1 00:00:00,280 --> 00:00:01,520 Speaker 1: You are listening to W. 2 00:00:01,800 --> 00:00:02,160 Speaker 2: M and H. 3 00:00:04,240 --> 00:00:05,240 Speaker 3: World Premiere. 4 00:00:30,120 --> 00:00:36,719 Speaker 4: They say the winds of change appear after the fray, 5 00:00:39,399 --> 00:00:41,479 but no they sound my five? 6 00:00:44,359 --> 00:00:46,240 Speaker 5: Where does sunlight lie? 7 00:00:48,200 --> 00:00:48,719 Speaker 6: No better? 8 00:00:48,880 --> 00:00:50,119 Speaker 4: How they barty? 9 00:00:50,320 --> 00:00:55,600 Speaker 5: You don't never let anybody. 10 00:00:55,000 --> 00:01:14,760 Speaker 6: You're stop get it? You will live another day. 11 00:01:16,359 --> 00:01:23,000 Speaker 4: Did you go from the place for your suffering lay? 12 00:01:25,640 --> 00:01:28,200 Sometimes it's hard to find. 13 00:01:30,680 --> 00:01:37,079 Speaker 6: You will be surmi I away getting you. 14 00:01:39,280 --> 00:01:44,439 Speaker 7: Don't the self these things I do. I just can't 15 00:01:44,640 --> 00:01:54,439 understand how to make a land the sunrise, sunrise. 16 00:01:55,799 --> 00:01:58,079 Speaker 4: And the food like food Li. 17 00:02:00,239 --> 00:02:05,519 Speaker 7: Su said of that night dot night, bring up the 18 00:02:05,719 --> 00:02:10,360 sunlight sunlight. 19 00:02:12,520 --> 00:02:30,960 Speaker 4: When on minestly I know you watched it leave averaching 20 00:02:31,199 --> 00:02:32,439 in mind. 21 00:02:34,840 --> 00:02:40,120 Speaker 8: But still by love will stand no matter how my 22 00:02:40,439 --> 00:02:46,240 fainue feel. Don't never doubt that you are real. 23 00:02:48,159 --> 00:02:50,240 Speaker 2: Do not be on me water. 24 00:02:52,439 --> 00:02:53,919 Speaker 5: Who's still searching. 25 00:02:53,680 --> 00:02:54,520 Speaker 1: For the sun. 26 00:02:55,639 --> 00:02:58,199 Speaker 6: When will the sunrise sunrise? 27 00:03:00,840 --> 00:03:10,039 Speaker 4: The mood so sick come do night dot night, bring up. 28 00:03:10,000 --> 00:03:16,400 Speaker 7: The sunlight sun When will the sunrise sunrise? 29 00:03:19,120 --> 00:03:23,879 Speaker 1: The so sick come? 30 00:03:24,000 --> 00:03:25,719 Speaker 4: Dot night, dot night. 31 00:03:27,680 --> 00:04:10,639 Speaker 7: Bring up the sunlight sun. 32 00:03:57,719 --> 00:04:00,759 Speaker 3: This is eleanor Lanthorn from Vices Inc. And you're listening 33 00:04:00,759 --> 00:04:04,520 to Matt Connorton Unleashed on ninety five point three w 34 00:04:04,879 --> 00:04:05,599 M n H. 35 00:04:05,800 --> 00:04:11,759 Speaker 9: You're listening to w M and H. 36 00:04:12,520 --> 00:04:17,560 Speaker 10: Commander, don't get supremelyda Matzo Cobbing. 37 00:04:50,879 --> 00:04:51,920 Speaker 3: Good morning everybody. 38 00:04:51,920 --> 00:04:52,279 Speaker 1: Here we go. 39 00:04:52,360 --> 00:04:55,079 Speaker 11: It is that time again, Matt Connorton Unleashed and we 40 00:04:55,240 --> 00:04:58,519 are live from the studios of w M n H 41 00:04:58,720 --> 00:05:01,759 ninety five point three F and Glorious, A bit rainy, 42 00:05:01,800 --> 00:05:04,399 but nonetheless glorious, Manchester, New Hampshire. And of course you 43 00:05:04,439 --> 00:05:06,600 can stream the show from anywhere. Go to my website 44 00:05:06,639 --> 00:05:09,560 Matt connorton dot com slash live for all your live 45 00:05:09,600 --> 00:05:12,800 streaming options, social media links, contact info, show archives, et cetera, 46 00:05:12,920 --> 00:05:17,839 et cetera. Today is Saturday, June fourteen, twenty twenty five. 47 00:05:18,399 --> 00:05:20,319 That sound you may have heard in the background was 48 00:05:20,399 --> 00:05:23,120 me forgetting to mute my phone live radio boy. I 49 00:05:23,120 --> 00:05:25,839 haven't done that in a long time. And by the way, 50 00:05:25,879 --> 00:05:27,519 the track that we played to open the show, that 51 00:05:27,639 --> 00:05:32,759 is Soda, not the beverage, but the band Sotah. If 52 00:05:32,759 --> 00:05:34,959 you are watching, well, actually you can't see from this 53 00:05:35,000 --> 00:05:36,560 camera angle, but I was gonna say, if you're watching 54 00:05:36,560 --> 00:05:37,920 the video you can see the shirt, but you'll see 55 00:05:37,920 --> 00:05:40,199 it later. But they are coming in today in the 56 00:05:40,240 --> 00:05:42,199 third hour. That is a brand new track, Sunrise, And 57 00:05:42,240 --> 00:05:44,680 by the way, I suggest you check out the video too. 58 00:05:44,680 --> 00:05:46,800 They made a wonderful music video for it and you 59 00:05:46,839 --> 00:05:47,920 can find that on. 60 00:05:47,920 --> 00:05:49,920 Speaker 3: The YouTube and so so good. 61 00:05:49,959 --> 00:05:51,560 Speaker 11: But they're gonna be coming in in the third hour 62 00:05:51,759 --> 00:05:54,639 and I'm really looking forward to that because I think 63 00:05:54,639 --> 00:05:56,399 it's going to be really special. So they've been on 64 00:05:56,480 --> 00:05:58,639 the show before. Casey Darren is amazing. We love him, 65 00:05:58,839 --> 00:06:00,800 and really looking forward to that. So we've got an 66 00:06:00,800 --> 00:06:04,519 exciting show for you today. But joining us right now, 67 00:06:05,040 --> 00:06:09,319 we have in studio with us. Rachel Molina is here 68 00:06:09,439 --> 00:06:12,319 and let me make sure make sure we can hear you. 69 00:06:12,399 --> 00:06:15,079 Hello Rachel, Hello, welcome to the program. 70 00:06:15,199 --> 00:06:15,519 Speaker 1: Thank you. 71 00:06:16,079 --> 00:06:17,800 Speaker 3: Uh so you're gonna play. 72 00:06:18,120 --> 00:06:20,120 Speaker 11: You've got your guitar and again, if you are watching 73 00:06:20,199 --> 00:06:22,560 the video feed, you can see but she's got her 74 00:06:22,560 --> 00:06:25,000 guitar out and looking forward to hearing you play live. 75 00:06:25,319 --> 00:06:27,680 Now you don't just so people know, So you don't. 76 00:06:27,720 --> 00:06:29,319 You don't have any studio tracks yet, but I assume 77 00:06:29,319 --> 00:06:30,879 you're gonna be going into the studio at some point 78 00:06:30,920 --> 00:06:33,079 soon because you've got some You've got some original music 79 00:06:33,079 --> 00:06:34,279 as well as covers. 80 00:06:33,920 --> 00:06:37,439 Speaker 12: Correct correct and do a lot of covers. I'm starting 81 00:06:37,439 --> 00:06:39,959 to write music. I think have finished one and have 82 00:06:40,079 --> 00:06:41,439 almost finished for the second one. 83 00:06:41,519 --> 00:06:43,160 Speaker 3: Oh no kidding, Oh very cool. 84 00:06:43,240 --> 00:06:44,279 Speaker 1: I read a lot of lyrics. 85 00:06:44,360 --> 00:06:45,480 Speaker 12: I just have to put music to that. 86 00:06:45,720 --> 00:06:47,399 Speaker 11: Oh that has that always been the case with you? 87 00:06:47,480 --> 00:06:50,199 I have you always? I mean, did you start out writing? 88 00:06:50,600 --> 00:06:53,399 Some people, some singer songwriters will start out kind of 89 00:06:53,439 --> 00:06:55,839 writing poetry and then they'll say, you know, these would 90 00:06:55,879 --> 00:06:57,879 make good songs, Maybe I should put music to these. 91 00:06:57,920 --> 00:06:59,680 I mean, is that because cause you mentioned you have 92 00:06:59,680 --> 00:07:00,480 a lot of lyrics. 93 00:07:00,560 --> 00:07:02,600 Speaker 12: Yeah, they kind of come as journal entries, but they 94 00:07:02,600 --> 00:07:05,439 come out as songs, and I always thought, somebody, I'll 95 00:07:05,439 --> 00:07:07,800 put this to music. Yeah, so I've got like a backup. 96 00:07:10,959 --> 00:07:11,639 Speaker 3: Now, why now? 97 00:07:12,079 --> 00:07:14,399 Speaker 11: Because you said so recently you started writing music, But 98 00:07:14,439 --> 00:07:17,360 I assume you've been performing covers and such for a 99 00:07:17,399 --> 00:07:17,839 long time. 100 00:07:17,879 --> 00:07:18,279 Speaker 3: Correct. 101 00:07:18,639 --> 00:07:21,279 Speaker 12: So I've been playing guitar a long time. But two 102 00:07:21,319 --> 00:07:23,800 and a half years ago I started doing open mics 103 00:07:24,000 --> 00:07:26,120 nights with Andrew North and the Rangers. 104 00:07:26,399 --> 00:07:26,600 Speaker 1: Yeah. 105 00:07:27,120 --> 00:07:29,480 Speaker 11: Yeah, we were talking off air about them, and that's 106 00:07:29,519 --> 00:07:31,480 that's kind of how you got started doing the open mics, right. 107 00:07:33,079 --> 00:07:37,040 Speaker 12: I've always wanted to do music, but recently finally, just 108 00:07:38,240 --> 00:07:40,759 I guess it's giving yourself permission to go for it. 109 00:07:41,279 --> 00:07:44,240 Speaker 11: Yeah, So what was holding you back? Is it something 110 00:07:44,279 --> 00:07:45,920 you can identify or was it. 111 00:07:45,839 --> 00:07:51,279 Speaker 12: Just Yeah, I struggled a long time with kind of 112 00:07:51,279 --> 00:07:54,959 the societal pressure to get a career, get the right job, 113 00:07:55,399 --> 00:07:59,519 you know, figure your life out. And I just turned. 114 00:07:59,319 --> 00:08:01,800 Speaker 3: Forty last week, good happy birthday. 115 00:08:01,839 --> 00:08:04,839 Speaker 12: And I told myself I wanted to have my dream 116 00:08:04,920 --> 00:08:06,120 job by the time I'm forty. 117 00:08:06,279 --> 00:08:08,199 Speaker 3: Yeah, I've so far. 118 00:08:08,399 --> 00:08:12,079 Speaker 11: Yeah, well it's a start. It's a start, and you're 119 00:08:12,240 --> 00:08:14,720 you're so you're a professional musician now. Because the way 120 00:08:14,759 --> 00:08:18,000 I've always looked at it, you know, sometimes people will 121 00:08:18,920 --> 00:08:21,639 kind of agonize over, well, when can I call myself 122 00:08:21,639 --> 00:08:23,560 a professional? Yeah, you know, if it's if it's something 123 00:08:23,600 --> 00:08:25,639 that's not their full time job, you know, when can 124 00:08:25,680 --> 00:08:27,439 I call myself a professional? And the way I've always 125 00:08:27,439 --> 00:08:29,600 looked at it is no. And this applies to music 126 00:08:29,680 --> 00:08:31,240 or anything anything that you do in life that you're 127 00:08:31,240 --> 00:08:35,480 passionate about. Once you've been paid for something, that's it, 128 00:08:35,559 --> 00:08:36,039 you're a pro. 129 00:08:36,159 --> 00:08:37,200 Speaker 3: You can call yourself. 130 00:08:37,240 --> 00:08:39,120 Speaker 11: So you can call yourself a professional musician as far 131 00:08:39,120 --> 00:08:41,039 as I'm concerned, Even if you've only had one paid gig, 132 00:08:41,639 --> 00:08:43,519 and you know there will be more, right, I mean 133 00:08:43,639 --> 00:08:45,879 because once that starts, you know, as long as you 134 00:08:45,960 --> 00:08:47,840 keep at it, you know that's going to grow and grow. 135 00:08:47,879 --> 00:08:50,840 And so that's awesome. Good for you, Good for you? 136 00:08:51,840 --> 00:08:53,759 Is that what so turning forty? Is that what made 137 00:08:53,799 --> 00:08:56,080 you say I got to do this now or never? 138 00:08:56,399 --> 00:08:59,279 Speaker 12: Or actually is when I got an office job a 139 00:08:59,279 --> 00:08:59,960 couple of years ago? 140 00:09:00,200 --> 00:09:03,000 Speaker 3: Yeah, is that when you started started thinking? I don't know, 141 00:09:03,559 --> 00:09:03,919 I was. 142 00:09:03,879 --> 00:09:06,000 Speaker 1: The most I it was. 143 00:09:06,360 --> 00:09:08,759 Speaker 12: It was hard. I not an office job person, and 144 00:09:08,799 --> 00:09:12,440 I got really depressed and I was like, what am 145 00:09:12,440 --> 00:09:13,480 I doing with my life? 146 00:09:13,480 --> 00:09:14,000 Speaker 1: This isn't me. 147 00:09:14,360 --> 00:09:18,840 Speaker 12: Yeah, And then actually actually listened to a book by 148 00:09:18,879 --> 00:09:22,240 Dave Stewart of You Rhythmics, his audio book about how 149 00:09:22,240 --> 00:09:25,559 the band started, and it was it was like really 150 00:09:25,919 --> 00:09:31,440 inspirational between that and listen like I went to one 151 00:09:31,480 --> 00:09:35,440 show every month last year musicians and just like seeing 152 00:09:35,480 --> 00:09:39,759 people do it, Yeah, like it can happen, It's possible. Yeah, yeah, 153 00:09:40,000 --> 00:09:40,960 it was a world changer. 154 00:09:41,120 --> 00:09:43,240 Speaker 11: Yeah, good for you, Good for you. Well, I'm dying 155 00:09:43,240 --> 00:09:45,799 to hear you play. I've not heard you play at 156 00:09:45,840 --> 00:09:49,000 all yet, so now I but but I don't. From 157 00:09:49,039 --> 00:09:50,600 what I've seen online, it looks like, you know, people 158 00:09:50,600 --> 00:09:54,559 are really digging what you're doing. So I just realized, too, 159 00:09:54,600 --> 00:09:57,279 that explains the picture. So the and it ended up 160 00:09:57,279 --> 00:09:59,000 being the picture that I used to promote today's show 161 00:09:59,360 --> 00:10:01,440 of you on face Facebook and you wrote so this 162 00:10:01,559 --> 00:10:03,840 is what it's like or something. It's you on stage 163 00:10:03,840 --> 00:10:05,279 and You're like, this is what it's like. It's like okay, 164 00:10:05,279 --> 00:10:09,879 so she really is new with this, so very very cool. Well, yeah, 165 00:10:09,919 --> 00:10:11,600 I'm dying to hear you play. I'm sure the listeners 166 00:10:11,600 --> 00:10:13,519 are too. What do you What are you gonna do? 167 00:10:13,600 --> 00:10:14,200 Speaker 3: First? For us? 168 00:10:14,320 --> 00:10:16,799 Speaker 12: I'm gonna do Live and Die by Avid Brothers. 169 00:10:16,919 --> 00:10:18,679 Speaker 3: Okay, excellent. This was. 170 00:10:20,759 --> 00:10:23,639 Speaker 12: A song that I played at every year I play 171 00:10:23,679 --> 00:10:26,919 at a New England mountain bike association has a meet 172 00:10:27,000 --> 00:10:28,559 up and they asked me to play a couple of 173 00:10:28,600 --> 00:10:30,559 years in a row. Oh cool, that's probably that's how 174 00:10:30,559 --> 00:10:34,960 I started performing performing and okay, this was one of 175 00:10:34,960 --> 00:10:37,039 the songs a friend got me to do. 176 00:10:37,360 --> 00:10:38,440 Speaker 3: All right, excellent. 177 00:10:59,039 --> 00:11:03,200 Speaker 1: A Little Sake is just one moment. 178 00:11:07,039 --> 00:11:16,519 Speaker 13: You say goodbye to Hobbie, Hi, A plan, fear like habit, 179 00:11:17,000 --> 00:11:24,360 run like a rabbit, I Hannah away through the screen 180 00:11:24,759 --> 00:11:35,120 door to the ah. No, No, I wanna love you more. 181 00:11:37,080 --> 00:11:43,039 I wanta find you more. Where do you. 182 00:11:42,639 --> 00:11:47,000 Speaker 1: Reside when you're high? How can I find you? 183 00:11:48,679 --> 00:11:48,720 Speaker 13: No? 184 00:11:48,720 --> 00:11:53,799 Speaker 1: I want to send you more. I want to send 185 00:11:53,879 --> 00:11:58,399 you more. Can you tell it? 186 00:11:58,639 --> 00:12:02,720 Speaker 12: I'm a lie? Leman proven? 187 00:12:05,679 --> 00:12:08,840 Speaker 14: You and I were the same, live and die were 188 00:12:08,919 --> 00:12:13,080 the same. Current voice, No, my name, You and I were. 189 00:12:13,000 --> 00:12:13,879 Speaker 1: The same. 190 00:12:17,360 --> 00:12:23,960 Speaker 14: Little lack pharaoh, sing like a sparrow and anyway. 191 00:12:25,360 --> 00:12:27,919 Speaker 1: Even if there is. 192 00:12:27,799 --> 00:12:35,360 Speaker 13: No land or love inside, we bloom like roses, lee 193 00:12:35,879 --> 00:12:44,080 like Moses, ah and away through the bitter crowd to 194 00:12:44,320 --> 00:12:51,960 the day. Lie, and I wanna love you and more. 195 00:12:53,039 --> 00:12:55,000 Speaker 1: I wanna find you more. 196 00:12:56,840 --> 00:13:00,720 Speaker 13: Can you tell that I'm a lie? 197 00:13:01,759 --> 00:13:03,200 Speaker 1: Clerm A, prove It'sulia. 198 00:13:05,759 --> 00:13:08,960 Speaker 14: You and I were the same, Live and I were 199 00:13:08,960 --> 00:13:12,440 the same. Here a joice, I complain. You and I 200 00:13:12,759 --> 00:13:16,120 were the same, Live and I were the same. You 201 00:13:16,159 --> 00:13:19,639 and I were the same. Hear my voice, No, my name, 202 00:13:20,039 --> 00:13:21,720 You and I were the same. 203 00:13:43,240 --> 00:13:45,240 Speaker 1: I want to love you more. 204 00:13:47,200 --> 00:13:50,200 Speaker 6: I want to find you more. 205 00:13:50,960 --> 00:13:55,240 Speaker 14: Where do you reside when and high? 206 00:13:55,759 --> 00:14:00,320 Speaker 13: I can't affernd you, and I want to send you. 207 00:14:02,559 --> 00:14:12,559 I won't tempt you more, can learn improver. 208 00:14:15,120 --> 00:14:18,720 Speaker 14: You and I would say and I were the same. 209 00:14:19,159 --> 00:14:22,720 You're a joice, I complain. You and I were the same, 210 00:14:23,399 --> 00:14:26,799 and I were the same. You and I were the same. 211 00:14:27,200 --> 00:14:29,879 You're my voice, my name, you and I. 212 00:14:32,919 --> 00:14:33,240 Speaker 6: You know. 213 00:14:39,799 --> 00:14:42,279 Speaker 3: Oh, very nice, very nice. 214 00:14:42,600 --> 00:14:44,960 Speaker 11: If you're just joining us, Rachel Moline is here with us, 215 00:14:45,000 --> 00:14:47,519 alive in studio sounding amazing. 216 00:14:47,559 --> 00:14:49,399 Speaker 3: That was wonderful. That was wonderful. 217 00:14:50,960 --> 00:14:54,000 Speaker 11: Tell me about are they a big influence on you? 218 00:14:54,000 --> 00:14:57,080 Speaker 12: No, Actually, it just happened to be a song that 219 00:14:57,399 --> 00:14:59,000 my buddy was playing with picked. 220 00:14:59,440 --> 00:14:59,600 Speaker 15: Yes. 221 00:15:00,159 --> 00:15:02,200 Speaker 12: He was like, I love this song. I had not 222 00:15:02,320 --> 00:15:05,320 really listened to them much. Yeah, played it turned out 223 00:15:05,360 --> 00:15:05,919 I loved it. 224 00:15:06,440 --> 00:15:06,879 Speaker 1: I don't know. 225 00:15:07,159 --> 00:15:09,759 Speaker 12: I just kind of pick up music that clicks with 226 00:15:09,799 --> 00:15:12,320 me and yeah, yeah, yeah. 227 00:15:12,480 --> 00:15:15,639 Speaker 11: Do you have are there specific influences that have really 228 00:15:15,720 --> 00:15:18,840 kind of shaped your you know, your approach to UH 229 00:15:18,879 --> 00:15:21,840 to how you play. And I'm especially curious too about 230 00:15:21,879 --> 00:15:24,120 about your singing, because you know, you've you've got a 231 00:15:24,120 --> 00:15:26,879 great voice, and I'm curious like how you learn to 232 00:15:26,919 --> 00:15:29,399 sing and who who you listened to or maybe maybe 233 00:15:29,399 --> 00:15:30,240 you even took lessons. 234 00:15:30,240 --> 00:15:30,639 Speaker 3: I don't know. 235 00:15:31,120 --> 00:15:33,639 Speaker 12: I it's it's been a mix. But I grew up 236 00:15:33,639 --> 00:15:37,039 in choir. Okay, A church choir when I was a teenager. 237 00:15:37,120 --> 00:15:39,559 It was the chore for about six years. That's where 238 00:15:39,559 --> 00:15:44,480 I got my musical I guess training you just the 239 00:15:44,480 --> 00:15:45,360 more you do it, the more. 240 00:15:45,600 --> 00:15:46,799 Speaker 3: Yeah. 241 00:15:47,159 --> 00:15:48,960 Speaker 12: I never learned how to read music or anything. I 242 00:15:49,080 --> 00:15:50,559 just like sang. I loved singing. 243 00:15:50,759 --> 00:15:52,600 Speaker 3: Yeah. 244 00:15:52,960 --> 00:15:55,000 Speaker 12: I listened to a lot of like punk and rock 245 00:15:55,320 --> 00:15:59,200 growing up, and I don't know if that had any influence, 246 00:15:59,240 --> 00:16:02,480 but just definitely energetic and loud. Yeah yeah, and I 247 00:16:02,600 --> 00:16:03,559 just kept singing. 248 00:16:03,879 --> 00:16:04,360 Speaker 3: Yeah. 249 00:16:04,720 --> 00:16:05,840 Speaker 12: Took lessons once. 250 00:16:06,240 --> 00:16:10,279 Speaker 11: Did you, Yeah, like like literally one lesson or for 251 00:16:11,120 --> 00:16:12,679 just for six months. 252 00:16:12,759 --> 00:16:14,840 Speaker 3: Oh okay. Do you think it helped you? 253 00:16:14,960 --> 00:16:17,799 Speaker 12: Yeah, there's Yeah, there's definitely things that have stuck from it. 254 00:16:18,120 --> 00:16:18,480 Speaker 3: Yeah. 255 00:16:18,559 --> 00:16:20,799 Speaker 12: I think I absorb a lot by listening to other people. 256 00:16:20,919 --> 00:16:21,879 Speaker 1: YouTube does a lot. 257 00:16:22,120 --> 00:16:24,080 Speaker 3: Oh yeah, yeah, well that's the thing. Yeah. 258 00:16:24,120 --> 00:16:26,919 Speaker 11: YouTube you can learn. You can learn so much from YouTube. 259 00:16:27,159 --> 00:16:30,879 It's probably put a lot of music instructors out of business. Actually, 260 00:16:30,919 --> 00:16:33,080 now that i'm thinking about it, YouTube, because you know, 261 00:16:33,480 --> 00:16:36,080 if you think about it, that never really occurred to 262 00:16:36,120 --> 00:16:37,039 me until just now. 263 00:16:37,080 --> 00:16:40,039 Speaker 3: But yeah, it's probably you know, like I remember, you. 264 00:16:39,960 --> 00:16:42,960 Speaker 11: Know, buying DVDs about how to sing and how to play, 265 00:16:43,000 --> 00:16:44,519 and you know that's of course, you don't need to 266 00:16:44,559 --> 00:16:45,200 do that anymore. 267 00:16:46,240 --> 00:16:48,679 Speaker 12: I've seen instructors go online. 268 00:16:48,240 --> 00:16:50,240 Speaker 3: Though, oh yeah, yeah, of course. 269 00:16:50,360 --> 00:16:51,320 Speaker 12: Yeah, So I don't know. 270 00:16:51,519 --> 00:16:54,240 Speaker 11: Maybe it's yeah, the ones who are comfortable with it. 271 00:16:54,320 --> 00:16:59,440 But I took I took voice lessons and I from 272 00:16:59,720 --> 00:17:02,159 a variety of different instructors over the years, and I 273 00:17:02,200 --> 00:17:04,559 doubt any of them are even still in business. But 274 00:17:04,759 --> 00:17:07,319 they didn't help me much. I'm not a bad harmony singer. 275 00:17:07,359 --> 00:17:08,880 I can kind of find the octave and lock in, 276 00:17:08,920 --> 00:17:10,079 but on my own I get lost. 277 00:17:11,119 --> 00:17:13,119 Speaker 12: Everything's easier when you do with people. 278 00:17:13,160 --> 00:17:15,960 Speaker 11: Oh yeah, yeah no, But just starting an inquire, starting 279 00:17:15,960 --> 00:17:17,480 singing and inquire, I mean, I think that's a great 280 00:17:17,480 --> 00:17:20,480 way to start. I always I've always heard Darryl Hall 281 00:17:20,559 --> 00:17:22,000 say that, like he learned to sing because when he 282 00:17:22,039 --> 00:17:23,799 was a kid, his mom took him to church. Yeah, 283 00:17:23,839 --> 00:17:27,480 and that's you know, growing up in Philadelphia, that's you know, 284 00:17:27,519 --> 00:17:29,039 that was a great way to start, you know. 285 00:17:29,079 --> 00:17:31,400 Speaker 3: And his mother also is a I. 286 00:17:31,359 --> 00:17:33,200 Speaker 11: Say it is because I think she's still alive, but 287 00:17:34,480 --> 00:17:38,000 she's also a vocal teacher herself, and she taught him 288 00:17:38,039 --> 00:17:39,720 how to breathe and everything, and took him to church. 289 00:17:39,759 --> 00:17:41,640 And said, here sing with these people. 290 00:17:41,319 --> 00:17:43,279 Speaker 1: And yeah, that's cool. 291 00:17:43,400 --> 00:17:45,240 Speaker 3: Yeah, Now what about guitar? How did you learn to 292 00:17:45,240 --> 00:17:45,759 play guitar? 293 00:17:47,279 --> 00:17:52,039 Speaker 12: I got my first guitar when I was seventeen, from 294 00:17:52,160 --> 00:17:55,079 like a summer crush. He played me like I mean, 295 00:17:55,119 --> 00:17:56,799 he taught me how to play GCD. 296 00:17:57,240 --> 00:17:58,240 Speaker 3: Yeah, and then. 297 00:18:00,559 --> 00:18:04,119 Speaker 12: Over the years it's just been slowly picking up some songs. 298 00:18:04,440 --> 00:18:04,640 Speaker 3: Yeah. 299 00:18:05,160 --> 00:18:05,279 Speaker 1: Uh. 300 00:18:06,400 --> 00:18:08,960 Speaker 12: The first song I ever learned was Boston by Augustana 301 00:18:09,160 --> 00:18:11,839 And oh, so, I guess we're talking about musicians and bands. 302 00:18:11,880 --> 00:18:15,559 They were Augustana Is. They're not super popular, but they 303 00:18:15,559 --> 00:18:19,759 were like so influential to me. Probably when I started 304 00:18:19,759 --> 00:18:22,759 writing songs, I it was it was a lot of 305 00:18:22,839 --> 00:18:28,640 like a lot of like kind of dark, sad sounding music. 306 00:18:29,079 --> 00:18:32,119 You know, a lot of my lyrics would come out 307 00:18:32,160 --> 00:18:37,000 as like these sad stories and yeah, I like I 308 00:18:37,079 --> 00:18:41,880 like heartfelt things like emotion. Sure, sure, but anyway, okay, Yeah. 309 00:18:41,920 --> 00:18:42,359 Speaker 1: And then. 310 00:18:44,279 --> 00:18:46,319 Speaker 12: It was two and a half years ago, I again 311 00:18:46,400 --> 00:18:49,359 doing open mic nights. I was like, well, I don't 312 00:18:49,359 --> 00:18:52,960 pick it up again. So I picked up my my 313 00:18:53,039 --> 00:18:56,839 old guitar that I'd got in San Francisco years ago 314 00:18:57,000 --> 00:18:57,559 on a whim. 315 00:18:57,799 --> 00:19:00,359 Speaker 11: Yeah, did you go a really long time I'm without 316 00:19:00,400 --> 00:19:00,920 playing at all? 317 00:19:01,119 --> 00:19:02,079 Speaker 3: Or did you kind of? 318 00:19:02,599 --> 00:19:06,359 Speaker 12: I probably went stretches a couple of years stretches, and 319 00:19:06,359 --> 00:19:08,039 then I'd pick up guitar and like fiddle with it. 320 00:19:08,279 --> 00:19:08,519 Speaker 3: Yeah. 321 00:19:09,240 --> 00:19:12,880 Speaker 12: Yeah, I might have gone five or six years without 322 00:19:12,880 --> 00:19:13,799 really playing. 323 00:19:14,000 --> 00:19:14,480 Speaker 3: Yeah. 324 00:19:14,599 --> 00:19:17,480 Speaker 12: I started dabbling in the keyboard too, and that was fun. Yeah, 325 00:19:17,559 --> 00:19:20,039 guitar is always way more intimidating. 326 00:19:20,200 --> 00:19:24,759 Speaker 3: Yeah. So then so when did you so? 327 00:19:25,039 --> 00:19:26,319 Speaker 11: But it was a couple of years ago that you 328 00:19:26,559 --> 00:19:28,799 picked it back up and really started to focus on 329 00:19:28,880 --> 00:19:30,480 it or yeah, and. 330 00:19:30,480 --> 00:19:33,000 Speaker 12: I just had to, like again, it was giving myself permission. 331 00:19:33,240 --> 00:19:36,519 Just I don't really still sometimes feel like I don't 332 00:19:36,519 --> 00:19:41,279 know what I'm doing, but I I just I learned songs. 333 00:19:41,319 --> 00:19:42,799 I find songs that I love, and I'm like, I 334 00:19:42,880 --> 00:19:45,160 better if I learn that, Yeah it's too complicated, I 335 00:19:45,240 --> 00:19:47,599 let it go. Yeah, and then to find ones that 336 00:19:47,640 --> 00:19:48,119 are easy. 337 00:19:48,599 --> 00:19:50,440 Speaker 11: So that makes me curious, like, what have you Is 338 00:19:50,440 --> 00:19:52,279 there anything you can think of specifically that you tried 339 00:19:52,319 --> 00:19:54,400 to learn that you you felt was too complicated that 340 00:19:54,440 --> 00:19:56,279 maybe you'll you'll put aside and come back later. 341 00:19:56,839 --> 00:19:58,200 Speaker 3: Well, it's curious about this kind of thing. 342 00:19:58,240 --> 00:19:59,519 Speaker 12: Is there is there anything I think there was a 343 00:19:59,519 --> 00:20:03,519 Beatles song. Yeah, I can't remember what it was called. 344 00:20:04,359 --> 00:20:06,200 I can't remember which one, but they use a lot 345 00:20:06,240 --> 00:20:10,440 of When I say a complimentated, complicated chords, it's like 346 00:20:10,839 --> 00:20:14,000 there you have to stretch your fingers around, or there's 347 00:20:14,000 --> 00:20:17,079 a chord change every you know, every beat home. 348 00:20:17,119 --> 00:20:19,359 Speaker 3: Yeah, it feels like yeah. 349 00:20:18,720 --> 00:20:21,920 Speaker 12: And sometimes I've learned too to allow myself to just 350 00:20:22,000 --> 00:20:24,400 instead of changing chords, you might find one that sounds similar, 351 00:20:24,440 --> 00:20:25,920 so just stay on it, right. 352 00:20:26,160 --> 00:20:30,000 Speaker 3: Right, Yes, yes, absolutely. 353 00:20:30,440 --> 00:20:33,279 Speaker 11: When I when I was a teenager, so I took 354 00:20:33,319 --> 00:20:35,240 guitar lessons, and but I was I was kind of 355 00:20:35,240 --> 00:20:38,440 a lazy kid. If I wasn't good at something quickly enough, 356 00:20:38,480 --> 00:20:39,000 I would tend to. 357 00:20:38,960 --> 00:20:42,079 Speaker 3: Give up on it. And that's how I ended up. 358 00:20:42,119 --> 00:20:44,480 Speaker 11: And bass players hate when I say this. I know that, 359 00:20:44,599 --> 00:20:46,200 but I'm a bass player so I can say it. 360 00:20:46,359 --> 00:20:49,359 That's how I ended up playing bass because I got 361 00:20:49,400 --> 00:20:52,160 frustrated with the guitar and and then I picked up 362 00:20:52,200 --> 00:20:55,759 a bass. I was with some friends, some musicians, and 363 00:20:55,880 --> 00:20:57,640 I picked up a bass and I seem to have 364 00:20:57,680 --> 00:20:59,319 a feel for it really quickly, and I was kind 365 00:20:59,319 --> 00:21:01,519 of like, oh, two less strings and I don't have 366 00:21:01,599 --> 00:21:04,160 to know any chords. I think I found my instrument, 367 00:21:04,559 --> 00:21:06,279 and it turned out I did find my instrument because 368 00:21:06,279 --> 00:21:07,599 I ended up playing in a bunch of bands over 369 00:21:07,599 --> 00:21:10,079 the years. But and I'm not a bad bass player. 370 00:21:10,119 --> 00:21:11,440 But and I can still play a little bit of 371 00:21:11,480 --> 00:21:12,759 a guitar, you know, I can play I can play 372 00:21:12,799 --> 00:21:15,279 in a punk band probably, but but. 373 00:21:15,559 --> 00:21:17,759 Speaker 3: Uh, but yeah, it's uh, but I know what you mean. 374 00:21:17,799 --> 00:21:21,119 Speaker 11: And it's like, you can you can kind of psyche 375 00:21:21,160 --> 00:21:24,400 yourself out by trying trying too hard to emulate exactly 376 00:21:24,480 --> 00:21:26,920 what the original artist did when you can you can 377 00:21:27,039 --> 00:21:30,160 change it, yeah, and make it sound the same. You know, 378 00:21:30,519 --> 00:21:33,319 there's no there's no rules really, I mean, music theory 379 00:21:33,400 --> 00:21:36,119 is music theory, but that doesn't mean you have to 380 00:21:36,160 --> 00:21:38,240 do it exactly the way it was done to make 381 00:21:38,279 --> 00:21:40,039 it sound good. And if along the way you kind 382 00:21:40,039 --> 00:21:41,759 of make it your own, that's good too. 383 00:21:42,039 --> 00:21:46,720 Speaker 12: I think, yeah, there's I think music has taught me 384 00:21:46,799 --> 00:21:50,440 that I'm can be a perfectionist. And it's a lot 385 00:21:50,440 --> 00:21:53,519 of your heart on yourself. And it's like that has 386 00:21:53,599 --> 00:21:57,279 to really be ingrained as it's okay to be flexible 387 00:21:57,279 --> 00:21:59,480 with the songs, okay to put your own spin on it. Yep, 388 00:21:59,799 --> 00:22:01,920 And people want that probably. 389 00:22:01,799 --> 00:22:04,559 Speaker 3: Yeah, yeah, some people do. I mean some people. 390 00:22:04,599 --> 00:22:07,400 Speaker 11: There's always some people who will complain like, oh that 391 00:22:07,519 --> 00:22:10,319 you didn't play that right, But it's like, uh, you know, 392 00:22:10,720 --> 00:22:13,359 but to me, I always like, you know, it's like 393 00:22:13,400 --> 00:22:18,039 if I see a cover band, I don't necessarily want 394 00:22:18,079 --> 00:22:21,039 to hear everything exactly the way it sounds, the way 395 00:22:21,240 --> 00:22:23,400 the original artists played it. I kind of want to hear. 396 00:22:23,799 --> 00:22:25,599 It's like, okay, I know how the original goes. I 397 00:22:25,599 --> 00:22:27,359 can I hear it on the radio, I can pull 398 00:22:27,400 --> 00:22:29,759 it up online. I want to hear your interpretation of it, 399 00:22:29,799 --> 00:22:31,640 you know what I mean? That to me is more interesting. 400 00:22:31,640 --> 00:22:33,079 But there are some people who are just like, oh 401 00:22:33,119 --> 00:22:35,240 you didn't you didn't play that the way I know it. 402 00:22:35,640 --> 00:22:37,519 It's like, well, go listen to it the way you 403 00:22:37,559 --> 00:22:39,720 know it. The way you know it is available to you. 404 00:22:40,200 --> 00:22:42,240 Speaker 1: Yeah, that's true. That's true. 405 00:22:42,599 --> 00:22:43,680 Speaker 12: It is about creativity. 406 00:22:43,960 --> 00:22:46,240 Speaker 3: Yeah, yeah, or it should be. At least it should be. 407 00:22:46,960 --> 00:22:47,960 You want to play another one? 408 00:22:48,079 --> 00:22:50,799 Speaker 11: Okay, all right, if you're just joining us, Rachel Molein 409 00:22:50,920 --> 00:22:53,720 is here with us live in studio, sounding great. 410 00:22:54,720 --> 00:22:59,400 Speaker 12: I sorry, okay, I'll play I'll play an original. 411 00:22:59,559 --> 00:23:03,400 Speaker 11: Okay, awesome. So this will be the first time this 412 00:23:03,440 --> 00:23:04,440 has been played on the radio. 413 00:23:04,640 --> 00:23:05,079 Speaker 12: That's true. 414 00:23:05,279 --> 00:23:06,279 Speaker 3: So it was a world premiere. 415 00:23:07,240 --> 00:23:10,720 Speaker 12: Yes, yes, is this recorded well, of course technically the 416 00:23:10,720 --> 00:23:12,720 first time it's every recorded to this will be. 417 00:23:12,720 --> 00:23:15,039 Speaker 3: The first time. Wait, you know what, just just for that, 418 00:23:15,359 --> 00:23:17,799 I should uh, I should do this, uh do this 419 00:23:17,839 --> 00:23:18,119 for you. 420 00:23:19,359 --> 00:23:21,160 Speaker 4: You are listening to wum and a. 421 00:23:23,319 --> 00:23:24,319 Speaker 13: World premiere. 422 00:23:27,519 --> 00:23:29,160 Speaker 11: Oh you probably couldn't hear that because you don't have 423 00:23:29,200 --> 00:23:34,039 headphones on. I gave you the world premiere bumper. Yes, 424 00:23:34,400 --> 00:23:35,880 you'll hear it later when you listen to it. 425 00:23:36,319 --> 00:23:37,480 Speaker 3: All right, what's this called? 426 00:23:37,559 --> 00:23:43,079 Speaker 12: It's called this song is called the Moment. It's very short. 427 00:23:43,279 --> 00:23:47,359 It's it's about living in the moment, really, because a 428 00:23:47,359 --> 00:23:49,960 lot of times they escape us. Yes, before we've had 429 00:23:49,960 --> 00:23:53,119 a chance to do something about it. And let's bring that. 430 00:23:53,119 --> 00:23:55,240 Speaker 3: Back, all right, Rachel Mouley. 431 00:23:59,079 --> 00:24:18,200 Speaker 1: M stand to stay the moment. 432 00:24:20,000 --> 00:24:24,960 Speaker 14: For the moment loss, it passes bar. 433 00:24:29,720 --> 00:24:37,880 Speaker 15: And see hard on the Wonday, it leaves no chase, 434 00:24:40,119 --> 00:24:41,680 it flies way. 435 00:24:46,160 --> 00:24:50,079 Speaker 9: Breathe the moment back now. 436 00:24:52,359 --> 00:24:53,559 Speaker 1: Because I know. 437 00:24:55,960 --> 00:25:00,160 Speaker 9: What I would say. 438 00:25:26,880 --> 00:25:37,160 Speaker 14: Find yourself a moment, So it does, saying it's too. 439 00:25:42,559 --> 00:25:54,160 Speaker 1: God, hand sip beside me. We'll fly away. We'll fly way. 440 00:26:01,319 --> 00:26:02,599 Speaker 3: Beautiful, beautiful. 441 00:26:03,480 --> 00:26:05,880 Speaker 11: Rachel Moleen is here with us, live in studio, and 442 00:26:05,880 --> 00:26:06,680 that's called the moment. 443 00:26:07,640 --> 00:26:12,279 Speaker 12: The scariest thing I've ever done, really, maybe so far. 444 00:26:12,359 --> 00:26:13,920 Speaker 11: I mean as you, as you advance into your career, 445 00:26:13,960 --> 00:26:18,519 I'm sure it'll get scarier. This is nothing, This is 446 00:26:18,559 --> 00:26:21,279 nothing if you are just joining us. Rachel Moleen is 447 00:26:21,319 --> 00:26:24,240 here with us, live in studio, and so what kind 448 00:26:24,240 --> 00:26:25,759 of what kind of shows have you you been doing? 449 00:26:25,759 --> 00:26:27,880 You mentioned the open mics, and then have you been 450 00:26:28,799 --> 00:26:31,359 but you know you've been doing more than just that obviously. 451 00:26:31,799 --> 00:26:35,400 Speaker 12: So yeah, volunteered for a couple of things. It played 452 00:26:35,400 --> 00:26:39,839 at a school last weekend, like a parent teacher fundraiser thing. 453 00:26:39,880 --> 00:26:42,920 Oh cool, that was fun. There was three other artists there, 454 00:26:43,079 --> 00:26:47,160 one that I knew. Playing in front of a bunch of 455 00:26:47,279 --> 00:26:49,920 kids is really fun there. They give a lot of 456 00:26:49,920 --> 00:26:54,599 feedback dancing to your music or or they come up 457 00:26:54,599 --> 00:26:56,519 there and they just stare at you playing. 458 00:26:56,960 --> 00:26:58,119 Speaker 3: Yeah. 459 00:26:59,440 --> 00:27:03,000 Speaker 12: Yeah, I played at Feathered Friends last weekend, opened for 460 00:27:04,079 --> 00:27:05,000 Lee and doctor. 461 00:27:04,759 --> 00:27:07,960 Speaker 3: G Okay, he is a local man. Now where is 462 00:27:07,960 --> 00:27:08,839 that feather trends? 463 00:27:09,079 --> 00:27:10,680 Speaker 12: Feathered Friends feather trends? 464 00:27:11,480 --> 00:27:14,519 Speaker 3: I don't know why thought sometimes I don't hear things correctly. 465 00:27:14,720 --> 00:27:17,519 Speaker 11: Feathered trends, like like, what would that be, like a 466 00:27:17,559 --> 00:27:20,079 store that sells jackets like made of feather? 467 00:27:22,000 --> 00:27:22,880 Speaker 12: I think we should. 468 00:27:24,079 --> 00:27:27,960 Speaker 11: Should open that. Feathered trends. So feathered friends, okay, okay, 469 00:27:28,039 --> 00:27:28,640 so what is that? 470 00:27:29,200 --> 00:27:29,920 Speaker 12: It's a brewery. 471 00:27:29,960 --> 00:27:30,880 Speaker 3: It's a brewery. Okay. 472 00:27:31,440 --> 00:27:34,599 Speaker 12: They have a cool stage in the back. Then I 473 00:27:34,799 --> 00:27:39,400 played last December. I played up at a place in Bethlehem, 474 00:27:39,839 --> 00:27:41,240 Okay called Flamingo. 475 00:27:41,559 --> 00:27:41,880 Speaker 3: Okay. 476 00:27:42,240 --> 00:27:45,759 Speaker 12: A buddy of mine, Jim Terrell, is also a New Hampshire. 477 00:27:45,400 --> 00:27:48,880 Speaker 11: Oh I know Jim, ye yep. I've interviewed him actually, jeez, 478 00:27:48,920 --> 00:27:50,119 I don't know how many times. 479 00:27:49,920 --> 00:27:53,200 Speaker 3: Over the years. Yeah, yeah, oh absolutely, Jim's great. 480 00:27:53,240 --> 00:27:53,559 Speaker 1: I was. 481 00:27:54,079 --> 00:27:58,680 Speaker 12: I went up to see him play because he plays 482 00:27:58,680 --> 00:27:59,680 there every Wednesday. 483 00:27:59,640 --> 00:27:59,839 Speaker 3: Yeah. 484 00:28:00,400 --> 00:28:01,839 Speaker 12: He had me sing a couple of songs and the 485 00:28:01,839 --> 00:28:03,920 owner was like, Jim can't be here next week, do 486 00:28:03,920 --> 00:28:06,480 you want to fill in? Oh nice, it's a three 487 00:28:06,519 --> 00:28:08,319 hour set, and I was like. 488 00:28:08,480 --> 00:28:10,960 Speaker 9: Oh, okay, yeah, yeah, let's do. 489 00:28:11,400 --> 00:28:12,279 Speaker 3: Yeah. 490 00:28:12,400 --> 00:28:12,680 Speaker 1: It was. 491 00:28:12,759 --> 00:28:15,200 Speaker 12: It was a really good experience. It was a challenge 492 00:28:15,200 --> 00:28:17,279 because I didn't have three hours of material. 493 00:28:17,400 --> 00:28:19,680 Speaker 3: But well, the thing is, though, with a situation like 494 00:28:19,720 --> 00:28:21,039 that too. You can repeat some stuff. 495 00:28:21,039 --> 00:28:22,559 Speaker 11: I mean, you're not you know, you're not playing to 496 00:28:22,640 --> 00:28:24,440 the same crowd in the first hour that you you 497 00:28:24,440 --> 00:28:26,079 know in the third hour, you know what I mean? 498 00:28:26,279 --> 00:28:27,839 Speaker 12: Right, So, yeah, you're right. 499 00:28:27,960 --> 00:28:29,119 Speaker 3: I mean, is that what you ended up doing? He 500 00:28:29,240 --> 00:28:30,720 just yeah, yeah, did. 501 00:28:30,559 --> 00:28:33,640 Speaker 12: About I had about an hour and twenty minutes or so. 502 00:28:33,839 --> 00:28:35,960 Speaker 3: Oh yeah, she just played this stuff. Just play the 503 00:28:36,000 --> 00:28:38,599 SAT twice? Right, yeah, no big deal. Yeah, no, that's cool. 504 00:28:38,640 --> 00:28:40,559 So I went, well it did. Yeah. 505 00:28:40,680 --> 00:28:43,279 Speaker 12: I was not as prepared as I could have been. 506 00:28:43,359 --> 00:28:44,559 I think I say that every time. 507 00:28:44,920 --> 00:28:48,480 Speaker 11: Sure, well, you know, like we talked about earlier, you know, 508 00:28:48,519 --> 00:28:51,079 I'm creative. People are most hard on themselves, you know, 509 00:28:51,240 --> 00:28:54,119 the most self critical. So but it comes from a 510 00:28:54,160 --> 00:28:55,759 good place because you want to be good at what 511 00:28:55,759 --> 00:28:57,559 you're doing, and you you know, you want people to 512 00:28:57,559 --> 00:29:01,720 be impressed and whatnot. So right, So are you is 513 00:29:01,759 --> 00:29:04,079 that kind of is your goal to continue to do 514 00:29:04,160 --> 00:29:04,640 shows like that? 515 00:29:04,799 --> 00:29:07,000 Speaker 3: More and more shows like that? Is that? Like you 516 00:29:07,000 --> 00:29:08,720 want to be playing out all the time. I assume 517 00:29:09,279 --> 00:29:09,960 I would like to. 518 00:29:10,599 --> 00:29:13,480 Speaker 12: It's really good. I've found that it it's a lot 519 00:29:13,519 --> 00:29:17,720 of pressure. I mean, I put pressure on myself. Yeah, 520 00:29:17,759 --> 00:29:20,640 but it's really good to develop my set list and 521 00:29:20,880 --> 00:29:23,799 it it's I'm learning so much as I'm learning songs. 522 00:29:24,000 --> 00:29:24,200 Speaker 3: Yep. 523 00:29:25,799 --> 00:29:28,039 Speaker 12: I'd like to be able to id like to be 524 00:29:28,079 --> 00:29:29,720 able to support myself with music. 525 00:29:29,920 --> 00:29:31,039 Speaker 3: Yeah, of course. Yeah. 526 00:29:31,160 --> 00:29:34,000 Speaker 12: I do want to keep writing and start recording, and 527 00:29:34,480 --> 00:29:38,359 I'd love to eventually start a band. Can I say 528 00:29:39,480 --> 00:29:43,480 I'm looking for a fiddle player? Know that there's fiddle 529 00:29:43,480 --> 00:29:46,279 players like all over, but yeah, I would love to 530 00:29:46,359 --> 00:29:47,480 collaborate with someone. 531 00:29:48,200 --> 00:29:50,519 Speaker 3: Now, why a fiddle player specifically. 532 00:29:50,319 --> 00:29:55,079 Speaker 12: It's okay, it's probably some band influences like Airborne Toxic 533 00:29:55,160 --> 00:29:58,799 Event is a rock band and they have a fiddle. 534 00:30:00,079 --> 00:30:04,359 The fiddle was one of his first band members. Oh, violin, same, 535 00:30:04,440 --> 00:30:07,039 But yeah, it just sounds so cool. I think in 536 00:30:07,079 --> 00:30:10,160 any style of music, yeah, adds something that you don't 537 00:30:10,799 --> 00:30:12,880 get to see or hear a lot. 538 00:30:13,079 --> 00:30:16,160 Speaker 3: Yeah. Does Andrew North and the Rangers have a fiddle player? 539 00:30:16,160 --> 00:30:18,920 Don't they know? They haven't they have a Who. 540 00:30:18,799 --> 00:30:22,480 Speaker 11: Am I thinking of? No, I'm thinking I don't know 541 00:30:22,480 --> 00:30:24,880 who I'm thinking of. But yeah, I mean it's not like, 542 00:30:25,039 --> 00:30:27,839 uh yeah, fiddle players though. Yeah, it's not like you know, 543 00:30:27,880 --> 00:30:30,799 guitar players are everywhere, but fiddle players. Yeah, how do 544 00:30:30,839 --> 00:30:32,640 you find a fiddle player? 545 00:30:32,839 --> 00:30:35,079 Speaker 12: I've been asked. I've been I just asked people some 546 00:30:35,359 --> 00:30:36,480 I'll come up with one. 547 00:30:36,799 --> 00:30:38,440 Speaker 11: And when you find one, they're probably already in a 548 00:30:38,440 --> 00:30:40,400 bunch of bands because it's not many fiddle players around. 549 00:30:40,880 --> 00:30:44,079 Speaker 3: Probably. No, I'm sure you'll find somebody. No, that's cool though. Yeah, 550 00:30:44,119 --> 00:30:46,000 that's cool. So you obviously, so you want to do 551 00:30:46,039 --> 00:30:48,440 something that doesn't sound like everything else, You want to 552 00:30:48,480 --> 00:30:49,640 do something something different. 553 00:30:49,680 --> 00:30:54,119 Speaker 11: No, I think that's awesome. Yeah, yeah, fiddle players. 554 00:30:54,920 --> 00:30:56,839 Speaker 3: I'm trying to think of who. I don't know why. 555 00:30:56,839 --> 00:30:58,519 Speaker 11: I was thinking of Andrew North, maybe just because we 556 00:30:58,519 --> 00:31:01,599 were talking about earlier. But yeah, No, that's that's cool. 557 00:31:01,680 --> 00:31:03,880 Now you so, have you actively started looking for band 558 00:31:03,880 --> 00:31:05,680 members or are you just kind of starting to look. 559 00:31:05,960 --> 00:31:08,279 Speaker 12: I'm starting to look. I've been meeting people at the 560 00:31:08,359 --> 00:31:09,319 open mic night. 561 00:31:09,640 --> 00:31:11,319 Speaker 3: Yeah, that's a that's a great Oh. 562 00:31:11,599 --> 00:31:14,240 Speaker 11: Over the years of interviewing people, so many bands have 563 00:31:14,359 --> 00:31:17,160 started out of open mic nights, just people meeting there. 564 00:31:17,400 --> 00:31:18,680 Speaker 3: It's it's such a great place in. 565 00:31:18,720 --> 00:31:20,920 Speaker 12: Network, right, Yeah, I have faith in that. 566 00:31:21,039 --> 00:31:23,400 Speaker 3: Oh yeah, yeah, so that's that's that's one of the 567 00:31:23,440 --> 00:31:25,400 long term goals. Get a band going. 568 00:31:25,480 --> 00:31:27,880 Speaker 12: Yeah, I'm not exactly sure what kind of band yet. 569 00:31:27,960 --> 00:31:30,519 I know I want a fiddle player. Yeah, there's this 570 00:31:30,599 --> 00:31:33,359 band called the East Pointers. They're from Prince Edward Island, 571 00:31:33,480 --> 00:31:37,880 Okay recently. I went to see them last year and 572 00:31:39,000 --> 00:31:40,720 that was a moment. It was one moment where I 573 00:31:40,759 --> 00:31:41,599 was like I can do this. 574 00:31:41,799 --> 00:31:42,119 Speaker 3: Yeah. 575 00:31:42,160 --> 00:31:45,480 Speaker 12: They're a guitar player and a fiddle player and one 576 00:31:45,480 --> 00:31:49,200 of them they switched to keyboard. Oh but they also 577 00:31:49,319 --> 00:31:52,079 do you know, they do beats and stuff. Their music 578 00:31:52,200 --> 00:31:56,400 is like not really traditional fiddle player. It's not Irish 579 00:31:56,440 --> 00:31:56,839 per se. 580 00:31:57,039 --> 00:31:57,480 Speaker 3: Interesting. 581 00:31:57,640 --> 00:32:00,319 Speaker 12: It's a lot of really cool different sound ones and 582 00:32:00,599 --> 00:32:01,359 high energy. 583 00:32:01,759 --> 00:32:02,640 Speaker 3: I'm super curious. 584 00:32:02,640 --> 00:32:04,799 Speaker 12: What are they called The East Pointers? 585 00:32:04,839 --> 00:32:06,559 Speaker 3: The East Pointers. I gotta look them up. 586 00:32:06,640 --> 00:32:10,640 Speaker 12: They're really good. We've got a good, good presence on Instagram. 587 00:32:10,680 --> 00:32:13,720 They they just put out some really fun stufff fun dire. 588 00:32:13,720 --> 00:32:16,000 Speaker 3: From Providence or you saw or you saw them in. 589 00:32:16,000 --> 00:32:18,359 Speaker 12: Probably from Prince Edward Island, oh. 590 00:32:18,240 --> 00:32:23,559 Speaker 11: Okay, Okay, in Portland, Oh, in Portland, Okay, Okay. 591 00:32:23,720 --> 00:32:26,200 Speaker 3: I got to look them up. Yeah, oh that's really interesting. Yeah. 592 00:32:26,240 --> 00:32:28,160 Speaker 12: They just you watch them up there and you know, 593 00:32:28,160 --> 00:32:31,480 the one guy in the fiddles just like the other guys. 594 00:32:32,000 --> 00:32:34,079 They just look fun and they have fun and their 595 00:32:34,119 --> 00:32:34,720 music's good. 596 00:32:34,839 --> 00:32:37,279 Speaker 3: Yeah. Oh, that's really cool. That's really cool. 597 00:32:37,720 --> 00:32:39,799 Speaker 11: If you're just joining us, Rachel Molina is here with us. 598 00:32:39,960 --> 00:32:42,000 You want to play another one? Dying to hear more? 599 00:32:42,400 --> 00:32:42,759 Speaker 3: All right? 600 00:32:44,920 --> 00:32:45,960 Speaker 12: Do you think there'll be two more? 601 00:32:46,119 --> 00:32:48,319 Speaker 3: I've got Oh we can, yeah, we got We have time. 602 00:32:48,519 --> 00:32:49,519 We definitely have time. 603 00:32:50,319 --> 00:32:53,119 Speaker 12: Yeah, well, okay, I'll jump into this. 604 00:32:59,519 --> 00:33:00,039 Speaker 4: Mm hmm. 605 00:33:03,119 --> 00:33:03,240 Speaker 2: Uh. 606 00:33:04,559 --> 00:33:05,799 Speaker 12: The song is called What's Up? 607 00:33:06,599 --> 00:33:07,359 Speaker 3: Is this an original? 608 00:33:07,480 --> 00:33:10,519 Speaker 12: No? Oh, okay, this is very much not an original. 609 00:33:10,559 --> 00:33:11,640 Speaker 3: Oh is this for none blinds? 610 00:33:12,039 --> 00:33:12,279 Speaker 12: Yeah? 611 00:33:12,359 --> 00:33:16,200 Speaker 3: Okay. You feel like I'm gonna karaoke bar all of 612 00:33:16,200 --> 00:33:16,839 a sudden, a. 613 00:33:16,839 --> 00:33:18,559 Speaker 12: Little cliche, but I love singing it. 614 00:33:18,799 --> 00:33:21,640 Speaker 3: No, No, I'm dying to hear it. Yeah, okay, all right. 615 00:33:38,519 --> 00:33:42,759 Speaker 12: Twenty five years and the laughers still trying to get 616 00:33:42,839 --> 00:33:45,160 up there, great big hill. 617 00:33:45,359 --> 00:33:49,240 Speaker 1: Home for Destined Nation. 618 00:33:52,599 --> 00:33:56,359 Speaker 13: Real Last quickly had a new lash that the world 619 00:33:56,680 --> 00:34:02,160 was made up of his brother food oh man, for 620 00:34:02,400 --> 00:34:09,079 whatever that means. So I cried sometimes on a lying 621 00:34:09,199 --> 00:34:11,079 in bed, just to get it up. 622 00:34:11,599 --> 00:34:17,679 Speaker 1: What's in my head? And I I'm feeling a little peculiar. 623 00:34:20,199 --> 00:34:22,679 Speaker 13: So I wake up in the morning and I step 624 00:34:22,760 --> 00:34:26,320 outside and I take any broth and I gave real 625 00:34:26,519 --> 00:34:29,559 high and I screamed from the top of my lums 626 00:34:29,719 --> 00:34:40,199 what's going on? And said hey, hey, hey, yay. 627 00:34:40,920 --> 00:34:49,559 Speaker 1: I said hey, what's going on? And I said he here. 628 00:34:52,760 --> 00:34:59,000 Speaker 13: Yeah, I said, hey, what's going on? 629 00:35:00,039 --> 00:35:02,719 Speaker 6: Oh? 630 00:35:04,360 --> 00:35:33,639 Speaker 16: Oh Hanna, try, oh my God, to try. I try 631 00:35:34,039 --> 00:35:41,159 all the time, and this since they're too shone, and 632 00:35:41,360 --> 00:35:42,199 I pray. 633 00:35:43,400 --> 00:35:51,039 Speaker 17: Oh my God, pray a pramacing God Dad for red 634 00:35:51,119 --> 00:35:57,079 al shu. So I cry sometimes. 635 00:35:56,280 --> 00:35:59,039 Speaker 13: When I'm lying in bed, just to get it over 636 00:35:59,519 --> 00:36:00,920 what's in my head. 637 00:36:01,119 --> 00:36:08,599 Speaker 1: And I I'm feeling a little cutier. And I wake 638 00:36:08,719 --> 00:36:09,960 up in the morning at. 639 00:36:09,920 --> 00:36:14,360 Speaker 13: Us to outside and I take any breath again, real high, 640 00:36:14,400 --> 00:36:17,480 and I screamed from the top of my lungs, what's 641 00:36:17,599 --> 00:36:18,719 going on? 642 00:36:20,559 --> 00:36:27,440 Speaker 18: And I said yeay, hey, yay. 643 00:36:28,159 --> 00:36:32,000 Speaker 1: I said hey, what's going on? 644 00:36:34,280 --> 00:36:44,880 Speaker 18: And I said he yeay yeah, I said, hey, what's 645 00:36:44,960 --> 00:36:46,199 going on? 646 00:36:49,480 --> 00:36:53,559 Speaker 12: Twenty five years and LA feel still trying to get 647 00:36:53,639 --> 00:37:04,880 up that creepy hue of hole for a destiny. 648 00:37:06,639 --> 00:37:09,800 Speaker 3: Very nice, Rachel Moline, you're with us in studio. Was 649 00:37:09,840 --> 00:37:10,559 there more of the son? 650 00:37:10,760 --> 00:37:10,920 Speaker 1: No? 651 00:37:11,000 --> 00:37:13,559 Speaker 3: I just see that, okay, okay. I wasn't sure if 652 00:37:13,559 --> 00:37:15,880 there was another part that I was forgetting. I don't 653 00:37:15,880 --> 00:37:16,800 feel badly when I do that. 654 00:37:16,840 --> 00:37:18,360 Speaker 11: It doesn't happen often, but every once in a while, 655 00:37:18,360 --> 00:37:20,280 like I'll think somebody's done and then I'm like. 656 00:37:20,280 --> 00:37:23,159 Speaker 3: Oops, I'm so sorry. 657 00:37:24,079 --> 00:37:27,039 Speaker 11: Rachel Molin is here with us live, sounding great, and 658 00:37:27,159 --> 00:37:28,480 uh so what do you have to like do you 659 00:37:28,519 --> 00:37:31,239 have shows this weekend or what's Uh well. 660 00:37:31,119 --> 00:37:33,199 Speaker 12: No, I don't have anything booked now going forward? 661 00:37:33,599 --> 00:37:34,119 Speaker 3: Oh you don't. 662 00:37:34,199 --> 00:37:36,800 Speaker 12: I had a bunch of stuff for like a couple 663 00:37:36,760 --> 00:37:39,320 of months, and then this was the last thing I 664 00:37:39,320 --> 00:37:42,440 was kind of preparing for. And I I'll be honest, 665 00:37:42,679 --> 00:37:46,559 I'm stuck in like a like I need to take 666 00:37:46,559 --> 00:37:48,760 a break. But then I'm like, well, you can't do that. Yeah, 667 00:37:48,800 --> 00:37:50,159 I mean you're moving forward. 668 00:37:50,239 --> 00:37:52,159 Speaker 3: Yeah, you got momentum. Yeah, you gotta keep going. 669 00:37:52,239 --> 00:37:52,440 Speaker 1: Yeah. 670 00:37:52,440 --> 00:37:56,119 Speaker 12: I've been talking to some people supposed to play at 671 00:37:56,119 --> 00:37:59,320 Conquered Craft, which is also in Conquered Oh yeah, hopefully 672 00:37:59,320 --> 00:37:59,880 in next three or four. 673 00:38:00,599 --> 00:38:02,840 Speaker 3: Yeah, good good. 674 00:38:03,199 --> 00:38:06,519 Speaker 12: And I do want to I do want to like 675 00:38:06,599 --> 00:38:08,519 shift gears a little and try to try to find 676 00:38:08,519 --> 00:38:12,519 people to play with. And there's a lot to do. 677 00:38:13,559 --> 00:38:15,559 Speaker 11: Oh yeah, there's a lot to it. There's a lot 678 00:38:15,639 --> 00:38:18,039 to it. Yeah, yeah, how do you feel about that 679 00:38:18,159 --> 00:38:20,480 part of it? I mean, are are you intimidated by it? 680 00:38:20,639 --> 00:38:24,519 Or because you know, some some musicians actually kind of 681 00:38:24,559 --> 00:38:26,559 embrace all of it. Some musicians are just like I 682 00:38:26,599 --> 00:38:28,320 just want to play. I want somebody else to do 683 00:38:28,360 --> 00:38:29,840 all the all the other stuff. I mean, how do 684 00:38:29,880 --> 00:38:30,639 you feel about it? 685 00:38:31,400 --> 00:38:35,800 Speaker 12: I I want to do it all. Yeah, to be honest, 686 00:38:35,840 --> 00:38:38,840 I want to sing. Like mostly I play guitar because 687 00:38:38,880 --> 00:38:42,440 it so I can play out unforcing like I'm forcing myself. 688 00:38:42,199 --> 00:38:42,519 Speaker 1: Sort of to. 689 00:38:43,719 --> 00:38:45,960 Speaker 11: But in an ideal situation, you'd like to be in 690 00:38:46,000 --> 00:38:48,199 a band and not have to worry about the guitar 691 00:38:48,440 --> 00:38:50,079 eventually on vocals, Yeah. 692 00:38:49,920 --> 00:38:53,280 Speaker 12: I would love to sing. I I played with saying 693 00:38:53,400 --> 00:38:58,239 with a friend of mine. Their band is called J 694 00:38:58,400 --> 00:39:02,239 Street Extension. They're up in the Northfield area yea, and 695 00:39:02,280 --> 00:39:04,519 they had they asked me to sing with them a 696 00:39:04,559 --> 00:39:07,800 couple months back, and it was mind blowing. I loved it. 697 00:39:08,079 --> 00:39:08,320 Speaker 3: Yeah. 698 00:39:08,400 --> 00:39:10,079 Speaker 12: I had to learn all these songs that I didn't 699 00:39:10,079 --> 00:39:12,719 know a lot of, like Bonnie Ray and oh Okay 700 00:39:12,760 --> 00:39:17,360 Little Tom Petty and I had so much fun though. 701 00:39:18,039 --> 00:39:21,039 That was also like okay, this is it? 702 00:39:21,119 --> 00:39:23,920 Speaker 3: Yeah yeah, oh very cool, Very cool. Well, I'm sure 703 00:39:23,920 --> 00:39:25,440 you'll get you'll get more bookings too. 704 00:39:25,480 --> 00:39:27,880 Speaker 11: After the show you get the Matt Conderton Unleashed bump, 705 00:39:28,079 --> 00:39:29,480 you know, yes, oh. 706 00:39:29,360 --> 00:39:30,639 Speaker 3: Yes, I'm sure you've heard about it. 707 00:39:32,119 --> 00:39:36,199 Speaker 11: Yeah, and then, uh so, now what about recording? So 708 00:39:36,320 --> 00:39:39,679 have you have you also started looking into where you're 709 00:39:39,679 --> 00:39:41,400 gonna do that or who you're gonna work with or 710 00:39:41,440 --> 00:39:42,880 is that still is that kind of on the back 711 00:39:42,880 --> 00:39:44,519 burner that. 712 00:39:44,360 --> 00:39:48,519 Speaker 12: Will be that will be a working on going forward, 713 00:39:48,519 --> 00:39:52,159 because yeah, I don't I'm trying to learn a little bit. 714 00:39:52,199 --> 00:39:56,280 I bought a microphone. Was it like an H four 715 00:39:56,440 --> 00:39:57,920 little zoom recorder? 716 00:39:58,039 --> 00:39:58,480 Speaker 3: Yeah. 717 00:39:58,480 --> 00:40:00,159 Speaker 12: I can record some of my own stuff and do 718 00:40:00,199 --> 00:40:05,880 stuff on like on Instagram and recording studio. I have 719 00:40:05,960 --> 00:40:08,559 to have to meet people. I don't know where to 720 00:40:08,599 --> 00:40:11,679 start obviously, Yeah, yeah, I am all ears. 721 00:40:11,679 --> 00:40:13,599 Speaker 3: There's a lot of options. Yeah. 722 00:40:13,719 --> 00:40:16,039 Speaker 11: I think the name that comes up the most often 723 00:40:16,079 --> 00:40:18,840 on this show is Eric Sotter from Blackheart. He's I 724 00:40:18,880 --> 00:40:20,400 don't know if you if you've heard of him, if 725 00:40:20,400 --> 00:40:22,800 you've heard his name around, but he a lot of 726 00:40:22,800 --> 00:40:24,239 the guests that we've had on the show have recorded 727 00:40:24,239 --> 00:40:27,079 with him, and he's fantastically Yeah, and he's been on 728 00:40:27,119 --> 00:40:29,800 the show too, and he fascinating to talk to. But 729 00:40:29,840 --> 00:40:34,559 he's so talented. Yeah, so somebody might want to keep 730 00:40:34,599 --> 00:40:37,239 in mind. But but yeah, but you've got a lot 731 00:40:37,239 --> 00:40:38,719 of options. And you know, and we live in a 732 00:40:38,760 --> 00:40:40,920 time too where like when I was growing up, I'm 733 00:40:40,920 --> 00:40:42,920 old enough to remember when it was like, you know, 734 00:40:43,039 --> 00:40:46,079 you you had to find a studio and pay somebody 735 00:40:46,079 --> 00:40:49,039 incredible amounts of money to record in their million dollars studio. 736 00:40:49,199 --> 00:40:51,360 Speaker 3: And uh, if you didn't. 737 00:40:51,119 --> 00:40:53,679 Speaker 11: Have the money while you were sol you know, or 738 00:40:53,719 --> 00:40:55,639 maybe or maybe you just record something on a little 739 00:40:55,679 --> 00:40:58,159 task him four track, you know, a demo or something. 740 00:40:58,199 --> 00:41:00,599 Speaker 3: But now it's like you've got so many options, you know. 741 00:41:00,760 --> 00:41:03,880 Speaker 11: It's technology is a wonderful thing. 742 00:41:04,039 --> 00:41:07,000 Speaker 12: Yeah, that part's intimidating, to be honest. Yeah, I look 743 00:41:07,039 --> 00:41:08,079 at all the stuff and I'm. 744 00:41:07,880 --> 00:41:10,920 Speaker 3: Like, yeah, no doubt. 745 00:41:12,000 --> 00:41:13,320 Speaker 13: I just want to play the music. 746 00:41:13,519 --> 00:41:14,519 Speaker 3: Yeah, let someone. 747 00:41:14,360 --> 00:41:14,800 Speaker 9: Else do that. 748 00:41:14,960 --> 00:41:17,880 Speaker 3: Yeah, No, I can understand that you want to play 749 00:41:17,880 --> 00:41:21,159 one more? Ah, yeah, okay, all right, if you're just 750 00:41:21,239 --> 00:41:23,960 joining us, Rachel Moline is here with us live in studio. 751 00:41:27,159 --> 00:41:30,679 Speaker 12: This is a This song is for my buddy Andy 752 00:41:30,679 --> 00:41:31,639 that lives in Colorado. 753 00:41:31,920 --> 00:41:35,320 Speaker 3: Okay, he's listening in Oh, excellent, it's not andy. 754 00:41:37,079 --> 00:41:38,840 Speaker 12: This is a song by the Bodines. 755 00:41:39,199 --> 00:41:40,519 Speaker 3: Okay, everybody free. 756 00:41:42,559 --> 00:41:44,719 Speaker 12: That's kind of where my heart's at right now too, 757 00:41:44,719 --> 00:41:46,119 And I think a lot of people's hearts are at 758 00:41:46,320 --> 00:41:49,679 just Everybody wants to love and live how they want 759 00:41:49,719 --> 00:41:50,039 to live. 760 00:41:50,239 --> 00:41:59,519 Speaker 3: Yep, agreed, Sorry, I needed to take no worries. 761 00:42:00,199 --> 00:42:06,760 Speaker 13: Everybody wants to live how they want to live. Everybody 762 00:42:07,039 --> 00:42:15,480 wants to love how they want to love. Everybody wants to. 763 00:42:14,280 --> 00:42:17,320 Speaker 12: Be closer to free. 764 00:42:21,400 --> 00:42:25,480 Speaker 13: Everybody wants to touch that little bit. 765 00:42:25,960 --> 00:42:42,840 Speaker 1: Everybody wants to live. Sorry. Everybody wants to live how. 766 00:42:42,679 --> 00:42:43,599 Speaker 12: They want to live. 767 00:42:44,119 --> 00:42:49,719 Speaker 13: Everybody wants to love how they want to love. Everybody 768 00:42:49,960 --> 00:43:00,679 wants to be closer to free. Everybody wants you spent 769 00:43:01,280 --> 00:43:06,519 still lettle bit. Everybody needs a chance once in a while. 770 00:43:07,440 --> 00:43:20,079 Everybody wants studie closer to free. Everybody one everybody or 771 00:43:20,159 --> 00:43:28,440 two everybody free. Everybody needs a touch, you know now 772 00:43:28,480 --> 00:43:35,559 and then everybody means a good good friend. Everybody wants 773 00:43:35,679 --> 00:44:03,039 studie closer to free. Everybody one, everybody to everybody free. 774 00:44:04,760 --> 00:44:10,880 Everybody wants to live how they want to do. Everybody 775 00:44:11,079 --> 00:44:13,519 wants to love however. 776 00:44:13,320 --> 00:44:14,239 Speaker 1: You want to love. 777 00:44:14,800 --> 00:44:28,000 Speaker 13: Everybody wants to be Tho sert to free Thoserts Passerts. 778 00:44:41,400 --> 00:44:42,760 Speaker 3: Oh wonderful, wonderful. 779 00:44:42,840 --> 00:44:47,440 Speaker 11: Rachel Molin here with us live in studio, sounding great, Rachel. 780 00:44:47,719 --> 00:44:49,800 Speaker 3: What should people know about where to find you online? 781 00:44:49,840 --> 00:44:52,440 Speaker 11: To keep up with everything that you're doing, because you've 782 00:44:52,440 --> 00:44:53,280 got a lot in your future. 783 00:44:53,320 --> 00:44:54,840 Speaker 3: I think, thank you. 784 00:44:54,960 --> 00:44:59,840 Speaker 12: I'm on Facebook, uh, Rachel Moleen m O l I Anni. 785 00:45:00,760 --> 00:45:04,320 I have an Instagram. It's at raymolin our ae m 786 00:45:04,400 --> 00:45:04,800 O l. 787 00:45:04,800 --> 00:45:05,280 Speaker 1: I n e. 788 00:45:08,039 --> 00:45:10,800 Speaker 12: Soon there will be music going up on Instagram. 789 00:45:11,039 --> 00:45:12,400 Speaker 3: Yeah, right now. 790 00:45:13,079 --> 00:45:14,880 Speaker 12: I tend to post a lot of other musicians because 791 00:45:14,880 --> 00:45:19,559 I think they're better than I am. Uh yeah, those 792 00:45:19,639 --> 00:45:23,360 two okay pose yeah yeah, And every first Wednesday of 793 00:45:23,400 --> 00:45:26,119 the month at oh Yes, thank Giving a Hampshire stage 794 00:45:26,639 --> 00:45:30,159 in Conquered. If there's any fiddlers out there, meet. 795 00:45:30,079 --> 00:45:34,239 Speaker 3: Me there, there you go, there you go. That is awesome. Well, Rachel, 796 00:45:34,239 --> 00:45:34,880 thank you so much. 797 00:45:34,880 --> 00:45:37,159 Speaker 11: This has been wonderful and we'll definitely do it again 798 00:45:37,199 --> 00:45:39,079 in the future, and especially too when you got some 799 00:45:40,039 --> 00:45:40,880 studio stuff too. 800 00:45:40,880 --> 00:45:41,760 Speaker 3: We'd love to play it, you. 801 00:45:41,760 --> 00:45:42,119 Speaker 1: Know, all right. 802 00:45:42,280 --> 00:45:43,960 Speaker 3: We like to do the world radio premiere, so you'll 803 00:45:43,960 --> 00:45:45,440 get to hear the bumper when you listen back to 804 00:45:45,440 --> 00:45:45,800 this later. 805 00:45:47,039 --> 00:45:47,800 Speaker 1: Thanks so much. 806 00:45:47,920 --> 00:45:49,360 Speaker 3: Rachel Molein, thank you so much. 807 00:45:49,440 --> 00:45:51,519 Speaker 11: And if you are listening live on Saturday morning, we 808 00:45:51,599 --> 00:45:53,800 got plenty of more show to come. And uh, I 809 00:45:53,800 --> 00:45:55,920 think I'm going to give this a spend. We did 810 00:45:55,960 --> 00:45:58,000 a world premiere for this recently on the show. This 811 00:45:58,039 --> 00:46:00,719 is Cosmic Blossom and a great this is called take 812 00:46:00,760 --> 00:46:01,119 your Time. 813 00:46:23,679 --> 00:46:28,239 Speaker 19: I'm gonna spend my days walking through the sun. 814 00:46:30,039 --> 00:46:31,119 Speaker 9: Could you have set? 815 00:46:31,440 --> 00:46:32,639 Speaker 6: You can still have. 816 00:46:36,440 --> 00:46:42,760 Speaker 9: I'm not both can call me a job because I 817 00:46:42,880 --> 00:46:50,639 did be like to a You gotta explain something to 818 00:46:50,840 --> 00:46:51,639 me because. 819 00:46:51,400 --> 00:46:57,000 Speaker 19: Out stand why my person? That's a coming back to 820 00:46:57,159 --> 00:47:04,880 the man. I'm on a bun a little circle. 821 00:47:05,119 --> 00:47:10,079 Speaker 6: Jule cannot playing tools being out of. 822 00:47:11,880 --> 00:47:42,480 Speaker 20: Almost don't turn the rain, don't need to crust gain there, 823 00:47:46,559 --> 00:47:47,920 give him something sweet? 824 00:47:52,400 --> 00:47:52,920 Speaker 1: Can you know? 825 00:47:53,039 --> 00:48:11,400 Speaker 5: I wanna tail then spending my night? That's right here 826 00:48:11,440 --> 00:48:12,519 again the groove. 827 00:48:14,719 --> 00:48:21,079 Speaker 9: Yeah sharp, you love the way that you moved. I'm 828 00:48:21,079 --> 00:48:21,599 thinking of that. 829 00:48:21,840 --> 00:48:23,360 Speaker 2: Ya'm gonna find I'm. 830 00:48:23,159 --> 00:48:28,639 Speaker 9: Gonna sweet simber due. All I care about is getting 831 00:48:28,719 --> 00:48:30,360 you all in the mood. 832 00:48:33,199 --> 00:48:35,800 Speaker 5: You know, I my little soul, it ain't gonna stand 833 00:48:36,039 --> 00:48:37,039 and says. 834 00:48:36,719 --> 00:48:37,920 Speaker 9: No, indult. 835 00:48:39,400 --> 00:48:41,880 Speaker 10: If I don't get the noise, you'll ask you all 836 00:48:42,079 --> 00:48:47,719 the days. I just don't go catch you and feels 837 00:48:48,000 --> 00:48:50,360 the little gizy bore you. 838 00:48:50,480 --> 00:48:54,400 Speaker 1: No, no, he's getting nine playing he was being under 839 00:48:54,440 --> 00:48:55,159 them flight. 840 00:48:56,239 --> 00:49:25,599 Speaker 9: Oh God, don't do your time. You that brand new 841 00:49:26,000 --> 00:49:39,159 must go, then say jun stream want that brand name? Respect? 842 00:49:39,159 --> 00:49:44,440 No not. 843 00:49:55,400 --> 00:49:56,599 Speaker 5: Just haven't a cat on? 844 00:49:56,760 --> 00:50:03,559 Speaker 10: The places were even and I just got a ready 845 00:50:03,679 --> 00:50:10,639 sall the things out we have seen? Now are you away? 846 00:50:10,719 --> 00:50:16,480 Because I seen you with my dreams? Oh please? Did 847 00:50:16,760 --> 00:50:43,280 I seen? Set me free? 848 00:50:49,800 --> 00:50:51,400 Speaker 2: God of this name? 849 00:50:53,280 --> 00:50:58,559 Speaker 7: Swimming against the side the morning ring swing. 850 00:50:58,480 --> 00:51:02,199 Speaker 2: Gray sis us wondering what. 851 00:51:04,159 --> 00:51:07,480 Speaker 21: Masked by the present and. 852 00:51:07,119 --> 00:51:13,360 Speaker 7: You stayed everything stup thing it don't even don't we ask. 853 00:51:14,840 --> 00:51:14,880 Speaker 14: That? 854 00:51:15,440 --> 00:51:18,679 Speaker 2: Sobbing said lies tell us got together. 855 00:51:19,159 --> 00:51:21,800 Speaker 4: Then he said, it's not these things. 856 00:51:24,199 --> 00:51:27,440 Speaker 6: And I'll try to scat rays other things. O. We 857 00:51:27,599 --> 00:51:28,360 have scenes. 858 00:51:33,239 --> 00:51:36,360 Speaker 3: Does you see the teams. 859 00:51:37,679 --> 00:51:37,719 Speaker 2: Go? 860 00:51:38,119 --> 00:51:44,559 Speaker 9: Please a Class seven. 861 00:51:45,920 --> 00:51:46,239 Speaker 16: Scene? 862 00:51:53,320 --> 00:52:03,360 Speaker 2: See you stand around the scening. 863 00:52:04,719 --> 00:52:07,000 Speaker 9: You feel like it's all bum. 864 00:52:08,320 --> 00:52:08,920 Speaker 2: Three five? 865 00:52:09,000 --> 00:52:10,519 Speaker 9: Those of seven. 866 00:52:11,920 --> 00:52:16,239 Speaker 2: There still there? They know souning you went on? 867 00:52:16,519 --> 00:52:19,920 Speaker 9: You seezon and this house. 868 00:52:19,719 --> 00:52:27,960 Speaker 2: Says they b same t leasdings got away your mess and. 869 00:52:28,119 --> 00:52:45,760 Speaker 6: No let see. 870 00:52:51,079 --> 00:52:54,719 Speaker 4: Said seven free. 871 00:52:57,159 --> 00:52:58,079 Speaker 2: Like the see. 872 00:53:26,920 --> 00:53:29,239 Speaker 4: Say that said, Some. 873 00:53:36,960 --> 00:53:44,760 Speaker 6: Say say time. 874 00:53:48,119 --> 00:53:48,840 Speaker 1: I say. 875 00:53:50,599 --> 00:53:55,280 Speaker 2: Said, Let's say. 876 00:54:14,199 --> 00:55:28,280 Speaker 5: The our future is the broken. 877 00:55:28,039 --> 00:55:31,239 Speaker 22: Promise good morning signs her. 878 00:55:31,320 --> 00:55:33,199 Speaker 6: Roll around us. 879 00:55:34,199 --> 00:55:40,440 Speaker 23: We shall ours also lights that there is chime to change, 880 00:55:42,320 --> 00:55:44,519 sign to save. 881 00:55:47,440 --> 00:55:52,519 Speaker 21: But we would rather leave in madness the light of 882 00:55:52,760 --> 00:55:58,079 rocky stones like blackness, than trying to run a change 883 00:55:58,239 --> 00:56:12,119 to fall us from one mother run the scratchu tes 884 00:56:12,440 --> 00:56:20,320 shot will we remember or will we need the stairwen 885 00:56:20,840 --> 00:56:35,880 suburb the hardest mother time time come founder thirty ty. 886 00:56:35,880 --> 00:56:39,119 Speaker 24: Co sept the Wilman heir and watch him. 887 00:56:39,239 --> 00:57:08,559 Speaker 22: Then they're killing over ancient borders. We're soaking chaos stands 888 00:57:08,920 --> 00:57:12,239 just order, unable. 889 00:57:11,920 --> 00:57:17,039 Speaker 5: To find strengthen enough to pray the way. 890 00:57:19,199 --> 00:57:27,840 Speaker 24: Pray to here, refusing, I'll come up the rage shots 891 00:57:28,719 --> 00:57:32,679 promoting constant con Fris had shots. 892 00:57:33,119 --> 00:57:36,599 Speaker 5: Then any gentily might have had two. 893 00:57:37,880 --> 00:57:39,079 Speaker 1: In the way. 894 00:57:41,199 --> 00:57:43,480 Speaker 10: Pay so way. 895 00:57:46,320 --> 00:57:49,440 Speaker 5: Some other reason that quest. 896 00:57:49,280 --> 00:57:55,840 Speaker 21: Shots by way from Tommy, and here. 897 00:57:55,719 --> 00:57:56,400 Speaker 5: We got the. 898 00:58:00,960 --> 00:58:05,440 Speaker 1: Or and at this time of a. 899 00:58:06,920 --> 00:58:13,239 Speaker 24: Shot despite the brothers chat shas there's. 900 00:58:13,079 --> 00:58:16,440 Speaker 5: Something we can do and watch it burn. 901 00:59:49,599 --> 00:59:54,559 Speaker 21: When we were going to live in madness, the line 902 00:59:54,679 --> 00:59:57,239 the motor song I Like Man,