14.920 --> 01:08:17.359
<v Speaker 1>Do I have to get Light's shampoo? Look, the sex

1504
01:08:17.439 --> 01:08:18.840
<v Speaker 1>is worth it. I'll get the light shampoo.

1505
01:08:19.079 --> 01:08:19.680
<v Speaker 2>I'm fine with it.

1506
01:08:19.800 --> 01:08:23.600
<v Speaker 1>I'm fine with it. Afterwards, after the sex, Kimberly excuses

1507
01:08:23.600 --> 01:08:25.840
<v Speaker 1>herself to the bathroom to take more of her pills

1508
01:08:25.880 --> 01:08:28.560
<v Speaker 1>for her headache. Oh, the pills don't seem to help.

1509
01:08:28.600 --> 01:08:32.960
<v Speaker 1>She keeps rubbing her temples and she's she's grimacing in pain,

1510
01:08:33.520 --> 01:08:36.960
<v Speaker 1>and she continues to make quiet exclamations and and clutch

1511
01:08:36.960 --> 01:08:40.439
<v Speaker 1>her head. And then suddenly she she does another thing

1512
01:08:40.479 --> 01:08:42.159
<v Speaker 1>with her hand where she's like, looks like she's just

1513
01:08:42.199 --> 01:08:44.239
<v Speaker 1>rubbing her hands through her hair and like moving her

1514
01:08:44.239 --> 01:08:47.560
<v Speaker 1>hair to the side. But no, because if you look carefully, suddenly,

1515
01:08:48.239 --> 01:08:50.600
<v Speaker 1>all of a sudden, Marsia Cross has a lace front

1516
01:08:50.800 --> 01:08:54.600
<v Speaker 1>that was not clear in the whole rest of the episode,

1517
01:08:55.079 --> 01:08:57.960
<v Speaker 1>but suddenly you're like, I fucking know, ah, lace front

1518
01:08:57.960 --> 01:09:00.039
<v Speaker 1>when I see one. I have watched a lot of

1519
01:09:00.119 --> 01:09:03.399
<v Speaker 1>RuPaul's drag race. She has a late front and she

1520
01:09:04.399 --> 01:09:09.239
<v Speaker 1>rips off her hair. Guys, it was a wig. It

1521
01:09:09.319 --> 01:09:13.279
<v Speaker 1>was a wig. This whole time exposing her nearly bald head.

1522
01:09:13.880 --> 01:09:17.079
<v Speaker 1>She's got like scraggly bits of hair bling back and

1523
01:09:17.159 --> 01:09:23.520
<v Speaker 1>a vicious, curving scar running from her temples across her earline.

1524
01:09:23.640 --> 01:09:26.920
<v Speaker 1>Yeah it is gnarly. Yeah, the makeup person did an

1525
01:09:26.960 --> 01:09:32.000
<v Speaker 1>amazing job. We fade out on kimberly staring at herself

1526
01:09:32.359 --> 01:09:33.119
<v Speaker 1>in the mirror.

1527
01:09:34.840 --> 01:09:38.279
<v Speaker 2>End of show, end of episode. I mean, look made

1528
01:09:38.279 --> 01:09:39.960
<v Speaker 2>me want to hit play on the next one. I'll

1529
01:09:39.960 --> 01:09:40.399
<v Speaker 2>give it that.

1530
01:09:40.479 --> 01:09:43.119
<v Speaker 1>I'll give it that. Yeah, this was a seminal moment

1531
01:09:43.199 --> 01:09:46.600
<v Speaker 1>in Melro's Place. People who watched Melroe's Place remember where

1532
01:09:46.640 --> 01:09:50.960
<v Speaker 1>they were the night they saw the rip wig. In retrospect,

1533
01:09:51.199 --> 01:09:53.680
<v Speaker 1>it's not that crazy, Like, yeah, the woman was in

1534
01:09:53.720 --> 01:09:56.039
<v Speaker 1>a car accident. Yeah, she's gonna have a vicious scar

1535
01:09:56.119 --> 01:09:58.359
<v Speaker 1>across her head. I don't know why it seemed. I

1536
01:09:58.359 --> 01:10:00.800
<v Speaker 1>guess because it was shocking. It was surprised. I don't

1537
01:10:00.800 --> 01:10:04.000
<v Speaker 1>know why in real time I was. I remember being like,

1538
01:10:04.039 --> 01:10:08.079
<v Speaker 1>oh my god, as though it was a bigger reveal

1539
01:10:08.119 --> 01:10:09.039
<v Speaker 1>than it actually is.

1540
01:10:09.319 --> 01:10:11.319
<v Speaker 2>I wonder if it's something to do with with the

1541
01:10:11.399 --> 01:10:14.319
<v Speaker 2>actress appearing unattractive.

1542
01:10:14.039 --> 01:10:17.560
<v Speaker 1>Perhaps something, But like plot wise, you would think the

1543
01:10:17.560 --> 01:10:20.000
<v Speaker 1>the reaction would you would think the reveal was like,

1544
01:10:20.039 --> 01:10:22.880
<v Speaker 1>that's not Kimberly, it's her evil twin or you know,

1545
01:10:23.039 --> 01:10:25.800
<v Speaker 1>like or like that's not Kimberly, it's it's Dug's event,

1546
01:10:26.239 --> 01:10:26.680
<v Speaker 1>you know what I.

1547
01:10:26.640 --> 01:10:28.600
<v Speaker 2>Mean, Like, oh my god, what if they had done

1548
01:10:29.000 --> 01:10:31.800
<v Speaker 2>so he pulled off? It was Matt Matt Fielding.

1549
01:10:31.880 --> 01:10:35.000
<v Speaker 1>It was Matt Fielding, and like in like emission impossible,

1550
01:10:35.239 --> 01:10:40.239
<v Speaker 1>like mask, Like that's the amount of reaction. I remember

1551
01:10:40.479 --> 01:10:46.079
<v Speaker 1>this getting of people gasping, and in retrospect, I'm shocked.

1552
01:10:46.119 --> 01:10:49.119
<v Speaker 1>That's her only scar, Like she doesn't have like a like.

1553
01:10:49.159 --> 01:10:50.319
<v Speaker 2>Her face is pristine.

1554
01:10:50.359 --> 01:10:52.279
<v Speaker 1>Her face is pristine. Her body we've seen a lot

1555
01:10:52.279 --> 01:10:55.000
<v Speaker 1>of her torso in that sex scene looks fine. Like

1556
01:10:55.319 --> 01:10:58.319
<v Speaker 1>she doesn't have like jagged scars all over her body.

1557
01:10:58.920 --> 01:11:00.880
<v Speaker 1>So anyway, I just want to point that out because

1558
01:11:01.359 --> 01:11:04.680
<v Speaker 1>when you rewatch this episode, you're like, oh well, yeah,

1559
01:11:04.720 --> 01:11:05.800
<v Speaker 1>oh yeah, of course.

1560
01:11:05.640 --> 01:11:08.800
<v Speaker 2>Of course. Yeah. All right, So that is the end

1561
01:11:08.840 --> 01:11:12.199
<v Speaker 2>of the bitches. Back stick around. We'll be right back

1562
01:11:12.239 --> 01:11:15.159
<v Speaker 2>after these commercials to give you our random observations and

1563
01:11:15.239 --> 01:11:16.039
<v Speaker 2>final rankings.

1564
01:11:25.319 --> 01:11:30.279
<v Speaker 1>And we're back. Paul, give me some random sexy observations

1565
01:11:30.319 --> 01:11:32.000
<v Speaker 1>about Melrose Place betray me.

1566
01:11:32.119 --> 01:11:34.319
<v Speaker 2>My first one is so you know, there's a downpour

1567
01:11:34.359 --> 01:11:37.239
<v Speaker 2>in La on that first night, it's a downpour. Andrew

1568
01:11:37.279 --> 01:11:40.840
<v Speaker 2>shoe Billy gets home from work. He runs in, he

1569
01:11:40.880 --> 01:11:43.680
<v Speaker 2>takes his umbrella and just throws his umbrella on the

1570
01:11:43.720 --> 01:11:48.840
<v Speaker 2>living room floor. A right, and I'm like, leave it outside.

1571
01:11:49.000 --> 01:11:50.720
<v Speaker 1>What are you doing, buddy, what are you doing? Like?

1572
01:11:51.600 --> 01:11:53.760
<v Speaker 2>Close it outside, shake it off and bring it to

1573
01:11:53.800 --> 01:11:55.840
<v Speaker 2>the bathroom. Don't throw it on the carpet.

1574
01:11:56.479 --> 01:11:59.319
<v Speaker 1>That's like a director's fault. Like even if the actor

1575
01:11:59.520 --> 01:12:02.439
<v Speaker 1>is too too dumb to know to do that, Like

1576
01:12:02.479 --> 01:12:04.359
<v Speaker 1>the director should be like, well, why don't you fold

1577
01:12:04.439 --> 01:12:06.239
<v Speaker 1>it and just put it next to the door. It's

1578
01:12:06.279 --> 01:12:08.079
<v Speaker 1>not what normal people would do, but at least it's

1579
01:12:08.079 --> 01:12:11.560
<v Speaker 1>the closer to what normal people would do. He threw

1580
01:12:11.600 --> 01:12:13.960
<v Speaker 1>it on the carpet, open, right, it was still open.

1581
01:12:14.239 --> 01:12:14.439
<v Speaker 2>Yeah.

1582
01:12:18.199 --> 01:12:20.760
<v Speaker 1>There was one line that had me cackling. And it's

1583
01:12:20.840 --> 01:12:24.640
<v Speaker 1>Kimberly and I think it's when Michael first sees her

1584
01:12:25.199 --> 01:12:28.680
<v Speaker 1>and she goes, rumors of my death, as they say,

1585
01:12:29.520 --> 01:12:33.880
<v Speaker 1>was premature. That's not the saying. That's not saying, you guys.

1586
01:12:35.199 --> 01:12:38.439
<v Speaker 1>She said it was such confidence. Rumors of my death,

1587
01:12:39.000 --> 01:12:42.680
<v Speaker 1>as they say, was premature. That's not that's a this

1588
01:12:42.840 --> 01:12:45.560
<v Speaker 1>bad grammar. B. That's not the saying.

1589
01:12:47.079 --> 01:12:47.439
<v Speaker 2>I didn't.

1590
01:12:48.199 --> 01:12:51.159
<v Speaker 1>Why are you saying it like that, you fucking weirdo?

1591
01:12:51.279 --> 01:12:53.439
<v Speaker 1>Is that one of the things you've forgotten during your coma?

1592
01:12:54.079 --> 01:12:56.119
<v Speaker 1>Is this very common expression?

1593
01:12:57.680 --> 01:13:00.079
<v Speaker 2>They were greatly exaggerated, I think is the words you're look.

1594
01:13:00.199 --> 01:13:05.119
<v Speaker 1>This very famous expression in American pop culture. Rumors of

1595
01:13:05.159 --> 01:13:10.279
<v Speaker 1>my death, as they say, was premature. They let her

1596
01:13:10.399 --> 01:13:13.880
<v Speaker 1>be a doctor, They let her doctor people. The next day.

1597
01:13:14.000 --> 01:13:16.560
<v Speaker 2>They made it pretty clear that she is the most

1598
01:13:16.560 --> 01:13:18.239
<v Speaker 2>intelligent person on this show.

1599
01:13:18.680 --> 01:13:22.199
<v Speaker 1>Yeah, she's under heavy sedation on whatever drug that is

1600
01:13:22.239 --> 01:13:25.000
<v Speaker 1>she is on. She does not understand words anymore. And

1601
01:13:25.079 --> 01:13:27.000
<v Speaker 1>yet she's like, let me fix that bone for you.

1602
01:13:27.279 --> 01:13:30.319
<v Speaker 2>Yeah, okay, So Josie Bissett doesn't have a lot to

1603
01:13:30.319 --> 01:13:32.920
<v Speaker 2>do in this episode. Her first scene, and we've already

1604
01:13:32.960 --> 01:13:34.600
<v Speaker 2>made fun of the outfits that are putting around, particularly

1605
01:13:34.640 --> 01:13:37.359
<v Speaker 2>for someone who's a fashion designer. Great her first scene,

1606
01:13:37.359 --> 01:13:39.600
<v Speaker 2>sitting knocks on the door, She opens the door, and

1607
01:13:39.680 --> 01:13:41.319
<v Speaker 2>I couldn't tell you what she was wearing because I'm

1608
01:13:41.359 --> 01:13:44.359
<v Speaker 2>so distracted by her hair because she has this short

1609
01:13:44.399 --> 01:13:47.239
<v Speaker 2>bob right it's like right at her chin line, and

1610
01:13:47.319 --> 01:13:51.159
<v Speaker 2>it appears like, either either this was a look in

1611
01:13:51.159 --> 01:13:52.640
<v Speaker 2>the nineties and I don't remember it was a look

1612
01:13:52.640 --> 01:13:55.159
<v Speaker 2>in the nineties, I'll tell you right now, or the

1613
01:13:55.199 --> 01:13:57.159
<v Speaker 2>person she only had time to get half her hair

1614
01:13:57.199 --> 01:14:00.000
<v Speaker 2>done because the right side of her head is fully

1615
01:14:00.199 --> 01:14:03.560
<v Speaker 2>youmized on her on her hair, and the left side

1616
01:14:03.600 --> 01:14:06.720
<v Speaker 2>of her head is flat to the side of her head.

1617
01:14:06.800 --> 01:14:08.000
<v Speaker 1>Oh, I don't remember that.

1618
01:14:08.279 --> 01:14:09.760
<v Speaker 2>Yeah, it's weird.

1619
01:14:09.920 --> 01:14:12.760
<v Speaker 1>I did not notice that. To me. She has the

1620
01:14:12.800 --> 01:14:14.439
<v Speaker 1>Bridget Fonda haircut.

1621
01:14:15.000 --> 01:14:17.279
<v Speaker 2>See what if the two sides of her head agreed

1622
01:14:17.319 --> 01:14:17.840
<v Speaker 2>with each other.

1623
01:14:18.159 --> 01:14:20.039
<v Speaker 1>I do not remember. Okay, I believe you, but I

1624
01:14:20.560 --> 01:14:22.880
<v Speaker 1>think that's like just a mistake. They're just like quick, Josie,

1625
01:14:22.920 --> 01:14:25.079
<v Speaker 1>get on sets, like I'm not done, and they're like,

1626
01:14:25.079 --> 01:14:27.239
<v Speaker 1>we don't have time. We're losing We're losing the lights.

1627
01:14:27.279 --> 01:14:29.720
<v Speaker 2>We're losing the light's like, it's a set, what are

1628
01:14:29.760 --> 01:14:32.199
<v Speaker 2>you talking about?

1629
01:14:32.600 --> 01:14:34.079
<v Speaker 1>What if it's not a set? What if they just

1630
01:14:34.159 --> 01:14:36.960
<v Speaker 1>wandered into an apartment complex during the day and as

1631
01:14:37.000 --> 01:14:39.159
<v Speaker 1>people are coming home, they're like, shit, we gotta go home.

1632
01:14:39.880 --> 01:14:41.479
<v Speaker 1>Is my apartment complex? Melrose?

1633
01:14:41.520 --> 01:14:41.800
<v Speaker 2>Please?

1634
01:14:41.960 --> 01:14:45.680
<v Speaker 1>Maybe I just have one more And it's when Alison

1635
01:14:45.800 --> 01:14:49.760
<v Speaker 1>is asking Amanda, Alison and Amanda work together Alison. Amanda

1636
01:14:49.840 --> 01:14:53.199
<v Speaker 1>is Alison's boss on the show. Heather Locklear is in

1637
01:14:53.319 --> 01:14:56.479
<v Speaker 1>full bitch mode the entire episode. She starts at at ten,

1638
01:14:56.840 --> 01:14:59.359
<v Speaker 1>she ends it at nine, like she does not really

1639
01:14:59.399 --> 01:15:02.279
<v Speaker 1>climb down from bitch mode the whole episode. It is wonderful,

1640
01:15:02.720 --> 01:15:05.279
<v Speaker 1>and so Allison's like, Hey, Amanda, can I have two

1641
01:15:05.319 --> 01:15:08.000
<v Speaker 1>days off to plan my wedding? I literally have to

1642
01:15:08.199 --> 01:15:10.960
<v Speaker 1>have everything planned in the next forty eight hours to

1643
01:15:11.039 --> 01:15:16.039
<v Speaker 1>hit some random deadline that does not exist. She's so meaner.

1644
01:15:16.119 --> 01:15:18.560
<v Speaker 1>She's like no. He's like, well, can I can I

1645
01:15:18.640 --> 01:15:21.039
<v Speaker 1>just get one day off? One day? Please? Please?

1646
01:15:21.079 --> 01:15:21.199
<v Speaker 2>Sir?

1647
01:15:21.359 --> 01:15:23.239
<v Speaker 1>Like she's holding a cup of gruel in her hands,

1648
01:15:23.479 --> 01:15:25.359
<v Speaker 1>you can I have some more? I just I just

1649
01:15:25.399 --> 01:15:27.439
<v Speaker 1>need to plan my wedding. Can I can I not

1650
01:15:27.560 --> 01:15:30.960
<v Speaker 1>come to work tomorrow? I know I'm crucial to everything

1651
01:15:31.000 --> 01:15:34.000
<v Speaker 1>this company does, but I need I need forty eight

1652
01:15:34.079 --> 01:15:38.800
<v Speaker 1>hours to plan my life. And Amanda goes, Ugh, it's

1653
01:15:38.920 --> 01:15:43.279
<v Speaker 1>one day off or nothing, It's all you get. What

1654
01:15:43.439 --> 01:15:45.880
<v Speaker 1>is this company's policy on paid time off? Do they

1655
01:15:45.880 --> 01:15:47.399
<v Speaker 1>not have it? Does she not have a two week

1656
01:15:47.479 --> 01:15:49.520
<v Speaker 1>vacation she could take at some point during the year.

1657
01:15:49.439 --> 01:15:50.560
<v Speaker 2>Either has days or she doesn't.

1658
01:15:50.600 --> 01:15:53.359
<v Speaker 1>She either says her she doesn't. Is this indentured servitude?

1659
01:15:53.359 --> 01:15:55.520
<v Speaker 1>Did I miss a plot line? What is happening?

1660
01:15:55.640 --> 01:15:57.720
<v Speaker 2>She also makes it some comment about like you don't

1661
01:15:57.760 --> 01:16:00.000
<v Speaker 2>really have a lot left after all your relation, your relationship,

1662
01:16:00.079 --> 01:16:01.399
<v Speaker 2>chip drama or something like that.

1663
01:16:01.600 --> 01:16:04.239
<v Speaker 1>I'm like, wait, wasn't she assaulted? Like like it was?

1664
01:16:04.279 --> 01:16:06.560
<v Speaker 1>Didn't someone murder himself in front of her? I think

1665
01:16:06.680 --> 01:16:09.720
<v Speaker 1>you can have a little time off for that something.

1666
01:16:10.239 --> 01:16:11.680
<v Speaker 2>I only have one more. I'm going to do this

1667
01:16:11.680 --> 01:16:13.399
<v Speaker 2>one in the form of a question for you. Okay,

1668
01:16:14.119 --> 01:16:17.079
<v Speaker 2>doctor Kimberly Shaw, Marsha Cross, our favorite characters.

1669
01:16:17.119 --> 01:16:21.399
<v Speaker 1>Rumors of her death, as they say, are somewhat rumored

1670
01:16:21.720 --> 01:16:24.279
<v Speaker 1>to not be rumored, right, Yeah.

1671
01:16:23.960 --> 01:16:28.199
<v Speaker 2>Everything we know about this woman. What drink do you

1672
01:16:28.239 --> 01:16:31.680
<v Speaker 2>think she's drinking at the restaurant with Michael.

1673
01:16:32.000 --> 01:16:34.720
<v Speaker 1>Ooh fuck me. I only I remember his drink. I

1674
01:16:34.720 --> 01:16:38.000
<v Speaker 1>don't remember hers. Yeah, I'm gonna go with Pina Colada.

1675
01:16:38.119 --> 01:16:41.279
<v Speaker 2>Okay, closer than I expected, because I would have said,

1676
01:16:41.560 --> 01:16:42.479
<v Speaker 2>like Martine, why.

1677
01:16:42.560 --> 01:16:45.520
<v Speaker 1>I would have said wine, honestly, Martini, had I not

1678
01:16:45.600 --> 01:16:46.600
<v Speaker 1>known this show, I was watching.

1679
01:16:46.680 --> 01:16:51.079
<v Speaker 2>Maybe a margarita. Nope, it's an orange slushy. What she

1680
01:16:51.239 --> 01:16:55.760
<v Speaker 2>is drinking an orange frozen drink out of a straw

1681
01:16:56.159 --> 01:16:58.479
<v Speaker 2>from like one of those like, like it almost looks

1682
01:16:58.479 --> 01:17:04.000
<v Speaker 2>like a milkshake container. It's so weird. It's like, why

1683
01:17:04.159 --> 01:17:05.720
<v Speaker 2>was it just have for drink water?

1684
01:17:06.199 --> 01:17:08.600
<v Speaker 1>Just have a drink a glass of white wine? What

1685
01:17:08.680 --> 01:17:12.199
<v Speaker 1>are you doing? Like also like she's her whole thing

1686
01:17:12.199 --> 01:17:13.600
<v Speaker 1>is she has a headache. I don't think she should

1687
01:17:13.600 --> 01:17:16.560
<v Speaker 1>be drinking frozen drinks, not at all. They famously will

1688
01:17:16.560 --> 01:17:18.920
<v Speaker 1>give you headache. Yes, there's a whole thing about it.

1689
01:17:19.000 --> 01:17:20.399
<v Speaker 1>Oh my god, I have to go back and look

1690
01:17:20.439 --> 01:17:23.239
<v Speaker 1>at it. I missed it. Well, his drink, I remember,

1691
01:17:23.560 --> 01:17:26.720
<v Speaker 1>was also in like a fucking milkshake glass.

1692
01:17:26.760 --> 01:17:28.600
<v Speaker 2>It's like a tropical They must be in some kind

1693
01:17:28.600 --> 01:17:29.640
<v Speaker 2>of tropical theme that.

1694
01:17:29.600 --> 01:17:33.920
<v Speaker 1>You can't they weren't, but they weren't. The restaurant was basic, normal,

1695
01:17:34.159 --> 01:17:37.800
<v Speaker 1>average nothing restaurant. This is a place that serves steak

1696
01:17:38.000 --> 01:17:40.479
<v Speaker 1>and bad pasta. Yeah, that's what this place does. Like

1697
01:17:40.920 --> 01:17:45.199
<v Speaker 1>why are they both drinking fucking my ties at this restaurant? Paul?

1698
01:17:45.560 --> 01:17:48.720
<v Speaker 1>How are we gonna rank this episode of Melrose Place?

1699
01:17:49.000 --> 01:17:51.960
<v Speaker 2>Uh? One to ten fun facts about Andrew Shoe.

1700
01:17:51.640 --> 01:17:53.720
<v Speaker 1>Did you know he was born in Wilmington, Delaware. Fuck,

1701
01:17:53.960 --> 01:17:55.199
<v Speaker 1>I don't know where my keys are now.

1702
01:17:56.439 --> 01:17:58.439
<v Speaker 2>It keeps crowding out other facts in your brain.

1703
01:17:58.520 --> 01:17:59.960
<v Speaker 1>Yeah, and I'm like, hang on, hang on, hang on.

1704
01:18:00.079 --> 01:18:04.560
<v Speaker 1>My mother's birthday is Andrew Shoe played soccer in Zimbabwe?

1705
01:18:04.680 --> 01:18:04.920
<v Speaker 2>Fuck?

1706
01:18:07.840 --> 01:18:10.199
<v Speaker 1>He did? He played soccer in Zimbabwe. I know that now.

1707
01:18:10.319 --> 01:18:13.520
<v Speaker 1>I just know that it. Yeah, you know what it is.

1708
01:18:13.560 --> 01:18:16.399
<v Speaker 1>It's not that I'm remembering things about Andrew Shoes. Somehow

1709
01:18:16.439 --> 01:18:18.520
<v Speaker 1>they're coming in. They're coming in hot.

1710
01:18:18.640 --> 01:18:20.439
<v Speaker 2>It's like he has like a direct line to your brain.

1711
01:18:20.520 --> 01:18:23.640
<v Speaker 1>He heard me speaking about him from the ether. How

1712
01:18:23.640 --> 01:18:26.439
<v Speaker 1>about one to ten things you can marinate, Paul? Can

1713
01:18:26.439 --> 01:18:27.439
<v Speaker 1>you marinate a wrench?

1714
01:18:27.960 --> 01:18:28.720
<v Speaker 2>You could?

1715
01:18:28.520 --> 01:18:30.159
<v Speaker 1>Can you marinate a cat?

1716
01:18:30.840 --> 01:18:31.920
<v Speaker 2>I would not recommend that.

1717
01:18:32.079 --> 01:18:34.199
<v Speaker 1>Okay, they'll get very upset. He crossed that one off

1718
01:18:34.239 --> 01:18:37.000
<v Speaker 1>the list. I'm really glad. I asked first, ye, Fluffy,

1719
01:18:37.079 --> 01:18:37.560
<v Speaker 1>get out of.

1720
01:18:37.479 --> 01:18:40.439
<v Speaker 2>The pot, Get out of the tupperware fluffers.

1721
01:18:40.600 --> 01:18:42.359
<v Speaker 1>Get out of the tupperware fluffers. That's not for you.

1722
01:18:42.439 --> 01:18:45.199
<v Speaker 1>Don't track the vinegar on the counter being marinated. I

1723
01:18:45.239 --> 01:18:46.600
<v Speaker 1>don't know what your problem is.

1724
01:18:47.800 --> 01:18:50.039
<v Speaker 2>What t Grant show shows, show shows.

1725
01:18:50.159 --> 01:18:52.279
<v Speaker 1>I love watching a Grant show. Show me too, I

1726
01:18:52.319 --> 01:18:59.399
<v Speaker 1>go to Thailand to watch the shows one to ten

1727
01:18:59.600 --> 01:19:02.279
<v Speaker 1>wig rips, Yeah, iconic.

1728
01:19:02.199 --> 01:19:06.880
<v Speaker 2>Iconic rips. I mean, honestly, why hasn't a we come

1729
01:19:06.920 --> 01:19:09.199
<v Speaker 2>off on RuPaul's drag race to reveal this makeup job?

1730
01:19:09.359 --> 01:19:11.239
<v Speaker 1>Oh my god, that would be incredible.

1731
01:19:11.319 --> 01:19:12.079
<v Speaker 2>What should happen?

1732
01:19:12.199 --> 01:19:15.640
<v Speaker 1>That's really what should happen? That that queen would fucking

1733
01:19:15.720 --> 01:19:16.600
<v Speaker 1>rule that episode?

1734
01:19:16.760 --> 01:19:19.279
<v Speaker 2>Uh huh exactly if they can, if they know the

1735
01:19:19.319 --> 01:19:21.520
<v Speaker 2>song and it's like, you know, you drive me crazy

1736
01:19:21.600 --> 01:19:25.159
<v Speaker 2>or something like that. Yeah, you're welcome, You're.

1737
01:19:25.079 --> 01:19:28.399
<v Speaker 1>Well, Chavalore. Why haven't you done this? This is right

1738
01:19:28.520 --> 01:19:29.520
<v Speaker 1>up your fucking Allexy.

1739
01:19:29.520 --> 01:19:30.159
<v Speaker 2>You should know this.

1740
01:19:30.279 --> 01:19:32.039
<v Speaker 1>You ruined my life, Slasha Valor.

1741
01:19:31.920 --> 01:19:35.680
<v Speaker 2>Teach the children? All right, do you want to go first?

1742
01:19:35.760 --> 01:19:36.680
<v Speaker 2>Or shall I go first?

1743
01:19:36.840 --> 01:19:39.159
<v Speaker 1>You can go first on this one? How to rank

1744
01:19:39.199 --> 01:19:39.960
<v Speaker 1>this nonsense?

1745
01:19:40.119 --> 01:19:43.520
<v Speaker 2>Right, Well, let's let's just go back to the rubric.

1746
01:19:44.199 --> 01:19:47.520
<v Speaker 2>Good female roles like an equal equal distribution of male

1747
01:19:47.560 --> 01:19:50.319
<v Speaker 2>female roles, if not, if not weighted towards female, I.

1748
01:19:50.239 --> 01:19:51.680
<v Speaker 1>Would say, and the women are more interesting.

1749
01:19:51.840 --> 01:19:55.239
<v Speaker 2>That's way more interesting. Marsha Across rules this episode.

1750
01:19:55.319 --> 01:19:56.600
<v Speaker 1>Like an iron fish, like.

1751
01:19:56.520 --> 01:20:03.000
<v Speaker 2>An empress, like so everything he does, So that's great,

1752
01:20:03.680 --> 01:20:06.479
<v Speaker 2>there's no diversity. There's no racial diversity.

1753
01:20:06.640 --> 01:20:07.760
<v Speaker 1>Oh they have an Italian.

1754
01:20:08.000 --> 01:20:12.359
<v Speaker 2>They have an Italian and the detective is black. Oh right, right, yeah,

1755
01:20:12.399 --> 01:20:17.239
<v Speaker 2>so that's the detective who interrogates his his his Italian.

1756
01:20:17.680 --> 01:20:22.000
<v Speaker 1>Who is the Italian? Oh no, that's bad, Christoph, Christopher,

1757
01:20:22.079 --> 01:20:23.640
<v Speaker 1>stop killing girls, Christopher.

1758
01:20:24.920 --> 01:20:27.359
<v Speaker 2>So I mean, with all of these people, you think

1759
01:20:27.359 --> 01:20:29.800
<v Speaker 2>they could have squeezed one person of color into the cast.

1760
01:20:29.840 --> 01:20:31.680
<v Speaker 2>There was a black woman in the first season, played

1761
01:20:31.680 --> 01:20:34.560
<v Speaker 2>by Vanessa Williams, but not that Vanessa Williams, the Vanessa

1762
01:20:34.560 --> 01:20:35.960
<v Speaker 2>Williams you don't think of when you hear the name

1763
01:20:36.000 --> 01:20:39.239
<v Speaker 2>Vanessa Williams. But she was written out in the first season.

1764
01:20:39.640 --> 01:20:41.279
<v Speaker 2>And I did that thing where you just go on

1765
01:20:41.279 --> 01:20:43.239
<v Speaker 2>IMDb and scroll down to see when I can find

1766
01:20:43.239 --> 01:20:46.640
<v Speaker 2>a person of color. She's the first person listed. So

1767
01:20:47.079 --> 01:20:49.800
<v Speaker 2>I don't believe they had another series regular of color

1768
01:20:49.880 --> 01:20:53.279
<v Speaker 2>for the next six years. WHOA, Yeah, not great.

1769
01:20:53.439 --> 01:20:55.560
<v Speaker 1>You know what, though, Paul, there's so little diversity in

1770
01:20:55.600 --> 01:20:56.199
<v Speaker 1>Los Angeles.

1771
01:20:56.279 --> 01:20:56.800
<v Speaker 2>That's true.

1772
01:20:56.880 --> 01:20:59.680
<v Speaker 1>It's like they don't have anything but white people in

1773
01:20:59.720 --> 01:21:01.039
<v Speaker 1>last You're right, you're right.

1774
01:21:01.079 --> 01:21:05.039
<v Speaker 2>Famously famously famously h And then we have the gay

1775
01:21:05.159 --> 01:21:07.840
<v Speaker 2>character Matt Fielding he has nothing to do in this episode,

1776
01:21:07.840 --> 01:21:10.720
<v Speaker 2>but he also famously had nothing to do in any episode.

1777
01:21:10.319 --> 01:21:12.479
<v Speaker 1>Like he must at some point get a love interest.

1778
01:21:12.600 --> 01:21:14.600
<v Speaker 2>I get he gets love interests, but I mean, I

1779
01:21:14.920 --> 01:21:17.199
<v Speaker 2>know this is not the producer's fault. Like they wanted

1780
01:21:17.239 --> 01:21:19.560
<v Speaker 2>to show him kissing somebody and like the network wouldn't

1781
01:21:19.560 --> 01:21:22.279
<v Speaker 2>allow it. Right, that kind of stuff happened. They did

1782
01:21:22.359 --> 01:21:25.680
<v Speaker 2>eventually like write the character off and then brought him

1783
01:21:25.720 --> 01:21:28.560
<v Speaker 2>back to kill him in a car accident, which I'm like, okay,

1784
01:21:28.760 --> 01:21:31.319
<v Speaker 2>you got we have to kill our gaze this much

1785
01:21:31.399 --> 01:21:33.319
<v Speaker 2>like we've already written him off the show. Dug Savant

1786
01:21:33.359 --> 01:21:35.840
<v Speaker 2>is already not collecting his paycheck. Like, give me a break.

1787
01:21:35.880 --> 01:21:38.520
<v Speaker 1>I didn't watch Desperate Housewives. It's a big miss on

1788
01:21:38.560 --> 01:21:41.319
<v Speaker 1>my part. In terms of nighttime Soaks, did he play

1789
01:21:41.319 --> 01:21:42.399
<v Speaker 1>Marsha Cross's husband?

1790
01:21:42.399 --> 01:21:49.279
<v Speaker 2>On played Lynnette? He played the felon. Oh, Huffman, That's

1791
01:21:49.399 --> 01:21:50.800
<v Speaker 2>literally the only thing I can think of.

1792
01:21:51.119 --> 01:21:54.159
<v Speaker 1>So mean, that's so mean. She's an Academy Award winner.

1793
01:21:54.239 --> 01:21:55.479
<v Speaker 2>Ball No, she did not win.

1794
01:21:55.680 --> 01:21:56.319
<v Speaker 1>Oh she didn't win.

1795
01:21:57.600 --> 01:21:59.479
<v Speaker 2>I should say she's done her time, she has paid

1796
01:21:59.479 --> 01:22:03.439
<v Speaker 2>her debt, and I honestly think she's fine.

1797
01:22:04.199 --> 01:22:06.439
<v Speaker 1>It's fine, yeah, because he I do remember he was

1798
01:22:06.479 --> 01:22:08.720
<v Speaker 1>on Desperate Housewives and hopefully he got a lot more

1799
01:22:08.760 --> 01:22:08.920
<v Speaker 1>to do.

1800
01:22:09.399 --> 01:22:11.840
<v Speaker 2>Yeah, he had. He was on Desperate Housewives for all

1801
01:22:12.199 --> 01:22:14.439
<v Speaker 2>twelve seasons or whatever that one ran. Okay, good, Desperate

1802
01:22:14.439 --> 01:22:17.479
<v Speaker 2>Housewives is fun. I wish we had just spoiler alert,

1803
01:22:17.520 --> 01:22:19.119
<v Speaker 2>we're not going to get to Desperate Housewives this month,

1804
01:22:19.119 --> 01:22:21.159
<v Speaker 2>and I wish, I wish we had time for it.

1805
01:22:21.359 --> 01:22:24.000
<v Speaker 1>Honestly, the only problem with Desperate Housewives is it's too good.

1806
01:22:24.199 --> 01:22:25.640
<v Speaker 1>I don't know what there is to talk about because

1807
01:22:25.680 --> 01:22:26.359
<v Speaker 1>it's a comedy.

1808
01:22:26.479 --> 01:22:28.560
<v Speaker 2>It's a comedy. But believe me, we would have.

1809
01:22:28.479 --> 01:22:30.479
<v Speaker 1>A good time because no I get it. But like

1810
01:22:30.520 --> 01:22:32.840
<v Speaker 1>this show. The reason why this is so great is

1811
01:22:32.840 --> 01:22:35.000
<v Speaker 1>because it takes itself so seriously.

1812
01:22:38.279 --> 01:22:42.760
<v Speaker 2>So I think the show literally but simply by including

1813
01:22:42.800 --> 01:22:46.560
<v Speaker 2>a gay character in nineteen ninety two, was fighting the

1814
01:22:46.600 --> 01:22:50.239
<v Speaker 2>good fight on that front, and to our eyes today

1815
01:22:50.319 --> 01:22:53.479
<v Speaker 2>it is laughable. And he is. He is sexless. He

1816
01:22:53.560 --> 01:22:57.159
<v Speaker 2>never gets main storylines. He's there, like, at best for

1817
01:22:57.239 --> 01:22:59.399
<v Speaker 2>comic relief, if not to like fix all the straight people.

1818
01:22:59.520 --> 01:23:02.159
<v Speaker 1>If there is a little something to be said for

1819
01:23:02.239 --> 01:23:03.920
<v Speaker 1>and tell me if I'm wrong. The fact though, that

1820
01:23:04.000 --> 01:23:08.079
<v Speaker 1>he is a like just like a boring guy. Like,

1821
01:23:08.359 --> 01:23:11.760
<v Speaker 1>is that in a way somewhat progressive that he's not like, Hi,

1822
01:23:12.039 --> 01:23:12.880
<v Speaker 1>I'm the guy.

1823
01:23:13.199 --> 01:23:14.840
<v Speaker 2>Oh, so he's not a clown.

1824
01:23:14.920 --> 01:23:17.479
<v Speaker 1>He's not a clown, he's not Jack, I'm Will and Grace.

1825
01:23:17.760 --> 01:23:20.600
<v Speaker 1>He's just like a guy who works at the hospital,

1826
01:23:20.880 --> 01:23:22.399
<v Speaker 1>and that's all there is to him.

1827
01:23:22.640 --> 01:23:25.720
<v Speaker 2>But I think that's no because because those are the

1828
01:23:25.720 --> 01:23:28.039
<v Speaker 2>two things that you could either be the clown or

1829
01:23:28.039 --> 01:23:30.960
<v Speaker 2>the normal guy. Yeah, the normal to bad word, the

1830
01:23:30.960 --> 01:23:34.279
<v Speaker 2>stereotypical like hetero, boring guy, boring, the path the guy

1831
01:23:34.279 --> 01:23:36.119
<v Speaker 2>who's passing, yeah, even though he's gay.

1832
01:23:36.279 --> 01:23:39.479
<v Speaker 1>Well, because I I think I think I'm retconning this right.

1833
01:23:39.520 --> 01:23:42.600
<v Speaker 1>I don't think it's actually progressive. But I wonder if

1834
01:23:42.640 --> 01:23:46.800
<v Speaker 1>the like there were like gay kids perhaps who are like, yeah,

1835
01:23:47.239 --> 01:23:48.800
<v Speaker 1>i think I'm gonna be that guy. I think I'm

1836
01:23:48.800 --> 01:23:50.439
<v Speaker 1>going to work in a hospital and wear a tie

1837
01:23:50.520 --> 01:23:53.520
<v Speaker 1>and yeah and be super boring.

1838
01:23:53.920 --> 01:23:57.560
<v Speaker 2>Look in nineteen ninety two, I think any representation was precious,

1839
01:23:58.039 --> 01:24:01.760
<v Speaker 2>like truly, so like for the again, I'm not really

1840
01:24:01.760 --> 01:24:03.840
<v Speaker 2>gonna I'm not gonna ding the show too hard. Also

1841
01:24:03.840 --> 01:24:06.239
<v Speaker 2>because I know based on stories that it wasn't the

1842
01:24:06.319 --> 01:24:09.600
<v Speaker 2>creative people's choices as to why this guy was being

1843
01:24:09.680 --> 01:24:13.680
<v Speaker 2>so sidelined. It was the suits and the executives show innocent.

1844
01:24:13.840 --> 01:24:16.000
<v Speaker 2>But as far as aging well, does not age well.

1845
01:24:16.479 --> 01:24:18.159
<v Speaker 2>He is one of the two tropes. It's not just

1846
01:24:18.199 --> 01:24:20.399
<v Speaker 2>the clown, it's the clown or the sexless one. He

1847
01:24:20.479 --> 01:24:23.479
<v Speaker 2>is the sexless trope. Okay, right, So, like what we're

1848
01:24:23.479 --> 01:24:27.239
<v Speaker 2>looking for is someone interesting, which he does not accomplish

1849
01:24:27.399 --> 01:24:29.479
<v Speaker 2>through no fault of his. So I don't think it

1850
01:24:29.560 --> 01:24:33.159
<v Speaker 2>ages that well by the rubric. I do think grading

1851
01:24:33.159 --> 01:24:37.960
<v Speaker 2>on a curve, because it is a ludicrous on every level,

1852
01:24:38.319 --> 01:24:41.680
<v Speaker 2>I think is somewhat somewhat allowable. I'm not going to

1853
01:24:41.760 --> 01:24:45.159
<v Speaker 2>come down super hard on it. It's nothing's offensive, it's

1854
01:24:45.159 --> 01:24:47.920
<v Speaker 2>sins of omission, and it's insane, and it's kind of

1855
01:24:47.960 --> 01:24:50.880
<v Speaker 2>it's an escape. It's an escape to watch something crazy

1856
01:24:50.880 --> 01:24:54.119
<v Speaker 2>going on on TV with some really great actors really

1857
01:24:54.199 --> 01:24:56.640
<v Speaker 2>making it work, some not so great actors that a

1858
01:24:56.760 --> 01:24:59.119
<v Speaker 2>little boring. Kind of depends on which storyline you're on.

1859
01:25:00.079 --> 01:25:01.600
<v Speaker 2>I'm going to ing it hardest for its lack of

1860
01:25:01.680 --> 01:25:04.439
<v Speaker 2>racial diversity, which I think it really could have done

1861
01:25:04.439 --> 01:25:05.720
<v Speaker 2>better on in nineteen ninety.

1862
01:25:05.520 --> 01:25:07.920
<v Speaker 1>Two, especially with a cast of thirty fucking they're.

1863
01:25:07.920 --> 01:25:10.319
<v Speaker 2>So like if you go on Wikipedia, the people listed

1864
01:25:10.359 --> 01:25:12.560
<v Speaker 2>on this show, I'm not exactly, it's like thirty people

1865
01:25:12.600 --> 01:25:15.079
<v Speaker 2>that at some point, like if not a series regular,

1866
01:25:15.159 --> 01:25:17.760
<v Speaker 2>like a major recurring character that came back multiple times.

1867
01:25:18.279 --> 01:25:20.439
<v Speaker 2>I'm going to give it a five. I'm going to

1868
01:25:20.520 --> 01:25:25.359
<v Speaker 2>give it a five out of ten wig rips because

1869
01:25:25.399 --> 01:25:27.760
<v Speaker 2>I want to give it credit for the good female

1870
01:25:27.840 --> 01:25:32.680
<v Speaker 2>roles and it's attempts at gay representation. But I think

1871
01:25:32.680 --> 01:25:36.079
<v Speaker 2>the lack of racial diversity is pretty it's pretty damning

1872
01:25:36.199 --> 01:25:38.680
<v Speaker 2>for the time. They could have done better on that. Yeah, yeah,

1873
01:25:38.760 --> 01:25:39.079
<v Speaker 2>what do.

1874
01:25:39.039 --> 01:25:42.119
<v Speaker 1>You think, especially I mean nineteen ninety two in La Yeah,

1875
01:25:43.000 --> 01:25:45.000
<v Speaker 1>I mean, I also don't want there to be people

1876
01:25:45.000 --> 01:25:46.880
<v Speaker 1>of color just so they can be like you know,

1877
01:25:47.359 --> 01:25:49.159
<v Speaker 1>talking about Rodney King, you know what I mean, Like,

1878
01:25:49.159 --> 01:25:51.720
<v Speaker 1>I don't want that, No, either. I want them to

1879
01:25:51.760 --> 01:25:53.439
<v Speaker 1>be terrible, just like the rest of the people on

1880
01:25:53.479 --> 01:25:55.000
<v Speaker 1>the show are. I want them to be evil and

1881
01:25:55.079 --> 01:25:58.279
<v Speaker 1>terrible and sleeping with other people and like, you know

1882
01:25:58.359 --> 01:26:00.000
<v Speaker 1>what I mean, Like, yeah, I think that was an

1883
01:26:00.000 --> 01:26:01.680
<v Speaker 1>The other thing about Desperate Housewives that was kind of

1884
01:26:01.720 --> 01:26:04.600
<v Speaker 1>a big deal is that it had like the Latino couple, Yeah,

1885
01:26:04.720 --> 01:26:07.319
<v Speaker 1>which was in and they were upper middle class and

1886
01:26:07.399 --> 01:26:08.800
<v Speaker 1>like just like everyone else, and.

1887
01:26:08.680 --> 01:26:10.880
<v Speaker 2>Like and the Vanessa Williams you are thinking of when

1888
01:26:10.920 --> 01:26:12.840
<v Speaker 2>I say, Vanessa Williams did join that show in the

1889
01:26:12.920 --> 01:26:14.800
<v Speaker 2>later seasons and I like was on it for like

1890
01:26:14.840 --> 01:26:15.800
<v Speaker 2>three seasons or something.

1891
01:26:15.960 --> 01:26:18.439
<v Speaker 1>Yeah, I U it is so white that one guy,

1892
01:26:18.520 --> 01:26:21.600
<v Speaker 1>the cop is black. Yeah, cops are always black on

1893
01:26:21.640 --> 01:26:23.800
<v Speaker 1>these shows. I don't know why. I don't know why

1894
01:26:23.800 --> 01:26:27.039
<v Speaker 1>they always ask black people to play cops on these shows.

1895
01:26:27.439 --> 01:26:31.640
<v Speaker 1>There is something to be said about creating television for women,

1896
01:26:32.319 --> 01:26:35.039
<v Speaker 1>and like, let's get real, soap operator for women, and

1897
01:26:35.119 --> 01:26:37.640
<v Speaker 1>like nighttime soaps are for women. Like in general, men

1898
01:26:37.720 --> 01:26:39.920
<v Speaker 1>do watch them, men can watch them, and that's you know,

1899
01:26:40.079 --> 01:26:43.159
<v Speaker 1>that's but I feel like they the bread and butter

1900
01:26:43.199 --> 01:26:45.279
<v Speaker 1>of this genre is we have to appeal to a

1901
01:26:45.279 --> 01:26:47.520
<v Speaker 1>female audience. We have to put very beautiful men on

1902
01:26:47.560 --> 01:26:51.199
<v Speaker 1>the show, and we have to have show have really

1903
01:26:51.239 --> 01:26:54.800
<v Speaker 1>interesting female characters who are the bosses and the and

1904
01:26:54.880 --> 01:26:57.479
<v Speaker 1>like run the gamut from like the bitch to the

1905
01:26:57.600 --> 01:27:00.920
<v Speaker 1>like the sweet girl or blah blah blah. So there

1906
01:27:01.000 --> 01:27:03.199
<v Speaker 1>is something to be said for that. It's very cool

1907
01:27:03.279 --> 01:27:06.319
<v Speaker 1>that that's like even a genre that's even a consideration.

1908
01:27:06.760 --> 01:27:08.520
<v Speaker 1>It does feel like it talks down to women kind

1909
01:27:08.560 --> 01:27:12.359
<v Speaker 1>of a lot like this genre, So I it's that's

1910
01:27:12.479 --> 01:27:14.840
<v Speaker 1>part of it for me is I'm always like, oh Jesus,

1911
01:27:15.000 --> 01:27:17.640
<v Speaker 1>it's just feels so trite and women fighting each other

1912
01:27:17.720 --> 01:27:20.520
<v Speaker 1>over a man, even in this episode, Like I mean,

1913
01:27:20.520 --> 01:27:23.000
<v Speaker 1>they're not really fighting each other, just they're just fighting

1914
01:27:23.119 --> 01:27:29.760
<v Speaker 1>for this like super unimpressive dick. It's like, again, it's

1915
01:27:29.760 --> 01:27:32.239
<v Speaker 1>not the actor's fault. He's a very attractive man. It's

1916
01:27:32.239 --> 01:27:35.720
<v Speaker 1>not about looks. It's just that guy sucks. That guy

1917
01:27:35.760 --> 01:27:38.000
<v Speaker 1>can't be a good doctor. He just can't be a

1918
01:27:38.000 --> 01:27:41.079
<v Speaker 1>good doctor. He does not ask a single question.

1919
01:27:41.239 --> 01:27:42.640
<v Speaker 2>What kind of doctor is he? Do you know?

1920
01:27:43.159 --> 01:27:45.880
<v Speaker 1>A doctor of love? What if he's like the fucking

1921
01:27:45.880 --> 01:27:52.920
<v Speaker 1>neurosurgeon at the hospital? Yeah, oh my god, my blood

1922
01:27:53.039 --> 01:27:57.079
<v Speaker 1>just crawled when you said that. So yeah, you know,

1923
01:27:57.159 --> 01:28:00.119
<v Speaker 1>there is a little bit of that which I push

1924
01:28:00.359 --> 01:28:03.960
<v Speaker 1>against when I encounter one of these shows. But people

1925
01:28:04.039 --> 01:28:07.239
<v Speaker 1>love them, like there's a reason there the nighttime soap

1926
01:28:07.279 --> 01:28:09.479
<v Speaker 1>opera has not gone away and will never go away.

1927
01:28:09.479 --> 01:28:14.319
<v Speaker 1>There's a reason Shonda Rhymes has fourteen houses. Yeah, is

1928
01:28:14.319 --> 01:28:16.800
<v Speaker 1>because not only does she know this genre, she made

1929
01:28:16.840 --> 01:28:20.279
<v Speaker 1>it sing right, did this walk so Shonda could run? Maybe?

1930
01:28:20.359 --> 01:28:22.800
<v Speaker 1>And I'm not sorry about that. I'm not sorry about that.

1931
01:28:22.920 --> 01:28:25.239
<v Speaker 1>So I'm gonna give it. I'm gonna give it a

1932
01:28:25.319 --> 01:28:28.479
<v Speaker 1>four because there are better ones. Okay, there are better

1933
01:28:28.600 --> 01:28:31.800
<v Speaker 1>nighttime soaks. There are more interesting nighttime soaps than this one.

1934
01:28:31.880 --> 01:28:33.439
<v Speaker 1>This one is not as good as I remember it.

1935
01:28:33.760 --> 01:28:37.399
<v Speaker 1>If I'm being honest, I remembered it being a lot spicier,

1936
01:28:37.840 --> 01:28:40.840
<v Speaker 1>and there's very little spice. A lot of these people

1937
01:28:40.880 --> 01:28:44.439
<v Speaker 1>don't have chemistry, Like there was no chemistry between Grant

1938
01:28:44.479 --> 01:28:46.199
<v Speaker 1>Show and Heather Locklear, and I don't know how you

1939
01:28:46.239 --> 01:28:49.039
<v Speaker 1>don't have chemistry with Heather Locklear. There was more chemistry

1940
01:28:49.039 --> 01:28:52.600
<v Speaker 1>with Courtney Thorne Smith and Heather Locker than with those

1941
01:28:52.640 --> 01:28:55.359
<v Speaker 1>two women and anyone else on the show. So I

1942
01:28:55.399 --> 01:28:57.880
<v Speaker 1>just don't I just remembered it being better. I wouldn't

1943
01:28:57.880 --> 01:29:01.479
<v Speaker 1>recommend giving this one a rewatch if you're like, if

1944
01:29:01.520 --> 01:29:04.760
<v Speaker 1>you also have like Gossip Girl as a possibility, or

1945
01:29:04.800 --> 01:29:07.600
<v Speaker 1>any of the Shonda shows, yeah, which actually do have

1946
01:29:07.760 --> 01:29:09.000
<v Speaker 1>a lot of diversity in them.

1947
01:29:09.079 --> 01:29:12.000
<v Speaker 2>Yeah, Well, and the production values on this one are

1948
01:29:12.319 --> 01:29:13.680
<v Speaker 2>they look silly to us.

1949
01:29:13.520 --> 01:29:15.199
<v Speaker 1>Now, Oh my god, very silly.

1950
01:29:15.399 --> 01:29:19.079
<v Speaker 2>And it's too recent for the production values I think

1951
01:29:19.119 --> 01:29:22.159
<v Speaker 2>to be completely forgiven. Like we're going to do an

1952
01:29:22.199 --> 01:29:26.479
<v Speaker 2>episode next week, a little teaser where the production values

1953
01:29:26.479 --> 01:29:29.399
<v Speaker 2>are also very low because it comes from earlier in time.

1954
01:29:29.439 --> 01:29:31.560
<v Speaker 2>It like doesn't bother me. It's just fun.

1955
01:29:31.800 --> 01:29:35.359
<v Speaker 1>Well, and they're still better than this. Yeah, yeah, I

1956
01:29:35.399 --> 01:29:37.359
<v Speaker 1>think so too. Yeah, so I'm going to give it.

1957
01:29:37.399 --> 01:29:39.079
<v Speaker 1>Did I give it a four? Already? Did I say four?

1958
01:29:39.119 --> 01:29:40.439
<v Speaker 1>I'm gonna give it this one a four?

1959
01:29:40.600 --> 01:29:42.399
<v Speaker 2>All right? Fair enough? Do you want to offer a

1960
01:29:42.399 --> 01:29:43.079
<v Speaker 2>palate cleanser?

1961
01:29:43.760 --> 01:29:46.479
<v Speaker 1>Yeah, I mean I'm trying to think of what my

1962
01:29:46.680 --> 01:29:49.520
<v Speaker 1>favorite nighttime soap was that actually was a very good

1963
01:29:49.640 --> 01:29:52.039
<v Speaker 1>night time soap. I want to say Revenge. I remember

1964
01:29:52.119 --> 01:29:54.640
<v Speaker 1>really loving Revenge for season Revenge, But I don't think

1965
01:29:54.640 --> 01:29:58.760
<v Speaker 1>it was particularly diverse either, So if that's what we're

1966
01:29:58.800 --> 01:30:01.079
<v Speaker 1>digging this on, yeah, you know, like I don't think

1967
01:30:01.079 --> 01:30:03.319
<v Speaker 1>there was much much diversity in that either, and it

1968
01:30:03.439 --> 01:30:05.640
<v Speaker 1>was certainly a lot of girl on girl crime on

1969
01:30:05.640 --> 01:30:07.479
<v Speaker 1>that one. Yeah, this is a weird one. I'm going

1970
01:30:07.560 --> 01:30:09.600
<v Speaker 1>to say. I don't have a palate cleanser, but that's

1971
01:30:09.600 --> 01:30:12.520
<v Speaker 1>on me, that's not on like the show. Like I

1972
01:30:13.119 --> 01:30:16.000
<v Speaker 1>just simply don't have enough like to pull yeah, to

1973
01:30:16.039 --> 01:30:18.239
<v Speaker 1>be like, that's the thing you should watch instead of this.

1974
01:30:18.319 --> 01:30:19.640
<v Speaker 1>And I don't want to say something that's not a

1975
01:30:19.720 --> 01:30:21.359
<v Speaker 1>nighttime soap, because the whole point is that we're doing

1976
01:30:21.439 --> 01:30:24.319
<v Speaker 1>nighttime soaps. Okay, you know, so do you have a

1977
01:30:24.359 --> 01:30:25.000
<v Speaker 1>pallet cleanser?

1978
01:30:25.079 --> 01:30:27.039
<v Speaker 2>I was just gonna say, Desperate Housewives. If you want

1979
01:30:27.079 --> 01:30:28.760
<v Speaker 2>to see Marsha Cross at like the height.

1980
01:30:28.560 --> 01:30:30.319
<v Speaker 1>Of her powers, I kind of want to see Desperate

1981
01:30:30.359 --> 01:30:33.199
<v Speaker 1>Housewives now. I wish i'd see I've seen scenes here

1982
01:30:33.279 --> 01:30:35.399
<v Speaker 1>and there Instagram. Every once in a while will like

1983
01:30:35.479 --> 01:30:37.439
<v Speaker 1>show me a scene from desperat Usually it's an evil

1984
01:30:37.439 --> 01:30:40.239
<v Speaker 1>Longoria scene, and I'm like, she's fantastic.

1985
01:30:40.680 --> 01:30:45.000
<v Speaker 2>The first season of Desperate Housewives is, from my memory,

1986
01:30:45.239 --> 01:30:49.000
<v Speaker 2>pretty great, like pretty pretty like fun and entertaining and

1987
01:30:49.039 --> 01:30:51.479
<v Speaker 2>bonkers of course, but like a lot of fun. I

1988
01:30:51.960 --> 01:30:54.920
<v Speaker 2>know it never quite achieves those heights again, but it

1989
01:30:54.960 --> 01:30:58.800
<v Speaker 2>also never was not entertaining, like it gave us Eva

1990
01:30:58.840 --> 01:31:01.920
<v Speaker 2>Longoria comedic torpedo evela.

1991
01:31:02.680 --> 01:31:05.800
<v Speaker 1>It gave poor Duvant something to do, yes, exactly so

1992
01:31:06.000 --> 01:31:08.319
<v Speaker 1>like and Marshall Cross gets to have a lot of fun.

1993
01:31:08.439 --> 01:31:11.000
<v Speaker 2>That'd be my palate cleanser. But I also I reacted

1994
01:31:11.039 --> 01:31:13.640
<v Speaker 2>better to this than you, like I I this is

1995
01:31:13.640 --> 01:31:16.000
<v Speaker 2>one that I'd be like, maybe I'll maybe I'll see

1996
01:31:16.000 --> 01:31:17.800
<v Speaker 2>what happened in the next episode after this one. I'm

1997
01:31:17.800 --> 01:31:18.439
<v Speaker 2>a little curious.

1998
01:31:18.560 --> 01:31:19.359
<v Speaker 1>I'm curious to.

1999
01:31:19.279 --> 01:31:23.079
<v Speaker 2>Why where this goes. So I also think, like Melrose

2000
01:31:23.079 --> 01:31:25.279
<v Speaker 2>Place is pretty fun because it's bonkers, and it's fun

2001
01:31:25.319 --> 01:31:26.279
<v Speaker 2>watching a bonkers.

2002
01:31:26.079 --> 01:31:27.920
<v Speaker 1>It is one of the more bonkers. I don't remember

2003
01:31:28.000 --> 01:31:29.760
<v Speaker 1>nine to two and no getting this bonkers ever.

2004
01:31:30.000 --> 01:31:32.800
<v Speaker 2>Yeah, yeah, all right, So that is the end of

2005
01:31:32.880 --> 01:31:36.000
<v Speaker 2>our show. Everyone listening can follow us on threads and

2006
01:31:36.079 --> 01:31:40.520
<v Speaker 2>on Instagram. We are phasing out Twitter, so if you

2007
01:31:40.600 --> 01:31:43.640
<v Speaker 2>only follow us there, pick another platform pretty soon because

2008
01:31:43.640 --> 01:31:47.560
<v Speaker 2>we're phasing out there for world reasons.

2009
01:31:47.640 --> 01:31:48.199
<v Speaker 1>For reasons.

2010
01:31:48.359 --> 01:31:51.439
<v Speaker 2>Yeah, Instagram is the only platform where we post our

2011
01:31:51.479 --> 01:31:53.279
<v Speaker 2>monthly theme, so if you want to request on those,

2012
01:31:53.319 --> 01:31:55.960
<v Speaker 2>you must, must, must follow us on Instagram. We have

2013
01:31:56.000 --> 01:31:58.520
<v Speaker 2>a tea public shop. We are on Spotify where you

2014
01:31:58.560 --> 01:32:00.640
<v Speaker 2>can comment on the episodes, and we would love it

2015
01:32:00.680 --> 01:32:02.840
<v Speaker 2>if you leave a five star review on Apple Podcasts

2016
01:32:02.960 --> 01:32:05.760
<v Speaker 2>or on any podcasting platform that you use. If you

2017
01:32:05.800 --> 01:32:07.880
<v Speaker 2>do that, just like Kathia eighty and thank you five

2018
01:32:07.880 --> 01:32:10.039
<v Speaker 2>from the top of this episode, let us know you

2019
01:32:10.079 --> 01:32:11.920
<v Speaker 2>did it, We'll send you with that agel Tope bag.

2020
01:32:11.960 --> 01:32:14.720
<v Speaker 2>No matter what platform you leave that on, we will

2021
01:32:14.720 --> 01:32:17.399
<v Speaker 2>send you with the adel Tope bag. If you always

2022
01:32:17.479 --> 01:32:18.960
<v Speaker 2>go I don't know how to do that well, you

2023
01:32:18.960 --> 01:32:20.640
<v Speaker 2>can look in the show notes and you can click

2024
01:32:20.680 --> 01:32:21.920
<v Speaker 2>on the link that will take you to rate this

2025
01:32:22.079 --> 01:32:24.920
<v Speaker 2>podcast dot com slash that age Well and follow the

2026
01:32:24.960 --> 01:32:26.960
<v Speaker 2>instructions there to leave those reviews.

2027
01:32:27.920 --> 01:32:31.119
<v Speaker 1>That Aged Well is produced and edited by Paul Kayola.

2028
01:32:31.399 --> 01:32:35.039
<v Speaker 1>We would like to thank Robin Don, Jan Mickey, Shannon Luis,

2029
01:32:35.359 --> 01:32:39.760
<v Speaker 1>Aurelian Camille, Kevin Mike, William Vanessa and Adam for reaching

2030
01:32:39.840 --> 01:32:42.039
<v Speaker 1>out and letting us know what you want to hear.

2031
01:32:42.560 --> 01:32:44.039
<v Speaker 1>If you want to have a say in the topics

2032
01:32:44.039 --> 01:32:46.840
<v Speaker 1>we discussed, you should join our patreon. Every patron gets

2033
01:32:46.880 --> 01:32:49.720
<v Speaker 1>to vote in an exclusive monthly poll to determine one

2034
01:32:49.760 --> 01:32:52.520
<v Speaker 1>of our subjects. This month, it's already been determined, but

2035
01:32:52.760 --> 01:32:57.000
<v Speaker 1>this month will be doctors versus lawyer. Yes, so head

2036
01:32:57.039 --> 01:32:59.479
<v Speaker 1>on over to patreon dot com slash that aged Well

2037
01:32:59.520 --> 01:33:04.640
<v Speaker 1>podcast to find out more. Speaking of which, some tears

2038
01:33:04.640 --> 01:33:07.520
<v Speaker 1>on our Patreon come with a thanks from a podcast character,

2039
01:33:07.760 --> 01:33:13.359
<v Speaker 1>and today we're hearing from not one but two do dueling?

2040
01:33:14.039 --> 01:33:16.640
<v Speaker 1>Eartha kits Mmmm.

2041
01:33:17.960 --> 01:33:21.359
<v Speaker 2>Here we are we here on that age? Dwell to think?

2042
01:33:21.760 --> 01:33:25.960
<v Speaker 2>Cory is a cowboy. I love cowboys.

2043
01:33:26.640 --> 01:33:31.920
<v Speaker 1>Mmm, cowboys delicious? They have spurs.

2044
01:33:32.079 --> 01:33:34.760
<v Speaker 2>You know a cowboy should not have to tie his

2045
01:33:34.880 --> 01:33:35.760
<v Speaker 2>own lasso.

2046
01:33:37.039 --> 01:33:40.279
<v Speaker 1>No, I would never poke at a cow poke.

2047
01:33:42.479 --> 01:33:45.439
<v Speaker 2>You know what I love about cowboys? Eartha?

2048
01:33:45.920 --> 01:33:47.279
<v Speaker 1>Hmm what Eartha?

2049
01:33:47.720 --> 01:33:51.079
<v Speaker 2>Assless chap slicious?

2050
01:33:51.880 --> 01:33:55.399
<v Speaker 1>You know when I love about cowboys? Eartha?

2051
01:33:55.840 --> 01:33:59.119
<v Speaker 2>Do tell me, Eartha, what do you love about cowboys?

2052
01:33:59.199 --> 01:34:02.119
<v Speaker 1>Ya is a stride a mustang?

2053
01:34:02.920 --> 01:34:06.359
<v Speaker 2>A cowboys should never have to mount his own steed.

2054
01:34:07.239 --> 01:34:09.560
<v Speaker 1>I love a good rodeo.

2055
01:34:11.279 --> 01:34:14.880
<v Speaker 2>He should leave that for somebody else to do. So

2056
01:34:14.920 --> 01:34:17.399
<v Speaker 2>you listen, Corey, who is a cowboy.

2057
01:34:18.439 --> 01:34:21.560
<v Speaker 1>Thank you for listening, cowboy Corey.

2058
01:34:21.800 --> 01:34:25.840
<v Speaker 2>And remember don't scuff your own boots.

2059
01:34:25.159 --> 01:34:28.800
<v Speaker 1>And always keep your cattle in stride.

2060
01:34:30.199 --> 01:34:34.720
<v Speaker 2>And you never want a hat with less than ten gallons.

2061
01:34:36.159 --> 01:34:37.760
<v Speaker 2>Well that was sensual.

2062
01:34:37.960 --> 01:34:40.000
<v Speaker 1>This room has a lot of Chanelle five in it

2063
01:34:40.079 --> 01:34:41.920
<v Speaker 1>right now, Yes, so much Chanelle five.

2064
01:34:41.960 --> 01:34:43.000
<v Speaker 2>It's a cloud of it.

2065
01:34:43.000 --> 01:34:45.720
<v Speaker 1>It's my eyes are burning. Are your eyes burning?

2066
01:34:45.920 --> 01:34:49.840
<v Speaker 2>Well, it's actually my nostrils for me? Yeah? Ouch, But

2067
01:34:49.920 --> 01:34:50.920
<v Speaker 2>you know what, I'm hot.

2068
01:34:50.760 --> 01:34:52.399
<v Speaker 1>I'm hot, I am hot. That was sexy.

2069
01:34:53.279 --> 01:34:56.840
<v Speaker 2>I'm overwhelmed. Frankly, frankly, Erica, do you have any final

2070
01:34:56.880 --> 01:34:58.199
<v Speaker 2>thoughts on Melrose Place?

2071
01:34:58.760 --> 01:35:04.079
<v Speaker 1>Billy, let's plan our wedding. It will be so fun.

2072
01:35:04.720 --> 01:35:08.520
<v Speaker 1>Want to make out on the counter now after eating clams.

2073
01:35:09.039 --> 01:35:11.199
<v Speaker 2>We didn't even talk about her last dress, which is

2074
01:35:11.279 --> 01:35:14.920
<v Speaker 2>just like this bland denim maxie dress.

2075
01:35:15.279 --> 01:35:18.640
<v Speaker 1>Oh my god, the outfits. No one comes out unscathed,

2076
01:35:18.880 --> 01:35:29.039
<v Speaker 1>no one. Hang on a second, Paul, I don't remember

2077
01:35:29.079 --> 01:35:33.520
<v Speaker 1>you wearing an eyepatch before. You're your evil twin soul.

2078
01:35:34.439 --> 01:35:37.600
<v Speaker 1>Oh
