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<v Speaker 1>MHM.

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<v Speaker 2>Welcome Friends podcast Zaki ran about.

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<v Speaker 3>From the producers of Superman, Alexander saul Kind presents Supergirl

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<v Speaker 3>like Superman.

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<v Speaker 1>He's my cousin whoa.

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<v Speaker 3>Supergirl on a secret mission to save her world.

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<v Speaker 2>You've had your fun Selena.

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<v Speaker 3>The Game is Finished, starring Faye Dunaway, Peter O'Toole, and

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<v Speaker 3>Helen Slater as Supergirl Rated PG now playing at a

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<v Speaker 3>theater near you.

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<v Speaker 2>Welcome to a movie film commentary track. My name is

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<v Speaker 2>Zachison and I'm here with Brian Hall.

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<v Speaker 1>Hey, how's it going, Zachie?

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<v Speaker 2>Brian, I gotta say when when I when I committed

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<v Speaker 2>us to doing this comitary track, I assumed that we're

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<v Speaker 2>talking about Supergirl, by the way, the nineteen eighty four Supergirl.

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<v Speaker 2>And you know there are many release lengths of this film, yes,

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<v Speaker 2>and so you know, I assumed it would be the

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<v Speaker 2>one I had seen when I was a little lad,

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<v Speaker 2>which is about about a little under one hundred minutes,

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<v Speaker 2>not realizing that in fact, the international releases is the

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<v Speaker 2>coin of the realm these days.

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<v Speaker 1>Yeah, I look forward to talking about this because there

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<v Speaker 1>are multiple versions of this out there, just different releases,

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<v Speaker 1>different lengths.

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<v Speaker 2>Yeah.

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<v Speaker 1>Actually, as I was watching this in my mind began

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<v Speaker 1>to wander a little bit. I went on IMDb only

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<v Speaker 1>a little bit. Well, I don't want to lead with that,

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<v Speaker 1>because for people who are tuning into this, who have

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<v Speaker 1>a fondness for this, like a nostalgia for it, I

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<v Speaker 1>can completely understand that. But I should say up top,

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<v Speaker 1>this is the first time I ever saw this movie,

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<v Speaker 1>which is.

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<v Speaker 2>Now likely be the last time you ever see that.

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<v Speaker 1>I was gonna say, actually, I thought that last night

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<v Speaker 1>today with you will probably be the last time I

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<v Speaker 1>ever watched this movie. But I went on IMDb. So

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<v Speaker 1>I checked my watch quite a bit, and I went

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<v Speaker 1>on IMDb, and it lists the movie as an hour

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<v Speaker 1>forty five Yeah, And I was like, liar that version.

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<v Speaker 1>I did not see that version anywhere. So I'm really

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<v Speaker 1>curious for you to talk about your memories of this

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<v Speaker 1>movie and if you've noticed what's different in this version

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<v Speaker 1>we're about to watch.

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<v Speaker 2>Uh yeah, well we'll talk about it. Yeah all right. Well,

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<v Speaker 2>I figure, hey, we have two hours and four minutes

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<v Speaker 2>to fill, so yes, yes, let's get going. Let's let's

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<v Speaker 2>just knock this bad boy out. So you know, the

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<v Speaker 2>timing certainly could not be more apropos.

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<v Speaker 3>We are.

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<v Speaker 2>We are in the lead up to the release of

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<v Speaker 2>the twenty twenty six model Supergirl coming out, and I figure, well,

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<v Speaker 2>when else would we ever talk through this movie? Right, Like,

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<v Speaker 2>this is as good a time as any. It is

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<v Speaker 2>the only time, if any, So let's do it.

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<v Speaker 1>Yeah, and I gotta say, I don't regret watching it.

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<v Speaker 1>It's always been a curiosity for me. I remember this

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<v Speaker 1>video like VHS box at the video store growing up, Right,

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<v Speaker 1>So there's a super movie out there from the eighties

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<v Speaker 1>that I've never seen. I'm curious about it, and now

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<v Speaker 1>we get to discuss it.

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<v Speaker 2>We do, indeed, and yes, I fully acknowledged that. Obviously

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<v Speaker 2>people do have a lot of nostalgic affinity for this film.

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<v Speaker 2>I have no doubt, you know. I think it's appropriate

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<v Speaker 2>that we are talking. This is our commentary track that

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<v Speaker 2>we were recording after having just done Masters of the Universe. Yeah,

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<v Speaker 2>the nineteen eighty seven film, and certainly that is the

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<v Speaker 2>nostalgic sweet spot for me. Written by the way, by

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<v Speaker 2>the same guy, No, no kidding, David. He wrote Masters

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<v Speaker 2>of the Universe and this interesting, okay, just just by

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<v Speaker 2>weird by weird happens stance, the universe is telling us

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<v Speaker 2>something and just a reminder if you want to hear

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<v Speaker 2>this episode ad free, which is the best way to

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<v Speaker 2>enjoy our commentary tracks, I would recommend checking out our

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<v Speaker 2>Patreon page, right, Brian, Yeah, if you head over to

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<v Speaker 2>patreon dot com slash Movie Film Podcast for only five

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<v Speaker 2>dollars a month, you'll find this commentary and every commentary

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<v Speaker 2>we've ever done ad free without any ads or interruptions

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<v Speaker 2>butting in, which is especially important if you're trying to

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<v Speaker 2>watch along and you don't want to have to keep

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<v Speaker 2>pausing the movie every time an AD pops up. So

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<v Speaker 2>definitely the most enjoyable way to enjoy the show. So

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<v Speaker 2>if you're ready to lock in with us and seek

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<v Speaker 2>out the Omega head drawn alongside us, now's the time. Yeah, Yeah,

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<v Speaker 2>we are watching the International cut, which is the only

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<v Speaker 2>cut that's available widely, So it's two hours and four minutes.

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<v Speaker 2>That's the one we're watching and the one we're talking through.

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<v Speaker 2>And if need be, I will be comforting Brian as

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<v Speaker 2>he sobs through having to watch this again within the

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<v Speaker 2>span of like twelve.

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<v Speaker 1>Hours, and and I look forward to getting into why

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<v Speaker 1>yeah you need to hold my hand through this there there, Well,

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<v Speaker 1>we'll get into it.

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<v Speaker 2>There's a lot. Yeah, all right, here we go, Brian,

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<v Speaker 2>you're ready, I'm ready. All right, we're gonna do the

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<v Speaker 2>usual thing. We will hit play on three one two

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<v Speaker 2>three play and one two three play. All right, So

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<v Speaker 2>right up top. You will note that there is no

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<v Speaker 2>like studio logo or anything like that.

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<v Speaker 1>Yes, which I read about later. I did not notice

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<v Speaker 1>that on first viewing.

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<v Speaker 2>Yeah, we just get dropped right into this one million

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<v Speaker 2>dollar title sequence.

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<v Speaker 1>So I read that fact and I was like, no way,

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<v Speaker 1>and so I started googling to confirm it, and yep,

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<v Speaker 1>like you said, yeah, a million dollars. This opening sequence

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<v Speaker 1>and the visual effects in this movie are atrocious. So

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<v Speaker 1>you think, why would you not put that million dollars

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<v Speaker 1>towards your movie?

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<v Speaker 2>Well, and it's really weird because it's clearly trying to

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<v Speaker 2>do something adjacent to you know that that that zoom

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<v Speaker 2>thing that we see with the titles and Superman the

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<v Speaker 2>first Superman, right, but it's it's just it's just wishy,

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<v Speaker 2>washy and worse.

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<v Speaker 1>You know what. I will actually say I thought they

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<v Speaker 1>were impressive. I'll actually say that.

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<v Speaker 2>I I I think it's I think I think the

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<v Speaker 2>the typeface is interesting to me, but other than that,

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<v Speaker 2>I'm like, this goes on forever.

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<v Speaker 1>Oh well, certainly that I think. What I mean is

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<v Speaker 1>for nineteen eighty four. They look nice, sure, but but

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<v Speaker 1>it reminds me of the HBO logo, like the old

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<v Speaker 1>eighties HBO thing. It doesn't right because it's this metallic lettering.

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<v Speaker 2>No, that's all fine, but but like cut to the chase, guys,

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<v Speaker 2>I mean.

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<v Speaker 1>Oh no, no, argument's there, no arguments there. But I

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<v Speaker 1>mean this colorful sort of you know, pink and red

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<v Speaker 1>and whatever, cloudy background and these I was actually impressed

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<v Speaker 1>that this was from such an old movie that I

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<v Speaker 1>had seen images from before.

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<v Speaker 2>Like in this sense that this is pre CGI exactly.

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<v Speaker 2>So these are like real things that you had to

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<v Speaker 2>That's what I.

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<v Speaker 1>Mean with the HBO thing, because I think now it

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<v Speaker 1>comes up in my algorithm all the time, the making

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<v Speaker 1>of that HBO opening where you're like, no, they actually

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<v Speaker 1>built those letters out of metal and filmed them and

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<v Speaker 1>it looks incredible, And so this reminded me of that,

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<v Speaker 1>and I assumed it was the same sort of thing.

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<v Speaker 1>I I guess, yeah, and even like I mean the

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<v Speaker 1>way that the light is playing off of it. I

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<v Speaker 1>mean again, for its time, that's pretty impressive.

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<v Speaker 2>You know what, if this was the end titles, mmm,

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<v Speaker 2>I would have been like, cool, Yes, it's very very long. Yes,

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<v Speaker 2>so Jeno Swark, we should say he directed Jaws two

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<v Speaker 2>with you and I both were like, well, that that's

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<v Speaker 2>better than it might have been. I think that's our

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<v Speaker 2>takeaway from that movie.

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<v Speaker 1>You know what is fascinating, because yes, I think this

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<v Speaker 1>movie looks okay, yeah, I think it's at the script

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<v Speaker 1>level where this thing is a complete disaster.

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<v Speaker 2>The script is catastrophic. But but to your point about

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<v Speaker 2>the special effect, okay, actually you know okay, So yes,

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<v Speaker 2>is like it was like Pristjugi's syndrome. I got like

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<v Speaker 2>fifty thoughts altered the Yeah, okay, so we're in Argo

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<v Speaker 2>City right now. This is a chunk of Krypton that

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<v Speaker 2>survived the explosion. Now, it would have been nice if

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<v Speaker 2>they even a little bit explained what this is in

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<v Speaker 2>relation to what we've already seen in those other movies.

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<v Speaker 1>Absolutely. I just recently read the graphic novels Supergirl, Woman

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<v Speaker 1>of Tomorrow and Tom King. I think, yes, wonderful, and

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<v Speaker 1>they do explain what happened. How you know, Supergirl survived

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<v Speaker 1>and this this floating chunk and you know how they've

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<v Speaker 1>like put a little protective bubble over it, like makes

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<v Speaker 1>complete sense and is a wonderful tragedy even and in

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<v Speaker 1>this one, I was waiting to see, oh is this

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<v Speaker 1>the same set up? And I don't know that I

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<v Speaker 1>understood this at all. They're in some other dimension.

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<v Speaker 2>I yeah, I mean there's no they they don't they

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<v Speaker 2>don't contextualize it at all, like anything. It could have

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<v Speaker 2>been a crawl, sure, anything, right, because because the problem

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<v Speaker 2>is that these people are the same people that Marlon

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<v Speaker 2>Brando was chilling with a couple of years ago. Yeah,

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<v Speaker 2>but this is like some weird hippie commune with like

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<v Speaker 2>a it's the city is like a whole we works building.

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<v Speaker 2>Yeah yeah, yeah, yeah, you know.

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<v Speaker 1>Yeah, there's no sense of tragedy or exactly you know,

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<v Speaker 1>displacement or anything. Yeah, hippie commune. That's perfect. Yeah, they're

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<v Speaker 1>all barefoot walking around in these robes and.

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<v Speaker 2>Right and and okay, so two things I want to say.

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<v Speaker 2>First of all, uh, Helen Slater is very good in

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<v Speaker 2>this movie.

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<v Speaker 1>I don't disagree. I wasn't sure at first.

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<v Speaker 2>Like I think she is. She gives more than the

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<v Speaker 2>movie allows her to give.

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<v Speaker 1>I actually thought that Titanic quote where I was like,

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<v Speaker 1>I wish they had built you a better movie absdred percent.

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<v Speaker 2>Yeah. Uh. And I will also say Peter o'tool has

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<v Speaker 2>like two scenes in this and he's clearly like you

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<v Speaker 2>can smell the alcohol.

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<v Speaker 1>Yes, I didn't want to be like disrespectful, but I

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<v Speaker 1>was like, it almost feels like they found him like

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<v Speaker 1>tipsy somewhere and they're like, hey, we're shooting this movie.

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<v Speaker 1>Do you want like and they put a little cheesy

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<v Speaker 1>wand in his hand, and like, you know what would

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<v Speaker 1>this guy like he'd be.

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<v Speaker 2>As little like this, you know, like but I would

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<v Speaker 2>even still I think he shows.

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<v Speaker 1>Up, you know what, He's playing a character.

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<v Speaker 2>Absolutely and any so I would say he gives a

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<v Speaker 2>comparable level of investment as Brando did in the first film,

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<v Speaker 2>because by all accounts, Brando could not be bothered to

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<v Speaker 2>care about the first Superman. But my man showed up.

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<v Speaker 1>He came to play without a doubt whether or not

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<v Speaker 1>it works for you, that's a whole other thing. Yes,

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<v Speaker 1>Like he was making me chuckle a little bit, but

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<v Speaker 1>I was also his commitment. I completely admire.

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<v Speaker 2>Absolutely, because he has like two scenes in this movie, right,

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<v Speaker 2>So it's actually it's actually very brando asque. Now, but

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<v Speaker 2>here's the thing. Okay, so that's Mia Farrow as who

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<v Speaker 2>just is here like this is the only part of

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<v Speaker 2>the movie she's in. And then we see Simon Ward

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<v Speaker 2>in like a second as Kara's dad, Sorel, who is

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<v Speaker 2>Jorel's brother. Now, my thought is that that guy, I'm

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<v Speaker 2>sure he's a fine actor, but I'm like, you got

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<v Speaker 2>Peter O'Toole right here?

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<v Speaker 1>Yes, yeah, why wouldn't you have him as as.

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<v Speaker 2>Kara's dad? Right?

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<v Speaker 1>Like? Yeah, that's interesting, it's weird.

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<v Speaker 2>I mean, it's just an odd choice, right because because

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<v Speaker 2>I think that I don't, you know, I think the

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<v Speaker 2>fact that that's Joryl's brother is kind of a big deal.

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<v Speaker 2>But you wouldn't know that from what we see here,

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<v Speaker 2>right right?

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<v Speaker 1>Right?

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<v Speaker 2>Yeah?

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<v Speaker 1>Oh no.

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<v Speaker 2>Also, also based on this scene right here, Carl is

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<v Speaker 2>kind of an idiot, right, Like.

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<v Speaker 1>I know, I know, Well, this is this is where

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<v Speaker 1>the problems for the entire movie begin and never recover, right,

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<v Speaker 1>I mean, she's essentially responsible for dooming the last remaining

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<v Speaker 1>survivors of Krypton.

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<v Speaker 2>Well, and her and Drunkie McGee over there because.

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<v Speaker 1>He was possibly took like one all important power source

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<v Speaker 1>for this.

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<v Speaker 2>Yeah, he's like, we have two power sources, yeah, Cara, Yes,

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<v Speaker 2>And then he just kind of kicks it over to

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<v Speaker 2>her and she brings this goddamn horror show Dragonfly to life. Yeah,

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<v Speaker 2>as it dooms them all. Yes, and we're supposed to

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<v Speaker 2>be like, and there's our hero well and or could

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<v Speaker 2>be could be right if her first order of business

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<v Speaker 2>is to fix things, you know what I mean, Like,

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<v Speaker 2>what have I done?

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<v Speaker 1>I'm youthful, I made a mistake, but I've got to

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<v Speaker 1>save my people. But from the moment she gets in

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<v Speaker 1>that little pod, she's like, wow, space is wonderful, isn't

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<v Speaker 1>it not like banging on the glass looking back like

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<v Speaker 1>that is no ticking clock, no ticking clock. And the

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<v Speaker 1>second she gets to Earth, she's like, oh, look an

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<v Speaker 1>old girl academy. That looks like fun. And then she's

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<v Speaker 1>like playing lacrosse like minutes later, like as if her

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<v Speaker 1>people aren't in peril right now, that never gets brought

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<v Speaker 1>back up.

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<v Speaker 2>This is so weird, so so to me, this is

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<v Speaker 2>very See there's Joel's brother, not that you would know

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<v Speaker 2>or care. They never meant they mentioned, oh, by the way,

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<v Speaker 2>my cousin went to Earth. Anyway, proceed with your tree

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<v Speaker 2>or whatever. Right this, Structurally, what you do is you

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<v Speaker 2>make Zaltar the guy who is directly responsible for what

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<v Speaker 2>has happened, and Kara is like, I need to save

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<v Speaker 2>my Yeah, I need to save my people, I need

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<v Speaker 2>to save my friend. Yes, and I'm gonna do this.

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<v Speaker 2>That's that's right. So it's a it's a weird because

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<v Speaker 2>because either way you have to end up with Zaltar

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<v Speaker 2>in the Phantom zone. So why why either way you're

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<v Speaker 2>gonna get there. But like right away we're like, well,

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<v Speaker 2>she's she's she's a dummy. Yeah yeah, And so it's

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<v Speaker 2>it's it's very weird. And and it's weird because and

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<v Speaker 2>admittedly I'm not I'm not an expert on on the

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<v Speaker 2>Supergirl comic continuity of this era, but I mean it

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<v Speaker 2>wasn't really even reflective of what was what was there

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<v Speaker 2>in the comics, you know.

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<v Speaker 1>That's what I was wondering, if this is how close

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<v Speaker 1>at all this is this story has anything to do

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<v Speaker 1>with the comics, So not not much.

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<v Speaker 2>Not much like my understanding is that it's similar in

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<v Speaker 2>that you have this chunk of Krypton that was flung

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<v Speaker 2>into space when when the planet exploded. And so so

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<v Speaker 2>Kara grows up there and and he her again. Her

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<v Speaker 2>her father is is Zrel. And then and then the

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<v Speaker 2>the the land that they're on itself transmutes into kryptonite.

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<v Speaker 2>M hm, right, so right, so the people begin to die,

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<v Speaker 2>and so they send Kara to Earth to save her life.

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<v Speaker 2>And that's that's the com And then and then you know,

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<v Speaker 2>Superman finds her on Earth. They in recent like in

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<v Speaker 2>the last twenty years or so, they changed they changed

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<v Speaker 2>it to say that Kara is actually older than kal

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<v Speaker 2>el Okay, but because of the time dilation, he ended

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<v Speaker 2>up arriving on Earth before her and growing to adulthood

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<v Speaker 2>before she did. So she is currently physically younger, but

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<v Speaker 2>she's actually older.

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00:16:24.159 --> 00:16:26.679
<v Speaker 1>Is that to give her some sort of mental maturity

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00:16:26.799 --> 00:16:28.600
<v Speaker 1>or why even go through those extra steps?

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<v Speaker 2>I think I think partly it's it's just to just

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00:16:33.159 --> 00:16:37.399
<v Speaker 2>to add some some something different to her, the idea

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<v Speaker 2>that her experience with Krypton would be very different from

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<v Speaker 2>from Superman's.

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<v Speaker 1>Yeah, oh sure, sure, sure, sure, sure sure that makes sense.

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<v Speaker 1>By the way, I think these effects remind me very

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00:16:47.120 --> 00:16:51.480
<v Speaker 1>like Douglas Trumbull two thousand, which I kind of dig.

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<v Speaker 2>Yeah, and we saw something similar in both the first

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00:16:54.679 --> 00:16:59.039
<v Speaker 2>and second Superman films. Yeah, where it's like putting oil

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00:16:59.279 --> 00:17:00.600
<v Speaker 2>in water or whatever and.

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00:17:00.639 --> 00:17:03.399
<v Speaker 1>Totally but it kind of kind of cool, kind of works.

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00:17:03.440 --> 00:17:06.680
<v Speaker 1>But see she's she's all like, wow, it's so gorgeous. Yeah,

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00:17:06.720 --> 00:17:09.480
<v Speaker 1>like there's no which I can I can understand to

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00:17:09.519 --> 00:17:12.519
<v Speaker 1>a point, but we never saw her freaking out. That's

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<v Speaker 1>right about what she's left behind.

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00:17:15.759 --> 00:17:20.720
<v Speaker 2>Okay, so here we go. So now I have to

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00:17:20.759 --> 00:17:24.720
<v Speaker 2>say it, so Fade done Away as Selena. Now I

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00:17:24.720 --> 00:17:30.119
<v Speaker 2>think the character is garbage. Yeah, uh okay, it makes

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00:17:30.200 --> 00:17:33.240
<v Speaker 2>not even a lick of sense, And I'll get into why. However,

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00:17:33.640 --> 00:17:35.759
<v Speaker 2>I have to give credit. I think Faith done Away

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00:17:36.400 --> 00:17:37.720
<v Speaker 2>she's doing something interesting.

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00:17:38.599 --> 00:17:42.839
<v Speaker 1>Oh she's no, absolutely like she's playing this character the

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00:17:42.839 --> 00:17:46.480
<v Speaker 1>way that the movie wants this character to be. But yes,

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00:17:47.440 --> 00:17:49.160
<v Speaker 1>you know, you can get into what's wrong with the character,

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00:17:49.200 --> 00:17:51.400
<v Speaker 1>and then we can also get into this plot, which

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<v Speaker 1>is basically just her and Supergirl fighting over a boy

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<v Speaker 1>they don't even know for two hours while her planet

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00:17:58.519 --> 00:18:01.440
<v Speaker 1>apparently is power down and everyone's dying.

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<v Speaker 2>At no point do we cut back to Argo and

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00:18:06.240 --> 00:18:10.079
<v Speaker 2>see them gasping for air or any right, Like.

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<v Speaker 1>I literally I wrote down in my notes. I thought

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00:18:12.680 --> 00:18:15.039
<v Speaker 1>it would be funny when it's like he's cute, It's like, no,

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00:18:15.160 --> 00:18:17.480
<v Speaker 1>I saw him first. And then we cut back to

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00:18:17.559 --> 00:18:21.960
<v Speaker 1>the planet and like we're dying. The children's lungs are

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00:18:22.000 --> 00:18:25.400
<v Speaker 1>even smaller, they're dying faster, you know, Like, just how

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00:18:25.519 --> 00:18:28.880
<v Speaker 1>horrifying what's happening that she has just completely forgotten about?

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00:18:28.880 --> 00:18:32.359
<v Speaker 1>The movie has forgotten about. I couldn't believe two thirds in,

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<v Speaker 1>I was like, this is the plot. This is the plot.

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00:18:34.319 --> 00:18:38.960
<v Speaker 1>They're just fighting over a boy that they don't even know. Yeah,

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00:18:39.000 --> 00:18:42.319
<v Speaker 1>they're just a cute guy they saw. I can't believe

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00:18:42.359 --> 00:18:43.319
<v Speaker 1>this is the plot.

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<v Speaker 2>It doesn't it feel it's like a middle aged man

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<v Speaker 2>writing what he thinks teenage girls want to see.

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<v Speaker 1>That occurred to me too, because I thought this is

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<v Speaker 1>especially in the eighties, you know, I'll speak for myself,

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00:18:55.480 --> 00:18:57.319
<v Speaker 1>like I really did feel like there were boy things

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<v Speaker 1>and there were girl things. Absolutely, that was definitely what

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<v Speaker 1>theulture was like then. You didn't boys didn't play with

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00:19:01.880 --> 00:19:04.119
<v Speaker 1>girl toys or watch girl shows and vice versa. Yeah,

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00:19:04.799 --> 00:19:08.200
<v Speaker 1>and so I can imagine as a boy this movie

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<v Speaker 1>coming out and me thinking, oh, this, I guess this

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00:19:11.119 --> 00:19:12.759
<v Speaker 1>is for girls, And if I were to watch it,

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00:19:12.759 --> 00:19:15.400
<v Speaker 1>I'd be proven kind of well, no, I don't want

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00:19:15.400 --> 00:19:17.319
<v Speaker 1>to like put women down saying that this is for them,

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00:19:17.440 --> 00:19:20.200
<v Speaker 1>because it isn't. But it is about girls and boys

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00:19:20.279 --> 00:19:22.880
<v Speaker 1>and whatever, and just it would not have appealed to me.

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<v Speaker 1>And then I was like, why would they reduce, like

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00:19:26.359 --> 00:19:30.640
<v Speaker 1>almost insult this character for having her be so you know,

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00:19:30.960 --> 00:19:34.039
<v Speaker 1>wrapped up in this silly nonsense. But then and then

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<v Speaker 1>it occurred to me if my train of thought, wait,

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00:19:36.119 --> 00:19:39.440
<v Speaker 1>a man wrote this, like probably exactly like you said,

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00:19:39.480 --> 00:19:41.559
<v Speaker 1>A middle aged man is like, well, it's about girls

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00:19:41.599 --> 00:19:43.839
<v Speaker 1>and they're fighting over a boy, super.

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00:19:43.720 --> 00:19:46.640
<v Speaker 2>Like boys and field hockey, don't.

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00:19:46.440 --> 00:19:49.839
<v Speaker 1>They exactly exactly? So it begins to make a little

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<v Speaker 1>bit more sense.

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<v Speaker 2>So we get the little thing like, by the way,

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<v Speaker 2>Superman is off in space, yes, over the radio, like

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<v Speaker 2>a news report on a special piece seeking mission to

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00:20:01.119 --> 00:20:05.440
<v Speaker 2>a galaxy scientists maybe yes to maybe several hundred trillion

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<v Speaker 2>light years away, which that's a convenient, but be also

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<v Speaker 2>like what you know, what have the other films shown

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00:20:11.799 --> 00:20:16.759
<v Speaker 2>us that would lead us to believe that's congruous, you know.

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<v Speaker 1>Yeah, well he was apparently in earlier drafts, right he was, Yeah.

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<v Speaker 2>And Chris Reeve noped out. So right there, what we

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<v Speaker 2>just saw of Kara flying out of the water, that

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<v Speaker 2>was a cardboard standy that they just pulled on a wire,

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<v Speaker 2>which I thought.

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<v Speaker 1>Was I read that and I think that is fascinating

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<v Speaker 1>and it looks great.

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<v Speaker 2>Yeah, I agree. So, so before we move past the

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<v Speaker 2>thing with Selena, the villain character played by Faye Dunaway,

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00:20:42.839 --> 00:20:44.519
<v Speaker 2>this is the type of thing that kind of drives

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<v Speaker 2>me nuts in terms of story construction. She's sitting there

380
00:20:47.799 --> 00:20:50.200
<v Speaker 2>in her picnic. We know she's bad because her picnic

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<v Speaker 2>blanket is like a stuffed tiger, right, yes, yes, And

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<v Speaker 2>she's like, oh, if only I could rule the world

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00:20:59.440 --> 00:21:04.279
<v Speaker 2>up as this omega hedron just drops in her soup, right,

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<v Speaker 2>and I'm like, wow, that's convenient, isn't it?

385
00:21:06.720 --> 00:21:06.920
<v Speaker 1>Right?

386
00:21:07.000 --> 00:21:07.119
<v Speaker 3>Right?

387
00:21:07.200 --> 00:21:12.240
<v Speaker 2>Right? Somehow this all powerful device lands within spitting distance

388
00:21:12.319 --> 00:21:16.960
<v Speaker 2>of the worst person on Earth? Sure, right, And I

389
00:21:17.000 --> 00:21:20.920
<v Speaker 2>was thinking, I was like, it would have taken no

390
00:21:21.039 --> 00:21:25.240
<v Speaker 2>effort at all to say the omega hedron pops into

391
00:21:25.319 --> 00:21:29.519
<v Speaker 2>our plane and she senses it because she's a witch,

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00:21:30.119 --> 00:21:33.839
<v Speaker 2>and now she and Supergirl are both drawn to it. Yes,

393
00:21:34.319 --> 00:21:38.440
<v Speaker 2>and you eliminate the coincidence entirely. Sure, sure, right, this

394
00:21:38.519 --> 00:21:41.079
<v Speaker 2>is the type of man. This drives me nuts, you know.

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00:21:42.039 --> 00:21:44.200
<v Speaker 1>By the way, I really like this sequence.

396
00:21:44.279 --> 00:21:48.720
<v Speaker 2>Oh it's great we're talking about the flying ballet. Yeah,

397
00:21:48.799 --> 00:21:50.720
<v Speaker 2>because again Brian girls love ballet.

398
00:21:53.319 --> 00:21:58.880
<v Speaker 1>But it's someone on a new planet and they're discovering

399
00:21:58.880 --> 00:22:02.519
<v Speaker 1>they have different abilities, and it's it's kind of drawn out,

400
00:22:02.599 --> 00:22:05.480
<v Speaker 1>but in a way that I actually think works. Like

401
00:22:05.519 --> 00:22:08.680
<v Speaker 1>I agree, you know, her realizing she can squish a

402
00:22:08.799 --> 00:22:12.480
<v Speaker 1>rock and she can fly. And I do love that

403
00:22:12.559 --> 00:22:17.440
<v Speaker 1>this is all shot through, like we're like peeping Tom's

404
00:22:17.440 --> 00:22:21.079
<v Speaker 1>almost hiding in a bush like looking through branches, which

405
00:22:21.119 --> 00:22:22.440
<v Speaker 1>is kind of weird if you think of it that way,

406
00:22:22.480 --> 00:22:25.640
<v Speaker 1>But obviously it's to obscure the wires.

407
00:22:25.799 --> 00:22:29.960
<v Speaker 2>That's right. So Helen Slater, she's nineteen, she makes this movie.

408
00:22:31.880 --> 00:22:36.319
<v Speaker 2>She brings like maturity to the like I I I

409
00:22:38.200 --> 00:22:43.559
<v Speaker 2>feel like she's she's older, you know. Yeah, yeah, very

410
00:22:43.599 --> 00:22:47.960
<v Speaker 2>to me, very much. Christopher Reeve esque where you have

411
00:22:48.000 --> 00:22:51.480
<v Speaker 2>this unknown who really does make a strong mark, right,

412
00:22:52.079 --> 00:22:54.279
<v Speaker 2>And I think the fact that she had a pretty

413
00:22:54.279 --> 00:22:58.559
<v Speaker 2>solid career after this film speaks to that, right, because

414
00:22:58.599 --> 00:23:00.000
<v Speaker 2>she was you know, I don't know if you've seen

415
00:23:00.039 --> 00:23:01.680
<v Speaker 2>the Legend of Billy Jean. I think that's what she's

416
00:23:01.720 --> 00:23:04.640
<v Speaker 2>most known for. But I mean she's a love interest

417
00:23:04.680 --> 00:23:06.480
<v Speaker 2>in Secret of My Success.

418
00:23:06.119 --> 00:23:10.279
<v Speaker 1>And oh wow, I have not seen that movie in

419
00:23:10.279 --> 00:23:13.759
<v Speaker 1>a long time. But yeah, okay, interesting and I've never

420
00:23:13.799 --> 00:23:15.880
<v Speaker 1>seen a Legend of Billy Jean. And that just came

421
00:23:16.000 --> 00:23:18.599
<v Speaker 1>up in a group hangout recently and they.

422
00:23:18.480 --> 00:23:19.440
<v Speaker 2>Were wow, there you go.

423
00:23:19.839 --> 00:23:21.880
<v Speaker 1>Yeah, yeah, they were talking. They really liked that movie.

424
00:23:21.960 --> 00:23:23.519
<v Speaker 2>So the universe is telling me something.

425
00:23:23.759 --> 00:23:26.880
<v Speaker 1>Yeah, it's plopping into my soup right now that I

426
00:23:26.880 --> 00:23:30.319
<v Speaker 1>should catch up on Ellen Slater's filmography.

427
00:23:30.960 --> 00:23:34.559
<v Speaker 2>Now I have to say someone else who showed up

428
00:23:34.640 --> 00:23:39.319
<v Speaker 2>for this movie was Jerry Goldsmith. Yeah, because man, this

429
00:23:39.440 --> 00:23:46.200
<v Speaker 2>score is like twenty percent more than this movie is

430
00:23:46.240 --> 00:23:51.319
<v Speaker 2>giving at any given time. Sure, yeah, like, hey, girls

431
00:23:51.359 --> 00:23:54.440
<v Speaker 2>love ponies, right, Brian. But you know what again, I.

432
00:23:54.440 --> 00:23:57.640
<v Speaker 1>Will say real fast. I mean, obviously this looks a

433
00:23:57.680 --> 00:24:00.039
<v Speaker 1>little janky to our eyes in twenty twenty six, but

434
00:24:00.119 --> 00:24:04.920
<v Speaker 1>I love the spirit of this just her this so

435
00:24:05.119 --> 00:24:07.759
<v Speaker 1>to be fair, like any criticism of this movie isn't

436
00:24:08.000 --> 00:24:11.720
<v Speaker 1>anything to do with its lack of budget or you know,

437
00:24:11.880 --> 00:24:14.920
<v Speaker 1>not so great visual effects. Like I love this. I

438
00:24:14.960 --> 00:24:18.079
<v Speaker 1>love her learning she can fly and then you know,

439
00:24:18.440 --> 00:24:22.119
<v Speaker 1>flying over these racing horses and the countryside, picking up

440
00:24:22.160 --> 00:24:24.559
<v Speaker 1>a flower and letting it bloom. I think this is

441
00:24:24.599 --> 00:24:25.200
<v Speaker 1>really lovely.

442
00:24:26.599 --> 00:24:29.599
<v Speaker 2>I think all of that stuff works and it and

443
00:24:29.680 --> 00:24:34.039
<v Speaker 2>it shapes the character in a way that we didn't

444
00:24:34.119 --> 00:24:37.400
<v Speaker 2>get to see the Chris Reeve Superman do because if

445
00:24:37.400 --> 00:24:40.160
<v Speaker 2>you remember in the first film, you know, he discovers

446
00:24:40.240 --> 00:24:42.839
<v Speaker 2>the Fortress of Solitude and then he kind of goes

447
00:24:42.880 --> 00:24:46.319
<v Speaker 2>off and learns what joerel and then we see him,

448
00:24:46.400 --> 00:24:50.720
<v Speaker 2>you know, montage one, montage later he is Superman, right, Yeah, Or.

449
00:24:50.720 --> 00:24:52.480
<v Speaker 1>I guess in a way it reminds me of the

450
00:24:52.519 --> 00:24:56.000
<v Speaker 1>scene when Clark is running alongside the train. Yeah, there

451
00:24:56.079 --> 00:24:58.599
<v Speaker 1>was that good that giddy sense of discovery.

452
00:24:58.799 --> 00:25:04.720
<v Speaker 2>That's good call. Yeah, And I think that that that

453
00:25:05.519 --> 00:25:08.279
<v Speaker 2>aspect of the characters what makes her different from Superman, Right,

454
00:25:08.359 --> 00:25:12.880
<v Speaker 2>She's she's an immigrant in a way that that Superman

455
00:25:13.000 --> 00:25:17.039
<v Speaker 2>is not. Right sure, and that's certainly something Tom King,

456
00:25:17.680 --> 00:25:19.839
<v Speaker 2>you know, really plugged into in that run that you're

457
00:25:19.880 --> 00:25:25.200
<v Speaker 2>talking about, that recent run where you're wrestling with this

458
00:25:25.200 --> 00:25:30.799
<v Speaker 2>this cultural clash. I think this film gives it lip service,

459
00:25:30.839 --> 00:25:33.960
<v Speaker 2>but I think fundamentally, I love Brenda Vacar has a

460
00:25:34.000 --> 00:25:36.039
<v Speaker 2>lot of fun in this, and I'm just like, she's

461
00:25:36.079 --> 00:25:38.680
<v Speaker 2>kind of playing like the Carrie Fisher character. Dude.

462
00:25:38.720 --> 00:25:41.359
<v Speaker 1>I thought the exact same thing. I was thinking. If

463
00:25:41.400 --> 00:25:43.519
<v Speaker 1>Kerrie Fisher in nineteen eighty four could see this, it'd

464
00:25:43.519 --> 00:25:46.440
<v Speaker 1>be like, you are glimpsing into the future. This is

465
00:25:46.440 --> 00:25:51.599
<v Speaker 1>who you become actually, And I also wrote down the

466
00:25:51.640 --> 00:25:55.359
<v Speaker 1>pitch what if the villains were Patty and Selma Vibes.

467
00:25:55.839 --> 00:26:00.200
<v Speaker 1>That's really later, you know, I shoot out know the

468
00:26:00.240 --> 00:26:03.880
<v Speaker 1>character's name, but Bianca, Yeah, she's always got a cigarette

469
00:26:03.880 --> 00:26:08.440
<v Speaker 1>and like, I don't know, girl, like, eh, it's a

470
00:26:08.480 --> 00:26:10.799
<v Speaker 1>lot of that. She's wonderful though. By the way, she

471
00:26:10.839 --> 00:26:12.200
<v Speaker 1>has much needed color.

472
00:26:12.480 --> 00:26:15.680
<v Speaker 2>I think, well, it's great because she's basically the ned baby,

473
00:26:16.160 --> 00:26:19.400
<v Speaker 2>you know, totally yeah, less stupid.

474
00:26:19.400 --> 00:26:22.359
<v Speaker 1>But I was gonna say, yeah, yeah, yeah, more a

475
00:26:22.359 --> 00:26:25.920
<v Speaker 1>little more Carrie Fisher, Yeah, little sardonic.

476
00:26:25.839 --> 00:26:30.400
<v Speaker 2>Yeah exactly. Yeah, she's like a she's like a sassy

477
00:26:30.559 --> 00:26:35.960
<v Speaker 2>nineteen fifties secretary. You know, Well, you don't see that

478
00:26:36.079 --> 00:26:38.960
<v Speaker 2>every day, do you as she like, you know, tips

479
00:26:38.960 --> 00:26:40.680
<v Speaker 2>her cigarette ash off in.

480
00:26:40.680 --> 00:26:42.680
<v Speaker 1>It, totally like unaffected by everything.

481
00:26:45.519 --> 00:26:46.480
<v Speaker 2>It's so funny.

482
00:26:47.559 --> 00:26:49.720
<v Speaker 1>Oh yeah, no, good please, Well real quick, we.

483
00:26:49.599 --> 00:26:51.799
<v Speaker 2>Were talking about the special effects and some interesting stuff

484
00:26:51.799 --> 00:26:55.960
<v Speaker 2>here with like front projection stuff, and I say this often,

485
00:26:56.000 --> 00:26:58.799
<v Speaker 2>I appreciate the swing sometimes more than the execution because

486
00:26:58.880 --> 00:27:04.960
<v Speaker 2>I don't think some of this projection work is as

487
00:27:05.000 --> 00:27:08.960
<v Speaker 2>effective as what we saw in the earlier Chris Reeve films.

488
00:27:09.400 --> 00:27:10.880
<v Speaker 1>I agree, and I think a lot of that can

489
00:27:10.960 --> 00:27:14.920
<v Speaker 1>have to do with taking away the idea of you know,

490
00:27:15.480 --> 00:27:18.759
<v Speaker 1>like the grain structure of the background just not matching

491
00:27:18.880 --> 00:27:21.440
<v Speaker 1>you know, what we're seeing with her. Forget forgetting all that.

492
00:27:21.799 --> 00:27:27.559
<v Speaker 1>I think you have to take into account the camera

493
00:27:27.640 --> 00:27:30.799
<v Speaker 1>movement of the background. Yeah, and the camera movement of

494
00:27:30.839 --> 00:27:31.319
<v Speaker 1>your hero.

495
00:27:31.799 --> 00:27:33.119
<v Speaker 2>That's great, yeah.

496
00:27:32.960 --> 00:27:35.039
<v Speaker 1>Right, because they're not in sync with one another, so

497
00:27:35.079 --> 00:27:37.240
<v Speaker 1>it creates a jarring effects.

498
00:27:37.279 --> 00:27:39.960
<v Speaker 2>That's exactly it. So they were clearly they were trying

499
00:27:39.960 --> 00:27:43.640
<v Speaker 2>a new process. It wasn't the same flying effect technology

500
00:27:43.640 --> 00:27:46.720
<v Speaker 2>that they used for the earlier films, and I don't

501
00:27:46.759 --> 00:27:48.480
<v Speaker 2>think it worked as well as it might have. You know.

502
00:27:48.759 --> 00:27:53.519
<v Speaker 1>Yeah, I gotta say I didn't love this scene.

503
00:27:53.720 --> 00:27:57.640
<v Speaker 2>I was just I was what I had written down

504
00:27:57.759 --> 00:27:59.599
<v Speaker 2>was this scene. What the hell?

505
00:28:00.359 --> 00:28:06.000
<v Speaker 1>Yeah, I mean, look, there's part of me that understands this.

506
00:28:07.400 --> 00:28:11.400
<v Speaker 1>You know, you got these two gross truck driver guys

507
00:28:11.400 --> 00:28:15.039
<v Speaker 1>coming up and basically sexually harassing her, and I get it,

508
00:28:15.079 --> 00:28:17.319
<v Speaker 1>and I can even understand a version of this scene

509
00:28:17.400 --> 00:28:19.599
<v Speaker 1>in a Supergirl movie. But it's just kind of not

510
00:28:19.640 --> 00:28:23.000
<v Speaker 1>what I want. It's very icky, it's very ikey, and

511
00:28:23.039 --> 00:28:27.119
<v Speaker 1>they're very they're not really being cartoonish as cartoonish as

512
00:28:27.160 --> 00:28:31.160
<v Speaker 1>some of the other kids. They're really grotesque and upsetting,

513
00:28:31.359 --> 00:28:33.839
<v Speaker 1>and like it's it's like the real world seeping into

514
00:28:33.880 --> 00:28:37.079
<v Speaker 1>a fantasy film in a way that's really upsetting.

515
00:28:37.680 --> 00:28:41.599
<v Speaker 2>So the guy in the denim jacket, that's Matt Frewer, Yes,

516
00:28:41.759 --> 00:28:43.960
<v Speaker 2>Max Headroom, Max Headroom himself, and.

517
00:28:44.240 --> 00:28:47.039
<v Speaker 1>The dad from the neighbor, Dad from Honeys Shrunk.

518
00:28:46.839 --> 00:28:48.440
<v Speaker 2>The Kids, Honey Sunk Kids. That's right.

519
00:28:48.559 --> 00:28:51.480
<v Speaker 1>Yeah, so we'll see more of him, by the way.

520
00:28:51.480 --> 00:28:54.440
<v Speaker 1>He's good, he's yeah character.

521
00:28:55.519 --> 00:28:55.720
<v Speaker 3>Yeah.

522
00:28:55.920 --> 00:28:58.079
<v Speaker 2>Well he was in gosh, what's the last thing I

523
00:28:58.079 --> 00:29:05.039
<v Speaker 2>saw him? And he was in Zack Snyder's Watchman. Yeah,

524
00:29:05.079 --> 00:29:09.440
<v Speaker 2>he's molloy. Okay, he's been in a few things here

525
00:29:09.440 --> 00:29:11.079
<v Speaker 2>and there. I met him at a con a couple

526
00:29:11.079 --> 00:29:12.599
<v Speaker 2>of years ago, and it was it was cool just

527
00:29:12.599 --> 00:29:13.839
<v Speaker 2>to talk to him. He's just a cool guy.

528
00:29:14.240 --> 00:29:15.440
<v Speaker 1>Yeah.

529
00:29:15.559 --> 00:29:18.240
<v Speaker 2>Yeah. So so this right here, obviously there they're being

530
00:29:18.720 --> 00:29:22.759
<v Speaker 2>as you said, it's not cartoonish. Yeah, it's it's gross

531
00:29:22.839 --> 00:29:27.119
<v Speaker 2>and and I think Helen Slater plays the vulnerability, like

532
00:29:27.200 --> 00:29:32.839
<v Speaker 2>the initial what the hell coupled with her resistance very well.

533
00:29:32.880 --> 00:29:35.000
<v Speaker 2>But this right here where she's like, why are you

534
00:29:35.079 --> 00:29:37.920
<v Speaker 2>doing this? And he's like, it's just the way we are.

535
00:29:38.480 --> 00:29:43.359
<v Speaker 1>Yeah the hell, I know it's so dark now that

536
00:29:43.400 --> 00:29:45.519
<v Speaker 1>bit right there where she kicks him.

537
00:29:47.400 --> 00:29:49.880
<v Speaker 2>Legs, his ball should have just like exploded.

538
00:29:50.839 --> 00:29:53.240
<v Speaker 1>Dude, I had I know, I saw this in something recently,

539
00:29:53.240 --> 00:29:55.240
<v Speaker 1>but I did have the thought like it'd be kind

540
00:29:55.240 --> 00:29:57.440
<v Speaker 1>of funny as she was discovering her laser vision if

541
00:29:57.440 --> 00:29:59.480
<v Speaker 1>she just like blew one of their faces through the

542
00:29:59.519 --> 00:30:02.000
<v Speaker 1>back of their hea heads. And then one of the

543
00:30:02.039 --> 00:30:05.000
<v Speaker 1>friends is like, whoa, you know, now here's the thing

544
00:30:05.039 --> 00:30:09.960
<v Speaker 1>about this, Okay, yeah right there his he right, yeah, yeah.

545
00:30:09.960 --> 00:30:12.200
<v Speaker 1>If she's got a super kick, yeah, his balls would

546
00:30:12.200 --> 00:30:13.920
<v Speaker 1>have come out like.

547
00:30:14.599 --> 00:30:16.559
<v Speaker 2>Shut through the top of his head. But here's the thing.

548
00:30:16.720 --> 00:30:21.119
<v Speaker 2>They're like, so you lack Superman. Huh. They live in

549
00:30:21.160 --> 00:30:25.240
<v Speaker 2>a world with Superman. Superman is a fact of existence.

550
00:30:25.799 --> 00:30:26.200
<v Speaker 1>Mmmm.

551
00:30:26.680 --> 00:30:30.119
<v Speaker 2>And so the first instant when she lifts this dude

552
00:30:30.200 --> 00:30:33.519
<v Speaker 2>up by his chin, it doesn't occur to them like, oh,

553
00:30:33.599 --> 00:30:37.720
<v Speaker 2>maybe you're a super person and we should stop this.

554
00:30:37.960 --> 00:30:40.000
<v Speaker 2>But no, dude pulls his knife out and then she

555
00:30:40.079 --> 00:30:42.799
<v Speaker 2>does like her heat vision on it. Yeah, and he's

556
00:30:42.880 --> 00:30:43.960
<v Speaker 2>still coming at her.

557
00:30:44.400 --> 00:30:50.240
<v Speaker 1>Yeah. Yeah, that's the way they are, Zachi say, it's

558
00:30:50.279 --> 00:30:50.960
<v Speaker 1>the way we are.

559
00:30:51.519 --> 00:30:53.920
<v Speaker 2>So this scene here will not surprise you. I don't

560
00:30:53.920 --> 00:30:56.319
<v Speaker 2>think to know that it was cut out of the

561
00:30:56.400 --> 00:30:57.720
<v Speaker 2>American theatrical release.

562
00:30:57.839 --> 00:31:02.759
<v Speaker 1>Oh wow, okay, okay, that makes when we Yeah, it's

563
00:31:02.759 --> 00:31:04.880
<v Speaker 1>like this weird. I don't even know how to describe it,

564
00:31:05.000 --> 00:31:08.680
<v Speaker 1>like this weird, campy bad guy convention party.

565
00:31:09.279 --> 00:31:11.240
<v Speaker 2>I feel like it's it's this is the prelude to

566
00:31:11.279 --> 00:31:12.759
<v Speaker 2>a key party. That was my thought.

567
00:31:13.079 --> 00:31:15.880
<v Speaker 1>Yeah, totally totally. But then you have like a guy

568
00:31:15.960 --> 00:31:19.039
<v Speaker 1>coming in on a toy train carrying on a tray,

569
00:31:19.200 --> 00:31:22.279
<v Speaker 1>and oh that makes so much. I actually wrote down

570
00:31:22.279 --> 00:31:25.119
<v Speaker 1>because I didn't know there were different versions. First I

571
00:31:25.160 --> 00:31:27.720
<v Speaker 1>wrote down, this movie is desperately in need of an editor.

572
00:31:28.240 --> 00:31:30.119
<v Speaker 2>Oh yeah, because.

573
00:31:29.799 --> 00:31:32.960
<v Speaker 1>If I think you could even if I was never

574
00:31:33.000 --> 00:31:36.839
<v Speaker 1>going to enjoy the plot, it could move better and

575
00:31:36.880 --> 00:31:41.000
<v Speaker 1>I could think of it as not a terrible campy time. Yeah,

576
00:31:41.119 --> 00:31:44.160
<v Speaker 1>but this movie is just way too long. And oh

577
00:31:44.240 --> 00:31:46.079
<v Speaker 1>that makes so much sense that this.

578
00:31:46.319 --> 00:31:48.960
<v Speaker 2>Yeah, so that was the realization I had.

579
00:31:48.960 --> 00:31:49.119
<v Speaker 1>Now.

580
00:31:49.279 --> 00:31:53.640
<v Speaker 2>I The last time I saw this movie was sometime

581
00:31:53.720 --> 00:31:56.480
<v Speaker 2>in the early part of the nineteen nineties. WGN in

582
00:31:56.559 --> 00:31:59.880
<v Speaker 2>Chicago had some kind of a Superman marathon. Yeah, and

583
00:32:00.160 --> 00:32:02.319
<v Speaker 2>that's that was the one and only time I've seen

584
00:32:02.319 --> 00:32:06.200
<v Speaker 2>the movie the whole way through, And and my recollection

585
00:32:06.319 --> 00:32:07.759
<v Speaker 2>was always like it was about an hour and a

586
00:32:07.759 --> 00:32:11.039
<v Speaker 2>half ish, So I hit play on this. I'm like

587
00:32:11.039 --> 00:32:13.160
<v Speaker 2>two hours in four minute? What the hell? You know?

588
00:32:14.079 --> 00:32:15.880
<v Speaker 2>And then like you I did digging enough.

589
00:32:16.880 --> 00:32:19.720
<v Speaker 1>I'm sorry this woman, I'm like, why are we what

590
00:32:19.880 --> 00:32:22.599
<v Speaker 1>is happening? And why are we spending time on this? Yeah,

591
00:32:22.680 --> 00:32:25.119
<v Speaker 1>where she's spinning around? Sorry?

592
00:32:25.279 --> 00:32:27.880
<v Speaker 2>Yes, yes, yeah, it's it's a chance for Peter Cook

593
00:32:27.960 --> 00:32:30.680
<v Speaker 2>to vamp and you know, he's kind of a fun

594
00:32:30.759 --> 00:32:34.680
<v Speaker 2>comic actor. And and I'm assuming it was one of

595
00:32:34.680 --> 00:32:37.519
<v Speaker 2>those things that they shot, uh, not expecting to make

596
00:32:37.519 --> 00:32:43.000
<v Speaker 2>it into the final cut. What's what's weird is that Yeah,

597
00:32:43.000 --> 00:32:51.160
<v Speaker 2>that's gross right there, It's it's so weird. Yeah, so

598
00:32:51.200 --> 00:32:53.640
<v Speaker 2>Selena is using her witch powers to like make her

599
00:32:53.799 --> 00:32:59.000
<v Speaker 2>spin around after she ate like a scorpion. I think

600
00:32:59.039 --> 00:33:03.359
<v Speaker 2>that oftentimes you'll have a movie that's short and you'll

601
00:33:03.400 --> 00:33:06.960
<v Speaker 2>be like, you know, this is just a wet part

602
00:33:07.000 --> 00:33:10.000
<v Speaker 2>of a thing. But it's because they cut all this

603
00:33:10.039 --> 00:33:13.799
<v Speaker 2>stuff out right, right, And so that's like the legend

604
00:33:13.880 --> 00:33:16.319
<v Speaker 2>that springs up, you know. So you know, whether we're

605
00:33:16.319 --> 00:33:19.440
<v Speaker 2>talking about Joel Schumacher's Batman Forever or even you know

606
00:33:19.480 --> 00:33:22.240
<v Speaker 2>Superman four, which famously they cut like forty minutes out

607
00:33:22.240 --> 00:33:28.039
<v Speaker 2>of that. Well, what we're seeing now is I suppose

608
00:33:28.160 --> 00:33:32.039
<v Speaker 2>close to a director's cut, and it's like, no, this

609
00:33:32.119 --> 00:33:36.039
<v Speaker 2>movie desperately needed to not have all of this stuff

610
00:33:36.039 --> 00:33:39.279
<v Speaker 2>in it. Yeah yeah, right, But then you see the

611
00:33:39.480 --> 00:33:42.400
<v Speaker 2>theatrical cut also is a mess, and so you're like, oh,

612
00:33:42.440 --> 00:33:46.319
<v Speaker 2>well this is just a mess no matter what. Yeah. Interesting, right,

613
00:33:46.359 --> 00:33:49.200
<v Speaker 2>And and the thing is that you know we were

614
00:33:49.200 --> 00:33:50.920
<v Speaker 2>talking about the budget. I mean they had a million

615
00:33:50.960 --> 00:33:53.000
<v Speaker 2>dollars to spend on that opening title season. It's because

616
00:33:53.000 --> 00:33:55.000
<v Speaker 2>they had thirty five million dollars.

617
00:33:55.319 --> 00:33:59.119
<v Speaker 1>That is, there's no excuse, there's no excuse thirty five

618
00:33:59.319 --> 00:33:59.960
<v Speaker 1>million dollars.

619
00:34:00.640 --> 00:34:05.720
<v Speaker 2>That's that is a substantial chunk of change in nineteen

620
00:34:05.759 --> 00:34:09.559
<v Speaker 2>eighty four. And so on the one hand, you're like, well,

621
00:34:09.880 --> 00:34:13.519
<v Speaker 2>they weren't. They weren't low balling this thing. They weren't like, oh,

622
00:34:13.559 --> 00:34:15.400
<v Speaker 2>it's a girl movie, let's spend less. No.

623
00:34:15.400 --> 00:34:18.719
<v Speaker 1>No, they they put the money into it. By the way,

624
00:34:18.719 --> 00:34:20.760
<v Speaker 1>I just out of curiosity. Because Back to the Future

625
00:34:20.800 --> 00:34:23.159
<v Speaker 1>came out a year later. That budget was fourteen million.

626
00:34:23.719 --> 00:34:29.079
<v Speaker 2>There you go. Anyway, No, And I think that's that's

627
00:34:29.159 --> 00:34:34.800
<v Speaker 2>relevant because clearly they were trying to spend Superman esque money. Sure,

628
00:34:35.440 --> 00:34:42.400
<v Speaker 2>and so good, right, Like that's you know, but yet

629
00:34:42.599 --> 00:34:46.280
<v Speaker 2>you have you have a movie that manages to neatly

630
00:34:46.320 --> 00:34:49.320
<v Speaker 2>evade all of the stuff that people tended to enjoy

631
00:34:49.320 --> 00:34:54.639
<v Speaker 2>about those Superman movies. So here to your point, she

632
00:34:54.920 --> 00:34:58.559
<v Speaker 2>is on the clock, Carra, but she's like, let me

633
00:34:58.760 --> 00:35:03.480
<v Speaker 2>just blame in with these school girls and just like

634
00:35:03.800 --> 00:35:05.320
<v Speaker 2>see how how things are here.

635
00:35:08.440 --> 00:35:11.000
<v Speaker 1>I just wish, you know, that moment when she's looking

636
00:35:11.000 --> 00:35:14.000
<v Speaker 1>at the lake earlier, that sort of golden shot she

637
00:35:14.000 --> 00:35:16.519
<v Speaker 1>puts her hands on her hips. I almost wish they

638
00:35:16.519 --> 00:35:19.320
<v Speaker 1>had even eighty yards something like I will get back

639
00:35:19.360 --> 00:35:22.000
<v Speaker 1>to you, I promise or something, you know. So we

640
00:35:22.039 --> 00:35:26.440
<v Speaker 1>know that that is her goal and first act. So

641
00:35:26.920 --> 00:35:31.840
<v Speaker 1>but there's like a lack a daisical feel to all,

642
00:35:32.039 --> 00:35:34.679
<v Speaker 1>even just this shot of her slowly going upstairs, like

643
00:35:34.840 --> 00:35:36.800
<v Speaker 1>just it almost feels like, Okay, I got a blend

644
00:35:36.840 --> 00:35:39.400
<v Speaker 1>in because I've got to exist here somehow before I

645
00:35:39.440 --> 00:35:43.440
<v Speaker 1>figure out how I can go back. There's no urgency,

646
00:35:43.519 --> 00:35:44.679
<v Speaker 1>you know, I I think.

647
00:35:44.719 --> 00:35:50.360
<v Speaker 2>So as originally written, a Superman meets her when she

648
00:35:50.519 --> 00:35:53.400
<v Speaker 2>arrives on Earth. By the way, is we talked right

649
00:35:53.440 --> 00:35:55.840
<v Speaker 2>past this. But when she arrives on Earth, she emerges

650
00:35:55.880 --> 00:35:58.400
<v Speaker 2>from that cocoon wearing a Superman costume.

651
00:35:58.519 --> 00:36:00.880
<v Speaker 1>Actually, I yeah, I have and down and I was

652
00:36:00.880 --> 00:36:03.039
<v Speaker 1>like whatever, I just yeah, yeah.

653
00:36:02.920 --> 00:36:06.559
<v Speaker 2>Yeah, let's you know, my daughter who's nine, she's like, wait,

654
00:36:06.960 --> 00:36:07.960
<v Speaker 2>how does she have a costume?

655
00:36:08.039 --> 00:36:11.360
<v Speaker 1>Right? So, well it happens she's in the pod wearing

656
00:36:11.400 --> 00:36:12.239
<v Speaker 1>her robes.

657
00:36:12.760 --> 00:36:14.239
<v Speaker 2>Yeah, but then we cut back to her and she's

658
00:36:14.239 --> 00:36:16.440
<v Speaker 2>got a Superman cost Immediately, yes, all of a sudden,

659
00:36:16.480 --> 00:36:19.280
<v Speaker 2>she and I don't even think she reacts to it. Right.

660
00:36:19.639 --> 00:36:22.960
<v Speaker 2>So now now this right here, this like usual suspects

661
00:36:23.000 --> 00:36:26.159
<v Speaker 2>thing where she like pulls the name. Yes, I I

662
00:36:26.599 --> 00:36:29.679
<v Speaker 2>My only thought is, first of all, she should have

663
00:36:29.719 --> 00:36:34.039
<v Speaker 2>been like, my name is Robert Lee, you know, because

664
00:36:34.039 --> 00:36:36.320
<v Speaker 2>I'm like Linda, Like where did she get Linda from?

665
00:36:36.400 --> 00:36:36.559
<v Speaker 3>Right?

666
00:36:36.760 --> 00:36:38.360
<v Speaker 1>That's true, Yeah, But the.

667
00:36:38.320 --> 00:36:41.679
<v Speaker 2>Other thing she's she's either like completely unfamiliar with our

668
00:36:41.719 --> 00:36:45.519
<v Speaker 2>ways and customs or she knows enough to like type

669
00:36:45.599 --> 00:36:50.679
<v Speaker 2>up a recommendation letter and slip it into his his

670
00:36:50.840 --> 00:36:56.159
<v Speaker 2>file under the proper like alphabetically organized.

671
00:36:56.480 --> 00:36:58.360
<v Speaker 1>That's what I loved is when he reads it out loud,

672
00:36:58.519 --> 00:37:02.239
<v Speaker 1>thinking about her typing that out like about herself.

673
00:37:02.920 --> 00:37:07.880
<v Speaker 2>Right, So so as written, uh, Superman is there, and

674
00:37:07.920 --> 00:37:11.480
<v Speaker 2>I don't I've seen like the page of when Superman

675
00:37:11.559 --> 00:37:13.880
<v Speaker 2>meets her, so I don't know how he would have

676
00:37:13.880 --> 00:37:16.320
<v Speaker 2>found out she was coming or whatever. But but I thought,

677
00:37:16.639 --> 00:37:20.079
<v Speaker 2>you know, you have Superman basically saying you know, you

678
00:37:20.079 --> 00:37:22.199
<v Speaker 2>have to be careful how you use your powers, and

679
00:37:22.239 --> 00:37:24.079
<v Speaker 2>he says something to the effect of like don't fall

680
00:37:24.119 --> 00:37:28.079
<v Speaker 2>in love because you know it's not going to be

681
00:37:28.119 --> 00:37:32.599
<v Speaker 2>fair to you or the other person, and and the

682
00:37:32.599 --> 00:37:35.559
<v Speaker 2>the writing it was very like boilerplate. But I've I

683
00:37:35.599 --> 00:37:38.119
<v Speaker 2>was like, well, Chris Reeve could have made this into

684
00:37:38.119 --> 00:37:41.559
<v Speaker 2>something interesting. Chris Reeve was coming off of Superman three,

685
00:37:41.599 --> 00:37:43.679
<v Speaker 2>and I think he wanted nothing more to do with

686
00:37:43.760 --> 00:37:48.039
<v Speaker 2>Superman at that point. That's that's so sad. It really is,

687
00:37:48.119 --> 00:37:52.840
<v Speaker 2>because because I think I think he would have elevated

688
00:37:53.079 --> 00:37:56.039
<v Speaker 2>this movie. But I also think if he shows up

689
00:37:56.400 --> 00:37:59.039
<v Speaker 2>at the beginning when she's arrives and then he's like

690
00:37:59.039 --> 00:38:00.679
<v Speaker 2>got to go and then comes back at the end,

691
00:38:00.719 --> 00:38:02.559
<v Speaker 2>I think people might have been like, well, we're Superman,

692
00:38:02.679 --> 00:38:02.880
<v Speaker 2>you know.

693
00:38:03.280 --> 00:38:06.039
<v Speaker 1>Yeah, Oh totally. Wait. By the way, did you see

694
00:38:06.039 --> 00:38:08.880
<v Speaker 1>that A and W soda machine that Yeah, one of

695
00:38:08.920 --> 00:38:11.760
<v Speaker 1>the truck drivers was wearing an A and W T shirt.

696
00:38:12.719 --> 00:38:15.039
<v Speaker 2>There there you go. There, there, there's the kind of

697
00:38:15.039 --> 00:38:17.880
<v Speaker 2>product placement ANW I'm sure I was hoping for.

698
00:38:18.119 --> 00:38:19.920
<v Speaker 1>Oh, I'm sure. Yeah, let's put it on the gross

699
00:38:19.920 --> 00:38:23.880
<v Speaker 1>guy who feels up Kara. Yes, she's super gross.

700
00:38:25.840 --> 00:38:28.519
<v Speaker 2>And so so my point is, I think by not

701
00:38:28.840 --> 00:38:32.000
<v Speaker 2>having Superman be like, listen while you're here, you got

702
00:38:32.000 --> 00:38:33.679
<v Speaker 2>to blend in or something like, just give her that

703
00:38:33.679 --> 00:38:36.480
<v Speaker 2>little nudge her and the audience the nudge in that

704
00:38:36.519 --> 00:38:42.719
<v Speaker 2>direction to make this make sense. Yeah, but otherwise it's like, Wow,

705
00:38:42.880 --> 00:38:45.960
<v Speaker 2>she's Clark Kent's cousin, and look, it's Lois Lane's sister

706
00:38:46.239 --> 00:38:48.360
<v Speaker 2>who's dating Jimmy Olsen. I'm like, what are there like

707
00:38:48.400 --> 00:38:51.719
<v Speaker 2>eight people in this universe? I know, I know, you know.

708
00:38:52.280 --> 00:38:59.360
<v Speaker 1>Yeah, she's got she's doing the alternate ego thing. She

709
00:38:59.400 --> 00:39:03.079
<v Speaker 1>looks up wide eyed and sweet and yeah she does

710
00:39:03.119 --> 00:39:05.320
<v Speaker 1>do that really well, she does. I did write down

711
00:39:05.320 --> 00:39:09.039
<v Speaker 1>though she does a unlike some of the other actors,

712
00:39:09.039 --> 00:39:11.880
<v Speaker 1>she is doing kind of an old school acting style

713
00:39:12.320 --> 00:39:15.280
<v Speaker 1>interest a little bit, even as Supergirl, where it's like

714
00:39:15.280 --> 00:39:18.400
<v Speaker 1>a well that be swell real swell, you know, that

715
00:39:18.519 --> 00:39:21.800
<v Speaker 1>kind of older school, sort of fifties kind of thing.

716
00:39:21.800 --> 00:39:23.440
<v Speaker 1>I thought that was interesting. I don't know if that

717
00:39:23.519 --> 00:39:26.519
<v Speaker 1>dress that was to convey innocence or something. Maybe that's

718
00:39:26.480 --> 00:39:27.360
<v Speaker 1>the director thought.

719
00:39:27.360 --> 00:39:27.920
<v Speaker 2>I don't know, but.

720
00:39:30.119 --> 00:39:39.960
<v Speaker 1>She makes it endearing. I'll say yes later. So, wait,

721
00:39:40.039 --> 00:39:41.800
<v Speaker 1>is this a college or a high school, like a

722
00:39:41.840 --> 00:39:42.599
<v Speaker 1>boarding school.

723
00:39:42.440 --> 00:39:46.239
<v Speaker 2>Kind of stuff. It's a high school, okay, which that okay,

724
00:39:46.239 --> 00:39:48.559
<v Speaker 2>So there's a whole separate conversation we're about to have

725
00:39:48.639 --> 00:39:54.039
<v Speaker 2>about the ground keeper. Yeah, exactly, like which the movie

726
00:39:54.079 --> 00:39:56.360
<v Speaker 2>doesn't want to address at all. Yeah.

727
00:39:56.440 --> 00:39:58.079
<v Speaker 1>I did look it up out of curiosity. He was

728
00:39:58.119 --> 00:40:02.159
<v Speaker 1>twenty seven Heartbox. Yeah, okay, which, by the way, I

729
00:40:02.199 --> 00:40:04.920
<v Speaker 1>didn't even realize it was him until he I think

730
00:40:05.239 --> 00:40:07.719
<v Speaker 1>when he opened his mouth and of course you see

731
00:40:07.719 --> 00:40:12.760
<v Speaker 1>that and he's like Selena Booby yea, but yeah, because

732
00:40:12.760 --> 00:40:14.679
<v Speaker 1>I mean he does look kind of like generic eighties

733
00:40:14.719 --> 00:40:16.920
<v Speaker 1>hunk guy. Yeah, and then when he opens his mouth

734
00:40:16.960 --> 00:40:18.159
<v Speaker 1>and he's got the smile, I was.

735
00:40:18.079 --> 00:40:20.599
<v Speaker 2>Like, wait a minute, the smile. Yeah, I know, that

736
00:40:20.760 --> 00:40:21.639
<v Speaker 2>shit eating grin.

737
00:40:22.559 --> 00:40:23.960
<v Speaker 1>Yeah, but it's kind of interesting.

738
00:40:24.159 --> 00:40:24.360
<v Speaker 2>See.

739
00:40:24.440 --> 00:40:27.400
<v Speaker 1>Yeah, he plays such a wormy guy die Hard. Yeah,

740
00:40:27.440 --> 00:40:30.159
<v Speaker 1>and here he's like the stud.

741
00:40:30.559 --> 00:40:32.239
<v Speaker 2>It is just four years later.

742
00:40:32.599 --> 00:40:34.360
<v Speaker 1>Yeah, he is studeley in this though. Got to give

743
00:40:34.400 --> 00:40:34.679
<v Speaker 1>him that.

744
00:40:35.559 --> 00:40:38.079
<v Speaker 2>It's what I read is that Elias Hall kind of

745
00:40:38.119 --> 00:40:43.639
<v Speaker 2>wanted Peter Gallagher for that part. Interesting and and I

746
00:40:44.000 --> 00:40:46.679
<v Speaker 2>can certainly see that. I think I don't think any

747
00:40:46.880 --> 00:40:51.039
<v Speaker 2>any actor could have made that role really work. Real quick,

748
00:40:51.039 --> 00:40:53.000
<v Speaker 2>I want to mention here. So so this poster is

749
00:40:53.039 --> 00:40:56.519
<v Speaker 2>obviously all we we get of Chris Reeve explicitly in

750
00:40:56.559 --> 00:40:59.159
<v Speaker 2>this film. I love how Jerry Goldsmith brings in the

751
00:40:59.239 --> 00:41:06.719
<v Speaker 2>John Williams Superman music. And you know, famously, initially Richard

752
00:41:06.760 --> 00:41:09.480
<v Speaker 2>Donner wanted Jerry Goldsmith to do the music for the

753
00:41:09.639 --> 00:41:12.199
<v Speaker 2>for the first film. Oh interesting, right, because he had

754
00:41:12.239 --> 00:41:15.800
<v Speaker 2>worked with him on the Omen and what happened is

755
00:41:15.840 --> 00:41:18.480
<v Speaker 2>that just the movie, just the schedule kept getting pushed

756
00:41:18.519 --> 00:41:21.239
<v Speaker 2>and pushed. So Goldsmith was available, then he wasn't available,

757
00:41:21.280 --> 00:41:24.480
<v Speaker 2>so they had to settle for John Williams.

758
00:41:25.639 --> 00:41:28.840
<v Speaker 1>Post Star Wars. Yeah you didn't they know?

759
00:41:28.920 --> 00:41:31.119
<v Speaker 2>And Jaws. Yeah, no, I mean it was it was

760
00:41:31.119 --> 00:41:32.800
<v Speaker 2>one of those things where it was like, well, we

761
00:41:32.880 --> 00:41:34.519
<v Speaker 2>lost this guy, but we got this guy too, so

762
00:41:34.719 --> 00:41:38.400
<v Speaker 2>it worked out well either way. Sure. Sure, but Goldsmith's

763
00:41:39.079 --> 00:41:42.039
<v Speaker 2>Supergirl theme, I think you sort of get maybe a

764
00:41:42.079 --> 00:41:44.440
<v Speaker 2>window into what his Superman music might have been. Like,

765
00:41:44.519 --> 00:41:48.159
<v Speaker 2>you know, I think, as I said earlier, he gives

766
00:41:48.239 --> 00:41:50.360
<v Speaker 2>more than the movie deserves, just in terms of the

767
00:41:50.559 --> 00:41:55.320
<v Speaker 2>energy of his of his score. Yeah, and you know,

768
00:41:55.400 --> 00:41:57.519
<v Speaker 2>we're talking about coincidence real quick, but I know, to

769
00:41:57.559 --> 00:42:00.960
<v Speaker 2>mention Peter Cook, Nigel also so happens to be the

770
00:42:01.000 --> 00:42:04.840
<v Speaker 2>math teacher at this school, so he is a Warlock

771
00:42:05.079 --> 00:42:07.599
<v Speaker 2>slash math teacher.

772
00:42:07.920 --> 00:42:11.199
<v Speaker 1>That's right, that's right. Yeah, you think you'd be working

773
00:42:11.239 --> 00:42:13.800
<v Speaker 1>in science or something and he'd be yeah, off crazy

774
00:42:15.039 --> 00:42:17.320
<v Speaker 1>chemical reactions or that's really funny.

775
00:42:21.679 --> 00:42:24.440
<v Speaker 2>Now, this, by the way, part of the reason we

776
00:42:24.480 --> 00:42:29.039
<v Speaker 2>have Beyonca like shuttling Selena around is that, uh, fade

777
00:42:29.079 --> 00:42:31.679
<v Speaker 2>done Away would just kind of show up whenever, and

778
00:42:32.440 --> 00:42:35.760
<v Speaker 2>so out of frustration, they basically just shot them separately,

779
00:42:37.800 --> 00:42:42.519
<v Speaker 2>so that like there were times when she's just fade

780
00:42:42.519 --> 00:42:44.480
<v Speaker 2>done Away hasn't shown up. Okay, well let's just get

781
00:42:44.840 --> 00:42:47.079
<v Speaker 2>get Beyonca's coverage.

782
00:42:47.480 --> 00:42:52.719
<v Speaker 1>Well that's good directing. I'll say that. By the way,

783
00:42:52.719 --> 00:42:54.880
<v Speaker 1>this bothered me last night, but I didn't rewind it.

784
00:42:55.400 --> 00:42:59.079
<v Speaker 1>So when Backner is sawing it that tree, he's sawing

785
00:42:59.159 --> 00:43:03.800
<v Speaker 1>between like a y intersection in the tree, but then

786
00:43:03.840 --> 00:43:08.840
<v Speaker 1>he pulls a branch off that's behind the tree, I

787
00:43:08.880 --> 00:43:12.239
<v Speaker 1>was like, what why is he sawing that tree in half?

788
00:43:13.199 --> 00:43:20.920
<v Speaker 1>And then anyway, never mind, it doesn't matter, It doesn't matter.

789
00:43:21.960 --> 00:43:27.480
<v Speaker 2>So here's the thing. So Selena, she sees Ethan Hart Backner,

790
00:43:27.719 --> 00:43:31.880
<v Speaker 2>you know, the grounds keeper, and she's like, I have

791
00:43:32.000 --> 00:43:35.239
<v Speaker 2>to create a spell to make him fall in love

792
00:43:35.239 --> 00:43:39.199
<v Speaker 2>with me. And I'm like, well, I mean your fate

793
00:43:39.280 --> 00:43:42.960
<v Speaker 2>done away, You're you're like a sexy older lady, right

794
00:43:43.400 --> 00:43:48.280
<v Speaker 2>like right, like like just seduce him. Try that first,

795
00:43:48.320 --> 00:43:52.960
<v Speaker 2>and maybe she's you know, offended. Before we jump to

796
00:43:53.199 --> 00:43:54.599
<v Speaker 2>Eye of Newt and all that shit.

797
00:43:54.920 --> 00:43:57.559
<v Speaker 1>Yeah yeah, yeah, yeah, right, which, by the way, I

798
00:43:57.599 --> 00:44:01.039
<v Speaker 1>always find that stuff kind of annoying in superhero movies,

799
00:44:01.079 --> 00:44:04.199
<v Speaker 1>where it's just like, yeah, she's like a witch, like

800
00:44:04.239 --> 00:44:07.360
<v Speaker 1>a witch that's so like generic, you know what I mean,

801
00:44:07.880 --> 00:44:11.440
<v Speaker 1>and like earth Bound sort of like yeah, I know

802
00:44:11.480 --> 00:44:13.280
<v Speaker 1>what a witch is that they're in fairy tales and

803
00:44:13.320 --> 00:44:15.599
<v Speaker 1>things like. You couldn't come up with something more specific

804
00:44:15.639 --> 00:44:18.079
<v Speaker 1>to this that feels otherworldly and sci fi and fun,

805
00:44:18.119 --> 00:44:20.400
<v Speaker 1>Like it just feels so right off the bat when

806
00:44:20.440 --> 00:44:22.239
<v Speaker 1>I saw she was a witch, I was like, oh really,

807
00:44:22.320 --> 00:44:22.719
<v Speaker 1>Like well, it.

808
00:44:23.400 --> 00:44:27.360
<v Speaker 2>Really does to me. Feel like the people make in

809
00:44:27.360 --> 00:44:29.599
<v Speaker 2>the movie were like, oh, what's something girly?

810
00:44:30.480 --> 00:44:38.039
<v Speaker 1>Sure? Oh interesting, okay, you know interesting? Yeah, you're probably right, yeah, because.

811
00:44:37.760 --> 00:44:44.079
<v Speaker 2>The opportunity, honestly, is to make this Omegahedron something that

812
00:44:46.079 --> 00:44:50.199
<v Speaker 2>you know, the evil Kryptonians are after, or evil space

813
00:44:50.239 --> 00:44:55.400
<v Speaker 2>aliens or something, and so once it's free and clear

814
00:44:55.440 --> 00:44:59.800
<v Speaker 2>from Argo, it's being tracked to Earth by somebody else

815
00:45:00.119 --> 00:45:03.079
<v Speaker 2>mm hmm. Or again, if you want to do this

816
00:45:03.079 --> 00:45:09.039
<v Speaker 2>this this character, then have it be something that they

817
00:45:09.159 --> 00:45:11.880
<v Speaker 2>become aware of and everybody's going after it.

818
00:45:12.800 --> 00:45:17.079
<v Speaker 1>Yeah, excuse me, like where she Yeah, yeah, make her

819
00:45:17.159 --> 00:45:21.719
<v Speaker 1>like an ordinary person who has you know, bad instincts

820
00:45:22.079 --> 00:45:25.400
<v Speaker 1>exactly and suddenly comes into this other worldly power that

821
00:45:25.400 --> 00:45:26.400
<v Speaker 1>feels less silly to me.

822
00:45:27.480 --> 00:45:31.239
<v Speaker 2>Yeah. I think that's that's the problem. Is there's this

823
00:45:31.239 --> 00:45:35.239
<v Speaker 2>this happenstance of oh it happened to land, you know,

824
00:45:35.480 --> 00:45:37.920
<v Speaker 2>just a few feet from from the most evil person

825
00:45:37.960 --> 00:45:40.840
<v Speaker 2>on Earth, and all these people just happen to all

826
00:45:40.880 --> 00:45:45.480
<v Speaker 2>be you know, in this this suburb of Chicago, this.

827
00:45:45.480 --> 00:45:47.039
<v Speaker 1>Warlock math teacher.

828
00:45:47.519 --> 00:45:51.239
<v Speaker 2>Right. Yeah. But of these two bullies here there, I

829
00:45:51.280 --> 00:45:53.920
<v Speaker 2>call them Bulk and Skull from Power Rangers.

830
00:45:53.519 --> 00:45:56.559
<v Speaker 1>And all those two. Yes, yes, they're.

831
00:45:56.400 --> 00:46:01.360
<v Speaker 2>Just going around being horrible for like no reason. Yeah.

832
00:46:01.679 --> 00:46:04.559
<v Speaker 2>At one point, like later, when they're they're messing with

833
00:46:04.679 --> 00:46:08.320
<v Speaker 2>the the shower, they're like I want to burn the

834
00:46:08.400 --> 00:46:11.599
<v Speaker 2>flesh off their bones or some freaking psych I know.

835
00:46:13.400 --> 00:46:16.119
<v Speaker 2>I was like, that's strange, and it's a weird because

836
00:46:16.199 --> 00:46:22.920
<v Speaker 2>we we didn't get something earlier. Like Lucy Lane is

837
00:46:23.280 --> 00:46:26.000
<v Speaker 2>defending somebody that they're picking on her like some reason

838
00:46:26.039 --> 00:46:27.400
<v Speaker 2>that they would have it out for her.

839
00:46:27.400 --> 00:46:34.760
<v Speaker 1>On Yep, yep. It's just yeah, no motivations. They just

840
00:46:34.800 --> 00:46:36.960
<v Speaker 1>know there needs to be a bully so she can

841
00:46:37.000 --> 00:46:38.000
<v Speaker 1>have this moment.

842
00:46:38.360 --> 00:46:41.039
<v Speaker 2>Like you have the scene where they're picking on Kara

843
00:46:41.159 --> 00:46:44.280
<v Speaker 2>for some reason and Lucy is like, hey, back off,

844
00:46:45.280 --> 00:46:47.760
<v Speaker 2>that's your setup. And then you get to the you

845
00:46:47.760 --> 00:46:50.280
<v Speaker 2>know whatever, like oh, I get her with the with

846
00:46:50.320 --> 00:46:55.960
<v Speaker 2>the ball, the the hockey ball, which like if it shattered,

847
00:46:56.000 --> 00:46:59.440
<v Speaker 2>like if it turned to dust on Carra's back, like

848
00:46:59.480 --> 00:47:00.960
<v Speaker 2>how did you hit that?

849
00:47:01.440 --> 00:47:05.440
<v Speaker 1>I know, I know, but you know what's bothering me

850
00:47:05.440 --> 00:47:07.159
<v Speaker 1>about that? I wrote it down. I was like, why

851
00:47:07.159 --> 00:47:11.360
<v Speaker 1>are you playing lacrosse? Your world is dying because everybody.

852
00:47:11.079 --> 00:47:13.440
<v Speaker 2>Needs a break occasionally, okay.

853
00:47:13.239 --> 00:47:16.119
<v Speaker 1>But I was like, you could fix that, where she's like, okay,

854
00:47:16.280 --> 00:47:18.840
<v Speaker 1>I've got to like get all right, I've blended in.

855
00:47:18.920 --> 00:47:20.960
<v Speaker 1>I've got a cover story. I've got to get down.

856
00:47:21.760 --> 00:47:23.519
<v Speaker 1>I need to leave this campus and go try to

857
00:47:23.559 --> 00:47:26.679
<v Speaker 1>find that power ball thing, right, And someone's like no, no, no,

858
00:47:26.880 --> 00:47:28.760
<v Speaker 1>come on, like we're late. She's like for what the

859
00:47:28.840 --> 00:47:31.239
<v Speaker 1>game and no, no, no, you don't have time. And then

860
00:47:31.239 --> 00:47:34.159
<v Speaker 1>you push her into the game so you get some

861
00:47:34.280 --> 00:47:37.440
<v Speaker 1>sense of urgency and then you can still have the

862
00:47:37.519 --> 00:47:41.159
<v Speaker 1>fun of her playing the game and the ball blowing

863
00:47:41.239 --> 00:47:42.320
<v Speaker 1>up on her back and all.

864
00:47:42.239 --> 00:47:45.079
<v Speaker 2>You know, okay, so now do that with her absent

865
00:47:45.119 --> 00:47:47.159
<v Speaker 2>mandedly putting on a bra over her clothes.

866
00:47:49.760 --> 00:47:52.159
<v Speaker 1>George Lucas was right, there are no bras in space.

867
00:47:57.320 --> 00:47:59.400
<v Speaker 1>I could just picture him at a screening room watching this,

868
00:47:59.480 --> 00:48:00.400
<v Speaker 1>like see it to hold you.

869
00:48:03.519 --> 00:48:08.280
<v Speaker 2>It's really funny. So Jenno Swark, as we said, who

870
00:48:08.320 --> 00:48:12.519
<v Speaker 2>directed this film. He he had previously had had success

871
00:48:12.599 --> 00:48:17.320
<v Speaker 2>with Jaws two, and he before this, he did Somewhere

872
00:48:17.360 --> 00:48:22.400
<v Speaker 2>in Time, which starred h Christopher Reeve and Jane Seymour. Okay,

873
00:48:23.039 --> 00:48:29.119
<v Speaker 2>so I think Christopher Reeve recommended him to the Saul Kinds. Okay, uh,

874
00:48:29.400 --> 00:48:32.320
<v Speaker 2>stuffing her p yeah, which again, you know, I'm glad

875
00:48:32.440 --> 00:48:38.440
<v Speaker 2>Kara doesn't have anything pressing in her life to worry about. See,

876
00:48:38.800 --> 00:48:43.320
<v Speaker 2>this whole human identity sequence only works if she has

877
00:48:43.400 --> 00:48:45.639
<v Speaker 2>Superman being like you need to blend in.

878
00:48:47.599 --> 00:48:49.920
<v Speaker 1>Yeah, because otherwise, yeah, why would she do that at all?

879
00:48:49.960 --> 00:48:52.039
<v Speaker 1>She would just if she's as naive as she comes

880
00:48:52.119 --> 00:48:54.559
<v Speaker 1>across initially, she would just go straight to work.

881
00:48:55.360 --> 00:48:57.119
<v Speaker 2>Yeah. Well, and and this is the thing, right, Like

882
00:48:57.280 --> 00:48:59.599
<v Speaker 2>because the movie starts with her. That's the other thing, right,

883
00:48:59.679 --> 00:49:02.360
<v Speaker 2>Like she knows that Superman is on Earth because she

884
00:49:02.400 --> 00:49:04.559
<v Speaker 2>talks to his altar. She's like, oh, yeah, the Earth

885
00:49:04.599 --> 00:49:09.239
<v Speaker 2>where my cousin is right, and so I'm like, well,

886
00:49:09.280 --> 00:49:11.719
<v Speaker 2>what how much knowledge does she have, like because she

887
00:49:11.800 --> 00:49:14.360
<v Speaker 2>knows he's Clark Kent and all that. So I'm like,

888
00:49:14.519 --> 00:49:17.159
<v Speaker 2>is he sending is he like mister Belvidere, like writing

889
00:49:17.320 --> 00:49:23.239
<v Speaker 2>letters to Argo? You know what I mean? The Ewans family.

890
00:49:24.320 --> 00:49:28.760
<v Speaker 2>You know that's Clark pan over woman in a bikini.

891
00:49:28.840 --> 00:49:33.119
<v Speaker 2>You know, it's like every episode of Mister Belvidere. I

892
00:49:33.239 --> 00:49:33.880
<v Speaker 2>forgot of it.

893
00:49:33.960 --> 00:49:34.800
<v Speaker 1>Yeah, yeah, yeah.

894
00:49:34.800 --> 00:49:37.679
<v Speaker 2>I on the other hand, I'm doing other things. You know,

895
00:49:37.880 --> 00:49:43.079
<v Speaker 2>he like lights a cigar and then that's my broad

896
00:49:43.159 --> 00:49:45.920
<v Speaker 2>recollection of every Mister Belvidere episode.

897
00:49:46.599 --> 00:49:49.280
<v Speaker 1>By the way, I thought about that baseball stadium, I

898
00:49:49.320 --> 00:49:52.000
<v Speaker 1>was like, well, that's not rigly because they didn't have

899
00:49:52.079 --> 00:49:55.960
<v Speaker 1>lights till eighty eight. We look at that could be kamisky.

900
00:49:56.159 --> 00:49:57.679
<v Speaker 1>But oh and then, by the way, I was curious

901
00:49:57.679 --> 00:49:59.320
<v Speaker 1>what was playing on that drive in screen, and it's

902
00:49:59.320 --> 00:50:03.920
<v Speaker 1>Psycho two. Psycho Too, just a relatively recent film, and

903
00:50:03.920 --> 00:50:05.400
<v Speaker 1>I wonder if that was just something, you know, the

904
00:50:05.440 --> 00:50:07.840
<v Speaker 1>b Roll helicopter picked up, like just to drive through

905
00:50:07.880 --> 00:50:10.360
<v Speaker 1>playing Psycho Too because it was nineteen eighty three or whatever.

906
00:50:11.119 --> 00:50:13.880
<v Speaker 1>It is cool to see the Chicago Skyline circa nineteen

907
00:50:13.880 --> 00:50:19.719
<v Speaker 1>eighty two three. Very cool. Yeah, and so I remember

908
00:50:19.800 --> 00:50:23.880
<v Speaker 1>this VHX VHS box from when I was a kid,

909
00:50:23.880 --> 00:50:26.119
<v Speaker 1>and I remember her flying past the Statue of Liberty.

910
00:50:26.480 --> 00:50:29.280
<v Speaker 1>So when I saw her flying over Chicago in this movie,

911
00:50:29.280 --> 00:50:32.440
<v Speaker 1>I thought, huh. So, I don't know if they just thought,

912
00:50:32.480 --> 00:50:34.960
<v Speaker 1>you know, it's more maybe creates more of a link

913
00:50:35.000 --> 00:50:38.599
<v Speaker 1>to Superman to see her in Metropolis slash New York.

914
00:50:38.679 --> 00:50:40.719
<v Speaker 2>Yeah, so yeah, I know the poster has her in

915
00:50:40.719 --> 00:50:42.320
<v Speaker 2>front of the New York Skyline. Yeah.

916
00:50:42.440 --> 00:50:43.760
<v Speaker 1>Yeah, interesting.

917
00:50:45.519 --> 00:50:47.199
<v Speaker 2>But yeah, so just just to put a pin on

918
00:50:47.239 --> 00:50:48.960
<v Speaker 2>my thought. Yeah, so I'm just like, is Clark just

919
00:50:49.000 --> 00:50:51.559
<v Speaker 2>sending you know, or like, what was that? I remember

920
00:50:51.559 --> 00:50:54.559
<v Speaker 2>on Fragle Rock uncle travelin Matt he would like send

921
00:50:54.639 --> 00:50:58.599
<v Speaker 2>letters back. You know what. I never have seen Frago Rock. Well,

922
00:50:58.599 --> 00:51:00.800
<v Speaker 2>there you go, Fragle Rock. You know you have the

923
00:51:00.840 --> 00:51:03.840
<v Speaker 2>main character Gobo and his uncle traveling Matt would be

924
00:51:03.880 --> 00:51:05.199
<v Speaker 2>out in the world and he would send letters back

925
00:51:05.199 --> 00:51:06.519
<v Speaker 2>about all the things he had seen. So I'm like,

926
00:51:06.920 --> 00:51:10.840
<v Speaker 2>is he doing that? Is he sending letters to Argo City? Right?

927
00:51:10.920 --> 00:51:13.119
<v Speaker 2>Because because this is I'm like, if Clark knows that

928
00:51:13.119 --> 00:51:15.440
<v Speaker 2>there are other Kryptonians out there, He's not just gonna

929
00:51:15.480 --> 00:51:17.280
<v Speaker 2>be like, all right, well y'all keep me posted, let

930
00:51:17.320 --> 00:51:18.079
<v Speaker 2>me know write.

931
00:51:17.880 --> 00:51:21.480
<v Speaker 1>Like that's true. It's his people, Yeah, so his home.

932
00:51:23.559 --> 00:51:25.920
<v Speaker 2>And maybe I'm overthinking, but I can't help it. I'm like,

933
00:51:26.000 --> 00:51:29.440
<v Speaker 2>how much knowledge do the argo people have about Superman?

934
00:51:30.719 --> 00:51:32.639
<v Speaker 1>I don't think that's overthinking. I would just call that

935
00:51:32.679 --> 00:51:41.119
<v Speaker 1>thinking frankly. But yeah, then when he gets in this

936
00:51:41.159 --> 00:51:43.840
<v Speaker 1>whole thing put a spider in a chestnuts shell, I

937
00:51:43.880 --> 00:51:45.000
<v Speaker 1>was like, oh, what are we doing?

938
00:51:45.519 --> 00:51:49.800
<v Speaker 2>See, like, why not just have the omegahedron? Do that.

939
00:51:51.239 --> 00:51:51.920
<v Speaker 1>Exactly?

940
00:51:52.440 --> 00:51:54.599
<v Speaker 2>Exactly? Like you're creating this extra.

941
00:51:54.400 --> 00:52:00.000
<v Speaker 1>Step one hundred percent. And maybe she has these great

942
00:52:00.039 --> 00:52:02.960
<v Speaker 1>and ambitions and thinks of herself higher than she actually is,

943
00:52:03.000 --> 00:52:08.920
<v Speaker 1>her status or something, and now that corrupt person mentally

944
00:52:09.159 --> 00:52:12.320
<v Speaker 1>has the power she did not have before to actually

945
00:52:12.360 --> 00:52:15.119
<v Speaker 1>carry those things out exactly. That's way more interesting.

946
00:52:17.559 --> 00:52:22.079
<v Speaker 2>I was thinking about heart Backner, how like, like again,

947
00:52:22.119 --> 00:52:26.079
<v Speaker 2>four years later, he's Ellis yeah and die Hard right

948
00:52:26.199 --> 00:52:29.440
<v Speaker 2>and and heart Backner. I think he's had a decent career.

949
00:52:29.480 --> 00:52:31.920
<v Speaker 2>I think, you know, a good character actor thing, but

950
00:52:32.039 --> 00:52:37.480
<v Speaker 2>like he had the fortune slash misfortune of playing such

951
00:52:37.519 --> 00:52:41.079
<v Speaker 2>an indelible character in this movie that just lives on

952
00:52:41.199 --> 00:52:41.519
<v Speaker 2>and on.

953
00:52:42.400 --> 00:52:47.639
<v Speaker 1>Yeah, that like he is trapped as Harry Ellis. Yeah right, yeah, sure.

954
00:52:47.719 --> 00:52:49.280
<v Speaker 2>Because you look at him in this and he's like

955
00:52:49.320 --> 00:52:52.079
<v Speaker 2>a traditionally handsome you know, you could see him as

956
00:52:52.079 --> 00:52:55.239
<v Speaker 2>like a nineteen eighties or nineties leading man and like

957
00:52:55.280 --> 00:52:56.440
<v Speaker 2>a television show or something.

958
00:52:56.519 --> 00:52:59.599
<v Speaker 1>Totally Yeah, you know, it's funny. I actually got to

959
00:52:59.639 --> 00:53:02.519
<v Speaker 1>meet him because he had a small part in the

960
00:53:02.599 --> 00:53:05.960
<v Speaker 1>Christopher Guest movie For Your consideration. Oh nice, And so

961
00:53:06.400 --> 00:53:08.679
<v Speaker 1>I don't remember why I saw him shoot, but then

962
00:53:08.679 --> 00:53:11.199
<v Speaker 1>I had to go to he was directing something. Then

963
00:53:11.239 --> 00:53:13.400
<v Speaker 1>I had to go to the editing offices where he was,

964
00:53:14.159 --> 00:53:16.559
<v Speaker 1>you know, with his editor, and he could not have

965
00:53:16.599 --> 00:53:20.800
<v Speaker 1>been nicer. And he had no beard, and I was like, whoa.

966
00:53:21.159 --> 00:53:22.719
<v Speaker 1>It was just weird for me because I didn't know

967
00:53:22.800 --> 00:53:24.800
<v Speaker 1>him from a lot of other things. It was so

968
00:53:24.840 --> 00:53:27.000
<v Speaker 1>seeing him here, Yeah, I was like, you know, you

969
00:53:27.000 --> 00:53:31.199
<v Speaker 1>take the beard away, and I don't know, obviously it's

970
00:53:31.239 --> 00:53:34.000
<v Speaker 1>the character he's playing too and diehardy, I mean over here.

971
00:53:33.840 --> 00:53:37.079
<v Speaker 2>He's doing like a Tony danzas slash Nick from Family

972
00:53:37.119 --> 00:53:37.599
<v Speaker 2>Ties thing.

973
00:53:37.679 --> 00:53:39.079
<v Speaker 1>Yeah, like a himbo sort of.

974
00:53:39.199 --> 00:53:39.840
<v Speaker 2>Yeah.

975
00:53:39.960 --> 00:53:42.840
<v Speaker 1>Yeah, this is the first scene where I realized who

976
00:53:42.840 --> 00:53:44.920
<v Speaker 1>he was, because I mean, it's a mistake.

977
00:53:47.079 --> 00:53:48.440
<v Speaker 2>Once he smiles, you're like, oh.

978
00:53:48.360 --> 00:53:52.039
<v Speaker 1>Yeah, yeah, but he's just yeah, I wasn't used to

979
00:53:52.119 --> 00:53:54.199
<v Speaker 1>him looking any other way. When I saw him without

980
00:53:54.239 --> 00:53:55.840
<v Speaker 1>the beard and everything, Like you said, he got really

981
00:53:55.920 --> 00:53:59.280
<v Speaker 1>locked into that character, I guess, unfortunately or.

982
00:53:59.239 --> 00:54:02.199
<v Speaker 2>Fortunately either way. Apropos of nothing. But speaking of Nick

983
00:54:02.199 --> 00:54:05.639
<v Speaker 2>from Family Ties, Yeah, I forget that guy's name. I

984
00:54:05.639 --> 00:54:09.199
<v Speaker 2>forget his name, but anyway, he played the Superman villain

985
00:54:09.239 --> 00:54:13.880
<v Speaker 2>Metallo on Lewis and Clark. Oh, good friend, because I

986
00:54:13.960 --> 00:54:15.800
<v Speaker 2>like my friend Michael Bailey, I can find a way

987
00:54:15.800 --> 00:54:18.119
<v Speaker 2>to connect most things back to Superman in some way shape.

988
00:54:18.360 --> 00:54:23.360
<v Speaker 1>Yeah. So wait, did she summon him here?

989
00:54:25.320 --> 00:54:29.440
<v Speaker 2>Yes? Now, because Bianca says I saw his number on

990
00:54:29.519 --> 00:54:30.039
<v Speaker 2>his truck.

991
00:54:30.199 --> 00:54:33.039
<v Speaker 1>Oh that's right, yeah, yeah, yeah, and she came out

992
00:54:33.039 --> 00:54:34.639
<v Speaker 1>on that little toy choo choo train.

993
00:54:35.239 --> 00:54:38.239
<v Speaker 2>See this is the part I don't understand. Right, you

994
00:54:38.320 --> 00:54:42.159
<v Speaker 2>have Fade done Away, and I think most men at

995
00:54:42.159 --> 00:54:45.719
<v Speaker 2>this time, if Fade Dunaway starts seducing them, they would

996
00:54:45.760 --> 00:54:49.199
<v Speaker 2>probably be at least amenable, right right, right, right right.

997
00:54:49.519 --> 00:54:51.960
<v Speaker 2>So I'm kind of like, what you do is you

998
00:54:52.079 --> 00:54:57.760
<v Speaker 2>bake in something like you know, she only looks pretty,

999
00:54:59.159 --> 00:55:02.360
<v Speaker 2>you know, when she's in her lair. If she leaves,

1000
00:55:02.360 --> 00:55:04.679
<v Speaker 2>she looks like a horrible witch or something. You know,

1001
00:55:05.639 --> 00:55:08.719
<v Speaker 2>some limitation that says, well, I can only use magic

1002
00:55:08.760 --> 00:55:09.559
<v Speaker 2>to seduce.

1003
00:55:09.239 --> 00:55:14.480
<v Speaker 1>This man or like not exactly this, but Uma Thurman

1004
00:55:14.800 --> 00:55:18.360
<v Speaker 1>and Batman for her, Batman and Robin where she's just

1005
00:55:18.440 --> 00:55:22.039
<v Speaker 1>kind of frumpy and like, doesn't she has these ambitions,

1006
00:55:22.079 --> 00:55:24.840
<v Speaker 1>but she doesn't take care of herself outwards. Yes, the

1007
00:55:24.960 --> 00:55:27.880
<v Speaker 1>projectile out of confidence. Then once she comes into this

1008
00:55:28.000 --> 00:55:33.000
<v Speaker 1>new ability, whatever confidence she had inside now shows on

1009
00:55:34.079 --> 00:55:34.840
<v Speaker 1>inside you there.

1010
00:55:35.159 --> 00:55:36.920
<v Speaker 2>You know, as we're talking about that, I'm like, man,

1011
00:55:36.960 --> 00:55:40.360
<v Speaker 2>what a trope, right, Like we have seen so many

1012
00:55:40.480 --> 00:55:44.159
<v Speaker 2>versions of that, sure, right, like like Kristen wigg and

1013
00:55:44.199 --> 00:55:47.480
<v Speaker 2>Wonder Woman too. Oh that's right, yeah right, and even

1014
00:55:47.519 --> 00:55:50.320
<v Speaker 2>I mean like that's Jamie Fox and Spider Man.

1015
00:55:50.400 --> 00:55:54.639
<v Speaker 1>That's Jim Carrey, you know, yeah, and the previous Batman movie.

1016
00:55:54.960 --> 00:55:55.559
<v Speaker 2>Yeah, it's right.

1017
00:55:57.159 --> 00:55:58.360
<v Speaker 1>I don't know. It's still.

1018
00:56:00.119 --> 00:56:02.320
<v Speaker 2>Scott Valentine. By the way, that's the actor's name, Nick

1019
00:56:02.320 --> 00:56:03.320
<v Speaker 2>from from Family Ties.

1020
00:56:03.480 --> 00:56:08.679
<v Speaker 1>Okay, Oh strangely that rings a bell. Yeah, yeah, he's.

1021
00:56:08.519 --> 00:56:09.159
<v Speaker 2>Great, is Nick?

1022
00:56:09.239 --> 00:56:10.199
<v Speaker 1>By the way, he was.

1023
00:56:10.199 --> 00:56:13.360
<v Speaker 2>He was doing like a like a Tony Danza slash

1024
00:56:13.400 --> 00:56:14.440
<v Speaker 2>Sylvester still own.

1025
00:56:14.320 --> 00:56:15.719
<v Speaker 1>Thing, right, Yeah, like.

1026
00:56:17.880 --> 00:56:20.039
<v Speaker 2>Yeah, I'm an artist or whatever.

1027
00:56:20.119 --> 00:56:22.400
<v Speaker 1>Yeah, but like Heart of Gold, you couldn't Heart of

1028
00:56:22.480 --> 00:56:24.400
<v Speaker 1>Gold exactly help but love him. But he was like

1029
00:56:24.440 --> 00:56:26.280
<v Speaker 1>a great foil for Alex.

1030
00:56:26.960 --> 00:56:28.960
<v Speaker 2>That's the funny thing is when you watch that show,

1031
00:56:29.079 --> 00:56:32.519
<v Speaker 2>when you watch it now, you're like, well, Alex is

1032
00:56:32.559 --> 00:56:36.199
<v Speaker 2>like being really cruel to this guy who he's like

1033
00:56:36.239 --> 00:56:39.480
<v Speaker 2>an artist, Like he's not even like, uh, you know,

1034
00:56:39.599 --> 00:56:43.519
<v Speaker 2>some some blue collar guy that like, uh, Alex would

1035
00:56:43.519 --> 00:56:46.480
<v Speaker 2>necessarily look down his nose on you know. It's like

1036
00:56:46.559 --> 00:56:50.400
<v Speaker 2>he's just he seems like a sensitive soul who wants

1037
00:56:50.400 --> 00:56:53.480
<v Speaker 2>to create art. Right. But the show kind of makes

1038
00:56:53.519 --> 00:56:55.519
<v Speaker 2>you like be like, I don't know by I like

1039
00:56:55.639 --> 00:56:58.239
<v Speaker 2>Alex and his and his uh you know, three piece

1040
00:56:58.280 --> 00:57:04.599
<v Speaker 2>suits or whatever. Look at that she gives Nigel Acney

1041
00:57:05.039 --> 00:57:05.840
<v Speaker 2>so strange.

1042
00:57:08.119 --> 00:57:08.400
<v Speaker 3>I know.

1043
00:57:08.480 --> 00:57:11.480
<v Speaker 2>His reaction to this is very funny because it feels

1044
00:57:11.519 --> 00:57:15.800
<v Speaker 2>like something she's done before. M you know what I mean,

1045
00:57:16.079 --> 00:57:21.599
<v Speaker 2>He's like, oh that bitch right the way he says it,

1046
00:57:21.599 --> 00:57:25.360
<v Speaker 2>it's like again with this, you know, which, by the

1047
00:57:25.400 --> 00:57:27.639
<v Speaker 2>way I read that, apparently they wanted Dudley more for

1048
00:57:27.679 --> 00:57:31.480
<v Speaker 2>that role and more suggested Cook because they used to

1049
00:57:31.559 --> 00:57:34.679
<v Speaker 2>be like a comedic duo. Yeah, and Peter Cook was

1050
00:57:34.719 --> 00:57:40.880
<v Speaker 2>in uh, What's the God damn it, What's the Devil movie?

1051
00:57:42.440 --> 00:57:43.159
<v Speaker 1>Max Devlin?

1052
00:57:43.719 --> 00:57:48.440
<v Speaker 2>No, no, no, I remember they remade it with Brandon

1053
00:57:48.719 --> 00:57:53.599
<v Speaker 2>Fraser The Dazzle. Yeah yeah, yeah, So in the remake

1054
00:57:53.639 --> 00:57:55.360
<v Speaker 2>it's Elizabeth Hurley, but in the original it was Peter

1055
00:57:55.400 --> 00:57:56.199
<v Speaker 2>Cook as the Devil.

1056
00:57:56.840 --> 00:58:02.039
<v Speaker 1>Oh quite the glow up. Yeah, it's lucky our generation.

1057
00:58:04.199 --> 00:58:06.519
<v Speaker 1>I never saw that. I wonder if I'm sure it's

1058
00:58:06.559 --> 00:58:08.159
<v Speaker 1>not great, but I wonder if it'd be like a good,

1059
00:58:08.480 --> 00:58:10.760
<v Speaker 1>dopey late nineties movie.

1060
00:58:10.639 --> 00:58:13.440
<v Speaker 2>Or something, the Brandon Fraser one. Yeah, Harold Reimis directed that.

1061
00:58:14.559 --> 00:58:18.480
<v Speaker 1>Really, I remembered existing, and that's I just.

1062
00:58:18.440 --> 00:58:20.159
<v Speaker 2>Never saw it. I'm with you. I saw the trailers.

1063
00:58:20.559 --> 00:58:21.199
<v Speaker 1>Yeah, same.

1064
00:58:21.679 --> 00:58:22.239
<v Speaker 2>Yeah.

1065
00:58:22.440 --> 00:58:24.079
<v Speaker 1>I also, as long as we're talking about casting, I

1066
00:58:24.119 --> 00:58:26.960
<v Speaker 1>read that they wanted Dolly Parton really badly for Selene.

1067
00:58:27.039 --> 00:58:29.159
<v Speaker 2>Yeah, for Selena, which.

1068
00:58:28.960 --> 00:58:34.000
<v Speaker 1>I kind of see. I mean, like her fun she

1069
00:58:34.039 --> 00:58:35.360
<v Speaker 1>would bring a fun camp to.

1070
00:58:35.360 --> 00:58:39.280
<v Speaker 2>It for sure. Yeah. I think I think Dolly was like,

1071
00:58:39.360 --> 00:58:44.079
<v Speaker 2>I'm not doing anything Witchcraft related. Yeah, yeah, which kind

1072
00:58:44.079 --> 00:58:47.239
<v Speaker 2>of given her brand, that makes sense. Totally. And again

1073
00:58:47.360 --> 00:58:50.599
<v Speaker 2>like I I think, I think, I think Faye Dunaway

1074
00:58:50.679 --> 00:58:52.480
<v Speaker 2>was a solid choice in terms of what they were

1075
00:58:52.480 --> 00:58:53.000
<v Speaker 2>trying to do.

1076
00:58:53.280 --> 00:58:57.119
<v Speaker 1>Mm mmm, yeah, she's not doing anything wrong. I think

1077
00:58:57.159 --> 00:58:58.880
<v Speaker 1>everything we've said, like if we could just tweak this

1078
00:58:59.000 --> 00:59:01.000
<v Speaker 1>character a little bit, this it it comes down to

1079
00:59:01.039 --> 00:59:01.519
<v Speaker 1>the script.

1080
00:59:01.800 --> 00:59:07.880
<v Speaker 2>The character as conceived is is a problem. But you know,

1081
00:59:08.760 --> 00:59:11.800
<v Speaker 2>in terms of if you're trying to emulate the Superman template,

1082
00:59:12.039 --> 00:59:14.480
<v Speaker 2>then Faye Dunaway is at least as value added as

1083
00:59:14.480 --> 00:59:17.119
<v Speaker 2>you know Gene Hackman, right right, you know.

1084
00:59:19.119 --> 00:59:20.519
<v Speaker 1>Who were both in Bonnie and Clyde.

1085
00:59:21.320 --> 00:59:21.760
<v Speaker 2>That's right.

1086
00:59:21.960 --> 00:59:27.480
<v Speaker 1>Yeah, This poor guy Backner just like he's like a

1087
00:59:27.519 --> 00:59:29.320
<v Speaker 1>pawn in this game. He doesn't understand.

1088
00:59:31.239 --> 00:59:33.280
<v Speaker 2>Yeah, no, I get it. I've been there. Man.

1089
00:59:33.679 --> 00:59:36.159
<v Speaker 1>I actually felt really bad for him in this scene where

1090
00:59:36.159 --> 00:59:37.880
<v Speaker 1>everyone's just driving around him.

1091
00:59:37.719 --> 00:59:40.880
<v Speaker 2>Like hey, idiot, idiot. Nobody's like, hey, man, are you okay?

1092
00:59:41.000 --> 00:59:43.000
<v Speaker 2>Like like him to the curb, you know.

1093
00:59:43.159 --> 00:59:45.559
<v Speaker 1>I was like, doesn't that just sum up humanity? And

1094
00:59:45.639 --> 00:59:48.639
<v Speaker 1>later too, when cars with her friends and they're like, oh,

1095
00:59:48.639 --> 00:59:49.719
<v Speaker 1>he's probably on drugs.

1096
00:59:50.760 --> 00:59:54.920
<v Speaker 2>Yeah, it's so funny because because they see him wandering

1097
00:59:55.000 --> 00:59:58.639
<v Speaker 2>around almost getting hit by cars and then they and

1098
00:59:58.639 --> 01:00:00.400
<v Speaker 2>then the next time we see them, they're just in

1099
01:00:00.440 --> 01:00:02.320
<v Speaker 2>here again in the Popeye is eating.

1100
01:00:02.559 --> 01:00:05.119
<v Speaker 1>I think we actually see them turn around and go

1101
01:00:05.280 --> 01:00:09.519
<v Speaker 1>back in the restaurant and he's like, they're the good guys.

1102
01:00:09.400 --> 01:00:10.320
<v Speaker 2>The good guys.

1103
01:00:12.559 --> 01:00:16.000
<v Speaker 1>So so, how old was Mark McClure in this twenty seven?

1104
01:00:16.320 --> 01:00:18.679
<v Speaker 2>Twenty seven? And he's just about to shoot back to

1105
01:00:18.719 --> 01:00:22.239
<v Speaker 2>the Future and that's crazy. He's in between Superman three

1106
01:00:22.639 --> 01:00:26.159
<v Speaker 2>and Back to the Future one, And he said himself

1107
01:00:26.199 --> 01:00:27.679
<v Speaker 2>like he I mean, basically, they're like, hey, you want

1108
01:00:27.719 --> 01:00:30.440
<v Speaker 2>to do this? He's like, okay, you know sure, And

1109
01:00:30.480 --> 01:00:33.760
<v Speaker 2>even he was like, I don't know what I'm doing here?

1110
01:00:34.280 --> 01:00:34.800
<v Speaker 1>Oh really?

1111
01:00:35.119 --> 01:00:39.440
<v Speaker 2>Yeah, because like at one point he even said to

1112
01:00:39.800 --> 01:00:43.039
<v Speaker 2>his work he's like, hey, should shouldn't I like mention Superman?

1113
01:00:43.800 --> 01:00:45.719
<v Speaker 2>And they're like, no, no, this is like super Girl's movie.

1114
01:00:45.719 --> 01:00:47.480
<v Speaker 2>This is some thing. And he's like, well, why am

1115
01:00:47.519 --> 01:00:48.000
<v Speaker 2>I here that?

1116
01:00:48.239 --> 01:00:48.440
<v Speaker 3>You know?

1117
01:00:48.679 --> 01:00:49.360
<v Speaker 1>Right? Right?

1118
01:00:50.679 --> 01:00:54.519
<v Speaker 2>So he's dating this that's me. That's what I'm not understanding.

1119
01:00:54.559 --> 01:00:57.039
<v Speaker 2>I'm like, how old is Jimmy Olsen supposed to be?

1120
01:00:57.039 --> 01:01:01.199
<v Speaker 2>Because it feels like Lucy is like sixteen by.

1121
01:01:01.119 --> 01:01:02.239
<v Speaker 1>The way, she's in her thirties.

1122
01:01:02.719 --> 01:01:05.559
<v Speaker 2>The actor, well, she she shows it well.

1123
01:01:05.559 --> 01:01:07.960
<v Speaker 1>But no, she looks great. I just I you know,

1124
01:01:08.039 --> 01:01:10.840
<v Speaker 1>me in my session with googling everyone's ages, So I

1125
01:01:10.920 --> 01:01:12.440
<v Speaker 1>just I love how it's all over the place. It

1126
01:01:12.480 --> 01:01:14.480
<v Speaker 1>is because she's yeah, she's I want to say, like

1127
01:01:14.519 --> 01:01:18.360
<v Speaker 1>early thirties, and then Kara is eighteen or something when

1128
01:01:18.440 --> 01:01:21.679
<v Speaker 1>she's shooting this, and yeah, it's yeah. But there he

1129
01:01:21.840 --> 01:01:25.360
<v Speaker 1>looks like he looks like he's twenty seven to me,

1130
01:01:25.639 --> 01:01:28.000
<v Speaker 1>like absolutely, And I'm sure he's supposed to be twenty

1131
01:01:28.039 --> 01:01:34.639
<v Speaker 1>one or something sight yeah, I I.

1132
01:01:34.599 --> 01:01:36.679
<v Speaker 2>Mean is he is he supposed to be a teenager?

1133
01:01:36.719 --> 01:01:38.480
<v Speaker 2>Here at this point, I don't even wait.

1134
01:01:38.519 --> 01:01:40.039
<v Speaker 1>By the way, I have to call this out. Sorry.

1135
01:01:40.159 --> 01:01:42.719
<v Speaker 1>I noticed there was so much tailand All product placement

1136
01:01:42.800 --> 01:01:45.519
<v Speaker 1>in this. There's a big billboard for tailand All and

1137
01:01:45.559 --> 01:01:48.280
<v Speaker 1>earlier we see the headmaster or whatever, the principal of

1138
01:01:48.280 --> 01:01:51.440
<v Speaker 1>the school, like, you know, holding a Tailan All bottle

1139
01:01:52.920 --> 01:01:55.559
<v Speaker 1>directly at camera, you know. And I was like, and

1140
01:01:55.599 --> 01:01:59.159
<v Speaker 1>then I thought, wasn't like the tailand All murders in

1141
01:01:59.199 --> 01:02:02.880
<v Speaker 1>the eighties, Like when was that? And I looked it

1142
01:02:02.960 --> 01:02:06.199
<v Speaker 1>up and it was two years before this, when in

1143
01:02:06.239 --> 01:02:09.119
<v Speaker 1>the Chicago Land area there was someone who was putting cyanide,

1144
01:02:09.440 --> 01:02:11.800
<v Speaker 1>cracking open tail and all bottles and putting cyanide inside,

1145
01:02:11.800 --> 01:02:14.519
<v Speaker 1>and people were dying taking tail and al. So I

1146
01:02:14.519 --> 01:02:16.320
<v Speaker 1>was like, oh, that makes so much sense. Thailand All

1147
01:02:16.400 --> 01:02:22.800
<v Speaker 1>needed some brand rehabilitation, so apparently. But yeah, I'm like,

1148
01:02:22.880 --> 01:02:25.079
<v Speaker 1>maybe that's why they're so prominently featured in this movie, Like,

1149
01:02:25.119 --> 01:02:27.760
<v Speaker 1>please put Thailand All everywhere. Everyone takes Tilan All in

1150
01:02:27.800 --> 01:02:29.119
<v Speaker 1>the Superman universe.

1151
01:02:29.639 --> 01:02:30.280
<v Speaker 2>Fascinating.

1152
01:02:30.599 --> 01:02:33.079
<v Speaker 1>Yeah, which, by the way, if people don't know that story,

1153
01:02:33.320 --> 01:02:37.000
<v Speaker 1>that's what led to the protective packaging we have now

1154
01:02:37.039 --> 01:02:39.719
<v Speaker 1>on Thailan All with like the little cotton and the

1155
01:02:39.760 --> 01:02:43.280
<v Speaker 1>foil seal on top. It's because of the poisoning that happened.

1156
01:02:43.440 --> 01:02:46.079
<v Speaker 2>Yeah. Really, I remember the Russell Crowe character and the

1157
01:02:46.079 --> 01:02:47.159
<v Speaker 2>Insider talks about that.

1158
01:02:47.599 --> 01:02:48.960
<v Speaker 1>Oh yeah.

1159
01:02:49.280 --> 01:02:54.800
<v Speaker 2>I love the POV from the tractor as it's going

1160
01:02:54.840 --> 01:02:58.000
<v Speaker 2>after Ethan. It's it's just for some reason, it's it's

1161
01:02:58.159 --> 01:03:01.719
<v Speaker 2>very film student e to me, you know what I mean.

1162
01:03:01.719 --> 01:03:03.199
<v Speaker 2>It's one of those shots that you get and you're

1163
01:03:03.199 --> 01:03:05.280
<v Speaker 2>so excited about that's.

1164
01:03:05.079 --> 01:03:09.360
<v Speaker 1>A really great yeah, yeah example now, and it looks

1165
01:03:09.360 --> 01:03:11.360
<v Speaker 1>a little silly, you know, yeah.

1166
01:03:12.280 --> 01:03:17.920
<v Speaker 2>See, but again, it's like the way in which this

1167
01:03:17.960 --> 01:03:21.960
<v Speaker 2>is all happening is very funny to me because he

1168
01:03:22.559 --> 01:03:24.480
<v Speaker 2>should run a lot faster. I mean, I know he's

1169
01:03:24.519 --> 01:03:28.079
<v Speaker 2>like under a spell. Yeah, but also like people are

1170
01:03:28.119 --> 01:03:33.119
<v Speaker 2>just standing around. Nobody's doing anything. I know, they're just like, hey,

1171
01:03:33.159 --> 01:03:35.519
<v Speaker 2>there's a tractor that's just driving itself.

1172
01:03:36.199 --> 01:03:44.880
<v Speaker 1>Anyway, Yeah, I my brain. So I did have a

1173
01:03:44.920 --> 01:03:46.920
<v Speaker 1>thought where I was like, Okay, so the whole reason

1174
01:03:46.960 --> 01:03:49.639
<v Speaker 1>this town is getting destroyed is because this woman wants

1175
01:03:49.679 --> 01:03:53.559
<v Speaker 1>this guy, yeah that she doesn't know because he's cute,

1176
01:03:54.119 --> 01:03:58.119
<v Speaker 1>That's right. And then I also wrote down this set

1177
01:03:58.119 --> 01:04:03.800
<v Speaker 1>piece should be ten minutes instead it's thirty. And then

1178
01:04:04.360 --> 01:04:06.639
<v Speaker 1>I looked it up and it took twenty two days

1179
01:04:06.679 --> 01:04:09.880
<v Speaker 1>to shoot just the sequence, just the sequence.

1180
01:04:10.000 --> 01:04:10.519
<v Speaker 2>Good lord.

1181
01:04:10.639 --> 01:04:13.400
<v Speaker 1>I was like, wow, I don't know, although I would

1182
01:04:13.400 --> 01:04:15.840
<v Speaker 1>say this is the big set piece of the movie.

1183
01:04:15.920 --> 01:04:18.000
<v Speaker 2>Really I was just thinking. I was like, I was like,

1184
01:04:18.039 --> 01:04:22.000
<v Speaker 2>this is like the big the big action highlight quote unquote.

1185
01:04:22.280 --> 01:04:25.480
<v Speaker 1>Yeah. And this whole city was built on a backlot,

1186
01:04:25.559 --> 01:04:28.320
<v Speaker 1>which I did think about, Oh wow, they're destroying some buildings.

1187
01:04:28.320 --> 01:04:30.960
<v Speaker 1>Was that a building that they the city had planned

1188
01:04:31.000 --> 01:04:33.280
<v Speaker 1>to tear down? But this is all backlot looks pretty good.

1189
01:04:33.280 --> 01:04:33.800
<v Speaker 2>It's impressive.

1190
01:04:33.840 --> 01:04:36.360
<v Speaker 1>Its looks like a real you know, small town city

1191
01:04:36.400 --> 01:04:40.400
<v Speaker 1>strip and props for that. Yeah, here we But now

1192
01:04:40.400 --> 01:04:41.480
<v Speaker 1>she's finally doing something.

1193
01:04:41.719 --> 01:04:44.079
<v Speaker 2>Yeah. So I look at this and I'm like, well,

1194
01:04:44.159 --> 01:04:47.079
<v Speaker 2>it's cool to give Lucy Lane kind of the same

1195
01:04:47.119 --> 01:04:48.000
<v Speaker 2>spunk as her sister.

1196
01:04:48.039 --> 01:04:50.639
<v Speaker 1>I think that's good, totally oh good call. Yeah.

1197
01:04:50.280 --> 01:04:54.519
<v Speaker 2>Uh. Although I was like, I like Jimmy, I was like,

1198
01:04:54.599 --> 01:04:59.159
<v Speaker 2>this should have been Jimmy's moment to be somewhat heroic, sure,

1199
01:04:59.559 --> 01:05:01.360
<v Speaker 2>or at least try to be heroic, right, because all

1200
01:05:01.360 --> 01:05:05.440
<v Speaker 2>he all you see him doing is taking pictures and

1201
01:05:05.440 --> 01:05:07.079
<v Speaker 2>and I don't know. I was like, all I'm saying

1202
01:05:07.119 --> 01:05:08.599
<v Speaker 2>is if I was Mark McClure, maybe I would have

1203
01:05:08.599 --> 01:05:12.199
<v Speaker 2>pushed the harder, be like, hey, like, give me something

1204
01:05:12.199 --> 01:05:14.960
<v Speaker 2>to do some not just standing around doing this, you know.

1205
01:05:15.639 --> 01:05:17.559
<v Speaker 1>But to your point, I do like that it's Lucy

1206
01:05:17.599 --> 01:05:19.039
<v Speaker 1>who steps up and does something.

1207
01:05:19.159 --> 01:05:21.239
<v Speaker 2>Although the way she gets knocked out there is like

1208
01:05:21.519 --> 01:05:27.679
<v Speaker 2>really friggin stupid. Yeah, I'm like, wait, what happened? That's

1209
01:05:27.679 --> 01:05:30.119
<v Speaker 2>where you get your your your your you know, second

1210
01:05:30.199 --> 01:05:31.960
<v Speaker 2>unit and see a piece of debris fall on her

1211
01:05:32.000 --> 01:05:33.039
<v Speaker 2>head or something, right.

1212
01:05:33.039 --> 01:05:36.119
<v Speaker 1>Yeah, yeah, Yeah, Although a lot I gotta give it like,

1213
01:05:36.119 --> 01:05:38.360
<v Speaker 1>the choreography of all this is pretty impressive.

1214
01:05:38.519 --> 01:05:39.400
<v Speaker 2>I agree, And.

1215
01:05:39.360 --> 01:05:41.760
<v Speaker 1>You got the giant tire rolling down the street.

1216
01:05:42.079 --> 01:05:44.320
<v Speaker 2>Although you know what's interesting is that they they offered

1217
01:05:44.760 --> 01:05:49.079
<v Speaker 2>the directing gig to Richard Lester, who did Superman two

1218
01:05:49.079 --> 01:05:51.360
<v Speaker 2>and three. He turned it down. Uh, they offered it

1219
01:05:51.400 --> 01:05:53.960
<v Speaker 2>to Robert Why is he of You know, he did

1220
01:05:54.039 --> 01:05:55.960
<v Speaker 2>Star Trek the motion picture before that, he did like

1221
01:05:56.039 --> 01:05:58.559
<v Speaker 2>Sound of Music and The Day of the Earth. Still,

1222
01:05:58.559 --> 01:05:59.760
<v Speaker 2>I don't know why they thought he would want to

1223
01:05:59.800 --> 01:06:04.079
<v Speaker 2>do this. But you know, for all of what I've

1224
01:06:04.079 --> 01:06:09.039
<v Speaker 2>said before about about Lester and sort of his the

1225
01:06:09.079 --> 01:06:12.880
<v Speaker 2>comedic way he tended to interpret the Superman universe, I

1226
01:06:12.920 --> 01:06:15.119
<v Speaker 2>couldn't help but watch this and be literally I was like,

1227
01:06:15.480 --> 01:06:17.320
<v Speaker 2>I think Richard Lester would have done a better job

1228
01:06:17.320 --> 01:06:17.480
<v Speaker 2>with this.

1229
01:06:17.840 --> 01:06:20.480
<v Speaker 1>I read that also and thought, oh, he would have

1230
01:06:20.480 --> 01:06:21.880
<v Speaker 1>been perfect, right.

1231
01:06:22.360 --> 01:06:23.199
<v Speaker 2>Yeah.

1232
01:06:23.639 --> 01:06:25.800
<v Speaker 1>The stuff that he brings to two that people don't

1233
01:06:25.880 --> 01:06:28.119
<v Speaker 1>like is what would have made this movie sing a

1234
01:06:28.159 --> 01:06:31.880
<v Speaker 1>little better. I agree, Yeah, yeah.

1235
01:06:31.480 --> 01:06:33.639
<v Speaker 2>You know, because like like that whole sequence at the

1236
01:06:33.760 --> 01:06:37.960
<v Speaker 2>end where the villains are like blowing their super breadth

1237
01:06:38.000 --> 01:06:41.760
<v Speaker 2>at Metropolis and everything's just gone haywire. This needed a

1238
01:06:41.760 --> 01:06:42.320
<v Speaker 2>little bit of.

1239
01:06:42.280 --> 01:06:46.239
<v Speaker 1>That yeah, you know, yeah, I love the way by

1240
01:06:46.239 --> 01:06:47.639
<v Speaker 1>the way that I thought she was going to use

1241
01:06:47.639 --> 01:06:50.480
<v Speaker 1>her laser vision to open up that water tower, and

1242
01:06:50.519 --> 01:06:52.039
<v Speaker 1>I love that she just flies through it. I thought

1243
01:06:52.039 --> 01:06:56.440
<v Speaker 1>that was cool. Yeah, I mean, I can see why

1244
01:06:56.480 --> 01:06:58.599
<v Speaker 1>this took so long to shoot. Look at all this coverage,

1245
01:06:58.639 --> 01:07:00.760
<v Speaker 1>all these But.

1246
01:07:00.639 --> 01:07:06.480
<v Speaker 2>That's what's frustrating is that this sequence really doesn't amount

1247
01:07:06.480 --> 01:07:13.639
<v Speaker 2>to much because the only goal is to have Ethan

1248
01:07:13.840 --> 01:07:17.800
<v Speaker 2>set eyes on Yahara right and fall in love with her,

1249
01:07:17.840 --> 01:07:20.320
<v Speaker 2>And so we've been on this like ten twelve minute

1250
01:07:20.400 --> 01:07:22.400
<v Speaker 2>journey just for that.

1251
01:07:22.400 --> 01:07:24.400
<v Speaker 1>That's a great point, which is a shame, because I

1252
01:07:24.440 --> 01:07:27.599
<v Speaker 1>do think this is an impressive sequence. Yeah, it's too bad.

1253
01:07:27.639 --> 01:07:31.119
<v Speaker 2>Yeah, it doesn't mean more necessarily or.

1254
01:07:31.079 --> 01:07:33.679
<v Speaker 1>For me, it was just striking me how ridiculous it

1255
01:07:33.760 --> 01:07:36.440
<v Speaker 1>was that this woman was destroying the city just over

1256
01:07:36.519 --> 01:07:36.880
<v Speaker 1>this guy.

1257
01:07:38.320 --> 01:07:41.440
<v Speaker 2>Yeah. And well, and what we see later is like,

1258
01:07:43.079 --> 01:07:46.800
<v Speaker 2>you know, you've got people like protesting her. Yes, So

1259
01:07:46.880 --> 01:07:49.239
<v Speaker 2>I'm like, so do they know about her from before?

1260
01:07:49.440 --> 01:07:52.280
<v Speaker 2>Like they're like, oh, it's that witch I lives down

1261
01:07:52.280 --> 01:07:52.639
<v Speaker 2>the road.

1262
01:07:52.800 --> 01:07:54.920
<v Speaker 1>I wondered if I had missed a few things. I

1263
01:07:54.920 --> 01:07:57.239
<v Speaker 1>actually went on the Wikipedia page afterwards and read the

1264
01:07:57.280 --> 01:08:00.519
<v Speaker 1>plot just to make sure I understood it and I

1265
01:08:01.000 --> 01:08:03.719
<v Speaker 1>didn't remember that she had turned herself into some sort

1266
01:08:03.760 --> 01:08:05.280
<v Speaker 1>of princess or something.

1267
01:08:05.599 --> 01:08:11.159
<v Speaker 2>Yeah, but I love this here where fay Dna is like,

1268
01:08:11.239 --> 01:08:14.239
<v Speaker 2>don't look at her, don't look at her. I know.

1269
01:08:17.880 --> 01:08:21.760
<v Speaker 1>Yeah, I love the light on the eyes though. I

1270
01:08:21.800 --> 01:08:27.600
<v Speaker 1>always love that shot. Uh So wait, okay, so he

1271
01:08:27.880 --> 01:08:30.079
<v Speaker 1>it's the first person he lays eyes on, right, and

1272
01:08:30.119 --> 01:08:34.000
<v Speaker 1>so he has stumbled out of that carnival and did

1273
01:08:34.039 --> 01:08:36.399
<v Speaker 1>not make eye contact with Yeah.

1274
01:08:36.439 --> 01:08:39.439
<v Speaker 2>I think the idea is that he drinks the potion

1275
01:08:39.600 --> 01:08:45.119
<v Speaker 2>and he's all and then she's once it wears off

1276
01:08:45.159 --> 01:08:46.119
<v Speaker 2>the first person that he.

1277
01:08:46.079 --> 01:08:52.520
<v Speaker 1>Sees, Okay, and that's why she's desperately trying to capture

1278
01:08:52.600 --> 01:08:53.399
<v Speaker 1>him and bring him back.

1279
01:08:53.399 --> 01:08:55.439
<v Speaker 2>So yeah, because the idea was that he would have

1280
01:08:55.520 --> 01:09:00.119
<v Speaker 2>passed out in her home, her you know who, her

1281
01:09:00.680 --> 01:09:03.680
<v Speaker 2>Halloween amusement park home that she lives in.

1282
01:09:04.000 --> 01:09:04.199
<v Speaker 1>Yeah.

1283
01:09:04.279 --> 01:09:06.920
<v Speaker 2>Yeah, and then he would wake up and he would

1284
01:09:06.920 --> 01:09:09.119
<v Speaker 2>see her right, and he would love her for a day.

1285
01:09:09.199 --> 01:09:10.039
<v Speaker 2>But that's the other thing.

1286
01:09:10.039 --> 01:09:13.840
<v Speaker 1>It's a day that I I was made clear to

1287
01:09:13.840 --> 01:09:15.600
<v Speaker 1>me in the Wikipedia article. I was like, wait a minute,

1288
01:09:15.600 --> 01:09:17.319
<v Speaker 1>I don't I don't remember that.

1289
01:09:17.039 --> 01:09:20.880
<v Speaker 2>All of us for a day. Yeah, one day of

1290
01:09:20.960 --> 01:09:23.039
<v Speaker 2>like the best sex he's ever had or she's ever

1291
01:09:23.079 --> 01:09:25.520
<v Speaker 2>had or somebody, right, I guess.

1292
01:09:25.720 --> 01:09:27.640
<v Speaker 1>And she's got to find another spider and she can

1293
01:09:27.720 --> 01:09:34.439
<v Speaker 1>just do it again. I guess. It's so weird. The

1294
01:09:34.479 --> 01:09:38.359
<v Speaker 1>carnival thing. What is that Joker? What is that graphic

1295
01:09:38.399 --> 01:09:39.920
<v Speaker 1>novel where Joker lives at a carnival?

1296
01:09:40.199 --> 01:09:44.920
<v Speaker 2>Yeah, the killing Joke, Killing Joke? Yeah. Yeah. And also

1297
01:09:45.000 --> 01:09:47.399
<v Speaker 2>in the Mask of the Phantasm.

1298
01:09:48.000 --> 01:09:49.880
<v Speaker 1>Oh you know what, that's what I was actually thinking of.

1299
01:09:50.479 --> 01:09:53.359
<v Speaker 2>Which also features the voice of Hart Backner.

1300
01:09:54.239 --> 01:09:59.760
<v Speaker 1>Oh yeah, look at that. Huh. It's kind of funny

1301
01:09:59.760 --> 01:10:00.960
<v Speaker 1>that car. I was like sort of down for the

1302
01:10:01.000 --> 01:10:05.199
<v Speaker 1>kiss though, like, Okay, He's like I love you, and

1303
01:10:05.239 --> 01:10:07.039
<v Speaker 1>she's like, what are you talking about? He kisses her

1304
01:10:07.079 --> 01:10:12.039
<v Speaker 1>and she's like eh.

1305
01:10:12.119 --> 01:10:14.880
<v Speaker 2>This is the other thing is that they keep calling

1306
01:10:14.920 --> 01:10:19.520
<v Speaker 2>Carr the wimp. Yeah, And I'm like, it's just the

1307
01:10:19.560 --> 01:10:23.199
<v Speaker 2>whole construct is just very odd, like like, you know,

1308
01:10:23.680 --> 01:10:26.079
<v Speaker 2>Fade Dunaway is in competition with this high school girl

1309
01:10:26.840 --> 01:10:30.560
<v Speaker 2>and it's just like that wimp. It's a strange thing

1310
01:10:30.560 --> 01:10:31.239
<v Speaker 2>to call, right.

1311
01:10:31.199 --> 01:10:31.640
<v Speaker 1>Like, I.

1312
01:10:33.760 --> 01:10:34.920
<v Speaker 2>Don't know, man, I don't know.

1313
01:10:39.760 --> 01:10:42.399
<v Speaker 1>I guess Fade Dunaway was a little difficult too. On

1314
01:10:44.039 --> 01:10:46.520
<v Speaker 1>well you mentioned that earlier, but they even thought about

1315
01:10:46.520 --> 01:10:49.159
<v Speaker 1>possibly replacing her at some point with until in Houston

1316
01:10:49.199 --> 01:10:49.720
<v Speaker 1>I read.

1317
01:10:51.560 --> 01:10:54.359
<v Speaker 2>Who would go on to play a witch in The Witches?

1318
01:10:54.479 --> 01:10:57.039
<v Speaker 1>Witches? Yeah, I was like, you know, I kind of

1319
01:10:57.039 --> 01:10:59.640
<v Speaker 1>see it. She played a witch in the one of

1320
01:10:59.680 --> 01:11:00.760
<v Speaker 1>the EU movies.

1321
01:11:00.520 --> 01:11:03.279
<v Speaker 2>Too, Angelica Houston.

1322
01:11:03.520 --> 01:11:06.079
<v Speaker 1>Yeah, right, isn't it her? Oh? Wait? Am I confusing?

1323
01:11:06.479 --> 01:11:09.399
<v Speaker 1>You know what I'm conflating. I'm conflating the Witches and

1324
01:11:10.199 --> 01:11:14.199
<v Speaker 1>a similar black haired in Jelica Houston type. I think.

1325
01:11:14.239 --> 01:11:16.319
<v Speaker 2>Okay, God, I mean I haven't the last time I

1326
01:11:16.359 --> 01:11:18.039
<v Speaker 2>saw that UOK movies was the eighties.

1327
01:11:18.239 --> 01:11:21.039
<v Speaker 1>You know what I really am. I think I'm mixing

1328
01:11:21.119 --> 01:11:23.960
<v Speaker 1>up a shot and the poster from the Witches that

1329
01:11:24.039 --> 01:11:26.960
<v Speaker 1>is from like a low angle. Wow, okay, melding together

1330
01:11:26.960 --> 01:11:30.119
<v Speaker 1>in my brain. That's because this is a commentary. I

1331
01:11:30.199 --> 01:11:32.840
<v Speaker 1>can't delete it.

1332
01:11:33.079 --> 01:11:37.079
<v Speaker 2>That's great. You know we're human, hey, trade of thought. See,

1333
01:11:37.079 --> 01:11:42.640
<v Speaker 2>doesn't this feel like this is like a comedy witch movie?

1334
01:11:43.199 --> 01:11:48.159
<v Speaker 1>Yeah? That would actually kind of work then where she

1335
01:11:48.439 --> 01:11:51.439
<v Speaker 1>likes the love spell of it all. Yeah, and just

1336
01:11:51.600 --> 01:11:56.079
<v Speaker 1>you know, I don't know the Hubrists and whatever. Yeah,

1337
01:11:56.079 --> 01:11:59.279
<v Speaker 1>a witch comedy that's so spot on, yes, but for

1338
01:11:59.359 --> 01:12:02.239
<v Speaker 1>a super Girl movie is just like the stakes couldn't

1339
01:12:02.239 --> 01:12:02.680
<v Speaker 1>be lower.

1340
01:12:03.680 --> 01:12:07.520
<v Speaker 2>That's that's the weird thing, right. I think the mistake

1341
01:12:07.840 --> 01:12:12.119
<v Speaker 2>is in having an antagonist that's really not not connected

1342
01:12:12.119 --> 01:12:17.239
<v Speaker 2>to Supergirl or her home, right. And I think again,

1343
01:12:17.479 --> 01:12:23.439
<v Speaker 2>what you needed to do was have the Omegahdron followed

1344
01:12:23.439 --> 01:12:30.159
<v Speaker 2>to Earth by by a malevolent race or person you know,

1345
01:12:30.520 --> 01:12:34.239
<v Speaker 2>I don't know, a space pirate or something. Who's who who?

1346
01:12:34.279 --> 01:12:39.920
<v Speaker 2>Who wants it? And maybe you even say something like

1347
01:12:39.920 --> 01:12:41.920
<v Speaker 2>like when they're on Argo City, like, oh, you know

1348
01:12:42.159 --> 01:12:45.720
<v Speaker 2>this omegahedron, it's our source of power, but it's also

1349
01:12:46.319 --> 01:12:50.159
<v Speaker 2>being sought after by by X person or whatever, you know,

1350
01:12:50.960 --> 01:12:53.119
<v Speaker 2>something like that, you know what I mean. Yeah, totally

1351
01:12:54.560 --> 01:12:57.880
<v Speaker 2>kind of a kind of a brainiac type force.

1352
01:12:58.520 --> 01:13:03.279
<v Speaker 1>Yeah. By the way, I've read that that had mistress

1353
01:13:03.319 --> 01:13:07.279
<v Speaker 1>scene was not in the original version, that's right, And

1354
01:13:07.319 --> 01:13:10.319
<v Speaker 1>I was like, that's exactly it. You don't let's go. Actually,

1355
01:13:10.399 --> 01:13:12.359
<v Speaker 1>I just tapped my iPad and was like where are

1356
01:13:12.399 --> 01:13:17.359
<v Speaker 1>we at? And it's like, let's go, let's go. We

1357
01:13:17.399 --> 01:13:20.640
<v Speaker 1>don't need this. And she's going to kiss herself in

1358
01:13:20.680 --> 01:13:24.600
<v Speaker 1>a mirror. Why, I mean, I get the google eyes

1359
01:13:24.680 --> 01:13:26.920
<v Speaker 1>sort of thing, because it's probably, yeah, she's young, is

1360
01:13:26.960 --> 01:13:29.520
<v Speaker 1>maybe her first kiss. I get, I get that, but

1361
01:13:29.560 --> 01:13:31.199
<v Speaker 1>this just feels so sluggish.

1362
01:13:31.840 --> 01:13:36.319
<v Speaker 2>I think that it's very straightforward. What she needed to

1363
01:13:36.399 --> 01:13:40.680
<v Speaker 2>do before she left Argo was have her little doodad

1364
01:13:40.880 --> 01:13:44.600
<v Speaker 2>on her wrist say you know, I have thirty six hours?

1365
01:13:44.880 --> 01:13:48.479
<v Speaker 2>Yeah yet, right, And then there's your Every so often

1366
01:13:48.520 --> 01:13:50.000
<v Speaker 2>she can glance at her thing and be like, I'm

1367
01:13:50.079 --> 01:13:51.119
<v Speaker 2>running out of time, you know.

1368
01:13:52.039 --> 01:13:54.960
<v Speaker 1>Yes, so I can completely buy that she might be

1369
01:13:55.239 --> 01:13:57.199
<v Speaker 1>a little smitt and kitten here and like a little

1370
01:13:57.279 --> 01:14:00.359
<v Speaker 1>lost in That totally makes sense. But then and that's

1371
01:14:00.359 --> 01:14:05.359
<v Speaker 1>when exactly she looks down and perfect right, yes, yes.

1372
01:14:05.640 --> 01:14:08.560
<v Speaker 2>Right, And you do that without even needing to sort

1373
01:14:08.600 --> 01:14:09.760
<v Speaker 2>of cut back and forth, you know.

1374
01:14:10.239 --> 01:14:10.359
<v Speaker 3>Hm.

1375
01:14:12.600 --> 01:14:15.079
<v Speaker 1>I like all this practical stuff. By the way, we're

1376
01:14:15.079 --> 01:14:17.560
<v Speaker 1>seeing the trees ripped out of the ground and this this,

1377
01:14:17.720 --> 01:14:19.880
<v Speaker 1>I don't even know how they did this. They collapse

1378
01:14:19.920 --> 01:14:21.239
<v Speaker 1>this little hill here.

1379
01:14:22.920 --> 01:14:29.199
<v Speaker 2>That that's cool looking. Yeah, this was all shot on pinewood. Yeah,

1380
01:14:29.479 --> 01:14:33.399
<v Speaker 2>the big double seven stages, which is where they shot

1381
01:14:33.600 --> 01:14:39.880
<v Speaker 2>you know, the first three Superman films. That that type

1382
01:14:39.920 --> 01:14:41.720
<v Speaker 2>of stuff always bugs me when they do that, Like

1383
01:14:41.880 --> 01:14:45.640
<v Speaker 2>instant change. They did that in the first Superman also,

1384
01:14:45.680 --> 01:14:50.159
<v Speaker 2>where he you know, he hears Lex Luthor's sum in him, Yeah,

1385
01:14:50.199 --> 01:14:52.520
<v Speaker 2>and he sneaks away and he jumps out the window

1386
01:14:53.560 --> 01:14:57.560
<v Speaker 2>and then as he's falling, he just becomes Superman. And

1387
01:14:57.600 --> 01:14:59.640
<v Speaker 2>I'm always like, well, why don't you just show like

1388
01:14:59.800 --> 01:15:02.760
<v Speaker 2>just just even if you handwave it, just show him

1389
01:15:02.840 --> 01:15:04.800
<v Speaker 2>changing at super speed or something. You know.

1390
01:15:05.039 --> 01:15:09.039
<v Speaker 1>Yeah, yeah, it's funny because movies used to do that

1391
01:15:09.159 --> 01:15:11.319
<v Speaker 1>more and they were like, hey, you get it. But

1392
01:15:11.840 --> 01:15:15.399
<v Speaker 1>audiences have become so much more well, I wouldn't say

1393
01:15:15.439 --> 01:15:17.920
<v Speaker 1>more sophisticated. You were probably wondering it as a kid. So

1394
01:15:18.560 --> 01:15:21.960
<v Speaker 1>but now we can our voices are heard more often,

1395
01:15:22.000 --> 01:15:23.880
<v Speaker 1>and so they do have to explain things a little

1396
01:15:23.880 --> 01:15:26.039
<v Speaker 1>bit more right, less hand.

1397
01:15:25.800 --> 01:15:29.039
<v Speaker 2>Wavy these days, and it's probably easier to depict it now.

1398
01:15:29.840 --> 01:15:34.960
<v Speaker 2>That's a good point technology. So this whole this thing

1399
01:15:35.000 --> 01:15:40.000
<v Speaker 2>about her her fighting the Shadow Demon. As I was

1400
01:15:40.039 --> 01:15:41.439
<v Speaker 2>watching it, I was like, well, this is kind of

1401
01:15:41.479 --> 01:15:43.119
<v Speaker 2>silly how we don't see it, And then we see

1402
01:15:43.159 --> 01:15:44.319
<v Speaker 2>it at the end and I was like, you know,

1403
01:15:44.319 --> 01:15:48.600
<v Speaker 2>I wish we didn't see it.

1404
01:15:48.600 --> 01:15:53.680
<v Speaker 1>It feels very ghostbuster Z. Yeah, like a puppet that's

1405
01:15:53.680 --> 01:15:56.159
<v Speaker 1>someone someone who worked on Ghostbusters. It was like a

1406
01:15:56.199 --> 01:15:59.760
<v Speaker 1>rejected demon dog design or something.

1407
01:16:00.279 --> 01:16:02.880
<v Speaker 2>Now, in the last few months, you've been singing the

1408
01:16:02.920 --> 01:16:07.880
<v Speaker 2>praise of hand drawn lightning animations. Yes, and I gotta

1409
01:16:07.920 --> 01:16:10.000
<v Speaker 2>sing the praise. I love seeing it.

1410
01:16:11.319 --> 01:16:13.520
<v Speaker 1>You know what I gotta say. There was a moment

1411
01:16:13.640 --> 01:16:15.600
<v Speaker 1>last night where I was looking down a little bit

1412
01:16:16.319 --> 01:16:19.439
<v Speaker 1>and I was kind of, you know, on Wikipedia and

1413
01:16:19.479 --> 01:16:21.359
<v Speaker 1>reading interviews and that sort of thing. And it was

1414
01:16:21.439 --> 01:16:23.520
<v Speaker 1>during this moment I was sort of looking down and

1415
01:16:23.520 --> 01:16:25.560
<v Speaker 1>then I looked up again and I saw the lightning.

1416
01:16:26.800 --> 01:16:28.680
<v Speaker 1>I loved this at this It was this shot where

1417
01:16:28.680 --> 01:16:31.000
<v Speaker 1>she holds it up, the thing and she's and I

1418
01:16:31.039 --> 01:16:33.319
<v Speaker 1>was like, whoa, whoa, whoa oah, Brian, you should be

1419
01:16:33.319 --> 01:16:37.680
<v Speaker 1>paying attention, truly, truly, because I just like the way

1420
01:16:37.680 --> 01:16:40.720
<v Speaker 1>this looks. I like the light lighting of the scene.

1421
01:16:40.720 --> 01:16:43.479
<v Speaker 1>I like the lightning of the scene. I like seeing

1422
01:16:43.479 --> 01:16:49.720
<v Speaker 1>her do Supergirl stuff. Yep, yeah, yeah.

1423
01:16:50.039 --> 01:16:53.279
<v Speaker 2>I think that you know, the character, the Supergirl character

1424
01:16:53.439 --> 01:16:55.760
<v Speaker 2>in the comics up to this point. I think this

1425
01:16:55.960 --> 01:16:59.680
<v Speaker 2>was a problem that DC was dealing with. I'm talking

1426
01:16:59.720 --> 01:17:02.199
<v Speaker 2>about it in the eighties, is that you know, the

1427
01:17:02.279 --> 01:17:07.159
<v Speaker 2>character was first introduced to what nineteen fifty nine, I

1428
01:17:07.199 --> 01:17:09.920
<v Speaker 2>want to say, right, so she's about twenty five years

1429
01:17:09.920 --> 01:17:12.199
<v Speaker 2>old at this point, and I don't think she had

1430
01:17:12.600 --> 01:17:15.880
<v Speaker 2>a take. She didn't have an identity other than being

1431
01:17:17.640 --> 01:17:20.840
<v Speaker 2>the female equivalent of Superman, you know, right, and so

1432
01:17:20.960 --> 01:17:23.399
<v Speaker 2>I think that's to some extent. And this is the

1433
01:17:23.439 --> 01:17:24.479
<v Speaker 2>scene you're talking about.

1434
01:17:24.279 --> 01:17:27.079
<v Speaker 1>Right, Oh, sorry, Yeah, I thought that was earlier.

1435
01:17:27.159 --> 01:17:32.760
<v Speaker 2>Yeah, I think they they hadn't fully defined the character,

1436
01:17:32.800 --> 01:17:34.520
<v Speaker 2>and so you know, she struggled in terms of she

1437
01:17:34.600 --> 01:17:37.920
<v Speaker 2>had her own title for a little while, and then

1438
01:17:37.960 --> 01:17:40.319
<v Speaker 2>that was canceled. And then right maybe about a year

1439
01:17:40.359 --> 01:17:42.600
<v Speaker 2>or so before this movie came out, maybe an anticipation

1440
01:17:42.640 --> 01:17:46.119
<v Speaker 2>of this movie, they started a new monthly series, but

1441
01:17:46.880 --> 01:17:49.479
<v Speaker 2>they didn't really have a take because I think that

1442
01:17:49.600 --> 01:17:54.680
<v Speaker 2>her personality was not very defined. And so to the

1443
01:17:54.720 --> 01:17:58.039
<v Speaker 2>point that we were making earlier about you know, why

1444
01:17:58.079 --> 01:18:00.479
<v Speaker 2>did they change it so that it so that she's

1445
01:18:00.520 --> 01:18:05.640
<v Speaker 2>older than Clark. I think it it allows for something

1446
01:18:05.680 --> 01:18:08.000
<v Speaker 2>more interesting, just in terms of her having a point

1447
01:18:08.000 --> 01:18:14.000
<v Speaker 2>of view that's different from Superman, totally, right. And so obviously,

1448
01:18:14.039 --> 01:18:15.880
<v Speaker 2>as we record this, neither of us have seen the

1449
01:18:15.880 --> 01:18:18.680
<v Speaker 2>new film, but I mean just from the trailers, it

1450
01:18:18.760 --> 01:18:23.119
<v Speaker 2>seems like that's what the story is resting on.

1451
01:18:24.920 --> 01:18:27.560
<v Speaker 1>Yeah, I mean speaking to the graphic novel, which I

1452
01:18:27.720 --> 01:18:33.119
<v Speaker 1>really enjoyed. She's a really interesting character. Yeah, Like she's

1453
01:18:33.199 --> 01:18:37.359
<v Speaker 1>she had a different experience, you know, losing her world

1454
01:18:37.439 --> 01:18:39.960
<v Speaker 1>and her family and everything, and she deals with it

1455
01:18:40.079 --> 01:18:44.800
<v Speaker 1>very differently. But she also has an inherent goodness that

1456
01:18:45.000 --> 01:18:49.439
<v Speaker 1>sometimes gets lost with her you know, outward belligerence from

1457
01:18:49.479 --> 01:18:51.840
<v Speaker 1>time to time, which is right. She's a really I'm

1458
01:18:51.880 --> 01:18:54.000
<v Speaker 1>really looking forward to the movie. After reading it, I

1459
01:18:54.039 --> 01:18:55.880
<v Speaker 1>became way more excited about the movie.

1460
01:18:56.039 --> 01:18:57.920
<v Speaker 2>Yeah, and I mean, by all accounts, it was that

1461
01:18:58.119 --> 01:19:01.119
<v Speaker 2>graphic novel that was the primary source of inspiration.

1462
01:19:01.960 --> 01:19:05.279
<v Speaker 1>Yeah, it's a I'm really hoping they stick closely to

1463
01:19:05.319 --> 01:19:05.960
<v Speaker 1>it because it's.

1464
01:19:05.800 --> 01:19:08.560
<v Speaker 2>A great story. Yeah. And you know, she has a

1465
01:19:08.560 --> 01:19:10.359
<v Speaker 2>line in the trailer where she says something to the

1466
01:19:10.399 --> 01:19:12.640
<v Speaker 2>effect in paraphrasing, she's like, my cousin sees the good

1467
01:19:12.640 --> 01:19:17.239
<v Speaker 2>and everybody I see the truth, right, and and so

1468
01:19:17.359 --> 01:19:22.359
<v Speaker 2>you know, there's this this cynicism, right, and I think

1469
01:19:22.479 --> 01:19:26.840
<v Speaker 2>that the version of the character as depicted in this

1470
01:19:26.880 --> 01:19:30.800
<v Speaker 2>film doesn't have that because that was not the character

1471
01:19:30.800 --> 01:19:34.840
<v Speaker 2>in the comics, right. I don't think they had really

1472
01:19:34.920 --> 01:19:39.439
<v Speaker 2>nailed her, you know, the essentials of her world. She

1473
01:19:39.560 --> 01:19:44.960
<v Speaker 2>did not have a supporting cast really, you know. Yeah, yeah,

1474
01:19:45.159 --> 01:19:47.319
<v Speaker 2>And so you know, the fact is this movie comes

1475
01:19:47.319 --> 01:19:49.920
<v Speaker 2>out in nineteen eighty four, nineteen eighty six, that DC

1476
01:19:50.039 --> 01:19:52.560
<v Speaker 2>did a series called Crisis on Infender Earth's and they

1477
01:19:52.640 --> 01:19:54.119
<v Speaker 2>killed off Kara in that series.

1478
01:19:54.439 --> 01:19:54.960
<v Speaker 1>Oh wow.

1479
01:19:56.039 --> 01:19:58.520
<v Speaker 2>And and she was dead in the comics for twenty years.

1480
01:19:58.960 --> 01:20:00.199
<v Speaker 1>Oh oh wow. Wow.

1481
01:20:00.840 --> 01:20:02.520
<v Speaker 2>You know, I think and I think that just sort

1482
01:20:02.520 --> 01:20:04.920
<v Speaker 2>of speaks to the fact that DC didn't really know

1483
01:20:04.960 --> 01:20:05.600
<v Speaker 2>what to do with her.

1484
01:20:06.199 --> 01:20:07.479
<v Speaker 1>Yeah, sounds like it.

1485
01:20:09.399 --> 01:20:11.239
<v Speaker 2>So you know, that's kind of where they were at

1486
01:20:11.239 --> 01:20:12.279
<v Speaker 2>when this movie came out.

1487
01:20:13.439 --> 01:20:18.720
<v Speaker 1>Yeah, yeah, Well, and that's maybe a part of the

1488
01:20:18.720 --> 01:20:20.600
<v Speaker 1>problem why this movie didn't connect. I'm sure there were

1489
01:20:20.600 --> 01:20:23.720
<v Speaker 1>a lot of reasons, but, like you said, just no

1490
01:20:23.840 --> 01:20:28.720
<v Speaker 1>distinctive story or even persona for this character for people

1491
01:20:28.720 --> 01:20:30.640
<v Speaker 1>to show up for or look forward to seeing on

1492
01:20:30.680 --> 01:20:31.279
<v Speaker 1>the big screen.

1493
01:20:32.319 --> 01:20:37.279
<v Speaker 2>Like I think it's very telling that, at least with

1494
01:20:37.439 --> 01:20:41.720
<v Speaker 2>the newer film, they certainly have made sure to clarify

1495
01:20:41.760 --> 01:20:44.039
<v Speaker 2>that David corn Sweat is in the movie.

1496
01:20:44.800 --> 01:20:45.119
<v Speaker 3>Mmmm.

1497
01:20:45.439 --> 01:20:49.239
<v Speaker 2>Yeah, that's right, you know, But I love this Ethan

1498
01:20:49.359 --> 01:20:52.800
<v Speaker 2>now newly shaved and showered Ethan. Yeah, yeah, with like

1499
01:20:52.920 --> 01:20:55.680
<v Speaker 2>just following around like a goddamn psycho.

1500
01:20:56.439 --> 01:20:59.680
<v Speaker 1>But I love he's got the heart shaped box of

1501
01:20:59.760 --> 01:21:02.479
<v Speaker 1>can and roses. But like the way he's holding them too,

1502
01:21:02.560 --> 01:21:04.840
<v Speaker 1>you know, is if he's in a Hallmark commercial or something.

1503
01:21:05.039 --> 01:21:09.039
<v Speaker 2>It's like a high school sophomore, yeah, exactly for prom

1504
01:21:09.119 --> 01:21:15.199
<v Speaker 2>or something. You know. I remember reading the story book

1505
01:21:15.359 --> 01:21:19.119
<v Speaker 2>of this movie in the eighties.

1506
01:21:19.000 --> 01:21:22.159
<v Speaker 1>Like the hardcover storybook or that, remember the one ones

1507
01:21:22.199 --> 01:21:23.359
<v Speaker 1>that would have the little record.

1508
01:21:24.199 --> 01:21:25.239
<v Speaker 2>It was not one of those.

1509
01:21:25.279 --> 01:21:25.520
<v Speaker 1>It was.

1510
01:21:25.680 --> 01:21:29.000
<v Speaker 2>It was like a larger size one and like the

1511
01:21:29.079 --> 01:21:31.640
<v Speaker 2>front page has a little square with all the characters

1512
01:21:31.680 --> 01:21:34.520
<v Speaker 2>and their names, okay, and it was just the storybook

1513
01:21:34.560 --> 01:21:37.119
<v Speaker 2>of the movie, you know. Yeah, And it was like

1514
01:21:37.159 --> 01:21:38.600
<v Speaker 2>this time, you know, because I was living in Saide,

1515
01:21:38.600 --> 01:21:41.600
<v Speaker 2>Arabia at the time, and it's like, well, whatever I

1516
01:21:41.640 --> 01:21:45.359
<v Speaker 2>have available, I will read, sure, you know. And I

1517
01:21:46.039 --> 01:21:48.760
<v Speaker 2>very like the beats of the story I knew from

1518
01:21:49.039 --> 01:21:51.119
<v Speaker 2>that story book, and I remember not being able to

1519
01:21:51.119 --> 01:21:53.079
<v Speaker 2>make heads or tails of it.

1520
01:21:53.239 --> 01:21:55.119
<v Speaker 1>Man, those were so cool back in the day. I

1521
01:21:55.159 --> 01:21:58.680
<v Speaker 1>remember that. Yeah, well, because I didn't see Temple of

1522
01:21:58.680 --> 01:22:03.399
<v Speaker 1>Doom till I was older, and that was one of

1523
01:22:03.439 --> 01:22:05.800
<v Speaker 1>those things where I could go to my elementary school

1524
01:22:05.920 --> 01:22:09.279
<v Speaker 1>library and they had the storybook for Raiders of the

1525
01:22:09.319 --> 01:22:12.000
<v Speaker 1>Lost Ark. I remember Return of the Jedi, the hardcover,

1526
01:22:12.520 --> 01:22:17.000
<v Speaker 1>you know, with Luke on Jaba's barge, Like, oh so cool.

1527
01:22:17.039 --> 01:22:19.159
<v Speaker 1>And then and then I saw the Temple of Doom

1528
01:22:19.479 --> 01:22:21.600
<v Speaker 1>story books. I was like wow. So I remember reading

1529
01:22:21.640 --> 01:22:23.680
<v Speaker 1>it and flipping through the pages and in the children's

1530
01:22:23.720 --> 01:22:27.239
<v Speaker 1>storybook they had Mola Ram with the heart on fire

1531
01:22:27.239 --> 01:22:27.800
<v Speaker 1>in his hand.

1532
01:22:28.399 --> 01:22:30.279
<v Speaker 2>Well you can't leave out the heart obviously.

1533
01:22:30.680 --> 01:22:32.920
<v Speaker 1>Well and I remember looking at that like what am

1534
01:22:32.920 --> 01:22:36.720
<v Speaker 1>I looking at? Like this is but you couldn't look away? Right,

1535
01:22:36.800 --> 01:22:40.560
<v Speaker 1>it was and it was horrifying. But that that's my

1536
01:22:40.640 --> 01:22:43.720
<v Speaker 1>first memory of that seeing that in a book, And

1537
01:22:43.760 --> 01:22:45.520
<v Speaker 1>it's a practical effect. So I mean it looked like

1538
01:22:45.520 --> 01:22:47.199
<v Speaker 1>I was looking at a photograph of a real like

1539
01:22:47.680 --> 01:22:48.880
<v Speaker 1>real life horror event.

1540
01:22:49.159 --> 01:22:55.079
<v Speaker 2>Yeah, it's crazy. See, So here we've got I don't

1541
01:22:55.119 --> 01:22:58.640
<v Speaker 2>know what we're supposed to feel about this relationship because

1542
01:22:58.680 --> 01:23:03.319
<v Speaker 2>I mean, he is clearly an adult man, yeah, and

1543
01:23:03.439 --> 01:23:06.560
<v Speaker 2>Carra is meant to be a schoolgirl.

1544
01:23:07.039 --> 01:23:07.479
<v Speaker 1>Yeah.

1545
01:23:07.640 --> 01:23:10.359
<v Speaker 2>Yeah. So as I was rewatching this, I was like,

1546
01:23:10.640 --> 01:23:13.960
<v Speaker 2>I was like, was this normal? You know, because it

1547
01:23:14.039 --> 01:23:17.000
<v Speaker 2>because it brought to mind all those times on Saved

1548
01:23:17.000 --> 01:23:20.880
<v Speaker 2>by the Bill where Kelly was dating like not men,

1549
01:23:21.319 --> 01:23:23.800
<v Speaker 2>like like for adult men, right.

1550
01:23:23.760 --> 01:23:24.680
<v Speaker 1>That's right, that's right.

1551
01:23:24.960 --> 01:23:27.319
<v Speaker 2>Like at one point she was dating her boss at

1552
01:23:27.359 --> 01:23:31.159
<v Speaker 2>the Max and it was it was Xander. It was

1553
01:23:31.199 --> 01:23:34.159
<v Speaker 2>Patrick Muldoon who played Xander Barclow on Starship Troopers.

1554
01:23:34.479 --> 01:23:37.279
<v Speaker 1>Okay, oh yeah.

1555
01:23:36.640 --> 01:23:38.359
<v Speaker 2>Right, and he just passed away actually in the last

1556
01:23:38.359 --> 01:23:38.760
<v Speaker 2>month or so.

1557
01:23:38.800 --> 01:23:42.359
<v Speaker 1>But I'm like, he was a grown up, yeah.

1558
01:23:41.680 --> 01:23:46.960
<v Speaker 2>And Kelly, like she's a high school junior, you know, yes,

1559
01:23:47.960 --> 01:23:49.840
<v Speaker 2>but it was very common, is my point? Right.

1560
01:23:50.359 --> 01:23:51.600
<v Speaker 1>I wonder if that has a lot to do with

1561
01:23:51.640 --> 01:23:55.840
<v Speaker 1>the writers. It must these like middle aged men writers,

1562
01:23:55.920 --> 01:24:00.439
<v Speaker 1>like if I could date Kelly Kapowski, it's roast.

1563
01:24:00.560 --> 01:24:03.479
<v Speaker 2>But like maybe I don't know, but you realize, like,

1564
01:24:03.800 --> 01:24:07.359
<v Speaker 2>was this just like normalized in our pop culture.

1565
01:24:08.159 --> 01:24:11.520
<v Speaker 1>I think it kind of was, honestly. I mean yeah,

1566
01:24:11.520 --> 01:24:13.560
<v Speaker 1>like to your point, you saw it a lot more often,

1567
01:24:13.600 --> 01:24:16.000
<v Speaker 1>and that was just It's one of these things where

1568
01:24:16.039 --> 01:24:18.119
<v Speaker 1>like now in the social media age, you'll see these

1569
01:24:18.159 --> 01:24:20.680
<v Speaker 1>Instagram posts where people will look back on these older

1570
01:24:20.680 --> 01:24:22.840
<v Speaker 1>shows and be like, was that kind of weird?

1571
01:24:23.159 --> 01:24:27.159
<v Speaker 2>Yeah? Yeah, And maybe.

1572
01:24:27.000 --> 01:24:28.560
<v Speaker 1>People did think it was weird back then, but they

1573
01:24:28.560 --> 01:24:30.880
<v Speaker 1>didn't have outlets to express it like we do now,

1574
01:24:30.920 --> 01:24:32.520
<v Speaker 1>so you just rolled with it because that's the only

1575
01:24:32.680 --> 01:24:33.520
<v Speaker 1>entertainment we got.

1576
01:24:35.239 --> 01:24:38.239
<v Speaker 2>Yeah, And I mean it wouldn't have taken much to

1577
01:24:39.600 --> 01:24:42.039
<v Speaker 2>make any of this age appropriate.

1578
01:24:43.720 --> 01:24:44.920
<v Speaker 1>Yeah sure, sure.

1579
01:24:44.920 --> 01:24:50.560
<v Speaker 2>Right, like either make Ethan younger or make Kara older. Yeah, yeah,

1580
01:24:51.119 --> 01:24:55.760
<v Speaker 2>just have it be a college exactly exactly.

1581
01:24:55.840 --> 01:24:58.640
<v Speaker 1>And him, Yeah, like maybe he could be a college.

1582
01:24:59.199 --> 01:25:01.479
<v Speaker 1>This is like in the weeds, but like he could

1583
01:25:01.520 --> 01:25:03.079
<v Speaker 1>have been a student there, but he couldn't afford it,

1584
01:25:03.159 --> 01:25:05.079
<v Speaker 1>and so he's like working his way to pay for

1585
01:25:05.079 --> 01:25:06.720
<v Speaker 1>his own school or yeah, you know what I mean.

1586
01:25:06.760 --> 01:25:08.239
<v Speaker 1>Put them on equal footing in sort of.

1587
01:25:08.279 --> 01:25:11.720
<v Speaker 2>A way, right, And so that leads me to believe

1588
01:25:11.800 --> 01:25:15.359
<v Speaker 2>that that a lot of this was just culturally normalized. Yeah,

1589
01:25:15.600 --> 01:25:18.279
<v Speaker 2>you know, but I think that it just sort of

1590
01:25:18.279 --> 01:25:20.640
<v Speaker 2>circling back to the conversation we were having. I think

1591
01:25:20.880 --> 01:25:24.079
<v Speaker 2>I think a jaded, cynical car to me, is just

1592
01:25:24.159 --> 01:25:29.119
<v Speaker 2>more interesting, Yeah sure than sort of this this waife

1593
01:25:29.680 --> 01:25:31.880
<v Speaker 2>as she's portrayed as here, you know, mm hmm.

1594
01:25:34.520 --> 01:25:38.359
<v Speaker 1>You know, I want to call out when when Faye

1595
01:25:38.439 --> 01:25:41.640
<v Speaker 1>Dunaway is doing the spell. Yeah, I thing pointing her

1596
01:25:41.640 --> 01:25:44.399
<v Speaker 1>hand out at the carousel. You know what I really

1597
01:25:44.399 --> 01:25:50.720
<v Speaker 1>miss is really beautifully composed widescreen photography. You know, there

1598
01:25:50.760 --> 01:25:53.159
<v Speaker 1>are people that just came from a certain era, like

1599
01:25:53.239 --> 01:25:56.359
<v Speaker 1>an older school era, or even if the movie wasn't

1600
01:25:56.439 --> 01:25:59.800
<v Speaker 1>very good, they still knew how to compose a shot, right,

1601
01:26:00.079 --> 01:26:01.279
<v Speaker 1>you know, And I feel like we don't see that

1602
01:26:01.359 --> 01:26:04.760
<v Speaker 1>as much these days. It's a little bit more I

1603
01:26:04.239 --> 01:26:06.760
<v Speaker 1>don't called verite, but it's like, yeah, we're just capturing

1604
01:26:06.760 --> 01:26:09.680
<v Speaker 1>what's here, right, kind of a sensibility these days, which

1605
01:26:09.720 --> 01:26:12.640
<v Speaker 1>is not terrible, it's fine. But I do really love

1606
01:26:12.640 --> 01:26:17.720
<v Speaker 1>a well composed, you know, widescreen shot. Yeah, Like people

1607
01:26:17.760 --> 01:26:20.079
<v Speaker 1>of this vintage, that's just what they learned. That's what

1608
01:26:20.079 --> 01:26:20.479
<v Speaker 1>they learned.

1609
01:26:20.520 --> 01:26:24.000
<v Speaker 2>How to do You worked with what was available. Yeah.

1610
01:26:24.079 --> 01:26:26.800
<v Speaker 2>I think I think we live in such a green

1611
01:26:26.920 --> 01:26:32.479
<v Speaker 2>screen centric era that a lot of filmmakers are conditioned

1612
01:26:32.520 --> 01:26:34.800
<v Speaker 2>to just sort of get what you get and then

1613
01:26:34.840 --> 01:26:38.840
<v Speaker 2>we can fix it and post yeah. Yeah, which isn't

1614
01:26:38.840 --> 01:26:42.840
<v Speaker 2>necessarily a bad thing if the filmmakers in question have

1615
01:26:42.920 --> 01:26:45.920
<v Speaker 2>the skills to follow through on that, you know.

1616
01:26:46.199 --> 01:26:48.880
<v Speaker 1>Yeah, and if if it's the story, the style, totally

1617
01:26:49.239 --> 01:26:51.359
<v Speaker 1>that's fine. But I just find sometimes I'll watch these

1618
01:26:51.359 --> 01:26:55.600
<v Speaker 1>older not so great movies, but I'm like, yeah, but man,

1619
01:26:55.640 --> 01:26:56.760
<v Speaker 1>they shot the hell out of it.

1620
01:26:57.039 --> 01:27:00.680
<v Speaker 2>Yeah. You know, well, I think that is a reflection

1621
01:27:00.760 --> 01:27:03.479
<v Speaker 2>of geno' zwark, who you know, I would not necessarily

1622
01:27:03.479 --> 01:27:06.359
<v Speaker 2>consider him a great director, but I think I think

1623
01:27:06.439 --> 01:27:10.760
<v Speaker 2>he knew his way around a shot, sure, and when

1624
01:27:10.760 --> 01:27:13.119
<v Speaker 2>the script allowed, you know, he was able to exercise

1625
01:27:13.159 --> 01:27:15.279
<v Speaker 2>some skill. You know. It's like I said, right, like

1626
01:27:15.600 --> 01:27:18.760
<v Speaker 2>when you and I talked through Jaws too. That was

1627
01:27:18.760 --> 01:27:20.960
<v Speaker 2>sort of that was my final takeaway as I'm like,

1628
01:27:22.039 --> 01:27:27.319
<v Speaker 2>he didn't embarrass himself. No, totally right, and even somewhere

1629
01:27:27.359 --> 01:27:29.479
<v Speaker 2>in time, which I don't like. I know a lot

1630
01:27:29.520 --> 01:27:31.920
<v Speaker 2>of people love that movie. I don't. I don't think

1631
01:27:31.920 --> 01:27:35.640
<v Speaker 2>it's badly directed, certainly, And it is a shame because

1632
01:27:35.680 --> 01:27:38.920
<v Speaker 2>because I feel like this this movie sort of detonated

1633
01:27:38.960 --> 01:27:42.760
<v Speaker 2>a grenade in his career because well this immediately after this,

1634
01:27:42.800 --> 01:27:44.880
<v Speaker 2>he worked at the sal Kinds again. He did Santa

1635
01:27:44.880 --> 01:27:45.720
<v Speaker 2>Claus the movie.

1636
01:27:46.239 --> 01:27:48.239
<v Speaker 1>I was literally about to bring that up because I

1637
01:27:48.279 --> 01:27:50.039
<v Speaker 1>wanted to ask you, have you ever seen that?

1638
01:27:50.399 --> 01:27:53.239
<v Speaker 2>I have not seen it, but I don't know why,

1639
01:27:53.279 --> 01:27:53.600
<v Speaker 2>but I.

1640
01:27:53.600 --> 01:27:56.319
<v Speaker 1>Remember seeing it everywhere as a kid. I remember seeing

1641
01:27:56.319 --> 01:28:01.159
<v Speaker 1>something in the video store like books, and it seemed

1642
01:28:01.239 --> 01:28:02.880
<v Speaker 1>like sort of compelling because it came out when I

1643
01:28:02.880 --> 01:28:05.199
<v Speaker 1>was five. Sure, so I'm like, well, obviously I have

1644
01:28:05.239 --> 01:28:08.960
<v Speaker 1>a lot of interest in this man Santa Claus. He

1645
01:28:09.039 --> 01:28:13.119
<v Speaker 1>dictates an entire month of my year. But like, and

1646
01:28:13.680 --> 01:28:17.479
<v Speaker 1>it did look like a movie, you know, not like

1647
01:28:17.479 --> 01:28:19.520
<v Speaker 1>a brightly colored, made for kids kind of thing. It

1648
01:28:19.560 --> 01:28:23.159
<v Speaker 1>looked like, I don't know, like anything Steven Spielberg would make.

1649
01:28:23.560 --> 01:28:25.079
<v Speaker 1>And it starts Santa Claus. Like, it looked like a

1650
01:28:25.119 --> 01:28:27.560
<v Speaker 1>movie about Santa Claus. And I remember having interest in it,

1651
01:28:27.600 --> 01:28:30.560
<v Speaker 1>but I never got around to seeing it, and apparently

1652
01:28:30.560 --> 01:28:32.479
<v Speaker 1>it wasn't good, So I don't know.

1653
01:28:32.920 --> 01:28:36.159
<v Speaker 2>Yeah, that was sort of a legendary flop. And it's

1654
01:28:36.199 --> 01:28:39.800
<v Speaker 2>weird because we can look at it now and be like, well,

1655
01:28:39.800 --> 01:28:41.760
<v Speaker 2>that seems like a terrible thing to spend a lot

1656
01:28:41.760 --> 01:28:45.159
<v Speaker 2>of money on. But you can also weirdly see the

1657
01:28:45.199 --> 01:28:46.880
<v Speaker 2>sol kinds of being like, hey, we got a lot

1658
01:28:46.960 --> 01:28:50.439
<v Speaker 2>of success with this other epic take on this beloved

1659
01:28:50.720 --> 01:28:55.600
<v Speaker 2>flying man in red. Oh sure, yeah, yeah, yeah, let's

1660
01:28:55.600 --> 01:28:57.479
<v Speaker 2>give it a shot with this, So you know what

1661
01:28:57.479 --> 01:28:59.760
<v Speaker 2>I mean, You can see both sides of it, But yeah,

1662
01:29:00.319 --> 01:29:04.239
<v Speaker 2>that one Jenno Swark directed, which that did have Dudley Moore,

1663
01:29:04.359 --> 01:29:08.159
<v Speaker 2>but yeah, they got him. I'm sure they were all

1664
01:29:08.279 --> 01:29:12.239
<v Speaker 2>very happy. Everybody was happy to Dudley Moore participate. But

1665
01:29:12.520 --> 01:29:16.359
<v Speaker 2>if this was like the the the body blow, that

1666
01:29:16.479 --> 01:29:18.319
<v Speaker 2>was the double tap, you know, I think in terms

1667
01:29:18.359 --> 01:29:23.039
<v Speaker 2>of Zwark's movie career, yeah, he would go and he

1668
01:29:23.079 --> 01:29:25.960
<v Speaker 2>directed a ton of television. In fact, speaking of Superman,

1669
01:29:26.000 --> 01:29:28.279
<v Speaker 2>he did like fifteen sixteen episodes of Small Bill.

1670
01:29:28.680 --> 01:29:29.880
<v Speaker 1>Ah, good friend.

1671
01:29:29.960 --> 01:29:31.880
<v Speaker 2>You know, I remember seeing his name in the credits

1672
01:29:31.920 --> 01:29:34.840
<v Speaker 2>of that and be like, oh from supergol actually, speaking

1673
01:29:34.880 --> 01:29:41.359
<v Speaker 2>of other super connections, Helen Slater on Small Bill, she

1674
01:29:41.439 --> 01:29:48.039
<v Speaker 2>played Laura Uh, Superman's father mother excuse me, and his

1675
01:29:48.079 --> 01:29:52.079
<v Speaker 2>father was played by the guy who just he just

1676
01:29:52.119 --> 01:29:58.199
<v Speaker 2>passed away. Remember he went hiking Julian Sands. Oh really, yeah,

1677
01:29:58.239 --> 01:30:00.840
<v Speaker 2>yeah I remember he like he got lost on a hike.

1678
01:30:00.960 --> 01:30:03.159
<v Speaker 2>You remember that, and he just I do? Yeah, yeah, yeah, yeah,

1679
01:30:03.199 --> 01:30:07.399
<v Speaker 2>So he played Jorel. And then Helen Slater would go

1680
01:30:07.479 --> 01:30:11.800
<v Speaker 2>on to play on the Supergirl television show right which

1681
01:30:11.840 --> 01:30:15.399
<v Speaker 2>was on the c CBS and then the CW. She

1682
01:30:15.560 --> 01:30:21.720
<v Speaker 2>played Eliza Danvers, Kara's human mother. Oh okay, yeah, and

1683
01:30:21.760 --> 01:30:26.479
<v Speaker 2>she In fact, Helen Slater played her human mom and

1684
01:30:26.560 --> 01:30:29.399
<v Speaker 2>Dean Kine played her her foster father.

1685
01:30:30.840 --> 01:30:31.720
<v Speaker 1>Hmm. Interesting.

1686
01:30:32.000 --> 01:30:34.399
<v Speaker 2>And then I think at some point they wrote Dean

1687
01:30:34.520 --> 01:30:38.640
<v Speaker 2>Kane out of the show once, like his his douchery

1688
01:30:38.880 --> 01:30:43.039
<v Speaker 2>became too pronounced right. Just just this past week, as

1689
01:30:43.079 --> 01:30:47.159
<v Speaker 2>a matter of fact, somebody shared a meme of Millie

1690
01:30:47.239 --> 01:30:49.960
<v Speaker 2>Alcock from the new film and they contrasted it with

1691
01:30:50.119 --> 01:30:55.920
<v Speaker 2>like a like the the Neanderthal people from Land of

1692
01:30:55.960 --> 01:30:56.439
<v Speaker 2>the Lost.

1693
01:30:56.800 --> 01:31:00.560
<v Speaker 1>Yes, I saw someone on my own Facebook page post

1694
01:31:00.640 --> 01:31:01.600
<v Speaker 1>this that I used to work with.

1695
01:31:01.960 --> 01:31:05.520
<v Speaker 2>Yeah, and and he Dean Kane shared that and goes,

1696
01:31:05.840 --> 01:31:11.960
<v Speaker 2>I laughed, Yeah, And I'm just like, bro, like, what's

1697
01:31:11.960 --> 01:31:12.600
<v Speaker 2>wrong with you?

1698
01:31:12.399 --> 01:31:15.840
<v Speaker 1>You know, like I know, like this is like this.

1699
01:31:15.760 --> 01:31:18.720
<v Speaker 2>Is a human being you're talking about. I know that

1700
01:31:18.720 --> 01:31:21.159
<v Speaker 2>that is a person who is about to get thrust

1701
01:31:21.359 --> 01:31:26.479
<v Speaker 2>into just this freaking cauldron of fanboy rage.

1702
01:31:26.760 --> 01:31:28.800
<v Speaker 1>Yeah, and you're in the family.

1703
01:31:29.000 --> 01:31:33.119
<v Speaker 2>You're in the family. Yeah, Like forget being like, hey,

1704
01:31:33.279 --> 01:31:35.359
<v Speaker 2>let's not talk about somebody like that that. I don't

1705
01:31:35.520 --> 01:31:37.319
<v Speaker 2>I don't even expect that anymore. But I'm like, you

1706
01:31:37.520 --> 01:31:39.039
<v Speaker 2>you could have just not said anything.

1707
01:31:39.079 --> 01:31:41.720
<v Speaker 1>You could have just not say exactly you know, and

1708
01:31:41.760 --> 01:31:44.359
<v Speaker 1>again that's she's like your sister now in a way,

1709
01:31:44.359 --> 01:31:47.479
<v Speaker 1>I mean to your point, Like all these Superman's stories,

1710
01:31:47.840 --> 01:31:50.039
<v Speaker 1>I love the way that they bring all these people

1711
01:31:50.079 --> 01:31:51.680
<v Speaker 1>back and keep it all in the family, and it

1712
01:31:51.680 --> 01:31:54.840
<v Speaker 1>feels like they're this fraternity that they would look out

1713
01:31:54.880 --> 01:31:57.119
<v Speaker 1>for one another and support one another and bring new

1714
01:31:57.159 --> 01:31:59.520
<v Speaker 1>people into the fold and make them feel welcome, and like,

1715
01:31:59.600 --> 01:32:04.319
<v Speaker 1>why the world would you? It's very strange, very strange.

1716
01:32:04.399 --> 01:32:06.720
<v Speaker 2>It's yeah, I think unfortunate. I mean, this is a

1717
01:32:06.760 --> 01:32:10.359
<v Speaker 2>broader conversation, but just sort of that online affirmation when

1718
01:32:10.359 --> 01:32:15.079
<v Speaker 2>somebody hits like on your friggin' bullshit, like whatever endorphin

1719
01:32:15.600 --> 01:32:18.439
<v Speaker 2>rush it sends to your brain, you know, right right,

1720
01:32:18.920 --> 01:32:22.000
<v Speaker 2>that's a it's a broader discussion, but I mean it's

1721
01:32:22.039 --> 01:32:27.000
<v Speaker 2>it is. I feel terrible already for whatever Millie Alcock

1722
01:32:27.119 --> 01:32:31.399
<v Speaker 2>is going through. I know, I know, you know, because

1723
01:32:31.479 --> 01:32:36.319
<v Speaker 2>it's just it's it's it's just who wants to deal

1724
01:32:36.399 --> 01:32:40.720
<v Speaker 2>with this? You know? I know? I know now now

1725
01:32:40.760 --> 01:32:46.199
<v Speaker 2>that said, I met Helen Slater at a convention twenty

1726
01:32:46.279 --> 01:32:48.840
<v Speaker 2>years ago or so, yeah, and I have to admit

1727
01:32:48.960 --> 01:32:53.279
<v Speaker 2>I was like, yeah, oh man, I mean, well I

1728
01:32:53.600 --> 01:32:56.319
<v Speaker 2>thought she was gorgeous when this movie.

1729
01:32:56.079 --> 01:32:59.039
<v Speaker 1>Came out, you know for sure. I mean, yeah, she's beautiful, She's.

1730
01:32:58.720 --> 01:33:00.399
<v Speaker 2>She's luminous even now, you know.

1731
01:33:01.039 --> 01:33:01.640
<v Speaker 1>That's awesome.

1732
01:33:01.800 --> 01:33:05.399
<v Speaker 2>Yeah, it's a nice got to have a it was

1733
01:33:05.520 --> 01:33:08.880
<v Speaker 2>I was. I was there like before the floor opened up,

1734
01:33:08.880 --> 01:33:11.119
<v Speaker 2>so I was actually able to have like actual conversations

1735
01:33:11.119 --> 01:33:13.960
<v Speaker 2>with people, which is really nice. Yeah.

1736
01:33:14.039 --> 01:33:16.760
<v Speaker 1>Oh that's cool. Yeah, yeah, yeah, I got it. That'll

1737
01:33:16.760 --> 01:33:19.640
<v Speaker 1>be my follow up to this as I'll check out

1738
01:33:19.640 --> 01:33:20.520
<v Speaker 1>the legend of Billy Jean.

1739
01:33:21.439 --> 01:33:25.439
<v Speaker 2>Yeah, exactly, you know, I mean that that's kind of

1740
01:33:25.520 --> 01:33:29.039
<v Speaker 2>the thing for me is I'm always I'm always glad

1741
01:33:29.199 --> 01:33:32.359
<v Speaker 2>when you have somebody make their debut in a film

1742
01:33:32.399 --> 01:33:35.119
<v Speaker 2>like this, and even if the movie underperforms, if they've

1743
01:33:35.159 --> 01:33:37.920
<v Speaker 2>done a good job, like they are rewarded in terms

1744
01:33:37.960 --> 01:33:41.399
<v Speaker 2>of some degree of career longevity. Right. It's a little

1745
01:33:41.399 --> 01:33:45.760
<v Speaker 2>bit like Kyle McLaughlin in Dune. Mmm, sure, right, where

1746
01:33:45.800 --> 01:33:49.119
<v Speaker 2>I'm like that that movie should have just just been

1747
01:33:49.159 --> 01:33:53.079
<v Speaker 2>a nuclear event for his career. Right, But my man

1748
01:33:53.119 --> 01:33:54.319
<v Speaker 2>has never stopped working.

1749
01:33:54.640 --> 01:33:58.439
<v Speaker 1>Yeah yeah, you know yeah, and David Lynch obviously found

1750
01:34:00.119 --> 01:34:01.760
<v Speaker 1>some sort of muse with him, right, I mean the

1751
01:34:02.039 --> 01:34:08.560
<v Speaker 1>velvet and direst of course, I don't know. I just

1752
01:34:09.159 --> 01:34:11.680
<v Speaker 1>actually I was laughing more at the scene earlier where

1753
01:34:13.840 --> 01:34:18.000
<v Speaker 1>I can't even remember these characters' names. Stay down away,

1754
01:34:18.119 --> 01:34:19.359
<v Speaker 1>she like throws a coconut.

1755
01:34:20.159 --> 01:34:24.039
<v Speaker 2>Yeah you know it just with with remarkable precision.

1756
01:34:24.640 --> 01:34:28.520
<v Speaker 1>Yeah, heart Backner's head on a beach. And then Beyonca's

1757
01:34:28.560 --> 01:34:30.439
<v Speaker 1>just sitting there kind of with her legs crossed and

1758
01:34:30.680 --> 01:34:32.760
<v Speaker 1>holding a cigarette, just watching it all go down. And

1759
01:34:32.800 --> 01:34:34.960
<v Speaker 1>I'm like, what, this is such a funny movie.

1760
01:34:35.640 --> 01:34:40.039
<v Speaker 2>Well, that's the thing, right, because because getting beamed on

1761
01:34:40.079 --> 01:34:41.920
<v Speaker 2>the melon with a coconut.

1762
01:34:41.560 --> 01:34:45.279
<v Speaker 1>From the sky no less yeah right, not just a tree.

1763
01:34:46.159 --> 01:34:49.119
<v Speaker 2>And it came from out of like it had to

1764
01:34:49.159 --> 01:34:53.600
<v Speaker 2>have achieved escape velocity. Yeah right, And so that's something

1765
01:34:53.640 --> 01:34:55.880
<v Speaker 2>you roll with in a comedy. But if we're living

1766
01:34:55.880 --> 01:34:58.479
<v Speaker 2>in an ostensibly real world, I'm like, he should be dead.

1767
01:34:58.640 --> 01:35:00.640
<v Speaker 1>Yeah, he'd be dead. I mean, isn't one of those

1768
01:35:01.239 --> 01:35:03.800
<v Speaker 1>facts that comes up a lot where a certain number

1769
01:35:03.840 --> 01:35:06.760
<v Speaker 1>of people die a year because coconuts fall in their heads.

1770
01:35:07.479 --> 01:35:09.840
<v Speaker 2>That is fascinating and frightening.

1771
01:35:10.199 --> 01:35:13.800
<v Speaker 1>Yeah, so stay away from coconut trees, or at least

1772
01:35:13.800 --> 01:35:16.680
<v Speaker 1>not directly underneath them, ye stand away.

1773
01:35:17.199 --> 01:35:22.279
<v Speaker 2>Yeah, he disappears.

1774
01:35:22.279 --> 01:35:24.600
<v Speaker 1>I kind of want like a, I know, that's what

1775
01:35:24.720 --> 01:35:28.119
<v Speaker 1>we needed, or why not just go?

1776
01:35:32.920 --> 01:35:35.520
<v Speaker 2>You know, whenever you have scenes in movies like what

1777
01:35:35.560 --> 01:35:38.119
<v Speaker 2>we just saw here, where you have characters who are

1778
01:35:39.119 --> 01:35:43.079
<v Speaker 2>like they're able, they're able to see what's happening far away,

1779
01:35:43.119 --> 01:35:46.359
<v Speaker 2>you know, yes, yes, I think I were, and we

1780
01:35:46.479 --> 01:35:49.359
<v Speaker 2>see the image. I'm always like, how how is the

1781
01:35:49.479 --> 01:35:51.920
<v Speaker 2>camera placement dictated on what you see?

1782
01:35:52.399 --> 01:35:52.520
<v Speaker 1>Uh?

1783
01:35:52.600 --> 01:35:56.600
<v Speaker 2>Huh yes, right, like yeah, it's very specific, like the

1784
01:35:56.640 --> 01:35:57.520
<v Speaker 2>framing and everything.

1785
01:35:57.560 --> 01:36:01.880
<v Speaker 1>This is yes, Yeah, it's like when people watch home

1786
01:36:01.960 --> 01:36:07.199
<v Speaker 1>movies in movies, but they're like cut, they're they're edited exactly,

1787
01:36:07.319 --> 01:36:10.439
<v Speaker 1>you know, like that's how not how home movies work.

1788
01:36:12.000 --> 01:36:17.640
<v Speaker 1>They're handheld uncut, that's right. Yeah, they look like produced cinema.

1789
01:36:18.920 --> 01:36:21.000
<v Speaker 1>So yeah, her magic mirror effect is kind of funny

1790
01:36:21.039 --> 01:36:25.439
<v Speaker 1>because it's like cinema framing, cinema editing is exactly. Yeah,

1791
01:36:27.960 --> 01:36:32.079
<v Speaker 1>this mountain, you know, looks pretty good. Not gonna lie.

1792
01:36:32.119 --> 01:36:34.760
<v Speaker 1>I don't know about the liquid that's coming down the sides,

1793
01:36:34.800 --> 01:36:40.119
<v Speaker 1>but right effect the lighting making it looks like it

1794
01:36:40.119 --> 01:36:41.560
<v Speaker 1>look like it's at the end of the street. That's

1795
01:36:41.600 --> 01:36:42.159
<v Speaker 1>pretty good.

1796
01:36:43.199 --> 01:36:45.199
<v Speaker 2>But I think to the point you were making earlier

1797
01:36:45.319 --> 01:36:51.359
<v Speaker 2>it's I we don't know anything about Selena. Yeah, so

1798
01:36:51.600 --> 01:36:56.439
<v Speaker 2>it's kind of like, why does she want this? Why

1799
01:36:56.439 --> 01:36:58.600
<v Speaker 2>does she want to castle on top of the mountain?

1800
01:37:02.239 --> 01:37:05.079
<v Speaker 1>Right, Like, yeah, it's just a funny sentence. Why does

1801
01:37:05.119 --> 01:37:07.279
<v Speaker 1>she want a castle on top of a mountain? I

1802
01:37:07.279 --> 01:37:07.680
<v Speaker 1>don't know.

1803
01:37:07.960 --> 01:37:10.279
<v Speaker 2>It seems inconvenient to me. I'm just gonna put this

1804
01:37:10.359 --> 01:37:10.760
<v Speaker 2>out there.

1805
01:37:12.840 --> 01:37:15.159
<v Speaker 1>I don't disagree, which, by the way, just reminds me

1806
01:37:15.199 --> 01:37:16.920
<v Speaker 1>of one of my favorite things that makes me smile,

1807
01:37:16.960 --> 01:37:18.960
<v Speaker 1>and I wouldn't change or have any other way. But

1808
01:37:19.000 --> 01:37:21.680
<v Speaker 1>I love in Edward Scissorhands how it takes place in

1809
01:37:21.720 --> 01:37:25.279
<v Speaker 1>this like hilarious nineteen fifties suburban neighborhood. But at the

1810
01:37:25.359 --> 01:37:28.720
<v Speaker 1>end of the street there's this giant Gothic castle on

1811
01:37:28.760 --> 01:37:31.760
<v Speaker 1>a mountain that they're like, oh, yeah, that thing.

1812
01:37:33.119 --> 01:37:34.960
<v Speaker 2>That's right. I love that basically that.

1813
01:37:35.359 --> 01:37:37.960
<v Speaker 1>Yeah, but that's a fairy tale.

1814
01:37:38.239 --> 01:37:41.039
<v Speaker 2>This is trying to be a fairy tale. That's true.

1815
01:37:44.840 --> 01:37:48.439
<v Speaker 2>I think the fact that Okay, I mean, granted, you

1816
01:37:48.479 --> 01:37:51.479
<v Speaker 2>don't have Chris Reeve. Chris Reeves. Chris Reeve made very

1817
01:37:51.479 --> 01:37:54.359
<v Speaker 2>clear he wants something to do with this. Yeah, although

1818
01:37:54.359 --> 01:37:56.760
<v Speaker 2>hopefully he did get a check for them using his

1819
01:37:57.159 --> 01:38:01.800
<v Speaker 2>face on that poster. Right. But I think even still,

1820
01:38:02.800 --> 01:38:05.439
<v Speaker 2>by virtue of Mark McClure being in this movie, you're

1821
01:38:05.560 --> 01:38:07.840
<v Speaker 2>explicitly connecting it to those other movies. So I think

1822
01:38:07.880 --> 01:38:13.640
<v Speaker 2>you have responsibility to make it fit, not just tonally,

1823
01:38:13.680 --> 01:38:15.960
<v Speaker 2>but also in terms of how you how you depict

1824
01:38:16.000 --> 01:38:19.239
<v Speaker 2>the world, right. And I think that's the problem, is

1825
01:38:19.279 --> 01:38:22.359
<v Speaker 2>that there's nothing there's nothing in the prior films that

1826
01:38:22.399 --> 01:38:30.880
<v Speaker 2>talks about magic as a factor, you know, right. And

1827
01:38:31.159 --> 01:38:33.680
<v Speaker 2>I'm not saying magic can't exist, you know, I am

1828
01:38:33.760 --> 01:38:38.800
<v Speaker 2>saying I don't like this wasn't the movie to do it.

1829
01:38:38.840 --> 01:38:41.159
<v Speaker 2>That would have been something that you do in the

1830
01:38:41.239 --> 01:38:44.640
<v Speaker 2>sequel once you have explicitly connected this to that the

1831
01:38:44.680 --> 01:38:46.960
<v Speaker 2>previous films, right right.

1832
01:38:48.079 --> 01:38:48.279
<v Speaker 1>You know.

1833
01:38:48.359 --> 01:38:51.560
<v Speaker 2>It's it's like one thing I always say is like audience,

1834
01:38:51.760 --> 01:38:54.920
<v Speaker 2>Like in terms of suspension of disbelief, your audience will

1835
01:38:54.960 --> 01:39:00.720
<v Speaker 2>go with you. But once you establish the rules, you

1836
01:39:00.720 --> 01:39:04.600
<v Speaker 2>you can only gently push those boundaries, you can't break them,

1837
01:39:04.960 --> 01:39:09.720
<v Speaker 2>right right. It's it's like if a cyborg showed up

1838
01:39:09.720 --> 01:39:13.159
<v Speaker 2>in Lord of the Rings, right right, you'd be like,

1839
01:39:13.239 --> 01:39:15.239
<v Speaker 2>come on, even though it's a world of orcs and

1840
01:39:15.279 --> 01:39:16.159
<v Speaker 2>demons and everything else.

1841
01:39:16.239 --> 01:39:18.680
<v Speaker 1>Yeah, no, Actually that's a that's a great example. Yeah,

1842
01:39:19.119 --> 01:39:22.039
<v Speaker 1>you know, yeah, I like those things, but those things

1843
01:39:22.079 --> 01:39:23.760
<v Speaker 1>don't mesh in my mind.

1844
01:39:23.840 --> 01:39:24.680
<v Speaker 2>Exactly, right.

1845
01:39:24.760 --> 01:39:25.640
<v Speaker 1>Yeah.

1846
01:39:26.399 --> 01:39:29.640
<v Speaker 2>So the I've always loved the effect, the phantom zone effect.

1847
01:39:29.840 --> 01:39:34.680
<v Speaker 1>Yeah, it's cool, the glass or the mirror floating, yeah,

1848
01:39:34.760 --> 01:39:35.720
<v Speaker 1>twirling through space.

1849
01:39:36.159 --> 01:39:39.279
<v Speaker 2>But my question is, so the the thing that you know,

1850
01:39:39.319 --> 01:39:43.119
<v Speaker 2>the glass thing, so is that I always thought that

1851
01:39:43.279 --> 01:39:44.399
<v Speaker 2>is the phantom zone.

1852
01:39:44.520 --> 01:39:47.119
<v Speaker 1>I thought so too. Yeah, but of course what.

1853
01:39:47.039 --> 01:39:50.000
<v Speaker 2>We see here makes it seem like it's a vessel

1854
01:39:50.079 --> 01:39:52.000
<v Speaker 2>that gets you to the phantom zone.

1855
01:39:52.000 --> 01:39:55.640
<v Speaker 1>Right, which is like this desolate planet. Right.

1856
01:39:56.000 --> 01:39:59.159
<v Speaker 2>Yeah, this is very confusing, right, I.

1857
01:39:59.159 --> 01:40:02.920
<v Speaker 1>Mean that wasn't the case before. But they needed her

1858
01:40:03.439 --> 01:40:07.359
<v Speaker 1>to meet with the Peter O'Toole again, and that would

1859
01:40:07.359 --> 01:40:09.079
<v Speaker 1>be kind of funny actually if that happened just in

1860
01:40:09.119 --> 01:40:12.359
<v Speaker 1>a floating mirror, Like she's standing like ah and then

1861
01:40:12.399 --> 01:40:14.800
<v Speaker 1>he's like ough and like bumps into her and she's like, oh,

1862
01:40:15.079 --> 01:40:17.560
<v Speaker 1>what are you doing here? It's just you know, as

1863
01:40:17.560 --> 01:40:20.439
<v Speaker 1>they're confined to this small little shard of glass floating

1864
01:40:20.439 --> 01:40:20.960
<v Speaker 1>through space.

1865
01:40:21.960 --> 01:40:24.000
<v Speaker 2>Yeah. See, like I wonder if there was a better

1866
01:40:24.039 --> 01:40:26.680
<v Speaker 2>way to visualize it.

1867
01:40:28.159 --> 01:40:31.159
<v Speaker 1>So it doesn't just look like she sent her to Mars.

1868
01:40:32.199 --> 01:40:35.439
<v Speaker 2>Yeah, well I I yeah, exactly right, because because if

1869
01:40:35.439 --> 01:40:40.239
<v Speaker 2>you remember, you know, in in in Superman the movie,

1870
01:40:40.520 --> 01:40:43.760
<v Speaker 2>we see the three criminals are are are sent to

1871
01:40:43.800 --> 01:40:47.560
<v Speaker 2>the Phantom Zone, and that glass is just spinning in space, right,

1872
01:40:48.279 --> 01:40:51.159
<v Speaker 2>and then in Superman two, the nuclear blasts or the

1873
01:40:51.199 --> 01:40:55.159
<v Speaker 2>atomic bomb it explodes, and then and then they're freed

1874
01:40:55.199 --> 01:40:58.319
<v Speaker 2>from the prison, right, So then by that means they

1875
01:40:58.359 --> 01:41:00.439
<v Speaker 2>have been in the phantom Zone that entire time.

1876
01:41:01.560 --> 01:41:03.039
<v Speaker 1>Yeah, So I.

1877
01:41:02.960 --> 01:41:06.399
<v Speaker 2>Feel like, what what what might have been more effective

1878
01:41:06.520 --> 01:41:09.680
<v Speaker 2>is you see her enveloped in the in the thing,

1879
01:41:09.760 --> 01:41:12.000
<v Speaker 2>you know, and and it goes off into space, and

1880
01:41:12.039 --> 01:41:15.600
<v Speaker 2>then essentially our perspective shifts, so it's like the camera

1881
01:41:15.680 --> 01:41:19.119
<v Speaker 2>passes through the glass and now we're seeing it from

1882
01:41:19.159 --> 01:41:20.439
<v Speaker 2>the inside out.

1883
01:41:20.880 --> 01:41:21.159
<v Speaker 3>Mmm.

1884
01:41:22.199 --> 01:41:24.880
<v Speaker 2>Does that make sense totally? Yeah, So that way we're

1885
01:41:24.920 --> 01:41:26.840
<v Speaker 2>not doing the thing like it shatters and she's it's

1886
01:41:26.840 --> 01:41:29.119
<v Speaker 2>like that we go through and now we see what

1887
01:41:29.239 --> 01:41:31.520
<v Speaker 2>it's like inside for the people who are there.

1888
01:41:31.760 --> 01:41:36.279
<v Speaker 1>Yeah. Yeah, which in my mind would be some sort

1889
01:41:36.319 --> 01:41:39.359
<v Speaker 1>of like big haunting house of mirrors or something.

1890
01:41:39.960 --> 01:41:40.600
<v Speaker 2>Yeah.

1891
01:41:41.560 --> 01:41:45.199
<v Speaker 1>Or I mean it can even make sense, right or

1892
01:41:45.199 --> 01:41:46.000
<v Speaker 1>it makes a little sense.

1893
01:41:46.079 --> 01:41:49.399
<v Speaker 2>Yeah, Like there's no time there's no space, there's nothing.

1894
01:41:49.439 --> 01:41:50.640
<v Speaker 1>It's just exactly.

1895
01:41:51.399 --> 01:41:52.720
<v Speaker 2>I have to say. I was watching this with my

1896
01:41:52.840 --> 01:41:57.159
<v Speaker 2>daughter and right away she's like, Zaltar is going to

1897
01:41:57.199 --> 01:42:00.760
<v Speaker 2>find her. Really, so she's she's plugged into this stuff.

1898
01:42:04.000 --> 01:42:08.720
<v Speaker 1>I wasn't even thinking about it, but I so this. Yeah,

1899
01:42:08.720 --> 01:42:11.079
<v Speaker 1>this I think was a moment again where I like

1900
01:42:11.119 --> 01:42:12.439
<v Speaker 1>looked down for a second and I was like, wait

1901
01:42:12.439 --> 01:42:14.239
<v Speaker 1>a minute, why did they have signs against her? How

1902
01:42:14.239 --> 01:42:15.520
<v Speaker 1>do they even know who this person is?

1903
01:42:15.920 --> 01:42:18.239
<v Speaker 2>That's what I'm saying. It's it's like she snapped her

1904
01:42:18.239 --> 01:42:21.199
<v Speaker 2>fingers and now it's it's Biff nineteen eighty five.

1905
01:42:21.720 --> 01:42:24.319
<v Speaker 1>Yeah, okay, okay, okay.

1906
01:42:24.239 --> 01:42:27.600
<v Speaker 2>But that's my question is like, is it like she

1907
01:42:27.760 --> 01:42:31.520
<v Speaker 2>was operating in si in in silence this entire time,

1908
01:42:31.600 --> 01:42:34.439
<v Speaker 2>like you know, nobody knew who she was, and then

1909
01:42:34.520 --> 01:42:36.920
<v Speaker 2>suddenly now everybody knows or was it always like oh

1910
01:42:36.960 --> 01:42:37.840
<v Speaker 2>that crazy witch.

1911
01:42:39.840 --> 01:42:43.119
<v Speaker 1>Yeah, like they know that there's that crazy person in town.

1912
01:42:43.680 --> 01:42:47.279
<v Speaker 2>So this here where Lucy's like my roommate Linda, and

1913
01:42:47.279 --> 01:42:49.239
<v Speaker 2>then they both be on Ka and Selena are like

1914
01:42:49.560 --> 01:42:53.239
<v Speaker 2>the whimp. I'm like, that is the weirdest thing in

1915
01:42:53.279 --> 01:42:53.760
<v Speaker 2>this movie.

1916
01:42:55.479 --> 01:42:59.560
<v Speaker 1>Yeah, I read something I don't know if this is

1917
01:42:59.600 --> 01:43:03.880
<v Speaker 1>true or not, but that apparently you see some big

1918
01:43:04.079 --> 01:43:07.439
<v Speaker 1>puddle of water that suddenly appears in the scene, okay,

1919
01:43:07.680 --> 01:43:11.239
<v Speaker 1>right there maybe or maybe when they're standing there with

1920
01:43:11.319 --> 01:43:14.800
<v Speaker 1>the signs, and apparently it's from a deleted scene where

1921
01:43:14.800 --> 01:43:20.520
<v Speaker 1>Selena turns a protester into an ice statue and shatters it.

1922
01:43:20.720 --> 01:43:21.039
<v Speaker 2>Cool.

1923
01:43:21.159 --> 01:43:22.600
<v Speaker 1>Cool, cool, that's what I said. I was like, I

1924
01:43:22.800 --> 01:43:28.159
<v Speaker 1>kin see that, right of all the things to not

1925
01:43:28.319 --> 01:43:29.119
<v Speaker 1>cut and the.

1926
01:43:29.159 --> 01:43:31.680
<v Speaker 2>Thing kind of a cut, kind of a moss Man

1927
01:43:31.960 --> 01:43:38.319
<v Speaker 2>in Masters of the Universe. Sure, yeah, yeah, yeah, right

1928
01:43:38.359 --> 01:43:40.319
<v Speaker 2>here this is where and I was like, yep, it's

1929
01:43:40.359 --> 01:43:43.239
<v Speaker 2>Altar or actually she was like, it's what's his name, Zaltar?

1930
01:43:44.439 --> 01:43:46.399
<v Speaker 1>She said that yeah, literally wow.

1931
01:43:48.239 --> 01:43:49.279
<v Speaker 2>So she was paying attention.

1932
01:43:50.119 --> 01:43:52.119
<v Speaker 1>She's like, this is when Lawrence of Arabio shows up,

1933
01:43:54.119 --> 01:43:56.560
<v Speaker 1>knowing your daughter. Seriously.

1934
01:43:59.039 --> 01:44:02.600
<v Speaker 2>There's also a funny bit later where where they see her,

1935
01:44:04.560 --> 01:44:08.039
<v Speaker 2>you know, Patty and Selma see you're in the Phantoms yea,

1936
01:44:08.479 --> 01:44:11.199
<v Speaker 2>and they're like, she's with some old guy. And I

1937
01:44:11.239 --> 01:44:13.439
<v Speaker 2>was like, how old was peedo o'tool? And he's like

1938
01:44:13.520 --> 01:44:14.960
<v Speaker 2>early fifties.

1939
01:44:14.479 --> 01:44:15.720
<v Speaker 1>He's fifty one. I looked at him.

1940
01:44:15.760 --> 01:44:20.880
<v Speaker 2>Yeah, I'm like, okay, come on, yeah. Still he seems

1941
01:44:20.960 --> 01:44:31.000
<v Speaker 2>like a perfectly adequate fifty year old man. Come on, right, right, right, Yeah,

1942
01:44:31.079 --> 01:44:33.359
<v Speaker 2>Peter O'Toole is an interesting cat, though. You know, it's

1943
01:44:33.399 --> 01:44:36.600
<v Speaker 2>like it definitely feels like he sort of fell victim

1944
01:44:36.640 --> 01:44:41.840
<v Speaker 2>to his own, you know, predilections.

1945
01:44:42.279 --> 01:44:44.720
<v Speaker 1>Yeah, because I remember he had that kind of comeback

1946
01:44:44.760 --> 01:44:48.880
<v Speaker 1>moment with Venus. That's right, maybe like fifteen twenty years ago,

1947
01:44:49.079 --> 01:44:51.960
<v Speaker 1>and I don't remember if he was nominated.

1948
01:44:52.399 --> 01:44:54.159
<v Speaker 2>I think twenty thirteen he died.

1949
01:44:54.239 --> 01:44:58.319
<v Speaker 1>Okay, right, he either was nominated or won an Oscar

1950
01:44:58.399 --> 01:44:58.640
<v Speaker 1>for that.

1951
01:44:59.640 --> 01:45:06.079
<v Speaker 2>Yeah, I had his I'm looking now. He's on the Tutors.

1952
01:45:07.760 --> 01:45:09.920
<v Speaker 2>That's right, he was in the Tutors. I forgot about that.

1953
01:45:12.079 --> 01:45:17.720
<v Speaker 1>I'd ratitituey. He's anton Ego, that's right. Well, I was

1954
01:45:17.760 --> 01:45:23.840
<v Speaker 1>spot on twenty years Venus anyway. Yeah, yeah, but I

1955
01:45:23.880 --> 01:45:25.840
<v Speaker 1>know him best from Lawrence of Arabia.

1956
01:45:26.159 --> 01:45:27.439
<v Speaker 2>Oh not from Supergirl.

1957
01:45:28.680 --> 01:45:32.720
<v Speaker 1>Well now, Zaltar, the guy who sacrifices himself.

1958
01:45:33.800 --> 01:45:37.119
<v Speaker 2>Yeah, the Tutors, by the way, which also start Henry Cavill.

1959
01:45:38.119 --> 01:45:40.640
<v Speaker 1>Oh really see, Oh, there's.

1960
01:45:40.239 --> 01:45:42.600
<v Speaker 2>So many Superman interconnections at these.

1961
01:45:42.439 --> 01:45:43.720
<v Speaker 1>Things, you know, Yeah, there really is.

1962
01:45:44.880 --> 01:45:47.960
<v Speaker 2>See Jimmy Olsen is so completely useless in this movie.

1963
01:45:47.960 --> 01:45:51.560
<v Speaker 2>That's what I feel bad for Mark McClure, because he's

1964
01:45:51.640 --> 01:45:54.720
<v Speaker 2>entirely right. I'm sure. I'm sure he was happy to

1965
01:45:55.039 --> 01:45:56.199
<v Speaker 2>get that paycheck.

1966
01:45:56.399 --> 01:45:58.840
<v Speaker 1>Yeah, I was gonna say, I guess it's like you

1967
01:45:58.880 --> 01:46:00.600
<v Speaker 1>know that a pros and cons.

1968
01:46:01.000 --> 01:46:04.119
<v Speaker 2>Yeah, because because he he said like he had just

1969
01:46:04.119 --> 01:46:08.439
<v Speaker 2>finished Superman three, which was also in the UK, and

1970
01:46:08.479 --> 01:46:10.479
<v Speaker 2>they're probably like, hey, hang out for another couple of

1971
01:46:10.520 --> 01:46:12.279
<v Speaker 2>weeks and and just do this thing.

1972
01:46:13.039 --> 01:46:15.600
<v Speaker 1>Yeah, create a link. I understand it, but they just

1973
01:46:15.680 --> 01:46:18.800
<v Speaker 1>don't make it seem necessary at all.

1974
01:46:18.960 --> 01:46:20.960
<v Speaker 2>Yeah. Like, I guess what I'm saying is I would

1975
01:46:21.000 --> 01:46:24.079
<v Speaker 2>have liked for this film to show us a little

1976
01:46:24.079 --> 01:46:25.840
<v Speaker 2>bit of a side of him, like, you know, all

1977
01:46:25.880 --> 01:46:28.079
<v Speaker 2>that hanging around Superman has taught him something.

1978
01:46:28.000 --> 01:46:32.319
<v Speaker 1>Mm hmm, totally totally. But instead he's just a man

1979
01:46:32.359 --> 01:46:35.960
<v Speaker 1>of inaction, yeah when stuff's going down, and then he

1980
01:46:36.000 --> 01:46:38.840
<v Speaker 1>gets to be like another person in a hanging from

1981
01:46:38.840 --> 01:46:42.239
<v Speaker 1>the ceiling in a cage exactly you know who He

1982
01:46:42.319 --> 01:46:46.680
<v Speaker 1>even comments on like what seriously hanging in a cage

1983
01:46:46.680 --> 01:46:48.560
<v Speaker 1>from the ceiling? How unoriginal?

1984
01:46:48.720 --> 01:46:51.479
<v Speaker 2>Basically that's just Mark McClure.

1985
01:46:52.159 --> 01:46:55.760
<v Speaker 1>I've I was like, do you know that that little

1986
01:46:55.760 --> 01:46:59.720
<v Speaker 1>trivia from the Lego movie where Morgan Freeman's wizard character

1987
01:46:59.760 --> 01:47:01.960
<v Speaker 1>He's is something like, all right, we gotta write all

1988
01:47:01.960 --> 01:47:04.359
<v Speaker 1>that down because I'm not gonna remember any of it, Okay,

1989
01:47:04.960 --> 01:47:07.119
<v Speaker 1>And apparently, and it sounds very random and funny in

1990
01:47:07.159 --> 01:47:09.119
<v Speaker 1>the movie, and it turns out that was Morgan Freeman

1991
01:47:09.680 --> 01:47:13.680
<v Speaker 1>unhappy while they were recording and excited to use it. Yeah,

1992
01:47:13.760 --> 01:47:14.640
<v Speaker 1>that's hilarious.

1993
01:47:14.720 --> 01:47:15.279
<v Speaker 2>I didn't know that.

1994
01:47:15.359 --> 01:47:17.079
<v Speaker 1>So you gotta wonder you have that's Mark McClure, Like,

1995
01:47:17.119 --> 01:47:21.479
<v Speaker 1>what seriously hanging from a ceiling? Who wrote this stuff? Yeah?

1996
01:47:22.479 --> 01:47:25.640
<v Speaker 2>See, So going back to what I was saying earlier,

1997
01:47:25.720 --> 01:47:31.800
<v Speaker 2>if you make Zaltar Zorel and you make him Kara's.

1998
01:47:31.520 --> 01:47:34.439
<v Speaker 1>Father, oh man, Yeah, doesn't that.

1999
01:47:34.359 --> 01:47:37.720
<v Speaker 2>Make all of this just a lot more emotional? Yeah?

2000
01:47:37.760 --> 01:47:40.039
<v Speaker 1>All of it? All of it like we forgive you.

2001
01:47:40.680 --> 01:47:44.760
<v Speaker 1>I I'm being punished for your mistake, but like I'm

2002
01:47:44.800 --> 01:47:47.159
<v Speaker 1>gonna help you get out here to correct it. You know,

2003
01:47:47.159 --> 01:47:50.279
<v Speaker 1>I'll sacrifice myself absolutely, you know.

2004
01:47:50.319 --> 01:47:53.279
<v Speaker 2>Again, It's just those are those types of choices that

2005
01:47:53.319 --> 01:47:56.840
<v Speaker 2>I look at and I'm like, well, I don't think

2006
01:47:56.880 --> 01:48:01.479
<v Speaker 2>I'm you know, that ahead of the curve, you know,

2007
01:48:02.439 --> 01:48:04.800
<v Speaker 2>And it's not like it's oh well forty years of hindsight.

2008
01:48:04.840 --> 01:48:06.640
<v Speaker 2>I mean, this feels like the type of decision making

2009
01:48:06.680 --> 01:48:09.319
<v Speaker 2>you make it while this is all coming right, because

2010
01:48:09.399 --> 01:48:14.000
<v Speaker 2>ultimately it's like, how how do we connect every character

2011
01:48:14.119 --> 01:48:16.159
<v Speaker 2>to our main character in a way where there's some

2012
01:48:16.239 --> 01:48:22.520
<v Speaker 2>emotional push and pull? And that's a no brainer to me. Yeah,

2013
01:48:23.000 --> 01:48:25.560
<v Speaker 2>you know, and you allow because to me, this is

2014
01:48:25.640 --> 01:48:32.439
<v Speaker 2>the equivalent of, you know, when when Superman is able

2015
01:48:32.479 --> 01:48:34.960
<v Speaker 2>to connect with his father through the computer in the

2016
01:48:35.520 --> 01:48:39.000
<v Speaker 2>Fortress Solitude. You know, it's just it's like this thing

2017
01:48:39.079 --> 01:48:42.039
<v Speaker 2>that she thought she had lost, but now she has it. Yeah,

2018
01:48:42.079 --> 01:48:44.159
<v Speaker 2>and you know, her final test is that she you know,

2019
01:48:44.239 --> 01:48:46.800
<v Speaker 2>she has to lose her mentor you know. Yep.

2020
01:48:50.479 --> 01:48:55.039
<v Speaker 1>Gotta say, man, the practical sets yeah something to it.

2021
01:48:55.520 --> 01:48:57.319
<v Speaker 2>By the way, she's really good in this scene.

2022
01:48:57.399 --> 01:49:00.279
<v Speaker 1>I was literally thinking that when she takes the squirt

2023
01:49:00.359 --> 01:49:04.520
<v Speaker 1>bottle thing, yeah and kind of does this this smile.

2024
01:49:05.199 --> 01:49:06.279
<v Speaker 2>Yeah, I was like, wow.

2025
01:49:06.119 --> 01:49:10.319
<v Speaker 1>That's really good. Yeah, She's she's experiencing a lot of

2026
01:49:10.319 --> 01:49:12.840
<v Speaker 1>feelings right here, and she's expressing them really well.

2027
01:49:14.000 --> 01:49:17.960
<v Speaker 2>Now the the sal Kinds initially wanted brook Shields.

2028
01:49:19.239 --> 01:49:21.880
<v Speaker 1>For this fal I mean, I can see that especially

2029
01:49:21.920 --> 01:49:22.840
<v Speaker 1>in this moment.

2030
01:49:22.800 --> 01:49:24.800
<v Speaker 2>At this moment, I can see it. Yeah, I think

2031
01:49:25.000 --> 01:49:26.840
<v Speaker 2>I think Brooke Shields was in the mix. I know

2032
01:49:26.920 --> 01:49:31.640
<v Speaker 2>Demi Moore read for it interesting and I think ultimately

2033
01:49:31.960 --> 01:49:34.119
<v Speaker 2>I think with Brooke Shields they just decided she was

2034
01:49:34.159 --> 01:49:39.439
<v Speaker 2>too famous. M and and I mean certainly that's true

2035
01:49:39.520 --> 01:49:42.720
<v Speaker 2>in that that was exactly the process they went through

2036
01:49:42.720 --> 01:49:46.159
<v Speaker 2>with with Superman. Right where before Chris Reeve comes in,

2037
01:49:46.239 --> 01:49:51.439
<v Speaker 2>they're looking at gosh, like Sylvester Stallone and Robert Redford

2038
01:49:51.560 --> 01:49:54.720
<v Speaker 2>and you know al Pacino like and and the problem

2039
01:49:54.760 --> 01:49:58.399
<v Speaker 2>is anybody who you know that well is going to

2040
01:49:58.439 --> 01:50:01.640
<v Speaker 2>look like that actor wearing a super Man suit, right right,

2041
01:50:01.960 --> 01:50:05.520
<v Speaker 2>And so they they really did break the mold when

2042
01:50:05.520 --> 01:50:11.680
<v Speaker 2>they found Christopher Reeve, right, I think in terms so

2043
01:50:11.800 --> 01:50:14.680
<v Speaker 2>that thinking of being like, let's find an unknown like

2044
01:50:14.680 --> 01:50:17.600
<v Speaker 2>like Chris Reeve for this, that worked out Lynd Stallmaster,

2045
01:50:17.680 --> 01:50:21.600
<v Speaker 2>same casting director. H And I think, like I was

2046
01:50:21.600 --> 01:50:25.640
<v Speaker 2>saying earlier, I think Helen Slater plays the role in

2047
01:50:25.720 --> 01:50:28.000
<v Speaker 2>the same she's in the same lane as Chris Reeve.

2048
01:50:29.600 --> 01:50:35.159
<v Speaker 2>But I think the movie does let her down rather often.

2049
01:50:35.800 --> 01:50:36.600
<v Speaker 1>Yeah, agreed.

2050
01:50:37.159 --> 01:50:39.239
<v Speaker 2>One thing one thing she did speak about it was

2051
01:50:39.279 --> 01:50:44.560
<v Speaker 2>how generous Peter O'Toole was as a scene partner, and yeah,

2052
01:50:44.600 --> 01:50:46.800
<v Speaker 2>and how much she learned from him, you know, for.

2053
01:50:46.800 --> 01:50:49.920
<v Speaker 1>Someone who's so young and he's already a legend at

2054
01:50:49.960 --> 01:50:50.359
<v Speaker 1>this point.

2055
01:50:51.239 --> 01:50:54.039
<v Speaker 2>Yeah, he would have easily been like, man, f this,

2056
01:50:54.159 --> 01:50:54.920
<v Speaker 2>what am I doing here?

2057
01:50:55.720 --> 01:50:59.560
<v Speaker 1>Exactly exactly, but treating her like a peer, Yeah, scene partner,

2058
01:51:00.359 --> 01:51:02.039
<v Speaker 1>and that's just only going to make the work better.

2059
01:51:02.439 --> 01:51:05.920
<v Speaker 2>I agree. Yeah, And again I think Peter O'Toole is

2060
01:51:05.960 --> 01:51:11.000
<v Speaker 2>good in this movie. That's the other thing, right, I'm

2061
01:51:11.079 --> 01:51:15.920
<v Speaker 2>watching it type yeah, yeah, you know, I think that

2062
01:51:17.159 --> 01:51:20.560
<v Speaker 2>obviously the movie was leaning into the fact that he

2063
01:51:20.840 --> 01:51:24.159
<v Speaker 2>was a legend, and they were leaning they were trying

2064
01:51:24.159 --> 01:51:26.800
<v Speaker 2>to use that to him and fade down away where

2065
01:51:26.840 --> 01:51:28.800
<v Speaker 2>like the I'll look at all the look at the

2066
01:51:28.800 --> 01:51:31.239
<v Speaker 2>people we got in this movie, you know, Yeah, and

2067
01:51:32.479 --> 01:51:33.159
<v Speaker 2>they showed up.

2068
01:51:33.640 --> 01:51:37.720
<v Speaker 1>Yeah, yeah, that's true. They don't look like they have

2069
01:51:37.800 --> 01:51:41.239
<v Speaker 1>one eye already on how to get out of the studio.

2070
01:51:41.359 --> 01:51:43.439
<v Speaker 2>On the sack of cash with a dollar sign on it,

2071
01:51:43.720 --> 01:51:48.119
<v Speaker 2>except just off camera, you know. See. I think this

2072
01:51:48.479 --> 01:51:53.560
<v Speaker 2>bit here where he sacrifices himself doesn't hit for me.

2073
01:51:55.000 --> 01:51:58.760
<v Speaker 1>Okay, I want to hear why because I remember thinking,

2074
01:51:59.399 --> 01:52:03.000
<v Speaker 1>feeling something similar. But I also didn't quite understand it that.

2075
01:52:03.159 --> 01:52:05.359
<v Speaker 2>So that's my issue is, yeah, I don't I don't

2076
01:52:05.439 --> 01:52:06.760
<v Speaker 2>understand what got him here.

2077
01:52:07.479 --> 01:52:10.319
<v Speaker 1>Yeah, right, because and I think.

2078
01:52:10.199 --> 01:52:12.319
<v Speaker 2>Just a little bit of dialogue would have done it, right,

2079
01:52:12.359 --> 01:52:14.279
<v Speaker 2>because in the early part of the film, he talks

2080
01:52:14.319 --> 01:52:16.479
<v Speaker 2>about how he wants to leave Argo. He's like, maybe

2081
01:52:16.520 --> 01:52:20.479
<v Speaker 2>I'll go to Earth or whatever, and and here he's

2082
01:52:20.520 --> 01:52:24.399
<v Speaker 2>just like, ah, screw it, you know, I can't weather

2083
01:52:24.439 --> 01:52:27.640
<v Speaker 2>the storm. And and I just think we needed to

2084
01:52:27.720 --> 01:52:29.920
<v Speaker 2>connect one thing to the other, like if it's if

2085
01:52:29.960 --> 01:52:36.600
<v Speaker 2>it's if it's he's so torn apart by despair that

2086
01:52:36.720 --> 01:52:39.880
<v Speaker 2>he's like, I'm not strong enough. Well that's interesting, but

2087
01:52:39.920 --> 01:52:41.760
<v Speaker 2>I think the dialogue should alluded to that, like the

2088
01:52:41.800 --> 01:52:43.439
<v Speaker 2>Phantom zone has just broken.

2089
01:52:43.159 --> 01:52:45.359
<v Speaker 1>Him, right, he's been there for so long.

2090
01:52:45.439 --> 01:52:50.279
<v Speaker 2>Yeah that's yeah, that's interesting. Or he's desperate to get out,

2091
01:52:50.760 --> 01:52:54.920
<v Speaker 2>but but he knows that by sacrificing himself, Kara can

2092
01:52:54.920 --> 01:52:59.079
<v Speaker 2>get out exactly, then that's interesting. But we don't get

2093
01:52:59.119 --> 01:52:59.720
<v Speaker 2>either of those.

2094
01:53:00.279 --> 01:53:03.159
<v Speaker 1>See that's when I went on Wikipedia because I didn't

2095
01:53:03.239 --> 01:53:11.239
<v Speaker 1>understand why he had to sacrifice himself, right, Yeah.

2096
01:53:09.199 --> 01:53:12.479
<v Speaker 2>You know, it's a little bit like Jonesy I'm gonna

2097
01:53:12.520 --> 01:53:13.479
<v Speaker 2>be okay, you know.

2098
01:53:14.760 --> 01:53:17.319
<v Speaker 1>Right right from Crystal Skill.

2099
01:53:18.239 --> 01:53:21.399
<v Speaker 2>Yeah, that's great. I remember, I remember you see it.

2100
01:53:21.439 --> 01:53:24.840
<v Speaker 2>You're like yeah, bye, yeah, I know.

2101
01:53:25.000 --> 01:53:29.840
<v Speaker 1>I'm I don't understand he and Indie's relationship. I certainly

2102
01:53:29.880 --> 01:53:32.239
<v Speaker 1>as an audience member, do not care about that character.

2103
01:53:33.840 --> 01:53:35.479
<v Speaker 1>Just like a wink and a just let me go,

2104
01:53:35.680 --> 01:53:39.800
<v Speaker 1>It'll be all right. I'm like fine bye see yeah.

2105
01:53:43.479 --> 01:53:47.520
<v Speaker 2>Jeez, yeah, I think that if this is if this

2106
01:53:47.600 --> 01:53:51.800
<v Speaker 2>is him saying, you know, alone, I can't get out

2107
01:53:51.840 --> 01:53:53.479
<v Speaker 2>of here. But now that the two of us are,

2108
01:53:53.840 --> 01:53:57.279
<v Speaker 2>we can help each other. And then they're this close,

2109
01:53:57.359 --> 01:54:00.760
<v Speaker 2>and it's one of these things where he realizes it's

2110
01:54:00.840 --> 01:54:03.239
<v Speaker 2>either him or her, and so it's got to be her.

2111
01:54:03.640 --> 01:54:07.159
<v Speaker 2>Then that's something totally you know, but he just kind

2112
01:54:07.159 --> 01:54:08.960
<v Speaker 2>of like, no, I can't do it, and he just

2113
01:54:08.960 --> 01:54:13.000
<v Speaker 2>flings himself in right, like yeah. It's very strange.

2114
01:54:13.640 --> 01:54:17.479
<v Speaker 1>Yeah yeah, sort of like I thought of that moment

2115
01:54:17.520 --> 01:54:21.279
<v Speaker 1>in Titanic when DiCaprio tries to get on the door

2116
01:54:21.720 --> 01:54:24.479
<v Speaker 1>yeah yeah, and then it won't work, and then he

2117
01:54:24.520 --> 01:54:29.000
<v Speaker 1>does this little thing to himself. He's like right, like yeah, okay,

2118
01:54:29.319 --> 01:54:31.439
<v Speaker 1>like that's how it's gotta be. Like it would be

2119
01:54:31.520 --> 01:54:33.640
<v Speaker 1>nice if we got a moment here where he's like, yeah,

2120
01:54:33.640 --> 01:54:35.760
<v Speaker 1>the two of us and then realizes, oh, only one

2121
01:54:35.760 --> 01:54:38.079
<v Speaker 1>of us can make it, and he's like, yep, nope,

2122
01:54:38.119 --> 01:54:38.760
<v Speaker 1>it's gonna be her.

2123
01:54:38.880 --> 01:54:44.640
<v Speaker 2>Yeah, yeah, exactly, yeah, right, that scene in Titanic that

2124
01:54:44.880 --> 01:54:46.840
<v Speaker 2>it pisses me off that to this day, we're coming

2125
01:54:46.920 --> 01:54:49.159
<v Speaker 2>up on thirty years, people like, there's enough room on

2126
01:54:49.199 --> 01:54:51.479
<v Speaker 2>the door for both of them. I'm like, no, there wasn't.

2127
01:54:52.000 --> 01:54:55.319
<v Speaker 2>I know, he tried. It didn't work. Pablished in the movie.

2128
01:54:55.880 --> 01:54:57.720
<v Speaker 1>I know. I mean, maybe it would have helped if

2129
01:54:57.760 --> 01:55:01.960
<v Speaker 1>the door had looked smaller, just for you know whatever,

2130
01:55:02.439 --> 01:55:04.680
<v Speaker 1>But yes, it is established in the movie that it

2131
01:55:04.760 --> 01:55:05.319
<v Speaker 1>won't work.

2132
01:55:06.560 --> 01:55:11.119
<v Speaker 2>Dude. It it drives me bananas that people say that

2133
01:55:11.159 --> 01:55:13.880
<v Speaker 2>shit right now in the Year of Our Lord twenty

2134
01:55:13.960 --> 01:55:16.600
<v Speaker 2>twenty six, like they have just discovered something.

2135
01:55:17.399 --> 01:55:19.960
<v Speaker 1>Yeah, like they have something over it exactly.

2136
01:55:20.199 --> 01:55:23.319
<v Speaker 2>Yeah, that's that's like every few months on social media,

2137
01:55:23.359 --> 01:55:26.119
<v Speaker 2>somebody gonna be like, if Batman really wanted to help

2138
01:55:26.159 --> 01:55:29.119
<v Speaker 2>people instead of beating up the mentally ill, he would

2139
01:55:29.159 --> 01:55:30.079
<v Speaker 2>pay for their treatment.

2140
01:55:30.680 --> 01:55:32.800
<v Speaker 1>Dude. I just saw that recently too, and I was like,

2141
01:55:32.840 --> 01:55:33.960
<v Speaker 1>that's not what he does.

2142
01:55:34.239 --> 01:55:37.000
<v Speaker 2>I know. I'm like, you just thought you came up

2143
01:55:37.039 --> 01:55:37.760
<v Speaker 2>with something, didn't you.

2144
01:55:38.479 --> 01:55:38.960
<v Speaker 1>Yeah, I know.

2145
01:55:39.880 --> 01:55:40.840
<v Speaker 2>Oh that's so funny.

2146
01:55:42.600 --> 01:55:44.760
<v Speaker 1>I bet her algorithms are pretty similar.

2147
01:55:44.960 --> 01:55:55.560
<v Speaker 2>Would imagine which I'm gonna say, good, Yeah, she looks.

2148
01:55:55.319 --> 01:55:59.159
<v Speaker 1>Great, doesn't she. There put their hands on her hips, Supergirl.

2149
01:55:58.640 --> 01:56:01.680
<v Speaker 2>Like she's got the this gick us up. I know, man,

2150
01:56:01.960 --> 01:56:03.359
<v Speaker 2>that's good. It's got the physicality.

2151
01:56:03.720 --> 01:56:07.199
<v Speaker 1>Yeah. Like this is very like comic bookie, right, like

2152
01:56:07.239 --> 01:56:10.000
<v Speaker 1>old school comic bookie. It's like now there's like hot

2153
01:56:10.039 --> 01:56:15.760
<v Speaker 1>spikes on the ground, yeah, or sort of like Indiana Jones,

2154
01:56:15.800 --> 01:56:17.439
<v Speaker 1>like Temple of Doom a little bit like the spikes

2155
01:56:17.479 --> 01:56:18.840
<v Speaker 1>in that room coming down.

2156
01:56:19.000 --> 01:56:24.479
<v Speaker 2>And that's right. This was the same year, is that.

2157
01:56:24.920 --> 01:56:27.760
<v Speaker 1>Oh yeah, wow, that's weird to think about. So Ghostbusters

2158
01:56:27.840 --> 01:56:30.119
<v Speaker 1>Temple of Doom this eighty four.

2159
01:56:30.600 --> 01:56:32.680
<v Speaker 2>See that's the thing, right, you look at the Temple

2160
01:56:32.720 --> 01:56:35.880
<v Speaker 2>of Doom and you can watch that right now, forty

2161
01:56:35.880 --> 01:56:42.159
<v Speaker 2>plus years later and it feels contemporary, right, dude, totally right.

2162
01:56:42.279 --> 01:56:44.920
<v Speaker 2>And so that's like watching it, Like you say, this

2163
01:56:45.119 --> 01:56:47.319
<v Speaker 2>and Temple of Doom came out within a few months

2164
01:56:47.319 --> 01:56:48.760
<v Speaker 2>of each other. I don't believe it.

2165
01:56:49.600 --> 01:56:52.479
<v Speaker 1>Guess what the budget was on Temple of Doom less

2166
01:56:52.520 --> 01:56:55.720
<v Speaker 1>than this twenty eight million. There you go versus this

2167
01:56:56.079 --> 01:56:58.840
<v Speaker 1>movie's thirty five. So I mean it goes to show

2168
01:56:58.920 --> 01:57:03.319
<v Speaker 1>sometimes throwing more money thing isn't always the right approach. Yeah, yeah,

2169
01:57:03.359 --> 01:57:06.319
<v Speaker 1>but you're so right. Yeah, yeah, that movie does look contemporary.

2170
01:57:06.359 --> 01:57:10.720
<v Speaker 2>Like if if you watch Templa Doom right now, kids

2171
01:57:10.920 --> 01:57:13.840
<v Speaker 2>will be engrossed in it and not have to make

2172
01:57:13.840 --> 01:57:14.720
<v Speaker 2>a lot of excuses.

2173
01:57:15.079 --> 01:57:18.600
<v Speaker 1>Yeah, a few, you know, Matt paintings aside, but sure,

2174
01:57:18.640 --> 01:57:22.159
<v Speaker 1>and the filmmaking, the acting, the yeah, the adventure of

2175
01:57:22.159 --> 01:57:23.840
<v Speaker 1>the peril, the stunts, that stuff.

2176
01:57:23.960 --> 01:57:26.840
<v Speaker 2>Yeah, I think.

2177
01:57:27.720 --> 01:57:28.680
<v Speaker 1>This movie's excuse.

2178
01:57:29.119 --> 01:57:33.600
<v Speaker 2>That's that's the weird thing. You know, it doubly because

2179
01:57:33.640 --> 01:57:35.800
<v Speaker 2>you know, they were coming off of Superman three, which

2180
01:57:35.920 --> 01:57:41.960
<v Speaker 2>was not received well, and so you think they would

2181
01:57:42.000 --> 01:57:46.119
<v Speaker 2>have doubled down more on really locking in the story. Yeah,

2182
01:57:46.439 --> 01:57:50.600
<v Speaker 2>you know, because this movie was announced before Superman three

2183
01:57:51.560 --> 01:57:55.800
<v Speaker 2>mm and I think initially the plan was for her

2184
01:57:55.880 --> 01:57:59.640
<v Speaker 2>to that's a very funny bit from her character. By

2185
01:57:59.640 --> 01:58:03.199
<v Speaker 2>the way, Aca character, I like her very broad. Yeah,

2186
01:58:02.479 --> 01:58:05.840
<v Speaker 2>I think she she's she's kind of in the right

2187
01:58:05.920 --> 01:58:06.840
<v Speaker 2>lane for this movie.

2188
01:58:07.079 --> 01:58:09.399
<v Speaker 1>I know Parker Posey already was in a Superman movie,

2189
01:58:09.399 --> 01:58:11.960
<v Speaker 1>but I can see a Parker Posy type now, yep

2190
01:58:12.159 --> 01:58:12.600
<v Speaker 1>doing her.

2191
01:58:12.680 --> 01:58:15.800
<v Speaker 2>Yeah. Oddly enough, they didn't let Parker Posey play a

2192
01:58:15.840 --> 01:58:17.039
<v Speaker 2>Parker Posey type.

2193
01:58:17.399 --> 01:58:20.319
<v Speaker 1>Yeah that's right. She's just kind of damsel in distress

2194
01:58:20.399 --> 01:58:23.680
<v Speaker 1>really yeah and bored and yeah.

2195
01:58:23.920 --> 01:58:26.479
<v Speaker 2>But what was I saying?

2196
01:58:26.800 --> 01:58:28.680
<v Speaker 1>Sorry, I'm sorry I derailed you.

2197
01:58:28.720 --> 01:58:32.560
<v Speaker 2>No, no, no, that was me. Uh yeah. They planned to

2198
01:58:32.720 --> 01:58:37.720
<v Speaker 2>introduce her in Superman three. Uh oh, okay, okay, and

2199
01:58:37.960 --> 01:58:41.840
<v Speaker 2>initially Ilia saul Kind was like, oh, we're writing out

2200
01:58:41.920 --> 01:58:47.000
<v Speaker 2>Lois and Superman's new love interest will be Supergirl. Oh, which, like, bro,

2201
01:58:47.159 --> 01:58:50.720
<v Speaker 2>did you I mean, maybe look into the characters you

2202
01:58:50.800 --> 01:58:53.760
<v Speaker 2>own the rights to just get that all figured out beforehand. Yeah.

2203
01:58:53.840 --> 01:58:54.039
<v Speaker 1>Right.

2204
01:58:55.279 --> 01:58:58.640
<v Speaker 2>They decided not to do that, and I think maybe

2205
01:58:58.680 --> 01:59:00.600
<v Speaker 2>that would have been smart. I mean, I wonder if

2206
01:59:00.640 --> 01:59:03.800
<v Speaker 2>the current Superman folks specifically thought of that, And that's

2207
01:59:03.800 --> 01:59:05.600
<v Speaker 2>why they had Supergirl show up at the end of

2208
01:59:05.600 --> 01:59:10.159
<v Speaker 2>the twenty twenty five movie m so that it's like

2209
01:59:10.239 --> 01:59:13.399
<v Speaker 2>it's it's rooted within the world that people already know.

2210
01:59:13.479 --> 01:59:16.479
<v Speaker 1>Yeah, this is linked they know each other exactly, you know.

2211
01:59:17.960 --> 01:59:20.319
<v Speaker 2>Okay, So so this looks terrible.

2212
01:59:20.600 --> 01:59:22.439
<v Speaker 1>I was about to give this movie a compliment and

2213
01:59:22.439 --> 01:59:26.520
<v Speaker 1>then I was like, wow, yeah, but I just real quick,

2214
01:59:26.840 --> 01:59:29.000
<v Speaker 1>the Faye Dunaway stuff here with their hair blowing and

2215
01:59:29.039 --> 01:59:32.560
<v Speaker 1>the back lighting and the fog, that's all fine. I

2216
01:59:32.600 --> 01:59:37.279
<v Speaker 1>was like, you know, sometimes just great craft can look

2217
01:59:37.319 --> 01:59:40.319
<v Speaker 1>even better than a visual effect. Yes, Like I really

2218
01:59:40.319 --> 01:59:44.359
<v Speaker 1>believe she's harnessing some sort of magic and it's spooky

2219
01:59:44.439 --> 01:59:47.239
<v Speaker 1>looking and dazzling looking. I was like, man, you gotta

2220
01:59:47.239 --> 01:59:48.760
<v Speaker 1>give it to the old school stuff here, like they

2221
01:59:48.760 --> 01:59:51.359
<v Speaker 1>worked with what they had and sometimes it feels even

2222
01:59:51.399 --> 01:59:52.319
<v Speaker 1>more magical to me.

2223
01:59:52.800 --> 01:59:58.000
<v Speaker 2>Yeah, then you get then you have this yeah, yes, yeah,

2224
01:59:58.039 --> 02:00:00.479
<v Speaker 2>they're they're doing well. This is right.

2225
02:00:00.560 --> 02:00:01.399
<v Speaker 1>What is happening?

2226
02:00:02.039 --> 02:00:06.560
<v Speaker 2>So the monster has Kara and he's twisting her like taffy.

2227
02:00:06.680 --> 02:00:08.840
<v Speaker 1>I guess, okay, okay, that's what I thought is happening.

2228
02:00:08.920 --> 02:00:13.199
<v Speaker 2>And then zaltar Obi wants this thing, yeah, and so

2229
02:00:13.439 --> 02:00:15.640
<v Speaker 2>that's her way out. But I'm just like, guys, you

2230
02:00:15.720 --> 02:00:17.359
<v Speaker 2>had to have known how stupid this looks.

2231
02:00:18.520 --> 02:00:21.840
<v Speaker 1>Yeah, because it doesn't look like she's actually there. It's

2232
02:00:21.840 --> 02:00:24.760
<v Speaker 1>she's kind of transparent or something.

2233
02:00:24.880 --> 02:00:28.880
<v Speaker 2>The shadow Demon is a physical presence because she fought

2234
02:00:28.880 --> 02:00:32.279
<v Speaker 2>the invisible version earlier. So I'm like, why don't you

2235
02:00:32.399 --> 02:00:36.920
<v Speaker 2>have her use heat vision or something like something so

2236
02:00:36.960 --> 02:00:39.319
<v Speaker 2>that we don't have to see that where she twisted

2237
02:00:39.359 --> 02:00:40.199
<v Speaker 2>and looks ridiculous.

2238
02:00:40.239 --> 02:00:43.520
<v Speaker 1>You know, this movie costs more than Temple of Doom.

2239
02:00:43.840 --> 02:00:47.960
<v Speaker 2>Yeah, think about that, wild. I mean, it costs more

2240
02:00:48.000 --> 02:00:52.119
<v Speaker 2>than Star Wars, you know, yeah, yeah, I think that

2241
02:00:52.159 --> 02:00:58.000
<v Speaker 2>was seventeen million. Yeah, so I feel like this all

2242
02:00:58.119 --> 02:01:00.880
<v Speaker 2>kinds solution is always just throw money at it.

2243
02:01:02.359 --> 02:01:02.920
<v Speaker 1>Yeah.

2244
02:01:03.000 --> 02:01:05.680
<v Speaker 2>And you know, because they were basically like Return of

2245
02:01:05.720 --> 02:01:08.079
<v Speaker 2>the Jedi cost less than this movie that was thirty

2246
02:01:08.119 --> 02:01:11.560
<v Speaker 2>two and a half million. That was just that was

2247
02:01:12.000 --> 02:01:12.840
<v Speaker 2>just a year earlier.

2248
02:01:13.399 --> 02:01:14.720
<v Speaker 1>Yeah.

2249
02:01:15.000 --> 02:01:17.720
<v Speaker 2>Yeah, so you know, the sal Kinds were like gold

2250
02:01:17.840 --> 02:01:21.720
<v Speaker 2>and Globus. I feel like kind of you know, they

2251
02:01:21.760 --> 02:01:25.039
<v Speaker 2>would they would get stars on board, they would raise

2252
02:01:25.079 --> 02:01:27.600
<v Speaker 2>a bunch of money from international investors, and then just

2253
02:01:28.119 --> 02:01:31.560
<v Speaker 2>use that like, oh just figure it out.

2254
02:01:32.159 --> 02:01:34.439
<v Speaker 1>Yeah, And I was gonna say, maybe that's a real

2255
02:01:34.479 --> 02:01:37.760
<v Speaker 1>testament to ILM. Also in that story, they were not

2256
02:01:37.800 --> 02:01:40.680
<v Speaker 1>only pioneers, but they were the best of the best.

2257
02:01:41.079 --> 02:01:45.239
<v Speaker 1>Like they were innovating and doing it exceptionally well. And

2258
02:01:46.119 --> 02:01:49.000
<v Speaker 1>you know, I don't want to disparage the people who

2259
02:01:49.039 --> 02:01:52.880
<v Speaker 1>worked on this, but like maybe just I don't know,

2260
02:01:53.079 --> 02:01:56.079
<v Speaker 1>they had developed the same sorts of tricks, and they

2261
02:01:56.119 --> 02:01:58.920
<v Speaker 1>were working with whatever they had to work with.

2262
02:01:59.479 --> 02:02:02.239
<v Speaker 2>But see that that's the weird thing, right because because

2263
02:02:02.279 --> 02:02:05.159
<v Speaker 2>Superman three, it was just a year earlier, And say

2264
02:02:05.199 --> 02:02:06.760
<v Speaker 2>what you will about that movie. I'm not going to

2265
02:02:06.800 --> 02:02:08.439
<v Speaker 2>defend it. I will say I probably have the same

2266
02:02:08.520 --> 02:02:10.479
<v Speaker 2>level of nostalgia for Superman three that a lot of

2267
02:02:10.479 --> 02:02:14.000
<v Speaker 2>folks likely have with this one. You know, but I

2268
02:02:14.439 --> 02:02:16.640
<v Speaker 2>mean it's not you know, it's not a well written film.

2269
02:02:16.680 --> 02:02:18.520
<v Speaker 2>But one thing you can say is that the effects

2270
02:02:18.880 --> 02:02:20.000
<v Speaker 2>largely hold up.

2271
02:02:20.760 --> 02:02:22.520
<v Speaker 1>Yeah that's my memory. I've only seen it the one

2272
02:02:22.520 --> 02:02:23.000
<v Speaker 1>time with you.

2273
02:02:23.319 --> 02:02:25.560
<v Speaker 2>Yeah, I mean, you know, there's a few, like you said,

2274
02:02:25.600 --> 02:02:28.119
<v Speaker 2>you know, occasionally there's matt lines that aren't perfect, but

2275
02:02:28.159 --> 02:02:32.880
<v Speaker 2>by and large, the effects work. And many of the

2276
02:02:32.920 --> 02:02:36.680
<v Speaker 2>same people who made those films, those first three Superman's

2277
02:02:36.920 --> 02:02:39.399
<v Speaker 2>were involved in this, which is why the fall off

2278
02:02:40.319 --> 02:02:42.640
<v Speaker 2>effects wise is very odd to me.

2279
02:02:43.000 --> 02:02:48.479
<v Speaker 1>Yeah, yeah, huh. How do they do that? Get her

2280
02:02:48.520 --> 02:02:55.479
<v Speaker 1>to fly out that door? Huh, that's what you need?

2281
02:02:56.239 --> 02:02:59.239
<v Speaker 1>The mountain disappears. See this is so stupid, but I

2282
02:02:59.279 --> 02:03:01.279
<v Speaker 1>actually thought he's to be like, Wow, our love can

2283
02:03:01.359 --> 02:03:04.520
<v Speaker 1>move mountains.

2284
02:03:04.800 --> 02:03:07.319
<v Speaker 2>So this here, he says goodbye Linda because he figured

2285
02:03:07.319 --> 02:03:10.039
<v Speaker 2>it out. And then he's like hmm okay, and then

2286
02:03:10.079 --> 02:03:10.960
<v Speaker 2>he just walks.

2287
02:03:12.399 --> 02:03:14.000
<v Speaker 1>In the world.

2288
02:03:16.199 --> 02:03:19.520
<v Speaker 2>Right like why would you not have the camera trained

2289
02:03:19.600 --> 02:03:22.840
<v Speaker 2>on his face? He has this look of longing as

2290
02:03:22.840 --> 02:03:23.840
<v Speaker 2>she leaves, and then you.

2291
02:03:23.840 --> 02:03:27.720
<v Speaker 1>Cut like the end of et like yes with Elliott

2292
02:03:27.720 --> 02:03:37.279
<v Speaker 1>looking at the sky wind blowing the hair. Yes, one hundred.

2293
02:03:35.960 --> 02:03:38.760
<v Speaker 2>What are you doing? You know?

2294
02:03:38.760 --> 02:03:41.159
<v Speaker 1>What he should have done is like put his hands

2295
02:03:41.159 --> 02:03:42.680
<v Speaker 1>in his pocket and go oh. And then he sees

2296
02:03:42.680 --> 02:03:44.880
<v Speaker 1>a penny on the ground and picks it up, flips it,

2297
02:03:45.159 --> 02:03:52.800
<v Speaker 1>catches it, puts it in his pocket, walked away, so we.

2298
02:03:52.720 --> 02:03:54.880
<v Speaker 2>Don't get to see her fly back to Argo as

2299
02:03:54.920 --> 02:03:57.359
<v Speaker 2>her entire community is dead.

2300
02:03:58.880 --> 02:04:01.600
<v Speaker 1>Yes, that's what it should have, all of them either, yeah,

2301
02:04:01.640 --> 02:04:04.840
<v Speaker 1>suffocating on the ground like where have you been?

2302
02:04:06.119 --> 02:04:08.479
<v Speaker 2>They could have had like the mist ending you.

2303
02:04:08.439 --> 02:04:13.439
<v Speaker 1>Know, yes, yes, yes, oh man.

2304
02:04:15.800 --> 02:04:18.720
<v Speaker 2>So one thing I should say. You know, they had

2305
02:04:18.720 --> 02:04:23.119
<v Speaker 2>the big premiere in the UK for this, and Christopher

2306
02:04:23.159 --> 02:04:26.960
<v Speaker 2>Reeve was there, you know, and so you know, I

2307
02:04:27.000 --> 02:04:29.680
<v Speaker 2>think during the production, even though he wasn't involved, I

2308
02:04:29.720 --> 02:04:31.680
<v Speaker 2>know that Helen Slater spoke with him just to get

2309
02:04:31.720 --> 02:04:34.600
<v Speaker 2>kind of a lay of the land, and you know

2310
02:04:34.960 --> 02:04:37.319
<v Speaker 2>he gave her good advice and they never got to

2311
02:04:37.399 --> 02:04:40.720
<v Speaker 2>appear on screen together in live action, but they did

2312
02:04:41.000 --> 02:04:43.560
<v Speaker 2>the CGI recreation in the flash.

2313
02:04:43.680 --> 02:04:47.079
<v Speaker 1>I was gonna say, just you leading up to that.

2314
02:04:47.199 --> 02:04:48.520
<v Speaker 1>It unlocked a memory.

2315
02:04:48.640 --> 02:04:51.319
<v Speaker 2>Yep. I read that, which I know a lot of

2316
02:04:51.359 --> 02:04:56.479
<v Speaker 2>people have strong negative feelings about that film broadly, and

2317
02:04:56.560 --> 02:04:58.920
<v Speaker 2>you know that sequence in particular. I will say, you know,

2318
02:04:59.720 --> 02:05:03.439
<v Speaker 2>I I certainly appreciated that the intent behind it, and

2319
02:05:03.560 --> 02:05:05.720
<v Speaker 2>I've said all along, if the families are okay with it,

2320
02:05:05.800 --> 02:05:07.760
<v Speaker 2>or in this case sounds later herself, it's okay with it.

2321
02:05:07.800 --> 02:05:09.640
<v Speaker 2>I really don't have a problem with them doing that.

2322
02:05:10.000 --> 02:05:12.159
<v Speaker 1>Yeah. Same, I don't know. I felt like we were

2323
02:05:12.159 --> 02:05:14.800
<v Speaker 1>on another planet with that movie. It's very weird.

2324
02:05:14.880 --> 02:05:17.279
<v Speaker 2>Yeah, I stand by it. I mean I haven't revisited

2325
02:05:17.319 --> 02:05:19.359
<v Speaker 2>a ton, but I enjoyed it then and I have

2326
02:05:19.520 --> 02:05:21.880
<v Speaker 2>enjoyed it when I have revisited it. Yeah.

2327
02:05:21.960 --> 02:05:24.119
<v Speaker 1>By the way, can I just say this movie's credit

2328
02:05:24.199 --> 02:05:26.560
<v Speaker 1>game is on point.

2329
02:05:26.800 --> 02:05:30.319
<v Speaker 2>If you're spending a million dollars per credit sequence, then yeah.

2330
02:05:30.560 --> 02:05:35.079
<v Speaker 1>But like it's sort of different. Yeah, it reminds me

2331
02:05:35.119 --> 02:05:37.199
<v Speaker 1>of the Star Wars crawl, but not exactly. It almost

2332
02:05:37.239 --> 02:05:42.520
<v Speaker 1>looks like a camera up high pointed toward like a

2333
02:05:42.600 --> 02:05:46.199
<v Speaker 1>soldiers marching towards you, or something like a slightly overhead

2334
02:05:46.880 --> 02:05:51.520
<v Speaker 1>and it looks amazing. And look as the credits get

2335
02:05:51.600 --> 02:05:53.319
<v Speaker 1>close to the bottom of the frame, they go out

2336
02:05:53.319 --> 02:05:56.640
<v Speaker 1>of focus. Yeah, like someone put a lot of thought

2337
02:05:56.680 --> 02:05:57.119
<v Speaker 1>into this.

2338
02:05:57.560 --> 02:05:59.600
<v Speaker 2>Yeah.

2339
02:05:59.640 --> 02:06:02.039
<v Speaker 1>Wow, that's my takeaway. The credits in this movie are

2340
02:06:02.079 --> 02:06:02.840
<v Speaker 1>just a plus.

2341
02:06:03.520 --> 02:06:05.640
<v Speaker 2>There you go, this is this is like phishing for

2342
02:06:05.720 --> 02:06:08.479
<v Speaker 2>a compliment. What do you think of the movie? Well,

2343
02:06:08.560 --> 02:06:11.920
<v Speaker 2>the credits really blew my hair back.

2344
02:06:12.319 --> 02:06:13.960
<v Speaker 1>Yeah.

2345
02:06:13.960 --> 02:06:16.920
<v Speaker 2>So this is your second time, second and final time

2346
02:06:16.920 --> 02:06:18.720
<v Speaker 2>watching Supergirl from nineteen eighty four.

2347
02:06:19.119 --> 02:06:23.119
<v Speaker 1>Yeah, probably probably. I You know, that's the thing, right,

2348
02:06:23.159 --> 02:06:25.039
<v Speaker 1>because there was even as you said that, I know,

2349
02:06:25.119 --> 02:06:27.199
<v Speaker 1>I joked about it earlier, but I thought, well, maybe

2350
02:06:27.199 --> 02:06:29.319
<v Speaker 1>if it was on TV or something, maybe i'd stop

2351
02:06:29.319 --> 02:06:31.600
<v Speaker 1>on it. But then I thought, that's a problem with

2352
02:06:31.640 --> 02:06:33.600
<v Speaker 1>this movie. There's so few scenes I would actually want

2353
02:06:33.600 --> 02:06:34.079
<v Speaker 1>to stop on.

2354
02:06:34.520 --> 02:06:34.760
<v Speaker 2>That's.

2355
02:06:34.960 --> 02:06:39.279
<v Speaker 1>Yeah, maybe the tractor thing in the middle or you know,

2356
02:06:39.359 --> 02:06:41.239
<v Speaker 1>sort of the first half of the movie. But then

2357
02:06:41.239 --> 02:06:44.640
<v Speaker 1>as it's just you know, the witch milling about her

2358
02:06:44.720 --> 02:06:48.439
<v Speaker 1>layer just measure mirror stuff, I'm probably not gonna want

2359
02:06:48.479 --> 02:06:50.000
<v Speaker 1>to stop on that.

2360
02:06:51.199 --> 02:06:54.439
<v Speaker 2>Yeah. Well, That's what you realize is you know, you

2361
02:06:54.479 --> 02:06:57.319
<v Speaker 2>said magic mirror, and when they were putting this thing together,

2362
02:06:57.399 --> 02:07:01.159
<v Speaker 2>they basically just they just they they did snow White,

2363
02:07:01.239 --> 02:07:03.840
<v Speaker 2>and they did a fine replace and put you know,

2364
02:07:04.000 --> 02:07:07.640
<v Speaker 2>Supergirl's name in the script wherever snow White appears, you know, yeah,

2365
02:07:07.720 --> 02:07:10.920
<v Speaker 2>it's it's very much and and that speaks to, I think,

2366
02:07:12.439 --> 02:07:14.840
<v Speaker 2>sort of an unseiousness because you're like, oh, we got

2367
02:07:14.840 --> 02:07:17.880
<v Speaker 2>to make something girls alike, and it's like again, I

2368
02:07:17.880 --> 02:07:19.800
<v Speaker 2>if I were to bet, I would say there were

2369
02:07:20.039 --> 02:07:23.239
<v Speaker 2>plenty of female viewers of those first two Superman movies

2370
02:07:23.439 --> 02:07:26.720
<v Speaker 2>totally totally right, and they plugged into the romance and

2371
02:07:26.880 --> 02:07:29.560
<v Speaker 2>and all that other stuff while in the context of

2372
02:07:29.600 --> 02:07:32.600
<v Speaker 2>an action picture. And so I think it tells you

2373
02:07:32.680 --> 02:07:36.800
<v Speaker 2>something that you had Supergirl and then about twenty years

2374
02:07:36.880 --> 02:07:42.920
<v Speaker 2>later you had Catwoman, and both are awful. I think

2375
02:07:42.960 --> 02:07:46.680
<v Speaker 2>both remain like the lowest rotten Tomato scores, you know,

2376
02:07:46.720 --> 02:07:50.119
<v Speaker 2>for like a DC movie. And and so you have

2377
02:07:50.199 --> 02:07:53.560
<v Speaker 2>these two flops that really oh and then and then

2378
02:07:53.640 --> 02:07:56.960
<v Speaker 2>the Electra you know somewhere oh yeah, right around there.

2379
02:07:57.359 --> 02:07:58.239
<v Speaker 1>I remember it well.

2380
02:07:58.560 --> 02:08:03.880
<v Speaker 2>I I'm sure you do. But those like dissuaded studios

2381
02:08:03.920 --> 02:08:08.840
<v Speaker 2>from taking a swing on female superheroes. Yeah, and it's like,

2382
02:08:08.880 --> 02:08:10.119
<v Speaker 2>I don't know, why don't you just treat it like

2383
02:08:10.119 --> 02:08:12.159
<v Speaker 2>a superhero picture that happens to have a female lead

2384
02:08:12.239 --> 02:08:15.920
<v Speaker 2>instead of exactly, instead of like second guessing yourself.

2385
02:08:15.920 --> 02:08:19.039
<v Speaker 1>You know, it's amazing that we're finally possibly catching up

2386
02:08:19.039 --> 02:08:20.520
<v Speaker 1>to that idea.

2387
02:08:19.960 --> 02:08:22.680
<v Speaker 2>Hopefully, you know. I mean, as we are recording, we

2388
02:08:22.760 --> 02:08:27.279
<v Speaker 2>have no idea what Supergirl twenty twenty six, what the

2389
02:08:27.319 --> 02:08:30.760
<v Speaker 2>prognostications are for it. But I certainly hope it does

2390
02:08:30.840 --> 02:08:36.199
<v Speaker 2>well just to sort of prove the naysayers wrong. Obviously,

2391
02:08:36.199 --> 02:08:39.239
<v Speaker 2>I hope the movie is good more than anything. But yeah, said,

2392
02:08:39.279 --> 02:08:43.359
<v Speaker 2>you know, I think there is this tendency. It's it's

2393
02:08:43.439 --> 02:08:48.359
<v Speaker 2>it's only gotten worse, Like I said, the real polarized,

2394
02:08:48.399 --> 02:08:52.239
<v Speaker 2>weird internet conversations. But I feel like, look, if you

2395
02:08:52.279 --> 02:08:55.119
<v Speaker 2>make a good picture, people show up. Yeah. Yeah, you know,

2396
02:08:56.960 --> 02:08:59.119
<v Speaker 2>but hey, let us know, let us know your thoughts

2397
02:08:59.119 --> 02:09:01.439
<v Speaker 2>on Supergirl from I For I know that this is

2398
02:09:01.439 --> 02:09:04.880
<v Speaker 2>a movie that a lot of our listeners likely do

2399
02:09:04.960 --> 02:09:07.159
<v Speaker 2>have some nostalgia for, so I definitely want to hear

2400
02:09:07.319 --> 02:09:10.199
<v Speaker 2>your thoughts totally on the film and our thoughts.

2401
02:09:10.680 --> 02:09:13.479
<v Speaker 1>Yeah, I completely understand that because there are movies that

2402
02:09:13.520 --> 02:09:15.239
<v Speaker 1>I grew up with that I can look at now

2403
02:09:15.279 --> 02:09:17.640
<v Speaker 1>and be like, Wen, I probably wouldn't show anybody that

2404
02:09:17.640 --> 02:09:19.640
<v Speaker 1>that's what they hadn't seen it before, because it's just

2405
02:09:19.640 --> 02:09:21.359
<v Speaker 1>something I enjoyed when I was a kid. There's a

2406
02:09:21.439 --> 02:09:25.479
<v Speaker 1>nostalgic attachment, and so I completely understand that there are

2407
02:09:25.479 --> 02:09:28.520
<v Speaker 1>people who probably love this movie, you know, because they

2408
02:09:28.520 --> 02:09:30.359
<v Speaker 1>grew up with it, and so I definitely want to

2409
02:09:30.359 --> 02:09:32.600
<v Speaker 1>hear their feelings about that.

2410
02:09:33.840 --> 02:09:36.000
<v Speaker 2>Absolutely, And if you want to send those to us,

2411
02:09:36.039 --> 02:09:38.520
<v Speaker 2>you can email us at moviefilm podcast at gmail dot com.

2412
02:09:38.560 --> 02:09:40.479
<v Speaker 2>You can also hit like on our Facebook page Facebook

2413
02:09:40.520 --> 02:09:43.479
<v Speaker 2>dot com slash movie Film Podcast and message us there.

2414
02:09:43.600 --> 02:09:46.159
<v Speaker 2>As always, please go to Apple Podcasts and leave review,

2415
02:09:46.239 --> 02:09:48.000
<v Speaker 2>leave a star rating. Every little bit helps, And if

2416
02:09:48.000 --> 02:09:51.079
<v Speaker 2>you're listening to this show on YouTube, please hit like,

2417
02:09:51.159 --> 02:09:53.439
<v Speaker 2>hit subscribe, and of course leave a comment there because

2418
02:09:53.479 --> 02:09:56.159
<v Speaker 2>we do read those on the show as well. Brian,

2419
02:09:56.199 --> 02:09:58.720
<v Speaker 2>I know we have a Patreon also, that's right.

2420
02:09:58.800 --> 02:10:02.319
<v Speaker 1>If you head over to Patreon slash moviefilm Podcast, hit

2421
02:10:02.319 --> 02:10:05.039
<v Speaker 1>subscribe for only five dollars a month, you'll find every

2422
02:10:05.079 --> 02:10:09.119
<v Speaker 1>commentary we've ever done and every episode moving forward. Absolutely

2423
02:10:09.520 --> 02:10:12.640
<v Speaker 1>ad free. In addition to that, you can now find

2424
02:10:12.680 --> 02:10:16.600
<v Speaker 1>bonus conversations that we drop about twice a month, trailer talk,

2425
02:10:16.640 --> 02:10:18.560
<v Speaker 1>extra things that wouldn't fit into the episode, which are

2426
02:10:18.560 --> 02:10:21.159
<v Speaker 1>a lot of fun. Our free feed will always be available,

2427
02:10:21.159 --> 02:10:22.920
<v Speaker 1>but this is our way of providing what we believe

2428
02:10:22.920 --> 02:10:25.119
<v Speaker 1>is the most satisfying way to enjoy the show. So

2429
02:10:25.239 --> 02:10:27.880
<v Speaker 1>no ads or interruptions, butting into the conversation, which is

2430
02:10:27.920 --> 02:10:31.359
<v Speaker 1>crucial when you're trying to watch along with a commentary. Plus,

2431
02:10:31.359 --> 02:10:33.399
<v Speaker 1>your subscription goes a long way in helping to support

2432
02:10:33.520 --> 02:10:36.600
<v Speaker 1>us and helping to sustain producing the show. So if

2433
02:10:36.600 --> 02:10:39.319
<v Speaker 1>you're interested in able, please head over to patreon dot com,

2434
02:10:39.319 --> 02:10:41.760
<v Speaker 1>slash MOVIEFILM podcast and subscribe.

2435
02:10:41.840 --> 02:10:45.479
<v Speaker 2>We'd be very grateful. And if you're looking for me online,

2436
02:10:45.520 --> 02:10:47.520
<v Speaker 2>you can find me on social media at Zachi's corner.

2437
02:10:47.520 --> 02:10:50.000
<v Speaker 2>That's the Akis Corner. You can also read my reviews

2438
02:10:50.039 --> 02:10:52.279
<v Speaker 2>at the San Francisco Chronicle and also at IGN and

2439
02:10:52.399 --> 02:10:54.640
<v Speaker 2>The Rap What About You, Brian, You.

2440
02:10:54.560 --> 02:10:56.840
<v Speaker 1>Can find episodes I've written of Puppy Dog Pals and

2441
02:10:56.920 --> 02:11:01.119
<v Speaker 1>Young Jedi Adventures streaming on Disney Plus and with that on.

2442
02:11:01.159 --> 02:11:03.319
<v Speaker 2>Behalf of my partner Brian Hall. My name is Zachi Hasan.

2443
02:11:03.359 --> 02:11:05.560
<v Speaker 2>This has been our movie film commentary track for nineteen

2444
02:11:05.600 --> 02:11:11.399
<v Speaker 2>eighty four Supergirl. We'll catch you next time. Thanks everybody,
