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<v Speaker 1>We're Tom Lorenzo and this is the Pop Style Opinion Fest. Hello, KITT's,

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<v Speaker 1>welcome back to another edition of the p SL. I'm

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<v Speaker 1>the team. You're te Lo Tom Fitzgerald, and I'm here

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<v Speaker 1>with the Loane You t Lo Lorenzo becas my love,

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<v Speaker 1>the husband who's you know what you're dying to say it?

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<v Speaker 2>Go ahead say birthday to my wonderful husband. It's his

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<v Speaker 2>birthday today. He didn't want to me to mention it,

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<v Speaker 2>but I will, and I think I need to. He's

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<v Speaker 2>a wonderful man. I'm so honored and proud and happy

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<v Speaker 2>to be with you.

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<v Speaker 1>The same.

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<v Speaker 2>Anyway, it's his birthday and he's a wonderful person. So

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<v Speaker 2>happy birthday.

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<v Speaker 1>Thank you for that. You were also wonderful person. Much

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<v Speaker 1>to discuss today. We're gonna dive into some Pride stuff

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<v Speaker 1>and oh we're going to have a lot to say

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<v Speaker 1>about the finale Widow's Bay. That'll be in the second

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<v Speaker 1>half of this podcast because we're going to spoil the

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<v Speaker 1>hell out of that one. But we wanted to weigh

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<v Speaker 1>in on the current Pride Night controversy that is hitting

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<v Speaker 1>Major League Baseball. We have thoughts that probably shouldn't surprise you.

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<v Speaker 1>But actually I think our conclusions might surprise you. But

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<v Speaker 1>before we get into that, I kind of have an

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<v Speaker 1>announcement and it's not you know, it's not a happy one,

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<v Speaker 1>but it's not a terrible one. Don't worry.

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<v Speaker 2>Oh, we just thought that you guys who have been

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<v Speaker 2>following us and following the story needed to do. Yeah.

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<v Speaker 2>We all right.

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<v Speaker 1>So if you've been listening to us or reading us

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<v Speaker 1>or whatever for any length of time, you might know

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<v Speaker 1>that we have been working with a woman named Rachel

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<v Speaker 1>Harlowe on her biograph. Rachel is a trans woman who

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<v Speaker 1>U fifty years ago. Sixty years ago, she became a

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<v Speaker 1>cause celeb at the can Film Festival, and she went

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<v Speaker 1>off to Hollywood, and then she came back to Philadelphia

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<v Speaker 1>and opened a discotheque. And she had a very colorful life.

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<v Speaker 1>She dated Grace Kelly's brother at one point it was

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<v Speaker 1>a big scandal in the city. A lot of fascinating

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<v Speaker 1>aspects to her life and we, I in particular, have

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<v Speaker 1>been obsessed with her since I was a kid. She

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<v Speaker 1>was a local Philadelphia legend when I was a kid,

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<v Speaker 1>and I was obsessed with her. And then when we

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<v Speaker 1>were researching Legendary Children, our book on the history of

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<v Speaker 1>drag and queer culture. Her story came up and I thought,

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<v Speaker 1>oh God, no one really, you know, when you look

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<v Speaker 1>her up and everything, there just wasn't a lot of

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<v Speaker 1>information about her out there. She had faded in importance,

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<v Speaker 1>and I felt that we had a sort of a

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<v Speaker 1>responsibility to try and get her story back out in

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<v Speaker 1>the world. So after several years of trying to track

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<v Speaker 1>her down, we finally did, and we got her to

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<v Speaker 1>agree to work with us on this book. And we

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<v Speaker 1>spent three years interviewing her, interviewing her friends and colleagues,

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<v Speaker 1>and doing research on the book and pitching it. And

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<v Speaker 1>let me explain a little bit about the world of

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<v Speaker 1>pitching a book. So I've never written novels, so I

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<v Speaker 1>can't even speak to what it's like for when you're

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<v Speaker 1>writing fiction. But when you're writing nonfiction, you normally have

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<v Speaker 1>to submit a proposal for consideration, and that proposal is

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<v Speaker 1>basically a shorter version of the book.

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<v Speaker 2>It's it.

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<v Speaker 1>You know, there's more to it than that, but you

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<v Speaker 1>basically have to have every chapter of the book completely

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<v Speaker 1>mapped out and partially written, and you usually have to

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<v Speaker 1>have at least one chapter fully written out. You have

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<v Speaker 1>to have a more marketing plan, you have to have

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<v Speaker 1>you know, you have to talk about what your goals

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<v Speaker 1>and themes and everything for the book is going to be.

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<v Speaker 1>And it's a long process and it's a hard process.

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<v Speaker 1>And speaking as the co authors of two different of

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<v Speaker 1>two published books, you should know that we have gone

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<v Speaker 1>through this process six or seven times. There's you know,

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<v Speaker 1>you throw out proposals, but you don't always get offers.

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<v Speaker 1>But we felt very very strongly about this book, and

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<v Speaker 1>our initial round of pitches were met with some reluctance

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<v Speaker 1>because the publishing industry was feeling this and this was

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<v Speaker 1>last year, was feeling that maybe trans stories were too controversial,

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<v Speaker 1>maybe the public was turning against this sort of thing,

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<v Speaker 1>you know, in the wake of the Trump election and everything.

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<v Speaker 1>So we weren't getting offers. And then we retold it

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<v Speaker 1>and sent it out again this year and we started

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<v Speaker 1>getting a lot of interest with it. Actually, in fact,

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<v Speaker 1>more interest from this proposal than from any other proposal

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<v Speaker 1>we've ever had out there. At one point there were

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<v Speaker 1>four publishers who were expressing interest and our agent was

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<v Speaker 1>thinking about trying to get them into a sort of

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<v Speaker 1>you know, pitching battle or whatever in the end. But

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<v Speaker 1>like I said, it's very difficult right now, nonfiction publishing

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<v Speaker 1>is in free fall. Nobody understands what sells. The only

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<v Speaker 1>things that seem to sell are like celebrity books or

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<v Speaker 1>political books written by political insiders, but you know, everything else.

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<v Speaker 1>And there have been several high profile trands biographies that

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<v Speaker 1>were published in the last couple of years. One was

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<v Speaker 1>Marsha P. Johnson's, one was Candy Darlings, and they did

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<v Speaker 1>they didn't actually sell all that well, so it was

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<v Speaker 1>an uphill battle. At one point I said to Lorenzo,

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<v Speaker 1>was like, I feel like I'm swimming up a waterfall

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<v Speaker 1>trying to get this done. But we believed in it,

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<v Speaker 1>and we and there were there were publishers showing interest,

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<v Speaker 1>so we just kept plugging away and plugging away. This

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<v Speaker 1>was a very hard process for Rachel because everything I

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<v Speaker 1>just said to you about the industry, about the culture,

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<v Speaker 1>about where we are right now, and the difficulties of

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<v Speaker 1>selling a nonfiction book that was kind of falling on

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<v Speaker 1>deaf ears every time I tried to explain it to her,

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<v Speaker 1>because from her perspective, she felt like it was a

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<v Speaker 1>statement on her life, like she was taking the slowness

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<v Speaker 1>of this process somewhat personally. Long story short, we last

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<v Speaker 1>month we fielded two offers from publishers. They were not

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<v Speaker 1>lucrative offers, but they were very you know, the publishers

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<v Speaker 1>were excited, and the fact that we were able to

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<v Speaker 1>get these offers in this market right just insane, insane,

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<v Speaker 1>and we were ready to sign with one of them,

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<v Speaker 1>the one who made the better offer. When Rachel she bounced.

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<v Speaker 1>Basically she found the whole process too, I guess, demoralizing

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<v Speaker 1>in a certain way, like her whole life was put

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<v Speaker 1>on a on a on display, and and and we

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<v Speaker 1>had to pitch it. Like I think in her mind

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<v Speaker 1>she thought people were just going to line up and

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<v Speaker 1>and just throw money at us. And you should understand

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<v Speaker 1>that we in agreement with Rachel that we were splitting

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<v Speaker 1>the advance with her, so she had a financial stake

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<v Speaker 1>in this. She was not happy, She was not happy

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<v Speaker 1>with the author with the offer, and away just walked

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<v Speaker 1>away from it, completely, cut off, cut off contact with us.

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<v Speaker 1>After three years. Yeah, let me you can get your

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<v Speaker 1>I'm not going to cut you off. But I always

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<v Speaker 1>want to say this was painful, beyond painful, and I'm

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<v Speaker 1>I'm not going to bad mouth her, but it was very,

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<v Speaker 1>very disappointing, and I want to reiterate she loved what

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<v Speaker 1>we wrote. This was not a bad her not believing

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<v Speaker 1>in the process. I mean she cried when she read

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<v Speaker 1>the proposal. She cried when she read the piece in

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<v Speaker 1>the Inquirer. So this wasn't about creative differences. It wasn't

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<v Speaker 1>about her walking away from something that she felt wasn't

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<v Speaker 1>in her best interest. She just you know, didn't think

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<v Speaker 1>it was worth her time, so to speak. And we

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<v Speaker 1>felt we needed to tell you because we put ourself.

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<v Speaker 1>We stuck our necks out. As I said, this is

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<v Speaker 1>like our seventh book proposal. We don't go around telling

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<v Speaker 1>everyone when we're because you don't know if these things

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<v Speaker 1>are going to work out.

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<v Speaker 2>That's because we believe.

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<v Speaker 1>Yeah, not only that, but we felt like we need

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<v Speaker 1>to drum up interest, We need to be out there

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<v Speaker 1>telling people that we're working on this. So we stuck

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<v Speaker 1>our neck out and now this book is not happening,

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<v Speaker 1>even though we did get the offers right. So anyway,

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<v Speaker 1>I thought you needed to know.

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<v Speaker 2>Yeah, you know, writing a book, pitching a TV show

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<v Speaker 2>or a movie or anything it's so much work that

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<v Speaker 2>people don't know. People don't know. That's why sometimes you

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<v Speaker 2>see you producers say, you know, it took us five

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<v Speaker 2>years to get this show. You know, someone to agree on,

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<v Speaker 2>you know, saying yes this show or movie or book.

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<v Speaker 2>If you're not very very famous like Barbara Streis and

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<v Speaker 2>line them Ali for example, or or the show Obama.

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<v Speaker 2>You know, people are not lining up to sign up

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<v Speaker 2>with you for anything. Believe me, you.

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<v Speaker 1>We never went into this thinging it was you really

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<v Speaker 1>have to, because we.

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<v Speaker 2>Know how it works and how hard you have to

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<v Speaker 2>work on getting a book published. Again, if you're not

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<v Speaker 2>Michelle Obama is, you really have to work hard. You

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<v Speaker 2>have to convince this people. And when it comes to books,

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<v Speaker 2>books is specifically there's a window there and if you

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<v Speaker 2>miss that window, then it's gone. Uh, they have no

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<v Speaker 2>interest anymore. And sometimes they have slots like like a

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<v Speaker 2>publisher will say, okay, we'll have well, we're gonna publish

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<v Speaker 2>five books this this semester this year, and then they

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<v Speaker 2>you know, if you're not one one of those books

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<v Speaker 2>or or whatever they want to publish that, then they

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<v Speaker 2>pass and then you move on to the next one.

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<v Speaker 2>It's just and then the whole political thing. Also, you know, people.

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<v Speaker 1>Were scared of looking at LGBTQ stories when we first

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<v Speaker 1>started pitching this in like twenty twenty five.

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<v Speaker 2>So when we talk to Rachel about this book, we

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<v Speaker 2>were very clear from the beginning that you know, we're

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<v Speaker 2>here to tell your story.

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<v Speaker 1>We're not here to make money.

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<v Speaker 2>We're not here to make money. I want to tell

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<v Speaker 2>you that we're not here to make money. And because

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<v Speaker 2>this is how it works. And the thing is that

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<v Speaker 2>when you get a book published, you might not make

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<v Speaker 2>a lot of money, but there's potential there to have

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<v Speaker 2>that book. You know, I don't know, pitch as a

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<v Speaker 2>TV show, a documentary or something. I mean there's potential

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<v Speaker 2>there after you get the book published. So sometimes you

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<v Speaker 2>publish a book not because of the money, but because

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<v Speaker 2>it's going to be out there published and things can

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<v Speaker 2>happen after that. So anyway, it you know, it's it's

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<v Speaker 2>it's a lot of stress. It's it's it's it's it's

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<v Speaker 2>not a funny, uh a fun process at all. It's

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<v Speaker 2>very stressful. You don't know what's going to happen.

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<v Speaker 1>You know, you ruin my health this year. I'll be perfect.

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<v Speaker 1>The stress of this really had an effect on my.

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<v Speaker 2>Thomas specifically has been working on this for three years

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<v Speaker 2>and it's just hard. It's as hard. And when we

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<v Speaker 2>finally and I give him a lot of credit for that,

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<v Speaker 2>because we got two offers, which is a maroquette.

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<v Speaker 1>You know, I will state for the record that getting

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<v Speaker 1>those offers in this market, yes times, what I'm telling

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<v Speaker 1>this story is honestly one of the greatest professional achievements

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<v Speaker 1>of my life to actually get offers, because it for

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<v Speaker 1>a really long time, it didn't look like it was

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<v Speaker 1>going to happen.

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<v Speaker 2>So so and I give him a lot of credit,

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<v Speaker 2>and I hope he keeps that in mind that he

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<v Speaker 2>worked trying, He worked really really hard, and we only

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<v Speaker 2>got offers because of him. But then, you know, after

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<v Speaker 2>we got two offers, we were excited about one offer

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<v Speaker 2>and then she decided not to do it anymore.

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<v Speaker 1>So that was she write no context completely.

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<v Speaker 2>So it was heartbreaking.

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<v Speaker 1>So it was heartbreaking.

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<v Speaker 2>And we want to put this out there because we

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<v Speaker 2>mentioned this book so much for you guys, and you know,

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<v Speaker 2>to give you a little understanding, a little bit of

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<v Speaker 2>you know, how things work. So if you write a book,

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<v Speaker 2>believe me, it's a long process. It's not just writing

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<v Speaker 2>a book. Type in the book and giving to somebody

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<v Speaker 2>and say yes, we're going to publish. It's a lot

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<v Speaker 2>of work. It's trying to convince a whole bunch of

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<v Speaker 2>a whole group of people that that book is worth publishing. Yeah,

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<v Speaker 2>it's a long process and you really have to believe

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<v Speaker 2>in it, which we did. But we were also relying

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<v Speaker 2>on her to be part of it. And when you know,

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<v Speaker 2>you decide not to do it.

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<v Speaker 1>Just as an explanation, I mean, there was no question

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<v Speaker 1>of us continuing without her. The pitch. Every time a

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<v Speaker 1>publisher came back to us with a question or expressing

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<v Speaker 1>an interest, they all had the same question, how involved

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<v Speaker 1>is Rachel? Because they want they wanted her involvement, they

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<v Speaker 1>wanted and part of the pitch that you know in

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<v Speaker 1>the proposal was that we said that Rachel would be

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<v Speaker 1>available to promote the book, that she would do interviews

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<v Speaker 1>for the book and that sort of thing. But if

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<v Speaker 1>if she's not doing that, then you know, there can

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<v Speaker 1>be no book. Not in the current atmosphere, right, I

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<v Speaker 1>have all this material on Rachel. I have forty hours

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<v Speaker 1>of interviews. I'm not saying there will never be a book.

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<v Speaker 1>But this project is dead for now.

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<v Speaker 2>The bottom line here is that, and the takeaway here

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<v Speaker 2>for everyone, even if you're not involved in this project obviously,

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<v Speaker 2>is that you know, you take a lot of nose

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<v Speaker 2>before you take a yes, and you just have to

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<v Speaker 2>get used to it right and if you and if

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<v Speaker 2>you're not ready for that, then you fall apart. That's

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<v Speaker 2>what happened with her. You just have to keep going.

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<v Speaker 2>And you know, it's a process. It's a very stressful process.

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<v Speaker 2>You have to work really hard to get that there,

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<v Speaker 2>and you know, we did and then we did it.

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<v Speaker 1>Anyway, we're working on There was a book proposal put

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<v Speaker 1>aside several years back so that we could work on

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<v Speaker 1>this Rachel book because we thought it was more timely.

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<v Speaker 1>So we're returning to a previous proposal. It is about

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<v Speaker 1>movie costumes, and hopefully someday we'll have an announcement about

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<v Speaker 1>that one. As always, you just pick up the pieces

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<v Speaker 1>and rode on exactly. All right, So let's take a

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<v Speaker 1>short break and we'll be back and we're going to

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<v Speaker 1>talk about the Pride Night controversy.

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<v Speaker 2>We'll be right back.

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<v Speaker 1>We're back, and we're going to talk a little bit

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<v Speaker 1>about the Pride Night controversy sleep in the Nation, So

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<v Speaker 1>it became what a surprise, let's start with this. Last year,

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<v Speaker 1>tonight is actually Pride Night for the Phillies. We won't

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<v Speaker 1>be going because we're going out to dinner for my birthday.

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<v Speaker 1>But last year we did go on my birthday for

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<v Speaker 1>Pride Night. It was the first time I had ever

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<v Speaker 1>been at a Pride Night. I've been going to Phillies

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<v Speaker 1>games since I was you know, for as long as

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<v Speaker 1>I can remember, since I was a child, but I'd

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<v Speaker 1>never gone on a Pride Night And it was lovely

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<v Speaker 1>and revelatory because, you know, the the lights in the

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<v Speaker 1>stadium were lit up rainbow, and every time you looked

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<v Speaker 1>at the JumboTron there was some queer person up there.

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<v Speaker 1>There was you know, trans people and lesbians and gay

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<v Speaker 1>people every single time and like gaying it up. You know,

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<v Speaker 1>there were drag queens and everything, and just that they

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<v Speaker 1>had the choir, the Philadelphia Oh yeah, they had the

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<v Speaker 1>Philadelphia Gay Men's Choir. It just it was lovely as

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<v Speaker 1>a Phillies fan and a baseball fan to have that

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<v Speaker 1>moment of community in a space where you never felt

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<v Speaker 1>like you could have that moment of community. And I'll

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<v Speaker 1>say something here that people they never like hearing this,

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<v Speaker 1>But you know, Lorenzo and I are gen X came

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<v Speaker 1>in we are gay men of a certain age, and

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<v Speaker 1>we didn't we didn't come of age. You know, a

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<v Speaker 1>world as accepting of us as it is now. So

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<v Speaker 1>to go to a baseball in a stadium as a

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<v Speaker 1>gay couple on a non pride night means that, yes,

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<v Speaker 1>you are kind of tempering your behavior. You're not gonna, like,

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<v Speaker 1>you know, get all affectionate in the stands unless you're

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<v Speaker 1>sure you're you know, that's just that's just the reality

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<v Speaker 1>of it. I'm sorry. We Lorenzo and I also don't

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<v Speaker 1>walk down the street holding hands. We've never kissed in public.

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<v Speaker 1>Like we're not of that generation and I and very

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<v Speaker 1>much even no matter your generation, a major league sporting

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<v Speaker 1>event is generally not the place for queer expression of

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<v Speaker 1>any kind.

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<v Speaker 2>And to be honest with you, even when it's Pride day,

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<v Speaker 2>I don't feel that comfortable doing certain things, you know,

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<v Speaker 2>like holding hands or whatever. I mean, that's just see,

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<v Speaker 2>that's me because that's how I grew up, never holding

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<v Speaker 2>hands or never showing any affection. I mean even even

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<v Speaker 2>in the presence of family members. It's sometimes things have changed,

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<v Speaker 2>believe me. But but we are.

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<v Speaker 1>Of the generation, and like I said, this isn't just

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<v Speaker 1>a generational thing. I think young queer people also don't

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<v Speaker 1>feel like a Major League Baseball game is necessarily a

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<v Speaker 1>place where they can make out with their girlfriend or whatever.

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<v Speaker 1>Not that you know, you should be watching the game

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<v Speaker 1>and cheering the game. It's not. It's not a place

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<v Speaker 1>to make out. But even so, any sort of affection

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00:17:18.799 --> 00:17:23.000
<v Speaker 1>or or queerness or expression of yourself you sort of

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00:17:23.039 --> 00:17:24.359
<v Speaker 1>have to temper it. You sort of have to make

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<v Speaker 1>sure am I okay here. That's just the reality being

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<v Speaker 1>queer in the world, and even more so in twenty

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<v Speaker 1>twenty six. So I just want to say I loved

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<v Speaker 1>Pride Night, and I I think I felt more of

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<v Speaker 1>a sense of pride and community there than I did

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<v Speaker 1>at the most recent Pride event, you know, Pride Parade

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<v Speaker 1>or whatever that I went to, maybe because because of

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<v Speaker 1>the setting. The setting itself wasn't gay. The setting was,

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00:17:54.480 --> 00:17:59.519
<v Speaker 1>if anything, ragingly heteronormative. So to see that sort of

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<v Speaker 1>queerness and that acceptance of queerness, and let's be clear here,

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<v Speaker 1>it's a stadium of forty five thousand people, maybe maybe

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<v Speaker 1>five percent of them were queer, and everybody else just

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<v Speaker 1>had to deal with all that queerness around them and

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<v Speaker 1>there was no problem. I mean, Philly is not the

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<v Speaker 1>most progressive called, you know, socially progressive city in the world,

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<v Speaker 1>but it still is progressive and liberal and there was

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<v Speaker 1>not a problem. So this week San Francisco, and that's

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<v Speaker 1>that this is part of the issue here is because

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<v Speaker 1>San Francisco was like the queer capital of the United States.

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<v Speaker 1>It always has been, right and said, the San Francisco

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<v Speaker 1>Giants had a bride night and the players were given

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<v Speaker 1>caps to where, you know, giants caps that had a

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<v Speaker 1>rainbow logo, you know, had the Giants logo rendered in

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<v Speaker 1>the progressive rainbow flag, and several of the players wound

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<v Speaker 1>up writing over the logo in silver marker referring to

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<v Speaker 1>a Bible quote about the rainbow covenant with God.

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<v Speaker 2>Yeah, it was the genesis whatever quote quote or whatever

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<v Speaker 2>you yeah, about God creating the rainbow as a sign

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<v Speaker 2>of you know whatever.

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<v Speaker 1>Covenant with his people. Which, Okay, this is where we're

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<v Speaker 1>going to get into some stuff. For one, Okay, I

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<v Speaker 1>think those players were obnoxious assholes for doing this.

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<v Speaker 2>Oh yeah, But.

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<v Speaker 1>When I read what the verse was, I was like, well,

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<v Speaker 1>you know, honestly, honestly, I think their dicks. But that

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00:19:38.400 --> 00:19:40.799
<v Speaker 1>could have been way more offensive, Like they could have

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<v Speaker 1>written a verse about man shall not lie with man,

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<v Speaker 1>or about sodom and gomoor or whatever. But it was

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<v Speaker 1>just about trying, as quote a Christian to reclaim the

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<v Speaker 1>rainbow or to you, you know whatever. I think in

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<v Speaker 1>terms of protest, in terms of Christian based protest, they

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<v Speaker 1>could have been a lot worse than what they did.

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<v Speaker 1>I'm not excusing it. I am offended by it. I

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<v Speaker 1>am hurt by it. I am hurt that Major League

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<v Speaker 1>Baseball cannot bring itself to to to welcome a queer

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<v Speaker 1>fan like me.

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<v Speaker 2>I feel bad for the queer people who love sports,

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<v Speaker 2>for example, right because one, because you know, you feel

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<v Speaker 2>like you have no space, no place, uh and and

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<v Speaker 2>it's just and it's it's it's bad. It's horrible. Actually,

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<v Speaker 2>I feel bad for all the for all these people. Yeah,

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<v Speaker 2>it's a horrible thing. And you know you can't just

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<v Speaker 2>leave it alone. You have to make some sort of

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<v Speaker 2>statement like that that clearly you know you just want

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<v Speaker 2>to offend people. Because that's just to offense.

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<v Speaker 1>I'm not I'm not suggesting that what they did was

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<v Speaker 1>an offensive. I'm just saying at least at least they

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<v Speaker 1>they sort of took the path of least resistance and

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<v Speaker 1>just did a relatively inoffensive take on the rainbow. Like

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<v Speaker 1>I said, I lived through the eighties and nineties. The

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<v Speaker 1>rhetoric could have gotten a lot uglier than that. They

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<v Speaker 1>really would have called me an abomination before the Lord

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<v Speaker 1>or whatever. Now.

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<v Speaker 2>Also, I just want to add that it's not just

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<v Speaker 2>these you know, football it's unfolding. Yeah, it's now become

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<v Speaker 2>a thing soccer players in Europe. Here in the United States,

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<v Speaker 2>male and female. My I should dad, you know, just

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<v Speaker 2>not wanting to wear anything pride, you know.

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<v Speaker 1>Because and there was a minor league gave in York,

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<v Speaker 1>PA last night, York, Pennsylvania where the team wound up

387
00:21:35.240 --> 00:21:38.200
<v Speaker 1>before fitting the game because they refused to wear pride gear.

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<v Speaker 1>So this, this gets into some complicated questions because there

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00:21:45.279 --> 00:21:47.559
<v Speaker 1>is a big, big, big, big big part of me

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00:21:47.680 --> 00:21:51.119
<v Speaker 1>that does not agree with the idea of forcing people

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<v Speaker 1>to wear pride gear.

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<v Speaker 2>I agree with you.

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<v Speaker 1>That's that's when you start getting into all right, I'm gonna.

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<v Speaker 1>I just feel as queer people and people on the

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00:22:06.039 --> 00:22:09.920
<v Speaker 1>left generally, we've never been very good at picking our battles.

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<v Speaker 1>And a prime example of this is the the wedding

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<v Speaker 1>cake battle, right. I remember when that was unfolding and

398
00:22:17.200 --> 00:22:20.000
<v Speaker 1>suing all these bakers, and I was like, this is

399
00:22:20.200 --> 00:22:23.640
<v Speaker 1>only going to anger the right wing more and now

400
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<v Speaker 1>they have a rallying cry, and sure enough they did.

401
00:22:26.400 --> 00:22:29.839
<v Speaker 1>And that actually, all of those lawsuits and that crazy

402
00:22:29.960 --> 00:22:32.839
<v Speaker 1>bitch in her corduroy skirts that I can't even remember,

403
00:22:32.920 --> 00:22:37.599
<v Speaker 1>Kim Davis, she wound up becoming a cause celeb on

404
00:22:37.680 --> 00:22:41.279
<v Speaker 1>the right and it helped fuel entire political campaigns. And

405
00:22:41.359 --> 00:22:45.359
<v Speaker 1>for what so that a dozen queer couples could force

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<v Speaker 1>a baker to make them a cake. I don't think

407
00:22:50.599 --> 00:22:53.759
<v Speaker 1>that was a battle worth fighting. And it became a

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00:22:53.920 --> 00:22:57.480
<v Speaker 1>national cause celeb and it has it became a stand

409
00:22:57.559 --> 00:23:01.799
<v Speaker 1>in for just queer people being demanding and annoying and

410
00:23:01.920 --> 00:23:04.839
<v Speaker 1>blah blah blah blah blah. And you see the same

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00:23:04.880 --> 00:23:08.079
<v Speaker 1>thing here. Senator Josh Holly came out today. Jd Vance

412
00:23:08.160 --> 00:23:10.920
<v Speaker 1>came out and made a statement about this. It is

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00:23:11.079 --> 00:23:16.279
<v Speaker 1>only going to grow right and I think major league Baseball,

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<v Speaker 1>and I will say Major League Baseball came out and

415
00:23:18.240 --> 00:23:21.000
<v Speaker 1>denounced the Giants for acting this way and made a

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00:23:21.079 --> 00:23:25.720
<v Speaker 1>very firm statement. But again, you were getting into forcing

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<v Speaker 1>people to wear rainbows. I mean, how would we feel

418
00:23:29.759 --> 00:23:33.039
<v Speaker 1>if people were forced to wear crucifixes, you know, or

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00:23:33.079 --> 00:23:35.599
<v Speaker 1>pro life messages or anything like that.

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<v Speaker 2>It's I.

421
00:23:39.480 --> 00:23:42.880
<v Speaker 1>Don't think this is the path to acceptance. I just don't.

422
00:23:43.279 --> 00:23:46.200
<v Speaker 1>I think you should have pride nights. Absolutely, you should

423
00:23:46.240 --> 00:23:49.079
<v Speaker 1>have Pride nights. I think the team and the organization

424
00:23:49.599 --> 00:23:54.319
<v Speaker 1>should welcome and support any queer people. But forcing team

425
00:23:54.400 --> 00:23:58.200
<v Speaker 1>members to wear that stuff that really does not sit

426
00:23:58.279 --> 00:23:59.240
<v Speaker 1>well with me at all.

427
00:23:59.839 --> 00:24:02.359
<v Speaker 2>I have a problem with forcing people to to wear something,

428
00:24:02.440 --> 00:24:05.000
<v Speaker 2>especially because they're saying, well, it's a uniform policy, you

429
00:24:05.079 --> 00:24:08.400
<v Speaker 2>have to wear it. But again, as you said, I

430
00:24:08.400 --> 00:24:12.319
<v Speaker 2>mean a pro life hat or a Chris effects Christian

431
00:24:12.359 --> 00:24:16.079
<v Speaker 2>hat or whatever would you wear it? Would you say

432
00:24:16.160 --> 00:24:16.759
<v Speaker 2>yes to it?

433
00:24:16.839 --> 00:24:19.319
<v Speaker 1>A star of David anybody? I mean, I realized that

434
00:24:19.400 --> 00:24:20.680
<v Speaker 1>queerness isn't a religion.

435
00:24:20.799 --> 00:24:25.279
<v Speaker 2>But I'm actually I I don't look for acceptance anymore.

436
00:24:25.480 --> 00:24:30.680
<v Speaker 2>I mean I'm always dead. That hasn't happened yet. I yeah,

437
00:24:30.759 --> 00:24:33.319
<v Speaker 2>I gave up on acceptance. I want tolerance. I want

438
00:24:33.359 --> 00:24:36.440
<v Speaker 2>you to I want you, motherfucker to accept that I exist,

439
00:24:36.599 --> 00:24:39.799
<v Speaker 2>that I have the right to exist, and that I

440
00:24:39.839 --> 00:24:41.880
<v Speaker 2>have that I have the right to live my life

441
00:24:41.880 --> 00:24:46.599
<v Speaker 2>the way I feel. Saying motherfucker anyway, anyway, it effects

442
00:24:46.599 --> 00:24:50.279
<v Speaker 2>are rating anyway. My point is that I'm not looking

443
00:24:50.319 --> 00:24:54.640
<v Speaker 2>for your acceptance. I'm looking I want your tolerance. I

444
00:24:54.680 --> 00:24:57.680
<v Speaker 2>want you, just always the case, to understand that I

445
00:24:57.799 --> 00:24:59.839
<v Speaker 2>have the right to live the way I want to

446
00:25:00.160 --> 00:25:04.000
<v Speaker 2>my life. So back to Friday at Friday Night or

447
00:25:04.039 --> 00:25:07.640
<v Speaker 2>whatever at a stadium. I accept them to have those events.

448
00:25:07.720 --> 00:25:08.960
<v Speaker 2>I think they yeah, right up.

449
00:25:08.880 --> 00:25:11.799
<v Speaker 1>To rainbow, put up the rainbow flag by in my yard.

450
00:25:11.880 --> 00:25:14.640
<v Speaker 2>But if you play it doesn't want to wear the hat,

451
00:25:14.720 --> 00:25:15.920
<v Speaker 2>then why he should.

452
00:25:15.720 --> 00:25:17.960
<v Speaker 1>Not be forced to whatever, Because then what you're doing

453
00:25:18.039 --> 00:25:22.400
<v Speaker 1>is you're you're forcing situations like this. Yes where listen,

454
00:25:22.480 --> 00:25:25.400
<v Speaker 1>if those players walked out on the field in basic

455
00:25:25.480 --> 00:25:28.559
<v Speaker 1>San Francisco Giants gear, without the rainbow and without the

456
00:25:28.599 --> 00:25:32.519
<v Speaker 1>Bible messages, people would have noticed, but the queer people

457
00:25:32.559 --> 00:25:35.519
<v Speaker 1>in attendance would not have been hurt or offended by that.

458
00:25:35.880 --> 00:25:38.720
<v Speaker 1>I think so when you force players to do this,

459
00:25:39.279 --> 00:25:42.640
<v Speaker 1>they are in response going to become even more offensive

460
00:25:42.839 --> 00:25:45.839
<v Speaker 1>in their response, and you're hurting queer people.

461
00:25:45.960 --> 00:25:47.799
<v Speaker 2>That's that's where.

462
00:25:47.599 --> 00:25:49.359
<v Speaker 1>I stand on this, and I realized that not a

463
00:25:49.400 --> 00:25:51.319
<v Speaker 1>lot of queer people think that a lot. I mean,

464
00:25:51.920 --> 00:25:54.400
<v Speaker 1>I'm standing sort of in opposition in my community because

465
00:25:54.440 --> 00:25:58.200
<v Speaker 1>I think the general community line is, well, screw those guys,

466
00:25:58.240 --> 00:26:00.880
<v Speaker 1>they should wear the rainbow and up. And I'm like,

467
00:26:01.319 --> 00:26:03.680
<v Speaker 1>I don't really think that's how it works.

468
00:26:03.480 --> 00:26:06.680
<v Speaker 2>It's complicated because back to the wedding cake thing. I mean,

469
00:26:07.119 --> 00:26:09.440
<v Speaker 2>you saying, all right, well, we shouldn't force these people

470
00:26:09.440 --> 00:26:11.400
<v Speaker 2>to bike a cake for us. But at the same time,

471
00:26:12.680 --> 00:26:15.680
<v Speaker 2>you can't start, you know, adding people to the list

472
00:26:15.680 --> 00:26:17.839
<v Speaker 2>of people you don't want to bake a kate, you

473
00:26:17.880 --> 00:26:22.079
<v Speaker 2>know for. So it's complicated because then you're going to add, what,

474
00:26:22.160 --> 00:26:24.039
<v Speaker 2>I'm not baking a cake for a black person, an

475
00:26:24.039 --> 00:26:27.440
<v Speaker 2>Asian person or whatever. Then you start adding you know so,

476
00:26:27.799 --> 00:26:33.759
<v Speaker 2>and so it's complicated. When do you stop with that?

477
00:26:33.880 --> 00:26:36.079
<v Speaker 2>When do you allow them to do whatever they want

478
00:26:36.119 --> 00:26:36.359
<v Speaker 2>to do.

479
00:26:36.559 --> 00:26:40.559
<v Speaker 1>I think you need to weigh the potential for backlashs

480
00:26:41.039 --> 00:26:44.680
<v Speaker 1>at least somewhat, And again people don't like hearing that.

481
00:26:44.920 --> 00:26:48.200
<v Speaker 1>But my issue with the left in this country with

482
00:26:48.279 --> 00:26:52.759
<v Speaker 1>liberals in this country is that they had this fantasy

483
00:26:53.440 --> 00:26:57.519
<v Speaker 1>of quote unquote winning and all of those people who

484
00:26:57.559 --> 00:27:01.839
<v Speaker 1>exist in opposition, and let's be clear, are here violent,

485
00:27:02.319 --> 00:27:06.519
<v Speaker 1>deep opposition to liberalism exists in this country, and it's growing.

486
00:27:07.160 --> 00:27:09.720
<v Speaker 1>And there's this sense among the left that if we

487
00:27:09.960 --> 00:27:14.359
<v Speaker 1>just force those people out or whatever, we will win

488
00:27:14.680 --> 00:27:18.559
<v Speaker 1>and social progress will happen. And No, every time you

489
00:27:18.759 --> 00:27:22.759
<v Speaker 1>force those forty million people who voted for Trump, they're

490
00:27:22.799 --> 00:27:26.680
<v Speaker 1>not going away, okay. And my point is not, oh,

491
00:27:26.720 --> 00:27:29.079
<v Speaker 1>you have to learn to live with them, that's not it,

492
00:27:29.200 --> 00:27:31.720
<v Speaker 1>but you have to come up with more effective ways

493
00:27:31.880 --> 00:27:35.359
<v Speaker 1>of countering them. We have a crazy twenty two pound

494
00:27:35.400 --> 00:27:37.880
<v Speaker 1>cat who is rolling around and now he's starting to

495
00:27:37.920 --> 00:27:38.880
<v Speaker 1>bite us on this.

496
00:27:38.880 --> 00:27:41.640
<v Speaker 2>Day, jacking the equipment.

497
00:27:41.720 --> 00:27:43.680
<v Speaker 1>Anyway, Do you want to wrap this up or do

498
00:27:43.680 --> 00:27:44.720
<v Speaker 1>you have anything more to say?

499
00:27:45.000 --> 00:27:47.680
<v Speaker 2>No? I think as I said, I think those events

500
00:27:47.680 --> 00:27:51.119
<v Speaker 2>should happen. I think Pride Day, Pride night, Pride, whatever, love.

501
00:27:51.119 --> 00:27:53.799
<v Speaker 1>Yet, dinner bro, the community, they should happen.

502
00:27:53.920 --> 00:27:57.559
<v Speaker 2>They they in fact, they we should force these those

503
00:27:57.559 --> 00:28:00.759
<v Speaker 2>I think you should forth their absolutely pole to wear

504
00:28:00.799 --> 00:28:04.440
<v Speaker 2>something during those events. No, I say no to that

505
00:28:04.519 --> 00:28:08.519
<v Speaker 2>because I wouldn't be wearing certain hats if I was fortune.

506
00:28:08.640 --> 00:28:11.559
<v Speaker 1>Like I said, the blowback is now becoming more virulent,

507
00:28:11.640 --> 00:28:15.000
<v Speaker 1>and you've got the freaking vice president weighing in on this.

508
00:28:15.119 --> 00:28:16.799
<v Speaker 2>I know you have the Vice president saying, you know,

509
00:28:16.839 --> 00:28:19.240
<v Speaker 2>Trump one, we don't have to do this anymore. Or

510
00:28:19.359 --> 00:28:21.880
<v Speaker 2>then you have all these right wing public figures say

511
00:28:22.119 --> 00:28:24.000
<v Speaker 2>I'll pay all the fines, you know, let them do

512
00:28:24.079 --> 00:28:26.480
<v Speaker 2>it all right, I'll front the money so that they

513
00:28:26.599 --> 00:28:27.519
<v Speaker 2>keep their hatreds.

514
00:28:27.559 --> 00:28:29.839
<v Speaker 1>They're not going to go away because you want them to.

515
00:28:30.000 --> 00:28:34.200
<v Speaker 1>They're just not. So you have to figure out effective

516
00:28:34.279 --> 00:28:38.559
<v Speaker 1>ways of countering them and forcing And let's face it,

517
00:28:38.680 --> 00:28:41.000
<v Speaker 1>I will never forget. My brother's a big Phillies fan

518
00:28:41.039 --> 00:28:43.039
<v Speaker 1>and he's also gay too, And you know, you love

519
00:28:43.079 --> 00:28:45.279
<v Speaker 1>your Phillies, you love those boys. And he said, yeah,

520
00:28:45.279 --> 00:28:47.759
<v Speaker 1>but have those guys voted MAGA And you just know it.

521
00:28:47.839 --> 00:28:49.759
<v Speaker 2>I know that's the heart.

522
00:28:49.920 --> 00:28:52.240
<v Speaker 1>That's the hard part of all major Yeah, that's the

523
00:28:52.279 --> 00:28:54.559
<v Speaker 1>hard part of it, is that you love your boys,

524
00:28:54.599 --> 00:28:58.279
<v Speaker 1>But then you know they're all millionaires and most of

525
00:28:58.319 --> 00:28:59.680
<v Speaker 1>them are concernatives.

526
00:28:59.200 --> 00:29:00.359
<v Speaker 2>Of them gay people.

527
00:29:01.240 --> 00:29:04.119
<v Speaker 1>So I'm not I don't have illusions about that. But

528
00:29:06.240 --> 00:29:11.559
<v Speaker 1>I think Major League Baseball as an organization should support

529
00:29:11.680 --> 00:29:16.799
<v Speaker 1>its queer fans, but they should not expect individual players

530
00:29:16.839 --> 00:29:19.240
<v Speaker 1>to come out and and they should certainly not force

531
00:29:19.319 --> 00:29:22.640
<v Speaker 1>those players to show. Yes, well, that's not support. I

532
00:29:22.680 --> 00:29:25.920
<v Speaker 1>think you're forcing them to wear a rainbow. That's not support, right,

533
00:29:26.000 --> 00:29:27.119
<v Speaker 1>that's domination.

534
00:29:27.640 --> 00:29:29.799
<v Speaker 2>I think that's the part that we need to focus

535
00:29:29.839 --> 00:29:34.279
<v Speaker 2>on money and gave people have money just like anybody else. Yeah,

536
00:29:34.359 --> 00:29:37.559
<v Speaker 2>so we need to focus on that. Where are we

537
00:29:37.599 --> 00:29:40.640
<v Speaker 2>spending our money? And these organizations know that we have

538
00:29:40.759 --> 00:29:43.039
<v Speaker 2>the money to spend and if they don't want to

539
00:29:43.079 --> 00:29:46.160
<v Speaker 2>support us, then we don't support them. That that I

540
00:29:46.240 --> 00:29:50.680
<v Speaker 2>believe in. I believe in doing that, fighting these companies,

541
00:29:50.799 --> 00:29:55.000
<v Speaker 2>organizations and clubs or whatever uh to force them to

542
00:29:55.039 --> 00:30:00.400
<v Speaker 2>support us. Forcing some jackass who homophobe jack us to

543
00:30:00.799 --> 00:30:03.119
<v Speaker 2>you know, wear a rainbow and hat. No, I'm not

544
00:30:03.119 --> 00:30:03.640
<v Speaker 2>going to do that.

545
00:30:03.799 --> 00:30:06.960
<v Speaker 1>Some guy who only went to Christian College on a scholarship.

546
00:30:07.000 --> 00:30:07.279
<v Speaker 2>Now, I.

547
00:30:09.079 --> 00:30:11.559
<v Speaker 1>Never saw black people until he played a major League

548
00:30:11.559 --> 00:30:14.920
<v Speaker 1>baseball game. And you can't force someone like that. They're

549
00:30:14.960 --> 00:30:19.039
<v Speaker 1>just gonna, well, come on, that's a description.

550
00:30:19.160 --> 00:30:21.079
<v Speaker 2>There are anyway, yes.

551
00:30:21.799 --> 00:30:26.160
<v Speaker 1>Hicks in major League baseball. All right, So let's everyone's

552
00:30:26.160 --> 00:30:26.759
<v Speaker 1>gonna get mad at me.

553
00:30:27.000 --> 00:30:28.200
<v Speaker 2>Oh, yes, I don't even care.

554
00:30:28.359 --> 00:30:30.480
<v Speaker 1>I don't care. I'm allowed to be mad at these people.

555
00:30:31.119 --> 00:30:32.519
<v Speaker 1>All right, So let's take a quick break and we're

556
00:30:32.519 --> 00:30:34.839
<v Speaker 1>going to come back and talk all about Widow's Bay.

557
00:30:37.799 --> 00:30:40.160
<v Speaker 1>We're back, and now we're going to spoil the finale

558
00:30:40.200 --> 00:30:44.759
<v Speaker 1>of Widows Bay, which we have the show. Yeah, we've

559
00:30:44.759 --> 00:30:47.200
<v Speaker 1>been singing the praises of that show for the past

560
00:30:47.200 --> 00:30:50.000
<v Speaker 1>couple of podcasts, and like a lot of people, I'm

561
00:30:50.079 --> 00:30:52.200
<v Speaker 1>kind of sorry we didn't get in on the ground floor.

562
00:30:52.519 --> 00:30:55.640
<v Speaker 1>I watched the first couple of episodes, but I didn't

563
00:30:55.720 --> 00:30:59.839
<v Speaker 1>really realize until about the fourth episode, where I was like, oh,

564
00:31:00.079 --> 00:31:02.200
<v Speaker 1>this is actually really good, and I kind of wish

565
00:31:02.240 --> 00:31:04.880
<v Speaker 1>we had started in on the on the beginning. Don't

566
00:31:04.880 --> 00:31:07.279
<v Speaker 1>you worry, though, because there will be season two, and

567
00:31:07.359 --> 00:31:10.599
<v Speaker 1>like everybody else who writes about tell or talks about television,

568
00:31:10.680 --> 00:31:13.279
<v Speaker 1>we will be on board when that happens. This show

569
00:31:13.880 --> 00:31:18.720
<v Speaker 1>has exploded, and if you haven't watched it, yeah, it's

570
00:31:18.759 --> 00:31:22.319
<v Speaker 1>my favorite news show of the year, and I will

571
00:31:22.400 --> 00:31:26.240
<v Speaker 1>admit if you haven't watched it. The first two episodes

572
00:31:26.359 --> 00:31:29.279
<v Speaker 1>they're cute and quirky, but they don't necessarily it's really

573
00:31:29.359 --> 00:31:31.839
<v Speaker 1>by the fourth episode, you're like, oh, okay, this is

574
00:31:32.519 --> 00:31:33.440
<v Speaker 1>super inventive.

575
00:31:33.519 --> 00:31:35.599
<v Speaker 2>I think you don't know exactly what the show is

576
00:31:35.640 --> 00:31:38.359
<v Speaker 2>about watching the first and the second, but the writing

577
00:31:38.440 --> 00:31:42.319
<v Speaker 2>it's hilarious from from day one, from like I mean, yeah,

578
00:31:42.400 --> 00:31:46.720
<v Speaker 2>it's just funny. I love how it exploded. I'm on

579
00:31:46.759 --> 00:31:50.079
<v Speaker 2>TikTok as you guys knew, and I love watching and

580
00:31:50.480 --> 00:31:52.920
<v Speaker 2>you know, listening to Matthew Reeves talk about how he

581
00:31:53.000 --> 00:31:54.039
<v Speaker 2>can't believe how.

582
00:31:53.880 --> 00:31:56.839
<v Speaker 1>Big the show got. Yeah, and it's just adorable. It's

583
00:31:56.839 --> 00:31:58.880
<v Speaker 1>just adorable. I think it caught them a little bit

584
00:31:58.920 --> 00:32:03.119
<v Speaker 1>off far a little so, all right, let's get into

585
00:32:03.160 --> 00:32:07.559
<v Speaker 1>this final episode, which I was correct, but I will

586
00:32:07.559 --> 00:32:10.319
<v Speaker 1>also say it was a very common theory online and

587
00:32:10.400 --> 00:32:11.920
<v Speaker 1>I did not come up with it on my own,

588
00:32:12.599 --> 00:32:16.920
<v Speaker 1>which is that Ruth, the secretary at city Hall, is

589
00:32:17.000 --> 00:32:22.359
<v Speaker 1>not the final right Westcott Warren line, and that she

590
00:32:22.440 --> 00:32:25.200
<v Speaker 1>had a secret baby and that baby was Tom's wife,

591
00:32:25.279 --> 00:32:28.799
<v Speaker 1>which means Tom's son is the final member of that

592
00:32:28.920 --> 00:32:31.119
<v Speaker 1>family line, and if they want to break the curse,

593
00:32:31.160 --> 00:32:32.880
<v Speaker 1>they're going to have to kill Tom's son.

594
00:32:33.240 --> 00:32:35.119
<v Speaker 2>Well, I would go, well.

595
00:32:35.079 --> 00:32:37.279
<v Speaker 1>Yeah, I mean, I think that's actually clever because they

596
00:32:37.319 --> 00:32:40.960
<v Speaker 1>made that kid so unlikable that you're like, whoa, Oh.

597
00:32:41.160 --> 00:32:44.119
<v Speaker 2>My god, those three kids, I want to murder them all.

598
00:32:44.279 --> 00:32:51.440
<v Speaker 1>Yeah, they're terrible. So let me just say this. I

599
00:32:51.720 --> 00:32:54.640
<v Speaker 1>thought some of the energy went out of the show

600
00:32:54.759 --> 00:32:59.079
<v Speaker 1>in these final two episodes, and they weren't quite on

601
00:32:59.119 --> 00:33:01.359
<v Speaker 1>the level I would have liked for the show. They

602
00:33:01.400 --> 00:33:04.039
<v Speaker 1>weren't quite as funny as previous episodes, and they weren't

603
00:33:04.039 --> 00:33:06.920
<v Speaker 1>really all that scary at all. They were just sort

604
00:33:07.000 --> 00:33:10.680
<v Speaker 1>of mostly just contemplate it. Like it was a lot

605
00:33:10.720 --> 00:33:13.880
<v Speaker 1>of Tom and Ruth sitting on Ruth's couch, and I mean,

606
00:33:14.160 --> 00:33:16.240
<v Speaker 1>some of the stuff Kay Callen was saying in those

607
00:33:16.240 --> 00:33:19.000
<v Speaker 1>scenes was absolutely hilarious. In fact, I think it was

608
00:33:19.079 --> 00:33:24.119
<v Speaker 1>kind of interesting to get the perspective of someone who

609
00:33:24.160 --> 00:33:26.799
<v Speaker 1>grew up on a cursed island. You know, so her

610
00:33:26.880 --> 00:33:29.799
<v Speaker 1>morality is a little off, her view of what life

611
00:33:29.839 --> 00:33:32.440
<v Speaker 1>is supposed to be like is way off, but she's

612
00:33:32.519 --> 00:33:36.079
<v Speaker 1>basically a decent, kind person. She just doesn't realize how

613
00:33:36.079 --> 00:33:36.839
<v Speaker 1>fucked up she is.

614
00:33:37.000 --> 00:33:39.599
<v Speaker 2>See. I love that, I guess because ever since I

615
00:33:39.680 --> 00:33:41.759
<v Speaker 2>was a little boy, I used to listen to love

616
00:33:41.839 --> 00:33:44.000
<v Speaker 2>to listen to my grandparents talk about their lives, and

617
00:33:44.079 --> 00:33:46.880
<v Speaker 2>you know, their experience and showy pictures. So that whole

618
00:33:46.920 --> 00:33:49.279
<v Speaker 2>episode I loved. I love I love her telling all

619
00:33:49.279 --> 00:33:53.079
<v Speaker 2>those stories, showing the stories were weird, but I love it.

620
00:33:53.240 --> 00:33:55.400
<v Speaker 1>She dated a guy who got bit by an animal

621
00:33:55.400 --> 00:33:59.039
<v Speaker 1>and he turned into that animal, and uh, it's just

622
00:33:59.240 --> 00:34:03.480
<v Speaker 1>fascinating and funny and created. They had her unpacked the

623
00:34:03.480 --> 00:34:08.840
<v Speaker 1>whole trolley problem in a way that actually made a

624
00:34:08.880 --> 00:34:11.320
<v Speaker 1>certain amount of sense, even though it would not be

625
00:34:11.400 --> 00:34:14.039
<v Speaker 1>considered the moral choice. But again, I think it's sort

626
00:34:14.039 --> 00:34:16.679
<v Speaker 1>of unpacked. She's a decent person, but your morality is

627
00:34:16.679 --> 00:34:18.519
<v Speaker 1>going to be fucked up if you never got to

628
00:34:18.599 --> 00:34:25.280
<v Speaker 1>leave a cursed island, right, which brings me to I

629
00:34:25.280 --> 00:34:30.960
<v Speaker 1>don't want this to sound like criticism, but this is

630
00:34:31.000 --> 00:34:33.039
<v Speaker 1>what has to happen with the story like this. If

631
00:34:33.039 --> 00:34:34.480
<v Speaker 1>you're not going to do it all in one season,

632
00:34:34.519 --> 00:34:38.239
<v Speaker 1>if it's going to become a series, it becomes. And

633
00:34:38.800 --> 00:34:41.519
<v Speaker 1>I think that's what I felt in these final two episodes,

634
00:34:41.840 --> 00:34:46.159
<v Speaker 1>because you know the previous episodes there they would cycle

635
00:34:46.199 --> 00:34:49.199
<v Speaker 1>through these various sort of genres of horror. So there

636
00:34:49.239 --> 00:34:52.079
<v Speaker 1>was like a sea hag, and there was a killer clown,

637
00:34:52.280 --> 00:34:57.159
<v Speaker 1>and there was what else was there? There was the

638
00:34:57.159 --> 00:34:59.880
<v Speaker 1>the serial Killer, the you know, the Halloween guy that

639
00:35:00.079 --> 00:35:03.280
<v Speaker 1>Jason Kay. So they would cycle through all of these

640
00:35:03.280 --> 00:35:07.599
<v Speaker 1>different things, but now it feels like they have to

641
00:35:07.719 --> 00:35:14.159
<v Speaker 1>establish lore. And when they got to that bunker or

642
00:35:14.159 --> 00:35:21.079
<v Speaker 1>whatever the shelter, it felt very lost the series TV

643
00:35:21.159 --> 00:35:25.039
<v Speaker 1>show Lost, And obviously maybe not, that's not obvious, But

644
00:35:25.079 --> 00:35:26.599
<v Speaker 1>to me, I thought it was obvious that that was

645
00:35:26.599 --> 00:35:30.239
<v Speaker 1>a deliberate homage, just like when they were out on

646
00:35:30.280 --> 00:35:31.639
<v Speaker 1>the boat in the middle of the night, they were

647
00:35:31.679 --> 00:35:34.880
<v Speaker 1>clearly homage. It was an homage to Jaws. There's homages

648
00:35:34.920 --> 00:35:38.079
<v Speaker 1>to all kinds of horror films and suspense films and

649
00:35:38.119 --> 00:35:40.800
<v Speaker 1>everything like that. So you know, you go down into

650
00:35:40.840 --> 00:35:45.639
<v Speaker 1>this bunker, underground bunker that has secret industrial movies, and

651
00:35:45.679 --> 00:35:49.000
<v Speaker 1>there's all this weird like signage and everything and voices

652
00:35:49.079 --> 00:35:51.480
<v Speaker 1>coming over the speaker that is as lost.

653
00:35:51.239 --> 00:35:55.280
<v Speaker 2>As Lost gets. I thought, what's awesome because we lost? Yeah,

654
00:35:55.280 --> 00:35:55.920
<v Speaker 2>and I agree.

655
00:35:55.960 --> 00:35:59.480
<v Speaker 1>I agree with that because also so many shows have

656
00:35:59.719 --> 00:36:03.400
<v Speaker 1>tried I had to mimic Lost, and they always wound

657
00:36:03.480 --> 00:36:07.079
<v Speaker 1>up as cheap copies. But if there's any show that

658
00:36:07.840 --> 00:36:10.679
<v Speaker 1>almost has earned the right to have a couple loss,

659
00:36:10.840 --> 00:36:13.159
<v Speaker 1>I mean, they are on a cursed island that they

660
00:36:13.199 --> 00:36:18.159
<v Speaker 1>can't leave. I mean, the comparisons are right there. But

661
00:36:20.039 --> 00:36:22.480
<v Speaker 1>and again with Ruth sitting there, paging through her and

662
00:36:22.559 --> 00:36:26.199
<v Speaker 1>just telling stories, and you're getting the sense of this

663
00:36:26.400 --> 00:36:31.239
<v Speaker 1>island having lore. What happens with that is and it

664
00:36:31.280 --> 00:36:33.719
<v Speaker 1>happens with all these shows that happened with Lost. The

665
00:36:33.840 --> 00:36:39.440
<v Speaker 1>lore cannot sustain itself. It cannot hold up. And that's fine,

666
00:36:39.559 --> 00:36:42.639
<v Speaker 1>because I don't think you should look at Widow's Bay

667
00:36:42.880 --> 00:36:45.000
<v Speaker 1>the same way you would look at a show like Lost.

668
00:36:45.039 --> 00:36:48.719
<v Speaker 1>It's a comedy horror show. There's a certain lightness to it.

669
00:36:48.760 --> 00:36:52.079
<v Speaker 1>There's a certain sense that you shouldn't take it all

670
00:36:52.119 --> 00:36:58.320
<v Speaker 1>too seriously. But I was sitting there going, Okay, there's

671
00:36:58.360 --> 00:37:00.880
<v Speaker 1>a lot of elderly people in this community. How come

672
00:37:00.920 --> 00:37:04.320
<v Speaker 1>nobody really knows anything about this past where they were

673
00:37:04.400 --> 00:37:10.000
<v Speaker 1>evidently sacrificing people to this creature under the island and

674
00:37:10.039 --> 00:37:13.840
<v Speaker 1>it was they they shot movies about it, they built

675
00:37:13.840 --> 00:37:16.920
<v Speaker 1>bunker like obviously it was sort of codified, and it

676
00:37:17.000 --> 00:37:20.920
<v Speaker 1>was something that people knew about. And those films, they

677
00:37:20.960 --> 00:37:23.320
<v Speaker 1>can't be more than sixty years old. And you look

678
00:37:23.360 --> 00:37:25.360
<v Speaker 1>at someone like Ruth, who's like she said she was

679
00:37:25.360 --> 00:37:30.239
<v Speaker 1>eighty four, Like, well, the other question is I mean,

680
00:37:30.400 --> 00:37:33.480
<v Speaker 1>like the son Evan, like he literally has never left

681
00:37:33.480 --> 00:37:38.000
<v Speaker 1>the island, and in seventeen years there's you. I mean,

682
00:37:38.280 --> 00:37:39.159
<v Speaker 1>how do you explain that?

683
00:37:39.880 --> 00:37:40.159
<v Speaker 2>Right?

684
00:37:40.239 --> 00:37:44.880
<v Speaker 1>How do you explain that? And if everybody on the

685
00:37:44.920 --> 00:37:49.599
<v Speaker 1>island over a certain age knows this, I guess if

686
00:37:49.639 --> 00:37:51.599
<v Speaker 1>you try and unpack this too much, they're right off

687
00:37:51.639 --> 00:37:53.519
<v Speaker 1>the coast of Massachusetts. And you mean to tell me

688
00:37:53.559 --> 00:37:56.760
<v Speaker 1>there's a whole community of people who cannot leave that island, right,

689
00:37:56.880 --> 00:38:01.199
<v Speaker 1>wouldn't that be known or understood? I mean, it's like

690
00:38:01.239 --> 00:38:03.239
<v Speaker 1>a three hundred year old community. You don't like any

691
00:38:03.280 --> 00:38:05.079
<v Speaker 1>of this, I could tell you're getting antsy with it.

692
00:38:05.079 --> 00:38:07.639
<v Speaker 2>It's just that it's trying to make sense out of

693
00:38:08.000 --> 00:38:10.559
<v Speaker 2>something that doesn't have much sense.

694
00:38:10.639 --> 00:38:13.599
<v Speaker 1>Doesn't make money. If they're going forward, they are going

695
00:38:13.639 --> 00:38:17.079
<v Speaker 1>to have to I mean they are. That's clearly where

696
00:38:17.119 --> 00:38:20.199
<v Speaker 1>it's moving towards us that they're going. In fact, Katie Dippold,

697
00:38:20.239 --> 00:38:22.400
<v Speaker 1>who is the creator of the show, she said, what

698
00:38:22.480 --> 00:38:25.320
<v Speaker 1>I love is that it's and actually I don't disagree

699
00:38:25.360 --> 00:38:28.880
<v Speaker 1>with this. She said, it's creating like this whole mythology

700
00:38:28.880 --> 00:38:30.760
<v Speaker 1>that we can explore. She said, I'd love to do

701
00:38:30.960 --> 00:38:34.280
<v Speaker 1>a mini series just about whatever happened in that inn

702
00:38:34.760 --> 00:38:37.320
<v Speaker 1>or whoever ugly wore tense is. I mean, they have

703
00:38:37.519 --> 00:38:40.880
<v Speaker 1>established that there's a deep lore here, even if they

704
00:38:40.960 --> 00:38:44.239
<v Speaker 1>haven't unpacked it all that much. And now they as

705
00:38:44.280 --> 00:38:47.559
<v Speaker 1>they unpack it, they're going to come up, you know,

706
00:38:47.559 --> 00:38:49.119
<v Speaker 1>they're going to face the issue of how do you

707
00:38:49.159 --> 00:38:50.000
<v Speaker 1>make it all makes.

708
00:38:50.000 --> 00:38:52.920
<v Speaker 2>Maybe we'll have more episodes like the Betty Gopin one.

709
00:38:53.320 --> 00:38:55.840
<v Speaker 2>I'm hoping that they, you know, they go back and

710
00:38:56.440 --> 00:38:59.480
<v Speaker 2>talk about whatever happened in the past on the island, right,

711
00:39:00.760 --> 00:39:01.719
<v Speaker 2>they have time now.

712
00:39:01.599 --> 00:39:03.960
<v Speaker 1>To Yeah, I mean there's a lot that they can unpack.

713
00:39:05.719 --> 00:39:08.360
<v Speaker 1>What else, what do you I just want to say.

714
00:39:08.559 --> 00:39:09.960
<v Speaker 1>One of the things I do want to say, Jeff

715
00:39:10.000 --> 00:39:11.880
<v Speaker 1>Hiller I said last week that they're not giving that

716
00:39:11.880 --> 00:39:15.880
<v Speaker 1>guy something to do. And I laughed so hard at

717
00:39:15.920 --> 00:39:19.199
<v Speaker 1>his freak out. It was just so well delivered and

718
00:39:19.360 --> 00:39:20.800
<v Speaker 1>the timing and it was so good.

719
00:39:22.440 --> 00:39:23.199
<v Speaker 2>He's funny.

720
00:39:23.280 --> 00:39:28.519
<v Speaker 1>He is funny. I I don't know. I was surprised

721
00:39:28.519 --> 00:39:31.320
<v Speaker 1>that the sheriff tried to kill Ruth. I actually thought

722
00:39:31.320 --> 00:39:32.480
<v Speaker 1>it was going to be wick.

723
00:39:32.559 --> 00:39:36.320
<v Speaker 2>Right, Well, makes sense, I thought made sense.

724
00:39:36.719 --> 00:39:39.360
<v Speaker 1>I mean, he's desperate to save his child. I wonder

725
00:39:39.360 --> 00:39:45.039
<v Speaker 1>where that's I kind of thought like the episode was

726
00:39:45.039 --> 00:39:46.920
<v Speaker 1>going to end with like him getting his wife on

727
00:39:46.960 --> 00:39:49.760
<v Speaker 1>a boat and just speeding off the island the next morning.

728
00:39:49.920 --> 00:39:52.559
<v Speaker 2>I just, I just I love the silliness of it,

729
00:39:52.679 --> 00:39:54.400
<v Speaker 2>like I do too, Like when he gives her a

730
00:39:54.440 --> 00:39:57.559
<v Speaker 2>tea with medication, like if she's the one, she's not

731
00:39:57.599 --> 00:40:00.199
<v Speaker 2>gonna die. So it was funny because you think she

732
00:40:00.199 --> 00:40:01.000
<v Speaker 2>she's dead and this.

733
00:40:01.159 --> 00:40:03.559
<v Speaker 1>She wakes up by now she wakes up.

734
00:40:03.440 --> 00:40:06.360
<v Speaker 2>And it's just hilarious. Yeah, it's just funny, funny, funny.

735
00:40:06.559 --> 00:40:08.719
<v Speaker 2>And I didn't make the connection that people were making

736
00:40:08.760 --> 00:40:12.239
<v Speaker 2>it online obviously that when the captain died or whatever,

737
00:40:12.280 --> 00:40:15.159
<v Speaker 2>that guy died, then she's the one now with the

738
00:40:15.519 --> 00:40:18.519
<v Speaker 2>you know that's going to live forever, right, Ruth is

739
00:40:18.559 --> 00:40:22.159
<v Speaker 2>gonna he kind of passed on to her. The whole

740
00:40:23.360 --> 00:40:24.239
<v Speaker 2>mortality thing.

741
00:40:24.280 --> 00:40:27.920
<v Speaker 1>I don't know that that well, yeah, because other family members,

742
00:40:27.960 --> 00:40:30.920
<v Speaker 1>I mean, he had three hundred years of decebit. None

743
00:40:30.920 --> 00:40:33.400
<v Speaker 1>of those people were I guess immortal.

744
00:40:33.440 --> 00:40:33.960
<v Speaker 2>I don't think.

745
00:40:34.199 --> 00:40:37.000
<v Speaker 1>I don't think his immortality is being granted to anyone.

746
00:40:37.119 --> 00:40:40.679
<v Speaker 2>Well, she didn't die with with anything, that's true, but

747
00:40:40.760 --> 00:40:43.199
<v Speaker 2>I mean she was shot and didn't die. You know,

748
00:40:44.360 --> 00:40:45.000
<v Speaker 2>I think.

749
00:40:44.760 --> 00:40:48.599
<v Speaker 1>That's just he could be right. I mean, I've never

750
00:40:48.679 --> 00:40:52.679
<v Speaker 1>heard this theory, but again, it wouldn't make sense because

751
00:40:53.760 --> 00:40:56.840
<v Speaker 1>uh oh, I see what you're saying now that he's dead.

752
00:40:57.519 --> 00:41:01.599
<v Speaker 2>She bested on to her the whole immortality thing because

753
00:41:01.719 --> 00:41:04.119
<v Speaker 2>you can see, like she goes up the stairs very quick,

754
00:41:04.119 --> 00:41:05.679
<v Speaker 2>and she says, she's doing all these things now, and

755
00:41:05.719 --> 00:41:06.519
<v Speaker 2>if you and if you.

756
00:41:07.000 --> 00:41:08.760
<v Speaker 1>Oh, that's a good theory. I didn't think that.

757
00:41:08.880 --> 00:41:11.519
<v Speaker 2>And if you remember the first episode, she's this old

758
00:41:11.599 --> 00:41:14.199
<v Speaker 2>lady who can't remember anything, and now she can remember everything.

759
00:41:14.239 --> 00:41:15.880
<v Speaker 2>She can go up and down the stairs, she helps

760
00:41:16.119 --> 00:41:17.400
<v Speaker 2>the neighbor. You know.

761
00:41:17.599 --> 00:41:20.320
<v Speaker 1>Like the interesting thing about this is I really thought

762
00:41:20.320 --> 00:41:22.800
<v Speaker 1>they were gonna kill Ruth Off because kay Callen is

763
00:41:22.840 --> 00:41:25.039
<v Speaker 1>ninety years old and it takes like three years to

764
00:41:25.079 --> 00:41:28.920
<v Speaker 1>do these seasons, and are they really relying on her

765
00:41:29.000 --> 00:41:30.960
<v Speaker 1>living to then? I mean, I hate to be morbid

766
00:41:30.960 --> 00:41:33.960
<v Speaker 1>about it, but come on, yeah, anyway, I think that's

767
00:41:34.239 --> 00:41:35.360
<v Speaker 1>that's an interesting take.

768
00:41:35.519 --> 00:41:38.159
<v Speaker 2>I think she carries the whole immortality on.

769
00:41:38.199 --> 00:41:42.119
<v Speaker 1>Kay Callen being hale and hardy to shoot another season

770
00:41:42.119 --> 00:41:44.840
<v Speaker 1>of this show. And that's the other thing. They have

771
00:41:44.920 --> 00:41:48.079
<v Speaker 1>been greenlit for a second season. But I really hope

772
00:41:48.119 --> 00:41:49.840
<v Speaker 1>they don't do the Apple TV thing where we have

773
00:41:49.880 --> 00:41:51.119
<v Speaker 1>to wait three seasons for this.

774
00:41:51.079 --> 00:41:54.079
<v Speaker 2>Still now, like that the other show I forget the name.

775
00:41:54.920 --> 00:41:57.960
<v Speaker 1>Yeah, plor of Us. I mean that show ended like

776
00:41:58.400 --> 00:42:01.960
<v Speaker 1>six eight months ago, and you know they're halfway through

777
00:42:02.000 --> 00:42:03.280
<v Speaker 1>writing the second seat.

778
00:42:03.360 --> 00:42:05.199
<v Speaker 2>I mean, I mean, come on, you forget about it.

779
00:42:05.320 --> 00:42:09.039
<v Speaker 1>Yeah, the House of the Dragon comes back this weekend,

780
00:42:09.039 --> 00:42:11.239
<v Speaker 1>and I am going to have to go back. I mean,

781
00:42:11.280 --> 00:42:14.000
<v Speaker 1>I have a general sense of where it ended, but

782
00:42:14.400 --> 00:42:16.400
<v Speaker 1>it's these long ass seasons just.

783
00:42:17.920 --> 00:42:21.159
<v Speaker 2>You have to go back towatch the whole thing. And yeah,

784
00:42:21.199 --> 00:42:22.679
<v Speaker 2>I hope not. I hope they don't wait that.

785
00:42:22.840 --> 00:42:25.239
<v Speaker 1>My one request for the next season is to bring

786
00:42:25.280 --> 00:42:28.519
<v Speaker 1>Betty Gilbin back in the present day as the descendant

787
00:42:28.559 --> 00:42:31.440
<v Speaker 1>of Sarah Westcott Warrant. That would be awesome. I mean,

788
00:42:31.559 --> 00:42:33.639
<v Speaker 1>just make her a series regular. I want to see

789
00:42:33.679 --> 00:42:36.000
<v Speaker 1>her dealing with Patricia. I want to see her dealing

790
00:42:36.000 --> 00:42:39.800
<v Speaker 1>with Rosemary. Tom needs a love interest. She would be perfect.

791
00:42:39.880 --> 00:42:42.199
<v Speaker 1>She would be absolutely perfect. And if you're not going

792
00:42:42.239 --> 00:42:44.280
<v Speaker 1>to do that, at least do more flashbacks with her.

793
00:42:44.400 --> 00:42:46.000
<v Speaker 2>But Patricia, my god.

794
00:42:45.880 --> 00:42:47.920
<v Speaker 1>Trician, Rosemary, they are just the MVP.

795
00:42:49.000 --> 00:42:51.880
<v Speaker 2>I know, I want to go back and watch everything again.

796
00:42:52.280 --> 00:42:53.280
<v Speaker 2>Just pay attention to her.

797
00:42:53.480 --> 00:42:56.880
<v Speaker 1>Yeah, anything else anymore theories?

798
00:42:57.239 --> 00:42:59.440
<v Speaker 2>Now? I hate the kids and what them all did.

799
00:42:59.719 --> 00:43:02.079
<v Speaker 2>It was. It's interesting that the guy died in a basement.

800
00:43:02.360 --> 00:43:05.719
<v Speaker 1>Yeah, they caused his death because they were such assholes.

801
00:43:06.239 --> 00:43:08.559
<v Speaker 1>I guess you could say, Look, if you're sixteen years

802
00:43:08.599 --> 00:43:10.400
<v Speaker 1>old and you've never left that island, yeah, you're going

803
00:43:10.440 --> 00:43:12.400
<v Speaker 1>to be kind of an asshole, a reckless asshole.

804
00:43:12.679 --> 00:43:15.679
<v Speaker 2>They are, all of them, that's three of them. What else?

805
00:43:15.719 --> 00:43:17.920
<v Speaker 2>I think that that it was just interesting.

806
00:43:17.559 --> 00:43:22.599
<v Speaker 1>Great cast, really really smart writing, really clever idea, and

807
00:43:22.639 --> 00:43:25.119
<v Speaker 1>it's funny when it needs to be funny and scary

808
00:43:25.159 --> 00:43:28.039
<v Speaker 1>when it needs to be scary, and that combination is

809
00:43:28.239 --> 00:43:30.599
<v Speaker 1>just not easy to pull off. Otherwise we see it

810
00:43:30.639 --> 00:43:31.159
<v Speaker 1>more often.

811
00:43:33.079 --> 00:43:35.280
<v Speaker 2>That's it. Yeah, I just think the writing is very

812
00:43:35.320 --> 00:43:39.320
<v Speaker 2>clever and funny and kind of you know, I hate

813
00:43:39.320 --> 00:43:41.360
<v Speaker 2>to put it this way, but kind of real. You know,

814
00:43:41.440 --> 00:43:44.960
<v Speaker 2>like the situations like you you see someone going through

815
00:43:45.000 --> 00:43:47.760
<v Speaker 2>the things they go through, right, if that happened to you,

816
00:43:48.039 --> 00:43:49.400
<v Speaker 2>if that situation happened to you.

817
00:43:49.360 --> 00:43:51.559
<v Speaker 1>What happened to those bitches that I know?

818
00:43:52.159 --> 00:43:52.440
<v Speaker 2>You know?

819
00:43:52.519 --> 00:43:55.840
<v Speaker 1>When they're all dead, don't they are like that, that

820
00:43:56.000 --> 00:43:58.239
<v Speaker 1>is something about the show, and I realized they're packing

821
00:43:58.280 --> 00:44:00.239
<v Speaker 1>all this stuff into it and they don't have time

822
00:44:00.280 --> 00:44:04.159
<v Speaker 1>to let people react to things. But well, yeah, okay,

823
00:44:04.239 --> 00:44:08.440
<v Speaker 1>so Patricia was stalked by the Boogeyman and people knew

824
00:44:08.440 --> 00:44:11.000
<v Speaker 1>about it and it was confirmed and he was cremated

825
00:44:11.039 --> 00:44:14.000
<v Speaker 1>and nobody reacted to that, like, there's no follow up

826
00:44:14.000 --> 00:44:16.079
<v Speaker 1>on that. I thought some of those women were going

827
00:44:16.159 --> 00:44:17.960
<v Speaker 1>to be in the in the bunker or something, but

828
00:44:18.000 --> 00:44:20.559
<v Speaker 1>they just weren't. I don't think he killed them, and

829
00:44:20.639 --> 00:44:23.079
<v Speaker 1>nobody said anything about them getting killed.

830
00:44:22.840 --> 00:44:24.559
<v Speaker 2>So yeah, we don't know, we have.

831
00:44:24.719 --> 00:44:27.360
<v Speaker 1>It happened lots of loose ends, but that's why you

832
00:44:27.440 --> 00:44:29.800
<v Speaker 1>come back for another season, and that just means they

833
00:44:29.800 --> 00:44:31.639
<v Speaker 1>did a good job setting up their first season.

834
00:44:31.800 --> 00:44:33.840
<v Speaker 2>So I love the show. I am. I'm going to

835
00:44:33.840 --> 00:44:34.159
<v Speaker 2>watch it.

836
00:44:34.159 --> 00:44:38.800
<v Speaker 1>Again enticed, and I really really hope it's back before

837
00:44:38.880 --> 00:44:44.000
<v Speaker 1>I'm eighty years old, before I look like Ruth. All right,

838
00:44:44.079 --> 00:44:46.400
<v Speaker 1>so that's it for this week. We'll be back next

839
00:44:46.400 --> 00:44:48.800
<v Speaker 1>week with whatever crosses our eyes or crosses our desks.

840
00:44:48.840 --> 00:44:50.960
<v Speaker 1>Until then, take care of yourselves, love you mean it,

841
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<v Speaker 1>but bye bye,
