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<v Speaker 1>I'm on the subway the other day, and this is

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<v Speaker 1>bewilderingly never happened to me before, which is shocking because

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<v Speaker 1>we've lived in New York now for like twenty five

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<v Speaker 1>years or something.

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<v Speaker 2>One hundred and thirty years.

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<v Speaker 3>Yes.

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<v Speaker 1>Yeah, the subway pulls into my stop. The door opens.

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<v Speaker 1>I walked to the door, and I walk through a

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<v Speaker 1>fart cloud so toxic that I actually almost like stumbled

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<v Speaker 1>on the way out the door, like to the point

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<v Speaker 1>when I turnround and be like, somebody has to see

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<v Speaker 1>a gastro enterologist. I don't know who did that, but

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<v Speaker 1>that is not okay. Now, I'm not even concerned for me.

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<v Speaker 1>I'm concerned for you and what is happening in your system.

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<v Speaker 2>I'm concerned for you now. I think you have pink

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<v Speaker 2>eye in both eyes.

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<v Speaker 1>I had my sunglasses on. I think I'm okay. I

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<v Speaker 1>always keep my sunglass down on the subway. I don't

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<v Speaker 1>want anyone to recognize me, you know, yeah, yeah, yeah, you.

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<v Speaker 2>Exactly. Yeah.

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<v Speaker 3>Yeah.

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<v Speaker 1>Hey, I'm Paul and I'm America. And this is that aged.

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<v Speaker 2>Well, yesterday's pop culture today.

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<v Speaker 1>And we are in we're doing Crazy Technology month. Erica.

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<v Speaker 1>Is it's been It's been bonkers up in here. For us,

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<v Speaker 1>it's been it's.

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<v Speaker 2>Been bleeps and bloops and X rays and stingrays and

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<v Speaker 2>all the rays.

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<v Speaker 1>Lots of San Francisco content.

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<v Speaker 2>Our second film that takes place in San Francisco just

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<v Speaker 2>this month.

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<v Speaker 1>Well done, Yeah, well done San Francisco.

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<v Speaker 2>And honestly our second the other film is also in California,

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<v Speaker 2>So just California all around.

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<v Speaker 1>All right. So before we get to the movie today, though,

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<v Speaker 1>we do have a couple of podcast reviews that we're

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<v Speaker 1>going to read. Shall I go first?

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<v Speaker 2>Sure?

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<v Speaker 1>All right, So this is from Apple Podcasts and it

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<v Speaker 1>is from Mouse eighteen oh nine, and they write, cool,

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<v Speaker 1>cool Cool. I found Paul and Erica through a date

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<v Speaker 1>with Dateline a few years ago. Thank you again, Kimberly

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<v Speaker 1>and Katie, and I've been an avid listener ever since.

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<v Speaker 1>Their takes on the movies and shows I grew up

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<v Speaker 1>with delight me endlessly. And I don't care when they

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<v Speaker 1>throw out the ranking system for a movie or show

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<v Speaker 1>they love. I appreciate that.

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<v Speaker 2>You know what I like about that is subtle shade.

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<v Speaker 2>It's like, you know what, I don't care that they

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<v Speaker 2>don't have integrity.

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<v Speaker 1>Yeah, I don't care. That they will fully be like

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<v Speaker 1>I like this movie a lot, and so I'm giving

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<v Speaker 1>it a nine, even though there's blackface in it. I

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<v Speaker 1>don't care.

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<v Speaker 2>Well, guys a birth of in Day. She is fine.

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<v Speaker 2>It's fine.

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<v Speaker 1>Erica and Paul are a match made in heaven and

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<v Speaker 1>the perfect pair to lead us through all the problematic

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<v Speaker 1>decades of the eighties and nineties. I recommend this pod

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<v Speaker 1>to every gen xer. I know you know what. It's

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<v Speaker 1>important to remember, listeners that you are the best way

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<v Speaker 1>to get this pod bigger. Recommending it to your friends.

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<v Speaker 1>I'm saying you are all our pr agents.

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<v Speaker 2>Ok, You're all our Samantha Jones's that's right.

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<v Speaker 1>Mouse eighteen oh nine goes on. Please please please do

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<v Speaker 1>us all a favor and cover some kind of wonderful Well, yes, Erica,

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<v Speaker 1>I still can't believe you haven't covered it. Keep up

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<v Speaker 1>the amazing work. No notes, Well we have.

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<v Speaker 2>We got fucking great news for you. Mouse eighteen oh nine.

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<v Speaker 1>That's right.

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<v Speaker 2>Check your feed.

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<v Speaker 1>It's your feed. It happened. It happened before we got

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<v Speaker 1>around to reading this. It happened in February. And then

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<v Speaker 1>we have another review, Erica. This one's from podcast Addict

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<v Speaker 1>not from Apple podcasts.

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<v Speaker 2>Yes, Giovanni B. On podcast Addict writes, one of my

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<v Speaker 2>regular searches is for podcasts discussing.

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<v Speaker 1>Soap dish because you are living your life.

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<v Speaker 2>Right, Giovanni B. Make no changes, none, make make no adjustments.

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<v Speaker 2>Zero adjustments needed. Yeah, Giovanni continues, as kinks go. It's

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<v Speaker 2>quite tame, but it's one I cultivate.

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<v Speaker 1>Fantastic, excellent, and.

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<v Speaker 2>The way that aged Well discussed it with a comforting ease,

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<v Speaker 2>genuine insight and love for its subject, couple with the

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<v Speaker 2>sense that we're on the edge of impending chaos make

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<v Speaker 2>me download more episodes and they confirmed my impression, which

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<v Speaker 2>in turn led me to subscribe.

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<v Speaker 1>All right, can't.

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<v Speaker 2>Wait to make a suggestion, Giovanni be you? Can you

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<v Speaker 2>be our life coach?

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<v Speaker 3>Is that?

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<v Speaker 2>Is that a thing you do?

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<v Speaker 1>I will take an oath Giovanni's oath? These are great

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<v Speaker 1>Mouse eighteen o nine. Giovanni B. Thank you so much

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<v Speaker 1>for these reviews. If you would like a down A

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<v Speaker 1>twelve tote bag, please just let us know this is you.

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<v Speaker 1>I will send it off for you. Erica, Erica, we

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<v Speaker 1>had so many movies requested this month, but we had

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<v Speaker 1>one movie that we kind of tried to incept in

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<v Speaker 1>and we did. We did this.

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<v Speaker 2>This did get the third top number of votes. I think,

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<v Speaker 2>uh of fourth, yeah, third or fourth, and that's because

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<v Speaker 2>Paul basically was like, guys, we're doing.

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<v Speaker 1>This whether you like it or you might as well

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<v Speaker 1>give over.

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<v Speaker 2>We're jumping on this. This movie's bandwagon, and y'all are

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<v Speaker 2>following us. Today's film is the I'm gonna say classic,

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<v Speaker 2>It is not technically a classic because I don't think

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<v Speaker 2>enough people watched it, and we're gonna fix that. Today

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<v Speaker 2>Nay's film is the nineteen ninety two classic thriller Sneakers.

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<v Speaker 1>Yes, classic comic thriller. I would almost say yes, Caper.

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<v Speaker 2>Caper, Yes, yes, this movie walked so the Ocean's films

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<v Speaker 2>could run. And I do realize the Ocean's films were

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<v Speaker 2>actually remakes of the sixties Oceans films, but this is

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<v Speaker 2>better than all those movies.

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<v Speaker 1>Agreed, one hundred percent. Sneakers was requested by Kay Michael,

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<v Speaker 1>Mary Beth, Kathleen, Heather, Ariel and Nicole, Valerie, Sarah, Lana

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<v Speaker 1>ben Kh and Michelle and as I said before, also

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<v Speaker 1>us and Us. It was written by Lawrence Lasker, Walter Parks,

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<v Speaker 1>and phil Alden Robinson. It was directed by Robinson and

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<v Speaker 1>stars Robert Redford, dan Ackroyd, Ben Kingsley, Mary McDonell, River Phoenix,

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<v Speaker 1>Sidney Potier, and David Strathairn. Each and every one of

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<v Speaker 1>them at least an Oscar nominee.

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<v Speaker 2>Wow, I actually did not realize dan Ackroyd is an

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<v Speaker 2>Oscar nominee.

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<v Speaker 1>Miss Daisy Best Supporting Actor.

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<v Speaker 2>He was nominated for driving Miss Daisy. You're absolutely right,

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<v Speaker 2>I'd forgotten that.

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<v Speaker 1>Yeah.

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<v Speaker 2>Allegedly, during the filming of Sneakers, the director was approached

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<v Speaker 2>by men claiming to be representatives of the Office of

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<v Speaker 2>Naval Intelligence, who told him that, for reasons of national security,

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<v Speaker 2>the film could not include any references to a quote

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<v Speaker 2>unquote handheld decoder device.

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<v Speaker 1>What keep reading? I'm reading visiting.

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<v Speaker 2>The first time you guys Robinson, The director was concerned,

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<v Speaker 2>as such a device was a key plot point. However,

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<v Speaker 2>once he consulted with his studio lawyer, he realized that

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<v Speaker 2>the visit had been a prank instigated by a member

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<v Speaker 2>of the cast, and he suspected Akrooyd and Redford excellent.

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<v Speaker 1>Excellent, excellent joined of Sidney Ploitier was like a big prankster.

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<v Speaker 1>He comes on set and everyone's like, everyone just checked

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<v Speaker 1>your seats. Plotier's on set, there's gonna be whipope cushions

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<v Speaker 1>ha ha. He loves a fart joke more than anything.

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<v Speaker 2>Honestly, Yes, I like there's something about him that gives

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<v Speaker 2>off such a joy energy that I'm just like, I

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<v Speaker 2>bet he's a he's a foot Well.

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<v Speaker 1>I don't know if you read this on the Wikipedia page,

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<v Speaker 1>Like everyone apparently adored making this movie, like this was

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<v Speaker 1>a fantastic experience for everyone involved.

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<v Speaker 2>What a good hang.

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<v Speaker 1>Yeah.

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<v Speaker 2>Robert Redford also has this energy of like he's gonna

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<v Speaker 2>take care of his people. Everyone's gonna have a nice time.

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<v Speaker 2>No one's gonna get ignored or left out. He's gonna

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<v Speaker 2>make sure everyone's taken care of it. I just I

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<v Speaker 2>don't know that that's true, but I get that vibe

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<v Speaker 2>from him.

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<v Speaker 1>Yeah. I also just love the fact that Robert Redford aged.

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<v Speaker 2>Yeah, he's fifty six when he made this movie.

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<v Speaker 1>Yeah, and he like, look he looks great, to be clear,

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<v Speaker 1>like no skips what dude, But he just has like

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<v Speaker 1>the normal weathered face of a fifty six year old

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<v Speaker 1>he just like he looks fifty six, and part of

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<v Speaker 1>like there's a little bit of joking between him and

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<v Speaker 1>Sidney Potier being like, we're getting too old for this,

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<v Speaker 1>and it's like, well, at least doesn't look like he's

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<v Speaker 1>thirty five and being like, we're getting too old for this,

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<v Speaker 1>because then you just feel bad about yourself. Erica Sneakers

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<v Speaker 1>has an eighty percent critical rating on Rotten Tomatoes and

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<v Speaker 1>an eighty percent audience score.

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<v Speaker 2>Too low. Yeah, what on earth do we have to

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<v Speaker 2>complain about?

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<v Speaker 1>Now?

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<v Speaker 2>Look, if you'd given me a cherry Picks that was

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<v Speaker 2>slightly lower, I would understand. Because my one complaint about

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<v Speaker 2>this movie is it is a sausage fest.

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<v Speaker 1>Look, I watched plenty of movies that are sausage fests. Yeah,

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<v Speaker 1>in the privacy of my bedroom, all the movies are

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<v Speaker 1>sausage fests.

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<v Speaker 2>It was that kind of sausage fest. I'd still be

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<v Speaker 2>into this movie.

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<v Speaker 1>Don't peretty much. Yeah, I don't care.

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<v Speaker 2>All of them, all of them. It's I mean, I

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<v Speaker 2>don't even understand where do you take twenty percent out?

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<v Speaker 2>Even like with my one complaint that it's there's really

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<v Speaker 2>only one female character in the entire movie.

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<v Speaker 1>The only thing I can think of is and and

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<v Speaker 1>this would be fair for critics and for audience to

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<v Speaker 1>be fair. Like I watched it and I really liked it,

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<v Speaker 1>and then I enjoyed it so much more on the

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<v Speaker 1>second watch, like in the first watch because they use

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<v Speaker 1>effective red hair.

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<v Speaker 2>Oh that's true.

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<v Speaker 1>Again, totally enjoyed it, but I was I left the

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<v Speaker 1>first viewing kind of confused. I mean like I don't

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<v Speaker 1>actually know exactly what happened in that movie. And then

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<v Speaker 1>on the second viewing, when I was doing the recap,

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<v Speaker 1>I was like, Oh, this is actually super tight, and

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<v Speaker 1>like they actually cross the t's and dot the eyes

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<v Speaker 1>and oh that's a red herring. Oh that's a red herring.

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<v Speaker 1>Oh that's a red herring. That's really cool and fun

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<v Speaker 1>and like so I can see maybe if you watch

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<v Speaker 1>it once being like, oh, it's a good movie. Could

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<v Speaker 1>have been a little clearer.

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<v Speaker 2>That has to be it, because you cannot ding this

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<v Speaker 2>on the it's funny. It's over two hours, and I

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<v Speaker 2>was like, oh, is this gonna feel too long? And

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<v Speaker 2>but it doesn't. It runs, it moves, it moves.

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<v Speaker 1>So fast because it's also like two movies, there's a

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<v Speaker 1>there's a first act, in the second act, and it's

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<v Speaker 1>very clear.

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<v Speaker 2>Yeah, anyway, eighty percent is too low. I'm just gonna

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<v Speaker 2>say I would give this movie.

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<v Speaker 3>I mean.

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<v Speaker 1>Yeah, I mean, I guess critically I would take off

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<v Speaker 1>a couple of percentages for the sausage fest aspect, but

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<v Speaker 1>as an audience member one hundred percent.

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<v Speaker 2>But in nineteen ninety two, I wouldn't like, I'd give

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<v Speaker 2>you a fuck one hundred.

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<v Speaker 1>And also the one, the one flower here with us

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<v Speaker 1>in the sausage chest is Mary fucking MacDonell, who's a

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<v Speaker 1>goddamn garden all by herself.

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<v Speaker 2>Everything about her in this movie is perfection.

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<v Speaker 1>Do you know how much chemistry a straight couple has

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<v Speaker 1>to have in order for me to care about them

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<v Speaker 1>so much? Paul so much? And it is only gotten

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<v Speaker 1>worse as I've gotten older.

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<v Speaker 2>I have seen you heckle at productions of Romeo and

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<v Speaker 2>Juliet Heckel.

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<v Speaker 1>Heckel who cares? Who cares? And these two, I mean

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<v Speaker 1>the first second when he rudely interrupts her piano lesson

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<v Speaker 1>without knocking, I'm like, I'm in, I'm all in. This

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<v Speaker 1>is kidder Reeve levels of chemistry.

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<v Speaker 2>Okay, I have to I have to ask, because I

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<v Speaker 2>am now upon watching it this time, so I hadn't

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<v Speaker 2>seen it in a while. I have slightly confused as

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<v Speaker 2>to what she does.

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<v Speaker 1>No idea, absolutely no idea.

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<v Speaker 2>What who is this? This woman of mystery?

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<v Speaker 1>She understands quantum physics, but.

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<v Speaker 2>Her job seems to be piano teacher in an abandoned mansion, and.

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<v Speaker 1>She lives in San Francisco in the nineties in a duplex,

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<v Speaker 1>gorgeous apartment.

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<v Speaker 2>But as we've discussed in So I Married an Next Murderer,

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<v Speaker 2>which canonically takes place in the same era, this is

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<v Speaker 2>the same world as So I'm married.

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<v Speaker 1>Robert Redford and Mike Myers drive the same car.

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<v Speaker 2>They drive the same car, they go, they both go

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<v Speaker 2>to that gross butcher shop. Like, yeah, it's the same world. Yeah,

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<v Speaker 2>that's actually Now that I'm saying it out loud, I

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<v Speaker 2>have one other complaint about this movie. That really could

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<v Speaker 2>have flashed that character out, just a schooschmore.

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<v Speaker 1>All right, Erica, So when was the first time you

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<v Speaker 1>saw Sneakers?

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<v Speaker 2>I saw this when I was in high school. I

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<v Speaker 2>did not see this in the theater. Every single member

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<v Speaker 2>of my family, all four quadrants of varying interest in movies.

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<v Speaker 2>Was were like, this movie's excellent, and we recorded it

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<v Speaker 2>off the TV because we had a VCR because we're rich.

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<v Speaker 2>Hey yeah, and we wore out that tape watching this

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<v Speaker 2>movie on like family movie nights. We loved this movie.

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<v Speaker 2>So every single member of my family adores this movie.

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<v Speaker 2>I watch it again for the first time since the

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<v Speaker 2>nineties last night with my mom and my brother, and

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<v Speaker 2>all three of us were like, this is excellent. No

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<v Speaker 2>notes on this fucking movie. How about you, Paul, when

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<v Speaker 2>did you first see Sneakers?

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<v Speaker 1>Surprising No One. Two days ago, I saw Sneakers for

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<v Speaker 1>the first time. This is one that I like, Like

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<v Speaker 1>we've put on the Instagram post like we wanted to

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<v Speaker 1>watch it. I know this is one of your all

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<v Speaker 1>time favorite movies. Another one of my favorite podcasters in

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<v Speaker 1>the world like lists this as her favorite, like her

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<v Speaker 1>number one movie of all time, like she loves this movie.

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<v Speaker 1>And then I watched it, and like I said, the

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<v Speaker 1>first time, I was like, oh, that was really fun.

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<v Speaker 1>I had a great time. In the second time, I

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<v Speaker 1>was like, oh, no, every every frame of this movie

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<v Speaker 1>is delicious. And just in case anyone's wondering could not

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<v Speaker 1>be more politically aligned with our current state.

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<v Speaker 2>It like, boy, the way things just don't change in the.

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<v Speaker 1>World, They only get worse. Please, Robert Redford told us

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<v Speaker 1>what is this thirty years ago? What the issue was?

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<v Speaker 2>I feel like Anonymous watched this movie and we're just like.

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<v Speaker 1>Got it, got it, let's do it.

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<v Speaker 2>The good folks are Anonymous?

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<v Speaker 1>Yeah, all right, Erica. The tagline for this movie was

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<v Speaker 1>a burglar, a spy, a fugitive, a delinquent, a hacker,

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<v Speaker 1>and a piano teacher. And these are the good guys.

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<v Speaker 2>Terrible, that's awful, that's so bad, that's unworthy of this

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<v Speaker 2>fucking movie. What are you doing?

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<v Speaker 1>Stop it?

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<v Speaker 2>Sit down.

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<v Speaker 1>Didn't write that, Lawrence Laska and Walter Parks, they didn't

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<v Speaker 1>write it.

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<v Speaker 2>They didn't write it. Some intern wrote it and he

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<v Speaker 2>fucked up. Also, just look, look, I hate to exclude

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<v Speaker 2>the woman more, but maybe it would have been tighter

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<v Speaker 2>if they'd been a burglar, a spy, a fugitive, a delinquent,

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<v Speaker 2>a hacker, and these are the good guys. Don't put

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<v Speaker 2>the piano teacher in there. It doesn't make any sense.

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<v Speaker 1>You can't follow the piano teacher with and these are

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<v Speaker 1>the good guys because the piano teacher doesn't make sense

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<v Speaker 1>with the Good Guys. Twist, Yes, the piano teacher sense

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<v Speaker 1>is the punchline. If this is what you want to

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<v Speaker 1>do a burglar, a spy, a fugitive, a delinquent, a hacker,

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<v Speaker 1>dot dot dot, and a piano teacher, you're putting a

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<v Speaker 1>hat in a hat.

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<v Speaker 2>It's dumb.

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<v Speaker 1>It's dumb.

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<v Speaker 2>And also, we will discuss this as we go on.

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<v Speaker 2>She is far more than a fucking piano teacher.

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<v Speaker 1>She might be a superhero. We're not entirely certain.

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<v Speaker 2>Honestly, I'm trying to do work for the movie, and

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<v Speaker 2>I'm like, did they make her character and bigu us

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<v Speaker 2>on purpose so that you never know if she's if

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<v Speaker 2>she's with the Good Guys completely or if she's maybe Like,

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<v Speaker 2>is that in and of itself another red herring where

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<v Speaker 2>we don't know if we can completely trust her.

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<v Speaker 1>I think they they drop that in the beginning as

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<v Speaker 1>something they want you to think about, but they do

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<v Speaker 1>not follow up on that at all.

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<v Speaker 2>I mean, this is a woman who probably teaches at Stanford, right,

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<v Speaker 2>Like that that's what she really is. She's like, she

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<v Speaker 2>teaches mathematics at Stanford, and then like for fun, on

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<v Speaker 2>the weekends, yea an abandoned mansion Miss Havisham's House and

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<v Speaker 2>teaches children piano.

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<v Speaker 1>All right, Erica, shall I read the iTunes synopsis?

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<v Speaker 2>Sure?

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<v Speaker 1>Robert Redford leads an all star cast in one of

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<v Speaker 1>the most satisfying suspense films. Computer expert Martin Bishop Robert

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<v Speaker 1>Redford leads a team of renegade hackers, including a former

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<v Speaker 1>CIA employee Sidney Poitier, a gadgets wizard Dan Ackroyd, a

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<v Speaker 1>young genius River Phoenix, and a blind sound man David

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<v Speaker 1>straight there and who are routinely hired to test security systems.

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<v Speaker 1>But Bishop, they're routinely hired because that's their job. Makes

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<v Speaker 1>it sound like it's like a gang of thieves that

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<v Speaker 1>like people keep finding going on. But Bishop's past comes

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<v Speaker 1>back to haunt him when government agents blackmail the quote

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<v Speaker 1>unquote sneakers into carrying out a covert operation tracking down

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<v Speaker 1>an elusive black box. The real question of this episode, Erica,

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<v Speaker 1>is how long are we going to be able to

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<v Speaker 1>go without starting to make double Entandra in jokes about

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<v Speaker 1>black boxes.

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<v Speaker 2>Paul, I'm going to be classy today.

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<v Speaker 1>I'm keeping we are not going to comment on the

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<v Speaker 1>fact that we're going to say the phrase black box

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<v Speaker 1>uh huh somewhere around four hundred times in the next

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<v Speaker 1>hour and a half to two hours.

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<v Speaker 2>I don't even understand what you could make fun of that.

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<v Speaker 1>It's a mystery. Yeah, it remains a mystery.

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<v Speaker 2>I understand why it's a mystery to you. I find

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<v Speaker 2>it less of a mystery. I don't know if I

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<v Speaker 2>told you I've owned a black box for a while.

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<v Speaker 1>Okay, okay. The synopsis goes on. Along with his former

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<v Speaker 1>girlfriend Mary McDonald, Bishop's team retrieves the box and makes

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<v Speaker 1>a stunning discovery. The device can break into any computer

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<v Speaker 1>system in the world. With factions from all sides willing

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<v Speaker 1>to kill for the powerful box, Bishop and his team

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<v Speaker 1>and bark on their most dangerous assignment ever in this

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<v Speaker 1>exhilarating high tech caper from Phil Alden Robinson.

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<v Speaker 2>They don't make it sound fun. They're over explaining the movie.

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<v Speaker 2>Stop it just be like, do you want to watch

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<v Speaker 2>actual like cinematic icons, be fun for two hours? Here's

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<v Speaker 2>your movie? You had me at Sidney Potier.

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<v Speaker 1>I'm done. Sydney Poitier says the word Motherfucker's in this movie.

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<v Speaker 1>Done so good it is so good.

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<v Speaker 2>Honestly, they went almost the entire movie before someone said

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<v Speaker 2>something racist to Sydney, and when it happened, I was like,

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<v Speaker 2>son of a bitch, Yeah, why why? And then five

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<v Speaker 2>and then five seconds later he says the word motherfucker,

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<v Speaker 2>and I was like, Oh, that's why, That's why they

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<v Speaker 2>had to get him that level of angry. This is

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<v Speaker 2>this like character who's like a very he's a smooth operator.

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<v Speaker 2>They had to get that guy that level of angry.

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<v Speaker 2>And I'm like, oh, okay, got it, got it, got

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<v Speaker 2>it worth it, guy, Sometimes racism is worth it.

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<v Speaker 1>Yeah, when they get there, come up and directly afterwards,

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<v Speaker 1>it can be really satisfying.

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<v Speaker 2>You get Sidney Poitier saying motherfucker later, it's great. Do

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<v Speaker 2>you have an actual synopsis for this film?

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<v Speaker 1>This is a movie about crazy technology in which the

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<v Speaker 1>most unbelievable thing is the idea that River Phoenix cannot

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<v Speaker 1>get a date.

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<v Speaker 2>A poor celibate River Phoenix.

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<v Speaker 1>Poor ass faced River Phoenix just can't get any attention

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<v Speaker 1>from the ladies.

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<v Speaker 2>I have to say, he's fighting that face. He really is,

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<v Speaker 2>and I think it works. I think he manages to

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<v Speaker 2>make the character awkward enough that I do understand how

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<v Speaker 2>he would walk up to someone in a bar and

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<v Speaker 2>just in under five seconds weird them out so much

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<v Speaker 2>that they'd walk away.

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<v Speaker 1>All right, So that is our lead up. We have

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<v Speaker 1>a couple of commercials to play here. We're going to

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<v Speaker 1>put them in. Stick around. We will be right back.

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<v Speaker 1>We're going to take you through sneakers. If you don't

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<v Speaker 1>want to hear commercials, skidaddle your little petuity. Wow, different

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00:18:54.119 --> 00:18:57.480
<v Speaker 1>Petuiti's in the vocab today. Skadaddle that little patuity over

401
00:18:57.519 --> 00:19:00.359
<v Speaker 1>to patreon dot com slash that age Ball podcast. Sign

402
00:19:00.440 --> 00:19:03.039
<v Speaker 1>up at any paid level and you will get ad

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00:19:03.039 --> 00:19:06.200
<v Speaker 1>free episodes. If not, stick around, we will be right back.

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00:19:06.400 --> 00:19:08.720
<v Speaker 2>Did you join the Little Rascals? Is that capping?

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<v Speaker 1>I do have a cow lick?

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<v Speaker 3>Hey?

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<v Speaker 1>Yeah?

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<v Speaker 2>Yeah? Are you and Alfalfa gonna go down to the

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00:19:14.839 --> 00:19:15.759
<v Speaker 2>watering hole later?

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<v Speaker 1>Hey? Listeners of that age Well, we're coming at you

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<v Speaker 1>today with a show recommendation.

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<v Speaker 2>The gig Gab Podcast is a weekly show crafted specifically

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<v Speaker 2>for working musicians.

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<v Speaker 1>Join Dave Hamilton and dive deep into the world of

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00:19:32.720 --> 00:19:35.759
<v Speaker 1>music every week, discussing topics that matter the most to you.

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00:19:36.079 --> 00:19:39.079
<v Speaker 2>Whether you're a seasoned pro like my cousin Bertie Bardoux,

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00:19:39.279 --> 00:19:40.359
<v Speaker 2>or just starting.

418
00:19:40.000 --> 00:19:42.440
<v Speaker 1>Out like my nephew who noodles around on the piano

419
00:19:42.519 --> 00:19:43.720
<v Speaker 1>and sometimes plays guitar.

420
00:19:43.880 --> 00:19:45.519
<v Speaker 2>Gig Gab has something for you.

421
00:19:45.839 --> 00:19:48.480
<v Speaker 1>Tune in as they discuss everything from vocal warm ups

422
00:19:48.519 --> 00:19:51.960
<v Speaker 1>to email marketing, offering tips that could transform your music career.

423
00:19:52.319 --> 00:19:55.480
<v Speaker 2>Want to hear from industry insiders. The gig Gab podcast

424
00:19:55.519 --> 00:19:58.759
<v Speaker 2>frequently hosts special guests like Buck Dharma from none other

425
00:19:58.799 --> 00:20:02.559
<v Speaker 2>than Blue Oyster Cult to share their unique insights and experiences.

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00:20:02.680 --> 00:20:04.720
<v Speaker 1>Not gonna fear the reaper after listening to Buck Dharma

427
00:20:04.759 --> 00:20:08.400
<v Speaker 1>on the gig Gab Podcast, remember performing is great, but

428
00:20:08.680 --> 00:20:11.799
<v Speaker 1>entertaining is the goal. Let giggab help you master the

429
00:20:11.880 --> 00:20:14.680
<v Speaker 1>art of captivating your audience every time you step on stage.

430
00:20:15.079 --> 00:20:17.720
<v Speaker 1>So tune into the gig Gab podcast today because every

431
00:20:17.799 --> 00:20:20.519
<v Speaker 1>musician has a voice and it's time to amplify yours.

432
00:20:21.039 --> 00:20:23.880
<v Speaker 1>Visit giggab podcast dot com or listen where you find

433
00:20:23.920 --> 00:20:31.440
<v Speaker 1>all your favorite podcasts. And we're back all right after

434
00:20:31.480 --> 00:20:34.960
<v Speaker 1>a fun credit sequence that foreshadows future fun with anagrams.

435
00:20:35.039 --> 00:20:40.799
<v Speaker 2>By the way, the sexiest sax intro this is like

436
00:20:41.640 --> 00:20:51.640
<v Speaker 2>a careless whisper level sax intro sweet love to your

437
00:20:51.640 --> 00:20:52.759
<v Speaker 2>ear drums, it sure is.

438
00:20:54.079 --> 00:20:56.680
<v Speaker 1>I really enjoyed the anagrams and the title sequence. At

439
00:20:56.720 --> 00:21:00.680
<v Speaker 1>turn up Cures, Elvis becomes Universal Pictures Block, the rhinos

440
00:21:00.720 --> 00:21:04.039
<v Speaker 1>Spaniel becomes philled out. Phil Alden Robinson thought it was

441
00:21:04.079 --> 00:21:05.759
<v Speaker 1>so fun. I thought I would try to make anagrams

442
00:21:05.799 --> 00:21:06.440
<v Speaker 1>of our names.

443
00:21:06.880 --> 00:21:09.160
<v Speaker 2>Oh okay, okay, word evil is right in my name.

444
00:21:09.279 --> 00:21:10.880
<v Speaker 1>It is it is, and I you know on what,

445
00:21:10.960 --> 00:21:12.640
<v Speaker 1>I didn't go for it. I didn't go for it.

446
00:21:13.000 --> 00:21:16.319
<v Speaker 1>So I had to use my middle name because my

447
00:21:16.319 --> 00:21:18.000
<v Speaker 1>my just my first and last name is a lot

448
00:21:18.000 --> 00:21:20.039
<v Speaker 1>of owls. And then then just like a couple random

449
00:21:20.079 --> 00:21:23.319
<v Speaker 1>consonants that repeat, it's not great. So okay. With Paul

450
00:21:23.440 --> 00:21:26.759
<v Speaker 1>John Kola and I got I an alcohol.

451
00:21:26.279 --> 00:21:28.319
<v Speaker 2>Pooja, you are an alcohol pooja.

452
00:21:28.440 --> 00:21:31.359
<v Speaker 1>I am, I am. And for Erica Yalba, I got

453
00:21:31.720 --> 00:21:32.640
<v Speaker 1>kill a variable.

454
00:21:33.000 --> 00:21:36.240
<v Speaker 2>Oh that's my that's my If I was a really

455
00:21:36.279 --> 00:21:38.640
<v Speaker 2>bad rapper, which I would be yea to be clear,

456
00:21:38.960 --> 00:21:40.880
<v Speaker 2>that would be that would be my hip hop name.

457
00:21:40.960 --> 00:21:42.799
<v Speaker 1>Your name also has liberal in it, and I was

458
00:21:42.839 --> 00:21:45.359
<v Speaker 1>trying to make something happen with liberal and I just couldn't.

459
00:21:45.839 --> 00:21:48.319
<v Speaker 2>Oh, you know, I did not know my name had

460
00:21:48.319 --> 00:21:51.039
<v Speaker 2>the word liberal in it. Actually, I got evil immediately

461
00:21:51.039 --> 00:21:52.599
<v Speaker 2>because it's really it's right there.

462
00:21:52.680 --> 00:21:55.200
<v Speaker 1>All right. So we open on a snowy night in

463
00:21:55.279 --> 00:21:59.759
<v Speaker 1>nineteen sixty nine. Two college students, Marty and Cosmo use

464
00:21:59.799 --> 00:22:03.119
<v Speaker 1>their hacking skills to reroute money from sources like the

465
00:22:03.160 --> 00:22:06.200
<v Speaker 1>Republican Party and Richard Nixon to causes they consider more

466
00:22:06.240 --> 00:22:08.680
<v Speaker 1>worthy of the cash, like the Black Panthers and the

467
00:22:08.759 --> 00:22:11.839
<v Speaker 1>National Association to legalize Mara Juanna real quick.

468
00:22:11.680 --> 00:22:14.160
<v Speaker 2>I just want to say off the bat because we're

469
00:22:14.160 --> 00:22:17.119
<v Speaker 2>in technology months and obviously Honey, I Shrunk the Kids

470
00:22:17.200 --> 00:22:20.440
<v Speaker 2>is like sci fi more than technology. But this is

471
00:22:20.440 --> 00:22:23.440
<v Speaker 2>the movie thus far that gets it.

472
00:22:23.400 --> 00:22:24.480
<v Speaker 1>The most, right, I think.

473
00:22:24.480 --> 00:22:27.240
<v Speaker 2>So, yeah, this all seems entirely plausible.

474
00:22:27.359 --> 00:22:30.079
<v Speaker 1>Yeah, and this is also technology in nineteen sixty nine,

475
00:22:30.119 --> 00:22:32.599
<v Speaker 1>so to call it rudimentary.

476
00:22:32.279 --> 00:22:33.640
<v Speaker 2>I mean they're using an abbocus.

477
00:22:33.759 --> 00:22:34.759
<v Speaker 1>Yeah.

478
00:22:34.839 --> 00:22:36.920
<v Speaker 2>I don't even know how you break into the National

479
00:22:37.200 --> 00:22:39.920
<v Speaker 2>the Republican Party with an avocus, with these fuckings, they

480
00:22:39.960 --> 00:22:40.200
<v Speaker 2>did it.

481
00:22:40.400 --> 00:22:43.680
<v Speaker 1>Yeah, so there's an easy camaraderie between them. By the way,

482
00:22:43.680 --> 00:22:45.000
<v Speaker 1>before I go on, can I just say you know

483
00:22:45.039 --> 00:22:47.799
<v Speaker 1>immediately who the young guy is with the red hair,

484
00:22:47.920 --> 00:22:52.799
<v Speaker 1>because I didn't realize that Robert Redford owned feathered strawberry

485
00:22:52.839 --> 00:22:54.720
<v Speaker 1>blonde male hair to the level of like, if you

486
00:22:54.799 --> 00:22:57.519
<v Speaker 1>just put that on anybody, I'm like, that's Robert Redford.

487
00:22:58.079 --> 00:23:01.240
<v Speaker 2>Genuinely. You can put that on Viola Davis and need

488
00:23:01.319 --> 00:23:05.039
<v Speaker 2>be like, no, no, it's Viola Davis and Robert Redford.

489
00:23:05.519 --> 00:23:08.559
<v Speaker 2>My bad, you got me. Davis got me again. The

490
00:23:08.680 --> 00:23:11.279
<v Speaker 2>actor too, His name is Gary Hirschberger, and I had

491
00:23:11.319 --> 00:23:12.920
<v Speaker 2>to lie I did a deep dive on him after

492
00:23:12.920 --> 00:23:16.480
<v Speaker 2>because I was like, who is this Robert Redford doppelganger

493
00:23:16.559 --> 00:23:19.240
<v Speaker 2>that exists in the world? And he has literally been

494
00:23:19.240 --> 00:23:22.160
<v Speaker 2>in every TV show ever? Yeah, for like one episode

495
00:23:22.279 --> 00:23:23.519
<v Speaker 2>and like and then he had a bit of a

496
00:23:23.559 --> 00:23:25.160
<v Speaker 2>run on Twin Peaks and a bit of a run

497
00:23:25.200 --> 00:23:28.519
<v Speaker 2>on Six Feet Under. So he's he's had a decent career.

498
00:23:28.640 --> 00:23:29.839
<v Speaker 1>What a great fucking career.

499
00:23:30.119 --> 00:23:32.440
<v Speaker 2>Yeah, he's like a journeyman. He's like a journeyman actor,

500
00:23:32.640 --> 00:23:36.400
<v Speaker 2>but also fucking looks exactly.

501
00:23:35.920 --> 00:23:38.240
<v Speaker 1>Like Robert Redford. Yeah.

502
00:23:38.279 --> 00:23:40.680
<v Speaker 2>I was like, that's incredible.

503
00:23:40.799 --> 00:23:44.160
<v Speaker 1>All right. So there's an easy camaraderie between Marty and Cosmo.

504
00:23:44.839 --> 00:23:47.240
<v Speaker 1>They had gleefully decide to get some dinner while they

505
00:23:47.240 --> 00:23:50.160
<v Speaker 1>continue there. Robin hooding. They can't decide who's going to

506
00:23:50.240 --> 00:23:51.960
<v Speaker 1>venture out into the cold to get a pizza, So

507
00:23:52.039 --> 00:23:54.880
<v Speaker 1>Cosmo hides a carter in his palm and he tells

508
00:23:54.880 --> 00:23:58.400
<v Speaker 1>Marty to choose, and Marty chooses, but he's wrong. Cosmo's

509
00:23:58.400 --> 00:24:00.880
<v Speaker 1>hand is empty, so Marty heads out, and we see

510
00:24:00.880 --> 00:24:03.119
<v Speaker 1>that Cosmo's other hand was empty as well. So he

511
00:24:03.200 --> 00:24:04.839
<v Speaker 1>cheated his friend. He didn't feel like going into the cold,

512
00:24:04.880 --> 00:24:07.920
<v Speaker 1>and he bamboozled him. Cosmo says to himself, one cannot

513
00:24:07.920 --> 00:24:09.279
<v Speaker 1>trust anybody these days.

514
00:24:09.920 --> 00:24:14.920
<v Speaker 2>Marty rushes through the snow to his Volkswagen minibus.

515
00:24:14.839 --> 00:24:17.000
<v Speaker 1>To his mystery mobile or whatever the Scooby Doo thing

516
00:24:17.119 --> 00:24:18.240
<v Speaker 1>was like.

517
00:24:18.279 --> 00:24:21.759
<v Speaker 2>To his Hippiemobile, like the hat on a hat on

518
00:24:21.839 --> 00:24:23.920
<v Speaker 2>a hat, But fuck it, let's do it right. Then

519
00:24:24.000 --> 00:24:27.200
<v Speaker 2>he notices flashing police sirens and he like opens the

520
00:24:27.240 --> 00:24:30.880
<v Speaker 2>window a crack, looks out and sees rot Row. There's

521
00:24:30.960 --> 00:24:34.680
<v Speaker 2>some men in like trench coats and hats, very official looking,

522
00:24:34.880 --> 00:24:38.359
<v Speaker 2>like storming into their dorm, and we cut back to Cosmo.

523
00:24:38.759 --> 00:24:41.400
<v Speaker 2>Cosmo like wanders over to the window to see his friend.

524
00:24:41.720 --> 00:24:44.440
<v Speaker 2>He looks out and he sees Marty running back like

525
00:24:44.640 --> 00:24:47.000
<v Speaker 2>towards the back of the building and he's like, what

526
00:24:47.319 --> 00:24:48.960
<v Speaker 2>are you doing? Why are you out of the van?

527
00:24:49.000 --> 00:24:51.240
<v Speaker 2>Why aren't you getting my goddamn pizza that I tricked

528
00:24:51.279 --> 00:24:52.960
<v Speaker 2>you into going out to get? And then before he

529
00:24:53.000 --> 00:24:56.279
<v Speaker 2>can react to seeing his friend, the police burst in

530
00:24:57.000 --> 00:24:59.839
<v Speaker 2>and arrest him. They seize him and he shouts mar

531
00:25:00.000 --> 00:25:04.839
<v Speaker 2>Martie as Marty flees into the nights because there's no

532
00:25:04.920 --> 00:25:06.119
<v Speaker 2>point in both of them getting caught.

533
00:25:06.240 --> 00:25:08.799
<v Speaker 1>YEP, I have one correction for you. He doesn't scream Marty,

534
00:25:08.880 --> 00:25:10.119
<v Speaker 1>he screams Mighty.

535
00:25:11.319 --> 00:25:14.559
<v Speaker 2>Having seen the film ahead of time, Okay, I knew

536
00:25:14.680 --> 00:25:18.039
<v Speaker 2>exactly what this younger person was doing, and the younger

537
00:25:18.160 --> 00:25:21.599
<v Speaker 2>version of Ben Kingsley was doing. What happened was and

538
00:25:21.680 --> 00:25:24.160
<v Speaker 2>I'm just gonna spoil some stuff right now. They clearly

539
00:25:24.319 --> 00:25:27.680
<v Speaker 2>filmed the Ben Kingsley scenes first, and they showed the

540
00:25:27.839 --> 00:25:31.839
<v Speaker 2>actor footage of what Ben Kingsley was doing, and they're like,

541
00:25:32.400 --> 00:25:36.599
<v Speaker 2>can you sound like a South African pretending to do

542
00:25:36.680 --> 00:25:41.319
<v Speaker 2>an American accents? To be clear, Ben Kingsley is not

543
00:25:41.440 --> 00:25:45.920
<v Speaker 2>South African, but he sounds like a South African pretending

544
00:25:46.079 --> 00:25:49.519
<v Speaker 2>to be an American. He went to the Bob Hoskins

545
00:25:49.559 --> 00:25:53.119
<v Speaker 2>School of American Accents. Bob Hoskins is all Brooklyn. This

546
00:25:53.319 --> 00:25:56.279
<v Speaker 2>guy plays for the Red Sox. You know what I'm saying.

547
00:25:56.480 --> 00:25:59.319
<v Speaker 2>This guy, this guy knows, this guy's a Southie.

548
00:25:59.359 --> 00:26:01.960
<v Speaker 1>This guy was a depot, all right. We cut to

549
00:26:02.079 --> 00:26:05.519
<v Speaker 1>San Francisco thirty some odd years later, and we find

550
00:26:05.640 --> 00:26:10.200
<v Speaker 1>grown up Marty now played by genuinely the icon Robert Redford,

551
00:26:10.440 --> 00:26:13.279
<v Speaker 1>in the midst of breaking into a bank with his squad.

552
00:26:13.839 --> 00:26:18.519
<v Speaker 1>His squad consists of the following four people. Donald Creas

553
00:26:18.960 --> 00:26:22.039
<v Speaker 1>played by the actual icon Sidney Poitier.

554
00:26:22.119 --> 00:26:23.880
<v Speaker 2>Icons and icons in this goddamn movie.

555
00:26:24.160 --> 00:26:27.880
<v Speaker 1>A former CIA operative. He's Marty's second in command. Darren

556
00:26:27.960 --> 00:26:32.640
<v Speaker 1>Roscoe nicknamed Mother played by Dan Ackroyd. He's an engineer

557
00:26:32.720 --> 00:26:37.119
<v Speaker 1>and a conspiracy theorist. Irwin Emery nicknamed Whistler played by

558
00:26:37.200 --> 00:26:42.000
<v Speaker 1>David straight aarn a blind phone freak. That's phr e ak,

559
00:26:42.599 --> 00:26:44.599
<v Speaker 1>which is that this is what I found in Wikipedia

560
00:26:44.599 --> 00:26:46.599
<v Speaker 1>because I was trying to figure out he's actually based

561
00:26:46.799 --> 00:26:49.839
<v Speaker 1>on a real person. Oh cool, And I guess this

562
00:26:49.960 --> 00:26:52.400
<v Speaker 1>is something that people were able to do in the

563
00:26:52.559 --> 00:26:56.400
<v Speaker 1>nineties over like landlines. They could like place like long

564
00:26:56.480 --> 00:26:58.680
<v Speaker 1>distance calls for free by because they could hear the

565
00:26:58.759 --> 00:27:02.599
<v Speaker 1>tones they had perfect pitch and stuff. So while David

566
00:27:02.640 --> 00:27:05.039
<v Speaker 1>straight Thereon's character is kind of daredevil in this like

567
00:27:05.160 --> 00:27:07.759
<v Speaker 1>I don't know how, he's the one part where I'm like,

568
00:27:07.880 --> 00:27:10.359
<v Speaker 1>so he's actually a superhero. At what point He's like

569
00:27:10.519 --> 00:27:13.640
<v Speaker 1>I can hear the batteries recharging and I'm like what, yeah.

570
00:27:13.640 --> 00:27:17.920
<v Speaker 2>Yeah, you know, I went with it.

571
00:27:18.400 --> 00:27:19.920
<v Speaker 1>I was like, yeah, who cares.

572
00:27:19.960 --> 00:27:21.680
<v Speaker 2>I had no idea. This was based on a real

573
00:27:21.759 --> 00:27:23.160
<v Speaker 2>person that is so excellent.

574
00:27:23.519 --> 00:27:27.400
<v Speaker 1>And finally, Cal Arbagast played by River Phoenix. He is

575
00:27:27.519 --> 00:27:30.480
<v Speaker 1>a hacking prodigy. He's the kid of the team. He

576
00:27:30.759 --> 00:27:33.480
<v Speaker 1>doesn't have as much do as the others. It seems

577
00:27:33.519 --> 00:27:34.519
<v Speaker 1>like they just kind of took him in.

578
00:27:34.799 --> 00:27:37.960
<v Speaker 2>Well, they caught him. The local authorities hired this crew

579
00:27:38.160 --> 00:27:40.920
<v Speaker 2>to find this teen hacker in their midst and then

580
00:27:40.960 --> 00:27:43.000
<v Speaker 2>they caught him and then hired him because he's so

581
00:27:43.079 --> 00:27:43.799
<v Speaker 2>good at what he does.

582
00:27:45.519 --> 00:27:49.640
<v Speaker 1>Hey listeners, future Paul. Here thus begins the time in

583
00:27:49.720 --> 00:27:53.480
<v Speaker 1>this episode where I will refer to River Phoenix's character

584
00:27:53.640 --> 00:27:58.480
<v Speaker 1>as Cal and not Carl. Let's see how long Erica

585
00:27:58.559 --> 00:28:00.559
<v Speaker 1>allows for this to go on before or she finally

586
00:28:00.599 --> 00:28:06.599
<v Speaker 1>corrects me. So the team is in constant contact via radio.

587
00:28:06.799 --> 00:28:08.839
<v Speaker 1>Each member gets to show off their skills as they

588
00:28:08.960 --> 00:28:11.640
<v Speaker 1>infiltrate the bank, never missing a chance to ras each

589
00:28:11.640 --> 00:28:14.880
<v Speaker 1>other like family does. These These these are close. These

590
00:28:14.920 --> 00:28:16.720
<v Speaker 1>guys are close. They have each other's backs.

591
00:28:16.960 --> 00:28:19.920
<v Speaker 2>Yeah, they're a proper crew. Also, there's a great moment

592
00:28:19.960 --> 00:28:22.200
<v Speaker 2>in this scene when they break So it's River Phoenix,

593
00:28:22.640 --> 00:28:25.119
<v Speaker 2>Robert Redford and Sydney Potier and they're breaking it. They're

594
00:28:25.119 --> 00:28:27.599
<v Speaker 2>physically breaking into the bank. They have to go behind

595
00:28:27.680 --> 00:28:29.880
<v Speaker 2>the counter to get to the to the vaults, and

596
00:28:30.079 --> 00:28:33.519
<v Speaker 2>River Phoenix just like like with the elegance and grace

597
00:28:33.559 --> 00:28:37.839
<v Speaker 2>of a Barishnakoff, just like jumps over the counter, leaps

598
00:28:37.880 --> 00:28:41.200
<v Speaker 2>over it like a prima ballerina. Robert Redford tries the

599
00:28:41.319 --> 00:28:45.839
<v Speaker 2>same and just flips like like miss like chunks it misses.

600
00:28:45.920 --> 00:28:48.680
<v Speaker 2>It just falls on the other side with a big,

601
00:28:49.119 --> 00:28:52.119
<v Speaker 2>loud sid And then Sidney Potier sees that and goes

602
00:28:52.359 --> 00:28:56.240
<v Speaker 2>okay and walks around it. Excellent. Now now you know

603
00:28:56.400 --> 00:28:58.480
<v Speaker 2>everything you need to know about all three of these guys.

604
00:28:59.079 --> 00:29:01.640
<v Speaker 2>They break through the bank's defenses. They're on the computer.

605
00:29:02.119 --> 00:29:05.160
<v Speaker 2>Chris asks Marty how much money he wants transferred, and

606
00:29:05.240 --> 00:29:08.200
<v Speaker 2>then immediately we cut to the next day at the bank.

607
00:29:08.359 --> 00:29:11.680
<v Speaker 2>Marty is now in a three piece suit. He's pretending

608
00:29:11.720 --> 00:29:14.559
<v Speaker 2>to be a customer and he's taking one hundred thousand

609
00:29:14.599 --> 00:29:17.440
<v Speaker 2>dollars out. When she's like, can I ask sir, why

610
00:29:17.480 --> 00:29:19.359
<v Speaker 2>are you closing your account? He says, you know, I

611
00:29:19.519 --> 00:29:21.599
<v Speaker 2>just had this weird feeling that my money wasn't safe

612
00:29:21.599 --> 00:29:26.039
<v Speaker 2>here anymore. Then he starts to walk what we think

613
00:29:26.200 --> 00:29:27.839
<v Speaker 2>is the audience, and he's walking out of the bank,

614
00:29:27.880 --> 00:29:31.079
<v Speaker 2>he sees a security guard. The security guard kind of

615
00:29:31.079 --> 00:29:33.319
<v Speaker 2>looks at him because he's Robert Redford. You cannot not

616
00:29:33.440 --> 00:29:36.039
<v Speaker 2>look at him. I don't care who you are, what

617
00:29:36.200 --> 00:29:39.319
<v Speaker 2>your orientation is, you will look at Robert Redford.

618
00:29:39.359 --> 00:29:41.200
<v Speaker 1>The man is a golden god, that's right.

619
00:29:41.319 --> 00:29:43.079
<v Speaker 2>So he's looking him up and down in a three

620
00:29:43.119 --> 00:29:45.799
<v Speaker 2>piece suit, noless. Robert Redford gives him a sly look,

621
00:29:45.880 --> 00:29:47.599
<v Speaker 2>and then instead of walking out of the bank, he

622
00:29:47.680 --> 00:29:51.319
<v Speaker 2>proceeds to walk upstairs, and then we cut to him

623
00:29:51.440 --> 00:29:54.440
<v Speaker 2>presenting the one hundred thousand dollars to the bank's board,

624
00:29:55.160 --> 00:29:57.359
<v Speaker 2>telling them all of the holes that they have in

625
00:29:57.440 --> 00:29:59.359
<v Speaker 2>their security, and they gave him a check for the

626
00:29:59.480 --> 00:30:01.680
<v Speaker 2>job well, and then he heads back to the office.

627
00:30:02.279 --> 00:30:04.319
<v Speaker 1>So we cut to the sneakers hanging out in their

628
00:30:04.559 --> 00:30:08.359
<v Speaker 1>enormous loft office and Cal rushes in to announce they

629
00:30:08.400 --> 00:30:10.440
<v Speaker 1>have a new client, and they look like they've got

630
00:30:10.599 --> 00:30:14.319
<v Speaker 1>deep pockets. Very exciting. Marty goes. He meets the two men,

631
00:30:14.400 --> 00:30:16.400
<v Speaker 1>and the two men are named Dick Gordon played by

632
00:30:16.440 --> 00:30:20.480
<v Speaker 1>Timothy Bussfield and Buddy Wallace played by Eddie Jones. Short

633
00:30:20.599 --> 00:30:25.359
<v Speaker 1>sidebar on Timothy Busfield's hair. I have never seen hair

634
00:30:25.960 --> 00:30:29.240
<v Speaker 1>so high and so flowing. At the same time, I

635
00:30:29.319 --> 00:30:33.039
<v Speaker 1>have seen Tsunami's crest lower than this. Haircrests off Timothy

636
00:30:33.039 --> 00:30:33.759
<v Speaker 1>Busfield's head.

637
00:30:34.079 --> 00:30:36.160
<v Speaker 2>This movie has more redheads than we know what to

638
00:30:36.240 --> 00:30:36.400
<v Speaker 2>do with.

639
00:30:36.440 --> 00:30:37.359
<v Speaker 1>It's true. It's true.

640
00:30:37.440 --> 00:30:40.119
<v Speaker 2>Also, I've never seen Timothy Bussfield play a villain before.

641
00:30:40.240 --> 00:30:41.119
<v Speaker 1>Yeah, he's pretty good at it.

642
00:30:41.440 --> 00:30:44.279
<v Speaker 2>He's actually really because if you had told me ahead

643
00:30:44.319 --> 00:30:46.559
<v Speaker 2>of time that Timothy Busfield was going to be a villain,

644
00:30:46.920 --> 00:30:49.160
<v Speaker 2>like not just a villain, like a heavy yeah, I'd

645
00:30:49.200 --> 00:30:52.440
<v Speaker 2>be like, are you fucking kidding me? And he manages

646
00:30:52.480 --> 00:30:52.880
<v Speaker 2>to pull.

647
00:30:52.759 --> 00:30:55.799
<v Speaker 1>It off all right. So Marty takes Dick and Buddy

648
00:30:55.880 --> 00:30:58.640
<v Speaker 1>into a private, glass enclosed meeting room that's just in

649
00:30:58.720 --> 00:31:01.519
<v Speaker 1>the center of their office. The two start quizzing him

650
00:31:01.559 --> 00:31:03.400
<v Speaker 1>on why he's chosen to work with the people on

651
00:31:03.519 --> 00:31:06.680
<v Speaker 1>his team. Crease was fired from the CIA, mother did

652
00:31:06.759 --> 00:31:09.200
<v Speaker 1>time for breaking and entering, etcetera, etcetera. They all have

653
00:31:09.400 --> 00:31:13.039
<v Speaker 1>like these these checkered records. Marty gets a bad vibe

654
00:31:13.079 --> 00:31:15.319
<v Speaker 1>off of them, and he's like, who are you guys?

655
00:31:15.799 --> 00:31:18.119
<v Speaker 1>Dick tells him to relax, and Buddy holds up his

656
00:31:18.240 --> 00:31:21.240
<v Speaker 1>file and he's like, look, this one is blank. Martin

657
00:31:21.319 --> 00:31:24.880
<v Speaker 1>Bishop has no past at all. Marty figures it out.

658
00:31:24.920 --> 00:31:26.759
<v Speaker 1>He's like, look, I don't work for the government. And

659
00:31:26.839 --> 00:31:28.559
<v Speaker 1>Dick's like, all right, I get it. But we're the NSA.

660
00:31:28.680 --> 00:31:30.440
<v Speaker 1>We're just code breakers. We're the good guys. We're not

661
00:31:30.519 --> 00:31:33.160
<v Speaker 1>the CIA, we're not the FBI. We're just the NSA.

662
00:31:33.880 --> 00:31:36.599
<v Speaker 1>Marty's like, just leave, and Dick gives Marty a piece

663
00:31:36.640 --> 00:31:38.920
<v Speaker 1>of paper with their number and address on it should

664
00:31:38.920 --> 00:31:42.119
<v Speaker 1>he change his mind, and then he calls him mister Bryce.

665
00:31:43.599 --> 00:31:46.359
<v Speaker 1>They leave. Marty looks shook. He opens the paper and

666
00:31:46.440 --> 00:31:49.039
<v Speaker 1>it's a wanted poster of himself from his college years,

667
00:31:49.440 --> 00:31:51.240
<v Speaker 1>with his original name of Martin Bryce.

668
00:31:51.920 --> 00:31:55.920
<v Speaker 2>The idea that the NSSA is the like the good guys.

669
00:31:56.119 --> 00:31:58.039
<v Speaker 1>Yeah, yeah, really that's the way.

670
00:31:58.119 --> 00:31:59.599
<v Speaker 2>That does not age super well.

671
00:32:00.559 --> 00:32:01.039
<v Speaker 1>It doesn't.

672
00:32:02.400 --> 00:32:04.640
<v Speaker 2>There's a line later in the movie where like they're like,

673
00:32:04.960 --> 00:32:09.319
<v Speaker 2>the NSSA does not do domestic surveillance. It's simply not

674
00:32:09.599 --> 00:32:12.960
<v Speaker 2>what we do. Like cut to ten years later, the

675
00:32:14.039 --> 00:32:19.039
<v Speaker 2>NSA is like, all we do is domestic Marty, freaked

676
00:32:19.079 --> 00:32:21.799
<v Speaker 2>out because they know who he is, actually, takes the

677
00:32:21.880 --> 00:32:24.720
<v Speaker 2>bait and heads to the NSA office, where he meets

678
00:32:24.759 --> 00:32:28.880
<v Speaker 2>with Dick again and Dick tells him about doctor Gunter Yannick.

679
00:32:29.039 --> 00:32:31.799
<v Speaker 1>I think they say Janic Janic in the film.

680
00:32:31.720 --> 00:32:36.519
<v Speaker 2>Doctor Gunter Janic a mathematician who specializes in large number theory,

681
00:32:36.640 --> 00:32:40.720
<v Speaker 2>prime numbers, and factoring. He numbers, He numbers and numbers,

682
00:32:40.759 --> 00:32:44.720
<v Speaker 2>that's what he does. Janic recently received an enormous grant

683
00:32:44.799 --> 00:32:49.799
<v Speaker 2>from an unknown source somewhat suspicious. The NSA traced it

684
00:32:49.920 --> 00:32:52.480
<v Speaker 2>and it turns out that unknown source is from Russia.

685
00:32:53.160 --> 00:32:56.680
<v Speaker 2>That's a great moment here where Marty's like, guys, you're

686
00:32:56.759 --> 00:32:59.920
<v Speaker 2>chasing this is a dumb lead. We won, they lost.

687
00:33:00.119 --> 00:33:02.400
<v Speaker 2>This is not a this Russia is not even a

688
00:33:02.480 --> 00:33:04.559
<v Speaker 2>threat anymore. And I'm like, oh my god, this movie.

689
00:33:07.000 --> 00:33:09.160
<v Speaker 1>I love how much he hates the government and is

690
00:33:09.200 --> 00:33:11.720
<v Speaker 1>so open, like he walks in and he goes, oh, yeah,

691
00:33:11.799 --> 00:33:13.079
<v Speaker 1>I could have worked for the NSA. But then they

692
00:33:13.119 --> 00:33:15.119
<v Speaker 1>found out that my parents were married, and I was like,

693
00:33:15.240 --> 00:33:16.160
<v Speaker 1>that is excellent.

694
00:33:16.599 --> 00:33:19.720
<v Speaker 2>That is such a good joke. The two NSA agents

695
00:33:19.759 --> 00:33:22.079
<v Speaker 2>are like, hey, look we spill. We still spy on them.

696
00:33:22.160 --> 00:33:24.119
<v Speaker 2>They still spy on us, So we've got to follow

697
00:33:24.200 --> 00:33:27.400
<v Speaker 2>up on this. Right. They've discovered that Janek is working

698
00:33:27.480 --> 00:33:30.680
<v Speaker 2>on a little black box. So Janek has a little

699
00:33:30.680 --> 00:33:32.480
<v Speaker 2>black box, yeah, that he plays with.

700
00:33:32.640 --> 00:33:33.960
<v Speaker 1>He's working. He's working on the box.

701
00:33:34.519 --> 00:33:36.400
<v Speaker 2>You know what. You have to work on those boxes.

702
00:33:36.440 --> 00:33:38.680
<v Speaker 1>He works vigorously and intentively on the box.

703
00:33:39.079 --> 00:33:41.319
<v Speaker 2>You have to otherwise it doesn't just open. You have

704
00:33:41.440 --> 00:33:42.519
<v Speaker 2>to work on it a little bit.

705
00:33:42.640 --> 00:33:45.200
<v Speaker 1>It doesn't just it doesn't just bloom in the sun

706
00:33:45.440 --> 00:33:46.119
<v Speaker 1>like a flower.

707
00:33:46.319 --> 00:33:49.119
<v Speaker 2>No, you have to tap on it sometimes, Yeah, to

708
00:33:49.200 --> 00:33:50.920
<v Speaker 2>really get I'm showing Paul the tapping.

709
00:33:51.000 --> 00:33:53.160
<v Speaker 1>Tapping. It's a very it's a more vigorous tapping than

710
00:33:53.160 --> 00:33:53.920
<v Speaker 1>I would have presumed.

711
00:33:54.039 --> 00:33:56.000
<v Speaker 2>Yeah, sometimes you really got to tap it to get

712
00:33:56.039 --> 00:33:58.559
<v Speaker 2>it to open up. Okay, he's working on a little

713
00:33:58.599 --> 00:34:02.640
<v Speaker 2>black box code names astronomy. They need to know what's

714
00:34:02.720 --> 00:34:04.519
<v Speaker 2>this all about? What's in the box?

715
00:34:04.640 --> 00:34:04.880
<v Speaker 1>What's it?

716
00:34:05.680 --> 00:34:08.519
<v Speaker 2>Marty wonders why they're coming to him, and like, why

717
00:34:08.559 --> 00:34:11.000
<v Speaker 2>don't you do it? You're the fucking government. Just arrest

718
00:34:11.079 --> 00:34:13.960
<v Speaker 2>the guy and get the bucks. And they're like, whoa,

719
00:34:14.320 --> 00:34:16.880
<v Speaker 2>because what we're doing is slightly illegal, but it's not

720
00:34:17.199 --> 00:34:20.800
<v Speaker 2>strictly speaking legal. We won't be legal until the current

721
00:34:20.840 --> 00:34:24.079
<v Speaker 2>president's son is president, so until ten years from now

722
00:34:24.119 --> 00:34:26.920
<v Speaker 2>when that happens, we're gonna need you to do it first. Yeah,

723
00:34:27.400 --> 00:34:30.320
<v Speaker 2>they offer him one hundred and seventy five thousand dollars,

724
00:34:30.400 --> 00:34:33.400
<v Speaker 2>which is the biggest payday by far the Sneakers have

725
00:34:33.519 --> 00:34:36.880
<v Speaker 2>ever gotten, and they offer him a clean record. We

726
00:34:36.960 --> 00:34:39.920
<v Speaker 2>will wipe your slate clean. You will never no one

727
00:34:40.000 --> 00:34:43.760
<v Speaker 2>will ever know about Martin Bryce's activities ever. Again, you

728
00:34:43.760 --> 00:34:46.360
<v Speaker 2>wouldn't want to end up like your friend Cosmo. And

729
00:34:46.400 --> 00:34:49.199
<v Speaker 2>then they mentioned Cosmo and we see like a pained,

730
00:34:49.320 --> 00:34:51.239
<v Speaker 2>hurt look on Marty's face.

731
00:34:51.639 --> 00:34:54.760
<v Speaker 1>We cut back to Sneakers headquarters. Marty is pitching the

732
00:34:54.880 --> 00:34:57.719
<v Speaker 1>team on this job and Crease is quite angry that

733
00:34:57.800 --> 00:35:01.000
<v Speaker 1>he had not told them about his past. Right. Marty's like, look,

734
00:35:01.039 --> 00:35:03.000
<v Speaker 1>we've all got secrets, and he says, no one knows

735
00:35:03.039 --> 00:35:05.119
<v Speaker 1>why you had to leave the CIA, and then Crease

736
00:35:05.239 --> 00:35:07.519
<v Speaker 1>just like walks away and doesn't say anything. Marty attempts

737
00:35:07.559 --> 00:35:09.719
<v Speaker 1>to manipulate them with if you guys don't want to

738
00:35:09.800 --> 00:35:11.920
<v Speaker 1>do this to keep me out of jail, I understand,

739
00:35:12.400 --> 00:35:14.440
<v Speaker 1>and none of them fall for it. They're all like,

740
00:35:14.559 --> 00:35:16.039
<v Speaker 1>we don't care if you go to jail. We just

741
00:35:16.159 --> 00:35:17.199
<v Speaker 1>want the money, so we'll do it.

742
00:35:17.719 --> 00:35:18.840
<v Speaker 2>Yeah, We're in this for the money.

743
00:35:21.199 --> 00:35:24.639
<v Speaker 1>So Marty announces that they'll start with light surveillance. He's

744
00:35:24.679 --> 00:35:26.679
<v Speaker 1>going ahead to a lecture that Janek is giving the

745
00:35:26.719 --> 00:35:28.920
<v Speaker 1>next day, and Chris asks, Hey, do you want me

746
00:35:29.119 --> 00:35:31.880
<v Speaker 1>or Whistler? Whistler is the blind phone freak David straight

747
00:35:31.920 --> 00:35:33.639
<v Speaker 1>theirn do you want one of us to go with you?

748
00:35:34.079 --> 00:35:36.639
<v Speaker 1>And Marty's like, oh, you know, I think I was

749
00:35:36.719 --> 00:35:38.400
<v Speaker 1>thinking about it, and I just, you know, just kicking

750
00:35:38.440 --> 00:35:40.719
<v Speaker 1>some names around, and I thought maybe I would ask

751
00:35:40.760 --> 00:35:43.280
<v Speaker 1>someone else, I know, maybe Liz. And all four of

752
00:35:43.320 --> 00:35:46.920
<v Speaker 1>the other sneakers stop and they turn and look at Marty.

753
00:35:47.400 --> 00:35:51.679
<v Speaker 2>All right, So we cut to Liz Ogilvie, played by

754
00:35:51.719 --> 00:35:53.880
<v Speaker 2>the luminous Mary McDonald.

755
00:35:54.039 --> 00:35:57.239
<v Speaker 1>Can I interrupt you immediately to do five minutes on

756
00:35:57.360 --> 00:36:00.679
<v Speaker 1>Mary McDonald's outfit. You may have a tight five on

757
00:36:00.800 --> 00:36:05.079
<v Speaker 1>this outfit. This outfit is it is like a suede

758
00:36:05.599 --> 00:36:10.320
<v Speaker 1>or velvet or Moleskin's business suit dress in like this

759
00:36:11.239 --> 00:36:15.800
<v Speaker 1>deep emerald green. She's got a choker on that's styled

760
00:36:15.840 --> 00:36:18.840
<v Speaker 1>to look like a thick belt, which exactly matches the

761
00:36:18.880 --> 00:36:22.400
<v Speaker 1>belt on her suit. Her eyeshadow is the same green.

762
00:36:23.000 --> 00:36:27.559
<v Speaker 1>She looks incredible, She looks she looks like she's she's

763
00:36:27.639 --> 00:36:30.760
<v Speaker 1>dressing up for like the model uns Halloween party and

764
00:36:30.840 --> 00:36:34.000
<v Speaker 1>she's going as Ireland. Like it's so much green, and

765
00:36:34.079 --> 00:36:36.480
<v Speaker 1>her hair is this deep dark red that's like it's

766
00:36:36.519 --> 00:36:39.239
<v Speaker 1>this aggressive, like almost more eighties chopped.

767
00:36:39.519 --> 00:36:41.599
<v Speaker 2>Like like, yes, she's got the carry fisher.

768
00:36:41.880 --> 00:36:44.960
<v Speaker 1>Yeah, this is witchcraft. This should not look good, and

769
00:36:45.079 --> 00:36:45.960
<v Speaker 1>it looks so good.

770
00:36:46.199 --> 00:36:51.559
<v Speaker 2>She is so good at being sexy while also exuding

771
00:36:51.760 --> 00:36:59.800
<v Speaker 2>like intelligence, charisma, elegance. Class, yes, class, she's truly magnificent.

772
00:37:00.280 --> 00:37:03.320
<v Speaker 2>Role agreed, all right, So she's giving a piano lesson

773
00:37:03.400 --> 00:37:06.440
<v Speaker 2>to a like the most adorable ten year old girl

774
00:37:06.960 --> 00:37:10.679
<v Speaker 2>Marty walks in. She's again they're in a fucking mansion,

775
00:37:11.039 --> 00:37:15.559
<v Speaker 2>a giant is it a music conservatory? Like and also

776
00:37:15.679 --> 00:37:17.960
<v Speaker 2>like the kids were taken there on a bus like

777
00:37:18.079 --> 00:37:19.800
<v Speaker 2>it's like it's an after school program.

778
00:37:20.000 --> 00:37:23.159
<v Speaker 1>Yeah, what is this woman's job?

779
00:37:24.239 --> 00:37:27.360
<v Speaker 2>Marty walks in. Liz dismisses her student very kindly, and

780
00:37:27.480 --> 00:37:30.480
<v Speaker 2>Marty says hi, and Liz says, we're not getting back together.

781
00:37:31.320 --> 00:37:34.639
<v Speaker 2>A delightful sparring match ensues, where Liz insists that she's

782
00:37:34.880 --> 00:37:38.880
<v Speaker 2>very happy tending to actual children rather than man children. Excellent.

783
00:37:39.199 --> 00:37:41.599
<v Speaker 1>So this tells us that she once was involved with

784
00:37:41.719 --> 00:37:44.239
<v Speaker 1>the sneakers, like she was a sneaker herself and like

785
00:37:44.559 --> 00:37:45.719
<v Speaker 1>was like, I'm doone with this. I don't want to

786
00:37:45.719 --> 00:37:46.280
<v Speaker 1>do this anymore.

787
00:37:46.400 --> 00:37:49.400
<v Speaker 2>She's like, yeah, I'd rather teach kids piano and castle Dracua.

788
00:37:52.000 --> 00:37:55.199
<v Speaker 2>Marty finally admits to her that the governments found him yep,

789
00:37:55.639 --> 00:37:58.360
<v Speaker 2>and she gets serious. She stops flirting. She turns around

790
00:37:58.400 --> 00:38:02.559
<v Speaker 2>and she says, you and I are not getting back together,

791
00:38:02.880 --> 00:38:06.199
<v Speaker 2>and he says, hey, don't flatter yourself, as she smiles

792
00:38:06.239 --> 00:38:07.599
<v Speaker 2>and says pick me up at three.

793
00:38:07.840 --> 00:38:09.679
<v Speaker 1>Yeah, because remember he wants her to go to this

794
00:38:09.840 --> 00:38:11.039
<v Speaker 1>lecture with him, right.

795
00:38:11.480 --> 00:38:13.880
<v Speaker 2>She leaves and Marty clenches his fist with a self

796
00:38:13.920 --> 00:38:14.840
<v Speaker 2>satisfied yes.

797
00:38:15.679 --> 00:38:18.920
<v Speaker 1>I'm so invested already. I make it my business to

798
00:38:19.039 --> 00:38:22.320
<v Speaker 1>not care about straight couples. I make it my life

799
00:38:22.400 --> 00:38:26.519
<v Speaker 1>goal to not give a shit, and I care.

800
00:38:28.159 --> 00:38:30.079
<v Speaker 2>You throw a rotten eggs at weddings. I've seen it.

801
00:38:30.280 --> 00:38:32.559
<v Speaker 1>Yeah, yeah, I do, because I want them to know

802
00:38:32.639 --> 00:38:37.000
<v Speaker 1>what I think. All right, So we cut to Janek's lecture.

803
00:38:37.119 --> 00:38:40.159
<v Speaker 1>Janek is played by Donald Logue in the most un

804
00:38:40.320 --> 00:38:43.320
<v Speaker 1>Donald Logue like part you could possibly imagine.

805
00:38:43.760 --> 00:38:45.039
<v Speaker 2>This got a laugh out of me.

806
00:38:45.199 --> 00:38:45.800
<v Speaker 1>Yes, last night.

807
00:38:45.960 --> 00:38:47.719
<v Speaker 2>I haven't seen this movie in a long time, and

808
00:38:47.760 --> 00:38:50.840
<v Speaker 2>I'm like, I have such other associations with Donald last now,

809
00:38:50.920 --> 00:38:53.320
<v Speaker 2>and I just this made me laugh out loud. Also,

810
00:38:53.800 --> 00:38:55.679
<v Speaker 2>I just gotta keep pointing out ginger watch.

811
00:38:55.840 --> 00:38:56.159
<v Speaker 1>Ginger.

812
00:38:56.679 --> 00:38:58.280
<v Speaker 2>Got another fucking ginger in this movie.

813
00:38:58.360 --> 00:39:00.000
<v Speaker 1>And he's got longer hair than Mary McDonald.

814
00:39:00.440 --> 00:39:04.079
<v Speaker 2>This is Ginger number four already in this film.

815
00:39:04.199 --> 00:39:06.039
<v Speaker 1>Yeah, this is this film is a ginger snap. It's

816
00:39:06.039 --> 00:39:07.559
<v Speaker 1>a gingerbread cookie wife.

817
00:39:07.719 --> 00:39:09.840
<v Speaker 2>I forgot about Gary Hirschberger at the beginning.

818
00:39:09.880 --> 00:39:11.000
<v Speaker 1>Oh there you go, Gingers.

819
00:39:11.519 --> 00:39:12.800
<v Speaker 2>We've got a ginger quintet.

820
00:39:14.199 --> 00:39:16.519
<v Speaker 1>All right. So Liz is trying to pay attention and

821
00:39:16.639 --> 00:39:20.199
<v Speaker 1>Marty is like, hey, so are you seeing anybody? She says,

822
00:39:20.239 --> 00:39:25.000
<v Speaker 1>this is about unbreakable codes and then she says, are

823
00:39:25.039 --> 00:39:27.079
<v Speaker 1>you seeing anyone? And he shushes her. I mean, just

824
00:39:27.280 --> 00:39:31.920
<v Speaker 1>oh god, this is a firework factory. At the reception

825
00:39:32.159 --> 00:39:35.599
<v Speaker 1>after the lecture, they run into Gregor Ivanovitch, played by

826
00:39:36.400 --> 00:39:38.119
<v Speaker 1>Broadway legend George Hern.

827
00:39:38.719 --> 00:39:39.199
<v Speaker 2>Amazing.

828
00:39:39.360 --> 00:39:41.159
<v Speaker 1>This is not the original Sweeney Todd, but this is

829
00:39:41.199 --> 00:39:42.880
<v Speaker 1>the Sweeney Todd that many people know because he is

830
00:39:42.960 --> 00:39:46.039
<v Speaker 1>the one who did the film performance with Angela Lansberry.

831
00:39:46.159 --> 00:39:46.960
<v Speaker 1>That is George Hern.

832
00:39:47.079 --> 00:39:47.480
<v Speaker 2>That's right.

833
00:39:47.599 --> 00:39:50.239
<v Speaker 1>He also was briefly married to Dixie Carter. I love

834
00:39:50.360 --> 00:39:52.800
<v Speaker 1>a straight man who is known for his musical theater,

835
00:39:52.840 --> 00:39:54.800
<v Speaker 1>who has five wives. That's George Turn.

836
00:39:56.000 --> 00:39:57.800
<v Speaker 2>I had no idea. Now I'm going to do a

837
00:39:57.840 --> 00:39:59.360
<v Speaker 2>deep dive on George Hern. When we're down with this.

838
00:39:59.480 --> 00:40:03.199
<v Speaker 1>George Hern comma, knee deep in poon. That is George Turns.

839
00:40:03.679 --> 00:40:04.599
<v Speaker 1>George Turn's life.

840
00:40:05.119 --> 00:40:07.760
<v Speaker 2>Just cleaning up backstage snatch like it's.

841
00:40:11.400 --> 00:40:11.440
<v Speaker 3>So.

842
00:40:11.840 --> 00:40:14.880
<v Speaker 1>Gregor is a Russian spy who has now been designated

843
00:40:14.960 --> 00:40:18.760
<v Speaker 1>a cultural attache. Because remember, everything's good. Now they're allies.

844
00:40:19.039 --> 00:40:19.800
<v Speaker 2>We're buds again.

845
00:40:19.960 --> 00:40:22.079
<v Speaker 1>Yep. He's thrilled to see that Liz and Marty are

846
00:40:22.159 --> 00:40:25.000
<v Speaker 1>back together. Liz says, we're not back together. He invites

847
00:40:25.039 --> 00:40:27.400
<v Speaker 1>them to see the Kiev String Quartet at the Russian

848
00:40:27.400 --> 00:40:30.960
<v Speaker 1>Embassy a few nights later, and then he leaves and

849
00:40:31.159 --> 00:40:34.519
<v Speaker 1>Liz insists that she doesn't trust him. So I left

850
00:40:34.559 --> 00:40:36.199
<v Speaker 1>this in here just because this is I think one

851
00:40:36.239 --> 00:40:39.920
<v Speaker 1>of the first like big red Herrings. Yeah, they have

852
00:40:40.079 --> 00:40:42.400
<v Speaker 1>a person that we like, be like that person is

853
00:40:42.480 --> 00:40:45.519
<v Speaker 1>not trustworthy, you know. As the person doing the recap,

854
00:40:45.599 --> 00:40:47.320
<v Speaker 1>I was like, oh, that's important because they make they

855
00:40:47.400 --> 00:40:48.000
<v Speaker 1>make a show of it.

856
00:40:48.519 --> 00:40:51.519
<v Speaker 2>He's a Russian spy, for God's sake. Yeah, I totally agree,

857
00:40:51.760 --> 00:40:52.559
<v Speaker 2>great Red hearing.

858
00:40:53.079 --> 00:40:57.199
<v Speaker 1>So she and Marty spot doctor Elena Riskov played by

859
00:40:57.320 --> 00:41:00.760
<v Speaker 1>Lee Garlington, who is genuinely we already talked about Gary Heirschberger.

860
00:41:00.920 --> 00:41:04.599
<v Speaker 1>Lee Garlington is the Gary Herschberger of the feminine side

861
00:41:04.639 --> 00:41:07.360
<v Speaker 1>of the of the business. She has been in everything

862
00:41:07.679 --> 00:41:08.199
<v Speaker 1>on one.

863
00:41:08.079 --> 00:41:10.960
<v Speaker 2>Episode of every single television show in the eighties and nineties.

864
00:41:10.960 --> 00:41:12.559
<v Speaker 1>We didn't even talk about her. But she's in some

865
00:41:12.719 --> 00:41:14.840
<v Speaker 1>kind of wonderful She's the gym teacher in some kind

866
00:41:14.840 --> 00:41:18.320
<v Speaker 1>of wonderful she she's on The Golden Girls, she plays

867
00:41:19.320 --> 00:41:21.880
<v Speaker 1>Vince's mother on Will and Grace. This woman has been

868
00:41:21.960 --> 00:41:25.159
<v Speaker 1>in everything. A journey woman actress is she also a redhead.

869
00:41:25.159 --> 00:41:27.039
<v Speaker 2>I can't remember if she a blonde in this she's

870
00:41:27.039 --> 00:41:29.760
<v Speaker 2>a redhead. Sometimes she's a blonde. I think she's a

871
00:41:29.800 --> 00:41:30.360
<v Speaker 2>dirty blonde.

872
00:41:30.360 --> 00:41:31.599
<v Speaker 1>So I'm not going to put her think she's a

873
00:41:31.639 --> 00:41:33.400
<v Speaker 1>dirty blonde in the red.

874
00:41:33.320 --> 00:41:36.400
<v Speaker 2>Head in the redhead choir I'm building in this film. Okay,

875
00:41:36.639 --> 00:41:38.440
<v Speaker 2>I just need to talk about this scene because again,

876
00:41:38.440 --> 00:41:39.920
<v Speaker 2>I just mean, I just want to bring this up.

877
00:41:40.119 --> 00:41:43.079
<v Speaker 2>Liz again is technically a piano teacher.

878
00:41:44.079 --> 00:41:47.159
<v Speaker 1>According to the poster, she's a piano teacher but also.

879
00:41:47.039 --> 00:41:51.880
<v Speaker 2>Knows quantum physics. Also understood Yannick's lecture ostensibly like the

880
00:41:52.000 --> 00:41:54.719
<v Speaker 2>real reason Marty brought her to this lecture is to

881
00:41:54.840 --> 00:41:56.239
<v Speaker 2>have an excuse to hang out with her and to

882
00:41:56.559 --> 00:41:59.599
<v Speaker 2>get her back in his life. But ostensibly the reason

883
00:41:59.679 --> 00:42:01.800
<v Speaker 2>he brought her there is because she is an expert

884
00:42:02.159 --> 00:42:03.519
<v Speaker 2>in mathematics.

885
00:42:03.119 --> 00:42:04.559
<v Speaker 1>Women in stem Who is she?

886
00:42:04.880 --> 00:42:05.679
<v Speaker 3>What is she doing?

887
00:42:06.000 --> 00:42:06.440
<v Speaker 2>What is her?

888
00:42:06.599 --> 00:42:07.119
<v Speaker 3>Whole thing?

889
00:42:08.039 --> 00:42:09.760
<v Speaker 2>That? I'm going to ding the movie hard on this

890
00:42:09.920 --> 00:42:12.599
<v Speaker 2>because it's the one thing I have, honestly to think about.

891
00:42:13.000 --> 00:42:15.519
<v Speaker 2>Liz is such a like a wisp of a character.

892
00:42:15.800 --> 00:42:17.800
<v Speaker 2>A lot of them are, to be fair, we don't

893
00:42:17.960 --> 00:42:20.079
<v Speaker 2>know anything about any of these. But I have no

894
00:42:20.239 --> 00:42:23.920
<v Speaker 2>idea what mother who mother is, But because Liz is

895
00:42:23.960 --> 00:42:26.519
<v Speaker 2>such a main character, I need her, I need her

896
00:42:26.559 --> 00:42:27.039
<v Speaker 2>to have more.

897
00:42:27.239 --> 00:42:29.480
<v Speaker 1>Yeah, I was expecting this movie to be a real

898
00:42:29.760 --> 00:42:32.480
<v Speaker 1>ensemble piece and I and I will say it's it's not.

899
00:42:32.639 --> 00:42:35.239
<v Speaker 1>It's a Robert Redford movie, which is great. I'm not complaining.

900
00:42:35.639 --> 00:42:38.440
<v Speaker 1>I was just going in expecting like a lot of

901
00:42:38.559 --> 00:42:41.239
<v Speaker 1>different character studies. And you really only get to know

902
00:42:41.719 --> 00:42:45.000
<v Speaker 1>Marty yeah as a real person because they don't need

903
00:42:45.079 --> 00:42:46.599
<v Speaker 1>to because the actors are so good.

904
00:42:47.280 --> 00:42:49.679
<v Speaker 2>That's the thing. Yeah, you're absolutely right. Like once you

905
00:42:49.760 --> 00:42:52.320
<v Speaker 2>put like David Strathairon in the role, I'm like, well, okay,

906
00:42:52.320 --> 00:42:55.079
<v Speaker 2>I'm invested because I love this guy. Like yeah, sure.

907
00:42:55.880 --> 00:42:58.320
<v Speaker 2>So we cut to the sneakers in full surveillance mode.

908
00:42:58.360 --> 00:43:01.880
<v Speaker 2>On Janek. Carl describes the office as Janet enters, so

909
00:43:02.000 --> 00:43:05.000
<v Speaker 2>he's describing it to Whistler, so that Whistler is sort

910
00:43:05.039 --> 00:43:08.159
<v Speaker 2>of red in on the situation as it's happening, but

911
00:43:08.239 --> 00:43:12.039
<v Speaker 2>also helping the audience. Right. He sees soldering guns, spools

912
00:43:12.079 --> 00:43:15.480
<v Speaker 2>of wire, a magnifying lamp, a computer, a telephone, an

913
00:43:15.639 --> 00:43:20.599
<v Speaker 2>answering machine, a mug of pencils, but no little black

914
00:43:20.679 --> 00:43:23.119
<v Speaker 2>box anywhere. Sometimes the box is hard to find.

915
00:43:23.199 --> 00:43:26.199
<v Speaker 1>Sometimes the box a little hitten.

916
00:43:26.280 --> 00:43:28.360
<v Speaker 2>Honestly, only one part of the box is hidden.

917
00:43:30.000 --> 00:43:31.760
<v Speaker 1>It's pretty out there, pretty out there.

918
00:43:31.840 --> 00:43:35.519
<v Speaker 2>It's only the play button that's his got to dig

919
00:43:35.599 --> 00:43:36.960
<v Speaker 2>for it, a little play button.

920
00:43:38.639 --> 00:43:39.079
<v Speaker 1>Excellent.

921
00:43:39.760 --> 00:43:43.119
<v Speaker 2>So Janek enters his office. He readies himself to log

922
00:43:43.199 --> 00:43:45.119
<v Speaker 2>onto his computer, and they're like, yes, this is it.

923
00:43:45.239 --> 00:43:47.480
<v Speaker 2>We're gonna be able to see his password, learn his password,

924
00:43:47.519 --> 00:43:49.639
<v Speaker 2>then we can break into his office, et cetera. The

925
00:43:49.679 --> 00:43:53.760
<v Speaker 2>whole plan is coming into place. But then unfortunately, Elena

926
00:43:54.039 --> 00:43:56.880
<v Speaker 2>comes in, the woman we saw whispering in his ear earlier,

927
00:43:56.960 --> 00:43:59.280
<v Speaker 2>the other great character actress in the film, and the

928
00:43:59.360 --> 00:44:02.119
<v Speaker 2>two of them in immediately enter into a passionate embrace.

929
00:44:02.679 --> 00:44:05.800
<v Speaker 2>This is an excellent moment because what happens is she enters.

930
00:44:05.880 --> 00:44:08.079
<v Speaker 2>We see her entering as an audience where we are

931
00:44:08.639 --> 00:44:11.360
<v Speaker 2>with the sneakers in their point of view as they're spying.

932
00:44:11.920 --> 00:44:15.000
<v Speaker 2>We see her enter. Then we then the audience cuts

933
00:44:15.039 --> 00:44:18.960
<v Speaker 2>to just looking at Sydney Poitier watching the room.

934
00:44:19.159 --> 00:44:22.559
<v Speaker 1>Uh huh, and we hear ah.

935
00:44:24.159 --> 00:44:25.880
<v Speaker 2>Like like we get it that, Like these two are

936
00:44:25.920 --> 00:44:28.119
<v Speaker 2>getting it on, and we now we don't get to

937
00:44:28.199 --> 00:44:30.840
<v Speaker 2>see that. We get to see it through Sydney Poitier's

938
00:44:30.920 --> 00:44:34.480
<v Speaker 2>reaction to seeing that, which makes the whole thing ten

939
00:44:34.559 --> 00:44:35.239
<v Speaker 2>times funnier.

940
00:44:35.559 --> 00:44:38.079
<v Speaker 1>It's also great because Cal's like, can I can I

941
00:44:38.119 --> 00:44:40.159
<v Speaker 1>look and they're like no, And then then I think

942
00:44:40.800 --> 00:44:42.400
<v Speaker 1>Marty's like, let me, let me get a look.

943
00:44:43.760 --> 00:44:45.119
<v Speaker 2>Look, let me look at it. I want to see it.

944
00:44:45.159 --> 00:44:47.079
<v Speaker 1>I want to see it will turn out by the way,

945
00:44:47.119 --> 00:44:49.480
<v Speaker 1>they are not having sex. They're just kissing, which means

946
00:44:49.960 --> 00:44:51.800
<v Speaker 1>Janek is the greatest kisser.

947
00:44:52.199 --> 00:44:54.199
<v Speaker 2>I have a theory, okay, because this movie is keeping

948
00:44:54.239 --> 00:44:56.519
<v Speaker 2>it classy, right, so it's not going to show us this,

949
00:44:57.000 --> 00:44:59.679
<v Speaker 2>but I think it implies that he went under her

950
00:44:59.719 --> 00:45:02.719
<v Speaker 2>skirt and gave her a little woodsie do, tried to

951
00:45:02.760 --> 00:45:04.840
<v Speaker 2>hit play. Yeah, he was hitting play. He was he

952
00:45:04.960 --> 00:45:06.760
<v Speaker 2>was playing you know what they were doing. He was

953
00:45:06.800 --> 00:45:08.559
<v Speaker 2>playing Marionette and and uh.

954
00:45:08.480 --> 00:45:09.960
<v Speaker 1>That's what you're saying is he was playing in the

955
00:45:10.000 --> 00:45:10.599
<v Speaker 1>shadow box.

956
00:45:11.159 --> 00:45:12.840
<v Speaker 2>Yeah yeah, yeah, yeah, yeah yeah yeah. He had his

957
00:45:12.880 --> 00:45:15.639
<v Speaker 2>hand all the way up the scooch. That's I think

958
00:45:15.719 --> 00:45:18.400
<v Speaker 2>that's what was happening. That's that's my in my mind,

959
00:45:18.440 --> 00:45:20.280
<v Speaker 2>that's what happened, because you're right, Otherwise it doesn't make

960
00:45:20.320 --> 00:45:23.559
<v Speaker 2>sense because it's just just kissing, and the sound effect

961
00:45:23.719 --> 00:45:26.599
<v Speaker 2>is like she is seconds away from orgasming.

962
00:45:26.760 --> 00:45:29.880
<v Speaker 1>Agreed, agreed, So okay, these two.

963
00:45:29.760 --> 00:45:34.400
<v Speaker 2>Are are immediately in this passionate embrace. Janet pushes Elena away,

964
00:45:34.519 --> 00:45:36.159
<v Speaker 2>he tries to get He's like, no, no, no, I

965
00:45:36.280 --> 00:45:39.000
<v Speaker 2>must do my work. I must, I must, I must

966
00:45:39.079 --> 00:45:41.519
<v Speaker 2>focus on the on the other black box in the room.

967
00:45:42.559 --> 00:45:45.119
<v Speaker 2>He sits at his computer and they're like, okay, good again,

968
00:45:45.159 --> 00:45:48.320
<v Speaker 2>we're going to get his password. But unfortunately Elena gets

969
00:45:48.400 --> 00:45:50.920
<v Speaker 2>in the way. She's she covers their field of vision

970
00:45:51.280 --> 00:45:54.719
<v Speaker 2>and she is horned. But she is not going to

971
00:45:54.760 --> 00:45:56.519
<v Speaker 2>take no for an answer. She's not going down without

972
00:45:56.519 --> 00:45:59.079
<v Speaker 2>a fight. She leans in and she whispers, her voice

973
00:45:59.159 --> 00:46:01.239
<v Speaker 2>quivering with sexual heat. By the way, she has a

974
00:46:01.320 --> 00:46:02.000
<v Speaker 2>Russian accent.

975
00:46:02.440 --> 00:46:02.639
<v Speaker 1>Yeah.

976
00:46:03.079 --> 00:46:05.599
<v Speaker 2>I don't know if the audience knows this, but I

977
00:46:05.719 --> 00:46:07.840
<v Speaker 2>studied for many years in Saint Petersburg.

978
00:46:07.960 --> 00:46:11.119
<v Speaker 1>Yeah, yeah, I have a I mean, perfect.

979
00:46:11.079 --> 00:46:14.440
<v Speaker 2>Lawless yeah, Russian accent. I think the government has tried

980
00:46:14.480 --> 00:46:17.880
<v Speaker 2>to hire me, yeah, as a spy. But I was like, no, no, no,

981
00:46:18.000 --> 00:46:18.360
<v Speaker 2>I'm good.

982
00:46:18.480 --> 00:46:19.800
<v Speaker 1>I've asked you. I've asked you to stop doing it,

983
00:46:19.840 --> 00:46:21.119
<v Speaker 1>because every time you do it I want to shout

984
00:46:21.159 --> 00:46:24.039
<v Speaker 1>ruskie at you. So yeah, yeah, yeah, yeah, you just.

985
00:46:24.119 --> 00:46:26.440
<v Speaker 2>You just throw vodka in my face every time. Verry

986
00:46:26.519 --> 00:46:30.679
<v Speaker 2>so Elena leans down and she whispers with sexual heat

987
00:46:30.760 --> 00:46:35.480
<v Speaker 2>and desire burning through her cossack body. I leave message

988
00:46:35.519 --> 00:46:37.079
<v Speaker 2>here on service.

989
00:46:36.960 --> 00:46:41.360
<v Speaker 1>But you do not call. It's more sexual. I leave

990
00:46:41.559 --> 00:46:43.880
<v Speaker 1>message here on service but you do not call.

991
00:46:44.559 --> 00:46:47.239
<v Speaker 2>It's not sorry. I needed to warm up into it.

992
00:46:47.360 --> 00:46:49.360
<v Speaker 2>Let me do it, Let me do it perfect now again.

993
00:46:50.119 --> 00:46:55.599
<v Speaker 2>I leave message care on service, but you do not call.

994
00:46:57.079 --> 00:46:57.559
<v Speaker 1>That's it.

995
00:46:58.000 --> 00:47:00.920
<v Speaker 2>I know a lot of people are like, is Vladimir Putin?

996
00:47:01.039 --> 00:47:01.199
<v Speaker 1>Yeah?

997
00:47:01.199 --> 00:47:01.920
<v Speaker 2>Did you joined this?

998
00:47:02.039 --> 00:47:02.519
<v Speaker 3>Call? No?

999
00:47:02.639 --> 00:47:05.880
<v Speaker 1>No, it's me, you guys, It's Erica. Surprised me. Yeah,

1000
00:47:06.639 --> 00:47:09.440
<v Speaker 1>she also has to say. She rips open her shirt,

1001
00:47:10.199 --> 00:47:13.639
<v Speaker 1>revealing just an A plus rack. Good for you, Lee

1002
00:47:13.840 --> 00:47:18.119
<v Speaker 1>Arlington A plus rack? Yeah, good call ball. I mean wow,

1003
00:47:18.400 --> 00:47:20.960
<v Speaker 1>even I was like hello, hello. I mean she has

1004
00:47:21.000 --> 00:47:23.039
<v Speaker 1>a bra on, to be clear, but like she looks great.

1005
00:47:23.400 --> 00:47:26.880
<v Speaker 2>It's an amazing black lacy bra on. She looks in

1006
00:47:27.360 --> 00:47:28.880
<v Speaker 2>I just want to put my head in there and

1007
00:47:29.000 --> 00:47:32.159
<v Speaker 2>just go like, it's that good. It's that good.

1008
00:47:32.280 --> 00:47:34.760
<v Speaker 1>She rips open her shirt and she says, I give

1009
00:47:34.800 --> 00:47:38.320
<v Speaker 1>you something to work, baby. She I think they are

1010
00:47:38.440 --> 00:47:42.480
<v Speaker 1>intentionally doing this because they want the audience to think

1011
00:47:43.039 --> 00:47:46.440
<v Speaker 1>that she is a spy. This is another red herring.

1012
00:47:46.800 --> 00:47:47.840
<v Speaker 2>Yeah she's another Russian.

1013
00:47:47.920 --> 00:47:51.159
<v Speaker 1>YEA, well she's check. You find out she's check, all right, Yeah.

1014
00:47:51.039 --> 00:47:53.719
<v Speaker 2>So she is, Oh shit, I should have been doing

1015
00:47:53.800 --> 00:47:54.159
<v Speaker 2>my check.

1016
00:47:54.239 --> 00:48:01.119
<v Speaker 1>Accident was the problem, that's what you got. Yeah. But

1017
00:48:01.320 --> 00:48:05.440
<v Speaker 1>like the dialogue here is so over the top and silly.

1018
00:48:06.000 --> 00:48:07.840
<v Speaker 1>Yeah that when I first watched it, I was like,

1019
00:48:08.679 --> 00:48:10.880
<v Speaker 1>the rest of this movie is written so well, And

1020
00:48:10.960 --> 00:48:12.719
<v Speaker 1>I was like, oh, but they want it to sound

1021
00:48:12.760 --> 00:48:14.960
<v Speaker 1>over the top and ridiculous. They want it to sound

1022
00:48:15.039 --> 00:48:19.800
<v Speaker 1>like a Czech spy trying to seduce this guy who's nerd,

1023
00:48:19.880 --> 00:48:22.159
<v Speaker 1>this nerd and like pretending that he's hitting the play

1024
00:48:22.199 --> 00:48:24.400
<v Speaker 1>bynd when he's actually like on her back thigh, And

1025
00:48:24.559 --> 00:48:26.559
<v Speaker 1>she's like, yeah, that's it, that's it, Come on baby.

1026
00:48:29.400 --> 00:48:33.159
<v Speaker 2>So again these two start getting it on, and she

1027
00:48:33.360 --> 00:48:35.320
<v Speaker 2>blocks the view of the computer so they could they

1028
00:48:35.320 --> 00:48:37.199
<v Speaker 2>are never yet able to get a good view.

1029
00:48:37.519 --> 00:48:39.760
<v Speaker 1>We cut back to the Sneakers headquarters and they are

1030
00:48:39.840 --> 00:48:42.320
<v Speaker 1>reviewing the video they took in an attempt to get

1031
00:48:42.440 --> 00:48:45.440
<v Speaker 1>Jenek's password. They just keep hearing I leave message here

1032
00:48:45.519 --> 00:48:48.639
<v Speaker 1>on service, but you do not call. Again and again,

1033
00:48:48.920 --> 00:48:53.599
<v Speaker 1>Crete announces that Elena is a Czech astrophysicist. They immediately

1034
00:48:53.639 --> 00:48:56.320
<v Speaker 1>assume between a connection between her and Sea Tech Astronomy

1035
00:48:56.320 --> 00:48:58.760
<v Speaker 1>because remember Sea Tech Astronomy was paid for by the Russians.

1036
00:48:58.760 --> 00:49:02.519
<v Speaker 1>They're like, oh, this woman is here work in Janek.

1037
00:49:02.960 --> 00:49:06.239
<v Speaker 1>They're unable to get the password even after repeated viewings,

1038
00:49:06.559 --> 00:49:10.000
<v Speaker 1>but luckily Whistler is there to listen to the video.

1039
00:49:10.440 --> 00:49:14.199
<v Speaker 1>He points out that Elena said she left message here

1040
00:49:14.280 --> 00:49:18.119
<v Speaker 1>on service, but you do not call. So what's the

1041
00:49:18.320 --> 00:49:21.000
<v Speaker 1>answering machine doing in Jane's office?

1042
00:49:21.400 --> 00:49:22.599
<v Speaker 2>Done? Dun doune.

1043
00:49:23.119 --> 00:49:25.039
<v Speaker 1>Honestly, the sneakers would get nothing done if it wasn't

1044
00:49:25.039 --> 00:49:27.119
<v Speaker 1>for Whistler. He does the lion's share of the work.

1045
00:49:27.159 --> 00:49:27.800
<v Speaker 1>He really does.

1046
00:49:28.199 --> 00:49:29.599
<v Speaker 2>He is easily the best one.

1047
00:49:31.119 --> 00:49:34.000
<v Speaker 1>So we cut to the sneakers back in infiltration mode.

1048
00:49:34.360 --> 00:49:36.559
<v Speaker 1>They are trying to get into Janic's office to get

1049
00:49:36.599 --> 00:49:40.320
<v Speaker 1>that answering machine to hopefully find Jane's little black box.

1050
00:49:40.920 --> 00:49:43.519
<v Speaker 1>Marty makes his way to Janick's office with relative ease.

1051
00:49:43.599 --> 00:49:47.960
<v Speaker 1>He finds the black box secreted inside the answering machine. Unfortunately,

1052
00:49:48.159 --> 00:49:51.480
<v Speaker 1>at that moment, Elena walks in looking for a little

1053
00:49:51.519 --> 00:49:54.760
<v Speaker 1>more afternoon delight, and she is shocked to find Marty there.

1054
00:49:55.280 --> 00:49:57.360
<v Speaker 1>So now we get like a great comic sequence. I

1055
00:49:57.440 --> 00:50:00.519
<v Speaker 1>didn't like transcribe all of it, but essentially, like the

1056
00:50:00.599 --> 00:50:03.280
<v Speaker 1>team is both helping and hindering Marty as he tries

1057
00:50:03.320 --> 00:50:06.480
<v Speaker 1>to talk his way out of this situation with Elena. Yeah,

1058
00:50:06.559 --> 00:50:10.280
<v Speaker 1>they land on that he's a PI hired by Janik's wife.

1059
00:50:10.559 --> 00:50:12.159
<v Speaker 1>That's a fiction. Janick is not married.

1060
00:50:12.360 --> 00:50:14.239
<v Speaker 2>Jannick is not married. She's like, he doesn't have a wife,

1061
00:50:14.280 --> 00:50:16.320
<v Speaker 2>and he's like, yes, yes, he does, yep.

1062
00:50:16.400 --> 00:50:18.480
<v Speaker 1>And then they convince her to stay with Janek and

1063
00:50:18.599 --> 00:50:21.199
<v Speaker 1>not tell him what she knows because the fictitious wife

1064
00:50:21.280 --> 00:50:22.079
<v Speaker 1>is a real shrew.

1065
00:50:22.719 --> 00:50:25.239
<v Speaker 2>He's like giving her advice and he's like, you know,

1066
00:50:25.320 --> 00:50:27.119
<v Speaker 2>you should, you should take care of your man and

1067
00:50:27.239 --> 00:50:30.679
<v Speaker 2>love him, and you know, because his home life is terrible.

1068
00:50:30.800 --> 00:50:33.039
<v Speaker 2>And then then I can't remember which one.

1069
00:50:33.079 --> 00:50:34.239
<v Speaker 1>I think it's it's Whistler.

1070
00:50:34.559 --> 00:50:37.760
<v Speaker 2>It's Whistler goes and give him head whenever he wants,

1071
00:50:38.119 --> 00:50:41.079
<v Speaker 2>and he's just saying the lines they're feeding him, and

1072
00:50:41.119 --> 00:50:45.840
<v Speaker 2>he's like, and give him help, help whenever whenever he wants.

1073
00:50:47.119 --> 00:50:50.400
<v Speaker 1>Have you heard this new phrase for giving head throwing

1074
00:50:50.519 --> 00:50:55.599
<v Speaker 1>neck no ouch, No, it sounds both more descriptive and grosser.

1075
00:50:56.000 --> 00:50:58.039
<v Speaker 2>Like honestly, my next started hurting as soon as you

1076
00:50:58.079 --> 00:50:58.360
<v Speaker 2>said that.

1077
00:50:58.519 --> 00:51:01.840
<v Speaker 1>It's like out nothing, but throwing makes it set like

1078
00:51:02.119 --> 00:51:04.320
<v Speaker 1>like maybe like bobbing neck.

1079
00:51:05.800 --> 00:51:08.519
<v Speaker 2>Yeah, bobbing neck. That sounds right, that sounds right. At least,

1080
00:51:08.760 --> 00:51:10.239
<v Speaker 2>throwing just sounds like it's gonna hurt.

1081
00:51:10.360 --> 00:51:11.159
<v Speaker 1>It sounds to hurt you.

1082
00:51:11.360 --> 00:51:11.920
<v Speaker 2>It shouldn't hurt.

1083
00:51:11.960 --> 00:51:13.199
<v Speaker 1>Yeah, it shouldn't hurt either of you.

1084
00:51:13.400 --> 00:51:15.559
<v Speaker 2>Yeah, sometimes you get a little sore job, but other

1085
00:51:15.639 --> 00:51:17.079
<v Speaker 2>than that, hurt either of you.

1086
00:51:17.280 --> 00:51:17.599
<v Speaker 1>Correct.

1087
00:51:18.400 --> 00:51:22.280
<v Speaker 2>Smash cut to the Sneakers having a celebratory office party

1088
00:51:22.400 --> 00:51:25.440
<v Speaker 2>because they got the black Box. It's a fun little

1089
00:51:25.480 --> 00:51:29.519
<v Speaker 2>montage set to Chain of Fools where Liz dances with

1090
00:51:29.639 --> 00:51:31.960
<v Speaker 2>all of the men and like all of them are

1091
00:51:32.079 --> 00:51:35.760
<v Speaker 2>terrible dancers, except for mother, is played by one of

1092
00:51:35.760 --> 00:51:38.199
<v Speaker 2>the Blues Brothers, So yeah, of course he can fucking dance.

1093
00:51:38.320 --> 00:51:40.920
<v Speaker 1>Sydney Poitier is not a terrible dancer. He's just a

1094
00:51:41.039 --> 00:51:43.800
<v Speaker 1>cool dancer. He doesn't do much. He stands there. It

1095
00:51:43.880 --> 00:51:51.280
<v Speaker 1>is Sidney Poitier the way Carl future Paul here again.

1096
00:51:51.559 --> 00:51:54.519
<v Speaker 1>So the final col count is three, but I edited

1097
00:51:54.559 --> 00:51:57.920
<v Speaker 1>out like four instances in me calling Carl cal So.

1098
00:51:58.119 --> 00:52:00.079
<v Speaker 1>Erica was really letting me run with this one. I

1099
00:52:00.119 --> 00:52:02.719
<v Speaker 1>don't know what she was thinking. Anyway, from here on out,

1100
00:52:02.840 --> 00:52:05.480
<v Speaker 1>everyone will be referred to by their proper character name.

1101
00:52:07.800 --> 00:52:12.599
<v Speaker 1>The way Carl River Phoenix throws himself into the bad dancing.

1102
00:52:12.519 --> 00:52:14.599
<v Speaker 2>Is he's doing a mash pit?

1103
00:52:14.760 --> 00:52:15.320
<v Speaker 1>Did he get that?

1104
00:52:15.559 --> 00:52:18.000
<v Speaker 2>Like he's doing the nineteen ninety two mash pit? And

1105
00:52:18.079 --> 00:52:19.239
<v Speaker 2>it made me so happy.

1106
00:52:20.360 --> 00:52:23.599
<v Speaker 1>The way Whistler dances implies that he doesn't have rhythm

1107
00:52:23.679 --> 00:52:25.840
<v Speaker 1>at all, And I'm like, all he does is feel

1108
00:52:25.960 --> 00:52:28.400
<v Speaker 1>music all the time. I don't I think you'd be

1109
00:52:28.440 --> 00:52:29.079
<v Speaker 1>a great dancer.

1110
00:52:29.239 --> 00:52:31.400
<v Speaker 2>Actually, yeah, you're right, he should be a better Maybe

1111
00:52:31.480 --> 00:52:33.719
<v Speaker 2>this is maybe that is the best David straight.

1112
00:52:33.519 --> 00:52:37.079
<v Speaker 1>Hair, maybe just legitimately, how's David straight there and dances?

1113
00:52:37.519 --> 00:52:39.840
<v Speaker 2>They're like, just do your best dance because I think

1114
00:52:39.880 --> 00:52:42.000
<v Speaker 2>Whistler is a great dancer, right yeah, okay cool? And

1115
00:52:42.079 --> 00:52:44.800
<v Speaker 2>then he did that and they were like, okay.

1116
00:52:44.639 --> 00:52:46.480
<v Speaker 1>Okay, great, let's take it again.

1117
00:52:46.840 --> 00:52:49.119
<v Speaker 2>Let's take it again less arm flapping?

1118
00:52:49.480 --> 00:52:52.719
<v Speaker 1>Perhaps perhaps is this one? Uh, you're not actually a

1119
00:52:52.719 --> 00:52:54.199
<v Speaker 1>blind David straight air? And have you seen one of

1120
00:52:54.199 --> 00:52:56.280
<v Speaker 1>those little hula girls on the dashboard of a car.

1121
00:52:56.639 --> 00:52:57.639
<v Speaker 1>That's kind of what you're doing.

1122
00:52:57.960 --> 00:52:59.880
<v Speaker 2>And David straight's airand's like, yeah, that's my move.

1123
00:53:00.320 --> 00:53:00.920
<v Speaker 3>We love that.

1124
00:53:01.159 --> 00:53:06.840
<v Speaker 2>Yeah, right Mary, and Mary's like, I uh huh sure, sure, sure, absolutely, buddy.

1125
00:53:06.960 --> 00:53:10.679
<v Speaker 1>And she's wearing this like oversized business suit with these

1126
00:53:10.719 --> 00:53:11.440
<v Speaker 1>shoulder pads.

1127
00:53:11.639 --> 00:53:15.559
<v Speaker 2>Oh my god, A billion fucking dollars in this scene.

1128
00:53:15.599 --> 00:53:19.519
<v Speaker 1>Yeah, with the exception of the monster who did her hair,

1129
00:53:20.599 --> 00:53:22.760
<v Speaker 1>the cockatoo on top of her head.

1130
00:53:23.320 --> 00:53:27.400
<v Speaker 2>I want charges brought up. I want I demand charges

1131
00:53:27.440 --> 00:53:29.360
<v Speaker 2>be brought against because of the rest of the movie.

1132
00:53:29.440 --> 00:53:32.519
<v Speaker 2>Her hair looks basically fine. It's not the most flattering hairstyle,

1133
00:53:32.599 --> 00:53:34.239
<v Speaker 2>but it's nineteen ninety two. There's not much we can

1134
00:53:34.280 --> 00:53:34.599
<v Speaker 2>do about that.

1135
00:53:34.719 --> 00:53:36.519
<v Speaker 1>And she can carry it off, and she can carry

1136
00:53:36.519 --> 00:53:37.039
<v Speaker 1>it off, but.

1137
00:53:37.159 --> 00:53:41.440
<v Speaker 2>They tease her bangs to like a peg Bundy level.

1138
00:53:42.159 --> 00:53:47.599
<v Speaker 2>It's hideous, unforgivably hideous. But you're right, the outfit slaps.

1139
00:53:47.960 --> 00:53:48.159
<v Speaker 1>Yeah.

1140
00:53:48.280 --> 00:53:51.960
<v Speaker 2>So she's dancing. They you know, they've decorated the loft

1141
00:53:52.079 --> 00:53:55.320
<v Speaker 2>that they all work. Increase's wife and daughter are there, right,

1142
00:53:55.440 --> 00:53:58.480
<v Speaker 2>we find out he has a wife. Cool, that's maybe

1143
00:53:58.559 --> 00:53:59.039
<v Speaker 2>one line.

1144
00:53:59.320 --> 00:54:01.400
<v Speaker 1>Yeah, I know she at least one, just one line.

1145
00:54:01.440 --> 00:54:03.880
<v Speaker 2>The daughter gets no lines, but she still gets one

1146
00:54:03.880 --> 00:54:05.800
<v Speaker 2>of my biggest last that's coming up in a moment.

1147
00:54:06.199 --> 00:54:09.639
<v Speaker 2>And there's cake, there's food, there's champagne. They are celebrating.

1148
00:54:09.719 --> 00:54:12.480
<v Speaker 2>They they have got one hundred and seventy five thousand

1149
00:54:12.480 --> 00:54:15.599
<v Speaker 2>dollars pay day. Carl gets up the courage to ask

1150
00:54:15.760 --> 00:54:19.320
<v Speaker 2>Marty about his past with Cosmo, like what happened to

1151
00:54:19.400 --> 00:54:22.280
<v Speaker 2>your friend? And Marty tells them all that his friend

1152
00:54:22.519 --> 00:54:24.960
<v Speaker 2>died in prison. Then they start to they change the

1153
00:54:25.000 --> 00:54:26.960
<v Speaker 2>subject to something a little bit more happy. They talk

1154
00:54:27.000 --> 00:54:29.400
<v Speaker 2>about what they're all gonna do with the money. Crease

1155
00:54:29.519 --> 00:54:31.920
<v Speaker 2>and his wife are going to Europe. We've never been

1156
00:54:31.960 --> 00:54:33.880
<v Speaker 2>to Europe. We're gonna go to Athens. We're gonna go

1157
00:54:33.920 --> 00:54:37.280
<v Speaker 2>to Madrid. We're gonna go to Tahiti, which Erica siles

1158
00:54:37.320 --> 00:54:39.280
<v Speaker 2>away later in the movie, and it does come back

1159
00:54:39.360 --> 00:54:40.079
<v Speaker 2>that he says.

1160
00:54:39.880 --> 00:54:43.800
<v Speaker 1>To Heiti confidence, confidence in these scriptwriters. This joke comes

1161
00:54:43.880 --> 00:54:47.159
<v Speaker 1>back an hour and a half later and lands so hard,

1162
00:54:47.599 --> 00:54:49.840
<v Speaker 1>so hard, because I was like, oh my god, they're

1163
00:54:49.920 --> 00:54:51.760
<v Speaker 1>just saying Tahiti's in Europe.

1164
00:54:52.039 --> 00:54:53.800
<v Speaker 2>They're supposed to know things in the CIA.

1165
00:54:54.280 --> 00:54:56.559
<v Speaker 1>If I know Tahiti's not in Europe. These guys should

1166
00:54:56.599 --> 00:54:59.119
<v Speaker 1>definitely know Tahiti's not in Europe. They all are claiming

1167
00:54:59.159 --> 00:55:01.000
<v Speaker 1>to be smarter than me, and I'm willing to accept that,

1168
00:55:01.400 --> 00:55:02.920
<v Speaker 1>but I know that in Europe.

1169
00:55:05.400 --> 00:55:08.000
<v Speaker 2>So okay, So Chris and his wife are going to

1170
00:55:08.039 --> 00:55:11.440
<v Speaker 2>have a whirldwind vacation. Mother wants a winnebig o and

1171
00:55:11.519 --> 00:55:14.079
<v Speaker 2>the way dan Ackroid just uses all his dan acrodiness

1172
00:55:14.199 --> 00:55:17.159
<v Speaker 2>to say, winn a big o with a waterbed and

1173
00:55:17.440 --> 00:55:20.719
<v Speaker 2>and a soup up kitchen. And I'm like, dream big buddy,

1174
00:55:21.000 --> 00:55:24.719
<v Speaker 2>dream big Carl with like a deep relationship with a

1175
00:55:24.719 --> 00:55:27.840
<v Speaker 2>beautiful woman, someone like Liz. And he then kind of

1176
00:55:27.880 --> 00:55:31.079
<v Speaker 2>shyly looks over at Liz because he's very sweet and insecure.

1177
00:55:31.119 --> 00:55:33.000
<v Speaker 2>And again I know he looks like River Phoenix, but

1178
00:55:33.039 --> 00:55:36.039
<v Speaker 2>god damn it, this works on me. Then they cut

1179
00:55:36.119 --> 00:55:38.480
<v Speaker 2>to Whistler and leave it's straight there and again he's

1180
00:55:38.480 --> 00:55:40.719
<v Speaker 2>playing a blind man who's not supposed to see what

1181
00:55:41.039 --> 00:55:44.400
<v Speaker 2>like where his hand is going. Says all I want

1182
00:55:44.519 --> 00:55:47.119
<v Speaker 2>is peace on earth and goodwill towards men, and then

1183
00:55:47.159 --> 00:55:50.599
<v Speaker 2>he puts his hand out towards the actress playing Crease's daughter,

1184
00:55:50.880 --> 00:55:54.039
<v Speaker 2>who's I don't know, thirteen maybe, or some or like seven.

1185
00:55:54.639 --> 00:55:56.840
<v Speaker 2>Oh really, I couldn't remember how old she was because

1186
00:55:56.920 --> 00:55:59.079
<v Speaker 2>she gives she gives thirteen year old face here though,

1187
00:55:59.119 --> 00:56:01.480
<v Speaker 2>let me tell you. He kind of like launches his

1188
00:56:01.599 --> 00:56:04.039
<v Speaker 2>hand at her, and then he grabs her hand that's

1189
00:56:04.039 --> 00:56:06.719
<v Speaker 2>sitting in her lap, and he goes goodwill towards men,

1190
00:56:06.800 --> 00:56:08.800
<v Speaker 2>and then he lifts her hand up and goes and women.

1191
00:56:09.360 --> 00:56:12.000
<v Speaker 2>And the little girl they cast to play this role

1192
00:56:12.760 --> 00:56:18.599
<v Speaker 2>cannot not look disgusted. She's like, don't touch me. I

1193
00:56:18.719 --> 00:56:21.480
<v Speaker 2>don't know if this is an improvised moment and she

1194
00:56:21.679 --> 00:56:25.280
<v Speaker 2>wasn't expecting it. I can't be improvised because they must

1195
00:56:25.320 --> 00:56:27.599
<v Speaker 2>have placed her next to him specifically for them to

1196
00:56:27.679 --> 00:56:31.320
<v Speaker 2>have this moment. But the actress cannot convey anything other

1197
00:56:31.400 --> 00:56:33.559
<v Speaker 2>than please do not touch me.

1198
00:56:34.000 --> 00:56:39.400
<v Speaker 1>I don't like it. Later, the party has quieted, a

1199
00:56:39.519 --> 00:56:42.280
<v Speaker 1>game of scrabble has started. This is my kind of party,

1200
00:56:42.360 --> 00:56:44.400
<v Speaker 1>A party that ends in board games. I'm in.

1201
00:56:44.639 --> 00:56:47.320
<v Speaker 2>There is sheet cake, there is dancing, and there is scrabble.

1202
00:56:47.400 --> 00:56:47.639
<v Speaker 1>I am.

1203
00:56:48.000 --> 00:56:49.119
<v Speaker 2>There is talk of travel.

1204
00:56:49.199 --> 00:56:49.480
<v Speaker 1>I am.

1205
00:56:49.599 --> 00:56:51.280
<v Speaker 2>This is this is my dream party.

1206
00:56:51.400 --> 00:56:55.239
<v Speaker 1>It's beautiful, it's perfect. Marty's in the process of spelling

1207
00:56:55.239 --> 00:56:57.760
<v Speaker 1>the word scrunchy, because he says, your face can get scrunchy,

1208
00:56:57.840 --> 00:56:59.800
<v Speaker 1>and know I was like, were They're not scrunchies.

1209
00:57:00.039 --> 00:57:02.760
<v Speaker 2>They're worst crunching that. Liz is the one who's like,

1210
00:57:02.840 --> 00:57:04.679
<v Speaker 2>that's not a word, and I'm like, girl, you and

1211
00:57:04.760 --> 00:57:06.920
<v Speaker 2>I both know that's a word. He might not know

1212
00:57:07.039 --> 00:57:08.639
<v Speaker 2>that's a word, but you and I both know that's

1213
00:57:08.639 --> 00:57:09.559
<v Speaker 2>a word exactly.

1214
00:57:09.960 --> 00:57:13.519
<v Speaker 1>Whistler starts to poke around on the black box and

1215
00:57:13.679 --> 00:57:17.039
<v Speaker 1>he and Carl start to wonder what Sea tech Astronomy means.

1216
00:57:17.199 --> 00:57:19.000
<v Speaker 1>They're kind of talking out loud, like away from the

1217
00:57:19.000 --> 00:57:22.360
<v Speaker 1>scrabble game, and that jog something in Marty's brain and

1218
00:57:22.400 --> 00:57:25.519
<v Speaker 1>he remembers that, well, that's right, no one knows what

1219
00:57:25.679 --> 00:57:28.360
<v Speaker 1>that code name was referring to ce tech astronomy. What

1220
00:57:28.360 --> 00:57:31.320
<v Speaker 1>does that mean? And he dumps out the scrabble tiles

1221
00:57:31.480 --> 00:57:33.360
<v Speaker 1>and he and Liz start to have that fun with

1222
00:57:33.440 --> 00:57:36.280
<v Speaker 1>anagrams we talked about with Sea tech Astronomy, and he's

1223
00:57:36.320 --> 00:57:38.639
<v Speaker 1>like Monterey's coast and everyone in the rooms like, that

1224
00:57:38.679 --> 00:57:43.039
<v Speaker 1>doesn't mean anything. My socrates note they get Nada Cootie's

1225
00:57:43.159 --> 00:57:45.239
<v Speaker 1>rat semen. I don't know why they don't ask about that.

1226
00:57:45.360 --> 00:57:47.280
<v Speaker 1>That sounds like a hacker name to me from the

1227
00:57:47.360 --> 00:57:50.119
<v Speaker 1>nineties cooties rat semen. There was absolutely a handle.

1228
00:57:50.280 --> 00:57:51.840
<v Speaker 2>That's Matthew Lilard's handle.

1229
00:57:51.599 --> 00:57:58.920
<v Speaker 1>In Meanwhile, Whistler continues to explore the capabilities of the

1230
00:57:59.039 --> 00:57:59.840
<v Speaker 1>black Box.

1231
00:58:00.559 --> 00:58:02.320
<v Speaker 2>You know what, Whistler, you do the work.

1232
00:58:02.519 --> 00:58:05.000
<v Speaker 1>The mysteries of life are contained within the black box.

1233
00:58:05.360 --> 00:58:07.559
<v Speaker 2>You put the work in, and the black box will

1234
00:58:07.800 --> 00:58:08.760
<v Speaker 2>return the favor.

1235
00:58:10.559 --> 00:58:14.239
<v Speaker 1>He discovers an enormous cash of information. Just as the

1236
00:58:14.360 --> 00:58:19.119
<v Speaker 1>tiles form the phrase too many secrets.

1237
00:58:19.519 --> 00:58:23.360
<v Speaker 2>Whistler realizes that the black Box is capable of so

1238
00:58:23.559 --> 00:58:24.960
<v Speaker 2>much more than he ever thought it was.

1239
00:58:26.119 --> 00:58:26.920
<v Speaker 1>It can do anything.

1240
00:58:27.280 --> 00:58:27.960
<v Speaker 2>It makes noise.

1241
00:58:28.159 --> 00:58:32.840
<v Speaker 1>Sometimes it creeps out information.

1242
00:58:33.119 --> 00:58:35.239
<v Speaker 2>He ceps out. You know what, I wasn't going to

1243
00:58:35.360 --> 00:58:37.800
<v Speaker 2>use the Q word, but you're since you're doing it,

1244
00:58:38.239 --> 00:58:41.199
<v Speaker 2>you're bumming it up. Hey, this black box is just

1245
00:58:41.320 --> 00:58:42.760
<v Speaker 2>scorting information at me.

1246
00:58:44.400 --> 00:58:46.639
<v Speaker 1>Remember we weren't going to be make the double entendres.

1247
00:58:46.679 --> 00:58:48.400
<v Speaker 1>Remember for that thirty seconds, you know.

1248
00:58:48.519 --> 00:58:51.440
<v Speaker 2>We were gonna be fucking classy about this. We were

1249
00:58:51.480 --> 00:58:54.920
<v Speaker 2>gonna be Liz, and instead we're mother We're mothering. Yeah,

1250
00:58:54.920 --> 00:58:58.480
<v Speaker 2>we're mothering, which is our version of mothering. Okay, so

1251
00:58:59.679 --> 00:59:02.920
<v Speaker 2>the is capable of decrypting and hacking into any network,

1252
00:59:03.000 --> 00:59:04.960
<v Speaker 2>including financial and government systems.

1253
00:59:05.039 --> 00:59:06.679
<v Speaker 1>So for those of you keeping up, this is the

1254
00:59:06.840 --> 00:59:11.559
<v Speaker 1>exact same mcguffin that is in the net, the exact same, exact.

1255
00:59:11.239 --> 00:59:14.679
<v Speaker 2>Same one, except this is interesting in this film, it

1256
00:59:14.880 --> 00:59:20.719
<v Speaker 2>only like like decrypts American things. That is kind of

1257
00:59:21.199 --> 00:59:23.519
<v Speaker 2>us come back later and I'm like, okay, that's super interesting.

1258
00:59:23.800 --> 00:59:24.079
<v Speaker 1>Okay.

1259
00:59:24.440 --> 00:59:28.239
<v Speaker 2>Crease is getting really freaked out. He's like, stop what

1260
00:59:28.360 --> 00:59:31.119
<v Speaker 2>you're doing right now, and then he sends his wife

1261
00:59:31.159 --> 00:59:33.360
<v Speaker 2>and daughter home immediately, and he turns to the rest

1262
00:59:33.400 --> 00:59:34.880
<v Speaker 2>of them and he says, do you realize that this

1263
00:59:35.039 --> 00:59:38.639
<v Speaker 2>code breaking capability is something that any government on Earth

1264
00:59:38.880 --> 00:59:41.679
<v Speaker 2>would kill us for. He goes to his desk because

1265
00:59:41.679 --> 00:59:43.880
<v Speaker 2>remember they're in their office, and he takes out his

1266
00:59:44.000 --> 00:59:45.840
<v Speaker 2>gun and Liz is like, well, this is where I

1267
00:59:45.920 --> 00:59:47.880
<v Speaker 2>get off, and she tries to leave, and he's like,

1268
00:59:47.920 --> 00:59:51.280
<v Speaker 2>I'm sorry, Liz, you seem like a real swell lady. Yeah,

1269
00:59:51.760 --> 00:59:54.599
<v Speaker 2>but we can't trust anyone right now, and you knew

1270
00:59:54.599 --> 00:59:57.599
<v Speaker 2>about Marty's secret past, like kind of insinuating that, like

1271
00:59:58.079 --> 00:59:59.960
<v Speaker 2>we don't know where your loyalties lie.

1272
01:00:00.480 --> 01:00:00.639
<v Speaker 1>Yeah.

1273
01:00:00.800 --> 01:00:03.199
<v Speaker 2>She kind of looks at Marty. Marty puts his head

1274
01:00:03.280 --> 01:00:07.239
<v Speaker 2>down and she's like, thanks for the trust, fellas, and

1275
01:00:07.360 --> 01:00:08.159
<v Speaker 2>she sits back down.

1276
01:00:08.400 --> 01:00:11.119
<v Speaker 1>We cut to the next morning, Marty Increase head to

1277
01:00:11.199 --> 01:00:14.239
<v Speaker 1>the handoff. Marty is walking to the drop. He has

1278
01:00:14.320 --> 01:00:16.639
<v Speaker 1>got the answering machine in this case that has the

1279
01:00:16.719 --> 01:00:19.960
<v Speaker 1>black box inside of it. It's like a Turducan case.

1280
01:00:20.119 --> 01:00:23.039
<v Speaker 1>Answering machine, black box in the center right, it's a

1281
01:00:23.119 --> 01:00:25.840
<v Speaker 1>nesting doll. He has just given the package to Dick

1282
01:00:25.880 --> 01:00:28.519
<v Speaker 1>and Buddy when Chrease notices a headline on the paper

1283
01:00:28.599 --> 01:00:31.199
<v Speaker 1>in the back seat. So Chrise is like maybe thirty

1284
01:00:31.320 --> 01:00:34.280
<v Speaker 1>yards away by the car. Marty has walked up to

1285
01:00:34.360 --> 01:00:36.960
<v Speaker 1>this open air plaza to do the drop. Chris looks

1286
01:00:36.960 --> 01:00:38.679
<v Speaker 1>at this paper in the backseat and he sees a

1287
01:00:38.719 --> 01:00:43.239
<v Speaker 1>headline Janek was killed the night before. Something doesn't smell right.

1288
01:00:43.760 --> 01:00:46.199
<v Speaker 1>He grabs the car phone and he shouts at Marty,

1289
01:00:46.239 --> 01:00:48.519
<v Speaker 1>you've got a call. You've got a call. It's your mother.

1290
01:00:49.159 --> 01:00:52.079
<v Speaker 1>And Marty gets the hint. He calmly excuses himself, doesn't

1291
01:00:52.079 --> 01:00:54.760
<v Speaker 1>give anything away to Dick and Buddy. He gets back

1292
01:00:54.800 --> 01:00:56.679
<v Speaker 1>to the car and Chrease hisses at him, just get

1293
01:00:56.760 --> 01:00:59.880
<v Speaker 1>in drive, drive drive. They flee as Chris says, the

1294
01:01:00.039 --> 01:01:03.800
<v Speaker 1>NSA doesn't kill people, So who are Dick and Buddy?

1295
01:01:04.280 --> 01:01:08.960
<v Speaker 2>Back at Sneakers headquarters, the team realizes how badly they've

1296
01:01:09.119 --> 01:01:12.079
<v Speaker 2>been had so the NSA has never had a San

1297
01:01:12.119 --> 01:01:15.280
<v Speaker 2>Francisco office. Their office is based out of Los Angeles.

1298
01:01:15.360 --> 01:01:17.920
<v Speaker 2>In fact, they find out that the building where he

1299
01:01:18.039 --> 01:01:21.480
<v Speaker 2>met these two was already like condemned, so like this

1300
01:01:21.639 --> 01:01:24.360
<v Speaker 2>was all some elaborate setup. Not only are these two

1301
01:01:24.400 --> 01:01:26.760
<v Speaker 2>guys not the NSA, but they then they discovered that

1302
01:01:26.840 --> 01:01:30.400
<v Speaker 2>the NSA, the actual NSSA, was the source of Jane's

1303
01:01:30.480 --> 01:01:34.519
<v Speaker 2>grant all along. Craze is like, how dumb are you

1304
01:01:34.800 --> 01:01:38.079
<v Speaker 2>that you did not do any yeah, like any background

1305
01:01:38.119 --> 01:01:39.960
<v Speaker 2>work on these guys before you brought this to us,

1306
01:01:40.400 --> 01:01:44.000
<v Speaker 2>And Marty's like they knew about my past, Like I panicked.

1307
01:01:44.039 --> 01:01:47.280
<v Speaker 2>I'm sorry, I've panicked. And then Marty's suspicion suddenly falls

1308
01:01:47.320 --> 01:01:50.480
<v Speaker 2>over Gregor remember the Russian ex spy that he knows,

1309
01:01:51.079 --> 01:01:53.280
<v Speaker 2>and he tells the Sneakers to pack up and move out.

1310
01:01:53.400 --> 01:01:55.039
<v Speaker 2>Everything in here is compromised. We got to find a

1311
01:01:55.079 --> 01:01:57.599
<v Speaker 2>safe house somewhere and they're like, where are you going?

1312
01:01:57.679 --> 01:01:59.760
<v Speaker 2>And he goes, I've got a concert to go to.

1313
01:02:00.199 --> 01:02:02.960
<v Speaker 1>He heads to the concert. It's funny how this is stage,

1314
01:02:02.960 --> 01:02:05.039
<v Speaker 1>because Gregor is like sitting there smoking a cigarette with

1315
01:02:05.039 --> 01:02:08.079
<v Speaker 1>this beautiful woman on his arm. Marty just like leans over.

1316
01:02:08.239 --> 01:02:10.880
<v Speaker 1>They're people everywhere. He pulls out a gun from his

1317
01:02:10.960 --> 01:02:11.480
<v Speaker 1>trench coat.

1318
01:02:11.880 --> 01:02:14.480
<v Speaker 2>There is a line of waiters standing behind him. The

1319
01:02:14.800 --> 01:02:17.280
<v Speaker 2>no fucking way the waiters don't see. Hey, is that

1320
01:02:17.400 --> 01:02:20.119
<v Speaker 2>not holding that? Or the guy by gunpoint? You know what,

1321
01:02:20.199 --> 01:02:21.320
<v Speaker 2>I don't get paid enough to care.

1322
01:02:21.400 --> 01:02:21.800
<v Speaker 1>I don't care.

1323
01:02:21.840 --> 01:02:23.400
<v Speaker 2>I don't care. Yeah, straight enough, don't care.

1324
01:02:23.519 --> 01:02:27.519
<v Speaker 1>Yeah, So he pulls Gregor away. He takes Gregor to

1325
01:02:28.000 --> 01:02:29.599
<v Speaker 1>an underground indoor pool.

1326
01:02:30.280 --> 01:02:34.480
<v Speaker 2>It seems I don't care because this is so goddamn cool.

1327
01:02:34.639 --> 01:02:37.400
<v Speaker 2>Well no, no, actually, this all does make some level

1328
01:02:37.639 --> 01:02:40.280
<v Speaker 2>of sense because it's not like the concert we're going

1329
01:02:40.320 --> 01:02:42.639
<v Speaker 2>to is like a string quartet. Right, classy people. These

1330
01:02:42.679 --> 01:02:44.920
<v Speaker 2>are all people in like tuxedos and ball gowns at

1331
01:02:44.960 --> 01:02:47.599
<v Speaker 2>this thing. Right, So they're probably at someone's mansion.

1332
01:02:47.679 --> 01:02:48.519
<v Speaker 1>They're at the embassy.

1333
01:02:48.840 --> 01:02:50.119
<v Speaker 2>Yeah that's an old mansion.

1334
01:02:50.239 --> 01:02:53.400
<v Speaker 1>Oh well yeah, fair, All embassies are like old.

1335
01:02:53.360 --> 01:02:56.119
<v Speaker 2>Like Gilded Age mansions. This is probably like the heated

1336
01:02:56.159 --> 01:02:59.360
<v Speaker 2>pool in the Russian embassy or whatever, the Ukrainian embassy.

1337
01:03:00.000 --> 01:03:04.599
<v Speaker 1>Oh, he demands the box back. Gregor vehemently denies that

1338
01:03:04.719 --> 01:03:07.920
<v Speaker 1>he or his government acquired the box, and he says, look,

1339
01:03:08.159 --> 01:03:10.000
<v Speaker 1>I can't talk to you about this year. Let's go

1340
01:03:10.119 --> 01:03:10.639
<v Speaker 1>for a drive.

1341
01:03:11.000 --> 01:03:15.039
<v Speaker 2>They get into a limo and Gregor takes out like

1342
01:03:15.199 --> 01:03:18.559
<v Speaker 2>photo albums, like like scrap books of old.

1343
01:03:20.559 --> 01:03:24.719
<v Speaker 1>Back before we had electronic files, Russian assets or not

1344
01:03:24.840 --> 01:03:27.360
<v Speaker 1>Russian assets, US agents that they thought they could turn.

1345
01:03:27.480 --> 01:03:30.159
<v Speaker 2>No, there's because there are actual Russian assets in there.

1346
01:03:30.599 --> 01:03:32.719
<v Speaker 2>We just find out that the person they have is

1347
01:03:32.719 --> 01:03:35.360
<v Speaker 2>someone who could not be turned. But anyway, he pulls

1348
01:03:35.400 --> 01:03:38.239
<v Speaker 2>out these like scrap books full of like angry looking

1349
01:03:38.360 --> 01:03:41.199
<v Speaker 2>scary men. Marty goes through the pictures of the operatives

1350
01:03:41.480 --> 01:03:44.519
<v Speaker 2>and he finally spots a picture of Buddy, the bigger guy.

1351
01:03:44.440 --> 01:03:46.880
<v Speaker 1>The scarier of the two, the non Timothy Bussfield.

1352
01:03:46.920 --> 01:03:49.840
<v Speaker 2>One non Timothy Busfield, who's played by Marla Hooch is dad.

1353
01:03:50.119 --> 01:03:52.480
<v Speaker 1>Yeah, and every time I see it, he's such a.

1354
01:03:52.639 --> 01:03:55.039
<v Speaker 2>Meani in this movie. He's such a bad guy and

1355
01:03:55.159 --> 01:03:57.159
<v Speaker 2>I'm just like, but that's Marla Hooch's dad.

1356
01:03:57.280 --> 01:03:58.679
<v Speaker 1>Yeah, he's a delight daughter.

1357
01:03:59.000 --> 01:04:02.079
<v Speaker 2>Gregor is like, oh, that is a loathsome man, and

1358
01:04:02.239 --> 01:04:04.920
<v Speaker 2>like when like the Russian spy is like that guy sucks,

1359
01:04:04.960 --> 01:04:07.679
<v Speaker 2>You're like, oh, no, that guy, that's a problem. Before

1360
01:04:07.760 --> 01:04:10.760
<v Speaker 2>he can further elaborate, the limo is pulled over and

1361
01:04:10.880 --> 01:04:14.039
<v Speaker 2>Gregor is like, it's like, oh, sigh, your FBI are

1362
01:04:14.079 --> 01:04:17.039
<v Speaker 2>so meddlesome. The limo is pulled over, an FBI agent

1363
01:04:17.280 --> 01:04:20.760
<v Speaker 2>shows his badge in the window and demands that Marty

1364
01:04:20.840 --> 01:04:22.800
<v Speaker 2>get out of the car. They know Bishops is with him.

1365
01:04:22.800 --> 01:04:24.920
<v Speaker 2>They're like, mister Bishop, please step out of the car.

1366
01:04:25.119 --> 01:04:27.480
<v Speaker 1>So Gregor turns to Marty and he says, look, this

1367
01:04:27.679 --> 01:04:29.920
<v Speaker 1>limo is technically part of the consulate. I can offer

1368
01:04:29.960 --> 01:04:32.519
<v Speaker 1>you asylum. Marty decides to get out of the limo

1369
01:04:32.599 --> 01:04:35.639
<v Speaker 1>despite this warning and Gregor in tones you won't know

1370
01:04:35.800 --> 01:04:38.920
<v Speaker 1>who to trust. The agent throws Marty up against the wall.

1371
01:04:39.360 --> 01:04:41.800
<v Speaker 1>He finds the gun in Marty's pocket and he asks

1372
01:04:41.840 --> 01:04:45.599
<v Speaker 1>if it's loaded. Marty says yes. The agent deliberately puts

1373
01:04:45.639 --> 01:04:48.559
<v Speaker 1>on a pair of gloves, turns around and executes Gregor

1374
01:04:48.639 --> 01:04:52.159
<v Speaker 1>and his driver with Marty's gun. Marty is shocked as

1375
01:04:52.239 --> 01:04:54.280
<v Speaker 1>the agent puts the gun on the ground and says

1376
01:04:54.920 --> 01:04:58.159
<v Speaker 1>too many secrets. Marty hears footsteps behind him, and he

1377
01:04:58.199 --> 01:05:00.480
<v Speaker 1>turns around just in time to see Marla who his dad,

1378
01:05:00.599 --> 01:05:04.679
<v Speaker 1>walk up and knock him out. Everything goes black, Erica,

1379
01:05:04.719 --> 01:05:06.440
<v Speaker 1>that's halfway through the movie. Should we take a little break?

1380
01:05:06.840 --> 01:05:08.679
<v Speaker 2>Yeah? Yeah, commercial break here.

1381
01:05:08.639 --> 01:05:10.559
<v Speaker 1>Well, commercial break here, we're gonna go. We're gonna use

1382
01:05:10.599 --> 01:05:14.360
<v Speaker 1>the bathroom perhaps, and then we will be right back

1383
01:05:14.400 --> 01:05:16.320
<v Speaker 1>after these messages to take you through the rest of

1384
01:05:16.360 --> 01:05:26.880
<v Speaker 1>Sneakers and we're back.

1385
01:05:27.800 --> 01:05:31.000
<v Speaker 2>So Marty, who's been knocked out, wakes up in the

1386
01:05:31.079 --> 01:05:33.920
<v Speaker 2>back of a car and can hear the highway going by.

1387
01:05:34.559 --> 01:05:39.000
<v Speaker 2>Before long, Buddy, Marla Hooch's dad opens the trunk it's like,

1388
01:05:39.159 --> 01:05:41.559
<v Speaker 2>you're not supposed to be awake, and takes the back

1389
01:05:41.639 --> 01:05:43.960
<v Speaker 2>of his gun and knocks him out again. Bitch, have

1390
01:05:44.039 --> 01:05:45.239
<v Speaker 2>you never heard of chloroform?

1391
01:05:45.719 --> 01:05:45.880
<v Speaker 1>Right?

1392
01:05:46.119 --> 01:05:48.599
<v Speaker 2>There are nicer ways. You do not have to like

1393
01:05:49.039 --> 01:05:51.119
<v Speaker 2>fucking pistol whip him every time you want.

1394
01:05:51.039 --> 01:05:52.199
<v Speaker 1>Him to go down, but he wants to.

1395
01:05:52.559 --> 01:05:56.000
<v Speaker 2>That's the thing, Guys, find something that you love to

1396
01:05:56.119 --> 01:05:59.599
<v Speaker 2>do in life. Half as much as Buddy likes pistol

1397
01:05:59.639 --> 01:06:03.519
<v Speaker 2>whipping Marty. Yeah, as Buddy enjoys the act of pistol

1398
01:06:03.559 --> 01:06:06.000
<v Speaker 2>whipping people. If you can find your pistol whip.

1399
01:06:05.960 --> 01:06:07.480
<v Speaker 1>You love your job, You'll never work a day in

1400
01:06:07.480 --> 01:06:07.840
<v Speaker 1>your life.

1401
01:06:08.119 --> 01:06:10.920
<v Speaker 2>Now Marty is knocked out again. He wakes up again

1402
01:06:11.039 --> 01:06:15.119
<v Speaker 2>in a like austere looking room YEP. A shadowy figure

1403
01:06:15.239 --> 01:06:18.199
<v Speaker 2>asks him are you in pain? And he says yes,

1404
01:06:18.360 --> 01:06:21.639
<v Speaker 2>and the figure steps forward and tells him try aspirin

1405
01:06:21.719 --> 01:06:24.360
<v Speaker 2>and holds out a bottle of aspirin to him. Then

1406
01:06:24.440 --> 01:06:27.119
<v Speaker 2>the man performs the trick that we saw Cosmo do

1407
01:06:27.320 --> 01:06:31.199
<v Speaker 2>in the opening scene, and Marty says, Cosmo, this is

1408
01:06:31.239 --> 01:06:37.079
<v Speaker 2>indeed the long presumed dead Cosmo played by British actor

1409
01:06:39.199 --> 01:06:40.119
<v Speaker 2>Ben Kingsley.

1410
01:06:40.599 --> 01:06:43.159
<v Speaker 1>I was quite surprised. I feel like Robert Redford really

1411
01:06:43.360 --> 01:06:46.840
<v Speaker 1>underreacts to the idea that Cosmo is still alive. This

1412
01:06:47.000 --> 01:06:51.159
<v Speaker 1>man that you thought basically you got killed your friend,

1413
01:06:51.280 --> 01:06:54.119
<v Speaker 1>this man that you loved died because of what you did,

1414
01:06:54.400 --> 01:06:57.360
<v Speaker 1>and then you realize he's still alive, and he's like Cosmo.

1415
01:06:57.760 --> 01:07:01.199
<v Speaker 2>He's deeply concussed. You forget that part.

1416
01:07:01.280 --> 01:07:02.159
<v Speaker 1>That's true, that's fair.

1417
01:07:02.360 --> 01:07:04.960
<v Speaker 2>I'm shocked he can remember the name Cosmo. I'm sure.

1418
01:07:05.039 --> 01:07:07.960
<v Speaker 2>I'm so shocking. Was like Charlie, wait, I can't what

1419
01:07:08.119 --> 01:07:09.679
<v Speaker 2>was your name again. I'm so tired.

1420
01:07:09.760 --> 01:07:10.239
<v Speaker 1>What's name?

1421
01:07:10.320 --> 01:07:13.199
<v Speaker 2>Can I go to sleep? No? I shouldn't sleep right shoep.

1422
01:07:14.119 --> 01:07:16.599
<v Speaker 1>So Cosmo sits down. Marty asks him what the hell

1423
01:07:16.679 --> 01:07:20.599
<v Speaker 1>is going on? What happened? And Cosmo gives us his backstory.

1424
01:07:20.760 --> 01:07:22.840
<v Speaker 1>He explains that while he was in prison, he used

1425
01:07:22.840 --> 01:07:26.039
<v Speaker 1>his skills to help a couple of you know, friendly

1426
01:07:26.159 --> 01:07:30.039
<v Speaker 1>Italian guys, very family minded men, make a few phone

1427
01:07:30.079 --> 01:07:33.239
<v Speaker 1>calls and they arranged for his early release in exchange

1428
01:07:33.280 --> 01:07:37.119
<v Speaker 1>for his help and managing their financial operations. All of

1429
01:07:37.239 --> 01:07:40.480
<v Speaker 1>Cosmo's work for the MOB is encrypted so the government

1430
01:07:40.519 --> 01:07:43.599
<v Speaker 1>can't read it, which means that Cosmo and his bosses

1431
01:07:43.679 --> 01:07:47.599
<v Speaker 1>cannot afford for the FEDS to get jan xbox. Marty

1432
01:07:47.719 --> 01:07:51.000
<v Speaker 1>looks at him and he's like, bullshit, I don't buy

1433
01:07:51.039 --> 01:07:52.760
<v Speaker 1>that for a second. That is not why you're doing this.

1434
01:07:52.920 --> 01:07:56.960
<v Speaker 1>And Cosmo smiles like proudly yeah, and he holds a

1435
01:07:57.000 --> 01:07:59.199
<v Speaker 1>finger up to his lips and he kind of gestures

1436
01:07:59.239 --> 01:08:02.039
<v Speaker 1>to the ceiling like someone's listening. And he leads Marty

1437
01:08:02.079 --> 01:08:04.400
<v Speaker 1>to this like enclosed alcove in the corner of his

1438
01:08:04.519 --> 01:08:07.400
<v Speaker 1>office where presumptively there are no listening devices in.

1439
01:08:07.480 --> 01:08:10.039
<v Speaker 2>An American accent that suggests he learned how to do

1440
01:08:10.119 --> 01:08:14.559
<v Speaker 2>an American accent while underwater. Cosmo tells Marty that he

1441
01:08:14.719 --> 01:08:17.640
<v Speaker 2>thinks he can actually change the world as they planned

1442
01:08:17.720 --> 01:08:22.000
<v Speaker 2>all those years ago. So Cosmo has been radicalized. Yeah,

1443
01:08:22.159 --> 01:08:26.239
<v Speaker 2>he's been in prison for a while. Yeah, and it

1444
01:08:26.359 --> 01:08:30.000
<v Speaker 2>has changed him fundamentally. He reminds Marty of all the

1445
01:08:30.119 --> 01:08:33.840
<v Speaker 2>problems in the country, corporations with too much money, politicians

1446
01:08:33.960 --> 01:08:36.800
<v Speaker 2>bought and sold, et cetera, et cetera, time immemorial, the

1447
01:08:36.840 --> 01:08:38.000
<v Speaker 2>problems of the United States.

1448
01:08:38.079 --> 01:08:40.680
<v Speaker 1>Right, Luckily we solved them by everything's good, you guys,

1449
01:08:40.840 --> 01:08:41.600
<v Speaker 1>everything's good here.

1450
01:08:41.720 --> 01:08:44.680
<v Speaker 2>We nailed it. No worries. And He's like, no matter

1451
01:08:44.760 --> 01:08:48.920
<v Speaker 2>how much money we throw at problems in this country, poverty, crime,

1452
01:08:49.640 --> 01:08:54.000
<v Speaker 2>they remain because quote, money's most powerful ability is to

1453
01:08:54.119 --> 01:08:57.680
<v Speaker 2>allow bad people to continue doing bad things at the

1454
01:08:57.800 --> 01:09:02.960
<v Speaker 2>expense of those who don't have it. End quote, Marty's like, yeah, duh.

1455
01:09:02.960 --> 01:09:06.800
<v Speaker 1>We're hurtling like a skydiver towards late stage capitalism. Yeah, yeah,

1456
01:09:07.079 --> 01:09:09.279
<v Speaker 1>no fucking parachute, right, no parachute.

1457
01:09:09.319 --> 01:09:11.880
<v Speaker 2>And Cosmo goes on to explain that using the black box,

1458
01:09:12.279 --> 01:09:15.920
<v Speaker 2>he could cause any number of institutions to fail from

1459
01:09:16.119 --> 01:09:20.239
<v Speaker 2>banks to governments to actual countries. He could crash the

1460
01:09:20.359 --> 01:09:23.359
<v Speaker 2>whole damn system. And look, as much as I'm making

1461
01:09:23.359 --> 01:09:26.840
<v Speaker 2>fun of Ben Kingsley's performance, the accent is terrible. I'm

1462
01:09:26.880 --> 01:09:29.479
<v Speaker 2>not gonna lie. He sounds like one of the Canadians

1463
01:09:29.520 --> 01:09:35.840
<v Speaker 2>on South Park. But like the performance is so good. Yeah,

1464
01:09:35.960 --> 01:09:38.800
<v Speaker 2>he abused it with this like level of intelligence where

1465
01:09:38.800 --> 01:09:42.880
<v Speaker 2>you understand like he's not dumb. Yeah, got this gleam

1466
01:09:43.039 --> 01:09:45.600
<v Speaker 2>in his eye and he's like, don't you see it,

1467
01:09:45.720 --> 01:09:48.319
<v Speaker 2>don't you see the beauty of our creation? What we

1468
01:09:48.439 --> 01:09:50.279
<v Speaker 2>can do. We can free the world.

1469
01:09:51.159 --> 01:09:54.560
<v Speaker 1>Marty kind of chuckles and he's like, oh, you're crazy,

1470
01:09:56.520 --> 01:09:59.720
<v Speaker 1>very very bold statement in your current situation. Marty Cosmo

1471
01:09:59.840 --> 01:10:02.479
<v Speaker 1>is not amused. He walks out of that little privacy

1472
01:10:02.520 --> 01:10:05.399
<v Speaker 1>alcove and he starts to explain to Marty that, you

1473
01:10:05.520 --> 01:10:08.079
<v Speaker 1>know what, I'm gonna start changing some police files. So

1474
01:10:08.199 --> 01:10:10.479
<v Speaker 1>tomorrow when they run the prince on the gun that

1475
01:10:10.600 --> 01:10:13.000
<v Speaker 1>killed Gregor and his driver, they will find that they

1476
01:10:13.119 --> 01:10:16.159
<v Speaker 1>match Martin Bryce. You know that that identity that you

1477
01:10:16.279 --> 01:10:17.399
<v Speaker 1>used to it, that you tried to get rid of.

1478
01:10:17.680 --> 01:10:19.560
<v Speaker 1>And they're also gonna find out that Martin Bryce is

1479
01:10:19.640 --> 01:10:23.520
<v Speaker 1>a known alias of Martin Bishop. So Marty's like, hey, man,

1480
01:10:23.920 --> 01:10:27.800
<v Speaker 1>we're cool. Don't do that please, and Cosmo says pain

1481
01:10:28.720 --> 01:10:32.319
<v Speaker 1>and Marty nods, and Cosmo says, try prison, and he

1482
01:10:32.399 --> 01:10:34.239
<v Speaker 1>hits enter and he makes all of these adjustments to

1483
01:10:34.279 --> 01:10:37.560
<v Speaker 1>the police files. Dick appears behind Marty to choke him out,

1484
01:10:37.600 --> 01:10:41.039
<v Speaker 1>as Cosmo smiles and says, no more secrets, Mardi.

1485
01:10:41.319 --> 01:10:43.479
<v Speaker 2>So they knock Marty out, They put him in a car,

1486
01:10:43.600 --> 01:10:46.560
<v Speaker 2>they toss him on some random street in San Francisco.

1487
01:10:47.319 --> 01:10:50.239
<v Speaker 2>He makes his way to Liz's apartment. She lets him

1488
01:10:50.239 --> 01:10:52.239
<v Speaker 2>in immediately. She starts to clean him up because he

1489
01:10:52.279 --> 01:10:53.640
<v Speaker 2>looks worse for wear.

1490
01:10:53.800 --> 01:10:55.840
<v Speaker 1>Let's just say he looks as bad as Robert Redford

1491
01:10:55.880 --> 01:10:57.720
<v Speaker 1>is capable of looking, which is better than me on

1492
01:10:57.920 --> 01:11:00.800
<v Speaker 1>my best day run over with a mac truck.

1493
01:11:00.920 --> 01:11:04.079
<v Speaker 2>Robert Redford is so better than me with a glam squad. Yeah,

1494
01:11:04.359 --> 01:11:06.159
<v Speaker 2>she starts to clean him up. He looks at her

1495
01:11:06.279 --> 01:11:09.199
<v Speaker 2>soulfully and says he's sorry, and she immediately says it's okay.

1496
01:11:09.600 --> 01:11:11.960
<v Speaker 2>But then he takes her hand, looks at her again

1497
01:11:12.039 --> 01:11:16.520
<v Speaker 2>and says, no, really, I'm sorry, clearly apologizing for more

1498
01:11:16.560 --> 01:11:18.840
<v Speaker 2>than just showing up at her apartment and announcement clearly

1499
01:11:18.920 --> 01:11:21.960
<v Speaker 2>apologizing for all the stuff that's gone on with them

1500
01:11:22.000 --> 01:11:24.960
<v Speaker 2>in their past, and the two of them embrace and

1501
01:11:25.079 --> 01:11:27.159
<v Speaker 2>he says I can't do what I need to do alone,

1502
01:11:27.359 --> 01:11:29.640
<v Speaker 2>and she says, I'm here, My god.

1503
01:11:29.720 --> 01:11:34.000
<v Speaker 1>The chemistry this is mentos and a leader of diet coke.

1504
01:11:34.079 --> 01:11:37.520
<v Speaker 1>It is exploding. A ah ah. This is the first

1505
01:11:37.560 --> 01:11:40.039
<v Speaker 1>look we get at Liz's palatial apartment.

1506
01:11:40.279 --> 01:11:42.439
<v Speaker 2>There's a grand piano in here, and it really doesn't

1507
01:11:42.479 --> 01:11:42.840
<v Speaker 2>take up.

1508
01:11:42.800 --> 01:11:45.640
<v Speaker 1>That much space. No, it's an aside room.

1509
01:11:46.319 --> 01:11:48.760
<v Speaker 2>Yeah, that's how you know someone has space when they're like,

1510
01:11:48.800 --> 01:11:50.560
<v Speaker 2>where's your grand piano? I can't find it.

1511
01:11:52.520 --> 01:11:56.079
<v Speaker 1>Marty calls the sneakers and they all convene at Liz's

1512
01:11:56.479 --> 01:11:58.319
<v Speaker 1>Crease is like, look, we got to call the authorities.

1513
01:11:58.399 --> 01:12:00.319
<v Speaker 1>Mother's like, we can't call the authorities, but we have

1514
01:12:00.479 --> 01:12:03.000
<v Speaker 1>we have nothing, blah blah blah. Marty is finally like, look,

1515
01:12:03.359 --> 01:12:05.800
<v Speaker 1>we call the authorities, but we call them our way.

1516
01:12:06.359 --> 01:12:09.279
<v Speaker 1>They phone in with as many safeguards against tracing as

1517
01:12:09.319 --> 01:12:11.680
<v Speaker 1>they can set up, like Whistler is bouncing the signal

1518
01:12:11.760 --> 01:12:14.319
<v Speaker 1>off of all these different satellites and locations whatever.

1519
01:12:14.720 --> 01:12:16.479
<v Speaker 2>We've all seen movies we know how this works.

1520
01:12:16.840 --> 01:12:21.039
<v Speaker 1>They get Agent Bernard Abbot on the phone. Now, I'm

1521
01:12:21.079 --> 01:12:23.199
<v Speaker 1>not going to say who plays Agent Bernard Abbot right

1522
01:12:23.239 --> 01:12:25.720
<v Speaker 1>now because it was a genuine surprise for me.

1523
01:12:25.880 --> 01:12:27.960
<v Speaker 2>Do you know what's funny is in this scene when

1524
01:12:28.000 --> 01:12:31.159
<v Speaker 2>they're talking to Agent Bernard Abbit. I thought that Adrian

1525
01:12:31.199 --> 01:12:33.840
<v Speaker 2>Bernard Abbot was another red herring that they were not

1526
01:12:33.960 --> 01:12:36.479
<v Speaker 2>talking to anyone at the NSA. I swore to you

1527
01:12:37.000 --> 01:12:39.680
<v Speaker 2>that this person was using a voice, a disguiser.

1528
01:12:39.880 --> 01:12:40.079
<v Speaker 1>Yeah.

1529
01:12:40.199 --> 01:12:42.159
<v Speaker 2>I was like, Oh, this person's not that's not that's

1530
01:12:42.199 --> 01:12:44.439
<v Speaker 2>not anyone's real voice. No one sounds like that. Just

1531
01:12:44.479 --> 01:12:47.680
<v Speaker 2>a little hint, little hint, little little little easter, I guess.

1532
01:12:47.680 --> 01:12:48.199
<v Speaker 2>So what's coming?

1533
01:12:48.359 --> 01:12:52.199
<v Speaker 1>Yeah, Bernard Abbot pretty quickly realizes they're talking about the

1534
01:12:52.319 --> 01:12:55.199
<v Speaker 1>black Box and he's like, well, do you have it?

1535
01:12:55.479 --> 01:12:58.840
<v Speaker 1>And and Marty's honestly says no. Meanwhile, while all this

1536
01:12:59.000 --> 01:13:01.399
<v Speaker 1>is going on, mother has set up this like mcgyverd

1537
01:13:01.479 --> 01:13:05.800
<v Speaker 1>polygraph to measure the tension in Bernard Abbot's voice. He's

1538
01:13:05.840 --> 01:13:07.920
<v Speaker 1>telling the truth, he's telling the truth. He's telling the truth.

1539
01:13:07.960 --> 01:13:11.479
<v Speaker 1>And then Marty s, can you guarantee our safety? Bernard

1540
01:13:11.520 --> 01:13:14.039
<v Speaker 1>Abbot is like, yes, I can guarantee your safety. And

1541
01:13:14.199 --> 01:13:16.520
<v Speaker 1>Mother's like, he's lying, and we see that the trace

1542
01:13:16.600 --> 01:13:19.079
<v Speaker 1>is getting closer and closer and closer to finding them,

1543
01:13:19.479 --> 01:13:21.239
<v Speaker 1>and all the sneakers are like, hang up, hang up,

1544
01:13:21.279 --> 01:13:23.800
<v Speaker 1>and Marty's not hanging up. They're like hang up, hang up,

1545
01:13:23.840 --> 01:13:26.479
<v Speaker 1>and finally Marty hangs up. People, this is gonna come

1546
01:13:26.560 --> 01:13:28.359
<v Speaker 1>up again later in the movie if you're in a

1547
01:13:28.800 --> 01:13:31.119
<v Speaker 1>time sensitive situation and your team says.

1548
01:13:31.039 --> 01:13:34.760
<v Speaker 2>Go, go go. This is honestly the truly the dumbest

1549
01:13:34.800 --> 01:13:37.479
<v Speaker 2>scene in the entire movie for one big reason. They

1550
01:13:37.520 --> 01:13:40.279
<v Speaker 2>are on a speakerphone. Yeah, and Marty is talking to

1551
01:13:40.439 --> 01:13:43.000
<v Speaker 2>the guy at the NSA on a speakerphone.

1552
01:13:43.159 --> 01:13:43.880
<v Speaker 1>Yeah, And all the.

1553
01:13:43.920 --> 01:13:47.800
<v Speaker 2>Other guys are full voiced going he's lying, He's telling

1554
01:13:47.880 --> 01:13:51.239
<v Speaker 2>the truth. They found the trace, and I'm like, guys,

1555
01:13:51.840 --> 01:13:56.439
<v Speaker 2>he can hear you. There is no part of this

1556
01:13:56.600 --> 01:13:58.760
<v Speaker 2>call that that guy isn't like, well, there's at least

1557
01:13:58.800 --> 01:14:01.560
<v Speaker 2>five people in that room. One of them seems to

1558
01:14:01.640 --> 01:14:04.760
<v Speaker 2>have some kind of makeshift slide.

1559
01:14:04.479 --> 01:14:07.720
<v Speaker 1>Detector machine, and like, what are you doing.

1560
01:14:08.600 --> 01:14:11.279
<v Speaker 2>The sneakers realize they have to get the black Box

1561
01:14:11.399 --> 01:14:13.000
<v Speaker 2>back in order to have any chance of making a

1562
01:14:13.079 --> 01:14:15.960
<v Speaker 2>deal with the government, right they have zero leverage and

1563
01:14:16.319 --> 01:14:18.920
<v Speaker 2>all kinds of crimes being attributed to them. At this point,

1564
01:14:19.079 --> 01:14:21.760
<v Speaker 2>Whistler starts to quiz Marty on what he heard while

1565
01:14:21.760 --> 01:14:23.520
<v Speaker 2>he was in the trunk of the car, because because

1566
01:14:23.560 --> 01:14:26.079
<v Speaker 2>Marty's like, I have absolutely no idea how to track

1567
01:14:26.159 --> 01:14:28.640
<v Speaker 2>down that stupid black box to get how to get

1568
01:14:28.680 --> 01:14:30.920
<v Speaker 2>to where I don't even know where I was when

1569
01:14:31.079 --> 01:14:34.479
<v Speaker 2>when I was kidnapped, And Whistl's like, okay, you were

1570
01:14:34.520 --> 01:14:36.560
<v Speaker 2>thrown in the trunk of the car. What did you hear?

1571
01:14:37.239 --> 01:14:41.880
<v Speaker 2>And he uses like cassio keyboard frankly essentially essentially to

1572
01:14:42.000 --> 01:14:48.760
<v Speaker 2>kind of like create a soundscape of what Redford heard

1573
01:14:48.800 --> 01:14:50.560
<v Speaker 2>while he was in the car. He's like, I heard

1574
01:14:50.680 --> 01:14:52.960
<v Speaker 2>the sound of like concrete maybe, And he's like, okay,

1575
01:14:53.119 --> 01:14:54.840
<v Speaker 2>seems in the concrete. Did you know did you go

1576
01:14:54.920 --> 01:14:58.199
<v Speaker 2>over any bridges? And he's like, yes, definitely went over

1577
01:14:58.239 --> 01:14:59.960
<v Speaker 2>a bridge. And they're like, okay, well the Golden gate

1578
01:15:00.119 --> 01:15:02.359
<v Speaker 2>was fogged in last night. Did you hear foghorn? He

1579
01:15:02.399 --> 01:15:05.000
<v Speaker 2>thinks about it, he goes, no, no, foghorn. They're able

1580
01:15:05.119 --> 01:15:08.279
<v Speaker 2>to recreate the route that the guys took just through

1581
01:15:08.319 --> 01:15:11.159
<v Speaker 2>the sounds and through all of this magic. The sneakers

1582
01:15:11.199 --> 01:15:14.239
<v Speaker 2>are able to locate a reservoir with a bunch of

1583
01:15:14.319 --> 01:15:17.159
<v Speaker 2>geese or ducks in it, and across the hill over

1584
01:15:17.239 --> 01:15:20.960
<v Speaker 2>the reservoir is a large office building on a private

1585
01:15:21.039 --> 01:15:24.520
<v Speaker 2>plot of land. It's marked as Playtronics, you know, just

1586
01:15:24.600 --> 01:15:26.760
<v Speaker 2>your average innocuous toy company.

1587
01:15:26.600 --> 01:15:26.960
<v Speaker 1>Of course.

1588
01:15:27.079 --> 01:15:30.359
<v Speaker 2>And then Marty's like, well that's laser fencing and a

1589
01:15:30.479 --> 01:15:32.760
<v Speaker 2>hell of a lot of security for a toy company

1590
01:15:33.319 --> 01:15:35.920
<v Speaker 2>that ain't no toy company. So they have now discovered

1591
01:15:36.239 --> 01:15:37.199
<v Speaker 2>Cosmo's hideout.

1592
01:15:37.319 --> 01:15:41.560
<v Speaker 1>Yeah, So they set up their surveillance on Playtronics, using

1593
01:15:41.640 --> 01:15:45.039
<v Speaker 1>Whistler's preach natural hearing to make a map of the building.

1594
01:15:45.359 --> 01:15:48.760
<v Speaker 1>So they figure out what office must be Cosmos, and

1595
01:15:48.880 --> 01:15:51.159
<v Speaker 1>then they figure out that the office next door is

1596
01:15:51.239 --> 01:15:55.760
<v Speaker 1>occupied by one doctor Werner Brandis, who uses a voice

1597
01:15:55.840 --> 01:15:58.079
<v Speaker 1>pass key. To get into his office. He has to

1598
01:15:58.159 --> 01:16:01.359
<v Speaker 1>say Hi, my name is Warne or Brandis my voice

1599
01:16:01.439 --> 01:16:04.560
<v Speaker 1>is my passport? Verify me? And they say, all right,

1600
01:16:04.720 --> 01:16:06.479
<v Speaker 1>we know this, we know this trick. In order to

1601
01:16:06.520 --> 01:16:08.840
<v Speaker 1>get in, we're going to need his ID card and

1602
01:16:09.000 --> 01:16:11.319
<v Speaker 1>also his voice saying those words.

1603
01:16:12.079 --> 01:16:13.880
<v Speaker 2>So they start to hunt for a way in with

1604
01:16:14.039 --> 01:16:16.920
<v Speaker 2>Warner like, how do we infiltrate this guy, but he is,

1605
01:16:17.079 --> 01:16:20.760
<v Speaker 2>increases words, the world's most boring human. I just want

1606
01:16:20.800 --> 01:16:22.119
<v Speaker 2>to point out he's the kind of man who has

1607
01:16:22.159 --> 01:16:25.239
<v Speaker 2>personalized license plates on his car that say one eighty

1608
01:16:25.399 --> 01:16:30.960
<v Speaker 2>IQ yep, dick H. Mother comes in with Warner's trash

1609
01:16:31.399 --> 01:16:33.560
<v Speaker 2>and they dump it out all over Liz's living room

1610
01:16:33.600 --> 01:16:35.520
<v Speaker 2>and they start to like rifle through his trash. They

1611
01:16:35.640 --> 01:16:38.840
<v Speaker 2>hunt for any kind of lead they could find. Okay,

1612
01:16:39.600 --> 01:16:41.720
<v Speaker 2>I just want to build a case here about Warner

1613
01:16:41.800 --> 01:16:44.359
<v Speaker 2>because the movie writes a check it does not cash.

1614
01:16:45.359 --> 01:16:49.760
<v Speaker 2>Warner lives in San Francisco. Yeah, Warner enjoys club med.

1615
01:16:50.520 --> 01:16:53.479
<v Speaker 2>Warner goes to Barry Manilow concerts.

1616
01:16:53.840 --> 01:16:54.439
<v Speaker 1>That's correct.

1617
01:16:54.600 --> 01:16:56.039
<v Speaker 2>Are you telling me this is a straight man?

1618
01:16:56.279 --> 01:16:56.560
<v Speaker 1>They are?

1619
01:16:56.880 --> 01:17:00.319
<v Speaker 2>This film is gaslighting me into believing that this is

1620
01:17:00.399 --> 01:17:05.159
<v Speaker 2>a straight man in nineteen ninety two San Francisco. Fuck

1621
01:17:05.239 --> 01:17:07.039
<v Speaker 2>you movie. I know what I'm I know what I

1622
01:17:07.319 --> 01:17:07.920
<v Speaker 2>know who he is.

1623
01:17:08.439 --> 01:17:09.680
<v Speaker 1>Yeah, they needed to like.

1624
01:17:09.760 --> 01:17:12.079
<v Speaker 2>Because there's a honeypot situation coming. And I got why

1625
01:17:12.159 --> 01:17:14.159
<v Speaker 2>they did what they did. But don't make the concert.

1626
01:17:14.239 --> 01:17:17.640
<v Speaker 2>He goes to Barry Manilow. You guys, make it anything else,

1627
01:17:17.760 --> 01:17:21.159
<v Speaker 2>make it fucking the Philharmonic. Yeah, okay, the honeypot needed

1628
01:17:21.199 --> 01:17:24.119
<v Speaker 2>to be carled, you guys. So Marty finds a receipt

1629
01:17:24.199 --> 01:17:29.000
<v Speaker 2>from comput Dat and he squints his eyes and says, aha,

1630
01:17:29.199 --> 01:17:30.239
<v Speaker 2>he's a computer dater.

1631
01:17:30.880 --> 01:17:31.880
<v Speaker 3>He says it with some.

1632
01:17:32.159 --> 01:17:36.079
<v Speaker 2>Level of like he's making fun of him. Yeah, disdain,

1633
01:17:36.199 --> 01:17:38.359
<v Speaker 2>And I'm like, you guys have no idea what's coming.

1634
01:17:39.000 --> 01:17:41.039
<v Speaker 2>The sneakers are like, okay, we need a honeypot to

1635
01:17:41.119 --> 01:17:43.199
<v Speaker 2>send to this guy. Because what's funny is they only

1636
01:17:43.319 --> 01:17:45.680
<v Speaker 2>know that he's a computer dater. They still don't know

1637
01:17:45.840 --> 01:17:49.000
<v Speaker 2>his orientation at all, but they all immediately assume they're

1638
01:17:49.000 --> 01:17:51.640
<v Speaker 2>talking about a straight man, and so they're like, what

1639
01:17:51.720 --> 01:17:54.319
<v Speaker 2>about that lady we worked with once? And Liz is like, guys,

1640
01:17:54.800 --> 01:17:56.920
<v Speaker 2>look at this garbage. And then mother goes, this is

1641
01:17:56.960 --> 01:17:59.600
<v Speaker 2>the cleanest garbage I've ever seen. And she picks up

1642
01:17:59.640 --> 01:18:04.279
<v Speaker 2>a like very precisely folded tube of toothpaste, and she goes,

1643
01:18:04.600 --> 01:18:07.920
<v Speaker 2>the man who folded up this tube of toothpaste does

1644
01:18:08.000 --> 01:18:13.680
<v Speaker 2>not want buff He wants someone meticulous, refined, anal And

1645
01:18:13.800 --> 01:18:15.800
<v Speaker 2>the men all turn and look at her, and she

1646
01:18:15.920 --> 01:18:16.439
<v Speaker 2>goes what.

1647
01:18:20.199 --> 01:18:23.279
<v Speaker 1>Smash cut to a Chinese restaurant, a live band is

1648
01:18:23.439 --> 01:18:27.319
<v Speaker 1>rocking out to Leroy Brown in Chinese. I really enjoyed this.

1649
01:18:27.760 --> 01:18:30.439
<v Speaker 2>I've always loved this song because of his association with

1650
01:18:30.560 --> 01:18:31.199
<v Speaker 2>this movie for me.

1651
01:18:31.960 --> 01:18:36.199
<v Speaker 1>Liz arrives and she spots Werner played by the great

1652
01:18:36.359 --> 01:18:41.279
<v Speaker 1>Stephen Tobolowski. So good, so good. He's putting in eye

1653
01:18:41.359 --> 01:18:43.600
<v Speaker 1>drops at the table. Fantastic.

1654
01:18:43.760 --> 01:18:44.520
<v Speaker 2>This guy's a mess.

1655
01:18:44.720 --> 01:18:47.680
<v Speaker 1>He's a mess. And Mary McDonald walks over and she

1656
01:18:47.840 --> 01:18:51.560
<v Speaker 1>is in full it's not even sex pot it's sexy.

1657
01:18:52.279 --> 01:18:55.520
<v Speaker 1>It's like her voice is deep, it's confidence.

1658
01:18:55.279 --> 01:18:56.279
<v Speaker 2>It's seductive.

1659
01:18:56.880 --> 01:19:00.920
<v Speaker 1>Yes, she walks over. She introduces herself as Dora. He

1660
01:19:01.079 --> 01:19:03.600
<v Speaker 1>is deeply awkward. He immediately asks are you ready for

1661
01:19:03.640 --> 01:19:06.239
<v Speaker 1>the dim sum bar? And she says, well, I'm not

1662
01:19:06.319 --> 01:19:08.600
<v Speaker 1>in any hurry, and he says, okay, I'll be right back,

1663
01:19:09.119 --> 01:19:11.199
<v Speaker 1>and he just goes to the dim sum bar. Look,

1664
01:19:12.239 --> 01:19:13.800
<v Speaker 1>it's not a good move on the first date. But

1665
01:19:13.880 --> 01:19:15.960
<v Speaker 1>if I'm at a dim sum bar and I'm waiting

1666
01:19:16.039 --> 01:19:18.760
<v Speaker 1>for you, be ready to eat when you arrive. You

1667
01:19:18.920 --> 01:19:22.560
<v Speaker 1>have kept me from dumplings and pork buns long enough,

1668
01:19:22.880 --> 01:19:25.000
<v Speaker 1>my friend, I'm at a dim sum bar, that means

1669
01:19:25.039 --> 01:19:26.960
<v Speaker 1>I'm hungry because I will not have eaten prior to

1670
01:19:27.000 --> 01:19:29.359
<v Speaker 1>getting there, because I want to shove my face full

1671
01:19:29.399 --> 01:19:32.039
<v Speaker 1>of Chinese dim sum. I went for dim sum last weekend.

1672
01:19:32.119 --> 01:19:33.680
<v Speaker 1>It was fucking great, and I want to go again.

1673
01:19:34.039 --> 01:19:35.720
<v Speaker 1>I love dim sum so much, so good.

1674
01:19:35.840 --> 01:19:38.479
<v Speaker 2>I even love those like those soup dumplings that are

1675
01:19:38.600 --> 01:19:41.399
<v Speaker 2>guaranteed to rot the inside of my mouth, So to

1676
01:19:41.520 --> 01:19:44.000
<v Speaker 2>scorch the inside of my mouth? Do it wrong with

1677
01:19:44.199 --> 01:19:46.960
<v Speaker 2>fire and brimstone? No, I know how to do it

1678
01:19:47.039 --> 01:19:48.680
<v Speaker 2>correctly too, I just refuse.

1679
01:19:48.439 --> 01:19:49.800
<v Speaker 1>To ye, Well, that's your choice.

1680
01:19:49.920 --> 01:19:52.520
<v Speaker 2>My five year old lizard brain takes over and it's like,

1681
01:19:52.520 --> 01:19:54.840
<v Speaker 2>cut it all in your mouth. But no, it's hot,

1682
01:19:55.000 --> 01:19:56.880
<v Speaker 2>like no, shut up, put it all in your mouth.

1683
01:19:56.920 --> 01:19:59.159
<v Speaker 1>Oh, soup dumplings are so good. I can't get on

1684
01:19:59.279 --> 01:20:01.680
<v Speaker 1>Chinese food again. I can't. We had a whole You

1685
01:20:01.720 --> 01:20:03.359
<v Speaker 1>want to hear me talk about Chinese food, Go listen

1686
01:20:03.359 --> 01:20:05.680
<v Speaker 1>to rush hour. Okay? He heads for the food. She

1687
01:20:05.880 --> 01:20:09.119
<v Speaker 1>checks the recording device on her arm, and then she

1688
01:20:09.319 --> 01:20:11.720
<v Speaker 1>crosses the word high off of the notepad that she's

1689
01:20:11.760 --> 01:20:13.720
<v Speaker 1>written his pass god on. She needs to get him

1690
01:20:13.720 --> 01:20:16.319
<v Speaker 1>to say the words, remember hi, my name is Werner

1691
01:20:16.359 --> 01:20:19.079
<v Speaker 1>brandis my voice? Is my passport? Verify me? She needs

1692
01:20:19.119 --> 01:20:21.720
<v Speaker 1>to get all of these words on tape.

1693
01:20:22.520 --> 01:20:26.319
<v Speaker 2>Yeah. Meanwhile, the sneakers are determining what they have to

1694
01:20:26.399 --> 01:20:29.279
<v Speaker 2>deal with in Cosmo's office, right, like, what's the level

1695
01:20:29.359 --> 01:20:34.039
<v Speaker 2>of security we have here? Turns out, think small, angry country.

1696
01:20:34.479 --> 01:20:35.119
<v Speaker 1>That's what we got.

1697
01:20:35.159 --> 01:20:38.800
<v Speaker 2>That's what we're working with here. It's protected by both

1698
01:20:38.880 --> 01:20:42.039
<v Speaker 2>heat and motion sensors. So they decide to raise the

1699
01:20:42.079 --> 01:20:45.279
<v Speaker 2>temperature in the office to ninety eight point six to

1700
01:20:45.359 --> 01:20:49.079
<v Speaker 2>make sure that it doesn't detect any heat when he

1701
01:20:49.319 --> 01:20:52.640
<v Speaker 2>enters the office, and Marty has to start practice moving

1702
01:20:52.800 --> 01:20:56.520
<v Speaker 2>no faster than two inches per second in order to

1703
01:20:56.640 --> 01:20:58.079
<v Speaker 2>defeat the motion sensor.

1704
01:20:58.520 --> 01:21:01.880
<v Speaker 1>We cut back to the Chinese restaurant. Liz has almost

1705
01:21:01.960 --> 01:21:05.119
<v Speaker 1>completed her assignment, but she still needs Werner to get

1706
01:21:05.199 --> 01:21:08.640
<v Speaker 1>to say the word passport. As the workers vacuum the

1707
01:21:08.680 --> 01:21:11.359
<v Speaker 1>restaurant around them. The restaurant is closing, they are still there.

1708
01:21:11.479 --> 01:21:15.199
<v Speaker 1>She has not completed the job. She has to resort

1709
01:21:15.319 --> 01:21:19.800
<v Speaker 1>to acting as if Werner has the most beautiful voice.

1710
01:21:20.159 --> 01:21:22.439
<v Speaker 1>And Stephen Tobolowski If you if you guys don't know

1711
01:21:22.439 --> 01:21:24.600
<v Speaker 1>who Stephen Tobolowski is, just look him up. You will

1712
01:21:24.600 --> 01:21:26.840
<v Speaker 1>see his face. You'll mediately go, oh that guy. He

1713
01:21:26.960 --> 01:21:30.039
<v Speaker 1>has this line where he says, really, I always thought

1714
01:21:30.039 --> 01:21:32.039
<v Speaker 1>it was kind of nasal and pinched.

1715
01:21:32.720 --> 01:21:35.319
<v Speaker 2>And she's like, no, no, no, it's resonance.

1716
01:21:36.880 --> 01:21:40.439
<v Speaker 1>So she has to say, oh, it's just this word.

1717
01:21:40.520 --> 01:21:42.439
<v Speaker 1>I would just I would just love to hear you

1718
01:21:42.600 --> 01:21:49.159
<v Speaker 1>say passport, and Werner goes passport and she goes mmm.

1719
01:21:53.239 --> 01:21:56.640
<v Speaker 1>She acts so turned on. She gets this guy to

1720
01:21:56.680 --> 01:21:57.920
<v Speaker 1>believe that she's into him.

1721
01:21:58.239 --> 01:21:59.880
<v Speaker 2>It's the Day of the Sneak, y'all.

1722
01:22:00.680 --> 01:22:02.960
<v Speaker 1>I love that they call these things sneaks, not jobs

1723
01:22:03.039 --> 01:22:04.199
<v Speaker 1>or heists. They're sneaks.

1724
01:22:04.520 --> 01:22:07.399
<v Speaker 2>They're sneaks. So we cut to the day of the Sneak.

1725
01:22:07.880 --> 01:22:11.560
<v Speaker 2>Carl heads into the Platronics building once the workday is done.

1726
01:22:11.760 --> 01:22:14.239
<v Speaker 2>He is disguised as a gardener. He goes past the

1727
01:22:14.279 --> 01:22:16.119
<v Speaker 2>security guard by saying I need to use the john

1728
01:22:16.520 --> 01:22:19.279
<v Speaker 2>and he makes his way into the ducts from the bathroom.

1729
01:22:19.359 --> 01:22:21.840
<v Speaker 2>He hitches a ride on the elevator to Cosmo's floor

1730
01:22:21.920 --> 01:22:24.359
<v Speaker 2>and starts to heat the office to the required temperature.

1731
01:22:24.520 --> 01:22:26.600
<v Speaker 1>Yep. We cut to a bit later on. The sun

1732
01:22:26.680 --> 01:22:29.239
<v Speaker 1>has set and Liz is on her second date with Werner.

1733
01:22:29.600 --> 01:22:32.720
<v Speaker 1>She's thrilled. He's saying things like I'll join you. As

1734
01:22:32.720 --> 01:22:34.520
<v Speaker 1>soon as I'm done pounding these breasts.

1735
01:22:34.760 --> 01:22:36.319
<v Speaker 2>He does this thing where he's like, you know, the

1736
01:22:36.359 --> 01:22:38.520
<v Speaker 2>best part about this meal is that it's only four

1737
01:22:38.640 --> 01:22:39.439
<v Speaker 2>hundred calories.

1738
01:22:39.560 --> 01:22:40.880
<v Speaker 1>I'm like, oh jesu.

1739
01:22:41.640 --> 01:22:43.279
<v Speaker 2>And then he has a whole bit about like how

1740
01:22:43.720 --> 01:22:45.560
<v Speaker 2>the healthiest diet in the world is the bottom of

1741
01:22:45.640 --> 01:22:46.359
<v Speaker 2>a monkey cage.

1742
01:22:46.720 --> 01:22:48.239
<v Speaker 1>Yeah, and I have to say, well.

1743
01:22:48.119 --> 01:22:51.479
<v Speaker 2>That's probably technically true. It doesn't sound as appealing as

1744
01:22:51.520 --> 01:22:52.720
<v Speaker 2>the Mediterranean diet.

1745
01:22:52.760 --> 01:22:54.319
<v Speaker 1>Agreed, let's just agree to call it the.

1746
01:22:54.399 --> 01:22:58.119
<v Speaker 2>Mediterranean diet, because then it sounds like you're on vacation.

1747
01:22:58.279 --> 01:23:05.079
<v Speaker 1>Grease, not that you're eating monkey scat. So Werner is

1748
01:23:05.159 --> 01:23:07.439
<v Speaker 1>making Liz dinner, says, Oh, it's so hot in here,

1749
01:23:07.439 --> 01:23:10.760
<v Speaker 1>I'm just gonna open this window. She lifts his wallet

1750
01:23:10.800 --> 01:23:12.960
<v Speaker 1>out of his jacket pocket and hands the wallet out

1751
01:23:13.039 --> 01:23:16.960
<v Speaker 1>the window to mother, who's outside. Mother takes Werner's ID

1752
01:23:17.199 --> 01:23:19.760
<v Speaker 1>card and passes it back to Liz, who replaces it

1753
01:23:19.840 --> 01:23:20.760
<v Speaker 1>in Werner's jacket.

1754
01:23:21.159 --> 01:23:24.359
<v Speaker 2>We cut to Marty on his way to playtronics. Werner's

1755
01:23:24.439 --> 01:23:26.880
<v Speaker 2>key card gets him in and he hooks the team

1756
01:23:26.960 --> 01:23:30.319
<v Speaker 2>into the CC cameras from the From the stairwell, he

1757
01:23:30.399 --> 01:23:32.680
<v Speaker 2>heads to the office where the mocked up voice gets

1758
01:23:32.720 --> 01:23:35.840
<v Speaker 2>him in where he sneaks into the ducks in Warner's

1759
01:23:35.880 --> 01:23:40.000
<v Speaker 2>office to climb over into Cosmo's office next door, and

1760
01:23:40.119 --> 01:23:44.159
<v Speaker 2>starts his slow, hot creep across the floor.

1761
01:23:44.560 --> 01:23:47.920
<v Speaker 1>Back at Liz's date, Werner is showing her an animatronic

1762
01:23:48.079 --> 01:23:52.239
<v Speaker 1>voice activated dog toy that he created. I mean, kids,

1763
01:23:52.399 --> 01:23:54.359
<v Speaker 1>if you've got one of these, it's a great first date,

1764
01:23:54.560 --> 01:23:57.079
<v Speaker 1>second date thing. Try to charm you with your with

1765
01:23:57.199 --> 01:23:59.920
<v Speaker 1>your animatronic voice activated dog toy that you created.

1766
01:24:00.359 --> 01:24:03.800
<v Speaker 2>I have so many questions because Cosmo's Company quote unquote

1767
01:24:03.840 --> 01:24:06.680
<v Speaker 2>company is some dark, evil, malignant force in the world, right,

1768
01:24:06.800 --> 01:24:10.399
<v Speaker 2>and Warner is part of like the crew, but like

1769
01:24:11.039 --> 01:24:13.720
<v Speaker 2>he has to also pretend that he really does make toys,

1770
01:24:14.000 --> 01:24:16.479
<v Speaker 2>Like did he actually make that like in his spare time,

1771
01:24:16.640 --> 01:24:18.880
<v Speaker 2>because when you get into Warner's office, it's very clear

1772
01:24:18.960 --> 01:24:22.640
<v Speaker 2>he's got mockups of like some sketchy looking shit in there. Yeah, yes,

1773
01:24:23.039 --> 01:24:24.119
<v Speaker 2>this is not a toymaker.

1774
01:24:24.359 --> 01:24:27.840
<v Speaker 1>Okay. So he shows Liz this voice activated dog toy.

1775
01:24:28.039 --> 01:24:29.760
<v Speaker 1>She is desperate for a break, so she's like, hey,

1776
01:24:29.760 --> 01:24:32.119
<v Speaker 1>can I use your phone? Presumptively, she has to stay

1777
01:24:32.119 --> 01:24:34.119
<v Speaker 1>because they're going to try to return the ID card

1778
01:24:34.159 --> 01:24:36.840
<v Speaker 1>to Werner's wallet. Yeah, I don't know. While she wouldn't

1779
01:24:36.840 --> 01:24:38.680
<v Speaker 1>have just left, so presumptibly that's her reason for still

1780
01:24:38.720 --> 01:24:41.199
<v Speaker 1>being there. He says, Okay, yeah, the phone's in the bedroom.

1781
01:24:41.199 --> 01:24:44.800
<v Speaker 1>Go ahead, So she goes. Unfortunately, the dog toy knocks

1782
01:24:44.840 --> 01:24:48.359
<v Speaker 1>her purse over and her wallet falls out. Warner picks

1783
01:24:48.399 --> 01:24:51.000
<v Speaker 1>it up, sees her ID, and starts to put two

1784
01:24:51.039 --> 01:24:54.000
<v Speaker 1>and two together. He goes to the bedroom. She's on

1785
01:24:54.079 --> 01:24:56.920
<v Speaker 1>her phone call, and he suggests they go for a drive. Yeah,

1786
01:24:57.000 --> 01:24:59.239
<v Speaker 1>and Stephen Tobolowski is such a silly actor, but he

1787
01:24:59.319 --> 01:25:01.279
<v Speaker 1>has a very good job of switching this into very

1788
01:25:01.399 --> 01:25:03.359
<v Speaker 1>menacing Immediately he drives her.

1789
01:25:03.359 --> 01:25:06.520
<v Speaker 2>To playtronics, not answering any of her questions about where

1790
01:25:06.560 --> 01:25:09.079
<v Speaker 2>the fuck they're going. All of a sudden, right and

1791
01:25:09.359 --> 01:25:11.640
<v Speaker 2>Chrise and mother see them approaching, and they get on

1792
01:25:11.680 --> 01:25:14.880
<v Speaker 2>the horn to Marty and they're like, Marty may Day incoming.

1793
01:25:14.960 --> 01:25:18.159
<v Speaker 2>You've got to hurry up. And Robert Redford does such

1794
01:25:18.159 --> 01:25:20.600
<v Speaker 2>a beautiful job with just barely moving his face, and

1795
01:25:20.680 --> 01:25:23.640
<v Speaker 2>he goes, hurrying is the one thing I can't do.

1796
01:25:24.560 --> 01:25:27.079
<v Speaker 1>Maybe you should try somehow stalling them.

1797
01:25:27.920 --> 01:25:31.399
<v Speaker 2>Werner, who is now like pissed, he barges into the building.

1798
01:25:31.840 --> 01:25:34.840
<v Speaker 2>He's spouting his very correct theories to the front desk

1799
01:25:35.079 --> 01:25:38.039
<v Speaker 2>guard that Liz is facilitating a break into his office.

1800
01:25:38.159 --> 01:25:40.399
<v Speaker 2>At this very moment, you have to go to my office.

1801
01:25:40.399 --> 01:25:42.920
<v Speaker 2>There is a break in happening, And Liz, of course

1802
01:25:43.079 --> 01:25:46.640
<v Speaker 2>is just like, how dare you insinuate that I am

1803
01:25:46.720 --> 01:25:51.279
<v Speaker 2>not Doris your mild mannered date like I said, I am. Yeah, Cosmo,

1804
01:25:51.399 --> 01:25:55.760
<v Speaker 2>Dick and Buddy appear, and Cosmo, like again played brilliantly

1805
01:25:55.920 --> 01:26:00.399
<v Speaker 2>in some ways by Ben Kingsley, is like good keeping

1806
01:26:00.439 --> 01:26:04.279
<v Speaker 2>things close to the chest. So just like scary enough

1807
01:26:04.439 --> 01:26:07.159
<v Speaker 2>goes all right, let's head upstairs and see what's happening

1808
01:26:07.199 --> 01:26:11.319
<v Speaker 2>in Warner's office. So now the tension is ratcheting up

1809
01:26:11.439 --> 01:26:13.359
<v Speaker 2>for poor old Liz Pearl. Liz is now in the

1810
01:26:13.439 --> 01:26:14.039
<v Speaker 2>lions Den.

1811
01:26:14.399 --> 01:26:18.319
<v Speaker 1>Marty continues his slow hot heist, finally making it back

1812
01:26:18.359 --> 01:26:21.880
<v Speaker 1>to the ducks with the answering machine containing the box.

1813
01:26:22.720 --> 01:26:26.159
<v Speaker 1>He heads back to Werner's, cleans up the evidence, and

1814
01:26:26.319 --> 01:26:29.279
<v Speaker 1>makes his way back into the ducks just in time

1815
01:26:29.359 --> 01:26:31.560
<v Speaker 1>to avoid being caught by Cosmo and company. So he

1816
01:26:31.680 --> 01:26:34.479
<v Speaker 1>makes it right by seconds. He makes it. Werner has

1817
01:26:34.520 --> 01:26:37.279
<v Speaker 1>to admit that his office is exactly as he left it.

1818
01:26:37.840 --> 01:26:40.159
<v Speaker 1>And Liz, who we should remember was a sneaker, right,

1819
01:26:40.239 --> 01:26:43.399
<v Speaker 1>so she's cool in this moment. She's not panicked yet

1820
01:26:43.920 --> 01:26:46.520
<v Speaker 1>she does a good job of acting offended as well.

1821
01:26:46.920 --> 01:26:48.680
<v Speaker 1>Certainly this is the last time we've be seeing this man.

1822
01:26:48.760 --> 01:26:52.640
<v Speaker 1>And then she says this will be my last computer date,

1823
01:26:52.960 --> 01:26:56.119
<v Speaker 1>and Cosmo smells a rat. He says, there is no way,

1824
01:26:56.600 --> 01:26:59.359
<v Speaker 1>there is no way that a computer matched this woman

1825
01:26:59.640 --> 01:27:03.960
<v Speaker 1>up with that guy. This Liz is incandescent, and Werner

1826
01:27:04.319 --> 01:27:07.279
<v Speaker 1>is Werner who we love. But he's Werner all right,

1827
01:27:07.479 --> 01:27:10.119
<v Speaker 1>Like he puts in eye drops and is tries to

1828
01:27:10.159 --> 01:27:12.520
<v Speaker 1>talk with a mouthful of pork bun on first date.

1829
01:27:12.840 --> 01:27:14.720
<v Speaker 1>Something is not right, he says.

1830
01:27:15.119 --> 01:27:19.960
<v Speaker 2>Mady mudy, because you have to remember he spent twenty

1831
01:27:20.039 --> 01:27:22.119
<v Speaker 2>years in prison in the town from our town.

1832
01:27:22.159 --> 01:27:24.520
<v Speaker 1>Right, Yeah, now he speaks with that accent.

1833
01:27:25.760 --> 01:27:28.359
<v Speaker 2>He's spent twenty years in prison inside of a James

1834
01:27:28.439 --> 01:27:34.319
<v Speaker 2>Cagney curton. So okay, this got the biggest laugh from

1835
01:27:34.359 --> 01:27:36.239
<v Speaker 2>my brother while we were watching the movie where he's

1836
01:27:36.279 --> 01:27:37.840
<v Speaker 2>like fat and I'm like, what's funny, and he's like,

1837
01:27:38.399 --> 01:27:40.560
<v Speaker 2>a computer could totally have maatch. These two people up.

1838
01:27:40.640 --> 01:27:42.720
<v Speaker 1>What is he talking about? It doesn't make any sense.

1839
01:27:42.840 --> 01:27:46.880
<v Speaker 2>I was like, you are right, it doesn't make any sense, Like, yeah,

1840
01:27:47.079 --> 01:27:50.560
<v Speaker 2>technically they both probably have similar interests, right, they're both

1841
01:27:50.640 --> 01:27:53.439
<v Speaker 2>well like everyone says the same bullshit, like I like

1842
01:27:53.560 --> 01:27:55.880
<v Speaker 2>to read, I like to go to the movies, I

1843
01:27:56.079 --> 01:27:59.960
<v Speaker 2>like restaurants, Like everyone's profile is generic and the exact.

1844
01:28:00.479 --> 01:28:02.439
<v Speaker 2>So yeah, it could have very easily matched them up,

1845
01:28:02.640 --> 01:28:04.800
<v Speaker 2>Like there's no way the computer knows what a turd

1846
01:28:05.000 --> 01:28:08.279
<v Speaker 2>Warner is, right, especially since he's good at computers, so

1847
01:28:08.399 --> 01:28:10.960
<v Speaker 2>he would he would know what to say. The computer

1848
01:28:11.039 --> 01:28:15.960
<v Speaker 2>can't see Warner see what we see what it can't

1849
01:28:16.000 --> 01:28:18.720
<v Speaker 2>hear him. My brother is absolutely right. There is every

1850
01:28:18.800 --> 01:28:21.159
<v Speaker 2>reason to believe that that is a kosher date that

1851
01:28:21.279 --> 01:28:23.039
<v Speaker 2>the two of them were matched up by a computer.

1852
01:28:23.760 --> 01:28:26.520
<v Speaker 2>So Cosmo rushes to his office and he sees the

1853
01:28:26.560 --> 01:28:28.319
<v Speaker 2>answering machine is gone, and he's like, why is it

1854
01:28:28.399 --> 01:28:31.319
<v Speaker 2>so fucking hot in here? The alarms start to go off.

1855
01:28:31.800 --> 01:28:36.239
<v Speaker 2>Guards start to rush and storm the built, and they

1856
01:28:36.319 --> 01:28:40.399
<v Speaker 2>are carrying giant guns. This is not this is this

1857
01:28:40.520 --> 01:28:42.359
<v Speaker 2>is going to be a spray m till they're dead

1858
01:28:42.439 --> 01:28:46.560
<v Speaker 2>situation if they're caught, Cosmo is sure that Marty is

1859
01:28:46.640 --> 01:28:49.039
<v Speaker 2>hiding in the ducks. He's figured it out pretty quickly.

1860
01:28:49.159 --> 01:28:52.680
<v Speaker 2>Buddy on the patrol can hear the radio in Marty's ear,

1861
01:28:52.880 --> 01:28:57.399
<v Speaker 2>so he just starts firing his shotgun into the ceiling. Yeah,

1862
01:28:57.840 --> 01:29:01.600
<v Speaker 2>just like if he hits Marty, Marty turned like Marty

1863
01:29:01.640 --> 01:29:04.680
<v Speaker 2>turns into a pinata who's been hit. Like pieces of

1864
01:29:04.800 --> 01:29:07.239
<v Speaker 2>Marty and Candy are gonna fall out of the fucking scene.

1865
01:29:07.359 --> 01:29:09.760
<v Speaker 1>Hardy becomes a fine misted Yes.

1866
01:29:12.000 --> 01:29:16.439
<v Speaker 2>At the last minute, Cosmo stops Buddy from shooting. He says,

1867
01:29:16.439 --> 01:29:20.960
<v Speaker 2>stop shooting, and he announces over the intercom. You always

1868
01:29:21.119 --> 01:29:24.239
<v Speaker 2>had to win, Marty, didn't you. You always had to

1869
01:29:24.319 --> 01:29:27.840
<v Speaker 2>be the smartest, be the best. You always had to

1870
01:29:28.000 --> 01:29:29.880
<v Speaker 2>get the girl. And at first I'm like, what the

1871
01:29:29.920 --> 01:29:31.640
<v Speaker 2>hell does that mean? And then we cut to him

1872
01:29:31.680 --> 01:29:34.640
<v Speaker 2>with Liz and he's like, well, now I've got the girl.

1873
01:29:35.840 --> 01:29:38.800
<v Speaker 2>He says, the only way to get out alive is

1874
01:29:38.880 --> 01:29:42.119
<v Speaker 2>to just to trust him. Marty, I cannot kill you, Matty.

1875
01:29:42.640 --> 01:29:45.600
<v Speaker 2>You have to trust me, Matty. He's like, I won't

1876
01:29:45.720 --> 01:29:48.560
<v Speaker 2>kill you, I won't kill Liz. I just want the box.

1877
01:29:48.800 --> 01:29:51.159
<v Speaker 2>This is not about revenge. This is about making the

1878
01:29:51.239 --> 01:29:54.279
<v Speaker 2>world a better place. This is about my mission. Marty

1879
01:29:54.560 --> 01:29:56.520
<v Speaker 2>knows it's a trap, frankly, but he's like, I have

1880
01:29:56.600 --> 01:29:59.039
<v Speaker 2>no choice. They have Liz. He tells the team, I'm

1881
01:29:59.079 --> 01:30:01.720
<v Speaker 2>going in. You hear me, Carl, And we cut to Carl,

1882
01:30:01.760 --> 01:30:03.800
<v Speaker 2>who's still in the building, right, he's still in the

1883
01:30:03.880 --> 01:30:05.960
<v Speaker 2>ducks and he goes, yes, I hear you.

1884
01:30:06.279 --> 01:30:09.239
<v Speaker 1>So Marty turns himself in. So we have Dick and

1885
01:30:09.279 --> 01:30:11.439
<v Speaker 1>Buddy the two guards. We have Cosmo, we have Liz

1886
01:30:11.479 --> 01:30:13.359
<v Speaker 1>and Marty. There's this great moment where he comes in

1887
01:30:13.439 --> 01:30:14.880
<v Speaker 1>and he sees Liz and they have like this very

1888
01:30:15.079 --> 01:30:17.119
<v Speaker 1>like how you doing, Yeah, I know, like this very

1889
01:30:17.239 --> 01:30:20.640
<v Speaker 1>like chill conversation, like cool people do. He confirms the

1890
01:30:20.760 --> 01:30:24.199
<v Speaker 1>deal with Cosmo, and Cosmo smiles, and Marty senses something

1891
01:30:24.279 --> 01:30:26.079
<v Speaker 1>is off. He says, you gave me your word, and

1892
01:30:26.159 --> 01:30:29.520
<v Speaker 1>Cosmo sighs, and he says, I cannot kill my friend.

1893
01:30:30.239 --> 01:30:32.600
<v Speaker 1>Then he looks at Dick and Buddy and says, kill

1894
01:30:32.680 --> 01:30:37.279
<v Speaker 1>my friend, and he leaves ice cold, Ice cold. Marty

1895
01:30:37.439 --> 01:30:42.720
<v Speaker 1>doesn't seem too concerned. He says now, and Buddy's like what,

1896
01:30:43.640 --> 01:30:49.359
<v Speaker 1>and nothing happens, and Marty says now again, and Buddy's

1897
01:30:49.479 --> 01:30:52.479
<v Speaker 1>like yeah, you're right, cocks the gun and Marty's like

1898
01:30:52.600 --> 01:30:57.199
<v Speaker 1>Carl now, and Carl leaps down from the duct and

1899
01:30:57.439 --> 01:31:01.279
<v Speaker 1>tackles Dick to the floor, knocking him out. Marty scuffles

1900
01:31:01.279 --> 01:31:03.600
<v Speaker 1>with Buddy long enough for Liz to grab Dick's gun

1901
01:31:03.680 --> 01:31:06.439
<v Speaker 1>and hold them at gunpoint, giving Marty the chance to

1902
01:31:06.520 --> 01:31:09.399
<v Speaker 1>stand up. He takes the gun from Liz and he

1903
01:31:09.560 --> 01:31:12.600
<v Speaker 1>pistol whips Buddy, knocking Buddy out onto the floor as well.

1904
01:31:12.920 --> 01:31:16.159
<v Speaker 2>There's a great moment with Mary McDonald here where she

1905
01:31:16.239 --> 01:31:19.279
<v Speaker 2>picks up the gun and she is physically and deeply shaking,

1906
01:31:19.319 --> 01:31:23.199
<v Speaker 2>and she's like, put your gun down. I'm an excellent marchman, marchwoman.

1907
01:31:25.520 --> 01:31:27.920
<v Speaker 1>Marty stands up and he's like Carl, I said now

1908
01:31:28.079 --> 01:31:30.039
<v Speaker 1>three times, and Carl's like, what I just did was hard.

1909
01:31:30.920 --> 01:31:31.520
<v Speaker 1>Don't judge me.

1910
01:31:32.079 --> 01:31:35.079
<v Speaker 2>That wasn't easy. What I just did, Okay. What we

1911
01:31:35.199 --> 01:31:37.279
<v Speaker 2>have really kind of neglected to talk about is how

1912
01:31:37.319 --> 01:31:41.399
<v Speaker 2>funny this movie is. Every single scene has great, perfectly

1913
01:31:41.479 --> 01:31:42.359
<v Speaker 2>executed jokes.

1914
01:31:42.640 --> 01:31:42.840
<v Speaker 1>Yep.

1915
01:31:43.239 --> 01:31:46.079
<v Speaker 2>So Marty, Liz, and Carl start to flee through the building.

1916
01:31:46.159 --> 01:31:48.319
<v Speaker 2>They're heading for the roof. They call to Chrease and

1917
01:31:48.399 --> 01:31:50.479
<v Speaker 2>Mother to come and get them. There and Chrease and

1918
01:31:50.560 --> 01:31:53.760
<v Speaker 2>mother are in the van. Unfortunately, just as the getaway

1919
01:31:53.840 --> 01:31:55.960
<v Speaker 2>car is about to head for the building, two of

1920
01:31:56.039 --> 01:32:00.720
<v Speaker 2>the guards appear and take Crease and Mother hostile. So

1921
01:32:00.920 --> 01:32:03.600
<v Speaker 2>now Chrise and Mother are outside of the van. They're

1922
01:32:03.640 --> 01:32:06.199
<v Speaker 2>being held hostage, their hands are up, and the van

1923
01:32:06.720 --> 01:32:09.880
<v Speaker 2>is empty, or so the guards think. Turns out Whistler

1924
01:32:10.039 --> 01:32:13.000
<v Speaker 2>is still in there, and as Carl and Liz make

1925
01:32:13.079 --> 01:32:14.920
<v Speaker 2>their way down to the parking lot from the roof,

1926
01:32:14.960 --> 01:32:18.000
<v Speaker 2>they're like climbing down a fire escape. Marty stays on

1927
01:32:18.039 --> 01:32:20.439
<v Speaker 2>the roof and he coaches Whistler on how to drive

1928
01:32:20.479 --> 01:32:22.680
<v Speaker 2>the van to the extraction point. He's like, Whistler, you've

1929
01:32:22.680 --> 01:32:25.960
<v Speaker 2>got to drive. Was just like, no, man, I'm blind, remember,

1930
01:32:26.119 --> 01:32:27.720
<v Speaker 2>And he's like, no, you're the only one.

1931
01:32:27.800 --> 01:32:29.239
<v Speaker 1>You've got to drive, and you gotta do it.

1932
01:32:29.479 --> 01:32:31.920
<v Speaker 2>So he gets in the seat excellent, like David straight

1933
01:32:31.960 --> 01:32:33.600
<v Speaker 2>their and is perfect. He's so nervous. He's like, but

1934
01:32:33.640 --> 01:32:35.359
<v Speaker 2>I can do this. I can do this. And he

1935
01:32:35.439 --> 01:32:37.960
<v Speaker 2>tells him exactly, like how many times to click the

1936
01:32:38.000 --> 01:32:41.199
<v Speaker 2>gear ship down to go into reverse. Yeah, And he's like, okay,

1937
01:32:41.479 --> 01:32:43.239
<v Speaker 2>once you go into reverse, and when I say go,

1938
01:32:43.880 --> 01:32:46.199
<v Speaker 2>just gun it and he's like okay, okay, and he's

1939
01:32:46.239 --> 01:32:48.560
<v Speaker 2>like go and he just starts to drive backwards and

1940
01:32:48.640 --> 01:32:51.479
<v Speaker 2>he's like, I'm driving, I'm driving. There's a very very

1941
01:32:51.560 --> 01:32:53.680
<v Speaker 2>fun moment where he's like, and now you're gonna hit

1942
01:32:53.760 --> 01:32:57.760
<v Speaker 2>a gentle down and gentle and he's like, okay, I

1943
01:32:57.800 --> 01:33:02.840
<v Speaker 2>can do a gentle downslope. And then it's like, meanwhile,

1944
01:33:02.920 --> 01:33:06.720
<v Speaker 2>well that's going on. Chris and the End and mother

1945
01:33:06.800 --> 01:33:09.840
<v Speaker 2>are being held hostage. When they're being held hostage, one

1946
01:33:09.880 --> 01:33:11.920
<v Speaker 2>of the guards, who are both white should be mentioned,

1947
01:33:12.680 --> 01:33:15.239
<v Speaker 2>turns to Crease and it says, all right, midnight, Crese

1948
01:33:15.279 --> 01:33:17.720
<v Speaker 2>you could just see gets like, well, now you've done it, sir,

1949
01:33:18.199 --> 01:33:19.800
<v Speaker 2>Now you've awakened the Hulk.

1950
01:33:19.960 --> 01:33:22.760
<v Speaker 1>Can you imagine being like the the kid trying to

1951
01:33:22.800 --> 01:33:24.800
<v Speaker 1>make it? As an actor, you get a couple of

1952
01:33:24.880 --> 01:33:28.840
<v Speaker 1>lines in a movie, and your line is to throw

1953
01:33:28.880 --> 01:33:31.800
<v Speaker 1>a racist comment at Sidney fucking Poitier.

1954
01:33:34.359 --> 01:33:36.359
<v Speaker 2>Honestly, you're part of film history when you do that.

1955
01:33:36.520 --> 01:33:38.000
<v Speaker 1>Fair enough, that's what you have to be a character,

1956
01:33:38.159 --> 01:33:38.960
<v Speaker 1>and you're not really.

1957
01:33:38.800 --> 01:33:41.199
<v Speaker 2>Part of film history. But when you do to Sidney Poitier,

1958
01:33:41.279 --> 01:33:42.640
<v Speaker 2>you're part of film history.

1959
01:33:42.800 --> 01:33:45.079
<v Speaker 1>I would be shaking if I had to do that

1960
01:33:45.600 --> 01:33:47.359
<v Speaker 1>be absolutely trembling.

1961
01:33:47.199 --> 01:33:52.199
<v Speaker 2>Mister Poitier, sir, I'm so sorry. Here we go. So Chris,

1962
01:33:52.359 --> 01:33:54.399
<v Speaker 2>you could see, has just gotten his hackles up from that,

1963
01:33:54.560 --> 01:33:56.600
<v Speaker 2>right from that moment. And while they have their hands up,

1964
01:33:56.680 --> 01:33:59.079
<v Speaker 2>he asks, mother, did you ever tell you why I

1965
01:33:59.199 --> 01:34:01.760
<v Speaker 2>had to leave the the CIA? And Mother's like nope,

1966
01:34:02.039 --> 01:34:05.000
<v Speaker 2>and he goes, well, turns out I have a really

1967
01:34:05.439 --> 01:34:10.359
<v Speaker 2>foul temper, and he takes both guards down, unarms them,

1968
01:34:10.439 --> 01:34:13.720
<v Speaker 2>calls one of them a motherfucker, and holds him at gunpoint.

1969
01:34:14.079 --> 01:34:15.880
<v Speaker 2>It's just the rated R movie or PG threeteen.

1970
01:34:15.920 --> 01:34:16.359
<v Speaker 1>I didn't know.

1971
01:34:17.279 --> 01:34:19.439
<v Speaker 2>I think it must be PG thirteen because it's the

1972
01:34:19.560 --> 01:34:22.439
<v Speaker 2>only it's the only course in the entire movie. And

1973
01:34:22.439 --> 01:34:26.680
<v Speaker 2>they're like, please, can we have a mother in this movie?

1974
01:34:27.399 --> 01:34:31.359
<v Speaker 1>So everyone's safe, except, of course for Marty. He starts

1975
01:34:31.399 --> 01:34:33.640
<v Speaker 1>to climb down the fire escape that Carl and Liz

1976
01:34:33.720 --> 01:34:36.319
<v Speaker 1>climbed down before, but Cosmo appears and he holds him

1977
01:34:36.359 --> 01:34:39.119
<v Speaker 1>at gunpoint. So we were back with Cosmo and Marty

1978
01:34:39.239 --> 01:34:42.600
<v Speaker 1>just as the movie started. Cosmo demands the box. He

1979
01:34:42.760 --> 01:34:46.720
<v Speaker 1>tells him the world is run by computers now, and

1980
01:34:46.840 --> 01:34:48.439
<v Speaker 1>Marty's like, I'm not giving it to you, and he

1981
01:34:48.880 --> 01:34:50.800
<v Speaker 1>fires a shot on the gun and it bounces off

1982
01:34:50.840 --> 01:34:52.800
<v Speaker 1>the ladder, and Marty's like Jesus Christ, and He's like,

1983
01:34:52.840 --> 01:34:55.880
<v Speaker 1>I missed on purpose. Give it to me. So Marty's like, fine,

1984
01:34:55.960 --> 01:34:58.359
<v Speaker 1>fucking take it. He takes the answering machine out of

1985
01:34:58.399 --> 01:35:01.239
<v Speaker 1>the bag, he hands it to him and he goes

1986
01:35:01.279 --> 01:35:05.039
<v Speaker 1>to leave again, but Cosmo like he wants Marty to understand,

1987
01:35:05.960 --> 01:35:08.159
<v Speaker 1>he wants Marty to be with it, with him on this.

1988
01:35:08.319 --> 01:35:10.920
<v Speaker 1>He says, we started this journey together, and Marty says,

1989
01:35:10.960 --> 01:35:14.039
<v Speaker 1>it wasn't a journey. There was a prank, right that

1990
01:35:14.199 --> 01:35:17.319
<v Speaker 1>this was fun. We were like bilking assholes out of

1991
01:35:17.359 --> 01:35:19.840
<v Speaker 1>their money. Yeah. Cosmo tells him there's a war and

1992
01:35:19.920 --> 01:35:22.920
<v Speaker 1>it's all about information, and Marty's like, look, if I

1993
01:35:23.119 --> 01:35:28.079
<v Speaker 1>was you, I would destroy that box, just fucking slay

1994
01:35:28.199 --> 01:35:28.680
<v Speaker 1>that box.

1995
01:35:29.239 --> 01:35:31.199
<v Speaker 2>You know who I bet can really destroy a box?

1996
01:35:31.319 --> 01:35:31.720
<v Speaker 3>Robert And.

1997
01:35:33.399 --> 01:35:35.600
<v Speaker 2>I bet, I bet I bet. He takes a ginger

1998
01:35:35.680 --> 01:35:42.520
<v Speaker 2>battering ram right to the box just uh annihilates it.

1999
01:35:46.159 --> 01:35:51.279
<v Speaker 1>He says. He says, destroy the box while you have

2000
01:35:51.439 --> 01:35:55.159
<v Speaker 1>the chance, and he's like, I'm leaving, and Cosmo his

2001
01:35:55.359 --> 01:35:59.960
<v Speaker 1>voice nearly breaks. He says, please don't go, and Marty says, Look,

2002
01:36:00.079 --> 01:36:01.720
<v Speaker 1>if you want to stop me, you're gonna have to

2003
01:36:02.000 --> 01:36:04.000
<v Speaker 1>pull the trigger. And he starts to climb down the

2004
01:36:04.079 --> 01:36:06.399
<v Speaker 1>ladder and Cosmo's looking at him, and he's holding the

2005
01:36:06.479 --> 01:36:09.479
<v Speaker 1>gun on him, and Marty's looking at him, and Cosmo

2006
01:36:09.680 --> 01:36:14.199
<v Speaker 1>holds his fire. So Marty escapes. Cosmo just kind of sighs.

2007
01:36:14.239 --> 01:36:17.039
<v Speaker 1>He puts the gun down. He opens up the answering

2008
01:36:17.119 --> 01:36:22.279
<v Speaker 1>machine and there's no black box inside Mudy money.

2009
01:36:25.439 --> 01:36:32.279
<v Speaker 2>Okay. I love this moment, like it's unexpected. Cosmo, yes,

2010
01:36:32.560 --> 01:36:37.000
<v Speaker 2>definitely a villain. Yeah, definitely weird and crazy, but like

2011
01:36:37.159 --> 01:36:39.520
<v Speaker 2>and he definitely tries to kill his friend earlier. But

2012
01:36:40.199 --> 01:36:42.199
<v Speaker 2>when push comes to shove when it's just the two

2013
01:36:42.279 --> 01:36:45.119
<v Speaker 2>of them, he changes his mind. Yeah, and he's like,

2014
01:36:45.239 --> 01:36:47.239
<v Speaker 2>let's do this together. I don't want to do this alone.

2015
01:36:47.279 --> 01:36:48.680
<v Speaker 2>I don't want to be alone in this. Like you,

2016
01:36:48.880 --> 01:36:50.520
<v Speaker 2>you and I are, You and I are friends. You

2017
01:36:50.680 --> 01:36:52.399
<v Speaker 2>see eye to eye on this, I know we do.

2018
01:36:53.159 --> 01:36:56.920
<v Speaker 2>And he shows like a real vulnerability on the page.

2019
01:36:57.079 --> 01:37:00.600
<v Speaker 2>It could be that Marty's just trying the Cosmo is

2020
01:37:00.640 --> 01:37:03.359
<v Speaker 2>just trying to manipulate Marty, right, But I don't think

2021
01:37:03.439 --> 01:37:05.800
<v Speaker 2>it is. I think the way that Ben Kingsley's choosing

2022
01:37:05.840 --> 01:37:09.640
<v Speaker 2>to play it is like kind of lonely and sad absolutely,

2023
01:37:10.000 --> 01:37:12.119
<v Speaker 2>and he wants he wants his friend, the only other

2024
01:37:12.199 --> 01:37:14.720
<v Speaker 2>person who like understands him, to be in on this

2025
01:37:14.840 --> 01:37:17.680
<v Speaker 2>with him, and he's actually it's almost it's not, but

2026
01:37:17.800 --> 01:37:20.399
<v Speaker 2>it's almost like it feels almost like a romantic overture.

2027
01:37:20.560 --> 01:37:23.279
<v Speaker 1>And it's also like this moment of like Cosmo's life

2028
01:37:23.319 --> 01:37:25.600
<v Speaker 1>did not go well, right, like he he wound up

2029
01:37:25.640 --> 01:37:26.079
<v Speaker 1>in jail.

2030
01:37:26.359 --> 01:37:29.159
<v Speaker 2>He wound up in jail in Boston in the nineteen thirties, right.

2031
01:37:30.680 --> 01:37:32.800
<v Speaker 1>There was Tommy Gunzo's al Capone. It was a whole thing.

2032
01:37:33.000 --> 01:37:34.319
<v Speaker 1>It was a whole thing, but he wound up in

2033
01:37:34.399 --> 01:37:37.000
<v Speaker 1>jail and they had like this this dream. He was

2034
01:37:37.039 --> 01:37:39.239
<v Speaker 1>a dreamer with this with his friend Marty, right, and

2035
01:37:39.399 --> 01:37:41.520
<v Speaker 1>Marty's life went one way and his life one another.

2036
01:37:42.000 --> 01:37:44.039
<v Speaker 1>And like there's some bitterness in the fact that he

2037
01:37:44.119 --> 01:37:46.720
<v Speaker 1>got caught and Marty didn't, that's definitely there, but it's

2038
01:37:46.760 --> 01:37:50.000
<v Speaker 1>also like he wants that life back. He wants to

2039
01:37:50.119 --> 01:37:52.239
<v Speaker 1>be the person he was before he went to jail,

2040
01:37:52.319 --> 01:37:55.199
<v Speaker 1>before he became a crime lord, before he kind of

2041
01:37:55.560 --> 01:38:01.000
<v Speaker 1>became this radical activist for not activists, but this activist activist, yes,

2042
01:38:01.239 --> 01:38:05.520
<v Speaker 1>radical activist, and Marty is like, I think to him,

2043
01:38:05.680 --> 01:38:09.319
<v Speaker 1>like the key to going back right. If I'm with you,

2044
01:38:10.199 --> 01:38:12.000
<v Speaker 1>then I won't have all of this other, this other

2045
01:38:12.039 --> 01:38:13.920
<v Speaker 1>stuff will be like less because they I'll be like

2046
01:38:14.000 --> 01:38:15.479
<v Speaker 1>back at that time in my life where I was

2047
01:38:15.560 --> 01:38:17.600
<v Speaker 1>innocent and all this shit hadn't happened.

2048
01:38:18.239 --> 01:38:21.880
<v Speaker 2>Yeah. So the Sneakers head back to their old HQ,

2049
01:38:22.279 --> 01:38:24.880
<v Speaker 2>that old loft they had, and who should they find

2050
01:38:24.920 --> 01:38:28.600
<v Speaker 2>there but a bunch of NSA agents holding giant guns.

2051
01:38:29.319 --> 01:38:32.000
<v Speaker 2>And they are with the agent they spoke with on

2052
01:38:32.199 --> 01:38:36.760
<v Speaker 2>the phone, agent Bernard Abbott, played by the great and

2053
01:38:36.920 --> 01:38:38.079
<v Speaker 2>good another icon.

2054
01:38:38.359 --> 01:38:43.279
<v Speaker 1>Huh, James Earl Jones. I gasped. I genuinely did not

2055
01:38:43.399 --> 01:38:45.199
<v Speaker 1>know he was in this movie. It was almost like

2056
01:38:45.239 --> 01:38:45.920
<v Speaker 1>a jump scare.

2057
01:38:45.920 --> 01:38:48.720
<v Speaker 2>I was like, I forgot it this part too. I

2058
01:38:48.920 --> 01:38:50.720
<v Speaker 2>haven't seen this movie and so long I forgot James

2059
01:38:50.760 --> 01:38:53.479
<v Speaker 2>Earl Jones is in this Oh my god, And now

2060
01:38:54.159 --> 01:38:56.600
<v Speaker 2>going back and listening to that other scene where he's

2061
01:38:57.039 --> 01:38:57.800
<v Speaker 2>talking to him.

2062
01:38:57.880 --> 01:38:59.920
<v Speaker 1>It is James Jones one hundred percent.

2063
01:39:00.079 --> 01:39:03.319
<v Speaker 2>Yeah, but he's like almost making it even like deeper

2064
01:39:03.399 --> 01:39:04.359
<v Speaker 2>than he normally does.

2065
01:39:04.560 --> 01:39:07.439
<v Speaker 1>And it's slightly digitized too, which disguises a little bit.

2066
01:39:07.800 --> 01:39:10.399
<v Speaker 2>You don't recognize it. It's James Earl Jones right away,

2067
01:39:10.439 --> 01:39:14.279
<v Speaker 2>and it's so so excellent. So okay, So Agent Abbott

2068
01:39:14.359 --> 01:39:16.880
<v Speaker 2>is now there waiting with the team. The sneakers are

2069
01:39:16.920 --> 01:39:20.439
<v Speaker 2>all held at gunpoint. Abbot demands the box, and Marty's like,

2070
01:39:20.680 --> 01:39:24.039
<v Speaker 2>you know Greg, remember Greg, our old Russian friend who

2071
01:39:24.119 --> 01:39:26.680
<v Speaker 2>got murdered at the beginning of the movie. You know,

2072
01:39:26.840 --> 01:39:29.000
<v Speaker 2>he told me something pretty interesting about this box, this

2073
01:39:29.119 --> 01:39:31.600
<v Speaker 2>Yere box. He says, it only works on American codes,

2074
01:39:32.000 --> 01:39:34.439
<v Speaker 2>doesn't work on Russian stuff, doesn't work on foreign governments,

2075
01:39:34.520 --> 01:39:38.119
<v Speaker 2>only really works on our government. So the NSA could

2076
01:39:38.159 --> 01:39:41.119
<v Speaker 2>only have developed and used this box to attempt to

2077
01:39:41.159 --> 01:39:43.920
<v Speaker 2>spy on other Americans. And that's where like, that's where

2078
01:39:43.960 --> 01:39:46.279
<v Speaker 2>he says the line. That's where James Earl Jones says

2079
01:39:46.279 --> 01:39:48.039
<v Speaker 2>the line, we don't spy on our own people.

2080
01:39:48.760 --> 01:39:49.079
<v Speaker 1>Ha ha ha.

2081
01:39:49.720 --> 01:39:51.520
<v Speaker 2>That elicited a big laugh in the crew in the

2082
01:39:51.600 --> 01:39:52.319
<v Speaker 2>room that I was in.

2083
01:39:52.560 --> 01:39:56.000
<v Speaker 1>Yeah. Abbot realizes that Marty has some advantages here, right,

2084
01:39:56.039 --> 01:39:58.039
<v Speaker 1>So he says, look, what do you want? And Marty says, look,

2085
01:39:58.039 --> 01:40:00.399
<v Speaker 1>I want my record cleaned. He says, great, give me

2086
01:40:00.479 --> 01:40:02.960
<v Speaker 1>the box. And then Mother's like, hang on, hang on,

2087
01:40:03.279 --> 01:40:06.000
<v Speaker 1>he wasn't the only person involved in this operation. I

2088
01:40:06.119 --> 01:40:11.640
<v Speaker 1>want to Winnebago and Abbot is shocked, but he's like, okay, fine,

2089
01:40:11.960 --> 01:40:15.279
<v Speaker 1>fine Winnebago for you give me the box. Crease is like,

2090
01:40:15.359 --> 01:40:19.199
<v Speaker 1>hang on, I want a European vacation. I want to

2091
01:40:19.199 --> 01:40:20.760
<v Speaker 1>go to Italy. I want to go to Portugal. I

2092
01:40:20.800 --> 01:40:22.560
<v Speaker 1>want to go to I want to go to Scotland.

2093
01:40:22.720 --> 01:40:25.920
<v Speaker 1>And Marty's like, don't forget Tahiti, and James Earl Jones like,

2094
01:40:25.960 --> 01:40:27.279
<v Speaker 1>Tahiti is not in Europe.

2095
01:40:29.399 --> 01:40:31.039
<v Speaker 2>The way he says it, He's like, Heity's not in

2096
01:40:31.920 --> 01:40:33.399
<v Speaker 2>you can't demand Tahiti as well.

2097
01:40:34.279 --> 01:40:36.640
<v Speaker 1>And Carl says, well, you can send us a geography class.

2098
01:40:36.800 --> 01:40:40.239
<v Speaker 1>Until you do that, he goes to Tahiti. Right, this

2099
01:40:40.439 --> 01:40:41.159
<v Speaker 1>is all so good.

2100
01:40:41.319 --> 01:40:44.159
<v Speaker 2>Everyone is firing on all comic cylinders in this scene.

2101
01:40:44.039 --> 01:40:45.520
<v Speaker 1>Including James Earl Jones.

2102
01:40:45.800 --> 01:40:49.680
<v Speaker 2>Especially James Earl Jones as the exasperated agent who thought

2103
01:40:49.720 --> 01:40:50.720
<v Speaker 2>he had the upper hand.

2104
01:40:51.920 --> 01:40:55.039
<v Speaker 1>Abbot is growing more and more irritated, but he agrees, fine,

2105
01:40:55.079 --> 01:40:59.319
<v Speaker 1>European vacation for Crease. How about you, he asked Carl.

2106
01:40:59.479 --> 01:41:05.119
<v Speaker 1>Carl said that female agent holding the ouzi is she single?

2107
01:41:05.560 --> 01:41:08.439
<v Speaker 1>And then I love this bit. Abbot is like, no,

2108
01:41:09.119 --> 01:41:13.680
<v Speaker 1>I'm not doing that, absolutely not. The agent steps forward.

2109
01:41:13.720 --> 01:41:16.199
<v Speaker 1>The agent, I don't notice, is crucially wearing a scrunchy.

2110
01:41:16.439 --> 01:41:19.159
<v Speaker 1>Oh yeah, exist universe. They do exist in this universe.

2111
01:41:19.279 --> 01:41:21.039
<v Speaker 1>She's like, did you say that you could ask for

2112
01:41:21.159 --> 01:41:24.119
<v Speaker 1>anything that you wanted and you're asking for my number?

2113
01:41:24.239 --> 01:41:26.479
<v Speaker 1>And Carl's like yes, and she gives him her number,

2114
01:41:26.720 --> 01:41:29.439
<v Speaker 1>which is an actual four to one five number, and

2115
01:41:29.600 --> 01:41:32.439
<v Speaker 1>they said that Apparently they did that because because of

2116
01:41:32.479 --> 01:41:34.319
<v Speaker 1>all the double twists in turns of the movie, they

2117
01:41:34.359 --> 01:41:35.520
<v Speaker 1>were afraid that they did a five to five to

2118
01:41:35.560 --> 01:41:37.680
<v Speaker 1>five number, people would think she was giving him a

2119
01:41:37.680 --> 01:41:39.800
<v Speaker 1>fake number, and they wanted to make it clear that

2120
01:41:39.880 --> 01:41:42.159
<v Speaker 1>she was actually giving him her number. So they they

2121
01:41:42.279 --> 01:41:44.960
<v Speaker 1>purchased this number and it was an ad for the

2122
01:41:45.199 --> 01:41:47.760
<v Speaker 1>for the movie. If you called it, oh cute.

2123
01:41:48.680 --> 01:41:48.800
<v Speaker 3>Uh.

2124
01:41:49.359 --> 01:41:51.880
<v Speaker 1>Whistler steps up. He asks for peace on earth and

2125
01:41:51.960 --> 01:41:54.680
<v Speaker 1>goodwill towards men. Abbot steps were the US government, we

2126
01:41:54.760 --> 01:41:59.680
<v Speaker 1>don't do that sort of thing. Excellent, excellent. Still, he

2127
01:42:00.000 --> 01:42:02.000
<v Speaker 1>grudgingly agrees to see what he can do, and then

2128
01:42:02.039 --> 01:42:03.960
<v Speaker 1>he looks at Liz and he says, how about you

2129
01:42:04.399 --> 01:42:07.119
<v Speaker 1>what do you want and she says, oh, I'm fine.

2130
01:42:09.720 --> 01:42:11.920
<v Speaker 1>Marty gives Abbot the box and he tells him, look,

2131
01:42:11.960 --> 01:42:14.840
<v Speaker 1>it doesn't work. It never did. And Abbot says, that's

2132
01:42:14.880 --> 01:42:18.960
<v Speaker 1>not important. You just remember that this box doesn't even exist.

2133
01:42:19.399 --> 01:42:21.640
<v Speaker 1>And Marty says, what box? And he says good and

2134
01:42:21.720 --> 01:42:22.119
<v Speaker 1>he leaves.

2135
01:42:22.520 --> 01:42:26.119
<v Speaker 2>So the NSA leaves, and Liz asks what happens when

2136
01:42:26.119 --> 01:42:28.119
<v Speaker 2>the NSA just hooks up the box and finds out

2137
01:42:28.159 --> 01:42:30.439
<v Speaker 2>it does actually work, and then Marty shows her that

2138
01:42:30.520 --> 01:42:32.720
<v Speaker 2>he removed a core component of it and he's like,

2139
01:42:33.199 --> 01:42:34.439
<v Speaker 2>won't work without this piece.

2140
01:42:34.560 --> 01:42:37.199
<v Speaker 1>YEP. Incredible that this movie ends with the city with

2141
01:42:37.239 --> 01:42:39.920
<v Speaker 1>the beat right out of the sound of music. Reverend Mother,

2142
01:42:40.039 --> 01:42:42.000
<v Speaker 1>I have sinned, holds out an engine part. It's just

2143
01:42:42.359 --> 01:42:46.239
<v Speaker 1>the same thing, save the von Traps from the Nazis.

2144
01:42:46.680 --> 01:42:50.039
<v Speaker 2>We smash cut to a local news report announcing that

2145
01:42:50.119 --> 01:42:53.119
<v Speaker 2>the Republican National Committee is suddenly bankrupt.

2146
01:42:53.560 --> 01:42:56.560
<v Speaker 1>I have never gotten erect quicker.

2147
01:42:58.159 --> 01:42:58.520
<v Speaker 3>It was.

2148
01:42:58.960 --> 01:43:03.720
<v Speaker 1>It was disinal how fast I became sexually aroused.

2149
01:43:03.720 --> 01:43:07.319
<v Speaker 2>Not only as a Republican National Committee bankrupt, but suddenly

2150
01:43:07.479 --> 01:43:11.079
<v Speaker 2>a bunch of charities have seen a sudden anonymous windfall.

2151
01:43:11.840 --> 01:43:16.359
<v Speaker 2>Amnesty International green Peace, the United Negro College Fund have

2152
01:43:16.520 --> 01:43:19.680
<v Speaker 2>announced record earnings in just the last week.

2153
01:43:19.840 --> 01:43:20.039
<v Speaker 1>YEP.

2154
01:43:20.720 --> 01:43:21.239
<v Speaker 2>End of film.

2155
01:43:21.439 --> 01:43:26.159
<v Speaker 1>End of film, all right, so that is the end.

2156
01:43:26.520 --> 01:43:28.279
<v Speaker 1>We stick around. We're going to play just a few

2157
01:43:28.319 --> 01:43:30.640
<v Speaker 1>more commercials that we'll come back with our random observations

2158
01:43:30.680 --> 01:43:42.520
<v Speaker 1>and final rankings, and we're back Erica. Do you have

2159
01:43:42.520 --> 01:43:45.119
<v Speaker 1>any more little little files, little bits of information that

2160
01:43:45.199 --> 01:43:47.600
<v Speaker 1>are floating through the interwebs. That's how the internet works, right,

2161
01:43:47.720 --> 01:43:49.760
<v Speaker 1>just shoots them through the air, like in Willy Wonka.

2162
01:43:50.159 --> 01:43:52.079
<v Speaker 2>Yeah, like you know, like when when you blow on

2163
01:43:52.159 --> 01:43:54.199
<v Speaker 2>a dandelion and it just flies through the air. That's

2164
01:43:54.239 --> 01:43:57.560
<v Speaker 2>how it works. That's the Internet. Mother played by Nanacroid,

2165
01:43:58.000 --> 01:44:01.279
<v Speaker 2>is a conspiracy theorist of the of the highest degree.

2166
01:44:01.840 --> 01:44:03.600
<v Speaker 2>And so there's a runner in the film that I

2167
01:44:03.680 --> 01:44:07.760
<v Speaker 2>absolutely love where he's spouting his conspiracy theories to Crease

2168
01:44:08.279 --> 01:44:11.359
<v Speaker 2>and Crease is just you wire her an idiot. So

2169
01:44:12.840 --> 01:44:16.039
<v Speaker 2>during the party scene, so this is a party, right,

2170
01:44:16.199 --> 01:44:20.640
<v Speaker 2>Like they're having a party and Mother has like cornered

2171
01:44:20.760 --> 01:44:24.600
<v Speaker 2>Crease's poor wife, like who's probably like she's a normy,

2172
01:44:24.720 --> 01:44:29.039
<v Speaker 2>she's not one of them, she's just she's an architect's

2173
01:44:29.039 --> 01:44:33.279
<v Speaker 2>a normal person. And he's talking about like how colmutilations

2174
01:44:33.520 --> 01:44:35.560
<v Speaker 2>have gone up in the last few years and how

2175
01:44:35.600 --> 01:44:38.880
<v Speaker 2>the government is involved in cow mutilations, and like Crease

2176
01:44:39.000 --> 01:44:40.960
<v Speaker 2>is like, I'm sorry, I have to rescue my wife

2177
01:44:40.960 --> 01:44:43.800
<v Speaker 2>from this conversation, and Mother's like, what are you talking about?

2178
01:44:43.840 --> 01:44:46.159
<v Speaker 2>That's my scintillating party conversation.

2179
01:44:45.800 --> 01:44:46.359
<v Speaker 1>Right, yeah.

2180
01:44:46.520 --> 01:44:49.279
<v Speaker 2>Then I mean a full thirty five minutes later in

2181
01:44:49.359 --> 01:44:52.319
<v Speaker 2>the movie, it's just Crease and mother in the car

2182
01:44:53.560 --> 01:44:55.720
<v Speaker 2>and they're being silent. They're watching the game, they're not

2183
01:44:55.800 --> 01:44:58.920
<v Speaker 2>doing anything, and he goes, col mutilations are rough, and

2184
01:44:59.000 --> 01:45:01.279
<v Speaker 2>Chreasus goes, do not right now.

2185
01:45:01.840 --> 01:45:05.039
<v Speaker 1>I was tracking like kind of his his conspiracy theories

2186
01:45:05.079 --> 01:45:07.159
<v Speaker 1>because they're never made much of it's just kind of

2187
01:45:07.199 --> 01:45:09.520
<v Speaker 1>background noise. So like he has like the moon landing

2188
01:45:09.640 --> 01:45:12.159
<v Speaker 1>was faked and sure, like that's that's a common one, right,

2189
01:45:12.199 --> 01:45:14.760
<v Speaker 1>and then he has the CIA caused like the nic

2190
01:45:14.840 --> 01:45:16.840
<v Speaker 1>A Roguan earthquake, which I was like, all right, I

2191
01:45:17.239 --> 01:45:18.199
<v Speaker 1>kind of get that one.

2192
01:45:18.239 --> 01:45:20.920
<v Speaker 2>But when cat debate on that one, which is excellent,

2193
01:45:21.000 --> 01:45:23.239
<v Speaker 2>price like, no, I have to respond, what are you

2194
01:45:23.319 --> 01:45:23.960
<v Speaker 2>talking about?

2195
01:45:24.720 --> 01:45:27.000
<v Speaker 1>When the cattle mutilations came up, I was like, I

2196
01:45:27.079 --> 01:45:29.680
<v Speaker 1>don't know what this is about and I I'm not

2197
01:45:29.720 --> 01:45:31.680
<v Speaker 1>gonna I'm not gonna look. I don't want to know.

2198
01:45:32.239 --> 01:45:34.479
<v Speaker 1>I don't want to. All of these are real enough

2199
01:45:34.520 --> 01:45:37.520
<v Speaker 1>that I believe they probably are like actual conspiracy theories

2200
01:45:37.560 --> 01:45:40.000
<v Speaker 1>that were held by randomutles. I don't want to know

2201
01:45:40.039 --> 01:45:42.199
<v Speaker 1>what the cattle mutilation thing is. If you listening, know this,

2202
01:45:42.319 --> 01:45:44.680
<v Speaker 1>do not tell me. Do not email me and be like, hey,

2203
01:45:44.800 --> 01:45:47.439
<v Speaker 1>just FYI, I do not want to know. I'm not kidding.

2204
01:45:47.840 --> 01:45:50.399
<v Speaker 2>I'm not kidding. Do not tell me, do not. I'll

2205
01:45:50.399 --> 01:45:51.800
<v Speaker 2>look it up later though, because I'm curious.

2206
01:45:51.880 --> 01:45:52.000
<v Speaker 1>Now.

2207
01:45:53.159 --> 01:45:56.399
<v Speaker 2>There's a bunch of like really funny physical comedy moments that,

2208
01:45:56.520 --> 01:45:58.960
<v Speaker 2>of course we didn't get to because it like there's

2209
01:45:59.000 --> 01:46:02.279
<v Speaker 2>one there at one point in the very beginning of

2210
01:46:02.279 --> 01:46:04.479
<v Speaker 2>the movie, when we're setting up who everyone is and like,

2211
01:46:04.600 --> 01:46:06.880
<v Speaker 2>you know, what they do and who they are, they

2212
01:46:07.000 --> 01:46:10.000
<v Speaker 2>cut to Whistler and someone's like, what's Whistler doing. He goes, oh,

2213
01:46:10.039 --> 01:46:12.840
<v Speaker 2>he's reading, And they cut to Whistler and he's reading

2214
01:46:12.920 --> 01:46:15.960
<v Speaker 2>in braille, and that's how the audience says, oh, he's blind.

2215
01:46:16.000 --> 01:46:18.319
<v Speaker 2>He's reading in braille. And then he closes the thing

2216
01:46:18.439 --> 01:46:21.039
<v Speaker 2>he's reading in braille, and it's a copy of Playboy.

2217
01:46:22.880 --> 01:46:26.640
<v Speaker 1>So here's my question about this, Erica. Is it a

2218
01:46:26.800 --> 01:46:29.960
<v Speaker 1>better blind man reading a Playboy joke than the one

2219
01:46:30.000 --> 01:46:30.680
<v Speaker 1>in menon Tights?

2220
01:46:31.359 --> 01:46:31.479
<v Speaker 3>Oh?

2221
01:46:31.600 --> 01:46:36.479
<v Speaker 2>Yeah, yes, this is a smarter blind man reading Playboy joke.

2222
01:46:36.520 --> 01:46:39.119
<v Speaker 2>It's a much much smarter one. It's also just so

2223
01:46:39.479 --> 01:46:42.760
<v Speaker 2>it's slightly too stupid for this movie, but it works,

2224
01:46:42.960 --> 01:46:43.720
<v Speaker 2>like it just works.

2225
01:46:43.920 --> 01:46:46.399
<v Speaker 1>Yeah, well because it's also like, well, he's genuinely reading

2226
01:46:46.439 --> 01:46:49.439
<v Speaker 1>Playboy for the articles. Then because it's just brail, I mean,

2227
01:46:49.880 --> 01:46:51.600
<v Speaker 1>it could be like nice round.

2228
01:46:51.479 --> 01:46:55.079
<v Speaker 2>Breasts describing it in detail.

2229
01:46:55.960 --> 01:46:58.640
<v Speaker 1>She likes long walks on the beach, and there's also

2230
01:46:58.720 --> 01:47:02.479
<v Speaker 1>a beam shot her beams.

2231
01:47:03.560 --> 01:47:06.760
<v Speaker 2>Just another dumb but hilarious Whistler moment. It's dumb, but

2232
01:47:06.880 --> 01:47:10.119
<v Speaker 2>it fucking works. When Whistler is like driving that carene

2233
01:47:10.279 --> 01:47:13.760
<v Speaker 2>van through the parking lot. At the very end of it,

2234
01:47:14.680 --> 01:47:16.680
<v Speaker 2>Marty's like, Okay, Whistler, I want you to drive for

2235
01:47:16.800 --> 01:47:18.800
<v Speaker 2>five more seconds and then hits and then hit the

2236
01:47:18.840 --> 01:47:23.319
<v Speaker 2>brakes and stop. Got it? Five four three two, And

2237
01:47:23.359 --> 01:47:25.960
<v Speaker 2>then he just hits the wall, just hits the tide

2238
01:47:26.039 --> 01:47:29.640
<v Speaker 2>of the He's like, I think I'll stop here, Okay,

2239
01:47:30.000 --> 01:47:31.119
<v Speaker 2>moving moving.

2240
01:47:30.960 --> 01:47:34.359
<v Speaker 1>On one bit of physical comedy that I loved and

2241
01:47:34.520 --> 01:47:37.399
<v Speaker 1>also just at like a testament to the power of

2242
01:47:37.520 --> 01:47:39.159
<v Speaker 1>like a movie star and the power of like a

2243
01:47:39.319 --> 01:47:42.520
<v Speaker 1>tightly written movie. I knew what this joke was. I

2244
01:47:42.680 --> 01:47:45.560
<v Speaker 1>spotted it coming a mile away, and it was still

2245
01:47:45.640 --> 01:47:49.199
<v Speaker 1>so satisfying because when when Marty goes up to Janic's

2246
01:47:49.199 --> 01:47:52.000
<v Speaker 1>office in the beginning of the movie, there's a keypad

2247
01:47:52.359 --> 01:47:54.560
<v Speaker 1>on the door to get in, and all of all

2248
01:47:54.600 --> 01:47:56.479
<v Speaker 1>the sneakers are like, those are impossible, how are we

2249
01:47:56.520 --> 01:47:58.119
<v Speaker 1>going to get into this, and creases like, Okay, I

2250
01:47:58.159 --> 01:48:00.239
<v Speaker 1>have something you can try, and we cut tomorrow, and

2251
01:48:00.319 --> 01:48:07.159
<v Speaker 1>he goes, uh huh, yeah, uh huh, okay, yeah right,

2252
01:48:07.960 --> 01:48:10.279
<v Speaker 1>all right, I'll try, and then he just kicks in

2253
01:48:10.359 --> 01:48:14.000
<v Speaker 1>the door. Excellent, So satisfying.

2254
01:48:14.800 --> 01:48:18.960
<v Speaker 2>He was so good. A couple of things about Cosmo's

2255
01:48:19.000 --> 01:48:21.640
<v Speaker 2>office tell me you're a villain without telling me you're

2256
01:48:21.680 --> 01:48:22.079
<v Speaker 2>a villain.

2257
01:48:22.239 --> 01:48:22.439
<v Speaker 1>Yeah.

2258
01:48:22.680 --> 01:48:24.720
<v Speaker 2>Number one, he's got a fish tank. That's never a

2259
01:48:24.760 --> 01:48:27.279
<v Speaker 2>good thing, no, And with a giant fish tank in

2260
01:48:27.319 --> 01:48:29.199
<v Speaker 2>their office and they're up to no good, they're up

2261
01:48:29.239 --> 01:48:32.239
<v Speaker 2>to something. But also, wouldn't that fish tank set off

2262
01:48:32.279 --> 01:48:35.600
<v Speaker 2>the motional detector that they're trying so hard?

2263
01:48:36.000 --> 01:48:36.239
<v Speaker 1>Huh?

2264
01:48:36.560 --> 01:48:39.800
<v Speaker 2>For Robert Redford not because those fish are just so women.

2265
01:48:39.840 --> 01:48:42.880
<v Speaker 2>They're best and they're big. It's like a coy pond. Yeah,

2266
01:48:43.439 --> 01:48:45.760
<v Speaker 2>in there almost and I'm like, that should set off

2267
01:48:45.880 --> 01:48:46.560
<v Speaker 2>the detector.

2268
01:48:46.760 --> 01:48:49.359
<v Speaker 1>I wonder if they if the detector doesn't perceive it

2269
01:48:49.439 --> 01:48:51.520
<v Speaker 1>through the water. I have no idea.

2270
01:48:51.680 --> 01:48:53.119
<v Speaker 2>The other thing I just want to point out about

2271
01:48:53.119 --> 01:48:57.039
<v Speaker 2>Cosmo's office is he has these Magreek type, yes who

2272
01:48:57.920 --> 01:49:02.680
<v Speaker 2>lithographs of faceless men, and I kind of love them,

2273
01:49:02.920 --> 01:49:05.800
<v Speaker 2>Like I actually really like the art office. But then

2274
01:49:05.960 --> 01:49:09.199
<v Speaker 2>like in the lobby of the building, the art is

2275
01:49:09.279 --> 01:49:12.680
<v Speaker 2>like dog skeletons, like dogs who have been X rayed,

2276
01:49:12.800 --> 01:49:15.800
<v Speaker 2>and it's their skeletons, And I'm like, what is this?

2277
01:49:16.479 --> 01:49:20.279
<v Speaker 2>Anyone who walks in there is like toy company huh?

2278
01:49:20.439 --> 01:49:22.680
<v Speaker 1>An evil villain lives here, right, this is a super

2279
01:49:22.760 --> 01:49:23.359
<v Speaker 1>villain's layirer.

2280
01:49:23.520 --> 01:49:25.920
<v Speaker 2>Just so I'm clear, Yeah, what did you think of

2281
01:49:26.000 --> 01:49:27.000
<v Speaker 2>the like tall lithographs?

2282
01:49:27.039 --> 01:49:28.800
<v Speaker 1>Did you like that? I didn't like them, but I

2283
01:49:29.239 --> 01:49:32.560
<v Speaker 1>respected the choice. Like like Cosmo's office is, I just

2284
01:49:32.640 --> 01:49:34.720
<v Speaker 1>called it austere in the recap, like all of the

2285
01:49:35.079 --> 01:49:36.760
<v Speaker 1>all of the furniture in it is like the metal

2286
01:49:36.800 --> 01:49:39.000
<v Speaker 1>furniture you would find like in a park, right, and

2287
01:49:39.159 --> 01:49:41.920
<v Speaker 1>like these lithographs and they're gray on black and there's

2288
01:49:41.960 --> 01:49:47.279
<v Speaker 1>like a wall of like it's so like nineties minimalist beige,

2289
01:49:48.199 --> 01:49:51.960
<v Speaker 1>metallic metallic, like yeah, yeah, And we didn't even discuss

2290
01:49:52.039 --> 01:49:54.399
<v Speaker 1>Ben Ben Kingsley's tiny little ponytail.

2291
01:49:54.159 --> 01:49:58.159
<v Speaker 2>Oh my god, ponytail, A sad little ponytail.

2292
01:50:00.720 --> 01:50:05.920
<v Speaker 1>We mentioned Marty's car briefly. I care about cars less

2293
01:50:06.159 --> 01:50:10.000
<v Speaker 1>than I care about heterosexual couples. Like I genuinely the

2294
01:50:10.079 --> 01:50:13.640
<v Speaker 1>bar is low could not possibly care less about cars.

2295
01:50:14.720 --> 01:50:17.800
<v Speaker 1>That's a cool car. It's like burnt orange almost like

2296
01:50:17.920 --> 01:50:19.680
<v Speaker 1>that that little conver. I mean, look, it looks like

2297
01:50:19.720 --> 01:50:21.920
<v Speaker 1>a death trap. Let's be clear. It looks like you

2298
01:50:22.039 --> 01:50:25.199
<v Speaker 1>get in a fender bender and you are dead. Like

2299
01:50:25.439 --> 01:50:27.520
<v Speaker 1>so I would not want to drive it. But it's

2300
01:50:27.560 --> 01:50:28.960
<v Speaker 1>a cool car. I will say that car.

2301
01:50:29.119 --> 01:50:30.760
<v Speaker 2>Yeah it's a convertible. I don't think we have to

2302
01:50:30.800 --> 01:50:31.880
<v Speaker 2>tell you it's a convertible.

2303
01:50:32.000 --> 01:50:32.199
<v Speaker 1>Yeah.

2304
01:50:32.439 --> 01:50:35.119
<v Speaker 2>I just have one more. And it's my favorite line

2305
01:50:35.239 --> 01:50:36.159
<v Speaker 2>possibly in the movie.

2306
01:50:36.279 --> 01:50:37.920
<v Speaker 1>Okay, funny stupid.

2307
01:50:37.640 --> 01:50:40.720
<v Speaker 2>Joke at the very end when Carl's like, I want

2308
01:50:40.760 --> 01:50:43.439
<v Speaker 2>that lady's phone number and James Earl Jones is like,

2309
01:50:43.560 --> 01:50:47.600
<v Speaker 2>absolutely not. We do not do that, Like, that's disgusting

2310
01:50:47.640 --> 01:50:50.439
<v Speaker 2>that you would even ask. Redford leans in and goes,

2311
01:50:50.720 --> 01:50:52.560
<v Speaker 2>come on, the FBI would have given him twins.

2312
01:50:57.720 --> 01:51:02.640
<v Speaker 1>Excellent. I just want to give this movie props for

2313
01:51:02.760 --> 01:51:05.960
<v Speaker 1>one thing. It takes place in San Francisco almost entirely.

2314
01:51:06.960 --> 01:51:10.680
<v Speaker 1>While there are no major characters of Asian descent, it

2315
01:51:10.880 --> 01:51:14.680
<v Speaker 1>is populated with multiple, like small characters of Asian descent.

2316
01:51:14.840 --> 01:51:16.880
<v Speaker 1>And I know enough that I noticed it. Like the

2317
01:51:17.159 --> 01:51:20.159
<v Speaker 1>little girl playing piano with Liz is Asian, the bank

2318
01:51:20.279 --> 01:51:22.640
<v Speaker 1>teller is Asian. Like, there's a couple instances where they

2319
01:51:22.720 --> 01:51:25.920
<v Speaker 1>clearly made it look at least a little bit like

2320
01:51:25.960 --> 01:51:28.000
<v Speaker 1>San Francisco. Even though I would have loved for them

2321
01:51:28.039 --> 01:51:30.479
<v Speaker 1>to have given an actual role to a character of

2322
01:51:30.560 --> 01:51:33.319
<v Speaker 1>Asian descent, it was enough that I noticed it. And

2323
01:51:33.439 --> 01:51:35.880
<v Speaker 1>they also like like the bank teller who gave in

2324
01:51:35.920 --> 01:51:38.520
<v Speaker 1>the very beginning, who gives Marty the check for his

2325
01:51:38.680 --> 01:51:40.720
<v Speaker 1>job well done when if they broke into the bank,

2326
01:51:40.840 --> 01:51:43.119
<v Speaker 1>is like, oh, so your job is to like break

2327
01:51:43.159 --> 01:51:46.000
<v Speaker 1>into people's buildings so they know how other people could

2328
01:51:46.000 --> 01:51:47.760
<v Speaker 1>break into the buildings. And he's like it's a living

2329
01:51:47.800 --> 01:51:49.840
<v Speaker 1>and she's like not a very good one, and I'm like,

2330
01:51:49.920 --> 01:51:51.239
<v Speaker 1>we gave her a joke, the.

2331
01:51:51.560 --> 01:51:54.560
<v Speaker 2>Shade, and she nails it. She hands him his meager

2332
01:51:54.680 --> 01:51:57.079
<v Speaker 2>little check in the bank and she's like, yeah, you

2333
01:51:57.119 --> 01:51:58.479
<v Speaker 2>don't make a lot of money, buddy.

2334
01:51:58.319 --> 01:52:00.640
<v Speaker 1>Yeah, which is surprising. I would have thought this was

2335
01:52:00.880 --> 01:52:02.079
<v Speaker 1>this was highly skilled work.

2336
01:52:02.479 --> 01:52:05.119
<v Speaker 2>It's highly skilled work, and they're working for banks. It's

2337
01:52:05.119 --> 01:52:08.159
<v Speaker 2>not like they're working for like public schools. I guess

2338
01:52:08.159 --> 01:52:11.239
<v Speaker 2>they did in Carl's case, but like, like, yeah, I

2339
01:52:11.279 --> 01:52:13.479
<v Speaker 2>would imagine it's a sliding scale and if you're a

2340
01:52:13.560 --> 01:52:17.159
<v Speaker 2>fucking bank, yeah yeah. But anyway, all right, Erica.

2341
01:52:17.000 --> 01:52:19.039
<v Speaker 1>How are we gonna rank sneakers this movie that we

2342
01:52:19.119 --> 01:52:20.000
<v Speaker 1>both love so dearly?

2343
01:52:20.520 --> 01:52:24.640
<v Speaker 2>How about one to ten Ginger quintets genuinely, how many

2344
01:52:24.800 --> 01:52:27.319
<v Speaker 2>times do you see a movie with five gingers in it?

2345
01:52:27.520 --> 01:52:29.399
<v Speaker 1>I can't think of one.

2346
01:52:29.920 --> 01:52:32.560
<v Speaker 2>I question whether that even exists anywhere else in the water.

2347
01:52:32.600 --> 01:52:34.319
<v Speaker 1>I think if you're getting into five gingers in the movie,

2348
01:52:34.319 --> 01:52:37.199
<v Speaker 1>you're getting too fetish films. That's I'm sensing a fetish

2349
01:52:37.239 --> 01:52:40.039
<v Speaker 1>film happening. If that's if that's what's going on. How

2350
01:52:40.079 --> 01:52:43.239
<v Speaker 1>about one to ten heterosexual couples that Paul actually cares

2351
01:52:43.279 --> 01:52:45.159
<v Speaker 1>about due to their atomic chemistry.

2352
01:52:45.680 --> 01:52:47.960
<v Speaker 2>Honestly, Mary McDonald's chemistry with everyone.

2353
01:52:47.840 --> 01:52:49.640
<v Speaker 1>Her dancing, every single one of them.

2354
01:52:49.720 --> 01:52:52.640
<v Speaker 2>Every single one of them like her and dan Ackroyd.

2355
01:52:52.880 --> 01:52:55.199
<v Speaker 2>I believe it. I believe it is. She's chemistry with

2356
01:52:55.239 --> 01:52:58.239
<v Speaker 2>Stephen Tobolowski, for Christ's sake, and she's not even supposed to. Yeah,

2357
01:52:58.520 --> 01:53:03.399
<v Speaker 2>how about one to ten boston Ish accents? He went

2358
01:53:03.479 --> 01:53:06.520
<v Speaker 2>to the same person who taught Jack Nicholson a Boston

2359
01:53:06.600 --> 01:53:07.720
<v Speaker 2>accent for the departed.

2360
01:53:07.960 --> 01:53:10.840
<v Speaker 1>His time in prison was actually at the Boston Conservatory

2361
01:53:10.880 --> 01:53:12.920
<v Speaker 1>of Music. That's that's where he spent his time.

2362
01:53:13.640 --> 01:53:16.399
<v Speaker 2>His time in prison was at the Boston Tea Party.

2363
01:53:16.720 --> 01:53:19.840
<v Speaker 1>He actually had to do community service in Colonial Williamsburg.

2364
01:53:20.000 --> 01:53:24.000
<v Speaker 1>That's where he did his as he did his jail time.

2365
01:53:25.119 --> 01:53:25.279
<v Speaker 3>Oh.

2366
01:53:25.680 --> 01:53:27.880
<v Speaker 1>One to ten black boxes.

2367
01:53:28.399 --> 01:53:31.520
<v Speaker 2>A black box being destroyed by Robert Red.

2368
01:53:32.399 --> 01:53:34.880
<v Speaker 1>Yeah, uh huh, just you know what I like about it.

2369
01:53:35.479 --> 01:53:37.279
<v Speaker 2>In the end, he doesn't destroy the black box. He

2370
01:53:37.359 --> 01:53:40.319
<v Speaker 2>goes in, he picks out the best part, plays with

2371
01:53:40.399 --> 01:53:41.079
<v Speaker 2>it a little.

2372
01:53:40.840 --> 01:53:44.399
<v Speaker 1>Bit, puts it back, he leaves it in better shape

2373
01:53:44.399 --> 01:53:44.920
<v Speaker 1>than he found it.

2374
01:53:45.479 --> 01:53:50.640
<v Speaker 2>That's key, crucial. That is crucial. When we say destroyed

2375
01:53:50.680 --> 01:53:51.800
<v Speaker 2>the black box, we mean.

2376
01:53:51.760 --> 01:53:53.760
<v Speaker 1>That rhetorically destroy and rebuild.

2377
01:53:54.159 --> 01:53:55.800
<v Speaker 2>Yeah, what you want to do is leave it better

2378
01:53:55.840 --> 01:53:57.880
<v Speaker 2>than when you found it. You want to leave it satisfied,

2379
01:53:58.119 --> 01:53:58.600
<v Speaker 2>just just.

2380
01:53:58.720 --> 01:54:01.880
<v Speaker 1>Like we want to leave the earth better than to

2381
01:54:02.079 --> 01:54:02.520
<v Speaker 1>do this one.

2382
01:54:02.760 --> 01:54:03.600
<v Speaker 2>Yeah, let's do this one.

2383
01:54:03.720 --> 01:54:05.199
<v Speaker 1>Okay, do you want to go first or should I

2384
01:54:05.239 --> 01:54:05.600
<v Speaker 1>go first?

2385
01:54:05.920 --> 01:54:07.000
<v Speaker 2>I'll go first on this one.

2386
01:54:07.239 --> 01:54:07.520
<v Speaker 1>Hit me.

2387
01:54:08.000 --> 01:54:11.680
<v Speaker 2>I love this movie, I really do. It has blind spots,

2388
01:54:11.720 --> 01:54:15.119
<v Speaker 2>though the cast is actually fairly diverse, especially for nineteen

2389
01:54:15.239 --> 01:54:17.680
<v Speaker 2>ninety two. You know, you have James Earl Jones, you

2390
01:54:17.720 --> 01:54:21.039
<v Speaker 2>have Sidney Potier, you have a character who's blind, not

2391
01:54:21.199 --> 01:54:23.680
<v Speaker 2>played by an actual blind actor, which would have been lovely,

2392
01:54:23.800 --> 01:54:28.520
<v Speaker 2>But you have a character that's blind, right, but one woman?

2393
01:54:28.800 --> 01:54:31.399
<v Speaker 2>One woman, and she's so underwritten, and like just because

2394
01:54:31.479 --> 01:54:34.560
<v Speaker 2>Mary McDonald is such a fucking icon and goddess, because

2395
01:54:34.680 --> 01:54:37.279
<v Speaker 2>she can make it work. It's not an excuse. And

2396
01:54:37.359 --> 01:54:39.399
<v Speaker 2>there's a lot of characters. That's the thing too. I

2397
01:54:39.399 --> 01:54:40.920
<v Speaker 2>would almost say I would if it was like a

2398
01:54:40.960 --> 01:54:42.920
<v Speaker 2>movie with like four characters, I'd be like, well, okay,

2399
01:54:43.079 --> 01:54:45.479
<v Speaker 2>three men and a woman, But like, there's so many

2400
01:54:45.600 --> 01:54:48.560
<v Speaker 2>other characters. Yeah, And I kind of just wish they'd

2401
01:54:48.720 --> 01:54:51.720
<v Speaker 2>thought it through a little bit more. Maybe given Chris's

2402
01:54:51.800 --> 01:54:54.399
<v Speaker 2>wife something to do, so that like it's organic, it

2403
01:54:54.520 --> 01:54:57.239
<v Speaker 2>makes sense to like, it's not just like, well, we

2404
01:54:57.279 --> 01:54:59.359
<v Speaker 2>should have another woman just to have another woman, like

2405
01:55:00.199 --> 01:55:02.520
<v Speaker 2>his wife can be given a thing to do, and

2406
01:55:02.720 --> 01:55:04.920
<v Speaker 2>like like he Crease doesn't like it. He doesn't like

2407
01:55:05.000 --> 01:55:07.079
<v Speaker 2>that he's getting his family involved. But they need another

2408
01:55:07.159 --> 01:55:10.600
<v Speaker 2>person to just drop something off at some point or

2409
01:55:10.760 --> 01:55:14.439
<v Speaker 2>like to be a distraction, you know, like something like that,

2410
01:55:14.760 --> 01:55:17.680
<v Speaker 2>just to give it a little bit more female presence.

2411
01:55:18.000 --> 01:55:19.960
<v Speaker 2>Gay stuff, there's nothing. I'll let you talk about it

2412
01:55:20.640 --> 01:55:23.640
<v Speaker 2>about that, but I see nothing, even though this takes

2413
01:55:23.640 --> 01:55:27.039
<v Speaker 2>place into Francisco. I'm okay. I guess I'm okay with that, right,

2414
01:55:27.239 --> 01:55:30.239
<v Speaker 2>Like gay people are just famously terrible at computers.

2415
01:55:30.359 --> 01:55:31.960
<v Speaker 1>Yeah, so I think that makes sense.

2416
01:55:32.119 --> 01:55:35.359
<v Speaker 2>Yeah, your husband's gonna hear this and throw his out there.

2417
01:55:36.600 --> 01:55:37.119
<v Speaker 1>It's fun.

2418
01:55:37.560 --> 01:55:40.880
<v Speaker 2>I don't recall that many movies with Robert Redford and

2419
01:55:41.119 --> 01:55:44.920
<v Speaker 2>Sidney Poitier in them when I was like a teenager, Like,

2420
01:55:45.000 --> 01:55:47.720
<v Speaker 2>I don't know that they were working that much at

2421
01:55:47.760 --> 01:55:50.640
<v Speaker 2>this time at this like like and so just to

2422
01:55:50.760 --> 01:55:55.960
<v Speaker 2>put these two like fucking megawatt superstars in a movie together,

2423
01:55:56.359 --> 01:55:58.760
<v Speaker 2>it's like totally worth the price of admission and like,

2424
01:55:59.319 --> 01:56:01.720
<v Speaker 2>it's so good just to see them firing on all

2425
01:56:01.800 --> 01:56:03.960
<v Speaker 2>cylinders at the same time in the same movie. So

2426
01:56:04.680 --> 01:56:07.399
<v Speaker 2>I'm going to dig it a lot for lack of

2427
01:56:07.479 --> 01:56:10.920
<v Speaker 2>female representation and like female roles in the film, but like,

2428
01:56:11.680 --> 01:56:13.640
<v Speaker 2>man do I love this movie and man is it

2429
01:56:13.720 --> 01:56:16.439
<v Speaker 2>a fucking great movie? So yeah, I'm gonna give it

2430
01:56:16.520 --> 01:56:21.239
<v Speaker 2>a seven out of ten black boxes. Yeah how about you, Paul?

2431
01:56:21.479 --> 01:56:23.640
<v Speaker 1>Uh Yeah, No, I agree with what you're saying. I

2432
01:56:23.720 --> 01:56:25.520
<v Speaker 1>will say I don't even know if this would have

2433
01:56:25.600 --> 01:56:28.239
<v Speaker 1>occurred to me if the NET hadn't been such an

2434
01:56:28.279 --> 01:56:30.319
<v Speaker 1>ally like two weeks ago, where the NET was so

2435
01:56:30.439 --> 01:56:34.079
<v Speaker 1>clearly wearing its politics about like the AIDS crisis and

2436
01:56:34.119 --> 01:56:37.039
<v Speaker 1>everything on its sleeve. I was kind of waiting for

2437
01:56:37.119 --> 01:56:39.439
<v Speaker 1>them to mention like act up or.

2438
01:56:39.800 --> 01:56:43.359
<v Speaker 2>Send the Republicans money to act up as well as as.

2439
01:56:43.279 --> 01:56:46.000
<v Speaker 1>Well as everything. Yet like I was expecting to be

2440
01:56:46.159 --> 01:56:48.399
<v Speaker 1>included in some way there. I want to be really clear,

2441
01:56:48.560 --> 01:56:51.640
<v Speaker 1>I believe that everyone involved in this movie one hundred

2442
01:56:51.680 --> 01:56:55.079
<v Speaker 1>percent agrees with us politically. Believe not everybody, but like

2443
01:56:55.319 --> 01:56:58.520
<v Speaker 1>the people involved in like the storyline and the storytelling

2444
01:56:58.600 --> 01:57:00.760
<v Speaker 1>of it, are on the side of the Angels. Here

2445
01:57:00.880 --> 01:57:02.319
<v Speaker 1>like so, so I'm not trying to like call them

2446
01:57:02.359 --> 01:57:05.439
<v Speaker 1>out or anything. It's not even something that bothered me.

2447
01:57:05.680 --> 01:57:08.159
<v Speaker 1>It was just something I noticed, and I think solely

2448
01:57:08.279 --> 01:57:11.279
<v Speaker 1>because the Net made such a thing about it. Yeah,

2449
01:57:11.720 --> 01:57:13.359
<v Speaker 1>a couple of weeks ago, I was like, oh, yeah,

2450
01:57:13.399 --> 01:57:16.479
<v Speaker 1>that that really wasn't the zeitgeist. It almost feels like

2451
01:57:16.520 --> 01:57:18.560
<v Speaker 1>they're intentionally not saying it. I'm not saying they are,

2452
01:57:18.680 --> 01:57:21.479
<v Speaker 1>but that's what it felt like in when it echoes

2453
01:57:21.520 --> 01:57:23.000
<v Speaker 1>the net so much in that way.

2454
01:57:23.359 --> 01:57:25.560
<v Speaker 2>I don't know, maybe they thought it would depress people. Yeah,

2455
01:57:25.600 --> 01:57:28.079
<v Speaker 2>the Aige crisis specifically, I'm talking about, not like just

2456
01:57:28.119 --> 01:57:28.560
<v Speaker 2>gay people.

2457
01:57:28.760 --> 01:57:31.439
<v Speaker 1>Yeah, oh gay people, they're bad at computers and they're

2458
01:57:31.439 --> 01:57:33.840
<v Speaker 1>fucking depressing. Let's just let's just be clear.

2459
01:57:35.279 --> 01:57:38.199
<v Speaker 2>But like, that's the one thing I can think of,

2460
01:57:38.479 --> 01:57:41.560
<v Speaker 2>is like, if you're intentionally almost leaving it out, it's

2461
01:57:41.560 --> 01:57:43.319
<v Speaker 2>because the conversation is so heavy.

2462
01:57:43.439 --> 01:57:45.119
<v Speaker 1>I would almost expect it to be like they just

2463
01:57:45.399 --> 01:57:48.159
<v Speaker 1>picked like they have the National Organization for the Legal

2464
01:57:48.439 --> 01:57:52.239
<v Speaker 1>Legalization of Marijuana being mentioned right, like they're I think

2465
01:57:52.279 --> 01:57:55.600
<v Speaker 1>they're trying to do ones that are a little bit funny. Yeah,

2466
01:57:55.800 --> 01:57:58.439
<v Speaker 1>the Black Panthers, the Republicans, like that's obviously the Black

2467
01:57:58.479 --> 01:58:01.079
<v Speaker 1>Panthers are very serious, but it's funny to juxtapose those

2468
01:58:01.119 --> 01:58:03.600
<v Speaker 1>two things. And maybe you're right, like you put an

2469
01:58:03.640 --> 01:58:06.119
<v Speaker 1>act up and like it's just just just too fucking depressing.

2470
01:58:06.159 --> 01:58:08.479
<v Speaker 2>It's too sad that an audience in nineteen ninety two

2471
01:58:08.520 --> 01:58:09.560
<v Speaker 2>would have it would have.

2472
01:58:09.720 --> 01:58:11.159
<v Speaker 1>It would have been tangible to them.

2473
01:58:11.479 --> 01:58:13.319
<v Speaker 2>Yeah, yeah, like that's in the news, you know.

2474
01:58:13.439 --> 01:58:14.880
<v Speaker 1>Yeah. Again, I want to be clear, I'm not trying

2475
01:58:14.880 --> 01:58:16.880
<v Speaker 1>to take any points off the movie for it this movie,

2476
01:58:17.680 --> 01:58:21.199
<v Speaker 1>I'm willing to forgive it almost anything I could ding

2477
01:58:21.239 --> 01:58:24.000
<v Speaker 1>it on, which isn't much, simply because I can so

2478
01:58:24.199 --> 01:58:27.199
<v Speaker 1>clearly see the intentions are so good and I so

2479
01:58:27.520 --> 01:58:30.119
<v Speaker 1>appreciate it. Like I take your point about there only

2480
01:58:30.199 --> 01:58:34.079
<v Speaker 1>being one female character and she's basically underwritten. I think

2481
01:58:34.199 --> 01:58:37.079
<v Speaker 1>basically everybody in this movie is underwritten except for Marty,

2482
01:58:37.239 --> 01:58:40.199
<v Speaker 1>and maybe I think even Cosmo's underwritten. I think I

2483
01:58:40.239 --> 01:58:42.079
<v Speaker 1>think Ben Kingsley is doing a lot of work through

2484
01:58:42.119 --> 01:58:45.399
<v Speaker 1>that accent to like flesh him out, you know, And

2485
01:58:45.520 --> 01:58:48.239
<v Speaker 1>I think like, like if you watch Thedney Poitier when

2486
01:58:48.239 --> 01:58:50.159
<v Speaker 1>you know the end, like his whole thing is like

2487
01:58:50.239 --> 01:58:51.960
<v Speaker 1>I had a temper that was too bad for the CIA.

2488
01:58:52.399 --> 01:58:53.920
<v Speaker 1>You see him a couple of times, you can kind

2489
01:58:53.960 --> 01:58:56.319
<v Speaker 1>of see the temper rising and he almost like yeah,

2490
01:58:56.439 --> 01:58:59.039
<v Speaker 1>he takes it down right. So like it's one of

2491
01:58:59.079 --> 01:59:01.399
<v Speaker 1>those things where like everybody underwritten. So I don't think

2492
01:59:01.439 --> 01:59:03.479
<v Speaker 1>she was underwritten because she was a woman, is all

2493
01:59:03.520 --> 01:59:04.239
<v Speaker 1>I'm trying to say.

2494
01:59:04.760 --> 01:59:07.760
<v Speaker 2>Maybe she was though, because again I'm not even talking

2495
01:59:07.760 --> 01:59:10.520
<v Speaker 2>about like she doesn't need a whole monologue, just what

2496
01:59:10.600 --> 01:59:13.279
<v Speaker 2>does she do? What is her backstory? Like everyone else

2497
01:59:13.359 --> 01:59:15.920
<v Speaker 2>got that and she didn't. I think she's an afterthought.

2498
01:59:16.000 --> 01:59:17.279
<v Speaker 2>I think she's the girlfriend.

2499
01:59:17.640 --> 01:59:20.680
<v Speaker 1>I mean, I don't totally agree with that, Like they

2500
01:59:21.159 --> 01:59:23.600
<v Speaker 1>didn't have to make her a mathematical genius. I get

2501
01:59:23.640 --> 01:59:25.279
<v Speaker 1>that we don't know why she is and doesn't make

2502
01:59:25.279 --> 01:59:26.399
<v Speaker 1>any sense, but like.

2503
01:59:27.479 --> 01:59:30.199
<v Speaker 2>Her mathematical genius. She shows up to the lecture, She's like, yeah,

2504
01:59:30.239 --> 01:59:32.920
<v Speaker 2>this is about math. No, she says nothing else.

2505
01:59:33.079 --> 01:59:35.640
<v Speaker 1>No, she says, this is about He does not understand

2506
01:59:35.680 --> 01:59:37.520
<v Speaker 1>the lecture. She tells him what the lecture is about.

2507
01:59:37.800 --> 01:59:41.000
<v Speaker 1>This is about codes, unbreakable codes, and so she does

2508
01:59:41.199 --> 01:59:43.199
<v Speaker 1>understand it, Like there's an actual reason for that.

2509
01:59:43.600 --> 01:59:45.760
<v Speaker 2>All right, I'll give you that. I'll give you that,

2510
01:59:45.880 --> 01:59:49.920
<v Speaker 2>But I it's again, I think she's too underwritten fair enough.

2511
01:59:50.319 --> 01:59:53.279
<v Speaker 1>Other than that, just a great fun, good time at

2512
01:59:53.279 --> 01:59:56.000
<v Speaker 1>the movies, Like, couldn't possibly come up with anything else

2513
01:59:56.119 --> 01:59:58.680
<v Speaker 1>to ding it on. If it was made today, it

2514
01:59:59.079 --> 02:00:02.720
<v Speaker 1>absolutely least one of the main sneakers would have been

2515
02:00:02.720 --> 02:00:05.079
<v Speaker 1>a woman. There would have been more ethnic diversity, although

2516
02:00:05.079 --> 02:00:06.680
<v Speaker 1>there is some. As you said, like there would have

2517
02:00:06.680 --> 02:00:10.159
<v Speaker 1>been even more ethnic diversity in it. I think I

2518
02:00:10.479 --> 02:00:14.840
<v Speaker 1>view this movie as like not perfect, but like moving

2519
02:00:14.920 --> 02:00:18.960
<v Speaker 1>in the right direction, like it's doing, it's doing good things.

2520
02:00:19.119 --> 02:00:24.239
<v Speaker 1>I don't find the Mary McDonald character as underwritten as

2521
02:00:24.279 --> 02:00:27.520
<v Speaker 1>you do, and I agree she's doing an amazing job

2522
02:00:27.760 --> 02:00:30.720
<v Speaker 1>of filling out much like Ben Kingsley. She's bringing. She

2523
02:00:30.880 --> 02:00:33.399
<v Speaker 1>is bringing eighty five percent of all that backstory. You're

2524
02:00:33.399 --> 02:00:35.920
<v Speaker 1>not wrong about that, but like I don't, I don't

2525
02:00:35.920 --> 02:00:38.680
<v Speaker 1>think she has less than most of the other guys do.

2526
02:00:40.119 --> 02:00:43.600
<v Speaker 1>So I'll give it an eight out of ten black boxes,

2527
02:00:45.199 --> 02:00:47.560
<v Speaker 1>ten out of ten enjoyment. I think an eight out

2528
02:00:47.560 --> 02:00:49.359
<v Speaker 1>of ten enjoyment the first time I watched it, a

2529
02:00:49.439 --> 02:00:51.439
<v Speaker 1>ten out of ten enjoyment. The second time I watched it, oh.

2530
02:00:51.560 --> 02:00:54.319
<v Speaker 2>Twenty out of ten enjoyment, twenty out of ten so

2531
02:00:54.520 --> 02:00:55.319
<v Speaker 2>goddamn funny.

2532
02:00:55.560 --> 02:00:58.039
<v Speaker 1>Absolutely will not be offering a palate cleanser.

2533
02:00:58.439 --> 02:01:00.720
<v Speaker 2>No, this is perfect, is I mean? If you want

2534
02:01:00.840 --> 02:01:04.840
<v Speaker 2>like a good caper film with all women Oceans eight, Yeah,

2535
02:01:04.960 --> 02:01:07.279
<v Speaker 2>like would be an amazing double feature almost.

2536
02:01:07.000 --> 02:01:09.960
<v Speaker 1>With this uh Erica. That is the end of this

2537
02:01:10.079 --> 02:01:13.079
<v Speaker 1>year show. Everyone listening can follow us on the various

2538
02:01:13.119 --> 02:01:15.600
<v Speaker 1>social media platforms. We are on Blue Sky, we are

2539
02:01:15.640 --> 02:01:17.800
<v Speaker 1>on Threads, we are on Instagram. If you want to

2540
02:01:17.800 --> 02:01:19.840
<v Speaker 1>know our monthly themes in advance, you want to give

2541
02:01:19.920 --> 02:01:22.000
<v Speaker 1>us movies that are on those monthly themes, you want

2542
02:01:22.039 --> 02:01:24.039
<v Speaker 1>to get your name read on this podcast, you gotta

2543
02:01:24.039 --> 02:01:26.039
<v Speaker 1>follow us on Instagram. It's the only place we do it.

2544
02:01:26.760 --> 02:01:28.359
<v Speaker 1>We have a tea public shop where you can pick

2545
02:01:28.439 --> 02:01:31.920
<v Speaker 1>up podcast swag. You can comment on Spotify episodes, and

2546
02:01:32.000 --> 02:01:33.600
<v Speaker 1>we would love it if you leave a five star

2547
02:01:33.720 --> 02:01:36.720
<v Speaker 1>you on Apple podcasts likes Mouse eighteen oh nine or

2548
02:01:36.840 --> 02:01:40.079
<v Speaker 1>podcast Addict like Giovanni b or any podcasting platform that

2549
02:01:40.119 --> 02:01:42.720
<v Speaker 1>you use. You do that and we will send you

2550
02:01:42.760 --> 02:01:44.600
<v Speaker 1>without age beel topebag. And if you want a little

2551
02:01:44.600 --> 02:01:46.159
<v Speaker 1>bit of help doing it, you can go to the

2552
02:01:46.239 --> 02:01:48.159
<v Speaker 1>link I have put in the show notes for this episode.

2553
02:01:48.359 --> 02:01:50.159
<v Speaker 1>It will take you to rate this podcast dot com

2554
02:01:50.239 --> 02:01:52.359
<v Speaker 1>slash that age Well, and it will give you some

2555
02:01:52.560 --> 02:01:54.359
<v Speaker 1>steps on how to get that review.

2556
02:01:54.199 --> 02:01:58.000
<v Speaker 2>In that Age Well is produced and edited by Paul Kaola.

2557
02:01:58.520 --> 02:02:02.319
<v Speaker 2>We would like to think Kay Michael, Mary Bess, Kathleen, Heather,

2558
02:02:02.720 --> 02:02:08.119
<v Speaker 2>Ril n Nicole, Valerie, Sarah, Lana, ben kh and Michelle

2559
02:02:08.640 --> 02:02:10.840
<v Speaker 2>for reaching out and letting us know what you want

2560
02:02:10.880 --> 02:02:13.640
<v Speaker 2>to hear. It was a foregone conclusion, but you know what, Yeah,

2561
02:02:13.680 --> 02:02:15.239
<v Speaker 2>I'm still I'm glad we had back up.

2562
02:02:15.279 --> 02:02:16.960
<v Speaker 1>I'm glad. I'm glad we didn't have to just be like,

2563
02:02:17.039 --> 02:02:18.680
<v Speaker 1>and we're doing this one and we're doing this.

2564
02:02:18.800 --> 02:02:20.560
<v Speaker 2>Shut up you guys. We don't care what you want

2565
02:02:20.600 --> 02:02:25.000
<v Speaker 2>to hear. I'm glad we have receipts. I hope people

2566
02:02:25.079 --> 02:02:27.720
<v Speaker 2>wanted to hear this too. If you want to have

2567
02:02:27.800 --> 02:02:29.720
<v Speaker 2>a say in the topics we discussed, you can join

2568
02:02:29.800 --> 02:02:33.039
<v Speaker 2>our patreon. Every patron gets to vote in an exclusive

2569
02:02:33.159 --> 02:02:36.119
<v Speaker 2>monthly poll to determine one of our subjects. So head

2570
02:02:36.159 --> 02:02:39.439
<v Speaker 2>on over to patreon dot com Slashed That aged Well

2571
02:02:39.560 --> 02:02:41.520
<v Speaker 2>podcast to find out more.

2572
02:02:42.159 --> 02:02:45.520
<v Speaker 1>Speaking of finding out more, speaking of our patreon, Speaking

2573
02:02:45.560 --> 02:02:48.359
<v Speaker 1>of tears on our Patreon, some tears come with a

2574
02:02:48.399 --> 02:02:51.800
<v Speaker 1>thanks for a podcast character. And today we're hearing from

2575
02:02:53.000 --> 02:02:57.560
<v Speaker 1>Oh lordie, we're hearing from everyone. Buckle up, get your

2576
02:02:57.640 --> 02:02:59.960
<v Speaker 1>late caresses ready. We've got missus White from Clue.

2577
02:03:00.720 --> 02:03:04.640
<v Speaker 2>Is this a flaming, flaming gun in my hand? Who

2578
02:03:04.760 --> 02:03:06.800
<v Speaker 2>put this smoking gun in my hand?

2579
02:03:07.359 --> 02:03:10.039
<v Speaker 1>Well, missus, missus, what you did? You did walk walk

2580
02:03:10.119 --> 02:03:12.079
<v Speaker 1>in with it? So I don't know where you would

2581
02:03:12.079 --> 02:03:12.520
<v Speaker 1>have gotten it.

2582
02:03:12.760 --> 02:03:15.079
<v Speaker 2>All I know is I I heard a shot and

2583
02:03:15.199 --> 02:03:19.439
<v Speaker 2>my my seventh husband, Carl, just died all of a sudden.

2584
02:03:19.760 --> 02:03:21.039
<v Speaker 2>I think it was a heart attack.

2585
02:03:21.359 --> 02:03:23.439
<v Speaker 1>Oh, it's from the from the sound of the gun,

2586
02:03:23.479 --> 02:03:24.640
<v Speaker 1>the sound of the gun start? Did he have a

2587
02:03:24.720 --> 02:03:25.119
<v Speaker 1>weak heart?

2588
02:03:25.279 --> 02:03:28.319
<v Speaker 2>I didn't kill my husband. How dare you insinuate I

2589
02:03:28.720 --> 02:03:32.319
<v Speaker 2>accidentally murdered my husband with the smoking gun.

2590
02:03:32.560 --> 02:03:34.800
<v Speaker 1>I see what you're saying now the gun is actually

2591
02:03:34.920 --> 02:03:37.640
<v Speaker 1>on fire? Is that a Is that safe? Should you

2592
02:03:37.720 --> 02:03:38.319
<v Speaker 1>have that in here?

2593
02:03:38.960 --> 02:03:43.880
<v Speaker 2>Is it safe? She's my security blanket. I call her Amber.

2594
02:03:44.399 --> 02:03:46.319
<v Speaker 1>Oh, like an emotional support animal.

2595
02:03:46.720 --> 02:03:50.880
<v Speaker 2>Thank you Amber for helping me through these difficult times.

2596
02:03:51.399 --> 02:03:53.640
<v Speaker 2>How I do adore the Amber?

2597
02:03:54.279 --> 02:03:56.000
<v Speaker 1>Now? Can I ask? Are you allowed to take that

2598
02:03:56.079 --> 02:03:57.479
<v Speaker 1>on a plane? Is there a way to get a

2599
02:03:57.680 --> 02:03:59.239
<v Speaker 1>Is there a way to get a psychiatrist note to

2600
02:03:59.279 --> 02:04:01.600
<v Speaker 1>allow you to take that emotional support pistol on the plane.

2601
02:04:01.680 --> 02:04:05.000
<v Speaker 2>I'm fine, nothing's happened. How dare you insinuate that I

2602
02:04:05.119 --> 02:04:06.000
<v Speaker 2>need a psychiatrist?

2603
02:04:06.119 --> 02:04:08.760
<v Speaker 1>Oh, not that you would need one in your everyday life,

2604
02:04:08.840 --> 02:04:10.720
<v Speaker 1>just simply that you would use one for your own

2605
02:04:10.760 --> 02:04:11.399
<v Speaker 1>personal gain.

2606
02:04:11.760 --> 02:04:16.159
<v Speaker 2>My fifth husband was a psychiatrist. He was absolutely terrible

2607
02:04:16.239 --> 02:04:18.800
<v Speaker 2>at it. Do you know a car ran him over

2608
02:04:19.039 --> 02:04:19.920
<v Speaker 2>four times?

2609
02:04:20.119 --> 02:04:20.960
<v Speaker 1>Four times?

2610
02:04:21.319 --> 02:04:24.479
<v Speaker 2>You'd think someone in tuned with the human nature would

2611
02:04:24.479 --> 02:04:25.239
<v Speaker 2>see that coming.

2612
02:04:25.720 --> 02:04:29.279
<v Speaker 1>Now? Was that? Is that? Backwards? Forwards? Backwards? Forward? Is

2613
02:04:29.359 --> 02:04:30.239
<v Speaker 1>that four times? Or is it?

2614
02:04:30.319 --> 02:04:32.720
<v Speaker 2>How should I know? Just because it was my car?

2615
02:04:33.279 --> 02:04:35.239
<v Speaker 1>Fair? Fair, I guess, I guess that's true. I guess

2616
02:04:35.279 --> 02:04:35.680
<v Speaker 1>that's true.

2617
02:04:35.800 --> 02:04:38.000
<v Speaker 2>If you don't mind now, Amber and I shall be

2618
02:04:38.119 --> 02:04:42.199
<v Speaker 2>taking our leave. Thank you once again, Amber for everything

2619
02:04:42.439 --> 02:04:43.640
<v Speaker 2>you've done for me.

2620
02:04:43.880 --> 02:04:47.359
<v Speaker 1>And why not for that aged Well, she's a lot

2621
02:04:47.439 --> 02:04:47.840
<v Speaker 1>to handle.

2622
02:04:48.279 --> 02:04:50.239
<v Speaker 2>Oh I didn't is she? Was she even in here?

2623
02:04:50.279 --> 02:04:52.880
<v Speaker 2>Why does it smell like burning embers?

2624
02:04:53.039 --> 02:04:56.920
<v Speaker 1>She had an actual flaming pistol. The pistol was on fire.

2625
02:04:57.199 --> 02:05:00.199
<v Speaker 2>Interesting, yeah, because she did also ask me earlier where

2626
02:05:00.199 --> 02:05:02.119
<v Speaker 2>you keep your head a key? And I told her

2627
02:05:02.560 --> 02:05:04.920
<v Speaker 2>I hope that's okay. So she's spending the night.

2628
02:05:05.159 --> 02:05:07.399
<v Speaker 1>Yeah, that's that's fine, that's fine. Can we can we

2629
02:05:07.479 --> 02:05:09.119
<v Speaker 1>can find a new place for that. In fact, I

2630
02:05:09.159 --> 02:05:10.880
<v Speaker 1>should probably do that quickly, Erica, do you have any

2631
02:05:10.920 --> 02:05:12.199
<v Speaker 1>final thoughts on sneakers?

2632
02:05:12.920 --> 02:05:20.760
<v Speaker 2>Change, change, change, change, chain of fools for five long Yeah?

2633
02:05:22.680 --> 02:05:26.319
<v Speaker 2>I thought you, my man, I'm just dancing like David

2634
02:05:26.359 --> 02:05:26.760
<v Speaker 2>straight Hair?

2635
02:05:27.000 --> 02:05:30.800
<v Speaker 1>Was that a half found that out? I'm just a

2636
02:05:30.960 --> 02:05:32.199
<v Speaker 1>link in your change.

2637
02:05:33.199 --> 02:05:36.760
<v Speaker 2>I hurt my neck. I was throwing neck like David

2638
02:05:36.760 --> 02:05:38.520
<v Speaker 2>straight Hair in this movie, and I threw it out.

2639
02:05:45.640 --> 02:05:48.079
<v Speaker 1>Christopher, even Marco Kidder and Superman. I can't think of

2640
02:05:48.199 --> 02:05:48.920
<v Speaker 1>any other.

2641
02:05:49.520 --> 02:05:52.720
<v Speaker 2>Sarah Paulson and Pedro Pascal honestly, the only other people with.

2642
02:05:52.720 --> 02:05:54.960
<v Speaker 1>This much that is not a straight couple that is

2643
02:05:55.039 --> 02:05:57.520
<v Speaker 1>a is a gay ass couple.

2644
02:05:58.000 --> 02:06:06.960
<v Speaker 2>They're both so gay and went back around chemistry for days. Yeah.

2645
02:06:06.960 --> 02:06:07.039
<v Speaker 3>Im