WEBVTT

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<v Speaker 1>I was a Communist for the FBI, starring Dana Andrews

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<v Speaker 1>and an exciting tale of danger and espionage. I was

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<v Speaker 1>a Communist for the FBI. From the actual records and

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<v Speaker 1>authentic experiences of Matt Savetic how many of the incidents

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<v Speaker 1>in this unusual story. Here is our star, Dana Andrews

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<v Speaker 1>as Matt savedic Oover, nine fantastic years lived as a

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<v Speaker 1>Communist for the FBI. The heart is deceitful above all things,

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<v Speaker 1>and desperately wicked. You'll find that quotation in the Bible.

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<v Speaker 1>I found the proof of it in the Communist Party.

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<v Speaker 1>It wasn't hard to find at all, but believe me,

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<v Speaker 1>it was brutally hard to accept. This story will illustrate

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<v Speaker 1>what I mean.

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<v Speaker 2>In a moment, listen to Dana Andrews as Matt Samatic

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<v Speaker 2>under coverman.

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<v Speaker 1>Now Here is.

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<v Speaker 2>Dana Andrews as Matt Savadic undercoverman. This story from the

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<v Speaker 2>Confidential File is marked The Crossed Heart.

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<v Speaker 1>The strange town miles from home. You know what it's like,

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<v Speaker 1>the streets, looking for secrets or surprises, study the crowds,

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<v Speaker 1>the blur of bland impersonal faces, taking someone you might know,

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<v Speaker 1>something familiar, to give you that sense of belonging. That's

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<v Speaker 1>how it usually is with strangers. But I was an

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<v Speaker 1>unusual stranger. My visit to this town was sponsored by

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<v Speaker 1>the Communist Party. I wasn't permitted to take my natural

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<v Speaker 1>instincts with me. Every instinct of reaction and reaction was

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<v Speaker 1>planned and prescribed by my far seeing red comrades. I

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<v Speaker 1>was to report to this address, a private residence. I

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<v Speaker 1>was to ask for a missus Breen. Then I was

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<v Speaker 1>to let nature, as authorized by the Commis, take its course.

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<v Speaker 1>How do you do er good evening? I'm looking for

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<v Speaker 1>missus Breen.

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<v Speaker 3>I'm missus Breen. Won't you come in? You come in,

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<v Speaker 3>young man?

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<v Speaker 4>Come in?

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<v Speaker 3>Are you catch your death out there?

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<v Speaker 1>Yea, this little old lady, the shawl of white hair,

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<v Speaker 1>the remless glasses. No, she was the type you write

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<v Speaker 1>songs about, not the sort you're associated with. Red. I

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<v Speaker 1>followed her through the gloomy age heavy house into a

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<v Speaker 1>room that had been set aside as a little office.

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<v Speaker 1>Watching her gestures too gentle, so prim and proper, I

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<v Speaker 1>felt sure that somehow the Kamis or I had made

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<v Speaker 1>a mistake.

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<v Speaker 5>Here we are.

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<v Speaker 3>It's so much more comfortable in here.

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<v Speaker 1>Isn't it, Yes, yes it is.

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<v Speaker 3>Now let me see. Oh, I'm forever misplacing those applications.

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<v Speaker 3>Here we are your name please.

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<v Speaker 1>Oh savedic Matt savedices.

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<v Speaker 4>Or see see c V E T.

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<v Speaker 1>I see missus Breen. I think your rage. I think

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<v Speaker 1>there's been somewhere Well.

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<v Speaker 3>Never mind, let's just say over thirty under forty, all right,

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<v Speaker 3>all right now now i'd say you're oh about six

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<v Speaker 3>feet tall?

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<v Speaker 1>About that now, any.

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<v Speaker 3>Preference of the types types of what oh silly girls.

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<v Speaker 1>Of course girls? Look I now now now.

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<v Speaker 3>Nothing to worry about. All information is strictly confidential. Our

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<v Speaker 3>service is licensed by the state. What kind of service,

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<v Speaker 3>same as anywhere else. Once you subscribe, I give you

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<v Speaker 3>three names and telephone numbers, chosen according to your personal

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<v Speaker 3>tastes and specifications. If you aren't satisfied, just call in

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<v Speaker 3>and I'll give you three more fifteen dollars for a

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<v Speaker 3>month's service, twenty five for three months.

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<v Speaker 1>That's the usual rate.

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<v Speaker 3>No, now, don't start fretting. I've been expecting you, comrade,

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<v Speaker 3>forgive me for confusing you. So we just have to

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<v Speaker 3>be so very careful, you know, I know. Now I've

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<v Speaker 3>arranged a day for you for to night a date. Well,

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<v Speaker 3>that's why you're here, isn't it?

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<v Speaker 4>Is it?

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<v Speaker 1>I'm not the least bit sure why i'm here, Comrade

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<v Speaker 1>brain Er, uh.

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<v Speaker 3>Uh, missus brain, mister sthetic.

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<v Speaker 1>We must be careful, must must must, Okay, Well, tell

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<v Speaker 1>me about my date.

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<v Speaker 3>Her name is Claram Malone. A good client, a very

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<v Speaker 3>important client, to be a club. I see she's a

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<v Speaker 3>widow with quite a bit of money, rather pretty too.

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<v Speaker 3>You call for her, take her to dinner, and most important,

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<v Speaker 3>you'll collect an envelope from her.

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<v Speaker 1>What's in it?

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<v Speaker 3>Money? She owes the club some money? See that you

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<v Speaker 3>bring it to me immediately. Now here's her name, her

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<v Speaker 3>phone number, her address.

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<v Speaker 1>Here you are, biaker biker, This is Red. I just

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<v Speaker 1>joined the Lonely Hearts Club. What a lonely Hearts club?

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<v Speaker 1>Some kind of calmi front. Well, I don't know yet.

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<v Speaker 1>I'll know more after Tonight's tonight my first date. Clara Malone,

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<v Speaker 1>a wealthy widow. I understand. I called her a while

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<v Speaker 1>ago and got no answer. I'll keep at it, man,

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<v Speaker 1>If we can do anything from this office, well not yet.

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<v Speaker 1>Just be there when I need you.

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<v Speaker 4>Do.

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<v Speaker 1>No answer on Clara Malone's line. It was getting late now,

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<v Speaker 1>Missus Breen's place was closed, and I could risk violating

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<v Speaker 1>party orders. So I decided to go directly to the

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<v Speaker 1>address missus brain had given me. Maybe by the time

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<v Speaker 1>I got there, Clara Malone would have arrived too. She

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<v Speaker 1>wasn't home yet. I guess I could see a light

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<v Speaker 1>in her apartment to the crack in the door. But

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<v Speaker 1>either she was out or she Hello. This might be

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<v Speaker 1>Clara Malone. She didn't look like she needed a lonely

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<v Speaker 1>hearts club to supply her with dates. But then you

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<v Speaker 1>never know. She came straight for this apartment looking for someone.

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<v Speaker 1>Oh oh, yes, I was looking for miss Malone.

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<v Speaker 3>I'm Miss Malone, Clara Malone. Oh no, I'm Judy, Clara's sister.

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<v Speaker 3>Isn't she home yet?

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<v Speaker 1>Well, she hasn't answered the door.

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<v Speaker 3>That's funny. Is there anything I can do?

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<v Speaker 1>Not exactly say, Clara and I have a day for

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<v Speaker 1>the night.

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<v Speaker 3>Oh well, come on in. Then she should be home

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<v Speaker 3>any minute.

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<v Speaker 1>All right.

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<v Speaker 4>She might have run down to the store.

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<v Speaker 1>What's the matter?

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<v Speaker 4>No, No, what is it?

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<v Speaker 1>What's the name? Holy smoke? Param Malone had a good

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<v Speaker 1>reason for not answering the door she was dead. My

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<v Speaker 1>first instincts told me to get out of that fast.

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<v Speaker 1>But from the looks of things, her death was a suicide,

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<v Speaker 1>and Judith wasted no time in calling the police. The

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<v Speaker 1>police inspector, a tired, shabby little guy named by Jack,

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<v Speaker 1>thought it was a suicide too. He wasn't sure, and

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<v Speaker 1>then his job he had to be sure.

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<v Speaker 4>Sorry, we had to bring you too, all the way

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<v Speaker 4>down here, but you know how it is said down.

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<v Speaker 5>Miss Malone, Thank you, inspector.

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<v Speaker 4>Are you too? What's your name again?

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<v Speaker 1>Sethetic?

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<v Speaker 4>That's right, you were a friend of the deceased. Sthetic.

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<v Speaker 1>Oh, I never saw her before the night. This is

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<v Speaker 1>my first day in tom.

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<v Speaker 3>But you told me you had a date with Clara.

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<v Speaker 1>Well, yes, it was a blind date, mutual friend.

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<v Speaker 4>How about it, Miss Malone? This guy a friend of

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<v Speaker 4>your sisters.

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<v Speaker 3>I don't know, inspector.

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<v Speaker 4>Don't you share that apartment with your sister?

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<v Speaker 3>Yes? But Para dated a lot of men I knew

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<v Speaker 3>nothing about. Too many.

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<v Speaker 4>I suppose too many.

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<v Speaker 3>She's been terribly unhappy since her husband died. Lonely and unhappy.

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<v Speaker 4>Any special reason for killing yourself finances?

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<v Speaker 3>No, she inherited a lot of money from her husband.

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<v Speaker 3>He didn't care about money much. Bector, do you think

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<v Speaker 3>it wasn't suicide? I mean, do you think that Clara alone?

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<v Speaker 1>Oh, it looks like suicide, all right, Miss Malone, probably is.

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<v Speaker 1>The Corners report isn't then yet. There are a few

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<v Speaker 1>funny angles to this mess.

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<v Speaker 3>But who who would want it to hurt Clara?

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<v Speaker 4>She was a lonely widow, she had money.

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<v Speaker 1>She did it a lot of strange guys, too many,

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<v Speaker 1>you said, like sweedik can somehow he knew her phone

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<v Speaker 1>number and address, but he didn't know her. That's a minute.

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<v Speaker 1>I'm a cops swetic. My job don't give me much

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<v Speaker 1>time to trust people. Listen, I'm a mind skipper, didn't though,

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<v Speaker 1>both of you. Sorry for all the troublem.

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<v Speaker 4>Miss Malone.

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<v Speaker 3>It's all right, Inspector.

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<v Speaker 1>I own Hecker unless it's necessary, thank you, say asthetic.

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<v Speaker 1>You'd better stay around town a while. If the coroner

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<v Speaker 1>comes in with any surprise decisions, we'll want you for questioning.

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<v Speaker 1>I couldn't leave town anyway. I was under orders from

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<v Speaker 1>the Reds, but I couldn't let the police know that

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<v Speaker 1>I had some vital questions to put the sweet old

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<v Speaker 1>missus Breen like, how did the Reds figure in Clara's death?

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<v Speaker 1>If it was murder? Was I to be the patsy

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<v Speaker 1>for the party? But she wasn't to be found. Her

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<v Speaker 1>house was dark, locked up. I waited around a while,

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<v Speaker 1>no use. I headed for my hotel to get some sleep.

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<v Speaker 3>Oh, good evening, comrades, chittik, you're back, girly, How did

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<v Speaker 3>you get in here? Oh please don't be angry with me.

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<v Speaker 3>I told the room clerk I was your mother and

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<v Speaker 3>I wanted to surprise you.

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<v Speaker 1>Well you did, You're full of surprises.

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<v Speaker 3>I just didn't want you to be burdened too long

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<v Speaker 3>with that envelope temptation.

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<v Speaker 1>You know what envelope?

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<v Speaker 3>What the envelope you collected from Clara?

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<v Speaker 1>She's dead, Missus Breen, cold Stone dead.

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<v Speaker 3>What are you talking about?

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<v Speaker 1>You know full well what I'm talking about. Clara Malone

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<v Speaker 1>was dead when I got to her apartment. It looks

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<v Speaker 1>like suicide, but it may be murder.

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<v Speaker 3>Murder.

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<v Speaker 1>Skip the performance, Missus Breen, and get this straight. If

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<v Speaker 1>that phone rings, it'll be the police. They'll want been

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<v Speaker 1>ringing all evening.

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<v Speaker 3>Oh it will probably ring again.

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<v Speaker 1>Well, if it does, it's because the cops have a

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<v Speaker 1>good reason to suspect me of killing Clara Malone. I'll

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<v Speaker 1>have to tell them about you and your Lonely Hearts club.

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<v Speaker 3>No, comrade Steatic, you mustn't do that. No, Watch, the

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<v Speaker 3>Party can't afford to be involved in that sort of thing.

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<v Speaker 3>If you did that, we'd see that. You the phone,

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<v Speaker 3>comrade Static, Well aren't you going to answer it? Look,

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<v Speaker 3>if it's the police, I'm going to member, young men,

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<v Speaker 3>the police operate according to bourgeois concepts of justice. The

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<v Speaker 3>Party has its own concepts.

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<v Speaker 1>Yeah, yeah, I know, you'd got to answer the phone.

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<v Speaker 3>Answer it, Come ahead, right now?

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<v Speaker 4>Hello.

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<v Speaker 1>Now back to Dana Andrews, starring as Matt Sevek, and

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<v Speaker 1>I was a communist for the FBI and the second

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<v Speaker 1>act of our story. The telephone can be an instrument

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<v Speaker 1>of torture, and right now I was its victim. The

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<v Speaker 1>receiver was at my ear. I'd spoken at greeting into

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<v Speaker 1>the mouthpiece. Then there was a moment's silence, bitter, excruciating silence.

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<v Speaker 1>I glanced at Missus Breen standing at my elbow. Told

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<v Speaker 1>me that a murder charge would be delightful compared to

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<v Speaker 1>what the comments would do to me. If I told

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<v Speaker 1>the truth to the police. Hello Svedk, Yes, inspect if

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<v Speaker 1>check at police headquarters.

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<v Speaker 4>I've been trying to get you all evening.

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<v Speaker 1>What do you want?

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<v Speaker 4>You better get down here for some more questioning.

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<v Speaker 1>Now, well it's it's pretty late. I now you got

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<v Speaker 1>the coroner's report. Yeah, you're coming down here?

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<v Speaker 4>Or should I send a car up for you?

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<v Speaker 3>Well, I'll be down, I was saying, Conrad, the party

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<v Speaker 3>has its own way of treating those who violated it confidence.

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<v Speaker 1>You mean they let me be charged with the murder

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<v Speaker 1>I didn't commit.

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<v Speaker 3>What can they do?

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<v Speaker 6>Comment?

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<v Speaker 3>After all, what's more important the life of one young

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<v Speaker 3>man or the life of the proletariat?

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<v Speaker 5>Revolt?

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<v Speaker 7>Okay, come in, spetic.

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<v Speaker 4>Sit down? No, no, over here, you look nervous.

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<v Speaker 1>It's late, and inspect and I'm tired me too. We

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<v Speaker 1>got the coroner's report on Clara Malone. He's satisfied that

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<v Speaker 1>it's suicide. Well then then what do you want.

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<v Speaker 4>I'm not satisfying. Sec why'd you come to this city?

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<v Speaker 1>Business?

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<v Speaker 4>What business?

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<v Speaker 1>Just business?

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<v Speaker 4>Business with Clara Malone? No?

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<v Speaker 1>No, that was just a day yeah, arranged by a

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<v Speaker 1>mutual friend, a business associate. All right, yeah, look the

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<v Speaker 1>report from Parah Malone's bank. She inherited three hundred thousand

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00:16:16.200 --> 00:16:21.120
<v Speaker 1>dollars when her husband died. Look what's left. She's practically broke.

246
00:16:21.879 --> 00:16:22.480
<v Speaker 1>Where did it go?

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<v Speaker 4>Wherever it went?

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00:16:23.759 --> 00:16:27.279
<v Speaker 1>It went during the last year or so, somebody was

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00:16:27.320 --> 00:16:30.039
<v Speaker 1>bleeding this dame dry sphetic. She has a couple of

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00:16:30.120 --> 00:16:32.960
<v Speaker 1>kids away at an exclusive private school, but she has

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<v Speaker 1>You didn't know that, no, swhenk I warn you, either

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00:16:39.679 --> 00:16:42.960
<v Speaker 1>you tell us what you know or don't inspect. Well,

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<v Speaker 1>then talk to you, idiot. I'm trying to give you

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<v Speaker 1>a break. Pharah Malone was the victim of a shakedown speedic.

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<v Speaker 1>Whoever's responsible is just as responsible for her suicide, directly

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<v Speaker 1>or indirectly.

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<v Speaker 4>In spite of you. I intend to find out who

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<v Speaker 4>and why and how.

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<v Speaker 1>I wish I could help inspect her.

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<v Speaker 4>Yeah, I'll bet okay, so it get out, get out of.

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<v Speaker 1>Here secretly, and I hoped Inspector Bicheck would fulfill his threat.

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<v Speaker 1>I left police headquarters praying silently that he'd be able

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<v Speaker 1>to pinish suspicions on missus Breen and the Kamis. But

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<v Speaker 1>I couldn't help him. I'm sure I might have been

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<v Speaker 1>noble and named names, but nobility comes hard when you

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<v Speaker 1>know the Kami technique for vengeance. The streets of the

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<v Speaker 1>Strange City were even stranger now. They were empty, silent,

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<v Speaker 1>wet with that pre dawned mist in here. Hurry, sorry, pal,

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<v Speaker 1>I'm going the other way. Hey, what's a big idea?

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<v Speaker 5>Let's go on, Kurty, I said, ah, good, thank you, George.

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<v Speaker 1>Any trouble, No trouble, Comrade Breen, you keep mighty odd

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<v Speaker 1>hours for a woman of your age, Missus Breen.

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<v Speaker 3>I'm dedicated to my work. It makes a difference. That's

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<v Speaker 3>all for now, George. Okay, are you all right, Comrade City?

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<v Speaker 1>No, I don't like being shoved around by that that

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<v Speaker 1>goon boy of yours.

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<v Speaker 3>He's comrade. I'd like to know what you told the police. Nothing,

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<v Speaker 3>Oh now, comedy.

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<v Speaker 1>If I did tell them anything about you or this club,

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00:18:33.519 --> 00:18:34.759
<v Speaker 1>don't you think you'd know by now?

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<v Speaker 3>Right?

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<v Speaker 5>Of course?

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<v Speaker 3>Do the police know anything about us?

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00:18:40.319 --> 00:18:43.799
<v Speaker 1>Just hunches. The coroner called Clara Malone's death a suicide,

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<v Speaker 1>but the inspector thinks there's blackmail involved.

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<v Speaker 3>Where did he learn that?

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00:18:48.480 --> 00:18:50.799
<v Speaker 1>Well, he's not a fool, you know. He checked Clara's

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<v Speaker 1>bank account and learned that she went through a lot

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00:18:52.759 --> 00:18:53.839
<v Speaker 1>of money in a big hurry.

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<v Speaker 3>I wonder how much that sister of hers knows.

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<v Speaker 1>Not too much from what I could see.

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<v Speaker 3>We've got to be sure, comrade, We've got to be sure. Well,

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<v Speaker 3>So would you mind finding out for me? Please? What

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00:19:08.480 --> 00:19:11.519
<v Speaker 3>oh you've met Judith? If you've talked with her, find

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00:19:11.559 --> 00:19:14.519
<v Speaker 3>out what she knows about the club, the blackmail anything.

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<v Speaker 3>If she knows more than she should, then then what

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<v Speaker 3>we'll see, we'll see. Your job now is to find

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<v Speaker 3>out what she knows before she tells the police.

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<v Speaker 1>The COMMI web was being spun again. This time the

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00:19:33.160 --> 00:19:36.039
<v Speaker 1>victim was to be Judith Malone. I had to keep

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00:19:36.039 --> 00:19:38.319
<v Speaker 1>her free of that web somehow, But I had to

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00:19:38.400 --> 00:19:41.400
<v Speaker 1>keep myself clear that web too. Maybe there was a way,

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00:19:41.799 --> 00:19:44.759
<v Speaker 1>some way to turn the web against the spinner, to

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00:19:44.880 --> 00:19:48.079
<v Speaker 1>strangle the Commis with their own vicious weapon. It was

305
00:19:48.119 --> 00:19:55.160
<v Speaker 1>worth a try. One good try, biker, biker, This is

306
00:19:55.240 --> 00:20:00.519
<v Speaker 1>Red Hi, what's up? I need some bugs and lines fast? Okay,

307
00:20:01.480 --> 00:20:03.680
<v Speaker 1>they don't know yet the local field office, do they no?

308
00:20:04.160 --> 00:20:06.440
<v Speaker 1>All right, I'll call them from here. Is there a

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00:20:06.519 --> 00:20:07.039
<v Speaker 1>grocery store?

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00:20:07.119 --> 00:20:09.640
<v Speaker 4>Are you any grocery store? Yeah?

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00:20:10.519 --> 00:20:11.960
<v Speaker 1>Roger's Market down the street.

312
00:20:12.200 --> 00:20:13.799
<v Speaker 4>There'll be a package for you there in an hour.

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00:20:14.240 --> 00:20:16.759
<v Speaker 1>What name do you want to use? Oh Matthews?

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<v Speaker 7>Okay, pick up your groceries in an hour, mister Matthews.

315
00:20:24.279 --> 00:20:26.519
<v Speaker 1>And my groceries were waiting for me in an hour.

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00:20:27.000 --> 00:20:29.720
<v Speaker 1>The package was camouflaged pretty well, but I knew the

317
00:20:29.799 --> 00:20:34.559
<v Speaker 1>equipment I needed. Was there coils of wire, small microphones, earphones,

318
00:20:34.599 --> 00:20:38.079
<v Speaker 1>the works. My next step was to call missus brain

319
00:20:38.359 --> 00:20:39.640
<v Speaker 1>and tell some whoppers.

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00:20:39.920 --> 00:20:41.559
<v Speaker 3>You mean she knows the whole story.

321
00:20:41.799 --> 00:20:44.839
<v Speaker 1>Yeah, Clara told her everything, But Judith has a pretty

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00:20:44.880 --> 00:20:46.079
<v Speaker 1>sensible latitude about it.

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<v Speaker 3>Has she told the police yet?

324
00:20:48.359 --> 00:20:51.559
<v Speaker 1>Oh, she's more sensible than that. There's one simple way

325
00:20:51.640 --> 00:20:52.799
<v Speaker 1>to keep Judith quiet.

326
00:20:52.960 --> 00:20:56.319
<v Speaker 3>Oh, don't be foolish. We captures violence now, It would just.

327
00:20:56.400 --> 00:21:01.480
<v Speaker 1>Create more suspicion violence now terms, Yes, did she tell

328
00:21:01.480 --> 00:21:04.319
<v Speaker 1>you that she hated add it pretty strongly? You had

329
00:21:04.359 --> 00:21:07.319
<v Speaker 1>better phone her, make an appointment, make her an offer.

330
00:21:07.599 --> 00:21:08.759
<v Speaker 3>Shall I visit her place?

331
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<v Speaker 1>No cops all over the neighborhood?

332
00:21:10.799 --> 00:21:12.359
<v Speaker 3>Well, how could I get her to come here?

333
00:21:12.880 --> 00:21:16.640
<v Speaker 1>Tell her you realize that silence is golden. Tell her

334
00:21:16.680 --> 00:21:19.480
<v Speaker 1>you have some important information about her sister. I should

335
00:21:19.519 --> 00:21:25.599
<v Speaker 1>do it. I hope I checked in at missus Breen's

336
00:21:25.599 --> 00:21:27.759
<v Speaker 1>place later and learned that she'd made an appointment with

337
00:21:27.880 --> 00:21:31.480
<v Speaker 1>Judith Malone for eight thirty that night, about six o'clock,

338
00:21:31.599 --> 00:21:33.680
<v Speaker 1>missus Breen decided to go out for a bite to eat.

339
00:21:33.960 --> 00:21:36.119
<v Speaker 3>Want to join me, comrad snittik Oh.

340
00:21:36.039 --> 00:21:39.319
<v Speaker 1>No thanks, I'll stay here. Judith may change her mind.

341
00:21:39.640 --> 00:21:40.720
<v Speaker 1>Can't take any chances.

342
00:21:41.319 --> 00:21:44.960
<v Speaker 3>Well, you're probably right. Incidentally, you'll be here tonight when

343
00:21:44.960 --> 00:21:45.759
<v Speaker 3>I see her, won't you.

344
00:21:46.039 --> 00:21:48.640
<v Speaker 1>You don't want me here too many of us might

345
00:21:48.720 --> 00:21:52.119
<v Speaker 1>overemphasize the importance, make her boost the price even more,

346
00:21:52.680 --> 00:21:56.880
<v Speaker 1>all right, and remember she's quite a little actress. She'll

347
00:21:56.920 --> 00:21:59.079
<v Speaker 1>play the innocent role right up to the hilt. But

348
00:21:59.200 --> 00:22:00.119
<v Speaker 1>don't let her fool you.

349
00:22:00.359 --> 00:22:02.720
<v Speaker 3>Don't what a young man. I will be back soon.

350
00:22:03.200 --> 00:22:09.480
<v Speaker 1>Take your time. I have nothing to do anyway. There

351
00:22:09.599 --> 00:22:11.960
<v Speaker 1>was plenty to do, of course. As soon as missus

352
00:22:12.000 --> 00:22:15.160
<v Speaker 1>Breen was gone, I unwrapped my groceries, which I'd hidden

353
00:22:15.200 --> 00:22:18.240
<v Speaker 1>in the shrubs outside the house. As quickly as possible.

354
00:22:18.319 --> 00:22:21.640
<v Speaker 1>I wired her office for sounds, one tiny microphone under

355
00:22:21.640 --> 00:22:24.319
<v Speaker 1>the rug near her desk, another near the big arm chair.

356
00:22:25.000 --> 00:22:26.960
<v Speaker 1>I ran the wires up behind the drapers out the

357
00:22:27.000 --> 00:22:29.799
<v Speaker 1>windows and into the shrubs where the miniature recording set

358
00:22:29.880 --> 00:22:32.839
<v Speaker 1>up would be located. Back in the little office, I

359
00:22:33.000 --> 00:22:35.200
<v Speaker 1>was about to test the microphones.

360
00:22:34.680 --> 00:22:38.599
<v Speaker 4>And SCHUEK, what there's missus brain? What?

361
00:22:38.799 --> 00:22:40.680
<v Speaker 1>She she went out for something to eat?

362
00:22:40.920 --> 00:22:43.079
<v Speaker 4>Why that Malone David is here?

363
00:22:43.519 --> 00:22:43.680
<v Speaker 7>Now?

364
00:22:44.519 --> 00:22:45.480
<v Speaker 1>I thought eight thirty or?

365
00:22:45.599 --> 00:22:48.839
<v Speaker 4>She says she was nervous, couldn't wait? No, better, get

366
00:22:48.920 --> 00:22:49.599
<v Speaker 4>Comrade Breen.

367
00:22:49.759 --> 00:22:52.480
<v Speaker 1>Oh no, no, I'll go. I know where she's eating.

368
00:22:54.920 --> 00:22:58.319
<v Speaker 1>Uh have you been here in the house all this time?

369
00:22:58.839 --> 00:23:01.079
<v Speaker 4>Sure? Where'd you think i'd be?

370
00:23:02.039 --> 00:23:02.240
<v Speaker 7>Why?

371
00:23:03.160 --> 00:23:10.200
<v Speaker 1>Nothing? Just just curious, that's all. I went out the

372
00:23:10.240 --> 00:23:13.039
<v Speaker 1>back door to avoid Judith. There was no chance to

373
00:23:13.119 --> 00:23:16.079
<v Speaker 1>test the equipment. Now, no chance for anything but cold

374
00:23:16.319 --> 00:23:19.839
<v Speaker 1>naked luck. When Missus Breen went inside to meet Judith,

375
00:23:20.000 --> 00:23:23.079
<v Speaker 1>I ducked behind the shrubbery, switched on the recorder, dusted

376
00:23:23.160 --> 00:23:28.160
<v Speaker 1>the earphone, and prayed, Oh, come on, come on, pick

377
00:23:28.200 --> 00:23:33.400
<v Speaker 1>it up, pick it up, Come on, please, pick it up.

378
00:23:33.759 --> 00:23:34.680
<v Speaker 3>Please please?

379
00:23:35.440 --> 00:23:37.839
<v Speaker 6>About time we got straight to the point, miss Malone.

380
00:23:37.880 --> 00:23:40.480
<v Speaker 6>I'm willing to pay any reasonable price for your silence.

381
00:23:41.039 --> 00:23:43.559
<v Speaker 3>Silence? What have I to be silent about?

382
00:23:43.720 --> 00:23:47.000
<v Speaker 6>Oh, let's stop playing parsome, young lady. We'll go to

383
00:23:47.160 --> 00:23:49.319
<v Speaker 6>any length to stop you from telling the police what

384
00:23:49.480 --> 00:23:52.079
<v Speaker 6>you know. We prefer to do business on a purely

385
00:23:52.160 --> 00:23:55.599
<v Speaker 6>financial basis. So here are my terms, and I expect

386
00:23:55.680 --> 00:23:56.680
<v Speaker 6>you to accept them.

387
00:24:05.119 --> 00:24:06.400
<v Speaker 4>Did you get a decent recording of it?

388
00:24:06.440 --> 00:24:06.640
<v Speaker 6>Matt?

389
00:24:06.960 --> 00:24:09.160
<v Speaker 1>We have all we need to hang a blackmail charge

390
00:24:09.200 --> 00:24:11.200
<v Speaker 1>on Missus Breen and the local comedy speaker.

391
00:24:11.400 --> 00:24:11.599
<v Speaker 4>Good.

392
00:24:12.319 --> 00:24:14.319
<v Speaker 2>I'll let the police know it was an FBI operation

393
00:24:14.599 --> 00:24:16.920
<v Speaker 2>at our file on Missus Brain indicated that kind of checker.

394
00:24:17.079 --> 00:24:20.200
<v Speaker 1>Okay, that'll clear me with the party. Be sure the

395
00:24:20.240 --> 00:24:21.839
<v Speaker 1>local papers get the same story.

396
00:24:22.119 --> 00:24:24.319
<v Speaker 2>And our phone Inspector Bicheck to tell him to expect

397
00:24:24.359 --> 00:24:24.680
<v Speaker 2>the record.

398
00:24:24.839 --> 00:24:27.720
<v Speaker 1>He has it already so soon. I had it delivered

399
00:24:27.759 --> 00:24:30.400
<v Speaker 1>to him direct. But you'd better call and explain what

400
00:24:30.480 --> 00:24:31.079
<v Speaker 1>it's all about.

401
00:24:31.240 --> 00:24:32.039
<v Speaker 7>I'll do it right now.

402
00:24:33.200 --> 00:24:35.799
<v Speaker 1>See you soon, man, Yeah, bigger soon.

403
00:24:39.880 --> 00:24:40.119
<v Speaker 4>Later.

404
00:24:40.279 --> 00:24:42.480
<v Speaker 1>I stood in the shadows across the street from Missus

405
00:24:42.519 --> 00:24:45.440
<v Speaker 1>Breen's house. A police car was parked at the curb.

406
00:24:46.240 --> 00:24:48.160
<v Speaker 1>One by one, I saw the light in the house

407
00:24:48.240 --> 00:24:50.839
<v Speaker 1>blink out. Then the door opened and an inspected by

408
00:24:50.960 --> 00:24:53.839
<v Speaker 1>check came out with Judith, Missus Breen, and the red

409
00:24:53.960 --> 00:24:57.880
<v Speaker 1>goon George. When the car drove away, the street became

410
00:24:57.920 --> 00:25:03.559
<v Speaker 1>a dark ribbon of silence stretched across the strange city. Again.

411
00:25:03.960 --> 00:25:07.519
<v Speaker 1>Walking across town, I felt the hollow distinction that only

412
00:25:07.559 --> 00:25:10.960
<v Speaker 1>a stranger can feel. But I'd be a stranger in

413
00:25:11.039 --> 00:25:15.599
<v Speaker 1>any city anywhere I had to be. It was my job.

414
00:25:16.759 --> 00:25:44.119
<v Speaker 1>I had to walk alone. Dana Andrews will return in

415
00:25:44.279 --> 00:26:06.400
<v Speaker 1>just a moment. This is Dana Andrews friends with a

416
00:26:06.480 --> 00:26:10.400
<v Speaker 1>reminder that most precious commodities increase in value as they

417
00:26:10.480 --> 00:26:15.039
<v Speaker 1>become less accessible. But freedom is the one exception. The

418
00:26:15.160 --> 00:26:18.400
<v Speaker 1>more the world sees of it, the more valuable it becomes.

419
00:26:19.119 --> 00:26:21.880
<v Speaker 1>Let's increase the value of our freedom by sharing it

420
00:26:21.960 --> 00:26:25.759
<v Speaker 1>with the world. In this story, as in all others, names,

421
00:26:25.880 --> 00:26:30.000
<v Speaker 1>dates and places are fictitious to protect innocent persons. Next week,

422
00:26:30.079 --> 00:26:32.680
<v Speaker 1>another fantastic adventure. Join us, won't you
