1 00:00:26,760 --> 00:00:29,839 Speaker 1: Hello, everybody. Welcome to that's not metal. Welcome here to Hyperblast. 2 00:00:29,879 --> 00:00:33,200 We are here with our weekly metal rock news, not 3 00:00:33,240 --> 00:00:35,799 quite reviews, but news and releases show here today and 4 00:00:35,799 --> 00:00:37,200 going to let you know everything's been going on. My 5 00:00:37,280 --> 00:00:40,280 name is Parnhish, and I am here on my lonesome 6 00:00:40,320 --> 00:00:43,159 today because I'm recording this a little bit earlier than 7 00:00:43,240 --> 00:00:46,640 usual in the day because I am headed very shortly 8 00:00:46,719 --> 00:00:50,240 off to All Things Incineration Festival. So I'm just here 9 00:00:50,240 --> 00:00:52,840 on my own twickly to again get the news and 10 00:00:52,880 --> 00:00:56,520 the releases out for you. What has been going on? Well, 11 00:00:56,520 --> 00:00:58,359 the main event for me this week, I suppose was 12 00:00:58,399 --> 00:01:02,399 I went to the Sanguine, which was Creepers in you know, 13 00:01:02,560 --> 00:01:05,799 smaller venues than they have recently been playing very you know, 14 00:01:05,840 --> 00:01:09,480 deliberately intimate type shows, doing a tour. I think many 15 00:01:09,560 --> 00:01:10,799 of us in the you know, the kind of Creeper 16 00:01:10,799 --> 00:01:13,239 fan base have been wanting to see for a couple 17 00:01:13,280 --> 00:01:15,840 of years now, since they've been in this world that 18 00:01:15,879 --> 00:01:19,239 they've been in, which is they did a tour entirely 19 00:01:19,319 --> 00:01:21,280 one hundred percent you were warned in advance this is 20 00:01:21,319 --> 00:01:25,599 what the settlers would be entirely comprised of their Sanguavore 21 00:01:25,959 --> 00:01:28,480 one and two records are now you know, both out, 22 00:01:28,480 --> 00:01:30,519 sang of War two obviously about six months old now, 23 00:01:30,560 --> 00:01:33,400 so the right time I think to really go all 24 00:01:33,439 --> 00:01:35,640 in on that world, which if you are a fan 25 00:01:35,760 --> 00:01:38,760 of particularly those records of Creepers, you know what a 26 00:01:38,920 --> 00:01:43,400 specific vibe, and it is music and records that are 27 00:01:43,719 --> 00:01:46,719 so made for their own, you know, kind of rock 28 00:01:46,760 --> 00:01:50,239 opera type presentation at the very least a as we say, 29 00:01:50,280 --> 00:01:53,760 a specific sort of world of somewhere they can live. 30 00:01:53,879 --> 00:01:55,640 And I'm a really big fan of when bands do that, 31 00:01:55,680 --> 00:01:58,840 like provided you know, the recent current records are good, 32 00:01:59,040 --> 00:02:01,000 of course and you actually one see that material. But 33 00:02:01,359 --> 00:02:03,359 I'm a fan of you know, sort of album in 34 00:02:03,480 --> 00:02:08,199 full or you know, deliberately themed type presentations, not necessarily 35 00:02:08,280 --> 00:02:10,560 for nostalgia albums, but for this is where we are 36 00:02:10,960 --> 00:02:12,719 right now. This is the show where if you are 37 00:02:12,759 --> 00:02:16,360 like really plugged into our band at this exact moment 38 00:02:16,680 --> 00:02:19,199 in our career, then we're going to really like give 39 00:02:19,240 --> 00:02:21,159 it everything that we've got. I mean, like one of 40 00:02:21,240 --> 00:02:23,400 my favorite album in full type shows I've ever seen 41 00:02:23,879 --> 00:02:26,599 was when Behemoth played The Satanist. When The Satanist was 42 00:02:26,599 --> 00:02:28,599 their most recent album out because it just felt like, yeah, 43 00:02:28,599 --> 00:02:31,400 like this is now, this is contemporary, it's relevant, it's important, 44 00:02:31,520 --> 00:02:33,280 and let's like really, you know, give it the treatment 45 00:02:33,360 --> 00:02:35,319 it deserves. And so, as we say, you know, with 46 00:02:35,360 --> 00:02:38,879 Creeper's whole vibe for sangle War being so seemingly made 47 00:02:38,879 --> 00:02:40,879 for it, I was really looking forward to this. I've 48 00:02:40,879 --> 00:02:42,599 seen Creeper, I mean, of course, you know, countless times, 49 00:02:42,639 --> 00:02:45,439 but just on the Sango Wore cycles. In the last 50 00:02:45,560 --> 00:02:47,360 year or so, I've seen them a couple of times, 51 00:02:47,400 --> 00:02:50,800 but mainly recently in you know, festival type slots like 52 00:02:50,800 --> 00:02:53,680 a bloodstock or support slots like at the the Eisnine 53 00:02:53,759 --> 00:02:56,199 Kills Arena to all. So I was really looking forward 54 00:02:56,240 --> 00:02:59,520 to seeing not only them headlining again, but like specifically 55 00:02:59,520 --> 00:03:02,280 going all in on this, with it being more intimate 56 00:03:02,360 --> 00:03:04,360 than usual shows for them. I think, you know, you 57 00:03:04,400 --> 00:03:06,719 could have imagined maybe them doing this, and I think 58 00:03:06,719 --> 00:03:08,120 what a lot of us would have, you know, in 59 00:03:08,240 --> 00:03:10,560 vision from the beginning of the sangle War cycle, was 60 00:03:10,599 --> 00:03:13,680 them doing you know, trying to up the production basically 61 00:03:13,719 --> 00:03:17,960 and really put on the big theatrical, you know, fucking rocky, 62 00:03:17,960 --> 00:03:20,439 horror meat loaf type show that you imagine from the records, 63 00:03:20,439 --> 00:03:22,599 they obviously went the opposite direction and just went this 64 00:03:22,639 --> 00:03:25,560 is specifically for you know, are hardcore fans basically, which 65 00:03:25,599 --> 00:03:27,599 I think does have its merits as well. So you know, 66 00:03:27,680 --> 00:03:31,479 production wise, it's obviously not the biggest creeper show you've 67 00:03:31,520 --> 00:03:33,599 ever seen. They did do some cool things like clever 68 00:03:33,680 --> 00:03:35,560 usage of lighting and stuff like that, you know, like 69 00:03:35,599 --> 00:03:38,199 kind of lighting their faces from underneath, which I would 70 00:03:38,199 --> 00:03:39,759 think it is a good trick on stage, particularly for 71 00:03:39,800 --> 00:03:42,560 them at this point, because it made them look particularly vampish, 72 00:03:42,840 --> 00:03:43,919 you know what I mean. But it was you know, 73 00:03:44,039 --> 00:03:48,039 small show basically just entirely about presenting the songs and 74 00:03:48,879 --> 00:03:51,560 for you know, these two records, which you I presume 75 00:03:51,599 --> 00:03:53,360 have probably heard our reviews of these two records over 76 00:03:53,360 --> 00:03:56,280 the last couple years as they've come out. Sangravore was 77 00:03:56,360 --> 00:03:58,919 you know, so beloved by you know, the T and 78 00:03:59,000 --> 00:04:01,039 M audience. I believe it's the audience ed album of 79 00:04:01,039 --> 00:04:03,080 the year that year, so I trust that many of 80 00:04:03,120 --> 00:04:05,680 you were really looking forward and going to this as well. 81 00:04:05,759 --> 00:04:10,360 Sang of War two also did extremely well again amongst 82 00:04:10,360 --> 00:04:13,199 you guys, and I think whichever your favorite Creeper record is, 83 00:04:13,240 --> 00:04:14,639 whether it's a new one where it was an old one. 84 00:04:14,680 --> 00:04:16,800 I think a lot of us have a general appreciation 85 00:04:16,879 --> 00:04:19,920 for everything, I suppose, so yeah, was really really looking 86 00:04:19,920 --> 00:04:21,680 forward to this. The support act was a band called 87 00:04:21,720 --> 00:04:24,839 The Howling, who feel like, you know, there's a kind 88 00:04:24,839 --> 00:04:27,079 of an interesting sort of sub ecosystem in the UK 89 00:04:27,199 --> 00:04:30,680 rock scene of bands who feel like they really are 90 00:04:30,720 --> 00:04:32,959 made to support Creeper, you know what I mean. Like 91 00:04:33,000 --> 00:04:34,879 they had album was it The Nightmares a few years ago, 92 00:04:34,920 --> 00:04:39,000 and then this band, The Howling, who musically and visually 93 00:04:39,240 --> 00:04:42,839 really felt like essentially they had been born of like 94 00:04:43,199 --> 00:04:46,240 older Creeper, basically, like the singer in particular was like, 95 00:04:46,279 --> 00:04:48,439 oh yeah, like you are the child of you know, 96 00:04:48,839 --> 00:04:51,720 Will Gouled circa twenty seventeen or something like that. But 97 00:04:51,759 --> 00:04:53,959 they were all right. They did a cover of Like 98 00:04:54,000 --> 00:04:56,160 a Prayer, which was not as good as the Dogma 99 00:04:56,199 --> 00:04:58,040 one that I saw at Bloodstock Firm the other year. 100 00:04:58,040 --> 00:05:00,800 But considering Dogma have you know imploded, Sean need someone 101 00:05:00,839 --> 00:05:02,959 out there covering like a Prayer in spooky fashion at 102 00:05:02,959 --> 00:05:06,959 all times. Basically, uh yeah, Creepers set it was I 103 00:05:07,040 --> 00:05:11,079 believe all but one song off of each Sango Wore 104 00:05:11,120 --> 00:05:16,000 record was played. They did not play Tino Sacrifice shockingly 105 00:05:16,040 --> 00:05:18,000 from Sang of War one, which considered that was again 106 00:05:18,000 --> 00:05:19,519 a big single from that I was surprised, but maybe 107 00:05:19,519 --> 00:05:21,720 they've just played that one, you know, so regularly in 108 00:05:21,759 --> 00:05:24,920 these shorter type slots that it didn't feel as necessary. 109 00:05:25,600 --> 00:05:27,720 And then from the Sanga World two record, they did 110 00:05:27,720 --> 00:05:30,040 not play pav Or Nocturnis, which was maybe a bit 111 00:05:30,040 --> 00:05:31,240 of a shame because that's I think one of the 112 00:05:31,240 --> 00:05:33,879 better songs on that record, really grand closer. But you know, 113 00:05:33,879 --> 00:05:36,160 considering they've got like Further and Forever and stuff to 114 00:05:36,160 --> 00:05:37,879 fit in as well, maybe there's only so many grand 115 00:05:37,920 --> 00:05:39,519 songs that you could fit into the set, So that 116 00:05:39,560 --> 00:05:41,040 was the one that was missing. But you know, otherwise, 117 00:05:41,079 --> 00:05:43,920 every single song from both Sangle War records and even 118 00:05:43,959 --> 00:05:45,879 Time for a you know, a kind of a bonus 119 00:05:45,879 --> 00:05:47,680 track and off cut from this era as well, So 120 00:05:47,680 --> 00:05:50,279 if you're into these records, you were well served. It 121 00:05:50,319 --> 00:05:52,680 was very much a feast Will came out in the 122 00:05:52,680 --> 00:05:54,560 first song wearing an eye patch, and I didn't really 123 00:05:54,600 --> 00:05:55,879 know what that was for. I wasn't quite sure, and 124 00:05:55,879 --> 00:05:57,040 maybe he had her some kind of you know, a 125 00:05:57,079 --> 00:05:59,759 mishap on tour and needed it. But then by the 126 00:05:59,879 --> 00:06:01,480 end the first song he'd removed that, so I'm sure 127 00:06:01,480 --> 00:06:03,399 it's just an in character moment that he's wearing an 128 00:06:03,360 --> 00:06:05,480 eye patch at the beginning for some reason. But yeah, 129 00:06:05,680 --> 00:06:08,879 opened with the I guess the opening little run of 130 00:06:08,879 --> 00:06:10,319 the songle War two records that just came out, So 131 00:06:10,399 --> 00:06:13,040 Mistress of Death into Blood Magic, it's a ritual and 132 00:06:13,079 --> 00:06:16,079 those are songs that I like, I enjoy, I think again, 133 00:06:16,319 --> 00:06:19,399 not my absolute favorite Creeper tracks ever, but it's kind of, 134 00:06:19,519 --> 00:06:21,680 you know, a decent sort of start to things. And 135 00:06:21,720 --> 00:06:25,079 then they hit Lover's led Astray, which I was like, okay, yeah, 136 00:06:25,079 --> 00:06:27,680 that's a ten. Now things are really really hitting up, 137 00:06:27,759 --> 00:06:30,720 and from there just every song really from you know, 138 00:06:30,759 --> 00:06:33,720 both one and two really like kind of just made 139 00:06:34,319 --> 00:06:36,720 you know, made sense and really like made a case 140 00:06:36,800 --> 00:06:39,959 for them being a great little part of the Creeper 141 00:06:40,120 --> 00:06:42,800 set lists. I mean, like, on the one front, these 142 00:06:42,800 --> 00:06:44,519 are the songs that I'm sure many of us, you know, 143 00:06:44,519 --> 00:06:46,680 because they've been out longer, have seen quite a few 144 00:06:46,680 --> 00:06:49,160 times and more often by this stage. But again kind 145 00:06:49,199 --> 00:06:51,279 of as a you know, a celebration of this era, 146 00:06:51,319 --> 00:06:54,560 a hamming hammering home, you know how good these tracks are. 147 00:06:55,439 --> 00:06:58,160 Essentially the Ballad of Spook and Mercy I think has 148 00:06:58,199 --> 00:07:02,079 gone down as one of my favorite Creeper live moments ever, 149 00:07:02,360 --> 00:07:04,480 Like in all of their catalog, that's the one where 150 00:07:04,639 --> 00:07:06,360 when it comes around in the set that's considering. It's 151 00:07:06,360 --> 00:07:09,319 a sort of you know, a slower Moodiers song as well. 152 00:07:09,319 --> 00:07:11,279 It's one of the ones that I will sing for 153 00:07:11,560 --> 00:07:14,079 the loudest and people very much kind of you know, 154 00:07:14,160 --> 00:07:17,120 get in line with that. Black Heaven is the best 155 00:07:17,160 --> 00:07:19,439 Sanga Wore era song from either record for me. I 156 00:07:19,560 --> 00:07:22,199 just absolutely adore it. And again getting this in again 157 00:07:22,240 --> 00:07:24,240 a sort of intimate club environment, this kind of goth 158 00:07:24,319 --> 00:07:27,000 club ready song with that incredible sort of you know, 159 00:07:27,000 --> 00:07:30,240 almost like a prayer issue if you like, religious grandiosity 160 00:07:30,279 --> 00:07:32,639 to particularly the kind of quiral part at the end 161 00:07:32,639 --> 00:07:35,720 of it was very very good obviously, you know, I 162 00:07:35,720 --> 00:07:38,720 think the encore was two you know, sang of War 163 00:07:38,759 --> 00:07:40,959 one era songs, Further Than Forever and to Cry to Heaven, 164 00:07:41,040 --> 00:07:43,879 and both of those in such different ways just absolutely 165 00:07:43,879 --> 00:07:46,959 fucking smash it. The more energetic punk stuff, which is 166 00:07:46,959 --> 00:07:48,920 some of the stuff that I, you know, was maybe 167 00:07:49,079 --> 00:07:50,959 wanting for a little bit on the Sang of War 168 00:07:50,959 --> 00:07:52,560 two record, but the bits of that that come on 169 00:07:52,639 --> 00:07:56,879 the first record, like you know, Sacred Blasphemy and Chapel Gates. 170 00:07:56,959 --> 00:07:59,000 Chapel Gates, they brought up a guy from the stage 171 00:07:59,040 --> 00:08:00,879 who I guess had had a sign or something that 172 00:08:01,480 --> 00:08:03,959 he came up and played bass for Chapel Gates, which, 173 00:08:04,040 --> 00:08:06,639 for an audience perspective, the best thing about that was 174 00:08:06,959 --> 00:08:09,079 the fact that it freed up Sean and Sean, who 175 00:08:09,079 --> 00:08:11,319 has always been the kind of slightly Larry Punk on 176 00:08:11,360 --> 00:08:13,839 stage in that band, just for that one song basically 177 00:08:13,879 --> 00:08:15,920 standing on the side of the stage kind of leering 178 00:08:15,959 --> 00:08:18,800 over the front row of the audience chugin beers, which, hell, yeah, Sean, 179 00:08:18,839 --> 00:08:21,040 I'm glad that you got that moment for you. But 180 00:08:21,360 --> 00:08:22,920 I guess you know, this show is particularly of interest 181 00:08:22,920 --> 00:08:25,360 to me because we've seen most of the Sango Wore 182 00:08:25,399 --> 00:08:28,720 One songs, the exception they're actually being closing the main 183 00:08:28,920 --> 00:08:32,519 set with More than Death, the piano closer from Sango 184 00:08:32,559 --> 00:08:35,519 Wore One, and I would say now that that is 185 00:08:35,559 --> 00:08:39,320 my favorite Creeper album closer. I think it is spectacular 186 00:08:39,320 --> 00:08:41,039 when it comes to those, like you know, piano bass songs. 187 00:08:41,039 --> 00:08:43,039 I think it's the best one that they've done, and 188 00:08:43,360 --> 00:08:46,039 that's the one I don't believe they had played certainly, 189 00:08:46,039 --> 00:08:47,559 if they had, it was only in very rare occasions, 190 00:08:47,559 --> 00:08:48,960 but I don't think they had played it prior to 191 00:08:49,080 --> 00:08:51,279 like this run. Basically, So there are a couple songs 192 00:08:51,320 --> 00:08:52,960 that you know, they were airing for the first time 193 00:08:52,960 --> 00:08:54,480 on this run that felt like the moments for it, 194 00:08:54,559 --> 00:08:55,840 more than Death was very much one that I was 195 00:08:55,879 --> 00:08:58,519 looking forward to, and the considering that's a song where 196 00:08:58,559 --> 00:09:00,759 again in the life en varying particularly it's basically Will 197 00:09:00,840 --> 00:09:03,360 standing at the front on his own, you know, bringing 198 00:09:03,360 --> 00:09:07,000 the audience along with it in terms of the you 199 00:09:07,039 --> 00:09:10,039 know that staging and then certainly the audience reaction to it. 200 00:09:10,039 --> 00:09:13,759 It reminded me of the really incredible, you know, quite 201 00:09:14,200 --> 00:09:16,480 intimate sing along as you would get for Misery back 202 00:09:16,519 --> 00:09:18,679 in the earlier days of Creeper. And obviously, you know, 203 00:09:18,720 --> 00:09:20,679 Misery is a very special song and I hope to 204 00:09:20,679 --> 00:09:22,639 see it back in the set you know, before long, 205 00:09:22,879 --> 00:09:25,240 but as you know, again, a different take on a 206 00:09:25,320 --> 00:09:30,240 kind of similar motif, maybe more than death, with just 207 00:09:30,320 --> 00:09:33,279 that all of the maximum drama that you see in 208 00:09:33,320 --> 00:09:35,600 you know, Peak, will goods when he's leaning into that 209 00:09:35,639 --> 00:09:38,240 direction and bringing the crowd along with it. It was 210 00:09:38,879 --> 00:09:40,960 one of those really fantastic moments that I think, you know, 211 00:09:40,960 --> 00:09:44,440 many of us has had at Creeper shows down the year, 212 00:09:44,480 --> 00:09:46,919 So that was brilliant. But the songle were two songs 213 00:09:47,200 --> 00:09:49,720 outside of the you know, couple of bigger singles that 214 00:09:49,759 --> 00:09:51,159 they were doing at places like you know again that 215 00:09:51,200 --> 00:09:53,440 Eistan Kills tour. These are all the ones that were 216 00:09:53,440 --> 00:09:55,519 basically fresh, and so I was very you know, curious 217 00:09:55,559 --> 00:09:57,639 to see how they would go down. And like I said, 218 00:09:57,720 --> 00:10:00,279 I mean in terms of album tracks and stuff, gotta 219 00:10:00,320 --> 00:10:05,240 say they were crackers, like really really really good daydreaming 220 00:10:05,240 --> 00:10:07,039 in the dark with that full on, you know, fucking 221 00:10:07,720 --> 00:10:12,080 top gun volleyball, you know whoa really comes into its 222 00:10:12,080 --> 00:10:14,360 own in the live environment more than it did on record, 223 00:10:14,399 --> 00:10:16,919 I think, and I liked it on record. You go 224 00:10:16,960 --> 00:10:18,840 through again to the kind of the more you know, 225 00:10:18,919 --> 00:10:22,120 kind of like you know, Gothic, darker leaning songs like 226 00:10:22,440 --> 00:10:24,559 the Crimson Bride and Pray for the Night and stuff, 227 00:10:24,559 --> 00:10:26,840 and again these are kind of the almost the I 228 00:10:26,840 --> 00:10:29,000 don't want to use the term the dregs because that's very, 229 00:10:29,120 --> 00:10:30,519 very harsh but like, you know, they're the sort of 230 00:10:30,559 --> 00:10:33,080 like the last guffs I suppose of like this is 231 00:10:33,080 --> 00:10:34,519 what we're doing with the Sango Wore stuff. Here are 232 00:10:34,519 --> 00:10:37,039 just some more really fun album tracks for you. But 233 00:10:37,080 --> 00:10:39,559 again they come into the set and you are really 234 00:10:39,600 --> 00:10:42,840 really having a good time with them. In terms of 235 00:10:43,000 --> 00:10:46,080 the again, these Sanga Wore two songs that almost felt 236 00:10:46,120 --> 00:10:47,840 like they were the event of this particular tour in 237 00:10:47,879 --> 00:10:49,799 the way that more than Death perhaps was from the 238 00:10:49,879 --> 00:10:53,279 first record I think everybody before this tour had even 239 00:10:54,080 --> 00:10:57,679 you know started, really everyone kind of unanimously agreed, okay, 240 00:10:57,759 --> 00:11:01,120 it's the Razor Wire at all, because Razor y becoming 241 00:11:01,159 --> 00:11:04,200 such an immediate fan favorite from sang of War two, 242 00:11:04,639 --> 00:11:07,799 as the you know, the Hannah led song from both 243 00:11:07,840 --> 00:11:09,600 sangle War records. Really the first one didn't have one, 244 00:11:09,600 --> 00:11:11,600 and the Hannah led songs have often been you know, 245 00:11:11,679 --> 00:11:14,480 fan favorites. You know, think of course Crickets from from 246 00:11:14,519 --> 00:11:17,080 way back in the day, but raise a Wire being 247 00:11:17,159 --> 00:11:20,639 a contender for the best one they've done in that there, 248 00:11:20,879 --> 00:11:22,639 and I think people knew that, Okay, this is the 249 00:11:22,679 --> 00:11:24,799 tour where that's getting aired, doubt, and that's going to 250 00:11:24,879 --> 00:11:27,960 be just a really celebratory moment for everyone, and like, 251 00:11:27,960 --> 00:11:29,519 you know, they made a meal of it. They gave 252 00:11:29,559 --> 00:11:32,440 obviously the current day creeper presentation of like you know, 253 00:11:32,480 --> 00:11:35,919 the the vampire makeup and the slicked black hair and 254 00:11:35,960 --> 00:11:38,519 the leather jackets and that kind of stuff. Hannah wearing 255 00:11:38,519 --> 00:11:41,279 these like you know, enormous fucking leather boots and fishnets 256 00:11:41,279 --> 00:11:43,679 and stuff like that. But she had like a special 257 00:11:44,480 --> 00:11:47,399 custom leather jacket just for herself with a particular like 258 00:11:47,519 --> 00:11:50,639 razor wire themed painted artwork on the back, you know, 259 00:11:50,679 --> 00:11:52,679 with the Mistress on it and stuff like that. Whenever 260 00:11:52,720 --> 00:11:55,200 she was like not actually singing a line in that song, 261 00:11:55,480 --> 00:11:57,519 she would turn her back to the crowd and just 262 00:11:57,559 --> 00:11:59,879 kind of like you know, flex it about a little 263 00:11:59,879 --> 00:12:01,279 bit so people could really take in, like, you know, 264 00:12:01,320 --> 00:12:03,679 this is the rais of why I'm moment. And yeah, 265 00:12:03,759 --> 00:12:07,840 again that like Jessica Rabbit but evil you know, jazz 266 00:12:07,879 --> 00:12:10,639 club kind of noir sing along vibe to that, the 267 00:12:10,679 --> 00:12:13,039 whole Misfits you know, skulls reference in the bridge and 268 00:12:13,039 --> 00:12:15,000 stuff like that going there an absolute treat with the 269 00:12:15,039 --> 00:12:19,360 sing alongs. That was again another really really strong fun 270 00:12:19,399 --> 00:12:22,000 moment from it, and another bit that again I was 271 00:12:22,039 --> 00:12:25,679 happy to see because I don't think they're gonna keep 272 00:12:25,679 --> 00:12:28,360 this in the set, particularly after this point, because again, 273 00:12:28,440 --> 00:12:30,440 of all the songs, here was the one that the 274 00:12:30,519 --> 00:12:33,360 least people I think you know, knew and recognized, but 275 00:12:34,159 --> 00:12:37,200 the one of the again bonus tracks from the Sanguavore 276 00:12:37,360 --> 00:12:40,039 kind of deluxe edition that they did, which again I 277 00:12:40,039 --> 00:12:42,120 think a lot of people maybe you forgotten that even happened, 278 00:12:42,120 --> 00:12:44,440 But like when they put out the deluxe edition of 279 00:12:44,480 --> 00:12:46,159 the First Angle Wore like a year later and it 280 00:12:46,240 --> 00:12:48,519 was like three bonus songs on it. Love and Pain 281 00:12:48,639 --> 00:12:51,320 particularly from that record is one I think is a 282 00:12:51,360 --> 00:12:53,360 really like again pretty much just as good as a 283 00:12:53,360 --> 00:12:55,840 lot of the songs that are on the main Sangovore records. 284 00:12:56,000 --> 00:12:59,360 And seeing that air for what I'm gonna probably presume 285 00:12:59,440 --> 00:13:00,919 is one of the only times in their history they'll 286 00:13:00,919 --> 00:13:03,360 be playing a song from you know, that particular sort 287 00:13:03,360 --> 00:13:06,039 of again deluxe addition or whatever. And I love that 288 00:13:06,120 --> 00:13:08,360 song because it's it's, you know, one of the least 289 00:13:08,480 --> 00:13:12,480 rocking moments of their set in that moment, but it 290 00:13:12,919 --> 00:13:15,399 leans really fully into facer to being like kind of 291 00:13:15,399 --> 00:13:18,799 a you know, a drab, really gloomy but quite pretty 292 00:13:18,799 --> 00:13:22,960 as well. Gossong basically and I love that track, and 293 00:13:22,960 --> 00:13:24,840 again I was happy to see it in the set 294 00:13:24,879 --> 00:13:27,200 for what is probably going to be its one world 295 00:13:27,200 --> 00:13:30,159 around really good and yeah, I noticed as well as 296 00:13:30,519 --> 00:13:33,360 last month, I think it was marked the ten year 297 00:13:33,720 --> 00:13:36,840 anniversary of the first time that I saw Creeper, which 298 00:13:36,919 --> 00:13:39,600 was when they played The Underworld for the first time. 299 00:13:39,639 --> 00:13:43,360 I think, right as The Stranger Epe was coming out, 300 00:13:43,440 --> 00:13:45,799 and just again sort of around the ten year mark 301 00:13:45,799 --> 00:13:48,240 of that, when I've seen them basically more than any 302 00:13:48,240 --> 00:13:51,519 other band in those ten years, getting a show like 303 00:13:51,519 --> 00:13:55,080 this where the you know, the presentation, the vibe, the 304 00:13:55,559 --> 00:13:57,320 you know, the kind of the whole look and the 305 00:13:57,360 --> 00:14:00,519 way they play and everything of the band is massively 306 00:14:00,519 --> 00:14:02,879 different and unique to what they were doing at that 307 00:14:02,919 --> 00:14:06,159 moment ten years ago. But they're still, you know, they 308 00:14:06,159 --> 00:14:08,120 still have that kind of that really loyal fan base. 309 00:14:08,120 --> 00:14:09,480 And I was looking around again in this kind of 310 00:14:09,519 --> 00:14:12,399 Yaen Smaller than You, very specifically themed in this thing 311 00:14:12,440 --> 00:14:14,840 that's again kind of out of the zeitgeist. It's not 312 00:14:14,960 --> 00:14:18,000 really you know, in tune with anything else is going 313 00:14:18,039 --> 00:14:22,200 on specifically celebrating this, you know, Sanguavore, Vampire Rock opera 314 00:14:22,279 --> 00:14:24,159 kind of era they're in and looking around and being like, yeah, 315 00:14:24,200 --> 00:14:25,919 you know, this is cool. This is still you know, 316 00:14:25,919 --> 00:14:28,279 they've changed and they've gone through different iterations and stuff, 317 00:14:28,279 --> 00:14:30,559 but this is still essentially the you know, the our 318 00:14:30,559 --> 00:14:34,240 little creeper cult kind of vampire golf band that people 319 00:14:34,360 --> 00:14:37,840 are you know, really still passionate about. So thoroughly enjoyable 320 00:14:37,840 --> 00:14:41,720 little time at the sanguaiteour seeing the you know, the 321 00:14:41,720 --> 00:14:45,080 the real proper you know in in the works kind 322 00:14:45,120 --> 00:14:49,480 of celebration of the Sangwavore records. I'm sure obviously Sanga 323 00:14:49,519 --> 00:14:50,960 War two is only like six months old or something 324 00:14:51,000 --> 00:14:52,120 like that. Like I said, so, I'm sure that we'll 325 00:14:52,120 --> 00:14:55,200 have plenty more shows and touring and stuff in this 326 00:14:55,320 --> 00:14:58,320 iteration of Creeper before whatever it is they decide to 327 00:14:58,360 --> 00:15:01,679 you know, do after that. But getting the you know, 328 00:15:01,759 --> 00:15:03,679 at this moment for it if at the right moment 329 00:15:03,720 --> 00:15:06,120 to really again you know, give it what it's worth. 330 00:15:06,200 --> 00:15:08,559 So good, Yeah news. This time we are going to 331 00:15:08,639 --> 00:15:11,679 congregate mainly around I sometimes talk about how there are 332 00:15:11,720 --> 00:15:15,240 particular dates in the music industry calendar where for some reason, 333 00:15:15,279 --> 00:15:18,919 everyone you know kind of again congregates and primarily releases 334 00:15:18,919 --> 00:15:21,600 their albums like around a certain date. For whatever reason, 335 00:15:21,879 --> 00:15:24,240 today's date, We've got a bunch of album announcements all 336 00:15:24,279 --> 00:15:27,759 for July the seventeenth, So enjoyers of July the seventeenth, 337 00:15:27,960 --> 00:15:29,799 listen up, because these are the new albums that have 338 00:15:29,879 --> 00:15:31,559 been coming up that day. And there's a few of 339 00:15:31,600 --> 00:15:33,679 the the bigger releases that are gonna be out this year, 340 00:15:33,720 --> 00:15:36,519 I think for us coming on the horizon specifically. Then 341 00:15:36,840 --> 00:15:40,960 first up, the most long or waited one, Loathe, have 342 00:15:41,159 --> 00:15:45,039 finally actually announced their new album, the follow up to 343 00:15:45,559 --> 00:15:47,519 the I Let It In and It Took Everything album 344 00:15:47,559 --> 00:15:50,000 that really took the world by storm back in twenty 345 00:15:50,120 --> 00:15:53,360 twenty six years ago. For so long we have been like, 346 00:15:53,360 --> 00:15:55,039 oh my fucking god, when a Loath we're going to 347 00:15:55,120 --> 00:15:57,559 release a follow up album. They play every single festival 348 00:15:57,600 --> 00:15:59,879 every single year, and they have the exact same songs 349 00:16:00,039 --> 00:16:03,080 that they put out six years ago. But that record 350 00:16:03,159 --> 00:16:05,799 has been again kind of almost outside of myself because 351 00:16:05,799 --> 00:16:07,639 I you know, I enjoy Loath for what they are, 352 00:16:07,679 --> 00:16:10,799 but it's been a weird observance, I guess, oh, you know, 353 00:16:10,840 --> 00:16:15,159 watching how genuinely seminal this bound seemed to be for 354 00:16:15,200 --> 00:16:18,039 like a particular generation of a particular Zene scene and 355 00:16:18,080 --> 00:16:21,600 kind of you know, a type of current heavy music fan. 356 00:16:21,720 --> 00:16:24,399 I suppose so like this particularly in that crowd. This 357 00:16:24,480 --> 00:16:26,600 record has been so long away. It's been almost a 358 00:16:26,679 --> 00:16:29,120 year since they put out that stand Home single last year, 359 00:16:29,240 --> 00:16:30,960 which people were at that point were like, oh my god, 360 00:16:31,000 --> 00:16:32,519 finally we must be getting more on new music, and 361 00:16:32,559 --> 00:16:35,000 then almost a whole year past, and that was a 362 00:16:35,000 --> 00:16:37,480 strange single as well, wasn't it quite all over the 363 00:16:37,480 --> 00:16:39,480 place in terms of a you know, a piece of songwriting. 364 00:16:39,559 --> 00:16:43,120 But finally the album is called A Stranger to You 365 00:16:43,279 --> 00:16:45,879 out as I said, July seventeenth, Sharp Tone Records, and 366 00:16:45,919 --> 00:16:47,679 there is a single out from it called Revenant. This 367 00:16:47,720 --> 00:16:51,080 particular single also features Nowhere to Run, that of course 368 00:16:51,120 --> 00:16:55,600 being Jamie Morgan and Eric Shade Ballerrows from formerly Code Orange. 369 00:16:55,600 --> 00:16:58,000 They're kind of industrial electronic producing thing, and you know, 370 00:16:58,200 --> 00:16:59,879 from the listener of this single I've given it, there 371 00:16:59,879 --> 00:17:04,119 are some you know, quite aggressive I suppose, electronic elements 372 00:17:04,119 --> 00:17:06,960 that do you know, they feel like coming from you know, 373 00:17:07,039 --> 00:17:09,480 the the minds of you know, the guys behind Code 374 00:17:09,480 --> 00:17:12,039 Orange and now Nowhere to Run as well. Yeah, like 375 00:17:12,079 --> 00:17:13,640 I said, I think We're going to be talking a 376 00:17:13,799 --> 00:17:17,119 lot more about Loath into the second half of this year, 377 00:17:17,160 --> 00:17:21,000 as finally the you know, follow up album campaign really 378 00:17:21,039 --> 00:17:24,359 gets underway. But big news and certainly probably the most 379 00:17:24,400 --> 00:17:27,119 spoken about heavy release sort of come out in July 380 00:17:27,400 --> 00:17:30,039 on the horizon there. But we also have I suppose 381 00:17:30,039 --> 00:17:32,799 actually to keep it on the Loathe front. I will 382 00:17:32,799 --> 00:17:35,960 add in here that also Outbreak Festival has added a 383 00:17:36,000 --> 00:17:38,799 handful of new bands to there. This is now the main, 384 00:17:38,920 --> 00:17:41,440 you know, the actual Outbreak Weekend rather than the various 385 00:17:41,480 --> 00:17:43,680 like sub outbreaks that appear throughout the year. But the 386 00:17:43,720 --> 00:17:46,640 main you know, Manchester Weekender has been added. You know, 387 00:17:46,720 --> 00:17:49,599 Loathe are on there obviously, but also Joyce Manner are 388 00:17:49,599 --> 00:17:53,640 on their Algernon CADWALLADRT, which apparently I'm not familiar with 389 00:17:53,640 --> 00:17:55,880 that name at all, but I think you know, some 390 00:17:56,119 --> 00:17:59,599 excitement out there for that lip critic Shady Nasty, I 391 00:17:59,640 --> 00:18:01,799 Promised World, which is the post hardcore bound who put 392 00:18:01,799 --> 00:18:04,759 out that kind of really myspacey revival EP earlier this year, 393 00:18:05,160 --> 00:18:08,960 Thistle East Exchange and Midriff, so a few cool names 394 00:18:08,960 --> 00:18:12,480 therefore the Outbreak goers. But back to our July the 395 00:18:12,480 --> 00:18:16,599 seventeenth album announcements. The Mensingers have got their new album 396 00:18:16,599 --> 00:18:19,079 which is called Everything I Ever Saw, and there is 397 00:18:19,119 --> 00:18:21,720 a single out from that called Chance Encounters as well. 398 00:18:22,119 --> 00:18:24,200 The main sort of news I suppose that is, you know, 399 00:18:24,240 --> 00:18:26,960 of interest coming with this particular Mensinger's album announcement here 400 00:18:27,119 --> 00:18:29,119 is that they are working with will Yip again on 401 00:18:29,160 --> 00:18:32,519 the production front. And the last couple of Mensinger's albums, 402 00:18:32,519 --> 00:18:34,240 actually it was the last one, which is the one 403 00:18:34,279 --> 00:18:36,559 I think they did without Will yet, but the last 404 00:18:36,559 --> 00:18:38,079 couple of Menzeger's albums that people have had, you know, 405 00:18:38,079 --> 00:18:41,200 they're kind of minor production quibbles and stuff about them, 406 00:18:41,240 --> 00:18:44,680 I suppose interestingly, But with this and there's a single 407 00:18:44,680 --> 00:18:46,920 out called Chance Encounters, which is the first track on 408 00:18:46,960 --> 00:18:49,119 it as well, I think there's a lot of celebration 409 00:18:49,200 --> 00:18:52,400 going around really that Yeah, Mensingers are kind of sounding 410 00:18:52,480 --> 00:18:55,079 how I don't know, people in an ideal world seem 411 00:18:55,119 --> 00:18:57,799 to want the Mensingers to sound and yeah, a really 412 00:18:57,839 --> 00:19:00,599 nice chorus on this track. So good to looking forward 413 00:19:00,640 --> 00:19:03,680 to the men Singers on July the seventeenth and that record, 414 00:19:03,880 --> 00:19:06,559 and then the third record that's coming around that date 415 00:19:07,200 --> 00:19:11,039 coming announced this week is Boundaries, the again an interesting 416 00:19:11,519 --> 00:19:14,960 thing to observe, you know, metallic hardcore band essentially, and 417 00:19:15,000 --> 00:19:16,680 how they have kind of gone down. What I'm referring 418 00:19:16,680 --> 00:19:19,359 to there is that they recently put out early a 419 00:19:19,400 --> 00:19:22,480 single from this record that fascinated me because they put 420 00:19:22,519 --> 00:19:25,519 out a single that was so like blocked up in 421 00:19:25,559 --> 00:19:29,359 the mix that their fans you know, retaliated against it, 422 00:19:29,400 --> 00:19:31,359 and they ended up retracting it and re releasing it 423 00:19:31,359 --> 00:19:34,359 again with a different mix, which was a really fascinating 424 00:19:34,720 --> 00:19:37,240 turn of events for me. But their new album is 425 00:19:37,279 --> 00:19:40,599 called Yearning the Beautiful After, and I am I guess 426 00:19:40,640 --> 00:19:42,480 I'm curious to observe again how that goes down with 427 00:19:42,480 --> 00:19:44,839 people and what kind of route they've followen followed it 428 00:19:44,880 --> 00:19:47,720 with considering the again that particular mishap they had. But 429 00:19:47,799 --> 00:19:50,200 there you go. No album announced right now, but the 430 00:19:50,279 --> 00:19:51,920 last new single that I want to talk about this 431 00:19:51,960 --> 00:19:54,559 week comes from Uncle Acid and the Deadbeats. We've put 432 00:19:54,599 --> 00:19:56,880 a track called Don't Let It Control. And this comes 433 00:19:57,119 --> 00:19:58,839 I think, ahead of a new album that's coming out 434 00:19:58,880 --> 00:20:01,839 sometime soon also right now. It comes with a UK 435 00:20:01,960 --> 00:20:04,480 tour announcement for November of this year, where they're going 436 00:20:04,519 --> 00:20:09,200 to be playing Wolverhampton, Manchester, Glasgow, Leeds, Bristol, Southampton, Brighton, 437 00:20:09,359 --> 00:20:12,680 Norwich and Nottingham, so quite a you know, a decently 438 00:20:12,720 --> 00:20:16,920 extensive UK tour there as well. And this really excites 439 00:20:16,960 --> 00:20:19,079 me because I'm class and debates are you know, a 440 00:20:19,119 --> 00:20:21,880 band I absolutely love, but considering it's only been about 441 00:20:21,880 --> 00:20:25,240 two years since they did that like really mad sort 442 00:20:25,240 --> 00:20:29,319 of yellow soundtrack style concept record they did, and they 443 00:20:29,359 --> 00:20:33,119 did a very limited tour, performing just very small handful 444 00:20:33,119 --> 00:20:36,160 of shows of like that iteration of the band. Wish 445 00:20:36,200 --> 00:20:37,920 I'd got into seeing that it didn't work out for me, 446 00:20:38,039 --> 00:20:41,400 but I kind of assumed after again how much work 447 00:20:41,440 --> 00:20:43,599 went into that. I suppose that we might not actually 448 00:20:43,599 --> 00:20:45,480 see Unclass in the Dead Beats again for like another 449 00:20:45,559 --> 00:20:47,160 few years and they would kind of, you know again 450 00:20:47,279 --> 00:20:50,599 disappear for a while. So I'm surprised and not at 451 00:20:50,640 --> 00:20:54,480 all ungrateful to see them emerging again so soon. It's 452 00:20:54,480 --> 00:20:55,920 been a long time since I've seen them do a 453 00:20:55,960 --> 00:20:58,640 headline show, so I am really excited about the tour, 454 00:20:59,119 --> 00:21:01,440 but of course a record coming as well, and considering, 455 00:21:01,480 --> 00:21:05,160 like I said, the very particular direction that their last 456 00:21:05,200 --> 00:21:07,880 album went into this track that they've released, Don't Let 457 00:21:07,880 --> 00:21:13,200 It control really like fully going back into the sleazy 458 00:21:13,519 --> 00:21:16,440 killer sixties seventies rock and roll side a thing of 459 00:21:16,440 --> 00:21:20,319 it basically like there are hand claps in this, there's 460 00:21:20,359 --> 00:21:22,640 the old classic trick of the one piano line just 461 00:21:22,640 --> 00:21:25,440 being hammered on it like it's a rager, this track 462 00:21:25,519 --> 00:21:26,799 in the you know, the kind of confines of what 463 00:21:26,880 --> 00:21:29,559 Uncle Aid do. So very much looking forward and excited 464 00:21:29,559 --> 00:21:32,960 about that coming on the horizon. Then we have Metallica 465 00:21:33,000 --> 00:21:37,880 continuing their reissue campaign, their massive expanded, you know, fucking 466 00:21:37,920 --> 00:21:41,000 eleven discs for every single one recy campaign of what 467 00:21:41,200 --> 00:21:44,559 has so far been. I think their entire catalog reload 468 00:21:44,640 --> 00:21:46,759 is coming soon. Obviously Load came last year, so there 469 00:21:46,799 --> 00:21:50,440 was a lot of you know, Load thirtieth anniversary reassessment 470 00:21:50,480 --> 00:21:53,000 and stuff like that that was going on last year. 471 00:21:53,400 --> 00:21:55,839 Reload following on that, coming out June the twenty sixth, 472 00:21:55,880 --> 00:22:00,640 again bound to be countless bonus discs and content and 473 00:22:00,680 --> 00:22:03,039 stuff like that. I think people will be very very 474 00:22:03,079 --> 00:22:05,480 curious if it stops there. Maybe they'll do garaging you know, 475 00:22:05,519 --> 00:22:08,319 the lead after the year after perhaps, but I think 476 00:22:08,359 --> 00:22:10,759 people are basically really waiting, are we going to get 477 00:22:10,799 --> 00:22:13,480 seven discs of Saint Anger, I do hope so on 478 00:22:13,519 --> 00:22:17,279 a personal level, but Reload coming in an expanded form 479 00:22:17,839 --> 00:22:22,440 in June. Then just a couple more show announcements, the Cavalerras, 480 00:22:22,440 --> 00:22:25,359 the Cavallera Brothers, they have added one more date in 481 00:22:25,359 --> 00:22:29,200 the UK of their KOSAD current celebrations in the live 482 00:22:29,279 --> 00:22:31,400 environment they have been doing. The Cavalleras, of course, have 483 00:22:31,720 --> 00:22:34,799 gone through most of the classic Sepultury records. They did Roots, 484 00:22:34,920 --> 00:22:37,680 they did Arizon, Beneath the Remains Together, they did Morbid 485 00:22:37,759 --> 00:22:39,920 Visions and Best Your Devastation together with a little bit 486 00:22:39,920 --> 00:22:42,400 of Schizophrenia in there as well. Currently doing KOSAD. They 487 00:22:42,400 --> 00:22:44,759 are performing that download, but if you're not at download 488 00:22:44,799 --> 00:22:46,920 then I believe just ahead of that weekend, on Thursday, 489 00:22:47,000 --> 00:22:49,799 the eleventh of June, they are playing the Electric Ballroom 490 00:22:49,920 --> 00:22:52,359 in London, which, again, considering that's how little diary that 491 00:22:52,400 --> 00:22:54,240 record is, that's like a decently intimate setting I think 492 00:22:54,279 --> 00:22:56,640 to actually see them playing, you know, some of the greatest, 493 00:22:56,640 --> 00:22:58,839 most classic metal songs of all time, I think it's 494 00:22:58,880 --> 00:23:02,319 mad that of all of these Cavallera anniversary you know, 495 00:23:02,400 --> 00:23:05,079 classic Sepultura shows that they've done, the only one that 496 00:23:05,119 --> 00:23:07,799 I have seen is the first wave black beltle one 497 00:23:07,839 --> 00:23:10,440 when they did like Morbid Visions and BESTHW with Devastation. 498 00:23:10,599 --> 00:23:12,440 I didn't see Roots because I'm pretty sure they only 499 00:23:12,440 --> 00:23:14,200 played it like in London at download. I don't really 500 00:23:14,200 --> 00:23:15,680 know where I was when the Horizon one was happening, 501 00:23:15,680 --> 00:23:19,119 but I don't think it was as extensive and the 502 00:23:19,119 --> 00:23:21,400 same thing happening here with Kosad, why is the one 503 00:23:21,440 --> 00:23:24,319 they decided to do the proper like expanded ukked all 504 00:23:24,400 --> 00:23:27,400 for the most niche one that the least people like. 505 00:23:27,519 --> 00:23:29,279 I mean, I'm really happy about it. I think if 506 00:23:29,319 --> 00:23:30,440 any of them are going to pick to see I 507 00:23:30,440 --> 00:23:31,960 would have picked them more with Visions one, just because 508 00:23:32,000 --> 00:23:34,799 those are songs that you are never getting seen outside 509 00:23:34,839 --> 00:23:36,319 of a troop to do maybe you know in your 510 00:23:36,359 --> 00:23:39,000 average either Cavallera or sepulteer a set and it was 511 00:23:39,039 --> 00:23:41,759 really cool and unique to see that, But bizarre that 512 00:23:41,759 --> 00:23:44,519 that's the one that like had the widest know certainly 513 00:23:44,559 --> 00:23:47,359 in the UK at least the widest accessibility. But everybody 514 00:23:47,400 --> 00:23:49,279 in London who is going to go along to see 515 00:23:49,279 --> 00:23:52,200 the Kosad show, I'm jealous of you enjoy And then 516 00:23:52,359 --> 00:23:55,559 finally here damnation, who are really continuing at the moment 517 00:23:55,559 --> 00:23:58,000 of basically like adding new stuff every week, aren't they, 518 00:23:58,000 --> 00:24:00,720 But they are adding yet more bands this time, just 519 00:24:01,000 --> 00:24:03,279 as I'm going to record here, they have added three 520 00:24:03,279 --> 00:24:07,599 bands to this year's bill, Pelican, Frontier and Krallis Pelican, 521 00:24:07,759 --> 00:24:10,799 a you know, quite revered post rock post metal band 522 00:24:10,799 --> 00:24:13,240 from the around the noughties. Frontier, I think a lot 523 00:24:13,240 --> 00:24:14,680 of people in the T and M audience will will 524 00:24:14,680 --> 00:24:17,680 know and be fond of really like one of the noisiest, 525 00:24:17,759 --> 00:24:21,160 kind of mathy hardcore metal bands in the world at 526 00:24:21,160 --> 00:24:24,279 the moment. Really, Krallis feels like the real like wild 527 00:24:24,359 --> 00:24:25,920 card on this not in terms of fitting in a 528 00:24:26,000 --> 00:24:28,920 Damnation bill because they do perfectly, But I don't think 529 00:24:28,960 --> 00:24:31,680 they've ever played the UK. If they have, it's certainly 530 00:24:31,759 --> 00:24:34,400 very very limited, a very you know, part of that 531 00:24:34,480 --> 00:24:38,400 kind of American and I think New York based experimental, jazzy, 532 00:24:38,400 --> 00:24:40,200 procy black metal scene. But like I think they've just 533 00:24:40,200 --> 00:24:42,920 played road Buns, so maybe they're just expanding into Europe 534 00:24:42,920 --> 00:24:44,759 a little bit at last. But like that's a real 535 00:24:45,079 --> 00:24:47,640 rare get to see Krales on there, so that's pretty 536 00:24:47,680 --> 00:24:51,079 awesome actually not one that I saw coming, and happy 537 00:24:51,119 --> 00:24:53,680 happy to see it there. So yeah, that's the news. 538 00:24:53,960 --> 00:24:57,480 This week. We have got over in patreonland for That's 539 00:24:57,519 --> 00:25:00,960 Not Metal. Coming pretty soon, you know, in the next 540 00:25:01,039 --> 00:25:02,480 kind of week or so, we are going to be 541 00:25:02,480 --> 00:25:05,160 doing the album club Pack that we announced on last 542 00:25:05,160 --> 00:25:07,519 week's show. Last week we did the reviews here, but 543 00:25:07,559 --> 00:25:10,759 we also revealed the next coming album club Pack, which 544 00:25:10,799 --> 00:25:13,799 I will reiterate here features Counter Your Blessings from Bringing 545 00:25:13,799 --> 00:25:16,440 the Horizon because obviously we have to reassess that at 546 00:25:16,480 --> 00:25:19,039 this exact moment. It is also going to feature the 547 00:25:19,400 --> 00:25:22,200 party masterpiece of Eath Thrash Metal that is Municipal Wastes 548 00:25:22,319 --> 00:25:24,039 the Art partying. We're also going to be going back 549 00:25:24,079 --> 00:25:26,640 in time with Rollo Tamassi, another great UK band from 550 00:25:26,640 --> 00:25:28,799 a similar era but still going strong today of course, 551 00:25:28,799 --> 00:25:32,079 but we are going back to their debut era record Hysterics. 552 00:25:32,200 --> 00:25:34,680 And then in the underground Metallee corner, we're gonna be 553 00:25:34,680 --> 00:25:37,680 talking about a real cult favorite of mine, maybe one 554 00:25:37,680 --> 00:25:39,799 that not many people know, but I encourage people to, 555 00:25:39,880 --> 00:25:43,440 you know, listen out for Caladan Brood's Echoes of Battle. 556 00:25:43,680 --> 00:25:45,480 And then once that is in the can, we are 557 00:25:45,480 --> 00:25:47,920 going to be looking to do the second part of 558 00:25:47,960 --> 00:25:50,680 our Corn Special that is again currently underway, our current 559 00:25:50,920 --> 00:25:54,079 band special that's happening on the Patreon getting into all 560 00:25:54,119 --> 00:25:56,720 things Corn and the Godfathers of new Metal of course, 561 00:25:57,160 --> 00:25:59,079 so that is what is coming up. Patroon of com 562 00:25:59,200 --> 00:26:01,440 Slash that it's not metal for everybody who chooses to 563 00:26:01,440 --> 00:26:03,720 support this podcast, Thank you very much for doing so. 564 00:26:04,319 --> 00:26:07,119 Releases this time, we have two week's worth of releases 565 00:26:07,119 --> 00:26:09,960 because last week was the reviews show and so last 566 00:26:10,039 --> 00:26:13,680 Friday along with the records that we reviewed throughout last Friday. 567 00:26:13,720 --> 00:26:16,039 So that's the at the Gates album and the Portrayal 568 00:26:16,039 --> 00:26:18,519 of Guilt album that we spoke about more in depth. 569 00:26:18,559 --> 00:26:21,000 I hope that everybody has been listening to those because 570 00:26:21,000 --> 00:26:22,799 you really should give both of those listen if you 571 00:26:22,839 --> 00:26:25,559 have not. But elsewhere we had the Foo Fighters, the 572 00:26:25,720 --> 00:26:27,640 probably the biggest rock band in the world right Your 573 00:26:27,640 --> 00:26:31,200 Food Fighters Your Favorite Toy album came out, and this 574 00:26:31,359 --> 00:26:34,720 is interesting because I've seen basically no talk about it, 575 00:26:34,720 --> 00:26:37,039 certainly in our audience, like no one seems to care. 576 00:26:37,079 --> 00:26:38,839 We're probably not going to review it for that reason. 577 00:26:39,400 --> 00:26:40,880 And I you know, I listened to the record. I 578 00:26:40,880 --> 00:26:43,920 think you know, the single didn't instill a lot of 579 00:26:43,960 --> 00:26:46,640 hope in US, and I wouldn't say it's necessarily a 580 00:26:46,680 --> 00:26:50,480 complete car crash of you know, a total embarrassment of 581 00:26:50,759 --> 00:26:53,400 an album, but I don't think it's a good record, 582 00:26:53,519 --> 00:26:55,440 and it kind of sounds like an album full of 583 00:26:55,519 --> 00:26:57,960 white limos if white Limo was not a good song 584 00:26:58,200 --> 00:26:59,839 and didn't make you want to listen to. It's a 585 00:26:59,880 --> 00:27:01,720 very strange thing that they've got going on where they seem 586 00:27:01,759 --> 00:27:03,759 to have like that, I don't know, the millionaire rock 587 00:27:03,839 --> 00:27:07,119 star compensation that goes on, which is what again. When 588 00:27:07,119 --> 00:27:08,519 the single came out, I was kind of liking it 589 00:27:08,519 --> 00:27:10,400 in my mind to something like Father or Motherfuckers by 590 00:27:10,400 --> 00:27:12,240 Green Day, because I think it's a similar attitude that 591 00:27:12,279 --> 00:27:16,200 somehow happens where in order to make something seem raw 592 00:27:16,279 --> 00:27:18,039 and like off the you know, the garage floor, all 593 00:27:18,039 --> 00:27:21,680 that kind of stuff, they put this like really tinny, 594 00:27:22,039 --> 00:27:26,039 like kind of contrived production filter on it essentially, But 595 00:27:26,079 --> 00:27:29,599 the songs themselves are often still quite tepid and quite boring, 596 00:27:29,680 --> 00:27:31,759 so you end up with this weird mixture of like 597 00:27:31,880 --> 00:27:36,000 flat songs that also sound like quite painful, and it's 598 00:27:36,039 --> 00:27:39,759 like kind of unlistenable sometimes again, strange effect. I don't 599 00:27:39,759 --> 00:27:41,240 think it really worked for them. Maybe it's what they 600 00:27:41,960 --> 00:27:43,400 needed to do at this moment in time on a 601 00:27:43,400 --> 00:27:47,160 personal level, but yeah, not not great. The Free Fighters record, 602 00:27:47,440 --> 00:27:49,839 I also presume not great is the anti Afflictions album 603 00:27:49,920 --> 00:27:51,440 House of Cars that came out last week. And then 604 00:27:51,559 --> 00:27:54,960 fucking hell Real Rogues Gallery here a tray you also 605 00:27:55,000 --> 00:27:57,519 put at the end is not the end. But we 606 00:27:57,519 --> 00:28:00,440 also have the returning you know, a good decade or 607 00:28:00,440 --> 00:28:04,000 so into now their reunion Space Rock, Post hardk or 608 00:28:04,039 --> 00:28:06,200 whatever you want to call them. Failure came back with 609 00:28:06,279 --> 00:28:10,240 Location Lost. Then one of the most revered and consistent 610 00:28:10,279 --> 00:28:12,799 bands in the hardcore world, Terror put Out. I think 611 00:28:12,799 --> 00:28:14,599 they're in like double figures of albums at this point 612 00:28:14,599 --> 00:28:18,440 in time. Still suffer a newer upcoming name on the again, 613 00:28:18,480 --> 00:28:20,480 kind of metallic hardcore, a bit of scream o front 614 00:28:21,039 --> 00:28:25,119 seen some chatter about it. Roman Candle had unadulterated into 615 00:28:25,200 --> 00:28:29,599 the sludge world. There's Armed for Apocalypse with the Earth 616 00:28:29,680 --> 00:28:32,200 is Breathing beneath Me Who that's again kind of a 617 00:28:32,200 --> 00:28:34,519 cult sludge band. But I know that bands like Kondura 618 00:28:34,680 --> 00:28:36,240 and stuff like that have been very keen on like 619 00:28:36,279 --> 00:28:38,720 bigging them up in terms of that just like low, churning, 620 00:28:38,759 --> 00:28:43,359 burly kind of sound math rock. I suppose instrumental, you know, 621 00:28:43,440 --> 00:28:46,960 Noodley stuff Doja Cat's favorite, Guy Plini. He put out 622 00:28:47,000 --> 00:28:50,599 an album called an Unnameable Desire. There was another solo 623 00:28:50,640 --> 00:28:51,839 album I think he has a few at this stage, 624 00:28:51,880 --> 00:28:54,319 but another solo album from you know, an ever creative figure, 625 00:28:54,440 --> 00:28:58,400 Aina Solberg from Lepres his album vox A Culta. Then 626 00:28:58,480 --> 00:29:00,279 to go back into some I don't know. We weard 627 00:29:00,400 --> 00:29:03,319 like sixties seventies proto metal. I think it's kind of 628 00:29:03,319 --> 00:29:06,640 the vibe here as a band called Admiral Sir Cloudsly 629 00:29:06,720 --> 00:29:10,319 Shovel with the Trouble with the Shovel, of course, move 630 00:29:10,480 --> 00:29:12,960 slightly forward in the heavy metal timeline to get to 631 00:29:13,079 --> 00:29:15,039 more the eighties period. And there's a band called demon 632 00:29:15,119 --> 00:29:19,559 Spell with Blessed be the Dark, six feet under death 633 00:29:19,599 --> 00:29:22,039 and Roll Chris Barnes, of course, a death metal legend 634 00:29:22,039 --> 00:29:24,440 who has not necessarily been in his finest form recently. 635 00:29:24,759 --> 00:29:28,039 But their new album called Next to Die came out 636 00:29:28,640 --> 00:29:31,519 Scimitar Wild. We are definitely We're gonna put this one 637 00:29:31,559 --> 00:29:33,359 in the next reviews bag. Talk more about this, because 638 00:29:33,359 --> 00:29:34,880 I think this is a band that you know, we 639 00:29:34,880 --> 00:29:38,240 can infuse about a band called Scimitar, kind of on 640 00:29:38,319 --> 00:29:41,400 the boundary between like old school heavy metal and the 641 00:29:41,440 --> 00:29:45,160 most vicious, scathing, wild black metal that you can imagine. 642 00:29:45,480 --> 00:29:47,000 I'm seeing them this weekend as part of the whole 643 00:29:47,039 --> 00:29:49,160 incineration you know, goings on, so I'm looking forward to that. 644 00:29:49,200 --> 00:29:51,640 But they're Simtarium two album. We spoke about the first 645 00:29:51,640 --> 00:29:53,119 one a little bit last year, but we're gonna go 646 00:29:53,160 --> 00:29:55,640 a little bit harder maybe on this one. Then in 647 00:29:55,680 --> 00:29:59,240 the black metal world, the Scottish black metal band Notock 648 00:29:59,279 --> 00:30:01,799 and Ursa returning with their first record in a little while. 649 00:30:01,839 --> 00:30:04,640 I think a Cry for the Slain UK black metal 650 00:30:04,720 --> 00:30:07,960 kind of more straightforward, just you know, bloodthirsty stuff, blood 651 00:30:08,000 --> 00:30:12,720 Countess with imperatric sanguinous, very good Creeper would approve. And 652 00:30:12,720 --> 00:30:14,640 then a couple of EPs from last week. This is 653 00:30:14,640 --> 00:30:16,559 again kind of interesting. They just sort of like leaked 654 00:30:16,559 --> 00:30:20,400 out there. Sepulturer put out The Cloud of Unknowing as 655 00:30:20,400 --> 00:30:22,759 a three or four track EP, I think, and it 656 00:30:22,799 --> 00:30:27,200 has been described as the last new Sepulturer release, and 657 00:30:27,240 --> 00:30:28,640 I think it's I don't know, it's kind of a 658 00:30:28,680 --> 00:30:31,160 shame that you know, this absolutely again legendary band and 659 00:30:31,200 --> 00:30:33,319 still had decently been putting out good records in the 660 00:30:33,359 --> 00:30:36,480 last decade or so, with you know, the reigorated lineup 661 00:30:36,519 --> 00:30:39,960 and everything. Their final you know offering as part of 662 00:30:39,960 --> 00:30:41,720 their kind of farewell you know, campaign's been going for 663 00:30:41,799 --> 00:30:44,240 quite a while now, was this, like you can, short 664 00:30:44,240 --> 00:30:46,680 little EP that just kind of seemed to come and 665 00:30:46,720 --> 00:30:48,599 go because maybe it's an EP format I don't really know, 666 00:30:48,640 --> 00:30:50,880 but there you go, the last SEPULTURER EP. I think 667 00:30:50,880 --> 00:30:53,200 it's decent. I don't think it's as good as the 668 00:30:53,319 --> 00:30:54,960 last couple of albums they've done, because it is worth 669 00:30:55,039 --> 00:30:57,720 noting that obviously, you know, Eloksa Grande, who had really 670 00:30:57,759 --> 00:30:59,799 injected a lot of life blood back into that band 671 00:30:59,799 --> 00:31:02,240 when joined on drums, is you know, not in Sepultuary 672 00:31:02,279 --> 00:31:04,000 now because he's in Slept not obviously. So I think 673 00:31:04,000 --> 00:31:05,440 it's the first thing they've done in a while without 674 00:31:05,480 --> 00:31:07,359 him on it. And it's not as you know, again 675 00:31:07,440 --> 00:31:10,160 wild as those, but there is some weird maybe it 676 00:31:10,160 --> 00:31:12,480 doesn't all come together, but kind of the strange, creative, 677 00:31:13,839 --> 00:31:16,920 you know, eccentricity and kind of Maverick quality that I 678 00:31:16,960 --> 00:31:20,599 definite they always got credit for with like orchestration and 679 00:31:21,400 --> 00:31:24,279 you know, fucking world music kind of coming together and 680 00:31:24,279 --> 00:31:25,920 stuff like that in a way that is like really 681 00:31:25,960 --> 00:31:28,519 off the wall. You can hear on this EP. Again, 682 00:31:28,519 --> 00:31:30,319 I don't know if it entirely works at all times, 683 00:31:30,319 --> 00:31:33,039 but at least it's a swinging for the fences kind 684 00:31:33,039 --> 00:31:34,839 of final statement, even if it is essentially again just 685 00:31:34,839 --> 00:31:36,880 a short little EP. And then we also had from 686 00:31:36,920 --> 00:31:40,200 the upcoming death metal world Vomit fourth put an EP 687 00:31:40,359 --> 00:31:43,640 called in the Name of the father Less. Notable releases, 688 00:31:43,680 --> 00:31:46,000 I think this week as we come to the first 689 00:31:46,079 --> 00:31:48,039 of May, but still a few out there that you 690 00:31:48,079 --> 00:31:50,599 are going to want to be interested in. We have 691 00:31:50,720 --> 00:31:53,920 the new album from American Football, the you know second 692 00:31:53,960 --> 00:31:57,880 wave emo Midwest emo legends, I think, you know, maybe 693 00:31:57,920 --> 00:32:00,920 their third record at this stage of the comeback here. 694 00:32:01,000 --> 00:32:03,839 They've had it to American Football LP four I believe. 695 00:32:04,319 --> 00:32:06,799 Then we have a Kneecap, obviously of course not even 696 00:32:06,839 --> 00:32:09,759 really a rock band, but certainly have you know, you 697 00:32:09,799 --> 00:32:11,920 know ingratiate themselves into the hearts of many a you know, 698 00:32:12,000 --> 00:32:14,559 T and M world type listener. So Kneecap, the Irish 699 00:32:14,640 --> 00:32:16,920 hip hop act. You do not need me to tell 700 00:32:16,920 --> 00:32:19,759 you who her kneecap Are but their record Fenian is 701 00:32:19,839 --> 00:32:23,839 out today. Then there is seven Dust again long running 702 00:32:23,920 --> 00:32:27,960 sort of part new metal, part American radio rock. There 703 00:32:28,359 --> 00:32:30,000 god knows how many abs they have, but their album 704 00:32:30,039 --> 00:32:32,599 called One is out. Then as we go into again 705 00:32:32,680 --> 00:32:35,880 some homegrown bands here from from the UK, we have 706 00:32:36,000 --> 00:32:40,559 a Cage Fight, who are a upcoming sort of thrashy 707 00:32:40,720 --> 00:32:43,759 hardcore type mix of sensibilities. There. I think they are 708 00:32:43,799 --> 00:32:45,960 again attracting a few more fans and a few you know, 709 00:32:46,200 --> 00:32:47,880 heads turning towards them around this point in time in 710 00:32:47,920 --> 00:32:50,079 the UK scene. So interesting to see if you know, 711 00:32:50,119 --> 00:32:52,559 this record brings them a little bit more of that 712 00:32:52,640 --> 00:32:56,200 kind of thing the records called Exzuvia. Then we have Venom, 713 00:32:56,279 --> 00:32:59,759 of course, the you know, the the pioneers of blackened 714 00:32:59,799 --> 00:33:02,000 metal if you like black metal or not. They were 715 00:33:02,039 --> 00:33:03,720 certainly you know, part of that, weren't they. And I 716 00:33:03,759 --> 00:33:06,200 must point out that this is the main Venom, that 717 00:33:06,240 --> 00:33:08,480 this is the one that's fronted by Kronos, rather than 718 00:33:08,759 --> 00:33:11,400 Venom Inc. Which is the slightly more I don know, 719 00:33:11,440 --> 00:33:14,559 regularly seen one these days, but featuring you know, other guys. 720 00:33:14,880 --> 00:33:17,160 Venom's album Into Oblivion their first and a Handful of 721 00:33:17,200 --> 00:33:22,000 Years is out today again into more underground, occult and 722 00:33:22,119 --> 00:33:24,559 strange sort of heavy metal circles. There's a band called 723 00:33:24,680 --> 00:33:28,960 Spell with an album called Wretched Heart, very raw, like 724 00:33:29,279 --> 00:33:31,480 properly low fire, but if you're into that, then you 725 00:33:31,519 --> 00:33:34,400 can go for this black metal band called Black Salice 726 00:33:34,440 --> 00:33:37,839 from Portugal, I think, with their album called Votive Fire. 727 00:33:38,000 --> 00:33:39,799 There is a band called Effluence, which is a band 728 00:33:39,839 --> 00:33:41,559 who we mentioned a little bit at the end of 729 00:33:41,720 --> 00:33:43,799 last year. This is the band who came up doing 730 00:33:44,160 --> 00:33:46,200 essentially like brutal death metal, but on the record they 731 00:33:46,200 --> 00:33:48,920 put out last year there was no guitars instead all 732 00:33:49,000 --> 00:33:51,640 like mad jazz piano. They have another record out today 733 00:33:51,759 --> 00:33:56,519 called Anticholinergic Derangement, and sonically I don't know what's going 734 00:33:56,519 --> 00:33:58,400 on this one because I haven't heard any of it yet, 735 00:33:58,440 --> 00:33:59,960 but they seem like a kind of band who will 736 00:33:59,960 --> 00:34:03,480 be again doing something wild and maverick with their sort 737 00:34:03,480 --> 00:34:06,799 of chosen form of you know, underground toilet stuff from 738 00:34:06,839 --> 00:34:09,119 record to record, so I trust there'll be something interesting 739 00:34:09,159 --> 00:34:11,840 going on. And then finally an EP out today from 740 00:34:11,880 --> 00:34:14,840 again a UK based kind of tech death band called 741 00:34:14,880 --> 00:34:19,320 Infected Death. Amongst other things, they feature the former bassist 742 00:34:19,320 --> 00:34:21,400 of Pupil Slicer. At this stage he's in that band 743 00:34:21,719 --> 00:34:24,119 with their EP called Invictor. So that is your round 744 00:34:24,199 --> 00:34:25,880 up today. Thank you very much for being with me. 745 00:34:26,119 --> 00:34:29,639 We will be back next week, not only with the 746 00:34:30,039 --> 00:34:31,960 again the Patreon update where we're gonna do that album 747 00:34:32,000 --> 00:34:33,639 club Imagine. We are going to be counting all all 748 00:34:33,639 --> 00:34:35,760 the blessings that you want us to count. But next 749 00:34:35,800 --> 00:34:37,199 week we're back here as well, and I will be 750 00:34:37,239 --> 00:34:39,440 here with a report from everything that went down at 751 00:34:39,519 --> 00:34:43,559 Incineration Festival in London right now. After this, I am 752 00:34:43,559 --> 00:34:45,440 off tonight to go see Dragging to Sunlight and then 753 00:34:45,559 --> 00:34:47,480 kick off that whole weekend of celebration, So we'll be 754 00:34:47,519 --> 00:34:49,639 back for that next week. Cheers everybody. Bye,