1 00:00:00,920 --> 00:04:32,560 Speaker 1: Oh that is cool. That is brand new from Kenny Truon, 2 00:04:32,639 --> 00:04:35,439 who is here with us and we're going to speak 3 00:04:35,480 --> 00:04:37,959 with him in just a moment. Jenny is here at 4 00:04:38,000 --> 00:04:41,000 the news desk for the news table. I'm sorry we 5 00:04:41,000 --> 00:04:42,680 have a news table. I I I'm so used to 6 00:04:42,680 --> 00:04:43,000 saying that. 7 00:04:44,680 --> 00:04:45,120 Speaker 2: You have to. 8 00:04:45,560 --> 00:04:48,279 Speaker 1: Well, we were we were talking about time travel in 9 00:04:48,319 --> 00:04:50,680 a in a certain sense, because can we do that yet, 10 00:04:50,759 --> 00:04:54,759 Well we'll we'll explain things we need to do. Yes, yes, uh. 11 00:04:57,000 --> 00:04:57,439 Speaker 3: We get that. 12 00:04:57,759 --> 00:05:00,600 Speaker 1: Let me get that mic up there, Jenny True here 13 00:05:00,759 --> 00:05:05,000 is I. Well, you know who did not believe in time? 14 00:05:05,240 --> 00:05:08,920 Was Prince I only know that from a Larry King interview. 15 00:05:09,040 --> 00:05:10,920 Oh no, I'm sorry. It was Kurt Loader. Remember Kurt 16 00:05:10,920 --> 00:05:13,199 Loader from the MTV News. Yeah, yeah, yeah, and he 17 00:05:13,279 --> 00:05:15,480 uh he asked Prince. Uh well, Prince said he didn't 18 00:05:15,480 --> 00:05:18,560 believe in time and Kurt Loader was like, so what 19 00:05:18,600 --> 00:05:21,800 do you use? And uh, Prince said, I believe in 20 00:05:21,839 --> 00:05:23,439 the truth. And that was kind of the end of 21 00:05:23,439 --> 00:05:23,879 the interview. 22 00:05:24,120 --> 00:05:24,680 Speaker 2: I love that. 23 00:05:26,959 --> 00:05:27,879 Speaker 3: Was that the same. 24 00:05:27,879 --> 00:05:29,920 Speaker 1: Interview where he wanted he said he wanted to create 25 00:05:30,000 --> 00:05:34,560 Princet gram pro. No, this this would have been before 26 00:05:35,800 --> 00:05:39,439 because Instagram was not around when Kurt Loder was still 27 00:05:39,759 --> 00:05:41,000 interviewing people on MTV. 28 00:05:41,079 --> 00:05:41,279 Speaker 2: Yeah. 29 00:05:41,319 --> 00:05:44,600 Speaker 1: Yeah, different, very very different era, very different era. But yeah, 30 00:05:44,600 --> 00:05:46,560 we're very happy to have Kenny truon here. It's been 31 00:05:46,560 --> 00:05:50,839 a while. Yeah, we have since we've been at this 32 00:05:50,959 --> 00:05:53,959 location here. We did have a gentleman named Kenneth Wood here, 33 00:05:54,920 --> 00:05:58,839 but but we have not had Kenny truon here at 34 00:05:58,879 --> 00:06:01,560 the former the Warmer bus station. Yeah. So it's great 35 00:06:01,560 --> 00:06:01,920 to see you. 36 00:06:02,040 --> 00:06:04,720 Speaker 2: Yeah, it's awesome, Black guys. I love hanging with you guys. 37 00:06:04,839 --> 00:06:07,480 Speaker 1: Absolutely tell us about that track we just heard. 38 00:06:07,720 --> 00:06:09,560 Speaker 4: Yeah, that track I was trying to explain to you. 39 00:06:11,160 --> 00:06:13,319 It was labeled playing with myself. 40 00:06:13,560 --> 00:06:13,720 Speaker 2: Now. 41 00:06:13,800 --> 00:06:15,800 Speaker 4: That sounds a little weird, but this is what I 42 00:06:15,879 --> 00:06:19,120 labeled it as I was doing it. But it's called 43 00:06:19,319 --> 00:06:23,360 recording music with my past self from the future in 44 00:06:23,399 --> 00:06:24,279 the present now. 45 00:06:24,519 --> 00:06:26,720 Speaker 2: Yes, I know it's a. 46 00:06:26,720 --> 00:06:29,279 Speaker 1: Very long title and it almost sounds like part of 47 00:06:29,319 --> 00:06:32,519 it should be in parentheses or you know, it's it's 48 00:06:32,519 --> 00:06:33,319 a long title. 49 00:06:33,560 --> 00:06:36,319 Speaker 4: Yeah, it is, but it makes sense to me because 50 00:06:36,399 --> 00:06:40,879 I'm constantly when I build a track, I start, especially 51 00:06:40,920 --> 00:06:43,240 with that song that you just heard, I started with 52 00:06:43,439 --> 00:06:45,800 the drums, so I go into it not knowing what 53 00:06:45,839 --> 00:06:48,879 I'm gonna do, I have a tempo to work with 54 00:06:48,920 --> 00:06:51,800 and I just go yeah, So it's kind of free 55 00:06:51,839 --> 00:06:54,639 form improv whatever. 56 00:06:54,879 --> 00:06:55,079 Speaker 1: Yeah. 57 00:06:55,160 --> 00:06:59,839 Speaker 4: So then by the time I recorded the next instrument, bass, 58 00:07:00,160 --> 00:07:04,519 it was already a month after I did the drums. Yeah, 59 00:07:04,560 --> 00:07:07,000 And at this point I don't really remember what I did, 60 00:07:07,759 --> 00:07:11,439 but I'm jamming with myself when I'm recording the bass. 61 00:07:11,279 --> 00:07:14,680 Speaker 2: Makes sense, so that is improv as well. 62 00:07:14,839 --> 00:07:18,879 Speaker 4: And then the next step was guitar, and then I 63 00:07:18,920 --> 00:07:22,519 did the guitar a month later after that, so I'm 64 00:07:22,560 --> 00:07:25,040 constantly playing with myself a different. 65 00:07:24,800 --> 00:07:30,160 Speaker 2: Phases of I don't know throughout what do we call 66 00:07:30,319 --> 00:07:31,000 time if. 67 00:07:30,920 --> 00:07:34,480 Speaker 1: That's I guess truth throughout if we accept time as a. 68 00:07:36,000 --> 00:07:41,519 Speaker 4: Time is Yeah, So basically it's a mouthful, but that's 69 00:07:42,120 --> 00:07:44,680 that's the ideology behind that. 70 00:07:45,040 --> 00:07:46,920 Speaker 1: If you worked that way before, or was this track 71 00:07:47,000 --> 00:07:48,560 your first time doing. 72 00:07:48,399 --> 00:07:52,240 Speaker 4: It that way, I think I've kind of figured out 73 00:07:52,519 --> 00:07:57,720 my workflow with starting with drums first. I'm a drummer 74 00:07:57,759 --> 00:08:01,959 as well, but I like to literally played the drums 75 00:08:02,000 --> 00:08:04,120 versus and then jams and myself, and that became a 76 00:08:04,199 --> 00:08:07,759 thing that I figured out, you know, after a while 77 00:08:07,800 --> 00:08:10,279 producing music that was just you know, I used to 78 00:08:10,279 --> 00:08:12,519 come up with the ideas first and the guitar singing 79 00:08:12,639 --> 00:08:15,160 or whatever, but then I started working backwards. 80 00:08:15,240 --> 00:08:15,920 Speaker 2: I'm like, I. 81 00:08:15,879 --> 00:08:21,519 Speaker 4: Want to start with the beat. What's driving me? Is 82 00:08:21,560 --> 00:08:22,279 it dis tempo? 83 00:08:22,439 --> 00:08:23,199 Speaker 2: Is it that? You know what I mean? 84 00:08:23,240 --> 00:08:26,040 Speaker 4: That's the most important thing that I think now when 85 00:08:26,079 --> 00:08:28,920 I create music is where I start from. Okay, so 86 00:08:29,000 --> 00:08:31,240 I work backwards. Okay, okay for me? 87 00:08:31,439 --> 00:08:33,639 Speaker 2: Are the drums live on that or are they drums 88 00:08:33,639 --> 00:08:37,879 are live? Yeah? Okay, that's me playing them actual drums. Yeah. 89 00:08:37,919 --> 00:08:44,000 Speaker 4: I recorded them in New York at rich Roy Studios 90 00:08:43,759 --> 00:08:48,279 Mike Bercillo and uh so, then I recorded the bass 91 00:08:48,279 --> 00:08:51,279 in New Hampshire. Okay, So it's like where am I Like, 92 00:08:51,360 --> 00:08:54,320 I'm different points of time meeting each other in the 93 00:08:55,200 --> 00:08:59,080 This is why it's like whatever, if you're into that 94 00:08:59,200 --> 00:09:00,639 kind of thing, it's it's kind of fun. 95 00:09:00,720 --> 00:09:03,639 Speaker 1: You're playing with yourself in different times but also different 96 00:09:03,919 --> 00:09:05,000 geographical location. 97 00:09:05,039 --> 00:09:07,320 Speaker 4: And I'm not really writing anything. I'm just kind of 98 00:09:07,360 --> 00:09:10,879 like going with whatever was put before me. Yeah, you 99 00:09:10,879 --> 00:09:13,399 know what I mean, I'm just following myself. Yeah, and 100 00:09:13,480 --> 00:09:15,639 I might get lost, but it's kind of making sense. 101 00:09:15,759 --> 00:09:16,200 Speaker 2: It makes it. 102 00:09:16,840 --> 00:09:19,600 Speaker 4: But you know right right, it's fun Like I don't know, 103 00:09:19,639 --> 00:09:24,519 I'm just experimenting with different yeah ideas all the time. 104 00:09:24,639 --> 00:09:27,639 Speaker 1: No, I did it. The reason I was particularly curious 105 00:09:27,639 --> 00:09:31,480 about the drums is, you know, there was a time 106 00:09:31,519 --> 00:09:34,039 where you could you could program drums, but they wouldn't 107 00:09:34,080 --> 00:09:36,879 sound realistic, yeah, or like like some of the early 108 00:09:36,960 --> 00:09:40,080 drum machines for example, as I'm sure you know, you 109 00:09:40,080 --> 00:09:43,240 could get a really good, convincing snare, of course, but 110 00:09:43,360 --> 00:09:45,279 the toms would sound terrible, you know what I mean? 111 00:09:45,480 --> 00:09:48,480 This is an example. But now the drum sounds that 112 00:09:48,519 --> 00:09:50,320 you can get with program drums or I mean, my 113 00:09:50,440 --> 00:09:52,559 jaw was on the floor when Nathan Hill told us 114 00:09:52,600 --> 00:09:54,679 in the first hour, like that track Breaking Waves, those 115 00:09:54,960 --> 00:09:58,159 you know, those aren't live acoustic drums. I was like, what, 116 00:09:59,399 --> 00:10:02,519 you know, it's really amazing. So but but you but 117 00:10:02,720 --> 00:10:06,159 so you actually play the drums and guitar. Yeah, you play, 118 00:10:06,639 --> 00:10:09,000 and you play keyboard too, right I assume. 119 00:10:08,759 --> 00:10:12,240 Speaker 4: I dabble, Yeah, I I have, you know, some skills 120 00:10:12,279 --> 00:10:14,360 with that, but I'm not like a piano player. 121 00:10:14,559 --> 00:10:16,440 Speaker 1: I know, I know we talked about it before, but 122 00:10:16,480 --> 00:10:18,279 it was at least a couple of years ago. Now 123 00:10:18,279 --> 00:10:19,519 what was your first instrument? 124 00:10:19,840 --> 00:10:20,240 Speaker 2: Bass? 125 00:10:20,279 --> 00:10:25,159 Speaker 1: You started on bass, okay, bassis, and then guitar probably or. 126 00:10:25,360 --> 00:10:27,639 Speaker 2: Yeah, guitar definitely followed after that. 127 00:10:27,759 --> 00:10:30,120 Speaker 4: It's like once you get the first root notes of 128 00:10:30,159 --> 00:10:31,919 the bass that you start doing the chords. 129 00:10:31,960 --> 00:10:36,240 Speaker 2: It's like graduating next yeah, yeah, level of uh, let's 130 00:10:36,320 --> 00:10:37,919 learn to how to play instruments. 131 00:10:38,000 --> 00:10:40,320 Speaker 1: Yeah for me. For me, it was the opposite because 132 00:10:40,360 --> 00:10:42,320 I started out on guitar when I was a kid. 133 00:10:42,360 --> 00:10:45,639 I took guitar lessons, but I was very undisciplined. I 134 00:10:46,000 --> 00:10:48,039 hate this about myself, but I was one of those 135 00:10:48,840 --> 00:10:52,000 I'm a very motivated person as an adult, but growing up, 136 00:10:52,039 --> 00:10:53,639 I was one of those lazy kids who if I 137 00:10:53,679 --> 00:10:56,360 wasn't good at something right away, I'd get bored and frustrated. 138 00:10:56,759 --> 00:10:58,559 And then in high school I picked up a bass 139 00:10:58,600 --> 00:11:00,919 and and I was I know BASSA when I say this, 140 00:11:01,000 --> 00:11:03,159 but I have to speak my truth. I picked up 141 00:11:03,159 --> 00:11:05,000 a bass in high school and I was like, oh, 142 00:11:05,519 --> 00:11:07,600 two less strings and I don't have to know any chords. 143 00:11:07,759 --> 00:11:09,799 I think I found my instrument. Yeah, it turned out 144 00:11:09,840 --> 00:11:11,360 I did, because I you know, I ended up playing 145 00:11:11,360 --> 00:11:12,639 in a bunch of bands, and you know, I'm not 146 00:11:12,639 --> 00:11:14,679 a bad bass player. But that's awesome, But that was 147 00:11:14,759 --> 00:11:16,960 kind of but that was kind of my path. And 148 00:11:17,000 --> 00:11:19,759 then did drums come? So did drums come much later 149 00:11:19,799 --> 00:11:21,879 to you? Because I feel like too most musicians I 150 00:11:21,919 --> 00:11:25,679 meet who play several instruments, including drums, it's like drums 151 00:11:25,799 --> 00:11:28,360 ends up being kind of the last thing they learn. 152 00:11:28,519 --> 00:11:28,759 Is that? 153 00:11:28,879 --> 00:11:30,960 Speaker 2: Is that the case with you or I guess I 154 00:11:31,440 --> 00:11:33,000 was like a fake drummer for a while. 155 00:11:33,240 --> 00:11:38,720 Speaker 4: Yeah, in the sense of my older brother's band would 156 00:11:38,759 --> 00:11:41,879 practice in the basement and I lived in the basement 157 00:11:41,960 --> 00:11:44,240 as well. Yeah, there was a drum set down there. 158 00:11:44,360 --> 00:11:46,919 Oh and that's convenient, so. 159 00:11:47,000 --> 00:11:50,320 Speaker 2: Like I would hash it out. Yeah, yeah, you know 160 00:11:50,360 --> 00:11:50,720 what I mean. 161 00:11:50,759 --> 00:11:53,399 Speaker 4: But I do have feel, and I knew I had feel, 162 00:11:53,440 --> 00:11:55,080 and I picked it up like pretty much. 163 00:11:55,120 --> 00:11:56,120 Speaker 2: I just taught myself it. 164 00:11:56,320 --> 00:11:56,960 Speaker 1: Yeah. 165 00:11:57,000 --> 00:11:59,360 Speaker 4: And then when I was it's funny because you were 166 00:11:59,360 --> 00:12:01,159 saying you took it are lessons. I was a music 167 00:12:01,200 --> 00:12:06,360 teacher and I had students like you, Oh yeah, yeah, 168 00:12:06,519 --> 00:12:09,039 who just went you know. But what we did, what 169 00:12:09,240 --> 00:12:11,879 I found that they were losing interest. We would what 170 00:12:12,080 --> 00:12:14,240 was cool when I had lessons? I had a drum 171 00:12:14,279 --> 00:12:17,600 set in my room. Yeah, lessons, so we would I 172 00:12:17,639 --> 00:12:19,039 would just be like, all right, you don't want to 173 00:12:19,080 --> 00:12:21,360 look at this paper, play these notes? 174 00:12:21,399 --> 00:12:23,399 Speaker 2: All right? What are you going to do with this beat? Bro? 175 00:12:24,360 --> 00:12:25,799 Speaker 4: And then he would be like I don't know, and 176 00:12:25,879 --> 00:12:28,639 like all of a sudden, they're playing and they're like, oh, 177 00:12:29,360 --> 00:12:30,080 I'm just foul. 178 00:12:30,120 --> 00:12:30,600 Speaker 2: You know what I mean? 179 00:12:31,240 --> 00:12:34,919 Speaker 4: You gotta grab them, like, if you're losing attention, maybe 180 00:12:36,000 --> 00:12:38,000 figure out a way to get them more interested. 181 00:12:39,039 --> 00:12:39,440 Speaker 2: Yeah. 182 00:12:39,559 --> 00:12:42,399 Speaker 1: I wish someone had done that with me. I think 183 00:12:42,440 --> 00:12:43,679 with me they were more like. 184 00:12:44,440 --> 00:12:46,679 Speaker 4: Because you got it, probably got a guitar guy and 185 00:12:46,799 --> 00:12:49,200 guitar and I'm just like, hey, we can do a 186 00:12:49,200 --> 00:12:49,919 bunch of things. 187 00:12:50,159 --> 00:12:52,000 Speaker 2: How am I going to get you to play right? 188 00:12:52,159 --> 00:12:52,399 Speaker 1: Right? 189 00:12:52,559 --> 00:12:52,799 Speaker 5: Yeah? 190 00:12:52,840 --> 00:12:54,320 Speaker 2: How am I gonna get you to come back and 191 00:12:54,440 --> 00:12:57,799 want to learn? Yeah? I want to grow with that. Yeah. 192 00:12:57,919 --> 00:13:00,600 Speaker 1: I had instructors who I think were more uh, I 193 00:13:00,639 --> 00:13:03,639 don't know if apathetic is the word, but you know 194 00:13:03,799 --> 00:13:05,240 they weren't that invested in me. 195 00:13:05,679 --> 00:13:08,879 Speaker 2: I know, I guess not Hey, but you turned out 196 00:13:08,879 --> 00:13:09,200 all right? 197 00:13:09,279 --> 00:13:11,519 Speaker 1: I know I turned out all right, I guess, but 198 00:13:12,000 --> 00:13:14,399 you know I ended up ended up being an okay 199 00:13:14,440 --> 00:13:15,000 bass player. 200 00:13:16,440 --> 00:13:20,840 Speaker 2: That's awesome win win in my book, No not playing. 201 00:13:20,600 --> 00:13:22,679 Speaker 1: But I always I've always admired people who can do 202 00:13:22,759 --> 00:13:25,600 like what you do where you you you're doing all 203 00:13:25,639 --> 00:13:28,639 of this, You're you're creating all of this and on 204 00:13:28,679 --> 00:13:33,679 your on your more sort of mainstream you know, not 205 00:13:33,679 --> 00:13:36,879 not instrumentals, but some of the music that you've released. 206 00:13:37,320 --> 00:13:39,000 Are you doing everything on those as well? 207 00:13:39,159 --> 00:13:44,039 Speaker 4: Like yeah, yeah, usually, but I do all the foundation work, 208 00:13:44,200 --> 00:13:46,960 like I produce it, I record it, I engineer and 209 00:13:47,000 --> 00:13:50,039 mix it whatever. But I also bring in people to 210 00:13:50,519 --> 00:13:53,240 play on things to add what you know, I have 211 00:13:53,320 --> 00:13:56,399 great musician friends that I rely on, yeah, that play 212 00:13:56,440 --> 00:14:02,039 with me, you know, for years and have amazing connections 213 00:14:02,039 --> 00:14:03,600 with that. And I keep it in the house. I 214 00:14:03,759 --> 00:14:07,480 keep everything in house, and I keep it's all self sufficient. 215 00:14:08,440 --> 00:14:10,159 I could do whatever I want and I like it, 216 00:14:10,200 --> 00:14:12,120 and I just that's that's all it matters to me. 217 00:14:12,399 --> 00:14:14,559 Speaker 1: Yeah, you know what I mean, which is nice, right 218 00:14:14,559 --> 00:14:16,639 because I too. I remember too we talked about before 219 00:14:16,679 --> 00:14:20,480 your history in a band and how that turned out 220 00:14:20,480 --> 00:14:22,519 and everything and to be able to do everything yourself, 221 00:14:22,519 --> 00:14:26,440 if I remember correctly from a previous conversation. Wasn't that 222 00:14:26,519 --> 00:14:28,840 a big motivation for you in terms of being able 223 00:14:28,840 --> 00:14:30,399 to get to a point where you could do everything yourself. 224 00:14:30,480 --> 00:14:32,279 Was your previous experience with a band. 225 00:14:32,120 --> 00:14:34,840 Speaker 4: Always Yeah, it's just like when you deal with other 226 00:14:34,879 --> 00:14:38,240 people and the mishaps that happen, and so you just 227 00:14:38,279 --> 00:14:42,000 want to take control of your thing, ye like, yeah, 228 00:14:42,159 --> 00:14:45,080 cut everyone out, all the middle men, you know what 229 00:14:45,120 --> 00:14:48,840 I mean. And I just took the long route, and 230 00:14:49,039 --> 00:14:52,639 I just I would rather that. I still would to 231 00:14:52,639 --> 00:14:57,480 this day, Like I mean, it's just all about making 232 00:14:57,679 --> 00:15:01,759 making the art that means you know something to you like, yeah, 233 00:15:01,799 --> 00:15:02,320 that's all it. 234 00:15:02,279 --> 00:15:07,720 Speaker 1: Matters, exactly exactly we had talked about off air. So 235 00:15:09,240 --> 00:15:11,600 for those of you watching online, of course you can see. 236 00:15:11,600 --> 00:15:16,000 But for those listening, Kenny does have his guitar with him. Now, 237 00:15:16,000 --> 00:15:19,960 there's a particular song you have that Jenny loves and 238 00:15:20,159 --> 00:15:22,000 she plays it all the time. I hear it all 239 00:15:22,039 --> 00:15:24,799 the time at home. A song that you release, it 240 00:15:24,840 --> 00:15:27,240 has a unfortunately, in the course, it has a bad word, 241 00:15:27,279 --> 00:15:29,159 so we can't play it. We can't play it on 242 00:15:29,200 --> 00:15:33,000 the air, the studio track as it was, as it will, 243 00:15:33,080 --> 00:15:35,320 I guess I can say it. Don't f this thing up, 244 00:15:36,559 --> 00:15:38,840 you know. And usually if I really want to play 245 00:15:38,840 --> 00:15:40,799 something on the show, I'll make a radio edit of 246 00:15:40,840 --> 00:15:42,799 it where I just take where the where the word 247 00:15:42,840 --> 00:15:44,399 is that's a problem, and I do I call it 248 00:15:44,399 --> 00:15:47,200 a poor man's radio edit. I just reverse it. But 249 00:15:47,799 --> 00:15:51,279 I never attempted to do that with that song because 250 00:15:51,279 --> 00:15:54,039 I felt like with that song it would have actually 251 00:15:54,159 --> 00:15:56,799 ruined it. You know, like if somebody has a song 252 00:15:56,840 --> 00:15:58,759 with one you know s word, you know, you just 253 00:15:59,080 --> 00:16:01,759 you just reverse it in it becomes ish, you know. 254 00:16:01,879 --> 00:16:03,559 But I felt I felt it would ruin the song. 255 00:16:04,159 --> 00:16:06,960 But we were talking off air, you said you could 256 00:16:07,000 --> 00:16:10,639 replace that word and maybe play that live. Yeah, a 257 00:16:10,679 --> 00:16:13,240 self edited version of it, which I would love to hear. 258 00:16:13,279 --> 00:16:15,240 I think the audience would love and I know and 259 00:16:15,279 --> 00:16:18,080 I know Jenny would love to hear it because she absolutely. 260 00:16:17,519 --> 00:16:20,759 Speaker 4: Loves I gotta you know, if Jen's listened to that, 261 00:16:20,960 --> 00:16:23,960 I got not many people are, so I gotta you know, 262 00:16:24,799 --> 00:16:29,320 I gotta give credit. No, it's it's I gotta play 263 00:16:29,320 --> 00:16:30,799 it for you know what I mean, Like it is 264 00:16:30,840 --> 00:16:31,440 a great song. 265 00:16:31,960 --> 00:16:36,039 Speaker 1: Yeah, so so got. 266 00:16:36,080 --> 00:16:36,840 Speaker 2: To change the word. 267 00:16:36,919 --> 00:16:40,039 Speaker 4: Though We're not going to use the subject a different 268 00:16:40,080 --> 00:16:43,559 word like broccoli or anything. We're gonna write so many 269 00:16:43,559 --> 00:16:47,360 syllables there to find the right So I think I 270 00:16:47,360 --> 00:16:48,039 think we came. 271 00:16:47,960 --> 00:16:48,360 Speaker 2: Up with one. 272 00:16:48,519 --> 00:16:50,360 Speaker 1: Yes, yes, I think we we came up with the 273 00:16:50,440 --> 00:16:54,080 ideal word and uh yeah, if if you're if you're 274 00:16:54,080 --> 00:16:55,759 willing to give it a go, and you know, we 275 00:16:55,840 --> 00:16:57,759 are on an eight second delay, so if the worst 276 00:16:57,759 --> 00:16:59,600 happens and you forget, I can catch it. 277 00:16:59,639 --> 00:17:01,200 Speaker 2: But that's cool. I won't. 278 00:17:01,320 --> 00:17:03,279 Speaker 1: But I don't think. Yeah, you're you're a pro. I'm 279 00:17:03,360 --> 00:17:05,400 very fresher. I don't think he'll have a I don't 280 00:17:05,440 --> 00:17:08,440 think you'll have an issue. So yeah, if you're open 281 00:17:08,480 --> 00:17:10,119 to if you're open to playing that, we'd love to 282 00:17:10,119 --> 00:17:10,319 hear it. 283 00:17:10,400 --> 00:17:12,279 Speaker 2: Ye. Yeah, if you want me to do it right now, 284 00:17:12,519 --> 00:17:13,480 that would be great. Yeah. 285 00:17:13,720 --> 00:17:15,400 Speaker 1: Yeah, we talked it up. So if you are just 286 00:17:15,480 --> 00:17:18,920 joining us, Kenny Troon is here with us, live in studio, 287 00:17:19,440 --> 00:17:21,200 and he's going to play something for us. 288 00:17:21,519 --> 00:17:22,960 Speaker 2: All right, check it out. 289 00:17:32,279 --> 00:17:47,119 Speaker 6: H So many times I thought I had a good thing. 290 00:17:50,359 --> 00:17:59,839 Speaker 7: It was sideline by the next man come in. I 291 00:18:00,200 --> 00:18:07,839 see the pattern for me. I can't help to nor 292 00:18:09,720 --> 00:18:11,559 I'm smoking me. 293 00:18:12,039 --> 00:18:15,559 Speaker 8: VERSE just want to get invited in my life. 294 00:18:16,240 --> 00:18:20,359 Speaker 7: All I here is my father telling me, don't mess 295 00:18:20,559 --> 00:18:30,839 this one. Don't mess this one. Don't mess this one. 296 00:18:31,279 --> 00:18:40,000 H yeah, yeah, don't mess this one, oh so many times, 297 00:18:42,920 --> 00:18:46,880 think cows onto something. 298 00:18:48,319 --> 00:18:49,559 Speaker 3: It ain't right. 299 00:18:52,519 --> 00:18:55,720 Speaker 8: How all of this sads up to nothing? 300 00:18:57,680 --> 00:19:01,359 Speaker 7: When you see just a little glimmer of at the 301 00:19:01,559 --> 00:19:04,200 end of my rope, take a deep breath of with it, 302 00:19:04,400 --> 00:19:08,039 just choke when he just turns into Know, I'm so 303 00:19:08,359 --> 00:19:12,640 used to it now questioning why and how because I'm 304 00:19:12,680 --> 00:19:17,559 the denominator and every equation can help my sitshall see 305 00:19:17,599 --> 00:19:19,559 the pattern for me? 306 00:19:21,920 --> 00:19:27,599 Speaker 8: I can't help but two no ran, all these. 307 00:19:27,720 --> 00:19:32,960 Speaker 7: Smoking mirrors, swinging vio lived my life. 308 00:19:33,440 --> 00:19:36,319 Speaker 3: But all I hear is my father telling. 309 00:19:36,039 --> 00:19:43,319 Speaker 7: Me, don't mess this one up, don't mess this one, 310 00:19:46,480 --> 00:19:53,079 don't mess this one, yeah yeah, don't mess this one. 311 00:19:56,119 --> 00:20:02,079 Speaker 9: I see the pattern for name. I can't help, but 312 00:20:02,359 --> 00:20:08,359 you NorVa I smoking verse. 313 00:20:08,960 --> 00:20:11,880 Speaker 8: I just want to get by it, my die that 314 00:20:12,039 --> 00:20:14,440 I heres the fire telling. 315 00:20:14,200 --> 00:20:22,079 Speaker 7: Me don't mess this one of don't mess all up, 316 00:20:24,720 --> 00:20:28,920 don't mess all yeah, yeah. 317 00:20:29,720 --> 00:20:31,519 Speaker 3: Down mess all. 318 00:20:34,680 --> 00:20:42,599 Speaker 8: I see the pattern for me. I can't help to nor. 319 00:20:44,519 --> 00:20:49,839 Speaker 7: How you then X man come in? How you the 320 00:20:50,200 --> 00:20:56,079 X man come in? Don't mess all. 321 00:20:56,079 --> 00:21:03,680 Speaker 1: Of wonderful, wonderful Kenny Troon live in studio, that was fantastic, 322 00:21:03,839 --> 00:21:08,720 and that Jenny yeah, yeah. 323 00:21:08,559 --> 00:21:10,559 Speaker 2: We played that. I don't think I've ever played it 324 00:21:10,640 --> 00:21:10,799 like that. 325 00:21:11,079 --> 00:21:13,400 Speaker 1: Oh really yeah, yeah, I live. 326 00:21:13,720 --> 00:21:15,640 Speaker 3: Really it's it's the first. 327 00:21:15,480 --> 00:21:21,359 Speaker 4: Time I think I've actually performed no kidding, I've got 328 00:21:21,400 --> 00:21:24,720 it in practices. Like It's funny because we the least 329 00:21:24,720 --> 00:21:27,000 show I did, we practiced it like the show. 330 00:21:27,039 --> 00:21:27,720 Speaker 2: We didn't play it. 331 00:21:28,599 --> 00:21:32,279 Speaker 4: That's always like, you know, I have a list on 332 00:21:32,400 --> 00:21:35,799 a napkin maybe the day and we're like, but never 333 00:21:35,960 --> 00:21:36,559 got to play it. 334 00:21:36,880 --> 00:21:38,039 Speaker 2: This is the first time I think. 335 00:21:38,039 --> 00:21:42,319 Speaker 10: Like, oh wow, so yeah, yeah, well we're very we're 336 00:21:42,400 --> 00:21:45,400 very happy with the radio edit. You got your radio 337 00:21:46,720 --> 00:21:48,799 edit and we got it. Yeah, that's awesome. 338 00:21:49,039 --> 00:21:49,960 Speaker 1: That is awesome. 339 00:21:50,599 --> 00:21:52,279 Speaker 2: Now I know how now I can say. 340 00:21:53,640 --> 00:21:54,359 Speaker 1: That's that's true. 341 00:21:54,400 --> 00:21:54,839 Speaker 3: You can. 342 00:21:56,400 --> 00:21:59,799 Speaker 1: Yeah, absolutely. Kenny Truon is here with us. Should we 343 00:21:59,839 --> 00:22:03,160 talk about the new You also sent us another studio 344 00:22:03,319 --> 00:22:04,759 track and I did, and this is going to be 345 00:22:04,799 --> 00:22:06,279 a world premiere, correct. 346 00:22:06,039 --> 00:22:08,319 Speaker 2: World world premiere. Yeah, I don't think I've. 347 00:22:09,680 --> 00:22:12,720 Speaker 4: I kind of like I mixed it. The new record 348 00:22:12,799 --> 00:22:15,119 I've been working on for about a little over a year, 349 00:22:15,440 --> 00:22:18,680 not like every day on it, but like I've had 350 00:22:19,720 --> 00:22:23,519 maybe it was it January twenty twenty three or January 351 00:22:23,559 --> 00:22:28,559 twenty twenty four. I started it okay, and it's about done, 352 00:22:28,599 --> 00:22:31,200 I guess because I mixed it, and on the way 353 00:22:31,240 --> 00:22:33,640 here I listened to it and I was like, oh, wow, 354 00:22:33,720 --> 00:22:36,319 I think it's there. Yeah, because sometimes when i'm mixing it, 355 00:22:37,440 --> 00:22:39,400 I'm over and over. I'm hearing it and I'm like 356 00:22:39,559 --> 00:22:41,599 liking it, and I'm not liking it. I'm nitpicking it 357 00:22:41,720 --> 00:22:43,319 and I'm just like all right, And I left it 358 00:22:43,400 --> 00:22:45,640 alone for a while. But I listened to it on 359 00:22:45,720 --> 00:22:49,200 the way here and I'm very hyped about it. Actually, yeah, yeah, 360 00:22:49,319 --> 00:22:51,400 should we give this a spin and then we'll Yeah, 361 00:22:51,920 --> 00:22:54,880 this song is called house Spider. Yeah, and it's off 362 00:22:55,720 --> 00:22:59,359 my new album Pearls that's going to be coming out. Oh, 363 00:22:59,559 --> 00:23:01,559 very cool, very cool, no date. 364 00:23:01,480 --> 00:23:03,880 Speaker 2: Yet, but here's the test of the waters. 365 00:23:04,240 --> 00:23:06,519 Speaker 1: I'll give it the I'll play the world premiere bumper 366 00:23:06,599 --> 00:23:09,240 and everything. I have a cool world premiere bumper. I 367 00:23:09,279 --> 00:23:10,640 don't know how cool it is. I like it, but 368 00:23:10,640 --> 00:23:12,559 I'm a nerd that way. And then and then we'll 369 00:23:12,559 --> 00:23:13,960 play the track and then we'll come back and talk 370 00:23:13,960 --> 00:23:15,440 about it, and we'll talk about the new album and 371 00:23:15,720 --> 00:23:17,680 all of it. But if you are just joining us, 372 00:23:17,720 --> 00:23:19,240 Kenny True is here with us live in studio, and 373 00:23:19,279 --> 00:23:21,400 it's time for the This is the World radio premiere. 374 00:23:21,519 --> 00:23:24,680 This is called House Spider World Premiere. 375 00:23:37,240 --> 00:23:45,839 Speaker 8: It just gooding way. Now let's lay lunching back, no. 376 00:23:47,720 --> 00:24:01,920 Speaker 11: Say just say jump rags already have to smart on break. 377 00:24:02,160 --> 00:24:03,799 Speaker 8: So many things left us. 378 00:24:03,839 --> 00:24:08,000 Speaker 5: Say not to me that I was turn mile in 379 00:24:08,160 --> 00:24:12,000 the corner like a house but signing math. 380 00:24:13,640 --> 00:24:14,920 Speaker 8: I was starting bound. 381 00:24:15,480 --> 00:24:18,640 Speaker 2: How got caught up in the truss? Five say the 382 00:24:18,799 --> 00:24:22,759 tap of the phones. I was siunding bound. 383 00:24:22,960 --> 00:24:26,119 Speaker 5: And they tried to jim him out and die by 384 00:24:26,319 --> 00:24:30,759 killing his song, and I was turning down it was 385 00:24:31,279 --> 00:24:32,680 and that's a good five. 386 00:24:33,599 --> 00:24:34,599 Speaker 3: We already know. 387 00:24:35,319 --> 00:24:36,359 Speaker 6: I was good. 388 00:24:41,599 --> 00:24:46,559 Speaker 8: Speed, Chaddy, it says stooding way. 389 00:24:48,599 --> 00:24:55,759 Speaker 7: You know it's too lay looking back, nor stay in. 390 00:24:55,880 --> 00:24:57,640 Speaker 6: The bag to make. 391 00:25:00,119 --> 00:25:06,279 Speaker 8: An escape. Let's just say let's take your rain. Just 392 00:25:06,640 --> 00:25:12,000 already left to smok on brassnythings. 393 00:25:10,720 --> 00:25:11,599 Speaker 3: Left on the set. 394 00:25:11,799 --> 00:25:15,359 Speaker 5: What is he that I was walking the road and 395 00:25:15,480 --> 00:25:19,759 it's traveled like an outside signed about. 396 00:25:21,400 --> 00:25:24,839 Speaker 8: To walk in this road from what feels like for miles. 397 00:25:25,000 --> 00:25:26,599 Speaker 6: Now let's just stop it. 398 00:25:26,720 --> 00:25:30,599 Speaker 5: The Joe have to walk in the stroll and make 399 00:25:30,720 --> 00:25:33,920 no selling weapons kind of go because in the end 400 00:25:34,039 --> 00:25:38,759 we all phone the rope be Turnbull's just exist, the 401 00:25:38,920 --> 00:25:44,599 Chilby Xpire, Cotic c sim good Die. 402 00:25:44,960 --> 00:25:50,119 Speaker 3: Young, Muzzy yeady. 403 00:25:52,279 --> 00:25:59,920 Speaker 8: It's just cuting way and now let's to lay looking back. 404 00:26:00,759 --> 00:26:18,480 Speaker 12: No shoe bags, so many things left. 405 00:26:26,720 --> 00:26:36,039 Speaker 8: Shot shot was old. 406 00:26:36,839 --> 00:26:40,119 Speaker 1: Oh, very cool, very cool. That is House Spider. That 407 00:26:40,359 --> 00:26:42,559 is Kenny Truon who is here with us live in 408 00:26:42,880 --> 00:26:46,240 a studio. And now that is from the upcoming album Pearls. 409 00:26:46,400 --> 00:26:47,039 Speaker 2: Is that Pearls? 410 00:26:47,160 --> 00:26:51,200 Speaker 4: Yes, all right, tell us about that. Yeah, this this 411 00:26:51,319 --> 00:26:55,640 album is a special one. I don't know, just been 412 00:26:56,160 --> 00:27:01,119 it just it just feels different. I made a lot 413 00:27:01,200 --> 00:27:06,440 of the songs and uh was it one weekend by myself, 414 00:27:06,599 --> 00:27:10,359 like the structure of them. And then my boy Chris 415 00:27:10,440 --> 00:27:11,440 Pachanka came. 416 00:27:11,400 --> 00:27:15,680 Speaker 2: Up and we tracked his guitars okay. 417 00:27:15,759 --> 00:27:19,519 Speaker 4: And then my boy Evan came up and we tracked 418 00:27:19,559 --> 00:27:23,039 his bass at different times like all because you know, 419 00:27:23,160 --> 00:27:25,400 it's hard to get everyone together. I'm from New York, yeah, 420 00:27:25,400 --> 00:27:28,640 and I live in New Hampshire, so we have lives, jobs, 421 00:27:29,720 --> 00:27:31,759 but we make it work when when we can, and 422 00:27:33,400 --> 00:27:36,880 it's and then Josh came in. He has keys on 423 00:27:37,000 --> 00:27:39,839 the album, and then I had the brothers Nylon do 424 00:27:39,920 --> 00:27:40,839 strings on the album. 425 00:27:41,039 --> 00:27:42,680 Speaker 1: Oh that's right, I remember we talked about them. 426 00:27:42,759 --> 00:27:43,640 Speaker 2: Yeah, yeah, yeah, and. 427 00:27:45,319 --> 00:27:50,000 Speaker 4: It's yeah, I just building this big theater piece almost. 428 00:27:50,160 --> 00:27:52,640 It feels like a movie to me. 429 00:27:53,559 --> 00:27:55,519 Speaker 1: That track has that vibe definitely. Yeah. 430 00:27:55,839 --> 00:27:59,000 Speaker 4: Yeah, And uh, you know, I don't I don't really 431 00:27:59,079 --> 00:28:02,079 know where it all comes from, but like it came 432 00:28:02,160 --> 00:28:07,279 from a weekend of me house sitting for my parents 433 00:28:07,400 --> 00:28:12,319 watching the animals and I was alone for the weekend, 434 00:28:12,359 --> 00:28:14,799 and the whole album just came out. I was just 435 00:28:14,920 --> 00:28:17,680 recording you know, not Stop and how Spider came out 436 00:28:17,720 --> 00:28:20,200 and a bunch of other songs, and it's just been 437 00:28:20,279 --> 00:28:23,200 building from there. And yeah, I mean kind of like really, 438 00:28:23,279 --> 00:28:27,279 I like, I release a lot of music under different 439 00:28:27,319 --> 00:28:30,160 things almost, yeah, just kind of like it just comes 440 00:28:30,200 --> 00:28:32,240 out of me and I'm posting and whatever. But I've 441 00:28:32,240 --> 00:28:34,519 been holding this one back really, you know what I mean, 442 00:28:34,559 --> 00:28:37,680 because it is a little different. It's that my baby's 443 00:28:37,720 --> 00:28:39,599 out in the world now, kind of like I never 444 00:28:39,799 --> 00:28:41,240 really sides of people that. 445 00:28:41,279 --> 00:28:43,480 Speaker 2: Were working on it with me have heard it. Yeah, 446 00:28:43,480 --> 00:28:45,599 but I don't know. 447 00:28:45,839 --> 00:28:50,359 Speaker 4: Yeah, it's it's a lot put into it, a lot 448 00:28:50,440 --> 00:28:54,440 of good content that I'm talking about and like, it's 449 00:28:54,480 --> 00:28:59,039 all real stuff and I think is something we need 450 00:28:59,319 --> 00:29:03,079 and I'm very proud of it and I can't wait 451 00:29:03,400 --> 00:29:05,279 for people to hear more of it. I hope people 452 00:29:05,279 --> 00:29:07,160 are excited. Yeah, you guys are excited. 453 00:29:07,240 --> 00:29:09,599 Speaker 1: Yeah, definitely. So when is When is it out? 454 00:29:10,039 --> 00:29:12,160 Speaker 2: I have no date for it. Oh, it it's done, 455 00:29:12,319 --> 00:29:15,519 Like but but I'm leaving breadcrumbs. I'm like, yeah, I 456 00:29:15,599 --> 00:29:16,839 don't need to put it out. 457 00:29:16,920 --> 00:29:19,400 Speaker 4: I could, I could hold it back, but I want 458 00:29:19,440 --> 00:29:21,920 to make sure that I have really good visuals for it. 459 00:29:22,200 --> 00:29:22,359 Speaker 1: Yeah. 460 00:29:22,359 --> 00:29:23,720 Speaker 2: I don't want to just put it out and have 461 00:29:23,839 --> 00:29:24,720 it be overlooked. 462 00:29:24,960 --> 00:29:26,240 Speaker 1: Right, that makes sense, you know. 463 00:29:26,519 --> 00:29:30,480 Speaker 4: So I'm taking my time with it. And yeah, so 464 00:29:30,599 --> 00:29:33,000 maybe if there's some people want to hear more. 465 00:29:33,400 --> 00:29:35,039 Speaker 2: Hype, prove it to me. 466 00:29:35,279 --> 00:29:35,480 Speaker 1: Yeah. 467 00:29:35,680 --> 00:29:37,680 Speaker 4: Yeah, that makes you know what I mean, Like, it 468 00:29:37,799 --> 00:29:39,759 makes I want to see if people want to hear more. 469 00:29:39,839 --> 00:29:42,160 Otherwise I'm just going to go on my timeline. 470 00:29:41,839 --> 00:29:42,839 Speaker 2: Right right, you know what I mean? 471 00:29:43,079 --> 00:29:45,279 Speaker 1: Yeah? No, that makes sense. You know, you got to 472 00:29:45,319 --> 00:29:47,920 do it right. And and I think that's something that 473 00:29:48,920 --> 00:29:52,119 a lot of musicians don't think about, is is really 474 00:29:52,519 --> 00:29:55,200 you know, you don't I mean, it depends on what 475 00:29:55,319 --> 00:29:57,839 your goals are, too, But so I I yeah, so 476 00:29:57,920 --> 00:30:00,359 there's nothing wrong with saying, Okay, I'm just gonna records 477 00:30:00,480 --> 00:30:01,799 and put it out, throw it out there and see 478 00:30:01,839 --> 00:30:03,559 what happens and see if people like it or not 479 00:30:03,680 --> 00:30:04,000 or whatever. 480 00:30:04,039 --> 00:30:05,000 Speaker 2: But do it all the time. 481 00:30:05,279 --> 00:30:07,880 Speaker 1: Yeah, yeah, but I think. But I think also too, 482 00:30:08,279 --> 00:30:10,759 like it probably doesn't occur to a lot of people 483 00:30:10,839 --> 00:30:12,920 that you know, maybe maybe you want to be a 484 00:30:12,960 --> 00:30:15,079 little more deliberate about how you approach it and really 485 00:30:15,160 --> 00:30:17,160 kind of think it through so that you can you 486 00:30:17,240 --> 00:30:18,759 can set it up for you know, you want to 487 00:30:18,799 --> 00:30:20,279 set it up for success. You want to make sure 488 00:30:20,279 --> 00:30:23,400 you reach the largest audience possible with it, and that's 489 00:30:23,440 --> 00:30:25,799 going to require a little more for a thought, you know. 490 00:30:26,000 --> 00:30:27,680 But it depends on what your goals are and how 491 00:30:27,759 --> 00:30:29,240 serious you are about it. And it sounds like you're 492 00:30:29,440 --> 00:30:32,559 pretty serious about this one. Yeah, yeah, yeah, which is cool. 493 00:30:32,920 --> 00:30:35,920 Speaker 4: A certain art needs to be you know, handled with care, 494 00:30:36,319 --> 00:30:41,519 like absolute I'm trying to say something here, like not 495 00:30:42,440 --> 00:30:44,480 not in the sense of like right now, I'm trying 496 00:30:44,519 --> 00:30:46,240 to say something to this right right now, but like 497 00:30:47,160 --> 00:30:51,359 like I want you to digest it, you know, visually yeah, 498 00:30:51,759 --> 00:30:55,720 and auditorially and you know, I don't know. 499 00:30:55,920 --> 00:31:00,599 Speaker 2: Yeah, maybe I'm overthinking it, but it's it's important to me. Yeah, 500 00:31:00,680 --> 00:31:01,799 that's yeah, I gotta follow that. 501 00:31:02,039 --> 00:31:04,640 Speaker 1: Yeah. You know how many tracks it is? 502 00:31:06,000 --> 00:31:08,319 Speaker 2: Eight eighty eight tracks. 503 00:31:08,519 --> 00:31:08,759 Speaker 1: Yeah. 504 00:31:08,960 --> 00:31:13,720 Speaker 4: The ninth is a outro track with no vocals, but 505 00:31:14,000 --> 00:31:15,319 it's yeah, it's eight songs. 506 00:31:15,400 --> 00:31:18,480 Speaker 1: Yeah, cool, cool? Uh do you want to play another 507 00:31:18,519 --> 00:31:19,240 live one for us? 508 00:31:19,839 --> 00:31:22,880 Speaker 2: Yeah? I could, Uh, let me try to do something. 509 00:31:23,519 --> 00:31:25,279 Speaker 1: If you're just joining us. Any true is here with 510 00:31:25,359 --> 00:31:27,119 us live in studio, and he did bring his guitar 511 00:31:27,200 --> 00:31:28,400 and we love to hear him play live. 512 00:31:28,519 --> 00:31:29,000 Speaker 2: Yeah. I don't. 513 00:31:29,079 --> 00:31:31,079 Speaker 4: I never plan what what I'm gonna do, but I 514 00:31:31,160 --> 00:31:36,440 had to had to do that one for you. Yeah, Okay, 515 00:31:36,480 --> 00:31:39,720 I'm gonna try this. I released this song a month ago. 516 00:31:39,799 --> 00:31:40,720 It's called it Elated. 517 00:31:41,000 --> 00:31:42,920 Speaker 2: Okay, so I'm gonna try this song all right? 518 00:31:56,880 --> 00:32:04,200 Speaker 7: That you look into the mirror every day, No see 519 00:32:04,279 --> 00:32:08,359 you notice something that hand changed? 520 00:32:09,960 --> 00:32:15,039 Speaker 3: You can't be ways stand all your life? 521 00:32:16,960 --> 00:32:18,880 Speaker 2: We are you wait. 522 00:32:20,640 --> 00:32:27,119 Speaker 3: For this time? The end churty coming. They are digging 523 00:32:27,440 --> 00:32:30,160 up the grave. Start. 524 00:32:30,640 --> 00:32:38,480 Speaker 7: My existence was to celebrate today, matter what will happen. 525 00:32:38,839 --> 00:32:45,640 I've been happy as if play the inshurdy common and 526 00:32:46,000 --> 00:32:47,920 I choose to celebrate. 527 00:32:50,079 --> 00:32:56,519 Speaker 3: I'm soory late. My love for you goes on in nine. 528 00:32:57,039 --> 00:33:02,200 Speaker 7: This ground is safe grat the bathing on which we're 529 00:33:02,480 --> 00:33:09,000 walking nine, I'm so layd to love for you goes 530 00:33:09,279 --> 00:33:15,519 only nine ground, to say Chris bath Field, which were 531 00:33:15,799 --> 00:33:19,960 walking nine, but you looking to the. 532 00:33:20,119 --> 00:33:22,240 Speaker 3: Voiding that sport hell. 533 00:33:24,039 --> 00:33:28,680 Speaker 7: Nopes to you would notice something in yourself. 534 00:33:30,319 --> 00:33:35,480 Speaker 3: She can't be ways stand all your life? 535 00:33:37,160 --> 00:33:38,799 Speaker 11: What are you wait? 536 00:33:39,400 --> 00:33:47,680 Speaker 7: Tail Father's time and Shirley coming. They are digging up 537 00:33:48,160 --> 00:33:56,319 the grave starting. My existence was to celebrate today, no 538 00:33:56,599 --> 00:34:02,039 matter what will happen, I've been happy. Ass is lame 539 00:34:03,440 --> 00:34:10,719 and misiurity common, and I choose to celebrate because I'm 540 00:34:11,000 --> 00:34:16,800 so late to love for you goes on in nine. 541 00:34:17,400 --> 00:34:23,599 This ground is sacred. The bathing which swell walking nine, 542 00:34:24,159 --> 00:34:29,679 I'm sey late to love for you goes on and 543 00:34:29,880 --> 00:34:36,920 on it's ground in say Chris, bathing is swell walking one. 544 00:34:53,719 --> 00:34:56,880 Speaker 1: All right, I love it. That is really good. That 545 00:34:57,079 --> 00:34:57,559 is really good. 546 00:34:57,599 --> 00:34:59,719 Speaker 2: I've never done that one either, No kidding? 547 00:35:00,360 --> 00:35:06,039 Speaker 1: Yeah, oh that soundstanding? Yeah yeah yeah, yeah, we love it. 548 00:35:06,119 --> 00:35:08,119 We love it. If you are just joining us, we 549 00:35:08,199 --> 00:35:11,360 have Kenny trun here with us live in studio and 550 00:35:11,719 --> 00:35:14,920 uh no, that was that was amazing. Are you playing 551 00:35:14,920 --> 00:35:16,239 out a lot? Are you doing a lot of shows? 552 00:35:19,280 --> 00:35:22,239 Choose It sounds like you've been pretty busy with with recordings. 553 00:35:22,280 --> 00:35:26,880 Speaker 4: So something big with the New Hampshire's biggest and best 554 00:35:27,800 --> 00:35:33,159 concert promoter Jiggy Stardust Jordan Paul. No affiliation with Logan 555 00:35:33,199 --> 00:35:35,800 Paul or any of that, right right, No, but uh 556 00:35:36,679 --> 00:35:39,360 at the shaskiing, we're gonna we're gonna plan something pretty 557 00:35:39,400 --> 00:35:43,800 big there. Oh, very good ex Uh not no dates yet, 558 00:35:43,960 --> 00:35:47,039 but you know, we like to we like to build 559 00:35:47,199 --> 00:35:50,760 hype and not just go out there and play to nobody, right, 560 00:35:51,360 --> 00:35:53,559 And I get that, like it's fun, But I think 561 00:35:53,800 --> 00:35:56,559 open mics are good to go out and play and 562 00:35:56,599 --> 00:36:01,239 stuff because though that's like really important for community and 563 00:36:01,440 --> 00:36:05,400 like for testing stuff out, just like bouncing stuff of 564 00:36:05,599 --> 00:36:09,480 people of people in real time. And yeah, but when 565 00:36:09,519 --> 00:36:11,440 you throw it want to have a really good show 566 00:36:11,599 --> 00:36:15,199 and show out, you gotta build it, yeah and. 567 00:36:15,280 --> 00:36:17,159 Speaker 2: Feel the dreams. Me and Jordan Paul are going to 568 00:36:17,239 --> 00:36:17,400 do that. 569 00:36:17,800 --> 00:36:21,119 Speaker 1: Excellent. No, I think that's how Jiggy. I think that's excellent. 570 00:36:21,639 --> 00:36:24,679 If he used to do Jewel was, Yeah, you know him, 571 00:36:25,239 --> 00:36:27,920 So I feel like I know him. I'm sure I've 572 00:36:27,960 --> 00:36:30,199 met him at some point, but I'm just not entirely 573 00:36:30,360 --> 00:36:33,119 like he's But I'm sure i've met him at some point. 574 00:36:33,199 --> 00:36:35,599 Speaker 2: Yeah, you might have met him at the casino if 575 00:36:35,639 --> 00:36:36,400 you were there. 576 00:36:37,480 --> 00:36:38,159 Speaker 1: At the casino. 577 00:36:38,840 --> 00:36:39,800 Speaker 2: He goes to the casino. 578 00:36:40,719 --> 00:36:43,559 Speaker 1: Okay, I'm not a casino either. 579 00:36:43,719 --> 00:36:48,599 Speaker 2: Yeah, but you know, we all have our vices. 580 00:36:48,840 --> 00:36:53,800 Speaker 1: Yeah, are you Are you entirely focused, uh at the 581 00:36:53,840 --> 00:36:55,880 moment on the Kenny Troon stuff, because obviously you have 582 00:36:55,960 --> 00:36:59,440 these other modalities like Kenneth Wood and so forth. 583 00:37:00,159 --> 00:37:04,880 Speaker 2: Is kind of doing it? No real this is this 584 00:37:05,400 --> 00:37:05,599 or that. 585 00:37:06,000 --> 00:37:08,840 Speaker 4: It's just kind of like music every day. Yeah, music 586 00:37:09,000 --> 00:37:11,079 is everything and it's just coming out of me, so 587 00:37:11,119 --> 00:37:12,320 I might as well give it to people. 588 00:37:12,440 --> 00:37:17,639 Speaker 1: Yeah, exactly exactly. If you do you have any recent 589 00:37:18,119 --> 00:37:20,320 music videos. I know you've done some music videos in 590 00:37:20,360 --> 00:37:21,840 the past too. Do you have anything. 591 00:37:22,119 --> 00:37:27,239 Speaker 4: Yeah, I've our YouTube channel, Kenny Troon. You could follow 592 00:37:27,280 --> 00:37:31,079 that t r u h N. And I've been releasing 593 00:37:31,480 --> 00:37:36,159 content there, some recording music when I pass all from 594 00:37:36,159 --> 00:37:38,119 the future in the present now stuff is on there. 595 00:37:38,119 --> 00:37:41,639 I've been making the videos myself and because that's important too, righte. 596 00:37:41,639 --> 00:37:44,039 Speaker 1: That's something a lot of musicians don't think about too. Yeah, 597 00:37:44,320 --> 00:37:45,599 they or they think about it, but they just don't 598 00:37:45,639 --> 00:37:46,280 want to do that. 599 00:37:46,800 --> 00:37:48,760 Speaker 4: Yeah, you kind of have to, Like like I said, 600 00:37:48,760 --> 00:37:50,639 if you want to do what I'm doing, where you 601 00:37:50,800 --> 00:37:54,159 take control of every aspect of it, Yep, you just got. 602 00:37:54,239 --> 00:37:56,920 Speaker 2: To learn it. You got to, you know, put your 603 00:37:56,960 --> 00:37:59,599 best foot forward. And I'm trying. Yeah. 604 00:38:00,119 --> 00:38:04,760 Speaker 4: But I also was doing some some fun Sonic the 605 00:38:04,840 --> 00:38:08,679 Hedgehog music flips with Kendrick Lamar really over it. 606 00:38:09,760 --> 00:38:13,360 Speaker 2: Yeah, it's on there. I did two of them. Greenhill 607 00:38:13,480 --> 00:38:15,760 Zone from Sonic the Hedgehog. Have you do you remember 608 00:38:15,880 --> 00:38:16,519 Sonic I do? 609 00:38:16,840 --> 00:38:19,559 Speaker 4: Yeah, so Greenhill Zone is the first level, so I 610 00:38:19,639 --> 00:38:24,440 put Kendrick Lamar's humble over that really yeah, it sounds 611 00:38:24,559 --> 00:38:27,880 really fun. And then spring Yard Zone from Sonic One, 612 00:38:28,079 --> 00:38:32,599 I put the Beastie Boys root down and uh. 613 00:38:33,320 --> 00:38:35,920 Speaker 2: Jay z Germaine dupri Money and Money. 614 00:38:38,920 --> 00:38:39,079 Speaker 5: Yeah. 615 00:38:39,199 --> 00:38:41,320 Speaker 4: Yeah, so there's a fun there's some fun stuff. I'm 616 00:38:41,320 --> 00:38:45,559 always doing some whatever, weird whatever things that piqued my interest. Yeah, 617 00:38:45,840 --> 00:38:48,639 but there's a bunch of bunch of my music videos 618 00:38:48,679 --> 00:38:51,800 on there and content, so yeah, Instagram too, like you. 619 00:38:53,000 --> 00:38:55,519 You can follow me there and see all sorts of 620 00:38:55,559 --> 00:38:57,079 stuff that I'm dropping daily. 621 00:38:57,400 --> 00:38:57,599 Speaker 2: Yeah. 622 00:38:57,840 --> 00:38:59,320 Speaker 1: Absolutely, Well, you're very prolific. 623 00:38:59,400 --> 00:38:59,559 Speaker 2: You know. 624 00:38:59,639 --> 00:39:01,599 Speaker 1: You got a lot of a lot of content, a 625 00:39:01,679 --> 00:39:02,679 lot of great music. 626 00:39:02,480 --> 00:39:04,320 Speaker 2: And gotta get it out somehow. 627 00:39:04,480 --> 00:39:07,400 Speaker 1: Yeah, exactly, exactly. We have time. Do you want to 628 00:39:07,400 --> 00:39:07,960 play one more? 629 00:39:08,800 --> 00:39:09,039 Speaker 13: Yeah? 630 00:39:09,440 --> 00:39:11,199 Speaker 1: Selfishly, I would love to hear one more. 631 00:39:12,519 --> 00:39:15,840 Speaker 4: Yeah, I'm gonna try some I never Yeah, this is 632 00:39:16,000 --> 00:39:20,000 the day of never trying. Okay on live radio, We're 633 00:39:20,119 --> 00:39:20,639 very honored. 634 00:39:22,360 --> 00:39:24,840 Speaker 2: Okay, So I'm gonna I'm gonna try this guy. 635 00:39:27,280 --> 00:39:27,800 Speaker 7: M hm. 636 00:39:30,559 --> 00:39:30,800 Speaker 3: Hmm. 637 00:39:37,119 --> 00:39:38,719 Speaker 2: I just can't relax. 638 00:39:47,719 --> 00:40:02,280 Speaker 14: I gotta close my lids and drift away in hell 639 00:40:02,360 --> 00:40:12,639 all the socks, engine exhales, smoking all the pain. We 640 00:40:12,800 --> 00:40:17,000 gotta relive this every day till the memory is all 641 00:40:17,159 --> 00:40:18,239 that from Maine. 642 00:40:23,639 --> 00:40:26,199 Speaker 3: I gotta break the cycle in state. 643 00:40:26,480 --> 00:40:36,519 Speaker 13: Too strong to run away, Face the change, praise the day, 644 00:40:37,360 --> 00:40:42,000 Take the acid, explore internally, take the bath, wash the soul. 645 00:40:42,400 --> 00:40:44,840 Speaker 3: Just sing the note, strike the corn. 646 00:40:44,960 --> 00:40:48,639 Speaker 14: Must follow the frequency and the vibration down to the 647 00:40:48,920 --> 00:40:52,119 end of the manuscript paper, up to the heaven, from 648 00:40:52,159 --> 00:40:55,079 the bellows and my pink down to the wild left 649 00:40:55,119 --> 00:40:59,159 to tap in the street thread County's crows at the feast. 650 00:41:00,119 --> 00:41:04,079 He's perfect getting away with murder, just praying on the miracle. 651 00:41:04,239 --> 00:41:05,519 Speaker 3: What we're all waiting for? 652 00:41:06,159 --> 00:41:11,440 Speaker 8: No worth it all, Just like that shine righter than 653 00:41:11,599 --> 00:41:12,039 the next. 654 00:41:12,159 --> 00:41:14,239 Speaker 3: That's we go down the line. 655 00:41:14,280 --> 00:41:18,800 Speaker 14: Keeps getting it every time when you don't have to try. 656 00:41:19,920 --> 00:41:27,320 Just there is no compromise. Justice, Justice is no compromise. 657 00:41:30,639 --> 00:41:34,199 But maybe all you really need is love. It's set 658 00:41:34,280 --> 00:41:43,840 of all that attention. Maybe all you really need is luck, 659 00:41:44,519 --> 00:41:46,920 some patience, a worm hug. 660 00:41:52,880 --> 00:41:56,519 Speaker 8: But maybe all you really need is love. It's seat 661 00:41:56,599 --> 00:41:57,840 of all that attention. 662 00:42:04,400 --> 00:42:08,400 Speaker 3: Maybe all you really need is love instead of other 663 00:42:08,519 --> 00:42:09,480 those drugs. 664 00:42:15,599 --> 00:42:17,599 Speaker 2: Maybe all you really need is love. 665 00:42:21,119 --> 00:42:23,079 Speaker 3: Maybe all you really need is love. 666 00:42:24,199 --> 00:42:30,199 Speaker 2: Yea love, long long love. 667 00:42:30,480 --> 00:42:31,519 Speaker 6: No dust. 668 00:42:32,760 --> 00:42:38,880 Speaker 8: Slop but stuff that day, it's stuff dumping, stop. 669 00:42:39,639 --> 00:42:48,039 Speaker 15: Stun said my attention unwarrants and attention, un warrant attention, 670 00:42:51,760 --> 00:42:53,760 horrible attaine. 671 00:42:57,159 --> 00:42:58,880 Speaker 8: No, it's attention. 672 00:43:00,360 --> 00:43:07,559 Speaker 3: This needs some patience and a warm. 673 00:43:10,000 --> 00:43:11,280 Speaker 1: That is awesome. 674 00:43:14,280 --> 00:43:21,159 Speaker 7: Going in the playlist, stuff out, No that is so 675 00:43:21,320 --> 00:43:23,840 good to your music, make things and. 676 00:43:25,519 --> 00:43:29,119 Speaker 1: That's last there we going that I do I get 677 00:43:29,159 --> 00:43:31,840 creative when I listen to Yeah, she likes she likes 678 00:43:31,880 --> 00:43:34,679 to paint while you're while you're listening to your stuff. 679 00:43:34,840 --> 00:43:37,679 Speaker 2: That makes me so happy to hear, and I'm honored 680 00:43:37,719 --> 00:43:40,280 and you're just grateful. Thank you, guys. 681 00:43:40,440 --> 00:43:44,079 Speaker 1: Really, we love you. We love it absolutely, guys. Absolutely, 682 00:43:44,199 --> 00:43:44,440 you'll have. 683 00:43:44,480 --> 00:43:45,480 Speaker 3: To keep us posted on that. 684 00:43:46,360 --> 00:43:46,480 Speaker 2: Uh. 685 00:43:47,199 --> 00:43:48,480 Speaker 1: I bet your planing there. 686 00:43:49,360 --> 00:43:50,880 Speaker 3: Yeah, it's gonna be awesome. 687 00:43:51,559 --> 00:43:54,679 Speaker 4: I think I'm gonna try to do the impossible where 688 00:43:54,760 --> 00:43:57,400 it's not you knows opens up for Kenneth, what opens 689 00:43:57,480 --> 00:43:58,000 up for Kenny? 690 00:43:58,079 --> 00:43:58,760 Speaker 2: True? Oh? 691 00:43:58,840 --> 00:43:59,400 Speaker 6: I love that. 692 00:44:01,119 --> 00:44:04,000 Speaker 1: A that Yeah, that costumes of course. 693 00:44:04,360 --> 00:44:07,440 Speaker 4: Well it's all I'm telling If I'm gonna go hard, 694 00:44:07,519 --> 00:44:10,840 got gotta go, I gotta go, We're gonna make a 695 00:44:10,880 --> 00:44:11,679 spectacle of it. 696 00:44:12,159 --> 00:44:14,199 Speaker 1: So I think that's a great idea. 697 00:44:14,320 --> 00:44:16,480 Speaker 2: You heard everything here first, I just want you to guess. 698 00:44:17,360 --> 00:44:20,519 Speaker 1: So if you want to know what's next, Yeah, stay tuned. No, 699 00:44:20,679 --> 00:44:22,760 I appreciate that. I appreciate that, and I appreciate you 700 00:44:22,840 --> 00:44:25,119 coming in. We are approaching the top of the hour, 701 00:44:25,320 --> 00:44:27,280 so I want to make sure everyone knows where to 702 00:44:27,360 --> 00:44:29,199 find you online, where to keep up with everything that 703 00:44:29,280 --> 00:44:30,960 you're doing, and if you do have anything coming up too, 704 00:44:30,960 --> 00:44:32,599 if you I don't know, I mean we talked a 705 00:44:32,599 --> 00:44:34,440 little bit about gigs and you know you're you've been 706 00:44:34,480 --> 00:44:37,280 busy recording, but anything specific you want to promote coming up? 707 00:44:37,639 --> 00:44:43,880 Speaker 4: Yeah, I'm basically just stay tuned honestly. Instagram, Kenny Truon, 708 00:44:44,159 --> 00:44:48,559 t r U h N, it's Kenny truon Music obviously 709 00:44:48,679 --> 00:44:52,440 the at symbol, and on YouTube Kenny troon every platform 710 00:44:52,719 --> 00:44:54,679 Kenny Truon or if you want to look up Kenneth 711 00:44:54,719 --> 00:44:59,599 Wood and the Brothers Nylon. Yes, not, no's one word, 712 00:45:00,159 --> 00:45:04,000 don't forget the A up in the middle And yeah, 713 00:45:04,199 --> 00:45:07,039 I mean I don't even know half the time what's happening. 714 00:45:07,320 --> 00:45:11,000 I just every day it changes. So that's you guys 715 00:45:11,159 --> 00:45:12,519 just got to tune in if you want to hear 716 00:45:12,719 --> 00:45:13,639 some what's going on. 717 00:45:13,960 --> 00:45:17,239 Speaker 1: Yeah, absolutely absolutely, Well, we really really appreciate you being 718 00:45:17,320 --> 00:45:20,119 here today, and I think I would like to close 719 00:45:20,159 --> 00:45:22,719 out the segment. You know, I still love this song. 720 00:45:23,159 --> 00:45:25,280 I don't think we're ever alone. Oh okay, yeah, I 721 00:45:25,320 --> 00:45:26,639 think I think I might have played this the last 722 00:45:26,679 --> 00:45:27,960 time you were here too, just because I love it 723 00:45:28,079 --> 00:45:31,400 so much. Do you want to just remind people or 724 00:45:31,440 --> 00:45:34,239 for people who are who maybe newer listeners who don't 725 00:45:34,280 --> 00:45:35,840 know what this song is about because I just think 726 00:45:35,880 --> 00:45:38,039 this is so cool, right. 727 00:45:38,199 --> 00:45:39,599 Speaker 2: Yeah, I was living. 728 00:45:40,920 --> 00:45:43,559 Speaker 4: It was a pandemic, and I moved in with a 729 00:45:43,639 --> 00:45:49,599 bunch of just like five roommates and there's a brand 730 00:45:49,639 --> 00:45:52,440 new place and it's a hectic time because pandemic. Everyone's like, oh, 731 00:45:52,840 --> 00:45:56,719 you know, so think about moving during that time. But 732 00:45:58,320 --> 00:46:00,280 but yeah, a lot of weird stuff was happening in 733 00:46:00,360 --> 00:46:00,679 the house. 734 00:46:00,760 --> 00:46:04,880 Speaker 2: I I didn't know, but before I moved in, someone 735 00:46:04,920 --> 00:46:09,320 had overdosed and I was the guy filling in the room. 736 00:46:09,599 --> 00:46:09,840 Speaker 1: Yeah. 737 00:46:10,199 --> 00:46:14,000 Speaker 4: Yeah, I didn't take the actual room there was there 738 00:46:14,079 --> 00:46:16,159 was I had a choice of taking the basement or 739 00:46:16,280 --> 00:46:18,519 the Yeah, and I chose the basement. 740 00:46:19,519 --> 00:46:22,199 Speaker 2: Chris can vouch for that. He was there when I 741 00:46:22,360 --> 00:46:24,719 was picking the room. He was like, take the downstairs. 742 00:46:24,800 --> 00:46:28,239 Speaker 4: Okay, now that I know what happened in the other room, 743 00:46:28,320 --> 00:46:32,000 that's that's whatever. But but yeah, a lot of weird 744 00:46:32,039 --> 00:46:34,159 stuff was happening in that house. Let me just say, 745 00:46:34,239 --> 00:46:38,440 and uh it inspired this song. A lot of weird 746 00:46:38,480 --> 00:46:43,079 things like, uh, randomly the deck being set on fire 747 00:46:43,199 --> 00:46:45,719 while I'm oh, yeah, that was the that was the 748 00:46:45,840 --> 00:46:47,840 wildest part. When you first told us about that, I 749 00:46:47,920 --> 00:46:50,320 was like, oh, my God, and I was smoking cigarettes 750 00:46:50,320 --> 00:46:52,880 at the time, so I was like blaming myself. Rightly, 751 00:46:52,960 --> 00:46:55,760 I did that, But I did find shards of a 752 00:46:55,840 --> 00:46:59,480 mirror on the ground. Yeah, that was the sun was 753 00:46:59,559 --> 00:47:03,760 hitting the mirror, and the mirror was that wild hitting 754 00:47:03,880 --> 00:47:04,480 dried leaves. 755 00:47:04,599 --> 00:47:05,960 Speaker 2: Yeah, started the fire. 756 00:47:06,159 --> 00:47:06,320 Speaker 8: Yeah. 757 00:47:06,599 --> 00:47:08,400 Speaker 4: You would have thought of some boy scout stuff, but 758 00:47:08,440 --> 00:47:10,239 it was, uh yeah, because what are the odds of it? 759 00:47:10,400 --> 00:47:10,599 Speaker 5: Yeah? 760 00:47:10,760 --> 00:47:13,119 Speaker 4: And then that, and then there was also another weird 761 00:47:13,159 --> 00:47:16,599 incident where there was blood from. 762 00:47:16,760 --> 00:47:17,360 Speaker 2: Out of nowhere. 763 00:47:17,760 --> 00:47:19,280 Speaker 1: Just it's crazy. 764 00:47:19,519 --> 00:47:23,519 Speaker 4: Yeah, hauntings, it's a real thing. Yeah, yeah, Wow, the 765 00:47:23,639 --> 00:47:24,599 souls are among us. 766 00:47:24,880 --> 00:47:28,480 Speaker 1: Yes, yes, well, so I think we should end the 767 00:47:28,519 --> 00:47:31,199 segment with this track and Kenny truonan always wonderful to 768 00:47:31,239 --> 00:47:35,280 have you on my friend. Absolutely absolutely, we will, we 769 00:47:35,360 --> 00:47:37,719 will do it again. And here it is again. This 770 00:47:37,840 --> 00:47:40,039 is such a great song. This is called I Don't 771 00:47:40,039 --> 00:47:41,079 Think We're Ever Alone.