1 00:00:26,600 --> 00:00:30,440 Speaker 1: Hello, everybody, Welcome to That's Not Metal. We are your 2 00:00:30,519 --> 00:00:34,880 weekly rock and heavy metal, hardcore hard music podcast, and 3 00:00:35,000 --> 00:00:37,759 this is another edition of Hyperblast where we come at 4 00:00:37,759 --> 00:00:40,280 you every Friday when we're not doing a review show 5 00:00:40,320 --> 00:00:42,200 like we were last week, and we let you know 6 00:00:42,240 --> 00:00:43,920 what's been going on in the news. It turns out 7 00:00:43,920 --> 00:00:46,200 this week in the news not a whole lot, but 8 00:00:46,280 --> 00:00:49,119 we do have some other things of real substance that 9 00:00:49,119 --> 00:00:51,320 we said we were going to talk about, So we're 10 00:00:51,320 --> 00:00:54,000 going to get underway with that with me today for 11 00:00:54,079 --> 00:00:56,520 hyper Blast. My name is Parenthish. Across from me is 12 00:00:56,560 --> 00:00:57,119 Sam Dignon. 13 00:00:57,159 --> 00:00:59,079 Speaker 2: Hello, Sam, Hello, how are we all doing? 14 00:00:59,200 --> 00:01:02,240 Speaker 1: You good? Doing very very well? We are here primarily 15 00:01:02,359 --> 00:01:05,799 I guess because we said last week when we had 16 00:01:05,840 --> 00:01:08,280 a as said, a big review show last week. 17 00:01:08,519 --> 00:01:10,239 Speaker 2: Yeah, that was a meet you one. 18 00:01:10,319 --> 00:01:11,920 Speaker 1: Yeah, it's the first one we've done so far this 19 00:01:12,000 --> 00:01:14,840 year with like the full like eight album reviews in there, 20 00:01:14,879 --> 00:01:18,359 and also part and parcel with that was some you know, 21 00:01:18,519 --> 00:01:20,879 quite interesting discussions that we kind of felt like we 22 00:01:21,000 --> 00:01:23,760 had to have, I suppose about where some of our 23 00:01:23,840 --> 00:01:27,799 various bands are at. I hope everybody who listened to 24 00:01:27,879 --> 00:01:31,480 that show either was like nodding their head in agreement 25 00:01:31,519 --> 00:01:33,760 and pounding their fisc going yes, yes, here here and 26 00:01:33,799 --> 00:01:36,840 had a lovely time doing that. Or if you did 27 00:01:36,840 --> 00:01:38,200 not agree with some of the things that we said, 28 00:01:38,680 --> 00:01:40,599 you can at least appreciate kind of where we are 29 00:01:40,680 --> 00:01:43,239 coming from. And like we said, we're kind of it's 30 00:01:43,239 --> 00:01:44,799 not aiming to put the cat amongst the pigeons so 31 00:01:44,840 --> 00:01:46,719 much as it is just kind of putting the cat 32 00:01:46,760 --> 00:01:50,040 outside and closing the door and leaving it where it is. 33 00:01:50,120 --> 00:01:54,840 Speaker 3: Yeah, it's if this stuff isn't for us anymore, then 34 00:01:55,439 --> 00:01:57,840 what's the point in us kind of going like we're 35 00:01:57,840 --> 00:01:59,920 going to cover it just to be like uber negative 36 00:02:00,120 --> 00:02:01,959 and kind of gained nothing from it at this point, 37 00:02:02,000 --> 00:02:05,040 like we can just sort of say yeah. 38 00:02:05,079 --> 00:02:07,760 Speaker 1: As always with stuff like that, during the week of release, 39 00:02:07,799 --> 00:02:09,319 when we kind of put it out, you have to 40 00:02:09,400 --> 00:02:12,479 kind of deal with the people who, you know, take 41 00:02:12,520 --> 00:02:14,199 some umbrage with what has been said and try and 42 00:02:14,240 --> 00:02:17,039 I guess, you know, if we did not completely explain ourselves, 43 00:02:17,159 --> 00:02:20,759 try and clarify things further. But then after that week 44 00:02:20,879 --> 00:02:23,360 I kind of feel better about it because everything's said 45 00:02:23,400 --> 00:02:26,759 and done and kind of handle. So that was that. Again, 46 00:02:26,919 --> 00:02:28,759 whichever side you fell, and we hope you enjoyed and 47 00:02:28,800 --> 00:02:31,439 took something from last week and also the fucking sick 48 00:02:31,520 --> 00:02:34,360 as hell records that we spoke about. I am still 49 00:02:34,680 --> 00:02:38,719 the I mean, there was a revelation with you well, one. 50 00:02:38,599 --> 00:02:40,919 Speaker 2: Of the revelations of the year potentially on. 51 00:02:40,879 --> 00:02:45,039 Speaker 1: This yeah, but particularly the Imperial Triumphant and the Wake 52 00:02:45,120 --> 00:02:47,599 albums that we reviewed last I'm still, like you know, 53 00:02:48,120 --> 00:02:49,680 obviously we're saying like a week on Frost reviewing them, 54 00:02:49,680 --> 00:02:51,759 but I'm still I'm still in that headspace. I'm loving those. 55 00:02:52,759 --> 00:02:55,680 Speaker 3: I've not got back to the previous Imperial Triumphan albums yet, 56 00:02:56,520 --> 00:02:59,879 an update when I do eventually muster up the courage 57 00:02:59,879 --> 00:03:01,080 to revisit brilliant. 58 00:03:01,080 --> 00:03:02,960 Speaker 1: But because we had all of that on the brain 59 00:03:03,039 --> 00:03:05,280 and all that to talk about last week, we did 60 00:03:05,280 --> 00:03:09,039 not have the time to talk about what is going 61 00:03:09,120 --> 00:03:10,159 to be one of the tours of the year that 62 00:03:10,199 --> 00:03:12,719 we have to talk about here, and this is the 63 00:03:12,719 --> 00:03:15,199 perfect opportunity to do so. We are, of course referring 64 00:03:15,319 --> 00:03:19,039 to not Looses UK to or in support of the 65 00:03:19,120 --> 00:03:21,520 you Won't Go Before You're Supposed To album, which came 66 00:03:21,680 --> 00:03:25,360 through the UK just a bit over a week ago, 67 00:03:26,520 --> 00:03:30,719 and it was them playing certainly the biggest venues they've 68 00:03:30,719 --> 00:03:33,319 ever played here, but in general when you look at 69 00:03:33,360 --> 00:03:37,560 hardcore bands getting into those kind of spaces, it's one 70 00:03:37,599 --> 00:03:43,240 of those tours that I think it has a degree 71 00:03:43,240 --> 00:03:45,439 of significance around it, not just in terms of like, oh, 72 00:03:45,479 --> 00:03:47,360 the highlights of the year or whatever, but when we 73 00:03:47,439 --> 00:03:51,039 think about this ongoing thing that we've been discussing for 74 00:03:51,280 --> 00:03:54,159 years of like you know, heavy bands of a certain 75 00:03:54,199 --> 00:03:58,159 stripe kind of going above and beyond and achieving things 76 00:03:58,199 --> 00:04:02,639 we didn't really think possible. The recognition of this tour 77 00:04:02,680 --> 00:04:04,400 for not Lose here in the UK as a moment 78 00:04:04,479 --> 00:04:07,479 of like them not only bringing this package with them 79 00:04:07,479 --> 00:04:09,800 and everything, which we're going to talk about, but the 80 00:04:11,400 --> 00:04:15,240 capitalizing on the momentum of that album to get into 81 00:04:15,280 --> 00:04:18,319 places like Brixton Academy in London at the you know, 82 00:04:18,399 --> 00:04:21,800 Victoria Warehouse in Manchester, which those are the two dates 83 00:04:21,800 --> 00:04:25,399 that you and I respectively were were at. But that's big, 84 00:04:25,560 --> 00:04:27,439 isn't it? And it feels like this is it's gonna 85 00:04:27,439 --> 00:04:28,920 be something that people will remember for that. 86 00:04:29,360 --> 00:04:33,079 Speaker 3: A Beatdown band headlining Bricks and Academy shouldn't happen, like, 87 00:04:33,079 --> 00:04:35,439 like I know, obviously, notice have kind of gone beyond that. 88 00:04:35,480 --> 00:04:38,839 But at their core they are a beatdown. 89 00:04:38,439 --> 00:04:40,319 Speaker 1: A pig squeal band, you could say, of a different 90 00:04:40,519 --> 00:04:41,160 like they. 91 00:04:41,040 --> 00:04:45,639 Speaker 3: Are that and it's crazy how like again, not even 92 00:04:45,639 --> 00:04:47,120 a year ago though, you know, they were selling out 93 00:04:47,120 --> 00:04:49,600 the Forum and that felt huge for them, and now 94 00:04:49,639 --> 00:04:52,759 it's so, you know, double the size venues a year later, 95 00:04:53,079 --> 00:04:56,240 and it just feels like like this feels like the 96 00:04:56,279 --> 00:04:58,720 real kind of like holy shit, this is legitimately happening, 97 00:04:58,879 --> 00:05:02,720 Like hardcore bands playing big venues doesn't happen like Turnstile, 98 00:05:02,959 --> 00:05:04,959 Like obviously they actually never got around playing Brixton because 99 00:05:04,959 --> 00:05:07,600 that show got canceled and they haven't kind of had 100 00:05:07,639 --> 00:05:08,480 their return for that yet. 101 00:05:08,519 --> 00:05:11,199 Speaker 2: But like it is Turnstile not looset out. They are 102 00:05:11,279 --> 00:05:11,800 in like an. 103 00:05:11,720 --> 00:05:15,759 Speaker 3: Elite category of like the biggest hardcore bands around and 104 00:05:16,800 --> 00:05:19,560 it's a small club, but it's I'm glad as a 105 00:05:19,560 --> 00:05:23,480 fans one who loves hardcore music and like I've been 106 00:05:23,519 --> 00:05:25,360 going to a bunch of small hardcasters reason I've been 107 00:05:25,399 --> 00:05:27,639 really like reimmersed myself in that sort of scene, but 108 00:05:27,720 --> 00:05:30,319 kind of witnessing bands kind of reached the port of 109 00:05:30,360 --> 00:05:31,839 not just been big for a hardcore band. You know, 110 00:05:31,839 --> 00:05:34,079 they're not playing electric ballroom, which you kind of go, 111 00:05:34,120 --> 00:05:34,800 oh that that's. 112 00:05:34,600 --> 00:05:35,879 Speaker 2: Big for a hardcore band to play that. 113 00:05:35,959 --> 00:05:39,680 Speaker 3: Yeah, these are like legitimately genuinely big rooms, not loose 114 00:05:39,680 --> 00:05:43,879 to playing it, and they're playing it whilst selling out Brixton, 115 00:05:43,920 --> 00:05:47,319 So not even just playing Brixton, selling out on maybe 116 00:05:47,399 --> 00:05:52,920 their heaviest, most challenging album. It feels like an anomalae 117 00:05:52,920 --> 00:05:55,040 that shouldn't be happening. And I was going to go 118 00:05:55,040 --> 00:05:56,920 to this because I was like, ahm, an outbreak. But 119 00:05:56,959 --> 00:05:58,759 as the show it's closed, I was getting that fomo 120 00:05:58,920 --> 00:06:00,560 really hitting and I was like, you know what, I've 121 00:06:00,560 --> 00:06:02,920 got to see this. I've got to see like what 122 00:06:02,959 --> 00:06:05,279 happens when rock up at bricks and Academy. 123 00:06:05,480 --> 00:06:07,639 Speaker 1: Yeah, and you know you won't go for you're supposed to. 124 00:06:08,040 --> 00:06:11,480 It was the the TNM listener voted album of last year. 125 00:06:11,519 --> 00:06:15,399 I feel like it has been canonized by the general 126 00:06:15,439 --> 00:06:18,279 public as like one of the classic albums of this 127 00:06:18,360 --> 00:06:21,040 current decade we're in of this moment in heavy music, 128 00:06:22,040 --> 00:06:24,680 so as a moment looking at you know, what did 129 00:06:24,680 --> 00:06:27,079 they do when they toured it, who did they bring 130 00:06:27,120 --> 00:06:29,040 with them, where did they play or whatever that there is. 131 00:06:29,800 --> 00:06:32,639 I'm interested in the history of that basically, and so 132 00:06:32,759 --> 00:06:37,240 as we look at what that kind of did. But 133 00:06:37,399 --> 00:06:39,800 for one thing, and we said this when the tour 134 00:06:40,000 --> 00:06:43,000 was announced, you're quite right to point out that, as 135 00:06:43,040 --> 00:06:44,800 we said, a bunch of times not Louse seemed to 136 00:06:44,800 --> 00:06:49,120 be kind of being propelled forward the more continuingly kind 137 00:06:49,120 --> 00:06:54,040 of ridiculously heavy they get. But along with that, the 138 00:06:54,079 --> 00:06:57,199 bill that they brought out with them, I think is 139 00:06:57,560 --> 00:07:01,399 very commendable because there is no sense of not lose 140 00:07:01,480 --> 00:07:04,279 having changed the bands they would be taking out with 141 00:07:04,319 --> 00:07:08,279 them because of how big they've gotten. Right like this tour, 142 00:07:09,639 --> 00:07:11,600 maybe the main support would be slightly smaller or whatever, 143 00:07:11,639 --> 00:07:12,839 but like essentially the kind of. 144 00:07:12,759 --> 00:07:16,399 Speaker 3: Death Heaven last time, they're still taking you know, recognized 145 00:07:17,040 --> 00:07:17,480 main support. 146 00:07:17,560 --> 00:07:20,000 Speaker 1: But that this bill. You could imagine them doing this 147 00:07:20,079 --> 00:07:23,399 bill if they were still in the forum or even 148 00:07:23,439 --> 00:07:26,199 I don't know, the ballroom or whatever. You could say. 149 00:07:26,480 --> 00:07:29,920 It's not a we're getting into bricks and academy by 150 00:07:31,120 --> 00:07:33,879 you know, trading out our kind of home support, our 151 00:07:33,920 --> 00:07:35,079 home scene bands. 152 00:07:35,560 --> 00:07:37,680 Speaker 2: They're not bringing wage War along, is what you're saying. 153 00:07:38,000 --> 00:07:41,639 Speaker 1: Yeah, for different words, Yeah, you know, there's none of 154 00:07:41,639 --> 00:07:43,399 that to it. It's a hard core bill, It's all right, 155 00:07:43,439 --> 00:07:45,800 and the one non hardcore band basement, are you know, 156 00:07:45,920 --> 00:07:46,519 still like. 157 00:07:46,720 --> 00:07:49,279 Speaker 3: So ingrained in the dna of hard in this country 158 00:07:49,480 --> 00:07:52,560 like they are, they're outbreak headliners, they are ingrained in 159 00:07:52,600 --> 00:07:54,199 the dna of pard in this country. 160 00:07:54,040 --> 00:07:55,079 Speaker 2: They belong there. 161 00:07:55,160 --> 00:07:57,639 Speaker 1: Yeah, And so you know, not that we ever say this, 162 00:07:57,759 --> 00:07:59,879 and not that I think many of our listener particularly, 163 00:08:00,319 --> 00:08:02,360 but if there's any kind of snobbiness out there around 164 00:08:02,480 --> 00:08:05,040 not loose and whether they're still a real hardcore band 165 00:08:05,079 --> 00:08:05,399 or whatever. 166 00:08:05,720 --> 00:08:07,920 Speaker 3: They are labeled as, you know, the tourist hardcore band, 167 00:08:07,959 --> 00:08:10,800 the co worker hardcore band, like all that, and I'm like, sure, 168 00:08:10,879 --> 00:08:13,279 they're the co worker hardcore band who are taking influence 169 00:08:13,319 --> 00:08:14,879 from death metal and horror soundtracks. 170 00:08:15,319 --> 00:08:17,720 Speaker 1: Go yeah. But the fact that they have brought along 171 00:08:17,839 --> 00:08:21,480 a full on hardcore bill with them into these spaces 172 00:08:21,519 --> 00:08:24,240 I think shows a great deal of their character in 173 00:08:24,319 --> 00:08:27,519 terms of their attitude towards it, and I think not 174 00:08:27,560 --> 00:08:30,439 these are a very important band right now in terms 175 00:08:30,480 --> 00:08:34,799 of like that. They're a very important stepping stone right now. 176 00:08:34,799 --> 00:08:36,399 And I don't mean that to persmrch them because they're 177 00:08:36,399 --> 00:08:39,200 a brilliant one. But what I mean is I like, 178 00:08:39,279 --> 00:08:41,960 at the show, I saw like at least two people 179 00:08:42,000 --> 00:08:45,720 with Sleep token tattoos, and they feel like one of 180 00:08:45,720 --> 00:08:50,000 the very few bands right now who are actually forging 181 00:08:50,039 --> 00:08:53,240 that link that I often feel isn't there between kind 182 00:08:53,320 --> 00:08:58,720 of the very popular zeitgeist of metalcore and actually you know, heavier, 183 00:08:58,960 --> 00:09:04,559 more extreme underground whatever music. Those worlds seem more separated 184 00:09:04,600 --> 00:09:07,759 than ever, and jumping that gap feels very difficult, but 185 00:09:07,840 --> 00:09:11,600 not Loose are one of the only things there that 186 00:09:11,679 --> 00:09:14,240 is kind of forwarding that link in terms of the popularity, 187 00:09:14,279 --> 00:09:17,279 and like you know, they're about the only thing that 188 00:09:17,320 --> 00:09:19,679 can get bad Omens fans in front of pest control 189 00:09:19,720 --> 00:09:23,120 and Harm's way right, Like that isn't happening anywhere else. 190 00:09:23,480 --> 00:09:25,000 And that was the feeling I got with the all 191 00:09:25,080 --> 00:09:25,320 like this. 192 00:09:26,039 --> 00:09:29,279 Speaker 2: Yeah, absolutely, I think like this is it is like they're. 193 00:09:29,039 --> 00:09:31,399 Speaker 3: They're sort of like the links someone between, like the 194 00:09:31,480 --> 00:09:34,960 convergent sort of sleep tope, like obvious end of the spectrum, 195 00:09:35,000 --> 00:09:37,000 not loose, I like the ideal middle ground. 196 00:09:37,000 --> 00:09:38,200 Speaker 2: And again, like you're. 197 00:09:38,080 --> 00:09:41,360 Speaker 3: Saying about how they are still so like thoroughly in 198 00:09:41,399 --> 00:09:44,000 a hardcore like you know that that Underworld show they 199 00:09:44,039 --> 00:09:45,720 played like a couple of Nights. Before they were bringing 200 00:09:45,720 --> 00:09:48,080 like bands like Life of One and like actually upcoming 201 00:09:48,159 --> 00:09:49,840 UK hardcore bands are they wanted to put on that 202 00:09:50,080 --> 00:09:52,840 they went into platform out they're kind of like cool 203 00:09:52,919 --> 00:09:54,840 underwall show they're playing, and again that's just something that's 204 00:09:54,840 --> 00:09:57,440 the band they are. Now that they're they like Brian 205 00:09:57,519 --> 00:10:00,000 and like and all that they are so ingrained in hardcore, 206 00:10:00,080 --> 00:10:02,759 they want to platform newer bands as well, and I 207 00:10:02,759 --> 00:10:05,399 think that that that's why, like for all the sort 208 00:10:05,440 --> 00:10:07,279 of SNeW of them game big, a lot of people 209 00:10:07,279 --> 00:10:09,759 are kind of like, you know what Brian is fucking 210 00:10:09,799 --> 00:10:12,559 like two stepping and frying down and spinkicking across that stage. 211 00:10:12,799 --> 00:10:15,039 They're bringing these bands out in sport. They haven't lost 212 00:10:15,080 --> 00:10:17,720 touch of where they've come from. They know their roots 213 00:10:17,720 --> 00:10:20,759 and they understand like I remember, like when they were 214 00:10:20,799 --> 00:10:22,879 before the Grammys, Brian did a post about like how 215 00:10:22,919 --> 00:10:25,399 you like he would not trade this for like sleeping 216 00:10:25,440 --> 00:10:27,440 on the floors, and when they were coming up as 217 00:10:27,440 --> 00:10:30,960 a band, they understand they're kind of like the sense 218 00:10:30,960 --> 00:10:32,960 of hardcore in the community and the ginn and they've 219 00:10:32,960 --> 00:10:35,279 been on and they're keeping that true to them now 220 00:10:35,279 --> 00:10:36,080 playing the bigges shows. 221 00:10:36,080 --> 00:10:37,320 Speaker 2: Ever, and I think that fucking rocks. 222 00:10:37,399 --> 00:10:39,759 Speaker 1: Yeah, So when we look at the bill Pest Control opened, 223 00:10:39,759 --> 00:10:41,960 Who Pest Control, even though they've got like like an 224 00:10:42,000 --> 00:10:43,600 album and an EP or something like that, and it's 225 00:10:43,639 --> 00:10:46,679 all pretty uh, you know, like they have a very 226 00:10:46,720 --> 00:10:49,200 clear particular niche that they operate in right now. There's 227 00:10:49,240 --> 00:10:51,000 not a lot of expansion outside that going on. They're 228 00:10:51,000 --> 00:10:54,080 a crossover thrash band. They sound like Iron Reagan and 229 00:10:54,120 --> 00:10:56,840 that's basically what they sound like. But they have clearly, 230 00:10:56,879 --> 00:10:58,559 you know, they've kind of cottoned on to terms of 231 00:10:58,600 --> 00:11:01,519 like they are somewhat red now being platformed on these 232 00:11:01,600 --> 00:11:03,639 kind of you know places and the biggest stages. They've 233 00:11:03,639 --> 00:11:06,440 become the representative. And that was the feeling I got 234 00:11:06,480 --> 00:11:09,120 when I did manage to get into Sea pay Control. 235 00:11:09,159 --> 00:11:10,879 I know there were some people, particularly at the day 236 00:11:10,960 --> 00:11:14,080 I was at in Manchester where just because of the 237 00:11:14,120 --> 00:11:16,039 early doors and security and stuff, didn't quite manage to 238 00:11:16,080 --> 00:11:18,679 get into Sea Pest Control, which is a shame I did. 239 00:11:19,679 --> 00:11:21,759 And you know, seeing obviously at this point it was 240 00:11:21,799 --> 00:11:24,000 like half of the venue that was full, but seeing 241 00:11:24,080 --> 00:11:26,240 just a big old you know, circle pit and stuff 242 00:11:26,279 --> 00:11:28,879 for this band Pest Control, who were like you know 243 00:11:28,919 --> 00:11:31,080 not in the scheme of things big in this huge 244 00:11:31,080 --> 00:11:32,720 space was like yeah, cool good. 245 00:11:33,240 --> 00:11:33,960 Speaker 2: Yeah, I thought. 246 00:11:34,000 --> 00:11:35,519 Speaker 3: I was like, I was like really cool Sea pest 247 00:11:35,559 --> 00:11:38,240 Control sort of players says that, and you're like people 248 00:11:38,240 --> 00:11:39,759 who got on early for them and bring some with 249 00:11:39,840 --> 00:11:43,399 the hardcore faithful. So the pit was like fist swinging, 250 00:11:43,840 --> 00:11:46,080 two step in like there was a circle pit. The 251 00:11:46,120 --> 00:11:47,840 crowd who like went into it seemed to just kind 252 00:11:47,879 --> 00:11:49,799 of like get swept up in the energy. And I 253 00:11:49,840 --> 00:11:52,679 was like, it's amazing how people who like you would 254 00:11:52,679 --> 00:11:55,159 not give Cross Over Thrash another look. I just in 255 00:11:55,200 --> 00:11:57,720 the moment getting swept up in the kind of infection 256 00:11:57,879 --> 00:11:59,399 energy pest with to have. I mean they've got like 257 00:11:59,759 --> 00:12:03,559 a good sort of like don't test the pest and 258 00:12:03,600 --> 00:12:05,679 stuff like that, like where they're like for like actually 259 00:12:05,799 --> 00:12:08,320 kind of like quite catchy sort of like fist pumping 260 00:12:08,759 --> 00:12:10,000 like crossover frash stuff. 261 00:12:10,039 --> 00:12:12,279 Speaker 2: And it was a really good showing for them in Brixton. 262 00:12:12,440 --> 00:12:15,000 Speaker 1: Yeah, Harm's Way were fucking brilliant. 263 00:12:15,519 --> 00:12:20,840 Speaker 3: They were amazing. Like I was just like I love 264 00:12:20,879 --> 00:12:23,279 this band, like I forget something that I do. Fucking 265 00:12:23,320 --> 00:12:25,879 love harms Way because like they were fantastic outbreak last 266 00:12:25,960 --> 00:12:28,559 year and then just seeing them come out at Brixton 267 00:12:28,639 --> 00:12:30,879 and just be like, Yeah, we're gonna be the heaviest 268 00:12:30,879 --> 00:12:32,919 thing a lot of you have ever seen fucking bring 269 00:12:33,000 --> 00:12:37,120 it like, and they just pulverized that venue. 270 00:12:37,120 --> 00:12:40,600 Speaker 2: They sounded like unbelievably heavy. 271 00:12:40,759 --> 00:12:44,480 Speaker 3: Yeah, he is the biggest man alive, Hue, Like when 272 00:12:44,480 --> 00:12:47,320 you read something, you're just like, yeah, man, there. 273 00:12:47,200 --> 00:12:48,960 Speaker 1: Was a great moment where I don't know for you, 274 00:12:49,000 --> 00:12:50,600 but for the first like two or three songs he 275 00:12:50,679 --> 00:12:53,000 was wearing the shirt and then pulled the shirt off 276 00:12:53,000 --> 00:12:54,360 and the whole crowd cheered. 277 00:12:56,320 --> 00:12:57,759 Speaker 2: Like that's what I did. 278 00:12:57,919 --> 00:13:00,600 Speaker 3: Like I say about harms of being just like fucking stating, 279 00:13:01,159 --> 00:13:03,039 they knew the show they were playing, and they knew 280 00:13:03,080 --> 00:13:06,480 to play up certain things like again when it comes 281 00:13:06,519 --> 00:13:08,200 to like the end of the set, and they knew that. 282 00:13:08,200 --> 00:13:10,480 They're like they're playing through the hardcore faithful, so they 283 00:13:10,480 --> 00:13:13,200 can like do things that the more casual audients will 284 00:13:13,200 --> 00:13:13,960 actually know them for. 285 00:13:14,159 --> 00:13:16,559 Speaker 2: And I think that was like a really savvy move 286 00:13:16,600 --> 00:13:16,919 by them. 287 00:13:17,000 --> 00:13:18,679 Speaker 1: Yeah, but they were still like I think they played 288 00:13:18,679 --> 00:13:21,080 about six songs or something, Yeah, and like two or 289 00:13:21,360 --> 00:13:24,039 you know, at least one or two of those were 290 00:13:24,080 --> 00:13:28,039 those kind of like quasi industrial noisy, like where he's. 291 00:13:27,879 --> 00:13:29,960 Speaker 3: Like got the vocal distortion yeah, and all that, and 292 00:13:29,960 --> 00:13:31,440 that was like disgusting, and really I. 293 00:13:31,399 --> 00:13:33,759 Speaker 1: Think it's I think it's a song called Terrorizer on 294 00:13:33,799 --> 00:13:35,240 their new rechord, which is one of the full on 295 00:13:35,360 --> 00:13:38,639 just like Godflesh noise songs. And again when we just 296 00:13:38,639 --> 00:13:40,440 what we were saying about the crowd he might come 297 00:13:40,480 --> 00:13:42,360 out to see not lose putting that on and again 298 00:13:42,440 --> 00:13:45,519 just really fucking like intense like red lighting and stuff, 299 00:13:45,519 --> 00:13:48,360 like they looked scary. Something I want to point out 300 00:13:48,360 --> 00:13:50,159 about Hans Way as well, as you know, everyone talks 301 00:13:50,159 --> 00:13:52,440 about James and he's you know, he's he's I think 302 00:13:52,759 --> 00:13:55,279 he's become kind of known for the the meme and 303 00:13:55,320 --> 00:13:58,639 stuff of the running and he's certainly so physically you know, 304 00:13:58,960 --> 00:14:03,559 huge posing. But I also like Bo the guitarist. 305 00:14:03,279 --> 00:14:05,120 Speaker 2: He's a did like like awesome guy. 306 00:14:05,200 --> 00:14:07,159 Speaker 1: Yeah, but like he has real presence as well on stage. 307 00:14:07,159 --> 00:14:08,919 I think like he's you know, he's no, he's no 308 00:14:08,960 --> 00:14:10,440 slouch himself when it comes to wearing. 309 00:14:10,480 --> 00:14:12,000 Speaker 3: All the band kind of like catch with because they 310 00:14:12,039 --> 00:14:14,519 all just like they just play with such intensity and 311 00:14:14,559 --> 00:14:16,679 they just like yeah, but they're all like such just 312 00:14:16,679 --> 00:14:17,679 like powerful youth. 313 00:14:17,720 --> 00:14:19,480 Speaker 1: I think it's particularly it's the kind of duality of 314 00:14:19,480 --> 00:14:21,799 of of James in the middle and then Bow on, 315 00:14:21,919 --> 00:14:23,600 you know, the side that he's on who he's just 316 00:14:23,679 --> 00:14:26,399 like fist in the air while playing those riffs, headbanging, 317 00:14:26,720 --> 00:14:29,399 running around like two stepping when he's not on a part, 318 00:14:29,440 --> 00:14:31,720 when he's not playing a riff, there is this kind 319 00:14:31,759 --> 00:14:35,000 of like you know, there's two real stage kind of 320 00:14:35,039 --> 00:14:36,840 dynamos to look at with harms Way. And as I said, 321 00:14:36,840 --> 00:14:39,720 it was so heavy. This my first time catching Harnsway 322 00:14:39,840 --> 00:14:41,919 was this. I hadn't managed to see him before. And 323 00:14:42,039 --> 00:14:43,639 they are a band who I again, over the years 324 00:14:43,679 --> 00:14:47,759 increasingly i'm a big admirer of. And that was awesome. Again, 325 00:14:47,840 --> 00:14:49,279 songs of theirs, I'd love to see them play that 326 00:14:49,279 --> 00:14:52,720 they didn't have time to fit in. But those were 327 00:14:52,879 --> 00:14:58,519 so just so heavy and so terrifying and imposing and yeah, awesome, 328 00:14:59,480 --> 00:15:04,639 very big energy shift going from that into Basement. I 329 00:15:04,679 --> 00:15:07,159 don't know how you found it. I obviously I like 330 00:15:07,279 --> 00:15:09,519 Basement a great deal. I thought they were very good. 331 00:15:10,320 --> 00:15:13,799 And it's just like the thing of like being so 332 00:15:14,000 --> 00:15:16,919 in that zone of just like nightmare fuel and then 333 00:15:17,600 --> 00:15:19,679 like people jumping around and you know, doing the pop 334 00:15:19,720 --> 00:15:21,320 punk point and all that stuff. But they were good. 335 00:15:22,000 --> 00:15:23,360 Speaker 2: I've thought Basement really it was. 336 00:15:23,519 --> 00:15:25,480 Speaker 3: It was a weird kind of like dynamic shift way 337 00:15:25,519 --> 00:15:27,759 like if you've gone Harm's Ways trying to not lose, 338 00:15:27,799 --> 00:15:31,440 that would have just been. Yeah, like nearly two hours 339 00:15:31,480 --> 00:15:33,559 of just some of the most terrifying music you can 340 00:15:33,720 --> 00:15:36,120 like feasibly have at a hard core s shem Bricks 341 00:15:36,120 --> 00:15:38,759 and the Academy, but like Baseball were a fun like 342 00:15:38,960 --> 00:15:42,120 some in the middle, like those songs are great, big 343 00:15:42,159 --> 00:15:45,000 sing alongs like the Colomy and Kindness of is great. 344 00:15:45,000 --> 00:15:46,840 Speaker 2: The new stuff they played sounds really promising. 345 00:15:47,000 --> 00:15:49,440 Speaker 3: I'm kind of intrigued about any Basement album at this point, 346 00:15:49,440 --> 00:15:51,080 which is something again that a couple of years ago 347 00:15:51,120 --> 00:15:54,120 I never would have thought was like possible. But I thought, 348 00:15:54,200 --> 00:15:57,320 you know, I've some Basement like multiple times in the 349 00:15:57,360 --> 00:15:58,720 last couple of years now, and every time I'm just like, 350 00:15:58,879 --> 00:16:01,759 they're just super easy to watch live. Sing along, you know, 351 00:16:01,840 --> 00:16:03,799 do the big cover sing along at the end of 352 00:16:03,840 --> 00:16:04,799 the set, have a good time. 353 00:16:04,840 --> 00:16:05,039 Speaker 2: Yeah. 354 00:16:05,039 --> 00:16:07,360 Speaker 1: I mean I hadn't seen them in because I hadn't 355 00:16:07,360 --> 00:16:09,559 been to one of those various outbreaks at the game 356 00:16:09,840 --> 00:16:11,120 they've been at. Yeah, I think I went to the 357 00:16:11,159 --> 00:16:13,039 one that's in between the two big outbreaks act they 358 00:16:13,080 --> 00:16:15,879 went to. So I haven't seen them since like twenty 359 00:16:15,960 --> 00:16:19,320 eighteen or something, and I was I was kind of 360 00:16:19,320 --> 00:16:23,600 taken by Uh, it's very everything they've done since coming back, 361 00:16:24,360 --> 00:16:28,000 and by that I mean COVID right. It feels like 362 00:16:28,000 --> 00:16:30,039 it's been quite nostalgia based in terms of like they've 363 00:16:30,039 --> 00:16:31,360 done a lot of columny and kindness. 364 00:16:31,399 --> 00:16:33,759 Speaker 3: Celebration in the first out of EXEPT was like, yeah, 365 00:16:33,799 --> 00:16:36,360 I mean kindness, not in full but like celebration. Yeah. 366 00:16:36,559 --> 00:16:37,720 Speaker 1: And then this, I don't know if it's a thing 367 00:16:37,759 --> 00:16:39,720 of like, you know, we're playing in front of hardcore fans. 368 00:16:39,759 --> 00:16:42,840 Maybe hardcore fans really mostly know and appreciate like the 369 00:16:43,120 --> 00:16:47,440 earlier Basement stuff. The last Basement album, the twenty eighteen one. 370 00:16:47,480 --> 00:16:50,000 I think it's great and there are songs on that 371 00:16:50,039 --> 00:16:52,120 record that I am stunned they don't play like. 372 00:16:52,159 --> 00:16:54,360 Speaker 3: It's my favorite Basement album. It's the one that actually 373 00:16:54,440 --> 00:16:56,399 was the moment of unlocked Basement for me. 374 00:16:56,519 --> 00:16:58,080 Speaker 1: Was that album, Well, it sounds like a Jimmy at 375 00:16:58,080 --> 00:17:01,759 World album, but like Disconnect and be here now and 376 00:17:01,759 --> 00:17:03,919 stuff are fucking amazing songs, and I was like, you 377 00:17:03,919 --> 00:17:06,400 need to bring those ones back, and I do. I 378 00:17:06,480 --> 00:17:09,559 hope there is new Basement sooner rather than later at 379 00:17:09,559 --> 00:17:12,960 this point, because I do feel like them continually milking 380 00:17:13,079 --> 00:17:15,599 the Columny and Kindness anniversary thing for a good and 381 00:17:15,720 --> 00:17:18,599 know a few years now is like, uh, you know, 382 00:17:18,640 --> 00:17:21,720 it's it's it's welcome. It's good. They were good, but 383 00:17:21,759 --> 00:17:24,839 I would like to see them move forward them it 384 00:17:24,920 --> 00:17:26,920 be a more active band rather than a legacy one. 385 00:17:26,920 --> 00:17:29,200 At this point, it's funny when they get to cover 386 00:17:30,640 --> 00:17:35,279 the Leap in crowd volume is kind of amusing, like 387 00:17:35,319 --> 00:17:38,039 people were you know, singing you know, nicely and stuff 388 00:17:38,039 --> 00:17:39,759 for the you know, the other songs particular obviously the 389 00:17:39,759 --> 00:17:42,400 other Colomy and Kindless songs. But then they get to cover. 390 00:17:42,279 --> 00:17:44,599 Speaker 2: At the end and he goes when I'm and that's it, 391 00:17:45,319 --> 00:17:45,640 doesn't it. 392 00:17:45,920 --> 00:17:48,160 Speaker 1: Suddenly every single person in the room gets their phone 393 00:17:48,160 --> 00:17:50,960 out to film it, and it's like what I imagine 394 00:17:51,000 --> 00:17:52,839 being at a europe show when they play the final 395 00:17:52,839 --> 00:17:55,440 countdown is it's like maybe people are enjoying the set 396 00:17:55,519 --> 00:17:58,440 at that point, but then at the ends and that's 397 00:17:58,839 --> 00:17:59,440 that's covered. 398 00:18:00,079 --> 00:18:02,039 Speaker 2: The very emo version of that. Yeah. 399 00:18:02,119 --> 00:18:06,440 Speaker 1: Yeah, but Basement were good and then Onto Not Loose, 400 00:18:06,440 --> 00:18:08,720 who I had never seen Not to Lose headline. I 401 00:18:08,759 --> 00:18:11,319 had only seen them, you know, lower down on tours 402 00:18:11,319 --> 00:18:14,079 in the earlier days and then on festivals and stuff 403 00:18:14,119 --> 00:18:15,200 like that. I think the last one I saw them 404 00:18:15,200 --> 00:18:17,920 was when they played kind of mid afternoon of Bloodstock 405 00:18:17,960 --> 00:18:19,359 a couple of years ago. And I think now off 406 00:18:19,359 --> 00:18:21,680 this new album, they'd be you know, higher than that, 407 00:18:21,720 --> 00:18:24,279 which I think someone pointed out. The venues they're doing 408 00:18:24,319 --> 00:18:28,759 are basically the venue that like Bloodstock headliners do right, Like, yeah, 409 00:18:29,160 --> 00:18:30,079 I've seen in. 410 00:18:30,119 --> 00:18:32,640 Speaker 2: That most other years would be the then cl headliners. 411 00:18:32,799 --> 00:18:35,200 Speaker 1: Yeah, it's like you know, Machine Heading, Gagira and those 412 00:18:35,240 --> 00:18:36,799 are the band Trivia. Those are bands that play the 413 00:18:36,839 --> 00:18:39,799 rooms that not Looser now in So I don't know 414 00:18:39,839 --> 00:18:42,000 what their future at those kinds of places would be. Obviously, 415 00:18:42,000 --> 00:18:44,279 Outbreak they're confirmed headliners forever at this point. 416 00:18:44,400 --> 00:18:47,440 Speaker 3: I mean funny because they're obviously their subheadlining the London 417 00:18:47,440 --> 00:18:49,119 one subits because I think the only band you can 418 00:18:49,160 --> 00:18:51,440 probably put above them at Outbreak is turn Start and 419 00:18:51,440 --> 00:18:53,359 they're just like six those two in that league category. 420 00:18:53,440 --> 00:18:58,480 Speaker 1: Yeah, but seeing them in. This was obviously one of 421 00:18:58,480 --> 00:19:00,720 those things of people talk a lot, and I think 422 00:19:00,720 --> 00:19:04,839 people obviously they do it too kind of generously, and 423 00:19:04,880 --> 00:19:06,799 I don't mean to do it in this sense, but 424 00:19:07,960 --> 00:19:10,759 when people describing like, oh, they're the new Slipknot or whatever, 425 00:19:11,359 --> 00:19:13,319 which is almost like our generation's equivalent of like the 426 00:19:13,359 --> 00:19:17,279 new Metallica, Right, what I mean by a similarity there 427 00:19:17,559 --> 00:19:20,240 is a band who, like we were saying, can kind 428 00:19:20,279 --> 00:19:25,960 of like take it to extremes while continually galvanizing people. 429 00:19:26,039 --> 00:19:31,799 Like what is something that is heavier than the setting 430 00:19:31,880 --> 00:19:34,920 you are realistically seeing it in? You know, yeah, and 431 00:19:34,960 --> 00:19:37,400 they are kind of going beyond that and they are 432 00:19:37,440 --> 00:19:39,720 forging those links, and you know, they can be that 433 00:19:39,759 --> 00:19:44,279 link between sleep Token and Harm's Way that Slipnot maybe 434 00:19:44,319 --> 00:19:48,440 were between like Cold Chamber and Immolation or something like. 435 00:19:50,240 --> 00:19:54,440 It's just the idea of seeing something as like rabid 436 00:19:55,079 --> 00:20:00,640 as not loose do. What they did was really uh 437 00:20:00,680 --> 00:20:03,799 like again with a set list of mostly current stuff, 438 00:20:03,839 --> 00:20:05,599 like even when they go back to the oldest stuff 439 00:20:05,640 --> 00:20:08,039 being you know, like Dead Ringer and catting worms and 440 00:20:08,039 --> 00:20:10,799 stuff like that. I know it's nearly a decade old 441 00:20:10,799 --> 00:20:12,519 at this point, but it's it's kind of we've seen 442 00:20:12,559 --> 00:20:15,039 that graduate into being like the old stuff, and most 443 00:20:15,079 --> 00:20:17,880 of the set is taken up by, like, you know, 444 00:20:17,960 --> 00:20:20,480 the the last few years of stuff that people are 445 00:20:20,480 --> 00:20:24,480 the most into. It just felt like a really big 446 00:20:24,559 --> 00:20:25,359 kind of statement. 447 00:20:26,640 --> 00:20:28,440 Speaker 2: Yeah. Absolutely, it felt exciting. 448 00:20:28,480 --> 00:20:32,200 Speaker 3: It felt like a band like not relyingt on nostalgia 449 00:20:32,359 --> 00:20:36,319 looking back is not like they put themselves like they're 450 00:20:36,359 --> 00:20:39,680 like their current work front it so, and I think 451 00:20:39,720 --> 00:20:42,440 on this album it makes sense because obviously this album 452 00:20:42,559 --> 00:20:46,759 is such a specific vibe and again the technically that 453 00:20:46,759 --> 00:20:48,960 the EP and the mini album or whatever, the CPS 454 00:20:48,960 --> 00:20:50,640 whatever you want to like label them as now that 455 00:20:50,680 --> 00:20:53,200 came before this, they fit that vibe as well because it. 456 00:20:53,160 --> 00:20:56,000 Speaker 2: Is the whole like the horror like not loose sort 457 00:20:56,039 --> 00:20:56,279 of thing. 458 00:20:56,920 --> 00:20:59,039 Speaker 3: And so you've gone, right, we're gonna like push that 459 00:20:59,240 --> 00:21:00,960 as the entire feeling of this set. 460 00:21:01,359 --> 00:21:03,839 Speaker 2: And it's just like, oh, you are doing this like dark. 461 00:21:03,680 --> 00:21:06,880 Speaker 3: Intense, scary music and people are just bouncing up and 462 00:21:06,920 --> 00:21:09,559 down to it and having the best fucking time, and 463 00:21:09,599 --> 00:21:11,839 it feels exciting to just be involved in that. 464 00:21:12,160 --> 00:21:15,119 Speaker 1: Yeah. I mean, it's struck by but again people knowing 465 00:21:15,279 --> 00:21:17,480 the words not just to like the big break like 466 00:21:17,480 --> 00:21:20,240 you know, they're not lose motherfucker, and yeah, it's how 467 00:21:20,440 --> 00:21:23,400 fucking loud you know, suffocates or whatever. But like you know, 468 00:21:23,400 --> 00:21:26,319 people around me who like know the words through album 469 00:21:26,400 --> 00:21:30,839 tracks on you won't go with peace and yeah even. 470 00:21:30,720 --> 00:21:32,839 Speaker 3: Though when they open with first and everyone's kind of 471 00:21:32,880 --> 00:21:36,119 just in on that straight away or that like just that. 472 00:21:35,559 --> 00:21:39,400 Speaker 1: Yeah, and there wasn't a clean vocal all night, Like 473 00:21:39,880 --> 00:21:41,359 the entire set is. 474 00:21:41,440 --> 00:21:46,839 Speaker 3: Just like is that or it's an yeah, like is that? 475 00:21:46,880 --> 00:21:49,200 Are you two options? And it's like yeah, not a 476 00:21:49,200 --> 00:21:51,599 clean vocal and they are doing what they're doing. And again, 477 00:21:51,640 --> 00:21:55,960 that to me is just like there's no formula to success. 478 00:21:56,240 --> 00:21:59,359 There's no like actual kind of like you like, the 479 00:21:59,359 --> 00:22:02,279 bands who can actually just carve their own sort of 480 00:22:02,319 --> 00:22:04,400 thing out and be distinct and be themselves are the 481 00:22:04,400 --> 00:22:06,079 bands who are doing the best, the biggest and best 482 00:22:06,079 --> 00:22:06,640 things right now. 483 00:22:06,680 --> 00:22:09,279 Speaker 2: And like again I could say like maybe some of 484 00:22:09,279 --> 00:22:09,839 those guns. 485 00:22:09,680 --> 00:22:10,920 Speaker 3: On in the best things, but they are they they 486 00:22:10,960 --> 00:22:12,519 have kind of like found their niche and that's why 487 00:22:12,519 --> 00:22:16,880 they're massive. Playing the copycair game isn't working, like be individual, 488 00:22:16,960 --> 00:22:19,880 be like what fucking not lusar go out there, don't 489 00:22:19,880 --> 00:22:22,680 have a clean vocal be a beatdown hardcore band with 490 00:22:22,720 --> 00:22:26,920 like definite influences, doing these kind of like sort of conceptual, 491 00:22:27,079 --> 00:22:32,000 cohesively sequenced sort of albums and then just have like 492 00:22:32,160 --> 00:22:34,359 this pumping bangers that people to bounce them down to. 493 00:22:34,400 --> 00:22:34,920 Speaker 2: At the same time. 494 00:22:34,960 --> 00:22:38,160 Speaker 3: It's just like a really like thing that left me 495 00:22:38,240 --> 00:22:41,599 so infused with like like there are there, it doesn't 496 00:22:41,599 --> 00:22:43,759 have to be as bad as it seemed at one 497 00:22:43,759 --> 00:22:45,920 point in the last couple of weeks, like there's it's 498 00:22:45,960 --> 00:22:46,880 not all doom and gloom. 499 00:22:47,039 --> 00:22:49,839 Speaker 1: Yeah, and seeing them inside so again, the last time 500 00:22:49,839 --> 00:22:51,559 I saw them was a bloodstock like two years ago, 501 00:22:51,680 --> 00:22:53,279 and like that. Obviously they were super heavy and everything, 502 00:22:53,279 --> 00:22:56,200 but I thought that the outdoors, the like sub drop abuse, 503 00:22:56,319 --> 00:22:59,440 was like a bit kind of a bit overbearing, but 504 00:22:59,559 --> 00:23:02,559 inside it just it all worked and it was so. 505 00:23:03,000 --> 00:23:06,599 Speaker 3: That the lighting, Yeah, it's just like a big cross like. 506 00:23:06,839 --> 00:23:09,200 Speaker 1: So cave your head in heavy and as you're saying, 507 00:23:09,519 --> 00:23:13,160 like stage presentation for what was still a hardcore show 508 00:23:13,680 --> 00:23:19,039 is a nice balance, right and how you know photogenic 509 00:23:19,119 --> 00:23:20,559 like you know, like you took a photo on your 510 00:23:20,559 --> 00:23:23,200 phone and it looked like a really fucking awesome cool. 511 00:23:23,200 --> 00:23:25,559 Speaker 3: Just like Brian's arms out the smoke and that, yeah, 512 00:23:25,680 --> 00:23:28,720 just looked like a memorable stage. They didn't go over 513 00:23:28,759 --> 00:23:30,759 boarding the stage, so it was the cross was kind 514 00:23:30,759 --> 00:23:33,799 of it. But it was just like really effective lighting 515 00:23:34,359 --> 00:23:36,400 them where they're positioned and all that, and it just 516 00:23:36,519 --> 00:23:38,799 was like it never felt choreographed or ahearse, Like it 517 00:23:38,799 --> 00:23:40,920 didn't feel like Brown was hitting the pose at that 518 00:23:40,920 --> 00:23:42,960 moment because like he's gotta he's gotta strike the pose. 519 00:23:43,279 --> 00:23:44,599 Just it's just kind of him was just like doing 520 00:23:44,599 --> 00:23:47,759 this like violent scream, arms outstretched, and it just was like, 521 00:23:47,799 --> 00:23:49,799 I feel like I'm just watching something fucking cool. 522 00:23:50,119 --> 00:23:53,359 Speaker 1: Yeah, they played I think it was like every single 523 00:23:53,359 --> 00:23:54,319 song on the new album apart. 524 00:23:54,319 --> 00:23:57,200 Speaker 3: I felt so vindicated by this setling choice of like 525 00:23:57,759 --> 00:24:00,359 everything Barstaw to House too, which I was like, yeah, cool, 526 00:24:00,480 --> 00:24:03,119 you actually know that that's some doesn't belong. 527 00:24:03,240 --> 00:24:06,079 Speaker 1: Yeah, no, I love Slaughterhouse too. And I was thinking, like, 528 00:24:06,119 --> 00:24:07,599 you know, I'm sure there are some I don't know, 529 00:24:07,680 --> 00:24:09,359 some teenagers out there who this is one of their, 530 00:24:09,400 --> 00:24:11,920 you know, first bands they really getting into, who would 531 00:24:11,920 --> 00:24:14,799 expect them to play that's maybe it's just a case 532 00:24:14,839 --> 00:24:18,240 of like it's not fitting the particular set, but not 533 00:24:18,279 --> 00:24:20,920 having motionless in white there right, like not having well. 534 00:24:21,039 --> 00:24:23,039 Speaker 2: You said that, but they did, you know, Suffocate. 535 00:24:23,240 --> 00:24:26,759 Speaker 1: Yeah, I think it's more that you know that the 536 00:24:27,039 --> 00:24:30,000 Slaughterhouse song is it was literally inname, it's tied. It's 537 00:24:30,079 --> 00:24:31,680 kind of part of the whole, you know, it's a 538 00:24:31,720 --> 00:24:34,400 sort of duet. But yeah, every single time of their 539 00:24:34,400 --> 00:24:37,759 own a part from a slaughter House couple thrown in 540 00:24:37,799 --> 00:24:39,599 from a different shade of blue, which. 541 00:24:40,039 --> 00:24:43,319 Speaker 2: I mistakes like fractures when. 542 00:24:45,880 --> 00:24:48,759 Speaker 1: I was like, ah, mate, that could be my favorite 543 00:24:48,839 --> 00:24:50,759 not loose song. There's like two or up there three 544 00:24:50,920 --> 00:24:53,759 from that album. The other ones they don't really play anymore, 545 00:24:53,759 --> 00:24:55,880 which is a shame, but mistakes like Fractures still being 546 00:24:55,880 --> 00:24:58,000 in there is like, yeah, that's the one for me. 547 00:24:58,359 --> 00:25:01,519 Every single time that I will go for the fucking 548 00:25:01,599 --> 00:25:04,559 the pig squeal bit in Suffocate lasted ages. He did 549 00:25:04,559 --> 00:25:05,279 it so long. 550 00:25:06,400 --> 00:25:09,000 Speaker 3: Honestly I was. I cackled when he held that pig 551 00:25:09,039 --> 00:25:12,920 skill on. But as long as yeah, like fair fucking play, 552 00:25:13,079 --> 00:25:14,960 I will say. Obviously there was one thing I think 553 00:25:15,039 --> 00:25:19,160 only happened at Brixton, which was when they did Billy 554 00:25:19,200 --> 00:25:23,440 No Mates off of the last tracks Kadeen from. 555 00:25:23,480 --> 00:25:25,400 Speaker 1: Oh right, Yeah, Yeah, they played that song, but not 556 00:25:25,440 --> 00:25:26,160 with That's cool. 557 00:25:26,200 --> 00:25:29,000 Speaker 2: Yeah, No, it was to be a single kind of 558 00:25:29,000 --> 00:25:29,599 figure who it was. 559 00:25:29,920 --> 00:25:31,680 Speaker 3: And then and then basically Brandt had as one and 560 00:25:31,720 --> 00:25:33,359 I was like, oh fuck, that's who's just walked on 561 00:25:33,400 --> 00:25:35,880 stage and that was fucking sick. Like doing one of 562 00:25:36,079 --> 00:25:39,240 the earlier Not Loose songs with with Kadeen. 563 00:25:38,920 --> 00:25:39,559 Speaker 2: That was really cool. 564 00:25:39,680 --> 00:25:41,559 Speaker 1: Yeah, the thing that only happened at the Manchester date 565 00:25:41,559 --> 00:25:44,079 wasn't quite as good, which this is weird seeing like 566 00:25:44,079 --> 00:25:46,559 like you know, news outlets in America and stuff picking 567 00:25:46,640 --> 00:25:48,599 up on this. I guess that's how big Not Loose 568 00:25:48,640 --> 00:25:51,640 are that like an extremely minor event at one of 569 00:25:51,680 --> 00:25:54,519 their shows gets at traction. But basically he said that 570 00:25:54,559 --> 00:25:55,960 it was like, you know, we couldn't do this at 571 00:25:55,960 --> 00:25:57,960 Brixton yesterday, which I guess is because of the floor 572 00:25:58,000 --> 00:26:00,960 situation at Brixton. It was like we want a wall 573 00:26:01,000 --> 00:26:03,920 of death all the way to the very back to 574 00:26:04,000 --> 00:26:06,599 like the sound desk, so obviously people you know, split 575 00:26:06,799 --> 00:26:09,680 the room in half. Uh and then uh, I think 576 00:26:09,720 --> 00:26:11,079 it was like everything is quiet now or something. It 577 00:26:11,119 --> 00:26:13,960 was like, you know, one of those drop songs and 578 00:26:14,000 --> 00:26:16,559 when you know they went together and that it collided 579 00:26:16,559 --> 00:26:20,440 and everything suddenly the just like the sound went off, 580 00:26:20,519 --> 00:26:23,240 band playing stopped, and then they all just quickly were 581 00:26:23,319 --> 00:26:25,519 kind of ushered off stage and moved off stage, and 582 00:26:25,559 --> 00:26:28,519 then maybe it wasn't long, maybe about you know, a 583 00:26:28,559 --> 00:26:30,680 minute and a half to two minutes later they appeared 584 00:26:30,680 --> 00:26:33,119 back out again, and Brian said, like, you know, they 585 00:26:33,160 --> 00:26:35,160 said that you were going too crazy or something, and 586 00:26:35,160 --> 00:26:37,400 then they just continued exactly well, so it's like nothing 587 00:26:37,440 --> 00:26:39,359 really happened. Basically, there was a there was a wall 588 00:26:39,400 --> 00:26:42,359 of death that for some reason the Victoria Warehouse decided 589 00:26:42,400 --> 00:26:45,119 looked a bit too dangerous, and within two minutes they 590 00:26:45,160 --> 00:26:46,640 were playing again and the rest of the show happened 591 00:26:46,640 --> 00:26:47,039 as normal. 592 00:26:47,079 --> 00:26:49,160 Speaker 3: But it's something because my friend Missus was like, it 593 00:26:49,200 --> 00:26:50,759 was like, did they go off after everything's quite now? 594 00:26:50,799 --> 00:26:50,880 Speaker 1: And no? 595 00:26:51,160 --> 00:26:52,640 Speaker 3: So yeah, So I was like they finished that song 596 00:26:52,640 --> 00:26:54,759 and then they had like a kind of minute or 597 00:26:54,799 --> 00:26:57,440 so of like ambience spooky out effects when they went 598 00:26:57,440 --> 00:26:59,480 off stage before coming back on Blinding Faith, and I 599 00:26:59,519 --> 00:27:01,640 was like, oh no, no, no, no, they just like stopped 600 00:27:01,640 --> 00:27:02,359 the song and walked off. 601 00:27:02,400 --> 00:27:06,759 Speaker 2: I was like, yeah, I saw the videos. I was like, okay, 602 00:27:06,759 --> 00:27:07,519 that's a venue thing. 603 00:27:07,839 --> 00:27:09,839 Speaker 1: It was a nothing story. Really, I'm just I'm just 604 00:27:09,880 --> 00:27:11,759 explaining it in case anyone out there who wasn't there 605 00:27:11,880 --> 00:27:14,400 was curious as to what happened, and we can kind 606 00:27:14,400 --> 00:27:16,160 of not make it out to be any bigger than 607 00:27:16,359 --> 00:27:18,799 it was. Basically, I said that the sound got turned 608 00:27:18,799 --> 00:27:20,440 off for like a minute, and then they came back. 609 00:27:22,039 --> 00:27:23,680 Speaker 2: That they were meant to go on. 610 00:27:23,799 --> 00:27:26,359 Speaker 3: They weren't after that in the set to kind of 611 00:27:26,440 --> 00:27:28,240 like not not for a no, but just kind of 612 00:27:28,279 --> 00:27:30,440 like allow kind of like a minute of like spooky 613 00:27:30,440 --> 00:27:31,440 atmospherics and stuff. 614 00:27:31,640 --> 00:27:34,680 Speaker 1: Yeah, but anyway, all and all, I think it's undeniably 615 00:27:35,000 --> 00:27:37,640 very impressive. What Not Loose Again. I was with some 616 00:27:37,680 --> 00:27:40,720 friends and stuff who aren't even like huge Not Lose fans, 617 00:27:40,759 --> 00:27:42,880 but they were kind of drawn in by the curiosity 618 00:27:42,920 --> 00:27:45,359 of like this band who are getting heavy with every release, 619 00:27:45,440 --> 00:27:47,480 doing such a huge show. And I think everyone shares 620 00:27:47,519 --> 00:27:50,799 that kind of Uh you know, you might only be 621 00:27:50,799 --> 00:27:52,440 a little and Not Loose, or you might be like 622 00:27:52,440 --> 00:27:54,400 they are your favorite band, but I think everyone shares 623 00:27:54,440 --> 00:27:57,920 this kind of admiration right now for what they're pulling 624 00:27:57,920 --> 00:27:58,640 off with stuff like this. 625 00:27:59,319 --> 00:28:00,559 Speaker 2: Yeah, I think again. 626 00:28:00,559 --> 00:28:02,880 Speaker 3: It was this week where online there was a video 627 00:28:02,920 --> 00:28:05,640 of just Brian like washing properly on stage of like, 628 00:28:06,000 --> 00:28:07,880 you know what, even if the crowds aren't that anymore, 629 00:28:08,000 --> 00:28:09,640 I can't hate Not Loose because they are keeping it 630 00:28:09,680 --> 00:28:11,519 real like on that sort of friden and show. They're 631 00:28:11,559 --> 00:28:14,240 like that that they still want to be seen as 632 00:28:14,240 --> 00:28:16,400 a proper hardcore band. And yeah, it was I'm so 633 00:28:16,519 --> 00:28:18,319 glad I kind of do hold off and wait until 634 00:28:18,319 --> 00:28:20,720 outbreak because it just felt like a big event to 635 00:28:20,720 --> 00:28:22,400 be part of and was like one of my favorites 636 00:28:22,440 --> 00:28:23,400 I've seen this year so far. 637 00:28:23,599 --> 00:28:25,400 Speaker 1: Yeah, so that was the you won't go before you're 638 00:28:25,400 --> 00:28:29,319 supposed to tour from from Not Loosen and Friends, Basement harms, way, 639 00:28:29,319 --> 00:28:32,039 pest control, good stuff all around. There A little bit 640 00:28:32,039 --> 00:28:34,680 of news just to fly through fairly quickly. A couple 641 00:28:34,720 --> 00:28:36,799 of them was just like flipping things to start off with. 642 00:28:37,279 --> 00:28:39,000 Which is the first headline we've got is that Kiss 643 00:28:39,000 --> 00:28:41,960 have announced their first show since their farewell show. I 644 00:28:42,000 --> 00:28:44,799 don't think. I don't think this is entirely like a 645 00:28:45,279 --> 00:28:48,200 big you know, I don't know, enormous. I think it 646 00:28:48,279 --> 00:28:51,599 might be a fans army what's this Kiss army storms 647 00:28:51,680 --> 00:28:55,759 Vegas event? I don't know what that means it's also 648 00:28:55,839 --> 00:28:59,240 a unmasked show. So hopefully that means I'll just be 649 00:28:59,240 --> 00:29:03,200 playing two so to the coin repeatedly, over and over again. 650 00:29:04,039 --> 00:29:07,119 But I don't I just expect this with kiss, you know, 651 00:29:07,160 --> 00:29:09,960 I think, yeah, I was like, yeah, sure, this is 652 00:29:10,039 --> 00:29:11,920 kind of separate to any of the ongoing trends around 653 00:29:11,920 --> 00:29:14,559 farewell shows, or I think this is just kiss being kissed. 654 00:29:14,599 --> 00:29:16,880 This will happen in perpetuity, but there you go. 655 00:29:16,920 --> 00:29:20,079 Speaker 3: There's money to be made, they'll keep using every opportunity. 656 00:29:20,200 --> 00:29:23,119 Speaker 1: Yeah, and then we just have a conclusion to the 657 00:29:23,160 --> 00:29:27,119 Guns and Roses drummer story from last week. So Frank Ferrer, 658 00:29:27,480 --> 00:29:31,359 the nineteen you know year, you know, holder of the 659 00:29:31,559 --> 00:29:34,960 drum stool for Guns and Roses, he left. People went, oh, 660 00:29:35,000 --> 00:29:37,759 I wonder if Matt Saum or someone will come back. Instead, 661 00:29:37,839 --> 00:29:40,319 it's Isaac Carpenter, who is best known for his work 662 00:29:40,359 --> 00:29:43,880 with Duff mccagan's Loaded, and also after that he was 663 00:29:43,880 --> 00:29:47,599 playing with Awell Nation. So there you go. That's that's 664 00:29:47,640 --> 00:29:49,880 the Guns and Roses drummer situation. I'm sure everyone feels 665 00:29:49,920 --> 00:29:53,559 highly enriched by this information. Laura Jane Grace is back 666 00:29:53,640 --> 00:29:57,480 with another album. This is a band Laura Jane Grace 667 00:29:57,519 --> 00:30:00,279 in the Trauma tropes. I'm presuming that's a you know, she. 668 00:30:00,200 --> 00:30:02,680 Speaker 2: Just renames her back every time now. 669 00:30:02,519 --> 00:30:04,759 Speaker 1: The same as it always is. But there's an album 670 00:30:04,920 --> 00:30:08,319 called Adventure Club that's coming out in July. This is 671 00:30:08,400 --> 00:30:10,440 like a year or something since the last one, which 672 00:30:10,440 --> 00:30:11,839 I think was about a year or something since one 673 00:30:11,839 --> 00:30:15,240 before that, So we're just getting perpetual low effort. 674 00:30:15,720 --> 00:30:17,720 Speaker 2: I guess what I say, Guess what the first thing, 675 00:30:17,759 --> 00:30:18,039 Guess what. 676 00:30:18,079 --> 00:30:21,160 Speaker 3: The song sounds like. It's ninety seconds long. It's not bad, 677 00:30:21,200 --> 00:30:22,680 but I was just kind of like, I've given up. 678 00:30:23,039 --> 00:30:23,559 Speaker 2: I'm done. 679 00:30:23,599 --> 00:30:26,319 Speaker 3: I've given up against me, against me, never coming back. 680 00:30:26,839 --> 00:30:30,319 Speaker 2: I've made peace. Like everyone race like is happy. 681 00:30:30,039 --> 00:30:32,440 Speaker 3: Playing in this, just like doing these kind of like 682 00:30:33,039 --> 00:30:34,839 fairly kind of like I said, I don't want to 683 00:30:34,839 --> 00:30:36,400 say low effort, but just kind of like throw away 684 00:30:36,880 --> 00:30:39,039 ninety second punk songs with her wife and the band, 685 00:30:39,039 --> 00:30:41,160 and they're happy and having good time. I'm happy for them. 686 00:30:41,200 --> 00:30:43,680 I'm like, load, I guess you've done enough. Go be 687 00:30:43,759 --> 00:30:47,000 happy doing this kind of sort of thing. Leave against me. 688 00:30:47,319 --> 00:30:48,119 I've made peace. 689 00:30:48,279 --> 00:30:50,440 Speaker 1: Yeah, so obviously I don't. I haven't even listened to 690 00:30:50,440 --> 00:30:51,920 this song. I just you know, I know what they 691 00:30:51,960 --> 00:30:55,680 all kind of are. It's not for me, right, And 692 00:30:55,720 --> 00:30:57,839 I hear these records and to me they sound like 693 00:30:57,880 --> 00:31:01,920 a conveyor belt of just like thrown together in you know, 694 00:31:02,279 --> 00:31:05,720 ninety seconds. But you as like the big fan, you know, 695 00:31:06,319 --> 00:31:09,039 the fact that you're almost like checking out, what is that? 696 00:31:09,160 --> 00:31:09,799 What does that say? 697 00:31:10,559 --> 00:31:13,720 Speaker 3: Like, I think it's just it's just that I have 698 00:31:13,799 --> 00:31:16,720 such a song like connection to against me And like again, 699 00:31:16,920 --> 00:31:18,480 I'm sure there will be some songs in this like 700 00:31:18,480 --> 00:31:20,400 there is with everyone of these selling records, rather thenvasing 701 00:31:20,680 --> 00:31:22,359 like I actually really liked them one. I think that's 702 00:31:22,359 --> 00:31:24,599 that's great, that kind of like I get them. I 703 00:31:24,640 --> 00:31:26,200 was like, there's the Jane Grace who wrote some of 704 00:31:26,240 --> 00:31:30,559 my favorite songs ever. But these happening so frequently and 705 00:31:30,559 --> 00:31:33,559 I'm just like I haven't got these sort of infusion 706 00:31:33,640 --> 00:31:35,680 to keep kind of and being like, yeah, some of 707 00:31:35,720 --> 00:31:37,799 it's really good, some of it is just ninety seconds 708 00:31:37,799 --> 00:31:39,559 of some that was like a voice note that they 709 00:31:39,640 --> 00:31:43,480 decided to slap some like like fairly stop free cord 710 00:31:43,519 --> 00:31:46,559 Punk rifts under. But again, like I'm not bearing any 711 00:31:46,559 --> 00:31:49,440 ill wielwadge. It's like like that it's he was having 712 00:31:49,440 --> 00:31:51,480 a fun time doing this, Like like I say, turn 713 00:31:51,519 --> 00:31:53,039 a wife in the band and some of their friends 714 00:31:53,079 --> 00:31:54,079 and they're just having a good time. 715 00:31:54,240 --> 00:31:54,640 Speaker 2: Awesome. 716 00:31:54,759 --> 00:31:58,279 Speaker 1: Yeah, at least it's not Olie Sykes's voice notes power Wolf. 717 00:31:58,519 --> 00:32:00,960 Let's move on to some live news, a few live announcements, 718 00:32:00,960 --> 00:32:03,000 and we start with Powerwolf, who have announced that they 719 00:32:03,000 --> 00:32:06,079 are going to be playing Wembley Arena in twenty twenty 720 00:32:06,079 --> 00:32:08,880 six weird seeing twenty twenty six on show announcements now, 721 00:32:09,319 --> 00:32:11,319 but March the seventh, twenty twenty sixth they are going 722 00:32:11,400 --> 00:32:14,440 to be playing Wembley in London with hammer Fall and 723 00:32:14,559 --> 00:32:16,200 wind Rows with them. My Windows, I think, is that 724 00:32:16,240 --> 00:32:18,759 band who they like did a collab song with on 725 00:32:19,119 --> 00:32:23,160 like one of their last records. But Powerwolf, weird. They're 726 00:32:23,160 --> 00:32:25,799 the weird band who for some reason, they only play 727 00:32:26,000 --> 00:32:29,279 UK shows either in London every few years or occasionally 728 00:32:29,279 --> 00:32:31,680 at Bloodstock. They don't ever. 729 00:32:31,599 --> 00:32:33,519 Speaker 3: Well I think they've done it your download downs, you'll 730 00:32:33,519 --> 00:32:35,839 haven't they sure, yeah, but they don't actually tour. 731 00:32:35,880 --> 00:32:38,920 Speaker 1: It's bizarre, Like they don't play headline shows anywhere else 732 00:32:38,920 --> 00:32:42,440 in the UK, which is strange. But Powerwolf, you know, 733 00:32:43,160 --> 00:32:46,480 following on into that, you know, sabotage shaped Gap and 734 00:32:46,559 --> 00:32:49,839 going into Wembley and stuff. Because of the reason they've 735 00:32:49,880 --> 00:32:52,200 just said, I won't be at this Wembley show, but 736 00:32:52,279 --> 00:32:54,680 I do hope to be at the inevitable Bloodstock headline 737 00:32:54,680 --> 00:32:57,160 that comes a year or two after this, right, I think. 738 00:32:57,000 --> 00:32:58,599 Speaker 2: I think that's got to be I think that, like 739 00:32:58,920 --> 00:33:00,880 they do this, they've got to be like mailed on 740 00:33:00,880 --> 00:33:01,920 bloodsock headliness that. 741 00:33:01,920 --> 00:33:03,599 Speaker 3: But I'm probably I think I might grab a ticket 742 00:33:03,640 --> 00:33:05,559 for this because it's been a while since I've seen 743 00:33:05,599 --> 00:33:08,200 Powerwall live and I'm just like before I seeing some 744 00:33:08,240 --> 00:33:10,880 of those songs in Wembley and like, you know, just 745 00:33:10,920 --> 00:33:13,400 burting out sanctified with dynamite at like the top of 746 00:33:13,440 --> 00:33:15,880 my voice, Like that sounds like a lovely time. 747 00:33:16,039 --> 00:33:19,200 Speaker 1: Yeah, So Powell officially now for you know, one date 748 00:33:19,279 --> 00:33:24,039 here an arena band in the UK. Download Firstival ruffled 749 00:33:24,079 --> 00:33:26,640 some feathers of this week, I guess by they booked 750 00:33:26,640 --> 00:33:29,880 the Wenger Boys. Now this is you need to explain 751 00:33:29,920 --> 00:33:33,079 to me because I am not a regular download goer. 752 00:33:33,200 --> 00:33:35,720 I'm certainly I'm not the demographic for whatever the fuck 753 00:33:35,799 --> 00:33:40,240 this stage is. But District X download is this, Like 754 00:33:40,400 --> 00:33:42,400 I don't know, a novel ty VIP area. 755 00:33:43,079 --> 00:33:46,640 Speaker 3: No, so just like is something that's not been there 756 00:33:46,720 --> 00:33:48,039 in my time of going to down at thest just 757 00:33:48,119 --> 00:33:51,039 be the doghouse tent was like the the after party 758 00:33:51,480 --> 00:33:54,519 DJ set sort of tent like they do to district 759 00:33:54,559 --> 00:33:56,839 acted there kind of like area in the village now 760 00:33:56,839 --> 00:34:01,319 which is kind of like the designated Entertainment after ours zone. 761 00:34:01,319 --> 00:34:04,480 It's still got you know, the doghouse DJ tent and 762 00:34:04,480 --> 00:34:06,680 then it's just got a load of other stuff going on. 763 00:34:07,119 --> 00:34:09,000 And so that's why I look at it, Well, yeah, 764 00:34:09,000 --> 00:34:11,480 you've booked the younger boys and your kind of novelty 765 00:34:12,320 --> 00:34:16,679 after hours, late night fun sort of club thing. Fair 766 00:34:16,800 --> 00:34:19,199 enough booked like something silly for that, Like I'm in 767 00:34:19,239 --> 00:34:23,480 that is like totally like not a like controversial booking 768 00:34:23,480 --> 00:34:25,960 in the sliders at this point, Like but it is 769 00:34:26,000 --> 00:34:28,360 just funny seeing younger boys at download. But yeah, you 770 00:34:28,400 --> 00:34:30,519 look at this sort of stay, it's like, yeah, you've 771 00:34:30,559 --> 00:34:33,440 got it's just like the younger boys, a female friend 772 00:34:33,440 --> 00:34:36,719 acoustic set and then twenty various DJ sets. 773 00:34:36,960 --> 00:34:38,559 Speaker 2: Yeah cool. 774 00:34:39,039 --> 00:34:40,880 Speaker 1: I mean it's quite amusing that you must imagine that 775 00:34:40,880 --> 00:34:43,159 the younger boys, you know, a couple of their songs 776 00:34:43,159 --> 00:34:46,440 probably have more streams than the vast majority of acts 777 00:34:46,480 --> 00:34:48,519 actually playing download Festival, but there they are just in 778 00:34:48,559 --> 00:34:51,679 the village. Yeah, but then you got the headline or 779 00:34:51,679 --> 00:34:54,840 of download books Younger Boys. There was also another little 780 00:34:55,159 --> 00:34:57,920 Arc Tangent announcement, adding a bunch of stuff onto their 781 00:34:58,639 --> 00:35:01,480 I guess probably pretty close to be complete now line up. 782 00:35:02,039 --> 00:35:04,760 They already had most of the headliner. I think there's 783 00:35:04,760 --> 00:35:06,800 one still on this poster that's TVA, but they've added 784 00:35:06,840 --> 00:35:10,280 on maybe she Will Frontiera, Carath, Dower Boys, a bunch 785 00:35:10,280 --> 00:35:11,880 of good stuff that if you are a regular Art 786 00:35:11,880 --> 00:35:14,360 Tangent goer, I'm sure that you are very happy with. 787 00:35:14,760 --> 00:35:18,880 And then a few more little tours actually announced. Three 788 00:35:18,880 --> 00:35:22,119 Inches of Blood and Spirit Adrift together have added a 789 00:35:22,199 --> 00:35:26,519 few UK dates around. They're both appearing at Bloodstock Festival. 790 00:35:26,599 --> 00:35:28,199 But if you are not a Bloodstock and you are 791 00:35:28,280 --> 00:35:32,360 in for example, Manchester or London. 792 00:35:32,719 --> 00:35:35,840 Speaker 3: Considering London, after those last night, you've kind of sold 793 00:35:35,880 --> 00:35:37,719 this tourmeo in that the last year or so. 794 00:35:37,800 --> 00:35:40,679 Speaker 1: Yeah, Birmingham was well in between those two. But three 795 00:35:40,719 --> 00:35:42,599 Inches of Blood then coming back exciting and that's one 796 00:35:42,599 --> 00:35:44,440 of the things that Bloodstock that I'd be most looking 797 00:35:44,440 --> 00:35:48,920 forward to catch in Spirit Adrift. Fucking great, so big 798 00:35:48,960 --> 00:35:51,960 heavy metal vibes at that show if you're not you know, 799 00:35:52,039 --> 00:35:55,400 at a bloodstock, but you fancy seeing that. And then 800 00:35:55,440 --> 00:35:57,599 over in the US, I guess that that split that 801 00:35:57,639 --> 00:36:01,119 they put out was some kind of prelude to this. 802 00:36:01,639 --> 00:36:05,840 There is a big fucking like three way nineties you 803 00:36:05,880 --> 00:36:09,639 know hardcore, some some serious straight edge vibes going on. 804 00:36:10,360 --> 00:36:14,119 Judge Earth Crisis and Integrity are doing a tour of 805 00:36:14,639 --> 00:36:19,239 the two respective coasts in the US primarily, but I mean, 806 00:36:19,440 --> 00:36:22,360 you know, if we were Americans, that's a good show to. 807 00:36:23,559 --> 00:36:26,280 Speaker 3: I'm like, bring that to the UK, please like some 808 00:36:26,400 --> 00:36:29,360 of that because that is such a like cool like 809 00:36:30,000 --> 00:36:33,920 just nineties sort of legendary hardcore, metallic cardcore, just mean 810 00:36:34,519 --> 00:36:36,679 sounding bands all in one night. 811 00:36:36,920 --> 00:36:37,639 Speaker 2: That's a cool time. 812 00:36:37,719 --> 00:36:39,800 Speaker 1: Yeah, I would Obviously we're doing work on it right 813 00:36:39,840 --> 00:36:41,559 now for the album club pack we have coming up, 814 00:36:41,599 --> 00:36:43,480 but I would love to see Integrity and an Earth 815 00:36:43,519 --> 00:36:46,760 Crisis as well. So that's good. And if you are 816 00:36:46,800 --> 00:36:49,000 one of our listeners over in the mainland of Europe 817 00:36:49,000 --> 00:36:51,119 and you would like to see Enter Shakari, then they 818 00:36:51,159 --> 00:36:53,440 have announced a twenty twenty five headline tour where they 819 00:36:53,440 --> 00:36:54,920 have said that they are going to be playing in 820 00:36:55,440 --> 00:36:58,280 several cities and countries that they have not played in 821 00:36:58,559 --> 00:37:01,599 nearing nearing a decade at this point of Spain, for example, 822 00:37:01,599 --> 00:37:04,360 they haven't played in that amount of time. But crazy yeah. 823 00:37:04,599 --> 00:37:08,039 But if you are again maybe across Germany or Belgium 824 00:37:08,119 --> 00:37:09,519 or any of these places where they are playing, then 825 00:37:09,639 --> 00:37:12,880 Er Shikari could be coming to your town, So get 826 00:37:12,920 --> 00:37:16,800 into all of that. So, as said over on the 827 00:37:16,800 --> 00:37:19,760 Patreon this week, we are going to be in a 828 00:37:19,800 --> 00:37:22,639 couple of days time from when this goes out, we're 829 00:37:22,639 --> 00:37:25,000 doing our album club pack that we announced last time. 830 00:37:25,239 --> 00:37:27,920 I have been listening to the wonderful album The Devil, 831 00:37:27,960 --> 00:37:30,360 you know by Heaven and Hell. I have been listening 832 00:37:30,400 --> 00:37:32,920 to sixteen Horsepower, which is a chat I'm really curious 833 00:37:32,960 --> 00:37:35,880 to get, you know, you guys opinion on, and then 834 00:37:36,800 --> 00:37:38,719 I think, you know, as this goes out today, I'm 835 00:37:38,719 --> 00:37:40,079 going to go sit down and write my notes on 836 00:37:40,119 --> 00:37:43,880 Cavin and Integrity and to really really cool, interesting out 837 00:37:43,920 --> 00:37:48,440 there albums from Too Hardcore Great. So that is going 838 00:37:48,519 --> 00:37:50,719 to be coming in a couple of days over at 839 00:37:50,719 --> 00:37:53,840 the Natal Metal Patreon. Otherwise, up there right now. There 840 00:37:53,920 --> 00:37:57,400 is of course the finished Black Sabbath non Ausie Years special, 841 00:37:57,440 --> 00:37:59,480 which this Heaven and Hell Album Club is kind of 842 00:37:59,480 --> 00:38:03,119 an two. I also have just started to sit down 843 00:38:03,159 --> 00:38:05,519 and flesh out a bit of the skeleton for what 844 00:38:05,800 --> 00:38:09,880 our next special coming you know in April, is going 845 00:38:09,920 --> 00:38:12,880 to be so cheer to anybody who goes and checks 846 00:38:12,880 --> 00:38:14,360 all that stuff out. That is what has kept this 847 00:38:14,400 --> 00:38:17,559 podcast alive for all these years, and it's massively appreciated 848 00:38:17,559 --> 00:38:21,800 everybody who contributes over there. Let's finish this hypoblast with 849 00:38:21,880 --> 00:38:25,960 the releases. And because a last week was a reviews episode, 850 00:38:26,000 --> 00:38:29,239 and b because it is March, it's another bloody megabag. 851 00:38:29,400 --> 00:38:32,159 So if you are desperate looking out there for all 852 00:38:32,159 --> 00:38:34,280 the new music you can get, then have yourself a 853 00:38:34,320 --> 00:38:36,719 sit down and listen to what I am about to 854 00:38:36,760 --> 00:38:40,800 tell you. First off, unconventional start here, but humor me. 855 00:38:41,400 --> 00:38:44,280 This I only learned came out like yesterday, It came 856 00:38:44,280 --> 00:38:46,760 out earlier in the month. But I found out that 857 00:38:46,840 --> 00:38:49,519 one of my favorite stupid people in the entire heavy 858 00:38:49,519 --> 00:38:52,360 metal universe is back. There's a guy with a project 859 00:38:52,400 --> 00:38:56,039 called Officus with a V where the you would be 860 00:38:56,519 --> 00:39:01,360 in Officus and he a few years ago put out 861 00:39:01,360 --> 00:39:04,920 a record called Machine Gun Reaper with a song called 862 00:39:05,000 --> 00:39:07,840 Demon Girl Babe on it, which is like one of 863 00:39:07,840 --> 00:39:11,840 my favorite stupid like I can only describe it. I 864 00:39:12,159 --> 00:39:16,480 think he's like Columbian via Columbus, Ohio, and I can 865 00:39:16,559 --> 00:39:21,199 only describe it as like genuine kind of outsider are 866 00:39:21,800 --> 00:39:23,920 heavy metal, Like it's that blackened the heavy metal thing 867 00:39:23,920 --> 00:39:25,920 that you'd expect from your midnights and stuff like that, 868 00:39:26,239 --> 00:39:30,440 but made by against someone really far on the fringes. 869 00:39:30,480 --> 00:39:32,119 And I was so excited when I found out that 870 00:39:32,119 --> 00:39:35,079 there was a new record out called Steel Beast. It's 871 00:39:35,159 --> 00:39:38,719 over an hour long for some reason, and he seems 872 00:39:38,719 --> 00:39:41,880 to have discovered keyboards on this one. And I just 873 00:39:41,920 --> 00:39:43,960 think if any of what I'm saying sounds like it's 874 00:39:43,960 --> 00:39:46,440 something you'd have fun with, you need to go and 875 00:39:46,519 --> 00:39:50,480 check out the song Frozen Hell Hero, which has a 876 00:39:50,519 --> 00:39:53,840 gobsmacking chorus, and you need to listen to the song 877 00:39:53,920 --> 00:39:57,920 my Rocket Crashed in Uranus, which, in regards to the 878 00:39:58,159 --> 00:40:01,159 synth work and vocal effects and stuf true, I was 879 00:40:01,199 --> 00:40:03,800 not prepared for what I heard on that so real 880 00:40:03,840 --> 00:40:06,039 heavy metal lives. When you go and listen to the 881 00:40:06,039 --> 00:40:08,599 new album from Offercus. Anyway, let's get back on track 882 00:40:09,000 --> 00:40:12,800 last week's releases, not including the ones that we reviewed 883 00:40:12,880 --> 00:40:15,960 on the show. I guess, you know, the biggest profile 884 00:40:16,000 --> 00:40:19,199 of those might that we didn't cover might come from 885 00:40:19,320 --> 00:40:21,840 Cradler Filth, who put up their new record, The Screening 886 00:40:21,840 --> 00:40:24,280 of the Valkyries, of course, one of my favorite band 887 00:40:24,400 --> 00:40:26,440 of all time. I have, of course, you know, given 888 00:40:26,480 --> 00:40:31,039 this record a good handful of spins now and you know, 889 00:40:31,480 --> 00:40:34,760 I'm speaking with you know, fellow Cradler Filth super fan 890 00:40:34,880 --> 00:40:38,519 Alex Chillingworth, and kind of maybe some some you know 891 00:40:38,599 --> 00:40:41,079 words about how this may be is not as good 892 00:40:41,239 --> 00:40:43,400 as like the previous kind of run of like they 893 00:40:43,440 --> 00:40:47,199 were on such a hot streak for particularly their last 894 00:40:47,199 --> 00:40:49,920 three albums from Hammer of the Witches onwards, and this 895 00:40:50,840 --> 00:40:54,519 maybe kind of slightly below that kind of standard, I think. 896 00:40:54,559 --> 00:40:55,840 I I've listened to it a few times and I 897 00:40:55,880 --> 00:40:59,199 generally I agree. I think it is kind of like 898 00:40:59,320 --> 00:41:03,960 the the darkly darkly Venus versus slash Mantacre of like 899 00:41:04,000 --> 00:41:07,719 this particular era of Cradle. But I like those albums, 900 00:41:08,000 --> 00:41:10,760 so you know, I have I think it's probably the 901 00:41:10,800 --> 00:41:12,559 first pray of the fifth album in you know the 902 00:41:12,639 --> 00:41:15,840 last decade. Really that maybe probably won't make my top 903 00:41:15,840 --> 00:41:17,559 twenty at the end of the year, but I like 904 00:41:17,599 --> 00:41:18,719 it a lot, and there's a lot of really good 905 00:41:18,719 --> 00:41:20,039 songs on it, and I'm just I'm just happy with 906 00:41:20,079 --> 00:41:22,679 them doing what they do. So that's my brief little 907 00:41:23,440 --> 00:41:26,400 Cradle take on their on their new album. Maybe further 908 00:41:26,440 --> 00:41:29,079 thoughts on it at some other point, but there you go. Also, 909 00:41:29,159 --> 00:41:31,360 Bloody Would put up their record New Delhi, and I 910 00:41:31,400 --> 00:41:33,239 know this is also a band who played some very 911 00:41:33,239 --> 00:41:36,199 big venues on tour this past week. The Bloody Would 912 00:41:36,199 --> 00:41:38,280 thing is not really for me in any shape or form, 913 00:41:38,280 --> 00:41:40,760 but they are another band who you know, are on 914 00:41:40,880 --> 00:41:43,880 the up. So their new record, New Delhi came out 915 00:41:44,320 --> 00:41:47,079 last week. Maybe on the up in some sense I 916 00:41:47,119 --> 00:41:49,159 don't know, Laudie, I guess, on the up in the 917 00:41:49,239 --> 00:41:52,559 amount of albums they continually kind of rack up. They 918 00:41:52,559 --> 00:41:56,119 put out their album Limited Edition, so it was definitely 919 00:41:56,159 --> 00:42:00,280 a big week for Alex Chillingworth. Then, returning at the Blue, 920 00:42:00,320 --> 00:42:03,039 the band's Secret Cutter put out a record which might 921 00:42:03,119 --> 00:42:06,679 be called three It's like three forward slashes, but Secret 922 00:42:06,719 --> 00:42:09,440 Cutter are a like a I guess, sort of metallic 923 00:42:09,440 --> 00:42:13,719 Hart called grind type band and did you remember this band? No, 924 00:42:13,880 --> 00:42:17,239 this is one of This is their first record since 925 00:42:17,280 --> 00:42:20,840 like twenty eighteen, and they kind of surprise Lysis record. 926 00:42:20,840 --> 00:42:22,519 It was like, oh, you guys, I remember you one 927 00:42:22,559 --> 00:42:24,800 of those because I remember their last record being about 928 00:42:24,840 --> 00:42:27,239 but if you know, if you like heavy, nasty grind 929 00:42:27,280 --> 00:42:29,360 and stuff like that, then that record is out there. 930 00:42:29,800 --> 00:42:32,159 More in sort of scream oy terrain. There's a band 931 00:42:32,159 --> 00:42:34,000 called storm O who put out a record called tag 932 00:42:34,199 --> 00:42:38,000 Lely Slash Taglely or Tally. There is the band Ursa, 933 00:42:38,039 --> 00:42:40,320 who put out more of a kind of sort of 934 00:42:40,400 --> 00:42:44,800 progressive metal, heavy, chuggy, you know, seven string type affair. 935 00:42:45,480 --> 00:42:48,119 You'll never guess how noisy. The band Noise Picker Are 936 00:42:48,440 --> 00:42:51,239 who put a record called The Earth Will Swallow the Sun. 937 00:42:51,519 --> 00:42:53,559 A few records coming from the realm of death metal. 938 00:42:53,760 --> 00:42:56,840 Last week there was Gates to Hell with Death Comes 939 00:42:56,840 --> 00:42:59,159 to All. You're into that one, Sam. 940 00:42:59,000 --> 00:43:03,000 Speaker 3: Yeah, sort of death metal tinged hardcore. The Drama is 941 00:43:03,039 --> 00:43:07,239 one Trey Garris, younger brother of Brian Garrison, which is like, 942 00:43:07,239 --> 00:43:08,800 like that's pretty cool, but like, I think this album 943 00:43:08,880 --> 00:43:10,719 is just cool. Just twenty two minutes of just like 944 00:43:10,840 --> 00:43:13,840 nasty kind of like def metally hardcore good stuff. 945 00:43:13,920 --> 00:43:17,039 Speaker 1: Yeah, there was also the self titled album from Corpus Awful, 946 00:43:17,079 --> 00:43:20,559 which this is the new band formed out of the 947 00:43:20,559 --> 00:43:23,599 the great death metal band Cerebral Rott, who we have 948 00:43:23,719 --> 00:43:26,400 previously reviewed on this podcast. They broke up, but this 949 00:43:26,480 --> 00:43:28,199 new band, Corpus offl has kind of sprung out of 950 00:43:28,199 --> 00:43:29,400 it and that starts their record out. 951 00:43:29,400 --> 00:43:31,280 Speaker 2: So I imagine that's very stinky and disgusting. 952 00:43:31,280 --> 00:43:33,199 Speaker 1: Then yeah, if you like Cerebral rot you'll you'll like 953 00:43:33,320 --> 00:43:36,400 this one as well. I believe, you know, similar kind 954 00:43:36,400 --> 00:43:38,519 of stinky stuff. From Closer to Home we had Rancid 955 00:43:38,559 --> 00:43:42,920 Cadaver with Mortality Denied. From Hungary, there is the band 956 00:43:43,079 --> 00:43:46,480 Rotha Dus but playing more kind of a death doom realm. 957 00:43:46,639 --> 00:43:50,280 They have a very long title that even I will, 958 00:43:50,320 --> 00:43:54,679 you know, absolutely forsake my Hungarian Blood in terms of 959 00:43:54,719 --> 00:43:59,440 my inability to say the thing Tova Sker something like that, 960 00:44:00,039 --> 00:44:02,360 probably very far from that, but a very long title 961 00:44:02,400 --> 00:44:05,239 from Hungarian death doom band. And then for some reason 962 00:44:05,320 --> 00:44:08,360 last week was like EP Central for metallic hardcore bands. 963 00:44:09,039 --> 00:44:12,199 First up from Iron Form. This is released on Church 964 00:44:12,320 --> 00:44:15,599 Road Records. I believe they released an EP called cut 965 00:44:15,639 --> 00:44:18,119 from Cold Blood. This features members of some kind of 966 00:44:18,239 --> 00:44:22,199 UK you know, hardcore bands that you may be familiar with, 967 00:44:22,800 --> 00:44:26,320 and again drawing inspiration from like metallic hardcore and post 968 00:44:26,320 --> 00:44:29,280 hardcore and stuff like that. But then also a couple 969 00:44:29,320 --> 00:44:34,320 of EPs literally from all one word lower case angel 970 00:44:34,360 --> 00:44:37,239 metalcore bands. So we had these self titled EP from 971 00:44:37,320 --> 00:44:40,599 Anvil Chandelier and we had these self titled EP from 972 00:44:40,800 --> 00:44:42,960 Heaven's Cold Hands. One of those ones, I think the 973 00:44:43,000 --> 00:44:47,039 Anvil Chandelier one was produced by one of them, one 974 00:44:47,079 --> 00:44:48,679 of the guys from Cespace Cowboy, and I think. 975 00:44:48,519 --> 00:44:50,760 Speaker 2: Connie was did the artwork for it. 976 00:44:50,840 --> 00:44:53,519 Speaker 3: She guests one on the tracks as well, so Connie 977 00:44:53,559 --> 00:44:55,480 is kind of like quite tied in with them at 978 00:44:55,519 --> 00:44:55,800 the moment. 979 00:44:56,280 --> 00:44:57,440 Speaker 2: I love both these EPs. 980 00:44:57,519 --> 00:45:00,320 Speaker 3: I saw the Heaven's Cold Hand ones, took look at 981 00:45:00,320 --> 00:45:02,159 the pond, I was like, I know exactly what this 982 00:45:02,239 --> 00:45:03,960 sounds like and if it doesn't sound like that, I'm 983 00:45:03,960 --> 00:45:04,800 gonna be very upset. 984 00:45:04,840 --> 00:45:06,199 Speaker 2: And it sounded exactly like that. 985 00:45:06,679 --> 00:45:10,480 Speaker 3: Yeah, both just cool like poison. Like I said that 986 00:45:10,559 --> 00:45:12,880 Angel statue, metalcore worship good stuff. 987 00:45:13,119 --> 00:45:15,920 Speaker 1: Yes, So that is out there from last week. This week, 988 00:45:15,960 --> 00:45:19,400 the final week of the busiest release month so far, March, 989 00:45:19,880 --> 00:45:22,760 we are going to start with I think the record 990 00:45:22,760 --> 00:45:24,639 from this bunch that most of us will be most 991 00:45:24,679 --> 00:45:27,840 highly looking forward to. Death Heaven are back with Lonely 992 00:45:27,920 --> 00:45:30,679 People with Power. Obviously, March reviews were so stacked that 993 00:45:30,719 --> 00:45:32,199 we've kind of part this for now, but we of 994 00:45:32,280 --> 00:45:34,199 course will be giving full thoughts on the Death Heaven 995 00:45:34,199 --> 00:45:37,280 album when we next come around doing our reviews episode. 996 00:45:37,719 --> 00:45:40,320 Then we have, you know, post hardcore Stalwats at this 997 00:45:40,360 --> 00:45:42,960 point under Oath with their record the Place after this 998 00:45:43,000 --> 00:45:48,639 one Sam. Under Oath are several albums deep into an 999 00:45:48,639 --> 00:45:51,239 era where I don't know if anyone talks. 1000 00:45:51,039 --> 00:45:54,840 Speaker 2: About them, they're still being in America. They are in America. 1001 00:45:55,199 --> 00:45:58,039 Speaker 3: I like, under Oath this kind of like post reunion 1002 00:45:58,119 --> 00:45:59,679 sort of output whatever. 1003 00:46:00,519 --> 00:46:02,320 Speaker 1: Yeah, but there you go new under Oath. And then 1004 00:46:02,800 --> 00:46:06,920 speaking of whatever, Memphis Mayfire are back with Shape Shifter. 1005 00:46:07,519 --> 00:46:08,559 How are they still back? 1006 00:46:09,679 --> 00:46:11,719 Speaker 3: I genuinely every time I find it they're still together, 1007 00:46:11,760 --> 00:46:16,559 I'm like, who is out America? It's America. I'm sure 1008 00:46:16,599 --> 00:46:17,400 it's America. 1009 00:46:17,480 --> 00:46:17,880 Speaker 2: America. 1010 00:46:17,920 --> 00:46:19,880 Speaker 3: You've gotta have words like you've got to stop doing this, 1011 00:46:20,119 --> 00:46:26,280 but song like like like also rans of also rans 1012 00:46:26,320 --> 00:46:29,639 in Metleicore, like just bizarre that they that people still care. 1013 00:46:30,480 --> 00:46:33,239 Speaker 1: With the voice of a generation. Then we have the 1014 00:46:33,280 --> 00:46:35,480 new record from Arch Enemy. It's like their twelfth or 1015 00:46:35,480 --> 00:46:38,440 thirteenth record or something. They've been bloody busy over the years, 1016 00:46:38,440 --> 00:46:41,199 haven't they. It's a good art Jenemy record. You know, 1017 00:46:41,239 --> 00:46:44,360 I've listened to this one. If you like the last 1018 00:46:44,440 --> 00:46:47,880 like two or three Arch Enemy records. They you know, 1019 00:46:47,920 --> 00:46:49,880 they kind of supply you with a thing with subtle 1020 00:46:49,960 --> 00:46:52,079 variation and so you go, ah, here's a song with 1021 00:46:52,159 --> 00:46:53,800 like a bit of a d beat. Here's a song 1022 00:46:53,840 --> 00:46:55,440 with a bit more of a kind of like a 1023 00:46:55,480 --> 00:46:58,039 tad new ever British heavy metal type feel. I tend 1024 00:46:58,039 --> 00:46:59,559 to like generally what they do. I know it's not 1025 00:46:59,599 --> 00:47:01,280 cool to like Arch Enemy these days, but I think 1026 00:47:01,320 --> 00:47:03,400 they're very reliable and I think it's a you know, 1027 00:47:03,960 --> 00:47:07,239 not a world shaking but a good fun Arch Enemy record. 1028 00:47:07,480 --> 00:47:10,519 Then we have the new record from Alien Weaponry called Terra. 1029 00:47:10,679 --> 00:47:12,599 This is there, you know, I think like third or 1030 00:47:12,639 --> 00:47:15,400 fourth record at this stage Alien Weaponry. I'd be curious 1031 00:47:15,400 --> 00:47:19,679 to know. I guess how continually plugged in people are 1032 00:47:19,719 --> 00:47:22,159 with them, because on their first record they were pretty hypey, 1033 00:47:23,119 --> 00:47:26,079 and then I think that you know, they still you know, 1034 00:47:26,480 --> 00:47:28,360 show face at like festivals and stuff like that, but 1035 00:47:28,400 --> 00:47:32,079 I don't know necessarily how continued that momentum has been. 1036 00:47:32,119 --> 00:47:33,679 So if there's anyone out there really big into the 1037 00:47:33,719 --> 00:47:36,599 alien weaponry albums or has opinions about their trajectory, you know, 1038 00:47:36,840 --> 00:47:40,039 let us know. The Darkness are back with another stupid 1039 00:47:40,039 --> 00:47:42,679 titled album, just along the long line of them, long 1040 00:47:42,719 --> 00:47:45,599 may it continue. I guess Dreams on Toast is their 1041 00:47:45,719 --> 00:47:50,239 new album, Backwash the sort of noisy industrial I guess 1042 00:47:50,360 --> 00:47:55,159 laced you know, hardcore, sometimes laced hip hop. Yeah, at 1043 00:47:55,719 --> 00:47:58,960 their new record Only Dust Remains is out. Then we 1044 00:47:59,000 --> 00:48:02,039 move into actual hardcore, and first we've got Give Bomb 1045 00:48:02,159 --> 00:48:05,239 with Ethereal released on Flat Spot Records. Give Bomb is 1046 00:48:05,239 --> 00:48:07,039 a band that you have mentioned a few times, Sam, So. 1047 00:48:07,199 --> 00:48:09,960 Speaker 3: Yeah, corn live a bunch just like really in your 1048 00:48:10,000 --> 00:48:13,400 face can like sure like really like gut really heavy 1049 00:48:13,719 --> 00:48:16,119 like hardcore punk songs. I'm very excited to sort of 1050 00:48:16,280 --> 00:48:17,599 hear all that because they've got they've had like a 1051 00:48:17,639 --> 00:48:20,119 couple of evp's and demos out, but into what like 1052 00:48:20,159 --> 00:48:22,400 a full length record from them can kind of showcase 1053 00:48:22,440 --> 00:48:24,920 if there is more to our Office's just kind of like, yeah, 1054 00:48:24,920 --> 00:48:28,280 he's just like sort of really hard battering for twenty 1055 00:48:28,320 --> 00:48:29,960 odd minutes, which are we fine with. 1056 00:48:30,039 --> 00:48:32,039 Speaker 1: I mean, I wouldn't be surprised if a full length 1057 00:48:32,079 --> 00:48:34,239 record was twenty one minutes long, you know. 1058 00:48:34,440 --> 00:48:37,840 Speaker 3: Yeah, that's generally what I'm expecting from this, But I'm 1059 00:48:37,920 --> 00:48:39,000 intrigued obviously what they. 1060 00:48:38,920 --> 00:48:39,320 Speaker 2: Have on off. 1061 00:48:39,519 --> 00:48:41,159 Speaker 1: Yeah. And then a couple more sort of slightly more 1062 00:48:41,199 --> 00:48:44,360 metallic hardcore leaning bands, And there's dooms Day with Never 1063 00:48:44,400 --> 00:48:47,199 Known Peace, and also the Warriors come out and play. 1064 00:48:47,519 --> 00:48:50,360 Their record is called Burn Yourself Alive. Then we have 1065 00:48:50,719 --> 00:48:52,719 I think back over on this side of Atlantic, the 1066 00:48:52,760 --> 00:48:55,480 band Forlorn with a record called Ether. This is kind 1067 00:48:55,480 --> 00:48:59,119 of like, uh, you know, sort of gent metalcore but 1068 00:48:59,119 --> 00:49:01,159 with like a sort of a folk corror tinge for 1069 00:49:01,199 --> 00:49:04,000 some like the green lungification of metalcore. 1070 00:49:04,079 --> 00:49:04,719 Speaker 2: But there you go. 1071 00:49:04,760 --> 00:49:08,119 Speaker 1: Forlorn their records out. We're gonna move into a run 1072 00:49:08,239 --> 00:49:13,119 of underground heavy metal records. There is Savage Master releasing 1073 00:49:13,280 --> 00:49:14,960 Dark and Dangerous, which I think is the one of 1074 00:49:14,960 --> 00:49:16,760 these I'm gonna, you know, go and check out because 1075 00:49:16,760 --> 00:49:20,760 Savage Master rip. Then we also have Lady Beast straight 1076 00:49:21,400 --> 00:49:23,679 good album art on that one as well The Inner Alchemist. 1077 00:49:23,960 --> 00:49:26,800 And in the UK we've got Seven Sisters with Shadow 1078 00:49:26,840 --> 00:49:30,199 of a Fall and Star Part two into the underground 1079 00:49:30,239 --> 00:49:34,480 of extreme metal. Midweek, for some reason, Cult of Fire 1080 00:49:34,639 --> 00:49:37,199 released their album which is called The One Who Is 1081 00:49:37,239 --> 00:49:40,920 Made of Smoke. This is like the kind of Eastern philosophy, 1082 00:49:41,840 --> 00:49:45,400 you know, integrated black metal band who you know, kind 1083 00:49:45,400 --> 00:49:48,199 of with one of the standouts at Damnation last year. 1084 00:49:48,679 --> 00:49:51,360 Really good band. I just listed this record right before 1085 00:49:51,360 --> 00:49:53,559 we were recording, and it's really good. I think it's 1086 00:49:53,599 --> 00:49:55,800 like probably one of their more intense things they've done 1087 00:49:55,840 --> 00:49:58,639 in a while. So the new Cuttle Fire record. If 1088 00:49:58,639 --> 00:50:01,320 you're interested in how that sounds on then you can 1089 00:50:01,360 --> 00:50:03,679 go and check out that record. Then we have released 1090 00:50:03,679 --> 00:50:07,239 today the Mutation Blood album from the Visceral Abyss. This 1091 00:50:07,320 --> 00:50:11,000 is one of the most just like heavy going extreme 1092 00:50:11,159 --> 00:50:14,000 bands when it comes to like black and death metal 1093 00:50:14,000 --> 00:50:15,760 and war metal and that kind of fixture. They release 1094 00:50:15,760 --> 00:50:18,199 an album like once every like seven eight years or something, 1095 00:50:18,239 --> 00:50:21,559 and then people go fucking absolutely batty for them, and 1096 00:50:21,559 --> 00:50:22,920 I think this is supposed to be the last one, 1097 00:50:22,920 --> 00:50:25,360 So there you go. But Tation Blood's new album is 1098 00:50:25,400 --> 00:50:29,760 out today long awaited Greek black metal, very hellenic black 1099 00:50:29,760 --> 00:50:32,320 metal from a guy who used to be in Rotten Christ. 1100 00:50:32,679 --> 00:50:36,559 Lucifer's Child release their new record The Illuminant, much more 1101 00:50:36,679 --> 00:50:40,239 black speed, you know, maniacal fair. We have Urn with 1102 00:50:40,760 --> 00:50:43,880 demon Steel. This is Earned without the E, so i'd say, yeah, 1103 00:50:43,960 --> 00:50:45,760 not that, not to be confused with you know, they're 1104 00:50:45,760 --> 00:50:47,360 the ones who altered it. This is like old school 1105 00:50:47,679 --> 00:50:49,639 actual spelling of Urn, but there you go. And then 1106 00:50:49,679 --> 00:50:52,440 a handful of EPs to end us off. Firstly, we 1107 00:50:52,519 --> 00:50:56,079 have arm and Rah, who again I haven't like entirely 1108 00:50:56,239 --> 00:50:58,559 got my head around this concept thing, but arm and 1109 00:50:58,639 --> 00:51:01,519 Rah are releasing two EPs on the same day, so 1110 00:51:01,599 --> 00:51:02,599 this is basically like. 1111 00:51:02,599 --> 00:51:04,199 Speaker 2: A album album. 1112 00:51:04,599 --> 00:51:06,079 Speaker 1: It's an album of user and you can buy the 1113 00:51:06,119 --> 00:51:09,360 two as like a compilation of the two, but I 1114 00:51:09,400 --> 00:51:11,880 guess you know thematically whatever they separated into. So it's 1115 00:51:11,880 --> 00:51:13,960 like two fifteen minute releases. 1116 00:51:14,400 --> 00:51:16,280 Speaker 3: So one of thirty minutes istill be short for an 1117 00:51:16,280 --> 00:51:17,840 album from armand then wouldn't. 1118 00:51:17,880 --> 00:51:19,880 Speaker 1: Yeah, but you know so, So there are two different 1119 00:51:19,880 --> 00:51:23,079 EPs from Armana, both out today. One is called the Torn, 1120 00:51:23,400 --> 00:51:25,599 one is called with Fang and Claw. I guess I'm 1121 00:51:25,599 --> 00:51:28,199 curious to see if the two EPs, you know, differ 1122 00:51:28,599 --> 00:51:31,039 majorly in flavor or something. But obviously we love Armanras, 1123 00:51:31,079 --> 00:51:31,639 so we will loose. 1124 00:51:31,639 --> 00:51:32,559 Speaker 2: I'm excited to hear these. 1125 00:51:32,599 --> 00:51:35,239 Speaker 1: Yeah, yeah, go and go in this to those wallows 1126 00:51:35,360 --> 00:51:37,360 if you want more, you know, going of soft drop. There, 1127 00:51:37,679 --> 00:51:39,840 that's the guy with the band with Dila minette, isn't 1128 00:51:39,880 --> 00:51:43,320 it from uh what shows are the in the in 1129 00:51:43,360 --> 00:51:43,960 thirteen Reasons? 1130 00:51:44,000 --> 00:51:46,119 Speaker 3: Why was that one of his I think I'd not 1131 00:51:46,119 --> 00:51:47,719 follow this there, and then you mentioned I was like, oh, yeah, 1132 00:51:47,719 --> 00:51:49,480 that's who this is, Like, okay, I. 1133 00:51:49,480 --> 00:51:51,119 Speaker 1: Always think he was being the don't breathe guy, but 1134 00:51:51,159 --> 00:51:53,239 there you go. His band are an EP called More 1135 00:51:53,719 --> 00:51:55,760 Again Much More scream Oh Fare. I think this is 1136 00:51:55,800 --> 00:51:57,400 a debut EP, but if you like, you know, if 1137 00:51:57,400 --> 00:51:59,320 you want to keep your hands on your upcoming screamo bands. 1138 00:51:59,320 --> 00:52:02,119 There's a band called sum but their EP is called 1139 00:52:02,159 --> 00:52:04,679 this is My Outside Voice, and then there is I 1140 00:52:04,679 --> 00:52:06,920 think this is more of a collaborative EP rather than 1141 00:52:06,920 --> 00:52:09,519 like a split, but it's a between again two of 1142 00:52:09,559 --> 00:52:13,760 the metalcore bands who are very very popular in spheres 1143 00:52:13,800 --> 00:52:18,400 outside of mine, but Silent Planet and invent Animate have 1144 00:52:18,519 --> 00:52:21,320 got together for a collaborative EP called bloom in Heaven, 1145 00:52:21,519 --> 00:52:24,760 So that is what is out over you know, the 1146 00:52:24,760 --> 00:52:28,000 twenty first and the twenty eighth of March twenty twenty five. 1147 00:52:28,519 --> 00:52:30,440 Very excited to go and get my clause into you know, 1148 00:52:30,440 --> 00:52:32,719 the Death Heaven album and stuff like that after we've 1149 00:52:32,760 --> 00:52:35,239 done this wonderful album club pack episode that we are 1150 00:52:35,280 --> 00:52:38,599 about to embark on. So as said, if you want 1151 00:52:38,599 --> 00:52:39,679 to hear that then you can join us over on 1152 00:52:39,719 --> 00:52:41,840 the Patreon. Otherwise, thank you very much for joining us. 1153 00:52:41,880 --> 00:52:43,320 We hope that if you went to the not loose 1154 00:52:43,320 --> 00:52:45,079 at all you enjoyed it as much as much as 1155 00:52:45,119 --> 00:52:47,960 we did. Lovely great stuff talking about all of that. 1156 00:52:48,039 --> 00:52:51,400 Thank you very much for listening. We will be back 1157 00:52:51,920 --> 00:52:53,960 you know, very shortly again with another one of these, 1158 00:52:54,000 --> 00:52:56,039 so yeah, rock on, everybody. Cheers