1 00:00:00,880 --> 00:00:02,560 Speaker 1: W M n H W rips. 2 00:00:02,600 --> 00:00:32,439 Speaker 2: The novels said the story walking. 3 00:00:33,640 --> 00:00:41,920 Speaker 3: To someone who kids, save your preaching, your rock adoptees. 4 00:00:46,039 --> 00:00:46,520 Speaker 4: You get. 5 00:00:50,640 --> 00:01:00,600 Speaker 2: Down will maybe I'm not the word give me say. 6 00:01:03,560 --> 00:01:04,840 Speaker 4: So, keep you blind face. 7 00:01:05,840 --> 00:01:10,400 Speaker 2: I'm never change. From Cradle to Cray. 8 00:01:23,920 --> 00:01:25,000 Speaker 5: You know your knees. 9 00:01:26,480 --> 00:01:27,879 Speaker 2: It's nothing to me. 10 00:01:29,640 --> 00:01:31,640 Speaker 6: So see you're heaven in hell. 11 00:01:33,239 --> 00:01:34,079 Speaker 5: For the wishing. 12 00:01:34,280 --> 00:01:47,120 Speaker 2: Well all you know my te well, well say. 13 00:01:50,280 --> 00:01:57,159 Speaker 4: Man the world. You need to say so, keep your 14 00:01:57,200 --> 00:01:57,920 blind face. 15 00:01:59,319 --> 00:02:52,159 Speaker 2: Never from Gratta. 16 00:02:30,719 --> 00:03:49,400 Speaker 4: Statt do my way to say to say. 17 00:03:52,280 --> 00:03:59,599 Speaker 2: Maybe I'm not a you need to say he last 18 00:03:59,680 --> 00:04:05,199 night from Cradle. 19 00:04:25,279 --> 00:04:28,800 Speaker 7: That is Cradle to Grave. The band is Lone Wolf James, 20 00:04:29,000 --> 00:04:32,040 and we have Lone Wolf James here with us in studio. 21 00:04:32,439 --> 00:04:36,120 Welcome everybody, if you are listening live on Saturday, April 22 00:04:36,160 --> 00:04:39,040 twenty six, twenty twenty five, we have crossed into our 23 00:04:39,160 --> 00:04:43,759 number three of Matt Connerton unleashed on this rainy day. 24 00:04:44,120 --> 00:04:46,399 Jenny is here, of course at the news table president 25 00:04:47,720 --> 00:04:50,079 and she's not on a mic, but Echo Ray is here. 26 00:04:50,160 --> 00:04:51,839 She was on the show with us recently and first 27 00:04:51,879 --> 00:04:55,439 introduced us to the band well technically although well she 28 00:04:56,279 --> 00:04:58,639 brought that track. But and we will play some more 29 00:04:58,680 --> 00:05:01,319 from Lone Wolf James later in the show. But Jenny 30 00:05:01,319 --> 00:05:03,800 and I had seen Lone Wolf James live and I 31 00:05:03,839 --> 00:05:05,560 don't know if you guys realize this, but we'll we'll 32 00:05:05,600 --> 00:05:08,839 talk about it, and we really enjoyed your set. But 33 00:05:09,360 --> 00:05:11,040 let's get into it. So we've got the guys here, 34 00:05:12,079 --> 00:05:14,800 Gary James, of course, the Lone Wolf James yourself. How 35 00:05:14,800 --> 00:05:16,600 are you, sir? Welcome to the show. Good, thank you 36 00:05:16,720 --> 00:05:19,480 for having any and you are you singing? And you 37 00:05:19,519 --> 00:05:20,000 play guitar? 38 00:05:20,120 --> 00:05:20,399 Speaker 5: Correct? 39 00:05:20,560 --> 00:05:20,720 Speaker 8: Yes? 40 00:05:20,959 --> 00:05:24,800 Speaker 7: Okay? And what do we'll get? Actually here, let's start 41 00:05:24,839 --> 00:05:27,040 with you over here in the corner, sir. Tell us 42 00:05:27,079 --> 00:05:29,040 what you do and I'm sorry, tell us who you 43 00:05:29,040 --> 00:05:30,879 are rather than what you do in the band. My 44 00:05:31,000 --> 00:05:32,680 name is Jeff Holmes from the bass player and do 45 00:05:32,759 --> 00:05:36,000 backup vocals. All right, Jeff, welcome and you, sir, my. 46 00:05:36,120 --> 00:05:38,639 Speaker 9: Name's Tim Evans and I'm the lead guitarist. 47 00:05:38,680 --> 00:05:42,480 Speaker 7: Lead guitarist. Okay, and you, sir, oh, Sherman, I can't 48 00:05:42,519 --> 00:05:45,000 hear you, and I apologize. Let me you know what, 49 00:05:45,079 --> 00:05:46,879 I got to really crank that up here? All right, 50 00:05:46,959 --> 00:05:48,279 let's trade that again. There we go. 51 00:05:48,839 --> 00:05:50,560 Speaker 8: I'm Sherman Wilson and I'm the drummer. 52 00:05:50,759 --> 00:05:53,680 Speaker 7: All right, sorry Sherman, you're you're in the microphone that 53 00:05:53,720 --> 00:05:55,800 we don't We'll use that one if we need an 54 00:05:55,800 --> 00:05:57,639 extra mic. And but we did get it plugged in, 55 00:05:57,759 --> 00:05:59,240 so we got that much figured out. 56 00:06:00,040 --> 00:06:02,040 Speaker 3: Always the drummer, It's always the drummer. 57 00:06:02,160 --> 00:06:06,240 Speaker 7: Yeah, so uh yeah, so guys, welcome to the show. 58 00:06:07,560 --> 00:06:12,480 Jenny and I saw you live at Swarmyfest. Oh okay, yep, yep, 59 00:06:12,800 --> 00:06:16,759 that was and and I'll tell you I so I 60 00:06:17,079 --> 00:06:19,680 had not heard Lone Wolf James prior to that, and 61 00:06:19,839 --> 00:06:22,560 I saw you on the schedule because we were there. 62 00:06:22,639 --> 00:06:26,480 We were there as a sponsors and representing the radio show. 63 00:06:26,920 --> 00:06:32,439 And I remember saying to Jenny after or during your set, 64 00:06:32,519 --> 00:06:36,959 I said, they sound like a band named Lone Wolf James, 65 00:06:37,519 --> 00:06:39,959 Like like you sounded like I expected you to sound 66 00:06:40,000 --> 00:06:41,879 based on the name. And please take that as a compliment, 67 00:06:41,920 --> 00:06:43,839 because I think the name is really cool and I 68 00:06:43,920 --> 00:06:47,759 really like your sound. But but yeah, so have you 69 00:06:47,800 --> 00:06:49,560 guys been around a while? Has the band been around 70 00:06:49,600 --> 00:06:51,560 for a long time? That's my impression that I actually 71 00:06:51,720 --> 00:06:55,240 I started it years ago and I was like. 72 00:06:56,720 --> 00:06:59,839 Speaker 3: Playing acoustic on a stool doing open mic oh really, yeah, 73 00:07:00,000 --> 00:07:01,759 and that's how it all started. I had left the 74 00:07:01,839 --> 00:07:04,759 band and the whole I think Echo told you this before, 75 00:07:04,839 --> 00:07:07,720 but when I left the band, I was leaving all 76 00:07:07,759 --> 00:07:08,560 the crap behind. 77 00:07:08,680 --> 00:07:09,199 Speaker 7: Yeah yeah. 78 00:07:09,319 --> 00:07:11,800 Speaker 3: And the guy went, well, there goes Lone Wolves, and 79 00:07:11,879 --> 00:07:13,720 I was like, I'm going to use that. Oh yeah, 80 00:07:13,800 --> 00:07:15,720 so I use that my last name, James. I put 81 00:07:15,800 --> 00:07:18,040 them together. There was the Lone Wolf James. Yeah, and 82 00:07:18,319 --> 00:07:20,279 the fact that I'm part Native American kind of fit 83 00:07:20,319 --> 00:07:22,360 into so I was like, all right, I'm going to 84 00:07:22,480 --> 00:07:24,120 use that. But yeah, so I started it then, and 85 00:07:24,199 --> 00:07:26,560 there's been you know, over over the years, you add 86 00:07:26,600 --> 00:07:27,920 people and you do this to that. But I was 87 00:07:28,000 --> 00:07:30,800 I was trying to find like the right lineup because 88 00:07:31,120 --> 00:07:33,120 I was getting to the point where the band is 89 00:07:33,199 --> 00:07:37,240 starting to go from regional crossing into the national border. Yeah, 90 00:07:37,360 --> 00:07:39,759 and we'll get into that, you know. But as I 91 00:07:39,839 --> 00:07:41,040 did it, it was just like, you know, this is 92 00:07:41,160 --> 00:07:43,839 this is not the lineup that is going to do 93 00:07:44,000 --> 00:07:45,800 it so right. So we kind of like just been 94 00:07:45,839 --> 00:07:47,879 with me eleven years. He's like my right hand guy, 95 00:07:49,000 --> 00:07:52,319 and and we've all I've known Tim, We've known each 96 00:07:52,319 --> 00:07:54,560 other since we're fourteen. You know what I mean, so 97 00:07:55,160 --> 00:07:58,079 we were in our very first band together. I was 98 00:07:58,120 --> 00:08:01,920 a drummer back then, so it all kind of came together. 99 00:08:01,959 --> 00:08:02,120 Speaker 10: You know. 100 00:08:02,160 --> 00:08:04,800 Speaker 3: I would with fight and phone calls, you know what 101 00:08:04,839 --> 00:08:06,920 I mean, and all kind of felt. Jeff and Sherman 102 00:08:07,000 --> 00:08:09,240 had gone and tried out for the same band at 103 00:08:09,279 --> 00:08:11,360 one time, and then they were both like and nope, 104 00:08:12,600 --> 00:08:14,879 but they were friends. And then when I told Jeff 105 00:08:14,959 --> 00:08:17,959 that I was going to have Sherman come in audition, He's. 106 00:08:17,839 --> 00:08:20,480 Speaker 5: Like, hire that guy, you know, and whatever. So it 107 00:08:20,600 --> 00:08:22,360 was just like it was kind of it was faded. 108 00:08:22,600 --> 00:08:25,680 Speaker 3: Yeah, but this particular lineup now has been like you've 109 00:08:25,720 --> 00:08:28,680 been a couple of years now, right, and uh, we've 110 00:08:29,160 --> 00:08:32,960 we're like gone from the local to the regional and 111 00:08:33,039 --> 00:08:35,519 now we're tipping our hat into the national. We're playing 112 00:08:35,519 --> 00:08:39,440 with all national bands. Yeah yeah, because certain deals and 113 00:08:39,480 --> 00:08:40,240 connections and stuff. 114 00:08:40,399 --> 00:08:43,600 Speaker 7: Oh yeah yeah. So is the band I mean, are 115 00:08:43,639 --> 00:08:45,720 you the only original member technically. 116 00:08:45,519 --> 00:08:48,759 Speaker 5: Or yes, from the original a yeah, because it started 117 00:08:48,799 --> 00:08:49,000 with me. 118 00:08:49,399 --> 00:08:52,879 Speaker 3: Yeah, and my first record, My first two first records 119 00:08:52,879 --> 00:08:55,320 were acoustic, okay, and I added like drums and stuff 120 00:08:55,360 --> 00:08:58,120 to it. But I mean the first couple of EPs 121 00:08:58,159 --> 00:09:00,720 are sold out, so that one that you played cradle 122 00:09:00,759 --> 00:09:03,240 off of was actually my was like the second full 123 00:09:03,320 --> 00:09:06,480 album and that's the only one still available really. Other 124 00:09:06,600 --> 00:09:08,000 other than you know, I have like a few of 125 00:09:08,080 --> 00:09:10,720 the one before that, but we've I've been in the 126 00:09:10,759 --> 00:09:13,000 studio for the last couple of years now recording this 127 00:09:13,679 --> 00:09:16,480 new EP with the guy from that works for Sony 128 00:09:16,519 --> 00:09:18,159 and Capital and oh very nice. 129 00:09:18,399 --> 00:09:22,559 Speaker 5: So and you know, everybody has except for Sherman because 130 00:09:22,600 --> 00:09:24,039 it happened right before he joined the band. 131 00:09:24,600 --> 00:09:26,360 Speaker 3: But yeah, but so he's the only one doesn't have 132 00:09:26,360 --> 00:09:30,159 to get yelled at in the studio, right, But other 133 00:09:30,279 --> 00:09:33,279 than that, yeah, I mean it all everybody here is 134 00:09:33,279 --> 00:09:35,879 the loan old James. Well, everybody brings something to the table. 135 00:09:35,960 --> 00:09:38,720 But it's it's like you have to have the head 136 00:09:38,759 --> 00:09:42,039 of the the the artpus so of course just kind 137 00:09:42,080 --> 00:09:44,240 of that, but yeah, I have to do the like 138 00:09:44,320 --> 00:09:46,399 the business part of it too. Yeah, you know, I 139 00:09:46,480 --> 00:09:49,159 take care of like the contracts and that kind of stuff. 140 00:09:49,159 --> 00:09:52,360 And then as far as like the songwriting goes, you know, 141 00:09:52,440 --> 00:09:54,000 I come up with an idea and I go I 142 00:09:54,159 --> 00:09:56,639 like this, and I sometimes I just go to his 143 00:09:56,759 --> 00:09:59,039 house and say, hey, this is what I got. Yeah, 144 00:09:59,120 --> 00:10:00,799 and he'll go, let's do the or whatever, you know, 145 00:10:01,200 --> 00:10:02,960 or I just bring it to the table and go, okay, 146 00:10:03,039 --> 00:10:06,159 this is like here's the pizza dough at the topping 147 00:10:06,399 --> 00:10:08,759 right right, and everybody kind of puts in their stuff 148 00:10:08,799 --> 00:10:09,120 and then. 149 00:10:09,600 --> 00:10:11,279 Speaker 5: You know, you get ideas as it goes. 150 00:10:11,440 --> 00:10:13,919 Speaker 7: But you know, is the original material that you did? 151 00:10:14,000 --> 00:10:15,080 Is that available online? 152 00:10:15,679 --> 00:10:16,120 Speaker 6: Some of it? 153 00:10:16,519 --> 00:10:19,919 Speaker 3: I mean, I think you had to like have been around. 154 00:10:20,279 --> 00:10:23,559 I released the first EP in two thousand, okay, so 155 00:10:23,679 --> 00:10:24,840 it was twenty five years ago. 156 00:10:24,879 --> 00:10:27,159 Speaker 5: I mean I was just just coming out, just you know, 157 00:10:27,519 --> 00:10:28,320 just getting out of like. 158 00:10:28,360 --> 00:10:31,159 Speaker 3: The cover band situation and a couple of a couple 159 00:10:31,200 --> 00:10:33,720 of local bands that weren't doing anything but garage, you know, 160 00:10:33,960 --> 00:10:36,360 yeah local maybe you know, once in a while a 161 00:10:36,480 --> 00:10:39,879 rock pile or something, but other than that, it was 162 00:10:39,960 --> 00:10:41,879 and I just wanted to get serious and they were 163 00:10:41,919 --> 00:10:44,279 all about drugs, and I was just. 164 00:10:44,320 --> 00:10:45,480 Speaker 5: Like, I'm done with this, you know. 165 00:10:45,639 --> 00:10:48,120 Speaker 3: And that's why he was he was trying to chafe 166 00:10:48,200 --> 00:10:50,679 me by saying, oh, that goes lone Wolf, like I'm 167 00:10:50,679 --> 00:10:51,679 gonna go off of my and I was like, you 168 00:10:51,720 --> 00:10:52,480 know what, I'm gonna use that. 169 00:10:53,039 --> 00:10:55,080 Speaker 7: That's you know, that's pretty cool. 170 00:10:55,919 --> 00:10:56,200 Speaker 4: You know that. 171 00:10:56,480 --> 00:10:58,720 Speaker 7: You know, somebody threw that at you, trying to insult you, 172 00:10:58,799 --> 00:11:00,200 and you took that and said. 173 00:11:00,519 --> 00:11:02,799 Speaker 3: And now they're going, oh Jesus, guys are playing with 174 00:11:02,960 --> 00:11:05,480 this guys and these guys and A's and you know, 175 00:11:05,559 --> 00:11:07,440 and the like yeah, who's laughing now? Yeah, you know, 176 00:11:08,039 --> 00:11:10,159 but that's that's really the way, and it's it's it's 177 00:11:10,200 --> 00:11:12,240 about the hard work that you put it in and stuff, 178 00:11:12,279 --> 00:11:14,919 and it's about the loyalty too, you know, Like these 179 00:11:14,960 --> 00:11:19,080 guys have played some I don't know, I'm surprised they 180 00:11:19,080 --> 00:11:21,440 didn't call me and call you crazy, you know, but 181 00:11:21,759 --> 00:11:23,320 some of the places that we've done and some of 182 00:11:23,360 --> 00:11:25,679 the things. Sherman's first gig with us was in this 183 00:11:26,559 --> 00:11:29,320 It was a it was a biker fast thing, but 184 00:11:29,440 --> 00:11:32,159 it was in somebody's yard and it was all it 185 00:11:32,320 --> 00:11:35,960 rained so bad, it was like mudfest two thousand and nine. 186 00:11:36,639 --> 00:11:38,279 Speaker 5: I was like, oh my god. And he pulled in. 187 00:11:38,360 --> 00:11:41,080 Speaker 3: I'm thinking, this kid is never coming back, you know, 188 00:11:41,360 --> 00:11:43,240 and whatever, and uh and we you know, we go 189 00:11:43,360 --> 00:11:45,600 from those to what we're doing now. 190 00:11:45,879 --> 00:11:49,799 Speaker 7: Yeah, yeah, you know, very cool. Yeah. I saw pictures 191 00:11:49,799 --> 00:11:52,480 that you mentioned Ace Freeley, and I saw pictures of 192 00:11:52,559 --> 00:11:54,879 you guys Online with a Kiss is my favorite band. 193 00:11:55,000 --> 00:11:56,919 So I saw those I was like, oh, that's pretty cool. 194 00:11:57,000 --> 00:11:58,559 Speaker 5: He was awesome, was he yet? 195 00:11:58,679 --> 00:12:01,639 Speaker 7: I've heard I've heard yeah, Day to Attend? 196 00:12:02,080 --> 00:12:03,600 Speaker 5: Who've Jeff? 197 00:12:03,679 --> 00:12:04,840 Speaker 7: Yeah? The show you Jeff? 198 00:12:04,879 --> 00:12:05,080 Speaker 5: Yeah? 199 00:12:05,080 --> 00:12:07,679 Speaker 7: Oh yeah, those guys are great and uh yeah. They 200 00:12:07,720 --> 00:12:10,360 played with a set the Aura, I think in Portland, 201 00:12:11,519 --> 00:12:14,080 but I heard that Ace went on. I haven't seen 202 00:12:14,120 --> 00:12:16,960 Ace solo live for a very long time, but I've 203 00:12:17,000 --> 00:12:19,120 heard they went on that he went on very very late. 204 00:12:19,240 --> 00:12:21,200 Oh really that night? Yeah, I know. I guess it's 205 00:12:21,240 --> 00:12:23,000 kind of but your experience with him was positive. 206 00:12:23,080 --> 00:12:23,279 Speaker 3: Yeah. 207 00:12:23,279 --> 00:12:25,399 Speaker 5: And the funny thing is, and this, I love Days 208 00:12:25,440 --> 00:12:26,360 to Attend. They're great guys. 209 00:12:26,360 --> 00:12:26,720 Speaker 7: Oh yeah. 210 00:12:26,840 --> 00:12:29,039 Speaker 3: We were supposed to play that show and I had 211 00:12:29,159 --> 00:12:32,120 prior engagement so I turned it down. Yeah, And then 212 00:12:32,200 --> 00:12:33,639 I found out that they got the opening slots. 213 00:12:33,639 --> 00:12:35,440 Speaker 5: I was like, oh great, yeah, that's great for them. 214 00:12:35,559 --> 00:12:40,200 Speaker 3: Yeah, and the manager of Ace called my agent and 215 00:12:40,360 --> 00:12:43,000 came back and said, can they play the Blue Ocean 216 00:12:43,200 --> 00:12:45,120 since they can't do the Aura? Oh yeah, And I 217 00:12:45,279 --> 00:12:47,159 was like, yeah, we can do that. Yeah, but no, 218 00:12:47,360 --> 00:12:49,320 we didn't have any any any at all. In fact, 219 00:12:49,360 --> 00:12:52,320 that's good, you know, We had played with some other nationals, 220 00:12:52,679 --> 00:12:54,879 big nationals before that, and we didn't really get them, 221 00:12:55,240 --> 00:12:57,519 with the exception of like a couple didn't really get 222 00:12:57,559 --> 00:13:01,080 to meet anybody real kind of hit away in So 223 00:13:01,559 --> 00:13:03,919 I never went into it thinking we're gonna meet Ace, 224 00:13:04,440 --> 00:13:04,639 you know. 225 00:13:05,320 --> 00:13:07,639 Speaker 5: And we did our show and the and the crowd. 226 00:13:07,440 --> 00:13:10,360 Speaker 3: Loved us, and it was a line at our echoes booth, 227 00:13:10,759 --> 00:13:12,360 you know, for the merch and all that stuff, and 228 00:13:13,279 --> 00:13:15,279 the guy come, We're doing our meet and greet because 229 00:13:15,279 --> 00:13:18,200 we do what every show, signing autographs and you know, 230 00:13:18,360 --> 00:13:21,200 take a picture some stuff. And one of the guys 231 00:13:21,240 --> 00:13:23,159 that owns the Blue Ocean came running up to me. 232 00:13:23,440 --> 00:13:26,000 He looked kind of frazzled, and he's like, is your 233 00:13:26,000 --> 00:13:29,360 whole band here? And I'm like yeah, I'm like they're 234 00:13:29,360 --> 00:13:31,519 over there doing the meet and greets, right, Yeah. He's like, okay, 235 00:13:31,559 --> 00:13:33,360 you gotta come up back. Ace wants to see you. 236 00:13:34,080 --> 00:13:35,480 So now I'm thinking, yeah, well, I didn't know if 237 00:13:35,480 --> 00:13:38,759 it was nicer he was gonna rip us. I didn't 238 00:13:38,759 --> 00:13:40,679 know if we did something wrong, so I was like, 239 00:13:40,879 --> 00:13:42,960 uh sure, So I go in and grab the guys 240 00:13:43,039 --> 00:13:46,039 and I'm like, let's just go out back and we 241 00:13:46,480 --> 00:13:49,360 passed all these VIP guys, you know, people with VIP 242 00:13:49,480 --> 00:13:51,639 passes and stuff. I still don't know what's going on. 243 00:13:52,360 --> 00:13:54,320 And then we get to the wall and he goes, 244 00:13:54,919 --> 00:13:56,559 you know, hold on, I'm going to take a picture 245 00:13:56,600 --> 00:13:58,679 of you. So I'm thinking, oh, maybe Ace takes a 246 00:13:58,759 --> 00:14:01,799 picture of all the opening said he gets for whatever reason. 247 00:14:01,960 --> 00:14:02,120 Speaker 4: Yeah. 248 00:14:02,200 --> 00:14:04,960 Speaker 3: Yeah, so I'm still thinking this is why we're back here. 249 00:14:05,039 --> 00:14:07,399 And then this door opens and here he comes at 250 00:14:07,440 --> 00:14:08,759 six foot five or whatever. 251 00:14:08,799 --> 00:14:12,000 Speaker 5: He's huge, he's so tall. Guy, he is he must 252 00:14:12,000 --> 00:14:14,559 have been wearing he was wearing cowboy bodes. Really yeah, 253 00:14:14,559 --> 00:14:14,840 I mean. 254 00:14:15,840 --> 00:14:18,200 Speaker 7: Because I noticed in the pictures he's towering over you guys, 255 00:14:18,200 --> 00:14:19,440 and I'm like, this, isn't that tall? 256 00:14:19,559 --> 00:14:20,919 Speaker 10: Yeah? Five eight? 257 00:14:22,639 --> 00:14:22,799 Speaker 5: You know. 258 00:14:23,279 --> 00:14:25,559 Speaker 3: So he but he came out, shook our hands, said 259 00:14:25,600 --> 00:14:27,879 you know, he loved what we played and thanked us. 260 00:14:28,000 --> 00:14:29,720 We thanked him, and he put his arms around us, 261 00:14:29,720 --> 00:14:31,600 took some pictures. Yeah, and then we went back to 262 00:14:31,639 --> 00:14:33,480 the things. So we weren't expecting that. Yeah, you know, 263 00:14:33,679 --> 00:14:34,879 so that was very cool of. 264 00:14:34,960 --> 00:14:36,960 Speaker 7: Him, that is, you know, that's extremely cool. 265 00:14:37,080 --> 00:14:37,279 Speaker 4: Yeah. 266 00:14:37,480 --> 00:14:39,720 Speaker 7: Yeah, who else have you? Who else have you opened? 267 00:14:40,120 --> 00:14:44,799 Speaker 3: For as far as far as legends, like I, uh 268 00:14:45,360 --> 00:14:48,840 was it with this present lineup? But I did Zeezy 269 00:14:48,879 --> 00:14:51,799 Top and Skinned on the same bill. Yeah, but we've 270 00:14:51,879 --> 00:14:55,159 done everything from It's funny because we're my agent now. 271 00:14:55,480 --> 00:14:57,120 The one thing he loves about us is he can 272 00:14:57,200 --> 00:15:00,639 put us in any category from seventies to the two 273 00:15:00,679 --> 00:15:04,240 thousands to whatever. So yeah, we have literally done like 274 00:15:04,879 --> 00:15:07,639 eighties bands where we're playing with like enough's enough. We've 275 00:15:07,639 --> 00:15:11,600 played with Jackal, I've done Cinderella, you know, Faster pussy Cat. 276 00:15:11,720 --> 00:15:13,519 Then you turn around and they put us with all 277 00:15:13,600 --> 00:15:16,840 the Bridge, Theory of a Dead Man, Blackstone Cherry, you know, 278 00:15:17,279 --> 00:15:19,120 Buck Cherry, all these other bands, and then you go 279 00:15:19,320 --> 00:15:24,000 to bands like Edema and head Pe and you know 280 00:15:24,039 --> 00:15:27,080 when we played with Saliva and so Powerman five thousand 281 00:15:27,200 --> 00:15:29,279 is coming up, you know what I mean. So he 282 00:15:29,519 --> 00:15:31,960 loves the fact that he yeah, we did with Lynch Bombs. 283 00:15:32,000 --> 00:15:34,080 So it's like nice we have all these different He 284 00:15:34,159 --> 00:15:35,639 loves the fact that we don't have to just go hey, 285 00:15:35,720 --> 00:15:38,120 it can only put you guys with this type of music, 286 00:15:38,720 --> 00:15:42,559 Like we have done everything from the seventies, eighties, nineties 287 00:15:42,639 --> 00:15:45,120 and thousands, you know. And the good thing about that 288 00:15:45,320 --> 00:15:48,480 is he's just like, well, your branch of music can 289 00:15:48,519 --> 00:15:50,360 go from a twenty five year old to a seventy 290 00:15:50,399 --> 00:15:51,840 five year old. Yeah, you know what I mean, So 291 00:15:51,919 --> 00:15:53,759 you have a fifty year gap, which a lot of 292 00:15:53,799 --> 00:15:57,000 bands don't have, and especially for a younger act like us. 293 00:15:57,679 --> 00:15:59,240 Speaker 5: You know, these bands that we're playing. 294 00:15:59,039 --> 00:16:01,639 Speaker 3: With are all fifteen years older than we are, you know, 295 00:16:02,080 --> 00:16:04,879 so it's kind of like, well, we kind of got 296 00:16:04,919 --> 00:16:06,639 into a niche where it fit for us. 297 00:16:06,879 --> 00:16:08,639 Speaker 5: Yeah, you know, but a lot of a lot of 298 00:16:08,679 --> 00:16:10,279 those bands, I mean, we've we've done a lot of. 299 00:16:10,320 --> 00:16:15,000 Speaker 3: Nationals from lower nationals that like the like uh you know, 300 00:16:15,320 --> 00:16:19,679 something that was around in the eighties, to legends like Ace. 301 00:16:19,960 --> 00:16:25,000 Speaker 7: Yeah, that's fantastic. Yeah, have you in terms of I mean, 302 00:16:25,039 --> 00:16:26,559 do you get out of New England to watch for 303 00:16:26,919 --> 00:16:27,559 those kind of shows? 304 00:16:28,000 --> 00:16:28,200 Speaker 8: Yeah? 305 00:16:28,320 --> 00:16:30,639 Speaker 3: I mean I did a couple of stints myself in Nashville. 306 00:16:31,000 --> 00:16:31,240 Speaker 7: Nice. 307 00:16:31,360 --> 00:16:33,200 Speaker 3: Yeah, I think I played the Bluebird and stuff like that. 308 00:16:33,480 --> 00:16:36,559 But the band right now, the core of us is 309 00:16:37,159 --> 00:16:38,440 I mean usually I hate to say it, but it 310 00:16:38,519 --> 00:16:40,919 usually comes down to money and things like that. And 311 00:16:41,039 --> 00:16:44,000 I mean everybody here has got you know, I'm the 312 00:16:44,039 --> 00:16:46,480 only one that's really not married. You know what, I mean, yeah, 313 00:16:46,600 --> 00:16:48,519 so it's it's kind of like one of those type 314 00:16:48,519 --> 00:16:50,200 of deals. So I what I do is I keep 315 00:16:50,240 --> 00:16:54,080 it enough for everybody to go. Look, I made a 316 00:16:54,120 --> 00:16:57,480 deal with them and I said, we'll start will go 317 00:16:57,600 --> 00:17:00,960 from Maine to Jersey. Yeah, you know, and I go 318 00:17:01,080 --> 00:17:03,600 in anything past that. I mean, obviously I'll give plenty 319 00:17:03,600 --> 00:17:06,160 of notice and all that stuff. But this way, everything's 320 00:17:06,160 --> 00:17:07,680 a day away, you know, a. 321 00:17:07,680 --> 00:17:10,240 Speaker 5: Few hours, you know. That way, it's like, okay, you know, 322 00:17:10,400 --> 00:17:10,839 if we're. 323 00:17:10,720 --> 00:17:13,359 Speaker 3: Playing I'm telling you in two months, we're playing four 324 00:17:13,440 --> 00:17:16,599 shows and we're going from Maine to Rhode Island and Connecticut. 325 00:17:16,319 --> 00:17:19,359 Speaker 5: The to Jersey to back to me then no, you 326 00:17:19,400 --> 00:17:19,839 know what I mean. 327 00:17:19,880 --> 00:17:21,480 Speaker 3: And they can put in for and in that way, 328 00:17:21,519 --> 00:17:23,440 it's not like I'm calling them, Hey, we're leaving for 329 00:17:23,519 --> 00:17:26,240 New York tomorrow, right, you know what, So we kind 330 00:17:26,279 --> 00:17:29,160 of you kind of have to deal with the pros 331 00:17:29,200 --> 00:17:32,720 and cons of it. But if I want the lineup 332 00:17:32,920 --> 00:17:35,720 that we got, you know, and which I don't want 333 00:17:35,759 --> 00:17:37,519 them stuck sticking me with people that I don't know, 334 00:17:38,200 --> 00:17:40,119 you know, So it's just kind of like, all right, 335 00:17:40,319 --> 00:17:41,880 this is what we'll do, and and be honest with 336 00:17:41,960 --> 00:17:46,720 you until the gigs are worth going past that. It's 337 00:17:46,799 --> 00:17:48,440 it's you know what I mean, like, unless they're gonna 338 00:17:48,440 --> 00:17:50,559 give me a lot of money to go play for 339 00:17:50,799 --> 00:17:53,680 somebody that's in California. I mean, we'd love to go 340 00:17:53,720 --> 00:17:55,720 play the Whiskey, but how are we gonna do it? 341 00:17:56,000 --> 00:17:59,119 You know, you know, I'm not spending seven grand to 342 00:17:59,160 --> 00:18:00,359 get to California, you know. 343 00:18:00,880 --> 00:18:02,960 Speaker 5: Yeah, So I mean he's asked us. 344 00:18:03,359 --> 00:18:05,519 Speaker 3: Yeah, the guy that books the Whiskey's asked us twice. 345 00:18:05,519 --> 00:18:09,359 Speaker 5: All right, Oh, no kidding, Yeah, So I just it's 346 00:18:09,400 --> 00:18:11,079 all in time. Yeah, it'll happen. 347 00:18:11,279 --> 00:18:13,079 Speaker 3: Yeah, you know, it's just going to be when it's 348 00:18:13,079 --> 00:18:16,079 a little bit more efficient to everybody, you know. 349 00:18:16,319 --> 00:18:20,240 Speaker 7: Yeah, I'm curious if too, if anybody has any other 350 00:18:20,319 --> 00:18:22,759 projects that you're involved in, because I'm thinking of you 351 00:18:22,880 --> 00:18:26,119 Sherman specifically, because every drummer that we have on the show, 352 00:18:26,559 --> 00:18:29,160 almost every drummer, although Space Casino our guests in the 353 00:18:29,240 --> 00:18:31,680 last hour were a rare exception, but almost every drummer 354 00:18:31,720 --> 00:18:35,039 we have on the show is in like ten different bands. Nope, 355 00:18:35,079 --> 00:18:38,960 I I spend all my time these guys, no kidding. 356 00:18:39,160 --> 00:18:41,640 That's awesome. Well, it's cool that you know, I mean, 357 00:18:41,640 --> 00:18:46,039 you guys play enough that, you know to keep you busy, right, Yeah. 358 00:18:46,519 --> 00:18:48,920 Speaker 8: One of the things that you know, I dabble in recording. 359 00:18:49,079 --> 00:18:51,880 And because I don't have my studio set up right now. 360 00:18:52,000 --> 00:18:55,759 We moved here from Houston, and once I get my 361 00:18:55,839 --> 00:18:58,920 studio set up, then we can start recording our stuff. 362 00:18:58,960 --> 00:19:02,279 Right now, I'm just recording our rehearsals. Okay, so we 363 00:19:02,440 --> 00:19:04,720 kind of flushed things out and yeah, just kind of 364 00:19:04,759 --> 00:19:10,640 experiment there. But but as far as you know, I'm 365 00:19:10,680 --> 00:19:14,319 not opposed to getting involved with a recording project, but 366 00:19:14,720 --> 00:19:18,319 performing no, okay, because I and I've been approached a 367 00:19:18,359 --> 00:19:20,960 few times. It's just that I tell them, you know, Okay, 368 00:19:21,200 --> 00:19:25,559 but you know my priorities with Lone Wolf James. Yeah, yeah, 369 00:19:25,759 --> 00:19:29,640 so that's even on my my band Mixed Photos is yeah. Yeah, 370 00:19:30,759 --> 00:19:33,359 I'm the drummer for Lone Wolf James. Yeah, this is 371 00:19:33,400 --> 00:19:34,880 my first priority. 372 00:19:34,599 --> 00:19:36,480 Speaker 7: Because I have I have a theory that you know, 373 00:19:36,559 --> 00:19:38,039 when you're when you're growing up and you first get 374 00:19:38,079 --> 00:19:39,880 interested in playing a musical instrument, you got to have 375 00:19:39,960 --> 00:19:42,440 the conversation with the parents. If you approach them with 376 00:19:42,559 --> 00:19:46,960 either the drums or maybe the tuba, they're they're trying 377 00:19:47,000 --> 00:19:48,759 to talk you out of it. And that's why drummers 378 00:19:48,799 --> 00:19:51,000 are in such high demand, I think, because a lot 379 00:19:51,039 --> 00:19:52,759 of parents try to talk their kids out of Now 380 00:19:52,799 --> 00:19:53,359 you don't want to play. 381 00:19:54,799 --> 00:19:56,400 Speaker 5: They had the trumpet and then the drums. 382 00:19:59,519 --> 00:20:03,720 Speaker 7: You're drum first, Yeah wow, yeah, but oh boy, you. 383 00:20:03,759 --> 00:20:06,319 Speaker 5: Played the trumpet. It started off in trumpet. 384 00:20:06,440 --> 00:20:08,160 Speaker 3: We ain't even getting into that story. Go ahead, and 385 00:20:08,160 --> 00:20:09,000 Sherman keep talking. 386 00:20:10,000 --> 00:20:10,519 Speaker 8: That's funny. 387 00:20:10,559 --> 00:20:14,559 Speaker 7: I started on the vio. Yeah, yeah, Oh that's cool. 388 00:20:14,920 --> 00:20:18,200 That's cool. Now, how many how many songs do you 389 00:20:18,440 --> 00:20:22,160 have as a band, because you've got you've got one 390 00:20:22,240 --> 00:20:24,359 full length album, right, but you've got others. 391 00:20:24,240 --> 00:20:27,640 Speaker 3: Have two full length albums, and there's two before that, 392 00:20:27,839 --> 00:20:29,240 there's three EPs. 393 00:20:29,400 --> 00:20:32,000 Speaker 7: Oh okay, we're a lot of material now yeah. 394 00:20:31,960 --> 00:20:34,559 Speaker 3: Yeah, but where we I mean, unfortunately, on stage you 395 00:20:34,559 --> 00:20:35,799 only get about forty five minutes. 396 00:20:36,279 --> 00:20:39,559 Speaker 5: So we're we're taking with Sherman. 397 00:20:39,839 --> 00:20:43,519 Speaker 3: Now, we know probably let's say fifteen sixteen songs, okay, 398 00:20:43,559 --> 00:20:45,559 and we dabble in twelve of them for the for 399 00:20:45,640 --> 00:20:48,240 the shows, we switch stuff in and out and whatever. 400 00:20:48,480 --> 00:20:49,480 Speaker 7: Yeah, but as a. 401 00:20:49,640 --> 00:20:52,240 Speaker 3: Unit, like they're still Like the other day, we were 402 00:20:52,279 --> 00:20:54,799 bringing up songs that I hadn't played in fifteen years, 403 00:20:55,400 --> 00:20:56,799 you know, and they were just like, hey, you know, 404 00:20:56,839 --> 00:20:58,720 what if what if we do this? You know, and 405 00:20:59,079 --> 00:21:00,839 or hey I haven't heard that one or whatever. So 406 00:21:01,119 --> 00:21:03,519 my old stuff is still brand new to them. It's 407 00:21:03,559 --> 00:21:05,839 like saying I came in with a new record, right so, 408 00:21:06,319 --> 00:21:08,000 And the good thing is is, like I said, the 409 00:21:08,079 --> 00:21:11,000 first couple were acoustic. They were drums and stuff, but 410 00:21:11,079 --> 00:21:13,960 there were acoustic versions of the songs. So to bring 411 00:21:14,039 --> 00:21:16,319 it in with a massive band and have that full 412 00:21:16,400 --> 00:21:19,119 band sound now, I mean when I traded my acoustic 413 00:21:19,200 --> 00:21:21,960 in for a marginal and Les Paul, I was like, Okay, 414 00:21:22,240 --> 00:21:24,680 this is serious. We're moving forward. 415 00:21:24,799 --> 00:21:25,920 Speaker 5: And then you add. 416 00:21:25,960 --> 00:21:27,680 Speaker 3: Everybody and the next thing, you know, it's like, gee, 417 00:21:27,720 --> 00:21:29,960 what would this like. There's a song that we're doing 418 00:21:30,000 --> 00:21:31,839 now that I want to record that I only have 419 00:21:31,880 --> 00:21:33,559 an acoustic version of and we do play it once 420 00:21:33,599 --> 00:21:35,599 in a while called Native Groove, and it's one of 421 00:21:35,680 --> 00:21:40,119 my favorites. And that was strictly me on acoustic with 422 00:21:40,240 --> 00:21:42,279 some drums and a little bass, that's all it was. 423 00:21:42,880 --> 00:21:43,079 Speaker 8: It was. 424 00:21:43,319 --> 00:21:45,640 Speaker 3: It was big sounded, you know, and I was like, man, 425 00:21:45,720 --> 00:21:48,079 imagine what this would sound like with a band. So 426 00:21:48,200 --> 00:21:50,839 we brought it in and now you add Sherman. You 427 00:21:51,039 --> 00:21:54,000 had Jeff, you know, and you had Tim with my guitar, 428 00:21:54,279 --> 00:21:56,720 and it's like, wow, this is just like a wall 429 00:21:57,039 --> 00:21:59,319 of sound, you know. So this is that's one of 430 00:21:59,359 --> 00:22:01,440 the first tracks because I want to record after we'd 431 00:22:01,480 --> 00:22:03,799 get done with this one, you know, like when they 432 00:22:03,839 --> 00:22:04,960 come to us and say. 433 00:22:04,839 --> 00:22:06,640 Speaker 5: Hey, I need more material, you bet. 434 00:22:06,680 --> 00:22:08,799 Speaker 3: Yeah, write in the studio because we got a couple 435 00:22:08,839 --> 00:22:10,960 of songs written that we want to do, and that's 436 00:22:11,359 --> 00:22:12,079 high on my list. 437 00:22:13,200 --> 00:22:14,720 Speaker 7: I mean, it's good to have things that are ready 438 00:22:14,759 --> 00:22:18,359 to ready to work on, you know, you know, uh, 439 00:22:18,519 --> 00:22:19,839 trying to come up with ideas, you know. 440 00:22:19,920 --> 00:22:21,680 Speaker 3: And we've written some new ones, like there's a song 441 00:22:21,759 --> 00:22:23,960 that we're dabbling on right now that Jeff and I 442 00:22:24,200 --> 00:22:26,319 kind of we're trying to put together. And then it 443 00:22:26,440 --> 00:22:29,799 was called Showtime, and and another one I want to 444 00:22:29,839 --> 00:22:30,759 Be Bad, we wrote. 445 00:22:30,799 --> 00:22:33,799 Speaker 5: I wanted to do like a a c DC bass groove, 446 00:22:34,559 --> 00:22:36,960 like like the Jack, you know, and I. 447 00:22:37,039 --> 00:22:38,519 Speaker 3: Kind of wanted to do something like that where it's 448 00:22:38,559 --> 00:22:41,799 all like sexual talking instead of singing, and it's and 449 00:22:41,920 --> 00:22:43,920 I said, but I need this certain, So I went 450 00:22:43,960 --> 00:22:45,759 to I went to his house, and he's like, what 451 00:22:45,839 --> 00:22:46,920 do you want me to play? And I'm like, just 452 00:22:47,000 --> 00:22:49,920 go bom bom. Think of like running with the Devil, 453 00:22:50,079 --> 00:22:51,559 you know what I mean, you know, like type of 454 00:22:51,640 --> 00:22:53,920 type thing. And he did that, and uh, we kind 455 00:22:53,920 --> 00:22:55,559 of put this stuff in together, and Tim came in 456 00:22:55,720 --> 00:22:57,079 is like, you know what'd be great there some of 457 00:22:57,119 --> 00:22:59,519 this wah guitar you know, and all that stuff, and 458 00:22:59,559 --> 00:23:01,480 then you know, Sherman's just looking at us. 459 00:23:01,519 --> 00:23:03,079 Speaker 5: I like, just play a beat. 460 00:23:03,200 --> 00:23:03,359 Speaker 4: You know. 461 00:23:04,400 --> 00:23:06,440 Speaker 5: He finally gets in figure out what he wants to do. 462 00:23:06,599 --> 00:23:08,319 Speaker 3: But they came together and I was like, wow, and 463 00:23:08,480 --> 00:23:11,119 we were actually gonna play that on these upcoming shows. 464 00:23:11,240 --> 00:23:12,759 Speaker 5: Oh, very cool. I want to be bad. It's gonna 465 00:23:12,759 --> 00:23:13,880 be late on those. 466 00:23:14,000 --> 00:23:16,839 Speaker 7: So yeah, you've got Enough's enough coming up. You said 467 00:23:16,880 --> 00:23:19,599 you're gonna be opening for them, Yes, yeah, that's good. 468 00:23:19,640 --> 00:23:21,720 Speaker 3: We're doing a tour leg of a tour with them, 469 00:23:22,119 --> 00:23:25,400 you are, Yeah, we're doing it doing I think it's Manchester, 470 00:23:25,519 --> 00:23:26,720 Connecticut and Rhode Island. 471 00:23:27,519 --> 00:23:27,680 Speaker 6: Yeah. 472 00:23:27,759 --> 00:23:29,519 Speaker 3: Yeah, we're doing three nights in a row with them 473 00:23:30,599 --> 00:23:31,079 in June. 474 00:23:31,519 --> 00:23:34,400 Speaker 7: I always said they were underrated. Fly High, Michelle, I think, 475 00:23:34,480 --> 00:23:36,440 is such a great song, and it's one of those songs. 476 00:23:36,440 --> 00:23:38,240 You mentioned it to people now they don't even remember it. 477 00:23:38,319 --> 00:23:40,119 Speaker 3: You know. It's funny too, because Chip is singing. I 478 00:23:40,200 --> 00:23:42,799 think now I don't think it's the it's the original 479 00:23:42,880 --> 00:23:45,599 singer anymore. I think Chip's enough to the bass player. 480 00:23:46,000 --> 00:23:48,000 I think he's he's the original member obviously, but I 481 00:23:48,119 --> 00:23:50,960 think I think I could be wrong, but I think 482 00:23:51,000 --> 00:23:51,480 he's singing. 483 00:23:51,680 --> 00:23:53,480 Speaker 5: Oh okay, yeah, I think he's a singer. But he 484 00:23:53,720 --> 00:23:54,240 kept the name. 485 00:23:54,440 --> 00:23:57,119 Speaker 7: Okay, but you mentioned lynch Mob too. You open for 486 00:23:57,160 --> 00:23:57,559 lynch Mob? 487 00:23:57,759 --> 00:23:59,200 Speaker 5: Yeah, down down in Webster. 488 00:23:59,440 --> 00:24:02,960 Speaker 7: Oh that must have been cool. Yeah, that first Lynch 489 00:24:03,000 --> 00:24:05,680 Mob album. Again, this is no one, no one even remembers. 490 00:24:05,799 --> 00:24:09,119 But Wicked Sensation. Yeah, this one of my that would 491 00:24:09,160 --> 00:24:12,880 be in my top ten all time, just so so good. 492 00:24:13,039 --> 00:24:14,559 Speaker 3: Well, it was funny because this was this is where 493 00:24:14,559 --> 00:24:18,119 I bring Tim in to that show because I, you know, 494 00:24:18,240 --> 00:24:20,640 George Lynch Hello, yeah, yeah, he's a league guitar player. 495 00:24:20,680 --> 00:24:22,519 Speaker 5: So I told I kept busting his chops. 496 00:24:22,559 --> 00:24:24,640 Speaker 3: I kept saying, do you realize in the same month 497 00:24:24,680 --> 00:24:27,200 you have to open for for you know, for basically 498 00:24:27,240 --> 00:24:29,839 George Lynch and a's freely and he's. 499 00:24:29,720 --> 00:24:30,319 Speaker 7: Just like shut up. 500 00:24:31,559 --> 00:24:33,279 Speaker 5: So we were going over Andre playing. 501 00:24:33,640 --> 00:24:35,359 Speaker 3: We did our set and we played Lynch and then 502 00:24:35,599 --> 00:24:37,440 Tim and I are on the side of the stage. Ye, 503 00:24:37,599 --> 00:24:39,759 and George Lynch is right there, yeah, and. 504 00:24:39,799 --> 00:24:41,240 Speaker 5: He's just playing. And I look over at Tim and 505 00:24:41,279 --> 00:24:42,960 he's just looking up at Georgie looks at me. He's 506 00:24:42,960 --> 00:24:48,079 got this like kid a Christmas look. So I'll let 507 00:24:48,200 --> 00:24:48,640 him take it. 508 00:24:49,519 --> 00:24:52,440 Speaker 9: He even gave me a little nod because like I 509 00:24:52,559 --> 00:24:56,880 tried to squeeze in just a little piece of I 510 00:24:56,920 --> 00:24:59,720 didn't think he noticed, but he barely looked at me 511 00:24:59,799 --> 00:25:02,880 off stage, but I was side stage and he turned 512 00:25:02,880 --> 00:25:05,599 around and he did like a little rift that I do. 513 00:25:06,079 --> 00:25:09,720 Speaker 7: No kidding, And then I was like, that's really cool. 514 00:25:11,559 --> 00:25:15,079 What was he all buff? Too? Was his big body 515 00:25:15,119 --> 00:25:15,680 building phase? 516 00:25:15,759 --> 00:25:15,960 Speaker 5: Yeah? 517 00:25:16,119 --> 00:25:19,000 Speaker 9: Oh he wasn't like that super buff. Yeah really yeah, 518 00:25:19,079 --> 00:25:20,319 he's concentrating all this. 519 00:25:20,759 --> 00:25:24,319 Speaker 7: Yeah. Yeah, So but you've got enough enough coming up. 520 00:25:24,319 --> 00:25:24,720 Speaker 10: But what was it? 521 00:25:24,880 --> 00:25:25,720 Speaker 7: There was there was another one. 522 00:25:25,799 --> 00:25:27,240 Speaker 5: Power Man five thousands coming. 523 00:25:28,039 --> 00:25:28,240 Speaker 7: Yeah. 524 00:25:28,519 --> 00:25:30,400 Speaker 3: We got a leg of a tour with them, and 525 00:25:30,519 --> 00:25:33,680 it's it's them and head pe ands like that, and 526 00:25:33,759 --> 00:25:35,599 we just got off the road head p because they 527 00:25:35,640 --> 00:25:38,279 were on the Saliva leg that we did. We did 528 00:25:38,960 --> 00:25:42,480 Saliva okay, and you know Josie Scott and what about 529 00:25:42,799 --> 00:25:45,200 nin What are we doing Nazareth? 530 00:25:45,319 --> 00:25:50,119 Speaker 5: Oh Nazareth, Yeah that's a big yeah. 531 00:25:51,359 --> 00:25:51,680 Speaker 7: Sweet. 532 00:25:51,759 --> 00:25:52,440 Speaker 5: So that's what I mean. 533 00:25:52,480 --> 00:25:54,839 Speaker 3: They got legends like Ace and Nazareth, and then we 534 00:25:55,039 --> 00:25:58,160 have you know, the Power Man, five thousands, the Saliva's 535 00:25:58,440 --> 00:26:02,440 you know, you know, we're trying to get hooked up 536 00:26:02,559 --> 00:26:04,480 with a couple of things that you know, I really 537 00:26:04,799 --> 00:26:07,359 I can't say anything of who they are yet because 538 00:26:07,440 --> 00:26:10,279 until the ink as dry as they say, but I 539 00:26:10,359 --> 00:26:13,400 think this summer, later in this summer, we're going to 540 00:26:13,480 --> 00:26:16,240 get some bigger you know, the whole point if it 541 00:26:16,359 --> 00:26:17,640 was to try to get in with a lot of 542 00:26:17,720 --> 00:26:20,720 these bands that and in order. What people don't get 543 00:26:20,839 --> 00:26:24,799 is like the management companies and the agents are all interacting. 544 00:26:25,480 --> 00:26:28,160 So if you're playing with this band, they're the same 545 00:26:28,240 --> 00:26:30,160 agent as this band, and you ain't gonna play with 546 00:26:30,200 --> 00:26:30,559 that band? 547 00:26:30,680 --> 00:26:32,279 Speaker 5: Do you play with this band? You know, like the 548 00:26:32,640 --> 00:26:35,519 or this venue without that venue and that kind of stuff. 549 00:26:36,079 --> 00:26:39,839 Speaker 3: So the right now the contracts I'm doing the bands. 550 00:26:39,920 --> 00:26:42,359 It's great because you get to have a colectic of 551 00:26:42,440 --> 00:26:44,480 all these Like we opened the first tour we did 552 00:26:44,880 --> 00:26:47,720 was Tantric Okay, I only knew one song from Trick. 553 00:26:47,839 --> 00:26:49,319 Speaker 5: Yeah, you know, and now. 554 00:26:49,359 --> 00:26:51,599 Speaker 3: They're like the coolest guys, you know what I mean, 555 00:26:51,680 --> 00:26:54,079 Like we hung out every night all weekend. 556 00:26:54,319 --> 00:26:56,400 Speaker 5: We hung out with them every night backstage or real 557 00:26:56,440 --> 00:26:56,920 good to us. 558 00:26:57,559 --> 00:26:57,720 Speaker 2: You know. 559 00:26:58,880 --> 00:27:02,200 Speaker 3: In fact, Hugo even approached me about, you know, maybe 560 00:27:02,240 --> 00:27:04,920 producing one of my next songs and something like that. Okay, 561 00:27:04,960 --> 00:27:07,519 so we'll see what happens with that. But but you know, 562 00:27:07,759 --> 00:27:10,160 in general, they were just cool guys. Yeah, they were 563 00:27:10,200 --> 00:27:11,960 really you know, we were and we're looking forward to 564 00:27:12,119 --> 00:27:13,960 to tour with them again. But we did that tour, 565 00:27:14,000 --> 00:27:16,480 I didn't know who they were other than you know, 566 00:27:16,599 --> 00:27:18,400 that one song or whatever. But but then it came 567 00:27:18,440 --> 00:27:20,000 out and you're like, wow, these guys are really good. 568 00:27:20,079 --> 00:27:23,039 Speaker 7: Yeah, you know, they had a few hits. Yeah, Morning 569 00:27:23,240 --> 00:27:26,000 was the big ballad, which I really like that song. 570 00:27:26,039 --> 00:27:27,119 I can't remember what else, but. 571 00:27:27,519 --> 00:27:29,559 Speaker 5: No breakdown was that breakthrough breakdown? 572 00:27:29,680 --> 00:27:31,039 Speaker 2: Yeah, but there was. 573 00:27:31,559 --> 00:27:33,640 Speaker 3: But I mean, you know, it's it's so rare that 574 00:27:33,680 --> 00:27:37,000 you see because there's always an interconnection to like a 575 00:27:37,039 --> 00:27:39,400 lot of people don't know that Hugo's connected into the 576 00:27:39,440 --> 00:27:41,599 Bett and Court family, you know, and all that stuff 577 00:27:41,839 --> 00:27:44,440 and It's funny because I knew all those guys, so 578 00:27:44,640 --> 00:27:46,799 it was kind of like, oh, okay, so we kind 579 00:27:46,839 --> 00:27:48,279 of know the thame like, we're going we're going to 580 00:27:48,319 --> 00:27:50,640 play a local show. We're not doing too many local shows, 581 00:27:51,119 --> 00:27:53,440 and we're playing a local show at the Raven, which 582 00:27:53,519 --> 00:27:54,799 is Chris Betton Courts Club. 583 00:27:55,559 --> 00:27:59,720 Speaker 5: Who's Nudo's cousins, no brother. It's all connected, you know 584 00:27:59,759 --> 00:28:00,000 what I mean? 585 00:28:00,000 --> 00:28:02,920 Speaker 3: I mean, it's all connected. So yeah, it's you just 586 00:28:03,000 --> 00:28:05,400 have you make the right friends, right places. 587 00:28:05,519 --> 00:28:05,680 Speaker 8: You know. 588 00:28:06,119 --> 00:28:07,880 Speaker 7: I'm curious because a lot of you know, a lot 589 00:28:07,920 --> 00:28:10,000 of music industry people listen to the show. Do you 590 00:28:11,200 --> 00:28:13,960 do you enjoy the business side of it? It seems 591 00:28:14,079 --> 00:28:16,200 like you do the way that you talk about it. 592 00:28:16,279 --> 00:28:19,079 But I know, but but maybe not, I'm the truth. 593 00:28:19,279 --> 00:28:22,400 Speaker 5: I mean, I know. 594 00:28:22,599 --> 00:28:25,240 Speaker 7: I mean, obviously you'd rather not have to do that 595 00:28:25,359 --> 00:28:27,440 part and focus on the creative part. I know, But 596 00:28:27,640 --> 00:28:29,799 but it seems like you or you or you seem 597 00:28:29,880 --> 00:28:31,519 like you understand the business part of it at least, 598 00:28:31,519 --> 00:28:34,519 which is puts you ahead of a lot of musicians. 599 00:28:35,119 --> 00:28:38,200 Speaker 3: Used to be very overwhelming y now it makes you 600 00:28:38,359 --> 00:28:41,839 kind of a hole, but you have to be because 601 00:28:42,279 --> 00:28:44,279 if you're not They're gonna walk all over you. 602 00:28:44,480 --> 00:28:47,400 Speaker 5: You know, absolutely, So like the biggest thing I do. 603 00:28:47,640 --> 00:28:49,759 Speaker 3: Like a lot of people think, oh, you know Loan James, 604 00:28:49,839 --> 00:28:51,920 he named the band after him and he's a singer. Yeah, 605 00:28:51,960 --> 00:28:53,640 I wish that was the case. That would be so 606 00:28:53,799 --> 00:28:57,119 much easier, right, But it's like, but I tell people 607 00:28:57,119 --> 00:28:59,119 all the time, and I say this to even these guys, 608 00:28:59,160 --> 00:29:01,319 and it's not a down shoot because I love them. Yeah, 609 00:29:01,480 --> 00:29:03,920 I said this is you guys are part of it, 610 00:29:04,160 --> 00:29:05,680 and you get to walk away and go home. 611 00:29:06,000 --> 00:29:06,160 Speaker 10: Right. 612 00:29:06,400 --> 00:29:08,079 Speaker 3: I don't get the lead lon Wolf James because I 613 00:29:08,119 --> 00:29:11,559 am him right, so, well, everybody else is doing whatever 614 00:29:11,559 --> 00:29:15,079 they're doing. I'm handling contracts and phone calls and you know, 615 00:29:15,200 --> 00:29:17,319 and all this venue change this or this guy's been 616 00:29:17,519 --> 00:29:19,400 like we just we were supposed to play with La 617 00:29:19,519 --> 00:29:23,960 Guns right here in Manchester in October and because they 618 00:29:24,000 --> 00:29:26,440 played the Tupelo last night, which Tim went to, y. 619 00:29:26,640 --> 00:29:28,799 Speaker 5: You know they went, you know they went last night. 620 00:29:29,319 --> 00:29:29,880 Speaker 7: I didn't even know. 621 00:29:30,119 --> 00:29:35,640 Speaker 3: Yeah, amazing they pulled the show I was already contracted for. 622 00:29:36,160 --> 00:29:36,279 Speaker 4: You know. 623 00:29:36,759 --> 00:29:38,440 Speaker 3: So it's kind of like one of those like okay, 624 00:29:38,640 --> 00:29:40,319 well you know, what are you gonna do? You know, 625 00:29:40,400 --> 00:29:42,759 it has nothing to do with me personally, right, so 626 00:29:42,920 --> 00:29:44,720 now I have to wait we do it. But it's 627 00:29:44,799 --> 00:29:47,079 like little things like that, or you know, you don't 628 00:29:47,119 --> 00:29:49,759 get you get to a you have everything in your 629 00:29:50,000 --> 00:29:53,160 contract about a venue and you get to the venue 630 00:29:53,160 --> 00:29:54,680 and there's no place for the band to change or 631 00:29:54,799 --> 00:29:56,640 park and they want you to pay the park, like 632 00:29:56,680 --> 00:29:57,519 you want me to pay the park. 633 00:29:57,519 --> 00:29:59,200 Speaker 5: I'm playing, you know what I mean. 634 00:29:59,279 --> 00:30:02,319 Speaker 3: So it's kind of like that's where you go, okay, 635 00:30:02,759 --> 00:30:05,920 because only so far you're gonna go, even just yourself, 636 00:30:06,519 --> 00:30:08,440 you have to get an agent. You have to get 637 00:30:08,640 --> 00:30:11,000 So what I did was I had an agent from 638 00:30:11,119 --> 00:30:14,839 years ago, and he hooked us up like Jeff's first 639 00:30:14,880 --> 00:30:15,279 show with us. 640 00:30:15,319 --> 00:30:17,920 Speaker 5: I think it was Jackal. I mean he put us 641 00:30:18,200 --> 00:30:18,519 right here. 642 00:30:18,480 --> 00:30:22,759 Speaker 3: At Jewels and yeah, and it was like, you know, 643 00:30:23,880 --> 00:30:25,839 he booked us with that, and so I knew him 644 00:30:25,880 --> 00:30:29,640 for years and but basically I ended up calling him 645 00:30:29,640 --> 00:30:31,839 and saying, how much to hire you want as a 646 00:30:31,880 --> 00:30:35,559 consultant just for us, just to do this blah blah blah, 647 00:30:35,599 --> 00:30:37,839 because I said, I'm getting calls and I'm doing these things, 648 00:30:37,880 --> 00:30:40,519 and I'm like, I need somebody who can haggle for me. 649 00:30:41,319 --> 00:30:43,880 That can talk contracts with these people and then gives 650 00:30:43,960 --> 00:30:47,279 me the contract, so I understand it, you know, without 651 00:30:47,319 --> 00:30:50,079 all the bull you know. So that's basically all it did. 652 00:30:50,240 --> 00:30:52,440 And then with the fact that I've in the studio 653 00:30:53,960 --> 00:30:56,559 recording right now, and the and the producer that is 654 00:30:56,920 --> 00:31:02,279 recording us is he is huge. He he did stuff 655 00:31:02,319 --> 00:31:05,960 with Ray Charles, you know, Elton John with the Franklin 656 00:31:06,000 --> 00:31:09,599 Guns and Roses ac DC. So he yeah, he's he's 657 00:31:09,640 --> 00:31:12,759 worked with them all and he's in the studio producing 658 00:31:12,839 --> 00:31:16,640 this next record. So he's got us working on a deal, 659 00:31:17,200 --> 00:31:22,240 whether it's Sony or whatever. So hopefully that comes through. 660 00:31:22,359 --> 00:31:26,519 But with that happening, you get a buzz. People see 661 00:31:26,519 --> 00:31:28,799 who you were recording with, See what's going on. Well, 662 00:31:28,880 --> 00:31:31,839 these guys aren't kidding, you know, they're in Like you 663 00:31:31,920 --> 00:31:34,240 see the studio on Man, you know, and that kind 664 00:31:34,240 --> 00:31:36,440 of stuff, and people are like wow. Then you go 665 00:31:36,559 --> 00:31:39,319 from that and you get the right consultant who knows 666 00:31:39,400 --> 00:31:43,200 you and knows you're not just talking. And next thing 667 00:31:43,240 --> 00:31:44,680 you know, he's like, well, I'll give you a chance 668 00:31:44,759 --> 00:31:48,039 like his our are put our toes in the water 669 00:31:48,160 --> 00:31:50,519 for him? Was I know you can play a one 670 00:31:50,559 --> 00:31:52,960 off I'm gonna put you on toe with Tan Trick. Yeah, 671 00:31:53,079 --> 00:31:55,200 don't disappoint us, you know what I mean, because if 672 00:31:55,240 --> 00:31:57,160 it comes back and you hear all this noise. 673 00:31:56,839 --> 00:31:57,839 Speaker 5: He's gonna go any booking. 674 00:31:57,839 --> 00:31:58,480 Speaker 7: These guys. 675 00:32:02,000 --> 00:32:05,039 Speaker 3: Broke his foot right before the tour, and he looked 676 00:32:05,039 --> 00:32:06,279 at me right after it happened. 677 00:32:06,319 --> 00:32:08,400 Speaker 5: He goes, do not cancel those shows? 678 00:32:10,480 --> 00:32:11,039 Speaker 7: Oh wow? 679 00:32:11,240 --> 00:32:12,160 Speaker 5: Yeah, so it. 680 00:32:14,319 --> 00:32:18,839 Speaker 7: Was my fault. Oh my god. So you have how 681 00:32:18,880 --> 00:32:20,519 many shows did you have to play that way? 682 00:32:20,799 --> 00:32:21,079 Speaker 10: We did? 683 00:32:21,160 --> 00:32:22,519 Speaker 5: We did three or four of them. 684 00:32:22,599 --> 00:32:22,759 Speaker 10: Yeah. 685 00:32:24,359 --> 00:32:26,240 Speaker 8: As a matter of fact, I think I took the 686 00:32:26,319 --> 00:32:32,240 boot off when we did Lyunch Mob because we were 687 00:32:32,240 --> 00:32:36,440 shooting the video. Because I took the boot off for 688 00:32:36,559 --> 00:32:39,240 that seconds. I didn't want to have this gigantic Yeah. 689 00:32:39,920 --> 00:32:42,799 Speaker 3: We were like the second night in on the Tancer Show. 690 00:32:42,960 --> 00:32:45,279 Oh wow, he's back there and he's you know, he's 691 00:32:45,319 --> 00:32:49,319 got this big boot and I'm just like, I'm looking 692 00:32:49,359 --> 00:32:51,279 back at him on stage and he's playing his heart 693 00:32:51,319 --> 00:32:51,680 out right. 694 00:32:52,079 --> 00:32:53,880 Speaker 5: And then in the Alchemy, we were playing. 695 00:32:53,680 --> 00:32:55,640 Speaker 3: This place called the Alchemy is a great, great venue 696 00:32:55,680 --> 00:32:57,480 down in Providence, right, and. 697 00:32:57,519 --> 00:32:58,480 Speaker 5: It was pretty packed. 698 00:32:58,480 --> 00:33:00,519 Speaker 3: I mean it was ocean all the way all the 699 00:33:00,559 --> 00:33:02,880 way back for a small club and I finally look 700 00:33:02,880 --> 00:33:03,880 at him and I look at the crowd. 701 00:33:03,960 --> 00:33:05,759 Speaker 5: I looked back at him, and I go and look 702 00:33:05,759 --> 00:33:06,000 at this. 703 00:33:06,119 --> 00:33:08,000 Speaker 3: You know, And I said, whatever I said, and I 704 00:33:08,160 --> 00:33:10,000 like and he said he's played with one leg right 705 00:33:10,079 --> 00:33:13,359 the d he lifted up and the whole place went 706 00:33:13,519 --> 00:33:16,319 not you know, And I was just like, wow, that's great, 707 00:33:16,440 --> 00:33:19,119 you know, but that is rocket up, you know. 708 00:33:19,880 --> 00:33:24,440 Speaker 7: Wow, Now good for you. Wait, maybe said how many 709 00:33:24,480 --> 00:33:30,680 shows did you play with at least? Like, yeah, I 710 00:33:30,720 --> 00:33:32,359 assume you didn't tell your doctor about it. 711 00:33:33,759 --> 00:33:34,880 Speaker 8: No, he actually knew. 712 00:33:36,319 --> 00:33:37,279 Speaker 7: Yeah, he was all right with it. 713 00:33:37,920 --> 00:33:39,599 Speaker 8: I'm a double bass drummer, so it was just my 714 00:33:39,720 --> 00:33:44,440 high hat, okay, but I couldn't do I do do 715 00:33:44,680 --> 00:33:46,759 some sparse double bass in our songs. 716 00:33:47,000 --> 00:33:54,119 Speaker 7: Yeah, yeah, oh wow, oh wow job yeah wow. Definitely 717 00:33:54,160 --> 00:33:58,119 pulled it off. If you're just joining us, we've got 718 00:33:58,119 --> 00:34:00,920 the band Lone Wolf James here with us. Uh, live 719 00:34:01,000 --> 00:34:03,359 in studio. You want to play another we can play 720 00:34:03,359 --> 00:34:06,839 another track from the album. Sure, yeah, I'll let you. Uh, 721 00:34:07,000 --> 00:34:11,440 I'll let you pick. Try first breath, Jeff Scotch. I 722 00:34:11,639 --> 00:34:12,039 like that one. 723 00:34:12,800 --> 00:34:13,559 Speaker 5: First ahead. 724 00:34:16,320 --> 00:34:18,039 Speaker 3: He's trying to get me to bring this back into 725 00:34:18,119 --> 00:34:18,679 the set list. 726 00:34:21,199 --> 00:34:23,400 Speaker 7: It's a good track. Yeah, all right, here it is. 727 00:34:23,480 --> 00:34:25,559 This is First Breath and the band is a Lone 728 00:34:25,599 --> 00:34:26,159 Wolf James. 729 00:34:27,679 --> 00:35:17,639 Speaker 10: Okay, so look. 730 00:35:19,360 --> 00:35:21,039 Speaker 11: It's mine. 731 00:35:25,079 --> 00:35:25,679 Speaker 2: Say me. 732 00:35:28,039 --> 00:35:31,239 Speaker 4: Everything go be. 733 00:35:36,639 --> 00:35:37,920 Speaker 1: Just the person. 734 00:35:39,320 --> 00:35:40,440 Speaker 2: Trying to make. 735 00:35:42,639 --> 00:35:44,480 Speaker 4: He me. 736 00:35:48,000 --> 00:35:48,719 Speaker 2: All about? 737 00:35:50,559 --> 00:35:51,760 Speaker 5: Is that your way go? 738 00:35:53,599 --> 00:35:54,840 Speaker 1: You take the. 739 00:36:05,039 --> 00:36:05,920 Speaker 4: First trime. 740 00:36:10,760 --> 00:36:53,840 Speaker 11: First first, Well, yesterday's. 741 00:36:56,320 --> 00:37:00,199 Speaker 2: Wa wa squears that. 742 00:37:02,159 --> 00:37:08,840 Speaker 10: You're not You're not the first. 743 00:37:10,559 --> 00:37:11,559 Speaker 2: I guarantee you. 744 00:37:13,960 --> 00:37:14,719 Speaker 4: Won't be. 745 00:37:15,039 --> 00:37:26,639 Speaker 1: The tomorrow will come, you know, the day we'll take there. 746 00:37:30,679 --> 00:39:02,599 Speaker 11: First first word start sport. 747 00:40:16,280 --> 00:40:19,039 Speaker 7: All right, that is uh, first Breath and the band 748 00:40:19,199 --> 00:40:21,800 is Lone Wolf James. We've got the guys from Lone 749 00:40:21,840 --> 00:40:24,000 Wolf James here in studio with us. If you are 750 00:40:24,519 --> 00:40:29,000 listening live on this Saturday morning, and uh hopefully it 751 00:40:29,199 --> 00:40:33,960 is uh sunny where you are, but probably not. You 752 00:40:34,039 --> 00:40:37,000 got Yeah, you guys are all uh you're you're pretty scattered. 753 00:40:37,039 --> 00:40:38,480 I know we were talking about it. Off. Are you 754 00:40:38,480 --> 00:40:40,719 guys are pretty scattered right in terms of where you 755 00:40:40,800 --> 00:40:41,159 all live? 756 00:40:41,400 --> 00:40:41,519 Speaker 3: Right? 757 00:40:41,760 --> 00:40:42,000 Speaker 5: Yeah? 758 00:40:43,320 --> 00:40:45,960 Speaker 7: Does that make it well? Actually, though, although I think 759 00:40:46,000 --> 00:40:47,679 you had said earlier too, you're playing so many shows 760 00:40:47,719 --> 00:40:51,119 you don't necessarily need to get together for too many rehearsals, right, 761 00:40:51,159 --> 00:40:52,920 but but it must make it a little challenging, right, 762 00:40:52,960 --> 00:40:55,079 but it shows it shows a level of commitment to 763 00:40:55,280 --> 00:40:57,400 that you have, that you're able to be be kind 764 00:40:57,400 --> 00:41:00,719 of scattered and you know, live far away from each other, 765 00:41:00,800 --> 00:41:03,519 but still you know, put in the time to get 766 00:41:03,559 --> 00:41:05,000 together and and work on the band. 767 00:41:05,199 --> 00:41:07,119 Speaker 3: Sherman actually kind of came to the rescue on that 768 00:41:07,239 --> 00:41:11,039 one when when I had my studio. My dad died 769 00:41:11,159 --> 00:41:13,800 years ago, and I had put built a studio, rehearsal 770 00:41:13,840 --> 00:41:17,280 studio downstairs my mom. My mom lived upstairs and and 771 00:41:17,360 --> 00:41:20,039 I had my studio downstairs, so the band would always 772 00:41:20,079 --> 00:41:21,719 just come there, and I was down a mass Yeah, 773 00:41:22,159 --> 00:41:25,360 and unfortunately this passed Oarcoba, she passed away. 774 00:41:25,760 --> 00:41:28,599 Speaker 5: So when she passed away, you know, I had to 775 00:41:28,599 --> 00:41:29,480 sell her house and all that. 776 00:41:29,679 --> 00:41:32,280 Speaker 3: Yeah, we were looking around for places to go blah blah, 777 00:41:32,280 --> 00:41:33,960 and Sherman was just kind of like, just bring it 778 00:41:34,039 --> 00:41:35,079 to my house, okay. 779 00:41:35,159 --> 00:41:37,239 Speaker 5: And then we went up there and we you know, he. 780 00:41:37,280 --> 00:41:39,119 Speaker 3: Has a he has a bunch of gear and studio, 781 00:41:39,320 --> 00:41:41,199 so he he cleared out one of his rooms at 782 00:41:41,239 --> 00:41:43,639 his house. Yeah, and up in Wakefield, so that's where 783 00:41:43,679 --> 00:41:46,519 we were rehearsed now, so excellent, and so he kind 784 00:41:46,519 --> 00:41:48,639 of came to the rescue on that one, because yeah, 785 00:41:48,719 --> 00:41:51,119 it's private and we can get there, we can play 786 00:41:51,159 --> 00:41:54,800 when we want to, you know. And but yeah, my 787 00:41:54,960 --> 00:41:57,199 goal was to keep us so busy. We're not just 788 00:41:57,280 --> 00:41:59,599 sitting in our rehearsal room concert, right, I mean, if 789 00:41:59,599 --> 00:42:01,559 we have something we want to work on, great, yeah, 790 00:42:01,679 --> 00:42:04,840 you know, but like we took April off, and I 791 00:42:04,880 --> 00:42:06,599 think this is the most we've rehearsed, we've had like 792 00:42:06,920 --> 00:42:08,920 we got today, It's it'll be like the third one 793 00:42:08,960 --> 00:42:09,480 in a row. 794 00:42:09,599 --> 00:42:09,840 Speaker 10: You know. 795 00:42:10,239 --> 00:42:12,800 Speaker 3: But then after that we hit May and we probably 796 00:42:12,800 --> 00:42:14,159 won't be back in that room till August. 797 00:42:15,639 --> 00:42:17,079 Speaker 5: Yeah, so who knows, you know. 798 00:42:17,360 --> 00:42:21,800 Speaker 7: Yeah, but it's good to be busy. Yep, excellent, excellent, 799 00:42:22,920 --> 00:42:25,159 what do you oh? Jeez? The time goes so quick. 800 00:42:25,199 --> 00:42:26,719 So I want to make sure well, a couple of things. 801 00:42:26,880 --> 00:42:28,239 So I want to make sure people know where to 802 00:42:28,280 --> 00:42:30,000 go online to keep up with everything that you guys 803 00:42:30,000 --> 00:42:31,079 are doing. Where's the best place? 804 00:42:31,440 --> 00:42:34,360 Speaker 5: Reverb Nation is our main like our main page. 805 00:42:34,760 --> 00:42:36,760 Speaker 3: So if you go to reverb nation dot com slash 806 00:42:36,840 --> 00:42:40,280 Lonel James, it brings up pictures, our tour dates, all 807 00:42:40,559 --> 00:42:42,880 up live events, things like that. Plus each one of 808 00:42:43,000 --> 00:42:45,440 us has our own Facebook page. Okay, so if you 809 00:42:45,519 --> 00:42:48,159 go to Gary James or or there's a Lone Wolf 810 00:42:48,199 --> 00:42:50,159 James Facebook page. Yeah, yeah, but that's more of a 811 00:42:50,239 --> 00:42:52,480 bulletin page. It just kind of shows the posters where 812 00:42:52,480 --> 00:42:55,280 we're playing and things like that. But individually, you can 813 00:42:55,360 --> 00:42:59,519 contact any of us on Facebook individually and then go 814 00:42:59,719 --> 00:43:00,840 ask any questions or what. 815 00:43:00,840 --> 00:43:01,280 Speaker 5: Do you want? 816 00:43:01,400 --> 00:43:04,960 Speaker 7: Okay? Okay, And oh, you have a couple of videos too, 817 00:43:05,039 --> 00:43:06,679 right do you? Or maybe just one do you have? 818 00:43:06,760 --> 00:43:08,199 You have a yea music video? 819 00:43:08,280 --> 00:43:08,360 Speaker 10: Right? 820 00:43:08,440 --> 00:43:12,760 Speaker 3: Cradle was the professional videos. Cradle was the professional video 821 00:43:12,840 --> 00:43:15,519 we shot years ago. And as of right now, we're 822 00:43:16,039 --> 00:43:19,800 going to start soon production on a song called Freaks 823 00:43:20,320 --> 00:43:23,519 that we're recording in the studio and we're we're doing that. Plus, 824 00:43:24,320 --> 00:43:26,639 Sherman had mentioned off air in he reminded me thank 825 00:43:26,679 --> 00:43:30,360 you that when we played the Lynch Mob show, our 826 00:43:30,840 --> 00:43:34,320 engineer from the studio, Jay had come down and brought 827 00:43:34,440 --> 00:43:36,800 he works for Metronome and he had come down with 828 00:43:36,840 --> 00:43:39,880 all his cameras and everything and shot a live video 829 00:43:40,559 --> 00:43:43,480 of us that night opening for Lynch Mob. So it 830 00:43:43,599 --> 00:43:45,760 was a huge crowd at the website there, cool and 831 00:43:45,840 --> 00:43:48,559 all that. So we have the live footage. We just 832 00:43:48,639 --> 00:43:51,679 don't have the concept footage yet, gotcha. So we're going 833 00:43:51,719 --> 00:43:53,679 to be doing that over the summer and then when 834 00:43:53,800 --> 00:43:55,679 it gets all it's called. And in fact, I got 835 00:43:56,320 --> 00:43:58,440 in touch. I don't know who we're gonna use yet, 836 00:43:58,920 --> 00:44:03,599 but one of the guys that contacted me off, he 837 00:44:03,719 --> 00:44:06,760 contacted me. He did all the Saliva videos. Yeah, So 838 00:44:06,920 --> 00:44:09,719 I was like, well, that's that's a good rep. You know, 839 00:44:10,039 --> 00:44:13,239 if he's doing Salivas click click home and always. So 840 00:44:13,320 --> 00:44:14,760 I was like, that's a good guy to have in 841 00:44:14,840 --> 00:44:17,320 your pocket. So I've been going back and forth with 842 00:44:17,400 --> 00:44:19,360 him and now we're discussing contract about it. 843 00:44:19,519 --> 00:44:20,960 Speaker 5: So we'll see what happens. 844 00:44:20,960 --> 00:44:23,840 Speaker 3: Because you know, the live footage from Jay and the 845 00:44:23,920 --> 00:44:25,960 concept stuff that this guy's going he's talking about me 846 00:44:26,159 --> 00:44:30,159 like having some kind of weird circus tent type looking thing. 847 00:44:30,280 --> 00:44:32,480 And so we've already kind of gone back and forth. 848 00:44:32,559 --> 00:44:35,119 I'm gonna get everybody's input on what we're gonna do. Yeah, 849 00:44:35,239 --> 00:44:38,239 but so it'll you know, that'll come out after the record, 850 00:44:38,519 --> 00:44:38,920 after the. 851 00:44:38,960 --> 00:44:39,639 Speaker 5: Song comes out. 852 00:44:39,800 --> 00:44:43,239 Speaker 7: Okay, but okay, very cool. And what's the next show 853 00:44:43,280 --> 00:44:44,000 you've got coming up? 854 00:44:44,000 --> 00:44:46,360 Speaker 3: The next one is going to be. The next national 855 00:44:46,440 --> 00:44:50,920 show is May seventeenth, May ninth at the Blue Ocean 856 00:44:51,000 --> 00:44:51,719 with Nazareth. 857 00:44:51,960 --> 00:44:52,599 Speaker 7: Oh very cool. 858 00:44:52,679 --> 00:44:54,800 Speaker 3: Yeah, that's the next one. And then May seventeenth is 859 00:44:54,880 --> 00:44:57,360 at Hartford with Tim Montana. 860 00:44:57,519 --> 00:45:00,599 Speaker 7: Outstanding, Yeah, outstanding, very good, very good. Well, guys, thank 861 00:45:00,639 --> 00:45:02,039 you so much for coming in, all four of you. 862 00:45:02,159 --> 00:45:05,039 This has been wonderful. I really appreciate your being here. Uh, 863 00:45:05,199 --> 00:45:07,079 we're going to wrap up in a moment because we 864 00:45:07,159 --> 00:45:09,199 are approaching the top of the hour, but we will 865 00:45:09,480 --> 00:45:11,880 We'll play one more track to end the show today. 866 00:45:11,920 --> 00:45:12,840 What what should we play? 867 00:45:12,920 --> 00:45:15,000 Speaker 5: Wickhaman? We'll end it up with Wickhaman wick. 868 00:45:14,880 --> 00:45:15,960 Speaker 7: A man, Okay, cool? 869 00:45:16,039 --> 00:45:16,400 Speaker 4: I like that. 870 00:45:16,519 --> 00:45:19,440 Speaker 7: Any kind of a story behind this song, not everyone. 871 00:45:19,159 --> 00:45:20,920 Speaker 5: Knows, not really. 872 00:45:20,960 --> 00:45:24,159 Speaker 3: It's just the fact that I'm wicking, okay, and and 873 00:45:24,320 --> 00:45:26,280 somebody once said, you know, oh my god, you're evil 874 00:45:26,320 --> 00:45:28,440 and blah blah blah blah. So I kind of did 875 00:45:28,480 --> 00:45:30,519 a tongue in cheek song about you know, the wicked 876 00:45:30,559 --> 00:45:33,880 man being evil. But it's kind of it's eerie. But 877 00:45:34,000 --> 00:45:37,119 it's eerie in my book because I joked about it. Yeah, yeah, 878 00:45:37,559 --> 00:45:39,920 but that's it's this is really no like deep subject 879 00:45:40,000 --> 00:45:40,400 to it or. 880 00:45:40,400 --> 00:45:44,480 Speaker 7: Anything that's cool. No, that's that's a perfect way to 881 00:45:44,599 --> 00:45:46,880 end the show. That yeah, and uh, Jenny, do you 882 00:45:46,920 --> 00:45:48,760 want you've been very busy of course as always you 883 00:45:48,800 --> 00:45:51,480 want to mention your your website. As always, you can 884 00:45:51,519 --> 00:45:53,039 find me at Gencoffee dot com. 885 00:45:53,199 --> 00:45:55,000 Speaker 3: J E N N C O F F e y 886 00:45:55,119 --> 00:45:55,480 dot com. 887 00:45:55,800 --> 00:45:58,719 Speaker 7: See what kind of trouble I'm going to get into next? Yes, yes, 888 00:45:59,440 --> 00:46:01,679 and uh, thank you to everybody who joined us today. 889 00:46:01,719 --> 00:46:04,320 Of course we had no Siva in the first hour 890 00:46:04,480 --> 00:46:07,400 and then space becaus you know in the second hour, 891 00:46:07,880 --> 00:46:10,360 Lone Wolf James in the third hour. Great show, Echo, 892 00:46:10,480 --> 00:46:12,880 thank you so much. Wonderful to see you, and if 893 00:46:12,880 --> 00:46:14,400 you miss any part of today's show, and we'll be 894 00:46:14,480 --> 00:46:15,960 up in just a little bit at w m n 895 00:46:16,079 --> 00:46:19,519 hradio dot org at my website Matt Connorton dot com. 896 00:46:19,599 --> 00:46:21,159 And we will leave you with this. This is Lone 897 00:46:21,199 --> 00:46:23,719 Wolf James and this is called the wickha Man. 898 00:47:45,119 --> 00:47:45,719 Speaker 6: Will have you. 899 00:47:45,800 --> 00:47:46,920 Speaker 4: Heard the story? 900 00:47:48,719 --> 00:47:54,840 Speaker 2: I'm out a pay say no out in Swampling. 901 00:47:55,880 --> 00:47:57,639 Speaker 1: Under the Moon's gloo. 902 00:47:59,480 --> 00:48:04,760 Speaker 10: Welling. It is restless. A town lives in fail. 903 00:48:06,559 --> 00:48:08,079 Speaker 5: From a dirty omen. 904 00:48:10,039 --> 00:48:20,519 Speaker 2: With the Damn's glad. You can't you can't it is side. 905 00:48:20,840 --> 00:48:22,119 Speaker 4: It's just quick as you can. 906 00:48:25,000 --> 00:48:54,119 Speaker 2: The side wigging get up. There's no way to find him. 907 00:48:55,679 --> 00:48:57,440 Speaker 1: You can't make a stamp. 908 00:48:59,400 --> 00:49:01,199 Speaker 10: Nothing's gonna stop him. 909 00:49:02,760 --> 00:49:05,039 Speaker 2: It's insane hands. 910 00:49:06,559 --> 00:49:15,320 Speaker 3: No shaman food dooo, no gypsy crystal ball, no motile magic. 911 00:49:16,920 --> 00:49:18,719 Speaker 5: It's gonna make a fall. 912 00:49:23,039 --> 00:49:24,000 Speaker 4: You can run. 913 00:49:24,880 --> 00:49:30,559 Speaker 2: You get it side this wage you can. The boy 914 00:49:31,840 --> 00:49:40,639 in the side wing you get run, you get get 915 00:49:41,880 --> 00:49:46,880 is this brigeti water in the side. 916 00:49:46,960 --> 00:50:27,559 Speaker 4: Being a you can you can get your sound as 917 00:50:27,679 --> 00:50:28,559 quick as you can. 918 00:50:29,760 --> 00:50:33,000 Speaker 2: Barside in the side way. 919 00:50:36,280 --> 00:50:36,679 Speaker 4: You can. 920 00:50:38,000 --> 00:50:42,360 Speaker 2: You can get it side it's as quick as you can. 921 00:50:43,199 --> 00:50:46,679 The boys in the side way. 922 00:51:37,679 --> 00:53:21,800 Speaker 10: Where m I feel ross slick a lot at you 923 00:53:21,920 --> 00:53:25,679 the be You'll never find me. You're a gust us. 924 00:53:26,559 --> 00:53:27,119 Speaker 2: You don't find me. 925 00:53:27,239 --> 00:53:28,320 Speaker 10: Still into the street. 926 00:53:29,559 --> 00:53:30,719 Speaker 3: Who is the bottle in? 927 00:53:42,239 --> 00:53:42,440 Speaker 4: Yeah? 928 00:53:42,519 --> 00:53:46,199 Speaker 2: I feel like say the choice or is about you? 929 00:53:47,760 --> 00:53:51,599 Speaker 10: So it's because you have just shot it? Ome on 930 00:53:51,800 --> 00:53:52,199 you go be? 931 00:53:53,679 --> 00:53:55,159 Speaker 4: Who is the pot in her? 932 00:54:08,639 --> 00:54:39,920 Speaker 10: He's surpass me to move? Why if you're looking. 933 00:54:39,760 --> 00:54:43,400 Speaker 3: So sircut s pat, straighten up your back? 934 00:54:44,880 --> 00:54:45,440 Speaker 10: How to be? 935 00:54:45,599 --> 00:54:46,280 Speaker 2: It's all? 936 00:54:46,480 --> 00:54:48,599 Speaker 6: But is it ignorant? 937 00:54:48,760 --> 00:54:49,400 Speaker 4: Turning back? 938 00:54:50,719 --> 00:54:52,199 Speaker 2: What's that bottles in your. 939 00:55:05,719 --> 00:55:05,920 Speaker 4: Yeah? 940 00:55:06,039 --> 00:55:06,920 Speaker 10: Don't that mean. 941 00:55:59,000 --> 00:56:10,000 Speaker 2: Speak. In my book, chill, just keep rolling my buck. 942 00:56:10,280 --> 00:56:26,360 Speaker 6: Cha, just keep ut rolling with the jack. Just keep unrolling. 943 00:56:26,440 --> 00:56:43,199 In my book, chick just keeping the chick, just keep 944 00:56:43,559 --> 00:56:44,119 rolling my 945 00:56:51,679 --> 00:56:51,880 Speaker 4: Keep