WEBVTT

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<v Speaker 1>Hey, this is Brian wanting to let you know that

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<v Speaker 1>The Movie Film Podcast now has a Patreon. If you

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<v Speaker 1>we've ever recorded and every episode we do moving forward

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<v Speaker 1>the most satisfying way to enjoy the show, no ads,

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<v Speaker 1>and subscribe. We'd be very grateful and now on with

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<v Speaker 1>the show. Welcome Friends Podcasts Podcasting the show jack again

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<v Speaker 1>by talking about.

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<v Speaker 2>The movie Black. Welcome to Movie Film. It's episode three

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<v Speaker 2>twenty five, brought to you by mister Boyd Productions. I'm

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<v Speaker 2>Zaki is sign I'm here with Brian Hall.

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<v Speaker 1>Hey, how's it going, Zachi?

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<v Speaker 2>Hey, it's it is going, you know I I I

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<v Speaker 2>was saying, I'm just enjoying my extended post labor day layover.

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<v Speaker 1>Yeah, I mean we're we're into September. Yeah, like summer's over,

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<v Speaker 1>I know, or at least a movie season speaking.

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<v Speaker 2>So right, that's that's very much the case as we

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<v Speaker 2>sort of look at the calendar for the next several weeks. Eh,

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<v Speaker 2>we got a we got.

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<v Speaker 1>A good, good one to talk about today. It was

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<v Speaker 1>one that I don't know that you and I were

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<v Speaker 1>even sure we would catch.

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<v Speaker 2>But that's true.

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<v Speaker 1>This I think it's gonna be a fun discussion.

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<v Speaker 2>I agree. But but you've seen a whole bunch of

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<v Speaker 2>other stuff too since then.

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<v Speaker 1>Yes, so I think it was the last regular episode.

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<v Speaker 1>I was talking about cutting the cord with cable, right,

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<v Speaker 1>that's right, And I mean longtime listeners already know this.

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<v Speaker 1>But basically I am. I love the ability to flip channels,

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<v Speaker 1>and so I've hung on to cable. Although it was

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<v Speaker 1>YouTube TV more specifically, but it's basically cable. I just

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<v Speaker 1>love the idea of Okay, it's ten at night, I'm

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<v Speaker 1>not going to go to bed just yet. You know,

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<v Speaker 1>I don't want to go to an app and know

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<v Speaker 1>what I want to watch, or just look at the

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<v Speaker 1>limited amount of things that are on this app and

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<v Speaker 1>then have to go to another app and see what

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<v Speaker 1>they have on that app, and then go to another

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<v Speaker 1>app and see what I just I don't know.

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<v Speaker 2>I don't know.

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<v Speaker 1>I just love being able to go through and see like, oh,

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<v Speaker 1>we're in the middle of I always use the example

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<v Speaker 1>of Clueless, which we just did a commentary for, but

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<v Speaker 1>I love it being like ten at night and seeing

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<v Speaker 1>there's twenty minutes left of Clueless on TBS and going ah, okay,

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<v Speaker 1>that's perfect, and then you know, wrapping that up before

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<v Speaker 1>I go to bed. So it was really difficult for

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<v Speaker 1>me to get rid of it. But you know, you

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<v Speaker 1>and I have both said this, as you know, YouTube TV, specifically,

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<v Speaker 1>their monthly price just kept going up and up and

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<v Speaker 1>up and up. And I found that the last several

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<v Speaker 1>times that I had turned it on to flip channels,

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<v Speaker 1>I wasn't stopping on anything. I was just flipping, going oh,

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<v Speaker 1>I guess there's nothing there, and then going to something else,

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<v Speaker 1>and then I thought, what am I paying for exactly.

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<v Speaker 2>You were paying for the option to stop on something exactly,

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<v Speaker 2>and it was just happening less and less, and so

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<v Speaker 2>I finally made the decision to cut YouTube TV and

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<v Speaker 2>have nothing but streaming apps.

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<v Speaker 1>And so it's funny because I did that while I

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<v Speaker 1>was away. You know, I don't think I talked about this,

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<v Speaker 1>but my grandmother passed away, and so I left town.

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<v Speaker 1>I was with my family for a while and you know,

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<v Speaker 1>did the the cord cutting. And then I came back

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<v Speaker 1>and it had been a long week and I got

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<v Speaker 1>back from the airport pretty late at night, and I

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<v Speaker 1>played onto my couch and I thought, man, i'd loved

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<v Speaker 1>flip channels right now.

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<v Speaker 2>But I couldn't.

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<v Speaker 1>And so but this is this is what I want

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<v Speaker 1>to talk about, which is kind of interesting. And again

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<v Speaker 1>this is probably a conversation that was interesting seven years

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<v Speaker 1>ago to most people. But I've since discovered the apps

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<v Speaker 1>Pluto and two B That's right. So I was aware

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<v Speaker 1>of these and I had even turned them on before,

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<v Speaker 1>but to me, the only thing I saw them as

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<v Speaker 1>was like Netflix, but with commercials, which is funny because

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<v Speaker 1>now Netflix has commercials.

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<v Speaker 2>But yeah, anyway.

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<v Speaker 1>I was like, all right, well, I mean, what else

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<v Speaker 1>am I going to do? So I turned on Pluto,

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<v Speaker 1>and to my surprise, Pluto is kind of like having

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<v Speaker 1>cable Like it has, yep, dozens and dozens and dozens

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<v Speaker 1>of channels that are playing, and it's you know, classic television.

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<v Speaker 1>There's like I Love Lucy, and then there's another channel

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<v Speaker 1>it is just South Park and you know also you know,

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<v Speaker 1>like a Comedy Central kind of thing and old sitcoms

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<v Speaker 1>and Growing Pains and family there's like a Family Ties channel.

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<v Speaker 1>And then you get to the movie section and it's

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<v Speaker 1>just a bunch of movies that are programmed showing at

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<v Speaker 1>a certain time, you know, from seven to ten, from

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<v Speaker 1>ten to twelve. And I was shocked at the selection.

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<v Speaker 1>I mean literally I wrote it down because I thought

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<v Speaker 1>it was so crazy. It was like, at the same

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<v Speaker 1>time it was RoboCop, Raging Bull, Wayne's World, Goodwill, Hunting,

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<v Speaker 1>Almost Famous, forty eight Hours, Punch, Drunk Love, Double Jeopardy,

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<v Speaker 1>Chasing Amy. I was like, well, these are I would

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<v Speaker 1>stop on any of these, but they have the ads right,

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<v Speaker 1>and the only thing that sucks about it. Unlike most

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<v Speaker 1>cable providers or YouTube TV, which was my favorite of those,

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<v Speaker 1>you can't DVR or anything, and you can't skip the ads, right,

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<v Speaker 1>you can't like fast forward through it thing like pause

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<v Speaker 1>and then eventually fast forward through stuff. So it was

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<v Speaker 1>a little like, oh, I haven't had to do this

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<v Speaker 1>in a while, like really actually sit in advertisements.

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<v Speaker 2>Well that's that's really the takeaway from all of this.

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<v Speaker 2>So we've been on this whole journey from broadcast linear

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<v Speaker 2>television to streaming to all this whole thing, and then

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<v Speaker 2>we wound our way all the way back to linear

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<v Speaker 2>TV with ads. Yep, exactly, but bonus, now you can't

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<v Speaker 2>skip past the ads. I my hashtag progress.

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<v Speaker 1>I know, I know, I dude, I literally thought I

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<v Speaker 1>would give anything for a TVO right now. I mean,

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<v Speaker 1>who you know, Like this is literally going back twenty

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<v Speaker 1>years in time. Yeah, but that's the thing. I mean,

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<v Speaker 1>it's still doing the majority of what I want that

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<v Speaker 1>experience to do. Like I was flipping and I was like, oh, wow,

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<v Speaker 1>the last thirty minutes of Steven Spielberg's Where the World

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<v Speaker 1>is playing this kind of.

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<v Speaker 2>Or Brian just curled up in his blanket with a

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<v Speaker 2>big smile in his face. This is kind of my bag,

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<v Speaker 2>you know.

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<v Speaker 1>And or you can use it as inspiration. So it

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<v Speaker 1>was like, you know, I saw that Chasing Amy was on,

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<v Speaker 1>I didn't really want to watch it with ads, but

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<v Speaker 1>you had mentioned it recently, I think maybe in the

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<v Speaker 1>Clueless commentary, and I was like, oh, that might be

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<v Speaker 1>interesting to revisit, and so it serves as sort of

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<v Speaker 1>an inspiration something I wouldn't have thought of. Actually that's

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<v Speaker 1>a bad example because you mentioned it, but like the

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<v Speaker 1>dead Zone or you know, something like that where I'm like, oh,

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<v Speaker 1>I've never seen the dead Zone, you know, And so

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<v Speaker 1>then you go over to your app where it doesn't

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<v Speaker 1>have the ads, so it's it's it's not exactly the same,

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<v Speaker 1>but I did find like, oh, this is this is

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<v Speaker 1>kind of cool. I kind of it's it's scratching, mostly

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<v Speaker 1>scratching a certain itch I particularly have, so and toob

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<v Speaker 1>is I haven't really gotten into that one, but that

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<v Speaker 1>seems more like a streaming service. There is a live

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<v Speaker 1>component to it.

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<v Speaker 2>There is, yeah, so well, well, most most of these

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<v Speaker 2>on demand streaming services also have a fast write free

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<v Speaker 2>ad support at streaming exactly. So, so Peacock has theirs, yes, right,

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<v Speaker 2>Amazon has free v right, and there's a bunch I mean, yeah,

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<v Speaker 2>it's it's it's just we're in a different time and

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<v Speaker 2>you know, if I can lean into the parlance of

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<v Speaker 2>this show, it's not a better experience than Froggy, just different.

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<v Speaker 1>Just different.

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<v Speaker 2>You know.

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<v Speaker 1>Well, so I, yes, I found myself. I go to

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<v Speaker 1>Pluto the most often because to me, it has the

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<v Speaker 1>most options, it feels the most like I'm going back.

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<v Speaker 2>Pluto is the Viacom Paramount one. So that's that's all

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<v Speaker 2>that stuff.

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<v Speaker 1>Okay, So yeah, yeah, it's it's uh, it's interesting and

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<v Speaker 1>I'm finding my way and I will continue to check

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<v Speaker 1>in and let you know how that goes. Oh I

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<v Speaker 1>should also mention there was part of me that thought, oh,

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<v Speaker 1>I'm going to miss the networks occasionally, just like for

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<v Speaker 1>the news or like NBA playoffs or you know, just

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<v Speaker 1>certain sorts of things. I would like to at least

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<v Speaker 1>be able to have access to them. So I for

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<v Speaker 1>twenty bucks on Amazon, I bought an HD antenna, and

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<v Speaker 1>I was shocked at how like, again this shows you

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<v Speaker 1>how long it's been since I've actually used an antenna.

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<v Speaker 1>But it looked like like HD, like crisp, like beautiful,

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<v Speaker 1>and so all of a sudden, you know, I have

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<v Speaker 1>the Networks again, and then there's basically like Pluto, there's

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<v Speaker 1>other sort of live ish TV options playing films and

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<v Speaker 1>old sitcoms and stuff. But I but here's the thing.

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<v Speaker 1>So I was like, oh, very cool. Now I have ABC, NBC,

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<v Speaker 1>CBS whatever. Again, that's cool. It's nice to have those.

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<v Speaker 1>And I thought, oh, yeah, and SNL's coming back in

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<v Speaker 1>about a month. That'll be nice. But then it occurred

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<v Speaker 1>to me, oh, but I can't DVR it and I

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<v Speaker 1>can't flip or you know, skip through ads or anything.

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<v Speaker 2>So yeah, yeah, yeah, well and with SNL you can

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<v Speaker 2>watch it live on peacock.

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<v Speaker 1>Oh interesting, Okay, so like that's one of.

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<v Speaker 2>Those shows that they that they live stream.

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<v Speaker 1>Well, and then if you have the patience, you can

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<v Speaker 1>just watch it the next day. I suppose.

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<v Speaker 2>Yeah. I'm look, I'm at a point now where pretty

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<v Speaker 2>much the next morning I'll just go to the SNL

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<v Speaker 2>YouTube channel and just watch the individual sketches, and that.

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<v Speaker 1>Tends to be my mode. Also, unless it's like I'm

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<v Speaker 1>coming back from something pretty late and then I just

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<v Speaker 1>want to wind down, I'll cue it up that night's SNL.

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<v Speaker 1>But typically it's like a Sunday morning with coffee kind

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<v Speaker 1>of affair of these days, so you know. And that's

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<v Speaker 1>the other thing too, like the stuff that I'm used

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<v Speaker 1>to kind of watching from TV, Like I've been watching

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<v Speaker 1>this season of South Park or like blow Deck or something.

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<v Speaker 1>Now I'm just used to like, oh, instead on Monday.

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<v Speaker 1>Now I watch it Tuesday, you know, like the next day.

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<v Speaker 1>I'm a streamer.

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<v Speaker 2>Yeah whatever, So I mean, look, you're getting habituated to

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<v Speaker 2>the new normal, you know. Yeah.

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<v Speaker 1>And most of the other shows I watch are on

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<v Speaker 1>streamers anyway, Like Platonic I've been watching on Apple TV

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<v Speaker 1>plus drops, you know, on the day it drops. It's

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<v Speaker 1>a whole new world over here.

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<v Speaker 2>And I just thought I would Brian Dispatches from Brian

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<v Speaker 2>circa seven years ago. Yes, speaking of south Park, this show,

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<v Speaker 2>this season has been pretty nuts.

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<v Speaker 1>Oh yeah, like they're going pretty hard, pretty hard.

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<v Speaker 2>I kind of love that that Paramount handed uh Trey

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<v Speaker 2>Parker and Matt Stone what was it, like a billion dollars?

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<v Speaker 1>Yeah, like a billion dollars, a billion.

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<v Speaker 2>With a bee, like the day after they fired Stephen

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<v Speaker 2>Colbert for presumably going too hard after the Trump folks,

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<v Speaker 2>and then and then the South Park is just like

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<v Speaker 2>all right, we will gladly take your billion and and

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<v Speaker 2>make you regret ever being born, you know, right right,

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<v Speaker 2>It's a lot of yikes. It is funny to me,

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<v Speaker 2>Like I was watching this week's episode, the one, the

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<v Speaker 2>La Booboo one, and and yeah, there there's so many

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<v Speaker 2>different things happening. But but I think for me, my

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<v Speaker 2>biggest laugh was was them playing j D Bands like

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<v Speaker 2>he's tattoo from oh from Fantasy.

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<v Speaker 1>The way that it was framed, Yeah, and he just

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<v Speaker 1>kind of enters frame and like just stands there for

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<v Speaker 1>a little bit with that expression on his face like hello, Yeah.

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<v Speaker 1>Everything about it was cracking me up.

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<v Speaker 2>I'm just like, man, you know, I we remember when

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<v Speaker 2>when South Park started and it was just good clean

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<v Speaker 2>fun about Cartman getting a n atal probe, right right,

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<v Speaker 2>And now like we're almost thirty years later, here we are.

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<v Speaker 1>I mean that is kind of interesting, right because yeah,

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<v Speaker 1>it did used to be the adventures of these kids.

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<v Speaker 1>Yeah right, And some of my favorite episodes to this

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<v Speaker 1>day are you know, especially the ones involving Butters, Butters

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<v Speaker 1>Cartman and uh I. You know, there was a moment

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<v Speaker 1>where they were doing nothing but commenting on you know,

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<v Speaker 1>news stories of the week where I did find myself

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<v Speaker 1>kind of like wandering away for a little bit because

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<v Speaker 1>I like, I'm getting enough of this, and it seemed

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<v Speaker 1>like they're their moo. Also, they just stumbled into this

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<v Speaker 1>pattern where they would lock in on one idea, like

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<v Speaker 1>one kind of funny take on something, and they would

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<v Speaker 1>just repeat that take for twenty two minutes. Right. But

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<v Speaker 1>I do feel like they have this like renewed vigor

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<v Speaker 1>right now. Yeah, and it has been you know, pretty fun.

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<v Speaker 2>Hey, you give me a billion dollars, I'll find renewed

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<v Speaker 2>vigor too well.

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<v Speaker 1>I also love that they're spending those billions to restore

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<v Speaker 1>their favorite childhood restaurants, right know, Casabita and which, by

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<v Speaker 1>the way, that's a documentary that's on the Paramount Plus.

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<v Speaker 2>Now you had mentioned that. Yeah, yeah, I.

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<v Speaker 1>Can't remember what it's called off top my head, but

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<v Speaker 1>I'm sure if you put Casa Banita it'll come up.

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<v Speaker 1>But it is. It's just it feels like an HGTV,

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<v Speaker 1>you know, episode basically falling Trey Parker. Literally, I mean

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<v Speaker 1>touring Casa Benita in its current stayed a couple of

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<v Speaker 1>years ago, seeing what a disaster it is, and then

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<v Speaker 1>people will be like, oh, here's the the ac units.

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<v Speaker 1>You want to take a look inside, and they look horrifying.

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<v Speaker 1>There's just like every horrifying thing you you do not

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<v Speaker 1>want to be breathing, just resting in there. And they're like,

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<v Speaker 1>all right, we'll tear that out too, And you just

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<v Speaker 1>see the total of the repairs going up and up

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<v Speaker 1>and up, you know, millions and millions and millions of dollars.

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<v Speaker 1>But then it's just like and then he gets a

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<v Speaker 1>new influx of a billion, you know, so he's wow,

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<v Speaker 1>he's going to be all right. Yeah, And apparently it's

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<v Speaker 1>you have to get reservations still in advance to even

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<v Speaker 1>visit that place.

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<v Speaker 2>So really that's there you go. They did all right. Yeah,

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<v Speaker 2>by the way, real quick, I wanted to mention when

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<v Speaker 2>we talked about your adventures in cord cutting, I know

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<v Speaker 2>some people listening might be like, I don't remember that

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<v Speaker 2>that was in one of our bonus Patreon episodes.

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<v Speaker 1>Oh yes, that's what it was, so.

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<v Speaker 2>So and that one is available to listen to for

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<v Speaker 2>free on our Patreon page, so check that out. Yeah.

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<v Speaker 1>Yeah, we wanted to offer that is a little bit

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<v Speaker 1>of a taste of some of the stuff that we

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<v Speaker 1>occasionally release as a bonus content over there on this Yeah. Yeah,

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<v Speaker 1>So if you haven't heard it, feel free to hop

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<v Speaker 1>on over there and check it out, because it's like

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<v Speaker 1>Zachy said, that one is available to everyone.

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<v Speaker 2>So what else is going on brand?

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<v Speaker 1>Well, aside from our main review, I've mostly been watching classics,

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<v Speaker 1>catching up on classics that I hadn't seen before, and

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<v Speaker 1>so I wanted, you know, it's so funny, I'm such

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<v Speaker 1>a booster for Regal cinemas, but I'm gonna do it

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<v Speaker 1>again because basically this month, for the month of September,

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<v Speaker 1>they are showing classic films almost every single day this month,

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<v Speaker 1>everything from I'm going to talk about it for a second,

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<v Speaker 1>but I saw Paper Moon this past Monday for the

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<v Speaker 1>first time. They're showing Godfather on Saturday, a Citizen Kane

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<v Speaker 1>on Sunday, the Thing Forrest Gump, Psycho Cinema Pair Diso,

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<v Speaker 1>which I've never seen and I'm very excited to watch

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<v Speaker 1>for the first time, Casa Blanca two thousand and one.

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<v Speaker 1>There will be blood close encounters. Just every single day

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<v Speaker 1>They're showing like a classic film that I would love

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<v Speaker 1>to see on the big screen. So I was sort

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<v Speaker 1>of like, all right, buckle up, like all the people

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<v Speaker 1>at Regal are going to be seeing my face a lot.

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<v Speaker 1>But so, yeah, I want to put that out there.

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<v Speaker 1>I don't know if it's at every Regal. I was

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<v Speaker 1>looking out of curiosity because I knew I was going

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<v Speaker 1>to be talking about it, and specifically in my area.

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<v Speaker 1>The one that I go to is doing this. But

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<v Speaker 1>there's another one that's one or two cities over that

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<v Speaker 1>doesn't appear to be doing this, So people may want to.

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<v Speaker 2>Check the app But interesting, Okay, I'm.

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<v Speaker 1>Sure there's at least one, two, three, four things that

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<v Speaker 1>people are going to find personally they want to go

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<v Speaker 1>check out and see again on the big screen. So

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<v Speaker 1>I would recommend that I wanted to put that out

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<v Speaker 1>there for people to know about.

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<v Speaker 2>Very cool, but yeah, I just.

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<v Speaker 1>Want to talk really quickly about I saw Paper Moon

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<v Speaker 1>for the first time. Peter Bogdanovich, Ryan O'Neil, Tatum O'Neil,

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<v Speaker 1>have you ever seen this movie?

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<v Speaker 2>I have not.

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<v Speaker 1>I hadn't either. I'll just the log line real quick

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<v Speaker 1>from IMDb. During the Great Depression, a con man finds

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<v Speaker 1>himself saddled with a young girl who may or may

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<v Speaker 1>not be his daughter, and the two forge an unlikely partnership.

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<v Speaker 1>And I don't remember how this got on my radar,

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<v Speaker 1>but it was something that I had DVR off of

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<v Speaker 1>like Turner Classics, thinking, oh, yeah, I want to watch this.

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<v Speaker 1>It's you know, like ninety minutes. It's interesting because it's

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<v Speaker 1>from nineteen seventy three, but it's in black and white,

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<v Speaker 1>and it very much just even in the filmmaking, resembles

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<v Speaker 1>a movie from nineteen forty. It almost feels like a

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<v Speaker 1>genre exercise or something. And I was just very curious

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<v Speaker 1>about it, so I what better way to watch it

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<v Speaker 1>than on the big screen. And I really enjoyed this movie.

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<v Speaker 1>It was super charming. I'd recommend it to anybody. It's

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<v Speaker 1>I think it's rated PG. It's like a real you know.

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<v Speaker 1>I realized that I have a real type with these

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<v Speaker 1>movies because I was just talking about matchstick Men, which

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<v Speaker 1>is Nicholas very similar, right, He's playing a con man

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<v Speaker 1>father figure type to this younger girl. And now I'm

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<v Speaker 1>watching this this con man, you know, taking this younger girl.

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<v Speaker 2>What does this tell us about you, Brian? What are

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<v Speaker 2>you revealing?

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<v Speaker 1>I don't know, but I love him. I just I

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<v Speaker 1>find it so endearing in the way that these character

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<v Speaker 1>you know, they're so different. But as they go on

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<v Speaker 1>these well speaking to paper Moon, it becomes sort of

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<v Speaker 1>episodic where he's going to bring her to her she's

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<v Speaker 1>just been orphaned, and so he arranges to bring her

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<v Speaker 1>to her aunt, like a couple of states over. But

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<v Speaker 1>along the way, he's gonna do these cons to generate money.

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<v Speaker 1>But she he finds that she's a pretty good asset.

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<v Speaker 1>She's a good little actress. She's very perceptive, and she's

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<v Speaker 1>like making him earn even more money as he you know,

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<v Speaker 1>cons his way, and so they become this cute, unlikely duo,

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<v Speaker 1>and there's just these episodes and people that they encounter

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<v Speaker 1>along the way and they you know, influence one another,

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<v Speaker 1>and it's very cute and it's a really fun film.

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<v Speaker 1>I was glad I got to catch it, especially that

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<v Speaker 1>way on the big screen with an audience that was

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<v Speaker 1>laughing with it and going aw together.

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<v Speaker 2>You know.

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<v Speaker 1>It was very very cute, and I'm sure you can

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<v Speaker 1>find it on most streaming services. But I wanted to

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<v Speaker 1>also plug something I try to plug a lot, which

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<v Speaker 1>is Canopy. It's an app that you can use your

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<v Speaker 1>library card and watch movies uncut, no commercials for free.

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<v Speaker 1>So I saw that it's playing on Canopy if anyone

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<v Speaker 1>wants to check it out there. What else, Oh, well,

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<v Speaker 1>we had mentioned that Spike Lee has a movie out

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<v Speaker 1>called Highest to Lowest. That's right, starring Denzel Washington, and

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<v Speaker 1>it's a remake of a Kursau movie, and as far

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<v Speaker 1>as I understand, it was in theaters for two weeks.

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<v Speaker 1>I checked my app and it's still playing next week

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<v Speaker 1>for me in theaters. But it is just released today

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<v Speaker 1>September fifth, on Apple TV Plus for people who want

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<v Speaker 1>to check it out there. But you know, I think

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<v Speaker 1>I've mentioned this before also, but a huge cinematic blind

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<v Speaker 1>spot for me is Cursawa. I'd never seen a Cursawa

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<v Speaker 1>movie before, and I mean there's just so seven Samurai

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<v Speaker 1>and Raschamon and all these towering classics that I really

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<v Speaker 1>really want to catch up on. But with the Highest

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<v Speaker 1>to lowis coming out and I planned to watch that,

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<v Speaker 1>I thought, well, you know, I was going to be

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<v Speaker 1>on an airplane, Let's what better way to break the seal?

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<v Speaker 1>I really watching Cursau film and it was on HBO Max.

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<v Speaker 1>I had to think about it. Now, I don't remember

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<v Speaker 1>what they're after called anymore, and so I downloaded it,

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00:20:35.720 --> 00:20:39.119
<v Speaker 1>watched it on the plane, and uh, the premise it

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00:20:39.160 --> 00:20:41.920
<v Speaker 1>seems a little spoilery, but this is the premise of

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00:20:41.960 --> 00:20:45.000
<v Speaker 1>the film and it's in the first act. But basically,

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00:20:45.079 --> 00:20:51.799
<v Speaker 1>this executive at a shoe company his son. These people

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00:20:51.839 --> 00:20:53.920
<v Speaker 1>call and say, we have your son and you have

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<v Speaker 1>to give this amount of money to get him back,

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00:20:56.559 --> 00:20:58.400
<v Speaker 1>and it's really it's going to bankrupt him if he

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00:20:58.440 --> 00:21:02.519
<v Speaker 1>does it. But then come to realize they didn't take

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<v Speaker 1>his son accidentally. They took his chauffeur's son, and now

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<v Speaker 1>he's being held for ransom. So now this executive has

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<v Speaker 1>to decide what he's still bankrupt himself for his chauffeurs son.

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00:21:14.839 --> 00:21:19.559
<v Speaker 1>I mean, how delicious is that? Like that's great and anyway,

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00:21:19.640 --> 00:21:23.119
<v Speaker 1>great plot. It's you know, it's from nineteen sixty three.

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<v Speaker 1>It's a bit of a slower burn than most modern films,

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<v Speaker 1>but it just is very captivating. I mean, just the

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<v Speaker 1>performances are great, and just the filmmaking, the blocking, like

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00:21:32.839 --> 00:21:36.279
<v Speaker 1>the blocking makes these static shots become captivating, the way

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<v Speaker 1>people move from one spot to another and the way

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<v Speaker 1>that they're interacting with one another. And it also becomes

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<v Speaker 1>a bit of a procedural and you start following these

417
00:21:44.759 --> 00:21:48.400
<v Speaker 1>detectives as they're trying to figure out who this person is,

418
00:21:49.160 --> 00:21:52.759
<v Speaker 1>you know, who took the boy, and it's just really

419
00:21:52.799 --> 00:21:57.440
<v Speaker 1>cool the clues that they use and how they deduce things.

420
00:21:58.759 --> 00:22:01.000
<v Speaker 1>I think it's about two hours. Like I said, it's

421
00:22:01.039 --> 00:22:04.359
<v Speaker 1>on HBO Max. I definitely recommend High and Low and

422
00:22:04.400 --> 00:22:07.640
<v Speaker 1>I plan to check out Highest to Lois this weekend.

423
00:22:08.039 --> 00:22:09.000
<v Speaker 1>So have you seen it?

424
00:22:10.559 --> 00:22:11.599
<v Speaker 2>I haven't seen either of them.

425
00:22:11.759 --> 00:22:13.880
<v Speaker 1>Okay, cool, Well, I'll be interested if you check out

426
00:22:13.960 --> 00:22:14.960
<v Speaker 1>either actually.

427
00:22:14.759 --> 00:22:19.599
<v Speaker 2>To Yeah, well, I'm definitely gonna watch the Spike Lee one. Yeah,

428
00:22:20.000 --> 00:22:23.160
<v Speaker 2>any Spike Lee movie I will I will check out exactly.

429
00:22:23.319 --> 00:22:26.720
<v Speaker 1>Yeah, at the very least it'll be interesting. Yeah, you know,

430
00:22:27.079 --> 00:22:29.759
<v Speaker 1>an interesting watch. And then this one we can talk

431
00:22:29.759 --> 00:22:34.599
<v Speaker 1>about together. But a week ago they re released Jaws

432
00:22:34.599 --> 00:22:39.880
<v Speaker 1>into theaters for its fiftieth anniversary. Yeah, which I'll just

433
00:22:39.920 --> 00:22:42.240
<v Speaker 1>say really quickly because I want to hear about your experience.

434
00:22:42.279 --> 00:22:46.039
<v Speaker 1>But I saw it on an Imax screen at the

435
00:22:46.119 --> 00:22:51.599
<v Speaker 1>Chinese theater and oh my gosh, it was gorgeous. Just

436
00:22:51.880 --> 00:22:54.880
<v Speaker 1>the restoration is it's pretty pretty impressive.

437
00:22:55.039 --> 00:22:55.519
<v Speaker 2>Yeah.

438
00:22:55.599 --> 00:22:57.799
<v Speaker 1>Yeah, and then you know, I've seen. I had seen

439
00:22:57.799 --> 00:23:00.640
<v Speaker 1>this in the theater before when they released it as

440
00:23:00.680 --> 00:23:04.119
<v Speaker 1>a three D experience, maybe two or three years ago

441
00:23:04.240 --> 00:23:06.559
<v Speaker 1>or something like that, and I really enjoyed that. I

442
00:23:06.559 --> 00:23:09.079
<v Speaker 1>don't like three D, and it was really well done

443
00:23:09.480 --> 00:23:14.000
<v Speaker 1>and didn't put you at a distance. It actually successfully

444
00:23:14.240 --> 00:23:18.240
<v Speaker 1>pulled you in. But this, I mean on this Imax screen,

445
00:23:18.480 --> 00:23:21.880
<v Speaker 1>and it was it was huge. I mean, the shark

446
00:23:22.440 --> 00:23:25.519
<v Speaker 1>felt big again. You know, I've seen this movie so

447
00:23:25.559 --> 00:23:28.519
<v Speaker 1>many times, but when the shark busts into Quint's ship,

448
00:23:28.599 --> 00:23:30.599
<v Speaker 1>it really did make you lean back in your seat

449
00:23:30.640 --> 00:23:35.759
<v Speaker 1>because it was coming right at you. I loved it.

450
00:23:35.960 --> 00:23:37.720
<v Speaker 1>I love the experience. And I would say, if it's

451
00:23:37.720 --> 00:23:39.880
<v Speaker 1>still playing at a theater near your place and you

452
00:23:40.079 --> 00:23:44.039
<v Speaker 1>haven't caught it, it is absolutely worth heading out to

453
00:23:44.440 --> 00:23:46.799
<v Speaker 1>go catch. Yeah, what was your experience, like.

454
00:23:46.880 --> 00:23:50.440
<v Speaker 2>Well, I mean I saw it when they released it

455
00:23:50.880 --> 00:23:55.759
<v Speaker 2>three years ago in theaters. Okay, you know that was

456
00:23:56.000 --> 00:23:59.400
<v Speaker 2>I don't know what the context of that release was.

457
00:23:59.519 --> 00:24:01.519
<v Speaker 2>It was, you know, they had they had put Et

458
00:24:01.759 --> 00:24:05.279
<v Speaker 2>back out into theaters. I think just so they put

459
00:24:05.359 --> 00:24:07.440
<v Speaker 2>Jaws out too, as like a companion to.

460
00:24:07.440 --> 00:24:09.079
<v Speaker 1>That, maybe a fathom thing.

461
00:24:09.559 --> 00:24:12.400
<v Speaker 2>It was not a fathom thing because it was at

462
00:24:13.000 --> 00:24:17.519
<v Speaker 2>is that the amc M anyway regardless, So I obviously

463
00:24:17.559 --> 00:24:19.160
<v Speaker 2>any chance for me to watch Jaws on the big screen,

464
00:24:19.200 --> 00:24:21.759
<v Speaker 2>but I had taken all my kids this year. My

465
00:24:21.839 --> 00:24:23.960
<v Speaker 2>kids are like, oh, let's go see it, like they

466
00:24:24.319 --> 00:24:27.839
<v Speaker 2>wanted to experience it again on the big screen, and

467
00:24:27.920 --> 00:24:33.000
<v Speaker 2>so this time I did the four D thing. Oh okay, yeah,

468
00:24:33.000 --> 00:24:35.079
<v Speaker 2>which I've never done before, and I was like, well,

469
00:24:35.119 --> 00:24:37.359
<v Speaker 2>this is a movie that I've seen enough times that

470
00:24:37.759 --> 00:24:39.839
<v Speaker 2>want to mix it up a little bit, so, uh,

471
00:24:40.440 --> 00:24:43.480
<v Speaker 2>nothing crazy, Like we weren't getting dunked in water, and

472
00:24:43.599 --> 00:24:43.880
<v Speaker 2>you know.

473
00:24:44.200 --> 00:24:45.720
<v Speaker 1>Did it splash you at all? Because I mean it

474
00:24:45.759 --> 00:24:48.680
<v Speaker 1>does have a water component, not the.

475
00:24:48.640 --> 00:24:49.400
<v Speaker 2>One we saw.

476
00:24:49.799 --> 00:24:52.039
<v Speaker 1>Oh okay, oh you could, I know you also you

477
00:24:52.039 --> 00:24:54.960
<v Speaker 1>could have the option if you want to turn it off.

478
00:24:55.519 --> 00:24:58.640
<v Speaker 2>Oh say. I didn't to the best of my knowledge

479
00:24:58.640 --> 00:25:01.440
<v Speaker 2>that there wasn't anything like that been in my theater.

480
00:25:01.519 --> 00:25:04.599
<v Speaker 2>But maybe maybe there wasn't. I just didn't know. But

481
00:25:04.759 --> 00:25:08.240
<v Speaker 2>I kind of loved how the movement of your seat

482
00:25:08.359 --> 00:25:11.079
<v Speaker 2>was sort of in sync with whatever was happening. And

483
00:25:11.319 --> 00:25:14.000
<v Speaker 2>you know, when you're when you're on the ORCA, you're

484
00:25:14.160 --> 00:25:17.680
<v Speaker 2>the it was kind of going swaying back and forth

485
00:25:17.720 --> 00:25:21.000
<v Speaker 2>and interesting, some cool stuff, you know, not again nothing crazy.

486
00:25:21.039 --> 00:25:23.079
<v Speaker 2>So like when when quint is bit in half, it's

487
00:25:23.079 --> 00:25:25.480
<v Speaker 2>not like you're getting splashed with blood or anything like that,

488
00:25:26.640 --> 00:25:29.400
<v Speaker 2>but it did add something extra, you know. So I again,

489
00:25:29.519 --> 00:25:30.839
<v Speaker 2>for me, it's like, well, this is a movie you've

490
00:25:30.839 --> 00:25:34.440
<v Speaker 2>seen enough times that, uh, you know, zazz it up

491
00:25:34.440 --> 00:25:37.039
<v Speaker 2>a little bit. But I would imagine, just to echo

492
00:25:37.079 --> 00:25:39.680
<v Speaker 2>the point you were making in an earlier episode, if

493
00:25:39.720 --> 00:25:41.559
<v Speaker 2>it was my first time watching a movie, I'd probably

494
00:25:41.599 --> 00:25:45.240
<v Speaker 2>be a little distracted by it, m you know. But

495
00:25:45.440 --> 00:25:47.440
<v Speaker 2>but for this kind of perfect.

496
00:25:47.440 --> 00:25:49.160
<v Speaker 1>Dude, that's great. I mean, that's the thing. I have

497
00:25:49.240 --> 00:25:52.599
<v Speaker 1>a complicated relationship with it because I think if someone

498
00:25:53.039 --> 00:25:55.559
<v Speaker 1>with forty not with Jaws, no, yeah, yeah, yeah, no

499
00:25:55.680 --> 00:25:59.559
<v Speaker 1>with forty X. My friend actually his first when he

500
00:25:59.599 --> 00:26:03.400
<v Speaker 1>presented it was forty X or IMAX, and I was like, IMAX,

501
00:26:03.640 --> 00:26:07.599
<v Speaker 1>no question. Like I just my first reaction is probably

502
00:26:07.640 --> 00:26:09.799
<v Speaker 1>going to be to say no to forty X.

503
00:26:10.079 --> 00:26:10.200
<v Speaker 2>Right.

504
00:26:10.440 --> 00:26:12.400
<v Speaker 1>But that isn't to say that I haven't had good

505
00:26:12.440 --> 00:26:15.640
<v Speaker 1>experiences there. I remember the last Hunger Games movie was

506
00:26:15.640 --> 00:26:16.400
<v Speaker 1>actually pretty good.

507
00:26:16.480 --> 00:26:17.839
<v Speaker 2>Yeah you mentioned that, that's right.

508
00:26:17.920 --> 00:26:20.920
<v Speaker 1>Yeah, because it it was a little more subtle it,

509
00:26:21.160 --> 00:26:22.720
<v Speaker 1>you know, there was snow in the movie, and it

510
00:26:22.799 --> 00:26:25.000
<v Speaker 1>kind of gently snowed in the theater when that happened.

511
00:26:25.039 --> 00:26:27.839
<v Speaker 1>And I remember the best experience I had had with

512
00:26:27.839 --> 00:26:30.319
<v Speaker 1>forty X and it's so small, but this woman was

513
00:26:30.319 --> 00:26:32.799
<v Speaker 1>inside a building and then she walked through a doorway

514
00:26:32.839 --> 00:26:36.480
<v Speaker 1>to the outside, and this gentle breeze went through the

515
00:26:36.480 --> 00:26:39.000
<v Speaker 1>theater and I really felt like I had stepped outside.

516
00:26:39.039 --> 00:26:41.519
<v Speaker 1>I mean that that's the stuff. That's pretty cool. But

517
00:26:41.559 --> 00:26:44.839
<v Speaker 1>I've watched other things, excuse me, they're a little more violent,

518
00:26:45.359 --> 00:26:47.079
<v Speaker 1>you know, like shaking you in your seat, punching you

519
00:26:47.079 --> 00:26:51.880
<v Speaker 1>in your back, and I just I don't know it.

520
00:26:51.880 --> 00:26:54.720
<v Speaker 2>It's it starts sounding like a Saturday Night Live sketch,

521
00:26:54.759 --> 00:26:55.160
<v Speaker 2>doesn't it.

522
00:26:55.599 --> 00:26:57.880
<v Speaker 1>Yeah, yeah, yeah. But but on the other hand, I

523
00:26:57.880 --> 00:27:00.599
<v Speaker 1>did see Twister, the old one the night ninety five

524
00:27:00.599 --> 00:27:03.039
<v Speaker 1>to one, and of course that one was pretty intense.

525
00:27:03.079 --> 00:27:05.680
<v Speaker 1>I mean there was lightning, there was it literally rained

526
00:27:05.759 --> 00:27:10.359
<v Speaker 1>on us from the ceiling. The seats were going all

527
00:27:10.400 --> 00:27:13.559
<v Speaker 1>over the place. But it kind of worked, right, I

528
00:27:13.559 --> 00:27:15.599
<v Speaker 1>don't know. So it could even have to do with

529
00:27:15.799 --> 00:27:18.079
<v Speaker 1>the person who programmed it, you know that that.

530
00:27:18.759 --> 00:27:22.640
<v Speaker 2>Was my thinking. Yeah, yeah, So, like I was wondering

531
00:27:23.000 --> 00:27:26.079
<v Speaker 2>with Jaws like, did Spielberg sit in the chair and

532
00:27:26.160 --> 00:27:28.039
<v Speaker 2>sign off on all the stuff that they had to do?

533
00:27:28.519 --> 00:27:28.720
<v Speaker 2>You know?

534
00:27:28.799 --> 00:27:31.240
<v Speaker 1>I wondered that too, actually if he because I thought

535
00:27:31.319 --> 00:27:34.079
<v Speaker 1>the thing that I saw the presentation was so beautiful.

536
00:27:34.079 --> 00:27:36.599
<v Speaker 1>I wondered. But I was like, he's seen this stuff

537
00:27:36.640 --> 00:27:38.240
<v Speaker 1>so many times, and he has so many things that

538
00:27:38.279 --> 00:27:40.519
<v Speaker 1>get re released. I wonder how much of this stuff

539
00:27:40.559 --> 00:27:42.160
<v Speaker 1>actually gets put in front of him or if he

540
00:27:42.279 --> 00:27:43.960
<v Speaker 1>just I don't know.

541
00:27:44.279 --> 00:27:47.519
<v Speaker 2>Yeah, but that was my question. But regardless it was

542
00:27:47.559 --> 00:27:52.359
<v Speaker 2>it was a good experience. Obviously, we skipped watching, you know, normally.

543
00:27:52.440 --> 00:27:54.920
<v Speaker 2>On fourth of July, we watched Jaws, and I knew

544
00:27:54.960 --> 00:27:56.319
<v Speaker 2>it was coming back to theaters, so I was like,

545
00:27:56.359 --> 00:27:57.720
<v Speaker 2>you know, let's just hold off and we can see

546
00:27:57.720 --> 00:28:01.480
<v Speaker 2>it in the theater. But afterwards, my eleven year old

547
00:28:01.519 --> 00:28:04.480
<v Speaker 2>was like, O, can we watch Jaws two? And I

548
00:28:04.519 --> 00:28:06.880
<v Speaker 2>was like, yeah, sure, you know, and and so he

549
00:28:06.960 --> 00:28:10.960
<v Speaker 2>and I watched that one and and I would say

550
00:28:11.119 --> 00:28:15.759
<v Speaker 2>that the best time to watch Jaws two is when

551
00:28:15.759 --> 00:28:18.319
<v Speaker 2>you're eleven years old and you've just watched Jaws one,

552
00:28:20.279 --> 00:28:22.599
<v Speaker 2>you know what I mean? Because because he just sort

553
00:28:22.599 --> 00:28:24.119
<v Speaker 2>of took it at face valley and he's like, yeah,

554
00:28:24.160 --> 00:28:25.519
<v Speaker 2>I liked it. I like the first time better, but

555
00:28:25.559 --> 00:28:26.720
<v Speaker 2>this was good, you know, And I'm like.

556
00:28:26.799 --> 00:28:30.720
<v Speaker 1>Sure, that's great, right, yeah, yeah, well that's nice. I

557
00:28:30.799 --> 00:28:35.839
<v Speaker 1>like that. Well, real quick, I want to ask if

558
00:28:35.839 --> 00:28:39.319
<v Speaker 1>you had heard speaking of forty X about you know,

559
00:28:39.359 --> 00:28:41.680
<v Speaker 1>there's this upcoming movie, The Long Walk.

560
00:28:42.119 --> 00:28:45.359
<v Speaker 2>That's right, Stephen King, right, yes, yeah.

561
00:28:45.079 --> 00:28:50.240
<v Speaker 1>So it's some dystopian future and like these kids are

562
00:28:50.240 --> 00:28:52.920
<v Speaker 1>basically forced to walk until they can walk no longer,

563
00:28:52.960 --> 00:28:55.680
<v Speaker 1>and if you stop walking, you get killed. Okay, And

564
00:28:55.720 --> 00:28:59.400
<v Speaker 1>apparently there are immersive experiences where you can watch this

565
00:28:59.440 --> 00:29:00.400
<v Speaker 1>movie on a tr readmill.

566
00:29:01.319 --> 00:29:03.000
<v Speaker 2>Yeah. No, that's that's a no for me.

567
00:29:03.880 --> 00:29:07.000
<v Speaker 1>I was like, you know, I'm kind of interested.

568
00:29:07.519 --> 00:29:10.359
<v Speaker 2>I don't know, it sounds it's a hard pass. Yeah.

569
00:29:10.440 --> 00:29:12.000
<v Speaker 1>I don't know if this is something that they're really

570
00:29:12.039 --> 00:29:13.559
<v Speaker 1>going to be doing most places. It could even just

571
00:29:13.599 --> 00:29:16.400
<v Speaker 1>be like some something they did for like influencers.

572
00:29:16.759 --> 00:29:20.279
<v Speaker 2>I don't I don't need to be living the dystopia.

573
00:29:20.400 --> 00:29:23.000
<v Speaker 1>Yeah, have Mark Hamill behind you just yelling.

574
00:29:22.799 --> 00:29:25.880
<v Speaker 2>In your ears? Maybe in that case maybe.

575
00:29:26.519 --> 00:29:27.920
<v Speaker 1>Yeah. I just thought that was kind of funny.

576
00:29:30.000 --> 00:29:35.319
<v Speaker 2>I have seen the new season of Peacemaker, Brian, okay,

577
00:29:35.480 --> 00:29:38.160
<v Speaker 2>season two right, season two? Now you have not seen

578
00:29:38.200 --> 00:29:40.799
<v Speaker 2>the first season, right, No, I haven't. Yeah, now peace

579
00:29:40.839 --> 00:29:43.000
<v Speaker 2>Maker the first see. This is an interesting one because

580
00:29:43.039 --> 00:29:46.039
<v Speaker 2>this show sort of straddles two different versions of the

581
00:29:46.119 --> 00:29:49.960
<v Speaker 2>dc Universe, hmm, right, And and so that's sort of

582
00:29:50.000 --> 00:29:53.279
<v Speaker 2>interesting because it gives us a window into how James

583
00:29:53.359 --> 00:29:58.839
<v Speaker 2>gun Is is incorporating prior aspects and what he's not.

584
00:29:59.440 --> 00:30:00.920
<v Speaker 2>And so I don't get into it too much, I

585
00:30:00.960 --> 00:30:04.559
<v Speaker 2>will say this is very much existing in the post

586
00:30:05.000 --> 00:30:08.279
<v Speaker 2>Superman twenty twenty five world, you know, So it's picking

587
00:30:08.359 --> 00:30:12.519
<v Speaker 2>up on plot threads from there. Meanwhile, it's picking up

588
00:30:12.559 --> 00:30:18.440
<v Speaker 2>also on season one of Peacemaker, which again was part

589
00:30:18.480 --> 00:30:20.799
<v Speaker 2>of the old Zack Snyder version of the universe.

590
00:30:21.160 --> 00:30:21.599
<v Speaker 1>Interesting.

591
00:30:22.720 --> 00:30:25.279
<v Speaker 2>So it's funny because the very first episode of the

592
00:30:25.319 --> 00:30:28.519
<v Speaker 2>season starts with the little recap and it says previously

593
00:30:28.920 --> 00:30:34.160
<v Speaker 2>in the DCU, right, And as we know, the new

594
00:30:34.559 --> 00:30:37.640
<v Speaker 2>version of the universe is called the DCU. Right, So

595
00:30:37.680 --> 00:30:42.640
<v Speaker 2>in essence, everything that's recapped is considered part of the DCU.

596
00:30:44.480 --> 00:30:49.799
<v Speaker 2>And this is all like a bunch of fanboy hugger mugger,

597
00:30:49.880 --> 00:30:53.559
<v Speaker 2>I'm sure, but like they do this thing where the

598
00:30:53.599 --> 00:30:58.880
<v Speaker 2>first season ends with the Justice League shows up and

599
00:30:58.960 --> 00:31:02.079
<v Speaker 2>the Justice League is you know, we see silhouettes of

600
00:31:02.359 --> 00:31:05.839
<v Speaker 2>Superman and Wonder Woman and uh and and we have

601
00:31:06.000 --> 00:31:10.079
<v Speaker 2>Jason Momoa as Aquaman and Ezra Miller as as the

602
00:31:10.119 --> 00:31:14.000
<v Speaker 2>Flash and so we see them, we see them and

603
00:31:14.079 --> 00:31:16.640
<v Speaker 2>they have some some dialogue and there's a joke about

604
00:31:16.640 --> 00:31:23.000
<v Speaker 2>how uh Peacemaker is is spreading this rumor that that

605
00:31:23.720 --> 00:31:27.279
<v Speaker 2>Aquaman has sex with Fish. And then Aquaman's like, I

606
00:31:27.319 --> 00:31:29.920
<v Speaker 2>wish people would stop, you know, spreading that rumor. And

607
00:31:29.920 --> 00:31:32.359
<v Speaker 2>then Ezra Miller's like, it's not a rumor, you know,

608
00:31:33.440 --> 00:31:36.880
<v Speaker 2>and and he's like if you berry, you know. And

609
00:31:36.960 --> 00:31:40.759
<v Speaker 2>so at the beginning of this season, they do the

610
00:31:40.799 --> 00:31:43.240
<v Speaker 2>recap and they show they show that it's not the

611
00:31:43.359 --> 00:31:44.839
<v Speaker 2>Justice League, it's the Justice Gang.

612
00:31:45.559 --> 00:31:45.680
<v Speaker 1>Mm.

613
00:31:46.519 --> 00:31:48.960
<v Speaker 2>Interesting, So they did a little like a d R

614
00:31:49.119 --> 00:31:50.759
<v Speaker 2>where a character is like, can you call in the

615
00:31:50.880 --> 00:31:54.240
<v Speaker 2>Justice Gang instead of the Justice League? And then and

616
00:31:54.279 --> 00:31:57.400
<v Speaker 2>then we see a silhouette of Superman, a silhouette of Supergirl,

617
00:31:57.440 --> 00:32:00.599
<v Speaker 2>and we see a Hawk Girl and Gardner.

618
00:32:00.920 --> 00:32:02.240
<v Speaker 1>Oh funny, And.

619
00:32:02.200 --> 00:32:05.599
<v Speaker 2>So they've like retconned that instead of a rumor about

620
00:32:05.599 --> 00:32:09.279
<v Speaker 2>Aquaman having sex with Fish, it's a rumor about how

621
00:32:09.480 --> 00:32:14.960
<v Speaker 2>Guy Gardner is a has a puke fetish, and so

622
00:32:15.000 --> 00:32:17.640
<v Speaker 2>they just they just again, it's just in there. It's

623
00:32:17.680 --> 00:32:19.839
<v Speaker 2>before the episode even starts, it's in the recap. This

624
00:32:19.880 --> 00:32:23.079
<v Speaker 2>is a little ret con, right, And and I was like,

625
00:32:23.119 --> 00:32:27.720
<v Speaker 2>I just found I was tickled by that because I'm like, yeah, well,

626
00:32:27.759 --> 00:32:29.640
<v Speaker 2>this is this is like if you've if you've read

627
00:32:29.720 --> 00:32:32.559
<v Speaker 2>DC comics for any length of time, this is just

628
00:32:33.440 --> 00:32:34.880
<v Speaker 2>this is part of the course. This is just a

629
00:32:34.920 --> 00:32:37.599
<v Speaker 2>Tuesday when it comes to DC because they're ret conning

630
00:32:37.599 --> 00:32:40.480
<v Speaker 2>shit all the time. Sure, and you have to have

631
00:32:40.519 --> 00:32:43.519
<v Speaker 2>a scorecard of what still cannon and what's not. And

632
00:32:43.559 --> 00:32:45.160
<v Speaker 2>I'm like, oh, hey, so we're just doing that in

633
00:32:45.200 --> 00:32:48.000
<v Speaker 2>live action. And I'm like that's pretty funny to me.

634
00:32:48.119 --> 00:32:50.480
<v Speaker 2>But it's been amusing to see sort of online just

635
00:32:50.519 --> 00:32:54.920
<v Speaker 2>people people getting really frustrated trying to figure this out.

636
00:32:54.960 --> 00:33:00.359
<v Speaker 2>And I'm like, I'm like, oh, oh, precious child, you

637
00:33:00.359 --> 00:33:05.599
<v Speaker 2>know this is you know, they're just doing in in

638
00:33:05.599 --> 00:33:07.759
<v Speaker 2>in live action what they've been doing in the comics

639
00:33:07.759 --> 00:33:08.839
<v Speaker 2>for decades.

640
00:33:09.559 --> 00:33:13.799
<v Speaker 1>So they didn't even say some sort of like multiverse,

641
00:33:13.880 --> 00:33:18.519
<v Speaker 1>oh there was a lightning storm by a generator. Yeah, no,

642
00:33:18.960 --> 00:33:21.480
<v Speaker 1>Fermi lab yeah, yeah.

643
00:33:21.640 --> 00:33:24.920
<v Speaker 2>I mean the idea is like some of what happened

644
00:33:25.039 --> 00:33:30.720
<v Speaker 2>before it counts some of it, didn't, you know, when

645
00:33:30.759 --> 00:33:35.039
<v Speaker 2>we once we refer to it, consider it cannon, which,

646
00:33:35.079 --> 00:33:35.359
<v Speaker 2>by the.

647
00:33:35.359 --> 00:33:38.240
<v Speaker 1>Way, I mean obviously I watch a lot of this stuff,

648
00:33:38.440 --> 00:33:40.319
<v Speaker 1>so I'm a little bit conditioned, but I just feel

649
00:33:40.319 --> 00:33:42.119
<v Speaker 1>like we're in a moment now where I see that

650
00:33:42.160 --> 00:33:42.599
<v Speaker 1>and I go.

651
00:33:42.599 --> 00:33:46.480
<v Speaker 2>All right, I mean really right, like how much? How

652
00:33:46.559 --> 00:33:48.359
<v Speaker 2>much do you want to get worked up over this stuff?

653
00:33:48.599 --> 00:33:49.079
<v Speaker 1>Right? Right?

654
00:33:50.240 --> 00:33:53.880
<v Speaker 2>So so the series it is extremely r rated.

655
00:33:54.920 --> 00:33:57.119
<v Speaker 1>Yeah, you even just talking about the puke stuff or whatever,

656
00:33:57.160 --> 00:33:59.559
<v Speaker 1>it's like, oh, this is goun sort of like like

657
00:33:59.559 --> 00:34:01.480
<v Speaker 1>almost like he was half holding his breath while he

658
00:34:01.559 --> 00:34:04.440
<v Speaker 1>was writing Superman and doing that. He can be like

659
00:34:05.240 --> 00:34:08.519
<v Speaker 1>and just sort of let what he's been a bit

660
00:34:08.679 --> 00:34:09.360
<v Speaker 1>pent up.

661
00:34:09.840 --> 00:34:11.960
<v Speaker 2>In the In the first episode, there's a full on

662
00:34:12.400 --> 00:34:16.039
<v Speaker 2>org scene where you see everything. Oh wow, yeah, so

663
00:34:16.760 --> 00:34:21.480
<v Speaker 2>don't don't don't gather around the kiddies like kids, did

664
00:34:21.480 --> 00:34:24.599
<v Speaker 2>you like Superman? Yeah?

665
00:34:24.599 --> 00:34:27.000
<v Speaker 1>I mean I can't think of specific examples, but it

666
00:34:27.000 --> 00:34:30.599
<v Speaker 1>does feel like, well, I mean I just Star Wars

667
00:34:30.639 --> 00:34:32.280
<v Speaker 1>or Marvel or whatever. It does feel like when they

668
00:34:32.360 --> 00:34:36.320
<v Speaker 1>do their shows they don't push things well, because there

669
00:34:36.320 --> 00:34:38.639
<v Speaker 1>was the Netflix Marvel that felt a little bit more

670
00:34:38.719 --> 00:34:43.039
<v Speaker 1>R rated, right, Daredevil and everything. Yeah, but it was

671
00:34:43.079 --> 00:34:45.800
<v Speaker 1>sort of understood that if you watch something with the

672
00:34:45.840 --> 00:34:48.599
<v Speaker 1>Marvel logo at the beginning, whether on Disney Plus or

673
00:34:49.440 --> 00:34:51.360
<v Speaker 1>you know, in the theater, you're gonna be in the

674
00:34:51.360 --> 00:34:55.800
<v Speaker 1>same arena in terms of like age appropriateness. Right, So

675
00:34:55.920 --> 00:34:58.159
<v Speaker 1>this is interesting that this is just sort of without

676
00:34:58.159 --> 00:35:02.079
<v Speaker 1>even any sort of warning or it's like, hey, like Superman,

677
00:35:02.159 --> 00:35:03.719
<v Speaker 1>you got this thing over here too, and then you

678
00:35:03.800 --> 00:35:05.599
<v Speaker 1>don't exactly know what you're stepping into.

679
00:35:05.639 --> 00:35:08.159
<v Speaker 2>It sounds like, I mean, I look, I I I

680
00:35:08.199 --> 00:35:12.719
<v Speaker 2>think that personally, I think these brands should be pushing

681
00:35:12.719 --> 00:35:17.320
<v Speaker 2>out in these directions more. I think we should just

682
00:35:17.320 --> 00:35:22.400
<v Speaker 2>be able to encompass multitudes. Sure, I think I think that,

683
00:35:25.000 --> 00:35:27.480
<v Speaker 2>you know, well, like Marvel, well they got their Daredevil,

684
00:35:27.800 --> 00:35:29.840
<v Speaker 2>you know, they brought back Daredevil. That's pretty R rated.

685
00:35:29.880 --> 00:35:31.480
<v Speaker 1>They got there, They got there, Yeah.

686
00:35:31.559 --> 00:35:33.440
<v Speaker 2>And they got this Marvel Zombies coming up that shir

687
00:35:33.519 --> 00:35:36.119
<v Speaker 2>doesn't look like you know, it's going to be TVPG

688
00:35:37.400 --> 00:35:41.039
<v Speaker 2>And I'm like good, you know, like, you know, I

689
00:35:41.239 --> 00:35:45.480
<v Speaker 2>I think that that what parent is going to watch

690
00:35:45.480 --> 00:35:47.559
<v Speaker 2>Peacemaker with their kid? You know, I would I would

691
00:35:47.599 --> 00:35:51.519
<v Speaker 2>offer a bad parent, right, because.

692
00:35:51.239 --> 00:35:53.079
<v Speaker 1>It's funny you say that, because I was actually thinking

693
00:35:53.079 --> 00:35:53.800
<v Speaker 1>more than you think.

694
00:35:54.800 --> 00:36:01.440
<v Speaker 2>Yeah, and and all of them bad, every single I mean,

695
00:36:01.719 --> 00:36:05.599
<v Speaker 2>you know, do some due diligence, you know, well like

696
00:36:05.679 --> 00:36:06.440
<v Speaker 2>watch it first?

697
00:36:06.920 --> 00:36:10.480
<v Speaker 1>Sure, sure, yeah, I mean that's what you would hope

698
00:36:10.559 --> 00:36:13.639
<v Speaker 1>most parents would do vet things for their kids. And yeah,

699
00:36:13.760 --> 00:36:14.360
<v Speaker 1>who knows.

700
00:36:14.760 --> 00:36:17.440
<v Speaker 2>Uh real quick. I wanted to mention also, so the

701
00:36:17.440 --> 00:36:20.599
<v Speaker 2>Peacemaker season is playing out right now. I think we're

702
00:36:20.599 --> 00:36:23.599
<v Speaker 2>about three episodes in. By the way, have you watched Alien,

703
00:36:23.800 --> 00:36:26.360
<v Speaker 2>the Alien TV series? No?

704
00:36:27.760 --> 00:36:33.519
<v Speaker 1>I meant to, and then this month got a little busy. Yeah,

705
00:36:33.559 --> 00:36:35.599
<v Speaker 1>and then I even thought like, well, I'll binge it

706
00:36:35.599 --> 00:36:36.159
<v Speaker 1>at some point.

707
00:36:36.320 --> 00:36:37.400
<v Speaker 2>That's kind of where I'm at.

708
00:36:37.599 --> 00:36:39.719
<v Speaker 1>And I'm hearing sort of tepid things about it.

709
00:36:39.800 --> 00:36:44.239
<v Speaker 2>So well, here I'm hearing reactions spanning the spectrum, okay,

710
00:36:44.719 --> 00:36:47.280
<v Speaker 2>because I have people who are singing its praises week

711
00:36:47.559 --> 00:36:50.880
<v Speaker 2>upon week. Okay, and then people are like, God, this

712
00:36:50.880 --> 00:36:53.159
<v Speaker 2>thing is just dull as a dishrag. So yeah, I

713
00:36:53.199 --> 00:36:53.679
<v Speaker 2>don't know.

714
00:36:55.480 --> 00:36:58.159
<v Speaker 1>Well, I'm very curious to hear what you think. Maybe

715
00:36:58.159 --> 00:37:01.920
<v Speaker 1>I'll it'll be easier when there's you know, six in

716
00:37:01.920 --> 00:37:03.400
<v Speaker 1>a row. I can just sort of do it my

717
00:37:03.400 --> 00:37:03.880
<v Speaker 1>own pace.

718
00:37:04.480 --> 00:37:08.920
<v Speaker 2>Yeah. You know. The critic who reviewed it for The

719
00:37:09.000 --> 00:37:12.000
<v Speaker 2>Chronicles that it's the best thing that's happened with the

720
00:37:12.000 --> 00:37:15.480
<v Speaker 2>franchise in decades, and that has me kind of interesting.

721
00:37:16.159 --> 00:37:18.880
<v Speaker 1>I do love the idea of stories, like I don't

722
00:37:18.960 --> 00:37:21.280
<v Speaker 1>neither to be a monster movie every week. I like

723
00:37:21.320 --> 00:37:23.719
<v Speaker 1>the idea of there being stories set in this universe,

724
00:37:24.239 --> 00:37:26.960
<v Speaker 1>in particular, I guess on Earth, which is kind of interesting.

725
00:37:27.639 --> 00:37:30.960
<v Speaker 1>So I'm cool with that. Like, I'm cool with exploring

726
00:37:30.960 --> 00:37:34.239
<v Speaker 1>the world a little bit and not having to be yeah,

727
00:37:34.320 --> 00:37:36.199
<v Speaker 1>you know, thrill a minute per se, as long as

728
00:37:36.199 --> 00:37:38.440
<v Speaker 1>there's good characters and intriguing ideas.

729
00:37:40.159 --> 00:37:43.480
<v Speaker 2>The only thing I and look, I don't know anything

730
00:37:43.519 --> 00:37:48.360
<v Speaker 2>about the show except that it's set before the first film, right,

731
00:37:49.239 --> 00:37:52.400
<v Speaker 2>but it's set on Earth, and that has me confused

732
00:37:52.440 --> 00:37:52.920
<v Speaker 2>a little bit.

733
00:37:53.800 --> 00:37:55.079
<v Speaker 1>Sure, yeah, right.

734
00:37:55.039 --> 00:37:56.960
<v Speaker 2>As far as how that, I mean, we're just talking

735
00:37:56.960 --> 00:37:58.960
<v Speaker 2>about canon and stuff. But I got as it fit in,

736
00:37:59.199 --> 00:37:59.400
<v Speaker 2>you know.

737
00:38:00.039 --> 00:38:02.719
<v Speaker 1>Yeah, I and Noah Holly, who I tend to like

738
00:38:03.039 --> 00:38:06.559
<v Speaker 1>the Yeah, Fargo. I really liked Fargo. The TV show

739
00:38:06.639 --> 00:38:09.920
<v Speaker 1>was skeptical when it started. I want to say, there's

740
00:38:09.920 --> 00:38:13.199
<v Speaker 1>like four or five seasons, and I've really liked maybe

741
00:38:13.239 --> 00:38:16.480
<v Speaker 1>three of them pretty pretty much liked one of them,

742
00:38:16.480 --> 00:38:18.760
<v Speaker 1>and there was one that I most people seem to

743
00:38:18.800 --> 00:38:20.880
<v Speaker 1>not like, and I haven't gotten around to that one,

744
00:38:21.000 --> 00:38:22.880
<v Speaker 1>but I would say, by and large pretty good.

745
00:38:23.079 --> 00:38:25.639
<v Speaker 2>Yeah, very weird, very.

746
00:38:27.920 --> 00:38:32.480
<v Speaker 1>I don't know how, but they've managed to remix Fargo

747
00:38:32.519 --> 00:38:34.559
<v Speaker 1>in a weird sort of way with new characters and

748
00:38:34.599 --> 00:38:38.280
<v Speaker 1>new ideas but still feel like, Yeah, that feels kind

749
00:38:38.280 --> 00:38:41.719
<v Speaker 1>of like the movie Fargo without repeating itself. And so

750
00:38:41.880 --> 00:38:44.599
<v Speaker 1>it's it's I would say it was a successful experiment.

751
00:38:44.679 --> 00:38:47.239
<v Speaker 1>So I find him pretty interesting. And so seeing how

752
00:38:47.280 --> 00:38:52.760
<v Speaker 1>he remixes or builds out alien that universe, I'm curious.

753
00:38:53.880 --> 00:38:55.679
<v Speaker 2>One last thing I wanted to mention, and this is

754
00:38:55.679 --> 00:38:59.199
<v Speaker 2>a show. It's a mini series that's starting on HBO

755
00:38:59.760 --> 00:39:03.079
<v Speaker 2>this weekend as we record this UH, and it's called

756
00:39:03.199 --> 00:39:08.559
<v Speaker 2>Task I don't know, Yeah, it's it's UH. It's created

757
00:39:08.599 --> 00:39:13.480
<v Speaker 2>by Brad Inglesby, who did Mayor of Easttown, Okay, and

758
00:39:13.639 --> 00:39:15.239
<v Speaker 2>it's kind of set in the same did you see

759
00:39:15.280 --> 00:39:15.960
<v Speaker 2>Mary Beastown?

760
00:39:16.199 --> 00:39:17.199
<v Speaker 1>No, I'm familiar with.

761
00:39:17.159 --> 00:39:22.000
<v Speaker 2>It, Yeah, with with Kate Winslet. So so this UH

762
00:39:22.320 --> 00:39:26.119
<v Speaker 2>has Mark Ruffalo as the head of an FBI task

763
00:39:26.199 --> 00:39:29.480
<v Speaker 2>force that's trying to find some criminals who are doing

764
00:39:29.599 --> 00:39:33.679
<v Speaker 2>these uh smash and grabs in various people's houses. And

765
00:39:33.760 --> 00:39:36.840
<v Speaker 2>it's essentially I mean it's it's like an eight episode

766
00:39:37.719 --> 00:39:43.960
<v Speaker 2>investigation or seven episodes. Excuse me, and I I I

767
00:39:43.960 --> 00:39:47.440
<v Speaker 2>I like the show, like I would recommend it more

768
00:39:47.519 --> 00:39:53.000
<v Speaker 2>for the performances than the the Like the criminal storyline.

769
00:39:54.599 --> 00:39:57.199
<v Speaker 2>I didn't find that particularly compelling, But I think I

770
00:39:57.239 --> 00:40:02.039
<v Speaker 2>think Ruffalo as the main character, I mean, he's just great. Obviously,

771
00:40:02.280 --> 00:40:04.440
<v Speaker 2>at no point does he say they knew, which is

772
00:40:04.519 --> 00:40:05.280
<v Speaker 2>disappointing to me.

773
00:40:05.400 --> 00:40:09.360
<v Speaker 1>I was gonna ask, so he requests that from you.

774
00:40:09.639 --> 00:40:18.719
<v Speaker 2>I he plays uh An, an ex priest who has

775
00:40:18.800 --> 00:40:22.880
<v Speaker 2>lost his faith, and and he's he's working in it

776
00:40:22.920 --> 00:40:25.280
<v Speaker 2>as an FBI agent, and there's a reason for that.

777
00:40:25.320 --> 00:40:27.119
<v Speaker 2>And I think that that arc that they give him

778
00:40:27.159 --> 00:40:28.920
<v Speaker 2>is really interesting. He's such a great actor, you know,

779
00:40:29.159 --> 00:40:30.840
<v Speaker 2>And I think a lot of these actors, the older

780
00:40:30.840 --> 00:40:32.639
<v Speaker 2>they get, the more sort of character they have on

781
00:40:32.679 --> 00:40:35.079
<v Speaker 2>their face, you know. I think I think Ruffalo is

782
00:40:35.119 --> 00:40:40.199
<v Speaker 2>one of those guys. And also the the the the

783
00:40:40.199 --> 00:40:43.639
<v Speaker 2>the the criminal that they're pursuing. His name is Tom

784
00:40:43.679 --> 00:40:46.760
<v Speaker 2>Pelfrey and the actor is Tom Pelfrey. Who he was.

785
00:40:46.920 --> 00:40:47.960
<v Speaker 2>He was on Ozark.

786
00:40:48.760 --> 00:40:50.239
<v Speaker 1>Okay, I didn't watch Ozark.

787
00:40:51.239 --> 00:40:53.159
<v Speaker 2>He's very good. He was very good on Ozark from

788
00:40:53.199 --> 00:40:55.079
<v Speaker 2>what I saw, and he's very good here. So both

789
00:40:55.119 --> 00:40:58.000
<v Speaker 2>of them are really good. Uh. I think the the

790
00:40:58.079 --> 00:41:03.679
<v Speaker 2>upside is it's it's only seven episodes, which is kind

791
00:41:03.679 --> 00:41:05.760
<v Speaker 2>of nice, right, like yeah, yeah, it's like, you know,

792
00:41:06.440 --> 00:41:09.920
<v Speaker 2>it's not a season long thing, and so in that sense,

793
00:41:09.960 --> 00:41:11.559
<v Speaker 2>I think the arcs that they set up in the

794
00:41:11.599 --> 00:41:16.079
<v Speaker 2>beginning payoff pretty well. I watched it all at once.

795
00:41:16.119 --> 00:41:19.320
<v Speaker 2>I don't know how it'll play week to week, but

796
00:41:19.840 --> 00:41:23.320
<v Speaker 2>it is being dropped every week on HBO, and I

797
00:41:23.360 --> 00:41:27.119
<v Speaker 2>would recommend it, if nothing else, just for the performances.

798
00:41:26.360 --> 00:41:29.800
<v Speaker 1>You know, now that you describe it. I do remember

799
00:41:29.800 --> 00:41:32.679
<v Speaker 1>seeing a trailer for this, okay, at least a month ago,

800
00:41:32.719 --> 00:41:35.760
<v Speaker 1>maybe even more, and I remember thinking, yeah, it just

801
00:41:35.800 --> 00:41:39.039
<v Speaker 1>looked I couldn't put my finger on exactly why, but

802
00:41:39.079 --> 00:41:43.039
<v Speaker 1>it did feel compelling, like yeah, like, oh that's something

803
00:41:43.079 --> 00:41:45.760
<v Speaker 1>that maybe I would give a shot, just because maybe

804
00:41:45.920 --> 00:41:48.159
<v Speaker 1>it's what you were saying. The performances were drawing me in.

805
00:41:48.800 --> 00:41:51.440
<v Speaker 2>Yeah. As I was watching it, I was like, you know,

806
00:41:53.519 --> 00:41:59.440
<v Speaker 2>I would love to see the Ruffalo arc in support

807
00:41:59.559 --> 00:42:04.679
<v Speaker 2>of like more of an episodic procedural where we're going

808
00:42:04.679 --> 00:42:09.280
<v Speaker 2>from case to case, but we've got these you know,

809
00:42:09.320 --> 00:42:10.719
<v Speaker 2>I mean again kind of what you see on a

810
00:42:10.719 --> 00:42:14.719
<v Speaker 2>traditional network show, where you've got these character arcs that

811
00:42:14.760 --> 00:42:18.679
<v Speaker 2>we're following, but but we're like we're the you know,

812
00:42:18.719 --> 00:42:21.360
<v Speaker 2>you're you're not living or dying based on how interesting

813
00:42:21.400 --> 00:42:25.159
<v Speaker 2>the case itself is, you know, right, But but still

814
00:42:25.159 --> 00:42:28.800
<v Speaker 2>I would still recommend it. It's not it didn't blow

815
00:42:28.840 --> 00:42:32.719
<v Speaker 2>me away, but I did find it compelling. I think

816
00:42:32.760 --> 00:42:35.039
<v Speaker 2>the performance make it worth while. Honestly, this is this

817
00:42:35.119 --> 00:42:36.920
<v Speaker 2>is just a month or so after that that that

818
00:42:37.039 --> 00:42:40.840
<v Speaker 2>other show that I mentioned called Untamed with with Eric

819
00:42:40.880 --> 00:42:44.280
<v Speaker 2>Banna oh right, yeah, yeah, which is on Netflix. And

820
00:42:44.320 --> 00:42:45.679
<v Speaker 2>the truth is the two of them kind of make

821
00:42:45.719 --> 00:42:48.639
<v Speaker 2>for an interesting double header because because again kind of

822
00:42:48.679 --> 00:42:54.039
<v Speaker 2>the same drill. Eric Banna playing a very similar character

823
00:42:54.119 --> 00:42:57.400
<v Speaker 2>to to to what Ruffalo is playing. Hm hm, you know,

824
00:42:57.519 --> 00:43:03.840
<v Speaker 2>he's he's uh, he's an officer and he's got this

825
00:43:03.920 --> 00:43:06.119
<v Speaker 2>personal trauma he's working through. And you know, for me,

826
00:43:06.199 --> 00:43:08.000
<v Speaker 2>it's like sometimes you just want to watch these great

827
00:43:08.000 --> 00:43:10.519
<v Speaker 2>actors just just really make a meal out of this.

828
00:43:10.519 --> 00:43:14.000
<v Speaker 1>You know, Oh, totally you know, you know, I was

829
00:43:14.119 --> 00:43:17.559
<v Speaker 1>just googling really fast because when you were talking about

830
00:43:17.599 --> 00:43:19.760
<v Speaker 1>it being more about the character and less about the case,

831
00:43:19.800 --> 00:43:23.639
<v Speaker 1>I wondered if it was based on a book or something, right,

832
00:43:23.719 --> 00:43:26.440
<v Speaker 1>and it doesn't look like it is. But according to

833
00:43:26.599 --> 00:43:31.480
<v Speaker 1>the showrunner, this was inspired by his real life uncle

834
00:43:31.800 --> 00:43:34.679
<v Speaker 1>who used to be a priest, so it's coming from somewhere.

835
00:43:34.760 --> 00:43:36.000
<v Speaker 1>The character study of.

836
00:43:35.960 --> 00:43:40.400
<v Speaker 2>It, that's interesting. Yeah, yeah, I mean, well that that

837
00:43:40.760 --> 00:43:44.440
<v Speaker 2>journey is always very compelling to me, right, I mean

838
00:43:44.440 --> 00:43:46.199
<v Speaker 2>I think that's why I think you and I both

839
00:43:46.280 --> 00:43:50.239
<v Speaker 2>really liked mel Gibson's character and signs. Yeah, right, like

840
00:43:50.719 --> 00:43:55.079
<v Speaker 2>what what what does one go through when they're confronted

841
00:43:55.119 --> 00:44:00.400
<v Speaker 2>with you know, their their faith being shad in some

842
00:44:00.480 --> 00:44:03.239
<v Speaker 2>way and having to reclaim it.

843
00:44:03.239 --> 00:44:05.679
<v Speaker 1>It's a great example because when I think of that movie,

844
00:44:05.719 --> 00:44:08.400
<v Speaker 1>that's almost what I think about first. Yeah, right, for

845
00:44:08.519 --> 00:44:14.960
<v Speaker 1>the Aliens. Yeah, it's the lead character's personal story and

846
00:44:15.000 --> 00:44:18.400
<v Speaker 1>an alien invasion is the backdrop to his you know,

847
00:44:18.559 --> 00:44:19.920
<v Speaker 1>his searching and his growth.

848
00:44:20.119 --> 00:44:22.840
<v Speaker 2>Yeah, it's so funny. You know, this past week in

849
00:44:23.159 --> 00:44:25.920
<v Speaker 2>my class, I was talking about standard narrative structure, and

850
00:44:25.960 --> 00:44:28.599
<v Speaker 2>you know, you start at a state of equilibrium and

851
00:44:28.639 --> 00:44:32.480
<v Speaker 2>then and then some some question is introduced, some enigma,

852
00:44:32.559 --> 00:44:34.800
<v Speaker 2>and then that leads to disequilibrium, and then we're trying

853
00:44:34.800 --> 00:44:37.559
<v Speaker 2>to get back to equilibrium, right, And I was like,

854
00:44:37.599 --> 00:44:39.679
<v Speaker 2>you know, that's structure. It's a pretty sturdy thing, and

855
00:44:39.679 --> 00:44:41.760
<v Speaker 2>you can you can you can look at it and

856
00:44:42.159 --> 00:44:44.760
<v Speaker 2>just apply it to just about any film. But you

857
00:44:44.800 --> 00:44:48.079
<v Speaker 2>know what I kept trying to to emphasize to my

858
00:44:48.119 --> 00:44:53.199
<v Speaker 2>students is we're talking about the emotional journey. That's what

859
00:44:53.239 --> 00:44:56.159
<v Speaker 2>you got you need to figure out, right, you know,

860
00:44:56.280 --> 00:45:02.360
<v Speaker 2>like why do we care about you know, Luke Skywalker whoever.

861
00:45:02.440 --> 00:45:05.119
<v Speaker 2>It's because because you've set an emotional journey for him

862
00:45:05.159 --> 00:45:06.960
<v Speaker 2>to go on and involves him going through all these

863
00:45:07.239 --> 00:45:11.719
<v Speaker 2>these actions. But it's because we're invested in in how

864
00:45:11.760 --> 00:45:13.719
<v Speaker 2>he grows as a person or whatever. You know.

865
00:45:14.199 --> 00:45:18.119
<v Speaker 1>Absolutely, and I said growth regarding Signs and Bill Gibson,

866
00:45:18.159 --> 00:45:19.800
<v Speaker 1>but I would say that character it's more about healing,

867
00:45:20.679 --> 00:45:24.599
<v Speaker 1>you know, and that's just really compelling and heart wrenching

868
00:45:24.679 --> 00:45:28.880
<v Speaker 1>and you know, satisfying to watch sometimes. And actually I

869
00:45:28.880 --> 00:45:32.079
<v Speaker 1>mean that you can talk about that with Cott Stealing today.

870
00:45:32.159 --> 00:45:32.960
<v Speaker 2>Yeah, right, I.

871
00:45:32.880 --> 00:45:35.599
<v Speaker 1>Mean I was surprised how much it was a character story.

872
00:45:35.559 --> 00:45:35.920
<v Speaker 2>Very much.

873
00:45:35.960 --> 00:45:36.000
<v Speaker 1>So.

874
00:45:36.280 --> 00:45:41.119
<v Speaker 2>Yeah, Hey, we got some listener letters though, Brian, well

875
00:45:43.400 --> 00:45:48.519
<v Speaker 2>be you have eighteen thousands all addressed.

876
00:45:54.360 --> 00:45:55.159
<v Speaker 1>You've got Mayo.

877
00:45:56.800 --> 00:45:58.920
<v Speaker 2>Uh so, hey, here's a note we got on Facebook

878
00:45:58.960 --> 00:46:02.719
<v Speaker 2>from Marshall Perry and this is in regards to your

879
00:46:02.880 --> 00:46:06.559
<v Speaker 2>adventures with cutting the cord. Brian. Oh all right, so,

880
00:46:06.599 --> 00:46:10.440
<v Speaker 2>he says, Oh man, I lived vicariously through Brian Hall

881
00:46:10.679 --> 00:46:12.960
<v Speaker 2>and how he would watch movies just because he came

882
00:46:13.000 --> 00:46:18.320
<v Speaker 2>across them on cable randomly. Right, he says, I've been

883
00:46:18.360 --> 00:46:21.760
<v Speaker 2>paralyzed by choice for over a decade, and I missed

884
00:46:21.800 --> 00:46:25.360
<v Speaker 2>the bygone era of simply watching what came on. I

885
00:46:25.440 --> 00:46:27.880
<v Speaker 2>learned to love so many movies simply because I was

886
00:46:27.960 --> 00:46:31.320
<v Speaker 2>forced to give them a chance. By the way, thanks

887
00:46:31.400 --> 00:46:35.440
<v Speaker 2>for putting that feature presentation sound bite from nineties VHS

888
00:46:35.480 --> 00:46:38.599
<v Speaker 2>tapes before your reviews. Hearing that again after so many

889
00:46:38.679 --> 00:46:41.119
<v Speaker 2>years and knowing exactly what it was is why I'm

890
00:46:41.159 --> 00:46:45.360
<v Speaker 2>still listening to every episode of this podcast for ten years.

891
00:46:45.719 --> 00:46:46.760
<v Speaker 1>Oh, thank you for that.

892
00:46:48.440 --> 00:46:51.599
<v Speaker 2>You know we've talked about this before, about how like

893
00:46:52.239 --> 00:46:57.000
<v Speaker 2>you and I and our generation like we watched Gilgian's

894
00:46:57.000 --> 00:47:00.880
<v Speaker 2>Island because it was on, Yes, know, we watched the

895
00:47:01.000 --> 00:47:03.559
<v Speaker 2>Monsters and the Adams family and all this stuff, right,

896
00:47:04.880 --> 00:47:08.800
<v Speaker 2>Brady Bunch exactly predated us because that's what was on.

897
00:47:08.880 --> 00:47:11.480
<v Speaker 2>And I I look back, and I'm so grateful for

898
00:47:11.559 --> 00:47:15.280
<v Speaker 2>that because it's part of my the mosaic of my life,

899
00:47:15.400 --> 00:47:18.960
<v Speaker 2>you know. Yeah, And and and we really don't have

900
00:47:19.039 --> 00:47:24.239
<v Speaker 2>that because because what Marshall says about being paralyzed by choice. Man,

901
00:47:24.519 --> 00:47:27.719
<v Speaker 2>that seriously, that's that speaks for so many of us.

902
00:47:28.199 --> 00:47:28.320
<v Speaker 1>Hm.

903
00:47:29.360 --> 00:47:33.639
<v Speaker 2>Right, Like, like my my brother, he uses my voodoo

904
00:47:34.760 --> 00:47:38.159
<v Speaker 2>and and I'll be like, hey, you should watch this movie,

905
00:47:38.239 --> 00:47:40.840
<v Speaker 2>or you should watch this movie. For for for for

906
00:47:41.000 --> 00:47:45.639
<v Speaker 2>ten damn years, I've been telling him to watch Arrival, Okay,

907
00:47:45.880 --> 00:47:48.880
<v Speaker 2>the you know, the dni Villeneuve movie. Yeah, and this

908
00:47:48.920 --> 00:47:51.199
<v Speaker 2>is a movie I know he will like. And he's like,

909
00:47:51.400 --> 00:47:54.519
<v Speaker 2>I know I would like it. But every time I

910
00:47:54.559 --> 00:47:56.920
<v Speaker 2>go to your voodoo, I just I see all the

911
00:47:56.960 --> 00:47:59.000
<v Speaker 2>things and I just forget what I'm looking for. Yeah,

912
00:47:59.400 --> 00:48:02.599
<v Speaker 2>And he's like, he said to me, He's like, would

913
00:48:02.639 --> 00:48:05.960
<v Speaker 2>you mind curating a list for me of things you

914
00:48:06.039 --> 00:48:06.719
<v Speaker 2>think I would like?

915
00:48:07.559 --> 00:48:10.960
<v Speaker 1>Hmm, a little personal video store for him.

916
00:48:10.840 --> 00:48:13.119
<v Speaker 2>To Yeah exactly. I'm like like, just this is you know,

917
00:48:13.159 --> 00:48:16.280
<v Speaker 2>and I've done that for AMNNA and and you know,

918
00:48:16.320 --> 00:48:18.840
<v Speaker 2>I was thinking, I was like, this is you know,

919
00:48:19.400 --> 00:48:21.760
<v Speaker 2>this is the trade off, right, like back back in

920
00:48:21.840 --> 00:48:25.840
<v Speaker 2>the days of like we're talking pre cable, you had

921
00:48:26.079 --> 00:48:32.119
<v Speaker 2>three networks. Yeah, and that made things easier because it's

922
00:48:32.119 --> 00:48:35.760
<v Speaker 2>a one third chance you're gonna find something m or

923
00:48:35.800 --> 00:48:38.000
<v Speaker 2>you'll just turn it off, so one out of four,

924
00:48:38.199 --> 00:48:41.639
<v Speaker 2>you know, And and you know, paralyzed by choice. That's

925
00:48:41.639 --> 00:48:45.719
<v Speaker 2>so applicable because because how many times do we do

926
00:48:45.840 --> 00:48:48.119
<v Speaker 2>we just scroll through Netflix and just say I don't

927
00:48:48.119 --> 00:48:48.880
<v Speaker 2>even know.

928
00:48:50.239 --> 00:48:53.360
<v Speaker 1>Yeah, you know, it's and the difference is, yes, you

929
00:48:53.400 --> 00:48:55.760
<v Speaker 1>are scrolling through Netflix, but you're just looking at tiles

930
00:48:55.760 --> 00:48:57.760
<v Speaker 1>with pictures on them. But when I was a kid,

931
00:48:57.800 --> 00:48:59.400
<v Speaker 1>I mean that's how I discovered They Live.

932
00:49:00.199 --> 00:49:00.400
<v Speaker 2>You know.

933
00:49:00.480 --> 00:49:03.000
<v Speaker 1>It was eleven thirty at night and I was flipping

934
00:49:03.039 --> 00:49:06.159
<v Speaker 1>in Channel fifty in the Chicago Land area. Was halfway

935
00:49:06.199 --> 00:49:08.679
<v Speaker 1>through They Live, and I saw a guy wearing sunglasses

936
00:49:08.880 --> 00:49:10.960
<v Speaker 1>and when he put them on, suddenly normal people look

937
00:49:11.039 --> 00:49:14.159
<v Speaker 1>like aliens. And I was like, well, what's this? You know,

938
00:49:14.519 --> 00:49:17.239
<v Speaker 1>but I might not have clicked on the tile. Yeah,

939
00:49:17.280 --> 00:49:19.800
<v Speaker 1>if I was flipping through you know, Netflix or something

940
00:49:20.239 --> 00:49:22.639
<v Speaker 1>and spinal tap. That's how I first saw spinal tap

941
00:49:22.679 --> 00:49:26.920
<v Speaker 1>flipping channels, you know, back in the day, and I

942
00:49:26.960 --> 00:49:30.440
<v Speaker 1>don't know, there's just something kind of magical about it.

943
00:49:29.960 --> 00:49:33.719
<v Speaker 1>But the paralyzed by choice thing is interesting. And also

944
00:49:34.119 --> 00:49:38.000
<v Speaker 1>the other thing he said where he forgets why he

945
00:49:38.880 --> 00:49:40.480
<v Speaker 1>opened up the app in the first place, what he

946
00:49:40.519 --> 00:49:43.639
<v Speaker 1>was looking for. I think I've talked about this before,

947
00:49:43.719 --> 00:49:47.440
<v Speaker 1>but I have in the past several years. The app

948
00:49:47.480 --> 00:49:50.719
<v Speaker 1>I use most on my phone is the notes app. Like,

949
00:49:51.039 --> 00:49:52.920
<v Speaker 1>I have a to do list that I write every

950
00:49:52.960 --> 00:49:55.000
<v Speaker 1>single day. I even put lunch on there, just for

951
00:49:55.079 --> 00:49:58.360
<v Speaker 1>the satisfaction of being able to cross off things as

952
00:49:58.360 --> 00:50:01.599
<v Speaker 1>I get through my day, and it's very helpful and satisfying.

953
00:50:01.639 --> 00:50:03.360
<v Speaker 1>And then people will be like, oh, you know tomorrow

954
00:50:03.400 --> 00:50:06.159
<v Speaker 1>is such and such birthday. I oh, just it's habit now.

955
00:50:06.199 --> 00:50:08.159
<v Speaker 1>I put it in the notes app, and then I

956
00:50:08.199 --> 00:50:11.280
<v Speaker 1>don't forget these things. And one of the notes that

957
00:50:11.320 --> 00:50:14.880
<v Speaker 1>I keep is it's called to watch. And so when

958
00:50:14.880 --> 00:50:18.039
<v Speaker 1>people recommend things to me, I have a whole long

959
00:50:18.119 --> 00:50:22.039
<v Speaker 1>list of recommendations. And then I also have things that

960
00:50:22.079 --> 00:50:23.880
<v Speaker 1>are sort of at the top of my mind right now,

961
00:50:23.920 --> 00:50:25.280
<v Speaker 1>things that I feel like I'm kind of in the

962
00:50:25.320 --> 00:50:27.360
<v Speaker 1>mood for. So there's maybe like five or six or

963
00:50:27.400 --> 00:50:29.599
<v Speaker 1>seven things there. So when it's nighttime and I'm not

964
00:50:29.599 --> 00:50:31.440
<v Speaker 1>sure what I want to click on, I look at

965
00:50:31.440 --> 00:50:35.920
<v Speaker 1>that app or the note and I'm, oh, yeah, actually,

966
00:50:36.000 --> 00:50:38.800
<v Speaker 1>I'm kind of in the paper moon mood tonight, you know,

967
00:50:38.920 --> 00:50:42.280
<v Speaker 1>versus like the more violent gangster movie or whatever. And

968
00:50:43.039 --> 00:50:44.760
<v Speaker 1>I find that personally very helpful.

969
00:50:45.880 --> 00:50:49.039
<v Speaker 2>Well, there you go. Hopefully Marshall finds that helpful too.

970
00:50:49.239 --> 00:50:50.159
<v Speaker 1>Yeah.

971
00:50:50.239 --> 00:50:52.599
<v Speaker 2>Here's a note we got from Rob Kelly, and this

972
00:50:52.639 --> 00:50:55.719
<v Speaker 2>is in reference to our commentary track for Terminator Genesis,

973
00:50:56.760 --> 00:51:01.280
<v Speaker 2>a film that neither you nor I had particular affinity

974
00:51:01.320 --> 00:51:06.960
<v Speaker 2>four before we hit play or after. And Rob says,

975
00:51:07.039 --> 00:51:09.920
<v Speaker 2>it's a testament to how much I like your commentaries

976
00:51:10.079 --> 00:51:14.480
<v Speaker 2>that I listened to this because hot take incoming. I

977
00:51:14.519 --> 00:51:18.960
<v Speaker 2>think there's exactly one good Terminator movie, the first one

978
00:51:20.000 --> 00:51:22.280
<v Speaker 2>that is a hot take, that is hot take. But

979
00:51:22.679 --> 00:51:24.880
<v Speaker 2>this was such a fun listen with you guys trying

980
00:51:24.880 --> 00:51:28.400
<v Speaker 2>to stay positive under what had to be challenging circumstances.

981
00:51:28.639 --> 00:51:29.760
<v Speaker 2>A great listen.

982
00:51:30.159 --> 00:51:31.079
<v Speaker 1>Wow, thank you, Rob.

983
00:51:33.119 --> 00:51:35.920
<v Speaker 2>So exactly one good Terminator movie, Brian.

984
00:51:36.679 --> 00:51:39.320
<v Speaker 1>I was gonna say, I mean you could even say

985
00:51:39.360 --> 00:51:42.039
<v Speaker 1>maybe a hot take is that The first one is

986
00:51:42.079 --> 00:51:44.239
<v Speaker 1>the best one. Yeah, you know, but it's like, oh.

987
00:51:44.119 --> 00:51:46.960
<v Speaker 2>Well, you know, I.

988
00:51:45.960 --> 00:51:47.679
<v Speaker 1>Can see why you might feel that way, but just

989
00:51:48.440 --> 00:51:51.519
<v Speaker 1>only the first one. Yeah, that's the only good one. Wow,

990
00:51:52.440 --> 00:51:53.519
<v Speaker 1>them is fighting words.

991
00:51:56.360 --> 00:51:58.599
<v Speaker 2>Now you're not with us, we say, hey live and

992
00:51:58.719 --> 00:51:59.079
<v Speaker 2>let live.

993
00:51:59.159 --> 00:52:01.599
<v Speaker 1>But yeah, sure, but I was gonna say, I I

994
00:52:01.639 --> 00:52:05.280
<v Speaker 1>saw the second one first. That's right, And so I

995
00:52:05.280 --> 00:52:08.519
<v Speaker 1>mean I am that's alike a Brian Cannon event in

996
00:52:08.519 --> 00:52:13.559
<v Speaker 1>that movie. But I can imagine possibly if you saw

997
00:52:13.599 --> 00:52:17.079
<v Speaker 1>the first one in eighty four first, and that got

998
00:52:17.079 --> 00:52:20.039
<v Speaker 1>seered into your psyche for several years. The sequel didn't

999
00:52:20.039 --> 00:52:24.480
<v Speaker 1>come till several years later, then thinking that as good

1000
00:52:24.480 --> 00:52:27.000
<v Speaker 1>as the second one is, you know, it just didn't

1001
00:52:27.000 --> 00:52:28.800
<v Speaker 1>have the same impact on you. I can imagine that.

1002
00:52:28.960 --> 00:52:30.119
<v Speaker 2>Yeah.

1003
00:52:30.440 --> 00:52:33.840
<v Speaker 1>Actually no, I can't what am I saying? But I

1004
00:52:33.880 --> 00:52:35.199
<v Speaker 1>appreciate I appreciate you Rob.

1005
00:52:37.920 --> 00:52:40.800
<v Speaker 2>Yeah, well I I saw the first one first. I

1006
00:52:40.800 --> 00:52:45.000
<v Speaker 2>think we've talked about this, But again, I was I

1007
00:52:45.039 --> 00:52:48.400
<v Speaker 2>was five when I saw the first one. Sure, you know,

1008
00:52:48.440 --> 00:52:51.320
<v Speaker 2>so I was. I was still my my, my wet,

1009
00:52:51.519 --> 00:52:55.360
<v Speaker 2>my my wet cement was was ready and willing for

1010
00:52:55.639 --> 00:52:59.559
<v Speaker 2>whatever the second one had to offer. You know, thank

1011
00:52:59.599 --> 00:53:02.320
<v Speaker 2>you for that. Here's a comment we got on YouTube,

1012
00:53:02.639 --> 00:53:04.360
<v Speaker 2>and this is you know, the great thing about having

1013
00:53:04.360 --> 00:53:07.760
<v Speaker 2>our stuff on YouTube is people dig real deep into

1014
00:53:07.800 --> 00:53:11.719
<v Speaker 2>the archives. So this is from Luke's mail twenty four

1015
00:53:11.719 --> 00:53:13.800
<v Speaker 2>and this is in reference to our commentary track for

1016
00:53:13.920 --> 00:53:19.000
<v Speaker 2>Superman three, which it has been a minute since we

1017
00:53:19.079 --> 00:53:20.480
<v Speaker 2>did that one.

1018
00:53:20.119 --> 00:53:22.559
<v Speaker 1>But I remember it. I remember recording that because it

1019
00:53:22.599 --> 00:53:23.320
<v Speaker 1>was so much fun.

1020
00:53:24.880 --> 00:53:28.079
<v Speaker 2>So he says, awesome commentary as usual. I remember, even

1021
00:53:28.159 --> 00:53:30.400
<v Speaker 2>as a kid seeing this movie in the nineteen eighties,

1022
00:53:30.559 --> 00:53:33.119
<v Speaker 2>and even as a five year old thinking what are

1023
00:53:33.159 --> 00:53:37.480
<v Speaker 2>you doing? It is still one of the most baffling

1024
00:53:37.519 --> 00:53:42.119
<v Speaker 2>creative decisions ever to me. You have two massive blockbusters

1025
00:53:42.159 --> 00:53:44.960
<v Speaker 2>and you decide to center the third film around a comedian,

1026
00:53:45.840 --> 00:53:48.079
<v Speaker 2>a hugely popular one, I grant you, but still it

1027
00:53:48.079 --> 00:53:53.639
<v Speaker 2>would be like centering Avengers Doomsday around Dave Chappelle. I get,

1028
00:53:54.079 --> 00:53:57.880
<v Speaker 2>I kind of want to watch that now. I get

1029
00:53:57.960 --> 00:54:00.519
<v Speaker 2>humors subjective, but have you ever heard anyone say Superman

1030
00:54:00.599 --> 00:54:06.599
<v Speaker 2>three is hilarious? That's a good that's very funny. To me,

1031
00:54:06.800 --> 00:54:09.960
<v Speaker 2>this film is one of the biggest missed opportunities in history,

1032
00:54:10.000 --> 00:54:13.199
<v Speaker 2>and for that reason, probably in the minority here. I

1033
00:54:13.280 --> 00:54:16.440
<v Speaker 2>even prefer to watch the much more hated Superman four.

1034
00:54:16.840 --> 00:54:19.199
<v Speaker 2>Even with that film's massive faults, I can go well,

1035
00:54:19.280 --> 00:54:21.000
<v Speaker 2>at least its heart was in the right place.

1036
00:54:21.760 --> 00:54:22.639
<v Speaker 1>I agree with that take.

1037
00:54:22.679 --> 00:54:24.800
<v Speaker 2>By the way, Superma, I don't know that that is

1038
00:54:24.840 --> 00:54:29.280
<v Speaker 2>a minority take. I feel like I feel like that idea, like, well,

1039
00:54:29.920 --> 00:54:32.000
<v Speaker 2>at least it's trying to tell like a serious story.

1040
00:54:32.280 --> 00:54:34.920
<v Speaker 1>Yeah, yeah, yeah, it's like a good bad movie.

1041
00:54:36.400 --> 00:54:39.480
<v Speaker 2>Yeah. I think they're both bad in different ways.

1042
00:54:39.679 --> 00:54:41.639
<v Speaker 1>Yeah, of fun bad.

1043
00:54:41.800 --> 00:54:45.440
<v Speaker 2>Fun bad. Yeah, maybe good might be, might be yeah,

1044
00:54:45.480 --> 00:54:48.840
<v Speaker 2>a walk too far right, But I think both of

1045
00:54:48.880 --> 00:54:52.280
<v Speaker 2>them have have their their pluses, foremost among them being

1046
00:54:52.360 --> 00:54:55.719
<v Speaker 2>Christopher Reeve is just acting as ass off under what

1047
00:54:55.760 --> 00:54:58.440
<v Speaker 2>I can only imagine very trying circumstances.

1048
00:54:58.719 --> 00:54:59.079
<v Speaker 1>Yeah.

1049
00:54:59.239 --> 00:55:02.719
<v Speaker 2>Yeah, Speaking of Superman, here is a note I got

1050
00:55:02.760 --> 00:55:06.440
<v Speaker 2>from Sandy. They said, Hey, Zachy, love the show and

1051
00:55:06.480 --> 00:55:08.519
<v Speaker 2>have been listening for more than ten years. I always

1052
00:55:08.639 --> 00:55:11.440
<v Speaker 2>enjoy the way you and Brian take a balanced approach

1053
00:55:11.480 --> 00:55:14.599
<v Speaker 2>whenever you're discussing your reactions to movies and don't get

1054
00:55:14.599 --> 00:55:17.000
<v Speaker 2>too bogged down by all the fanboy shit that we

1055
00:55:17.039 --> 00:55:19.800
<v Speaker 2>see on the internet. That said, I have a question.

1056
00:55:19.920 --> 00:55:22.039
<v Speaker 2>I was hoping you might be able to clarify for me.

1057
00:55:22.760 --> 00:55:26.079
<v Speaker 2>I see so much discussion online about how Superman the

1058
00:55:26.400 --> 00:55:28.280
<v Speaker 2>new movie, the twenty twenty five movie is a big

1059
00:55:28.360 --> 00:55:32.000
<v Speaker 2>hit and Man of Steel was a big flop. I

1060
00:55:32.039 --> 00:55:34.119
<v Speaker 2>have to admit this is a little confusing for me.

1061
00:55:34.760 --> 00:55:37.400
<v Speaker 2>Man of Steel made something like six hundred and seventy

1062
00:55:37.440 --> 00:55:41.320
<v Speaker 2>million worldwide and Superman is topping out at just over

1063
00:55:41.400 --> 00:55:45.039
<v Speaker 2>six hundred million. Granted, I'm a big Man of Steel fan,

1064
00:55:45.119 --> 00:55:47.639
<v Speaker 2>and I definitely liked that one more than the new one,

1065
00:55:48.199 --> 00:55:50.800
<v Speaker 2>but I don't think I'm biased, and I'm asking why

1066
00:55:50.840 --> 00:55:54.239
<v Speaker 2>the disparity and how these numbers are being reported. Hope

1067
00:55:54.239 --> 00:55:55.480
<v Speaker 2>this is something you can tackle.

1068
00:55:57.760 --> 00:56:00.000
<v Speaker 1>Yeah, I'm actually yeah, curious to hear you.

1069
00:56:01.599 --> 00:56:06.760
<v Speaker 2>Well, Okay, so first of all, Man of Steel is

1070
00:56:07.079 --> 00:56:13.079
<v Speaker 2>like retrospectively being called a flop. It by who by folks.

1071
00:56:13.239 --> 00:56:14.760
<v Speaker 2>See this is the problem. You got folks at the

1072
00:56:14.800 --> 00:56:19.000
<v Speaker 2>gendas on either side, right, yeah, And this is look.

1073
00:56:19.119 --> 00:56:21.599
<v Speaker 2>Man of Steel is not a flop. Yeah, yeah, I

1074
00:56:21.599 --> 00:56:24.559
<v Speaker 2>mean it just wasn't. It did very well. Now, you

1075
00:56:24.679 --> 00:56:27.000
<v Speaker 2>might have had people inside the studio who were hoping

1076
00:56:27.039 --> 00:56:30.000
<v Speaker 2>it was going to touch a billion dollars. Sure, but

1077
00:56:30.039 --> 00:56:33.760
<v Speaker 2>that was We've talked about this before, that that's a

1078
00:56:33.800 --> 00:56:38.159
<v Speaker 2>weird metric. M hm, right, I'm sure because at twenty thirteen,

1079
00:56:38.280 --> 00:56:42.079
<v Speaker 2>so it was shortly after the Dark Knight rises, so

1080
00:56:42.079 --> 00:56:45.079
<v Speaker 2>they were like, oh, Christopher Nolan, do you know, No,

1081
00:56:45.199 --> 00:56:47.360
<v Speaker 2>it's gonna make Dark Knight money. But like, why would

1082
00:56:47.400 --> 00:56:48.039
<v Speaker 2>you think that.

1083
00:56:48.280 --> 00:56:52.960
<v Speaker 1>I forgot that Christopher Nolan, his name was on Man

1084
00:56:53.000 --> 00:56:54.400
<v Speaker 1>of Steel. No, I talk about that.

1085
00:56:54.639 --> 00:56:56.559
<v Speaker 2>Yeah, I mean they used that to really promote the

1086
00:56:56.559 --> 00:57:00.199
<v Speaker 2>shit out of it, right right, right, and that that

1087
00:57:00.320 --> 00:57:05.320
<v Speaker 2>was unreasonable. But at the time, making six hundred and

1088
00:57:05.320 --> 00:57:08.880
<v Speaker 2>seventy million dollars, well, that was a big deal. And

1089
00:57:08.880 --> 00:57:12.800
<v Speaker 2>and you know, it did well enough for them to

1090
00:57:12.880 --> 00:57:17.840
<v Speaker 2>announce the follow up, you know, within whatever it was

1091
00:57:17.920 --> 00:57:21.079
<v Speaker 2>like six weeks, right, because it came out June of

1092
00:57:21.119 --> 00:57:24.599
<v Speaker 2>twenty thirteen. By July at Comic Con they announced Baman

1093
00:57:24.679 --> 00:57:28.440
<v Speaker 2>Versus Superman. Right now, I'm sure they're thinking, was, oh,

1094
00:57:28.480 --> 00:57:30.800
<v Speaker 2>if we put Batman in the sequel, then it'll make

1095
00:57:30.840 --> 00:57:34.480
<v Speaker 2>a billion, right. Didn't do that either. That's a separate discussion, right.

1096
00:57:35.079 --> 00:57:37.760
<v Speaker 2>But Man of Steel by itself, that was a that

1097
00:57:37.840 --> 00:57:42.480
<v Speaker 2>did well. So this idea that Man is Steel flopped

1098
00:57:42.480 --> 00:57:45.679
<v Speaker 2>and Superman is not a flop is not true. They

1099
00:57:45.719 --> 00:57:51.320
<v Speaker 2>both have done Okay, Now, as far as Superman's box office,

1100
00:57:52.039 --> 00:57:54.559
<v Speaker 2>I haven't looked into this, but I'm fairly certain. Well,

1101
00:57:54.599 --> 00:57:55.840
<v Speaker 2>you know, we can, we can look at it around.

1102
00:57:55.880 --> 00:57:57.679
<v Speaker 1>Yeah yeah, I was just thinking, yeah, I don't having

1103
00:57:57.760 --> 00:57:59.400
<v Speaker 1>this pulled up, but I'm curious now.

1104
00:58:01.800 --> 00:58:03.880
<v Speaker 2>I'm guessing that if we were to look at the

1105
00:58:04.320 --> 00:58:12.239
<v Speaker 2>difference in numbers, there would be a China sized difference. Right, yeah,

1106
00:58:12.280 --> 00:58:17.320
<v Speaker 2>look at this. There we go. So this is from Forbes.

1107
00:58:17.360 --> 00:58:22.800
<v Speaker 2>It says Man of Steel finished at sixty three million

1108
00:58:23.280 --> 00:58:29.440
<v Speaker 2>in China. Okay, so there we go. Right there, China

1109
00:58:29.639 --> 00:58:35.280
<v Speaker 2>is not interested in superhero movies anymore. So what we

1110
00:58:35.280 --> 00:58:38.199
<v Speaker 2>were seeing throughout the twenty tens was was Chinese box

1111
00:58:38.239 --> 00:58:44.280
<v Speaker 2>office was rescuing American movies that happened to Terminator Genesis

1112
00:58:44.280 --> 00:58:46.119
<v Speaker 2>as a matter of fact, yep.

1113
00:58:46.199 --> 00:58:49.760
<v Speaker 1>And there was a lot of effort right on us

1114
00:58:49.880 --> 00:58:54.519
<v Speaker 1>filmmaker's behalf to appease them, right, I mean, wasn't it.

1115
00:58:54.559 --> 00:58:58.360
<v Speaker 1>Iron Man three had like an entire scene that wasn't

1116
00:58:58.400 --> 00:58:59.719
<v Speaker 1>even in the US cut, but it was in the

1117
00:58:59.800 --> 00:59:00.679
<v Speaker 1>China version.

1118
00:59:00.559 --> 00:59:02.679
<v Speaker 2>That featured yeah that's right, Oh yeah.

1119
00:59:02.639 --> 00:59:06.639
<v Speaker 1>Chinese actors, and it also featured Chinese products. Funny, right,

1120
00:59:06.639 --> 00:59:08.880
<v Speaker 1>like a soda or something, but we didn't see that.

1121
00:59:09.280 --> 00:59:14.159
<v Speaker 1>But just to try to get the Chinese money, yep,

1122
00:59:14.239 --> 00:59:15.440
<v Speaker 1>Marvel went the extra mile.

1123
00:59:16.119 --> 00:59:18.760
<v Speaker 2>Yeah, one of the Transformers movies had a big China

1124
00:59:18.840 --> 00:59:19.400
<v Speaker 2>set piece.

1125
00:59:19.719 --> 00:59:20.440
<v Speaker 1>Yep, yep.

1126
00:59:20.639 --> 00:59:26.039
<v Speaker 2>Right, So so there there's the distinction. As far as Superman.

1127
00:59:26.679 --> 00:59:30.840
<v Speaker 2>Look it. What's the most up to date box office

1128
00:59:30.840 --> 00:59:32.440
<v Speaker 2>as we're recording this, the current one?

1129
00:59:32.639 --> 00:59:36.559
<v Speaker 1>Yeah, domestic three hundred and fifty two million, worldwide six

1130
00:59:36.679 --> 00:59:37.719
<v Speaker 1>hundred and twelve.

1131
00:59:37.519 --> 00:59:40.199
<v Speaker 2>Six hundred and twelve. Look that. I mean that that is,

1132
00:59:41.320 --> 00:59:43.440
<v Speaker 2>if we live in a world where six hundred and

1133
00:59:43.440 --> 00:59:46.239
<v Speaker 2>twelve is considered a flop, then I don't even know

1134
00:59:46.280 --> 00:59:49.679
<v Speaker 2>what we're doing. It's not a flop. A flop, no.

1135
00:59:49.880 --> 00:59:53.840
<v Speaker 2>Do I think Warner Brothers hoped it might do better? Yeah,

1136
00:59:53.880 --> 00:59:57.639
<v Speaker 2>totally probably, But I just think that the landscape for

1137
00:59:57.760 --> 00:59:59.920
<v Speaker 2>superhero movies has changed drastically.

1138
01:00:00.280 --> 01:00:03.960
<v Speaker 1>Landscape for superhero movies and just movies that too. Yeah,

1139
01:00:04.000 --> 01:00:06.360
<v Speaker 1>I mean, it's really it's something's taking me a very

1140
01:00:06.400 --> 01:00:09.719
<v Speaker 1>long time to catch up with. I continue to be

1141
01:00:09.840 --> 01:00:12.559
<v Speaker 1>shocked when I look at the box office numbers every weekend,

1142
01:00:13.000 --> 01:00:16.079
<v Speaker 1>but this is because they're so insanely low, Like it'll

1143
01:00:16.119 --> 01:00:18.039
<v Speaker 1>blow my mind when number ten at the box office

1144
01:00:18.039 --> 01:00:21.280
<v Speaker 1>could be less than a million, like this is unprecedented,

1145
01:00:21.519 --> 01:00:24.400
<v Speaker 1>But the fact is it's kind of becoming precedented, like

1146
01:00:24.440 --> 01:00:26.039
<v Speaker 1>that we're in a new era.

1147
01:00:26.599 --> 01:00:28.480
<v Speaker 2>We are in a new era. And here's the other

1148
01:00:28.559 --> 01:00:30.159
<v Speaker 2>thing to think about is, you know, we were just

1149
01:00:30.159 --> 01:00:32.199
<v Speaker 2>talking about the Dark Knight Rises, which broke a billion

1150
01:00:32.239 --> 01:00:36.760
<v Speaker 2>dollars Batman Begins. Batman Begins made about three hundred and

1151
01:00:36.760 --> 01:00:37.639
<v Speaker 2>seventy million.

1152
01:00:37.480 --> 01:00:40.559
<v Speaker 1>Worldwide, right right, right right.

1153
01:00:40.880 --> 01:00:43.639
<v Speaker 2>And this is the thing, right because because box office

1154
01:00:43.719 --> 01:00:46.599
<v Speaker 2>is only one one part of this, because Batman Begins

1155
01:00:46.760 --> 01:00:49.800
<v Speaker 2>did okay relative to his box office. But what was

1156
01:00:49.800 --> 01:00:51.880
<v Speaker 2>it trying to do? I mean, it was coming back

1157
01:00:51.920 --> 01:00:54.480
<v Speaker 2>after eight years and Batman and Robin there was a

1158
01:00:54.519 --> 01:00:57.559
<v Speaker 2>lot of reclamation that had to happen, right, and then

1159
01:00:57.840 --> 01:01:00.199
<v Speaker 2>you know, word of mouth on it was good, and

1160
01:01:00.239 --> 01:01:02.519
<v Speaker 2>then it continued to play on home video. And I

1161
01:01:02.559 --> 01:01:06.880
<v Speaker 2>have a feeling that whatever happens next with Superman and

1162
01:01:06.920 --> 01:01:11.800
<v Speaker 2>you tell me, I mean, just anecdotally, the feeling from

1163
01:01:11.840 --> 01:01:14.599
<v Speaker 2>people like random people who have no real connection to

1164
01:01:14.639 --> 01:01:17.639
<v Speaker 2>this or like, man, I really enjoyed that movie.

1165
01:01:17.920 --> 01:01:20.599
<v Speaker 1>Yeah yeah, I mean my parents loved it.

1166
01:01:20.880 --> 01:01:25.159
<v Speaker 2>See, and that's something that is sort of intangible, but

1167
01:01:25.199 --> 01:01:27.320
<v Speaker 2>I think it's going to matter going forward.

1168
01:01:27.920 --> 01:01:31.039
<v Speaker 1>You know, speaking of a new era. We were talking

1169
01:01:31.079 --> 01:01:37.199
<v Speaker 1>about this recently. It's interesting that the box office numbers are,

1170
01:01:37.239 --> 01:01:40.960
<v Speaker 1>for some reason the final statement on a film's success. Yeah,

1171
01:01:41.800 --> 01:01:45.360
<v Speaker 1>for many people, right, because yes, Superman at this point,

1172
01:01:45.360 --> 01:01:49.159
<v Speaker 1>which is now streaming six hundred and twelve worldwide, got it.

1173
01:01:49.480 --> 01:01:54.519
<v Speaker 1>But it's also now in it's streaming, you can rent it,

1174
01:01:54.679 --> 01:01:57.599
<v Speaker 1>you can purchase it, and that's going to make millions

1175
01:01:57.599 --> 01:02:00.960
<v Speaker 1>and millions more dollars. But that doesn't get tacked on

1176
01:02:01.079 --> 01:02:03.280
<v Speaker 1>to this number that we see on box office Mojo,

1177
01:02:03.800 --> 01:02:07.159
<v Speaker 1>you know, when it's playing on airplanes, when it's you know,

1178
01:02:07.360 --> 01:02:10.440
<v Speaker 1>streaming on TBS for the next forty years, you know

1179
01:02:10.519 --> 01:02:14.920
<v Speaker 1>what I mean, Like, yeah, it will continue to accumulate money,

1180
01:02:14.920 --> 01:02:17.760
<v Speaker 1>but we don't. The number has stopped for some reason

1181
01:02:18.599 --> 01:02:20.480
<v Speaker 1>with box office alone. So I mean you think of

1182
01:02:20.480 --> 01:02:24.079
<v Speaker 1>something like Office Space, right where that was a movie

1183
01:02:24.079 --> 01:02:26.519
<v Speaker 1>if you look at its box office. I mean it

1184
01:02:26.639 --> 01:02:29.719
<v Speaker 1>was really, really bad, but that's a movie that's never

1185
01:02:29.800 --> 01:02:32.480
<v Speaker 1>gone away, and it was an enormous one of the

1186
01:02:33.079 --> 01:02:36.199
<v Speaker 1>top or was it. I'm thinking of Tommy Boy actually,

1187
01:02:36.199 --> 01:02:38.840
<v Speaker 1>now where Tommy Boy didn't really perform in theaters. But

1188
01:02:38.920 --> 01:02:40.480
<v Speaker 1>then they learned that it was one of the best

1189
01:02:40.480 --> 01:02:44.000
<v Speaker 1>selling DVDs in Paramount's history, or at least home video

1190
01:02:44.039 --> 01:02:46.639
<v Speaker 1>releases in Paramount's history. And I think it was David

1191
01:02:46.679 --> 01:02:48.880
<v Speaker 1>Spade was talking about it. He's like, you mean, like

1192
01:02:49.320 --> 01:02:52.880
<v Speaker 1>alongside the Godfather. They're like, yeah, no, like Tommy boy

1193
01:02:52.920 --> 01:02:56.400
<v Speaker 1>sits alongside the Godfather in terms of profitability for Paramount

1194
01:02:56.599 --> 01:03:02.079
<v Speaker 1>through home video. So it's life doesn't end for a

1195
01:03:02.119 --> 01:03:05.320
<v Speaker 1>movie's success once the box office numbers have shut down,

1196
01:03:05.519 --> 01:03:10.119
<v Speaker 1>and especially in this new era where movies can still

1197
01:03:10.159 --> 01:03:14.079
<v Speaker 1>be playing in theaters, but they are having a meaningful

1198
01:03:14.159 --> 01:03:20.519
<v Speaker 1>moment in this p VODA you know era where it

1199
01:03:20.559 --> 01:03:22.880
<v Speaker 1>can be a month later. Superman is still in theaters,

1200
01:03:22.920 --> 01:03:25.360
<v Speaker 1>but now it is also available for people to watch

1201
01:03:25.440 --> 01:03:28.119
<v Speaker 1>at home at a premium price, right, you know, thirty

1202
01:03:28.159 --> 01:03:30.960
<v Speaker 1>dollars a pop or to rent for twenty dollars a pop.

1203
01:03:31.719 --> 01:03:33.880
<v Speaker 1>You know what I'm saying. So it's I don't know,

1204
01:03:33.960 --> 01:03:36.079
<v Speaker 1>it's just funny that we use these numbers. The box

1205
01:03:36.119 --> 01:03:40.000
<v Speaker 1>office numbers is the end all be all for these discussions.

1206
01:03:40.159 --> 01:03:42.119
<v Speaker 1>When it's right, It'd be much more interesting if there's

1207
01:03:42.159 --> 01:03:43.119
<v Speaker 1>a running tally.

1208
01:03:43.400 --> 01:03:46.760
<v Speaker 2>I think that would certainly be more more truthful. Yeah, right,

1209
01:03:47.320 --> 01:03:49.639
<v Speaker 2>I will say with regards to Superman, I think I

1210
01:03:49.679 --> 01:03:53.159
<v Speaker 2>mentioned this before. I mean, I purchased the digital copy,

1211
01:03:53.880 --> 01:03:56.599
<v Speaker 2>so I have it available at home, and I'm and

1212
01:03:56.719 --> 01:03:59.320
<v Speaker 2>just like, I want to watch Superman again. And she

1213
01:03:59.480 --> 01:04:02.079
<v Speaker 2>never watches movies more than once in the theater. And

1214
01:04:02.119 --> 01:04:03.639
<v Speaker 2>I'm like, okay, well we can watch it, you know,

1215
01:04:03.960 --> 01:04:05.559
<v Speaker 2>we can watch it to you know, before we go

1216
01:04:05.599 --> 01:04:06.960
<v Speaker 2>to bed. She's like, no, I don't want to watch

1217
01:04:06.960 --> 01:04:08.159
<v Speaker 2>it at home. I want to watch it in the theater.

1218
01:04:08.880 --> 01:04:12.360
<v Speaker 2>We own it, we own it. Yeah. And so I

1219
01:04:12.400 --> 01:04:15.199
<v Speaker 2>was like, well, fine, So we went to the theater. Yeah,

1220
01:04:15.280 --> 01:04:18.280
<v Speaker 2>and it was great because it was like a Monday afternoon,

1221
01:04:18.760 --> 01:04:21.320
<v Speaker 2>so it was just the two of us. We had

1222
01:04:21.320 --> 01:04:25.440
<v Speaker 2>a private screening of Superman. That's great, you know, But

1223
01:04:25.519 --> 01:04:28.519
<v Speaker 2>I mean that's kind of my point, right Inaya, who's eight,

1224
01:04:29.480 --> 01:04:32.360
<v Speaker 2>she she's watched it three times already, once in the theater,

1225
01:04:32.440 --> 01:04:34.679
<v Speaker 2>twice at home. Wow, she doesn't, I mean you know

1226
01:04:34.719 --> 01:04:37.199
<v Speaker 2>what I mean, Like, this stuff is anecdotally very interesting

1227
01:04:37.239 --> 01:04:40.079
<v Speaker 2>to me because for whatever reason that that movie is

1228
01:04:40.079 --> 01:04:43.320
<v Speaker 2>speaking to people. But again, just to reiterate, look, Man

1229
01:04:43.320 --> 01:04:46.679
<v Speaker 2>of Steel did well enough to warrant a follow up

1230
01:04:46.679 --> 01:04:50.360
<v Speaker 2>announcement right away. And so that movie did not flop,

1231
01:04:50.679 --> 01:04:53.119
<v Speaker 2>nor nor did Superman. So we don't need to pit

1232
01:04:53.159 --> 01:04:55.360
<v Speaker 2>these against each other. Believe it or not, It's possible

1233
01:04:55.360 --> 01:04:59.960
<v Speaker 2>to like multiple versions. It's not revolution.

1234
01:05:00.480 --> 01:05:02.480
<v Speaker 1>I mean that's the other thing too, where it is

1235
01:05:02.639 --> 01:05:05.559
<v Speaker 1>interesting just to sort of compare notes a little bit

1236
01:05:05.639 --> 01:05:09.400
<v Speaker 1>and then move on. But it's just at what point, like,

1237
01:05:09.400 --> 01:05:10.880
<v Speaker 1>why do you have so much invested in this?

1238
01:05:11.119 --> 01:05:13.320
<v Speaker 2>You know, that's what I dud You know, I've said this.

1239
01:05:13.599 --> 01:05:15.599
<v Speaker 2>I've said this so many times. Unless that money is

1240
01:05:15.639 --> 01:05:19.039
<v Speaker 2>coming out of or going into my pocket, I do

1241
01:05:19.079 --> 01:05:21.400
<v Speaker 2>not care. It's just a movie that I either enjoy

1242
01:05:21.559 --> 01:05:22.320
<v Speaker 2>or don't enjoy.

1243
01:05:23.199 --> 01:05:26.960
<v Speaker 1>Yeah, and maybe that's another thing, I mean, being fans

1244
01:05:27.000 --> 01:05:28.599
<v Speaker 1>as long as we have. I mean, there was probably

1245
01:05:28.840 --> 01:05:30.840
<v Speaker 1>a moment where I was a little bit more invested

1246
01:05:30.880 --> 01:05:34.840
<v Speaker 1>in this and interested in the volley discussion about what

1247
01:05:34.920 --> 01:05:36.840
<v Speaker 1>was successful and what wasn't. But at this point, I'm

1248
01:05:36.880 --> 01:05:39.880
<v Speaker 1>just like, I don't know, I don't know what it.

1249
01:05:39.880 --> 01:05:42.480
<v Speaker 1>It doesn't gain me anything, Like I'm not getting points

1250
01:05:42.480 --> 01:05:45.400
<v Speaker 1>off of its box office, right, I mean, I can

1251
01:05:45.440 --> 01:05:48.039
<v Speaker 1>be rooting for something I like to be successful so

1252
01:05:48.079 --> 01:05:51.000
<v Speaker 1>they'll make more, yeah for sure, But otherwise, like I

1253
01:05:51.119 --> 01:05:53.280
<v Speaker 1>just it just feels like a spiraling thing that will

1254
01:05:53.280 --> 01:05:53.760
<v Speaker 1>go nowhere.

1255
01:05:55.119 --> 01:05:57.119
<v Speaker 2>Well with that in mind, I mean, while we're on

1256
01:05:57.159 --> 01:05:58.760
<v Speaker 2>the subject, we do have a little bit of a

1257
01:05:58.800 --> 01:06:08.719
<v Speaker 2>headline about potential follow up to Supermantra Extra Man a

1258
01:06:08.760 --> 01:06:13.280
<v Speaker 2>lot of School. So this got announced just earlier this week.

1259
01:06:13.199 --> 01:06:16.239
<v Speaker 2>Kind of surprised. I was honestly surprised that that they

1260
01:06:16.239 --> 01:06:19.840
<v Speaker 2>came out with this so quickly. But I suppose it's

1261
01:06:19.840 --> 01:06:24.079
<v Speaker 2>a testament to the performance of the movie.

1262
01:06:24.320 --> 01:06:27.679
<v Speaker 1>Yeah. Well, so they announced in twenty twenty seven, July

1263
01:06:27.719 --> 01:06:31.519
<v Speaker 1>twenty twenty seven, will be getting Superman Man of Tomorrow or.

1264
01:06:32.039 --> 01:06:34.679
<v Speaker 2>I mean, it seems like it's just called Man of Tomorrow.

1265
01:06:35.000 --> 01:06:37.000
<v Speaker 1>Oh I see, Oh you know what, I looked up

1266
01:06:37.039 --> 01:06:38.039
<v Speaker 1>the old.

1267
01:06:39.519 --> 01:06:43.320
<v Speaker 2>Animated version, right, so that which is a good movie

1268
01:06:43.360 --> 01:06:45.639
<v Speaker 2>by the way, it's an animated movie. Yeah.

1269
01:06:45.679 --> 01:06:48.280
<v Speaker 1>Will this be inspired by that? Is this a story

1270
01:06:48.280 --> 01:06:50.280
<v Speaker 1>that was in comics first? That is behind?

1271
01:06:50.599 --> 01:06:53.039
<v Speaker 2>You know? Well, here's what's interesting to me is that

1272
01:06:53.760 --> 01:06:56.599
<v Speaker 2>what James Gunn has said in the past is oh,

1273
01:06:56.639 --> 01:07:00.880
<v Speaker 2>he was working on something that involved Superman, but is

1274
01:07:00.960 --> 01:07:04.800
<v Speaker 2>not a straight ahead sequel to the movie. That just

1275
01:07:04.880 --> 01:07:09.719
<v Speaker 2>came out, and then this gets announced, and somebody asked

1276
01:07:09.800 --> 01:07:14.079
<v Speaker 2>him online, or is this in addition to is this

1277
01:07:14.159 --> 01:07:16.920
<v Speaker 2>sequel in addition to that other thing you said? And

1278
01:07:17.000 --> 01:07:19.360
<v Speaker 2>he said, no, this is that thing. This is not

1279
01:07:19.519 --> 01:07:24.000
<v Speaker 2>really Superman too, to which I said, thank you for

1280
01:07:24.039 --> 01:07:32.039
<v Speaker 2>that clarification, which only makes things even more confusing. So

1281
01:07:33.079 --> 01:07:38.880
<v Speaker 2>this was released online in addition to a piece of

1282
01:07:39.199 --> 01:07:43.360
<v Speaker 2>artwork by Jim Lee with Lex Luthor wearing his green

1283
01:07:43.440 --> 01:07:49.239
<v Speaker 2>and purple power suit alongside Superman holding what appears to

1284
01:07:49.239 --> 01:07:53.440
<v Speaker 2>be a screwdriver. And so when he said, and so

1285
01:07:53.480 --> 01:07:57.840
<v Speaker 2>I'm just looking at deadline right here. So DC already

1286
01:07:57.880 --> 01:08:02.840
<v Speaker 2>has Supergirl bowing on June twenty sixth of next year,

1287
01:08:03.840 --> 01:08:07.159
<v Speaker 2>and then we got a Man of Tomorrow coming in

1288
01:08:07.599 --> 01:08:10.639
<v Speaker 2>July ninth of twenty twenty seven, so we got three

1289
01:08:10.719 --> 01:08:15.320
<v Speaker 2>years in a row of super shenanigans. But my thought

1290
01:08:15.480 --> 01:08:20.439
<v Speaker 2>is this when he says this is not this involved Superman,

1291
01:08:20.479 --> 01:08:23.039
<v Speaker 2>but is not a Superman sequel? That makes me wonder

1292
01:08:23.199 --> 01:08:24.720
<v Speaker 2>is this a Lex Luthor movie?

1293
01:08:25.399 --> 01:08:25.680
<v Speaker 1>Hmm?

1294
01:08:26.760 --> 01:08:29.960
<v Speaker 2>And by Man of Tomorrow is he referring to Lex Luthor?

1295
01:08:31.640 --> 01:08:32.359
<v Speaker 2>That was my thought.

1296
01:08:34.640 --> 01:08:39.560
<v Speaker 1>I'm well, does that sound like what the older film

1297
01:08:39.800 --> 01:08:43.000
<v Speaker 1>is about. I mean, does this resemble that.

1298
01:08:42.359 --> 01:08:44.880
<v Speaker 2>That animated movie. No, that's just like that's just like

1299
01:08:44.880 --> 01:08:46.279
<v Speaker 2>a Superman origin story.

1300
01:08:46.479 --> 01:08:48.439
<v Speaker 1>That's just a general title Man of Tomorrow.

1301
01:08:48.520 --> 01:08:51.439
<v Speaker 2>Yeah, because Superman, like that's one of his names. Okay,

1302
01:08:51.560 --> 01:08:53.600
<v Speaker 2>he's a Man of Steel, is the Man of Tomorrow?

1303
01:08:53.960 --> 01:08:56.359
<v Speaker 2>He's the Man of La Mancha. I think that's also

1304
01:08:57.119 --> 01:08:57.560
<v Speaker 2>the title.

1305
01:08:57.760 --> 01:08:58.359
<v Speaker 1>That's fine.

1306
01:09:00.119 --> 01:09:04.680
<v Speaker 2>I yeah, the title is like generic enough to mean anything.

1307
01:09:04.960 --> 01:09:07.439
<v Speaker 2>But what I'm drilling down on is the fact that

1308
01:09:07.840 --> 01:09:11.880
<v Speaker 2>he's like, this is not the Superman sequel, which like

1309
01:09:11.880 --> 01:09:12.800
<v Speaker 2>what does that even mean?

1310
01:09:14.000 --> 01:09:17.800
<v Speaker 1>I'm it's kind of cool, you know, like don't know,

1311
01:09:18.399 --> 01:09:22.800
<v Speaker 1>you know, he doesn't feel beholden to making sequels the

1312
01:09:22.800 --> 01:09:24.520
<v Speaker 1>way that we know them. He's just got the stories

1313
01:09:24.520 --> 01:09:27.479
<v Speaker 1>he wants to tell within this universe, and hopefully they're

1314
01:09:27.479 --> 01:09:30.439
<v Speaker 1>good enough that we get used to something a little different.

1315
01:09:30.720 --> 01:09:32.880
<v Speaker 2>See I'm gonna sound old passioned here. I'm like, can

1316
01:09:33.039 --> 01:09:35.319
<v Speaker 2>can we not do this all the time?

1317
01:09:36.119 --> 01:09:38.039
<v Speaker 1>Not all the time? Don't get me wrong, because I

1318
01:09:38.039 --> 01:09:41.760
<v Speaker 1>I we've talked about this with the Man of Steel,

1319
01:09:42.039 --> 01:09:44.479
<v Speaker 1>where you know, then you get Batman vs. Superman and whatever,

1320
01:09:44.520 --> 01:09:47.239
<v Speaker 1>but we never got a proper Man of Steel sequel. Right,

1321
01:09:47.279 --> 01:09:49.720
<v Speaker 1>and that bums me out right, So, I mean I

1322
01:09:49.760 --> 01:09:52.359
<v Speaker 1>definitely want I don't know what he has in store.

1323
01:09:52.439 --> 01:09:54.640
<v Speaker 1>I don't know if Superman just sort of comes in

1324
01:09:54.680 --> 01:09:56.720
<v Speaker 1>and out of this thing and it is alexuth story.

1325
01:09:57.199 --> 01:09:59.960
<v Speaker 1>Hopefully it's good, but you know, I definitely want another Superman.

1326
01:10:00.760 --> 01:10:02.560
<v Speaker 2>Well this is but see this is my point, right,

1327
01:10:02.600 --> 01:10:06.760
<v Speaker 2>like like this is this is some semantic shenanigans that

1328
01:10:06.800 --> 01:10:10.279
<v Speaker 2>filmmakers do. Or they're like, well, it's not technically a sequel.

1329
01:10:10.560 --> 01:10:13.680
<v Speaker 2>She's like, like Tim Burton said that about Batman returns.

1330
01:10:13.800 --> 01:10:15.439
<v Speaker 1>You know what's funny. By the way, just you doing

1331
01:10:15.439 --> 01:10:17.960
<v Speaker 1>that voice? I was like, is he doing Tim Burton?

1332
01:10:19.920 --> 01:10:25.319
<v Speaker 2>Maybe unconsciously? Yeah, I don't really consider it a sequel.

1333
01:10:25.359 --> 01:10:27.399
<v Speaker 2>It's like, bro, it's a sequel. Come on, you know,

1334
01:10:27.560 --> 01:10:34.279
<v Speaker 2>like you know, it's like it comes next sequentially and

1335
01:10:34.319 --> 01:10:36.159
<v Speaker 2>it has all you know what I mean. It's like

1336
01:10:36.920 --> 01:10:40.960
<v Speaker 2>I don't really consider a Jurassic Park three a sequel.

1337
01:10:42.680 --> 01:10:46.800
<v Speaker 2>You know, at some point we're just talking ourselves into

1338
01:10:46.840 --> 01:10:50.600
<v Speaker 2>a circle, you know, so we don't know anything as

1339
01:10:50.640 --> 01:10:53.159
<v Speaker 2>far as what to entail. But here's my only point.

1340
01:10:53.199 --> 01:10:57.039
<v Speaker 2>I think I think a Superman sequel which puts us

1341
01:10:57.119 --> 01:10:59.920
<v Speaker 2>in Lex Luthor's headspace. That doesn't kind of interesting to me.

1342
01:11:00.000 --> 01:11:02.000
<v Speaker 1>I'm into it. Yeah, for sure.

1343
01:11:02.159 --> 01:11:05.520
<v Speaker 2>There is a great mini series from from maybe like

1344
01:11:05.520 --> 01:11:10.680
<v Speaker 2>twenty years ago called Lex Luthor Man of Steel, and

1345
01:11:10.760 --> 01:11:15.439
<v Speaker 2>it's just it's it's entirely from Lex's point of view.

1346
01:11:16.880 --> 01:11:21.560
<v Speaker 2>You know, he's he's again, everybody is a hero in

1347
01:11:21.600 --> 01:11:24.760
<v Speaker 2>their own mind. Sure, yeah, right, and so it's just

1348
01:11:24.840 --> 01:11:27.239
<v Speaker 2>his perspective. And here's this alien who shows up with

1349
01:11:27.239 --> 01:11:29.840
<v Speaker 2>all these powers and he's Lex Luthor's a human being

1350
01:11:30.800 --> 01:11:36.199
<v Speaker 2>and he's standing up for human achievement. Right, It's terrific story.

1351
01:11:36.439 --> 01:11:37.680
<v Speaker 1>I maybe it'll be in that vein.

1352
01:11:39.279 --> 01:11:40.600
<v Speaker 2>I would be down for that.

1353
01:11:40.760 --> 01:11:40.960
<v Speaker 1>Yeah.

1354
01:11:41.000 --> 01:11:44.079
<v Speaker 2>And and certainly, you know, the characters as depicted in

1355
01:11:44.079 --> 01:11:47.239
<v Speaker 2>that mini series very very similar to to the Nicholas

1356
01:11:47.319 --> 01:11:48.319
<v Speaker 2>Holt incarnation.

1357
01:11:49.159 --> 01:11:51.439
<v Speaker 1>All right, well, I'm into it. And also, you know,

1358
01:11:51.439 --> 01:11:55.319
<v Speaker 1>I was listening to the SmartLess podcast and James Gunn

1359
01:11:55.359 --> 01:11:59.439
<v Speaker 1>was on it and he was just talking about he

1360
01:11:59.479 --> 01:12:00.920
<v Speaker 1>wasn't making a point of it, but he was just

1361
01:12:00.960 --> 01:12:03.359
<v Speaker 1>talking about writing Superman and then writing season two of

1362
01:12:03.399 --> 01:12:06.520
<v Speaker 1>Peacemaker and then now there's this new sequel thing coming out,

1363
01:12:06.800 --> 01:12:08.800
<v Speaker 1>and it was like, man, like, if you ever want

1364
01:12:08.840 --> 01:12:13.039
<v Speaker 1>to feel bad about your time management. Just I mean,

1365
01:12:13.079 --> 01:12:18.640
<v Speaker 1>this guy is a workhorse. It's yeah, it's incredible his output,

1366
01:12:18.920 --> 01:12:22.359
<v Speaker 1>you know, that's that's very true. Yeah. And on top

1367
01:12:22.399 --> 01:12:26.319
<v Speaker 1>of that, running DC you know what is it called DC?

1368
01:12:26.439 --> 01:12:30.800
<v Speaker 1>You know, yeah, DC, you that sort of executive side

1369
01:12:30.840 --> 01:12:33.119
<v Speaker 1>of things, also directing this. So it's not like he

1370
01:12:33.239 --> 01:12:35.039
<v Speaker 1>just is reading a bunch of scripts and he's reading

1371
01:12:35.079 --> 01:12:37.399
<v Speaker 1>other people's scripts of course too, right for the other

1372
01:12:37.479 --> 01:12:40.760
<v Speaker 1>DC films, But it's and he's in pre production on

1373
01:12:40.840 --> 01:12:42.920
<v Speaker 1>his next movie, and I mean, just where does he

1374
01:12:43.359 --> 01:12:45.159
<v Speaker 1>get all the hours in the day. It's pretty amazing.

1375
01:12:45.560 --> 01:12:47.880
<v Speaker 2>What's kind of nuts, by the way, with regards to

1376
01:12:47.920 --> 01:12:52.039
<v Speaker 2>this Superman sequel slash question mark, is that it will

1377
01:12:52.079 --> 01:12:55.800
<v Speaker 2>come out before The Batman Part two.

1378
01:12:56.000 --> 01:12:59.199
<v Speaker 1>I was just going to bring that up, which is

1379
01:12:59.479 --> 01:13:03.079
<v Speaker 1>schedule currently to be released the same year, October first,

1380
01:13:03.119 --> 01:13:04.159
<v Speaker 1>twenty twenty seven.

1381
01:13:05.680 --> 01:13:07.680
<v Speaker 2>Right, so it'll be a few months later. So The

1382
01:13:07.760 --> 01:13:12.680
<v Speaker 2>Batman came out during the Mesozoic era. I'm gonna say,

1383
01:13:12.680 --> 01:13:13.319
<v Speaker 2>I don't know when.

1384
01:13:15.039 --> 01:13:19.520
<v Speaker 1>It's it's been a while, right, right, right, We're getting

1385
01:13:19.560 --> 01:13:22.199
<v Speaker 1>a Clayface movie before we get the Batman too.

1386
01:13:22.600 --> 01:13:23.560
<v Speaker 2>I forgot about that.

1387
01:13:23.640 --> 01:13:26.680
<v Speaker 1>Wow, Yeah, which is I mean, what universe is that in?

1388
01:13:27.600 --> 01:13:30.680
<v Speaker 1>Is that in the in quotes the Batman?

1389
01:13:31.079 --> 01:13:33.319
<v Speaker 2>No, I didn't Is that in that? Yeah?

1390
01:13:33.520 --> 01:13:36.159
<v Speaker 1>Right to you? Yeah, you know, I gotta be honest.

1391
01:13:36.199 --> 01:13:39.159
<v Speaker 1>I when I heard that we were getting a Batman

1392
01:13:39.199 --> 01:13:42.159
<v Speaker 1>and Superman movie in twenty twenty seven, I got excited, like, Oh,

1393
01:13:42.319 --> 01:13:45.199
<v Speaker 1>what's this new Batman going to be like? And then

1394
01:13:45.239 --> 01:13:47.199
<v Speaker 1>I saw that it was this one, you know, the

1395
01:13:47.199 --> 01:13:49.319
<v Speaker 1>Matt Reeves version. I was like, oh, right, right, I mean,

1396
01:13:49.359 --> 01:13:52.880
<v Speaker 1>I'm I am interested in that, but it does feel

1397
01:13:52.920 --> 01:13:54.479
<v Speaker 1>a little bit like, oh, I don't know, do we

1398
01:13:54.520 --> 01:13:58.079
<v Speaker 1>want to kind of even things out here, get everything

1399
01:13:59.079 --> 01:13:59.800
<v Speaker 1>on the same.

1400
01:13:59.600 --> 01:14:06.039
<v Speaker 2>Page by the time the Batman Part two comes out.

1401
01:14:06.520 --> 01:14:09.520
<v Speaker 2>So that's twenty twenty seven, so it's gonna be six

1402
01:14:09.560 --> 01:14:14.800
<v Speaker 2>and a half years, So we're basically bumping up against

1403
01:14:14.800 --> 01:14:18.119
<v Speaker 2>the length of time between Batman and Robin and Batman begins.

1404
01:14:19.880 --> 01:14:22.520
<v Speaker 1>Was that the same distance between Terminator and Terminator two?

1405
01:14:22.760 --> 01:14:25.439
<v Speaker 2>That was seven years? Yeah? Okay, so pretty close.

1406
01:14:25.680 --> 01:14:27.479
<v Speaker 1>Yeah.

1407
01:14:27.520 --> 01:14:31.319
<v Speaker 2>Look, I I'm I will watch it, but I do wonder,

1408
01:14:31.479 --> 01:14:34.239
<v Speaker 2>just in a broader sense, like if they kind of

1409
01:14:34.239 --> 01:14:35.720
<v Speaker 2>missed their window for the sequel.

1410
01:14:37.359 --> 01:14:42.680
<v Speaker 1>Yeah, well, in just most especially as they have done

1411
01:14:42.720 --> 01:14:46.600
<v Speaker 1>a reset. That's right, right, So it's nice. I guess

1412
01:14:46.600 --> 01:14:48.920
<v Speaker 1>if they're gonna let Reeves continue to do his thing.

1413
01:14:50.560 --> 01:14:53.399
<v Speaker 1>But I do wonder it'll be interesting to read the

1414
01:14:53.399 --> 01:14:55.560
<v Speaker 1>book in a couple of years, you know what the

1415
01:14:55.560 --> 01:15:00.000
<v Speaker 1>thinking is, because it doesn't seem like the most practic,

1416
01:15:00.039 --> 01:15:04.000
<v Speaker 1>mad thing to do, right, you know, I don't.

1417
01:15:03.840 --> 01:15:07.520
<v Speaker 2>Know, Yeah, I mean, well, I suspect that this is

1418
01:15:07.520 --> 01:15:10.960
<v Speaker 2>a conversation we're gonna be revisiting at some point. So anyway,

1419
01:15:10.680 --> 01:15:14.600
<v Speaker 2>twenty twenty seven, you got, you got Abinger, Secret Wars,

1420
01:15:14.600 --> 01:15:17.000
<v Speaker 2>you got a Superman movie and a Batman movie. So

1421
01:15:18.199 --> 01:15:20.199
<v Speaker 2>you know, I guess we're gonna test the hypothesis is

1422
01:15:20.239 --> 01:15:21.800
<v Speaker 2>that superhero fatigue is a thing?

1423
01:15:22.880 --> 01:15:28.079
<v Speaker 1>Yeah, yeah, I'm very curious for the very curious. Yeah,

1424
01:15:28.199 --> 01:15:30.600
<v Speaker 1>have you been hearing those rumors and things, which one

1425
01:15:30.680 --> 01:15:33.439
<v Speaker 1>coming from the sets from Avengers where.

1426
01:15:33.319 --> 01:15:36.079
<v Speaker 2>It's like, yeah, apparently there was like a that was

1427
01:15:36.159 --> 01:15:39.319
<v Speaker 2>like a heated argument, let's.

1428
01:15:39.079 --> 01:15:43.720
<v Speaker 1>Say, yeah, between two big actors.

1429
01:15:44.039 --> 01:15:46.800
<v Speaker 2>Yeah, we're getting And what we know is the two

1430
01:15:46.840 --> 01:15:51.960
<v Speaker 2>actors were not Robert Downey Junior or Ryan Reynolds. Right,

1431
01:15:52.479 --> 01:15:53.520
<v Speaker 2>That's the only thing we do know.

1432
01:15:54.479 --> 01:15:58.439
<v Speaker 1>Like someone made a comment I think in jest, but

1433
01:15:58.520 --> 01:16:02.039
<v Speaker 1>it was taken poorly, yes, by another actor, and it

1434
01:16:02.119 --> 01:16:06.199
<v Speaker 1>led to having to blow up the schedule. So these

1435
01:16:06.239 --> 01:16:10.039
<v Speaker 1>people don't aren't together any longer, which is just I mean,

1436
01:16:10.079 --> 01:16:13.039
<v Speaker 1>you think of all the money they're already spending. You know,

1437
01:16:13.119 --> 01:16:14.600
<v Speaker 1>it's incredible.

1438
01:16:15.039 --> 01:16:20.279
<v Speaker 2>You picture Kevin Feigy, like, do I need this right now?

1439
01:16:20.279 --> 01:16:21.520
<v Speaker 2>After the year he's had?

1440
01:16:21.640 --> 01:16:24.680
<v Speaker 1>You know, I know, I know is if this movie

1441
01:16:24.680 --> 01:16:27.720
<v Speaker 1>also just isn't the undertaking of the twenty first century

1442
01:16:27.720 --> 01:16:28.239
<v Speaker 1>to begin with?

1443
01:16:28.439 --> 01:16:31.960
<v Speaker 2>You know? Yeah, Like I was actually thinking about that.

1444
01:16:32.000 --> 01:16:34.039
<v Speaker 2>I was like, there are gonna be so many people

1445
01:16:34.680 --> 01:16:37.159
<v Speaker 2>in the industry rooting for that movie to fail.

1446
01:16:38.000 --> 01:16:38.239
<v Speaker 1>You know.

1447
01:16:38.680 --> 01:16:47.439
<v Speaker 2>Yeah, so it's a lot yeah, so drama. And once

1448
01:16:47.479 --> 01:16:50.359
<v Speaker 2>we know anything, we'll come right back here and report

1449
01:16:50.359 --> 01:16:53.720
<v Speaker 2>it like the like the caddy little gossip mongers that

1450
01:16:53.760 --> 01:16:54.079
<v Speaker 2>we are.

1451
01:16:54.359 --> 01:16:57.239
<v Speaker 1>I was gonna say, we'll dish that'll be an extra

1452
01:16:57.319 --> 01:16:59.000
<v Speaker 1>little bonus.

1453
01:17:00.640 --> 01:17:04.439
<v Speaker 2>Who do you think it was? Hey, here's some news, Brian,

1454
01:17:04.840 --> 01:17:08.560
<v Speaker 2>little sad news. I wanted to mention. Graham Green has

1455
01:17:08.600 --> 01:17:14.960
<v Speaker 2>passed away. Yeah yeah, at age of seventy three, apparently

1456
01:17:15.000 --> 01:17:19.119
<v Speaker 2>of natural causes, natural causes. And we were just singing

1457
01:17:19.159 --> 01:17:23.600
<v Speaker 2>his praises Earlier this year, he appeared in Diehard with

1458
01:17:23.600 --> 01:17:25.560
<v Speaker 2>a Vengeance, and when we were watching that film in

1459
01:17:25.600 --> 01:17:27.520
<v Speaker 2>our commentary check, we were both sort of like, what

1460
01:17:27.880 --> 01:17:31.960
<v Speaker 2>a great character Graham Green plays. He is, of course

1461
01:17:32.439 --> 01:17:34.760
<v Speaker 2>known for other roles. For me, he got on my

1462
01:17:34.880 --> 01:17:38.760
<v Speaker 2>radar having played kicking Bird in Dances with Wolves. Yep,

1463
01:17:38.880 --> 01:17:43.439
<v Speaker 2>same tremendous. I was an amazing performance in that movie,

1464
01:17:44.039 --> 01:17:46.000
<v Speaker 2>and he had been in a whole bunch of other

1465
01:17:46.000 --> 01:17:49.079
<v Speaker 2>stuff too. He was actually just speaking of Marvel. He

1466
01:17:49.119 --> 01:17:50.520
<v Speaker 2>was just in the series Echo.

1467
01:17:51.159 --> 01:17:53.720
<v Speaker 1>Oh okay, yeah.

1468
01:17:54.239 --> 01:17:56.800
<v Speaker 2>In terms of Native American actors, one of the most visible.

1469
01:17:57.640 --> 01:18:00.439
<v Speaker 1>I was gonna say, if anyone doesn't know him by name,

1470
01:18:00.479 --> 01:18:03.560
<v Speaker 1>if you google him, you're gonna go, oh yeah, yeah,

1471
01:18:03.600 --> 01:18:04.520
<v Speaker 1>that's exactly right.

1472
01:18:05.640 --> 01:18:08.960
<v Speaker 2>So you know, he was somebody who you know, just

1473
01:18:09.279 --> 01:18:11.279
<v Speaker 2>just seeing him it was like kind of reassuring, like,

1474
01:18:11.319 --> 01:18:16.880
<v Speaker 2>oh good, you know. He was also in the final

1475
01:18:16.920 --> 01:18:20.920
<v Speaker 2>episode of eighteen eighty three, the mini series. He plays

1476
01:18:21.039 --> 01:18:25.720
<v Speaker 2>the Native American character who sells the land that becomes

1477
01:18:25.760 --> 01:18:29.760
<v Speaker 2>the Yellowstone Ranch to James Dutton, which is a nice,

1478
01:18:29.800 --> 01:18:33.000
<v Speaker 2>little nice you know, if you've watched the entirety of Yellowstone,

1479
01:18:33.000 --> 01:18:35.720
<v Speaker 2>you see the importance of that scene. You know, yep,

1480
01:18:37.000 --> 01:18:42.159
<v Speaker 2>I saw that Kevin Costner paid tribute to him on Instagram,

1481
01:18:42.239 --> 01:18:45.960
<v Speaker 2>Kevin Costner again having directed him in Dance with Wolves.

1482
01:18:46.000 --> 01:18:47.640
<v Speaker 2>He says, a few things come to mind when I

1483
01:18:47.680 --> 01:18:50.000
<v Speaker 2>think of Graham Green and our time together on Dances

1484
01:18:50.039 --> 01:18:52.640
<v Speaker 2>with Wolves. I think of how willing he was to

1485
01:18:52.760 --> 01:18:55.680
<v Speaker 2>learn the Lakota language. I think of my joy when

1486
01:18:55.680 --> 01:18:57.920
<v Speaker 2>I heard that his work on the film was recognized

1487
01:18:58.239 --> 01:19:01.199
<v Speaker 2>with an Academy Award nomination. And I think of this

1488
01:19:01.279 --> 01:19:04.760
<v Speaker 2>scene in particular. And the scene in question is when

1489
01:19:06.159 --> 01:19:09.159
<v Speaker 2>Kicking Bird and John Dunbar played by Kevin Costner, are

1490
01:19:09.199 --> 01:19:12.760
<v Speaker 2>first trying to interact with each other. When he was

1491
01:19:12.800 --> 01:19:16.000
<v Speaker 2>able to establish so much about the relationship between Dunbar

1492
01:19:16.119 --> 01:19:18.640
<v Speaker 2>and the natives with so few words, he was a

1493
01:19:18.680 --> 01:19:21.560
<v Speaker 2>master at work and a wonderful human being. I'm grateful

1494
01:19:21.640 --> 01:19:24.640
<v Speaker 2>to have been witnessed to this part of his lasting legacy.

1495
01:19:24.960 --> 01:19:28.760
<v Speaker 2>Rest in peace, Graham. That was nice, It really was nice.

1496
01:19:28.800 --> 01:19:31.840
<v Speaker 2>So just another you know, a terrific character actor. And

1497
01:19:31.840 --> 01:19:33.720
<v Speaker 2>we talk about character actors all the time. They are

1498
01:19:33.760 --> 01:19:37.760
<v Speaker 2>the glue that hold this whole joint together, and whenever

1499
01:19:37.760 --> 01:19:40.479
<v Speaker 2>they leave us, you know, there's a little less glue.

1500
01:19:40.720 --> 01:19:45.319
<v Speaker 2>Mm hm, you know. Yep, here's another story, Brian. I

1501
01:19:45.319 --> 01:19:48.359
<v Speaker 2>thought this one, I should say, since I clocked this

1502
01:19:48.399 --> 01:19:51.079
<v Speaker 2>as something we should discuss. Between then and the time

1503
01:19:51.119 --> 01:19:55.560
<v Speaker 2>we started recording, I've gotten multiple text messages from people

1504
01:19:55.600 --> 01:20:00.600
<v Speaker 2>who clearly know our show very well. Yes, happy about

1505
01:20:01.159 --> 01:20:07.880
<v Speaker 2>well as it happens, this story is the Magnificent Amberson's finally,

1506
01:20:09.560 --> 01:20:12.079
<v Speaker 2>So for those of you who don't know, The Magnificent

1507
01:20:12.159 --> 01:20:15.239
<v Speaker 2>Amberson's is a film that it has kind of a

1508
01:20:15.279 --> 01:20:19.520
<v Speaker 2>storied history. It was Orson Wells's follow up to Citizen Kane,

1509
01:20:19.520 --> 01:20:22.800
<v Speaker 2>and it's generally considered one of the greatest movies ever made.

1510
01:20:23.079 --> 01:20:25.680
<v Speaker 2>And that's saying something, right, that's saying something because it

1511
01:20:25.800 --> 01:20:34.279
<v Speaker 2>exists in this this really severely truncated studio scizzard form.

1512
01:20:34.840 --> 01:20:36.720
<v Speaker 1>Right. Well, I was just saying, I mean, to follow

1513
01:20:36.840 --> 01:20:39.479
<v Speaker 1>up what many people believe to be one of the

1514
01:20:39.479 --> 01:20:42.279
<v Speaker 1>greatest movies of all time, Citizen Kane, truche then to

1515
01:20:42.319 --> 01:20:44.640
<v Speaker 1>make your second movie, and they're like, this is also

1516
01:20:44.680 --> 01:20:46.640
<v Speaker 1>one of the greatest movies of all time. I mean, yeah,

1517
01:20:46.680 --> 01:20:48.800
<v Speaker 1>run yeah.

1518
01:20:48.600 --> 01:20:51.319
<v Speaker 2>And so the film as and of course it's become

1519
01:20:51.439 --> 01:20:54.039
<v Speaker 2>kind of a running joke on this show where I'll say, like, oh,

1520
01:20:54.079 --> 01:20:56.520
<v Speaker 2>this movie it's good. I mean, it's not the magnificstent Amberson's,

1521
01:20:56.520 --> 01:20:59.279
<v Speaker 2>but it's good. And so I appreciate that that is

1522
01:20:59.319 --> 01:21:03.159
<v Speaker 2>sort of our share parlance with our listeners. So this

1523
01:21:03.279 --> 01:21:06.760
<v Speaker 2>story is fascinating in that it ties together two of

1524
01:21:06.760 --> 01:21:08.359
<v Speaker 2>the things we end up talking about a lot on

1525
01:21:08.399 --> 01:21:11.760
<v Speaker 2>this show. A the magnificent Amberson's and b the encroaching

1526
01:21:12.680 --> 01:21:16.000
<v Speaker 2>use of AI in a form that is slightly troubling,

1527
01:21:17.680 --> 01:21:18.159
<v Speaker 2>right right.

1528
01:21:18.119 --> 01:21:19.920
<v Speaker 1>Right, Well, yeah, sir, I think I kind of cut

1529
01:21:19.960 --> 01:21:23.119
<v Speaker 1>off the anecdote you're trying to make about Amberson's, which

1530
01:21:23.159 --> 01:21:25.439
<v Speaker 1>is to say it is thought of as one of

1531
01:21:25.439 --> 01:21:30.039
<v Speaker 1>the greatest movies of all time. But it's almost surprising

1532
01:21:30.199 --> 01:21:33.479
<v Speaker 1>in a miracle that that's the case, because Orson Wells

1533
01:21:33.560 --> 01:21:35.640
<v Speaker 1>had an original cut he felt good about, but then

1534
01:21:35.680 --> 01:21:38.000
<v Speaker 1>the studio took it out of his hands, chopped out

1535
01:21:38.079 --> 01:21:41.840
<v Speaker 1>forty plus minutes of it, tacked on a happy ending

1536
01:21:41.920 --> 01:21:45.840
<v Speaker 1>he didn't like, and that release version happens to be

1537
01:21:45.880 --> 01:21:47.399
<v Speaker 1>the version that everybody admires.

1538
01:21:47.800 --> 01:21:51.319
<v Speaker 2>Yeah, and it did tank when it came out, right.

1539
01:21:51.680 --> 01:21:54.279
<v Speaker 2>This is another Citizen Kane situation where it was only

1540
01:21:54.359 --> 01:21:58.840
<v Speaker 2>appreciated after the fact. And so the quest for the

1541
01:21:58.960 --> 01:22:02.800
<v Speaker 2>lost forty minutes of Citizen Kane is I feel like

1542
01:22:03.000 --> 01:22:05.920
<v Speaker 2>there's Amberson's. Yeah, did I say Citizens KM? Sorry, of

1543
01:22:06.000 --> 01:22:10.239
<v Speaker 2>Amberson's is kind of a legendary at this point. I

1544
01:22:10.279 --> 01:22:12.600
<v Speaker 2>feel like that could be a movie all on its own.

1545
01:22:12.760 --> 01:22:16.239
<v Speaker 1>Yeah, yeah, really could, because I mean people think there

1546
01:22:16.279 --> 01:22:20.840
<v Speaker 1>could be, you know, portions of it in Brazil. You know,

1547
01:22:21.039 --> 01:22:23.920
<v Speaker 1>it's sort of like a worldwide hunt to find this

1548
01:22:24.039 --> 01:22:28.079
<v Speaker 1>lost footage. But many believe it was destroyed as like

1549
01:22:28.119 --> 01:22:31.039
<v Speaker 1>a space saving measure, right, Like the studio just wanted

1550
01:22:31.039 --> 01:22:33.840
<v Speaker 1>to free up some space and so they destroyed.

1551
01:22:34.319 --> 01:22:37.000
<v Speaker 2>Yeah, and so there was a presumption that that Wells

1552
01:22:37.119 --> 01:22:39.840
<v Speaker 2>had his own copy of the footage, but it's never

1553
01:22:39.960 --> 01:22:41.239
<v Speaker 2>it's never been recovered.

1554
01:22:41.520 --> 01:22:44.199
<v Speaker 1>Yeah, and film from that era is notoriously volatile.

1555
01:22:44.560 --> 01:22:45.239
<v Speaker 2>That that too.

1556
01:22:45.359 --> 01:22:46.039
<v Speaker 1>Yeah.

1557
01:22:46.159 --> 01:22:50.680
<v Speaker 2>So so here comes AI to solve question mark this

1558
01:22:50.680 --> 01:22:54.960
<v Speaker 2>this mystery. Yeah, here's the story that that, like I said,

1559
01:22:55.000 --> 01:22:58.720
<v Speaker 2>just broke today via Hollywood Reporter. And essentially, we have

1560
01:22:58.760 --> 01:23:01.960
<v Speaker 2>a situation where there's a company called Showrunner, which is

1561
01:23:01.960 --> 01:23:05.760
<v Speaker 2>an AI company. It's owned by Amazon, and the plan

1562
01:23:06.000 --> 01:23:09.920
<v Speaker 2>is for it to reconstruct the missing forty three minutes

1563
01:23:09.960 --> 01:23:14.439
<v Speaker 2>of the magnificent Andersen's and just to delve into the

1564
01:23:16.039 --> 01:23:19.520
<v Speaker 2>whys and wherefor is here It says here the endeavor

1565
01:23:19.520 --> 01:23:22.239
<v Speaker 2>marks of the text further encroachment onto Hollywood as it

1566
01:23:22.319 --> 01:23:25.640
<v Speaker 2>eyes the exploitation of AI tools embroiled in controversy, or

1567
01:23:25.640 --> 01:23:29.159
<v Speaker 2>the possibility they were created using copyrighted materials from creators

1568
01:23:29.199 --> 01:23:33.960
<v Speaker 2>they could eventually displace. So the effort won't be commercialized

1569
01:23:34.319 --> 01:23:36.640
<v Speaker 2>because Showrunner hasn't obtained the rights to the film from

1570
01:23:36.640 --> 01:23:40.279
<v Speaker 2>Warner Brothers, Discovery or Conquered. If they see a marketplace

1571
01:23:40.319 --> 01:23:41.920
<v Speaker 2>for it and a path for it outside of an

1572
01:23:41.920 --> 01:23:44.520
<v Speaker 2>academic context, then of course they have ownership of it.

1573
01:23:44.520 --> 01:23:46.840
<v Speaker 2>The goal isn't to commercialize, but to see them exist

1574
01:23:46.880 --> 01:23:50.119
<v Speaker 2>in the world after eighty years of people asking might

1575
01:23:50.239 --> 01:23:52.399
<v Speaker 2>this have been the best film ever made? In its

1576
01:23:52.439 --> 01:23:59.039
<v Speaker 2>original form? And so using whatever information they have so

1577
01:23:59.479 --> 01:24:03.239
<v Speaker 2>specific we have a guy named Brian Rose who is

1578
01:24:03.279 --> 01:24:06.319
<v Speaker 2>a filmmaker and he's spent the last five years recreating

1579
01:24:06.399 --> 01:24:10.039
<v Speaker 2>thirty thousand missing frames from the movie. He's rebuilt the

1580
01:24:10.039 --> 01:24:14.479
<v Speaker 2>physical sets using three D models, pinpointing camera movements to

1581
01:24:14.520 --> 01:24:17.640
<v Speaker 2>match with the script, set photos and archive materials, and

1582
01:24:17.640 --> 01:24:20.840
<v Speaker 2>by his thinking, he's reconstructed the framing and timing of

1583
01:24:20.880 --> 01:24:24.520
<v Speaker 2>each scene to serve as a foundation for the recreation.

1584
01:24:26.640 --> 01:24:32.279
<v Speaker 2>So it's meant as an academic exercise. Yeah, using AI,

1585
01:24:33.119 --> 01:24:37.680
<v Speaker 2>using Wells's notes to rebuild the film as it would

1586
01:24:37.760 --> 01:24:40.640
<v Speaker 2>originally have existed. You know.

1587
01:24:40.760 --> 01:24:44.439
<v Speaker 1>I mean that's an important factor there. I mean calling

1588
01:24:44.479 --> 01:24:50.199
<v Speaker 1>it an academic exercise. It's interesting, you know what I mean? Like,

1589
01:24:50.880 --> 01:24:54.119
<v Speaker 1>I think what would irk me is if someone were

1590
01:24:54.159 --> 01:24:57.560
<v Speaker 1>to say, we did it. This is the definitive version

1591
01:24:57.600 --> 01:25:00.680
<v Speaker 1>that Orson Welles wanted the world to see. Yeah, you

1592
01:25:00.760 --> 01:25:01.359
<v Speaker 1>know what I'm saying.

1593
01:25:01.720 --> 01:25:07.600
<v Speaker 2>Yeah, Well, at this moment, it sounds to me like

1594
01:25:07.640 --> 01:25:09.800
<v Speaker 2>something in the vein of I'm sure you've seen those

1595
01:25:09.840 --> 01:25:14.319
<v Speaker 2>YouTube videos where somebody takes the lightsaber duel from episode four,

1596
01:25:15.119 --> 01:25:18.439
<v Speaker 2>yes and adds a bunch of cgi flimflam into it.

1597
01:25:18.800 --> 01:25:22.159
<v Speaker 1>Which I think is very interesting as an experiment.

1598
01:25:22.800 --> 01:25:26.079
<v Speaker 2>It looks freaking off me just say yeah, yeah.

1599
01:25:25.920 --> 01:25:28.800
<v Speaker 1>I mean, I'm like, oh, that's okay. But I would

1600
01:25:28.800 --> 01:25:32.680
<v Speaker 1>never consider that canon or exactly.

1601
01:25:32.760 --> 01:25:34.399
<v Speaker 2>I've had people send that to me be like this

1602
01:25:34.520 --> 01:25:37.800
<v Speaker 2>is so awesome, and I defriended them instantly and blocked.

1603
01:25:38.479 --> 01:25:41.800
<v Speaker 1>I just took a sip a while you know what,

1604
01:25:42.399 --> 01:25:44.960
<v Speaker 1>just getting to that really quick. I really thought it

1605
01:25:45.000 --> 01:25:48.239
<v Speaker 1>was a cool idea. The problem was, and it sounds

1606
01:25:48.279 --> 01:25:51.079
<v Speaker 1>like these people are going to get around that problem.

1607
01:25:51.560 --> 01:25:55.920
<v Speaker 1>They didn't try to match the style of a New Hope,

1608
01:25:56.600 --> 01:25:58.399
<v Speaker 1>you know, they suddenly turned it into like a Michael

1609
01:25:58.399 --> 01:26:03.039
<v Speaker 1>Bay movie in the midst of yes, yes, with the

1610
01:26:03.520 --> 01:26:06.680
<v Speaker 1>scenes that they recreated through whatever it was AI or whatever.

1611
01:26:07.279 --> 01:26:07.880
<v Speaker 2>But it was a.

1612
01:26:07.760 --> 01:26:10.279
<v Speaker 1>Cool idea they were basically trying to take. You know,

1613
01:26:10.319 --> 01:26:13.199
<v Speaker 1>you you have the Phantom Menace, Duel of the Fates,

1614
01:26:13.199 --> 01:26:16.920
<v Speaker 1>you have this crazy acrobatic Jedi fight, and then when

1615
01:26:16.920 --> 01:26:20.600
<v Speaker 1>you go back to New Hope, the initial fight scene

1616
01:26:20.640 --> 01:26:23.720
<v Speaker 1>between Darth Vader and Obi Wan Kenobi feels a little slower, right,

1617
01:26:24.039 --> 01:26:24.399
<v Speaker 1>So this.

1618
01:26:24.319 --> 01:26:27.760
<v Speaker 2>Person was like, tap tap tap is there?

1619
01:26:28.000 --> 01:26:32.079
<v Speaker 1>Yeah, yeah, right, exactly, Yeah, and you know Obi Wan

1620
01:26:32.159 --> 01:26:34.840
<v Speaker 1>does like a strained sort of twirl like you know

1621
01:26:34.920 --> 01:26:36.960
<v Speaker 1>kind but.

1622
01:26:38.439 --> 01:26:39.960
<v Speaker 2>He's arthritic after so.

1623
01:26:41.479 --> 01:26:45.319
<v Speaker 1>He's been living on a desert planet dehydrated. So but

1624
01:26:45.439 --> 01:26:48.399
<v Speaker 1>this person was like, well, what if we could up

1625
01:26:48.520 --> 01:26:50.119
<v Speaker 1>the fight, you know, make it look a little bit

1626
01:26:50.159 --> 01:26:54.439
<v Speaker 1>more acrobatic like in the earlier films. Yea interesting experiment.

1627
01:26:54.600 --> 01:26:56.119
<v Speaker 1>I thought it was kind of cool to watch. I

1628
01:26:56.119 --> 01:26:58.399
<v Speaker 1>wish they had tried to match the tone and camera

1629
01:26:58.479 --> 01:27:00.199
<v Speaker 1>work a little bit more closely, and I think it

1630
01:27:00.199 --> 01:27:02.159
<v Speaker 1>would have been more successful if they had done that.

1631
01:27:02.279 --> 01:27:04.600
<v Speaker 1>But yeah, it's an interesting experiment.

1632
01:27:04.640 --> 01:27:04.960
<v Speaker 2>I don't know.

1633
01:27:04.960 --> 01:27:06.279
<v Speaker 1>Wait, so what do you think about this?

1634
01:27:06.840 --> 01:27:09.399
<v Speaker 2>Well? So I have two thoughts, right, Like, on the

1635
01:27:09.399 --> 01:27:14.079
<v Speaker 2>one hand, you know the quote about Orson Wells when

1636
01:27:14.119 --> 01:27:19.239
<v Speaker 2>he when he learned that that you know, they were

1637
01:27:19.239 --> 01:27:24.279
<v Speaker 2>going to colorize Citizen Kane. This was TNT, I think,

1638
01:27:24.520 --> 01:27:27.000
<v Speaker 2>and he says, tell tell Ted Turner to keep his

1639
01:27:27.039 --> 01:27:31.600
<v Speaker 2>goddamn crayons off my movie. Like that quote, right, that

1640
01:27:31.720 --> 01:27:35.000
<v Speaker 2>quote lives rent free in my head in it. So

1641
01:27:35.079 --> 01:27:38.199
<v Speaker 2>there is that, so we know how he feels about

1642
01:27:38.199 --> 01:27:40.479
<v Speaker 2>people mucking this film. On the other hand, his film

1643
01:27:40.520 --> 01:27:46.119
<v Speaker 2>comes pre mucked. Sure, sure, sure, right, So so you wonder, like,

1644
01:27:46.199 --> 01:27:50.640
<v Speaker 2>I mean, how would Wells feel about this, given the

1645
01:27:50.680 --> 01:27:55.199
<v Speaker 2>fact that the the additional the extended material has been

1646
01:27:55.199 --> 01:27:58.640
<v Speaker 2>in fact lost to the ages, would he at least

1647
01:27:58.640 --> 01:28:04.399
<v Speaker 2>welcome the opportunity for it to exist in some form? Yeah?

1648
01:28:04.399 --> 01:28:06.479
<v Speaker 1>I don't know. I mean, see this is the thing too.

1649
01:28:06.520 --> 01:28:09.520
<v Speaker 1>I mean you look at something like fan edits right,

1650
01:28:09.560 --> 01:28:13.119
<v Speaker 1>where people take movies one of the most famous ones

1651
01:28:13.159 --> 01:28:17.720
<v Speaker 1>is Teford Grace took the Star Wars prequels and made

1652
01:28:17.760 --> 01:28:21.399
<v Speaker 1>his own cut, which, instead of being three full length movies,

1653
01:28:21.640 --> 01:28:24.119
<v Speaker 1>I think whittled the whole three movies down to about

1654
01:28:24.159 --> 01:28:28.479
<v Speaker 1>ninety minutes somehow. Wow. And I would never consider that

1655
01:28:28.680 --> 01:28:31.600
<v Speaker 1>an actual movie. I just think it's an interesting experiment.

1656
01:28:32.279 --> 01:28:38.199
<v Speaker 1>So to me, this lives in that same place. I

1657
01:28:38.239 --> 01:28:43.279
<v Speaker 1>think I would take this case by case. In this

1658
01:28:43.600 --> 01:28:47.840
<v Speaker 1>instance interesting, you know, I'm curious what they'll come up with,

1659
01:28:48.560 --> 01:28:50.439
<v Speaker 1>But I wouldn't want them then to be like, yeah,

1660
01:28:50.439 --> 01:28:51.920
<v Speaker 1>but what if in Raiders of the Lost Ark the

1661
01:28:51.920 --> 01:28:55.039
<v Speaker 1>Millennium Falcon showed up, you know, And so then they

1662
01:28:55.159 --> 01:28:57.640
<v Speaker 1>start futzing with that and then putting that in theaters

1663
01:28:57.640 --> 01:29:01.000
<v Speaker 1>and being like, witness, there's a lost article, like you've

1664
01:29:01.000 --> 01:29:04.399
<v Speaker 1>never seen it before. Like that, I would not be okay.

1665
01:29:04.199 --> 01:29:07.600
<v Speaker 2>Right well, And and another aspect of this is is

1666
01:29:08.960 --> 01:29:14.000
<v Speaker 2>we can we can look at this devoid of context,

1667
01:29:14.119 --> 01:29:17.520
<v Speaker 2>both before and after and view it as as as

1668
01:29:17.520 --> 01:29:23.520
<v Speaker 2>purely benign. And I don't think AI can be viewed

1669
01:29:23.520 --> 01:29:29.119
<v Speaker 2>that way, because every use is spinning the ball slightly

1670
01:29:29.159 --> 01:29:32.359
<v Speaker 2>forward to whatever's coming next, and and it's reaching a

1671
01:29:32.439 --> 01:29:36.680
<v Speaker 2>point where without signing alarmist. It's pretty damn scary.

1672
01:29:38.199 --> 01:29:40.319
<v Speaker 1>I know, I see this is this is such a

1673
01:29:40.319 --> 01:29:43.600
<v Speaker 1>weird thing. I was just listening to James Gunn talking

1674
01:29:43.680 --> 01:29:45.840
<v Speaker 1>on the other podcast and he was they're asking him

1675
01:29:45.840 --> 01:29:51.079
<v Speaker 1>about AI. What he was saying was it's happening. Yeah,

1676
01:29:51.359 --> 01:29:54.399
<v Speaker 1>So I agree with that, and so so then it's like, well,

1677
01:29:54.399 --> 01:29:55.520
<v Speaker 1>what do you do with this?

1678
01:29:55.840 --> 01:29:58.359
<v Speaker 2>And and I want to be very clear. Look, I'm

1679
01:29:58.399 --> 01:30:00.600
<v Speaker 2>not naive about this, and I'm not a lot you know.

1680
01:30:00.680 --> 01:30:02.960
<v Speaker 2>I think I think James Gunn is right as many

1681
01:30:03.000 --> 01:30:04.720
<v Speaker 2>people look at it is here, I don't think we're

1682
01:30:04.720 --> 01:30:09.359
<v Speaker 2>putting the genie back in the bottle. I think as

1683
01:30:09.680 --> 01:30:12.760
<v Speaker 2>I look this story makes me curious. Look, as somebody

1684
01:30:12.800 --> 01:30:16.199
<v Speaker 2>who has seen Amberson's many times, I want to see

1685
01:30:16.319 --> 01:30:21.159
<v Speaker 2>what they come up with. There is that that that

1686
01:30:21.319 --> 01:30:23.560
<v Speaker 2>parenthetical in this piece though, you know, hey, if Warner

1687
01:30:23.600 --> 01:30:26.159
<v Speaker 2>Brothers sees the commercial value in it, then it's up

1688
01:30:26.199 --> 01:30:30.720
<v Speaker 2>to them. I think that's where we're headed.

1689
01:30:30.800 --> 01:30:34.279
<v Speaker 1>No matter what I know. And I'm realizing, even in

1690
01:30:34.359 --> 01:30:36.680
<v Speaker 1>all the things that I'm saying, this is just too

1691
01:30:36.720 --> 01:30:39.079
<v Speaker 1>big a conversation, you know what I mean, Like, there's

1692
01:30:39.119 --> 01:30:40.439
<v Speaker 1>just so many facets to it.

1693
01:30:40.479 --> 01:30:43.560
<v Speaker 2>I disagree. I think you and I can button this

1694
01:30:43.600 --> 01:30:45.640
<v Speaker 2>thing down right now, in the next couple of minutes,

1695
01:30:47.439 --> 01:30:49.640
<v Speaker 2>we can print it on a gold disc, send it

1696
01:30:49.720 --> 01:30:50.760
<v Speaker 2>into space. I think.

1697
01:30:52.760 --> 01:30:55.119
<v Speaker 1>Yeah, And then years later it'll be being back to

1698
01:30:55.199 --> 01:31:01.199
<v Speaker 1>Jodie Foster and she'll be like Dad, great movie. By

1699
01:31:01.199 --> 01:31:06.760
<v Speaker 1>the way, if you haven't seen Contact, Every Contact, it's

1700
01:31:06.760 --> 01:31:08.760
<v Speaker 1>just so funny. I mean, I really see saw on this.

1701
01:31:09.119 --> 01:31:11.840
<v Speaker 1>It's like you can't talk about AI in general and

1702
01:31:11.920 --> 01:31:16.279
<v Speaker 1>not acknowledge that in many ways, where we're heading is

1703
01:31:16.319 --> 01:31:21.239
<v Speaker 1>going to objectively suck for many people because certain jobs

1704
01:31:21.239 --> 01:31:24.279
<v Speaker 1>are going to cease to exist. It's going to significantly

1705
01:31:24.359 --> 01:31:30.319
<v Speaker 1>augment or replace tasks specifically for our discussion, in entertainment,

1706
01:31:31.119 --> 01:31:35.079
<v Speaker 1>in animation and VFX and things like that, and I

1707
01:31:35.199 --> 01:31:39.079
<v Speaker 1>more in that. I know it will probably make things quicker.

1708
01:31:39.119 --> 01:31:41.600
<v Speaker 1>I know it'll probably make things cheaper, but heck, man,

1709
01:31:41.680 --> 01:31:44.359
<v Speaker 1>I look at like the Simpsons and like those first

1710
01:31:44.359 --> 01:31:48.239
<v Speaker 1>ten seasons and the Squash and Stretch. Yeah, that those

1711
01:31:48.680 --> 01:31:53.880
<v Speaker 1>figures have those characters. It is soul. And when I

1712
01:31:53.920 --> 01:31:56.439
<v Speaker 1>look at the newer Simpsons, which is edited still by

1713
01:31:56.640 --> 01:31:59.960
<v Speaker 1>humans but on computers, but not every frame is drawn

1714
01:32:00.079 --> 01:32:03.119
<v Speaker 1>by hand, it's more like puppeteering in sort of a way.

1715
01:32:04.119 --> 01:32:06.800
<v Speaker 1>It's missing spark, it's missing a little bit of life,

1716
01:32:06.840 --> 01:32:10.199
<v Speaker 1>it's missing that quirkiness that makes those first ten seasons

1717
01:32:10.319 --> 01:32:15.520
<v Speaker 1>just you know, charming beyond belief. So I do more

1718
01:32:16.520 --> 01:32:22.680
<v Speaker 1>many creative things, charging deeper in that direction, and I

1719
01:32:22.720 --> 01:32:25.960
<v Speaker 1>can acknowledge that AI can also be a remarkable tool

1720
01:32:26.319 --> 01:32:29.800
<v Speaker 1>when well did well. So I don't know, Like I said,

1721
01:32:29.800 --> 01:32:34.000
<v Speaker 1>it's a huge discussion when it comes to this stuff.

1722
01:32:36.600 --> 01:32:38.640
<v Speaker 1>Like I said, I don't want it to turn into

1723
01:32:38.680 --> 01:32:41.439
<v Speaker 1>a Ted Turner sort of situation where it's just like, well, now,

1724
01:32:42.279 --> 01:32:44.920
<v Speaker 1>you know, filmmakers won't have a say because they didn't

1725
01:32:44.960 --> 01:32:47.720
<v Speaker 1>have this in their contracts, and we're just going to

1726
01:32:47.800 --> 01:32:50.960
<v Speaker 1>go in. I mean George Lucas went in willingly and yeah,

1727
01:32:51.520 --> 01:32:53.920
<v Speaker 1>added a CG. Jaba and all that sort of stuff.

1728
01:32:54.000 --> 01:32:55.520
<v Speaker 1>But I don't want this to be a thing.

1729
01:32:55.399 --> 01:32:57.479
<v Speaker 2>Where that's kind of the thing we were talking about

1730
01:32:57.479 --> 01:32:59.920
<v Speaker 2>the episode four. You know that that fan at it,

1731
01:33:00.279 --> 01:33:03.199
<v Speaker 2>and let's be real, we were probably like like one

1732
01:33:03.239 --> 01:33:05.239
<v Speaker 2>and a half steps away from him actually doing that

1733
01:33:05.279 --> 01:33:06.119
<v Speaker 2>in episode four.

1734
01:33:07.239 --> 01:33:10.880
<v Speaker 1>Oh sure, sure, I mean if this existed back then,

1735
01:33:10.920 --> 01:33:11.399
<v Speaker 1>who knows?

1736
01:33:11.600 --> 01:33:14.199
<v Speaker 2>Oh yeah, yeah, I think in that sense, the technology

1737
01:33:14.359 --> 01:33:17.720
<v Speaker 2>worked in the audience's favor where he just wasn't there

1738
01:33:17.840 --> 01:33:18.319
<v Speaker 2>to do that.

1739
01:33:18.800 --> 01:33:20.680
<v Speaker 1>And that's what I'm saying, like, hey, if he wants

1740
01:33:20.720 --> 01:33:23.000
<v Speaker 1>to do that, I have every right to not like it,

1741
01:33:23.039 --> 01:33:25.359
<v Speaker 1>and he has every right to do it because it's

1742
01:33:25.439 --> 01:33:26.000
<v Speaker 1>his baby.

1743
01:33:27.079 --> 01:33:29.600
<v Speaker 2>But that again, I just wish he would have hit

1744
01:33:29.640 --> 01:33:30.119
<v Speaker 2>save as.

1745
01:33:33.399 --> 01:33:35.399
<v Speaker 1>But I'm just saying, like, with this the Orson Welles thing,

1746
01:33:35.479 --> 01:33:38.760
<v Speaker 1>I do feel like he's probably beginning to spend in

1747
01:33:38.800 --> 01:33:42.319
<v Speaker 1>his grave at this moment, you know, And that sucks.

1748
01:33:42.479 --> 01:33:45.000
<v Speaker 1>That sucks. But again, if as long as this isn't

1749
01:33:45.000 --> 01:33:47.359
<v Speaker 1>something Warner Brothers is gonna come out and say, like

1750
01:33:48.000 --> 01:33:53.159
<v Speaker 1>the definitive version, I'm all right, well it's interesting. But

1751
01:33:53.720 --> 01:33:55.760
<v Speaker 1>again I guess sorry I keep talking to talking about

1752
01:33:55.760 --> 01:34:00.760
<v Speaker 1>like I do get a little nervous about what so

1753
01:34:00.760 --> 01:34:01.840
<v Speaker 1>what else do they have in mind?

1754
01:34:02.520 --> 01:34:06.399
<v Speaker 2>That's That's kind of where I'm at, Like, I'm very

1755
01:34:06.399 --> 01:34:11.039
<v Speaker 2>curious about this, but I'm also very circumspect about what

1756
01:34:11.079 --> 01:34:15.000
<v Speaker 2>comes next. And and you do wonder a little bit

1757
01:34:15.159 --> 01:34:20.520
<v Speaker 2>like are are are we you know, people like you

1758
01:34:20.560 --> 01:34:24.319
<v Speaker 2>and I, people who have this desire to preserve this

1759
01:34:24.359 --> 01:34:27.359
<v Speaker 2>stuff as it existed? Are we the ones that are

1760
01:34:27.399 --> 01:34:31.319
<v Speaker 2>going to be left behind, you know, by by time,

1761
01:34:31.479 --> 01:34:33.560
<v Speaker 2>by society. You know.

1762
01:34:35.600 --> 01:34:40.920
<v Speaker 1>Yeah, I don't know. I mean, I'm trying. I don't

1763
01:34:40.960 --> 01:34:42.880
<v Speaker 1>know if people could probably tell a boy my rambling,

1764
01:34:42.920 --> 01:34:45.640
<v Speaker 1>I'm like processing in real time. I'm really truly trying

1765
01:34:45.680 --> 01:34:47.000
<v Speaker 1>to see the pros and cons of it.

1766
01:34:49.000 --> 01:34:55.960
<v Speaker 2>Well, whatever, this future looks like it's not the magnificent Amberson's.

1767
01:34:57.079 --> 01:34:59.279
<v Speaker 1>And nothing ever will there you.

1768
01:34:59.239 --> 01:35:04.079
<v Speaker 2>Go, Hey, we have a brand new release we wanted

1769
01:35:04.119 --> 01:35:06.960
<v Speaker 2>to discuss. Yeah, let's talk about it on the other

1770
01:35:06.960 --> 01:35:07.520
<v Speaker 2>side of.

1771
01:35:07.439 --> 01:35:16.000
<v Speaker 1>This, and now we're pleased to bring you our feature present.

1772
01:35:19.800 --> 01:35:25.279
<v Speaker 2>Hey, cot Stealing is in theaters right now, and I'm

1773
01:35:25.600 --> 01:35:27.560
<v Speaker 2>you and I have not discussed this, but if I may,

1774
01:35:28.159 --> 01:35:31.600
<v Speaker 2>an alternate title I might give this movie is pleasant Surprise.

1775
01:35:33.600 --> 01:35:36.720
<v Speaker 1>Yeah, actually, you know, I mean, just to give even

1776
01:35:36.880 --> 01:35:39.399
<v Speaker 1>more personal context, you know. You and I kind of

1777
01:35:39.439 --> 01:35:42.039
<v Speaker 1>saw this last minute. Yep, it's a last minute decision.

1778
01:35:42.119 --> 01:35:44.600
<v Speaker 1>And so I was like, all right, like I had

1779
01:35:46.319 --> 01:35:49.199
<v Speaker 1>some interest in it. I knew i'd get to it someday,

1780
01:35:49.800 --> 01:35:52.760
<v Speaker 1>but it became like, oh's we're doing this tonight. And

1781
01:35:53.800 --> 01:35:56.279
<v Speaker 1>then when I walked out, I was like, I'm glad

1782
01:35:56.279 --> 01:35:57.760
<v Speaker 1>I caught that.

1783
01:35:57.760 --> 01:36:01.479
<v Speaker 2>That's good. Yeah, yeah, this was. It was one of

1784
01:36:01.479 --> 01:36:05.600
<v Speaker 2>those things where, yeah, we were planning to discuss something

1785
01:36:05.640 --> 01:36:08.119
<v Speaker 2>else and I had not seen that other thing either,

1786
01:36:08.199 --> 01:36:10.279
<v Speaker 2>And I told Brian, I was like, I'd be honest,

1787
01:36:10.359 --> 01:36:13.319
<v Speaker 2>I'm I'm in the mood for something a little more larky,

1788
01:36:14.319 --> 01:36:17.680
<v Speaker 2>you know. And so indeed, on a lark, I decided

1789
01:36:17.680 --> 01:36:20.279
<v Speaker 2>to catch this I'm gonna and I snuck away and

1790
01:36:20.279 --> 01:36:24.119
<v Speaker 2>and the best thing I can say about this is

1791
01:36:24.399 --> 01:36:26.119
<v Speaker 2>it kind of it worked for me on a similar

1792
01:36:26.199 --> 01:36:30.439
<v Speaker 2>levels as one of you and I watched Novacane together. Sure, sure,

1793
01:36:30.520 --> 01:36:34.840
<v Speaker 2>where it's it's not you know, it's it's something that

1794
01:36:34.920 --> 01:36:38.479
<v Speaker 2>you're just like, you're like, hey, let's go see something. Oh,

1795
01:36:38.520 --> 01:36:41.439
<v Speaker 2>this is here, you know. Totally totally, and I mean

1796
01:36:41.479 --> 01:36:42.399
<v Speaker 2>they're very different movies.

1797
01:36:42.439 --> 01:36:44.279
<v Speaker 1>I was gonna say, I would say that there's more

1798
01:36:44.319 --> 01:36:45.439
<v Speaker 1>to this movie than.

1799
01:36:45.399 --> 01:36:49.520
<v Speaker 2>To for sure, but in the sense of it felt

1800
01:36:49.560 --> 01:36:53.199
<v Speaker 2>to me like a throwback to the time when going

1801
01:36:53.239 --> 01:36:56.720
<v Speaker 2>to the movies doesn't have to be an event. It's

1802
01:36:56.760 --> 01:36:58.680
<v Speaker 2>just you go to see what's out.

1803
01:36:59.520 --> 01:37:02.359
<v Speaker 1>Totally, I mean, this movie is a throwback in so

1804
01:37:02.560 --> 01:37:03.359
<v Speaker 1>many ways.

1805
01:37:03.640 --> 01:37:06.640
<v Speaker 2>Yeah. Well, and if I may, you know, the movie itself,

1806
01:37:06.640 --> 01:37:09.520
<v Speaker 2>it is set in nineteen ninety eight, and that felt

1807
01:37:09.520 --> 01:37:11.960
<v Speaker 2>so appropriate to me because it reminded me of the

1808
01:37:11.960 --> 01:37:13.479
<v Speaker 2>type of movies I would have gone to watch in

1809
01:37:13.560 --> 01:37:14.359
<v Speaker 2>nineteen ninety eight.

1810
01:37:14.760 --> 01:37:18.039
<v Speaker 1>Yeah, this is like a long lost nineteen late nineties

1811
01:37:18.520 --> 01:37:19.600
<v Speaker 1>like violent romp.

1812
01:37:20.479 --> 01:37:23.800
<v Speaker 2>Yes, yeah, you know, And so a couple of thoughts

1813
01:37:23.800 --> 01:37:25.399
<v Speaker 2>I had, and we'll get into the story. But I

1814
01:37:25.439 --> 01:37:27.800
<v Speaker 2>was like, you know, I don't know how it's doing

1815
01:37:27.840 --> 01:37:29.680
<v Speaker 2>in theaters. Actually I haven't even looked at the box office.

1816
01:37:29.680 --> 01:37:31.840
<v Speaker 2>But I'm glad it's not a streaming movie.

1817
01:37:32.479 --> 01:37:35.880
<v Speaker 1>Oh right, it really.

1818
01:37:35.680 --> 01:37:39.720
<v Speaker 2>Does benefit from from having a theatrical platform. The other

1819
01:37:39.760 --> 01:37:44.760
<v Speaker 2>thing is this stars Austin Butler, and he's sure making

1820
01:37:44.800 --> 01:37:50.039
<v Speaker 2>a go of having a Leonardo DiCaprio post Leonardo DiCaprio career.

1821
01:37:50.760 --> 01:37:52.880
<v Speaker 1>Hmm, what do you mean by that, Like in terms

1822
01:37:52.920 --> 01:37:53.159
<v Speaker 1>of the.

1823
01:37:53.159 --> 01:37:56.479
<v Speaker 2>Choices he's making, Right, he could have leaned hard into

1824
01:37:56.520 --> 01:37:57.600
<v Speaker 2>franchise pictures.

1825
01:37:58.000 --> 01:37:59.800
<v Speaker 1>Yeah, sure, sure, Sharon, and.

1826
01:37:59.720 --> 01:38:03.119
<v Speaker 2>I do appreciate that he's trying to do more interesting stuff.

1827
01:38:03.319 --> 01:38:05.640
<v Speaker 2>I think this guy's got the goods. Honestly, I think

1828
01:38:05.680 --> 01:38:09.319
<v Speaker 2>I'm really looking forward to seeing him progress as an

1829
01:38:09.319 --> 01:38:11.600
<v Speaker 2>actor because I think, just just based on the things

1830
01:38:11.640 --> 01:38:14.960
<v Speaker 2>I've seen him. I'm already he he I mean between

1831
01:38:15.000 --> 01:38:17.119
<v Speaker 2>this and Bike Riders. Honestly, I'm like, God, this guy.

1832
01:38:17.760 --> 01:38:24.159
<v Speaker 2>He's got presence, he's very talented, and just seeing him

1833
01:38:24.199 --> 01:38:26.760
<v Speaker 2>silently contemplate is interesting.

1834
01:38:27.600 --> 01:38:29.399
<v Speaker 1>See. I couldn't disagree more.

1835
01:38:29.840 --> 01:38:30.920
<v Speaker 2>Really, No, I'm just kidding.

1836
01:38:33.479 --> 01:38:33.600
<v Speaker 1>No.

1837
01:38:33.680 --> 01:38:35.439
<v Speaker 2>I think as soon as he said that, I whole

1838
01:38:35.479 --> 01:38:37.159
<v Speaker 2>bunch of people listening leaned forward.

1839
01:38:39.000 --> 01:38:41.359
<v Speaker 1>I thought you're gonna know I was joking right away. No,

1840
01:38:41.560 --> 01:38:44.720
<v Speaker 1>I completely agree, and I think I've always liked him.

1841
01:38:44.720 --> 01:38:47.640
<v Speaker 1>I haven't seen him in anything I haven't liked, but this,

1842
01:38:47.920 --> 01:38:50.560
<v Speaker 1>I do feel like, is the movie that's put me

1843
01:38:50.600 --> 01:38:54.760
<v Speaker 1>over the top with him, because he's everything he's done previously,

1844
01:38:54.800 --> 01:38:58.000
<v Speaker 1>this has been kind of big, well not necessarily by craders,

1845
01:38:58.000 --> 01:39:01.800
<v Speaker 1>but like you know, Dune Part two, Elvis, Like those

1846
01:39:01.800 --> 01:39:06.159
<v Speaker 1>are big performances, and he's playing these different sorts of characters.

1847
01:39:06.199 --> 01:39:08.760
<v Speaker 1>But here he's playing in every Man, and to your point,

1848
01:39:08.880 --> 01:39:12.199
<v Speaker 1>he's very interesting to watch, you know, and he goes

1849
01:39:12.520 --> 01:39:15.039
<v Speaker 1>what I didn't expect, and what I alluded to earlier

1850
01:39:15.239 --> 01:39:18.399
<v Speaker 1>is this isn't just like a guy finds a thing

1851
01:39:18.479 --> 01:39:20.960
<v Speaker 1>and then there's guns and then it's over. Like he

1852
01:39:21.079 --> 01:39:24.640
<v Speaker 1>has an arc in this right, and there's like a

1853
01:39:24.640 --> 01:39:28.920
<v Speaker 1>really interesting backstory to him. He's an interesting guy, and

1854
01:39:29.079 --> 01:39:32.680
<v Speaker 1>I think a lot of that succeeds because of Austin Butler.

1855
01:39:33.439 --> 01:39:37.600
<v Speaker 2>Right, Yeah, yeah. You know Roger Ebert used to refer

1856
01:39:37.640 --> 01:39:41.279
<v Speaker 2>to bruised forearm movies. Yeah, and they're the ones where

1857
01:39:41.279 --> 01:39:43.479
<v Speaker 2>you're watching it and it's so intense that the person

1858
01:39:43.560 --> 01:39:46.319
<v Speaker 2>sitting next to you is digging into your forearm. You know.

1859
01:39:47.359 --> 01:39:51.520
<v Speaker 2>This was a prototypical bruised forearm movie. Yeah, in that

1860
01:39:51.600 --> 01:39:54.520
<v Speaker 2>I don't know whose forearm was more bruised mine or ominous,

1861
01:39:55.760 --> 01:40:00.359
<v Speaker 2>because there's points where literally I'm like, yeah, I had

1862
01:40:00.399 --> 01:40:02.840
<v Speaker 2>a couple of those too. Yeah, And I'm like, if

1863
01:40:02.840 --> 01:40:04.760
<v Speaker 2>a movie's making it do that, it's doing something right,

1864
01:40:04.840 --> 01:40:05.039
<v Speaker 2>you know.

1865
01:40:05.359 --> 01:40:07.600
<v Speaker 1>Yeah, I had my theater was I would say, like

1866
01:40:07.600 --> 01:40:10.880
<v Speaker 1>a third full issh okay if that. But I'm the

1867
01:40:10.920 --> 01:40:14.000
<v Speaker 1>type of guy like I get really into it. I cry,

1868
01:40:14.119 --> 01:40:16.279
<v Speaker 1>I laugh, I make no, I go who And like

1869
01:40:16.680 --> 01:40:18.319
<v Speaker 1>I was sitting by myself at the end of this

1870
01:40:18.439 --> 01:40:20.800
<v Speaker 1>row and there's people in my row and occasionally I

1871
01:40:20.880 --> 01:40:25.720
<v Speaker 1>go whoa, you know, we're like ow or something like that.

1872
01:40:26.640 --> 01:40:29.000
<v Speaker 1>But I mean people would laugh occasionally. But I think

1873
01:40:29.000 --> 01:40:31.199
<v Speaker 1>I was the only one that was making like noises.

1874
01:40:32.880 --> 01:40:35.600
<v Speaker 2>Well every time Austin Butler was on screen, where you're like.

1875
01:40:35.640 --> 01:40:40.039
<v Speaker 1>Damn, yeah, that guy's done some pushups.

1876
01:40:41.760 --> 01:40:42.880
<v Speaker 2>For those of you who are like, what is that

1877
01:40:42.920 --> 01:40:45.079
<v Speaker 2>a reference to? You know, back when I watched Fantastic

1878
01:40:45.159 --> 01:40:49.119
<v Speaker 2>for the two thousand and five movie, there was somebody

1879
01:40:49.159 --> 01:40:52.399
<v Speaker 2>in our screening who was very enamored of Jessica Alba,

1880
01:40:53.000 --> 01:40:55.159
<v Speaker 2>and he made sure to let the entire screening room

1881
01:40:55.239 --> 01:40:57.880
<v Speaker 2>know every single time she was on screen.

1882
01:40:58.279 --> 01:40:58.960
<v Speaker 1>That's so funny.

1883
01:40:59.000 --> 01:41:05.399
<v Speaker 2>I love that that guy lives on he is immortal. Yeah. So, honestly,

1884
01:41:06.079 --> 01:41:08.800
<v Speaker 2>here's how little I knew about this movie going in.

1885
01:41:10.039 --> 01:41:13.039
<v Speaker 2>It wasn't until the credits rolled that I was like, oh,

1886
01:41:13.199 --> 01:41:14.720
<v Speaker 2>Darren Aronofski directed this.

1887
01:41:15.239 --> 01:41:18.840
<v Speaker 1>Oh interesting. No, I'd seen this trailer many times.

1888
01:41:19.039 --> 01:41:20.960
<v Speaker 2>I have seen it zero times.

1889
01:41:21.279 --> 01:41:22.359
<v Speaker 1>Oh wow.

1890
01:41:22.640 --> 01:41:27.560
<v Speaker 2>Okay, So I truly I went in knowing nothing, absolutely

1891
01:41:27.640 --> 01:41:29.399
<v Speaker 2>nothing other than Austin Butler is in.

1892
01:41:29.720 --> 01:41:32.800
<v Speaker 1>Oh wow. I mean I don't even know the tone,

1893
01:41:33.000 --> 01:41:35.960
<v Speaker 1>like the it's kind of a guy ritchie sort of feel.

1894
01:41:36.239 --> 01:41:41.359
<v Speaker 2>All I knew is that involved stealing and presumably being caught.

1895
01:41:41.880 --> 01:41:44.199
<v Speaker 1>Oh wow, what a fun way to well tell me

1896
01:41:44.239 --> 01:41:45.079
<v Speaker 1>about that a little bit.

1897
01:41:45.159 --> 01:41:48.399
<v Speaker 2>I mean, the best way to watch I would say

1898
01:41:48.439 --> 01:41:51.600
<v Speaker 2>any movie, but certainly a movie like this, because I

1899
01:41:52.279 --> 01:41:53.840
<v Speaker 2>have no idea what to expect.

1900
01:41:53.520 --> 01:41:56.159
<v Speaker 1>You know, I agree, And just to tell a really

1901
01:41:56.159 --> 01:41:58.039
<v Speaker 1>really quick anecdote, I remember because I go to test

1902
01:41:58.039 --> 01:41:59.880
<v Speaker 1>screenings a lot, or at least I used to, and

1903
01:42:00.279 --> 01:42:02.439
<v Speaker 1>when you do that, you're seeing a movie that hasn't

1904
01:42:02.439 --> 01:42:05.439
<v Speaker 1>been released yet and most likely doesn't have a trailer

1905
01:42:05.479 --> 01:42:08.199
<v Speaker 1>out yet. And my friend and I saw this movie

1906
01:42:08.920 --> 01:42:12.960
<v Speaker 1>Jason Wrightman Diabolo Cody thing called Young Adult, which and

1907
01:42:13.000 --> 01:42:15.520
<v Speaker 1>we saw it and we're like, what a great movie.

1908
01:42:15.560 --> 01:42:18.079
<v Speaker 1>It's a dramedy. It's you know, it's got a lot,

1909
01:42:18.159 --> 01:42:20.199
<v Speaker 1>it's funny in some parts, but it's very sad in

1910
01:42:20.239 --> 01:42:22.079
<v Speaker 1>other parts. And we were like, what a great film.

1911
01:42:22.720 --> 01:42:24.560
<v Speaker 1>And then it came out and it was sold as

1912
01:42:24.600 --> 01:42:26.960
<v Speaker 1>a comedy through the trailers, and I kept hearing people

1913
01:42:27.000 --> 01:42:30.079
<v Speaker 1>disappointed because it wasn't what they thought it was going

1914
01:42:30.159 --> 01:42:33.399
<v Speaker 1>to be, and I thought, wow, isn't that funny? You know?

1915
01:42:34.079 --> 01:42:35.960
<v Speaker 1>It just made me think it would be amazing if

1916
01:42:36.000 --> 01:42:39.399
<v Speaker 1>we could all go into things knowing the least amount

1917
01:42:39.640 --> 01:42:41.720
<v Speaker 1>of information is possible and just take it on its

1918
01:42:41.720 --> 01:42:44.239
<v Speaker 1>own terms and I wonder how much a different experience

1919
01:42:44.239 --> 01:42:45.840
<v Speaker 1>we would have if we weren't, Like, Oh, that wasn't

1920
01:42:45.880 --> 01:42:49.399
<v Speaker 1>what I was expecting based on the trailer, you know, yeah,

1921
01:42:49.479 --> 01:42:51.319
<v Speaker 1>I would say the trailer sold this pretty well though.

1922
01:42:51.880 --> 01:42:55.560
<v Speaker 2>Yeah, no, I I I went back afterwards and I

1923
01:42:55.600 --> 01:42:57.079
<v Speaker 2>watched the trailer, right.

1924
01:42:57.159 --> 01:42:59.239
<v Speaker 1>I mean, yeah, it kind of captures the spirit, I think.

1925
01:42:59.239 --> 01:43:05.359
<v Speaker 2>Yeah, I think so. I think for me, this is

1926
01:43:05.399 --> 01:43:08.359
<v Speaker 2>a movie. I think it really did benefit from the

1927
01:43:08.359 --> 01:43:12.680
<v Speaker 2>theatrical experience. I suspect it'll do better once it hits streaming, probably,

1928
01:43:12.760 --> 01:43:15.279
<v Speaker 2>and I don't even know how it's performing. Actually not great?

1929
01:43:16.119 --> 01:43:17.239
<v Speaker 2>Oh is that right now? Yeah?

1930
01:43:17.279 --> 01:43:19.319
<v Speaker 1>I mean I think you know, Jaws beat it.

1931
01:43:19.760 --> 01:43:22.960
<v Speaker 2>Oh okay, yeah, well Jaws.

1932
01:43:23.000 --> 01:43:26.359
<v Speaker 1>Actually we didn't mention it, but Jaws did shockingly well.

1933
01:43:27.319 --> 01:43:29.760
<v Speaker 1>And its re release it came in second place, I think,

1934
01:43:30.479 --> 01:43:34.720
<v Speaker 1>which is amazing, right for a re release it's fifty

1935
01:43:34.760 --> 01:43:38.640
<v Speaker 1>years old. Yeah, but well, real quick, just so people

1936
01:43:38.640 --> 01:43:40.359
<v Speaker 1>know what we're talking about if they haven't seen it.

1937
01:43:40.680 --> 01:43:44.640
<v Speaker 1>This off IMDb. The summary is burned out ex baseball

1938
01:43:44.680 --> 01:43:48.640
<v Speaker 1>player Hank Thompson unexpectedly finds himself embroiled in a dangerous

1939
01:43:48.640 --> 01:43:52.279
<v Speaker 1>struggle for survival amidst the criminal underbelly of nineteen nineties

1940
01:43:52.319 --> 01:43:55.560
<v Speaker 1>New York City, forced to navigate a treacherous underworld he

1941
01:43:55.600 --> 01:43:59.119
<v Speaker 1>never imagined. And I would say, for me, this felt

1942
01:43:59.159 --> 01:44:02.640
<v Speaker 1>like me of early Guy Ritchie. Yeah, oh, very much,

1943
01:44:03.199 --> 01:44:05.960
<v Speaker 1>like mixed with the Coen Brothers, like a little less

1944
01:44:06.039 --> 01:44:08.640
<v Speaker 1>quirky than Guy Richie a little bit and a little

1945
01:44:08.640 --> 01:44:10.079
<v Speaker 1>more grubby than the Coen Brothers.

1946
01:44:11.079 --> 01:44:13.479
<v Speaker 2>That is a perfect description.

1947
01:44:13.319 --> 01:44:16.399
<v Speaker 1>Right, thank you. It's it's got quirky characters, but they're

1948
01:44:16.439 --> 01:44:19.279
<v Speaker 1>not as cartoonish as some of the early Richie stuff.

1949
01:44:19.319 --> 01:44:21.840
<v Speaker 1>There's like convoluted run ins, people out of their depths,

1950
01:44:21.880 --> 01:44:22.760
<v Speaker 1>random violence.

1951
01:44:22.960 --> 01:44:26.960
<v Speaker 2>I think the key thing is that there are quirky characters,

1952
01:44:27.000 --> 01:44:30.439
<v Speaker 2>but not so quirky that you're ever, you're ever not

1953
01:44:30.720 --> 01:44:32.840
<v Speaker 2>aware of how serious the stakes are.

1954
01:44:33.199 --> 01:44:36.800
<v Speaker 1>Totally because I think post pulp fiction, there were all

1955
01:44:36.840 --> 01:44:40.239
<v Speaker 1>these movies like eight Heads in a Duffel Bag, something

1956
01:44:40.239 --> 01:44:41.960
<v Speaker 1>about in the Valley. I don't even remember anymore, but

1957
01:44:42.000 --> 01:44:43.960
<v Speaker 1>it was like everyone was like, how can we outquirk

1958
01:44:44.000 --> 01:44:47.359
<v Speaker 1>one another with these hitman types, you know, And they

1959
01:44:47.399 --> 01:44:51.000
<v Speaker 1>were almost like violent cartoon characters. And I thought this

1960
01:44:51.039 --> 01:44:56.000
<v Speaker 1>did a great job of making very memorable antagonists, but

1961
01:44:56.079 --> 01:44:59.000
<v Speaker 1>they didn't cross that line into being sort of like, oh,

1962
01:44:59.039 --> 01:45:00.760
<v Speaker 1>this is like some sort of two and Tino riff.

1963
01:45:01.920 --> 01:45:07.960
<v Speaker 2>Right. Yeah, yeah, I think honestly, what helps enormously is

1964
01:45:08.000 --> 01:45:10.760
<v Speaker 2>that it's the story felt to me like it was built,

1965
01:45:11.000 --> 01:45:14.199
<v Speaker 2>you know, from the character out. So yeah, yeah, you

1966
01:45:14.359 --> 01:45:17.840
<v Speaker 2>have a very interesting sort of cat and mouse scenario.

1967
01:45:17.960 --> 01:45:20.359
<v Speaker 2>But I mean, ultimately kind of this is what we're

1968
01:45:20.399 --> 01:45:25.039
<v Speaker 2>alluding to before. Hank Thompson played by Austin Butler, to me,

1969
01:45:25.159 --> 01:45:30.039
<v Speaker 2>I found the character interesting and the way the movie

1970
01:45:30.680 --> 01:45:35.279
<v Speaker 2>alludes to aspects of his past was such where I

1971
01:45:35.359 --> 01:45:37.520
<v Speaker 2>was like, I want to know. I'm like, give me more,

1972
01:45:37.600 --> 01:45:40.760
<v Speaker 2>tell me more, right, And that's the trick and and

1973
01:45:41.560 --> 01:45:47.560
<v Speaker 2>once once the the you know, speaking on spoilery, he

1974
01:45:47.560 --> 01:45:51.600
<v Speaker 2>he he is somebody who he's he's he had aspirations

1975
01:45:51.600 --> 01:45:55.439
<v Speaker 2>of playing pro ball and something happened that that prevented that.

1976
01:45:56.800 --> 01:46:00.760
<v Speaker 2>And I think the way that information is is parceled

1977
01:46:00.800 --> 01:46:03.800
<v Speaker 2>out is incredibly effective.

1978
01:46:04.880 --> 01:46:05.119
<v Speaker 1>Yeah.

1979
01:46:05.239 --> 01:46:07.800
<v Speaker 2>Terms, so they at any given moment, they give you

1980
01:46:07.960 --> 01:46:12.279
<v Speaker 2>just enough to make the next moment meaningful totally, and

1981
01:46:12.319 --> 01:46:13.600
<v Speaker 2>then the next time they give you a little bit

1982
01:46:13.640 --> 01:46:15.960
<v Speaker 2>more just to make the next moment meaningful.

1983
01:46:15.560 --> 01:46:18.520
<v Speaker 1>You know, Yeah, yeah, yeah, yeah, good point. Yeah, because

1984
01:46:18.520 --> 01:46:21.560
<v Speaker 1>it really does tie into the plot and his like

1985
01:46:21.600 --> 01:46:23.880
<v Speaker 1>as we said earlier, you know, like his growth is healing,

1986
01:46:24.359 --> 01:46:27.439
<v Speaker 1>it's not just a detail, and why he's wearing you know,

1987
01:46:27.439 --> 01:46:30.039
<v Speaker 1>a giant's hat, right, Yeah, it's a big part of

1988
01:46:30.039 --> 01:46:33.239
<v Speaker 1>the story, which is Yeah, and I just felt like, yeah,

1989
01:46:33.279 --> 01:46:36.960
<v Speaker 1>it's felt refreshing something as textured as this for being

1990
01:46:37.079 --> 01:46:41.119
<v Speaker 1>such a fun, violent romp, right, yeah.

1991
01:46:41.199 --> 01:46:44.720
<v Speaker 2>Very much a throwback to that era, right, Yeah, where

1992
01:46:44.760 --> 01:46:50.319
<v Speaker 2>we'd see stuff like that. I think what helps is

1993
01:46:50.399 --> 01:46:54.359
<v Speaker 2>in addition to to Butler, who I think very capably

1994
01:46:54.399 --> 01:46:58.319
<v Speaker 2>commands the center, but you've got a constellation of great

1995
01:46:58.359 --> 01:47:06.439
<v Speaker 2>supporting players, you know, Zoy krab It, you know, Regina King, Vincentinafrio,

1996
01:47:06.560 --> 01:47:10.159
<v Speaker 2>Lev Schreiber, I mean you name it, like, they really

1997
01:47:10.199 --> 01:47:15.920
<v Speaker 2>sink into these terrific character parts and and it it

1998
01:47:16.039 --> 01:47:20.960
<v Speaker 2>enriches the journey. Yep. You know Matt Smith, Matt Smith, Yeah,

1999
01:47:21.039 --> 01:47:23.359
<v Speaker 2>doing doing something. We were just talking about Matt Smith

2000
01:47:23.359 --> 01:47:25.520
<v Speaker 2>a couple of weeks ago. Yep, that's right in our

2001
01:47:25.560 --> 01:47:28.680
<v Speaker 2>in our Terminator Genesis commentary. And I think you said

2002
01:47:28.680 --> 01:47:30.359
<v Speaker 2>something to the effect of, like, you know, you always

2003
01:47:30.399 --> 01:47:34.800
<v Speaker 2>hear people have such affinity for Matt Smith, and yet

2004
01:47:34.880 --> 01:47:38.399
<v Speaker 2>it feels like he's never really like the movies haven't

2005
01:47:38.399 --> 01:47:39.560
<v Speaker 2>really done him any favors.

2006
01:47:39.640 --> 01:47:43.159
<v Speaker 1>Right, Well, yeah, it's specifically. I find a lot of

2007
01:47:43.199 --> 01:47:46.920
<v Speaker 1>times with those sorts of actors, there's a role where

2008
01:47:46.960 --> 01:47:50.000
<v Speaker 1>they really shine, and then people get endeared to that

2009
01:47:50.039 --> 01:47:53.119
<v Speaker 1>person and no matter what they show up in, they

2010
01:47:53.159 --> 01:47:55.359
<v Speaker 1>are still carrying whatever it is that they had from

2011
01:47:55.399 --> 01:47:58.439
<v Speaker 1>that previous experience with that person and loving them moving forward.

2012
01:47:58.760 --> 01:48:01.359
<v Speaker 1>And with Matt Smith, I never watched Doctor Who, and

2013
01:48:01.399 --> 01:48:03.079
<v Speaker 1>I had never really seen him in one of the

2014
01:48:03.159 --> 01:48:07.720
<v Speaker 1>roles that really connected where everything aligned with him and

2015
01:48:07.760 --> 01:48:09.880
<v Speaker 1>he was perfectly cast for or whatever. So like when

2016
01:48:09.880 --> 01:48:12.079
<v Speaker 1>I've seen him in like the Terminator film and people

2017
01:48:12.119 --> 01:48:14.960
<v Speaker 1>are like, oh, Matt Smith, Like I didn't. I wasn't

2018
01:48:14.960 --> 01:48:17.479
<v Speaker 1>bringing anything. So I've only seen him in or like

2019
01:48:17.560 --> 01:48:20.600
<v Speaker 1>last Night in soho He's pretty memorable, but not again,

2020
01:48:20.640 --> 01:48:23.520
<v Speaker 1>I wasn't bringing that extra something that everyone else is

2021
01:48:23.560 --> 01:48:26.439
<v Speaker 1>bringing when they see him, right, And but I do

2022
01:48:26.520 --> 01:48:28.000
<v Speaker 1>have to say I thought he was really good in

2023
01:48:28.079 --> 01:48:31.239
<v Speaker 1>this and meant fun. He starts as kind of a

2024
01:48:31.239 --> 01:48:35.680
<v Speaker 1>big character, but he gets to play that person at

2025
01:48:35.720 --> 01:48:38.319
<v Speaker 1>several different speeds. Yeah, and I found that kind of

2026
01:48:38.319 --> 01:48:40.520
<v Speaker 1>compelling and even like there's one moment where I was like,

2027
01:48:41.039 --> 01:48:43.960
<v Speaker 1>oh no, you know, which I was unexpected, you know.

2028
01:48:44.039 --> 01:48:48.119
<v Speaker 1>It's yeah, so it's like you said, yeah, it's a

2029
01:48:48.199 --> 01:48:51.239
<v Speaker 1>constellation of talent here there there is.

2030
01:48:51.359 --> 01:48:54.399
<v Speaker 2>And this is not a spoiler. They're they're alluding what

2031
01:48:54.439 --> 01:48:56.479
<v Speaker 2>I was alluding to before, you know, the Bruce Forum.

2032
01:48:57.560 --> 01:49:03.279
<v Speaker 2>There is a bit where Austin Butler's character is descending

2033
01:49:03.319 --> 01:49:08.880
<v Speaker 2>a fireplace or fire escape Yeah sorry, did I say fireplace? Yeah,

2034
01:49:08.880 --> 01:49:11.840
<v Speaker 2>fire escape yep, from the outside of his window, and

2035
01:49:11.880 --> 01:49:14.720
<v Speaker 2>he's like peeking into a window and doing this whole thing,

2036
01:49:14.720 --> 01:49:17.159
<v Speaker 2>and then he's trying to get into and literally I'm.

2037
01:49:17.039 --> 01:49:22.039
<v Speaker 1>Like, dude, yes, same. I think that was one of

2038
01:49:22.039 --> 01:49:22.840
<v Speaker 1>those oh no, no, no.

2039
01:49:22.720 --> 01:49:27.720
<v Speaker 2>No no. And then and then there is a terrific

2040
01:49:28.680 --> 01:49:34.119
<v Speaker 2>chase sequence, a foot chase where where Austin Butler is

2041
01:49:34.159 --> 01:49:40.520
<v Speaker 2>being pursued by these two hasidic mobsters, you know, yeah,

2042
01:49:40.560 --> 01:49:43.880
<v Speaker 2>and it's a terrific sequence and it's so high tension,

2043
01:49:45.199 --> 01:49:49.279
<v Speaker 2>and again I'm like, this is like old school, you know,

2044
01:49:49.479 --> 01:49:52.479
<v Speaker 2>French connection style filmmaking.

2045
01:49:52.199 --> 01:49:56.000
<v Speaker 1>You know what I loved. Yes, and it did still

2046
01:49:56.279 --> 01:50:01.279
<v Speaker 1>bring in like some modern twenty twenty five. Yes, like

2047
01:50:02.399 --> 01:50:05.760
<v Speaker 1>you know what's capable now, but it didn't. It all

2048
01:50:06.119 --> 01:50:07.800
<v Speaker 1>felt perfectly blended together.

2049
01:50:08.159 --> 01:50:11.079
<v Speaker 2>That's the thing, right, right, Like I saw an interview sorry,

2050
01:50:11.159 --> 01:50:13.600
<v Speaker 2>just yeah, yeah, I saw an interview with Aaronovsky. You

2051
01:50:13.600 --> 01:50:17.920
<v Speaker 2>talked about incorporating drone footage and things like they actually

2052
01:50:18.000 --> 01:50:21.359
<v Speaker 2>had to do digital touch ups to make the New

2053
01:50:21.439 --> 01:50:24.319
<v Speaker 2>York streets reflect what they looked like, you know, back

2054
01:50:24.359 --> 01:50:28.119
<v Speaker 2>in back in the late nineteen hundreds.

2055
01:50:28.479 --> 01:50:30.720
<v Speaker 1>Yeah, that's where you can put it that way, but yes.

2056
01:50:34.399 --> 01:50:39.159
<v Speaker 2>Yes, right and so, but it's it's not intrusive, no,

2057
01:50:39.960 --> 01:50:41.479
<v Speaker 2>and it does the trick. You know.

2058
01:50:42.159 --> 01:50:45.000
<v Speaker 1>It literally does feel like a lost nineties movie and

2059
01:50:45.039 --> 01:50:47.479
<v Speaker 1>the best way possible down to There was a moment

2060
01:50:47.880 --> 01:50:51.119
<v Speaker 1>where well, it's very grainy, and I did wonder if

2061
01:50:51.119 --> 01:50:53.039
<v Speaker 1>that was something they did digitally or if they actually

2062
01:50:53.079 --> 01:50:54.920
<v Speaker 1>shot in film. I have no idea, but it looked

2063
01:50:55.359 --> 01:50:58.760
<v Speaker 1>I loved it. And there was like a scene where

2064
01:50:58.800 --> 01:51:02.479
<v Speaker 1>it almost felt like a real change and he's walking

2065
01:51:02.520 --> 01:51:04.960
<v Speaker 1>down the street and the color was bad, like it

2066
01:51:05.000 --> 01:51:08.079
<v Speaker 1>looked too red, and I was like, did they do

2067
01:51:08.159 --> 01:51:11.479
<v Speaker 1>that on purpose? Like they're they're making it look like

2068
01:51:11.560 --> 01:51:14.840
<v Speaker 1>an older movie in the bed but not in an aggressive,

2069
01:51:15.880 --> 01:51:19.960
<v Speaker 1>you know, distracting way. It just kind of felt like

2070
01:51:20.000 --> 01:51:22.800
<v Speaker 1>a lost thirty year old film, and I thought it

2071
01:51:22.880 --> 01:51:26.520
<v Speaker 1>was brilliant. I was just like so delighted at the

2072
01:51:26.600 --> 01:51:28.600
<v Speaker 1>choices with the color timing, and some of it looked

2073
01:51:28.640 --> 01:51:33.800
<v Speaker 1>extra faded, but at the same time, so that's funny

2074
01:51:33.800 --> 01:51:36.600
<v Speaker 1>doing that mimicry. But then there's a moment where you know,

2075
01:51:36.600 --> 01:51:39.359
<v Speaker 1>there's an exchange happening at the World's Fair area out

2076
01:51:39.359 --> 01:51:43.720
<v Speaker 1>in New York, and this drone goes through that globe,

2077
01:51:43.960 --> 01:51:47.520
<v Speaker 1>right they noticed that, Yeah, which could look a little

2078
01:51:47.720 --> 01:51:50.520
<v Speaker 1>distracting or showy or something, but it didn't at all.

2079
01:51:50.600 --> 01:51:54.239
<v Speaker 1>I just was like, whoa awesome. Yeah, it was just

2080
01:51:54.399 --> 01:51:56.600
<v Speaker 1>it was perfect. The old style and the new style

2081
01:51:56.640 --> 01:52:00.520
<v Speaker 1>blended together wonderfully. I mean, Darren Aronowski.

2082
01:52:00.560 --> 01:52:06.039
<v Speaker 2>Yeah, yeah, you know, at least for me, it was

2083
01:52:06.199 --> 01:52:10.560
<v Speaker 2>just just a very pleasant, pleasant surprise. And you telling

2084
01:52:10.640 --> 01:52:14.640
<v Speaker 2>me it's not performing is a not terribly surprising, but

2085
01:52:14.720 --> 01:52:16.479
<v Speaker 2>it is kind of disappointing.

2086
01:52:16.319 --> 01:52:18.399
<v Speaker 1>I know, because you put it so well, this is

2087
01:52:18.439 --> 01:52:20.479
<v Speaker 1>that movie and I know, viewing habits of change, but

2088
01:52:20.560 --> 01:52:22.720
<v Speaker 1>this is that type of movie where you think, all right,

2089
01:52:22.720 --> 01:52:24.960
<v Speaker 1>it's Friday night, what are we going to go see. Yeah,

2090
01:52:25.079 --> 01:52:27.159
<v Speaker 1>and so you give a movie like this a shot

2091
01:52:27.439 --> 01:52:31.479
<v Speaker 1>exactly right, And I mean I put it out there.

2092
01:52:31.520 --> 01:52:33.439
<v Speaker 1>It is pretty violent. So if you don't have like

2093
01:52:33.680 --> 01:52:36.199
<v Speaker 1>the tolerance for that kind of thing, yeah, that's good

2094
01:52:36.199 --> 01:52:39.479
<v Speaker 1>to know. But it's yeah, I don't know, this is

2095
01:52:39.479 --> 01:52:43.119
<v Speaker 1>that movie you wish people would go discover and then

2096
01:52:43.319 --> 01:52:44.279
<v Speaker 1>tell people about it.

2097
01:52:44.840 --> 01:52:48.439
<v Speaker 2>Really, I mean it reminded me of in the late nineties,

2098
01:52:48.479 --> 01:52:52.159
<v Speaker 2>you know, when I used to work at cod and

2099
01:52:52.199 --> 01:52:54.279
<v Speaker 2>you know, our group of friends every Friday we would

2100
01:52:54.319 --> 01:52:59.640
<v Speaker 2>just go to the Canterra yeah and see what there

2101
01:52:59.760 --> 01:53:01.920
<v Speaker 2>was mm hmm, and that's what we'd end up. You know,

2102
01:53:02.199 --> 01:53:04.039
<v Speaker 2>I've said I've told the story before. We ended up

2103
01:53:04.039 --> 01:53:05.800
<v Speaker 2>watching The Sixth Sense. We had no idea, but that

2104
01:53:05.840 --> 01:53:09.119
<v Speaker 2>was the only thing there was tickets for available form

2105
01:53:09.279 --> 01:53:13.000
<v Speaker 2>h you know this it's like that, and so yeah,

2106
01:53:13.199 --> 01:53:15.199
<v Speaker 2>I mean it's a throwback to just an era of

2107
01:53:15.279 --> 01:53:17.159
<v Speaker 2>film going that is maybe just gone now.

2108
01:53:17.680 --> 01:53:21.159
<v Speaker 1>Yeah. But or this will be that thing that you know,

2109
01:53:21.239 --> 01:53:23.880
<v Speaker 1>you're scrolling through Netflix and the tile comes up in

2110
01:53:24.720 --> 01:53:27.680
<v Speaker 1>fifteen seconds of this movie place, and that's how someone

2111
01:53:27.680 --> 01:53:28.680
<v Speaker 1>will eventually.

2112
01:53:28.720 --> 01:53:31.359
<v Speaker 2>But I do think if nothing else, I mean, I

2113
01:53:31.880 --> 01:53:37.800
<v Speaker 2>think that this is a good calling card insofar as

2114
01:53:37.840 --> 01:53:42.159
<v Speaker 2>what Austin Butler is is capable of totally, so he's

2115
01:53:42.199 --> 01:53:43.640
<v Speaker 2>going to come out looking pretty good on the other

2116
01:53:43.760 --> 01:53:44.880
<v Speaker 2>end of this. And that's why I was making the

2117
01:53:44.920 --> 01:53:48.680
<v Speaker 2>DiCaprio comparison, because it really feels to me like he's

2118
01:53:48.960 --> 01:53:53.920
<v Speaker 2>plotting a career in US along a similar trajectory sure

2119
01:53:54.399 --> 01:53:59.159
<v Speaker 2>where he's he's choosing filmmakers as opposed to franchises, right,

2120
01:53:59.760 --> 01:54:01.840
<v Speaker 2>and I think that's gonna I mean, I mean, look

2121
01:54:01.880 --> 01:54:04.159
<v Speaker 2>at you know he worked with Why did he do

2122
01:54:04.279 --> 01:54:07.239
<v Speaker 2>Dune because of Villanous? Why did he do Bike Riders

2123
01:54:07.239 --> 01:54:10.319
<v Speaker 2>because of Jeff Nichols, you know, working here with Darren Aronofsky,

2124
01:54:10.359 --> 01:54:12.600
<v Speaker 2>I mean it's a smart choice of bass lurement, you know.

2125
01:54:12.960 --> 01:54:16.640
<v Speaker 1>Totally yeah, totally yeah. Well, real quick, I think it's

2126
01:54:16.680 --> 01:54:18.560
<v Speaker 1>worth talking about a couple of spoilers real fast. But

2127
01:54:18.600 --> 01:54:20.680
<v Speaker 1>I just I just want to call out while we're

2128
01:54:20.680 --> 01:54:26.640
<v Speaker 1>talking about Darren Aronofsky. I mean, what an interesting filmography.

2129
01:54:27.119 --> 01:54:29.520
<v Speaker 1>I mean, going back all the way to pie Requiem

2130
01:54:29.560 --> 01:54:31.319
<v Speaker 1>for a Dream. But then you also I kind of

2131
01:54:31.359 --> 01:54:34.560
<v Speaker 1>found it the Fountain, but even like the Wrestler.

2132
01:54:35.159 --> 01:54:37.319
<v Speaker 2>I forgot about the rest. But you're black.

2133
01:54:37.119 --> 01:54:41.520
<v Speaker 1>Swan, you know, like he's just an eclectic well and

2134
01:54:41.640 --> 01:54:43.880
<v Speaker 1>mother recently, which I didn't even watch because I thought

2135
01:54:43.920 --> 01:54:45.880
<v Speaker 1>it was gonna be too intense. I just couldn't find

2136
01:54:45.920 --> 01:54:48.520
<v Speaker 1>the mood for that one. But like it's just I

2137
01:54:48.560 --> 01:54:51.359
<v Speaker 1>don't know, it's just very varied. And I think that's

2138
01:54:51.439 --> 01:54:57.199
<v Speaker 1>very cool that he's Noah, you know, yeah Noah. Right,

2139
01:54:57.760 --> 01:54:59.359
<v Speaker 1>It's cool that he's been able to do these things.

2140
01:54:59.439 --> 01:55:01.760
<v Speaker 1>And then this this doesn't feel like any of the

2141
01:55:01.760 --> 01:55:05.439
<v Speaker 1>ones I've mentioned before, right, but it's certainly made with

2142
01:55:05.479 --> 01:55:08.239
<v Speaker 1>a very capable, skilled hand. I mean that's evident when

2143
01:55:08.239 --> 01:55:09.920
<v Speaker 1>you watch it so well.

2144
01:55:09.920 --> 01:55:12.520
<v Speaker 2>And the other thing is, this is just the budget

2145
01:55:12.560 --> 01:55:14.520
<v Speaker 2>for this one is forty million.

2146
01:55:16.039 --> 01:55:18.279
<v Speaker 1>I'm chefs kissing over here, right.

2147
01:55:18.119 --> 01:55:19.920
<v Speaker 2>Like that's I I was like, well, that's about what

2148
01:55:19.960 --> 01:55:21.840
<v Speaker 2>you want to spend on this, because even if you

2149
01:55:21.920 --> 01:55:24.199
<v Speaker 2>don't end up making it back, like, you'll probably be

2150
01:55:24.239 --> 01:55:27.359
<v Speaker 2>okay in the long run, right, And you know you're

2151
01:55:27.399 --> 01:55:29.439
<v Speaker 2>not blowing through so much of the studios money that

2152
01:55:29.479 --> 01:55:32.199
<v Speaker 2>they got their mits and everything. You can make the

2153
01:55:32.239 --> 01:55:37.359
<v Speaker 2>movie reflect your sensibility and your intentions. And I think

2154
01:55:37.439 --> 01:55:41.720
<v Speaker 2>that means more ultimately, hm, because I do think I

2155
01:55:42.199 --> 01:55:45.479
<v Speaker 2>suspect this one will have something of an afterlife, I.

2156
01:55:45.439 --> 01:55:48.079
<v Speaker 1>Think, so, you know, yeah, And also I want to

2157
01:55:48.119 --> 01:55:51.159
<v Speaker 1>be sort of sort of excuse me, really got something

2158
01:55:51.199 --> 01:55:53.119
<v Speaker 1>in my throat today. I want to be clear too

2159
01:55:53.119 --> 01:55:54.920
<v Speaker 1>that not that we think this is some sort of

2160
01:55:54.960 --> 01:55:59.239
<v Speaker 1>elevated no masterpiece either, Like this is just like a

2161
01:55:59.279 --> 01:56:02.720
<v Speaker 1>cool throwback a flick. This is a flick. It's a flick,

2162
01:56:03.159 --> 01:56:07.399
<v Speaker 1>you know, And that's exactly it, right, And quoting someone

2163
01:56:07.439 --> 01:56:10.520
<v Speaker 1>else who was quoting something they saw on Twitter, it's

2164
01:56:10.560 --> 01:56:13.560
<v Speaker 1>a five star, three star movie, and I was like,

2165
01:56:13.960 --> 01:56:19.039
<v Speaker 1>I love that totally, and like that's something you want

2166
01:56:19.039 --> 01:56:20.880
<v Speaker 1>to watch sometimes on a Friday night. And this is

2167
01:56:20.880 --> 01:56:22.439
<v Speaker 1>a well done version of that. And like we said,

2168
01:56:22.479 --> 01:56:25.279
<v Speaker 1>it really does dig into character. And I found that

2169
01:56:25.560 --> 01:56:27.479
<v Speaker 1>it didn't even have to do that. I can imagine

2170
01:56:27.520 --> 01:56:29.760
<v Speaker 1>the version where it doesn't, but that by this movie

2171
01:56:29.840 --> 01:56:31.279
<v Speaker 1>rises up I.

2172
01:56:31.000 --> 01:56:33.159
<v Speaker 2>I okay, so yeah, you just said the thing I

2173
01:56:33.199 --> 01:56:35.880
<v Speaker 2>was gonna say, like it would have worked just fine

2174
01:56:35.880 --> 01:56:37.760
<v Speaker 2>at the level it was at, but I think that

2175
01:56:37.800 --> 01:56:41.399
<v Speaker 2>the specific arc that it gives Butler's character to me,

2176
01:56:41.880 --> 01:56:46.079
<v Speaker 2>made it something where when it ended, I'm like that

2177
01:56:46.239 --> 01:56:50.199
<v Speaker 2>was good, you know, because that's the stuff that that's

2178
01:56:50.239 --> 01:56:53.800
<v Speaker 2>that sticks with you, you know, totally. So yeah, you want,

2179
01:56:53.840 --> 01:56:55.159
<v Speaker 2>you wanted to talk about some spoilers.

2180
01:56:55.239 --> 01:56:56.399
<v Speaker 1>It's just a couple real quick.

2181
01:57:00.640 --> 01:57:01.239
<v Speaker 2>Spoiler.

2182
01:57:06.560 --> 01:57:08.840
<v Speaker 1>So we are in spoilers here, so if you're going

2183
01:57:08.880 --> 01:57:13.319
<v Speaker 1>to see this pause. I was shocked when Zoe Kravitz

2184
01:57:13.359 --> 01:57:13.760
<v Speaker 1>was killed.

2185
01:57:13.880 --> 01:57:16.640
<v Speaker 2>Oh dude, I thought it was a dream.

2186
01:57:17.039 --> 01:57:18.560
<v Speaker 1>I didn't know what I thought. I was like, oh,

2187
01:57:18.560 --> 01:57:21.199
<v Speaker 1>maybe she just got hit on the head. There's some blood.

2188
01:57:21.239 --> 01:57:23.239
<v Speaker 1>But then when they went there, there was part of

2189
01:57:23.279 --> 01:57:26.319
<v Speaker 1>me that was not angry, but I was. I really

2190
01:57:26.319 --> 01:57:29.479
<v Speaker 1>felt a strong feeling about it. But then there's another

2191
01:57:29.479 --> 01:57:32.600
<v Speaker 1>part of me that kind of respected it because that's

2192
01:57:33.279 --> 01:57:37.119
<v Speaker 1>the game he's playing here, Like people don't get conked

2193
01:57:37.159 --> 01:57:39.159
<v Speaker 1>on the head. And then they're just like okay, because

2194
01:57:39.159 --> 01:57:41.640
<v Speaker 1>that's what we want to see them ultimately and up

2195
01:57:41.640 --> 01:57:44.039
<v Speaker 1>together at the end, Like no, he's playing a very

2196
01:57:44.119 --> 01:57:47.000
<v Speaker 1>dangerous game here, yeah, and no one is safe.

2197
01:57:47.159 --> 01:57:50.159
<v Speaker 2>And she is a big enough name that you don't

2198
01:57:50.199 --> 01:57:53.199
<v Speaker 2>expect her to be off so soon into the story.

2199
01:57:53.000 --> 01:57:57.359
<v Speaker 1>And she's featured very prominently, you know, up until that moment.

2200
01:57:57.439 --> 01:58:00.880
<v Speaker 1>And so I was shocked, and I can't say I

2201
01:58:00.920 --> 01:58:03.319
<v Speaker 1>even loved it. But that's why I think it worked

2202
01:58:03.319 --> 01:58:10.600
<v Speaker 1>because I didn't love it. Yeah, you know, uh the cat,

2203
01:58:10.760 --> 01:58:12.840
<v Speaker 1>the cat was I mean, you have a cat. I mean,

2204
01:58:12.880 --> 01:58:15.399
<v Speaker 1>can imagine Jones behaved.

2205
01:58:18.720 --> 01:58:21.039
<v Speaker 2>When we see the cat with this little cast or

2206
01:58:21.119 --> 01:58:25.520
<v Speaker 2>this little bandage. I was like, oh, no, little buddy, Yeah,

2207
01:58:26.199 --> 01:58:30.840
<v Speaker 2>so sad. The other thing, I I well, first of all,

2208
01:58:31.920 --> 01:58:34.960
<v Speaker 2>the whole movie, I'm like, the mom is somebody. She's

2209
01:58:34.960 --> 01:58:35.760
<v Speaker 2>got to be somebody.

2210
01:58:36.800 --> 01:58:38.680
<v Speaker 1>Oh yeah, yeah, I mean I was trying to figure

2211
01:58:38.680 --> 01:58:39.399
<v Speaker 1>it out. Yeah.

2212
01:58:39.680 --> 01:58:42.159
<v Speaker 2>I was like, she's got to be somebody because the

2213
01:58:42.199 --> 01:58:45.680
<v Speaker 2>way they're holding back, and I was so just tickled

2214
01:58:45.680 --> 01:58:46.840
<v Speaker 2>by it being Laura Dern.

2215
01:58:47.399 --> 01:58:50.079
<v Speaker 1>Yeah, that was nice bread and it was just like

2216
01:58:50.119 --> 01:58:50.640
<v Speaker 1>a little.

2217
01:58:50.399 --> 01:58:52.039
<v Speaker 2>Thing didn't even need to be there. But I loved it.

2218
01:58:52.279 --> 01:58:59.319
<v Speaker 2>But the the whole, the whole running backstory with regards to,

2219
01:59:00.039 --> 01:59:03.680
<v Speaker 2>you know, Hank having the accident he got into and

2220
01:59:03.720 --> 01:59:06.079
<v Speaker 2>the way it's depicted, I mean, it's it's just horrific.

2221
01:59:06.119 --> 01:59:06.319
<v Speaker 1>You know.

2222
01:59:07.239 --> 01:59:10.000
<v Speaker 2>The first time we see him heading right towards that post,

2223
01:59:11.079 --> 01:59:14.560
<v Speaker 2>I mean you're just like, ah, you know. But what

2224
01:59:14.640 --> 01:59:19.439
<v Speaker 2>I really loved was when he calls his mom and

2225
01:59:19.479 --> 01:59:22.479
<v Speaker 2>he's like it's like the first time in his life

2226
01:59:22.560 --> 01:59:24.399
<v Speaker 2>he's taking ownership of what he did.

2227
01:59:24.640 --> 01:59:25.760
<v Speaker 1>Yep, yep.

2228
01:59:25.960 --> 01:59:29.920
<v Speaker 2>I loved that scene, right, very very profound and so

2229
01:59:30.079 --> 01:59:33.439
<v Speaker 2>meaningful for the character. And it really makes the difference

2230
01:59:33.479 --> 01:59:38.760
<v Speaker 2>because you recognize, like at the at you know what

2231
01:59:38.800 --> 01:59:41.880
<v Speaker 2>he says, He's like, all I cared about was my knee.

2232
01:59:41.880 --> 01:59:44.840
<v Speaker 2>I didn't care about how I got my friend killed. Right.

2233
01:59:45.239 --> 01:59:47.760
<v Speaker 2>And then at the end of the film when we

2234
01:59:47.800 --> 01:59:49.600
<v Speaker 2>get the not not at the end end, but when

2235
01:59:49.640 --> 01:59:54.439
<v Speaker 2>he realizes that that the the Hebrews have you know,

2236
01:59:54.479 --> 01:59:55.760
<v Speaker 2>they're the ones who killed.

2237
01:59:57.399 --> 02:00:00.000
<v Speaker 1>Yeah, I was thinking, like, the movie is winding down,

2238
02:00:00.199 --> 02:00:01.880
<v Speaker 1>I know. And then when he pulls out that cigarette

2239
02:00:01.920 --> 02:00:03.159
<v Speaker 1>lighter with the gun, I was like.

2240
02:00:03.359 --> 02:00:07.960
<v Speaker 2>No, I know, and I love Vincentinaffrey in the back

2241
02:00:08.039 --> 02:00:10.199
<v Speaker 2>like he's ready to pull his gun out because he's

2242
02:00:10.239 --> 02:00:14.720
<v Speaker 2>been and then he you know. But what I like

2243
02:00:15.279 --> 02:00:19.000
<v Speaker 2>was how it signifies this is this is Hank being like, look,

2244
02:00:19.039 --> 02:00:22.920
<v Speaker 2>I'm willing to die now, you know. That's his full

2245
02:00:22.920 --> 02:00:25.239
<v Speaker 2>circle moment. The fact that he doesn't die is irrelevant

2246
02:00:25.239 --> 02:00:28.159
<v Speaker 2>to the fact that he was willing to, yep, to

2247
02:00:28.640 --> 02:00:33.520
<v Speaker 2>sort of to exact some virtue of justice for for for.

2248
02:00:34.199 --> 02:00:36.840
<v Speaker 1>It was the name Yvonne, Yvonne. Yeah, yeah, you know,

2249
02:00:36.880 --> 02:00:40.680
<v Speaker 1>and I love also it was such a good you know,

2250
02:00:40.720 --> 02:00:43.000
<v Speaker 1>they're setting it up a little bit when you know

2251
02:00:43.079 --> 02:00:47.079
<v Speaker 1>they they didn't want to drive, and so he's driving

2252
02:00:47.159 --> 02:00:49.119
<v Speaker 1>but he doesn't want to drive. I love that detail.

2253
02:00:49.119 --> 02:00:53.279
<v Speaker 1>Where he moves from California, you know, like car Central

2254
02:00:53.399 --> 02:00:55.319
<v Speaker 1>to New York where you can exist for at least

2255
02:00:55.359 --> 02:00:57.199
<v Speaker 1>New York City, right, you can exist without a car.

2256
02:00:57.399 --> 02:01:00.359
<v Speaker 1>He's running as far away as possible. So him not

2257
02:01:00.439 --> 02:01:05.279
<v Speaker 1>wanting to drive is a really compelling, like you feel

2258
02:01:05.279 --> 02:01:06.800
<v Speaker 1>it when he's like, no, no, no, I don't want to drive,

2259
02:01:06.960 --> 02:01:09.720
<v Speaker 1>you know, he says that to Matt Smith. And then

2260
02:01:09.720 --> 02:01:11.199
<v Speaker 1>when he's forced to drive here and he's like, put

2261
02:01:11.199 --> 02:01:13.279
<v Speaker 1>on your seat belts. Yeah. I didn't even look at

2262
02:01:13.319 --> 02:01:15.960
<v Speaker 1>that as foreshadowing for any It totally made sense as

2263
02:01:15.960 --> 02:01:18.920
<v Speaker 1>a character that he's like extra cautious and like, if

2264
02:01:18.920 --> 02:01:20.560
<v Speaker 1>we're going to do this at all, put on your

2265
02:01:20.600 --> 02:01:23.279
<v Speaker 1>seat belts. But then when it dawned on me what

2266
02:01:23.399 --> 02:01:26.199
<v Speaker 1>was about to happen, you know, where he's gonna slam

2267
02:01:26.239 --> 02:01:28.960
<v Speaker 1>into a pole again, pull his mood, I was like, oh,

2268
02:01:29.039 --> 02:01:30.880
<v Speaker 1>that's good, that's good. Then that belt it in.

2269
02:01:33.600 --> 02:01:38.760
<v Speaker 2>I have to say, by the way, I loved Leev Schreiber. Yes, yeah,

2270
02:01:38.920 --> 02:01:41.000
<v Speaker 2>like Vinca Danafrey. I'm just used to him playing this

2271
02:01:41.079 --> 02:01:44.399
<v Speaker 2>variety of characters, but this felt very different for Leev Schreiber. Yeah.

2272
02:01:44.479 --> 02:01:48.119
<v Speaker 2>Different speed for sure, you know, and very funny because

2273
02:01:48.239 --> 02:01:50.399
<v Speaker 2>because I mean, obviously he's Jewish, so he's able to

2274
02:01:50.399 --> 02:01:53.359
<v Speaker 2>bring authenticity. But this could have very easily become like

2275
02:01:53.359 --> 02:01:55.720
<v Speaker 2>like you know, Rabbi Krestovsky, you.

2276
02:01:55.680 --> 02:01:58.520
<v Speaker 1>Know, totally, totally, he didn't do that.

2277
02:01:59.720 --> 02:02:04.359
<v Speaker 2>The other thing is, is that guy, that freaking guy,

2278
02:02:04.520 --> 02:02:07.279
<v Speaker 2>that asshole, the bald asshole. Yes, yes, this is like

2279
02:02:07.319 --> 02:02:10.159
<v Speaker 2>a freaking dog, you know, yeah, microbe.

2280
02:02:10.199 --> 02:02:11.560
<v Speaker 1>I think that's his microbe.

2281
02:02:12.920 --> 02:02:16.199
<v Speaker 2>First, I love that that little detail where he steals

2282
02:02:16.199 --> 02:02:19.760
<v Speaker 2>Hank's hat mm hmm, yes, because he's just because he's

2283
02:02:19.760 --> 02:02:23.760
<v Speaker 2>a freaking cock, right, yes, And then that becomes this

2284
02:02:23.840 --> 02:02:26.319
<v Speaker 2>great thing where he's at Chase Stadium and Hank is

2285
02:02:26.359 --> 02:02:28.479
<v Speaker 2>able to use that as a way to throw them

2286
02:02:28.520 --> 02:02:32.279
<v Speaker 2>off his trail. He's like that guy that that that

2287
02:02:32.279 --> 02:02:37.279
<v Speaker 2>that Giants fan said the Mets suck. That's great. But

2288
02:02:37.359 --> 02:02:40.359
<v Speaker 2>what I loved is that guy was like vicious right

2289
02:02:40.359 --> 02:02:43.479
<v Speaker 2>throughout the movie, but he turns out he's got a

2290
02:02:43.479 --> 02:02:47.239
<v Speaker 2>glass jaw because it just takes one one shot to

2291
02:02:47.399 --> 02:02:48.600
<v Speaker 2>just knock him clean out.

2292
02:02:48.960 --> 02:02:50.159
<v Speaker 1>Right. That was so satisfying.

2293
02:02:50.279 --> 02:02:52.079
<v Speaker 2>That was really it was very satisfying.

2294
02:02:52.159 --> 02:02:52.279
<v Speaker 1>Right.

2295
02:02:52.279 --> 02:02:54.760
<v Speaker 2>This is a true righteous Vengines type situation, right.

2296
02:02:55.560 --> 02:02:56.039
<v Speaker 1>Yeah.

2297
02:02:56.119 --> 02:02:59.520
<v Speaker 2>And the other thing I have to say, I pegged

2298
02:03:00.079 --> 02:03:03.680
<v Speaker 2>Regina King as a heel very early on.

2299
02:03:04.000 --> 02:03:06.399
<v Speaker 1>I did two and I don't remember what it was,

2300
02:03:06.800 --> 02:03:08.520
<v Speaker 1>but there were something for me.

2301
02:03:08.760 --> 02:03:16.800
<v Speaker 2>It was when that guy the Columbus Columbus, his name Colorado.

2302
02:03:16.880 --> 02:03:18.159
<v Speaker 1>Oh, Colorado, yeah, Colorado.

2303
02:03:18.800 --> 02:03:21.079
<v Speaker 2>He's like, oh you called that, lady cop. Don't do

2304
02:03:21.079 --> 02:03:22.399
<v Speaker 2>that again. I was like, how would he know that?

2305
02:03:22.760 --> 02:03:24.079
<v Speaker 1>Mmm? Oh interesting?

2306
02:03:24.439 --> 02:03:26.079
<v Speaker 2>So that was my that was my red flag. And

2307
02:03:26.079 --> 02:03:27.520
<v Speaker 2>then when they were in the diner, I was like,

2308
02:03:27.640 --> 02:03:29.000
<v Speaker 2>uh up, she's bad.

2309
02:03:29.239 --> 02:03:33.600
<v Speaker 1>Yeah, yeah, yeah, but she was good. She was good.

2310
02:03:33.960 --> 02:03:37.439
<v Speaker 1>I liked Matt Smith. Actually, this might be my Matt

2311
02:03:37.479 --> 02:03:41.520
<v Speaker 1>Smith moment with him playing the neighbor, because you know,

2312
02:03:41.560 --> 02:03:43.520
<v Speaker 1>he's leaving in a hurry, and it seems like they

2313
02:03:43.560 --> 02:03:49.199
<v Speaker 1>have a unique camaraderie that's not entirely like they really

2314
02:03:49.239 --> 02:03:51.439
<v Speaker 1>like each other, but they like kind of are like

2315
02:03:52.039 --> 02:03:55.960
<v Speaker 1>neighborly enough him in Austin Butler's character, and so then

2316
02:03:56.079 --> 02:04:00.920
<v Speaker 1>when he comes back, and Austin Butler thinks that him

2317
02:04:01.000 --> 02:04:03.640
<v Speaker 1>leaving was some sort of like rousse, you know, or

2318
02:04:03.680 --> 02:04:06.319
<v Speaker 1>he left because his dad had had a stroke, and

2319
02:04:06.319 --> 02:04:08.439
<v Speaker 1>he calls him out about it, like, you know, this

2320
02:04:08.479 --> 02:04:10.560
<v Speaker 1>whole message because of you, and you made up this

2321
02:04:10.640 --> 02:04:12.920
<v Speaker 1>you know thing about your dad. And then he immediately

2322
02:04:13.720 --> 02:04:15.600
<v Speaker 1>Matt Smith pulls down his shirt and shows that he

2323
02:04:15.640 --> 02:04:18.000
<v Speaker 1>has the weird dad tattooed on his chest and he's like, no,

2324
02:04:18.159 --> 02:04:19.840
<v Speaker 1>that was real, like my dad died, you idiot.

2325
02:04:20.479 --> 02:04:23.159
<v Speaker 2>I was like, oh, like that, and it makes that

2326
02:04:23.199 --> 02:04:26.279
<v Speaker 2>guy more interesting yep, you know, And then he has

2327
02:04:26.359 --> 02:04:29.760
<v Speaker 2>that brief heel turn after yes, and they're like, oh,

2328
02:04:29.800 --> 02:04:30.159
<v Speaker 2>that's what.

2329
02:04:30.119 --> 02:04:31.720
<v Speaker 1>I was gonna say. Because then then they go in

2330
02:04:31.760 --> 02:04:34.439
<v Speaker 1>the locker and it feels like maybe they can sort

2331
02:04:34.439 --> 02:04:36.560
<v Speaker 1>of team up in some sort of way. But yeah,

2332
02:04:36.600 --> 02:04:39.239
<v Speaker 1>then Smith turns on him, and then when he banged

2333
02:04:39.239 --> 02:04:42.399
<v Speaker 1>his head, there was something satisfying about it, but then

2334
02:04:42.520 --> 02:04:45.760
<v Speaker 1>I was also like, ugh, this makes me feel gross,

2335
02:04:45.840 --> 02:04:47.319
<v Speaker 1>you know what I mean, Like it was just such

2336
02:04:47.319 --> 02:04:51.520
<v Speaker 1>a realistically violent moment that was sort of off putting

2337
02:04:51.520 --> 02:04:55.199
<v Speaker 1>in an interesting way. But then he comes back right

2338
02:04:55.279 --> 02:04:58.039
<v Speaker 1>and and then the fact that the baseball bat to

2339
02:04:58.159 --> 02:05:00.560
<v Speaker 1>the head. Usually in a movie, it's like, you know,

2340
02:05:00.600 --> 02:05:03.439
<v Speaker 1>people get like shot and stabbed and whatever, and then

2341
02:05:03.439 --> 02:05:05.359
<v Speaker 1>by the end of the movie they're like skipping off

2342
02:05:05.399 --> 02:05:09.119
<v Speaker 1>into the sunset. But that that hit to the head

2343
02:05:09.680 --> 02:05:12.039
<v Speaker 1>is what ultimately kills him, and he he has that

2344
02:05:12.079 --> 02:05:14.720
<v Speaker 1>moment where he's walking to the public storage place and

2345
02:05:14.760 --> 02:05:17.760
<v Speaker 1>he stumbles, Yeah, because he's suffering from the concussion, and

2346
02:05:18.279 --> 02:05:22.680
<v Speaker 1>just so much more texture to this thing than I expected,

2347
02:05:23.119 --> 02:05:26.199
<v Speaker 1>and I really appreciated it. And then him ultimately dying

2348
02:05:26.239 --> 02:05:28.239
<v Speaker 1>on the subway was kind of sad. Even though he

2349
02:05:28.279 --> 02:05:32.399
<v Speaker 1>was a complicated it was mostly kind of an annoying character.

2350
02:05:33.079 --> 02:05:37.720
<v Speaker 2>Well, I see. What I like is how it illuminates

2351
02:05:37.960 --> 02:05:40.279
<v Speaker 2>our main character, right, because he had every reason to

2352
02:05:40.319 --> 02:05:44.279
<v Speaker 2>just leave him there, and he doesn't, you know. I mean,

2353
02:05:44.319 --> 02:05:46.840
<v Speaker 2>I think what the movie is at pains to show

2354
02:05:46.920 --> 02:05:49.039
<v Speaker 2>us is that Hank is a decent guy. He's in

2355
02:05:49.239 --> 02:05:52.239
<v Speaker 2>he's in a not great situation, but he's still he's

2356
02:05:52.319 --> 02:05:56.079
<v Speaker 2>at heart basically a decent guy. Yep. And that was

2357
02:05:56.079 --> 02:05:58.960
<v Speaker 2>something that I did appreciate totally.

2358
02:05:59.039 --> 02:06:00.840
<v Speaker 1>I mean, all the all the stuff they gave him,

2359
02:06:01.079 --> 02:06:04.800
<v Speaker 1>the baseball stuff, but we haven't even mentioned the alcoholism. Yeah,

2360
02:06:04.800 --> 02:06:07.640
<v Speaker 1>you know, which it's very subtle. You know, it's like

2361
02:06:07.680 --> 02:06:10.920
<v Speaker 1>some movies you can imagine where it's just you know,

2362
02:06:10.960 --> 02:06:12.920
<v Speaker 1>he's got like the beer in his toilet tank and

2363
02:06:12.960 --> 02:06:14.439
<v Speaker 1>he's got the d and they kind of make a

2364
02:06:14.439 --> 02:06:16.760
<v Speaker 1>thing out of it. But it's just I know, I

2365
02:06:16.840 --> 02:06:18.680
<v Speaker 1>clocked and he was drinking a beer at like eleven

2366
02:06:18.720 --> 02:06:20.279
<v Speaker 1>in the morning and thought that was kind of weird.

2367
02:06:20.920 --> 02:06:24.560
<v Speaker 1>But then when he loses his kidney and it's like, oh,

2368
02:06:24.600 --> 02:06:26.640
<v Speaker 1>you have to stop drinking. And then he realizes he

2369
02:06:26.720 --> 02:06:30.079
<v Speaker 1>has that stuff all over his apartment and it becomes

2370
02:06:30.079 --> 02:06:34.159
<v Speaker 1>a real thing for him to also have to you know,

2371
02:06:34.359 --> 02:06:35.600
<v Speaker 1>battle throughout this movie.

2372
02:06:35.920 --> 02:06:38.119
<v Speaker 2>Yeah, it's just I don't know, I just I mean,

2373
02:06:38.840 --> 02:06:41.359
<v Speaker 2>it's effective to the extent that, you know when he

2374
02:06:41.399 --> 02:06:44.159
<v Speaker 2>goes to ask his boss for help and then he

2375
02:06:44.279 --> 02:06:48.359
<v Speaker 2>just gets shit faced. Yes, yes, definitely, you're like, oh no,

2376
02:06:48.479 --> 02:06:51.399
<v Speaker 2>don't don't, oh no, not not more. You know.

2377
02:06:51.800 --> 02:06:53.520
<v Speaker 1>Yeah, I actually thought of that. I know I've said

2378
02:06:53.520 --> 02:06:55.840
<v Speaker 1>this on the podcast before and I don't remember what

2379
02:06:55.880 --> 02:06:58.520
<v Speaker 1>movie it was, but there are movies where you see

2380
02:06:58.520 --> 02:07:00.880
<v Speaker 1>people drinking and you're like, I want to, And then

2381
02:07:00.920 --> 02:07:03.079
<v Speaker 1>there are movies where people are drinking you're like I

2382
02:07:03.119 --> 02:07:04.560
<v Speaker 1>will never touch alcohol again.

2383
02:07:05.640 --> 02:07:06.439
<v Speaker 2>This is the ladder.

2384
02:07:06.640 --> 02:07:08.960
<v Speaker 1>Yeah, definitely. I was just like, no, don't do it,

2385
02:07:09.000 --> 02:07:11.000
<v Speaker 1>don't do it, and it was making me like, I

2386
02:07:11.000 --> 02:07:13.199
<v Speaker 1>don't I don't want to touch alcohol, you know.

2387
02:07:14.720 --> 02:07:18.960
<v Speaker 2>So here is a question I had and Amen and

2388
02:07:19.000 --> 02:07:22.199
<v Speaker 2>I had the same question, which is there is a

2389
02:07:22.239 --> 02:07:26.159
<v Speaker 2>scene where you know, he's in the bar with his

2390
02:07:26.239 --> 02:07:29.920
<v Speaker 2>boss and then they go into the safe, right, and

2391
02:07:29.920 --> 02:07:32.680
<v Speaker 2>he pulls out a shotgun and then they they they

2392
02:07:32.720 --> 02:07:37.239
<v Speaker 2>lock the bad guys out right. Yeah, boss dies, Hank

2393
02:07:37.319 --> 02:07:40.239
<v Speaker 2>is tramped in there, and then we cut to him

2394
02:07:40.399 --> 02:07:45.079
<v Speaker 2>walking out. Yes, did I miss how did he get out?

2395
02:07:45.279 --> 02:07:48.319
<v Speaker 1>Well? They I did find that a little confusing because

2396
02:07:48.319 --> 02:07:48.760
<v Speaker 1>they leave.

2397
02:07:49.880 --> 02:07:50.560
<v Speaker 2>Is that what it is?

2398
02:07:50.640 --> 02:07:53.239
<v Speaker 1>Yeah? They literally left, and I remember, I mean I

2399
02:07:53.319 --> 02:07:56.119
<v Speaker 1>was paying attention, but I feel like I missed why

2400
02:07:56.159 --> 02:07:59.279
<v Speaker 1>they thought they wouldn't wait it out, Yeah, because then

2401
02:07:59.279 --> 02:08:02.119
<v Speaker 1>they're like, Okay, well we'll meet you again or something

2402
02:08:02.199 --> 02:08:05.840
<v Speaker 1>like that, and I wasn't tote Yeah, I wasn't quite

2403
02:08:05.960 --> 02:08:08.479
<v Speaker 1>understanding the motivation behind that. But yes, they end up

2404
02:08:08.720 --> 02:08:12.000
<v Speaker 1>leaving and he waits a minute and then he exits.

2405
02:08:12.399 --> 02:08:15.760
<v Speaker 2>Okay, So I would call that maybe not executed to

2406
02:08:15.840 --> 02:08:16.840
<v Speaker 2>the best.

2407
02:08:16.560 --> 02:08:19.359
<v Speaker 1>Of Yeah, Yeah, yeah, yeah, yeah, I mean I could

2408
02:08:19.439 --> 02:08:20.800
<v Speaker 1>have to see it again to fully.

2409
02:08:21.279 --> 02:08:25.279
<v Speaker 2>I thought the cut was so abrupt. I thought that

2410
02:08:25.279 --> 02:08:28.800
<v Speaker 2>they were gonna give us a flashback in a second

2411
02:08:29.359 --> 02:08:31.760
<v Speaker 2>and chow us what happened? You know, right? But that

2412
02:08:31.800 --> 02:08:34.640
<v Speaker 2>actually makes sense? Okay, Yeah, anything else you want to

2413
02:08:34.640 --> 02:08:35.680
<v Speaker 2>say about cod Stealing?

2414
02:08:36.079 --> 02:08:40.720
<v Speaker 1>Uh no, just uh I'm glad. Well you you mentioned,

2415
02:08:40.760 --> 02:08:45.079
<v Speaker 1>you know, just a perfect movie to discover in a theater,

2416
02:08:45.159 --> 02:08:49.119
<v Speaker 1>and I couldn't agree more. I mean, it's just I imagined

2417
02:08:48.760 --> 02:08:50.760
<v Speaker 1>I would catch this at some point. I didn't have

2418
02:08:50.840 --> 02:08:53.159
<v Speaker 1>plans to see it in the theater. And I know

2419
02:08:53.239 --> 02:08:56.479
<v Speaker 1>it's not easy for everybody, so acknowledging that, but it

2420
02:08:56.520 --> 02:08:59.880
<v Speaker 1>is just so fun and delightful to just walk into

2421
02:09:00.079 --> 02:09:02.600
<v Speaker 1>something that isn't exactly on your radar, but you're like,

2422
02:09:02.720 --> 02:09:04.880
<v Speaker 1>let's give this a shot and seeing it where the

2423
02:09:04.920 --> 02:09:07.720
<v Speaker 1>world is shut off, you're in a dark room, you're

2424
02:09:07.720 --> 02:09:10.319
<v Speaker 1>not looking at your phone, and you're just jumping into

2425
02:09:10.359 --> 02:09:13.199
<v Speaker 1>something unexpected and you don't know where it's going. That's

2426
02:09:13.199 --> 02:09:15.600
<v Speaker 1>what's this is. I think it's worth mentioning that this

2427
02:09:15.680 --> 02:09:18.279
<v Speaker 1>is based on a book by Charlie Huston, and he

2428
02:09:18.319 --> 02:09:20.600
<v Speaker 1>wrote the script for this also and it feels like

2429
02:09:20.640 --> 02:09:22.840
<v Speaker 1>a book in that way, or it's a very shaggy dogtail,

2430
02:09:23.560 --> 02:09:28.520
<v Speaker 1>doesn't you know, feel like a precise movie structure. There's

2431
02:09:28.560 --> 02:09:30.000
<v Speaker 1>just a lot of stuff, a lot of characters, a

2432
02:09:30.039 --> 02:09:31.680
<v Speaker 1>lot of twists and turns, a lot of things going on,

2433
02:09:32.119 --> 02:09:33.920
<v Speaker 1>and it's just so fun watching something where you don't

2434
02:09:33.920 --> 02:09:37.439
<v Speaker 1>know where it's going. And the ultimate way to experience

2435
02:09:37.479 --> 02:09:39.800
<v Speaker 1>any story, you know, in a dark movie theater. So

2436
02:09:40.920 --> 02:09:42.880
<v Speaker 1>I'm glad. I'm glad we wound up doing this one.

2437
02:09:43.359 --> 02:09:46.239
<v Speaker 2>Me too. That said, Yeah, based on the box office,

2438
02:09:46.279 --> 02:09:48.399
<v Speaker 2>I suspect for many people this one will be caught

2439
02:09:48.560 --> 02:09:49.560
<v Speaker 2>streaming because.

2440
02:09:49.319 --> 02:09:51.600
<v Speaker 1>I say, enjoy it on the airplane or in the

2441
02:09:51.640 --> 02:09:52.640
<v Speaker 1>comfort of your living.

2442
02:09:52.520 --> 02:09:57.159
<v Speaker 2>Room, enjoy it on voodoo in eight days. Yeah, probably

2443
02:09:57.319 --> 02:09:59.840
<v Speaker 2>is nobody too, that's already on streaming. I saw that.

2444
02:10:00.039 --> 02:10:03.880
<v Speaker 2>Yeah yeah, yeah. But hey, let us know your thoughts

2445
02:10:04.560 --> 02:10:06.199
<v Speaker 2>if you have any if you do end up watching

2446
02:10:06.239 --> 02:10:08.000
<v Speaker 2>this or we'd love to hear what we have to

2447
02:10:08.000 --> 02:10:10.000
<v Speaker 2>say about anything that we said during this episode. You

2448
02:10:10.000 --> 02:10:12.399
<v Speaker 2>can email us at Moviefilm Podcast at gmail dot com.

2449
02:10:12.439 --> 02:10:15.039
<v Speaker 2>You can also hit like on our Facebook page Facebook

2450
02:10:15.079 --> 02:10:18.039
<v Speaker 2>dot com slash Movie Film Podcast and message us there

2451
02:10:18.159 --> 02:10:20.840
<v Speaker 2>As always, please go to Apple Podcasts and Lead Review

2452
02:10:20.880 --> 02:10:23.600
<v Speaker 2>as well as on Spotify. We're also on YouTube if

2453
02:10:23.600 --> 02:10:26.960
<v Speaker 2>you want to hit that subscribe button and hit like. Also,

2454
02:10:27.079 --> 02:10:29.239
<v Speaker 2>any comments you read there you leave there, we will

2455
02:10:29.279 --> 02:10:32.000
<v Speaker 2>certainly do our best to read here. Hey Brian, We

2456
02:10:32.039 --> 02:10:33.760
<v Speaker 2>also have a Patreon page that's right.

2457
02:10:33.800 --> 02:10:36.760
<v Speaker 1>If you head over to patreon dot com slash Moviefilm

2458
02:10:36.840 --> 02:10:39.920
<v Speaker 1>podcast and hit the subscribe button for only five dollars

2459
02:10:40.000 --> 02:10:42.800
<v Speaker 1>a month, you'll find every commentary we've ever done and

2460
02:10:42.920 --> 02:10:47.000
<v Speaker 1>every episode moving forward absolutely ad free. Our free feed

2461
02:10:47.039 --> 02:10:48.880
<v Speaker 1>will always be available, but this is our way of

2462
02:10:48.920 --> 02:10:51.000
<v Speaker 1>providing what we believe is the most satisfying way to

2463
02:10:51.079 --> 02:10:54.000
<v Speaker 1>enjoy the show. So no random interruptions or ads butting

2464
02:10:54.039 --> 02:10:56.880
<v Speaker 1>into the conversation. Plus, your subscription goes a long way

2465
02:10:56.880 --> 02:10:59.840
<v Speaker 1>and helping to support us and helping to sustain producing

2466
02:10:59.880 --> 02:11:02.640
<v Speaker 1>this show. So if you're interested in Abele, please head

2467
02:11:02.640 --> 02:11:06.880
<v Speaker 1>over to patreon dot com slash Movie Film Podcast and subscribe.

2468
02:11:06.960 --> 02:11:07.840
<v Speaker 1>We'd be very grateful.

2469
02:11:08.640 --> 02:11:10.640
<v Speaker 2>There we go, and if you're looking for me online,

2470
02:11:10.680 --> 02:11:12.560
<v Speaker 2>you can find me on social media at Zaki's Corner

2471
02:11:12.600 --> 02:11:15.239
<v Speaker 2>That z Akis Corner. You can also read my reviews

2472
02:11:15.279 --> 02:11:17.800
<v Speaker 2>at the San Francisco Chronicle and The Rap and also

2473
02:11:17.800 --> 02:11:20.720
<v Speaker 2>occasionally at IGN What About You, Brian, you.

2474
02:11:20.640 --> 02:11:23.079
<v Speaker 1>Can find episodes I've written of Puppy Dog Pals and

2475
02:11:23.119 --> 02:11:26.159
<v Speaker 1>Young Jedi Adventures streaming over at Disney Plus.

2476
02:11:26.720 --> 02:11:29.319
<v Speaker 2>Here we go and with that on behalf of my

2477
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<v Speaker 2>partner Brian Hall. My name is Zachie As this has

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<v Speaker 2>been movie Film three twenty five. We'll catch you next time.

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<v Speaker 2>Thanks folks, welcome friends. Its podcast podcasting Don Show Jackie again,

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<v Speaker 2>Ryan The Talking Dot momy Now podcast on
