Speaker 1: Weird.
Speaker 2: We welcome back midnight viewers to Father Malone's weekly round up.
Speaker 2: I'm Father Malone and ross for me in her own
Speaker 2: tower overlooking a pit of nightmares. Is miss Ripley, Gen Ripley.
Speaker 2: Do you copy? That's right? That whole tower is yours?
Speaker 2: How are you pushing the send button? That's elaborate? Hey, gang,
Speaker 2: let's do the business right up here at the start.
Speaker 2: I'm on the socials at Fatheramalone. Is the handle on
Speaker 2: the instas and the blue skies and the threads, and
Speaker 2: the email is Fathermalone seventy one at gmail dot com.
Speaker 2: If you want to contact the show for anything, and
Speaker 2: if you want to subscribe and maybe send a little bread,
Speaker 2: my way gluten free bread sourdough if you can find it. Weirdly,
Speaker 2: I found that most gluten free loaves that try to
Speaker 2: mimic sourdough end up mimicking regular whitebread. The best in
Speaker 2: taste and consistency. Anyway. You can subscribe at patreon dot
Speaker 2: com slash fondamalone. You'll get episodes early and commercial free
Speaker 2: and bonus series only available there. All right, done, and
Speaker 2: now onto the monsters. You're a monster. I'm a romantic
Speaker 2: hopelessly so. A couple of episodes ago, I bemoaned the
Speaker 2: lack of quality action romance, mainly because romance and nearly
Speaker 2: any genre mashup is a delicaterick to pull off. Guess
Speaker 2: where it's the hardest. That's right, horror. So what a
Speaker 2: fucking delight? Our picks are for the week? One of
Speaker 2: them is in theaters right now. I have new orders
Speaker 2: that require me to go dark for at least a year,
Speaker 2: maybe more.
Speaker 3: A special assignment in an undisclosed location.
Speaker 1: As an elite sniper.
Speaker 4: Are you presently under any private or military contract.
Speaker 1: No, there's not a lot of reasons for me right now.
Speaker 1: What if I gave you a reason? There she is
Speaker 1: West Tower Observation Post home for the next three hundred
Speaker 1: and sixty five days. There is no outside communication here.
Speaker 1: What's that on the other side? That is East Tower.
Speaker 1: Contact with the other side is strictly forbidden. So what's
Speaker 1: the mission? You keep people from going in the gorge? No,
Speaker 1: you need to stop what's in the gorge from coming out?
Speaker 1: What the hell is the gorge is the door to
Speaker 1: Hell and we're standing guard at the gate. Show JESU,
Speaker 1: what's the truth about this place?
Speaker 4: What's the truth about the Gorge?
Speaker 3: No place?
Speaker 1: This place is evil.
Speaker 2: The Gorge is a terrible title. It's certainly descriptive. But
Speaker 2: since I've seen it, I've told half a dozen people
Speaker 2: to watch, and they have repeated the title back to
Speaker 2: me when I said it, and then the next time
Speaker 2: I talk to them they ask me what the title
Speaker 2: is again. I don't know if that's empirical proof that
Speaker 2: The Gorge is a bad title. I just don't like it.
Speaker 2: Am I judging a book by its cover? You're fucking right,
Speaker 2: I am. And as usual, that's a huge mistake, because
Speaker 2: The Gorge is a fucking hoot. Mostly, I'd say, with
Speaker 2: some minor quibbles. The first half of this movie it's
Speaker 2: nearly a solid two hour movie. And I checked my
Speaker 2: watch when I knew we'd gone too far astray. It
Speaker 2: was at an hour twenty, which is better than most.
Speaker 2: The first half of the movie is rock solid, engaging, mysterious, romantic,
Speaker 2: and fun. Miles Teller, whose appearance on the recent SNL
Speaker 2: fiftieth now makes sense. You know, Miles, the bad mister
Speaker 2: fantastic in Top Gun Maverick. Why wasn't his call sign gossling?
Speaker 1: You know?
Speaker 2: A baby Goose is a that other guy, Ryan Gosling.
Speaker 2: Calm down, we're talking Miles Teller, the Whiplash guy. He
Speaker 2: is a world class sniper who's been retired for lack
Speaker 2: of a war and been doing mercenary work here and there.
Speaker 2: He's recruited. He's recruited by Sigourney Weaver, who may as
Speaker 2: well be playing her character from a cabin in the
Speaker 2: woods here to man a tower in a densely wooded
Speaker 2: region in an unknown part of the world. We're assuming
Speaker 2: it's somewhere in the Balkans. The tower overlooks a massive
Speaker 2: fissure in the earth that drops down god knows how far,
Speaker 2: Thanks to a constant swirling mist that obscures all view.
Speaker 2: He's meant to be there a full year, maintaining perimeter
Speaker 2: defenses and keeping constant watch for anything that tries to
Speaker 2: escape the gorge. Facing him, on the gorge's opposite rim
Speaker 2: stands another tower manned by a similar sniper, with whom
Speaker 2: all contact is forbidden. That's a fucking intriguing premise. It
Speaker 2: had me sold instantly. Now this may be owing to
Speaker 2: another bit of fiction I've been enjoying for years, but
Speaker 2: we'll get to that. I found the premise so exciting
Speaker 2: that I kind of came into the movie completely cold.
Speaker 2: I knew the stars, I knew the setup, and then
Speaker 2: I stopped watching the trailer about a minute in. So
Speaker 2: not only was nothing beyond the setup spoiled, and now
Speaker 2: having watched the trailer, I realized that it didn't actually
Speaker 2: give anything away, it also meant I had no idea
Speaker 2: who the creative team was, which is an experience I
Speaker 2: wish i'd have more often. I wonder how many hardcore
Speaker 2: fans of a director would respond to one of their
Speaker 2: films if they had no knowledge of their involvement and
Speaker 2: were just blindly shown it. It's an instructive experience because,
Speaker 2: above all, this is an incredibly well made movie. I
Speaker 2: know they all should be for this price tag, but
Speaker 2: let me tell you something. I've been in the horror
Speaker 2: anthology TV trenches for many years now, so when everything
Speaker 2: looks at this good and the direction is this assured,
Speaker 2: you tend to take notice. I was in no way
Speaker 2: surprised to find that this movie was made by Scott Derrickson. However,
Speaker 2: he made Sinister and the Black Phone, so you know
Speaker 2: the horror bona fides are there. I like both those
Speaker 2: movies a tremendous amount, and he made Doctor Strange so
Speaker 2: he can do action. Incidentally, Erickson was on board for
Speaker 2: the Multiverse of Madness sequel to Doctor Strange and then left,
Speaker 2: from what I understand, because Marvel pulled away from the
Speaker 2: initial concept, which was full on horror. Obviously, some of
Speaker 2: that remained, with Strange puppeteering his own corpse with a
Speaker 2: cape made of writhing demons, and I think I'm one
Speaker 2: of the few that actually enjoyed Multiverse of Madness After
Speaker 2: seeing the Gorge. It kind of makes me wonder what
Speaker 2: that film could have been because Derekson does really impressive
Speaker 2: work here. There are moments throughout where I began to think, well,
Speaker 2: this is just becoming a standard action scene, and then
Speaker 2: it would defy expectation. One more word about that guy.
Speaker 2: I don't know who said it, but it was remarked
Speaker 2: that no matter how interesting or thoughtful an action movie
Speaker 2: might be, it always ends with the hero and villain
Speaker 2: punching each other. And since I've heard that, I am
Speaker 2: consistently let down by the lack of innovation in our filmmakers.
Speaker 2: That's why Doctor Strange knocked me out. Yeah, it was
Speaker 2: a lot of the finale destruction you'd get in any
Speaker 2: superhero flick. You even have a face off between the
Speaker 2: hero and the villain, but the bargaining man frustrating your
Speaker 2: villain to defeat is pretty fucking unique. That alone will
Speaker 2: get me to show up at a Scott Derekson flick.
Speaker 2: In the Opposite Tower keeping watch for the Eastern Forces
Speaker 2: is Dasha, a KGB sniper who takes the job knowing
Speaker 2: her father will not live through the year she'll be away.
Speaker 2: This bit pays off later in the film, though not
Speaker 2: in the way it could have. Dasha is played by
Speaker 2: non human Anya Taylor joy Is She simultaneously the most
Speaker 2: beautiful woman in the weirdest alien creature on Earth. Like
Speaker 2: Miles Taylor's Levi, she is in allowed contact with the
Speaker 2: Opposite Tower. This mandate doesn't last and forms the bulk
Speaker 2: of the film, at least the first half. I guess
Speaker 2: I'm gonna be saying that a lot. It isn't long
Speaker 2: before the two are sharing communication by handwritten signs and charades,
Speaker 2: and it's all very charming. How could it not be
Speaker 2: with these two leads? Okay, there is one bit that
Speaker 2: is inexcusable. They're going stir crazy. That's understandable. So they
Speaker 2: engage in shared activities like chess, also understandable, and putting
Speaker 2: together a makeshift drum kit of barrels and pots and
Speaker 2: pants and having a drum off. This is done in
Speaker 2: a getting to know you montage now, putting aside the
Speaker 2: connections to the Queen's gambit for her and whiplash for him.
Speaker 2: It's really trying too hard. It took me out immediately.
Speaker 2: At that point, we've already seen what's trying to escape
Speaker 2: the gorge and we're still totally on board with the film,
Speaker 2: And then the drumming you'll see. Tell me what you
Speaker 2: think of it. Am I making too much out of it?
Speaker 2: Because it's really the only flaw in the first half,
Speaker 2: And I know it was in the script before they
Speaker 2: hired these actors, but drums right after the chess, right
Speaker 2: after the gambit, right after the whiplash, It was a
Speaker 2: bit much. The second half. On the other hand, once
Speaker 2: the film becomes interested in the why of the gorge,
Speaker 2: it stumbles, not face plant. How am I going to
Speaker 2: retain any dignity as I peel myself from the pavement?
Speaker 2: Stumbles but still not quite the measured and thoughtful film
Speaker 2: we had been getting. Yes, there are twists a plenty
Speaker 2: in this film, and I'm struggling mightily not to reveal
Speaker 2: any of those two. However, the trailer plainly shows that
Speaker 2: at a certain point our heroes end up at the
Speaker 2: bottom of that gorge. So let's talk about the place
Speaker 2: our hero is warned is the doorway to Hell. There
Speaker 2: have been untold numbers of attempts to depict a hellscape
Speaker 2: on screen, starting with Lenferno back in nineteen eleven Part
Speaker 2: My French, and then clumsily throughout the decades. Yes, if
Speaker 2: you've got some red lights and some skeletal trees, you've
Speaker 2: got hell.
Speaker 1: Baby.
Speaker 2: There have been a couple of exceptions, the most striking
Speaker 2: one being Jigoku or the Sinners of Hell from nineteen sixty.
Speaker 2: They really go for it in Japan. I do not
Speaker 2: want to visit to that hell. Hell rasor two gave
Speaker 2: us a brutalist hell. Everything was poured concrete and attended
Speaker 2: by the worst thunder sound effects in film history in
Speaker 2: recent years. I thought the nuclear Los Angeles as Hell
Speaker 2: from Constantine was pretty great, with all those half headed demons,
Speaker 2: silent Hill, the first one creepy as shit. Love those nurses, though,
Speaker 2: but let's face it, nothing will top the depiction of
Speaker 2: hell as featured in Bill and Ted's bogus Journey. Is
Speaker 2: it hell proper than our star cross Lovers find themselves in?
Speaker 1: No?
Speaker 2: Remember, I said, the movie stumbles in the explanation, but
Speaker 2: until then it may as well be Hell. And it
Speaker 2: is so fucking richly realized and so skin crawling in
Speaker 2: places that I'm still troubled by some of the imagery.
Speaker 2: And I saw this movie a couple of weeks ago.
Speaker 2: What's really funny is as soon as they got to
Speaker 2: the bottom of the gorge, my thought was, finally a
Speaker 2: creepy landscape that doesn't have a whimsical bendy tree in
Speaker 2: it like in Tim Burton's movies. The gorgeous production designer
Speaker 2: is Rick Heinrix. Rick Heinrix was the production designer for
Speaker 2: Sleepy Hollow and the visual consultant on Nightmare Before Christmas.
Speaker 2: Shut my mouth. The score here is by Atticus Ross
Speaker 2: and Trent Rensner. Who knew that guy was going to
Speaker 2: be a soundtrack powerhouse. Oh everyone who listened to the
Speaker 2: music right, The score is fantastic. So good. I happily
Speaker 2: sat through the credits as it was trying to advertise
Speaker 2: other Apple shows at me incessantly. This movie is a
Speaker 2: really good time with some especially troubling imagery. But I
Speaker 2: wouldn't be me if I didn't quibble some. There would
Speaker 2: be more and more if I wasn't being spoiler phobic.
Speaker 2: But the basic premise is that the East and West
Speaker 2: have built towers at the gorge, manned with snipers to
Speaker 2: keep the residents from the gorge escaping. Over the years,
Speaker 2: they've completely high tacked the entire areas, so the gorge
Speaker 2: is ringed with sensors and automatic miniguns. The attendant is
Speaker 2: effectively there to reload the miniguns and replace light bulbs
Speaker 2: in electronic gear as it burns out. They also aid
Speaker 2: the miniguns during the attack, but they use their own minigun,
Speaker 2: So why do they need snipers? Highly trained top of
Speaker 2: their game, world renowned snipers. Put a Blackhawk door gunner
Speaker 2: on there, someone who knows that falling from a great
Speaker 2: height is something to avoid at all costs, and wouldn't
Speaker 2: you know, find themselves at the bottom of the gorge
Speaker 2: they were meant to watch over just a thought also
Speaker 2: Miles Teller's Levi is an aspiring poet. His poems are terrible.
Speaker 2: She collapsed the night, Get the fuck out of here.
Speaker 2: Mentioned at the top that I responded as positively as
Speaker 2: I did because the film echoes another bit of entertainment
Speaker 2: I've been enjoying over the years. Write this name down
Speaker 2: podcast lovers. Tower four that's an audio drama produced over
Speaker 2: at seven Lamb Productions. The whole shebang is written and
Speaker 2: directed by Robert Lamb, and he's doing the lord's work.
Speaker 2: Tower four is about a guy at a crossroads in
Speaker 2: his life who takes a job as a fire watcher
Speaker 2: in the Wyoming Wilderness. He's manning one of four towers
Speaker 2: with his only contact a woman in another tower. What
Speaker 2: follows is lost level spookiness and enough conspiracy to make
Speaker 2: Moulder blush. The voice cast is top notch, especially Gina
Speaker 2: Coyle as Amber. She pulled off that neatest of tricks,
Speaker 2: making me hate her and then love her. Parallel thinking
Speaker 2: here with the gorge, what with the watchtowers and the
Speaker 2: mysterious creatures. But Tower four avoids every stumble in three
Speaker 2: seasons that the Gorge drops precipitously to in two hours.
Speaker 2: Don't get me wrong, The gorge is fun. You should
Speaker 2: definitely see it. But when you're ready to really get
Speaker 2: into the ideas hinted at in the film The Isolation,
Speaker 2: the questioning of one's own sanity check out tower, for
Speaker 2: you're supposed to be in your tower. You ran out
Speaker 2: of silver reserve. I got the white truffle. Mama, HP,
Speaker 2: get us out of here, K, thank you, HP. This
Speaker 2: show's so good it ought to be televised. Hey have
Speaker 2: you seen Heart Eyes, Heart Eyes? Heart Eyes? Have you
Speaker 2: heard of Hard Eyes? Yeah? I had an either good choice,
Speaker 2: rip you said it. I feel like the horror community
Speaker 2: dropped the ball on this one. Probably too busy, still
Speaker 2: jizzing over No Sparatu, which is a drag because that
Speaker 2: flick doesn't have one iota of the romance going on
Speaker 2: in this film. It's still in theaters. You can see
Speaker 2: it right now. This is Hard Eyes.
Speaker 3: You just to go to true m HM.
Speaker 1: Can't take my eyes off of you. You'd be like
Speaker 1: Kevin since.
Speaker 3: You just.
Speaker 1: In the past two years, a mass maniac known as
Speaker 1: the Hard Eyes Killer has stocked hunting and brutally slain
Speaker 1: couples on Valentine's Day, with no motive yet uncovered.
Speaker 5: This is more than just a.
Speaker 4: He's like Cupid with a kink.
Speaker 3: So much.
Speaker 5: We're being chased by a fucking serial killer. M yeah,
Speaker 5: he's going to keep killing people?
Speaker 3: Well, En, did come on?
Speaker 2: Have mey Valentine's there?
Speaker 3: Happy Bday?
Speaker 2: Get killed?
Speaker 4: Alright?
Speaker 3: Ah?
Speaker 2: What was Why would he say that? Scream? Wes Craven's
Speaker 2: blockbuster owed to slasher films is pretty fondly remembered. And
Speaker 2: there's good reason. That's a scary fucking movie, first of all.
Speaker 2: In second, it's got to be the rules, right, got
Speaker 2: to be the meta commentary. No, that was the shit
Speaker 2: that bored me in that film. It's the kind of
Speaker 2: thing that makes dumb people feel smart and dabblers into experts.
Speaker 2: If no one had said a deconstructive word about slasher movies,
Speaker 2: you wouldn't have missed it in that film. Trust me.
Speaker 2: Those are likable characters played by charismatic actors being put
Speaker 2: through the paces by a master filmmaker. No, the second
Speaker 2: thing Scream actually accomplished was it operated as a kind
Speaker 2: of cultural pressure valve. You know, all those gross movies
Speaker 2: with maniacs stabbing people that were generally poop pooed in
Speaker 2: the previous decade, Well, we actually loved them, and we're
Speaker 2: kind of tired of pretending horror is a lower form
Speaker 2: of entertainment. What followed was a deluge of ain't we
Speaker 2: so clever slasher clones that were sub part of the
Speaker 2: films that they were trying to parody and or emulate.
Speaker 2: Since then, horror has done what it does best, mutate
Speaker 2: into a dozen different variations, all to greater success. So
Speaker 2: every time I hear there's a new slasher film coming
Speaker 2: down the pike, I get wary. Which way are they going?
Speaker 2: Is it all going to be winking? We're all in
Speaker 2: on the joke here affair. If so, I'm not laughing anymore.
Speaker 2: Hang lanterns on every inch of space. It doesn't absolve
Speaker 2: you from lazy storytelling. If you don't know. Hanging a
Speaker 2: lantern is a writer's term for addressing a problem to
Speaker 2: the audience before they figure it out. The most obvious
Speaker 2: and over used one these days is I can't get
Speaker 2: any reception out here. Oh my phone's almost dead. When
Speaker 2: I hear about your hatchets, you're behind the masks. I
Speaker 2: go in skeptical and I come out not disappointed because
Speaker 2: they're bad. Hey, everyone's least favorite movie is someone's favorite.
Speaker 2: I dig that. I love that there are people out
Speaker 2: there still slaving away, keeping the knives, sharpen, the masks masky.
Speaker 2: But I'm over meta commentary, including that reboot of Scream
Speaker 2: and all of its self seriousness. Jesus Christ. Up, it's
Speaker 2: a movie about a guy in a ghost mask stabbing people.
Speaker 2: It has no more weight than that, even the movies
Speaker 2: that aren't overtly winking. And I know a lot of
Speaker 2: you love this flick, but with Terrifier, I can appreciate
Speaker 2: the love and attention on screen, but it isn't really
Speaker 2: saying anything other than these are kind of great movies
Speaker 2: and don't you love a charismatic villain. Basically, we miss
Speaker 2: Nightmare on Elm Street. I think way more successful was
Speaker 2: in a Violent Nature from last year, where they re
Speaker 2: envisioned the slasher film from the killer's perspective. That one's
Speaker 2: pretty great. And of course all the streaming channels are
Speaker 2: choked with indie flicks made by anyone with a knife
Speaker 2: and an iPhone, and they're all kind of doing the
Speaker 2: same thing. You know what recent slasher film I prize
Speaker 2: above all the rest. Happy Death Day. That film from
Speaker 2: twenty seventeen managed the seemingly impossible feat of being knowing
Speaker 2: without winking, real characters in outrageous situations where the comedy
Speaker 2: is funny and the horror is genuine. Christopher Landon, the
Speaker 2: director of that film and writer along with Michael Kennedy
Speaker 2: of The Spiritual Freaky with Vince Vaughan. Another really good
Speaker 2: take on the slasher genre. Are the writers here on
Speaker 2: Hard Eyes. I'm laying a lot of praise in their direction.
Speaker 2: The script is genuinely funny without becoming twee. This being
Speaker 2: a romantic comedy trapped in a slasher flick, they managed
Speaker 2: to put our couple through every goddamn rom com trope
Speaker 2: you can think of, and they do it with just
Speaker 2: enough subversion to keep things lively. And though the movie
Speaker 2: is a two hander with Mason Gooding and Olivia Holt
Speaker 2: in the leads, every character that wanders into frame seems
Speaker 2: fully realized and not just ciphers for exposition. Everyone gets
Speaker 2: a moment here. It's kind of remarkable. Also, putting Mikaela
Speaker 2: Watkins in anything as a smart move, even with the
Speaker 2: worst material, so she fucking shines here the conceit is
Speaker 2: that a mass killer great mask by the way, with
Speaker 2: red heart panels for goggles, has been every year on
Speaker 2: Valentine's Day, murdering couples in different cities, so Boston and
Speaker 2: New York and now Seattle, where our leads are rival
Speaker 2: copywriters at an ad agency handling a Valentine's Day jewelry campaign.
Speaker 2: So we get a killer who prays on couples on
Speaker 2: Valentine's Day, mistaking our leads for a couple as they
Speaker 2: are spotted leaving a restaurant after what was a contentious
Speaker 2: business meeting and targeting them for death. That's great. And
Speaker 2: then yes, over the course of the film, maybe it's
Speaker 2: trauma bonding, but these two fall in love and it
Speaker 2: feels fucking genuine. Doing no small part to those two
Speaker 2: leads I mentioned, Olivia Holt completely won me over. I
Speaker 2: don't know her from anything, so she was a total surprise.
Speaker 2: Mason Gooding, on the other hand, will be known to
Speaker 2: anyone who's endured those recent scream legacy, whatever the hell
Speaker 2: they are now. He played the appropriately named cheeks in
Speaker 2: the first two films in that reboot, and he is
Speaker 2: so fucking charming, not just good looking and can hold
Speaker 2: his own. But there are moments over and over again
Speaker 2: where he managed to keep things grounded even as the
Speaker 2: film is spiraling out of control. I mean that in
Speaker 2: a good way. This script never loses focus, and I
Speaker 2: just found out that he is Cuba Gooding son. There
Speaker 2: you go, Cuba Gooding Junior did do something of worth
Speaker 2: after that, Oscar Win. Other cast members include Devin Sawa.
Speaker 2: He's lost all of his boyish features and now looks
Speaker 2: like the guy who would show up at your Avengers
Speaker 2: themed party as Hawkeye. He and Jordana Brewster from The
Speaker 2: Fast and the Furious Movies stars detectives Hobbes and Shaw
Speaker 2: might be the only joke that doesn't work. Jordana Brewster
Speaker 2: has always given frightened emu that just emerged from a
Speaker 2: tanning bed vibes. But I've really enjoyed your performance here
Speaker 2: as a cop who knows all too well how rough
Speaker 2: Valentine's Day can be for a single person. We get
Speaker 2: a pretty spectacular kill at the outset of the film,
Speaker 2: but then given that this killer targets certain couples, and
Speaker 2: he does so with our leads early on, I kept
Speaker 2: wondering how they were going to give us the goods.
Speaker 2: This is more Terminator th Jason Vorhees. But fear not,
Speaker 2: there was a couple's event going on in town, just
Speaker 2: waiting for a highly polished blade to descend. Do any
Speaker 2: of you remember Isn't It Romantic? That was the Rebel
Speaker 2: Wilson meta romantic comedy that came out the same year
Speaker 2: as Happy Death Day twenty seventeen. It was a character
Speaker 2: who wakes up in a romantic comedy and has to
Speaker 2: play along with all of the expected conventions. Not one
Speaker 2: laugh in a ninety minute movie designed for nothing else.
Speaker 2: I laughed a lot during Hard Eyes at all of
Speaker 2: the same targets they had in that previous film, and
Speaker 2: it didn't even have hippies getting impaled by lugnut wrenches
Speaker 2: at the drive in spoilers. Olivia Holt's next film is
Speaker 2: called The Jingle Bell Heist, a mashup of romantic comedies
Speaker 2: and crime thrillers. I am down due to her participation.
Speaker 2: Hopefully it has one tenth of the wit of Hard Eyes.
Speaker 2: And that's the roundup. Ripley two positive reviews. See that
Speaker 2: we're doing our part in the new dystopian hellscape we're
Speaker 2: all living in frankly, I prefer the one in the Gorge.
Speaker 2: At least you know where you stand. Anyway, I did
Speaker 2: all the find us and subscribe stuff at the top.
Speaker 2: Tune in Friday for anthologies Attack HP from Noise Junkies.
Speaker 2: This show's composer is dropping by to talk about the
Speaker 2: trial of the Incredible Hulk. That's the first appearance of
Speaker 2: Matt Murdock's Daredevil in any media except the comic books,
Speaker 2: and that appearance on Spider Man is Amazing Friends in
Speaker 2: the early eighties, but that was animated. Anyway, tuned into
Speaker 2: that hit the likes, give us all the stars and
Speaker 2: give us the reviews, the good ones. We will catch
Speaker 2: you on the flippityflop. Here's that poem from Miles Teller
Speaker 2: in the Gorge. It's certainly not gorge. Jesus Christ, I'm
Speaker 2: old you.
Speaker 1: Write the poetry almost every day. Seriously.
Speaker 4: I even took a class Wednesday nights four to seven
Speaker 4: pm at Mason Community.
Speaker 3: Call it.
Speaker 1: Will you write me a terrible poem? Maybe I already
Speaker 1: have recited through me. She collapsed.
Speaker 2: Nope, I can't do it.
Speaker 3: Sorry.
Speaker 2: Here's the theme.
Speaker 1: Shot show from Shop.
Speaker 3: Show. From Shop Show