1
00:00:02,480 --> 00:00:03,359
Speaker 1: Mystery is.

2
00:00:20,440 --> 00:00:20,920
Speaker 2: Come in.

3
00:00:23,440 --> 00:00:23,960
Speaker 3: Welcome.

4
00:00:25,079 --> 00:00:25,559
Speaker 2: I'm e. G.

5
00:00:25,800 --> 00:00:26,199
Speaker 1: Marshall.

6
00:00:27,480 --> 00:00:27,920
Speaker 4: I have a.

7
00:00:27,879 --> 00:00:32,200
Speaker 2: Story to tell you about trickery and venality and genius

8
00:00:32,240 --> 00:00:35,520
and the threat of an alien presence in our midst.

9
00:00:36,280 --> 00:00:40,079
A story too that may leave you wondering about procedures

10
00:00:40,200 --> 00:00:45,039
behind secret doors, where although it is your future that

11
00:00:45,200 --> 00:00:50,880
is being rewritten, you are not invited to participate. Listen closely,

12
00:00:51,880 --> 00:00:54,600
it could happen you were going to tell me something

13
00:00:54,640 --> 00:00:58,000
about what this professor Allison is up to. This we

14
00:00:58,119 --> 00:01:01,399
have reasonably that he is working on at that a

15
00:01:01,439 --> 00:01:05,519
mathematical concept, I should say, which may very well achieve

16
00:01:05,599 --> 00:01:10,079
the time bypass necessary for interstellar travel. Wait wait, I

17
00:01:10,239 --> 00:01:14,280
didn't quite get that. It's completely beyond either of us,

18
00:01:14,280 --> 00:01:17,359
so don't expect me to explain it to you. He's

19
00:01:17,439 --> 00:01:21,599
working on a way to travel between galaxies.

20
00:01:22,079 --> 00:01:22,680
Speaker 5: You take it.

21
00:01:22,599 --> 00:01:24,840
Speaker 3: Seriously, I mean, you believe it's possible.

22
00:01:25,200 --> 00:01:28,439
Speaker 2: It's already been done, my friend. Where do you think

23
00:01:28,480 --> 00:01:42,040
the unidentified flying objects come from? Our mystery drama The

24
00:01:42,159 --> 00:01:46,719
Evesdroppers was written especially for the mystery theater by Field

25
00:01:46,799 --> 00:02:04,599
and Farrington and stars Arnold Moss. There is an old

26
00:02:04,640 --> 00:02:08,919
house in Pennsylvania's beautiful Pocono Mountains, which has recently, and

27
00:02:09,039 --> 00:02:14,560
at considerable expense, been restored to its original condition. One

28
00:02:14,599 --> 00:02:18,560
wing has been made ideally suitable for use as a laboratory.

29
00:02:19,360 --> 00:02:22,479
This work was all arranged for and supervised by a

30
00:02:22,520 --> 00:02:27,479
man who calls himself mister Smith. More one suspects to

31
00:02:27,639 --> 00:02:33,000
promote anonymity than to establish identity. The job is finished

32
00:02:33,039 --> 00:02:37,400
now and mister Smith is interviewing two people, Earl and

33
00:02:37,560 --> 00:02:42,960
Edgar Parker, to whom he has offered a rather peculiar job. Frankly,

34
00:02:43,000 --> 00:02:46,000
mister Smith, I don't like it. I'm an electronics engineer.

35
00:02:46,039 --> 00:02:49,039
I wouldn't enjoy working as a handyman. And my wife

36
00:02:49,080 --> 00:02:51,520
isn't a housemaid either. No, I'm not. And the other

37
00:02:51,560 --> 00:02:53,520
part of the job, the part you haven't told us

38
00:02:53,560 --> 00:02:56,719
much about, I think I like that even less. To

39
00:02:56,759 --> 00:02:58,879
begin with, I happen to know that you're out of

40
00:02:58,919 --> 00:03:02,520
a job and have been for some time. You need money,

41
00:03:02,560 --> 00:03:05,800
all right, all right, that may be true, But undercover agents.

42
00:03:05,919 --> 00:03:08,520
Isn't that what you want us to be? If you

43
00:03:08,719 --> 00:03:12,520
like a spade called a spade, yes, why we don't

44
00:03:12,520 --> 00:03:14,520
know anything about sp and I but you know a

45
00:03:14,520 --> 00:03:18,400
great deal about electronic equipment, and that's what's needed. That

46
00:03:18,560 --> 00:03:21,360
and two people to look after a big house. Well,

47
00:03:21,400 --> 00:03:23,759
all right, all right, suppose you give us some details.

48
00:03:23,960 --> 00:03:26,319
First of all, if we decide to take this thing,

49
00:03:27,199 --> 00:03:30,599
how much at the end of the summer, you'll receive

50
00:03:30,800 --> 00:03:36,319
twenty thousand dollars in cash. Oh that's different, isn't it.

51
00:03:36,520 --> 00:03:38,599
Guess well, it depends on what we have to do

52
00:03:38,680 --> 00:03:41,520
for it, to whom and for whom? I want to

53
00:03:41,560 --> 00:03:48,199
know who and what, mister Smith, you'll be working for aliens,

54
00:03:48,759 --> 00:03:53,879
beings from another planet, from another galaxy. Actually, oh, come on,

55
00:03:54,159 --> 00:03:57,280
you wanted the truth, you have it. Oh, there aren't

56
00:03:57,319 --> 00:04:00,800
any such people. Oh, but there are. I've been in

57
00:04:00,840 --> 00:04:04,759
touch with them for some time. Our environment doesn't suit them.

58
00:04:05,159 --> 00:04:08,919
They come to Earth only in cases of extreme emergency.

59
00:04:08,080 --> 00:04:11,719
I don't believe you. It doesn't matter what you believe.

60
00:04:12,360 --> 00:04:16,439
The twenty thousand will be good, solid American dollars. Now, Look,

61
00:04:16,519 --> 00:04:19,079
whatever they want or don't want, it's clear that we'll

62
00:04:19,079 --> 00:04:22,600
be operating against somebody, and I'd like to know who.

63
00:04:23,480 --> 00:04:27,759
A single scientist who's working on a project. My clients

64
00:04:28,000 --> 00:04:33,319
don't want to succeed. It would be against their best interest,

65
00:04:33,439 --> 00:04:36,920
all right, what's his name? We hope to rent the house, Toway.

66
00:04:36,959 --> 00:04:40,560
Professor Dwight Addison. You may have heard the name. He's

67
00:04:40,600 --> 00:04:43,120
a very highly rated physicist, one of.

68
00:04:43,120 --> 00:04:45,040
Speaker 4: The top few physicists.

69
00:04:45,639 --> 00:04:49,680
Speaker 2: Oh, if it's going to be bombed, no bombs, you're

70
00:04:49,680 --> 00:04:52,879
into something entirely different. All right, I've heard of Dwight Addison.

71
00:04:53,199 --> 00:04:55,680
What would you expect us to do, mister Smith, Edgar

72
00:04:55,720 --> 00:04:59,279
if it isn't bombed and it's wait a minute, wait

73
00:04:59,279 --> 00:05:02,480
a minute, what do you want us to do? Mister Smith?

74
00:05:09,199 --> 00:05:12,079
Speaker 4: We're gone, Jane. I've cleaned out my desk, kissed my

75
00:05:12,279 --> 00:05:15,160
equipment goodbye, put my reactors to bed for their long

76
00:05:15,199 --> 00:05:20,360
summer hibernation. Professor Dwight Addison is on sabbatical. The summer

77
00:05:20,439 --> 00:05:21,600
is my personal property.

78
00:05:22,319 --> 00:05:23,560
Speaker 2: We still have to look for a house.

79
00:05:23,639 --> 00:05:26,199
Speaker 5: You know, well, whoever heard of ointment without a frying?

80
00:05:26,279 --> 00:05:27,040
Speaker 4: That a house?

81
00:05:27,079 --> 00:05:29,720
Speaker 6: Would the owners one object to your converting a basement

82
00:05:30,160 --> 00:05:31,480
or a garage.

83
00:05:31,079 --> 00:05:34,160
Speaker 4: Or something into a laboratory. We are looking tomorrow's time.

84
00:05:34,839 --> 00:05:35,680
Speaker 2: Maybe we'll be lucky.

85
00:05:35,920 --> 00:05:39,839
Speaker 4: Well, that's an excellent idea, Jane, I don't know what

86
00:05:39,959 --> 00:05:40,759
I do without you.

87
00:05:46,079 --> 00:05:50,120
Speaker 2: Well, time to make the phone call. I guess to them.

88
00:05:50,839 --> 00:05:55,079
That's right, the aliens themselves entered. No, No, Smith said

89
00:05:55,120 --> 00:05:58,240
he'd be our control. Oh where is he? Where do

90
00:05:58,279 --> 00:06:00,279
you have to crawl some place in New York? That's

91
00:06:00,279 --> 00:06:02,240
all I know. I wouldn't know that even except for

92
00:06:02,279 --> 00:06:05,360
the area code. All the same, even if it's not them.

93
00:06:06,000 --> 00:06:07,240
Speaker 4: It makes me feel creepy.

94
00:06:07,480 --> 00:06:11,120
Speaker 2: Twenty thousand dollars, that's the thing to keep in mind, Pearl,

95
00:06:11,199 --> 00:06:12,360
the money.

96
00:06:12,600 --> 00:06:15,800
Speaker 6: Okay, I always wanted to go to Europe.

97
00:06:16,680 --> 00:06:19,639
Speaker 2: Could we go after with her? Maybe take a cruise somewhere.

98
00:06:25,279 --> 00:06:28,120
Speaker 1: Uh, this isn't names ever.

99
00:06:29,600 --> 00:06:33,480
Speaker 2: Carry out your instructions to the letter, everything as ordered.

100
00:06:33,560 --> 00:06:36,240
Speaker 1: Very well, I'm let me hear your story.

101
00:06:36,480 --> 00:06:38,199
Speaker 2: Well, we've been through it a lot, mister Smith, and

102
00:06:38,240 --> 00:06:38,680
I really know.

103
00:06:39,360 --> 00:06:41,000
Speaker 1: Please all right.

104
00:06:41,560 --> 00:06:43,560
Speaker 2: The owner of the house is James Ellis. He's in

105
00:06:43,639 --> 00:06:45,759
Wall Street. He and his wife are taking the summer

106
00:06:45,759 --> 00:06:48,959
off and touring Europe. He's an amateur scientist, that's why

107
00:06:48,959 --> 00:06:51,240
he's got the lab set up. Pearl and I have

108
00:06:51,319 --> 00:06:53,519
worked for them for years and are almost like family.

109
00:06:54,079 --> 00:06:57,399
I assist him in the lab sometimes and let me

110
00:06:57,439 --> 00:07:01,120
see your private cool Yes, yes, yes, it's been a

111
00:07:01,160 --> 00:07:03,920
rule for years that nobody ever comes into our wing

112
00:07:04,000 --> 00:07:06,199
of the house. That's like part of our pay. We

113
00:07:06,319 --> 00:07:07,560
have complete privacy.

114
00:07:08,120 --> 00:07:12,199
Speaker 7: Don't forget it all right, put the ad in tomorrow

115
00:07:12,199 --> 00:07:15,279
morning time. You should hear from the tennants of time

116
00:07:15,319 --> 00:07:18,000
tomorrow how to make an appointment to show him the

117
00:07:18,040 --> 00:07:19,720
house for tomorrow afternoon.

118
00:07:20,079 --> 00:07:20,839
Speaker 1: We're in a hurry.

119
00:07:21,360 --> 00:07:24,079
Speaker 2: Well, what if somebody else sees the ad and calls first?

120
00:07:24,079 --> 00:07:26,959
Speaker 7: No one else will see the advertisement will be placed

121
00:07:27,000 --> 00:07:28,480
only in the tenants copy.

122
00:07:28,199 --> 00:07:29,079
Speaker 4: Of the Times.

123
00:07:29,360 --> 00:07:30,279
Speaker 2: Well, how can you do that?

124
00:07:31,240 --> 00:07:34,519
Speaker 1: Just do as you're told, don't worry about things, and

125
00:07:34,560 --> 00:07:35,360
don't concern you.

126
00:07:39,040 --> 00:07:39,800
Speaker 2: I don't like that.

127
00:07:40,000 --> 00:07:40,279
Speaker 3: Man.

128
00:07:40,800 --> 00:07:43,800
Speaker 2: Twenty thousand dollars act is going to be a strain

129
00:07:44,079 --> 00:07:45,040
at any price.

130
00:07:49,800 --> 00:07:52,319
Speaker 4: Dwight Twight. I found it is here.

131
00:07:52,439 --> 00:07:54,240
Speaker 6: It sounds absolutely perple.

132
00:07:54,399 --> 00:07:55,120
Speaker 4: That's wonderful.

133
00:07:55,439 --> 00:07:59,959
Speaker 6: Sugar Heights, Pennsylvania, part of the Coconut twelve room Victoria

134
00:08:00,199 --> 00:08:01,720
and Home recently restored.

135
00:08:02,120 --> 00:08:03,560
Speaker 2: All in excellent conditions.

136
00:08:04,279 --> 00:08:09,600
Speaker 6: Housekeeper and chauffeur. Groundskeeper included or no deal. West wing

137
00:08:09,720 --> 00:08:10,759
occupied by health.

138
00:08:11,600 --> 00:08:13,079
Speaker 2: East wing suitable.

139
00:08:12,839 --> 00:08:17,560
Speaker 6: For use as workshop, studio or laboratory. Immediate occupancy for

140
00:08:17,680 --> 00:08:22,759
season only season ending on September thirtieth, but a big.

141
00:08:22,600 --> 00:08:25,079
Speaker 2: For us, but otherwise. Doesn't it sound perfect? Right?

142
00:08:25,800 --> 00:08:29,319
Speaker 4: Yes, yes, it does, almost too perfect, don't you see?

143
00:08:29,800 --> 00:08:31,959
Speaker 6: Oh, how can a thing be too perfect?

144
00:08:32,080 --> 00:08:35,559
Speaker 4: Well? My work is classified, Jane, most secret. I don't know.

145
00:08:35,600 --> 00:08:37,559
It almost sounds as though someone knew I wanted a

146
00:08:37,600 --> 00:08:40,919
place to work this summer and has made this one

147
00:08:41,000 --> 00:08:44,559
to order for me. No, really, hy, Well that's a

148
00:08:44,759 --> 00:08:46,639
proven you know we're doing this sort of work.

149
00:08:46,679 --> 00:08:48,480
Speaker 2: It makes you suspicious?

150
00:08:49,039 --> 00:08:51,799
Speaker 4: All right, we won't worry about it.

151
00:08:51,919 --> 00:08:53,720
Speaker 6: Shall we call and make an appointment.

152
00:08:53,279 --> 00:08:53,919
Speaker 2: To see the house?

153
00:08:54,200 --> 00:08:57,519
Speaker 4: Well, there's no harm in looking. Maybe the roof leaks

154
00:08:57,600 --> 00:09:00,639
or something. Oh what do you mean? Well, the way

155
00:09:00,679 --> 00:09:12,399
the ad reads it just sounds too good to be true.

156
00:09:13,399 --> 00:09:16,679
Speaker 7: Hello, I'm crying about your ad in the Times this

157
00:09:16,799 --> 00:09:18,679
morning has been taking it.

158
00:09:19,159 --> 00:09:20,679
Speaker 2: Uh no, not yet.

159
00:09:21,360 --> 00:09:23,240
Speaker 7: My husband and I would like to drive out and.

160
00:09:23,200 --> 00:09:23,720
Speaker 8: Look at it.

161
00:09:23,879 --> 00:09:24,000
Speaker 4: Uh.

162
00:09:24,600 --> 00:09:28,120
Speaker 2: May I have the name, please, Professor Dwight Addison.

163
00:09:28,600 --> 00:09:30,320
Speaker 7: We live in New York City and we're looking for

164
00:09:30,360 --> 00:09:31,039
a summer house.

165
00:09:31,519 --> 00:09:34,440
Speaker 2: Yes, I'm Edgar Parker. My wife and I look after

166
00:09:34,480 --> 00:09:37,039
the place. I think the ad said something about that.

167
00:09:37,440 --> 00:09:38,679
Speaker 1: Oh yeah, that's that's fine.

168
00:09:39,279 --> 00:09:43,320
Speaker 2: When may anytime missus Addison this afternoon would be fine

169
00:09:44,679 --> 00:09:48,000
say around very good, and I'm sure you'll like the place,

170
00:09:48,000 --> 00:09:48,720
Missus Addison.

171
00:09:48,960 --> 00:09:51,840
Speaker 7: Yes, my husband could have sound nade to order.

172
00:09:56,240 --> 00:09:59,919
Speaker 2: Well that's just about everything, Missus Addison. You do like

173
00:10:00,080 --> 00:10:01,080
the place, don't you dwrite?

174
00:10:01,639 --> 00:10:02,960
Speaker 4: Oh yes, yes very much.

175
00:10:02,960 --> 00:10:05,480
Speaker 5: Indeed you're sure now.

176
00:10:05,360 --> 00:10:07,759
Speaker 4: That the owners won't mind my moving my own equipment

177
00:10:08,000 --> 00:10:08,639
into the lab.

178
00:10:08,799 --> 00:10:11,639
Speaker 2: Oh no, mister Ellis will be glad to have it used.

179
00:10:11,679 --> 00:10:13,919
As I told you, he's a kind of amateur at

180
00:10:13,960 --> 00:10:17,679
science himself, dabbling, he calls it, matter of fact. I

181
00:10:17,720 --> 00:10:20,320
help him out sometimes, kind of like a lab assistant,

182
00:10:20,360 --> 00:10:23,159
you know, Yes, I see if if you wanted me to,

183
00:10:23,320 --> 00:10:25,360
I could help you out around the lab too, you know,

184
00:10:25,559 --> 00:10:27,679
just wash up and keep everything straight, things like that.

185
00:10:27,759 --> 00:10:30,399
I always enjoy doing it for mister Allie.

186
00:10:30,840 --> 00:10:32,720
Speaker 4: No, thank you, that won't be necessary.

187
00:10:32,879 --> 00:10:34,879
Speaker 2: It wouldn't be any trouble at all.

188
00:10:35,159 --> 00:10:38,919
Speaker 6: Professor Addison never uses an assistant. He likes to work alone.

189
00:10:39,039 --> 00:10:42,039
Speaker 2: Oh well then shall we take it right? I think

190
00:10:42,039 --> 00:10:42,799
it's just lovely.

191
00:10:43,000 --> 00:10:44,879
Speaker 5: Yes, it's very suitable.

192
00:10:46,200 --> 00:10:47,080
Speaker 4: All right, we'll take it.

193
00:10:55,120 --> 00:10:57,159
Speaker 6: You'll have to report every night, Edgar.

194
00:10:57,440 --> 00:11:00,000
Speaker 2: Yes, that's Smith's main reason for giving us a prime.

195
00:11:00,000 --> 00:11:01,480
I have at wing in the house so we can

196
00:11:01,519 --> 00:11:03,519
have our own telephone.

197
00:11:04,440 --> 00:11:06,240
Speaker 4: Yes, they took the place.

198
00:11:06,600 --> 00:11:09,759
Speaker 2: I guess you already know that he doesn't use an assistant, though, so.

199
00:11:09,840 --> 00:11:12,840
Speaker 7: I can't love to get into the lab on your own.

200
00:11:13,559 --> 00:11:15,519
I'm finding a moment tomorrow.

201
00:11:15,039 --> 00:11:17,480
Speaker 2: A tomorrow afternoons, all.

202
00:11:17,480 --> 00:11:20,039
Speaker 7: Right, you stay there with him to dinner and driver

203
00:11:20,200 --> 00:11:22,840
Ellen tom Betty's barren grill.

204
00:11:23,480 --> 00:11:25,480
Speaker 1: I mean you're there at time tomorrow.

205
00:11:25,960 --> 00:11:28,039
Speaker 2: Look, if you just tell me now what I should

206
00:11:28,120 --> 00:11:28,759
look up for.

207
00:11:29,200 --> 00:11:32,679
Speaker 1: This is a telephone. What's talking on? I'll say tomorrow.

208
00:11:41,440 --> 00:11:43,639
Speaker 6: Dwight, you have to admit that Pearl and Edgar were

209
00:11:43,639 --> 00:11:46,039
a big help and the dinner was good.

210
00:11:46,080 --> 00:11:49,080
Speaker 4: Didn't you think I suppose it would be presumptuous to

211
00:11:49,120 --> 00:11:50,039
criticize him.

212
00:11:50,360 --> 00:11:52,240
Speaker 8: Presumptuous to criticize.

213
00:11:51,759 --> 00:11:55,679
Speaker 4: Edgar Edgar hold on, no, no, Einstein, I.

214
00:11:55,679 --> 00:11:58,279
Speaker 8: Didn't know we were talking about him.

215
00:11:58,440 --> 00:12:02,039
Speaker 4: He might very well have decided not to go on shift.

216
00:12:02,080 --> 00:12:03,600
Speaker 5: He didn't hold back.

217
00:12:03,440 --> 00:12:04,480
Speaker 4: On the other equation.

218
00:12:05,240 --> 00:12:08,639
Speaker 8: You're going to wander away, dear, Try not to get lost.

219
00:12:09,159 --> 00:12:10,879
It's a strange house.

220
00:12:10,639 --> 00:12:10,879
Speaker 2: You know.

221
00:12:16,519 --> 00:12:19,600
Speaker 6: Well, if mister big Shots missatisfied Edgar, oh, he.

222
00:12:19,600 --> 00:12:21,639
Speaker 2: Wouldn't say so if he was I have to meet

223
00:12:21,720 --> 00:12:22,960
him in Allentown tomorrow night.

224
00:12:23,120 --> 00:12:25,600
Speaker 4: Oh no, and leave me here alone.

225
00:12:25,679 --> 00:12:28,759
Speaker 2: Well, that's what the man says. The bugs must be working.

226
00:12:28,799 --> 00:12:30,679
He seems to know all about everything that's been going

227
00:12:30,679 --> 00:12:33,000
on in the house. You ought to work the time

228
00:12:33,000 --> 00:12:35,440
you've spent on them for twenty thousand dollars.

229
00:12:35,879 --> 00:12:38,679
Speaker 4: I do very good work, pearl. You.

230
00:12:38,840 --> 00:12:43,159
Speaker 2: Well, I still don't believe about the aliens and all.

231
00:12:43,120 --> 00:12:43,600
Speaker 4: That to you.

232
00:12:44,320 --> 00:12:46,919
Speaker 2: To tell the truth, I don't care very much the

233
00:12:47,039 --> 00:12:49,639
way he told us, though, it really sounded like.

234
00:12:49,639 --> 00:12:51,600
Speaker 1: It should be quite pulo.

235
00:12:53,639 --> 00:12:57,159
Speaker 2: You startled me, Professor Addison. Please, this is our wing

236
00:12:57,240 --> 00:12:58,840
of the house. It's supposed to be private.

237
00:12:58,919 --> 00:13:01,960
Speaker 4: Oh I am sorry. My wife says I'm just a

238
00:13:02,000 --> 00:13:05,960
little absent minded the times I get preoccupied, and well,

239
00:13:06,000 --> 00:13:08,039
I suppose I didn't pay much attention to where I

240
00:13:08,080 --> 00:13:09,559
was going. I do apologize.

241
00:13:09,600 --> 00:13:11,639
Speaker 2: Oh well, that's all right.

242
00:13:11,759 --> 00:13:13,600
Speaker 5: I assure you it won't happen again.

243
00:13:13,679 --> 00:13:19,120
Speaker 2: Okay, okay, that's okay, thank you. I doubt it's in

244
00:13:19,200 --> 00:13:20,919
a real fog most of the time.

245
00:13:24,759 --> 00:13:27,600
Speaker 4: Jane, we're going into the city tomorrow.

246
00:13:27,360 --> 00:13:28,080
Speaker 1: Into the city.

247
00:13:28,440 --> 00:13:30,799
Speaker 4: What on earth pore we just got? Well, I have

248
00:13:30,840 --> 00:13:32,679
some errands to do that can't wait.

249
00:13:33,000 --> 00:13:33,960
Speaker 1: What has.

250
00:13:35,519 --> 00:13:35,639
Speaker 2: Well?

251
00:13:35,679 --> 00:13:36,960
Speaker 4: Okay, you goings, you have to.

252
00:13:37,240 --> 00:13:38,440
Speaker 6: I think I'll stay here.

253
00:13:39,000 --> 00:13:41,519
Speaker 4: There are still a few little things I want to rearrange. Jane.

254
00:13:41,600 --> 00:13:45,120
I want you to come with me tomorrow. Please do

255
00:13:45,200 --> 00:13:49,440
as I say. Why do and don't argue with me?

256
00:13:50,360 --> 00:13:52,720
Speaker 6: Well, of course, if you feel that strongly.

257
00:13:52,320 --> 00:13:53,120
Speaker 1: About it, I do.

258
00:13:54,399 --> 00:13:57,559
Speaker 4: I'm going into the lab now. I'll probably be working

259
00:13:57,679 --> 00:14:01,120
most of the night, so don't wait up for me.

260
00:14:05,799 --> 00:14:10,559
Speaker 2: Are there actually creatures from another galaxy capable of exerting

261
00:14:10,559 --> 00:14:14,639
an influence on the people of our earth? We have

262
00:14:14,720 --> 00:14:18,240
only a mister Smith's word for it. And if he

263
00:14:18,320 --> 00:14:21,879
has chosen to use an assumed name, as we suspect,

264
00:14:22,399 --> 00:14:27,639
then perhaps this more fantastic statement of his is also suspect.

265
00:14:28,399 --> 00:14:31,879
The doubt makes you a little uncomfortable, though, doesn't it.

266
00:14:32,639 --> 00:14:50,960
I'll return shortly with that too. One of man's distinctive characteristics,

267
00:14:51,279 --> 00:14:53,960
one of the traits that sets him apart from the beast,

268
00:14:54,799 --> 00:14:59,679
is his desire for privacy. He is a gregarious creature, true,

269
00:15:00,159 --> 00:15:04,600
but his business is his own. He resents having it

270
00:15:04,720 --> 00:15:07,399
pride into and we'll fight if he must to put

271
00:15:07,440 --> 00:15:11,080
a stop to the prime. It appears that Professor Dwight

272
00:15:11,159 --> 00:15:15,600
Addison's privacy is being invaded. He is not an ordinary

273
00:15:15,639 --> 00:15:20,080
man and should not be expected to take ordinary countermeasures,

274
00:15:20,639 --> 00:15:23,360
but that he will take action of some sort is

275
00:15:23,600 --> 00:15:24,519
quite certain.

276
00:15:26,279 --> 00:15:26,440
Speaker 4: Right.

277
00:15:27,559 --> 00:15:30,639
Speaker 6: Uh, yes, Jane, I'm sorry to bout you in the

278
00:15:30,720 --> 00:15:32,320
lad and you know I never do.

279
00:15:32,519 --> 00:15:34,840
Speaker 4: But it's all right, it's all right, my diss quite

280
00:15:34,879 --> 00:15:35,279
all right.

281
00:15:35,720 --> 00:15:38,120
Speaker 6: I was going to bed, but I didn't think I

282
00:15:38,120 --> 00:15:38,679
could sleep.

283
00:15:39,879 --> 00:15:43,120
Speaker 4: Are you angry with me, Dwight, Well, no, of course

284
00:15:43,159 --> 00:15:45,399
I'm not. Why should I be angry about.

285
00:15:45,120 --> 00:15:49,039
Speaker 6: Going into the city. You acted so well, not a

286
00:15:49,039 --> 00:15:50,039
bit like yourself.

287
00:15:50,320 --> 00:15:53,759
Speaker 4: Oh well, you see, I got this idea for a

288
00:15:53,799 --> 00:15:55,919
new type of hearing aid and I just.

289
00:15:55,840 --> 00:15:59,399
Speaker 2: Wanted to You're not having trouble with your hearing, are you?

290
00:15:59,440 --> 00:16:02,679
Speaker 4: No, you know it's not for me. I just had

291
00:16:02,679 --> 00:16:05,559
an idea. I don't know where it came from, really,

292
00:16:06,159 --> 00:16:08,200
about a way to improve the quality of the sound

293
00:16:08,279 --> 00:16:12,559
reproduced to those small hearing aids they use nowadays. And well,

294
00:16:12,600 --> 00:16:15,840
you know how I am. Yes, I know how you are.

295
00:16:16,360 --> 00:16:18,720
I wanted to do it before I got back onto

296
00:16:18,720 --> 00:16:22,519
the other thing. Will you belong here another hour or so?

297
00:16:22,639 --> 00:16:27,200
I expect you get some sleep here you'll need your

298
00:16:27,279 --> 00:16:29,840
rest of the trip into the city tomorrow. Do we

299
00:16:29,960 --> 00:16:31,240
really have to go right?

300
00:16:31,960 --> 00:16:33,879
Speaker 5: I'm afraid so.

301
00:16:33,919 --> 00:16:37,519
Speaker 4: There are a few things I must do, and I

302
00:16:37,559 --> 00:16:38,720
will need your help.

303
00:16:48,559 --> 00:16:50,960
Speaker 2: I was afraid you weren't coming, mister Smith. I've been

304
00:16:50,960 --> 00:16:54,519
here almost an hour hour Tod your wife didn't come

305
00:16:54,519 --> 00:16:56,120
with him. I thought it would be better for one

306
00:16:56,159 --> 00:17:00,039
of us to stay at the house. Commendable. Thank you

307
00:17:00,080 --> 00:17:02,879
were going to tell me something about what this professor

308
00:17:02,879 --> 00:17:06,519
Addison is up to. Yes, we have reason to believe

309
00:17:06,559 --> 00:17:10,400
that he's working on a method, a mathematical concept, i

310
00:17:10,440 --> 00:17:14,119
should say, which may very well achieve the time bypass

311
00:17:14,160 --> 00:17:19,440
necessary for interstellar travel. I didn't quite get that. It's

312
00:17:19,480 --> 00:17:23,160
completely beyond either of us. Don't expect me to explain

313
00:17:23,160 --> 00:17:26,359
it to you. He's working on a way to travel

314
00:17:26,480 --> 00:17:28,559
between stars, between galaxies.

315
00:17:28,920 --> 00:17:31,240
Speaker 3: You take it seriously. You believe it's possible.

316
00:17:31,279 --> 00:17:34,000
Speaker 2: It's already been done, my friend, Where do you think

317
00:17:34,039 --> 00:17:37,039
the unidentified flying objects come from? Well, I've always thought

318
00:17:37,039 --> 00:17:39,559
they were optical illusions or something like that. Very many

319
00:17:39,599 --> 00:17:44,960
people do. It's a belief. My clients have always encouraged you,

320
00:17:45,039 --> 00:17:48,720
and I know better. I guess so, And do you

321
00:17:48,720 --> 00:17:52,119
think Professor Addison can do it. I don't know anything

322
00:17:52,160 --> 00:17:55,680
about it myself. My clients seem to believe that he's

323
00:17:55,799 --> 00:17:59,480
very close. It's our job to help them find out

324
00:17:59,519 --> 00:18:04,680
how close, and then what they want him stopped. That's

325
00:18:04,720 --> 00:18:07,839
all I know. Look, if they plan to get rid

326
00:18:07,880 --> 00:18:10,160
of him somehow, I don't want any part of it

327
00:18:10,200 --> 00:18:12,759
at any price. And I still don't know what to

328
00:18:12,799 --> 00:18:15,440
look for if I get into his lab, not if

329
00:18:16,319 --> 00:18:20,720
when look for anything that he's jotted down, every word,

330
00:18:20,799 --> 00:18:22,160
every number, everything.

331
00:18:23,400 --> 00:18:23,559
Speaker 4: Here.

332
00:18:23,640 --> 00:18:24,240
Speaker 5: I brought you this.

333
00:18:26,000 --> 00:18:27,000
Speaker 3: A cigarette lighter.

334
00:18:27,079 --> 00:18:29,960
Speaker 2: It's made to look like one. Actually it's a camera,

335
00:18:30,240 --> 00:18:33,119
and a very good one. Oh no kidding. But how

336
00:18:33,160 --> 00:18:33,519
it works?

337
00:18:33,599 --> 00:18:33,839
Speaker 4: Later?

338
00:18:35,200 --> 00:18:37,599
Speaker 2: Does the professor have a good desk? Limall?

339
00:18:37,640 --> 00:18:38,319
Speaker 3: It's three way?

340
00:18:38,480 --> 00:18:40,319
Speaker 2: I think it goes up to one hundred and fifty watts,

341
00:18:40,319 --> 00:18:42,640
pretty bright. And that's all you mean? And what every

342
00:18:42,759 --> 00:18:46,160
strap of paper you find in that lab photographed? It

343
00:18:46,200 --> 00:18:49,200
doesn't have to look important. They're not the one who decides.

344
00:18:49,640 --> 00:18:51,559
I don't have keys to his desk. You know, I'm

345
00:18:51,559 --> 00:18:54,759
not concerned with how you get at his papers. Just

346
00:18:54,960 --> 00:18:58,519
do it, okay, I'll think of something. Are the bugs

347
00:18:58,559 --> 00:18:59,279
working all right?

348
00:19:00,000 --> 00:19:01,519
Speaker 4: You have heard about it if they weren't.

349
00:19:02,640 --> 00:19:05,319
Speaker 2: You don't work very hard at making friends, do you,

350
00:19:05,440 --> 00:19:11,279
mister Smith. I don't make friends. I'd buy accomplices.

351
00:19:18,119 --> 00:19:21,440
Speaker 4: My favorite breakfast. How did you know, Edgar?

352
00:19:21,599 --> 00:19:24,359
Speaker 2: Missus Addison told Pearl that you like poached eggs.

353
00:19:24,839 --> 00:19:25,799
Speaker 8: They look good, don't they?

354
00:19:25,839 --> 00:19:30,880
Speaker 2: They are beautiful, Professor Addison. Missus Addison told Pearl you

355
00:19:30,920 --> 00:19:33,480
were working in the lab pretty much all night. Would

356
00:19:33,519 --> 00:19:35,839
you like me to go in and kind of straighten.

357
00:19:35,559 --> 00:19:37,160
Speaker 4: Up for you? No? No, no, thank you.

358
00:19:37,279 --> 00:19:39,920
Speaker 2: I wouldn't mind at all. I would mess with anything,

359
00:19:39,960 --> 00:19:42,039
of course, just sort of put the place in order.

360
00:19:42,200 --> 00:19:45,319
Speaker 4: Ed I don't like anybody in my lab, not anybody

361
00:19:45,319 --> 00:19:45,640
at all.

362
00:19:46,240 --> 00:19:48,200
Speaker 8: Are you still planning to go into the city to right?

363
00:19:48,680 --> 00:19:50,039
You haven't got any sleep at all?

364
00:19:50,160 --> 00:19:51,920
Speaker 4: Oh? Yes, we really must.

365
00:19:51,960 --> 00:19:53,599
Speaker 2: Will there be anything else right now?

366
00:19:53,680 --> 00:19:54,039
Speaker 3: Professor?

367
00:19:54,240 --> 00:19:55,079
Speaker 4: No, thank you, Edgar.

368
00:19:55,759 --> 00:19:58,000
Speaker 2: I'll be sure to tell Pearl what you said about

369
00:19:58,200 --> 00:19:59,480
not going under the lab.

370
00:20:01,000 --> 00:20:02,039
Speaker 8: We'd better get to char.

371
00:20:02,079 --> 00:20:03,279
Speaker 2: It, haven't we started?

372
00:20:03,880 --> 00:20:07,039
Speaker 5: Oh out for the city. Well, there's no hurry.

373
00:20:07,200 --> 00:20:10,000
Speaker 4: Really, I'd like to test my hearing aid before we go.

374
00:20:11,359 --> 00:20:14,880
I'm curious about how it reacts to various acoustical situations.

375
00:20:15,000 --> 00:20:16,519
I want to put it in my ear and try

376
00:20:16,519 --> 00:20:18,519
out the sound in various rooms of the house, and

377
00:20:18,559 --> 00:20:22,759
then outside. Why don't you come along a little walk

378
00:20:22,799 --> 00:20:27,839
around the grounds? Sounds terribly barronious, doesn't it funny?

379
00:20:28,440 --> 00:20:31,480
Speaker 6: I never knew you were interested in hearing aids, but.

380
00:20:31,480 --> 00:20:40,000
Speaker 4: The idea just hit me. Suddenly they're outsack.

381
00:20:40,079 --> 00:20:44,000
Speaker 2: Now what are they doing? Well, she's cutting some flowers,

382
00:20:44,039 --> 00:20:46,720
and well he keeps wandering around and listening to something.

383
00:20:47,079 --> 00:20:48,359
Speaker 8: Yeah, birds, I guess.

384
00:20:48,160 --> 00:20:50,640
Speaker 2: He's trying out a hearing aid. Look, do you want

385
00:20:50,640 --> 00:20:53,480
to help me hear? Okay? One of the keys on

386
00:20:53,519 --> 00:20:56,759
this ring. I never saw a house with so many

387
00:20:56,880 --> 00:21:01,440
keys and locks. I think this is it? Is that

388
00:21:01,680 --> 00:21:05,119
what he's working on hearing me? No, he got sidetracked.

389
00:21:05,160 --> 00:21:05,880
Speaker 1: I guess.

390
00:21:07,240 --> 00:21:08,519
Speaker 4: What are you going to do in the lab?

391
00:21:08,640 --> 00:21:11,240
Speaker 2: I have to take pictures of any papers I can find. Now,

392
00:21:11,319 --> 00:21:13,240
leave the door open so we can hear them if

393
00:21:13,279 --> 00:21:14,839
they come in, take pictures.

394
00:21:15,240 --> 00:21:16,799
Speaker 4: Just help me look for papers?

395
00:21:16,839 --> 00:21:19,599
Speaker 2: Will you any kind anything with something written on it?

396
00:21:20,839 --> 00:21:24,319
He must have emptied the waste paper basket himself on.

397
00:21:24,319 --> 00:21:25,240
Speaker 3: The desk is locked.

398
00:21:25,240 --> 00:21:26,039
Speaker 2: I knew it would be.

399
00:21:26,960 --> 00:21:28,640
Speaker 6: The smiling cabinets locked too.

400
00:21:29,599 --> 00:21:30,559
Speaker 2: Oh, here's some.

401
00:21:30,640 --> 00:21:32,759
Speaker 4: Stuff under the death blotters.

402
00:21:32,319 --> 00:21:37,400
Speaker 2: Of good Let me see, ah, gibberish. I guess that's

403
00:21:37,400 --> 00:21:40,640
a good sign. A good sign. Listen, Pearl, go out

404
00:21:40,680 --> 00:21:42,680
and watch them through the window, will you. I've got

405
00:21:42,680 --> 00:21:44,359
to get pictures of this stuff now.

406
00:21:44,440 --> 00:21:46,599
Speaker 3: Just let me know if they start back towards the house.

407
00:21:47,000 --> 00:21:49,759
Speaker 6: Why is it a good sign if there's just you know,

408
00:21:49,839 --> 00:21:51,920
whatever you said, gibberish on the papers?

409
00:21:52,240 --> 00:21:53,680
Speaker 3: Just watch, will you.

410
00:21:59,400 --> 00:22:02,440
Speaker 6: I won't know what half these flowers are until they boom.

411
00:22:02,720 --> 00:22:04,359
Speaker 8: This one's an iris, I know that much.

412
00:22:04,759 --> 00:22:06,640
Speaker 4: You'll have to speak up, Jane. I can't hear a

413
00:22:06,680 --> 00:22:07,400
thing you're saying.

414
00:22:07,880 --> 00:22:09,839
Speaker 6: That's some hearing age you made.

415
00:22:10,279 --> 00:22:13,319
Speaker 4: It doesn't seem to be working very well. I might

416
00:22:13,359 --> 00:22:14,960
as well not be wearing it at all.

417
00:22:15,240 --> 00:22:16,319
Speaker 8: Would you know what's wrong with it?

418
00:22:17,279 --> 00:22:20,359
Speaker 4: Need some adjustment, I imagine, right?

419
00:22:21,200 --> 00:22:23,079
Speaker 8: Do you really have a lot of secret stuff in

420
00:22:23,119 --> 00:22:23,519
the lab?

421
00:22:24,279 --> 00:22:24,640
Speaker 3: Oh?

422
00:22:24,720 --> 00:22:26,960
Speaker 4: Yes, indeed, practically everything.

423
00:22:26,599 --> 00:22:31,079
Speaker 6: In there top secret things Edgar and Pearl shouldn't see.

424
00:22:31,160 --> 00:22:32,559
Speaker 4: Well, that's why I told them to stay out of

425
00:22:32,559 --> 00:22:35,440
the lab, Jane, have papers in there that no one

426
00:22:35,480 --> 00:22:38,359
should see? Did you lock the door to the lab?

427
00:22:39,079 --> 00:22:39,640
Of course?

428
00:22:40,920 --> 00:22:43,400
Speaker 6: Aren't you afraid that telling them not to go into

429
00:22:43,400 --> 00:22:45,359
the lab will only make them all the more curious,

430
00:22:45,880 --> 00:22:48,079
just serve as an added temptation.

431
00:22:48,359 --> 00:22:52,519
Speaker 4: Oh I don't think so. Surely we can trust Pearl

432
00:22:52,559 --> 00:22:53,160
and Edgar.

433
00:22:57,880 --> 00:22:58,960
Speaker 2: You better get out of there.

434
00:22:59,039 --> 00:23:01,000
Speaker 4: Edgar, back toward the house.

435
00:23:01,039 --> 00:23:03,559
Speaker 2: Okay, Okay, I've finished anyway. Just turn the light off

436
00:23:03,599 --> 00:23:06,279
and put these papers back onto the blier. Me up

437
00:23:06,440 --> 00:23:12,680
when I'm all finished. All right, you better come away

438
00:23:12,680 --> 00:23:16,480
from that window. It's all right, it's supposed to be

439
00:23:16,599 --> 00:23:19,720
my kitchen. I'm just stack in the breakfast dishes.

440
00:23:21,039 --> 00:23:23,119
Speaker 8: Oh, Pearl, can you get me a vase to put

441
00:23:23,119 --> 00:23:23,839
these flowers in?

442
00:23:24,000 --> 00:23:24,200
Speaker 1: Oh?

443
00:23:24,240 --> 00:23:28,079
Speaker 2: Sure, Missus Edison, Na, they're pretty, aren't they. What are

444
00:23:28,079 --> 00:23:29,119
those little blue ones?

445
00:23:29,240 --> 00:23:30,720
Speaker 6: Oh Gray haasins.

446
00:23:31,759 --> 00:23:33,279
Speaker 8: I think you'd know as long as you've.

447
00:23:33,160 --> 00:23:33,920
Speaker 6: Been working here.

448
00:23:34,079 --> 00:23:36,559
Speaker 8: Oh well, Edgar does all the gardening.

449
00:23:37,000 --> 00:23:40,960
Speaker 2: Edgar and Missus Ellis. Missus Ellis, go find a vase

450
00:23:40,960 --> 00:23:41,759
for missus Addison.

451
00:23:41,799 --> 00:23:45,680
Speaker 8: Pearl, Missus Ellis, Yes, I'm so bad with nine sometimes

452
00:23:45,720 --> 00:23:47,559
I almost can't remember my own.

453
00:23:47,759 --> 00:23:51,000
Speaker 2: Go get the vase, Pearl, I get that nice blue one.

454
00:23:51,039 --> 00:23:52,759
Missus Ellis like so much.

455
00:23:59,079 --> 00:24:02,079
Speaker 4: Are you sure we're on the right road, Dwight, Well,

456
00:24:02,119 --> 00:24:04,920
I'm taking a slightly different route this time. I'd like

457
00:24:04,960 --> 00:24:07,599
just to enjoy the natural beauty of these mountains. And

458
00:24:08,440 --> 00:24:11,319
somehow four lanes with a minimum speed of forty miles

459
00:24:11,319 --> 00:24:15,400
an hour doesn't give you much of a chance. No,

460
00:24:16,559 --> 00:24:19,519
it's funny about Pearl. What's funny about her?

461
00:24:19,680 --> 00:24:23,240
Speaker 6: Well, she's been living in that house for a long time, years,

462
00:24:23,319 --> 00:24:25,519
the way they tell it, and she doesn't know a

463
00:24:25,599 --> 00:24:28,720
great high since when she sees one that they're perennials.

464
00:24:28,759 --> 00:24:30,759
Speaker 1: You know, they come up every spring.

465
00:24:30,519 --> 00:24:33,200
Speaker 4: Year after years. She probably just doesn't have that much

466
00:24:33,200 --> 00:24:34,200
interest in flowers.

467
00:24:34,240 --> 00:24:35,079
Speaker 5: Some people don't.

468
00:24:36,000 --> 00:24:40,480
Speaker 6: Maybe, And she couldn't remember Missus Ellis's name. Been working

469
00:24:40,519 --> 00:24:42,559
for it for years and couldn't remember anything.

470
00:24:42,519 --> 00:24:46,359
Speaker 4: It was just too suspicious. Jane, Edgar and Pearl, I'll

471
00:24:46,400 --> 00:24:56,599
find people. We're lucky to have them.

472
00:24:56,880 --> 00:24:59,799
Speaker 6: Well, either the professor got lost or missus smith All

473
00:25:00,200 --> 00:25:01,720
he's unhappy about something again.

474
00:25:03,799 --> 00:25:07,759
Speaker 7: Hello, in future, we prefer that Professor and Missus Addison

475
00:25:07,799 --> 00:25:08,920
not leave the house.

476
00:25:09,119 --> 00:25:12,079
Speaker 2: Well, now, just how do you expect me to stop them?

477
00:25:12,119 --> 00:25:15,480
Speaker 1: It may be necessary to Tampa with that car, that

478
00:25:15,599 --> 00:25:16,440
is why I called.

479
00:25:16,480 --> 00:25:20,279
Speaker 2: However, then, why did you Impertinence doesn't become you?

480
00:25:21,799 --> 00:25:24,799
Speaker 1: I called to suggest that you advise your wife not

481
00:25:25,000 --> 00:25:27,559
to be an idiot if you can possibly avoid it.

482
00:25:28,319 --> 00:25:29,440
Speaker 2: I don't know what you mean.

483
00:25:29,880 --> 00:25:32,400
Speaker 1: The thing about the flowers.

484
00:25:31,920 --> 00:25:34,799
Speaker 2: Well, Pearl didn't know what the flowers were. She wasn't thinking,

485
00:25:34,839 --> 00:25:36,160
as that was obvious.

486
00:25:36,559 --> 00:25:38,720
Speaker 1: Also, is it too much to ask that you remember

487
00:25:38,759 --> 00:25:41,240
the name of the woman she's been working for all.

488
00:25:41,119 --> 00:25:43,720
Speaker 2: These years since she covered that up. Fine, they didn't

489
00:25:43,759 --> 00:25:44,759
suspect the thing.

490
00:25:44,640 --> 00:25:48,480
Speaker 1: Missus Addison did. They've been monitoring them in the car.

491
00:25:49,279 --> 00:25:52,279
A good memorizes every detare of this cover. That's the

492
00:25:52,359 --> 00:25:53,000
first role.

493
00:25:54,160 --> 00:25:57,920
Speaker 2: Look, if you wanted spies, you should have hired spies.

494
00:25:57,799 --> 00:25:59,960
Speaker 1: As that has occurred to me.

495
00:26:03,480 --> 00:26:06,799
Speaker 2: Sooner or later, I'm going to have to punch that

496
00:26:06,920 --> 00:26:08,039
guy in the nose.

497
00:26:14,400 --> 00:26:16,559
Speaker 8: Well maybe you're not lost, but I am.

498
00:26:16,799 --> 00:26:21,039
Speaker 4: It's a beautiful spring day there, and they meant for wandering.

499
00:26:21,880 --> 00:26:24,240
Speaker 3: Look, but just just look at them.

500
00:26:25,279 --> 00:26:28,519
Speaker 4: Now, what but there's a path leading off into the woods.

501
00:26:29,240 --> 00:26:32,720
Don't you see it there? It would be sinful, downright

502
00:26:32,920 --> 00:26:34,119
simple not to follow it.

503
00:26:34,519 --> 00:26:37,160
Speaker 6: You mean, get out and take that path into the woods.

504
00:26:37,200 --> 00:26:39,519
Speaker 4: Well, we have to know where it leads, Jane. Don't

505
00:26:39,559 --> 00:26:41,759
you feel you just have to?

506
00:26:42,400 --> 00:26:42,680
Speaker 2: No?

507
00:26:42,799 --> 00:26:43,279
Speaker 8: I don't.

508
00:26:43,799 --> 00:26:45,359
Speaker 2: I don't feel the least.

509
00:26:45,079 --> 00:26:46,000
Speaker 4: Bit that way.

510
00:26:46,359 --> 00:26:47,799
Speaker 2: I'll bet there be snakes in there.

511
00:26:48,720 --> 00:26:54,960
Speaker 4: Jane, please come with me, Why because I ask you to? Well,

512
00:26:55,000 --> 00:26:58,160
if you put it that way, let.

513
00:26:58,000 --> 00:26:58,440
Speaker 5: Me help you.

514
00:26:59,039 --> 00:27:01,839
Speaker 4: Those aren't very good shoes for walking in the woods.

515
00:27:02,119 --> 00:27:03,799
Speaker 2: I thought I was going to the city.

516
00:27:04,680 --> 00:27:06,160
Speaker 5: Takes me back to my childhood.

517
00:27:06,880 --> 00:27:09,920
Speaker 4: Watch those branches here, let me hold them for you.

518
00:27:10,240 --> 00:27:11,839
Speaker 2: Oh it's many.

519
00:27:12,119 --> 00:27:15,440
Speaker 4: No, No, that's that's leaf mold. It's quite a different thing,

520
00:27:17,720 --> 00:27:22,079
all right, I guess this is foreig enough sign up

521
00:27:22,079 --> 00:27:25,599
for what? Oh? Listen carefully, Jane. We can't stay out

522
00:27:25,599 --> 00:27:26,440
of the car too long?

523
00:27:27,119 --> 00:27:28,440
Speaker 2: Why not if we want to?

524
00:27:28,519 --> 00:27:31,920
Speaker 4: That house is bugged, The lawn is bugged, Even our

525
00:27:32,079 --> 00:27:37,519
car is bugged eaves dropping devices. Every word we've said

526
00:27:37,559 --> 00:27:40,960
since we moved into that house has been overheard.

527
00:27:51,279 --> 00:27:54,880
Speaker 2: Beware of the man with a high IQ and the

528
00:27:54,920 --> 00:27:56,440
irresponsible behavior.

529
00:27:57,240 --> 00:28:00,000
Speaker 3: He is not what he seems.

530
00:27:59,839 --> 00:28:04,079
Speaker 2: He doesn't accept values blindly, but has a close look

531
00:28:04,119 --> 00:28:06,799
at each one as it is offered to him, and

532
00:28:06,920 --> 00:28:11,759
decides for himself how much it is worth. Professor Addison

533
00:28:11,920 --> 00:28:15,279
is not an easy mark, clearly, and the battle has

534
00:28:15,440 --> 00:28:19,240
just been joined. We will hear the outcome when I

535
00:28:19,319 --> 00:28:40,119
returned shortly with Act three. The creatures of an alien culture,

536
00:28:40,720 --> 00:28:44,279
beings from a galaxy light years removed from our Earth,

537
00:28:44,839 --> 00:28:48,440
have become interested in the researches of Professor Dwight Addison.

538
00:28:49,200 --> 00:28:51,759
They have cause to be planted in the house which

539
00:28:51,759 --> 00:28:54,920
he has rented for the summer, a network of listening

540
00:28:54,960 --> 00:28:59,640
devices which keeps him and his wife Jane under constant surveillance.

541
00:29:00,279 --> 00:29:04,599
These two, Professor and Missus Addison, have eluded the eavesdroppers

542
00:29:04,599 --> 00:29:08,359
temporarily by leaving their car in which a bug has

543
00:29:08,400 --> 00:29:12,519
been plotted, and walking down a wooded path. But how

544
00:29:12,519 --> 00:29:15,279
can you be sure that everything is buzz the way

545
00:29:15,319 --> 00:29:15,720
you say?

546
00:29:16,000 --> 00:29:17,039
Speaker 1: How can you be so sure?

547
00:29:17,160 --> 00:29:19,680
Speaker 4: That little gadget I've been calling a hearing aid isn't

548
00:29:19,680 --> 00:29:22,480
a hearing aid at all, Jane. It's a device for

549
00:29:22,599 --> 00:29:27,920
detecting radio transmission radio transmits. The bugs they've planted in

550
00:29:28,000 --> 00:29:31,279
and around the house of tiny radio transmitters.

551
00:29:31,359 --> 00:29:31,839
Speaker 5: I get a.

552
00:29:31,799 --> 00:29:33,480
Speaker 4: Beat from the thing I had in my ear every

553
00:29:33,519 --> 00:29:36,079
time I get near one. They're all over the house,

554
00:29:36,119 --> 00:29:39,000
two or three and several of the rooms, and they've

555
00:29:39,039 --> 00:29:42,079
been placed around the grounds in such a way that

556
00:29:42,160 --> 00:29:45,839
there's not a spot anywhere where we could talk without

557
00:29:45,880 --> 00:29:48,680
being overheard in the car too, at.

558
00:29:48,640 --> 00:29:49,599
Speaker 5: Least one in the car.

559
00:29:50,920 --> 00:29:57,279
Speaker 4: Pearl and Edgar, Yes, Pearl and Edgar, they're very unlikely servants.

560
00:29:57,319 --> 00:29:58,400
Haven't you noticed that?

561
00:29:59,000 --> 00:30:00,720
Speaker 6: Would they be working for somebody else?

562
00:30:00,880 --> 00:30:05,480
Speaker 4: Or are they somebody else? Are they're only agents? As

563
00:30:05,480 --> 00:30:07,480
a matter of fact, I suspect strongly that they're in

564
00:30:07,519 --> 00:30:11,759
the employee of intelligent beings from another world.

565
00:30:12,160 --> 00:30:14,519
Speaker 5: Oh no, really, right, project I have.

566
00:30:14,519 --> 00:30:18,039
Speaker 4: In hand would interest such beings. It's not much of

567
00:30:18,079 --> 00:30:22,400
a secret anymore that this planet has been visited Flying Sae.

568
00:30:22,720 --> 00:30:23,960
Speaker 5: Well, there have been.

569
00:30:23,799 --> 00:30:27,759
Speaker 4: Some very very secret investigations.

570
00:30:28,039 --> 00:30:29,119
Speaker 5: There's not much doubt about it.

571
00:30:29,160 --> 00:30:32,519
Speaker 4: Among the people who have the facts and your works,

572
00:30:32,759 --> 00:30:37,599
they'd be interested. We shouldn't have left Pearl Edgar alone

573
00:30:37,640 --> 00:30:38,160
in the house.

574
00:30:38,559 --> 00:30:40,000
Speaker 2: What are they get into the last.

575
00:30:40,240 --> 00:30:44,319
Speaker 4: I'm sure they have a duplicate key, but there's nothing

576
00:30:44,359 --> 00:30:46,880
in there of any consequence. Will you tell me the

577
00:30:46,880 --> 00:30:49,319
place was full of secret material that was for the

578
00:30:49,359 --> 00:30:53,200
benefit of the eavesdroppers, whoever they are. No, no, no,

579
00:30:53,240 --> 00:30:55,559
I have it all in my head, Jane.

580
00:30:56,200 --> 00:30:57,680
Speaker 5: I don't trust papers.

581
00:30:59,240 --> 00:31:00,960
Speaker 8: I hate being spied on.

582
00:31:02,200 --> 00:31:05,400
Speaker 4: I've given them something to think about though I left

583
00:31:05,400 --> 00:31:07,839
some papers out of my desk pad for them, phony

584
00:31:08,079 --> 00:31:15,400
as three dollar bills offer. Nonsense, Jane, I have a plan.

585
00:31:16,640 --> 00:31:17,599
I'll need your help.

586
00:31:18,519 --> 00:31:19,480
Speaker 1: You don't have to ask.

587
00:31:19,640 --> 00:31:23,039
Speaker 4: Thank you, my dear. I'm going to turn you into

588
00:31:23,079 --> 00:31:26,519
a nagging wife. And when we get back to the car,

589
00:31:26,759 --> 00:31:35,960
I want to start over.

590
00:31:36,160 --> 00:31:39,519
Speaker 2: Why to the fourth power equals? And then he's got

591
00:31:39,519 --> 00:31:42,279
a question mark that he's gone over and over until

592
00:31:42,279 --> 00:31:44,519
the paper's almost cut through by the pen.

593
00:31:44,920 --> 00:31:48,400
Speaker 1: You found nothing except the papers, just.

594
00:31:48,400 --> 00:31:49,440
Speaker 3: These four sheets?

595
00:31:49,519 --> 00:31:49,839
Speaker 4: Yes?

596
00:31:51,440 --> 00:31:53,960
Speaker 2: Well, then he's got some scribbled notes at the bottom.

597
00:31:54,000 --> 00:31:56,880
He's written down the word heterodyne two or three times,

598
00:31:56,920 --> 00:32:00,680
like he was thinking on paper, you know, And then thirde.

599
00:32:01,160 --> 00:32:04,680
On another line he's written light speed plus, then crossed

600
00:32:04,680 --> 00:32:08,640
out the plus and printed it in again in capital letters.

601
00:32:08,480 --> 00:32:13,200
Speaker 1: Like speed plus. That's interesting. Came on?

602
00:32:13,440 --> 00:32:15,279
Speaker 2: Well, just some figures at the bottom.

603
00:32:15,359 --> 00:32:18,319
Speaker 1: Wait a minute or not just a minute? Okay, we've

604
00:32:18,359 --> 00:32:20,279
been out of touch with it, EDI since almost half

605
00:32:20,319 --> 00:32:24,079
an hour. And return to the car. Now this must

606
00:32:24,079 --> 00:32:24,880
not happen again.

607
00:32:25,039 --> 00:32:26,079
Speaker 2: But what do you want me to do?

608
00:32:26,200 --> 00:32:28,279
Speaker 1: There's something you do to a cost cap ready to

609
00:32:28,359 --> 00:32:30,720
put it out of commission? How about that?

610
00:32:30,880 --> 00:32:32,279
Speaker 3: Yes, yes, that's easy enough.

611
00:32:32,400 --> 00:32:33,720
Speaker 1: I'll and do it as soon as they playing the

612
00:32:33,759 --> 00:32:36,400
car back and trying to do it right.

613
00:32:41,640 --> 00:32:43,559
Speaker 8: Well, I hope you're satisfied.

614
00:32:43,680 --> 00:32:44,799
Speaker 5: It was beautiful.

615
00:32:45,880 --> 00:32:49,319
Speaker 4: But wasn't it beautiful right there in that jungle? It

616
00:32:49,359 --> 00:32:55,799
was Crawley, Jade. I just felt like going into the woods.

617
00:32:55,200 --> 00:32:57,920
Speaker 2: So we went twice.

618
00:32:58,359 --> 00:33:01,079
Speaker 6: What did you want to do in the city.

619
00:33:00,359 --> 00:33:01,839
Speaker 4: With just some errands?

620
00:33:02,079 --> 00:33:03,200
Speaker 3: That's what I asked you.

621
00:33:03,440 --> 00:33:06,559
Speaker 4: What errands things to do with the project I'm working on.

622
00:33:07,039 --> 00:33:09,839
I'm afraid I'm not at liberty to go into it.

623
00:33:09,960 --> 00:33:12,480
Speaker 8: Not at liberty, you have to make a left turn

624
00:33:12,519 --> 00:33:13,559
at the next crossroad.

625
00:33:13,599 --> 00:33:14,359
Speaker 2: I know that.

626
00:33:16,440 --> 00:33:18,839
Speaker 5: My work is very secret. I've told you that before.

627
00:33:18,880 --> 00:33:21,599
Speaker 4: I'm not afraid to talk about it to anybody, anybody

628
00:33:21,599 --> 00:33:21,960
at all.

629
00:33:22,200 --> 00:33:24,200
Speaker 6: Well, it makes a woman feel unwanted.

630
00:33:24,279 --> 00:33:26,359
Speaker 4: Oh now, come on, Jane, you know better than that.

631
00:33:26,559 --> 00:33:29,079
Speaker 8: One of these days, and maybe before too long, I'll

632
00:33:29,160 --> 00:33:32,279
just decide not to stay where I'm not wanted. If

633
00:33:32,319 --> 00:33:35,519
you can be trusted with a secret, why can't I

634
00:33:35,640 --> 00:33:38,000
it's just that you don't want to tell me. Well,

635
00:33:38,400 --> 00:33:40,759
one of these days, maybe you'll be sorry after I've

636
00:33:40,799 --> 00:33:41,160
left you.

637
00:33:41,519 --> 00:33:46,599
Speaker 4: Jane, you don't mean that you'll find out, all right,

638
00:33:48,000 --> 00:33:53,680
I'll tell you so tell me well that now I

639
00:33:53,720 --> 00:33:57,119
can't go into it while I'm driving. It's too distracting.

640
00:33:57,920 --> 00:33:59,160
I'll tell you when we get home.

641
00:33:59,240 --> 00:34:09,239
Speaker 9: You miss a turn, No, don't tamper with a cart, tamping,

642
00:34:09,320 --> 00:34:10,880
don't touch it unless you here from me.

643
00:34:11,039 --> 00:34:12,239
Speaker 3: Well, okay, but you send the.

644
00:34:12,280 --> 00:34:14,639
Speaker 1: Car to believe that we're going to get some final information.

645
00:34:14,679 --> 00:34:17,079
As soon as the addises get home, it should be

646
00:34:17,079 --> 00:34:17,719
there very song.

647
00:34:17,800 --> 00:34:19,000
Speaker 2: Okay, then then you.

648
00:34:18,960 --> 00:34:20,719
Speaker 1: Don't want me to get you to do anything that's

649
00:34:20,840 --> 00:34:23,599
get told to do something. I'll stay there your te

650
00:34:23,599 --> 00:34:24,800
home for further instructions.

651
00:34:26,320 --> 00:34:29,679
Speaker 2: We get twenty thousand. He gets a punch in the nose.

652
00:34:33,480 --> 00:34:37,079
Speaker 4: This is wrong, all wrong, Jane. I want your absolute

653
00:34:37,159 --> 00:34:38,039
promise that you will.

654
00:34:37,920 --> 00:34:39,880
Speaker 8: Never wait if you're going to start that again.

655
00:34:40,119 --> 00:34:45,079
Speaker 4: All right, all right. What I'm working on is a

656
00:34:45,119 --> 00:34:46,920
new kind of radio signal.

657
00:34:47,320 --> 00:34:49,599
Speaker 6: A radio signal what good happens?

658
00:34:49,599 --> 00:34:50,639
Speaker 2: What's the hush hush about?

659
00:34:50,639 --> 00:34:51,440
Speaker 8: A radio stigma?

660
00:34:51,519 --> 00:34:53,840
Speaker 4: This is quite different from the kind of radio signal

661
00:34:53,880 --> 00:34:58,039
you're thinking of. This is a sound that kills whoever

662
00:34:58,119 --> 00:35:03,920
hears it kill, and rather painfully. I'm afraid I haven't

663
00:35:03,920 --> 00:35:05,480
been able to work out a way to make it

664
00:35:05,559 --> 00:35:06,599
more humane.

665
00:35:07,559 --> 00:35:09,840
Speaker 8: You mean you just turn your radio on, you get

666
00:35:09,880 --> 00:35:11,639
this sound or whatever.

667
00:35:11,360 --> 00:35:12,639
Speaker 6: It is, and it kills.

668
00:35:12,760 --> 00:35:18,559
Speaker 4: Yes, its effect is not unlike the effect of nerve gas. Yes, yes,

669
00:35:18,719 --> 00:35:23,320
it's it's quite deadly, quite awful. Really, I don't see how.

670
00:35:23,199 --> 00:35:26,960
Speaker 6: That's possible, just a noise that comes out.

671
00:35:26,760 --> 00:35:27,519
Speaker 1: Of your radio.

672
00:35:27,719 --> 00:35:32,559
Speaker 4: Well, that a whole new mathematical concept involved it. It works,

673
00:35:32,559 --> 00:35:33,039
Though it.

674
00:35:33,000 --> 00:35:37,480
Speaker 6: Works, I don't think you ought to do it?

675
00:35:37,519 --> 00:35:38,800
Speaker 8: Is it?

676
00:35:39,039 --> 00:35:42,280
Speaker 4: Are you close? Oh? De vice itself is finished, ready

677
00:35:42,320 --> 00:35:45,639
to use. There's the problem, of course, of testing.

678
00:35:45,280 --> 00:35:48,440
Speaker 5: It without well, without killing anybody.

679
00:35:49,119 --> 00:35:51,280
Speaker 2: It's absolutely dreadful, Yes, it is.

680
00:35:51,400 --> 00:35:54,119
Speaker 5: Rather I worked out one of the problems last night.

681
00:35:54,199 --> 00:35:58,719
Speaker 4: A shield to protect the sender you are hearing aid, Well, it.

682
00:35:58,920 --> 00:35:59,960
Speaker 5: Wasn't a hearing aid.

683
00:36:00,119 --> 00:36:04,320
Speaker 4: It all, of course used in the sender's ears, both ears.

684
00:36:04,320 --> 00:36:07,559
Of course, it neutralizes the effect of the signal.

685
00:36:07,719 --> 00:36:10,239
Speaker 6: Oh, it's worse than the atom bomb in.

686
00:36:10,280 --> 00:36:14,039
Speaker 4: Some ways, I suppose it is. There's no antidote. Once

687
00:36:14,079 --> 00:36:15,719
you've heard the signal, you're dead.

688
00:36:16,280 --> 00:36:17,280
Speaker 5: There's no way.

689
00:36:17,159 --> 00:36:19,719
Speaker 4: To arrest it. As you say, it is rather dreadful.

690
00:36:20,719 --> 00:36:22,840
Speaker 2: What do you intend to do with it?

691
00:36:23,480 --> 00:36:25,480
Speaker 4: Well, the first thing I must do is to make

692
00:36:25,480 --> 00:36:27,920
another of the shields tonight, make sure that they work.

693
00:36:28,480 --> 00:36:31,639
But sure how I'll feed the sound through an amplifier

694
00:36:31,840 --> 00:36:36,079
not broadcasted, of course, and wear the two shields. If

695
00:36:36,119 --> 00:36:39,159
I'm not affected, then I know the shield works. But

696
00:36:39,320 --> 00:36:43,480
twice you can I can't think of another way. You'd

697
00:36:43,480 --> 00:36:46,199
better stay clear of the lab tonight. I'll have to

698
00:36:46,280 --> 00:36:47,719
warn Pearl and Edgar.

699
00:36:48,119 --> 00:36:51,679
Speaker 8: Does it work on just any old radio, any radio

700
00:36:52,039 --> 00:36:55,800
through any transmitter, anything from your big commercial transmitter to

701
00:36:55,880 --> 00:36:58,920
one of those tiny little things they use as eavesdropping

702
00:36:58,960 --> 00:37:02,159
devices bugs I think they're called.

703
00:37:02,599 --> 00:37:04,760
Speaker 6: I wish you wouldn't do that tonight.

704
00:37:04,880 --> 00:37:09,199
Speaker 4: Driver. I'll be all right, my dear. The shields will work,

705
00:37:09,760 --> 00:37:12,920
and there aren't any radio transmitters nearby.

706
00:37:13,280 --> 00:37:15,760
Speaker 5: After all, we're not bugged.

707
00:37:20,360 --> 00:37:23,360
Speaker 1: I want all the signivices remove from the house of grounds,

708
00:37:23,880 --> 00:37:27,480
the cartoon. Everyone you've plant it. I want out at once.

709
00:37:27,920 --> 00:37:30,760
Destroy them as you remove them, make sure not one

710
00:37:30,800 --> 00:37:31,920
of them is left functional.

711
00:37:36,719 --> 00:37:38,960
Speaker 4: Would you care to come with me for a walk

712
00:37:39,000 --> 00:37:42,119
around the grounds, Jane, all right, if you'd like to.

713
00:37:42,559 --> 00:37:46,719
It's a lovely afternoon. Edgar and Pearl have been out

714
00:37:46,880 --> 00:37:52,239
enjoying it, Oh, Edgar, Yesessa, before I forget it, I

715
00:37:52,280 --> 00:37:53,760
think it would be a good idea if you and

716
00:37:53,800 --> 00:37:56,440
Pearl stayed in your quarters this evening. I am doing

717
00:37:56,440 --> 00:37:59,920
a rather special experiment than I think it would be.

718
00:38:00,559 --> 00:38:01,239
Speaker 5: Safer for you.

719
00:38:01,480 --> 00:38:03,239
Speaker 3: Okay, the whole.

720
00:38:03,039 --> 00:38:07,000
Speaker 4: Evening until quite late. Yes, it's a It's a lovely day,

721
00:38:07,039 --> 00:38:09,519
isn't it, missus Addison and I are going to take

722
00:38:09,519 --> 00:38:10,159
a little walk.

723
00:38:10,239 --> 00:38:12,960
Speaker 2: Yes, yes, it's very nice out and uh oh it's

724
00:38:12,960 --> 00:38:13,840
okay about tonight.

725
00:38:16,360 --> 00:38:18,920
Speaker 4: We can talk now, Jane, you meanly have three of

726
00:38:18,960 --> 00:38:21,639
those things out here. They've removed all the bugs from

727
00:38:21,679 --> 00:38:24,800
the grounds. I've been watching them removed and dismantled them

728
00:38:24,920 --> 00:38:28,559
as they went. Afraid of your experiment tonight. Whoever's been

729
00:38:28,599 --> 00:38:33,719
listening must have given the orders. Oh what a gorgeous day.

730
00:38:34,159 --> 00:38:36,559
Let's plan to stay out for at least an hour.

731
00:38:37,760 --> 00:38:41,800
That already give them time to clear the house of bugs.

732
00:38:49,320 --> 00:38:51,480
Speaker 2: What are you doing, je I want to tell Smith

733
00:38:51,519 --> 00:38:53,280
all the bugs are out. I think maybe I ought

734
00:38:53,280 --> 00:38:55,000
to tell him what the professor said about a special

735
00:38:55,039 --> 00:38:57,880
experiment tonight too. I expect he'd want to know that.

736
00:38:58,599 --> 00:39:01,119
Wh why you wanted to bugs? You think he tell me,

737
00:39:03,000 --> 00:39:06,440
come on, come on, Why doesn't he answer the number

738
00:39:06,480 --> 00:39:07,079
you have reached?

739
00:39:07,159 --> 00:39:09,840
Speaker 1: It's not in service at this time. The number you

740
00:39:09,840 --> 00:39:12,519
have reached is not in service at this time. This

741
00:39:12,599 --> 00:39:13,320
is a recording.

742
00:39:15,760 --> 00:39:18,400
Speaker 2: Mister Smith's run out on us. What do you mean

743
00:39:18,920 --> 00:39:22,400
the phone's been disconnected? And how are we going to

744
00:39:22,519 --> 00:39:25,960
collect our money? We're not This phone number is our

745
00:39:26,000 --> 00:39:30,360
only contact with them, A man named Smith, even if

746
00:39:30,360 --> 00:39:32,239
it was his real name, and you know, damn well

747
00:39:32,280 --> 00:39:36,639
it's not but twenty thousand dollars. If I ever find him,

748
00:39:36,679 --> 00:39:38,239
I won't just punch him in the nose.

749
00:39:38,360 --> 00:39:39,280
Speaker 5: I'll kill him.

750
00:39:39,920 --> 00:39:41,719
Speaker 2: What are we going to do? We're going to get

751
00:39:41,760 --> 00:39:45,400
out of this house right now. If they're scared, so

752
00:39:45,559 --> 00:39:45,960
am I.

753
00:39:50,920 --> 00:39:52,199
Speaker 4: Come to the window, Jane.

754
00:39:52,840 --> 00:39:53,840
Speaker 2: What's happening out there?

755
00:39:53,840 --> 00:39:54,079
Speaker 8: Now?

756
00:39:54,559 --> 00:39:55,199
Speaker 5: They're leaving?

757
00:39:55,840 --> 00:39:58,960
Speaker 4: I watched them loading their car with luggage. We've seen

758
00:39:59,000 --> 00:40:01,039
the last of and Edgar.

759
00:40:02,639 --> 00:40:03,880
Speaker 2: Maybe we should go too.

760
00:40:04,719 --> 00:40:07,800
Speaker 4: Why we paid our end of the season. The bugs

761
00:40:07,800 --> 00:40:10,559
are gone. We'll have to run a big house without

762
00:40:10,599 --> 00:40:12,199
help for a while, of course, but.

763
00:40:12,239 --> 00:40:13,960
Speaker 2: Oh that's all right with me.

764
00:40:14,920 --> 00:40:18,239
Speaker 8: Incidentally, how did you like my performance as the nagging wife?

765
00:40:18,480 --> 00:40:22,199
Speaker 4: Uh? Much too well, my dear I'll never cast you

766
00:40:22,239 --> 00:40:23,440
in a role like that again.

767
00:40:24,440 --> 00:40:29,199
Speaker 6: Right, yes, dear, you're not really working on that awesome thing,

768
00:40:29,239 --> 00:40:29,519
are you.

769
00:40:30,000 --> 00:40:32,000
Speaker 8: I mean the radio signal that kills people.

770
00:40:32,559 --> 00:40:36,360
Speaker 4: No, no, nothing of the kind. Actually, what I'm working

771
00:40:36,440 --> 00:40:40,119
on is a time bypass that will make traveling between

772
00:40:40,159 --> 00:40:45,119
galaxies possible, really make it possible. If it works, it

773
00:40:45,159 --> 00:40:48,800
looks good in theory. Of course, I know how.

774
00:40:48,480 --> 00:40:50,880
Speaker 5: To make the lethal radio signal.

775
00:40:51,320 --> 00:40:54,599
Speaker 4: You do, Oh yes, yes, there's nothing to it. Really

776
00:40:54,639 --> 00:40:56,599
wants you to understand the mathematics.

777
00:40:56,480 --> 00:40:57,280
Speaker 3: Right you wouldn't.

778
00:40:57,360 --> 00:41:02,039
Speaker 4: Oh no, no, dear, that's one secret nobody's ever going

779
00:41:02,079 --> 00:41:05,119
to get out of me, not even a nagging wife.

780
00:41:10,960 --> 00:41:14,960
Speaker 2: Professor Addison has tricked the easdroppers into removing their listening

781
00:41:15,000 --> 00:41:18,880
devices from his home and his laboratory, but as he

782
00:41:19,000 --> 00:41:23,880
stopped them altogether, they seem to be a determined breed.

783
00:41:24,599 --> 00:41:27,519
And I'm sorry to say there are always people around

784
00:41:27,599 --> 00:41:30,960
like mister Smith and Pearl and Edgar Parker who will

785
00:41:31,000 --> 00:41:32,920
sell out if the price is right.

786
00:41:33,920 --> 00:41:35,880
Speaker 5: Perhaps we've heard the last.

787
00:41:35,639 --> 00:41:40,639
Speaker 2: Of the easdroppers, and perhaps we haven't. I'll be back

788
00:41:40,719 --> 00:41:56,159
shortly at this meeting. Interstellar travel has not been announced

789
00:41:56,199 --> 00:42:00,960
as feasible, but things move fast in this age. Don't

790
00:42:01,000 --> 00:42:04,119
be too surprised if you hear on a newscast that

791
00:42:04,199 --> 00:42:08,039
Professor Dwight Addison has found a way to make it

792
00:42:08,079 --> 00:42:12,559
feasible and be with us no matter what method of

793
00:42:12,599 --> 00:42:15,880
travel it requires for our next look at some of

794
00:42:15,920 --> 00:42:21,119
the improbabilities that turn out to be after all possible.

795
00:42:22,320 --> 00:42:27,000
Our cast included Arnold Moss, Patricia Wheel, William Redford, Ralph Bell,

796
00:42:27,199 --> 00:42:30,800
and Joan Arlis. The entire production was under the direction

797
00:42:30,920 --> 00:42:37,360
of Hyman Brown. This is ag Marshall inviting you to

798
00:42:37,400 --> 00:42:42,079
return to our Mystry Theater for another adventure in the macabre.

799
00:42:43,559 --> 00:42:47,519
Until next time, pleasant dream