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Speaker 1: Wm NH will rip the novels.

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Speaker 2: This is Eleanor Langthorne from Vices, Inc. And you're listening

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to Matt Connorton Unleashed on ninety five point three w

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m n H.

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Speaker 3: Damsel and distress is what I do best.

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Speaker 4: Because I know where all the knives are.

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Speaker 3: Because I know where all the.

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Speaker 4: Knives are, unfinished business has already left scars because I

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know where all the knives are. Because I know where

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all the knives are. That's turned into lyrics like summer

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Spirits a wha.

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Speaker 5: Time.

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Speaker 6: Thoughts in the lyrics, tim thoughts in the lyrics.

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Speaker 4: They don't let them on you that you break you

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the only New york anemies life.

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Speaker 7: You've been.

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Speaker 4: Weakness, weakness say, held them close and kept them my secret.

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Speaker 7: Now I know where all the knives are.

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Speaker 6: Now I know where all the knives are.

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Speaker 4: Adrenaline taste, It's my territory.

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Speaker 7: I'll stake it.

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Speaker 4: Oh whoa, Now I know where are the knives are?

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Speaker 3: Now I know where all the knives are. You don't

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let them.

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Speaker 8: Bread the only New york An.

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Speaker 7: Armies lie.

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Speaker 9: In you.

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Speaker 6: Now I know where are the knives?

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Speaker 9: I am whoa?

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Speaker 1: Now I know where all the knives.

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Speaker 4: Are whoa.

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Speaker 7: Jimmy thoughts in the lyrics? Whoa jimmer thoughts in the lyrics?

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Speaker 1: Whoa now?

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Speaker 9: I know? Niere? Whoa now?

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Speaker 8: I know?

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Speaker 10: I do love that song that gets stuck in my

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head ever since the last time. We had Kate Shimkey

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from Darling Hill here with us in studio. Welcome everybody.

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It is Matt Connorton unleashed. We have entered our number

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two new Marrow dose on this Saturday morning. Jenny is

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here as well, of course at the news table. It

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is today's Saturday, February eight, two thy twenty five, and

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we have joining us now. So we did play earlier

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we did the radio premiere of the new track from

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Tyler Allgood, who is one of the fine people here

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with us in studio, and I'm who sorry, let me

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get rid of that. I don't know where that's coming from.

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I think I found it. Hi, Tyler, go ahead and

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say hello.

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Speaker 1: Hey everybody.

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Speaker 10: Nope, that Mike's why is it? I'm having trouble with that.

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Mike say hello again, Hello everybody. I found it here.

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So Tyler all Good is here also, Kate Shimkey is here.

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Welcome back, good morning, and why don't you go ahead

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and introduce you brought some associates with you. Oh, yes,

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we'll get into we have a we have a lot

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to talk about today, lot lots of lots of good stuff.

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Speaker 3: My associates, Yes, yes, I will. To my right is

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my partner in life, Aaron Durman. He's also my musical partner.

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He performs with me in Darling Hill.

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Speaker 10: Hello, Aeron, welcome to the show. Hello.

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Speaker 3: And then I have on my left Nicholas Chico. He's

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been like my I call my rider die right left

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hand man. I guess okay, for the past ten years

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he kind of helped me grow our music community, has

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done a lot of sound support, oh, very cool, and

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lighting support and probably a lot of unbuild therapy.

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Speaker 1: Yeah.

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Speaker 3: And so they both also work in audio. So Aaron

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works for Earthworks Audio, it's really, you know, pretty popular

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high definition microphone company. And Nick, if you don't mind

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me saying, works for Upstream Sound, which provides a lot

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of light and sound support for venues and festivals up

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and down the East Coast.

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Speaker 10: Oh, very cool, very cool. And so now why have

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you brought Let's get right to the really exciting part.

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Why have you brought everyone. Why why have you brought

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all these people here with you today?

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Speaker 3: Well, I kind of want to shed a light on

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the people behind the scenes of music. I think that

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you know, I'm a musician and we started our own

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music community in our backyard. Aaron and I live on

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a land trust. It's about one hundred acres of nature

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that we live on, and we built a small stage

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about ten years ago. And I would literally go into

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every bar and meet local musicians and kind of ride

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on the coattails of my husband's job and just say,

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you know, my husband works for Earthworks. You have some

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great gear to play with at home. Would you like

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to come play with us and we'll put you on

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our stage and host you at house concerts, your recording sessions.

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Speaker 10: Yeah.

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Speaker 3: So we've been doing that for about eight years. But

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you know, a lot of things have changed over the years,

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and here we are now in twenty twenty five, and

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I've got an art studio on Welton and it's fairly small,

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but I kind of want to work with a room

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that's small and intimate and really give musicians an opportunity

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to share their original music in a setting that's not

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bombarded with like a bar scene or too much alcohol

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or a house party that's too loud, like like a

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nice back and forth between the audience and the musician

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to share, you know, their music in a way that's

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more conducive to like a grassroots vibe. You know, you

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can support the artists directly, you can buy their merch.

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You know, we don't really take a cut. So in

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order to do that, I need a lot of support.

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I need sound support. I need you know, a lot

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of the managing of it and the networking. But when

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it comes down to the day of Nick's very good

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at implementing the gear. Aaron understands it given his background. So, yeah,

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this is our first time being indoors. We've been doing

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it outdoors, oh okay, out of our backyard for like

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I said, eight years. We've had as little as like

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twenty people show up, and we've had as much as

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like one hundred and fifty to two hundred and one day.

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I think the most we ever hosted was eighteen bands

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in one day.

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Speaker 10: No kidding. Yeah, that's that's a that's a long yeah event.

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Speaker 3: We did it though, and some of the bands I

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see here on your show. So yeah, I'm excited to

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announce our spring lineup in our listening room. It's only

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twenty seats, so I only have to manage Oh wow, yeah,

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I only have to manage twenty people. Where before it

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was like I just had like this huge landscape of

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you know, Rando people just showing up right now, this

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is a little more condensed.

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Speaker 9: You know.

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Speaker 10: So it sounds like a perfect scenario for if say

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someone is releasing an album and they just want to

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you know, they want to do something where you know,

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I mean, you can do people have these release parties.

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People have been doing that forever these you know, but

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if you have like a CD release party at a

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bar or something, you know, then you run into that

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thing where a lot of the people who are there

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they aren't there for the release party. They're there to drink,

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and you know, you're kind of the background music. But

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but this sounds like it's perfect for people who really

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very intently want to listen to They're there specifically for that,

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for that purpose. It reminds me of years ago. You know,

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I worked for for a long time, I worked for

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well it became Fye, but it used to be do

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you all remember Strawberries? Yeah? And uh, I worked for them,

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and we would do these, you know, sometimes they would,

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like the store managers would go to Boston for a

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release party for an up and coming artists who we

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were going to be carrying their music in our stores

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and so, and it was very much you know, there

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would be alcohol there and whatnot, but it was very

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much you know, you're not there to drink, You're there specifically,

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and of course you know, people were watching us too

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because it was a company thing, but we were there

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specifically to pay attention to the music and this artist

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and learn about them and the album that was coming

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out that we were going to be selling. And it

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was very focused on that. But was this always kind

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of the goal, like when you started doing these, you know,

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because I think the first time that you were on

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the show you had talked about that how these were

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outdoor events. Yes, was it always the goal to do

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something inside?

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Speaker 3: It was always I'd get frustrated with the New England weather. Yes,

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And I don't pay a guarantee, so I'm very transparent

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about that. I don't do all this because we love

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to do it, but we also don't have a lot

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of money to pay people. So there's this reciprocity, this

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understanding that if they want as bad as I do,

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you got to promote together and all that. But the

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second the weather message things up, it's like having it

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start that all over again is really frustrating, And yeah,

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I am. I stopped doing it on my home for

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personal reasons. I was getting tired of open my sanctuary

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so to speak to so many people doing it for

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so long, and I was like, man, I really want

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a smaller space or a space that has a roof

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on it. So I looked at my studio one day.

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I mean, we've had this art studio probably as long

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as we've been doing it. Was called hippie hollow That's

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what it was called. Is hippie hollow house concerts, Okay.

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And he'd whip out his microphones and we record people live.

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And I just started noticing, instead of like being a

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recording studio, I should just be hosting house concerts, right,

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just more nurturing more opportunity there, and let's work.

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Speaker 10: For me, right.

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Speaker 3: So yeah, doing it in the studio, I just had

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this epiphany. I'm like, screw it. I don't care if

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it's not big enough. It's got a roof on it.

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So I rearranged the entire storefront to accommodate twenty chairs.

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I said, if I can get twenty chairs, and I mean,

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we can have a donation of ten dollars or a

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donation of forty dollars depending on the artists.

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Speaker 10: Yeah, oh okay, very cool. Yeah now is this now?

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What's what's Tyler's involvements?

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Speaker 3: Tyler? Well, so winter was coming and it was really

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jonesing for doing show. I was like, I know, I

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can only do this at my home because you got

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to walk down a trail just to get to my house.

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Speaker 10: Yeah.

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Speaker 3: So I was shooting the crap with Tyler and I

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was like, yo, I need somebody that can trust that

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I'm going to put in enough work to make this happen.

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And he's been a great collaborator with me in the

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past ext so you know, I loved the band he

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was in, the White Mountain Rounders. That's a great uplifting

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vibe in the middle of the winter. So yeah, him

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and his boys got together and gave me a chance,

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and even though the weather worked against us, I still

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think it was a great turnout.

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Speaker 10: Excellent.

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Speaker 3: So he's coming back next week to do his solo.

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Speaker 10: Oh excellent. When when is that? Next week?

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Speaker 3: Was February sixteenth.

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Speaker 10: February sixteenth, very good, very good? Actually, is that how

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we met? Is that how we connected with you? Tyler

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was through Kate originally.

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Speaker 1: I think so, I think so.

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Speaker 3: Yeah, I sent a couple of people here, so you did.

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Speaker 9: Yeah.

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Speaker 3: I sent my cousin Tommy here, I sent Paula.

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Speaker 10: Oh right, tom Russo. Yeah, yeah, he's been on a

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few times now.

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Speaker 9: Yeah.

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Speaker 10: Yeah, he's amazing.

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Speaker 3: Yeah, you can't get rid of us.

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Speaker 10: No, that's great, that's great. And Tyler, I love that song.

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As you know, All Night Dreams the new single. For

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those of you watching the video feed, you might see

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Tyler is holding a guitar. I'm dying to hear you play.

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Do you want to play something? And then we'll talk

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a little bit more about everything. That's everything that's going on.

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Speaker 1: That sounds good?

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Speaker 10: Sure, do you want to play? Do you want to

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play All Night Dreams live?

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Speaker 1: I guess I'll do an acoustic version of All Night Dreams?

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Speaker 10: Very cool.

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Speaker 1: It's here now. It comes out on Valentine's Day, So

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at midnight Friday night there Valentine's Day, it will be

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available for everybody and you guys got to hear it.

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It's got the slide the harmonica. But we'll give you

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an acoustic version.

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Speaker 10: Oh very cool if you're just joining us here, he

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is Tyler all Good, an acoustic live rendition of all

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night Dreams here in studio.

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Speaker 5: I can't get you out of my mind. It hurts

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and I'm still trying.

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Speaker 6: Oh night Dreams, I can't get you out of my mind.

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Speaker 7: I screwed up and live. Now you waln a.

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Speaker 5: Run and hide, night Dreams. Won't you come into my reality?

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Speaker 7: My dreams?

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Speaker 5: Please help come make this man out of me. I

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can't get you out of my mind. My thoughts are

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twisted in time. I wish I had made the best

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of heart time.

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Speaker 7: This pool has.

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Speaker 5: Done a thought of her, This pool has done a

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thought of turn, and now this foolishes take your.

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Speaker 7: Pain away, night Dreams.

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Speaker 5: Won't you come save my personality? Oh night Dreams, please

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help come make this man out of me.

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Speaker 7: I can't get you out of my mind.

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Speaker 5: Maybe it's because you're so kind, a beautiful girl, smart

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and nice. It's because I wasn't ready and I fled

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the scene, but I wore want you to know the

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shapes Saint tream night dreams. Won't you come in to

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my reality?

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Speaker 7: A night reams? Please help come make this man out

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of me.

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Speaker 11: Own night dream dreams, Bright dream An Trees.

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Speaker 5: I can't get you out of my mind, Nice Dreams.

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I can't get you out of my mind.

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Speaker 7: Night Dreams.

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Speaker 10: I do love that song so much. That is so cool.

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That is so cool if you are just joining us.

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That was Tyler all Good playing his new single all

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night Dreams, which we premiered earlier in the show, the

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studio version. But that's that's Tyler doing it live and

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that sounds great. And of course this is Matt Condorton Unleashed.

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We are live on this Saturday morning here from the

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studios of WM and H and of course we have

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Kate Shimkey and Aaron and Nick talking about the listening

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room and of course Tyler involved in that as well.

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And this is Oh, you're getting some love in the

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chat room. You all are actually uh so. Meghan d

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is in the chat she says so excited for the

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listening room in Wilton, and she also said Tyler all

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Good is awesome. Check it out and she gave you

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some applause there.

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Speaker 1: Tyler, I love Megan so much.

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Speaker 10: Thanks Meghan absolutely, and also Miriam vanishes in the chat

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and says good morning hello Miriam. Yeah, so the listening room.

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So now when is the what is the first You

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probably told us this already, but when is the first

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official event?

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Speaker 3: So we actually had it already on January thirty, first

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White Mountain Rounders came, which was a band that Tyler's in. Okay,

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we also had the pleasure of Josh Blair from Modern

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Fools opening for them.

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Speaker 10: Oh yeah, we just had Modern Fools on. They were amazing.

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Speaker 7: Yeah.

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Speaker 3: Yeah, so that was a great, a great set, both

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both bands to great.

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Speaker 9: Uh.

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Speaker 3: We got to finally see the lighting and see here's.

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Speaker 10: He's got the hat yeh, next wearing the hat.

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Speaker 3: Yeah, it's a funny thing. Josh showed up with his

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suitcase of merch. Yeah, and he's I guess had this

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suitcase since like the nineties and he's always used it

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to carry his merch. And when it showed up, it

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was locked and he didn't know the code. Oh so

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Aaron got the drill and that's why I keep him around.

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He was able to break into the Modern Fool's merch

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suitcase and we were able to sell the merch.

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Speaker 10: Oh that's that's great.

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Speaker 3: Fun little kink in the event there. But our next

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event is with Tyler all good. Obviously he's going to

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come back and share his his solo work. And then

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I'll just I'll just say it now because I told

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people I would do the spring lineups.

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Speaker 10: Yeah, oh please. Yeah.

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Speaker 3: In March we got Quincy Lord coming.

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Speaker 10: Oh yeah, we sat him on. He's amazing.

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Speaker 3: Yeah, I'm really excited it is it him by himself

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or with sun Settle. We were literally just talking about

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that before we got on air. We're trying to figure

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out if we could see our space is small. So yes,

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I want the whole band, but can I fit the

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whole band? We're going to find out. So if Quincy

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is listening, I'm going to call you after the show.

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I'm going to tell you, let's try it. Let's try

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to cram the band in there. Yeah, you know, I

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was like, why not try it with Quincy? Like I

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don't know a whole drum kit. Let's find out.

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Speaker 10: Yeah.

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Speaker 3: And then in April I have Temple Mountain come. I

336
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know he's been here, awesome, Yeah, he's he's collaborating with

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kat Ivy, who is a new name.

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Speaker 10: Oh yeah, I think kat Ivy. We have no, we

339
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have cat Ivy coming up, Jenny, I think we have

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kat Ivy. Eric's been on the show a bunch of course. Yeah,

341
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I think so. Or it's in the works.

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Speaker 3: Yeah, he's got her coming with him in April, and

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then Rebecca Tormel.

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Speaker 10: Oh yeah, in May, excellent.

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Speaker 3: And Eyes of Age in June. And I don't know

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if you know who David.

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Speaker 10: Young is, No, and I don't know Eyes of Age.

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Speaker 3: So they David Young does a lot of organizing for

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the Hancock Depot, which is in Hancock, Okay. And he

350
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does similar things that I'd like to do, which is

351
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host like listening room type events become it's donation based

352
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and he does it out of a historic railroad station.

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And they have a band. He has a band called

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Eyes of Age, and so he came to the show

355
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and really liked what he saw. So he wants to

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be a part of what we're doing. Put his band

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in the listening room.

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Speaker 10: Nice. Nice, Yeah, very good.

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Speaker 3: So I'm excited about that. I guy the summer. I'm

360
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working on the summer, fall winter. I was absolutely shocked.

361
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Every day I wake up to messages in my email

362
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asking me about availability. Yeah, since I've announced this not

363
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even a month ago.

364
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Speaker 10: So Megan knows Eyes of Age. Ye, she said in

365
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the chat room, Love Love Love Eyes of Age. I'll

366
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have to check them out.

367
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Speaker 3: Yeah, yep, so they're coming in okay, yep.

368
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Speaker 10: And by the way, Miriam said, I continued humming that

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last song after it ended. I think that's a good thing.

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Speaker 12: So there you go, right, it gets into your brain.

371
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It's a great yeah.

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Speaker 10: Yeah.

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Speaker 12: And actually Kat will be with us next week.

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Speaker 10: Next week, okay, I thought, So, yeah.

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Speaker 3: She'll be She'll be coming to me. And what I say, April,

376
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I can't remember, is in the spring.

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Speaker 10: Yeah, in the spring.

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Speaker 12: That's a good problem.

379
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Speaker 3: Though I'm making it. I'm in the middle of making

380
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the flyer. So I did want to give a shout

381
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out to one more person, my girl Victoria from I

382
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Have Ethereal. She own's a tattoo shop in Nashua, but

383
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she's taken the time to do some pro bonographic design

384
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for our listening room. So oh, you're going to see

385
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more of our little skeleton walking around in musical landscape

386
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as we continue our social media campaign.

387
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Speaker 7: Oh very cool.

388
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Speaker 1: Victoria did my logo and cover art as well.

389
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Speaker 3: So she's kind of branching out from the ink and

390
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skin and doing things with musicians.

391
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Speaker 10: Yeah, no, that's cool.

392
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Speaker 3: I have Ethereal. I have Ethereal in Nashua.

393
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Speaker 10: Okay, Now I'm curious about the I was curious about

394
00:23:19,160 --> 00:23:22,640
that too, the logo, Like why the skeleton because I

395
00:23:22,720 --> 00:23:26,039
see the skeleton like I think like death metal or something.

396
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Speaker 3: Yeah, I think we will.

397
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Speaker 10: I didn't really think that. I'm kidding, but I am curious.

398
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Speaker 3: I think I did with the nature concept like this,

399
00:23:32,279 --> 00:23:34,400
and we're both creepy girls, like creep like I got

400
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a skull on my arm right like. So she's like,

401
00:23:36,559 --> 00:23:38,000
how about you know, we just came up with all

402
00:23:38,039 --> 00:23:40,440
these ideas and for some reason we call them Scully

403
00:23:40,680 --> 00:23:42,759
and and now we have all these different ideas as

404
00:23:42,759 --> 00:23:44,559
to how we're going to promote each musician with this

405
00:23:44,640 --> 00:23:47,200
little skull characters. Yeah, he's always going to be a

406
00:23:47,279 --> 00:23:47,880
nature as well.

407
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Speaker 10: Oh okay, okay, that makes sense.

408
00:23:49,759 --> 00:23:52,440
Speaker 3: Because it's my studio is called Prayers of Nature. Okay,

409
00:23:52,759 --> 00:23:55,200
listening room at Prayers of Nature is like really long winded,

410
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so we just called the listening room.

411
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Speaker 10: Okay, but the official name is the Listening room at

412
00:23:59,119 --> 00:24:01,519
Prayers of nature. Correct, now, why prayers of nature? What's

413
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the origin of that.

414
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Speaker 3: Aaron's mother was an artist. She made flower mendalas, beautiful

415
00:24:05,920 --> 00:24:08,319
flower mendalas. And so our studio when you walk in

416
00:24:08,480 --> 00:24:12,160
it is unlike anything else you've probably seen. It's got chandeliers,

417
00:24:12,200 --> 00:24:14,480
we got hanging from like a big mill building, okay,

418
00:24:14,839 --> 00:24:18,680
and then we got like plants and flower mendalas everywhere.

419
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Speaker 10: And what is I don't know what a mandala.

420
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Speaker 3: It's like a Buddhist image. You've probably seen it, you

421
00:24:23,640 --> 00:24:26,599
just didn't know. You've seen the circular image. And it's

422
00:24:26,640 --> 00:24:28,960
usually made with like sand and seeds and things like that.

423
00:24:29,079 --> 00:24:31,279
But his mother made him with flowers, okay, and she

424
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made over one hundred and twenty five of them.

425
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Speaker 10: Oh so cool.

426
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Speaker 3: We have a lot of them in our studio. Yeah,

427
00:24:36,559 --> 00:24:38,559
we've had them in some galleries and stuff. So Aaron

428
00:24:38,599 --> 00:24:41,160
also is a jeweler. When he's not making microphones for earthworks,

429
00:24:41,200 --> 00:24:43,519
he's making jewelry. It's all inspired by nature. They have

430
00:24:43,559 --> 00:24:46,279
a lot of nature themes in our shop, Crystals, all

431
00:24:46,400 --> 00:24:52,839
sorts of things like that. Flowers, flowers are the parts. Yes,

432
00:24:52,920 --> 00:24:55,720
and I actually think our musical experience are similar to

433
00:24:55,799 --> 00:24:58,119
a mendala. So when you create a mindala, it's about

434
00:24:58,160 --> 00:25:00,640
the experience of making it necess ssarily about what the

435
00:25:00,680 --> 00:25:03,279
outcome looks like. And then when you're done with the mendali,

436
00:25:03,279 --> 00:25:06,079
you're supposed to destroy it to release yourself from attachments.

437
00:25:06,240 --> 00:25:08,359
Oh so, whenever we set up for a show, whenever

438
00:25:08,440 --> 00:25:10,799
Nick sitting up the lighting gear, the sound gear and

439
00:25:10,920 --> 00:25:12,960
like we're getting the chairs, all said, I know that

440
00:25:13,079 --> 00:25:15,039
this isn't going to stay this way. People are gonna

441
00:25:15,039 --> 00:25:16,720
show up and they're going to experience the music, and

442
00:25:16,759 --> 00:25:18,160
then they're gonna leave and we're gonna break it all

443
00:25:18,200 --> 00:25:18,599
down again.

444
00:25:18,759 --> 00:25:18,920
Speaker 9: Yeah.

445
00:25:18,960 --> 00:25:21,400
Speaker 3: So I actually found a cohesive way to like tie

446
00:25:21,440 --> 00:25:24,160
it all in. So we're kind of happy we're sharing

447
00:25:24,200 --> 00:25:26,440
an experience in every event that's not gonna last so long,

448
00:25:26,559 --> 00:25:27,400
kind of like a mendala.

449
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Speaker 10: Oh okay, I get it, and there it is. Yeah,

450
00:25:30,559 --> 00:25:32,119
that's that's cool. That's cool.

451
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Speaker 1: One cool thing too.

452
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Speaker 3: I just want to point out, and I don't know

453
00:25:34,200 --> 00:25:35,720
if Aaron's going to talk about it, but we do

454
00:25:35,920 --> 00:25:39,480
use all Earthworks microphones, so between him and Nick, they

455
00:25:39,519 --> 00:25:43,000
have they know how to Can you explain the difference

456
00:25:43,039 --> 00:25:46,480
between like a standard microphone and like what Earthworks does?

457
00:25:46,759 --> 00:25:46,960
Speaker 10: Yeah?

458
00:25:47,039 --> 00:25:50,559
Speaker 8: Please, Well the beauty is in the sound. Of course

459
00:25:51,079 --> 00:25:54,799
you have to hear it to understand it. Yeah, I'm

460
00:25:54,839 --> 00:25:56,839
not currently talking to an Earthworks microphone.

461
00:25:56,960 --> 00:26:00,160
Speaker 3: No, there.

462
00:26:02,599 --> 00:26:07,920
Speaker 8: Time coherent deserve the transient sponsors sounds in a way

463
00:26:08,000 --> 00:26:13,880
that what the microphone does. Okay, they have excellent Bowler responses.

464
00:26:14,119 --> 00:26:20,160
Speaker 10: Okay, okay, you put a lot of love into a microphone. Okay, excellent, excellent?

465
00:26:20,480 --> 00:26:24,160
Uh based? Where is Earthworks based? Based in Wilton?

466
00:26:24,640 --> 00:26:27,519
Speaker 3: And okay it's like literally three minutes down the road

467
00:26:27,559 --> 00:26:30,000
from our art studio. Okay, that's pretty great.

468
00:26:30,200 --> 00:26:34,359
Speaker 10: Okay, okay. And then so do you work there too.

469
00:26:34,319 --> 00:26:36,720
Speaker 13: Neck, I do not work at Earthworks, you do not.

470
00:26:37,400 --> 00:26:40,599
I I'm more of a freelance audio engineer. I work

471
00:26:40,680 --> 00:26:43,200
for a couple of different companies. But you know, work

472
00:26:43,279 --> 00:26:47,240
with Kate here used Earthwork microphones. I can you know

473
00:26:47,400 --> 00:26:50,000
I would concur with what Aaron is saying about there.

474
00:26:50,599 --> 00:26:52,480
I've never put them in front of something and it

475
00:26:52,559 --> 00:26:54,880
not work. Yeah, you know, and that and that that's

476
00:26:54,920 --> 00:26:56,519
a that's a that's a that's.

477
00:26:56,440 --> 00:26:56,960
Speaker 14: A great thing.

478
00:26:57,039 --> 00:26:59,559
Speaker 13: When you know, when when a musician or a band

479
00:26:59,680 --> 00:27:04,359
brings you their their image, their their art, and you

480
00:27:04,480 --> 00:27:07,680
want to faithfully recreate that for them, you know, putting,

481
00:27:07,920 --> 00:27:10,720
you know, the microphones are your first tool. Like as

482
00:27:10,759 --> 00:27:13,240
a framer, the first thing is the nail in the hammer,

483
00:27:13,640 --> 00:27:15,519
you know, in the wood that goes together. So it's

484
00:27:15,599 --> 00:27:17,240
like when you when you know that your tool is

485
00:27:17,359 --> 00:27:19,400
going to be good and true and straight, that makes

486
00:27:19,440 --> 00:27:20,079
a huge difference.

487
00:27:20,359 --> 00:27:24,000
Speaker 10: Yeah, yeah, absolutely, So that's obviously what you use at Uh.

488
00:27:24,559 --> 00:27:27,119
Speaker 3: There's different models for different applications.

489
00:27:27,240 --> 00:27:30,440
Speaker 13: Use the one, the one seventeens, the vocal microphones, Yeah,

490
00:27:30,519 --> 00:27:32,880
all right, and then there's a couple other things floating

491
00:27:32,920 --> 00:27:36,599
around in there, like some omnies and some instrument microphones,

492
00:27:36,720 --> 00:27:39,160
and every band's a little different to you know, some

493
00:27:39,319 --> 00:27:40,400
d I sitting on the floor.

494
00:27:40,839 --> 00:27:42,039
Speaker 12: Yeah, I don't think Earthwork.

495
00:27:42,119 --> 00:27:44,680
Speaker 14: Does Earthworks make d I s or micro pre amps.

496
00:27:44,720 --> 00:27:46,799
I don't think that's something we used to make premps.

497
00:27:46,839 --> 00:27:47,960
We don't do that anymore.

498
00:27:48,119 --> 00:27:50,519
Speaker 8: Oh okay, we had a saying like wire with game

499
00:27:50,599 --> 00:27:54,000
we had these amazing one O two one, one O

500
00:27:54,079 --> 00:27:56,599
two two, one O two four series pre apps. Yeah,

501
00:27:57,799 --> 00:28:02,960
and but they're very expensive to Okay, gotcha, gotcha.

502
00:28:02,839 --> 00:28:04,519
Speaker 3: You have brought the price down and a lot of

503
00:28:04,559 --> 00:28:06,359
their products, so people are really used to seeing a

504
00:28:06,400 --> 00:28:09,200
high price tag associated with Earthworks, but they've started to

505
00:28:09,240 --> 00:28:13,759
make the more consumer friendly. More musicians can independently buy

506
00:28:13,839 --> 00:28:15,599
them now, okay, you know it was before it was

507
00:28:15,599 --> 00:28:18,200
like quite an investment. So they recognize that. And so

508
00:28:18,279 --> 00:28:20,079
their vocal mic, which I've used a lot, I'm a

509
00:28:20,119 --> 00:28:21,640
big fan of, and I think it's only like two

510
00:28:21,720 --> 00:28:22,519
to three hundred bucks.

511
00:28:22,759 --> 00:28:27,559
Speaker 13: Yeah yeah, oh wow, yeah, okay, that's definitely the last

512
00:28:27,559 --> 00:28:30,039
couple of years, I've seen them on festival stages more often.

513
00:28:30,240 --> 00:28:33,440
Speaker 10: Really, yeah, you might want to replace these.

514
00:28:39,039 --> 00:28:41,279
Speaker 3: I recommend these little salesman moment going on.

515
00:28:41,640 --> 00:28:44,880
Speaker 10: Oh yeah, yeah, no, I respect it. I respect it.

516
00:28:46,480 --> 00:28:48,680
Now is the goal is the goal to have an

517
00:28:48,720 --> 00:28:49,920
event every weekend at the.

518
00:28:49,920 --> 00:28:51,759
Speaker 3: Home right now, I'm just shooting for once a month,

519
00:28:51,920 --> 00:28:53,799
once a month, yeah, because I when it's not a

520
00:28:53,920 --> 00:28:58,079
music room, I use it for workshops and other other

521
00:28:58,160 --> 00:29:01,279
events within the art community. So I am using it,

522
00:29:01,839 --> 00:29:03,880
you know, to its full capacity at this point. So

523
00:29:04,480 --> 00:29:06,559
Peoplen go to prayers at nature dot com and it

524
00:29:06,599 --> 00:29:08,279
will show them a lot of our art. But there

525
00:29:08,400 --> 00:29:11,240
is a page for the listening room okay, and they

526
00:29:11,359 --> 00:29:13,759
just go to there and eventually, after today, I'm going

527
00:29:13,799 --> 00:29:16,359
to have all the most of the events listed and

528
00:29:16,440 --> 00:29:18,839
they range from a ten dollars donation to a forty

529
00:29:18,880 --> 00:29:21,559
dollars donation. Like I said, yeah, that's up to the artists.

530
00:29:21,599 --> 00:29:23,880
I let the artist. I try to empower the artists more,

531
00:29:24,079 --> 00:29:25,599
you know. I'm like, this is your space, you can

532
00:29:25,720 --> 00:29:28,799
use it. These are the options, and I let them

533
00:29:28,960 --> 00:29:32,359
curate their own experience. Okay, so I let them pick

534
00:29:32,359 --> 00:29:34,240
their opener. I'll let them pick who they want unless

535
00:29:34,279 --> 00:29:37,880
they were enough ideas, you know, so I'll make suggestions.

536
00:29:37,920 --> 00:29:39,720
But typically it's like that's the deal, you know, and

537
00:29:39,799 --> 00:29:42,799
we don't take a cut unless the room sells out. Okay,

538
00:29:42,960 --> 00:29:45,839
so you know, and it's only twenty chairs, right, and

539
00:29:45,920 --> 00:29:47,319
we don't take much of a cut anyway.

540
00:29:47,400 --> 00:29:49,000
Speaker 10: Well, I was gonna say, most likely the room is

541
00:29:49,039 --> 00:29:50,559
going to sell out, I hope.

542
00:29:50,599 --> 00:29:51,640
Speaker 7: So yeah, let's see.

543
00:29:51,759 --> 00:29:53,960
Speaker 3: And I hope after a year we get, you know,

544
00:29:54,039 --> 00:29:55,960
a built in audience, because now it's half the battle

545
00:29:56,000 --> 00:29:58,480
as the venue needs to bring an audience. So I

546
00:29:58,599 --> 00:30:02,039
got my art enthusiasts already. You know, some of them

547
00:30:02,079 --> 00:30:05,799
are music enthusiasts and Wilton actually is a very enthusiastic

548
00:30:05,920 --> 00:30:07,920
town for music. It's you know, it's a small town,

549
00:30:08,000 --> 00:30:08,960
but they have Oh.

550
00:30:09,240 --> 00:30:11,400
Speaker 10: I was scurious about that actually, because you know, as

551
00:30:11,519 --> 00:30:13,279
it occurred to me as we're sitting here, I don't

552
00:30:13,279 --> 00:30:14,240
know much about Wilton.

553
00:30:14,440 --> 00:30:16,160
Speaker 3: It's like I call it between a mix of an

554
00:30:16,200 --> 00:30:19,480
Adam Sailor and Stephen Kim film. Yeah, it's like the same.

555
00:30:19,559 --> 00:30:21,319
It's like kind of creepy but kind of cute, you know,

556
00:30:21,359 --> 00:30:23,240
and it's got that New England crunch. It still has

557
00:30:23,319 --> 00:30:27,240
like that that that downtown village vibe to it.

558
00:30:27,480 --> 00:30:27,720
Speaker 10: Yeah.

559
00:30:28,240 --> 00:30:30,400
Speaker 3: And yeah, there's several little nooks and crannies there where

560
00:30:30,400 --> 00:30:32,240
you can hear live music, and I'm hoping to become

561
00:30:32,279 --> 00:30:34,440
one that's fairly popular for people to go to.

562
00:30:34,720 --> 00:30:38,039
Speaker 10: Yeah. Yeah, awesome. You mentioned the shop too, So tell

563
00:30:38,119 --> 00:30:40,000
us tell us about that our shop.

564
00:30:40,160 --> 00:30:43,160
Speaker 3: Yeah, like our art studio. Yeah, yeah, it's well, it's

565
00:30:43,759 --> 00:30:45,720
you know, it's it's for the hippies, it's for the

566
00:30:45,839 --> 00:30:49,119
metaphysical weirdos. It's for the people that like voodoo dolls,

567
00:30:49,160 --> 00:30:52,240
you know, and it's part of an entire art mill.

568
00:30:52,359 --> 00:30:55,000
Believe it or not. There's about thirty studios in the mill.

569
00:30:55,559 --> 00:30:57,799
So oh okay, I'm one of the few that's actually

570
00:30:57,880 --> 00:31:00,640
open to the public. And when you can get yes,

571
00:31:00,720 --> 00:31:04,079
you can stock up on crystals, sage Paulo Santo handmade

572
00:31:04,119 --> 00:31:08,039
jewelry by Aaron. I got voodoo dolls that I give

573
00:31:08,160 --> 00:31:10,599
to gen you know, in all host workshops as well,

574
00:31:10,680 --> 00:31:12,839
like craft workshops. I'll get other crafters in there and

575
00:31:12,880 --> 00:31:15,359
they can host like a wire wrap class or oh,

576
00:31:15,880 --> 00:31:18,119
like I think I'm doing a needle felting class after today.

577
00:31:18,279 --> 00:31:21,200
Like yeah, So it's very it's a good creative space,

578
00:31:21,240 --> 00:31:22,720
which I'm like, why aren't we putting music in here?

579
00:31:22,720 --> 00:31:24,960
Why don't we share this with musicians, give them a

580
00:31:25,000 --> 00:31:27,960
studio for the evening. So to me is it's just

581
00:31:28,079 --> 00:31:30,279
falling right in line with creativity and art and we're

582
00:31:30,359 --> 00:31:31,920
essentially just sharing the studio.

583
00:31:32,319 --> 00:31:33,119
Speaker 10: Yeah you know.

584
00:31:33,480 --> 00:31:35,640
Speaker 3: Yeah, so and then and the artists on that floor

585
00:31:35,640 --> 00:31:37,960
are all very excited about it. So they're they're thinking

586
00:31:38,039 --> 00:31:40,559
of opening their studios on the nights we have these events,

587
00:31:41,079 --> 00:31:43,200
which I'm not like twisting their arm about, you know,

588
00:31:43,400 --> 00:31:43,839
like it's.

589
00:31:43,799 --> 00:31:44,799
Speaker 10: It's a great idea.

590
00:31:44,880 --> 00:31:45,079
Speaker 1: Yeah.

591
00:31:45,079 --> 00:31:46,920
Speaker 3: There's actually a guy that moved in right next door.

592
00:31:47,279 --> 00:31:50,839
He owns he does comic books, scale models, action figures.

593
00:31:51,039 --> 00:31:52,759
So I love that. I love the nerve and we

594
00:31:52,839 --> 00:31:55,640
got real excited. So hopefully some of these events we

595
00:31:55,680 --> 00:31:58,480
can get the artists around me to also open up

596
00:31:58,519 --> 00:32:00,920
their studio spaces. That's a great I have the whole

597
00:32:00,960 --> 00:32:04,160
hallway open up for like people can byo B. I

598
00:32:04,200 --> 00:32:05,920
don't mind if people bring a six pack or a

599
00:32:06,000 --> 00:32:08,160
bottle of wine and sure themselves. And then we put

600
00:32:08,240 --> 00:32:11,039
like puzzles and let people do puzzles and there's a

601
00:32:11,079 --> 00:32:11,720
merch table.

602
00:32:12,119 --> 00:32:12,319
Speaker 10: Yeah.

603
00:32:12,640 --> 00:32:14,960
Speaker 3: Yeah, we'll see how it goes, you know, he just started.

604
00:32:15,240 --> 00:32:16,440
Speaker 10: Yeah. No, it's a great idea.

605
00:32:16,799 --> 00:32:17,119
Speaker 7: You said.

606
00:32:17,119 --> 00:32:19,680
Speaker 10: There's like thirty different art studios.

607
00:32:19,319 --> 00:32:20,400
Speaker 3: In the yeah, the building.

608
00:32:20,480 --> 00:32:21,400
Speaker 10: Yeah, no kidding.

609
00:32:21,519 --> 00:32:25,000
Speaker 3: Yeah, there's a lot of painters, a lot of photographers.

610
00:32:25,279 --> 00:32:31,960
There's a miniature artist, she does everything in miniature. Oh really, yeah, class,

611
00:32:32,039 --> 00:32:33,319
there's silversmith in class.

612
00:32:33,359 --> 00:32:37,599
Speaker 10: Oh wow, yeah, that's right. Is it in downtown Wilton.

613
00:32:37,440 --> 00:32:39,720
Speaker 3: Kind of it's like it's off the main street and

614
00:32:39,799 --> 00:32:43,039
it's it's down by the river, so it's called Riverview Mill.

615
00:32:43,240 --> 00:32:44,000
Speaker 10: Okay, okay.

616
00:32:44,920 --> 00:32:45,039
Speaker 15: Uh.

617
00:32:45,200 --> 00:32:48,440
Speaker 10: Megan says Kate's passion for art, music and the community

618
00:32:48,599 --> 00:32:49,279
is incredible.

619
00:32:49,480 --> 00:32:51,440
Speaker 3: So I used to book Megan or I didn't book her.

620
00:32:51,559 --> 00:32:55,000
I booked a couple of craft fairs that I worked

621
00:32:55,079 --> 00:32:56,880
with her. Oh I got to I had the pleasure

622
00:32:56,920 --> 00:32:58,920
of watching her work with her own community of people.

623
00:32:59,000 --> 00:33:02,279
She has this chance quite a fan base herself for

624
00:33:02,400 --> 00:33:04,920
her tie die, which I noticed right away. At these

625
00:33:04,960 --> 00:33:07,480
shows we would we would be vending at the Range

626
00:33:07,519 --> 00:33:10,599
in Mason, which is a great venue, great outdoor venue,

627
00:33:10,680 --> 00:33:13,880
and Nick Nick does sound for them. Actually, oh okay, okay, cool.

628
00:33:14,079 --> 00:33:15,599
And I think Tyler maybe played there.

629
00:33:15,599 --> 00:33:16,200
Speaker 1: I know I've played.

630
00:33:16,240 --> 00:33:19,319
Speaker 3: Yeah, it's a great bunch. It's a great local, uh,

631
00:33:19,799 --> 00:33:22,279
you know, place to play. And so I remember Megan,

632
00:33:22,359 --> 00:33:24,599
you know, because there's like when you do craft fairs,

633
00:33:24,599 --> 00:33:26,759
there's always a tide person, there's always a soap maker,

634
00:33:26,839 --> 00:33:29,440
there's always like a crystal dealer. And she was probably

635
00:33:29,480 --> 00:33:32,319
the most popular tied ie craft I've ever seen. Yeah,

636
00:33:32,559 --> 00:33:34,240
Like people lined up to come to her booth.

637
00:33:34,480 --> 00:33:35,759
Speaker 10: Yeah yeah, oh that's awesome.

638
00:33:35,880 --> 00:33:36,680
Speaker 3: Her energy is great.

639
00:33:37,039 --> 00:33:40,960
Speaker 10: Absolutely. Miriam says, I like Wilton. The Wilton town Hall

640
00:33:41,039 --> 00:33:45,279
Movie Theater is super cool. Yes, yes, yes, it is it. Yeah, yeah.

641
00:33:45,400 --> 00:33:47,319
Speaker 3: They play all sorts of like classic film and it's

642
00:33:47,359 --> 00:33:47,880
usually free.

643
00:33:48,079 --> 00:33:48,440
Speaker 10: Oh really.

644
00:33:48,519 --> 00:33:51,240
Speaker 1: Yeah, it's an old school theater. Yeah it's nice.

645
00:33:51,319 --> 00:33:53,400
Speaker 10: Oh wow, Oh that's very cool. That's very cool.

646
00:33:53,519 --> 00:33:56,039
Speaker 3: He'll do like a UFO day where they play all

647
00:33:56,119 --> 00:33:59,559
sci fi like Vina really and all the UFO people

648
00:33:59,640 --> 00:34:02,200
come in, you know, get weird in Milton.

649
00:34:02,400 --> 00:34:06,039
Speaker 10: Oh, very cool. Yeah, yeah, if you're just joining us here,

650
00:34:06,519 --> 00:34:08,599
So we have Kate Shimkey and of course we have

651
00:34:08,960 --> 00:34:12,840
Aaron and Nick talking about the listening room at Prayers

652
00:34:12,840 --> 00:34:14,800
of Nature. Did I get it right? I got it right?

653
00:34:15,880 --> 00:34:18,559
And Tyler Tyler all Good is here with us as well.

654
00:34:18,639 --> 00:34:22,119
He's connected with it and he played Tyler, I don't

655
00:34:22,159 --> 00:34:24,079
mean to put you on the spot, but I'm selfish.

656
00:34:24,119 --> 00:34:25,039
Do you want to play another one?

657
00:34:26,320 --> 00:34:26,519
Speaker 1: Yeah?

658
00:34:26,719 --> 00:34:26,960
Speaker 7: Sure?

659
00:34:27,079 --> 00:34:30,400
Speaker 10: I just you sounds so good man. I know we

660
00:34:30,719 --> 00:34:33,159
had only talked about playing one, but I just I

661
00:34:33,239 --> 00:34:35,679
can't help myself. Tyler all Good is here as well.

662
00:34:35,719 --> 00:34:37,440
So if you missed it earlier, he played, as he

663
00:34:37,519 --> 00:34:41,480
played live for us in studio, his new single All

664
00:34:41,599 --> 00:34:44,199
Night Dreams. But what are you gonna play for us now? Tyler?

665
00:34:44,679 --> 00:34:48,679
Speaker 1: So I am going to play the title track off

666
00:34:48,960 --> 00:34:52,840
of my latest album of Love, which is what we're

667
00:34:52,920 --> 00:34:58,360
celebrating next Sunday on February sixteenth. Okay, we're celebrating this album.

668
00:34:58,480 --> 00:35:01,599
We're celebrating my single All Night Dreams that comes out

669
00:35:01,639 --> 00:35:05,559
on Valentine's Day, and then we're also celebrating merch. I

670
00:35:05,639 --> 00:35:11,000
got my first batch of T shirts, stickers, posters, and

671
00:35:11,360 --> 00:35:14,280
another CD. I've done the CDs before, but having my

672
00:35:14,480 --> 00:35:21,719
very first shirt, my new logo, and yeah, it's really exciting.

673
00:35:21,920 --> 00:35:23,800
Speaker 10: So and the album, I assume it'll be on all

674
00:35:23,840 --> 00:35:25,320
the streaming platforms and everything.

675
00:35:25,880 --> 00:35:27,199
Speaker 1: I released the album in April.

676
00:35:27,360 --> 00:35:28,199
Speaker 10: Oh, the album is out.

677
00:35:28,800 --> 00:35:30,039
Speaker 1: Haven't celebrated it yet.

678
00:35:30,119 --> 00:35:32,559
Speaker 10: Oh I got Oh interesting? Okay, I got you, I

679
00:35:32,639 --> 00:35:32,920
got you.

680
00:35:33,199 --> 00:35:36,159
Speaker 1: But we have the single All Night Dreams on Valentine's Day.

681
00:35:36,239 --> 00:35:39,400
The merch is finally here, and I have a song

682
00:35:39,519 --> 00:35:42,480
coming out after All Night Dreams as well. Oh cool,

683
00:35:42,519 --> 00:35:45,079
I'm pretty soon here, so okay, but this will be

684
00:35:45,480 --> 00:35:50,199
of Love. The title track to the album released in April.

685
00:35:50,400 --> 00:35:52,800
The album is called of Love. This is the song

686
00:35:53,079 --> 00:35:53,800
of love.

687
00:36:09,880 --> 00:36:17,719
Speaker 5: My heart toobbat her, you know that the tangle the

688
00:36:18,159 --> 00:36:26,320
hell into our backs. He even though we call the

689
00:36:26,480 --> 00:36:33,599
truth from the star, it does in mean my heart

690
00:36:33,960 --> 00:36:35,559
is your target.

691
00:36:36,199 --> 00:36:37,400
Speaker 16: To paunch.

692
00:36:38,840 --> 00:36:46,400
Speaker 7: Of love, you pull in Love.

693
00:36:49,360 --> 00:36:50,239
Speaker 1: September.

694
00:36:51,039 --> 00:36:54,960
Speaker 7: Horne never spoke so loud.

695
00:36:55,719 --> 00:37:01,280
Speaker 5: With the screening stars and the wall on around.

696
00:37:02,639 --> 00:37:06,639
Speaker 7: But you come in when you need.

697
00:37:07,639 --> 00:37:16,199
Speaker 5: Love, then you're gone when push comes to shove and love.

698
00:37:18,639 --> 00:37:26,760
Speaker 7: You polln't you pot.

699
00:37:29,239 --> 00:37:33,000
Speaker 9: Now have.

700
00:37:34,519 --> 00:37:45,679
Speaker 7: Nothing love? But you call me kid like I would

701
00:37:45,960 --> 00:37:48,639
forget those words.

702
00:37:50,840 --> 00:37:51,840
Speaker 1: Those words.

703
00:37:53,480 --> 00:37:57,880
Speaker 17: You can have them back, take them all the way,

704
00:38:00,079 --> 00:38:07,159
Mary them down in my lorded grave where my heart

705
00:38:07,280 --> 00:38:16,159
resides with the shattered brain to I lay right down, Lord.

706
00:38:16,199 --> 00:38:17,320
Speaker 1: Can I leave this?

707
00:38:18,719 --> 00:38:19,039
Speaker 5: Please?

708
00:38:34,079 --> 00:38:35,880
Speaker 7: My heart's all beat her?

709
00:38:37,559 --> 00:38:39,119
Speaker 9: You know that.

710
00:38:40,880 --> 00:38:46,239
Speaker 7: Tangle hell all through our backs.

711
00:38:47,400 --> 00:38:52,360
Speaker 5: He even though he called the truce from the start,

712
00:38:54,159 --> 00:38:59,440
tes in mean my heart is your tark.

713
00:39:00,280 --> 00:39:18,440
Speaker 10: To no, Oh my god, I love it.

714
00:39:19,360 --> 00:39:19,880
Speaker 8: I love it.

715
00:39:21,039 --> 00:39:24,719
Speaker 10: That was Tyler all good performing live. What's that called again?

716
00:39:24,800 --> 00:39:29,559
Tyler of Love of Love? Very very cool performing live

717
00:39:29,639 --> 00:39:31,920
for us? And of course we have Khimkey with us

718
00:39:32,039 --> 00:39:35,840
of Darling Hill. We should talk about that too. What's

719
00:39:35,960 --> 00:39:39,079
new there are you? Have you been recording anything new

720
00:39:39,199 --> 00:39:40,039
or I've been doing a.

721
00:39:40,039 --> 00:39:42,559
Speaker 3: Lot of practicing. I've had a lot of dental surgeries.

722
00:39:42,760 --> 00:39:45,159
Oh you love Yeah, yeah, they've been very unpredictable, so

723
00:39:45,199 --> 00:39:46,960
I have been hesitant to book but I am happy

724
00:39:47,000 --> 00:39:49,800
to say we did get asked to play at Nova

725
00:39:49,960 --> 00:39:52,760
Arts and Keene on February twenty seventh. So I'm opening.

726
00:39:54,119 --> 00:39:56,320
I forget the woman's name. I feel like such a jerk,

727
00:39:56,679 --> 00:39:58,599
but I was just so enamored that I finally got

728
00:39:58,639 --> 00:40:00,559
to play there. I'll just be on this because it's

729
00:40:00,559 --> 00:40:01,840
such a great venue. If you go all the way

730
00:40:01,880 --> 00:40:04,000
up to Keen, it's called Nova Arts on Emerald Street.

731
00:40:04,159 --> 00:40:05,280
Speaker 10: Yes, yeah, I've been hearing about.

732
00:40:05,400 --> 00:40:08,000
Speaker 3: Oh it's a great venue. Yeah, So I was I immediate.

733
00:40:08,000 --> 00:40:10,039
I didn't even know who I was opening. I said yes,

734
00:40:10,119 --> 00:40:12,559
I was like, yes, I'll do it. So I'm excited

735
00:40:12,559 --> 00:40:12,880
about that.

736
00:40:13,039 --> 00:40:13,800
Speaker 7: We've been aaron.

737
00:40:13,840 --> 00:40:17,000
Speaker 3: I've been practicing a lot at home, and I kind of,

738
00:40:17,039 --> 00:40:19,079
I'll be honest with you, when I started the listening room,

739
00:40:19,119 --> 00:40:20,840
I kind of wanted to have a place for Darling

740
00:40:20,960 --> 00:40:21,519
Hill to play.

741
00:40:21,920 --> 00:40:22,119
Speaker 10: Yeah.

742
00:40:22,320 --> 00:40:24,440
Speaker 3: If I got too scared to play, I get stage

743
00:40:24,480 --> 00:40:27,480
fright so bad. So yeah, I don't I don't mind talking,

744
00:40:27,559 --> 00:40:30,639
but the second I start like performing and like sharing

745
00:40:30,719 --> 00:40:33,440
my emotions openly, I get all begotarded about it. But

746
00:40:33,519 --> 00:40:34,599
so I was like, if I do it in my

747
00:40:34,679 --> 00:40:37,239
own space, I'm more inclined to feel comfortable and like

748
00:40:37,599 --> 00:40:41,840
have these little training wheels, you know. So I booked myself. Yeah,

749
00:40:42,519 --> 00:40:46,559
but not till October. Oh okay, okay, but I am

750
00:40:46,599 --> 00:40:49,360
playing Nova Arts and Keen and Handcock Depot actually asked

751
00:40:49,360 --> 00:40:52,000
me to play a feature in August. So I'm kind

752
00:40:52,039 --> 00:40:54,320
of sporadic because I go through a lot of surgeries

753
00:40:54,360 --> 00:40:56,920
at the moment. Oh yeah, so I have to like

754
00:40:57,039 --> 00:40:59,360
be tactful about who I say yes to. But you

755
00:40:59,440 --> 00:41:02,880
can find our music on all streaming platforms and I do.

756
00:41:03,440 --> 00:41:06,440
I am online, you know, Instagram and Facebook. I'll share

757
00:41:06,440 --> 00:41:09,039
a couple pictures of me playing the piano with the

758
00:41:09,079 --> 00:41:12,320
cats fighting in the background, you know, every once in

759
00:41:12,360 --> 00:41:14,320
a while, bang something out and share it. So I'm

760
00:41:14,360 --> 00:41:15,239
not completely gone.

761
00:41:15,360 --> 00:41:19,119
Speaker 10: I just yeah, yeah, yeah. When we when we conclude

762
00:41:19,159 --> 00:41:22,119
the segment, we'll play another you send me another song

763
00:41:22,159 --> 00:41:25,280
that we hadn't played before. I don't think right, Bus

764
00:41:25,440 --> 00:41:26,760
number two, which is really interesting.

765
00:41:26,880 --> 00:41:29,480
Speaker 3: I recorded that in Nashville, but before I recorded it

766
00:41:29,519 --> 00:41:32,480
in Nashville, actually recorded it at home. And Nick actually

767
00:41:32,559 --> 00:41:35,320
during the lockdowns, got a hold of some nice cameras

768
00:41:36,480 --> 00:41:39,000
you did, and he's like, let's you know, there's nothing

769
00:41:39,039 --> 00:41:41,320
going on. Everything was shut down. So we do have

770
00:41:41,400 --> 00:41:43,360
a music video for bus number two. Oh there is

771
00:41:43,519 --> 00:41:46,119
okay on if you just Google or go to YouTube

772
00:41:46,159 --> 00:41:48,880
Bus number two Darling Hill. And the song was an

773
00:41:48,920 --> 00:41:51,480
homage to a friend of mine in high school who

774
00:41:51,519 --> 00:41:54,440
passed away from a gun accident. Okay, So it is

775
00:41:54,440 --> 00:41:58,800
the song about going on the bus and sitting next

776
00:41:58,840 --> 00:42:00,480
to my crush and then one day I got on

777
00:42:00,519 --> 00:42:02,800
the bus and my crush wasn't there. Yeah, so that's

778
00:42:02,840 --> 00:42:05,039
what that song is. Kind of sad, but it sounds happy,

779
00:42:05,119 --> 00:42:06,119
but it's actually sad.

780
00:42:06,360 --> 00:42:09,079
Speaker 10: Yeah. Yeah, it ends up sad. It starts out happy,

781
00:42:11,199 --> 00:42:11,880
but I was.

782
00:42:12,000 --> 00:42:13,519
Speaker 3: I was happy to do it. It felt good. It

783
00:42:13,599 --> 00:42:15,199
was one of those songs that just came out. I didn't.

784
00:42:15,360 --> 00:42:17,079
I was actually trying to write a love song about

785
00:42:17,079 --> 00:42:19,079
I wanted to write a love song about Eron. Today

786
00:42:19,119 --> 00:42:21,760
I have not written one. It's driving me nuts. Oh

787
00:42:21,960 --> 00:42:23,840
and I could compare my love for him to like

788
00:42:23,920 --> 00:42:26,280
the purity of my first crush and happening. I ended

789
00:42:26,320 --> 00:42:27,440
up writing about my first crush.

790
00:42:27,440 --> 00:42:29,639
Speaker 10: Oh, now, how do you feel about that? Aaron? I'm

791
00:42:29,679 --> 00:42:31,920
okay with You're okay with it? Okay, the most.

792
00:42:33,559 --> 00:42:37,119
Speaker 3: Okay all right, we'll get there. We'll write a song

793
00:42:37,119 --> 00:42:38,840
about each other. I guess we have to break up

794
00:42:38,840 --> 00:42:41,840
in order for that to happen. So it's okay if

795
00:42:41,840 --> 00:42:42,639
we haven't made one yet.

796
00:42:43,920 --> 00:42:45,840
Speaker 10: There you go, There you go.

797
00:42:46,320 --> 00:42:46,400
Speaker 13: Uh.

798
00:42:46,639 --> 00:42:48,960
Speaker 10: So we should remind people too. We should circle back

799
00:42:49,000 --> 00:42:51,199
to the listening room at Prayers of Nature.

800
00:42:51,519 --> 00:42:51,679
Speaker 9: Yeap.

801
00:42:51,800 --> 00:42:54,079
Speaker 3: Go to prayers in dot com. Good to prayers in

802
00:42:54,119 --> 00:42:56,239
Nature dot com and you'll find the page there. Okay,

803
00:42:56,280 --> 00:42:59,159
And we are on Instagram and Facebook. Yeah, we just

804
00:42:59,239 --> 00:43:01,880
created a YouTube channel. I haven't put anything on it yet,

805
00:43:01,920 --> 00:43:04,400
but it's created. So we're hoping to take content and

806
00:43:04,599 --> 00:43:05,840
put that on YouTube as well.

807
00:43:05,920 --> 00:43:06,039
Speaker 1: Well.

808
00:43:06,079 --> 00:43:07,840
Speaker 10: I was curious about that too, because the events that

809
00:43:07,880 --> 00:43:10,159
you're having there are so are so unique and special.

810
00:43:10,360 --> 00:43:12,360
Are you going to is the plan to record all

811
00:43:12,440 --> 00:43:13,599
of them and then put them online?

812
00:43:13,719 --> 00:43:13,840
Speaker 1: Is that?

813
00:43:14,440 --> 00:43:14,559
Speaker 9: Uh?

814
00:43:15,000 --> 00:43:17,159
Speaker 13: And to a certain to a certain extent, because there's

815
00:43:17,199 --> 00:43:20,519
like you when musician comes in, it's like, I mean,

816
00:43:20,599 --> 00:43:22,960
went for a decade, every band that I've ever mixed,

817
00:43:22,960 --> 00:43:24,719
I've just taken a left right off the board is

818
00:43:24,760 --> 00:43:25,440
like an archive.

819
00:43:25,880 --> 00:43:28,639
Speaker 14: Like this is my portfolio. It's the closest thing I

820
00:43:28,719 --> 00:43:30,239
get to it in a certain way.

821
00:43:30,280 --> 00:43:32,480
Speaker 13: But at the same time, it's like, there's no reason

822
00:43:32,559 --> 00:43:35,119
I can't pass that off to an artist, right, But

823
00:43:35,239 --> 00:43:36,800
also at the same time or in the world of

824
00:43:36,880 --> 00:43:40,199
digital mixing and everywhere you go in major venues and

825
00:43:40,320 --> 00:43:43,400
festivals and even myself, I run around with digital console,

826
00:43:43,840 --> 00:43:44,800
took a laptop up.

827
00:43:45,239 --> 00:43:46,639
Speaker 14: You've got it, You've you've got a record.

828
00:43:46,719 --> 00:43:50,320
Speaker 13: Even right now, you know, I'm working in the background

829
00:43:50,480 --> 00:43:53,000
for Modern Fools on they played at the Bank in

830
00:43:53,039 --> 00:43:57,079
New Hampshire Conquered Center of the Art stage that's such

831
00:43:57,119 --> 00:43:58,719
a such a long hits.

832
00:43:58,559 --> 00:44:02,719
Speaker 14: And the NHC anyways for the but I've been working

833
00:44:02,760 --> 00:44:03,599
on their multi track.

834
00:44:03,679 --> 00:44:05,079
Speaker 13: And so the same thing when it comes to someone

835
00:44:05,119 --> 00:44:08,280
coming in the listening room, like Kate saying, it's always

836
00:44:08,320 --> 00:44:12,599
a unique experience. Every artist is different, and so when

837
00:44:12,639 --> 00:44:16,280
they come in, it's like give them that give give

838
00:44:16,400 --> 00:44:18,719
be able to give them something in return, not able.

839
00:44:18,599 --> 00:44:20,400
Speaker 3: To give them a guarantee. But we can create some

840
00:44:20,559 --> 00:44:21,519
decent content for that.

841
00:44:21,679 --> 00:44:24,360
Speaker 13: Right, whether it be some pictures or some video or

842
00:44:24,719 --> 00:44:26,840
you know, a band that gets to have a recording

843
00:44:26,880 --> 00:44:29,159
of themselves that may not have had that before, or

844
00:44:29,400 --> 00:44:32,599
or you know, or something and just if those kinds

845
00:44:32,639 --> 00:44:35,920
of things becoming just the next layer of accessible.

846
00:44:37,119 --> 00:44:40,239
Speaker 14: Yeah, that's that's I think at least my goal.

847
00:44:40,599 --> 00:44:43,039
Speaker 13: When it comes to it's like I'm just doing a thing,

848
00:44:43,440 --> 00:44:46,159
but at the same time, it's like I'm you know,

849
00:44:46,360 --> 00:44:49,000
it's I can I have the ability to pass that off,

850
00:44:49,280 --> 00:44:50,960
you know, and and and that's what I want to

851
00:44:51,000 --> 00:44:52,920
be able to do with an artist that comes in.

852
00:44:53,000 --> 00:44:56,199
It's like talking about like Quincy Lord and Sunset Electric,

853
00:44:56,360 --> 00:44:58,519
you know, in a situation like that, it's like it

854
00:44:58,679 --> 00:45:01,840
is relatively as easy as me hitting space bar and

855
00:45:02,000 --> 00:45:04,719
report and had and now here's a multi track recording

856
00:45:04,760 --> 00:45:07,320
of your live show that you know, if put some

857
00:45:07,480 --> 00:45:10,880
work into it, maybe becomes a live album release, you know,

858
00:45:11,440 --> 00:45:14,800
or something like that. Of a listening room, a quiet,

859
00:45:14,920 --> 00:45:17,159
intimate thing where people are going to be engaged with

860
00:45:17,280 --> 00:45:20,000
your music, you know. And it's like antelling how many

861
00:45:20,360 --> 00:45:23,519
crowd mics I've listened to While the band's playing, you

862
00:45:23,519 --> 00:45:26,000
can just hear everybody talking and having their own conversation,

863
00:45:26,159 --> 00:45:27,960
not listening to the band, you know, and it's like

864
00:45:28,079 --> 00:45:31,119
that's no fun. But it's so but but so there's yeah,

865
00:45:32,360 --> 00:45:34,760
it's not talking in circles. I think I convade myself.

866
00:45:36,119 --> 00:45:40,400
I answered your question. Yeah, yeah, yeah, yeah.

867
00:45:40,840 --> 00:45:42,960
Speaker 14: Yeah, YouTube coming, streaming and stuff.

868
00:45:43,000 --> 00:45:45,079
Speaker 13: So that's something we've definitely talked about, is like what

869
00:45:45,239 --> 00:45:48,920
are what what is this the aspect of like streaming

870
00:45:49,039 --> 00:45:52,320
at cameras, audio, all the things right, you know, making

871
00:45:52,360 --> 00:45:54,599
sure that it's like is that something I can manage

872
00:45:55,079 --> 00:45:56,800
or is it we need someone else to come in

873
00:45:56,880 --> 00:45:58,119
and help me do other things?

874
00:45:58,199 --> 00:46:01,360
Speaker 14: When then then you start breaking into a different conversation.

875
00:46:01,440 --> 00:46:04,079
Speaker 3: I haven't anticipate things will evolve over time, will you.

876
00:46:04,519 --> 00:46:07,119
Speaker 10: Yeah, it doesn't work, no doubt.

877
00:46:07,199 --> 00:46:07,360
Speaker 1: Yeah.

878
00:46:07,679 --> 00:46:07,719
Speaker 9: No.

879
00:46:07,800 --> 00:46:09,639
Speaker 10: I think it's cool though, to do that, because it's,

880
00:46:09,920 --> 00:46:12,000
like I said, it's such a cool and unique thing.

881
00:46:12,480 --> 00:46:13,679
You know, it would be a shame not to have

882
00:46:13,760 --> 00:46:16,159
a record of it, you know, and it helps everybody.

883
00:46:16,239 --> 00:46:18,119
You know, it helps the it helps the artist, it

884
00:46:18,159 --> 00:46:20,960
helps the listening room. But it helps you nick with

885
00:46:21,039 --> 00:46:23,599
your like you said, with your portfolio. You know, everybody

886
00:46:23,679 --> 00:46:25,920
benefits from that. So I think that's cool. I don't

887
00:46:25,920 --> 00:46:27,679
know if any of you remember the Sad Cafe. It

888
00:46:27,800 --> 00:46:30,360
was a place in Plastow. It was an all ages

889
00:46:30,480 --> 00:46:31,280
room and.

890
00:46:33,159 --> 00:46:35,079
Speaker 14: Like jazz, open mics and stuff they did.

891
00:46:35,119 --> 00:46:37,280
Speaker 10: They did all kinds of stuff there, but they would

892
00:46:37,280 --> 00:46:38,840
actually give you a seat, they would record you and

893
00:46:38,880 --> 00:46:40,360
they'd give you a CD at the end of the night.

894
00:46:40,760 --> 00:46:43,199
And I played there a lot. You know, this was

895
00:46:43,360 --> 00:46:46,599
like twenty years ago, but a couple of different bands

896
00:46:46,639 --> 00:46:48,599
I was in we played there a lot. But it

897
00:46:48,719 --> 00:46:50,039
was always and it was cool that they give you

898
00:46:50,079 --> 00:46:51,079
a CD at the end of the night. But it

899
00:46:51,199 --> 00:46:56,000
was very very mixed results depending on you know, who

900
00:46:56,239 --> 00:46:57,800
was who was working the board.

901
00:46:58,760 --> 00:47:02,159
Speaker 3: Your pants too, yeah, studio, yeah, got to wing it.

902
00:47:02,639 --> 00:47:05,039
Speaker 10: Yeah. Yeah. So there was some really there was some

903
00:47:05,119 --> 00:47:06,679
really good recordings that came out of there with some

904
00:47:06,760 --> 00:47:09,159
really and somewhere it's like I might as well take

905
00:47:09,159 --> 00:47:12,440
the CD and throw it at the you know, but

906
00:47:14,039 --> 00:47:15,599
but uh, but no, but I think it's I think

907
00:47:15,639 --> 00:47:17,159
it's cool that you're going to do that at the

908
00:47:17,480 --> 00:47:20,639
listening room. Yeah, it only makes sense. It only makes sense. Now.

909
00:47:20,679 --> 00:47:21,519
When is the next one?

910
00:47:21,559 --> 00:47:22,840
Speaker 3: When's the February sixteenth?

911
00:47:22,920 --> 00:47:27,119
Speaker 10: February sixteenth, I have Tyler come. That's so that's gonna be.

912
00:47:27,119 --> 00:47:29,119
Speaker 3: Tough a Sunday six o'clock.

913
00:47:29,440 --> 00:47:31,320
Speaker 10: Oh yeah, that's coming coming right up.

914
00:47:31,400 --> 00:47:33,760
Speaker 1: Yeah, yeah, yes. So I have a friend of mine.

915
00:47:34,480 --> 00:47:37,039
I have a friend of mine named Jaden Arpin who

916
00:47:37,360 --> 00:47:40,280
is opening the show. And I met her a couple

917
00:47:40,320 --> 00:47:44,320
of times in Milford, watched her play in some open

918
00:47:44,400 --> 00:47:47,400
mics or something, and she has just an amazing voice,

919
00:47:47,440 --> 00:47:51,280
an incredible writer. So she popped into my head last

920
00:47:51,360 --> 00:47:53,480
minute I saw if she was available. She's going to

921
00:47:53,519 --> 00:47:54,360
be opening the show.

922
00:47:54,840 --> 00:47:55,280
Speaker 10: Excellent.

923
00:47:56,039 --> 00:48:01,239
Speaker 1: I will have my bluegrass band playing probably four or

924
00:48:01,320 --> 00:48:04,519
five songs, and that's White Mountain Rounders. We just released

925
00:48:04,559 --> 00:48:07,800
our four song EP. Oh wow, we're gonna have CDs

926
00:48:07,880 --> 00:48:12,159
next week. So we're out and about and they're gonna

927
00:48:12,199 --> 00:48:14,280
come play a few songs for that show.

928
00:48:14,880 --> 00:48:15,039
Speaker 12: Then.

929
00:48:15,159 --> 00:48:17,440
Speaker 1: I haven't run it by my sound crew, but I

930
00:48:17,559 --> 00:48:20,880
might have a little soft jazz drummer with me. Oh

931
00:48:20,920 --> 00:48:25,199
okay for a big portion of the set, because I

932
00:48:25,280 --> 00:48:28,880
am playing with him tonight at Rude Awakening Kava Bar

933
00:48:29,039 --> 00:48:32,800
in Nashua from eight to eleven. Okay, we've jammed once

934
00:48:32,920 --> 00:48:35,920
before it went so well, so we're throwing the show

935
00:48:36,000 --> 00:48:39,880
together tonight should should go well. He's a great drummer,

936
00:48:40,039 --> 00:48:40,760
so okay.

937
00:48:41,400 --> 00:48:43,760
Speaker 10: Yeah, So if you're listening live on Saturday, so that

938
00:48:43,960 --> 00:48:47,000
is tonight A to eleven YEP at rud Awakening.

939
00:48:46,760 --> 00:48:49,199
Speaker 1: Rud Awakening Kava Bar and nash Rud Awakening.

940
00:48:48,920 --> 00:48:52,000
Speaker 10: Kava bar okay, very cool. Yeah, yeah, that's awesome. That's awesome.

941
00:48:52,239 --> 00:48:54,559
And then so the sixteenth will be at the listening room.

942
00:48:54,519 --> 00:48:56,440
Speaker 1: Next Sunday, February sixteenth.

943
00:48:56,519 --> 00:48:57,599
Speaker 10: That'd be very six o'clock.

944
00:48:57,719 --> 00:49:00,000
Speaker 1: Please order your tickets at Prayersanature dot com.

945
00:49:00,199 --> 00:49:02,039
Speaker 3: And you can get a fan bundle option if you

946
00:49:02,039 --> 00:49:05,719
would like to upgrade your ticket, you can purchase a

947
00:49:05,800 --> 00:49:08,440
fan bundle which will include all the merch okay seat

948
00:49:08,519 --> 00:49:11,320
and we don't turn people away if all the seats sell,

949
00:49:11,480 --> 00:49:13,880
It's okay. You still show up and we'll we'll take

950
00:49:13,920 --> 00:49:15,480
you in at the door at like half the price.

951
00:49:15,599 --> 00:49:16,360
Is kind of the deal.

952
00:49:16,519 --> 00:49:16,880
Speaker 10: Oh okay.

953
00:49:16,960 --> 00:49:19,320
Speaker 3: Crystal working on those kinks, trying to figure out what works.

954
00:49:19,400 --> 00:49:21,360
You know, if I just do standing room only ors,

955
00:49:21,400 --> 00:49:24,760
I'm an old person. I like a good chair. I'll

956
00:49:24,800 --> 00:49:26,559
sit down at a punk show like I have. No

957
00:49:27,000 --> 00:49:31,000
I don't care, I'll do it right right. So we're

958
00:49:31,039 --> 00:49:32,800
just trying to see what makes the most sense for

959
00:49:32,840 --> 00:49:33,760
accommodating people.

960
00:49:33,840 --> 00:49:34,320
Speaker 10: And I I.

961
00:49:35,880 --> 00:49:37,760
Speaker 3: Like that he offered this, you know, Tyler's like, hey,

962
00:49:37,800 --> 00:49:39,880
we should do this deal where if you buy you know,

963
00:49:39,960 --> 00:49:42,840
the fan bundle, you get all the merch plus a seat,

964
00:49:43,000 --> 00:49:44,119
so that's an option too.

965
00:49:44,360 --> 00:49:45,199
Speaker 10: Yeah, very cool.

966
00:49:45,280 --> 00:49:46,559
Speaker 3: So prayers to nature dot com.

967
00:49:46,840 --> 00:49:49,599
Speaker 10: Prayers of Nature dot com. That's the place to go.

968
00:49:50,480 --> 00:49:52,800
Very very good. We'll be The time goes so fast.

969
00:49:52,800 --> 00:49:54,559
We're approaching the top of the hour, so we'll begin

970
00:49:54,639 --> 00:49:56,639
to wrap up. O Kate. Always wonderful to see. Thank

971
00:49:56,639 --> 00:49:58,039
you so much for thank you. Oh and you brought

972
00:49:58,119 --> 00:49:58,679
presents and.

973
00:49:58,880 --> 00:50:00,920
Speaker 3: I bought a voodoo doll for a voodoo dolls.

974
00:50:00,960 --> 00:50:03,320
Speaker 12: Also shout out who's mom?

975
00:50:03,519 --> 00:50:07,159
Speaker 1: Somebody's his momma.

976
00:50:09,880 --> 00:50:11,960
Speaker 12: Ye smells so good in the hallway.

977
00:50:12,239 --> 00:50:14,800
Speaker 10: Yeah yeah, yeah, we we we we have to. We

978
00:50:14,840 --> 00:50:16,280
can't have any food eatterer, so we left it in

979
00:50:16,360 --> 00:50:21,440
the hallway. But yes, everything is a tease. I can

980
00:50:21,519 --> 00:50:23,320
even smell it, and I can't smell anything most of

981
00:50:23,400 --> 00:50:25,199
the time, but yeah, yeah, so we look forward to that.

982
00:50:26,039 --> 00:50:30,159
So thank you, thank you, Tyler, Thanks Mom, absolutely thank you,

983
00:50:30,360 --> 00:50:34,800
so Mom, thank you so much. We love it. But yeah,

984
00:50:34,880 --> 00:50:36,920
so thank you and Aaron and Nick. Wonderful to meet

985
00:50:36,920 --> 00:50:41,039
both of you and Tyler. Congratulations on everything that you're doing.

986
00:50:41,079 --> 00:50:44,159
I love the new single, absolutely amazing and thanks for

987
00:50:44,360 --> 00:50:46,800
playing for us today. Thank you, and we're going to

988
00:50:46,840 --> 00:50:49,039
close out the segment with another Darling Hill track that

989
00:50:49,079 --> 00:50:51,320
we were talking about a few minutes ago, Bus number two.

990
00:50:51,440 --> 00:50:54,280
And then if you are listening live on Saturday, I

991
00:50:54,400 --> 00:50:57,519
presume he's in the building already. He is in the building,

992
00:50:57,639 --> 00:51:00,679
Jason Oberstein, so really looking forward to meeting him and

993
00:51:00,960 --> 00:51:03,159
hearing him play. And did he bring his guitar?

994
00:51:04,119 --> 00:51:05,000
Speaker 12: Maybe maybe?

995
00:51:05,719 --> 00:51:07,880
Speaker 10: I know he's got a bunch of studios. Don't be impatient,

996
00:51:08,159 --> 00:51:11,679
but well, you know, all right, so very good, so

997
00:51:12,000 --> 00:51:14,440
uh again, thank you all so much, and we will

998
00:51:14,480 --> 00:51:17,119
close out this segment with this. This is bust number two.

999
00:51:17,440 --> 00:51:18,199
Darlene Hill.

1000
00:51:46,400 --> 00:51:51,000
Speaker 4: Oncece new a boy shot the blonde hair, freckles on

1001
00:51:51,199 --> 00:51:57,480
his nose and baby blue eye, Stay, baby.

1002
00:51:58,880 --> 00:51:59,239
Speaker 5: Stay.

1003
00:52:01,920 --> 00:52:06,400
Speaker 4: I watched his fingertips play with the rain, one hand

1004
00:52:06,599 --> 00:52:09,599
on his back, back one on the school bus.

1005
00:52:17,679 --> 00:52:20,559
Speaker 7: We both felt than both fell.

1006
00:52:21,559 --> 00:52:24,480
Speaker 4: We both felt vame, We wrote.

1007
00:52:24,679 --> 00:52:31,280
Speaker 7: We boas felled sweet. Both felt names.

1008
00:52:32,519 --> 00:52:41,000
Speaker 18: School ride was sunshine. School ride was sunshine. School ride

1009
00:52:41,079 --> 00:52:45,480
was sunshine, school ride.

1010
00:52:49,280 --> 00:52:53,719
Speaker 7: Shut shine.

1011
00:53:01,159 --> 00:53:04,199
Speaker 3: But enough for day and be and do what to do?

1012
00:53:04,800 --> 00:53:09,000
Just wanna get on and sit with you.

1013
00:53:11,280 --> 00:53:18,000
Speaker 7: I wanna play with you where the skies are blue.

1014
00:53:24,519 --> 00:53:32,840
Speaker 15: We both fell vase. We both fell vaz sweet both

1015
00:53:33,119 --> 00:53:37,599
fell the sweet both fell be.

1016
00:53:39,440 --> 00:53:45,119
Speaker 4: School ride with sunshine. My school ride was sunshine.

1017
00:53:47,159 --> 00:53:49,199
Speaker 18: My school ride with sunshine.

1018
00:53:51,079 --> 00:53:52,639
Speaker 11: My school ride was.

1019
00:53:56,199 --> 00:53:56,599
Speaker 16: Shine.

1020
00:54:00,199 --> 00:54:00,559
Speaker 9: Shop.

1021
00:54:19,880 --> 00:54:24,079
Speaker 7: One of these days was not like the rest. Seed

1022
00:54:24,280 --> 00:54:25,119
is empty.

1023
00:54:26,719 --> 00:54:28,280
Speaker 1: No far best.

1024
00:54:30,159 --> 00:54:32,000
Speaker 3: He was led to rest.

1025
00:54:35,400 --> 00:54:40,719
Speaker 15: We all felt vain, all felt thing. We all felt name,

1026
00:54:42,400 --> 00:54:48,920
We all felt things. We all felt things.

1027
00:54:50,239 --> 00:54:58,880
Speaker 2: School ride was great. School ride was great. School ride

1028
00:54:59,079 --> 00:55:19,599
was great. Gray gray school ride bus gray once New

1029
00:55:19,719 --> 00:55:22,000
avoid shaka blond.

1030
00:55:21,840 --> 00:55:26,960
Speaker 4: Hair freck goes on his nose and baby blue eyes strain,

1031
00:55:29,239 --> 00:55:31,760
Baby blue eyes stay.

1032
00:56:00,360 --> 00:56:02,559
Speaker 16: In times of crisis, you need a law firm that

1033
00:56:02,679 --> 00:56:05,719
stands by your side. With over forty years of experience,

1034
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Craigan Getsulis is dedicated to fighting for your rights. As

1035
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former state prosecutors, our attorneys have the knowledge and trial

1036
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1037
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1038
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will assess your case and fight for the compensation you deserve.

1039
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Serving all of New Hampshire, Craigan Getzulis is here when

1040
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1041
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1042
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Speaker 19: Bring your kitchen to life with Queen City Cabinetry, located

1043
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at eighty seven Elm Street in the historic Sunbeam Mall

1044
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1045
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can be reached at six h three two two two

1047
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1048
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1049
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1050
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Speaker 20: Of WMNH, Disneys Cafe is the place to put a

1051
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smile on your face. Judy and the crew will take

1052
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1053
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buds right. Business cafe is always a winning choice. Breakfast,

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lunch or supper Dizzne's Cafe at eight sixty Elm Street

1055
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in downtown Manchester. Dine in, take out or make a

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1057
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1058
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Speaker 1: Two, Eat, drink and be happy Dizze's Cafe.

1059
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Speaker 21: When it comes to keeping WMNH on the air and

1060
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your own personal or business computer needs, trust Growland Computers,

1061
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located on Elm Street in Manchester. Groland handles computer repair,

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Speaker 9: Midnight seven times out of ten we listened to our

1069
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music at night. That's one titled business program.

1070
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Speaker 20: Late Night to Light with DJ Midas right here on

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1072
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Speaker 14: This hour on WMNH is sponsored by CGI Business Solutions,

1073
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1074
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