WEBVTT

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<v Speaker 1>KFI AM six forty. You're listening to Dean Sharp The

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<v Speaker 1>House Whisper on demand on the iHeart Radio app. Welcome

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<v Speaker 1>to home Where. Every week we help you better understand

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<v Speaker 1>that place where you live. I am Dean Sharp, the

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<v Speaker 1>House Whisper here with you live like I am every

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<v Speaker 1>weekend Saturday morning, six to eight Pacific time, Sunday mornings

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<v Speaker 1>nine to noon Pacific time. Welcome to the show. Welcome

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<v Speaker 1>to the third hour of our little show. We're talking

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<v Speaker 1>about little things today, little details that matter in your home. Also,

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<v Speaker 1>you know what, I'm gonna go back to the phones

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<v Speaker 1>next break, So just so you know, we're not done

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<v Speaker 1>with calls yet today. If you're already on the line,

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<v Speaker 1>you might want to hang tight. Otherwise. The number to

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<v Speaker 1>reach me eight three three two. Ask Dean. A three

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<v Speaker 1>three the numeral to ask Dean, and that can be

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<v Speaker 1>any question about anything that's going on with your home today.

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<v Speaker 1>A three three two, As Dean. We will go back

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<v Speaker 1>to the phones right after the next news break. All right,

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<v Speaker 1>I'm still struggling with this frog in my throat, so

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<v Speaker 1>forgive me if I have a moment or two here, Uh,

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<v Speaker 1>I left you hanging at the end of the last segment,

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<v Speaker 1>I said, how does the fact that there are trims available,

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<v Speaker 1>lighting trims available for your recess can lights other than

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<v Speaker 1>the ones that you're staring up at right now, how

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<v Speaker 1>does that become a detail that matters that can transform

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<v Speaker 1>your home. Well, I shared with you that the number

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<v Speaker 1>one rule of lighting design is that we light things,

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<v Speaker 1>not rooms things. And and of course we talked the sad,

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<v Speaker 1>sad story of most people's recess can lights just in

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<v Speaker 1>a big grid on the ceiling. So without moving those cans,

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<v Speaker 1>how can we get them closer to the ideal? Well,

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<v Speaker 1>here is how we go out and we get a

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<v Speaker 1>new trim for that recess can light. That trim instead

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<v Speaker 1>of being a down light where it just straight down,

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<v Speaker 1>throws light down onto the floor, also producing glare as

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<v Speaker 1>you look up to the ceiling because you see the

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<v Speaker 1>light source right with your eyeball there. Instead of that,

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<v Speaker 1>what we want is something like a gimbal. A gimbal

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<v Speaker 1>a gimbal is a movable They used to be called eyeballs,

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<v Speaker 1>but they don't look like eyeballs anymore, so we don't

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<v Speaker 1>call them that. A gimbal is a movable, directional, pointable

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<v Speaker 1>light source. And yes, there is a gimbal trim for

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<v Speaker 1>the recess can light in your home. What that means

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<v Speaker 1>is that we can take those can lights that are

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<v Speaker 1>close to walls but pointing straight down where they shouldn't be,

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<v Speaker 1>and we can use them to point them out at

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<v Speaker 1>the wall and wash the wall with light. You don't

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<v Speaker 1>need it down on the floor, you don't need it

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<v Speaker 1>directly on the sofa or the thing that you're sitting on.

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<v Speaker 1>You don't want it there. You want it bouncing off

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<v Speaker 1>the wall. Direct it over to the wall so that

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<v Speaker 1>it can light up the piece of art or the

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<v Speaker 1>family photos, or whatever it is that's hanging light up

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<v Speaker 1>the fireplace brick or the stone work, there anything on

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<v Speaker 1>those walls that we want to feature. And so yes,

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<v Speaker 1>for a relatively low amount of money, you can go

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<v Speaker 1>and replace the trims in the recess can lights in

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<v Speaker 1>your home, the down trims with directional wall washing gimbal trims.

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<v Speaker 1>Plug them in LED. If you've got LED, now they unplug.

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<v Speaker 1>There's a universal LED connector you can plug in the

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<v Speaker 1>new trims, slide it up into place, and boom. Now

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<v Speaker 1>we're creating romantic lighting, textured lighting, layered lighting, non glared

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<v Speaker 1>lighting throughout your home. We've changed radically the look now,

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<v Speaker 1>maybe not one hundred percent of what we would do

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<v Speaker 1>if we had been there to help you lay out

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<v Speaker 1>those lights when they were first installed, but we can

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<v Speaker 1>get really really close to it. I mean, we can

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<v Speaker 1>get way over eighty percent better with your recess can

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<v Speaker 1>lights by just utilizing a gimbal trim and or a snoot.

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<v Speaker 1>What is a snoot? A snoot is also a lighting

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<v Speaker 1>trim that has a little tube on it or a

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<v Speaker 1>controlled baffle. And this in the case if we really

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<v Speaker 1>have a piece of artwork that we want to accentuate

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<v Speaker 1>without washing the wall around it, a snoot is what

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<v Speaker 1>essentially allows us to focus that light in a kind

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<v Speaker 1>of a spotlight form right onto the artwork without bleeding

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<v Speaker 1>to the wall around it, so that the art really

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<v Speaker 1>pops boom. So gimbals and snoots and baffles, oh my, yes,

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<v Speaker 1>this is how we transform that improperly designed but not

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<v Speaker 1>improperly installed, but improperly designed recess lighting on your ceiling.

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<v Speaker 1>And by the way, while we're at it, one detail

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<v Speaker 1>that matters immensely throughout your home when it comes to

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<v Speaker 1>lighting dimmers, dimmer switches on everything, just about everything. Why,

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<v Speaker 1>because the light in your home is constantly changing, the

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<v Speaker 1>light at night, the light in mid afternoon, the light

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<v Speaker 1>in the early morning, and your use of a space

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<v Speaker 1>is constantly changing. No more of just full on, full off.

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<v Speaker 1>That's all you get, this binary choice. It's a one

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<v Speaker 1>or a zero. It's just bright or it's dark. But control,

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<v Speaker 1>especially if we're throwing accent lighting now onto your walls.

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<v Speaker 1>Control the amount of light, bring it down so that

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<v Speaker 1>we can see it, but it's not overblowing the room.

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<v Speaker 1>Lots of control. Lighting is theater, my friend. And the

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<v Speaker 1>more you can get theatrical level control on your lighting,

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<v Speaker 1>the better your house will look at all times. Does

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<v Speaker 1>that make sense?

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<v Speaker 2>Good? All right?

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<v Speaker 1>Our next step is into the world of carpentry, specifically

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<v Speaker 1>trim carpentry, and specifically moldings, though not so much where

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<v Speaker 1>moldings are or where moldings go, but how they come

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<v Speaker 1>to an end. The ends of moldings, the ends of

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<v Speaker 1>base boards when a baseboard comes to the end of

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<v Speaker 1>a wall and doesn't just end in a corner, the

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<v Speaker 1>end of a crown molding when it has to be

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<v Speaker 1>interrupted by something in a ceiling, and so on and

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<v Speaker 1>so forth. How to end a molding. Well, it's probably

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<v Speaker 1>not the way it ends in your home, but we'll

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<v Speaker 1>talk about it right after.

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<v Speaker 3>You're listening to Home with Dean Sharp on demand from

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<v Speaker 3>KFI AM six forty.

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<v Speaker 1>Welcome home. Thanks for joining us on our fine little

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<v Speaker 1>program here on this beautiful beauty. Have you looked outside?

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<v Speaker 1>It is gorgeous outside. It's a beautiful southern California fall weekend.

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<v Speaker 1>It's cool, it's breezy. The air is just amazing. It's sunny.

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<v Speaker 1>My gosh. We're getting out in the garden and doing

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<v Speaker 1>some fiddling around this afternoon. Why because we can and

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<v Speaker 1>because we must. That's definitely what's going on today, because

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<v Speaker 1>we got to get out in that. I went out

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<v Speaker 1>this morning with Tina, went to the gym early this morning.

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<v Speaker 1>I went out to a little three mile walk this morning,

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<v Speaker 1>right as the sun was coming up. It was cold,

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<v Speaker 1>like well so cow cold. It was like forty something. Awesome,

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<v Speaker 1>It was awesome. What a great way to start the day. Anyway,

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<v Speaker 1>I hope you got plans to get out in this

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<v Speaker 1>today because it is waiting for you and it would

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<v Speaker 1>be a shame to miss it. Anyway, Thanks for being

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<v Speaker 1>on the program with us. We're talking about details that matter.

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<v Speaker 1>But also I said that we were going to go

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<v Speaker 1>back to the phones, and now is the time to

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<v Speaker 1>do just that. I want to talk to Sean. Hey, Sean,

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<v Speaker 1>welcome home.

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<v Speaker 2>Idan. I had a question my house.

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<v Speaker 4>I see, I took up vinyl flooring and I didn't

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<v Speaker 4>realize that it had this backing that held to the

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<v Speaker 4>cement floor and it didn't look like a big deal,

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<v Speaker 4>and I let it go for about a.

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<v Speaker 2>Month or so. It turns out it's asbestos.

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<v Speaker 4>And I'm finding out that homes, homes in the seventies

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<v Speaker 4>and eighties might have asbestos. And I walked over it

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<v Speaker 4>a little bit, and I walked around maybe for a month,

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<v Speaker 4>and I tracked it on my carpet up and.

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<v Speaker 2>Stairs in the room.

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<v Speaker 4>And now I'm under us like a Procedure five program

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<v Speaker 4>where they're going to charge me almost thirty thousand to

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<v Speaker 4>clean my house. And I thought, wow, does anybody know

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<v Speaker 4>about this stuff? Because all I knew about were popcorn

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<v Speaker 4>ceilings when it came to asbestos, and I just wondered

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<v Speaker 4>if you could give me some advice because it's coming up.

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<v Speaker 2>The the.

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<v Speaker 4>Abatement is coming up, and that's what's going to cost

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<v Speaker 4>me about thirty thousand.

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<v Speaker 1>All right, Well, advice number one is that have you

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<v Speaker 1>priced out competitively the abatement process for the home. Okay,

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<v Speaker 1>I can't tell you whether thirty thousand dollars is the

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<v Speaker 1>right I mean that's a lot of money, clearly, and

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<v Speaker 1>I know you're hurting. I feel you, man, I totally

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<v Speaker 1>fail you. I don't know if thirty thousand dollars is

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<v Speaker 1>the right price or the best price, or even in

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<v Speaker 1>the ballpark, because it varies so much home to home,

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<v Speaker 1>square footage, conditions, all of that kind of stuff. The

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<v Speaker 1>only way, like so many areas in construction, that you're

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<v Speaker 1>going to know if you're getting a square price or

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<v Speaker 1>not is whether or not you've had you know, two

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<v Speaker 1>or three companies take a look at it and all

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<v Speaker 1>give you pricing for it and get their input and

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<v Speaker 1>advice on it along the way. Then you'll know, because

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<v Speaker 1>then once you've got two or three qualified estimates, then

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<v Speaker 1>you'll know, well that one's out to lunch. These two

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<v Speaker 1>are within you know, a few couple hundred bucks of

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<v Speaker 1>each other. This is clearly you know what this thing

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<v Speaker 1>should cost.

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<v Speaker 4>And so yeah, we did that, and they were I

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<v Speaker 4>did that and they were pretty they were very low

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<v Speaker 4>compared to the others. And now they're going to go

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<v Speaker 4>in and they say everything that's poorous, like all my clothes,

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<v Speaker 4>everything that's poorous. So this this all also takes in

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<v Speaker 4>mechanical things like blenders and microwaves, refrigerator and my new

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<v Speaker 4>washer and dryer. Are saying all of that has to

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<v Speaker 4>go or or you can sign up on it and say,

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<v Speaker 4>I don't care if it has asbestos, and I don't

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<v Speaker 4>know what that leads to, but they're saying, yeah, everything

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<v Speaker 4>like that under this program is supposed to go.

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<v Speaker 2>Wow.

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<v Speaker 1>Yeah, Well, you know, it's a sticky wicket. I don't

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<v Speaker 1>want to tell you that you should, you know, not

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<v Speaker 1>get rid of all of that stuff or have it

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<v Speaker 1>dealt with all right. I don't want to be the

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<v Speaker 1>one to tell you that. I'm not in a position

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<v Speaker 1>and qualified to tell you that. I will tell you

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<v Speaker 1>this that when it comes to abatements, we do our

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<v Speaker 1>best to encapsulate, not abait Okay, Now, I know the

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<v Speaker 1>majority of the costs that you're talking about now is

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<v Speaker 1>in all of these poor surface objects and things like that.

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<v Speaker 1>I just want you to realize that the danger of

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<v Speaker 1>asbestos is breathing it in, Okay, it's It's not when

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<v Speaker 1>it just lays there and stares at you. Okay, it

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<v Speaker 1>is inhalation, that's the problem. And so when asbestos is undisturbed, uh,

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<v Speaker 1>then when it's particular its particulates are not airborne, then

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<v Speaker 1>it is not a risk to anyone in any way,

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<v Speaker 1>shape or form. It is only as its carcinogenic effects

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<v Speaker 1>when it is inhaled, when it is breathed in. So

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<v Speaker 1>when you disturb it and it goes airborne, which is

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<v Speaker 1>why as opposed to taking it out of a lot

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<v Speaker 1>of houses, a lot of popcorn ceilings and or vinyl floors,

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<v Speaker 1>we will encapsulate it, which means cover it up, cover

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<v Speaker 1>it over. That's, by the way, completely legal and acceptable

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<v Speaker 1>in every code and every jurisdiction because the concern is

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<v Speaker 1>not we just need all asbestos to disappear from homes.

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<v Speaker 1>The concern is we want you protected from it. Okay.

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<v Speaker 4>So I mean they did tell me about that that

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<v Speaker 4>it's typical to encase it.

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<v Speaker 2>But this is already I've already taken up the vinyl.

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<v Speaker 4>Flooring and it had a backing that was a felt backing,

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<v Speaker 4>and it looked just.

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<v Speaker 2>Like the cement. It was just a very thin, thin.

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<v Speaker 4>Felt backing that glewed down hard to the cement. And

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<v Speaker 4>they said, when you walk over it, or even if

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<v Speaker 4>you just leave it there, it phrays. That means it

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<v Speaker 4>goes up into the air. And they the square footage

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<v Speaker 4>is they're saying, we're talking about floors, talking about walls,

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<v Speaker 4>talking about ceilings and all that's got to be wiped down.

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<v Speaker 4>And then they truck it away in special trucks and

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<v Speaker 4>it's I've never heard of this, and.

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<v Speaker 2>You know it's so it hit me by it such

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<v Speaker 2>a surprise.

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<v Speaker 1>Yeah, So that's that's if it was any other thing,

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<v Speaker 1>I'll just tell you this. Because of the legalities surrounding it,

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<v Speaker 1>I hope I can communicate the essence of what I'm

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<v Speaker 1>trying to say without stepping over the line here. If

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<v Speaker 1>it was any other object, like cleaning dust out of

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<v Speaker 1>your house and something, I would tell those people hit

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<v Speaker 1>the road.

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<v Speaker 2>Jack.

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<v Speaker 1>Are you crazy? You are now telling me that somehow

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<v Speaker 1>magically I have tracked this onto every wall surface, every ceiling,

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<v Speaker 1>every bit of clothing in my closets, and then it's

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<v Speaker 1>all coming after me. Okay. It strains credulity to think

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<v Speaker 1>that that kind of exposure has happened because you have

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<v Speaker 1>walked a few times across your exposed kitchen floor. Okay, Now,

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<v Speaker 1>I am not saying that it hasn't moved around some

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<v Speaker 1>or that the kitchen floor should not be addressed. But

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<v Speaker 1>the reason I'm holding back, my friend, is because you know,

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<v Speaker 1>it's a carcinogenic substance. And I don't want to put

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<v Speaker 1>myself or KFI or any or you in the position

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<v Speaker 1>where we're making a decision that you know, based on

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<v Speaker 1>advice that I'm giving you to like, yeah, you ignore

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<v Speaker 1>the carcinogens in your home. You know I'm not telling

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<v Speaker 1>you to do that. But there has got to be

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<v Speaker 1>some limit to where this. I mean, asbestos is not

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<v Speaker 1>a live Okay, it's not baby powder either. It doesn't

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<v Speaker 1>just creep and crawl and get everywhere waiting to be

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<v Speaker 1>disturbed again. But I am not the expert in and

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<v Speaker 1>so these are This is my concern. This is where

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<v Speaker 1>you've got me up against a place where I really

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<v Speaker 1>really want to tell you that they're going way further

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<v Speaker 1>than what practically needs to happen. But I can't tell

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<v Speaker 1>you that because I don't want to put your your

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<v Speaker 1>health at risk by me being ignorant of the fact

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<v Speaker 1>that if you miss this one thing, boom there it happens.

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<v Speaker 1>But yeah, all I can tell you, Sean, all I

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<v Speaker 1>can tell you is that asbestos is not a powdery

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<v Speaker 1>substance that just floats everywhere all the time once you've

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<v Speaker 1>disturbed it. Yes, there are controlled ways of taking care

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<v Speaker 1>of it. Yes, you want to be careful not to

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<v Speaker 1>make it airborne. Yes you want to encapsulate it or

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<v Speaker 1>abate it so that you don't come into contact with it.

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<v Speaker 1>But just disturbing some of it in one area of

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<v Speaker 1>the house. Are we now saying that it's literally everywhere

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<v Speaker 1>and your life is in danger being in that house

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<v Speaker 1>if we don't wipe down every wall, every ceiling of.

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<v Speaker 4>It.

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<v Speaker 1>Just man, it hurts. Better safe than sorry, Okay, but

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<v Speaker 1>yeah it hurts, And I feel you. I feel you.

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<v Speaker 1>I just don't want to I don't want to overstretch here.

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<v Speaker 1>I do not give advice here that ever that is iffy.

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<v Speaker 1>You know, I'm always usually very very confident in what

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<v Speaker 1>I tell you to do when you do it, that

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<v Speaker 1>you'll at least be safe in the process. And this

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<v Speaker 1>is not my area of expertise. I mean, I've worked

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<v Speaker 1>with abatements a lot, but I am not an especimens

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<v Speaker 1>abatement contractor or an asbestos expert. But man, if you

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<v Speaker 1>were to ask me an encapsulation or abatement of my

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<v Speaker 1>kitchen floor for thirty thousand dollars, I'd say that's insane. Okay,

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<v Speaker 1>But they're talking about wiping down every surface in the

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<v Speaker 1>entire house. That is something I've never had to send

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<v Speaker 1>a client through that before, and to me, it just

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<v Speaker 1>seems extreme. It just seems extreme. But man, I feel you.

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<v Speaker 1>I feel you don't know what to tell you. Man,

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<v Speaker 1>You've you've kind of stumped me on that one. Sean,

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<v Speaker 1>all right, y'all when we come back. Details that matter.

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<v Speaker 1>I feel bad that I can't give him more direction,

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<v Speaker 1>But it's a sticky wicket asbestos details that matter when

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<v Speaker 1>we return.

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<v Speaker 3>You're listening to Home with Dean Sharp on demand from

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<v Speaker 3>KFI AM six forty.

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<v Speaker 1>We're talking about details that matter. Details do matter in

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<v Speaker 1>your home. Every ask anybody the hospitality industry how much

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<v Speaker 1>detail matters, and they will tell you, Oh, it's the

299
00:18:05.960 --> 00:18:10.680
<v Speaker 1>game that is the game right there. Details how much

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00:18:11.319 --> 00:18:15.519
<v Speaker 1>service you get a smile on a server's face, versus

301
00:18:15.839 --> 00:18:20.200
<v Speaker 1>you know, a frown or a grimace being greeted by name.

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<v Speaker 1>Just these little things. But layer upon layer upon layer, man,

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00:18:25.640 --> 00:18:29.720
<v Speaker 1>they'll just change everything. They'll change everything. I can't tell

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<v Speaker 1>you how many times we have We've gone to like

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<v Speaker 1>a restaurant and Tina has walked away saying, I just

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00:18:37.799 --> 00:18:41.680
<v Speaker 1>love that place. They are the nicest people there. It's like, well,

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00:18:41.799 --> 00:18:43.880
<v Speaker 1>you know, we also went for the food. Well, the food,

308
00:18:43.920 --> 00:18:47.240
<v Speaker 1>of course was great, because it's prepared with the same

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<v Speaker 1>kind of detailed care as you have in the front

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<v Speaker 1>of house, you know, staff service. But the point is

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<v Speaker 1>detailing the details in life. This is the thing that

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00:18:59.240 --> 00:19:03.640
<v Speaker 1>gets missed out. It was absolutely, without question overlooked when

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00:19:03.799 --> 00:19:08.400
<v Speaker 1>your classic tracked home was built. There are a few

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<v Speaker 1>details here and there, but not many, because tracked homes

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<v Speaker 1>are built in you know, large strokes, broad swaths of idea.

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<v Speaker 1>And so now now that you're there, now that you've

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<v Speaker 1>got control, now that you've decided to make it your

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<v Speaker 1>place and you own this thing, or whether you're just

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<v Speaker 1>living in a condo or renting an apartment, these are

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<v Speaker 1>the kinds of things that, without breaking the bank, can

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<v Speaker 1>make a big, big difference in your daily experience of

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00:19:39.279 --> 00:19:42.839
<v Speaker 1>this space and everybody else's as well. So there you go.

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<v Speaker 1>All right, back to the list. I promised you that

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<v Speaker 1>we would now address something. I don't know if I've

325
00:19:51.279 --> 00:19:53.920
<v Speaker 1>got another thing on the list that fits into this,

326
00:19:54.039 --> 00:19:58.599
<v Speaker 1>but nevertheless, we're going to move into the area of

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<v Speaker 1>finished carpentry here for moment moldings. There's probably as a

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<v Speaker 1>as a carpenter myself. There are very few things that

329
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<v Speaker 1>unnerve me, kind of like make my head go sideways

330
00:20:13.240 --> 00:20:18.200
<v Speaker 1>twitch when I see a molding that has been ended

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<v Speaker 1>inappropriately at the end of a wall. There are a

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00:20:21.640 --> 00:20:25.039
<v Speaker 1>lot of reasons why sometimes a baseboard has to run

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00:20:25.079 --> 00:20:26.759
<v Speaker 1>out and then just come to an end. And I

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00:20:26.759 --> 00:20:29.119
<v Speaker 1>don't mean it runs into a thing. That's easy. You

335
00:20:29.200 --> 00:20:31.079
<v Speaker 1>just run it into a thing and then you cut

336
00:20:31.119 --> 00:20:34.799
<v Speaker 1>it as it hits the other item inside corner of

337
00:20:34.839 --> 00:20:37.079
<v Speaker 1>a wall or a piece of furniture or what have you.

338
00:20:37.119 --> 00:20:41.480
<v Speaker 1>But now I'm talking about these moldings that will run

339
00:20:41.559 --> 00:20:44.039
<v Speaker 1>and that have to just end near the end of

340
00:20:44.079 --> 00:20:46.319
<v Speaker 1>a wall, but not quite. They don't turn a corner,

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00:20:46.519 --> 00:20:50.799
<v Speaker 1>they don't do whatever their ends are exposed. How do

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00:20:50.880 --> 00:20:53.480
<v Speaker 1>you end a molding? All right, I'm just gonna resolve

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<v Speaker 1>this once and for all. Well, first of all, i'll

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<v Speaker 1>tell you how not to what Number one. You don't

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<v Speaker 1>just ninety degree end cut it, stick it up there

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<v Speaker 1>and let it be. No, you don't because the back

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00:21:07.759 --> 00:21:11.200
<v Speaker 1>of a molding has a hollowed out cut in it,

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00:21:11.240 --> 00:21:13.759
<v Speaker 1>and you'll see that from the side. So which leads

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<v Speaker 1>us to number two. You don't just ninety degree end

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<v Speaker 1>cut it and then use caulking like on a slant

351
00:21:20.519 --> 00:21:24.279
<v Speaker 1>to end out that molding. That's not right either. That's

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00:21:24.319 --> 00:21:28.640
<v Speaker 1>even worse, if that's even possible, it's worse. Now, this

353
00:21:28.759 --> 00:21:31.519
<v Speaker 1>is how you end a molding, and there is never

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<v Speaker 1>ever an excuse not to do it this way other

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<v Speaker 1>than somebody didn't take the time. Now, if you ran

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<v Speaker 1>some moldings in your house and you just didn't know, okay,

357
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<v Speaker 1>I'm going to give you that excuse. But for a

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<v Speaker 1>carpenter not to do this properly, it's you know, it's unforgivable.

359
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<v Speaker 1>So here's how you end a molding. You know that

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<v Speaker 1>when you come out around an outside corner, you make

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<v Speaker 1>a miter cut on a molding, right, a little forty

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<v Speaker 1>five degree angle, and then a forty five degree angle

363
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<v Speaker 1>on the next piece and they join at the corner.

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<v Speaker 1>Inside corners, you've got an inside miner cut outside corner,

365
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<v Speaker 1>you have an outside miner cut where the two join up.

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<v Speaker 1>And it's a very very lovely connection when they line

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00:22:14.599 --> 00:22:18.240
<v Speaker 1>up just right, because not only does the molding just

368
00:22:18.319 --> 00:22:21.680
<v Speaker 1>continue whip right around the corner, but also on an

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00:22:21.720 --> 00:22:24.319
<v Speaker 1>outside corner, you get to see the profile of the molding,

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<v Speaker 1>whatever's going on with it, whatever little details they're kind

371
00:22:27.119 --> 00:22:30.279
<v Speaker 1>of visible. It's a little bit of a sculpted profile

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00:22:30.400 --> 00:22:34.640
<v Speaker 1>visible on that outside corner. Well, imagine that we're gonna

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<v Speaker 1>make an outside corner cut on our molding as we

374
00:22:39.000 --> 00:22:41.400
<v Speaker 1>have to end. It just comes to an end without

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00:22:41.440 --> 00:22:46.000
<v Speaker 1>connecting to anything else. That's exactly what we do. We

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00:22:46.039 --> 00:22:50.279
<v Speaker 1>make an outside corner miter, a little forty five degree

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00:22:50.599 --> 00:22:53.160
<v Speaker 1>miter cut on the end of that molding, and then

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<v Speaker 1>we take another little piece of molding and we're gonna

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<v Speaker 1>make another the opposite out side corner molding cut there

380
00:23:02.440 --> 00:23:05.880
<v Speaker 1>on that one, all right, So that as if we

381
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<v Speaker 1>were going to go around a corner, turning a corner,

382
00:23:08.839 --> 00:23:11.799
<v Speaker 1>but we're not turning a corner, we're running into the wall.

383
00:23:11.960 --> 00:23:15.119
<v Speaker 1>So the second piece of molding that you just cut

384
00:23:15.680 --> 00:23:19.079
<v Speaker 1>with that outside corner angle on it. We're going to

385
00:23:19.160 --> 00:23:22.400
<v Speaker 1>put that under the saw again, and we're literally now

386
00:23:22.440 --> 00:23:26.839
<v Speaker 1>going to make a straight end cut right down where

387
00:23:26.880 --> 00:23:30.400
<v Speaker 1>that outside angle comes to an end. I mean, it's

388
00:23:30.440 --> 00:23:35.319
<v Speaker 1>a tiny little sliver of molding that you end up with.

389
00:23:35.480 --> 00:23:38.759
<v Speaker 1>You should, if you've cut it properly, end up with

390
00:23:38.839 --> 00:23:41.519
<v Speaker 1>a tiny little sliver of molding with a forty five

391
00:23:41.559 --> 00:23:46.319
<v Speaker 1>degree angle on it that is only its length, is

392
00:23:46.400 --> 00:23:50.839
<v Speaker 1>only the width of the molding board that you're ending.

393
00:23:51.200 --> 00:23:54.599
<v Speaker 1>That's it. Like, how in the world am I supposed

394
00:23:54.640 --> 00:23:57.039
<v Speaker 1>to nail that in? If I nail it, I will crack.

395
00:23:57.119 --> 00:23:59.039
<v Speaker 1>You don't nail it in. You take a little bit

396
00:23:59.079 --> 00:24:01.480
<v Speaker 1>of wood glue, and you put a little on the

397
00:24:01.559 --> 00:24:04.279
<v Speaker 1>surface of the existing molding face and a little bit

398
00:24:04.519 --> 00:24:07.519
<v Speaker 1>on the surface of this tiny little piece, and you

399
00:24:07.640 --> 00:24:10.160
<v Speaker 1>shove it in there. You can use a little masking

400
00:24:10.200 --> 00:24:12.720
<v Speaker 1>tape temporarily to hold it in place if you need to.

401
00:24:13.119 --> 00:24:16.279
<v Speaker 1>You shove it in there, clean up the excess glue

402
00:24:16.319 --> 00:24:19.400
<v Speaker 1>that has spilled out of the joint, and you walk away,

403
00:24:19.559 --> 00:24:21.920
<v Speaker 1>and you come back fifteen minutes later, and you take

404
00:24:21.920 --> 00:24:24.920
<v Speaker 1>the tape off, and you have a beautiful molding that

405
00:24:25.000 --> 00:24:29.119
<v Speaker 1>has self terminated at the end of the wall. Who

406
00:24:29.640 --> 00:24:32.519
<v Speaker 1>I took a whole segment to explain that. That was

407
00:24:32.559 --> 00:24:37.240
<v Speaker 1>a long explanation. But here's why it's so important. The

408
00:24:37.279 --> 00:24:41.880
<v Speaker 1>finished carpentry in your house is a prime example of

409
00:24:41.960 --> 00:24:46.759
<v Speaker 1>the details that people see that you see that ascend

410
00:24:46.799 --> 00:24:50.480
<v Speaker 1>a signal somebody cared or somebody just threw this thing

411
00:24:50.559 --> 00:24:53.599
<v Speaker 1>up at seventy miles an hour and just kept moving on.

412
00:24:53.799 --> 00:24:57.400
<v Speaker 1>And this is such that idea. I believe me. I

413
00:24:57.519 --> 00:25:03.680
<v Speaker 1>know this, having been aske to run thousands upon thousands

414
00:25:03.799 --> 00:25:08.400
<v Speaker 1>of feet of molding. You have to pause, You have

415
00:25:08.519 --> 00:25:11.160
<v Speaker 1>to take the effort to do this, and it interrupts

416
00:25:11.160 --> 00:25:14.000
<v Speaker 1>your workflow, and you really want to get this thing done.

417
00:25:14.319 --> 00:25:16.200
<v Speaker 1>But to do it right, you got to do it

418
00:25:16.240 --> 00:25:18.920
<v Speaker 1>this way. And those who do it these are the

419
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<v Speaker 1>people who know what they're doing because the results are beautiful. Okay,

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00:25:24.720 --> 00:25:29.359
<v Speaker 1>there you go. All right, A couple more thoughts when

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00:25:29.440 --> 00:25:32.480
<v Speaker 1>we come back, and a closing thought for the day.

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<v Speaker 1>Don't go anywhere.

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<v Speaker 3>You're listening to Home with Dean Sharp on demand from

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<v Speaker 3>KFI AM six forty.

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<v Speaker 1>Welcome home. Here we are at the end of another

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00:25:45.000 --> 00:25:48.440
<v Speaker 1>three hours together. I am so grateful that you've chosen

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00:25:48.480 --> 00:25:52.480
<v Speaker 1>to spend the time. I hope that the tips, the tricks,

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00:25:53.480 --> 00:25:56.559
<v Speaker 1>the insights were inspiring to you, and I hope they

429
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<v Speaker 1>got you thinking, at least bare minimum about the tails

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00:26:00.680 --> 00:26:03.680
<v Speaker 1>in your home. A couple of more things to share

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00:26:03.720 --> 00:26:06.799
<v Speaker 1>with you before we are out of here today. Of course,

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<v Speaker 1>here's a detail. I don't want to dilabor the delabor,

433
00:26:13.000 --> 00:26:17.799
<v Speaker 1>belabor the point, but I'm just gonna say it. Clear

434
00:26:17.880 --> 00:26:21.799
<v Speaker 1>your clutter. Just clear out the clutter. We all have

435
00:26:21.920 --> 00:26:27.240
<v Speaker 1>too much stuff, period the end. Nothing says I have

436
00:26:27.359 --> 00:26:30.200
<v Speaker 1>no vision for my home like having too much stuff

437
00:26:30.240 --> 00:26:35.079
<v Speaker 1>in a room. Just it's just the truth, Okay, because

438
00:26:35.440 --> 00:26:37.440
<v Speaker 1>you're all over the place. And I don't mean those

439
00:26:37.480 --> 00:26:41.720
<v Speaker 1>of you who are brilliantly eclectic, and I think most

440
00:26:42.200 --> 00:26:45.599
<v Speaker 1>people who struggle with hoarding things think of themselves as

441
00:26:45.640 --> 00:26:50.279
<v Speaker 1>brilliantly eclectic. But I'm just saying, clear out the clutter.

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00:26:50.759 --> 00:26:54.680
<v Speaker 1>Cluttered people, This is not a clear vision for any

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00:26:54.759 --> 00:26:58.160
<v Speaker 1>room in the house. So this is the way I'll

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00:26:58.160 --> 00:27:01.920
<v Speaker 1>put it. This way, It's on the Deep Tails Matters

445
00:27:02.000 --> 00:27:05.880
<v Speaker 1>list because sometimes you need. The best thing you can

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00:27:05.920 --> 00:27:10.319
<v Speaker 1>do for a room is remove details, too many of

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00:27:10.359 --> 00:27:14.960
<v Speaker 1>them around. Okay. Another thing that I want you to

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00:27:14.960 --> 00:27:18.160
<v Speaker 1>think about is not just visual elements, but details when

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00:27:18.160 --> 00:27:22.799
<v Speaker 1>it comes to the other senses all right, textures and

450
00:27:22.920 --> 00:27:27.319
<v Speaker 1>especially scent and sound when it comes to experiencing a space.

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00:27:27.880 --> 00:27:32.400
<v Speaker 1>So candles, especially this time of year. Right, you've got

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00:27:32.400 --> 00:27:35.240
<v Speaker 1>full permission this time of year to have scented candles

453
00:27:35.319 --> 00:27:38.279
<v Speaker 1>going on all around a house. Tina and I need

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00:27:38.279 --> 00:27:41.000
<v Speaker 1>to replace one of our favorite apple based candles that

455
00:27:41.240 --> 00:27:45.200
<v Speaker 1>just ended yesterday where you I know it's gone now,

456
00:27:45.240 --> 00:27:47.440
<v Speaker 1>so we've got to get a replacement for it. We

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00:27:48.599 --> 00:27:51.880
<v Speaker 1>roasted some apples. We just roasted apples in the oven

458
00:27:51.960 --> 00:27:56.160
<v Speaker 1>last night. Unbelievable how it made the house smell incredible.

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00:27:57.039 --> 00:28:02.000
<v Speaker 1>So don't underestimate the power of scent. It elicits so

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00:28:02.160 --> 00:28:05.160
<v Speaker 1>much memory in us. There's nothing in our senses that

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00:28:05.279 --> 00:28:10.759
<v Speaker 1>to strike at memory better than aroma's right. And then sound,

462
00:28:10.839 --> 00:28:14.519
<v Speaker 1>you know, if you don't have running water around the house,

463
00:28:14.960 --> 00:28:19.640
<v Speaker 1>then you can introduce it through apps like nature Space,

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00:28:19.759 --> 00:28:22.640
<v Speaker 1>one of my favorite apps. Look it up on your

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00:28:22.720 --> 00:28:28.240
<v Speaker 1>mobile device or your phone. Nature Space beautiful, beautiful, not contrived,

466
00:28:28.640 --> 00:28:33.799
<v Speaker 1>natural sounds, soundtracks that just roll and not in some

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00:28:33.880 --> 00:28:36.440
<v Speaker 1>short little loop where you detect a pattern. But like

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00:28:36.599 --> 00:28:42.200
<v Speaker 1>hours as it rolls, So capture all the senses, clear

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00:28:42.279 --> 00:28:46.559
<v Speaker 1>the clutter. Last thing I'm gonna tell you for this

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00:28:46.839 --> 00:28:51.200
<v Speaker 1>is make your house meaningful. And when I say that,

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00:28:51.319 --> 00:28:55.200
<v Speaker 1>I mean no props. Okay, no props in a house.

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00:28:55.359 --> 00:28:59.200
<v Speaker 1>Demand of yourself and of your home that every item

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00:28:59.480 --> 00:29:02.359
<v Speaker 1>that you put on display in your house has some

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00:29:02.480 --> 00:29:05.160
<v Speaker 1>kind of meaning to it. Does that make sense? Some

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00:29:05.359 --> 00:29:08.799
<v Speaker 1>kind of meaning that means? Don't display books that you

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00:29:08.880 --> 00:29:11.720
<v Speaker 1>can't talk about. When I was younger in my career,

477
00:29:11.720 --> 00:29:13.759
<v Speaker 1>I was talking to Amy King about this Friday morning

478
00:29:14.440 --> 00:29:16.279
<v Speaker 1>when I was younger in my career and just you know,

479
00:29:16.359 --> 00:29:19.960
<v Speaker 1>how to impress everybody and just do whatever any client wanted,

480
00:29:20.119 --> 00:29:22.400
<v Speaker 1>you know. And I was still I was working in

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00:29:22.440 --> 00:29:24.839
<v Speaker 1>a state level home. So people are like, well, Dean,

482
00:29:24.880 --> 00:29:26.920
<v Speaker 1>we're gonna I want you to build me a library.

483
00:29:26.960 --> 00:29:29.440
<v Speaker 1>And I'm like, okay, show me the books. I was like, well,

484
00:29:29.440 --> 00:29:31.480
<v Speaker 1>we haven't got the books yet, but that we want

485
00:29:31.519 --> 00:29:35.359
<v Speaker 1>you to shop the books out too, And and you know,

486
00:29:35.640 --> 00:29:40.400
<v Speaker 1>I I was young and just willing to please and

487
00:29:40.480 --> 00:29:44.240
<v Speaker 1>not the old cantankerous guy that I am now. And

488
00:29:44.240 --> 00:29:46.440
<v Speaker 1>and so I'm like okay, yeah, yeah, yeah, I have

489
00:29:46.640 --> 00:29:50.680
<v Speaker 1>filled so many personal libraries with so many books, and

490
00:29:50.720 --> 00:29:53.720
<v Speaker 1>you know what, they're just all props because these are

491
00:29:53.759 --> 00:29:57.119
<v Speaker 1>books that they look they give you the impression when

492
00:29:57.160 --> 00:29:59.559
<v Speaker 1>you walk in like wow, this person is well read,

493
00:30:00.039 --> 00:30:04.720
<v Speaker 1>very intellectual, very traveled, and yeah, no, no, no, I

494
00:30:04.799 --> 00:30:08.640
<v Speaker 1>bought those books. So when it comes to books in

495
00:30:08.680 --> 00:30:12.000
<v Speaker 1>your home, don't display books that you can't have. No

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00:30:12.079 --> 00:30:13.880
<v Speaker 1>book in your home that you can't pull off the

497
00:30:13.920 --> 00:30:16.480
<v Speaker 1>shelf and have a conversation about. You don't have to

498
00:30:16.480 --> 00:30:19.160
<v Speaker 1>have a memorized but just say, oh yeah, let me

499
00:30:19.160 --> 00:30:23.279
<v Speaker 1>tell you about that story. Keep it real, That's what

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00:30:23.319 --> 00:30:26.359
<v Speaker 1>I'm saying. You really want to live in a beautiful home,

501
00:30:26.799 --> 00:30:30.559
<v Speaker 1>not just a designer house, a beautiful home, then keep

502
00:30:30.640 --> 00:30:34.119
<v Speaker 1>it real. Okay, no props, No books that you can't

503
00:30:34.160 --> 00:30:36.759
<v Speaker 1>talk about. Don't display anything that doesn't have a story

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00:30:36.799 --> 00:30:40.759
<v Speaker 1>behind it. Be guided by this quote from William Morris,

505
00:30:40.799 --> 00:30:45.519
<v Speaker 1>a great, great designer and textile famous textile and wallpaper

506
00:30:45.559 --> 00:30:49.960
<v Speaker 1>designer from the late eighteen hundreds. He said this, it's

507
00:30:50.000 --> 00:30:53.599
<v Speaker 1>one of the guiding principles. Have nothing in your house

508
00:30:53.680 --> 00:30:56.920
<v Speaker 1>that you do not know to be useful or believe

509
00:30:57.160 --> 00:31:02.400
<v Speaker 1>to be beautiful. Period, end of story. And that's a

510
00:31:02.400 --> 00:31:05.799
<v Speaker 1>great way of capping off the idea that details matter,

511
00:31:05.880 --> 00:31:09.400
<v Speaker 1>because they do. All right, I got just enough time

512
00:31:09.440 --> 00:31:13.480
<v Speaker 1>to leave you with a thought today. So here we go.

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00:31:14.599 --> 00:31:21.279
<v Speaker 1>Here we are. It's election week in America. You know

514
00:31:21.759 --> 00:31:24.440
<v Speaker 1>you know that I don't talk politics here, aren't you glad?

515
00:31:24.559 --> 00:31:26.759
<v Speaker 1>Aren't you glad about that? That is not what we

516
00:31:26.799 --> 00:31:29.839
<v Speaker 1>are here for? And I, for one am very happy

517
00:31:29.960 --> 00:31:34.880
<v Speaker 1>about that fact. But we do talk about our humanity here,

518
00:31:35.039 --> 00:31:37.920
<v Speaker 1>because that's what a home is all about. So I'm

519
00:31:37.920 --> 00:31:41.480
<v Speaker 1>going to take advantage of this being election week to

520
00:31:41.680 --> 00:31:48.200
<v Speaker 1>share with you one non political, nonpartisan perspective, and it's this.

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00:31:49.720 --> 00:31:54.599
<v Speaker 1>As important as voting is, and it is obviously extremely important,

522
00:31:55.359 --> 00:32:01.400
<v Speaker 1>the heart of democracy is not about voting, or free

523
00:32:01.440 --> 00:32:05.440
<v Speaker 1>speech or any of the other rights that we hold dear, No,

524
00:32:06.559 --> 00:32:11.039
<v Speaker 1>because democracy is people powered, which, by the way, is

525
00:32:11.039 --> 00:32:15.559
<v Speaker 1>what that word democracy means, people powered, not person powered

526
00:32:15.920 --> 00:32:23.440
<v Speaker 1>people e pluribus many. Okay. So, because democracy is people powered,

527
00:32:23.519 --> 00:32:28.160
<v Speaker 1>what lies at its very heart is not a right

528
00:32:28.680 --> 00:32:33.519
<v Speaker 1>or a list of rights at all, but rather a responsibility.

529
00:32:33.559 --> 00:32:37.319
<v Speaker 1>And no, it's not the responsibility to vote. It is

530
00:32:37.799 --> 00:32:43.599
<v Speaker 1>the responsibility to listen. Because we're all in this together.

531
00:32:44.440 --> 00:32:49.599
<v Speaker 1>What lies at the heart of a successful democracy is empathy,

532
00:32:50.519 --> 00:32:55.240
<v Speaker 1>the ability to walk a mile in another person's moccasins.

533
00:32:56.519 --> 00:32:59.359
<v Speaker 1>Along those lines, I read a quote this week and

534
00:32:59.400 --> 00:33:02.200
<v Speaker 1>its need so deeply with me that I wanted to

535
00:33:02.200 --> 00:33:07.319
<v Speaker 1>share it with you. It said this, Democracies die not

536
00:33:07.400 --> 00:33:11.279
<v Speaker 1>only when people are not free to talk, but more

537
00:33:11.359 --> 00:33:16.680
<v Speaker 1>often when people are not able or willing to listen.

538
00:33:19.039 --> 00:33:22.079
<v Speaker 1>The problem with democracy in America right now, in my opinion,

539
00:33:22.920 --> 00:33:26.039
<v Speaker 1>is not that enough people are taking up their right

540
00:33:26.119 --> 00:33:30.079
<v Speaker 1>to talk. It's that not enough people are taking up

541
00:33:30.119 --> 00:33:35.440
<v Speaker 1>their responsibility to listen to each other. So there you go,

542
00:33:35.680 --> 00:33:40.200
<v Speaker 1>just a thought, So this week, maybe take some deep breaths.

543
00:33:40.839 --> 00:33:44.480
<v Speaker 1>We all need that. Maybe unclench your fist a little,

544
00:33:45.799 --> 00:33:50.559
<v Speaker 1>argue a little less, listen a little more, walk a

545
00:33:50.599 --> 00:33:56.599
<v Speaker 1>mile in another person's moccasins, and then course vote, and

546
00:33:56.640 --> 00:33:59.960
<v Speaker 1>then get back to getting busy building yourself a beautiful

547
00:34:00.480 --> 00:34:03.519
<v Speaker 1>and we will see you right back here next weekend.

548
00:34:04.240 --> 00:34:15.719
<v Speaker 1>Have a great Sunday afternoon. This has been Home with

549
00:34:15.880 --> 00:34:19.119
<v Speaker 1>Dean Sharp the House Whisper. Tune into the live broadcast

550
00:34:19.159 --> 00:34:22.639
<v Speaker 1>on KFI AM six forty every Saturday morning from six

551
00:34:22.679 --> 00:34:25.719
<v Speaker 1>to eight Pacific time, and every Sunday morning from nine

552
00:34:25.760 --> 00:34:29.360
<v Speaker 1>to noon Pacific time or anytime on demand on the

553
00:34:29.400 --> 00:34:30.760
<v Speaker 1>iHeartRadio app.
