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Speaker 1: Hudson River Radio dot Com.

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Speaker 2: It's over now on anything got in your zipper will

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be handled by the school nurse and not me.

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Speaker 3: And now are you adequately prepared to rock?

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Speaker 4: Ye?

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Speaker 2: Silence.

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Speaker 1: This is John Fulbright. Hi, this is jar Williams.

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Speaker 5: Hi.

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Speaker 1: This is Mitch Margle of the Tokens. Hi.

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Speaker 3: This is Gary us Bonds mad here on the Rock

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and Roll History Show.

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Speaker 2: Hello, everyone, welcome back to the Rock and Roll History

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Show on Hudson River Radio. I'm Brian Horowitz. We have

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a good one for you lined up tonight. I'm gonna

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let Barbara explain that in just a minute, but as always,

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allow me to introduce all the cranbones who are joining

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us here tonight. First and foremost, from the Richter Observatory,

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he says, the easiest time to add insult to injury

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is when you're signing someone's cast. Neil Richers for this.

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Speaker 6: Good one. Yeah, Hey, how you doing? Everybody?

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Speaker 2: And from Paranormal Yours, she saw a guy pass out

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on the ferris wheel, but he's slowly coming around, Hi, everybody,

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And from the silver screens, she saw Charles Dickens walk

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into a bar and order a martini. The bartender asked,

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olive or twist.

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Speaker 7: Mercedes, I would go for the olive.

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Speaker 2: I would agree for a Martinez and our officially retired teacher.

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He says that telephone polls are just trees that got

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a job. John Kelly is here.

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Speaker 1: Hey, everybody, could you see it could be here?

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Speaker 2: And last, but not least, the host of shaving Cream.

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The last time she went to the hospital, she asked

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if she could do her own stitches. The doctor said,

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suit yourself.

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Speaker 8: Oh yeah, I made a little hard you know.

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Speaker 2: Yeah, So welcome back all after our week off that

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went by so quickly. Yeah, I am somehow even more

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sleep deprived than I was before. So I don't know

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if it's a good idea to do that again, but

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we'll see as time comes.

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Speaker 7: We will judge by the end of the show.

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Speaker 2: You can judge by the fact that I will not

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be able to put a full sentence together. But there's

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a sorry. Yeah, yeah, we'll see how it goes.

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Speaker 7: So far, you've got full sentences.

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Speaker 6: All right, good, but it never it never stopped me,

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so fair enough.

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Speaker 2: I just want to affirm that I am only drinking

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coffee tonight because I'm trying to counter effect, you know,

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there's nothing else.

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Speaker 9: I had such a wretched day at work, I finally

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opened the Guinness Stout that's been in my refrigerator for nights.

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Speaker 2: Good for you, Good Wow.

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Speaker 10: Gail, Wow, I'm saving mine for Saint Patrick's.

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Speaker 2: I am all for that. Awesome all right. So our idea,

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our topic this week came from Barbara, so I am

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going to turn it over to her to explain it

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and to lead us software tonight.

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Speaker 10: Okay, Well, I listen to Little Stevens Underground Garage Channel

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twenty one on Sirius XM a lot, and they play

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some really cool stuff. And one of the things I

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love about that station is they play deep cuts that

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I've never heard done by artists that I've heard about

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and might even be famous. So I thought that might

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be a good topic for the show if myself and

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my fellow Crambones could find a deep cut that we

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like and want to introduce our fellow Crambones too, by

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a band that is famous or that everyone's heard of.

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Speaker 8: And that is the premise of tonight's.

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Speaker 1: Show, all right.

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Speaker 8: So I'm going to go first, and.

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Speaker 10: My song choice for today's topic is something I've been

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wanting to play for a long time, so I was actually.

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Speaker 8: Had a double reason for picking this topic.

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Speaker 10: The song is called I Dig Everything and it's by

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David Bowie. Now I know we've done. I've done David

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Bowie before. A couple of years ago for Halloween I

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picked Please Mister Gravedigger by David Bowie, which was real

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creepy and yet another deep cut. So now we have

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another one, so I will go over some details about

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mister Bowie again. He was born in January eighth, nineteen

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forty seven, as David.

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Speaker 8: Robert Jones, and among the record.

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Speaker 10: Labels with which he's been affiliated are RCA, Virgin Emi, Columbia,

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Darren Mercury, BMG, Arista, Pie, Vocalion, Parlophone, Raiko. Among the

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bands of which he's been a member are The Buzz,

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the Conrads, the King Bees, the Manish Boys, The Lower Third,

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The Riot Squad, Hype, Arnold Korn's, and Tin Machine. He's

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known for different genres, including art rock, glam rock, pop,

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and electronic, but he was a student of art originally

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designed and music, and decided on a professional music career

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in nineteen sixty three.

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Speaker 8: He released some singles and a self titled solo album.

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Speaker 10: In nineteen sixty seven, but did not achieve commercial success

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until two years later in nineteen sixty nine, with the

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release of the Space Oddity single, which made it to

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the top five on the UK Singles Chart. In nineteen

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seventy two, during the glam rock era, we saw his

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emersions as the alter ego Ziggy Stardust, evolving from the

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album The Rise and Fall of Ziggy Stardust and the

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Spiders from Bars, which also featured the single Starman, which

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is like one of my favorite earworms.

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Speaker 8: In nineteen seventy six.

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Speaker 10: His single Fame reached number one on the US Singles Chart,

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and his album Young American, released in nineteen seventy seven,

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was also immensely popular. In nineteen eighty he released the

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album Scary Monsters and Super Creeps, which featured the single

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Ashes to Ashes that revisited the character of Major Tom

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from Space Oddity. Bowie was actually at the height of

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his commercial success in the nineteen eighties with his collaboration

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with the rock group Queen and their single under Pressure,

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and later with his single Let's Stance. In nineteen eighty three,

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the song for Tonight I Dig Everything was released as

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a single by Pie Records on August nineteenth, nineteen sixty six,

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and was his final single for that record label.

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Speaker 8: Let's pause here and have a listen, because I'm curious

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to know what my fellow Cranblines think.

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Speaker 1: Of the song.

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Speaker 11: I've got the bigest powder.

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Speaker 1: A walk being along beside the garbage man.

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Speaker 7: Other bigger than the man.

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Speaker 1: Waiting to the policeman. But they don't wait back. They

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no bigger.

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Speaker 12: I ain't having a job for a year on more,

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and I don't know there.

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Speaker 1: Everything smell and ask me to geverything.

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Speaker 11: Everything smell lit big everything.

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Speaker 4: Feed the line and a clown square and a bigger

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that day.

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Speaker 1: I sau just be your mom and don't do my

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singer atte stall and your bright man.

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Speaker 4: Got a backstret room at that part of town.

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Speaker 1: I have a big ever.

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Speaker 4: I see people who speak below who don't know whether

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they're gone.

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Speaker 1: They don't pigget. Everything's an hearty thing. Everything's fan anharty

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gether thing.

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Speaker 7: I've got more friends, and I've had.

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Speaker 3: My dinners, and some of them are.

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Speaker 13: Losers that the rest of them are winners.

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Speaker 5: Rick John Sally, connection name Park Holy All and none.

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Speaker 1: Of their intentions. It's all we smoke, then some getting

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out and dogether the sound mad contractor charltte. That's not me.

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Speaker 8: I'm sorry. I think that's awesome.

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Speaker 6: I love I love that song. I love that.

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Speaker 9: That's what I wasn't possibly go wrong with, David Bowie.

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Speaker 6: I love that, and I like yourself. I heard it

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on the underground garage to first and I was like,

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where was I How did I miss this? Exactly exactly,

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And you can't tell me that Mike Myers didn't think

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of this song when he was inventing Austin Powers yea

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in the sound track for that for those that film series.

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Speaker 2: Oh yeah, somebody.

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Speaker 3: Definitely had that busy whatever.

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Speaker 8: Yeah, that vibe that that whole live was there because.

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Speaker 3: It had that colorful kind of you can almost see.

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Speaker 10: The psychedelic Yeah, definitely. Well how about this? The single

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at the time was a commercial failure and actually resulted

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in the record label dropping Bowie Wow.

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Speaker 8: The single was first.

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Speaker 10: Attempted by Bowie with his backing band The Buzz, but

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the band had not rehearsed it enough and producer Tony

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Hatch scrapped the recording and had Bowie re record it

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with studio musicians.

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Speaker 8: So that's what you heard.

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Speaker 10: And there was actually an unplugged version released in twenty

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twenty two which was slower and more mellow, and it

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was on the Toy Box compilation album after Bowie's death.

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And that is also one that I've heard on the radio,

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but this one is much more joyous.

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Speaker 8: So Bowie was inducted.

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Speaker 10: Into the Rock and Roll Hall of Fame in nineteen

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ninety six. He also appeared and starred in several acting roles.

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In nineteen seventy six he started The Man Who Fell

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to Earth. He portrayed the character Major Jack Celier in

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nineteen eighty three, He's Merry Christmas, mister Lawrence Philip Jeffries

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in nineteen ninety Two's Twin Peaks Firewalk with Me.

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Speaker 1: Yes, he did, and.

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Speaker 9: I was so upset because he did not like how

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he sounded doing a Southern accent in that show. So

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he had all of his lines over dubbed by someone else.

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Speaker 8: Oh that's a crime, it is, that's a crime.

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Speaker 10: Oh, thank you, Gail for the He portrayed Andy Warhol

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in nineteen ninety six is the bas Bosquaat and Nikola

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Tesla in two thousand and six is The Prestige, And

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I deliberately say for last my favorite role because I

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need a fangirl speak about it, because you can't shut

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me up when it comes to things like that. His

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magical portrayal of the Goblin King in the nineteen eighty

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six fantasy film Labyrinth, and spoiler alert if you haven't

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seen it, the heroine of the film does not end

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up with the Goblin King, and I do not agree

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with her choice. And there's a lot of people that

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agree with me, actually mostly girls, but yeah, a lot

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of people that agree with me. In twenty sixteen, unfortunately,

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Bowie passed away from liver cancer, same thing that my

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father died of, and this was just two days after

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the release of his.

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Speaker 8: Final album, Black Star. Yeah, lost to the world and

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that's all I got.

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Speaker 2: He had a place in the Ulster County that far

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from really still in the family or not, but yeah, yeah, wow,

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when was this like he did when he passed away?

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Speaker 6: I did that might?

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Speaker 8: Actually, like how long ago did he he had it?

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Speaker 2: When when he when he passed away. I don't know

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if he was living there at that time, but.

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Speaker 8: No, I'm just saying I've known you a long time

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and you did not tell me this.

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Speaker 2: Well it sounds like for his safety. It's good that

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I didn't mean. Oh I know us ladies would have

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done like road trip. That's what I'm saying. All right, awesome,

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thank you, Barbara, Neil.

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Speaker 6: What up to you? All right? My obscure song by

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a well known band is called We Love You, and

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the well known band is the Rolling Stones. Them. You've

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heard of them right, Well, now you add a couple

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of beatles to the mix, not to obscure. There you've

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heard of them too, right, and you get squashed. Well

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you have to wonder how this one like slipped through

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the cracks or whatever, but somehow I think it did. Now,

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if you don't know who the Rolling Stones are, the

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door is over there. You can see yourselves out right now.

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Thank you, goodbye, but quickly. The Rolling Stones are an

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English rock band that formed in London in nineteen sixty two,

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and after over six decades, more than six decades of

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being one of the most popular, influential, and enduring bands

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in history, ladies and gentlemen, they have earned the title

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of the greatest rock and roll band in the world,

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No arguments.

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Speaker 7: Please, and Neil's second favorite band. Yes, yes, true.

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Speaker 2: So does that mean he's arguing with himself now all

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the time.

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Speaker 6: Oh, you don't know what it's like inside of it.

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You have no idea anyway. We Love You was a

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song written for The Stones by lead singer Mick Jagger

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and guitarist Keith Richards, as were the majority of the

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band's original material. It was written shortly after the two

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had been busted on drug charges at Richard's home in

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early nineteen sixty seven. Now, in the late nineteen sixties,

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drug use was pretty commonplace in the British music industry

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and as well as here in the US for that matter,

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but this fact was not widely known by the general public,

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at least in the UK apparently. Now. While Jagger and

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Richards were convicted following the arrest, many in the music

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industry as well as the public at large, felt the

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decision to prosecute them was kind of unnecessary and that

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the pair were being hounded by the authorities merely as

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an example to discourage drug use. We Love You was

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written as a message of thanks to all the fans

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for their public support. Now. The song was recorded in

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nineteen sixty seven at Olympic Studios in London. During the

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same sessions that the Stones recorded their Satanic Magistries Request LP,

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and it was certainly inspired by the psychedelic scene that

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was happening at the time. Recorded by the stones original

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classic lineup of Jagger and Richards, Brian Jones, Bill Wyman

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and Charlie Watts, Satanic Majesty's is often compared to the

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Beatles Sergeant Pepper album and one can kind of plainly

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see why, which brings us to the Beatles. John Lennon

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and Paul McCartney, who just happened to be visiting the

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studio that day, ended up coming in and overdubbing some

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backing vocals on the track. Now, incidentally, the Beatles had

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just recently performed the song All You Need Is Love

264
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on a worldwide satellite TV broadcast and Jagger and Richards

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were among the many chorus singers on that song, So

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I guess turn about is fair play. We Love You

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was released as an A side of a Nons album

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single in August of nineteen sixty seven, with the B

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side being the song Dandelion. The song reached number eight

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on the British Singles chart, so two weeks later the

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single was released in the US, but it only got

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as far as number fifty on the Billboard Hot one hundred,

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so they put Dandelion on the A side and then

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the song went to number fourteen. The single also reached

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the top ten in Germany, Austria, Sweden and Norway. But

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why don't we take a pause here and listen to

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We Love You by the Rolling Stone. No, not like.

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Speaker 1: That used to.

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Speaker 14: Say, women with your well men wave.

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Speaker 15: In it at all we do.

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Speaker 2: And that whole.

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Speaker 6: That to slightly psychedelic, I think a little bit, and

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I like at the beginning the slamming jail doors for effect,

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Yes very nice. We Love You is considered one of

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the stones most experimental songs, and in the context of

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their Satanic Majesty's requests, that's kind of really saying something

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with its sound effects, layers of overdub vocals, amelotron part

288
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and it's manic opening piano riff provided by keyboardist extraordinary

289
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Nicky Hopkins, who I did get to see play with

290
00:22:49,559 --> 00:22:54,559
the Stones on their tour in nineteen seventy two. Incidentally,

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the single was the final Stones recording manager Andrew Luke

292
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Oldham would receive production credit for. He quit soon after,

293
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pretty much citing the artistic differences. That's a catch all

294
00:23:10,640 --> 00:23:14,160
phrase if I ever heard one. Yeah, but Oldham, by

295
00:23:14,160 --> 00:23:17,559
the way, was kind of the Stone's counterpart to the

296
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Beatles Brian Epstein. If that puts any perspective to it,

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it does. Promotional film was made for We Love You,

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but the BBC refused to show it on the Top

299
00:23:28,519 --> 00:23:33,039
of the Pops TV program, possibly because of footage showing

300
00:23:33,160 --> 00:23:38,920
Brian Jones with his eyes drooping and unfocused and pretty

301
00:23:38,960 --> 00:23:46,039
much obviously stoned out of his mind. Over the years,

302
00:23:46,079 --> 00:23:49,319
We Love You has been included on several different Stones

303
00:23:49,640 --> 00:23:54,039
best of albums and box set collections. But there you

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00:23:54,160 --> 00:23:58,960
have it, my obscure Rolling Stones tune, and I hope

305
00:23:59,000 --> 00:23:59,759
you loved it too.

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Speaker 10: I did.

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Speaker 7: Yeah, good stuff.

308
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Speaker 6: I love it.

309
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Speaker 8: I've heard it before, but I haven't had it in

310
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a long time.

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Speaker 9: I think i've heard it before too, believe it or not.

312
00:24:10,160 --> 00:24:12,200
Speaker 2: Yeah, well I knew. I mean, I knew the Stones,

313
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I knew the Beatles together. But I know all the

314
00:24:14,759 --> 00:24:16,920
details behind it, so that's cool.

315
00:24:17,599 --> 00:24:21,720
Speaker 6: Actually, on the cover on the cover of their Satanic

316
00:24:21,799 --> 00:24:26,799
Majesty's Request, which was originally released like kind of a

317
00:24:27,000 --> 00:24:33,279
three D I lenticular cover, it was kind of like a.

318
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Speaker 7: It was lenticular.

319
00:24:36,839 --> 00:24:38,880
Speaker 6: Well that's what I'm trying to tell you. It was. Okay,

320
00:24:42,160 --> 00:24:44,519
it was only on the original you know release, you know,

321
00:24:45,680 --> 00:24:49,799
subsequent ones. It was just a regular picture anyway. It

322
00:24:50,279 --> 00:24:52,920
gave the illusion of three dimensions, you know, if you

323
00:24:53,039 --> 00:24:55,000
kind of wheedled it a little bit, you could kind

324
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of see them moving a little bit. But the point

325
00:24:57,680 --> 00:25:02,599
I'm making is that the Beatles were also like kind

326
00:25:02,640 --> 00:25:08,119
of snuck in there, like you know, down to the bottom.

327
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You can you can see them if you look hard enough.

328
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They were in there. So very cool.

329
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Speaker 2: Yeah, all right, thank you, Neil. We're gonna take a

330
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real quick break, but we have a lot more coming up,

331
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so stick around. We'll be right back.

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Speaker 6: Hudson River Radio dot com.

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Speaker 7: This concludes the first part of this cassette.

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Speaker 2: Please turn the cassette over and begin again on side

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to Hudson Riverradio dot Com. Your mom likes us. Welcome back, Gail.

336
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Speaker 6: What do you have for us?

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Speaker 1: Okay?

338
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Speaker 9: Well, as usual, I'm a little not sure whether the

339
00:25:47,440 --> 00:25:51,720
song fits the topic because when I was researching the

340
00:25:51,839 --> 00:25:56,759
topic and did a search on deep cuts, my song

341
00:25:56,839 --> 00:26:00,359
that I chose by Anna Lennox. It's called Little Bird

342
00:26:00,559 --> 00:26:03,640
and that came up on the list. But I'm super

343
00:26:03,880 --> 00:26:06,440
familiar with this song. I could swear this is not

344
00:26:06,680 --> 00:26:10,559
exactly a deep cut, but I don't know, because when

345
00:26:11,759 --> 00:26:15,400
I originally bought the CD, back when CDs were more

346
00:26:15,480 --> 00:26:19,480
of a thing. When I get a CD or an album,

347
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I just listened to it from start to finish, and

348
00:26:24,319 --> 00:26:27,079
I do that several times if I like it. And

349
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I really liked this whole album, which was Annie Lennox's

350
00:26:32,839 --> 00:26:37,599
first solo album, and that was called Diva and it

351
00:26:37,720 --> 00:26:41,039
came out in nineteen ninety two. Now, I know I've

352
00:26:41,119 --> 00:26:45,079
spoken about Annie Lenox before on this show, but just briefly.

353
00:26:46,039 --> 00:26:50,799
She's seventy one now, and she's a Scottish singer, songwriter

354
00:26:51,039 --> 00:26:59,680
and philanthropist. Her career has spanned nearly fifty five zero years.

355
00:27:01,119 --> 00:27:04,720
She first found moderate success in the nineteen seventies with

356
00:27:04,960 --> 00:27:08,960
a new wave band called The Tourists, and in the

357
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nineteen eighties she and Dave Stewart achieved international success as Eurhythmics,

358
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and she's known for her unique voice and their collaborations.

359
00:27:19,519 --> 00:27:21,759
Her voice, let me tell you can do so many

360
00:27:22,880 --> 00:27:28,599
amazing acrobatics. What arranged the woman has what skill and talent.

361
00:27:29,079 --> 00:27:32,319
Speaker 2: Did you see her induction the Hall of Fame induction

362
00:27:32,440 --> 00:27:35,279
when they when you were a mixed winning No? No, Yeah,

363
00:27:35,400 --> 00:27:38,640
that's on YouTube. That's worth watching because that shows exactly

364
00:27:38,799 --> 00:27:39,759
what you're talking about.

365
00:27:40,599 --> 00:27:46,960
Speaker 9: Yes, she's amazing. I've always adored her work so, and

366
00:27:47,079 --> 00:27:53,240
it's interesting because it was written during writing sessions for

367
00:27:53,359 --> 00:28:00,720
her first solo album, and it's a song about her

368
00:28:01,039 --> 00:28:04,839
saying goodbye to one chapter in her life before beginning

369
00:28:04,920 --> 00:28:09,640
another chapter, a story of recovery and self empowerment. So

370
00:28:09,960 --> 00:28:15,160
I thought the topic is very appropriate for a first

371
00:28:16,559 --> 00:28:24,240
solo album. Now, it was released as a double A side.

372
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Speaker 1: Is that a thing? Yeah?

373
00:28:27,440 --> 00:28:28,440
Speaker 7: I never heard of that.

374
00:28:28,640 --> 00:28:31,839
Speaker 2: What does that mean to release singles on the same

375
00:28:32,039 --> 00:28:34,000
forty five? Yeah?

376
00:28:34,119 --> 00:28:39,000
Speaker 9: Okay, because it was released as a double A side

377
00:28:39,119 --> 00:28:42,039
long love song for a Vampire which was featured on

378
00:28:42,200 --> 00:28:47,000
the soundtrack for Bram Stoker's Dracula, which is another movie

379
00:28:47,200 --> 00:28:52,359
I super super recommend. When I saw that movie, I

380
00:28:52,640 --> 00:28:59,000
realized how close it was to the original novel. When

381
00:28:59,039 --> 00:29:05,359
they had Dracula as a vampire skittering up, not crawling up,

382
00:29:05,519 --> 00:29:11,960
not you know, rebounding up, skittering up the castle wall.

383
00:29:12,759 --> 00:29:15,160
I get I get chills just thinking about it. That's

384
00:29:16,000 --> 00:29:19,680
it was exactly as they described it in Ramstoker's books.

385
00:29:19,759 --> 00:29:20,960
So I was super.

386
00:29:20,799 --> 00:29:21,400
Speaker 7: Apased with that.

387
00:29:21,519 --> 00:29:22,960
Speaker 8: That film was very nicely done.

388
00:29:23,160 --> 00:29:27,359
Speaker 9: Oh my gosh, that was amazing. And that film was

389
00:29:27,519 --> 00:29:30,000
released in nineteen ninety two.

390
00:29:32,079 --> 00:29:34,480
Speaker 1: Now let's have her.

391
00:29:34,480 --> 00:29:37,319
Speaker 9: Listen, and then I'll give you a few more tidbits

392
00:29:37,480 --> 00:29:38,039
of info.

393
00:29:41,640 --> 00:30:04,000
Speaker 1: I look up to a little sle mellow d me

394
00:30:04,880 --> 00:30:07,839
looks me more to cry.

395
00:30:11,160 --> 00:30:15,440
Speaker 4: It makes me want to sit by down and cry,

396
00:30:15,960 --> 00:30:20,720
cry cry yeah, book.

397
00:30:24,079 --> 00:30:36,559
Speaker 1: See the street, so darme with red but stead up

398
00:30:37,279 --> 00:30:46,000
back be that bad and I'm not out w he

399
00:30:49,640 --> 00:30:54,279
I wish I'll have the wings to fly away.

400
00:30:54,359 --> 00:31:07,599
Speaker 15: Down yeah, so loud, do not go man? Want to do.

401
00:31:12,079 --> 00:31:12,119
Speaker 6: So?

402
00:31:13,319 --> 00:31:18,559
Speaker 1: Bill say you knew Basketma. This kind of birds pull

403
00:31:18,640 --> 00:31:24,160
a lot of Nasa feeling a lot of my lassle.

404
00:31:24,640 --> 00:31:28,720
I've just got to this bride to return.

405
00:31:41,000 --> 00:31:41,759
Speaker 10: I have just.

406
00:31:44,759 --> 00:31:48,400
Speaker 16: Trouble is so lose, waiting.

407
00:31:50,000 --> 00:32:00,720
Speaker 1: Waiting to the ride, wit me the strange carry you

408
00:32:04,240 --> 00:32:05,039
can let.

409
00:32:07,359 --> 00:32:13,880
Speaker 14: Back, give me the strength to let this burn.

410
00:32:16,920 --> 00:32:24,359
Speaker 16: Ye give me the strength to lay you down down name.

411
00:32:24,559 --> 00:32:25,640
Speaker 15: Down but.

412
00:32:28,400 --> 00:32:30,000
Speaker 6: So no.

413
00:32:31,519 --> 00:32:32,799
Speaker 15: Where do not go?

414
00:32:33,759 --> 00:32:33,799
Speaker 10: No?

415
00:32:35,359 --> 00:32:36,640
Speaker 15: Wait do I no.

416
00:32:39,960 --> 00:32:40,440
Speaker 6: Be so.

417
00:32:42,279 --> 00:32:48,519
Speaker 1: S you, Nemaster, this can best mother than that Badmaster.

418
00:32:49,279 --> 00:32:52,480
I'm not being not many Castle.

419
00:32:52,960 --> 00:34:09,599
Speaker 16: I'm just going to this word is the tallow.

420
00:33:33,240 --> 00:33:40,200
Speaker 15: That just got to.

421
00:33:49,400 --> 00:33:52,240
Speaker 9: I think that's very catchy and very inspiring.

422
00:33:52,519 --> 00:33:55,680
Speaker 2: Pretty Much everything she does is you know, yeah, even

423
00:33:55,720 --> 00:33:57,640
if it's stuff you haven't heard, stuff you don't know,

424
00:33:57,720 --> 00:33:59,720
it's still I got that.

425
00:34:00,119 --> 00:34:01,400
Speaker 1: I agree.

426
00:34:01,759 --> 00:34:06,720
Speaker 9: I recommend all of her albums because they're just very

427
00:34:06,799 --> 00:34:15,719
well written, very well performed, and kind of addictive. Little

428
00:34:15,760 --> 00:34:18,920
Bird earned a silver Record in the UK after two

429
00:34:19,039 --> 00:34:23,000
hundred thousand singles were sold in twenty twelve.

430
00:34:24,480 --> 00:34:27,400
Speaker 7: It charted as a solo.

431
00:34:27,440 --> 00:34:31,639
Speaker 9: Single for the first time, reaching number ninety six on

432
00:34:31,719 --> 00:34:36,960
the UK Singles Chart after Lenox performed the song during

433
00:34:37,039 --> 00:34:43,719
the twenty twelve Summer Olympics closing ceremony, and after that

434
00:34:44,000 --> 00:34:49,599
also it reached number ninety six on the UK Singles

435
00:34:50,079 --> 00:34:55,480
Downloads Charts. And that's all I got.

436
00:34:55,960 --> 00:35:00,159
Speaker 2: That's a good one. Ask you, thank you, Gail John to.

437
00:35:00,159 --> 00:35:07,199
Speaker 3: You a I think, like Gail, I know this topic

438
00:35:07,239 --> 00:35:10,719
should be an easy one, but I kind of struggled

439
00:35:10,760 --> 00:35:13,119
with what is a deep cut? What does it really mean?

440
00:35:14,800 --> 00:35:16,440
And I had to think about it for a little bit.

441
00:35:17,400 --> 00:35:23,559
So I picked something that was unknown to me. I'm

442
00:35:23,599 --> 00:35:25,559
sure a lot of people in this audience and only

443
00:35:25,679 --> 00:35:30,760
indeed a lot of people on this podcast no exactly

444
00:35:31,119 --> 00:35:33,519
know the song and the group specifically. I picked the

445
00:35:33,559 --> 00:35:40,000
Almond Brothers Statesborough Blues. Now, Statesborough Blues has been around

446
00:35:40,039 --> 00:35:42,920
for a very long time. It was originally recorded in

447
00:35:43,159 --> 00:35:47,360
nineteen twenty eight. It's a Piedmont blues song, which is

448
00:35:47,400 --> 00:35:51,159
a style of blues that I just learned that actually

449
00:35:51,239 --> 00:35:53,079
the beauties of the Rock and Roll History Show is.

450
00:35:53,159 --> 00:35:56,760
I had no idea what the hell Piedmont blues is

451
00:35:57,440 --> 00:35:59,480
because of this show, now I do.

452
00:36:00,440 --> 00:36:00,480
Speaker 16: So.

453
00:36:01,559 --> 00:36:04,840
Speaker 3: It was written by blind Willie McTell, who recorded it

454
00:36:04,960 --> 00:36:08,159
in nineteen twenty eight, and the title refers to the

455
00:36:08,239 --> 00:36:13,639
talent of Statesboro, Georgia. So we don't have a lot

456
00:36:13,719 --> 00:36:16,119
of the time to do both versions of the song,

457
00:36:16,800 --> 00:36:19,519
but I do recommend that you look up the nineteen

458
00:36:19,559 --> 00:36:22,360
twenty eight version and give it a listen, and then

459
00:36:22,920 --> 00:36:27,000
give the Almond Brothers version a listen, because you can

460
00:36:27,159 --> 00:36:31,159
see the origins of the song in the Almond Brothers version,

461
00:36:32,079 --> 00:36:36,679
and you can just really see how they enhanced the song.

462
00:36:36,800 --> 00:36:39,800
I think from nineteen twenty eight. It's one of those

463
00:36:39,840 --> 00:36:43,679
songs I find it's interesting. It's been played by many

464
00:36:43,760 --> 00:36:46,360
people over the years, and they've all put their own

465
00:36:46,519 --> 00:36:48,920
spin on it, you know, their own kind of style

466
00:36:49,079 --> 00:36:51,679
to it, which has kind of given the song almost

467
00:36:51,679 --> 00:36:54,119
a little bit of a life of its own. So

468
00:36:54,320 --> 00:36:58,960
I guess maybe in that in that vein, it could

469
00:36:58,960 --> 00:37:03,000
be considered a deep I don't know, but it's something

470
00:37:03,079 --> 00:37:09,960
that I found interesting from my limited musical knowledge. So Brian,

471
00:37:10,039 --> 00:37:13,000
without further ado, let us play the nineteen seventy one

472
00:37:13,480 --> 00:37:16,519
Allman Brothers version before we slay it. Though I must

473
00:37:16,559 --> 00:37:21,599
say that this song first appeared at Stillmore Easy Queens

474
00:37:21,920 --> 00:37:22,880
the well.

475
00:37:23,000 --> 00:38:06,559
Speaker 12: All right, mama, welcome man, tell your downtown bloom.

476
00:38:10,000 --> 00:38:14,159
Speaker 1: You can't down turn up the town for your door.

477
00:38:18,440 --> 00:38:26,320
Speaker 5: Not this morning hair them stands for blue, not this

478
00:38:26,559 --> 00:38:29,199
morning had them stands for blue.

479
00:38:32,840 --> 00:38:34,239
Speaker 1: Time of the colony.

480
00:38:35,119 --> 00:39:28,599
Speaker 17: Grant ass you to health, Unda a god for that

481
00:39:29,000 --> 00:39:31,480
love looking baby.

482
00:39:33,840 --> 00:39:41,280
Speaker 1: Com to the country. Maybe do you wanna ball if

483
00:39:41,320 --> 00:39:45,079
you can't make a baby? Your sister, Lucian, such a

484
00:39:45,199 --> 00:40:35,119
hornable sta. I love that moment.

485
00:40:36,000 --> 00:40:43,960
Speaker 18: Well, that the woman I have ever seen than a

486
00:40:44,079 --> 00:40:49,400
woman I have ever see see me look.

487
00:40:49,280 --> 00:41:23,760
Speaker 3: At my no, no, no, Mother, I want to say

488
00:41:23,880 --> 00:41:26,400
just a couple of points and then I've Neil's got

489
00:41:26,440 --> 00:41:31,400
an interesting anecdote on this particular song. The all My

490
00:41:31,519 --> 00:41:34,679
Brothers did not get the idea from the original for

491
00:41:34,880 --> 00:41:39,559
the song that they actually got the idea from Taj Mahal,

492
00:41:39,719 --> 00:41:42,280
and again the wonders of the Rock and Roll History Show.

493
00:41:42,800 --> 00:41:45,079
Until I did the research for this song, I wouldn't

494
00:41:45,079 --> 00:41:47,280
have had a clue as to who the heck taj

495
00:41:47,400 --> 00:41:52,239
Mahal WASJ Mahall obviously is was Henry Saint Clair Frederick's junior,

496
00:41:52,760 --> 00:41:54,840
better known by his stage name Taj Mahal, is an

497
00:41:54,880 --> 00:41:58,719
American blues musician. He plays a guitar, piano, banjo, harmonica,

498
00:41:58,760 --> 00:42:02,280
et cetera, et cetera, and his version is what inspired

499
00:42:02,280 --> 00:42:05,440
the Allman Brothers to play to to to do the

500
00:42:05,559 --> 00:42:09,960
song themselves, particularly the slide guitar that they heard on

501
00:42:10,039 --> 00:42:14,000
the nineteen sixty eight version as well. Again another thing

502
00:42:14,159 --> 00:42:16,440
thanks to the Rock and Roll History Show, I had

503
00:42:16,480 --> 00:42:19,039
no idea what the heck of slide guitar was until

504
00:42:19,840 --> 00:42:22,039
I was able until.

505
00:42:21,840 --> 00:42:26,039
Speaker 2: You're going to pop up in Australia, you know.

506
00:42:26,119 --> 00:42:29,239
Speaker 3: It's so I learned that it's it's not a what

507
00:42:29,400 --> 00:42:31,239
is this? I thought it was a guitar. No, it's

508
00:42:31,280 --> 00:42:32,320
a technique on the guitar.

509
00:42:32,400 --> 00:42:34,079
Speaker 2: You can google it and do well they may well

510
00:42:34,119 --> 00:42:37,079
there's lap steals. There's lots of other stuff too, But yeah,

511
00:42:37,119 --> 00:42:38,599
I know, but it's so hard to play.

512
00:42:39,039 --> 00:42:40,360
Speaker 7: You can use a beer battle.

513
00:42:40,760 --> 00:42:45,880
Speaker 3: Okay, you had no idea, So anyway that I I

514
00:42:46,039 --> 00:42:48,480
kind of what I thought was deep about this song

515
00:42:49,400 --> 00:42:54,920
was it's it's uh, it's growth in the last ninety

516
00:42:54,960 --> 00:42:57,920
eight years that it has been around. And Neil, what

517
00:42:58,000 --> 00:43:00,400
did you have to say about the the song or Oh?

518
00:43:00,559 --> 00:43:02,840
Speaker 6: First of all, first of all, yeah, you're talking about

519
00:43:02,840 --> 00:43:06,960
the slide guitar, And yeah, I mean there wasn't a

520
00:43:07,079 --> 00:43:10,440
much better slide guitar player than Dwayne Alman to begin with.

521
00:43:12,480 --> 00:43:14,280
And if you didn't know him from the Almond Brothers,

522
00:43:14,360 --> 00:43:19,760
if you know a song by Eric Clapton called Layla, Yes, yeah, okay,

523
00:43:19,880 --> 00:43:24,199
that's all I'm saying. Yep, but yeah, no, you're really

524
00:43:24,239 --> 00:43:27,519
tugging at my heart strings. Here was my youthful heart strings.

525
00:43:30,039 --> 00:43:32,599
I saw the Almond Brothers at the Phil Mooreae, not

526
00:43:32,760 --> 00:43:38,719
the night that this particular album was recorded, but shortly thereafter,

527
00:43:39,119 --> 00:43:43,400
and it was actually the final weekend of shows when

528
00:43:43,440 --> 00:43:47,800
the phil Maurice closed in June of nineteen seventy one.

529
00:43:49,360 --> 00:43:50,639
At the end of June, I think it was the

530
00:43:50,760 --> 00:43:54,519
twenty fifth, sixth, and seventh, the final night. The twenty

531
00:43:54,599 --> 00:43:59,000
seventh was an industry only you know, invited record people,

532
00:43:59,280 --> 00:44:03,280
radio people, of which I was not one yet at

533
00:44:03,440 --> 00:44:07,079
fifteen years old, but somehow I did manage to score

534
00:44:07,119 --> 00:44:12,400
a ticket for the for the last public night, and

535
00:44:13,239 --> 00:44:16,639
it was it was amazing. It was I thought these

536
00:44:16,679 --> 00:44:19,119
guys had landed from out of space when they were playing.

537
00:44:19,719 --> 00:44:25,800
You know, so the opening at the two opening Albert King,

538
00:44:25,920 --> 00:44:31,559
the blues guitar player, and another band called Jay Giles

539
00:44:31,719 --> 00:44:36,800
Band was sandwiched in there too, who went on to

540
00:44:36,960 --> 00:44:40,159
become a little more popular, a little more famous too.

541
00:44:40,360 --> 00:44:45,159
So but oh yeah, no, that so yeah, that that

542
00:44:46,440 --> 00:44:49,679
that record. And again I wasn't at that performance, but

543
00:44:50,480 --> 00:44:53,239
I did see them play there at at the Filmore

544
00:44:53,360 --> 00:44:58,000
and and as I think, as as you know, the

545
00:44:58,800 --> 00:45:03,280
taping here today, it actually is the anniversary that it

546
00:45:03,440 --> 00:45:08,119
opened right around this time in nineteen sixty eight, from

547
00:45:08,119 --> 00:45:11,199
what it was actually you know, opened it, so it

548
00:45:11,320 --> 00:45:13,360
was only around for like three years at the moment.

549
00:45:14,679 --> 00:45:18,679
But the history and the legendary players that you know

550
00:45:19,239 --> 00:45:22,159
that came through there, and all the albums that were

551
00:45:22,239 --> 00:45:28,159
recorded there, live albums, it was it was a magical place.

552
00:45:28,239 --> 00:45:29,159
That's all I can say.

553
00:45:29,760 --> 00:45:32,400
Speaker 3: I appreciate it, Neil. So I hope you all enjoyed

554
00:45:32,440 --> 00:45:35,079
the State Sporo Blues, and I would strongly advise or

555
00:45:35,119 --> 00:45:39,159
recommend that you folks out there give a listen to

556
00:45:39,280 --> 00:45:42,159
some of the previous versions. I would start with the

557
00:45:42,440 --> 00:45:44,800
nineteen twenty eight version, and you can hear some of

558
00:45:44,840 --> 00:45:48,800
the guitar on there and kind of hear the sound

559
00:45:48,880 --> 00:45:53,280
of the twenties, and I think also that version, you

560
00:45:53,360 --> 00:45:55,559
can really I think it was a little ahead of

561
00:45:55,559 --> 00:45:58,039
its time. When I listened to the twenty eight version,

562
00:45:58,440 --> 00:46:00,800
and then I listened to the to the sixty eight

563
00:46:00,880 --> 00:46:04,320
and again, you know, and the seventy one version. I

564
00:46:04,719 --> 00:46:09,760
just the sound, the sound didn't seem to fit the twenties,

565
00:46:10,599 --> 00:46:13,639
and it apparent and so it was one of those

566
00:46:13,719 --> 00:46:19,360
things that I found interesting and just interesting from a

567
00:46:19,440 --> 00:46:24,559
historical perspective, that the song itself didn't fit the timeframe

568
00:46:24,639 --> 00:46:27,599
that it was created in and it grew into so

569
00:46:27,760 --> 00:46:30,960
many different directions, so I hope you all enjoyed.

570
00:46:31,159 --> 00:46:33,199
Speaker 2: Yeah, that was a good work. All right, thanks John.

571
00:46:33,800 --> 00:46:35,920
We're gonna take another real quick break and we have

572
00:46:36,239 --> 00:46:38,119
two more picks coming up, so stick around. We'll be

573
00:46:38,199 --> 00:46:40,880
right back. Hudson Riverradio dot Com.

574
00:46:48,039 --> 00:46:51,199
Speaker 1: Hudson Riverradio dot Com.

575
00:46:52,960 --> 00:46:54,719
Speaker 2: All right, Mercedes, I don't know if I should be

576
00:46:54,760 --> 00:46:56,239
scared or not, but it's your turn.

577
00:46:57,679 --> 00:46:59,840
Speaker 7: You should be so scared right now?

578
00:47:00,960 --> 00:47:01,440
Speaker 6: Fair enough.

579
00:47:02,119 --> 00:47:04,960
Speaker 7: So I had a couple songs and I couldn't decide

580
00:47:04,960 --> 00:47:05,679
which one to pick.

581
00:47:05,880 --> 00:47:06,320
Speaker 6: So I.

582
00:47:07,800 --> 00:47:10,119
Speaker 7: Called Neil and I asked him which one was like

583
00:47:10,199 --> 00:47:13,239
a deeper cut, and he said he didn't know either one.

584
00:47:13,679 --> 00:47:16,320
So I knew I had something nice.

585
00:47:16,679 --> 00:47:18,159
Speaker 6: You had me stomped nice.

586
00:47:20,199 --> 00:47:24,159
Speaker 7: So full confession. I know little about Todd Rudgren who

587
00:47:24,239 --> 00:47:27,039
wrote my song. Sure, I know the songs. Hello, it's me.

588
00:47:27,440 --> 00:47:31,039
I saw the light, bang the drum all day. Can

589
00:47:31,079 --> 00:47:33,880
we still be friends? And I know this story straight

590
00:47:33,920 --> 00:47:37,639
from Wikipedia. Vun Gren began a relationship with model B B.

591
00:47:37,800 --> 00:47:42,400
Buell in nineteen seventy two, and during a break in

592
00:47:42,480 --> 00:47:46,880
their relationship, Buell had a brief relationship with aerosmith Stephen Tyler,

593
00:47:46,960 --> 00:47:52,199
which resulted in a pregnancy. Buell gave birth to Liv Tyler,

594
00:47:53,239 --> 00:47:57,559
who's now an actress, on July first, nineteen seventy seven.

595
00:47:58,320 --> 00:48:01,880
Buell initially claimed that run was the biological father and

596
00:48:02,000 --> 00:48:05,639
name the child Lived run Gren. Shortly after Live's birth,

597
00:48:05,800 --> 00:48:09,559
run Gren and Buell ended their romantic relationship, but Rudgren

598
00:48:09,760 --> 00:48:14,519
remained committed to Live and good for him. At age eleven,

599
00:48:15,000 --> 00:48:20,320
Live learned that her biological father was Stephen Tyler. So,

600
00:48:20,400 --> 00:48:22,239
I don't know if you know that knew that story,

601
00:48:22,400 --> 00:48:25,400
but it's kind of well.

602
00:48:25,440 --> 00:48:29,599
Speaker 6: I know about so.

603
00:48:30,000 --> 00:48:31,679
Speaker 1: I know that, but not a lot more.

604
00:48:32,039 --> 00:48:35,199
Speaker 7: I have many friends who are absolutely crazy about him,

605
00:48:35,239 --> 00:48:39,239
but I just didn't get like the mainstream songs. I

606
00:48:39,400 --> 00:48:43,079
did have the CD of Something Anything, which was an

607
00:48:43,159 --> 00:48:45,800
album and his third album, and found a few songs

608
00:48:45,840 --> 00:48:47,960
that I loved on it, but that no one ever

609
00:48:48,079 --> 00:48:51,079
talked about. And maybe they all have better taste than

610
00:48:51,119 --> 00:48:54,079
I have. I have no idea. Something Anything is a

611
00:48:54,159 --> 00:48:57,719
double record with four sides, released in nineteen seventy two.

612
00:48:58,280 --> 00:49:01,719
On the fourth side are three kind of what I

613
00:49:01,840 --> 00:49:06,079
would think of as throwaway songs. They are piss Aaron,

614
00:49:06,880 --> 00:49:11,880
you Left Me Sore and slut and I love all

615
00:49:12,000 --> 00:49:13,159
three of these songs.

616
00:49:13,320 --> 00:49:15,360
Speaker 6: So that's a trilogy right there.

617
00:49:15,840 --> 00:49:19,599
Speaker 7: It really is. I was gonna use piss Aaron, which

618
00:49:19,719 --> 00:49:22,480
is run Grin telling a coming of age story with

619
00:49:22,800 --> 00:49:27,000
copious bodily fluids for my song today, but I went

620
00:49:27,079 --> 00:49:29,239
back and listened to You left Me sore and it

621
00:49:29,320 --> 00:49:34,199
made me laugh, and that's what I'm doing. Sorry, So

622
00:49:34,639 --> 00:49:38,880
make sure. Maybe this is not a deep cut to

623
00:49:38,960 --> 00:49:41,880
a lot of people. Really, I have absolutely no idea.

624
00:49:41,960 --> 00:49:44,639
It feels like a deep cut to me. So one

625
00:49:44,679 --> 00:49:47,119
thing I do want to say about piss Erin, though,

626
00:49:47,440 --> 00:49:49,760
is that when I was looking it up, because I

627
00:49:49,880 --> 00:49:53,000
did start to research it, I found a cover. Yeah,

628
00:49:53,519 --> 00:49:59,000
a cover of piss Erin by the cold Bin Brothers

629
00:49:59,079 --> 00:50:05,559
from twenty twenty twenty five. It is actually grosser than

630
00:50:05,639 --> 00:50:08,840
the original because of the sound effects. Oh no, so

631
00:50:09,039 --> 00:50:14,079
let's just leave it at that. Hilarious that somebody covered it. Though,

632
00:50:14,239 --> 00:50:17,400
each side of the LP are described in the liner notes,

633
00:50:17,480 --> 00:50:20,519
the first side of the album as a bouquet of

634
00:50:20,719 --> 00:50:25,480
ear catching melodies, the second side as the cerebral side,

635
00:50:26,039 --> 00:50:29,280
the third side as the Kid Gets Heavy, and the

636
00:50:29,400 --> 00:50:32,480
fourth is titled Baby Needs a New Pair of Snakeskin

637
00:50:32,639 --> 00:50:37,079
Boots a pop opera run. Grin played every instrument and

638
00:50:37,239 --> 00:50:41,519
sang every song on the first three sides of Something Anything.

639
00:50:42,280 --> 00:50:45,360
He decided to record the entire album by himself using

640
00:50:45,480 --> 00:50:48,639
multi tracking. He wrote the material for the album at

641
00:50:48,679 --> 00:50:53,159
a prolific rate. He attributed to his productivity to Ridlin

642
00:50:53,360 --> 00:50:57,400
and cannabis, stating that the drugs caused me to crank

643
00:50:57,480 --> 00:51:01,679
out songs at an incredible pace. You found some some

644
00:51:01,840 --> 00:51:04,119
of the other songs quick to write two, noting they

645
00:51:04,159 --> 00:51:07,760
were basically starting out with C major seventh and I'd

646
00:51:07,840 --> 00:51:11,719
start moving my hand around in a predicted, predictable patterns

647
00:51:11,800 --> 00:51:17,719
until a song came out. The fourth side is completely

648
00:51:17,760 --> 00:51:22,639
different and includes other musicians. There is Rick Darringer on guitar,

649
00:51:23,119 --> 00:51:28,920
the Brecker Brothers, Randy Brecker and Michael Brecker on Hello,

650
00:51:29,039 --> 00:51:35,440
It's Me and Dustin the Wind, Barry Rogers, Mark Moogie, Klingman,

651
00:51:36,960 --> 00:51:39,199
a bunch of other people that I didn't I didn't

652
00:51:39,239 --> 00:51:43,199
really know. Should I tell you anyway? Brian, I feel

653
00:51:43,239 --> 00:51:46,239
like you're gonna know all these people keep going see

654
00:51:47,840 --> 00:51:55,760
John Ciomos, John Siegler, Amos, Garrett Ben Keith, Billy Mundy,

655
00:51:56,639 --> 00:52:04,039
Tony and Hunt Sales, Rick Veto Edward James Almos, who

656
00:52:04,320 --> 00:52:07,920
is a Mexican actor and director in his best known

657
00:52:08,079 --> 00:52:12,000
roles as Detective Gaff in Blade Runner from nineteen eighty two,

658
00:52:14,719 --> 00:52:18,360
So that's interesting. He was also in Miami Vice, the

659
00:52:18,599 --> 00:52:23,480
reboot of Miami Vice, and he was the half high

660
00:52:23,480 --> 00:52:26,760
school math teacher in Stand and Deliver from nineteen to

661
00:52:26,840 --> 00:52:36,239
eighty eight. And he also was William Adam Mama Adam

662
00:52:36,800 --> 00:52:43,400
in the reimagined Battlestary Galactica. Thank You, I knew you'd know,

663
00:52:45,400 --> 00:52:52,800
Robbie Cogele, Stu Wood's Bugsy, Majean Dint Witty, Jim Horn,

664
00:52:53,800 --> 00:52:58,000
and some of the background vocals are Vicki Robinson from

665
00:52:58,519 --> 00:53:03,199
Turn the Beat Around and more that I also didn't know.

666
00:53:04,360 --> 00:53:05,360
Speaker 2: So that's a lot.

667
00:53:07,000 --> 00:53:09,199
Speaker 7: So let's hear my deep cut.

668
00:53:10,519 --> 00:53:12,239
Speaker 1: Is infectious.

669
00:53:15,880 --> 00:53:28,480
Speaker 19: One three four please one two one two three four infectious.

670
00:53:29,559 --> 00:53:33,480
Speaker 1: I was a victim tarmers Hey suit.

671
00:53:35,400 --> 00:53:36,159
Speaker 15: But still on.

672
00:53:39,360 --> 00:53:44,079
Speaker 1: Doctor Moness. Good job jigging me.

673
00:53:52,400 --> 00:53:52,679
Speaker 5: Use the.

674
00:54:00,480 --> 00:54:01,079
Speaker 1: Best meal.

675
00:54:02,360 --> 00:54:10,199
Speaker 13: I don't be baby, because you read the episode. You

676
00:54:10,519 --> 00:54:16,039
didn't sell me and I didn't ask, so there's nobody

677
00:54:16,239 --> 00:54:18,920
that you think you still.

678
00:54:19,119 --> 00:54:26,679
Speaker 1: I don't no play second go thatdnes you really the

679
00:54:26,960 --> 00:54:36,960
bad goes you left mesode.

680
00:54:38,599 --> 00:54:48,960
Speaker 11: Really mess me? Of sure, I don't maybe because you read.

681
00:54:49,480 --> 00:54:51,079
Speaker 1: The episode.

682
00:55:01,599 --> 00:55:02,559
Speaker 6: No no.

683
00:55:05,159 --> 00:55:10,239
Speaker 1: Good ever comes problem one that stand.

684
00:55:12,519 --> 00:55:25,719
Speaker 4: So really you left me? So you're really an episode

685
00:55:25,840 --> 00:55:33,119
and you missed me of shu A don't maybe.

686
00:55:32,880 --> 00:55:45,400
Speaker 1: Because you read episode you read you le besot really empasode.

687
00:55:47,639 --> 00:55:52,519
Speaker 4: You missed me I shu I don't baby because you

688
00:55:52,679 --> 00:55:54,679
read episode.

689
00:56:09,320 --> 00:56:14,760
Speaker 7: This has been described as a cheerful, cheerfully lilting song

690
00:56:14,920 --> 00:56:20,360
about venereal disease. So I don't know if y'all caught

691
00:56:20,400 --> 00:56:24,480
all the words, but it's hilarious. It's really funny. It

692
00:56:24,679 --> 00:56:27,360
really is, I think, a really clever If you're.

693
00:56:27,239 --> 00:56:31,320
Speaker 6: The listener not the singer, well yeah, but yeah, I

694
00:56:31,400 --> 00:56:33,679
mean there was like a double one tendre in there.

695
00:56:33,679 --> 00:56:39,400
Speaker 7: Is very much so oh so I love the banter

696
00:56:39,559 --> 00:56:42,800
between the songs, and actually sometimes during the songs that

697
00:56:43,079 --> 00:56:47,440
makes me laugh really hard. So let's talk about Todd Rundgren.

698
00:56:48,039 --> 00:56:52,400
Rundgrid is a musician, singer, songwriter, and record producer, and

699
00:56:52,639 --> 00:56:56,159
some of his credits as record producer include Bad Fingers

700
00:56:56,280 --> 00:56:59,599
Straight Up. From nineteen seventy one, Grand Funk Railroads were

701
00:56:59,599 --> 00:57:02,559
in a Mayor Band from nineteen seventy three, The New

702
00:57:02,639 --> 00:57:06,760
York Dolls New York Dolls nineteen seventy three, Meat Loaves,

703
00:57:06,840 --> 00:57:11,159
Bad out of Hell nineteen seventy seven, and XTC's Skylarking

704
00:57:11,239 --> 00:57:16,519
from nineteen eighty six, really really brilliant stuff. He produced

705
00:57:16,679 --> 00:57:19,159
Meat Loaves, Bad out of Hell because he thought the

706
00:57:19,280 --> 00:57:21,679
songs were a parody of Bruce Springsteen.

707
00:57:25,880 --> 00:57:29,199
Speaker 8: I will never be able to hear the album same

708
00:57:29,280 --> 00:57:29,920
way I got now.

709
00:57:31,480 --> 00:57:34,119
Speaker 7: He was signed on to produce Janis Joplin's third and

710
00:57:34,320 --> 00:57:37,840
ultimately final album, Pearl, in nineteen seventy one, but Plants

711
00:57:37,920 --> 00:57:40,280
fell through because they could not get along with each other.

712
00:57:41,320 --> 00:57:44,119
I am learning along with y'all or maybe you know

713
00:57:44,239 --> 00:57:47,199
this already, and it is making me think I should

714
00:57:47,239 --> 00:57:49,679
not have given up my tickets to his as show

715
00:57:49,960 --> 00:57:53,639
that I didn't go to. He is now a solo artist,

716
00:57:53,719 --> 00:57:56,840
but it has also played with the band's Utopia and

717
00:57:57,079 --> 00:58:02,880
Naz I was gonna have mentioned something about that his

718
00:58:03,119 --> 00:58:08,440
music swings from sophisticated to unorthodox, as we've just heard.

719
00:58:09,079 --> 00:58:11,440
On top of all this, he's kind of a genius.

720
00:58:11,559 --> 00:58:15,519
It seems this is straight from Wikipedia. Okay, Rudgren is

721
00:58:15,639 --> 00:58:19,960
considered a pioneer in the fields of electronic music, progressive

722
00:58:20,079 --> 00:58:25,840
rock music, videos, computer software, and internet music delivery. He

723
00:58:26,079 --> 00:58:30,320
organized the first interactive television concert in nineteen seventy eight,

724
00:58:30,880 --> 00:58:34,559
designed the first color graphics tablet in nineteen eighty, and

725
00:58:34,800 --> 00:58:38,920
created the first interactive album, No World Order in nineteen

726
00:58:39,039 --> 00:58:41,719
ninety three. And now, I don't know the descriptions for

727
00:58:41,960 --> 00:58:45,960
any of those, but it sounds insane to me. He

728
00:58:46,079 --> 00:58:47,960
was inducted to the Rock and Roll Hall of Fame

729
00:58:48,079 --> 00:58:50,760
in twenty twenty one, but decided to attend this not

730
00:58:50,920 --> 00:58:54,079
to attend the ceremony because he said he was busy

731
00:58:54,159 --> 00:58:58,000
banging on the drum all day. He even scheduled to

732
00:58:58,079 --> 00:59:00,159
show for that same night to make sure that he

733
00:59:00,159 --> 00:59:04,440
wouldn't be tempted to go. So clearly, Rungren marches to

734
00:59:04,800 --> 00:59:09,320
the beat of his own drum and Neil, what we're

735
00:59:09,360 --> 00:59:09,800
going to say?

736
00:59:11,360 --> 00:59:12,679
Speaker 1: They so cut you off.

737
00:59:14,320 --> 00:59:16,519
Speaker 6: I seem to remember there was some other band that

738
00:59:16,599 --> 00:59:20,280
had the name the Naz Did you ever hear of that?

739
00:59:20,519 --> 00:59:25,440
Mercedes Alice Cooper's band. Oh that's who it was, Yes, Yes,

740
00:59:26,519 --> 00:59:31,239
yes I did. I thought you might have. And they

741
00:59:31,360 --> 00:59:33,559
had to they had to change their name to Alice

742
00:59:33,760 --> 00:59:37,920
Cooper because Todd already had the nas.

743
00:59:38,440 --> 00:59:40,920
Speaker 7: Yeah. Yeah, so they had to come up with something

744
00:59:41,039 --> 00:59:43,599
quick and name than Alice Cooper.

745
00:59:45,360 --> 00:59:47,159
Speaker 6: You know, just ask the Ouiji board and there it

746
00:59:47,320 --> 00:59:50,440
is exactly there you go.

747
00:59:51,559 --> 00:59:57,480
Speaker 9: You go before bands choose a name, did they not research?

748
00:59:57,960 --> 01:00:00,679
Speaker 2: There's well, I guess there was much. I still look

749
01:00:00,760 --> 01:00:02,719
things up now you google it. Now you have to

750
01:00:02,760 --> 01:00:05,360
hire a lawyer before you publish a song.

751
01:00:06,039 --> 01:00:09,800
Speaker 6: There's websites that have every name that's ever been used. Ever,

752
01:00:10,000 --> 01:00:13,880
I think, yeah, not so well yeah now, yeah, not

753
01:00:14,079 --> 01:00:16,480
so when back in the late sixties.

754
01:00:16,679 --> 01:00:21,119
Speaker 7: So yeah, awesome, if you had a chance, you should.

755
01:00:21,199 --> 01:00:23,840
You should really listen to the song Kiss Aaron and

756
01:00:23,960 --> 01:00:27,760
also Slut because they're so good, so fun.

757
01:00:28,039 --> 01:00:30,199
Speaker 2: All right, it sounds like a good night to get

758
01:00:30,239 --> 01:00:32,679
the family together and gather around the old church table.

759
01:00:33,920 --> 01:00:37,440
Speaker 6: Okay, maybe not all right, maybe not right after Bible

760
01:00:37,480 --> 01:00:38,199
study class?

761
01:00:38,280 --> 01:00:42,079
Speaker 2: Yeah maybe before, maybe before, so you can get that

762
01:00:42,159 --> 01:00:43,320
good deep cleanse after.

763
01:00:44,599 --> 01:00:49,760
Speaker 9: I still when I read somewhere that at his home church,

764
01:00:50,320 --> 01:00:54,800
Alice Cooper teaches Bible study and you guys, knowing that

765
01:00:54,880 --> 01:00:59,559
I'm a church lady, I can't I that would make

766
01:00:59,719 --> 01:01:05,519
my jay see how he leads a Bible studying.

767
01:01:07,320 --> 01:01:13,000
Speaker 8: You should go. I think I would be distracted, like

768
01:01:13,960 --> 01:01:16,079
I can't believe Alice Cooper is teaching me.

769
01:01:16,199 --> 01:01:17,519
Speaker 7: I'd be running up the aisle.

770
01:01:17,960 --> 01:01:28,079
Speaker 2: Hey, oh gosh, all right, yeah, starting to think some

771
01:01:28,159 --> 01:01:29,920
of the crambones shouldn't be let out in public.

772
01:01:33,119 --> 01:01:37,679
Speaker 6: Yeah all right, So I.

773
01:01:38,360 --> 01:01:40,880
Speaker 2: Clearly misunderstood the assignment, and I think I'm going to

774
01:01:40,920 --> 01:01:43,960
get in trouble with the crambones tonight. But I am

775
01:01:44,039 --> 01:01:49,639
not watching that Cat's musical again, So whatever that ain't happening.

776
01:01:49,800 --> 01:01:54,360
I'll just tell you that. So I've discussed before, you

777
01:01:54,440 --> 01:01:57,679
know several past lives ago. I was a paramedic, and

778
01:01:57,840 --> 01:02:01,079
when you say a deep cut to a paramedic, they

779
01:02:01,159 --> 01:02:06,320
think something else. They're thinking more laceration or the medical

780
01:02:06,400 --> 01:02:07,159
term is booboo.

781
01:02:08,639 --> 01:02:09,320
Speaker 8: Oh my god.

782
01:02:11,360 --> 01:02:15,199
Speaker 2: So well, what do we often put on top of

783
01:02:15,280 --> 01:02:19,760
a booboo to keep it from getting infected? Band Aid?

784
01:02:20,440 --> 01:02:24,239
You may may remember a jingle from the band Aid commercials,

785
01:02:24,280 --> 01:02:25,800
which we're going to get to it a little bit

786
01:02:27,599 --> 01:02:30,159
other than Neil, does anybody have any idea who wrote

787
01:02:30,199 --> 01:02:31,239
the band aid jingle?

788
01:02:31,920 --> 01:02:34,480
Speaker 6: Before we listen, you went deep on this didn't you

789
01:02:35,599 --> 01:02:36,360
You've got me here?

790
01:02:37,239 --> 01:02:41,719
Speaker 2: Really, I thought you were just going to drop the

791
01:02:41,760 --> 01:02:42,320
ball like that.

792
01:02:42,800 --> 01:02:44,800
Speaker 8: I just lost all the color in my face. I

793
01:02:44,880 --> 01:02:46,199
don't even know what's coming.

794
01:02:46,239 --> 01:02:46,639
Speaker 1: All right.

795
01:02:47,760 --> 01:02:50,320
Speaker 2: No band Aid jingle, which will sound familiar to you

796
01:02:50,400 --> 01:02:52,719
when we listened to it later, was written by none

797
01:02:52,800 --> 01:02:54,840
other than Barry Manilow.

798
01:02:58,519 --> 01:03:03,440
Speaker 6: Lot I think I no, yeah, okay, okay, go ahead.

799
01:03:03,840 --> 01:03:07,119
Speaker 2: So Barry is from Brooklyn, New York. He is now

800
01:03:07,320 --> 01:03:11,639
eighty two years old. Well, the main chassis is eighty

801
01:03:11,679 --> 01:03:16,239
two years old. The other parts have been updated and

802
01:03:16,440 --> 01:03:18,480
you know, firmware updates and all that kind of stuff.

803
01:03:19,760 --> 01:03:23,639
He was born Barry Allen Kelleher. His father was a

804
01:03:23,679 --> 01:03:28,239
truck driver of Irish descent, and his mom, Edna Manilo,

805
01:03:28,559 --> 01:03:34,079
Irish on the father's side. Yep. His mom, Edna Manilo,

806
01:03:34,559 --> 01:03:38,119
was from a Russian Jewish family. His parents split when

807
01:03:38,159 --> 01:03:40,679
he was a baby, and it was clearly not a

808
01:03:40,760 --> 01:03:43,760
good split because Edna insisted that Barry's last name be

809
01:03:43,920 --> 01:03:49,159
changed to Pinkus, after an old uncle.

810
01:03:50,400 --> 01:03:54,440
Speaker 9: I was gonna say, I actually knew people, or knew

811
01:03:54,559 --> 01:03:58,599
of people in town when I was little, and that

812
01:03:58,760 --> 01:03:59,559
was their last name.

813
01:03:59,719 --> 01:04:01,960
Speaker 8: Yep, I've heard of that as a first name. I've

814
01:04:02,039 --> 01:04:03,199
never heard of it as the last name.

815
01:04:03,320 --> 01:04:05,119
Speaker 2: Yeah, so I think it was the uncle's first name.

816
01:04:05,119 --> 01:04:07,239
I'm not one hundred percent sure, but I just think

817
01:04:07,360 --> 01:04:09,760
his mom wanted to make sure his dad's name was

818
01:04:10,360 --> 01:04:11,400
off the paperwork.

819
01:04:12,119 --> 01:04:15,960
Speaker 7: Was that the famous detective agency?

820
01:04:16,800 --> 01:04:22,159
Speaker 2: Yes, oh yeah, you're right, you're right, You're right, you're right.

821
01:04:22,760 --> 01:04:22,960
Speaker 6: Yep.

822
01:04:23,639 --> 01:04:25,760
Speaker 2: All right, So his name was Pinkus for a little while,

823
01:04:25,840 --> 01:04:27,800
and then a few weeks before his bar Mitzvah, his

824
01:04:27,920 --> 01:04:31,440
grandfather changed his last name to his mom's maiden name

825
01:04:31,559 --> 01:04:35,000
of Mattelow, which is how we know him. So Barry

826
01:04:35,039 --> 01:04:40,719
Madelow the original parts. Mattelow wanted to study music. He

827
01:04:40,920 --> 01:04:43,639
got a job in the mail room at CBS in

828
01:04:43,760 --> 01:04:46,440
New York City to help pay for tuition and all

829
01:04:46,440 --> 01:04:53,519
of his expenses. Excuse me is the season, and he

830
01:04:53,719 --> 01:04:59,719
soon became known as the piano playing male boy. Okay.

831
01:05:00,440 --> 01:05:03,480
He took night classes at the New York College of Music,

832
01:05:03,679 --> 01:05:07,920
which later merged with NYU, and then he transferred to Juilliard,

833
01:05:08,000 --> 01:05:10,000
which bad. I didn't know. I didn't know he went

834
01:05:10,000 --> 01:05:10,599
to Juilliard.

835
01:05:10,679 --> 01:05:10,880
Speaker 6: Yeah.

836
01:05:12,119 --> 01:05:14,960
Speaker 2: One benefit of working at CBS was that he could

837
01:05:15,039 --> 01:05:19,079
use their rehearsal space, which had full sized Yamaha Grand

838
01:05:19,119 --> 01:05:21,559
pianos that he got to play as opposed to the

839
01:05:21,639 --> 01:05:24,599
little upright piano that his stepfather actually bought for him

840
01:05:25,039 --> 01:05:28,280
back at the apartment. So he would work days in

841
01:05:28,280 --> 01:05:31,280
the mailroom, he would take evening classes at Juilliard, he

842
01:05:31,320 --> 01:05:33,800
would play in the rehearsal space, and he would play

843
01:05:33,880 --> 01:05:38,480
piano in bars at night around New York City. Excuse me.

844
01:05:39,400 --> 01:05:42,159
He got promoted to file clerk at CBS, which is

845
01:05:42,239 --> 01:05:46,119
not just paper files. That is like tapes and recordings

846
01:05:46,320 --> 01:05:50,559
and like legit stuff, putting your hands on historical broadcasts

847
01:05:50,559 --> 01:05:52,000
and all that kind of stuff. So that was actually

848
01:05:52,000 --> 01:05:56,440
a big promotion, and that started to give him connections

849
01:05:56,519 --> 01:06:00,079
to be an accompanist to other artists playing piano. The

850
01:06:03,280 --> 01:06:07,639
boy I'm gonna have to do some editing here. In

851
01:06:07,800 --> 01:06:10,840
nineteen sixty four, CBS asked him to arrange a few

852
01:06:10,920 --> 01:06:14,840
songs for a musical version of a play titled The Drunkard,

853
01:06:15,320 --> 01:06:17,280
which is actually a melodrama, even though it sounds like

854
01:06:17,360 --> 01:06:18,199
it should be a comedy.

855
01:06:18,440 --> 01:06:20,079
Speaker 6: I think it's my autobiography.

856
01:06:20,280 --> 01:06:24,519
Speaker 2: It could be maybe it was you. Instead of a

857
01:06:24,559 --> 01:06:26,760
few songs, he took it upon himself to write an

858
01:06:27,000 --> 01:06:30,599
entire score for the musical, which CBS actually liked. They

859
01:06:30,719 --> 01:06:33,199
used it, and it also wound up having an eight

860
01:06:33,440 --> 01:06:37,039
year run off Broadway in New York City, not bad

861
01:06:37,199 --> 01:06:40,400
for the first big project out of the gate. He

862
01:06:40,559 --> 01:06:42,360
was then allowed to take leave and he went on

863
01:06:42,440 --> 01:06:44,679
the road as part of a band. By the time

864
01:06:44,760 --> 01:06:47,440
he got back, CBS then asked him to be the

865
01:06:47,559 --> 01:06:51,320
music director of a new show called Callback, which featured

866
01:06:51,519 --> 01:06:54,760
new artists, young and up and coming kind of musicians

867
01:06:54,800 --> 01:06:58,440
and all that. This was nineteen sixty seven. Then they

868
01:06:58,480 --> 01:07:00,599
asked him to arrange a new theme song and do

869
01:07:00,719 --> 01:07:05,280
some music work for the At Sullivan Show. So he's

870
01:07:05,360 --> 01:07:07,280
working hard. He paid his dues, I'll give him that.

871
01:07:08,480 --> 01:07:12,119
In nineteen sixty nine, he was signed as a musician

872
01:07:12,199 --> 01:07:15,920
as a performer to Columbia CBS Music, and he would

873
01:07:15,960 --> 01:07:17,920
go on to write and perform a ton of hits.

874
01:07:20,679 --> 01:07:25,519
Gay he was composing for television, and then he moved

875
01:07:25,559 --> 01:07:30,199
into writing commercial jingles. In an interview, Barry Manilowe said,

876
01:07:30,400 --> 01:07:34,199
I learned the most about music working in the jingle industry.

877
01:07:34,360 --> 01:07:36,639
It was the best music college I could ever imagine.

878
01:07:37,039 --> 01:07:39,000
What I learned most of all in my jingle days

879
01:07:39,119 --> 01:07:42,000
was how to write a catchy melody, which is true

880
01:07:42,039 --> 01:07:44,000
because you listen to a lot of his stuff. That's

881
01:07:44,280 --> 01:07:49,639
it's the earworm kind of stuff, you know. He wrote

882
01:07:49,639 --> 01:07:53,199
a lot of jingles. He wrote a jingle called Feeling

883
01:07:53,280 --> 01:07:57,239
Free for PEPSI. He wrote one called the Bathroom Bowl

884
01:07:57,400 --> 01:08:00,639
Blues for the Green Bowling It Cleaner.

885
01:08:01,719 --> 01:08:03,719
Speaker 1: Oh boy, uh huh uh.

886
01:08:03,880 --> 01:08:06,320
Speaker 2: Let me play you one from nineteen seventy seven, because

887
01:08:06,320 --> 01:08:08,039
this one will probably sound familiar to you.

888
01:08:08,159 --> 01:08:11,639
Speaker 1: I drink Doctor Pemper, and I'm brown. I used to

889
01:08:11,719 --> 01:08:14,320
be alone in a crowd, but.

890
01:08:14,440 --> 01:08:17,800
Speaker 14: Now you look around home these days, this seems to

891
01:08:17,880 --> 01:08:19,399
be a doctor Pepper craze.

892
01:08:20,479 --> 01:08:24,000
Speaker 1: I'm a bemper. He's a beper, she's aper apper. Wouldn't

893
01:08:24,000 --> 01:08:25,119
you like to be a bemper?

894
01:08:25,199 --> 01:08:25,359
Speaker 2: Two?

895
01:08:26,640 --> 01:08:29,439
Speaker 1: I'm a bember. He's a pepper. She's a pepper. If

896
01:08:29,439 --> 01:08:34,079
you drink doctor Pepper, you're a pepper. Two, as bempers

897
01:08:34,119 --> 01:08:38,560
are an interesting bream. An original taste is what we need.

898
01:08:39,840 --> 01:08:44,359
Speaker 17: Asking a pepper an of sea only doctor Pepper taste

899
01:08:44,439 --> 01:08:44,960
that way.

900
01:08:45,960 --> 01:08:48,640
Speaker 1: I'm a member, he's a Pepper's a member? Ware a

901
01:08:48,720 --> 01:08:52,840
pepper would you like to be a two from a member?

902
01:08:52,960 --> 01:08:55,560
He's a Veber's a beer where a member? Would you

903
01:08:55,720 --> 01:08:56,680
like to be a member?

904
01:08:56,760 --> 01:08:56,920
Speaker 16: Two?

905
01:08:57,159 --> 01:08:59,960
Speaker 1: Be amber Dream Doctor Pemper, Come.

906
01:09:06,039 --> 01:09:07,840
Speaker 2: All right, Doctor Pepper didn't pay for that, so they

907
01:09:07,920 --> 01:09:08,840
have to send us a case.

908
01:09:09,279 --> 01:09:12,119
Speaker 6: But oddly enough, I feel like having a Dr Pepper

909
01:09:12,199 --> 01:09:12,520
right now.

910
01:09:12,600 --> 01:09:15,119
Speaker 2: I want to go earworm right even back day, I

911
01:09:15,239 --> 01:09:21,199
am not. But he that melody, that jingle that would

912
01:09:21,199 --> 01:09:23,760
stick in your head side note that was sung and

913
01:09:23,840 --> 01:09:26,560
performed in the commercial by David Naughton, who would go

914
01:09:26,680 --> 01:09:27,800
on to an.

915
01:09:27,640 --> 01:09:30,399
Speaker 7: American werewolf werewolf in London.

916
01:09:30,640 --> 01:09:36,199
Speaker 2: Yeah, Barry wrote you deserve a break today at McDonald's.

917
01:09:36,680 --> 01:09:39,199
You may remember, even though he says he only tried.

918
01:09:39,640 --> 01:09:42,119
He says he tried McDonald's once, which in my opinion

919
01:09:42,199 --> 01:09:45,680
is one too many, But you do you. He was

920
01:09:46,000 --> 01:09:49,239
also hired to sing on jingles written by himself and others,

921
01:09:49,279 --> 01:09:52,199
including Randy Newman, who was big in the jingle industry

922
01:09:52,239 --> 01:09:55,680
at the time. He jokingly said that his greatest hit

923
01:09:56,359 --> 01:09:59,079
is the state Farm jingle, which he wrote in nineteen

924
01:09:59,119 --> 01:10:01,760
seventy one. You know a good neighbor state farm is there?

925
01:10:02,079 --> 01:10:04,920
He wrote that one take a while guess how much

926
01:10:04,960 --> 01:10:07,039
money he made off of that over his career.

927
01:10:07,720 --> 01:10:16,239
Speaker 6: Ten cents anybody else, I would say, jingle writing is

928
01:10:16,279 --> 01:10:17,520
actually pretty lucrative.

929
01:10:18,359 --> 01:10:22,439
Speaker 2: Million Okay, Neil, you want to throw a number out there,

930
01:10:26,359 --> 01:10:26,640
I'll go.

931
01:10:26,720 --> 01:10:28,560
Speaker 6: For a million. Yeah. I mean, you know you could

932
01:10:28,680 --> 01:10:33,239
you could live very comfortably on the royalties from jingle writing.

933
01:10:33,399 --> 01:10:35,000
Speaker 2: Well, that depends because he.

934
01:10:35,079 --> 01:10:38,439
Speaker 6: Got it if you signed the right contract.

935
01:10:38,800 --> 01:10:41,439
Speaker 2: He got a five hundred dollars flat fee as a

936
01:10:41,520 --> 01:10:44,800
composer and that is it. And he made a joke

937
01:10:44,880 --> 01:10:47,439
that the woman who sang it is on her third

938
01:10:47,560 --> 01:10:52,000
rolls Royce because you get residuals as a performer, not

939
01:10:52,159 --> 01:10:54,000
as a composer when you're working.

940
01:10:53,880 --> 01:10:56,680
Speaker 6: For I was afraid that was going to be the

941
01:10:56,760 --> 01:10:58,359
you know the case that's.

942
01:10:58,399 --> 01:11:01,680
Speaker 2: Crazy Fred Bucks. And they're still using the jingle today.

943
01:11:01,800 --> 01:11:02,079
Speaker 1: Wow.

944
01:11:02,640 --> 01:11:05,520
Speaker 2: But in all fairness, he said that five hundred bucks

945
01:11:05,600 --> 01:11:06,800
was a lot of money back then and he was

946
01:11:06,840 --> 01:11:08,560
happy to get it. So he doesn't seem to be

947
01:11:08,640 --> 01:11:09,439
too bitter about it.

948
01:11:10,359 --> 01:11:13,880
Speaker 9: You know the spoof on that ad, right, No, like

949
01:11:14,000 --> 01:11:16,560
a good neighbor stay over there.

950
01:11:17,039 --> 01:11:20,159
Speaker 2: Oh that's fantastic. I agree.

951
01:11:20,279 --> 01:11:23,319
Speaker 6: I'll give you five hundred dollars not to sing that anymore.

952
01:11:27,039 --> 01:11:29,880
Speaker 7: So that brings us to galea Gale.

953
01:11:29,880 --> 01:11:31,760
Speaker 8: If you're going to sing spoofs, then you're gonna have

954
01:11:31,760 --> 01:11:34,239
to do it on the show. Oh, no problem, single,

955
01:11:34,359 --> 01:11:35,479
you want fair enough?

956
01:11:36,520 --> 01:11:36,840
Speaker 6: All right?

957
01:11:36,960 --> 01:11:39,680
Speaker 2: That brings us to nineteen seventy one, when he wrote

958
01:11:39,720 --> 01:11:43,479
the band Aid jingle stuck on band Aid. He got

959
01:11:43,520 --> 01:11:46,279
a Cleo Award for that. The Cleo Awards were started

960
01:11:46,319 --> 01:11:50,520
in nineteen fifty nine to recognize excellence in advertising. Also,

961
01:11:50,800 --> 01:11:55,039
you know, excellence in emptying people's wallets, I suppose. So

962
01:11:55,439 --> 01:11:58,760
here's my deep cut pick literally the band Aid jingle

963
01:11:58,840 --> 01:11:59,920
from nineteen seventy one.

964
01:12:00,640 --> 01:12:01,600
Speaker 1: I am saying.

965
01:12:05,079 --> 01:12:08,600
Speaker 11: I am stuck on band Aid because band Aid stuck

966
01:12:08,680 --> 01:12:09,039
on me.

967
01:12:14,000 --> 01:12:16,439
Speaker 6: I announcing an improved stay on it. He's a band

968
01:12:16,479 --> 01:12:18,920
Aid branded, he's a bandages from Johnson and Johnson.

969
01:12:19,239 --> 01:12:21,520
Speaker 14: You'll notice the difference because it stays on you better

970
01:12:21,600 --> 01:12:22,520
than anything else you.

971
01:12:22,520 --> 01:12:29,880
Speaker 2: Can buy anything. Again, very catchy, right, simple melody.

972
01:12:30,600 --> 01:12:33,319
Speaker 6: I want that announcer's voice. That's what I want.

973
01:12:33,399 --> 01:12:33,560
Speaker 1: Right.

974
01:12:33,840 --> 01:12:38,079
Speaker 2: Oh yeah, man, start smoking. I mean, don't don't actually

975
01:12:38,239 --> 01:12:39,760
do that, but you know that's.

976
01:12:41,239 --> 01:12:43,840
Speaker 6: No. I tried it. It didn't get me. That for us.

977
01:12:45,720 --> 01:12:49,159
Speaker 2: So, uh, Barry Manilow, he's still going. The amount of

978
01:12:49,199 --> 01:12:52,319
material he's put out, the number of tours he was on, residencies,

979
01:12:52,359 --> 01:12:55,880
TV specials, just way too much to cover now. Unfortunately,

980
01:12:56,000 --> 01:12:59,600
he's been undergoing treatment for lung cancer since last Christmas time.

981
01:12:59,640 --> 01:13:01,720
Last week inter but he seems to be on the mend.

982
01:13:02,199 --> 01:13:04,279
He had to postpone a bunch of tour dates, but

983
01:13:04,960 --> 01:13:07,920
as of now, he's on schedule to be back on

984
01:13:08,000 --> 01:13:10,880
stage by the end of March. Wow, so apparently.

985
01:13:10,640 --> 01:13:13,159
Speaker 8: Pretty does he still have a Vegas residency that?

986
01:13:13,399 --> 01:13:15,760
Speaker 2: Yeah, March I think starts to the Vegas Residency and

987
01:13:15,800 --> 01:13:19,000
he has other dates in between two. So I hate

988
01:13:19,039 --> 01:13:20,600
to admit it. As a kid, I would never go

989
01:13:20,720 --> 01:13:24,840
see him at this point, I would go, I go,

990
01:13:25,079 --> 01:13:27,079
the guy's been doing it for so long. He's clearly

991
01:13:27,159 --> 01:13:28,119
doing something right.

992
01:13:28,760 --> 01:13:31,880
Speaker 6: You know. So if I'm if I'm not mistaken, I think, well,

993
01:13:31,880 --> 01:13:34,840
at least one of the times I was in Vegas,

994
01:13:35,319 --> 01:13:39,439
he wasn't doing his show there at his residency, but

995
01:13:39,520 --> 01:13:43,199
it's the same room that Elvis did his so it

996
01:13:43,359 --> 01:13:46,439
was yeah, so he he kind of took over Elvis's

997
01:13:48,119 --> 01:13:49,479
his room so to speak.

998
01:13:49,520 --> 01:13:52,760
Speaker 2: Sure, cool, So there you go. I hope I'll be

999
01:13:52,840 --> 01:13:56,359
forgiven for misunderstanding the Actually.

1000
01:13:56,159 --> 01:14:00,319
Speaker 10: Taking the topic literally is the most briant thing I've

1001
01:14:00,359 --> 01:14:00,920
ever heard.

1002
01:14:02,039 --> 01:14:04,000
Speaker 6: He was going to say, I think it's pretty damn clever.

1003
01:14:04,800 --> 01:14:07,800
Speaker 1: I'm to say that that was a deep cut, Brian.

1004
01:14:07,880 --> 01:14:11,079
Speaker 2: All right, good, good, good good. So I skated through

1005
01:14:11,159 --> 01:14:14,840
this one. Excellent cool. Yeah, we'll keep you on, all right,

1006
01:14:15,920 --> 01:14:19,680
I appreciate it. Excellent cool. So I think that's my

1007
01:14:19,760 --> 01:14:21,800
cue to pull the plug before you all change your mind.

1008
01:14:23,199 --> 01:14:25,199
And yeah, so let's wrap it up. You guys have

1009
01:14:25,239 --> 01:14:28,119
anything to add before we skid outle for the night.

1010
01:14:28,880 --> 01:14:30,399
I think, uh, these were good.

1011
01:14:30,439 --> 01:14:30,840
Speaker 6: I like it.

1012
01:14:30,920 --> 01:14:32,680
Speaker 2: It's one of those topics that you could go in

1013
01:14:32,760 --> 01:14:34,560
any direction because I mean deep cuts.

1014
01:14:34,640 --> 01:14:37,319
Speaker 9: Is I really like topics like that?

1015
01:14:37,720 --> 01:14:37,920
Speaker 6: Yeah?

1016
01:14:38,199 --> 01:14:39,640
Speaker 9: Wait, they don't limit us.

1017
01:14:40,159 --> 01:14:42,680
Speaker 7: Yeah, I have a question. Okay, if you're talking about

1018
01:14:42,880 --> 01:14:48,039
doing deep cuts in your way, where do we go

1019
01:14:48,239 --> 01:14:48,680
from there?

1020
01:14:49,000 --> 01:14:53,279
Speaker 2: I don't know. We may have to revisit truckle back

1021
01:14:53,319 --> 01:14:55,880
on this one. All right, Well, thank you cram Bones

1022
01:14:55,920 --> 01:14:58,079
for your excellent selections, all the hard work, and thank

1023
01:14:58,119 --> 01:14:59,479
you all for joining us here for the rock and

1024
01:14:59,560 --> 01:15:02,039
roll history your show. Be sure to check out all

1025
01:15:02,079 --> 01:15:03,960
the other shows we do here at Hudson River Radio

1026
01:15:04,039 --> 01:15:07,640
because there is something for everybody. I think we're back

1027
01:15:07,680 --> 01:15:10,520
next week with another new episode. Pretty sure, don't know

1028
01:15:10,600 --> 01:15:12,159
what it's gonna be, but we'll figure it out as

1029
01:15:12,199 --> 01:15:14,720
we go along. Until then, have a great weekend, Thanks

1030
01:15:14,720 --> 01:15:16,760
again for joining us, and peace out.

1031
01:15:16,800 --> 01:15:17,239
Speaker 6: Everybody.

1032
01:15:20,520 --> 01:15:22,880
Speaker 15: Come a rock.

1033
01:15:22,800 --> 01:15:24,319
Speaker 3: Cop bottom it trum.

1034
01:15:26,720 --> 01:15:27,680
Speaker 16: Okay, Bye bye.

1035
01:15:29,600 --> 01:15:34,159
Speaker 2: Hudson River Radio dot com a subsidiary of Glacier Entertainment LLC,

1036
01:15:34,640 --> 01:15:37,680
potentially successful multi hundred dollars corporation