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<v Speaker 1>Welcome. This is Marsha for Radio I, and today I

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<v Speaker 1>will be reading National Geographic Magazine dated February twenty twenty six,

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<v Speaker 1>which is donated by the publisher. As a reminder, RADIOI

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<v Speaker 1>is a reading service intended for people who are blind

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<v Speaker 1>or have other disabilities that make it difficult to read

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<v Speaker 1>printed material. Please join me now for the continuation of

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<v Speaker 1>the article I began last time, entitled The Quest to

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<v Speaker 1>re Engineer Beer by Adam Rogers. Fir Streppen wants to

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<v Speaker 1>rescue non alcoholic wine too, And after that I tasted

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<v Speaker 1>a formula he's working on for non alcoholic gin. It

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<v Speaker 1>was close down to the warming sensation. The model gave

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<v Speaker 1>us components that I wouldn't have thought about. He says, sure,

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<v Speaker 1>I say, but the warming thing, it's the pain and

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<v Speaker 1>heat sensors in the trigeminal nerve. I venture a guess

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<v Speaker 1>that he did it with. Cap says, in, which is

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<v Speaker 1>what makes chili peppers hot? Astreppin hesitates, there are millions

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<v Speaker 1>of dollars at stake here. He says only that it's

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<v Speaker 1>not chili pepper, and then he clams up. He's at

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<v Speaker 1>the world's only yeast whisperer. After all, big commodity yeast companies, Yes,

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<v Speaker 1>that's a thing, sell maltose negative strains. Similar to Smart Yeast,

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<v Speaker 1>a California start up offers genetically engineered versions that could

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<v Speaker 1>add even more bespoke flavors to a beer or wine

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<v Speaker 1>while cutting out the alcohol. The non alcoholic beers that

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<v Speaker 1>emerge will be something wholly new, may be even something

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<v Speaker 1>delicious and wildly popular. But then is it really still beer.

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<v Speaker 1>That's something Debates hinted at Over Drink, said Brasserie de

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<v Speaker 1>les sene. I really believe that alcohol belongs to beer,

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<v Speaker 1>he said, there is no beer without alcohol. Obviously, Debates

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<v Speaker 1>acknowledged alcohol can be addictive and has all kinds of

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<v Speaker 1>potential societal costs. But for millennia, humans have enjoyed having

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<v Speaker 1>conversations with each other while their minds are slightly altered,

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<v Speaker 1>a little less suspicious, a little more relaxed. And we

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<v Speaker 1>need them now as much as ever. You see what

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<v Speaker 1>we're living in today, he said, The world is a catastrophe.

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<v Speaker 1>We need to rebuild those high quality connections. Of course,

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<v Speaker 1>the people eagerly downing na beers in bars and at

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<v Speaker 1>parties probably feel the quality of their connection is just fine,

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<v Speaker 1>and people who don't drink alcohol for health or religious

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<v Speaker 1>reasons deserve a beer like product that actually tastes good.

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<v Speaker 1>The market wants what it wants. I left Belgium with

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<v Speaker 1>a souvenir a bottle of smart Yeast Negra Modella from

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<v Speaker 1>the table in that ab Imbev tasting room. I carried

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<v Speaker 1>it home in my luggage, wrapped in t shirts on

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<v Speaker 1>a warm afternoon. A couple of weeks later, I cracked

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<v Speaker 1>it open and it was still good. I still liked it.

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<v Speaker 1>I wasn't trying to fix our dystopia. I was just

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<v Speaker 1>having a cold beer next. Texas horned lizards are everywhere

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<v Speaker 1>except where they belong by asher elbine, habitat loss and

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<v Speaker 1>invasive predators have decimated their population, but an unlikely coalition

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<v Speaker 1>of scientists and ranchers is working to bring the grumpy

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<v Speaker 1>faced animals back from the brink. Out of state visitors

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<v Speaker 1>may not know what they're looking at, but fans of

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<v Speaker 1>Texas Christian University TCU get fired up when Superfrog runs

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<v Speaker 1>onto the football field. Human size and gray with pointy

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<v Speaker 1>protrusions on its head and spiky popeye like forearms Superfrog

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<v Speaker 1>is the school's mascot, meant to induce fear in the

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<v Speaker 1>hearts of opposing teams. Superfrog's real life inspiration, though, isn't

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<v Speaker 1>nearly as intimidating. TCU's mascot is based on a creature

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<v Speaker 1>that's at most four inches long and almost comically sedate,

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<v Speaker 1>with a pancake shaped body and grumpy face under thorny crowns.

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<v Speaker 1>It's not even technically a frog, or, as many Texans

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<v Speaker 1>refer to it, a horned toad. It's a Texas horned lizard,

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<v Speaker 1>and the rest of the state loves the real thing

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<v Speaker 1>just as much as TCU loves Superfrog. While not a

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<v Speaker 1>keystone species, horned lizards might be considered charismatic microfauna so

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<v Speaker 1>culturally significant that losing them would be like losing a

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<v Speaker 1>crucial piece of what makes Texas Texas. These prehistoric looking

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<v Speaker 1>wildlife celebrities adorn airplane tails and license plates, murals, and postcards.

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<v Speaker 1>They've been the official state reptiles since nineteen ninety three.

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<v Speaker 1>In the town of Eastland, population three thousand, six hundred thirteen.

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<v Speaker 1>You can even visit the tiny tomb of Texas's most

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<v Speaker 1>famous horned lizard over rip as in rip van Winkle,

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<v Speaker 1>who inspired the Looney Tunes dancing Frog character and supposedly

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<v Speaker 1>survived thirty one years in a time capsule. Despite their

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<v Speaker 1>cult status and cultural presence, horned lizards are increasingly rare

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<v Speaker 1>to come by in the wild. As a kid in

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<v Speaker 1>the nineteen seventies, Texan Wade Smith grew up playing with

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<v Speaker 1>horned lizards and says children could find the baby dinosaurs

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<v Speaker 1>as he thought of them, all over the land. During

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<v Speaker 1>the past several decades, however, the lizards have largely vanished

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<v Speaker 1>from their territory across most of the state. Their habitats

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<v Speaker 1>have been devoured by urban expansion, in hospitable grasses, and

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<v Speaker 1>invasive fire ants, decimating their food supply. Smith is one

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<v Speaker 1>of a number of nostalgic ranchers in Texas now volunteering

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<v Speaker 1>their properties to be part of the lizard's big return.

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<v Speaker 1>But before that can happen, researchers need to figure out

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<v Speaker 1>how to help Texas's reptilian icons survive in a rapidly

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<v Speaker 1>changing environment. On a bright fall day, Diane Barber drives

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<v Speaker 1>a truck deep into the heart of the Texas hill

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<v Speaker 1>Country in the bed two hundred twenty seven baby lizards

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<v Speaker 1>in massive coolers. She's coming from Fort Worth Zoo's Reptile Lab,

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<v Speaker 1>a stone walled greenhouse tucked into the Zoo's Texas Wild

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<v Speaker 1>attraction that showcases animals from different echo regions across the state.

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<v Speaker 1>There rubber tubs filled with sand, cork, bark, and prickly

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<v Speaker 1>pear house curious horned lizards peeking out from under grass clumps.

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<v Speaker 1>Twenty five years ago, Fort Worth Zoo became the first

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<v Speaker 1>in the country to determine the precise combination of temperature

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<v Speaker 1>and humidity required to successfully breed Texas horned lizards, among

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<v Speaker 1>the largest of twenty one species of horned lizards native

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<v Speaker 1>to the United States. Since twenty seventeen, the zoo has

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<v Speaker 1>reintroduced around sixteen hundred fifty hatchlings into the wild, with

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<v Speaker 1>support from other Texas zoos and state funding. Much of

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<v Speaker 1>that effort has been overseed by Barber fort Worth Zoo's

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<v Speaker 1>senior Curator of Ectotherms, who moved from the ESCA in

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<v Speaker 1>two thousand and one to supervise the institution's collection. At first,

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<v Speaker 1>she was caught off guard by the intense reverence from

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<v Speaker 1>locals for a creature so small and unassuming. It's a

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<v Speaker 1>rarity to see that kind of connection between a reptile

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<v Speaker 1>and people, Barber says, but they are definitely charismatic enough

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<v Speaker 1>to where you start to almost feel like you have

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<v Speaker 1>a little bond with them. By keeping the lizards indoors

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<v Speaker 1>under ultraviolet light and matching individuals carefully based on genetics

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<v Speaker 1>to avoid inbreeding, Barber can now reliably hatch hundreds in

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<v Speaker 1>a year. She's helped by the fact that females can

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<v Speaker 1>lay fifteen to forty five eggs at a time and

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<v Speaker 1>sometimes produce multiple clutches, which take about two months to

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<v Speaker 1>hatch in a year. Baby horned lizards, she's learned, are

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<v Speaker 1>a bit particular. They require temperatures in the mid eighties,

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<v Speaker 1>need to be fed four times a day, and are

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<v Speaker 1>surprisingly prone to dehydration, so their tanks must be misted regularly.

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<v Speaker 1>The hatched horned lizards, about as big as a penny,

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<v Speaker 1>stay at the zoo for several weeks until the mature

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<v Speaker 1>enough to be released at the Mason Mountain Wildlife Management Area,

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<v Speaker 1>a stretch of government owned prairie land in central Texas.

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<v Speaker 1>The fifty five hundred acre property about a three and

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<v Speaker 1>a half hour drive southwest from Fort Worth is a

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<v Speaker 1>postcard come to life, with ancient oak groves and giant

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<v Speaker 1>pink granite outcrops. The horned lizards are less interested in

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<v Speaker 1>the view and more appreciative that the area is filled

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<v Speaker 1>with their favorite food. Red harvester ants also native to

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<v Speaker 1>the region. Harvester Ants help aerate the soil with their

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<v Speaker 1>extensive tunnels and send to foraging caravans to collect and

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<v Speaker 1>in the process disperse the seeds of native grasses that

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<v Speaker 1>become coveted horned lizard habitats. Over the years, the ant's

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<v Speaker 1>numbers have declined across the state, due in large part

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<v Speaker 1>to invasive fire ants, but May Mountain's control program aims

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<v Speaker 1>to grow the population, which means happier horned blizzards. Barber's

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<v Speaker 1>exactingly bred and painstakingly nurtured lizards don't get sent out

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<v Speaker 1>into the wild completely naked. Researchers from TCU's biology program

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<v Speaker 1>glue harmonic tags onto the backs of the lizards, making

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<v Speaker 1>it easier to locate them in the wild and determine

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<v Speaker 1>the most viable areas for reintroduction. When you're a small lizard,

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<v Speaker 1>you need to be put in the right spot early on,

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<v Speaker 1>explains Kira Gangpin, a pH d student studying horned lizard ecology.

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<v Speaker 1>Gangbin and her fellow researchers will wander the grounds of

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<v Speaker 1>Mason Mountain with radio receivers, playing a game of hot

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<v Speaker 1>and cold with the little lizards until they find finally

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<v Speaker 1>find one bearing witness to the release of two hundred

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<v Speaker 1>twenty seven baby horned lizards. I can see why Texans

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<v Speaker 1>have fallen head over heels for these frowny faced round blobs. Barber,

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<v Speaker 1>Gangbin and other researchers line up in a stretch of

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<v Speaker 1>Mason Mountain with Deli cups, gently placing hatchlings one by

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<v Speaker 1>one on the ground among tufts of wild flowers and

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<v Speaker 1>blooming cacti. Some sit frozen, while others take off immediately,

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<v Speaker 1>waddling determinedly into the cover of the grass. Despite the

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<v Speaker 1>months of hard work leading up to this moment, the

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<v Speaker 1>entire release takes only about fifteen minutes. In the ensuing

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<v Speaker 1>days and weeks, many of Barber's lizards will be hard

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<v Speaker 1>to track, some will be picked off by predators like

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<v Speaker 1>coach whip snakes, road runners, and skunks, and others will

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<v Speaker 1>shed their tags or otherwise become untraceable, but the ones

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<v Speaker 1>that survive will grow quickly. Gangbin plans to return daily

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<v Speaker 1>over the next couple of months to track how many

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<v Speaker 1>remain before their first winter torpur. So far, the results

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<v Speaker 1>have been encouraging. At least twenty five new hatchlings have

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<v Speaker 1>been documented since releases began at Mason Mountain in twenty seventeen,

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<v Speaker 1>suggesting that reintroduced horned lizards are beginning to breed naturally.

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<v Speaker 1>It's just amazing to be able to be part of that,

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<v Speaker 1>says Barber, her voice breaking. Rancher Smith understands the affectionate attachment.

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<v Speaker 1>They're sentimental, he says, speaking up for Texans across the

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<v Speaker 1>state who remember the lizards from real life, not just

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<v Speaker 1>college games or souvenir mugs. Eventually, Barber hopes to expand

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<v Speaker 1>releases beyond Mason Mountain and onto private land, which makes

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<v Speaker 1>up the majority of the Texas horned lizard's original habitat.

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<v Speaker 1>Plenty of ranchers, like Smith want them reintroduced on their properties,

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<v Speaker 1>so many, Barber says that there's a waiting list, but

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<v Speaker 1>there is still a lot to learn about habitat requirements

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<v Speaker 1>and management techniques. Before the fort Worth Zoo can take

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<v Speaker 1>them up on the offer. Until then, Smith has added

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<v Speaker 1>his name to the list, joining everyone else in the

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<v Speaker 1>hope that Texas is living. Mascot makes its big comeback next,

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<v Speaker 1>the mission to keep the border Lands wild. In the

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<v Speaker 1>rugged terrain where Mexico and the United States meet, a

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<v Speaker 1>border wall is just the latest obstacle fragmenting habitats and

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<v Speaker 1>disrupting migration paths. Here's how a cadre of conservationists is

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<v Speaker 1>trying to get animals moving. To appreciate how the Mandarin

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<v Speaker 1>Sky Islands earn their nickname, it helps to imagine the

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<v Speaker 1>hawk's eye view looking down over the border lands that

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<v Speaker 1>stretch out across Arizona and New Mexico and the Mexican

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<v Speaker 1>states of Sonora and Chihuahua, you would see a wide

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<v Speaker 1>swath of desert scattered with more than fifty small rugged

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<v Speaker 1>mountain ranges an archipelago of green on either side of

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<v Speaker 1>the international border. These high country oases help make the

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<v Speaker 1>Sky Islands region one of the world's most spectacularly biodiverse,

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<v Speaker 1>a place where a fleet footed mammal might wander among

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<v Speaker 1>five different biomes in the day. From dusty desert scrub

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<v Speaker 1>to lush pine and fir forests. Millennia, wild creatures of

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<v Speaker 1>all sorts, javelinas and prong horn, coyotes and ocelots, black

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<v Speaker 1>bears and jaguars have moved across this land by following

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<v Speaker 1>the ridge lines and waterways, a network of cool, wet

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<v Speaker 1>corridors where vegetation thrives. From above, it's easy to trace

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<v Speaker 1>these time worn roots, green ribbons against the tawny earth.

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<v Speaker 1>He would also notice intrusions, roads and highways, irrigated farm fields,

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<v Speaker 1>ranch fences stretched across rangelands where grazing and erosion have

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<v Speaker 1>stripped the soil, and along the international border, the patchy

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<v Speaker 1>black line of an immense wall, some two hundred and

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<v Speaker 1>fifty miles of which have been built through the heart

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<v Speaker 1>of the Sky Island since twenty seventeen. All of these

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<v Speaker 1>are potential interruptions to the ancient arteries that lead animals

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<v Speaker 1>through the border lands, routes that photographer and National Geographic

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<v Speaker 1>Explorer Jimmie Roho knows well. A former project director for

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<v Speaker 1>a Mexican conservation organization, Roho has spent the past two

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<v Speaker 1>years documenting the myriad ways that human development fragments wildlife

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<v Speaker 1>habitat in the Sky Islands, disrupting animals, annual animals annual

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<v Speaker 1>and seasonal movement, and hindering access to food, water, and mates.

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<v Speaker 1>Along the way. He has also seen firsthand how a

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<v Speaker 1>remarkable coalition is working on both sides of the border

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<v Speaker 1>to preserve and restore the region's ecological integrity. It's a

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<v Speaker 1>group that includes scientists monitoring the limited wildlife passages in

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<v Speaker 1>the border wall, private ranchers reintroducing native plants and animals

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<v Speaker 1>to their lands, and indigenous leaders reclaiming stewardship of sacred

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<v Speaker 1>and ancestral territory. Among the defenders are pioneers like Valor Clark,

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<v Speaker 1>eighty five year old founder of the nonprofit Kuencha vos

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<v Speaker 1>oschos Ohos, who has spent decades stacking rocks in dusty washes,

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<v Speaker 1>repairing stream beds, and restoring vegetation on erosion scar ranch lands.

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<v Speaker 1>Also researchers like National Geographic explorer Ganesh Marin, who has

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<v Speaker 1>logged countless back country miles, installing motion sensing wildlife cameras

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<v Speaker 1>and gathering vital data about the movement patterns of animals

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<v Speaker 1>like black bears, javelinas, and elusive jaguars. They are all

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<v Speaker 1>pragmatic and realistic, rojosays, and their common thread is that

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<v Speaker 1>they all are in love with the Sky Islands. Today,

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<v Speaker 1>as construction continues on a border wall that already bisects

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<v Speaker 1>much of the region, many of these partners find themselves

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<v Speaker 1>more separated than ever and seeking new ways to collaborate

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<v Speaker 1>to ensure some of the continent's oldest animal migrations don't

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<v Speaker 1>vanish completely. This article by Brian Kevin, can doggy doors

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<v Speaker 1>help animals cross the border? Smaller animals might pass through

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<v Speaker 1>the border wall using openings by the size of a

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<v Speaker 1>standard sheet of paper that some have likened to doggy doors.

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<v Speaker 1>Border officials say over fifty such openings were installed across

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<v Speaker 1>Arizona between twenty seventeen and twenty twenty, with more added since.

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<v Speaker 1>Emon Heridy, who monitors wildlife crossings for the Sky Island Alliance,

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<v Speaker 1>says his organization counts thirty along some one hundred and

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<v Speaker 1>fifty miles of border in the Sky Islands region. How

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<v Speaker 1>obstacles hinder wildlife movement in the borderlands. For larger mammals

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<v Speaker 1>like black bears, which cover vast areas in search of

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<v Speaker 1>food and mates. The border wall is simply the most

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<v Speaker 1>conspicuous of the barriers that might prevent travel along the

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<v Speaker 1>streams and ridge lines of the Sky Islands. Other human

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<v Speaker 1>made obstructions, such as roads and ranch fences, can also

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<v Speaker 1>be restrictive, as shown by the movement of GPS collared

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<v Speaker 1>bears tracked by National Geographic explorer Ganesh Maran making the

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<v Speaker 1>perfect photograph at ten thousand feet. It took two years

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<v Speaker 1>and a rare streak of good weather to document a

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<v Speaker 1>historic winter climb of Serro. The Southern Patagonian ice field,

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<v Speaker 1>on the border of Argentina and Chile is remote, windy,

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<v Speaker 1>and bitterly cold. Last September I slept cameras and camping

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<v Speaker 1>gear by ski and sled across thirty miles of unforgiving

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<v Speaker 1>terrain to document climber Colin Hayley's attempt to make the

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<v Speaker 1>first solo winter ascent of ten thousand, two hundred sixty

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<v Speaker 1>two foot Sero Torre. We kept in constant radio contact,

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<v Speaker 1>and while Colin made his way over a crevice in

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<v Speaker 1>the glacier and up to a bivouac a couple of

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<v Speaker 1>rope lengths below the summit, I hauled nearly eighty pounds

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<v Speaker 1>of gear to the base of the mountain and set

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<v Speaker 1>up my own camp. As he approached the final rhyme

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<v Speaker 1>formations that in case the peak, I launched my drone

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<v Speaker 1>to capture a series of images showing him alone on

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<v Speaker 1>the world's wildest tower of stone and ice. Photograph and

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<v Speaker 1>words by Tyler Lecky. Next How Brazil Went Country by

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<v Speaker 1>Mac Margolis. An agricultural boom sweeps the nation. A homegrown

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<v Speaker 1>musical style and a new kind of cowboy flare is

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<v Speaker 1>moving from its rural roots to the center of the

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<v Speaker 1>popular culture. The band was still tuning up when the

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<v Speaker 1>first screams peeled through the crowded fairgrounds in Cuiaba, a

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<v Speaker 1>regional capital in Brazil's farm belt. A few feet from

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<v Speaker 1>the stage, a ten year old girl in a spangled

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<v Speaker 1>black cowboy hat, sequin jeans and embroidered leather boots added

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<v Speaker 1>hers to the mix. Her cheeks wet with happy tears,

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<v Speaker 1>her eyes were locked on Anna Costella, the reigning star

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<v Speaker 1>of Brazilian country music, as she owned the main stage

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<v Speaker 1>at the ex Poagro. She is incredible, wonderful, the young

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<v Speaker 1>girl gushed afterwards. She's perfect. Castella, a twenty two year

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<v Speaker 1>old velvet voiced pop diva with a Latin Grammy in

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<v Speaker 1>her saddle bag and fifteen point four million monthly listeners

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<v Speaker 1>on Spotify. Is the latest idol from Brazil's homegrown style

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<v Speaker 1>of music called sertinejo. The folk music began in the certaio,

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<v Speaker 1>the country's hard scrabble backlands, but has since modernized, electrified,

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<v Speaker 1>and taken over the charts, with everything from torch songs

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<v Speaker 1>to subgenres like agrono, and with its odes to big

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<v Speaker 1>agriculture as one hit song's lyrics go hey hey Hey,

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<v Speaker 1>sprang poison from the plane. Today, the most popular sound

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<v Speaker 1>in Brazilian music exalts as saddles and pickups, spirit buoyed

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<v Speaker 1>by the conversion of forests, prairies and savannahs into commodity crops,

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<v Speaker 1>livestock ranches and a trade surplus. Half of the music

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<v Speaker 1>consumed in Brazil today is certeino. The other half is

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<v Speaker 1>something else, said former president of Sony Music Brazil, Paolo Junquerraro,

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<v Speaker 1>who helps oversee the explosion of country music. So we

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<v Speaker 1>are talking about a genre that represents half the output

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<v Speaker 1>of all new artists. No rodeo or farm expo, and

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<v Speaker 1>there are hundreds across Brazil. Every year is complete without

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<v Speaker 1>a line up of Certa Neajo artists crooning to stadium

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<v Speaker 1>size crowds. Here in Cuyaba, capital of Mato Grosso State,

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<v Speaker 1>the epicenter of the country's richest farm land, the city's

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<v Speaker 1>annual expo Agro, is part trade fair and part Coachella,

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<v Speaker 1>where Certa Neejo fans sport fringe jackets and belt buckles.

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<v Speaker 1>The size of houp gaps, bull riding and heavy machinery

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<v Speaker 1>showcases fill the schedule. Executive jets streak overhead, shuttling farm

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<v Speaker 1>moguls from deal to deal, while all while Castella delivers

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<v Speaker 1>her twenty twenty five hit Oja hon de Euto Look

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<v Speaker 1>where I Am, with a defiant chorus that sinks he

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<v Speaker 1>wanted me to move from the country. He told me

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<v Speaker 1>to choose between rodeo and love. Behind this Certa Naho

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<v Speaker 1>boom is an economic and demographic upheaval that is turning

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<v Speaker 1>Latin America's largest country inside out. Agrabusiness, which drives about

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<v Speaker 1>twenty nine percent of GDP, has shifted population, power and

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<v Speaker 1>wealth inland. Brazil is now the world's leading exporter of soybeans, coffee, beef,

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<v Speaker 1>sugar and more. Certain Nejo represents this part of Brazil

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<v Speaker 1>that works, which is led by Brazilian agribusiness, says Mato

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<v Speaker 1>Grosso Governor Maro Mendays. But how did country music take

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<v Speaker 1>over one of Latin America's most urbanized nations, particularly one

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<v Speaker 1>known for a stylish cool emanating from cultural epicenters like

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<v Speaker 1>Rio de Janeiro and Sao Paulo. As Brazil's ranchers and

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<v Speaker 1>planters prospered, their scions moved to the cities to study.

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<v Speaker 1>Bringing their guitars, they blended rock and pop and cranked

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<v Speaker 1>the volume to eleven. The result university Sara certain Naho,

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<v Speaker 1>an eclectic subject that's now ubiquitous on the airwaves. Certanejo

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<v Speaker 1>is the Brazilian popular music nowadays, says Wander Oliviera, managing

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<v Speaker 1>partner of Work Show, the nation's leading producer of country music.

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<v Speaker 1>That explains why acclaimed three hundred thousand, three hundred thousand

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<v Speaker 1>came to the Expo Agro in Cuyaba this past July,

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<v Speaker 1>and why two million revelers gathered in downtown South Paulo,

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<v Speaker 1>Latin America's financial center, to hear country duo Bruno and

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<v Speaker 1>Morone ring in New Year twenty twenty five, and also

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<v Speaker 1>why when fabled balladeer Marilia Mendonza was killed in a

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<v Speaker 1>plane crash in twenty twenty one at the age of

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<v Speaker 1>twenty six, her funeral Cortege in Guayana, was broadcast nationwide. Paradoxically,

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<v Speaker 1>the music is inspired by cherished pastoral traditions and pristine landscapes,

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<v Speaker 1>both of which are receding with every harvest as cowboys

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<v Speaker 1>are increasingly replaced by machines. But that's not yet the

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<v Speaker 1>concern of Certinejo. When it's not full throated agro Neho,

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<v Speaker 1>Brazil's biggest pop music is all about jilted lovers, longing

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<v Speaker 1>and heartbreak, composed to bring even country roughs to tears,

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<v Speaker 1>and what was once a con conservative genre has loosened

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<v Speaker 1>with the times women Mendosa, Matella Simone Mendes dominate the charts.

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<v Speaker 1>Some of the star cowgirls runa Viola compoorste Rana Prado

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<v Speaker 1>prefer other cowgirls. Twin sister act Mariya and Marisa helped

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<v Speaker 1>break the ceiling for the women of Certanejo, writing in

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<v Speaker 1>their words about kachaka and romanticism, infidelity and passion men's stuff.

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<v Speaker 1>Certainejo has come a long way since first being dismissed

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<v Speaker 1>by urbanites as lullabies for kaipira's or yokels. Country music

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<v Speaker 1>headliners produced nine of the ten most popular albums on

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<v Speaker 1>Brazilian Spotify from twenty fourteen to twenty twenty three. If

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<v Speaker 1>there's one more accolade to earn its global recognition. For

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<v Speaker 1>all its stardom and radio dominance, Certinejo remains largely landlocked.

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<v Speaker 1>Sung exclusively in Portuguese, it has not swept the international

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<v Speaker 1>stage for now. Its superstars are plenty busy in Brazil

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<v Speaker 1>crooning for cowboys and ten year old girls and everyone

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<v Speaker 1>in between, oh while fueling the biggest pop music playlist

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<v Speaker 1>the rest of the world has yet to hear. Next.

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<v Speaker 1>Can the basilica that inspired a Notre Dame return to

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<v Speaker 1>glory by Robert Kunzig inside a one hundred eighty year

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<v Speaker 1>quest to restore the world's first Gothic church. The Basilica

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<v Speaker 1>of Sandini, just north of Paris, attracts few visitors considering

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<v Speaker 1>its profound historical import. Not only is it the final

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<v Speaker 1>resting place for dozens of Frons, French kings and queens,

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<v Speaker 1>it's often called the Royal Necropolis of France. Sandny is

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<v Speaker 1>also the birthplace of Gothic architecture. The pointed arches, the

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<v Speaker 1>lofty ribbed ceiling vaults, the light pouring in through tall

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<v Speaker 1>stained glass windows. All of those innovations first came together

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<v Speaker 1>here in the twelfth century. Soon they were imitated at

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<v Speaker 1>churches across France and Europe, most famously at Notre Dame,

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<v Speaker 1>six miles to the south. They still can be admired

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<v Speaker 1>to this day at San Denis, but the basilica's most

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<v Speaker 1>prominent Gothic feature cannot the bell tower at its north

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<v Speaker 1>front corner, Topped by a stone spire that once soared

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<v Speaker 1>to nearly three hundred feet. It's a scalped monuments. As

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<v Speaker 1>eminent historian Jean Miquel Lenyaud, author of several books on

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<v Speaker 1>Saan Deny, for nearly one hundred eighty years, both the

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<v Speaker 1>church and the town of Saan Denis have been without

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<v Speaker 1>that landmark steeple. Damaged by storms. It was dismantled in

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<v Speaker 1>eighteen forty seven, supposedly so that it could be built

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<v Speaker 1>back better. That never happen. The French government's Historic Monuments

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<v Speaker 1>Service also found it had more urgent demands on its funds.

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<v Speaker 1>Even as a succession of Sandini mayor's pleaded for help.

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<v Speaker 1>The loss of that tower has remained in the town's

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<v Speaker 1>memory like an amputation, says historic monuments architect Jacques Mulain. Now,

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<v Speaker 1>thanks to a plan devised by Moulin, the wound is

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<v Speaker 1>being healed from a shed behind the basilica. The thump

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<v Speaker 1>and clang of mallet on chisel and chisel on stone

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<v Speaker 1>echo off the ancient walls inside. Artisans carved building blocks

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<v Speaker 1>by hand. High up on the front facade, on the

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<v Speaker 1>stump of the vanished tower, masons lay the first blocks

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<v Speaker 1>of what is meant to be as authentic a replica

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<v Speaker 1>as possible. By twenty thirty or so, Sandinis should have

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<v Speaker 1>its spire back. The new tower will survey a vastly

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<v Speaker 1>changed landscape. Sandinis, once a village centered on its namesake Abbey,

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<v Speaker 1>is now a working class suburb with a large population

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<v Speaker 1>of immigrants, many of them Muslim. But the basilica remains

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<v Speaker 1>the town's central attraction, a potential economic engine as well

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<v Speaker 1>as a spiritual sanctuary. With no financing available from the

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<v Speaker 1>French national government, which owns the building, Sandinese current mayor

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<v Speaker 1>Mathieu Hanouten has drawn mostly on regional government support to

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<v Speaker 1>cobble together a thirty eight million euro budget for the

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<v Speaker 1>new tower and visitor center. We are doing what we

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<v Speaker 1>always should have done, says architectural historian Matteau Lures, just

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<v Speaker 1>one hundred eighty years late. This concludes readings from National

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<v Speaker 1>Geographic Magazine for today. Your reader has been Marcia. Thank

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<v Speaker 1>you for listening. Keep on listening and have a great day.
