Speaker 1: Good evening.
Speaker 2: The makers of the New Rinso bring you the Amos
and Andy Show with their guest tonight, Jester Morris. Our
story tonight opens in a cheap hotel in downtown New York.
Three gangsters whose only visible means of support is a
counterfeiting racket, are desperately in need of a place to operate.
They are looking through the classified ads sections of all
the New York newspapers.
Speaker 3: Do you see anything in that paper yet, Mike?
Speaker 4: And no, not yet, muscles. But here here's the closest
thing I see to what we want. Yeah, well rated,
it says the high class store with big front display window.
Speaker 5: All fine, fine, that's great. We put the printing press
right in the window. Now listen, don't what do you
think we're making? Flapjacks?
Speaker 6: Yeah, Mike, that ain't no good for us. We was
better off in the last time. Forget that town, will you.
I don't want to even hear that name.
Speaker 7: Stop worrying about that, will you.
Speaker 6: If they ain't found out that you bumped off that
guy yet, they ain't never gonna find out, drop it.
Speaker 7: Will you?
Speaker 4: Hey, Muscles, here this window sound bad?
Speaker 7: Yeah?
Speaker 1: What is it?
Speaker 7: For? Rent?
Speaker 4: Large room and basement, private entrance, respectable neighborhood, reasonable rent,
and get.
Speaker 7: This suitable for workshop.
Speaker 4: Yeah that sounds all right, Five Mystic Knights of the
c Lodge Hall. Here's the addressing phone number. It's up
in Harlem. Yeah, well that might be just the place.
Speaker 5: You two fellows go up and take a look at it,
and if it's any good, grab it.
Speaker 8: Well, gentlemen's I can tell you if you're gonna use
this for job printing, making letter heads and stuff, we
can take all the old furniture to this room and
these benches and stuff, and it's gonna look a lot
better than to do.
Speaker 1: Now.
Speaker 7: How much stow you once for it? Oh?
Speaker 8: Yeah, sir? Now, well, uh the money? Yes, about a
month we were singing on.
Speaker 6: Seventy five, seventy five dollars.
Speaker 8: That's just our dickering price. That's all it is, y'aus.
I tell you the truth. Our committee, you see, Wheel's
got a committee in charge of renting, and that committee
feels and we agree with him, and we voted on
it and passed it that sixty dollars would be.
Speaker 1: A fair price.
Speaker 7: Sixty dollars.
Speaker 1: But we're gonna get rid of that committee, ain't no
good North.
Speaker 8: We got a fifty dollars committee upstairs that's got.
Speaker 1: Mood sense and all the other committees put together. And
if you will fifty dollars Moneed mister, you got a deal.
Speaker 7: What are you say, Mike of Case a deal?
Speaker 1: Oh, yeah, sir, and you will never regret.
Speaker 8: And another thing, but your printing press will be the
only one in the neighborhood.
Speaker 9: You ought to make a lot of money down here.
Speaker 7: That's exactly what we're gonna do.
Speaker 9: And I ain't never sees you like you is in
my life.
Speaker 10: Before, Amos, eyes done had the love bug to nip me.
But this time he doesn't shoot me to pieces.
Speaker 9: You really in love with this gal, Caroline Agent.
Speaker 10: Oh, I gonna tell you something, Amos. This is the
first time in my life that I really wanted to
marry a gal.
Speaker 1: Oh it's crazy about her.
Speaker 7: I believe you is.
Speaker 9: I can tell the way you acting that you are
serious already.
Speaker 10: Yeah, I'd married tomorrow, Amas. The only thing is I
don't think I good enough for her.
Speaker 9: Oh where did you get that idea?
Speaker 1: And from a mother?
Speaker 10: Yes, sir, she says she don't want me to call
up her daughter no more. And I can't seal her
no more or nothing. She say I ain't good enough
for her.
Speaker 11: Yeah, well, I guess she wants Caroline to marry somebody
that's got a lot of money and.
Speaker 1: All that stuff. Well she told me this.
Speaker 10: She say that I can't support her daughter in the
manner that she would like to become accustomed to.
Speaker 7: Tell me this.
Speaker 9: How does Caroline feel about you?
Speaker 1: Well?
Speaker 10: I get along with her all right. It's that mother boy.
She beats me down every chance she gets, balls me out.
Speaker 9: Yeah that's too bad.
Speaker 10: And oh, Amas, I tell you, well, hold hell, boys,
how is he howa kings got some great.
Speaker 1: News for you? I done rent at the room in
the basement. Oh you did? Huh?
Speaker 8: Rented it to a couple of fellows that's in the
printing business. Oh gee, that's a swell job.
Speaker 1: You're done. Oh I know what you boys would say that,
because I really did work.
Speaker 8: I really did manipular rate them fellas round, say, andre,
I don't hear you saying the about it? Yeah, Oh
what's the matter with you?
Speaker 1: Ain't you happy about what are done?
Speaker 5: Done?
Speaker 1: Joe?
Speaker 11: Yeah, i'd have his show Lizen kingfish and is in love.
He got his mind on this gale Caroline, Oh.
Speaker 1: Still clears about huh uh? How are you getting along?
Speaker 9: He ain't doing so good?
Speaker 1: What's mothering?
Speaker 10: Oh it's a mother kingfish and all that stuff that
people make up about mother in laws.
Speaker 1: Yeah, they ain't making it up.
Speaker 7: Well, that's got it, Mike.
Speaker 9: Yeah, that looks like the real McCoy low.
Speaker 7: Look at that bill.
Speaker 4: Yeah, but they can't make him any better than that.
The government meant all right, put those in the box
with the other ones. See that makes even ten thousand,
don't it right?
Speaker 6: You know, Mike, if anybody that told me two days
ago that we'd have to press set up on a
job done by the day I had told him.
Speaker 7: They was out of their heads.
Speaker 4: Well, when Mussell says he wants something done, we gotta
get it done.
Speaker 7: I think of a good reason why not.
Speaker 6: Yeah, and don't forget the boss is coming here late
this afternoon too.
Speaker 7: Yeah.
Speaker 4: You got all the dough in the box there, Yeah, okay,
put it in back of the press.
Speaker 7: Okay, Hey, what happens now?
Speaker 1: Huh?
Speaker 4: Well, we gotta go over to Brooklyn and get that
ten dollars plate from slats, and then we got to
meet the boss back here at five o'clock.
Speaker 7: Right, we all said here now, hey, take it easily. Hey,
who is it?
Speaker 1: Mister Brown from upstairs in the lodge said, did you
put away?
Speaker 6: Yeah, we're all right. Excuse me, wait a minute, buddy,
what's on your mind?
Speaker 10: Well, the King Fish told me that you was doing
job printing down here, and I was wondering if you.
Speaker 1: Could print a card up for me?
Speaker 7: Print up a card?
Speaker 10: Yes, sir, could you print me something on a card
like this, say all my love to my dollar Caroline
from Andy.
Speaker 6: Well, that's sort of printing in exactly an online buddy.
Speaker 7: Besides that, we're gonna close up now for a while.
We gotta get over to Brooklyn.
Speaker 1: Yeah.
Speaker 10: Well you see, mister, I send the box of candy
to my gal, and I thought it might be kind
of nice if I printed something and then pasted it
on the box.
Speaker 7: Just ain't got time, sorry, Bud.
Speaker 10: I show glad you kept one of the keys to
that new lock on the door in this room, Kingfish.
Speaker 8: Yeah, now you sure, the damned fellow. I think we'll
be mad with us for coming in here and.
Speaker 10: Using this printing press. Oh no, they ain't even gonna
know it. Now here's the press you think.
Speaker 8: We can figure out how to work the thing andy.
Speaker 10: Yeah, wait a minute, here, Kingfish, I don't want to
get this box of candy dirty laid over there with you.
Speaker 1: Ye laid the candy up here on the show.
Speaker 10: Mm ain't nothing but green ink around here.
Speaker 1: Hm, be working on St. Patrick's daycord.
Speaker 10: Yeah, I don't see no type, no paper. They must
do printing without words in it. This is a fine
printing business.
Speaker 8: Listen, nan Or let's get out of here, will you.
Why don't you write your own card.
Speaker 10: That'll be the thing to do. Yeah, I'll do that,
might give it the personal touch.
Speaker 1: Did you want to see me?
Speaker 10: Mrs and Yeah, Lightning, I want you to go over
and take this box of candy to my gallant. Uh
uh wait a minute, what did I do with that
box of candy?
Speaker 1: Now?
Speaker 12: You got a box of candy for your gal?
Speaker 1: Yeah? What'd I do with it? Uh? I had it here?
Am me?
Speaker 10: Oh I know it is yeah, I know. Uh listen, Lightning.
You know that room downstairs in the that we rented
to the printers. I left the box of candy down there.
Get the key to that room from the Kingfish. Go
down there and get the box and then, Uh, you
know where Caroline.
Speaker 1: Lives, don't you?
Speaker 13: I yeah, I know.
Speaker 10: Well, Uh take the box over there and give her
to her with all my love infection and give her
this card that I done.
Speaker 1: Rid up with it?
Speaker 13: All right, mother, And I'll do that. I'll get it Caroline,
all right?
Speaker 14: Mother?
Speaker 10: Ah, you miss Caroline in what is it you want?
Speaker 13: I got a box here that mis Andrew Brown.
Speaker 12: Send it over here to miss Caroline with all his
love and fection.
Speaker 15: Well you can leave the box, but Caroline ain't scept
no love infection from Andy Brown.
Speaker 12: Well I I'm doing what he told me to do. Uh,
here he is, and here's the car that goes with her.
I gotta run along now.
Speaker 14: Oh what was it, Martha?
Speaker 13: A box from that Andy Brown? Don't he ever get
this courage? Old Linna?
Speaker 14: See what's in it?
Speaker 13: Probably ain't worth even opening. What can you expect from
a loafer like that? Ain't never had enough money.
Speaker 15: To take you on nothing but walking dates for the.
Speaker 13: Last two weeks.
Speaker 15: Of all the men that you ever gone out with,
he is the biggest bum of mother.
Speaker 7: Mother.
Speaker 16: Look, money, money, twenty dollars bill, hundreds of.
Speaker 15: Why Caroline, Jesus, why there must be thousands of dollars day.
Speaker 13: Why the dear.
Speaker 15: Boy, and it's all of me, Yeah, with his love
and fiction. Now, he probably didn't spend nothing on you
up to now because he didn't want you to know
that he had money and he wants you to love
him for you. Now, I've always said he was a
fine upstanding measure.
Speaker 14: Right now, let's count the money, sir. Ooh, look what
he says on the card.
Speaker 17: If you like this, I'll send you five pounds next
week the airline.
Speaker 13: You've gotta be real sweet to him.
Speaker 15: Any man that gives away money by the pound must
be awful rich.
Speaker 10: And he mother opened the door, huh, lighting him. Ah yeah,
sir Mersander, Yeah what she say?
Speaker 9: She said that I was to take back the love
infection and leave the box.
Speaker 1: Mm her mother shure hates me.
Speaker 9: Alright, yeah, well Mersander's too bad.
Speaker 10: Wait a minute, Hello hello Andy?
Speaker 1: Uh? Yeah, this is Andy.
Speaker 13: Well, this is mom.
Speaker 1: Uh who Mom?
Speaker 13: Ms Waters Caroline's mother?
Speaker 1: Uh? How are you? Ms? Waters? Oh?
Speaker 13: I'm fine? How you son?
Speaker 1: Well?
Speaker 10: Well, I find uh I guess had it.
Speaker 17: I can't tell you how sweet it was of you
to send that box over here.
Speaker 10: Oh oh, that oh that's nothing, just a trifle. I
gonna send even a bigger box next week.
Speaker 13: A woman couldn't want a nicer son in law for
her daughter.
Speaker 14: How big a box?
Speaker 1: Oh?
Speaker 10: I I li will to send you five pounds?
Speaker 13: Oh you darling boy?
Speaker 1: Uh ms, water's ah.
Speaker 10: I wonder if I could speak to Caroline please?
Speaker 3: Why what?
Speaker 13: Caroline's gonna shopping and she's gonna stop by and thank
you late?
Speaker 7: Oh?
Speaker 17: Okay, ms, goodbye, son, phone me anytime. He's lonesome and sunny.
I all us want you to call me.
Speaker 10: Mom A right, mom? Goodbye? You know something like him,
my gallant. Her mama is so crazy about candy.
Speaker 2: You remember Andy sent his girl Caroline a box of
candy and made a big hit with it. Meantime, we
now find the gangsters Lou and Mike are concerned about
a box too.
Speaker 7: Mike, they can't figure the thing out. You show me.
Speaker 6: Put that dough down behind the Printon Press. When we left,
the small wing was in a box.
Speaker 4: Yeah. It's got me stumped too, but we better find
out what it's all about before Muscles gets here, and
he's due here in a minute.
Speaker 7: Hey, Mike, this box of candy wasn't here when we lived.
Box of candy.
Speaker 4: Yeah, say wait a minute, wait a minute. That guy
that was in here about printing the card.
Speaker 7: Yeah, now who is it? It's Mars. Open up which muscles? Hi?
Your muscles, muscles, isn't it?
Speaker 3: And you got it ready?
Speaker 6: Look bosh, looked something happened. Yeah, what, Well, it ain't
our fault. We had the ten grand all printed up.
We went over to Brooklyn and when we come back
it was gone.
Speaker 3: It was eh, yeah, bus, well you better get it back.
Speaker 7: Well, we were just figuring.
Speaker 3: I said, get it back.
Speaker 7: Well, well, it ain't a fault.
Speaker 3: Oh, I don't like no arguments, Mike, what do you
think took it? When muscles?
Speaker 4: Look, we had to throw in a box and we
put it down in the back of the printing press.
Speaker 7: Yeah, and the box is gone now. But we found
this box of candy on the shelf there.
Speaker 4: One of those fellows from the lodge upstairs come down
this morning and wanted us to print some cord for
his girl.
Speaker 7: Let's stick on a box of candy.
Speaker 3: That's all I know. Muscles, give me the box of candy.
Speaker 5: I'm going upstairs and see him.
Speaker 10: Yeah, Kingfish, I showed the head man with my gallon
her mama.
Speaker 1: Yeah, even a mama likes you now.
Speaker 10: Huh oh, the old galla's crazy about me. Wait a minute,
lands of that?
Speaker 8: Uh?
Speaker 10: Hello, Hello, Andy?
Speaker 1: Who's this?
Speaker 14: This is Carolin?
Speaker 1: Hello, I love you baby.
Speaker 14: Andy. You know when you sent over the ten thousand.
Speaker 1: Dollars this morning?
Speaker 6: Uh?
Speaker 1: What is that again? Dollar?
Speaker 16: And listen, Andy, you know when you sent over the
ten thousand dollars?
Speaker 10: Excuse me a minuteture, Honey, my hair been giving me
a little trouble here lately.
Speaker 1: Here when I sent you to what Andy?
Speaker 14: You man? But you sent over the ten thousand dollars?
Speaker 1: What number did you call?
Speaker 13: Andy?
Speaker 14: Will you listen to me?
Speaker 13: Please?
Speaker 1: Ten thousand dollars? Count me in on the deal, pardoner deal.
Speaker 7: Andy?
Speaker 16: Do you know that the money you sent me is counterfeit?
Speaker 1: You say the money is counterfeit? I ain't in this
mess with you now?
Speaker 10: And hell and oh wait a minute, uh, Caroline is
this you?
Speaker 2: Yes?
Speaker 14: This is Caroline Water.
Speaker 10: Well, Caroline explained to me more what you're talking about
with it.
Speaker 16: And I went to a store with some of that
money you sent over to me in the box, and
I paid for dress with a couple of the ten
dollar bills, and they gave right back to me. The
sender was counterfeit and I was his skin. I run
right out of the store.
Speaker 1: Well, wait a minute. What boxes you talking about?
Speaker 14: Well, you know the box you had latin and bring
over this morning?
Speaker 1: Right?
Speaker 10: I sent you candy A kingfish. Get lightening from me
right quick.
Speaker 1: He's out in the hall.
Speaker 10: Hello, Andy, you didn't send the candy.
Speaker 16: You send them a tenth thousand dollars and twenty.
Speaker 10: Dollar pill old the phone. Oh uh, list like, And
I'm gonna ask you something. Where did you get the
box of candy from that you took over the Caroline
from Avanda.
Speaker 12: I looked all around the room in the ball from
why you told me, and I found it kind of
on the floor behind the printing press.
Speaker 8: Wait a minute, heure, I put the box of candy
up on a high shelf.
Speaker 10: Oh, oh you know something. Boys, them fellas downstairs as counterfeiters.
Speaker 1: Let's get out of here.
Speaker 7: Yeah, I'll see.
Speaker 1: You'll wait a minute. Wait a minute here, hold on,
Kingfish come here.
Speaker 10: Uh wait a minute, Hello, Caroline, I'm gonna call the police.
Speaker 1: Goodbye. I gotta run along, Andy. I just remember my
wife wanted me to come home earlier.
Speaker 10: Wait a minute, Wait a minute, now, don't don't leave
me here, Kingfish, I gotta call the police.
Speaker 1: Call me.
Speaker 10: What do you think we ought to do? Kingfish, were
in trouble.
Speaker 1: Wait a minute.
Speaker 8: The first thing you gotta do is to get that
wee stuff out of it.
Speaker 1: I ain't had nothing to do with us. The twenty
fifth Precinct, Captain Sanders speaking.
Speaker 10: This is Andrew Brown over to missic Knights of the
Cee Lodge.
Speaker 17: Hall.
Speaker 1: I think we got some counterfeiters down to basement.
Speaker 18: You're missing counterfeiters. I longly been there about two days.
Say are they're making twenty dollars bills in a hand press?
Speaker 10: Oh yeah, so that's exactly what they're doing.
Speaker 18: That sounds like muscles Morris in this gang. Well, counterfeitting
comes under the secret Service. We'll notify them right away. Yes,
say you can do. It's a great service if you
see these men, stall them until the government men get there.
Speaker 1: Oh yes, so yes.
Speaker 18: I mean warn you though that this Morris is a killer.
He's wanted now for killing them. Man, So don't take
any chances.
Speaker 10: No, no, sir, go by, What did they say end,
he say. Ahead of this gang is a fellow by
the name of Muscles Morris, and he's a killer.
Speaker 7: I tell you.
Speaker 1: And I've got to get right home to my wife.
He's spent them. Wait a minute, listen, listen.
Speaker 10: The police asked us to help them and install these
fellas till the governmentment gets here.
Speaker 1: You got to stay here and help me. Kingfish.
Speaker 10: Go out and see if you can find some the
brothers or gun or something.
Speaker 1: Will you all right? And I'll do it. I'll scout around.
Speaker 10: Yeah, Well close the door after your knowledge, you go
out there.
Speaker 1: Uh pardon me, mos.
Speaker 8: Uh do you know where I can get a gun someplace?
Speaker 3: Yeah? I might. What do you want with a gun?
Speaker 8: Well, you see most so there's a killer loose in
the place here and uh uh we want some protection.
Speaker 1: Uh. Do you know where we can get a gun?
Speaker 3: Yeah? Yeah, I've got one right here.
Speaker 8: Or mister you as a lifesaver. It's a lucky thing.
Speaker 1: I run into you.
Speaker 3: Let me have the gun, will you The gun stays
with me?
Speaker 1: Yes, I just want to borrow it. Uh awhere, if
you're gonna be in an hour, I'll bring it back
to you.
Speaker 3: I tell you. The gun stays with me.
Speaker 1: Look, mosse, I don't want to get tough with you.
Speaker 8: Uh Now, if you gonna give me that gun, is
I gonna have to take it away from you.
Speaker 3: I wiston. I'm the only one who handles this little gun.
Speaker 8: Hey wa wat, y'all, do flip that gun round like that.
Speaker 1: I will go off here. You get arrested for disturbing
the pizza. Don't do that with that thing.
Speaker 3: Is that your office where you just came out of?
Speaker 7: Uh?
Speaker 5: Yeah, so that's my office, that's your Well, I'll tell
you what I'm gonna do. I'll go in there and
sit with you o the killer shows up. If that'll
make you feel safer.
Speaker 8: Yeah, that sounds fair enough. I know I feel much
more comfortable that way. And so of my friend mister Brown.
And we got nothing to worry about now, just taking eath.
And I found this man.
Speaker 1: Here with a gun.
Speaker 10: Oh that's great, that's great. My name is Brown. You see,
mister that there's a killer loose here in the building.
And naturally we're a little nervous. Have a chair, thanks, right,
I wouldn't be too nervous about it. Boys here, have
a piece of candy.
Speaker 1: Uh oh, mister where'd you get that at.
Speaker 3: I found it. It was left by mistake.
Speaker 1: I think I'll be running along now and sit down.
Speaker 3: Did you hear me? I said? Sit down?
Speaker 1: Yeah, so thank you?
Speaker 3: Ain't Ain't you gonna have a piece of candy?
Speaker 10: Fellas? No, No, I'll never cut you.
Speaker 1: No the nose. I don't want to neither.
Speaker 10: Most Uh hate the stuff. I see the box of
the candid for ten years, twelve years for me.
Speaker 3: You know it's a funny thing. Brown. I had an idea.
Your girl like candy.
Speaker 1: No, I'll tell you mister, she hates it all the
shore looked like a good candid door.
Speaker 3: Yeah, it ought to be good. It cost me ten
thousand dollars.
Speaker 10: Yeah, well, them chocolate covered chairs running a lot of money.
Speaker 1: All right.
Speaker 5: I look boys, now that we've become acquainted, where's the
box for The more it move, yeah, the more the money,
the doll.
Speaker 10: We ain't got this last idea? What you're talking about?
If we does get idea, we'll get in touch with
your door. See you again sometimes down?
Speaker 3: Yes, yes, oh, where's the money?
Speaker 1: The money?
Speaker 3: I answer that and be careful what you say I
mean it?
Speaker 1: Oh? Yes, sir?
Speaker 10: Uh Hello, Hello, this is the Secret Service Agents.
Speaker 3: Oh yes, yeah, yeah, who's that on the phone?
Speaker 8: Oh?
Speaker 1: Hold the phone? Uh, it's a girlfriend of mine. Message.
Speaker 3: Yeah, we'll make it short brown and be careful what
you say.
Speaker 10: Oh, guys, I will uh hello? Uh now what would
you saying?
Speaker 6: Uh?
Speaker 1: A sweetheart dolling?
Speaker 7: He listen? Who do you think you're talking to?
Speaker 10: Well listen, I as busy right now, angel, baby, say
what's the matter with you?
Speaker 1: Are you out of your head? Well? You see, honey,
I got company.
Speaker 3: Now come on, make it snapy, give her a quick brush. Uh?
Speaker 19: Hello, Hey, what difference does it make if you wait
a minute you can't talk?
Speaker 5: Is that it?
Speaker 1: That's right, sweetheart?
Speaker 19: Well, the police called us up and told us there
was some counterfeits working up at your place.
Speaker 1: Are they there now? Oh yes, honey, in your office.
Speaker 3: That's right, sugar, Come on, come on, that's set up
for that, bud.
Speaker 7: Cut it out now.
Speaker 19: Look, we'll be over in two minutes. Stall around and
keep them there the we can get there.
Speaker 10: Well, listen, honey, tell that did the kingfish?
Speaker 7: What you just say?
Speaker 1: Well? Your here king?
Speaker 19: Hello, this is the Secret Service Agents. We'll be there
in two minutes. I'll stall around and keep those men
there till we can get there.
Speaker 1: Okay, darling, goodbye. I love it too.
Speaker 3: I'm going to give you exactly one minute to tell
me where the money is.
Speaker 1: Uh, could you make exactly two minutes so.
Speaker 3: You don't know nothing about that money. I'm talking to
both here. No no, no, no, no read out? Then
why are you shake it?
Speaker 10: Well? Because we always were always shakes at the time
of the year.
Speaker 1: I also we are vibrating with health. Yeah that's yeah.
Speaker 10: Well, we'll tell you everything if you just give us
about a minute to pull ourselves together.
Speaker 5: Say, listen, you guys stalling me, say hey, hey, tell
me something that that dam on the telephone a minute ago.
Speaker 3: Now, both of you what's her name?
Speaker 5: Quick?
Speaker 1: Yeah?
Speaker 7: I mean.
Speaker 3: That's all boys, They got just thirty seconds to talk
or else.
Speaker 10: Well, mister, mister the money you see, let me explain
the whole thing.
Speaker 7: To you, all right, stick them up?
Speaker 1: Yes, that's him right there, mister all.
Speaker 8: Right, put the cops down, all right, all right, I
think there's two more of them down in the basement.
Speaker 12: Mister.
Speaker 7: Okay, you stay here, Frank, come with me, Joe.
Speaker 1: You policemen just got you in the nick of time. Yeah,
this guy was gonna kill.
Speaker 3: Us, Allison Brown, let me tell you said.
Speaker 10: So, Amos, that's the whole story. I finally got him
down on the floor. I took his gun away from him.
Then I pinned his shoulders down and held him with
one hand. Jill, the cops come, Oh, it's the closest
I don't ever come to getting shot.
Speaker 9: And I ain't never hit nothing like that.
Speaker 1: Oh, hand me that form. I bet you were scared.
Speaker 10: I was so glad it's old, Amos. Now I can
unlax and be myself.
Speaker 7: Yeah, I know.
Speaker 10: And oh I was a hero, Amos, I stole that gunman. Oh,
I'm proud of myself, and I know somebody else is
gonna be proud.
Speaker 1: Of me too.
Speaker 7: Yeah, I know you.
Speaker 10: Then Hello, Hello Mom?
Speaker 13: Don't you mom me?
Speaker 2: You be sure to be with us again next week
at the same time when the makers of the New
Rinso again present the Amos and Andy Show, at which
time Amos and Andy will have us their guests. The
Lovely spring starm is Ginger Rogers. Our program is shortwave
to our armed forces all over the world. This is
Harlow Wilcox speaking for all of us, thanking Chester Morris
for appearing with us tonight, and bidding all of you
a pleasant good night,