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Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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This is your host, Adam Braham. In a moment, we're

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going to bring you this week's episode of The Saint.

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But first I do want to encourage you. If you're

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enjoying the podcast, please follow us using your favorite podcast software. Also,

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today's program is brought you in part by the financial

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support of our listeners. You can support the show on

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a one time basis at support dot Great Detectives dot net,

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and you can also become one of our ongoing Patreon

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supporters for as little last two dollars per month. Just

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go do Patreon dot Great Detectives dot net. Well, now

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we are into the nineteen fifty episodes of The Saints.

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The original ur date on this one, January eighth, and

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the title is The Cake That Killed.

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Speaker 2: The Adventures of the Scene starting then Some Price.

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Speaker 3: Based on Kelly by.

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Speaker 2: Leslie Choker, A Loan's a Million from Books magazine Emotion.

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Speaker 3: Picture Hold of Modern Crime.

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Speaker 2: Now come to the radio, Darling Hollywood, brilliant and talented

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actor Vim and fight as.

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Speaker 3: The Faint Evening Sar and welcome to the Backs Thing.

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I beg your pardon I said, welcome to the back

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this friend. Oh well, I'm sure you would make a

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very nice batchless friend. But all I had in mind

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was the loaf of bread. The name of this bakery

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is a bachelors thing. It is mister Vanderpoys. It was

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a name like that because he was stated to the whimsical. However,

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what is it? Time and temporary? Is anything wrong? No? No,

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that's kind of just stopped outside. Oh what's that your cake?

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My cake? But I wanted a loaf of bread. Well,

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you love take it just at the time your mother

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used to day. My mother used to take terrible case

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battleships used in krank. Hello, mister Greg, we'll say hello

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to Teger. Sure, mister Greg. Hello, Hello, you're customers leaving Tegger.

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Oh yes, no, I might like it her customers leaving Martin.

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I like you say, mister Gregg, he's done his way

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right now. But I feel terribly self consciously and talked

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about like a revolver Morton, a revolver loaded loaded. You're

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frighting vent time leasing. You worried what, mister Gregg should

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I should hate to make a liar of mister Greg.

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You won't and keep on living, and I won't. I

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like living and good night everyone. Martin. Hey, am, mister Greg.

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He seems like a nice chat. He does one of

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the finest. I think perhaps we owe him a ride.

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He wouldn't bother I get cars if he takes a cab, Martin,

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give the driver his instructions. Hen, take our friend here

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for a long ride to the ocean. Hey, yeah, mister Gregg.

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It's a beautiful night. He'll enjoy his dry Come on

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mix this coming, don't your case? Oh yeah, thank you,

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thank you, good night, good night, Yeah mixes. Yes, I

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wouldn't toy with no boy scout ideas about doing a

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good deed if I was you Nature Numbers of America

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with my outfit. Just forget all about that blind back

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in the store. Well, I'll try, but I can't promise

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he was so you know what I mean, more than

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yeah than you're a can he thank me? Get in?

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Thank you? Hey, cowboy me, yeah you. My name happens

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to be Benny, not cowboys, So it's Benny. The gent

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in the back seat is going for a long drive

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to the ocean like space. Oh shit, uh a long drive?

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See him? Yeah him, But he's going for long drive

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all right. Well, better be sure he don't change his

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mind and come right back here otherwise, otherwise there'll be

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one dead jet and also one dead Jitney jockey. Me. Yeah,

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you knocket out of head and fast have been gone

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at all? Benny? No, no, no, no, I don't know if

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I should talk to you. We're gonna talk to me. Listen,

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We're not going for that drive. What the fellow with

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the gun and said, But it's more important. Ihe like

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what he said. We're going for a drive to the

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old but thank you. The girl back at the bakery,

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she's in danger. We got to help her. I don't

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like coil losses. I like better. Well, how would you

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like a broken ye? Right or left? Bro? I wouldn't,

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But that luck has got a gun. I'm closer to

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you than he is. Okay, we're going back. That's that

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sort of me and married man. Hey, the joints stop. Yes,

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and we've been gone only a few minutes. You better

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come with me. Sure, What have I got to lose

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my life? And the door dark? All right, and the

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door is locked now you see, everybody went home. We

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ought to go home to your home. My wife don't

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like there's something wrong. I can't see that with Haggy.

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He's got a nice voice, but I think she was off.

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See there, maybe another that's all backfiring. The bread is

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backfiring that people inside. We've got to get in me.

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I think a nice long rise of the ocean would

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be nice. Ship. Hey, hey, hey, what are you dragging

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a handkerchief out for? Are you gonna sneak? Now? I'm

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gonna wrap it around my fist and mash the glass

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and wang against that. And I just repealed it now

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to reach in and yeah, still dark, Yeah, back room.

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Perhaps there's a light shine on the floor over there.

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Yeah that's it. Well wait, wait a minute, look before

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you open that door. You didn't bulletproof play now, joint

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sempsters and small room window probably overlooks an alley. Yeah,

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the alleys empty.

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Speaker 2: Too, you see, Like I told you, everybody went by by.

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Speaker 3: And it's it's what he's saying. I under desk, look

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for yourself, John. My name is Benny, like I should, oh,

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one of the little players the love. He got tired

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and laid down, and you haven't looked closely enough. Benny.

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He's lying down, all right, but not because he's tired.

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He's dead.

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Speaker 4: Okay, so I follow the cops like you said, it

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would be very glad to drop in.

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Speaker 3: Rite away good find out anything. Morton's dead, Yeah, it's

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much have ducked out the back window and there's nothing

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more to be discovered here. Therefore you leave him. I'm afraid,

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I am if the cops are not going to be

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happy about it. They don't like me anyway, My wife

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don't like me. I don't mean I can walk out

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on that. Yes, because you see you married your wife,

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I didn't marry the police. You've got something there, good

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night and give the police. Sure, I'll give it from home.

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Tell well it may be an article, aluse all optics

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and such illusions that I will tell you I'm here,

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I'm noticed. Should you be here in my apartment? Why not?

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The explanation could leads to trouble. Then he wants to

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January anywhere else to January? What brings you here? Very

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nice apartment? Did catcher? Teggy? How did you get in here?

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Speaker 1: Janitor?

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Speaker 3: Let me? I told him I was your sister. I

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have already told him I min nominally child. Then he's

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probably to some No, he's nearly having low thoughts. Matter

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of fact, that nicely having low thoughts too, but put

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that I'm the high mind. It's tight. What out to

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your little friend? I don't know what they got into

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a terrible test argument? Uh huh so I went out

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the back land any night. You really shouldn't have you

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missed something I did? Definitely what did that mess down

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at the end of the argument, nor law. Oh it

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wasn't the hard way. He was shot not by me.

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He was shot down. Oh, I'm sorry about that. Why

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did you shoot in? Of course not? But you see,

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mister Greg and Morton were fighting over me where they founded.

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Speaker 4: If you don't believe me, may you become night fighting?

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Speaker 3: Do? Then? Why who? We mustn't forget that we're brother

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and sister and decided that well, if Greg and Morton

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were fighting over you, then I does and believe you

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were worth fighting over. And at the moment, is.

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Speaker 5: That you a man?

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Speaker 3: Or are you as well? I like cheese and then

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supposed to get the whole thing. I just made a

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mistake about you, which reminds me I made another missage,

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which one that cake I gave you didn't belong to you.

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I didn't ask for you. I know but I was

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going to look intolus. I want the case to please

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the case. That's the case, Simon, are you solemn? Now?

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I'm trying to remember what happened to it? Simon. You

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don't have the cake with you can finish? Simon, what

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happened to that? Take have forgotten it? In the town care? Simon?

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What kind of a clip was it? The kind was

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a meeter? Oh you I'm going just drop badly. Goodbye?

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Thank you. I hope the Canada tell your wife about

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your sister, and I hope your wife.

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Speaker 4: Knows you don't have a sister.

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Speaker 3: I don't have a wife. Oh why hate you? That's

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the gay? You're not well, I'm not come on, get

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back inside. Oh it's gay, you know, gentlemen, I think

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a fop. You're appointed, Yes I am. That's the one

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with Richard shot Morton. As it happens, I didn't walk

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back at doing your apart. Nothing important, because she's my

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sisters real and her brother crazy he named Simon Temple.

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Well not really, it's only that my etchings at the cleaner.

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It's thank you, but it's this means the all right,

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that you don't mind if I removed that Krishna fake Christians.

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Therefore what I mean sorry because he hits you in

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the pace of the fact, I can do even better

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with this O. My hand hurt. Simon got a beautiful

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right to the jaw. Thank you. I don't like to

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do it very often. It still hide on the hands,

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but i'd better get his guy. I all toick out

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the HM with Simon, So thanks for bending over. I'm dead,

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all right, all right? Oh Simon, the two headed boy.

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He's begging see John Hutton.

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Speaker 4: Singing, And I.

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Speaker 3: Only already got a ringing in my head, both my head.

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So he come in to call ring. Nobody was answering.

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Nobody was answering either. No, my heads were answering. That's true.

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But why did you come here? In the first and

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the other I wondered how long it would be for

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you identify you? You know, mister temper, you know me,

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not in my present condition. You're the one is telling

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me how you're an only child who you started wondering

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about my sister. Yeah, yeah, well I suppose that's true too,

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but she's gone true my sister. Never mind tell you

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it's so, it's so, it's too bad. It's not so bad.

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Maybe pad, you'd better run along, and the next time

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she shows up out introducing it. It's not why I

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am coming here. Pardon my aggression, but why are you

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coming here? Why are you making saying things from the past.

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Then you mean that like people are shooting rere, lots

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of people waiting, lots of other people on the john

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on the head and so you are holding in your head.

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Oh yes, yes, I just got around and noticing it.

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Evolve it's bag bad true. Oh that we'd better get

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into the living room. And oh that's that twenty carrots,

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Peggy ways to sun me. Hey, I'm slending. It's something

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ends yeah, gun out of meaning someone's recently fired a

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gun here? Oh good lord. Yeah, it's Greg on the

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rud he is why here? How true? Two bullets in

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his chest? He's dead? You shoot him? Oh, thanks for

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the question mark at the end of that. No, I didn't.

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I was knocked out. Greg was shot, and then the

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revolval was putting my hand. Eventually I toos the police

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were supposed to arrive, find Greg dead, the murder weapon

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crawling with my fingerprints and it's best. Yeah, it's not good. Yeah,

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but you do now, I don't know, of course, Peggy

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wanted to know who the cab driver was. What cat

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ve the one who took the cake? Mister tempray the police.

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I had better not bother them. What you're going to do?

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Find a murderer for them before they decide they've found

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one in me?

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Speaker 4: And hey, yeah, Red Devil Cats Company.

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Speaker 3: That's what you wanted. That's what I wanted. Where you are?

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Don't buy any yak?

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Speaker 4: Why should I already got one?

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Speaker 3: Yeah?

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Speaker 5: What can I do for you?

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Speaker 3: Are you in charge here the garage and cad flee? Yeah,

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you could say that, is that what you're looking for? Well,

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actually I'm looking for Benny, one of your cab drivers. Benny,

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what just Benny? Oh? And hey get out of here,

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and sirs, I'm not joking. The license plate number of

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the cabby was driving was X forty three seventy six.

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No gag, no gang? Oh thank you? Ex see Yeah, yeah,

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Denny Scott. Are is he in the garage? Nor no?

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Out of his cab? Indeed you into? Yeah, tour is

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over then then he's over to far. You can't say

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that he might have got a fair out of the

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suburbs or something or some place, would you mind if

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I waited for him. What have you done? It's not

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what he's done, it's important, it is what may be done.

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I've been here for more than an hour. Yeah, then

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he isn't new this late for boys, you devil cab company,

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Golden speaking. But one of our cabs at park in

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front of your driveways. Well, lady, you just tell the

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drivers that's the drive. Lady, that's impossible, all right. So

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you live an Ocean Drive Avenue. I know it's a

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very nice neighborhood, so maybe number five three six is unusual. Nice,

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But lady, our drivers don't leave their cabs in front

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of driveways. It's a company rule.

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Speaker 5: Good night.

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Speaker 3: He do you like that? Hey, Bennie, Benny, I've already

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thought of that. Five three six Ocean Drive Avenue, go

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right out there. But oh Groken, could you tell me

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why I might be a look at a cab five

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hundred blocks and yes, stop now, Uh Denny's cab is here.

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He loosened a driver hang around for a while. Okay, thanks,

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there's no one in the back of the cab. Hey, Benny,

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it's a lie. Whate is I didn't cut your drop. Furthermore,

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I have a drink, and besides you, you ain't my wife? No?

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And who hit me in my head? A friend of yours? Hat?

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Oh no, my friends don't go on with me on

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my head. You know it's too soft. It's wait a minute,

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where's the blonde? Well, I don't have her on me.

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I'm beginning to remember now. She hailed a cab, got in,

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and then she started asking me about some cake. Yek

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told me to pull over to the kite. She kept

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talking about cake, and then she hit me on my head.

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Speaker 4: And I don't even like cake.

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Speaker 3: I don't get it. No, but Peggy didn't. Huh, I

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meant the cake? What's with the cake? Me?

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Speaker 5: I'm strictly the rye red tie.

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Speaker 3: And Peggy remembering her figure. Oh, let us remember this

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for a while, pickly a rye christicize therefore your oh man,

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she didn't want the cake to eat? Why not? Because

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you can't have your cake and eat it? Is that

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supposed to mean something? Not to you here, Benny, and

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don't buy it.

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Speaker 4: Thanks, I already got a yacht.

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Speaker 3: How did you know what I was going? I listened

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to the redo. What do you think it's temper? Oh? Well,

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you spend much of your time working in vestibute. Who loads.

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I'm crazy about rest doing that nice. I'll leave you

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00:19:00,799 --> 00:19:03,240
to this one just a moment. That's not my elbow

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00:19:03,279 --> 00:19:04,599
in your rib and I don't tell me, let me

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00:19:04,640 --> 00:19:06,640
get that. You're to be a maxim. It's a revolver.

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It makes a loud noise, and it's hires, but it's

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all You wouldn't be happy if I shot you? Neither?

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Would I? Well, why not take the gun out of

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my ribs and make us both delirious with joy? I

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shall as soon as I have my cake, your cake.

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I am Hector Vanderpoor Hector, the owner of the Bachelor's

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Friend Bakery. I'm cunning out of you to remember, and

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I don't have your cake. You might be fitting. I

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never said it's not crit neither it's murder. But I

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shall murder you unless in your apartment, if you please.

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00:19:35,839 --> 00:19:42,119
Of course, it's just and the living room. See there's

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no one here. Where are they? Who? We're being very naive,

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aren't we? The diamonds, my friend, the diamond, the lovely

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white diamonds. Dear Peggy gave you. Peggy must have forgot honor.

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She gave you the cake, so she did the diamonds.

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I'm pretending you don't know we're in that cake. But

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why do diamonds make a cake taste better? Where are they?

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You're rapidly losing your windy? You know why? Into interested?

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I arrange the effects my good man, at great inconvenience

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to myself, and with considerable efforts. I don't contend to

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00:20:12,240 --> 00:20:14,480
give them up. Well, how did they get into that case?

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Peggy it with a fear. She decided to double cross me.

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Therefore she hid the diamonds in the cake and slipped

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the cake to you, right under Greggs and Morton. No,

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they each had a nose to themselves. I find I'm

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00:20:25,440 --> 00:20:29,880
tiring of wits. I'm beginning not to be amused, non amusing.

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Speaker 2: Therefore, you will either hand over the diamonds at once, or.

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Speaker 3: Or else die. But I get over to the side

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00:20:35,799 --> 00:20:38,680
Templer near the windows. Well, I've already seen it. Well

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00:20:39,119 --> 00:20:41,000
did that gets you out of the way? And now

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00:20:41,039 --> 00:20:43,640
then if you're heading from my bedroom, now only the door,

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00:20:44,200 --> 00:20:49,400
Oh dear, well, I was only she was only being

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00:20:49,400 --> 00:20:55,039
insisted to me. And you're here because you're obviously working

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00:20:55,039 --> 00:20:57,000
with Templar for that nice work. If I can get it.

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00:20:57,039 --> 00:20:59,880
But Creig and Morton are both said, I shall miss

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00:21:00,039 --> 00:21:02,400
and I have nothing to do. I shall miss them,

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00:21:02,400 --> 00:21:05,799
but I won't miss you. Where are the diamonds.

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00:21:06,240 --> 00:21:06,720
Speaker 4: I don't know.

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00:21:07,000 --> 00:21:10,440
Speaker 3: You have perhaps a few seconds left of life. Oh

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00:21:10,680 --> 00:21:11,279
I'll give them.

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00:21:12,160 --> 00:21:12,960
Speaker 4: They're here in my bed.

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Speaker 3: I don't hand out of that bag, but the diamonds.

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00:21:17,000 --> 00:21:26,559
Opportunity not to go in the problem, but take scared shot,

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00:21:26,680 --> 00:21:34,640
my son. I think I'm going to hitting. Room's cluttered

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00:21:34,640 --> 00:21:39,920
with bodies, and I say, Peggy, answer but the freshman.

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00:21:40,319 --> 00:21:46,200
I think everybody's going to live for a while. Yes,

326
00:21:46,319 --> 00:21:49,319
instead a helping hand, and you're on your feet again.

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00:21:50,880 --> 00:21:53,119
I probably am, and I certainly did. However, I have

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00:21:53,240 --> 00:21:56,519
begun you. You're good? Show me answer? Why should I?

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00:21:56,720 --> 00:21:59,759
Because then you and you can keep the plan. You

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00:22:00,079 --> 00:22:02,440
get the constant, don't you? Mister Greg and Morton. The

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00:22:02,440 --> 00:22:04,480
police are going to want a murderer for them. Well

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00:22:04,960 --> 00:22:07,079
take you kill them. So if you forget, I'm being

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00:22:07,079 --> 00:22:10,000
a brother today. Look look, will you please please get

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00:22:10,000 --> 00:22:13,200
it over with now? Don't rush me. You. Greg and

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00:22:13,240 --> 00:22:16,480
Morton were jewelsy The bakery pads up front, the diamonds

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00:22:16,480 --> 00:22:18,359
and the cake were supposed to be Greg and Morton's

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00:22:18,400 --> 00:22:20,440
chair right, Yes, yes, but the Greg and Martin are

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00:22:20,440 --> 00:22:23,039
both dead. If you had the jewels, baby, all be

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00:22:23,119 --> 00:22:26,680
yours now, wouldn't they? Yes? If I had the jewels

340
00:22:26,680 --> 00:22:28,920
and he wasn't supposed to know anything about them, that's

341
00:22:28,920 --> 00:22:31,279
why you baked them into that case. We both know

342
00:22:31,400 --> 00:22:34,279
all that. No, up until this moment, I didn't know

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00:22:34,319 --> 00:22:36,880
that the Jews had been based in the case. Therefore,

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00:22:36,920 --> 00:22:40,359
I shall not kidding. What if sufficiency the police are

345
00:22:40,400 --> 00:22:58,480
going to take care of that. Well, go to the

346
00:22:58,519 --> 00:23:02,759
police and missus Anders. But the Simon, I just don't Teggy,

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00:23:02,839 --> 00:23:06,279
you're adorable, You're a liar, and I don't mind explaining

348
00:23:06,960 --> 00:23:11,400
Vanderpoort killed Greg and Morton. How did I know? Now

349
00:23:11,440 --> 00:23:15,119
you're supposed to say, yes, yes, I'm how did you know?

350
00:23:15,240 --> 00:23:18,279
And I'm glad you asked me. I knew because Vanderpoor

351
00:23:18,440 --> 00:23:21,079
showed up at this apartment. How did he know about it?

352
00:23:21,400 --> 00:23:23,880
Greg and Morton had followed you from the bakery. You

353
00:23:23,960 --> 00:23:27,400
knew about it because I dold you my but vand

354
00:23:27,759 --> 00:23:29,920
had no way of knowing him that secretly. He was

355
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at the bakery at the time of Morton's death, and

356
00:23:32,319 --> 00:23:33,559
here when Greg was good.

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Speaker 4: Oh, and his motive was to keep all the jewels himself.

358
00:23:37,039 --> 00:23:40,279
Speaker 3: True. You know I'm hungry. Would you mind getting that take? Now?

359
00:23:41,039 --> 00:23:43,279
Where'd you heard it? In the bread box my kitchen? Yes?

360
00:23:43,599 --> 00:23:45,680
Thank you, my love. You know you may be under

361
00:23:45,680 --> 00:23:50,119
the impression that you're a crook, that your love huh

362
00:23:50,279 --> 00:23:53,240
Vanderpoorn knew if you remember that the jewels weren't in

363
00:23:53,319 --> 00:23:57,720
your bag before you opened it. How sinful he knew

364
00:23:57,759 --> 00:24:00,519
you didn't have the jewels? How did he know that? People? Again,

365
00:24:00,920 --> 00:24:02,720
he hadn't put the jewels in the cake at all?

366
00:24:03,319 --> 00:24:06,440
Whose double cross had started before your attempt at hijacket

367
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though there are no jewels in the apartment, Peggy, I

368
00:24:12,039 --> 00:24:16,039
guess I'm not a cook cooking. Okay, I'll get the

369
00:24:16,079 --> 00:24:19,400
cake and me can eat it. The important question now

370
00:24:19,440 --> 00:24:41,799
being is the cake any good? Well?

371
00:24:41,880 --> 00:24:43,400
Speaker 2: I'll here's our stars them from.

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Speaker 3: Pine ladies and gentlemen. Our friend Peggy might have done

373
00:24:46,920 --> 00:24:50,200
better had she chosen her friends more carefully. As a

374
00:24:50,279 --> 00:24:52,480
matter of fact, she might have chosen her take more

375
00:24:52,559 --> 00:24:55,880
carefully too, had she heeded the words of Margarety Thankster,

376
00:24:55,960 --> 00:24:59,359
who said, oh take me friends, we should choose with

377
00:24:59,519 --> 00:25:02,759
care not always the finest cake that stare is the

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00:25:02,799 --> 00:25:06,400
best to eat, and the Plain is friend is sometimes

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00:25:06,519 --> 00:25:09,440
the finest one in the head, which is instant pricee

380
00:25:09,480 --> 00:25:11,440
inviting you to join us again next week at the

381
00:25:11,519 --> 00:25:16,039
same time for another exciting adventure of the Saint. Good Night.

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00:25:34,119 --> 00:25:36,200
Speaker 2: The w script of the Plaints is written by Lewis

383
00:25:36,200 --> 00:25:38,799
did dark Assen for the Betty lou Gerson, Peter Lee,

384
00:25:38,960 --> 00:25:40,440
Daneal Hurlahey, Larry Dobson, and.

385
00:25:40,599 --> 00:25:43,440
Speaker 3: Ed von Els. The music was composed and conducted by

386
00:25:43,440 --> 00:25:47,359
Harry Zimmermann. Well Saints based on characters created by last plays.

387
00:25:47,160 --> 00:25:50,559
Speaker 2: Talking Us the James al Safer production, and is directed

388
00:25:50,559 --> 00:25:53,720
by Thomas A. Mctivity Crimson prize to someone to be

389
00:25:53,799 --> 00:25:56,319
seen in Robert Lickert's production of The Baron of Arizona.

390
00:25:57,079 --> 00:25:59,000
All you Saint fans will be glad to know about

391
00:25:59,000 --> 00:26:00,319
the Plaints comic books.

392
00:26:02,200 --> 00:26:06,400
Speaker 3: Going on at broadcasting.

393
00:26:24,799 --> 00:26:25,759
Speaker 1: Welcome back.

394
00:26:26,000 --> 00:26:26,160
Speaker 3: Well.

395
00:26:26,319 --> 00:26:29,480
Speaker 1: One thing that's kind of unusual about this era of

396
00:26:29,599 --> 00:26:34,519
the Saint is that we keep meeting all of these

397
00:26:34,759 --> 00:26:38,960
random Cabby characters. Now, of course, you do have random

398
00:26:39,079 --> 00:26:42,519
cabbys show up during the Golden age of radio on

399
00:26:42,839 --> 00:26:48,200
a whole variety of programs, but it seems like we

400
00:26:48,440 --> 00:26:53,359
just have a very large selection of Cabby's, you know,

401
00:26:53,599 --> 00:26:58,720
being these really important characters, often as sidekicks and once

402
00:26:58,759 --> 00:27:02,279
as a villain. And anyway, we turned to listener comments

403
00:27:02,359 --> 00:27:06,319
and feedback, and there's a comment on Patreon from Jeff

404
00:27:07,480 --> 00:27:11,440
and he writes, Vincent Price loved acting of all sorts,

405
00:27:11,519 --> 00:27:15,400
so he agreed to a Brady brawnch appearance in nineteen

406
00:27:15,440 --> 00:27:18,359
seventy two. He just wanted to work and didn't turn

407
00:27:18,480 --> 00:27:23,240
his nose up at fun opportunities. And this is definitely true.

408
00:27:23,680 --> 00:27:27,960
Vincent Price just did a lot of different programs, and

409
00:27:28,079 --> 00:27:32,240
if you watch any amount of classic television or film,

410
00:27:32,319 --> 00:27:36,720
you'll run into him, and probably later than you would expect,

411
00:27:37,359 --> 00:27:40,680
as he continued to work late into the eighties and

412
00:27:41,039 --> 00:27:44,480
even a little bit into the nineties. He passed in

413
00:27:44,720 --> 00:27:50,559
nineteen ninety three. But he wide variety of different work,

414
00:27:50,880 --> 00:27:54,359
and it means even if you're not into the horror

415
00:27:54,480 --> 00:27:58,960
genre he's most famous for, he left a very wide

416
00:27:59,119 --> 00:28:03,440
mark on popular culture. I saw him on an episode

417
00:28:03,640 --> 00:28:08,839
of The Nearly Forgotten Story show from the seventies to

418
00:28:08,960 --> 00:28:13,039
Snoop Sisters, and he had worked on programs I not

419
00:28:13,160 --> 00:28:17,440
really like The Brady Bunch, but Trapper John MD and

420
00:28:17,799 --> 00:28:22,559
he played King Herod in a version of the Nativity

421
00:28:22,680 --> 00:28:27,599
Story that was made a direct video in the mid

422
00:28:27,759 --> 00:28:32,000
nineteen eighties. But by being out there and being such

423
00:28:32,039 --> 00:28:36,160
a part of the entertainment industry, he also got some

424
00:28:36,559 --> 00:28:41,319
really strong parts that many remember Professor Radigan in The

425
00:28:41,519 --> 00:28:45,960
Great Mouse Detective. And of course he was the narrator

426
00:28:46,279 --> 00:28:50,880
in the Thriller music video by Michael Jackson. So an

427
00:28:50,960 --> 00:28:55,319
incredible career with so many memorable roles throughout it.

428
00:28:55,880 --> 00:28:56,000
Speaker 3: All.

429
00:28:56,119 --> 00:28:59,680
Speaker 1: Right, well, now it's time to think our Patreon supporter

430
00:28:59,799 --> 00:29:03,960
of the and I want to thank Kelly, Patreon supporter

431
00:29:04,559 --> 00:29:10,200
since June of twenty seventeen, currently supporting the podcast at

432
00:29:10,240 --> 00:29:12,920
the Shawmus level of four dollars or more per month.

433
00:29:13,319 --> 00:29:15,640
Thanks so much for your support, Kelly, And that will

434
00:29:15,680 --> 00:29:18,680
do it for today. If you're enjoying the podcast, please

435
00:29:18,759 --> 00:29:23,000
follow us using your favorite podcast software and be sure

436
00:29:23,039 --> 00:29:25,960
to rate and review the podcast wherever you download it from.

437
00:29:26,640 --> 00:29:29,559
We'll be back next Monday with another episode of The Saint,

438
00:29:29,640 --> 00:29:33,000
but join us back here tomorrow for the Big Story where.

439
00:29:35,400 --> 00:29:37,480
Speaker 3: Second, how about a fatment before they luck yep?

440
00:29:38,000 --> 00:29:41,000
Speaker 5: Okay, I'll tell you the whole suit, but you won't

441
00:29:41,039 --> 00:29:45,279
put it. I'm guilty. I'm guilty because I'm nobody. I'm

442
00:29:45,279 --> 00:29:47,519
guilty because somebody wanted to get somewhere. In order to

443
00:29:47,559 --> 00:29:49,519
get there, he'd put his feet right in my face,

444
00:29:49,599 --> 00:29:51,599
steps on me, sent me up for life to get

445
00:29:51,640 --> 00:29:54,240
where he wants to get here. I'd like to see

446
00:29:54,319 --> 00:29:55,240
your printing.

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00:29:56,640 --> 00:29:57,680
Speaker 3: Freedom of the Press.

448
00:29:58,319 --> 00:30:00,480
Speaker 1: I hope you'll be with us then in the me tenheime.

449
00:30:00,759 --> 00:30:04,839
Send your comments to Box thirteen at Great Detectives dot net,

450
00:30:04,960 --> 00:30:08,440
follow us on Twitter at Radio Detectives, and check us

451
00:30:08,480 --> 00:30:12,920
out on Instagram, Instagram, dot com, slash Great Detectives. But

452
00:30:13,160 --> 00:30:16,599
from Boise, Idaho. This is your host, Adam Graham's I

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00:30:16,640 --> 00:30:17,039
Do and All