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Speaker 1: Good evening.

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Speaker 2: The makers of the New Rinso bring you the Amos

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and Andy Show with their guest tonight, Jester Morris. Our

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story tonight opens in a cheap hotel in downtown New York.

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Three gangsters whose only visible means of support is a

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counterfeiting racket, are desperately in need of a place to operate.

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They are looking through the classified ads sections of all

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the New York newspapers.

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Speaker 3: Do you see anything in that paper yet, Mike?

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Speaker 4: And no, not yet, muscles. But here here's the closest

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thing I see to what we want. Yeah, well rated,

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it says the high class store with big front display window.

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Speaker 5: All fine, fine, that's great. We put the printing press

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right in the window. Now listen, don't what do you

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think we're making? Flapjacks?

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Speaker 6: Yeah, Mike, that ain't no good for us. We was

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better off in the last time. Forget that town, will you.

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I don't want to even hear that name.

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Speaker 7: Stop worrying about that, will you.

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Speaker 6: If they ain't found out that you bumped off that

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guy yet, they ain't never gonna find out, drop it.

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Speaker 7: Will you?

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Speaker 4: Hey, Muscles, here this window sound bad?

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Speaker 7: Yeah?

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Speaker 1: What is it?

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Speaker 7: For? Rent?

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Speaker 4: Large room and basement, private entrance, respectable neighborhood, reasonable rent,

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and get.

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Speaker 7: This suitable for workshop.

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Speaker 4: Yeah that sounds all right, Five Mystic Knights of the

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c Lodge Hall. Here's the addressing phone number. It's up

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in Harlem. Yeah, well that might be just the place.

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Speaker 5: You two fellows go up and take a look at it,

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and if it's any good, grab it.

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Speaker 8: Well, gentlemen's I can tell you if you're gonna use

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this for job printing, making letter heads and stuff, we

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can take all the old furniture to this room and

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these benches and stuff, and it's gonna look a lot

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better than to do.

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Speaker 1: Now.

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Speaker 7: How much stow you once for it? Oh?

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Speaker 8: Yeah, sir? Now, well, uh the money? Yes, about a

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month we were singing on.

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Speaker 6: Seventy five, seventy five dollars.

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Speaker 8: That's just our dickering price. That's all it is, y'aus.

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I tell you the truth. Our committee, you see, Wheel's

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got a committee in charge of renting, and that committee

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feels and we agree with him, and we voted on

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it and passed it that sixty dollars would be.

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Speaker 1: A fair price.

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Speaker 7: Sixty dollars.

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Speaker 1: But we're gonna get rid of that committee, ain't no

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good North.

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Speaker 8: We got a fifty dollars committee upstairs that's got.

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Speaker 1: Mood sense and all the other committees put together. And

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if you will fifty dollars Moneed mister, you got a deal.

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Speaker 7: What are you say, Mike of Case a deal?

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Speaker 1: Oh, yeah, sir, and you will never regret.

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Speaker 8: And another thing, but your printing press will be the

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only one in the neighborhood.

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Speaker 9: You ought to make a lot of money down here.

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Speaker 7: That's exactly what we're gonna do.

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Speaker 9: And I ain't never sees you like you is in

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my life.

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Speaker 10: Before, Amos, eyes done had the love bug to nip me.

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But this time he doesn't shoot me to pieces.

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Speaker 9: You really in love with this gal, Caroline Agent.

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Speaker 10: Oh, I gonna tell you something, Amos. This is the

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first time in my life that I really wanted to

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marry a gal.

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Speaker 1: Oh it's crazy about her.

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Speaker 7: I believe you is.

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Speaker 9: I can tell the way you acting that you are

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serious already.

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Speaker 10: Yeah, I'd married tomorrow, Amas. The only thing is I

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don't think I good enough for her.

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Speaker 9: Oh where did you get that idea?

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Speaker 1: And from a mother?

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Speaker 10: Yes, sir, she says she don't want me to call

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up her daughter no more. And I can't seal her

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no more or nothing. She say I ain't good enough

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for her.

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Speaker 11: Yeah, well, I guess she wants Caroline to marry somebody

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that's got a lot of money and.

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Speaker 1: All that stuff. Well she told me this.

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Speaker 10: She say that I can't support her daughter in the

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manner that she would like to become accustomed to.

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Speaker 7: Tell me this.

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Speaker 9: How does Caroline feel about you?

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Speaker 1: Well?

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Speaker 10: I get along with her all right. It's that mother boy.

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She beats me down every chance she gets, balls me out.

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Speaker 9: Yeah that's too bad.

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Speaker 10: And oh, Amas, I tell you, well, hold hell, boys,

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how is he howa kings got some great.

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Speaker 1: News for you? I done rent at the room in

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the basement. Oh you did? Huh?

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Speaker 8: Rented it to a couple of fellows that's in the

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printing business. Oh gee, that's a swell job.

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Speaker 1: You're done. Oh I know what you boys would say that,

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because I really did work.

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Speaker 8: I really did manipular rate them fellas round, say, andre,

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I don't hear you saying the about it? Yeah, Oh

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what's the matter with you?

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Speaker 1: Ain't you happy about what are done?

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Speaker 5: Done?

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Speaker 1: Joe?

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Speaker 11: Yeah, i'd have his show Lizen kingfish and is in love.

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He got his mind on this gale Caroline, Oh.

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Speaker 1: Still clears about huh uh? How are you getting along?

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Speaker 9: He ain't doing so good?

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Speaker 1: What's mothering?

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Speaker 10: Oh it's a mother kingfish and all that stuff that

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people make up about mother in laws.

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Speaker 1: Yeah, they ain't making it up.

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Speaker 7: Well, that's got it, Mike.

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Speaker 9: Yeah, that looks like the real McCoy low.

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Speaker 7: Look at that bill.

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Speaker 4: Yeah, but they can't make him any better than that.

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The government meant all right, put those in the box

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with the other ones. See that makes even ten thousand,

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don't it right?

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Speaker 6: You know, Mike, if anybody that told me two days

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ago that we'd have to press set up on a

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job done by the day I had told him.

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Speaker 7: They was out of their heads.

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Speaker 4: Well, when Mussell says he wants something done, we gotta

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get it done.

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Speaker 7: I think of a good reason why not.

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Speaker 6: Yeah, and don't forget the boss is coming here late

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this afternoon too.

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Speaker 7: Yeah.

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Speaker 4: You got all the dough in the box there, Yeah, okay,

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put it in back of the press.

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Speaker 7: Okay, Hey, what happens now?

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Speaker 1: Huh?

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Speaker 4: Well, we gotta go over to Brooklyn and get that

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ten dollars plate from slats, and then we got to

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meet the boss back here at five o'clock.

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Speaker 7: Right, we all said here now, hey, take it easily. Hey,

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who is it?

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Speaker 1: Mister Brown from upstairs in the lodge said, did you

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put away?

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Speaker 6: Yeah, we're all right. Excuse me, wait a minute, buddy,

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what's on your mind?

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Speaker 10: Well, the King Fish told me that you was doing

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job printing down here, and I was wondering if you.

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Speaker 1: Could print a card up for me?

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Speaker 7: Print up a card?

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Speaker 10: Yes, sir, could you print me something on a card

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like this, say all my love to my dollar Caroline

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from Andy.

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Speaker 6: Well, that's sort of printing in exactly an online buddy.

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Speaker 7: Besides that, we're gonna close up now for a while.

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We gotta get over to Brooklyn.

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Speaker 1: Yeah.

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Speaker 10: Well you see, mister, I send the box of candy

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to my gal, and I thought it might be kind

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of nice if I printed something and then pasted it

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on the box.

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Speaker 7: Just ain't got time, sorry, Bud.

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Speaker 10: I show glad you kept one of the keys to

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that new lock on the door in this room, Kingfish.

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Speaker 8: Yeah, now you sure, the damned fellow. I think we'll

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be mad with us for coming in here and.

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Speaker 10: Using this printing press. Oh no, they ain't even gonna

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know it. Now here's the press you think.

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Speaker 8: We can figure out how to work the thing andy.

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Speaker 10: Yeah, wait a minute, here, Kingfish, I don't want to

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get this box of candy dirty laid over there with you.

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Speaker 1: Ye laid the candy up here on the show.

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Speaker 10: Mm ain't nothing but green ink around here.

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Speaker 1: Hm, be working on St. Patrick's daycord.

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Speaker 10: Yeah, I don't see no type, no paper. They must

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do printing without words in it. This is a fine

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printing business.

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Speaker 8: Listen, nan Or let's get out of here, will you.

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Why don't you write your own card.

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Speaker 10: That'll be the thing to do. Yeah, I'll do that,

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might give it the personal touch.

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Speaker 1: Did you want to see me?

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Speaker 10: Mrs and Yeah, Lightning, I want you to go over

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and take this box of candy to my gallant. Uh

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uh wait a minute, what did I do with that

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box of candy?

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Speaker 1: Now?

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Speaker 12: You got a box of candy for your gal?

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Speaker 1: Yeah? What'd I do with it? Uh? I had it here?

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Am me?

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Speaker 10: Oh I know it is yeah, I know. Uh listen, Lightning.

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You know that room downstairs in the that we rented

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to the printers. I left the box of candy down there.

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Get the key to that room from the Kingfish. Go

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down there and get the box and then, Uh, you

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know where Caroline.

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Speaker 1: Lives, don't you?

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Speaker 13: I yeah, I know.

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Speaker 10: Well, Uh take the box over there and give her

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to her with all my love infection and give her

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this card that I done.

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Speaker 1: Rid up with it?

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Speaker 13: All right, mother, And I'll do that. I'll get it Caroline,

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all right?

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Speaker 14: Mother?

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Speaker 10: Ah, you miss Caroline in what is it you want?

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Speaker 13: I got a box here that mis Andrew Brown.

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Speaker 12: Send it over here to miss Caroline with all his

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love and fection.

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Speaker 15: Well you can leave the box, but Caroline ain't scept

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no love infection from Andy Brown.

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Speaker 12: Well I I'm doing what he told me to do. Uh,

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here he is, and here's the car that goes with her.

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I gotta run along now.

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Speaker 14: Oh what was it, Martha?

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Speaker 13: A box from that Andy Brown? Don't he ever get

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this courage? Old Linna?

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Speaker 14: See what's in it?

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Speaker 13: Probably ain't worth even opening. What can you expect from

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a loafer like that? Ain't never had enough money.

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Speaker 15: To take you on nothing but walking dates for the.

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Speaker 13: Last two weeks.

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Speaker 15: Of all the men that you ever gone out with,

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he is the biggest bum of mother.

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Speaker 7: Mother.

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Speaker 16: Look, money, money, twenty dollars bill, hundreds of.

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Speaker 15: Why Caroline, Jesus, why there must be thousands of dollars day.

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Speaker 13: Why the dear.

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Speaker 15: Boy, and it's all of me, Yeah, with his love

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and fiction. Now, he probably didn't spend nothing on you

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up to now because he didn't want you to know

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that he had money and he wants you to love

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him for you. Now, I've always said he was a

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fine upstanding measure.

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Speaker 14: Right now, let's count the money, sir. Ooh, look what

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he says on the card.

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Speaker 17: If you like this, I'll send you five pounds next

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week the airline.

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Speaker 13: You've gotta be real sweet to him.

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Speaker 15: Any man that gives away money by the pound must

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be awful rich.

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Speaker 10: And he mother opened the door, huh, lighting him. Ah yeah,

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sir Mersander, Yeah what she say?

243
00:11:36,879 --> 00:11:39,159
Speaker 9: She said that I was to take back the love

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infection and leave the box.

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Speaker 1: Mm her mother shure hates me.

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Speaker 9: Alright, yeah, well Mersander's too bad.

247
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Speaker 10: Wait a minute, Hello hello Andy?

248
00:11:53,240 --> 00:11:54,960
Speaker 1: Uh? Yeah, this is Andy.

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Speaker 13: Well, this is mom.

250
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Speaker 1: Uh who Mom?

251
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Speaker 13: Ms Waters Caroline's mother?

252
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Speaker 1: Uh? How are you? Ms? Waters? Oh?

253
00:12:13,440 --> 00:12:16,000
Speaker 13: I'm fine? How you son?

254
00:12:16,440 --> 00:12:16,759
Speaker 1: Well?

255
00:12:17,120 --> 00:12:21,320
Speaker 10: Well, I find uh I guess had it.

256
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Speaker 17: I can't tell you how sweet it was of you

257
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to send that box over here.

258
00:12:26,039 --> 00:12:29,639
Speaker 10: Oh oh, that oh that's nothing, just a trifle. I

259
00:12:29,759 --> 00:12:31,759
gonna send even a bigger box next week.

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Speaker 13: A woman couldn't want a nicer son in law for

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her daughter.

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Speaker 14: How big a box?

263
00:12:44,200 --> 00:12:45,399
Speaker 1: Oh?

264
00:12:45,639 --> 00:12:47,679
Speaker 10: I I li will to send you five pounds?

265
00:12:47,679 --> 00:12:49,919
Speaker 13: Oh you darling boy?

266
00:12:50,200 --> 00:12:51,200
Speaker 1: Uh ms, water's ah.

267
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Speaker 10: I wonder if I could speak to Caroline please?

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Speaker 3: Why what?

269
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Speaker 13: Caroline's gonna shopping and she's gonna stop by and thank

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you late?

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00:12:59,039 --> 00:12:59,240
Speaker 7: Oh?

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Speaker 17: Okay, ms, goodbye, son, phone me anytime. He's lonesome and sunny.

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00:13:06,879 --> 00:13:09,200
I all us want you to call me.

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Speaker 10: Mom A right, mom? Goodbye? You know something like him,

275
00:13:17,639 --> 00:13:40,799
my gallant. Her mama is so crazy about candy.

276
00:13:43,679 --> 00:13:46,559
Speaker 2: You remember Andy sent his girl Caroline a box of

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00:13:46,639 --> 00:13:49,720
candy and made a big hit with it. Meantime, we

278
00:13:49,840 --> 00:13:52,960
now find the gangsters Lou and Mike are concerned about

279
00:13:52,960 --> 00:13:53,720
a box too.

280
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Speaker 7: Mike, they can't figure the thing out. You show me.

281
00:13:57,840 --> 00:13:59,759
Speaker 6: Put that dough down behind the Printon Press. When we left,

282
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the small wing was in a box.

283
00:14:01,519 --> 00:14:03,919
Speaker 4: Yeah. It's got me stumped too, but we better find

284
00:14:03,919 --> 00:14:05,600
out what it's all about before Muscles gets here, and

285
00:14:05,639 --> 00:14:06,679
he's due here in a minute.

286
00:14:06,919 --> 00:14:10,759
Speaker 7: Hey, Mike, this box of candy wasn't here when we lived.

287
00:14:11,360 --> 00:14:12,159
Box of candy.

288
00:14:12,240 --> 00:14:15,480
Speaker 4: Yeah, say wait a minute, wait a minute. That guy

289
00:14:15,480 --> 00:14:17,000
that was in here about printing the card.

290
00:14:17,639 --> 00:14:25,840
Speaker 7: Yeah, now who is it? It's Mars. Open up which muscles? Hi?

291
00:14:25,919 --> 00:14:27,639
Your muscles, muscles, isn't it?

292
00:14:27,840 --> 00:14:28,679
Speaker 3: And you got it ready?

293
00:14:29,240 --> 00:14:32,440
Speaker 6: Look bosh, looked something happened. Yeah, what, Well, it ain't

294
00:14:32,440 --> 00:14:34,639
our fault. We had the ten grand all printed up.

295
00:14:34,840 --> 00:14:36,440
We went over to Brooklyn and when we come back

296
00:14:36,480 --> 00:14:37,159
it was gone.

297
00:14:37,679 --> 00:14:40,240
Speaker 3: It was eh, yeah, bus, well you better get it back.

298
00:14:40,320 --> 00:14:41,679
Speaker 7: Well, we were just figuring.

299
00:14:41,840 --> 00:14:42,840
Speaker 3: I said, get it back.

300
00:14:42,919 --> 00:14:44,399
Speaker 7: Well, well, it ain't a fault.

301
00:14:44,440 --> 00:14:48,919
Speaker 3: Oh, I don't like no arguments, Mike, what do you

302
00:14:48,919 --> 00:14:50,200
think took it? When muscles?

303
00:14:50,200 --> 00:14:51,919
Speaker 4: Look, we had to throw in a box and we

304
00:14:52,000 --> 00:14:53,399
put it down in the back of the printing press.

305
00:14:53,559 --> 00:14:55,679
Speaker 7: Yeah, and the box is gone now. But we found

306
00:14:55,679 --> 00:14:57,159
this box of candy on the shelf there.

307
00:14:57,480 --> 00:14:59,480
Speaker 4: One of those fellows from the lodge upstairs come down

308
00:14:59,519 --> 00:15:01,600
this morning and wanted us to print some cord for

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00:15:01,679 --> 00:15:01,960
his girl.

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00:15:02,039 --> 00:15:03,279
Speaker 7: Let's stick on a box of candy.

311
00:15:03,480 --> 00:15:05,799
Speaker 3: That's all I know. Muscles, give me the box of candy.

312
00:15:06,799 --> 00:15:17,279
Speaker 5: I'm going upstairs and see him.

313
00:15:19,600 --> 00:15:22,519
Speaker 10: Yeah, Kingfish, I showed the head man with my gallon

314
00:15:22,600 --> 00:15:23,080
her mama.

315
00:15:23,600 --> 00:15:25,159
Speaker 1: Yeah, even a mama likes you now.

316
00:15:25,240 --> 00:15:29,519
Speaker 10: Huh oh, the old galla's crazy about me. Wait a minute,

317
00:15:29,679 --> 00:15:30,080
lands of that?

318
00:15:30,919 --> 00:15:31,120
Speaker 8: Uh?

319
00:15:31,279 --> 00:15:32,879
Speaker 10: Hello, Hello, Andy?

320
00:15:33,240 --> 00:15:34,039
Speaker 1: Who's this?

321
00:15:34,039 --> 00:15:34,879
Speaker 14: This is Carolin?

322
00:15:35,279 --> 00:15:39,159
Speaker 1: Hello, I love you baby.

323
00:15:39,960 --> 00:15:42,840
Speaker 14: Andy. You know when you sent over the ten thousand.

324
00:15:42,559 --> 00:15:43,440
Speaker 1: Dollars this morning?

325
00:15:43,720 --> 00:15:44,679
Speaker 6: Uh?

326
00:15:44,720 --> 00:15:45,720
Speaker 1: What is that again? Dollar?

327
00:15:46,720 --> 00:15:48,639
Speaker 16: And listen, Andy, you know when you sent over the

328
00:15:48,679 --> 00:15:50,000
ten thousand dollars?

329
00:15:50,360 --> 00:15:52,519
Speaker 10: Excuse me a minuteture, Honey, my hair been giving me

330
00:15:52,519 --> 00:15:53,559
a little trouble here lately.

331
00:15:53,600 --> 00:15:56,799
Speaker 1: Here when I sent you to what Andy?

332
00:15:56,840 --> 00:16:00,200
Speaker 14: You man? But you sent over the ten thousand dollars?

333
00:16:00,600 --> 00:16:01,720
Speaker 1: What number did you call?

334
00:16:04,840 --> 00:16:05,200
Speaker 13: Andy?

335
00:16:05,200 --> 00:16:06,120
Speaker 14: Will you listen to me?

336
00:16:06,279 --> 00:16:06,679
Speaker 13: Please?

337
00:16:07,200 --> 00:16:10,039
Speaker 1: Ten thousand dollars? Count me in on the deal, pardoner deal.

338
00:16:13,440 --> 00:16:13,799
Speaker 7: Andy?

339
00:16:13,840 --> 00:16:16,080
Speaker 16: Do you know that the money you sent me is counterfeit?

340
00:16:16,399 --> 00:16:18,320
Speaker 1: You say the money is counterfeit? I ain't in this

341
00:16:18,440 --> 00:16:19,039
mess with you now?

342
00:16:19,080 --> 00:16:27,279
Speaker 10: And hell and oh wait a minute, uh, Caroline is

343
00:16:27,320 --> 00:16:27,840
this you?

344
00:16:27,960 --> 00:16:28,200
Speaker 2: Yes?

345
00:16:28,279 --> 00:16:29,480
Speaker 14: This is Caroline Water.

346
00:16:30,240 --> 00:16:32,759
Speaker 10: Well, Caroline explained to me more what you're talking about

347
00:16:32,759 --> 00:16:33,000
with it.

348
00:16:33,240 --> 00:16:35,080
Speaker 16: And I went to a store with some of that

349
00:16:35,159 --> 00:16:37,159
money you sent over to me in the box, and

350
00:16:37,279 --> 00:16:39,279
I paid for dress with a couple of the ten

351
00:16:39,360 --> 00:16:41,799
dollar bills, and they gave right back to me. The

352
00:16:41,919 --> 00:16:44,000
sender was counterfeit and I was his skin. I run

353
00:16:44,080 --> 00:16:44,919
right out of the store.

354
00:16:45,639 --> 00:16:48,320
Speaker 1: Well, wait a minute. What boxes you talking about?

355
00:16:48,440 --> 00:16:50,240
Speaker 14: Well, you know the box you had latin and bring

356
00:16:50,279 --> 00:16:51,080
over this morning?

357
00:16:51,559 --> 00:16:51,799
Speaker 1: Right?

358
00:16:52,519 --> 00:16:55,399
Speaker 10: I sent you candy A kingfish. Get lightening from me

359
00:16:55,480 --> 00:16:55,799
right quick.

360
00:16:55,799 --> 00:16:56,399
Speaker 1: He's out in the hall.

361
00:16:56,639 --> 00:16:58,960
Speaker 10: Hello, Andy, you didn't send the candy.

362
00:16:59,080 --> 00:17:01,559
Speaker 16: You send them a tenth thousand dollars and twenty.

363
00:17:01,320 --> 00:17:09,559
Speaker 10: Dollar pill old the phone. Oh uh, list like, And

364
00:17:09,559 --> 00:17:11,880
I'm gonna ask you something. Where did you get the

365
00:17:11,920 --> 00:17:14,359
box of candy from that you took over the Caroline

366
00:17:14,480 --> 00:17:15,200
from Avanda.

367
00:17:15,319 --> 00:17:17,279
Speaker 12: I looked all around the room in the ball from

368
00:17:17,400 --> 00:17:20,160
why you told me, and I found it kind of

369
00:17:20,200 --> 00:17:22,480
on the floor behind the printing press.

370
00:17:22,839 --> 00:17:25,319
Speaker 8: Wait a minute, heure, I put the box of candy

371
00:17:25,400 --> 00:17:26,319
up on a high shelf.

372
00:17:26,960 --> 00:17:32,039
Speaker 10: Oh, oh you know something. Boys, them fellas downstairs as counterfeiters.

373
00:17:32,400 --> 00:17:33,240
Speaker 1: Let's get out of here.

374
00:17:33,400 --> 00:17:34,279
Speaker 7: Yeah, I'll see.

375
00:17:34,079 --> 00:17:36,119
Speaker 1: You'll wait a minute. Wait a minute here, hold on,

376
00:17:36,920 --> 00:17:37,960
Kingfish come here.

377
00:17:38,400 --> 00:17:41,079
Speaker 10: Uh wait a minute, Hello, Caroline, I'm gonna call the police.

378
00:17:41,119 --> 00:17:44,599
Speaker 1: Goodbye. I gotta run along, Andy. I just remember my

379
00:17:44,640 --> 00:17:45,960
wife wanted me to come home earlier.

380
00:17:46,240 --> 00:17:48,039
Speaker 10: Wait a minute, Wait a minute, now, don't don't leave

381
00:17:48,079 --> 00:17:50,400
me here, Kingfish, I gotta call the police.

382
00:17:50,880 --> 00:17:51,279
Speaker 1: Call me.

383
00:17:51,960 --> 00:17:53,960
Speaker 10: What do you think we ought to do? Kingfish, were

384
00:17:54,000 --> 00:17:54,480
in trouble.

385
00:17:54,680 --> 00:17:55,119
Speaker 1: Wait a minute.

386
00:17:55,160 --> 00:17:56,680
Speaker 8: The first thing you gotta do is to get that

387
00:17:56,680 --> 00:17:57,559
wee stuff out of it.

388
00:17:57,599 --> 00:18:00,440
Speaker 1: I ain't had nothing to do with us. The twenty

389
00:18:00,440 --> 00:18:02,119
fifth Precinct, Captain Sanders speaking.

390
00:18:02,880 --> 00:18:05,400
Speaker 10: This is Andrew Brown over to missic Knights of the

391
00:18:05,480 --> 00:18:06,079
Cee Lodge.

392
00:18:06,079 --> 00:18:06,279
Speaker 17: Hall.

393
00:18:07,279 --> 00:18:09,440
Speaker 1: I think we got some counterfeiters down to basement.

394
00:18:09,480 --> 00:18:13,799
Speaker 18: You're missing counterfeiters. I longly been there about two days.

395
00:18:14,000 --> 00:18:16,000
Say are they're making twenty dollars bills in a hand press?

396
00:18:16,400 --> 00:18:18,240
Speaker 10: Oh yeah, so that's exactly what they're doing.

397
00:18:18,480 --> 00:18:21,920
Speaker 18: That sounds like muscles Morris in this gang. Well, counterfeitting

398
00:18:21,920 --> 00:18:24,519
comes under the secret Service. We'll notify them right away. Yes,

399
00:18:24,759 --> 00:18:26,359
say you can do. It's a great service if you

400
00:18:26,400 --> 00:18:29,240
see these men, stall them until the government men get there.

401
00:18:29,279 --> 00:18:29,960
Speaker 1: Oh yes, so yes.

402
00:18:30,200 --> 00:18:32,200
Speaker 18: I mean warn you though that this Morris is a killer.

403
00:18:32,519 --> 00:18:34,519
He's wanted now for killing them. Man, So don't take

404
00:18:34,559 --> 00:18:35,200
any chances.

405
00:18:35,319 --> 00:18:41,039
Speaker 10: No, no, sir, go by, What did they say end,

406
00:18:42,000 --> 00:18:44,000
he say. Ahead of this gang is a fellow by

407
00:18:44,000 --> 00:18:46,160
the name of Muscles Morris, and he's a killer.

408
00:18:46,319 --> 00:18:46,759
Speaker 7: I tell you.

409
00:18:46,799 --> 00:18:48,480
Speaker 1: And I've got to get right home to my wife.

410
00:18:48,519 --> 00:18:52,079
He's spent them. Wait a minute, listen, listen.

411
00:18:52,119 --> 00:18:55,000
Speaker 10: The police asked us to help them and install these

412
00:18:55,000 --> 00:18:56,519
fellas till the governmentment gets here.

413
00:18:56,759 --> 00:18:58,440
Speaker 1: You got to stay here and help me. Kingfish.

414
00:18:58,680 --> 00:19:00,200
Speaker 10: Go out and see if you can find some the

415
00:19:00,200 --> 00:19:01,440
brothers or gun or something.

416
00:19:01,480 --> 00:19:03,839
Speaker 1: Will you all right? And I'll do it. I'll scout around.

417
00:19:03,960 --> 00:19:06,319
Speaker 10: Yeah, Well close the door after your knowledge, you go

418
00:19:06,359 --> 00:19:06,720
out there.

419
00:19:08,880 --> 00:19:10,200
Speaker 1: Uh pardon me, mos.

420
00:19:10,519 --> 00:19:12,720
Speaker 8: Uh do you know where I can get a gun someplace?

421
00:19:13,559 --> 00:19:16,079
Speaker 3: Yeah? I might. What do you want with a gun?

422
00:19:16,279 --> 00:19:18,200
Speaker 8: Well, you see most so there's a killer loose in

423
00:19:18,200 --> 00:19:22,000
the place here and uh uh we want some protection.

424
00:19:22,400 --> 00:19:23,839
Speaker 1: Uh. Do you know where we can get a gun?

425
00:19:24,000 --> 00:19:26,400
Speaker 3: Yeah? Yeah, I've got one right here.

426
00:19:26,799 --> 00:19:29,200
Speaker 8: Or mister you as a lifesaver. It's a lucky thing.

427
00:19:29,240 --> 00:19:29,799
Speaker 1: I run into you.

428
00:19:29,920 --> 00:19:32,039
Speaker 3: Let me have the gun, will you The gun stays

429
00:19:32,079 --> 00:19:32,359
with me?

430
00:19:32,880 --> 00:19:34,920
Speaker 1: Yes, I just want to borrow it. Uh awhere, if

431
00:19:34,920 --> 00:19:36,279
you're gonna be in an hour, I'll bring it back

432
00:19:36,319 --> 00:19:36,519
to you.

433
00:19:36,839 --> 00:19:38,599
Speaker 3: I tell you. The gun stays with me.

434
00:19:39,000 --> 00:19:40,720
Speaker 1: Look, mosse, I don't want to get tough with you.

435
00:19:41,319 --> 00:19:45,279
Speaker 8: Uh Now, if you gonna give me that gun, is

436
00:19:45,279 --> 00:19:46,319
I gonna have to take it away from you.

437
00:19:46,440 --> 00:19:48,599
Speaker 3: I wiston. I'm the only one who handles this little gun.

438
00:19:48,599 --> 00:19:50,519
Speaker 8: Hey wa wat, y'all, do flip that gun round like that.

439
00:19:50,880 --> 00:19:52,880
Speaker 1: I will go off here. You get arrested for disturbing

440
00:19:52,880 --> 00:19:54,519
the pizza. Don't do that with that thing.

441
00:19:54,640 --> 00:19:56,880
Speaker 3: Is that your office where you just came out of?

442
00:19:57,720 --> 00:19:58,000
Speaker 7: Uh?

443
00:19:58,079 --> 00:20:00,720
Speaker 5: Yeah, so that's my office, that's your Well, I'll tell

444
00:20:00,720 --> 00:20:03,000
you what I'm gonna do. I'll go in there and

445
00:20:03,039 --> 00:20:05,119
sit with you o the killer shows up. If that'll

446
00:20:05,119 --> 00:20:06,039
make you feel safer.

447
00:20:06,160 --> 00:20:09,119
Speaker 8: Yeah, that sounds fair enough. I know I feel much

448
00:20:09,119 --> 00:20:11,720
more comfortable that way. And so of my friend mister Brown.

449
00:20:13,079 --> 00:20:16,599
And we got nothing to worry about now, just taking eath.

450
00:20:16,680 --> 00:20:18,519
And I found this man.

451
00:20:18,359 --> 00:20:19,039
Speaker 1: Here with a gun.

452
00:20:19,119 --> 00:20:22,839
Speaker 10: Oh that's great, that's great. My name is Brown. You see,

453
00:20:22,880 --> 00:20:25,319
mister that there's a killer loose here in the building.

454
00:20:25,400 --> 00:20:29,279
And naturally we're a little nervous. Have a chair, thanks, right,

455
00:20:30,119 --> 00:20:33,960
I wouldn't be too nervous about it. Boys here, have

456
00:20:34,079 --> 00:20:34,960
a piece of candy.

457
00:20:35,240 --> 00:20:40,400
Speaker 1: Uh oh, mister where'd you get that at.

458
00:20:40,680 --> 00:20:43,039
Speaker 3: I found it. It was left by mistake.

459
00:20:43,759 --> 00:20:46,880
Speaker 1: I think I'll be running along now and sit down.

460
00:20:48,519 --> 00:20:50,640
Speaker 3: Did you hear me? I said? Sit down?

461
00:20:51,319 --> 00:20:52,079
Speaker 1: Yeah, so thank you?

462
00:20:53,920 --> 00:20:56,000
Speaker 3: Ain't Ain't you gonna have a piece of candy?

463
00:20:56,000 --> 00:20:59,559
Speaker 10: Fellas? No, No, I'll never cut you.

464
00:20:59,799 --> 00:21:01,440
Speaker 1: No the nose. I don't want to neither.

465
00:21:01,519 --> 00:21:07,759
Speaker 10: Most Uh hate the stuff. I see the box of

466
00:21:07,759 --> 00:21:10,200
the candid for ten years, twelve years for me.

467
00:21:11,160 --> 00:21:13,480
Speaker 3: You know it's a funny thing. Brown. I had an idea.

468
00:21:13,559 --> 00:21:14,839
Your girl like candy.

469
00:21:15,880 --> 00:21:23,640
Speaker 1: No, I'll tell you mister, she hates it all the

470
00:21:24,519 --> 00:21:26,480
shore looked like a good candid door.

471
00:21:28,680 --> 00:21:31,240
Speaker 3: Yeah, it ought to be good. It cost me ten

472
00:21:31,319 --> 00:21:32,000
thousand dollars.

473
00:21:32,519 --> 00:21:35,680
Speaker 10: Yeah, well, them chocolate covered chairs running a lot of money.

474
00:21:35,680 --> 00:21:36,000
Speaker 1: All right.

475
00:21:37,279 --> 00:21:40,200
Speaker 5: I look boys, now that we've become acquainted, where's the

476
00:21:40,240 --> 00:21:42,880
box for The more it move, yeah, the more the money,

477
00:21:42,920 --> 00:21:43,400
the doll.

478
00:21:43,880 --> 00:21:45,759
Speaker 10: We ain't got this last idea? What you're talking about?

479
00:21:46,359 --> 00:21:48,000
If we does get idea, we'll get in touch with

480
00:21:48,079 --> 00:21:50,000
your door. See you again sometimes down?

481
00:21:50,359 --> 00:21:53,640
Speaker 3: Yes, yes, oh, where's the money?

482
00:21:54,160 --> 00:21:54,559
Speaker 1: The money?

483
00:21:56,240 --> 00:21:58,000
Speaker 3: I answer that and be careful what you say I

484
00:21:58,200 --> 00:21:58,400
mean it?

485
00:21:58,440 --> 00:21:59,000
Speaker 1: Oh? Yes, sir?

486
00:22:00,519 --> 00:22:03,640
Speaker 10: Uh Hello, Hello, this is the Secret Service Agents.

487
00:22:03,680 --> 00:22:05,640
Speaker 3: Oh yes, yeah, yeah, who's that on the phone?

488
00:22:05,720 --> 00:22:05,839
Speaker 8: Oh?

489
00:22:05,920 --> 00:22:08,799
Speaker 1: Hold the phone? Uh, it's a girlfriend of mine. Message.

490
00:22:08,839 --> 00:22:10,480
Speaker 3: Yeah, we'll make it short brown and be careful what

491
00:22:10,559 --> 00:22:10,880
you say.

492
00:22:10,920 --> 00:22:13,799
Speaker 10: Oh, guys, I will uh hello? Uh now what would

493
00:22:13,839 --> 00:22:14,240
you saying?

494
00:22:14,680 --> 00:22:14,759
Speaker 6: Uh?

495
00:22:14,799 --> 00:22:15,839
Speaker 1: A sweetheart dolling?

496
00:22:17,359 --> 00:22:18,920
Speaker 7: He listen? Who do you think you're talking to?

497
00:22:19,519 --> 00:22:24,079
Speaker 10: Well listen, I as busy right now, angel, baby, say

498
00:22:24,119 --> 00:22:24,799
what's the matter with you?

499
00:22:24,920 --> 00:22:27,359
Speaker 1: Are you out of your head? Well? You see, honey,

500
00:22:27,680 --> 00:22:28,400
I got company.

501
00:22:28,440 --> 00:22:30,880
Speaker 3: Now come on, make it snapy, give her a quick brush. Uh?

502
00:22:31,160 --> 00:22:34,640
Speaker 19: Hello, Hey, what difference does it make if you wait

503
00:22:34,680 --> 00:22:36,240
a minute you can't talk?

504
00:22:36,400 --> 00:22:36,720
Speaker 5: Is that it?

505
00:22:37,359 --> 00:22:38,839
Speaker 1: That's right, sweetheart?

506
00:22:39,559 --> 00:22:41,000
Speaker 19: Well, the police called us up and told us there

507
00:22:41,039 --> 00:22:42,640
was some counterfeits working up at your place.

508
00:22:43,119 --> 00:22:46,920
Speaker 1: Are they there now? Oh yes, honey, in your office.

509
00:22:47,200 --> 00:22:52,839
Speaker 3: That's right, sugar, Come on, come on, that's set up

510
00:22:52,880 --> 00:22:53,279
for that, bud.

511
00:22:53,319 --> 00:22:54,319
Speaker 7: Cut it out now.

512
00:22:54,400 --> 00:22:56,920
Speaker 19: Look, we'll be over in two minutes. Stall around and

513
00:22:57,000 --> 00:22:58,119
keep them there the we can get there.

514
00:22:58,359 --> 00:23:00,720
Speaker 10: Well, listen, honey, tell that did the kingfish?

515
00:23:00,799 --> 00:23:01,319
Speaker 7: What you just say?

516
00:23:01,359 --> 00:23:02,039
Speaker 1: Well? Your here king?

517
00:23:03,319 --> 00:23:06,480
Speaker 19: Hello, this is the Secret Service Agents. We'll be there

518
00:23:06,519 --> 00:23:08,839
in two minutes. I'll stall around and keep those men

519
00:23:08,839 --> 00:23:09,839
there till we can get there.

520
00:23:10,319 --> 00:23:15,839
Speaker 1: Okay, darling, goodbye. I love it too.

521
00:23:24,920 --> 00:23:27,240
Speaker 3: I'm going to give you exactly one minute to tell

522
00:23:27,279 --> 00:23:28,039
me where the money is.

523
00:23:28,680 --> 00:23:32,759
Speaker 1: Uh, could you make exactly two minutes so.

524
00:23:32,839 --> 00:23:35,480
Speaker 3: You don't know nothing about that money. I'm talking to

525
00:23:35,480 --> 00:23:38,720
both here. No no, no, no, no read out? Then

526
00:23:38,799 --> 00:23:39,599
why are you shake it?

527
00:23:39,680 --> 00:23:42,720
Speaker 10: Well? Because we always were always shakes at the time

528
00:23:42,799 --> 00:23:43,160
of the year.

529
00:23:46,799 --> 00:23:52,440
Speaker 1: I also we are vibrating with health. Yeah that's yeah.

530
00:23:52,920 --> 00:23:55,599
Speaker 10: Well, we'll tell you everything if you just give us

531
00:23:55,599 --> 00:23:57,160
about a minute to pull ourselves together.

532
00:23:57,279 --> 00:24:01,240
Speaker 5: Say, listen, you guys stalling me, say hey, hey, tell

533
00:24:01,279 --> 00:24:04,200
me something that that dam on the telephone a minute ago.

534
00:24:04,680 --> 00:24:05,720
Speaker 3: Now, both of you what's her name?

535
00:24:05,839 --> 00:24:06,039
Speaker 5: Quick?

536
00:24:07,160 --> 00:24:07,359
Speaker 1: Yeah?

537
00:24:07,680 --> 00:24:08,039
Speaker 7: I mean.

538
00:24:11,680 --> 00:24:15,000
Speaker 3: That's all boys, They got just thirty seconds to talk

539
00:24:15,119 --> 00:24:15,400
or else.

540
00:24:15,720 --> 00:24:18,680
Speaker 10: Well, mister, mister the money you see, let me explain

541
00:24:18,720 --> 00:24:19,240
the whole thing.

542
00:24:19,200 --> 00:24:21,720
Speaker 7: To you, all right, stick them up?

543
00:24:23,920 --> 00:24:25,559
Speaker 1: Yes, that's him right there, mister all.

544
00:24:25,480 --> 00:24:28,039
Speaker 8: Right, put the cops down, all right, all right, I

545
00:24:28,119 --> 00:24:29,680
think there's two more of them down in the basement.

546
00:24:29,759 --> 00:24:29,960
Speaker 12: Mister.

547
00:24:30,240 --> 00:24:32,759
Speaker 7: Okay, you stay here, Frank, come with me, Joe.

548
00:24:32,880 --> 00:24:34,880
Speaker 1: You policemen just got you in the nick of time. Yeah,

549
00:24:34,920 --> 00:24:36,119
this guy was gonna kill.

550
00:24:36,000 --> 00:24:38,720
Speaker 3: Us, Allison Brown, let me tell you said.

551
00:24:50,960 --> 00:24:53,799
Speaker 10: So, Amos, that's the whole story. I finally got him

552
00:24:53,799 --> 00:24:56,079
down on the floor. I took his gun away from him.

553
00:24:57,440 --> 00:24:59,599
Then I pinned his shoulders down and held him with

554
00:24:59,640 --> 00:25:02,119
one hand. Jill, the cops come, Oh, it's the closest

555
00:25:02,160 --> 00:25:03,680
I don't ever come to getting shot.

556
00:25:03,720 --> 00:25:05,400
Speaker 9: And I ain't never hit nothing like that.

557
00:25:05,640 --> 00:25:07,880
Speaker 1: Oh, hand me that form. I bet you were scared.

558
00:25:08,079 --> 00:25:10,480
Speaker 10: I was so glad it's old, Amos. Now I can

559
00:25:10,640 --> 00:25:11,720
unlax and be myself.

560
00:25:11,839 --> 00:25:12,200
Speaker 7: Yeah, I know.

561
00:25:12,359 --> 00:25:16,599
Speaker 10: And oh I was a hero, Amos, I stole that gunman. Oh,

562
00:25:16,680 --> 00:25:19,160
I'm proud of myself, and I know somebody else is

563
00:25:19,200 --> 00:25:20,000
gonna be proud.

564
00:25:19,799 --> 00:25:20,200
Speaker 1: Of me too.

565
00:25:21,920 --> 00:25:22,519
Speaker 7: Yeah, I know you.

566
00:25:22,720 --> 00:25:25,480
Speaker 10: Then Hello, Hello Mom?

567
00:25:26,240 --> 00:25:27,359
Speaker 13: Don't you mom me?

568
00:25:27,720 --> 00:25:48,519
Speaker 2: You be sure to be with us again next week

569
00:25:48,559 --> 00:25:50,039
at the same time when the makers of the New

570
00:25:50,119 --> 00:25:52,960
Rinso again present the Amos and Andy Show, at which

571
00:25:53,000 --> 00:25:54,799
time Amos and Andy will have us their guests. The

572
00:25:54,880 --> 00:25:58,720
Lovely spring starm is Ginger Rogers. Our program is shortwave

573
00:25:58,839 --> 00:26:01,160
to our armed forces all over the world. This is

574
00:26:01,240 --> 00:26:04,359
Harlow Wilcox speaking for all of us, thanking Chester Morris

575
00:26:04,440 --> 00:26:06,559
for appearing with us tonight, and bidding all of you

576
00:26:06,960 --> 00:26:07,839
a pleasant good night,