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<v Speaker 4>You are now listening to true murder, the most shocking

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<v Speaker 4>killers in true crime history and the authors that have

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<v Speaker 4>written about them. Gaesy Bundy, Dahmer, The Nightstalker, BTK every week,

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<v Speaker 4>another fascinating author talking about the most shocking and infamous

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<v Speaker 4>killers in true crime history. True Murder with your host,

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<v Speaker 4>journalist and author Dan Zupansky.

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<v Speaker 5>Good evening, This is your host Dan Zupanski for the

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<v Speaker 5>program True Murder, the most shocking killers in true crime

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<v Speaker 5>history and the authors that have written about them. In

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<v Speaker 5>the horrifying annals of American crime, infamous names of brutal

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<v Speaker 5>killers such as Bundy, Dahmer, Gaycy, and Berkowitz are writ

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<v Speaker 5>large in the imaginations of a public both horrified and

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<v Speaker 5>hypnotized by their monstrous murderous acts. But for every celebrity

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<v Speaker 5>psychopath who's gotten ink for spilling blood, there's a bevy

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<v Speaker 5>of all but forgotten homicidal fiends studying the bloody margins

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<v Speaker 5>of US history. Spurred by prophet passion, paranoia, or perverse pleasure,

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<v Speaker 5>these killers, the Witch of Staten Island, the Smutty Nose Butcher,

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<v Speaker 5>the Bluebeard of Quiet Dell, and many others, span three

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<v Speaker 5>centuries in a host of heroing murder methods. These demonic

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<v Speaker 5>denizens may be long gone to the gallows, but this

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<v Speaker 5>insidiously irresistible slice of Gothic Americana will ensure that they'll

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<v Speaker 5>no longer be forgotten. The book that we're featuring this

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<v Speaker 5>evening is Psycho USA, American Psycho Killers You've Never Heard Of,

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<v Speaker 5>with my special guest journalist and author and professor Harrow Checkter.

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<v Speaker 5>Welcome to the program, and thank you for agreeing to

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<v Speaker 5>this interview. Harold Checkter.

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<v Speaker 2>Great, what pleasure to be here. Thank you for inviting me.

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<v Speaker 5>Thank you very much. I just want to make another

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<v Speaker 5>little introduction for those that tune into this program, and

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<v Speaker 5>it's been on almost three years now, that you are

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<v Speaker 5>the perfect person to be coming on this program. So

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<v Speaker 5>I'm very glad to welcome you on here because if

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<v Speaker 5>there is anybody who understands and has written about and

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<v Speaker 5>researched and knows about the most shocking killers in true

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<v Speaker 5>crime history, it's definitely you. So thank you very much

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<v Speaker 5>for coming on. This is a great book to discuss too.

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<v Speaker 5>This is a great.

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<v Speaker 2>Book, by the way. Thank you.

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<v Speaker 5>Now let's go back for those that don't know what

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<v Speaker 5>a serial killer the definition of that somebody just woke

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<v Speaker 5>up after a coma after twenty years, but please tell

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<v Speaker 5>us about the term serial killer, because you do take

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<v Speaker 5>us back to a time where there wasn't a term

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<v Speaker 5>for serial killer. And as we talked well in the introduction,

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<v Speaker 5>the killers that you're talking about span three centuries. So

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<v Speaker 5>tell us what when the term coin the phrase or

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<v Speaker 5>the term was coined serial killer, and what were they

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<v Speaker 5>called before that, and what were they called centuries ago?

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<v Speaker 2>Well, apparently the first use of the phrase serial murderer

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<v Speaker 2>dates to around nineteen sixty two, according to the Oxford

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<v Speaker 2>English Dictionary, which tracks the etymology of language. And apparently

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<v Speaker 2>it first appeared in a book by a German film

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<v Speaker 2>critic strangely enough named Sigfried Krackoer, who was writing about

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<v Speaker 2>the famous movie m starring Peter Laurie about pedophiliac serial

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<v Speaker 2>murder and Krackower coined that term, and then it was

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<v Speaker 2>picked up a little later by another British writer. It

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<v Speaker 2>it didn't really, you know, become widely used until the

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<v Speaker 2>nineteen eighties when the FBI Profiling Unit began to employ

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<v Speaker 2>that term. You know, there's some controversy over exactly who

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<v Speaker 2>coined it, but in any case, it's you know, it's

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<v Speaker 2>a relatively recent term, but it's a recent term for

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<v Speaker 2>an age old phenomenon. I mean, it goes back way

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<v Speaker 2>beyond the three centuries that my that my book covers,

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<v Speaker 2>you know, it's probably really as old as our species itself.

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<v Speaker 2>There's actually a very illuminating book I read years ago

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<v Speaker 2>by a Harvard anthropologist named Richard Wrangham. The book is

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<v Speaker 2>called Demonic Males, and it traces the origins of male

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<v Speaker 2>violence in the human species, you know, back to our

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<v Speaker 2>primate ancestors, and you know, chimpanzees with whom we share

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<v Speaker 2>something like ninety nine point nine percent of our DNA.

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<v Speaker 2>You know, we share more d A with chimpanzees, and

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<v Speaker 2>chimpanzees do with gorillas are as. It turns out, I

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<v Speaker 2>hadn't realized this until I read the book. You know,

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<v Speaker 2>frighteningly violent creatures who commit the kinds of atrocities. Really,

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<v Speaker 2>you know that we associate with things like serial killers.

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<v Speaker 2>So you know, I'm sure you have, you know, found

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<v Speaker 2>that kind of crime going on all throughout human history

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<v Speaker 2>and possibly even prehistory. In the past, serial murderers were

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<v Speaker 2>known by a variety of names. You know, there was

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<v Speaker 2>a point at which they're called lust murderers, which I

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<v Speaker 2>think actually is a very very in a way, a

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<v Speaker 2>more expressive and even accurate term than serial murder. You know,

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<v Speaker 2>back in the Middle Ages, they were referred to as

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<v Speaker 2>lichen thropes because the kind of butchery they committed was

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<v Speaker 2>so extreme that, you know, people thought that these were

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<v Speaker 2>human beings too, literally turned into wolves when they were

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<v Speaker 2>committing these kinds of crimes. You know, somebody like Chickatillo

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<v Speaker 2>for example, you know, it would be a modern example

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<v Speaker 2>of that kind of killer. Back in the nineteen thirties,

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<v Speaker 2>there was no distinction made between serial murder and mass murder.

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<v Speaker 2>I wrote a book about Albert Fish for example, you know,

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<v Speaker 2>arguably the most heinous serial killer in the annals of

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<v Speaker 2>US crime, cannibal pedophile who is preying on children, back

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<v Speaker 2>in the nineteen twenties and thirties, and it was interesting

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<v Speaker 2>to me that in the newspaper stories of the time

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<v Speaker 2>when he was arrested, they were just using the term

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<v Speaker 2>mass murder. Of course, now a distinction is made between

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<v Speaker 2>serial murder, which again is basically a sadistic sex crime,

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<v Speaker 2>and mass murder, which is, you know, a kind of apocalyptic,

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<v Speaker 2>suicidal explosion of violence in which a person just takes

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<v Speaker 2>out a bunch of people at one time.

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<v Speaker 5>Yeah, it's interesting, Yeah, that that term now is is

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<v Speaker 5>still used, but in a different context.

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<v Speaker 2>Right. Well, again, they're two very very different phenomena. You know. Again,

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<v Speaker 2>the mass murderer, you know, I mean, I guess the

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<v Speaker 2>most recent notorious case is you know, the guy who

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<v Speaker 2>shot up the movie theater in Denver, right uh? And

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<v Speaker 2>they you know that is again this this explosion of

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<v Speaker 2>apocalyptic violence that takes place. You know, it's it's a

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<v Speaker 2>it's a one off deal. You know, usually those people

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<v Speaker 2>tend to be suicidal. You know, they've reached somehow the

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<v Speaker 2>end of their life, even this guy who didn't actually

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<v Speaker 2>end up committing suicide or being killed by the cops,

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<v Speaker 2>as obviously his life was all over. And you know,

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<v Speaker 2>they're basically going out with a bang. I mean, that's

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<v Speaker 2>it's this one time deal. Whereas serial murderers, again it's

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<v Speaker 2>basically a sadistic sex crime. You know, these are people

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<v Speaker 2>who derive this extremely perverse pleasure from inflicting pain and

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<v Speaker 2>torture on their victims. And you know the pattern of

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<v Speaker 2>serial murder tends to follow the pattern of sexual behavior.

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<v Speaker 2>You know, a period of fantasizing about committing this act.

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<v Speaker 2>You know, finally this overwhelming impulse to do it you know,

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<v Speaker 2>trolling for a victim or picking up a victim, you know,

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<v Speaker 2>perpetrating this act. Then this cooling off period which basically

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<v Speaker 2>just parallels, you know, the kind of period that follows

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<v Speaker 2>a normal person sexual release, and then the build up

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<v Speaker 2>again of the impulse.

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<v Speaker 5>So now in your research for this book we talk

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<v Speaker 5>about we just talked about Albert Fish. So that's back

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<v Speaker 5>in the forties. But throughout centuries did you find with

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<v Speaker 5>this research, because it was not only killers we've never

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<v Speaker 5>heard of. It's also some killers even for you, that

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<v Speaker 5>you've never heard of. Is that correct?

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<v Speaker 2>Well, I hadn't heard of them, you know. I was

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<v Speaker 2>doing another book a few years ago. I was putting

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<v Speaker 2>together an anthology of true crime writing going back to

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<v Speaker 2>the sixteen hundreds in America. And when I was researching that,

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<v Speaker 2>I was just very, very very intrigued by coming across

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<v Speaker 2>all of these cases that at the time were extremely sensational,

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<v Speaker 2>extremely notorious, often generated nationwide publicity, but that you know,

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<v Speaker 2>completely had faded into obscurity, had been lost to public memory.

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<v Speaker 2>I mean, one of the things that interests me is

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<v Speaker 2>given the very depressing number, you know, horrific crimes that

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<v Speaker 2>take place all the time. Why is it that's such

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<v Speaker 2>a tiny number of crimes enter into the cultural mythology.

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<v Speaker 2>I mean it's not necessarily you know, the you know,

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<v Speaker 2>the the the awfulness of the crime itself. I mean

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<v Speaker 2>Leopold and Lobe, for example, you know, committed this one

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<v Speaker 2>kidnapping murder, which you know, as terrible as it was

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<v Speaker 2>just purely as a crime, was no more horrendous than

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<v Speaker 2>many other kidnapping murders of children. So there are these

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<v Speaker 2>other elements, you know, these other elements that you know,

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<v Speaker 2>that turn these crimes into these huge phenomena. And anyway,

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<v Speaker 2>I was very interested to discover in my researches, you

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<v Speaker 2>know that again in America, because I was living myself

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<v Speaker 2>to American criminals, you know, going all the way back

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<v Speaker 2>to the seventeenth century. Periodically there would be these crimes,

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<v Speaker 2>and again they would generate lots and lots of attention,

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<v Speaker 2>and you know, and frequently, you know, the newspapers would

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<v Speaker 2>describe them as you know, the worst, you know, most

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<v Speaker 2>monstrous crimes in the annals of history, and you know,

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<v Speaker 2>the time of the century and so on and so forth,

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<v Speaker 2>you know, and yet you know, they're forgotten very very quickly.

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<v Speaker 2>So that's what I started researching for this book.

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<v Speaker 5>Right, well, I think, you know, just not to get

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<v Speaker 5>that too much of a discussion on that, but I

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<v Speaker 5>think one of the things that I found is if

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<v Speaker 5>the perpetrator is never found in a case like the Zodiac,

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<v Speaker 5>and again, that lends credence to what you were saying

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<v Speaker 5>in terms of murders not that horrible, and certainly you've

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<v Speaker 5>written about much horrible, more horrible murders because the perpetrator

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<v Speaker 5>wasn't caught and Jack the Ripper, of course it enters

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<v Speaker 5>into the common mythology, but just because he was never apprehended, so.

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<v Speaker 2>Right, Yeah, But I mean, you know, if you think

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<v Speaker 2>of you know, the great you know, the Great Crime,

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<v Speaker 2>Lizzie Bored and again Leopold and Loebe, you know, the

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<v Speaker 2>Ruth Snyder, jud Gray Dublin Demnity case, I mean, certainly

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<v Speaker 2>if there is you know, there are there are cases,

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<v Speaker 2>as you say, I'm sure with Jack the Ripper and

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<v Speaker 2>the fact that he was never caught is a very

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<v Speaker 2>very big contributing factor. But I mean there are other,

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<v Speaker 2>you know, very infamous cases like the Cleveland Torso killer

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<v Speaker 2>or the x Man of New Orleans in which the

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<v Speaker 2>perpetrator hasn't been caught, and they haven't quite achieved you know,

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<v Speaker 2>the kind of cultural statuses other crimes have. So I

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<v Speaker 2>mean there is you know, I mean, it's it's difficult

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<v Speaker 2>entirely to pinpoint all the reasons. You know, there's something about,

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<v Speaker 2>you know, the particular story and the way it strikes

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<v Speaker 2>a kind of chord at the time, partly because I

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<v Speaker 2>think it tends to embody certain kinds of anxieties and

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<v Speaker 2>issues that are very, very prominent. For example, Leopold and Lobe,

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<v Speaker 2>you know, as a kind of quintessential jazz age crime.

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<v Speaker 2>There was so much obsession at the time about what

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<v Speaker 2>they used to call the flaming youth who are completely

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<v Speaker 2>out of control, and somehow Leopold and Lobe, you know,

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<v Speaker 2>seem to be the living incarnations of this cultural fear,

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<v Speaker 2>you know, in the same way Charles Manson, you know,

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<v Speaker 2>it's like every you know, parents' worst nightmare of the

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<v Speaker 2>drug crazed hippie, you know. So anyway, yeah, yeah.

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<v Speaker 5>Now, the in terms of and before we introduce this

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<v Speaker 5>bevy of infamous killers, now to the infamous killers. Have

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<v Speaker 5>killers changed over the last three hundred years? Is there

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<v Speaker 5>any difference in their motivation.

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<v Speaker 2>We'll say, uh, well, in terms of the killers that

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<v Speaker 2>I tend to write about, I would say no, uh,

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<v Speaker 2>you know, certainly again in regard to what we now

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<v Speaker 2>call serial murderers. And let me just say that not

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<v Speaker 2>every not every criminal that I cover in this particular

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<v Speaker 2>book is a serial killer. But in terms of serial killers,

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<v Speaker 2>you know, again the name has changed, but the you know,

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<v Speaker 2>the the modus operande and the and the psychological motives

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<v Speaker 2>pretty much remain the same. You know, these are sexual

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<v Speaker 2>psychopaths who, for whatever reason again you know, derive you know,

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<v Speaker 2>they achieve kind of you'd have to say, almost ecstasy

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<v Speaker 2>in torturing and exerting this power over their victims. And

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<v Speaker 2>again I think that's just a perennial phenomenon, you know.

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<v Speaker 2>I mean, one could say, I suppose in certain cases,

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<v Speaker 2>you know, there are technological changes in terms of the

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<v Speaker 2>kinds of weapons they might use. But otherwise, you know,

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<v Speaker 2>I mean, you know, for example, there are some killers

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<v Speaker 2>I cover who would find their victims through classified ads

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<v Speaker 2>in these lonely hearts, you know, newspapers and stuff, you know,

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<v Speaker 2>nowt they'd use the internet, you know, but basically it's

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<v Speaker 2>the same thing.

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<v Speaker 5>Well, let's do that as an introduction then to somebody

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<v Speaker 5>that did use not the Internet obviously, but use the

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<v Speaker 5>Lonely Hearts club in a Midwest and he was the

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<v Speaker 5>Bluebird of quite Quietville. And this is Harry F.

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<v Speaker 2>Powers.

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<v Speaker 5>So tell us about tell us about Harry F.

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<v Speaker 2>Powers please. Well, he was this rather dumpy, unattractive man

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<v Speaker 2>married who would contact lonely widows. He was he lived

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<v Speaker 2>in West Virginia, again, contacting them through these Lonely Hearts clubs,

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<v Speaker 2>which were you know, I guess you know, the nineteen

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<v Speaker 2>thirties equivalent of match dot com and so on. And

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<v Speaker 2>he would, you know, he was presentable enough, he obviously,

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<v Speaker 2>would create these false identities and present himself as a

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<v Speaker 2>well to do widower and ingratiate himself with these women

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<v Speaker 2>and then lure him lure them to this, you know,

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<v Speaker 2>basically torture chamber that he had constructed on a piece

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<v Speaker 2>of property in a little village called Quiet Dell, and

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<v Speaker 2>trap them in the basement and subject them to various

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<v Speaker 2>tortures and kill them. I mean, in one case he

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<v Speaker 2>killed a woman and both her children, and in another

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<v Speaker 2>case he killed one other woman that he had lured

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<v Speaker 2>there and his crimes. You know, eventually friends of the

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<v Speaker 2>victims became very suspicious about the disappearance of these people,

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<v Speaker 2>and he was tracked down and tried. It was a very,

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<v Speaker 2>very again notorious case that was covered nationally, and you know,

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<v Speaker 2>he was ultimately executed. One of the things that's always

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<v Speaker 2>interesting to me and that I deal with in the

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<v Speaker 2>book is back in the old days, almost invariably popular

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<v Speaker 2>or ballads would be written about these crimes. Yeah, and

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<v Speaker 2>you know, sometimes as in the case of Harry Powers,

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<v Speaker 2>who's also named his real name apparently was Hermann Drenth.

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<v Speaker 2>He was actually an emigrat from Belgium. Harry Powers was

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<v Speaker 2>his adopted American name, although he thought he snared his

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<v Speaker 2>victims under a variety of other pseudonyms. But you know,

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<v Speaker 2>his actual sheet music that exists for some of these

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<v Speaker 2>ballads that are written about them.

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<v Speaker 4>You know.

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<v Speaker 2>But you know, actually there's a documentary movie that.

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<v Speaker 2>About Harry Powers. So interesting.

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<v Speaker 5>Yeah, I wanted to say too, before we go any further,

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<v Speaker 5>I wanted to say that it was amazed and very

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<v Speaker 5>happy to see all the great photos that you were

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00:19:49.920 --> 00:19:53.319
<v Speaker 5>able to put into this book and the posters and

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00:19:53.359 --> 00:19:57.200
<v Speaker 5>the original media literature that was all at that time.

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<v Speaker 5>Just it's incredible. It takes you back. You know, a

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<v Speaker 5>lot obviously, lots of this historical crime, that's what this is,

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<v Speaker 5>but amazing stuff that you've been able to gather.

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<v Speaker 2>So well, that's another thing that's interesting to me. I mean,

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<v Speaker 2>you know, you you you hear a lot of people complaining,

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<v Speaker 2>you know, somehow about our you know, contemporary fascination with

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<v Speaker 2>as you know, crime stuff, as though it's some you know,

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<v Speaker 2>particular symptom of you know, like our you know, societal rot.

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<v Speaker 2>You know that the society's going to help. But when

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<v Speaker 2>you look back, I mean, you know, you see everything

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<v Speaker 2>that is characteristic now of our culture was true back then.

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<v Speaker 2>You know, instant true crime books, you know, people dealing

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<v Speaker 2>in what is now called murder abelia, you know, collecting

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<v Speaker 2>souvenirs of crime scenes and souvenirs of notorious criminals. So again,

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<v Speaker 2>you know, it's a plus a change nothing really, you know,

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<v Speaker 2>it's a Bible says there's no new thing under the sun,

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<v Speaker 2>and that relates to you know, the public purient interest

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<v Speaker 2>you know in these kinds of sensational crimes.

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<v Speaker 5>Absolutely and we'll talk about a little bit more about too,

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<v Speaker 5>about the gruesome souvenir and people's attraction to that, and

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<v Speaker 5>also things like how many people were at the potential

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<v Speaker 5>lynching and how many people were at the hanging, so

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<v Speaker 5>it was pretty big entertainment event. Actual, let's talk about

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<v Speaker 5>Lydia Sherman and she was a Crown America's Queen poisoner

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<v Speaker 5>by the media told us about Lydia Sherman.

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<v Speaker 2>Well, you know, Lydia Sherman was one of several very

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<v Speaker 2>notorious nineteenth century serial poisoners. And one thing that actually

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<v Speaker 2>interests me quite a bit about that particular breed of

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<v Speaker 2>serial murderer has to do with the fact that there

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<v Speaker 2>are female serial murders. You know, for a long long time,

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<v Speaker 2>you know, people would think that Aileen Warnos, you know,

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<v Speaker 2>was called the first female serial killer, which is completely

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00:22:08.160 --> 00:22:11.200
<v Speaker 2>wrong because you know, again throughout history, there have been

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<v Speaker 2>hundreds and hundreds of female serial killers. In fact, I've

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<v Speaker 2>been in contact recently with a gentleman who's been compiling

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<v Speaker 2>history of it, and he's come up with astonishing number

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<v Speaker 2>of cases internationally. But what's interesting is that it's true

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<v Speaker 2>that there is no such thing as the culture critic

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<v Speaker 2>Camille Pogley has said, there's no female Jack the Ripper,

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<v Speaker 2>But that doesn't mean there are no female serial killers.

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<v Speaker 2>It just means that female serial killers tend to commit

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<v Speaker 2>their crimes in a very different way than male serial killers.

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<v Speaker 2>Or to put it another way, you know that kind

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<v Speaker 2>of you know, mutilation murder that we associate with Jack

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<v Speaker 2>the Ripper or you know, other males serial killers of

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<v Speaker 2>that type, that's a very very male form of serial murder.

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<v Speaker 2>Lydia Sherman, you know, personifies a particularly female form of

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<v Speaker 2>serial murder, which is to say that she and others

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<v Speaker 2>like her, you know, tend to mittle murder strangers the

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<v Speaker 2>way many many serial killers, male serial killers do. In fact,

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<v Speaker 2>most serial killers do, you know, They tend to murder

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<v Speaker 2>family members, friends, people they have some kind of emotional

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<v Speaker 2>intimate relationship with. And they also do not indulge in

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<v Speaker 2>that kind of penetrative phallic penetrative, you know, using a

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<v Speaker 2>knife or you know whatever, mutilation murder. What they tend

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<v Speaker 2>to do is poison their victims. And Lydia Sherman, you know,

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<v Speaker 2>was a very very prolific poisoner, you know, who bumped

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<v Speaker 2>off a bunch of her husbands. I can't remember offhand

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<v Speaker 2>exactly how many of her children and step children she killed,

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<v Speaker 2>but you know, it's a very pressive number and began.

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<v Speaker 2>She was only one of several what they called American

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<v Speaker 2>borges at the time. There was another one, Sarah Jane Robinson,

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<v Speaker 2>and both Lydia Sherman and Sarah Jane Robinson were followed

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<v Speaker 2>by a nurse named Jane Toppin, who, until John Wayne

374
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<v Speaker 2>Gacy's crime spree, was considered to be the most prolific

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<v Speaker 2>serial murderer in American history. She killed about thirty one people,

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<v Speaker 2>again by poison. The other thing to keep in mind is,

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<v Speaker 2>in many respects, dying by dying at the hands of

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00:24:37.640 --> 00:24:42.279
<v Speaker 2>one of these female poisoners was much more horrific, you know,

379
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<v Speaker 2>than dying at the hands of Jack the Ripper. You know,

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<v Speaker 2>you associate Jack the Ripper with these horrendous mutilations, but

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<v Speaker 2>the mutilations were all performed post mortem. He actually killed

382
00:24:52.880 --> 00:24:56.680
<v Speaker 2>his victims very very swiftly, whereas people like Lydia Sherman

383
00:24:56.920 --> 00:25:00.480
<v Speaker 2>and Jane Toppin and Sarah Jane Robinson, you know, arrived

384
00:25:01.079 --> 00:25:08.599
<v Speaker 2>extreme perverse sexual pleasure from doling out very slow, agonizing

385
00:25:08.680 --> 00:25:11.839
<v Speaker 2>death to their victims, you know, watching them die over

386
00:25:11.880 --> 00:25:15.480
<v Speaker 2>an extended span of time, sometimes bringing them very very

387
00:25:15.480 --> 00:25:20.599
<v Speaker 2>close to death by administering certain combinations of poisons and

388
00:25:20.640 --> 00:25:23.599
<v Speaker 2>then pulling them back so they could toy with them more.

389
00:25:24.160 --> 00:25:30.279
<v Speaker 2>And Jane Toppin, for example, confess to when she finally

390
00:25:30.319 --> 00:25:33.240
<v Speaker 2>decided it was time for one of her victims to die,

391
00:25:33.759 --> 00:25:37.079
<v Speaker 2>she would administer the fatal dose and then get into

392
00:25:37.160 --> 00:25:41.000
<v Speaker 2>bed and embrace the person while they were dying and

393
00:25:41.079 --> 00:25:45.519
<v Speaker 2>have an orgasm while the person was undergoing their death. Ros.

394
00:25:45.839 --> 00:25:49.599
<v Speaker 2>So you know, it was a classic case again of

395
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<v Speaker 2>sexual sadistic serial murder, but done in this female form,

396
00:25:55.759 --> 00:26:00.400
<v Speaker 2>so quite evil. Yeah, yeah, evil.

397
00:26:02.960 --> 00:26:03.160
<v Speaker 5>Yes.

398
00:26:03.599 --> 00:26:04.640
<v Speaker 2>Now let's move on to.

399
00:26:06.680 --> 00:26:13.039
<v Speaker 5>As the evil scale increases here, let's talk about a

400
00:26:13.200 --> 00:26:20.200
<v Speaker 5>Joseph Lapage or Lapage. Talk about Joseph Lapage please.

401
00:26:21.799 --> 00:26:28.519
<v Speaker 2>Well. Lapage was uh a Canadian who drifted down into

402
00:26:28.559 --> 00:26:31.519
<v Speaker 2>New England. And I mean he was. He's in the

403
00:26:31.559 --> 00:26:36.920
<v Speaker 2>book because he he committed the sexual mutilation murder of

404
00:26:37.000 --> 00:26:45.880
<v Speaker 2>the young uh New Hampshire schoolgirl named Josie her name

405
00:26:45.920 --> 00:26:53.119
<v Speaker 2>actually laid langmaid, yes, and made him and uh you

406
00:26:53.200 --> 00:26:58.880
<v Speaker 2>know he had been he had actually fled Canada, you know,

407
00:26:58.960 --> 00:27:02.880
<v Speaker 2>after raping a young relative of his. But you know,

408
00:27:02.920 --> 00:27:06.440
<v Speaker 2>the thing about Lapage, you know that was very interesting

409
00:27:06.519 --> 00:27:12.519
<v Speaker 2>to me is you know, another case of a nineteen

410
00:27:12.839 --> 00:27:20.680
<v Speaker 2>totally obscure, nineteenth century killer who was a classic serial

411
00:27:20.759 --> 00:27:25.039
<v Speaker 2>sex murderer. You know, he stalked this young girl, he

412
00:27:25.079 --> 00:27:29.799
<v Speaker 2>abducted her, dragged her into the woods, killed her, mutilated,

413
00:27:29.880 --> 00:27:36.039
<v Speaker 2>mutilated her body, beheaded her, excised her volva. You know,

414
00:27:36.160 --> 00:27:42.079
<v Speaker 2>it's you know, again a killer, not on the scale

415
00:27:42.119 --> 00:27:46.200
<v Speaker 2>of somebody like Andre Chicicatillo, but a similar kind of crime.

416
00:27:46.799 --> 00:27:51.519
<v Speaker 2>You know, you have these psychopathic sex murderers who were

417
00:27:51.640 --> 00:27:58.079
<v Speaker 2>driven to perform these horrendous mutilation rapes on young women.

418
00:27:58.319 --> 00:28:01.960
<v Speaker 2>And again you know, you know, associated necessarily with nineteenth

419
00:28:02.000 --> 00:28:04.920
<v Speaker 2>century New Hampshire. But you know that's part of the

420
00:28:04.960 --> 00:28:07.440
<v Speaker 2>point of my book is that these crimes have taken

421
00:28:07.480 --> 00:28:09.759
<v Speaker 2>place at all times and in all places. And let

422
00:28:09.799 --> 00:28:13.680
<v Speaker 2>me just say that it's not, of course, you know,

423
00:28:13.799 --> 00:28:18.160
<v Speaker 2>limited to America. You know, I I tend to limit

424
00:28:18.200 --> 00:28:22.319
<v Speaker 2>my books to American killers. But it's an international phenomenon.

425
00:28:22.680 --> 00:28:23.480
<v Speaker 5>Sure, I mean there's.

426
00:28:23.319 --> 00:28:27.880
<v Speaker 2>Probably you know, every culture in the world, including the Inuit.

427
00:28:28.519 --> 00:28:30.480
<v Speaker 2>Because I did some research to it, you know, you

428
00:28:30.559 --> 00:28:33.079
<v Speaker 2>find examples of these kinds of criminals.

429
00:28:32.720 --> 00:28:36.799
<v Speaker 5>So sure, oh, absolutely, yeah. The murder rate's pretty high

430
00:28:36.799 --> 00:28:38.680
<v Speaker 5>actually as you go further north.

431
00:28:39.279 --> 00:28:42.599
<v Speaker 2>Yeah yeah, and you know, and again it's it's you know,

432
00:28:42.680 --> 00:28:49.200
<v Speaker 2>it's a it's an archaic form of crime. You know.

433
00:28:49.240 --> 00:28:52.960
<v Speaker 2>If you read fairy tales, something like Little Red Riding Hood,

434
00:28:54.559 --> 00:28:58.880
<v Speaker 2>you know, you know, they're social documents, you know, one

435
00:28:58.920 --> 00:29:01.200
<v Speaker 2>of the men. You know. The main message of something

436
00:29:01.240 --> 00:29:03.240
<v Speaker 2>like Little Red Riding Hood, you know is after your

437
00:29:03.240 --> 00:29:05.359
<v Speaker 2>young girl and you venture out into the forest in

438
00:29:05.519 --> 00:29:09.119
<v Speaker 2>medieval Germany, you know you're likely to get raped and dismembered,

439
00:29:09.680 --> 00:29:12.599
<v Speaker 2>you know, and that is converted into this dreamlike tale

440
00:29:12.640 --> 00:29:14.599
<v Speaker 2>of a little girl and a wolf, you know, but

441
00:29:14.640 --> 00:29:18.000
<v Speaker 2>it represents a historical and a social social reality of

442
00:29:18.000 --> 00:29:18.680
<v Speaker 2>the time.

443
00:29:18.519 --> 00:29:24.440
<v Speaker 5>So sure, yeah, absolutely. Now let's talk about another subject,

444
00:29:24.640 --> 00:29:29.400
<v Speaker 5>Franklin Evans, the Norwood Monster, and tell us a little

445
00:29:29.400 --> 00:29:30.079
<v Speaker 5>bit about this.

446
00:29:31.200 --> 00:29:40.640
<v Speaker 2>Well, you know, similar to lapage really you know Evans, uh, well,

447
00:29:41.559 --> 00:29:46.559
<v Speaker 2>he there was a very very notorious double murder of

448
00:29:46.640 --> 00:29:50.319
<v Speaker 2>two children outside of Boston. Uh. These two little kids

449
00:29:50.359 --> 00:29:52.799
<v Speaker 2>got permission from their grandmother to go off and play

450
00:29:52.799 --> 00:29:55.720
<v Speaker 2>in the nearby forest and you know, the girl ended

451
00:29:55.799 --> 00:29:58.759
<v Speaker 2>up being raped and murdered and mutilated, her little brother

452
00:30:00.319 --> 00:30:03.359
<v Speaker 2>horribly killed, you know, to eliminate him as a witness.

453
00:30:03.680 --> 00:30:06.759
<v Speaker 2>That crime went unsolved for a very long time, and

454
00:30:06.839 --> 00:30:11.240
<v Speaker 2>it turned out to have been perpetrated by this guy

455
00:30:11.279 --> 00:30:15.559
<v Speaker 2>named Franklin Evans, who was arrested years later again for

456
00:30:15.640 --> 00:30:18.920
<v Speaker 2>committing a crime similar to the kind of atrocity that

457
00:30:19.599 --> 00:30:24.960
<v Speaker 2>Lapage perpetrated on Josie Langmaide, except in this case it

458
00:30:25.039 --> 00:30:27.920
<v Speaker 2>was his own niece that he lured into a forest

459
00:30:28.519 --> 00:30:34.680
<v Speaker 2>and again raped, mutilated, cut out her sexual organs, supposedly

460
00:30:34.759 --> 00:30:38.160
<v Speaker 2>because you know, he wanted to do some anatomical study

461
00:30:38.200 --> 00:30:48.480
<v Speaker 2>on them. You know, it's a case that was provoked,

462
00:30:49.000 --> 00:30:52.880
<v Speaker 2>you know, this incredible nationwide outrage. At the time that

463
00:30:52.920 --> 00:30:57.799
<v Speaker 2>it was discovered, Evans was considered to be again one

464
00:30:57.799 --> 00:31:02.119
<v Speaker 2>of the most monstrous criminals in the annals of American crime.

465
00:31:02.599 --> 00:31:05.839
<v Speaker 2>And yet you know, nobody's ever heard of him. And again,

466
00:31:05.920 --> 00:31:09.079
<v Speaker 2>you know, the crime itself, I would argue, for example,

467
00:31:09.440 --> 00:31:13.799
<v Speaker 2>is much more horrific than something like the Leopold had

468
00:31:13.880 --> 00:31:17.319
<v Speaker 2>Low murder. And yet no one's heard of Evans anymore

469
00:31:17.400 --> 00:31:19.920
<v Speaker 2>so until you till now.

470
00:31:21.319 --> 00:31:24.799
<v Speaker 5>Yeah, it is quite shocking that I haven't. I hadn't

471
00:31:24.839 --> 00:31:26.559
<v Speaker 5>heard of any not that I'm an expert, but I

472
00:31:26.599 --> 00:31:29.440
<v Speaker 5>mean I hadn't heard of these people either, and actually

473
00:31:29.519 --> 00:31:30.240
<v Speaker 5>one because.

474
00:31:31.519 --> 00:31:34.440
<v Speaker 2>I'm sorry, sorry, go ahead, no, no, it's going to say,

475
00:31:34.440 --> 00:31:36.359
<v Speaker 2>I mean talking about Leopold. No, but enough you're going

476
00:31:36.400 --> 00:31:38.400
<v Speaker 2>to raise it. But to me, one of the most

477
00:31:38.440 --> 00:31:42.720
<v Speaker 2>horrific figures in the book, and a figure that I

478
00:31:42.880 --> 00:31:46.079
<v Speaker 2>was sort of only vaguely aware of when I started

479
00:31:46.079 --> 00:31:49.799
<v Speaker 2>writing it was William Hickman, who has not as the

480
00:31:49.880 --> 00:31:55.519
<v Speaker 2>Fox who you know. Hickman was a young man who

481
00:31:55.519 --> 00:31:58.400
<v Speaker 2>had worked as a messenger in a bank. This is

482
00:31:58.559 --> 00:32:04.240
<v Speaker 2>nineteen twenty seven, and abducted the daughter of one of

483
00:32:04.279 --> 00:32:09.119
<v Speaker 2>the executives in the bank and held her for ransom,

484
00:32:09.960 --> 00:32:14.279
<v Speaker 2>and the father agreed to pay the ransom, and Hickman

485
00:32:14.400 --> 00:32:16.880
<v Speaker 2>arranged to rendezvous with him. He was going to turn

486
00:32:16.880 --> 00:32:19.200
<v Speaker 2>over this little girl. He had the little girl captive

487
00:32:19.240 --> 00:32:21.480
<v Speaker 2>for a few days and treated her very nicely, took

488
00:32:21.480 --> 00:32:23.519
<v Speaker 2>her to movies and bought her ice cream, and kept

489
00:32:23.559 --> 00:32:26.759
<v Speaker 2>her entertained and kept assuring her that she would be

490
00:32:26.799 --> 00:32:31.720
<v Speaker 2>returned safely to the father. You know. The father agreed

491
00:32:31.759 --> 00:32:35.559
<v Speaker 2>to pay the ransom. And they arranged for a rendezvous spot,

492
00:32:36.400 --> 00:32:40.319
<v Speaker 2>and the father arrived there with this bag full of money.

493
00:32:40.599 --> 00:32:43.519
<v Speaker 2>Hickman pulled up in a car. The father said, you know,

494
00:32:43.559 --> 00:32:45.799
<v Speaker 2>I want to make sure my daughter's okay before I

495
00:32:45.880 --> 00:32:50.720
<v Speaker 2>pay you. So Hickman showing a flashlight on the passenger seat,

496
00:32:50.759 --> 00:32:53.960
<v Speaker 2>and there was the little girl who was sitting there,

497
00:32:53.960 --> 00:32:56.839
<v Speaker 2>wrapped up in a blanket, with her eyes wide open

498
00:32:56.960 --> 00:33:00.480
<v Speaker 2>and apparently smiling. So the father passed them money to

499
00:33:00.680 --> 00:33:05.119
<v Speaker 2>Hickman through the window. Hickman drove off little ways, opened

500
00:33:05.119 --> 00:33:08.880
<v Speaker 2>the passenger door, tossed the little girl out, and drove off.

501
00:33:09.160 --> 00:33:12.279
<v Speaker 2>The father ran up to retrieve his daughter, and what

502
00:33:12.359 --> 00:33:17.480
<v Speaker 2>he discovered was that Hickman had killed her, disemboweled her,

503
00:33:17.839 --> 00:33:20.279
<v Speaker 2>cut off her arms and legs so in her eye

504
00:33:20.279 --> 00:33:22.359
<v Speaker 2>lids open to make it look as if her eyes

505
00:33:22.359 --> 00:33:26.640
<v Speaker 2>were open, put rouge on her cheeks, and lipstick on

506
00:33:26.680 --> 00:33:28.279
<v Speaker 2>her mouth to make it look as if those she

507
00:33:28.279 --> 00:33:31.400
<v Speaker 2>were healthy and smiling. You know, it's it's a crime

508
00:33:31.480 --> 00:33:36.960
<v Speaker 2>that it's so unimaginably horrible. And when Hickman was you know,

509
00:33:37.079 --> 00:33:40.079
<v Speaker 2>and when Hickman was arrested, he himself expected that he

510
00:33:40.079 --> 00:33:43.720
<v Speaker 2>would become his infamous Leopold and Lope. And yet again,

511
00:33:43.880 --> 00:33:48.000
<v Speaker 2>you know, it's completely stated from public memory.

512
00:33:49.759 --> 00:33:51.400
<v Speaker 5>I guess Hollywood's got to make a movie.

513
00:33:51.920 --> 00:33:57.599
<v Speaker 2>And yeah, well see that's that's the interesting thing. I mean,

514
00:33:57.680 --> 00:34:01.160
<v Speaker 2>you know, the question becomes, what is the story? I mean,

515
00:34:01.200 --> 00:34:03.559
<v Speaker 2>the story of Leopold and Lobe and the characters of

516
00:34:03.640 --> 00:34:07.079
<v Speaker 2>Leopold and Lobe we're so fascinating, you know that it's

517
00:34:07.119 --> 00:34:10.159
<v Speaker 2>constantly being retold as you know, you know, I'm not

518
00:34:10.199 --> 00:34:12.639
<v Speaker 2>so sure you can really do that with a Hickman case.

519
00:34:12.800 --> 00:34:18.400
<v Speaker 2>I mean, the crime itself is you know, incredibly night marish.

520
00:34:19.079 --> 00:34:22.480
<v Speaker 2>You know, but I think to again enter into the

521
00:34:22.559 --> 00:34:26.360
<v Speaker 2>cultural folklore, you know, there has to be something about them.

522
00:34:26.480 --> 00:34:29.199
<v Speaker 2>You know, it's like any other story. It's like any

523
00:34:29.280 --> 00:34:32.119
<v Speaker 2>movie or any play or whatever. There has to be

524
00:34:32.119 --> 00:34:33.719
<v Speaker 2>something of the story. There has to be something of

525
00:34:33.719 --> 00:34:38.000
<v Speaker 2>the characters. It can't just be the the awfulness of

526
00:34:38.079 --> 00:34:38.559
<v Speaker 2>the crime.

527
00:34:40.639 --> 00:34:43.039
<v Speaker 5>No, no, no, obviously, there has to be a lot

528
00:34:43.079 --> 00:34:45.760
<v Speaker 5>more to that. And Hollywood really needs a love story.

529
00:34:45.840 --> 00:34:51.880
<v Speaker 2>So yeah, yeah, yeah, that's true idea Leopold and love. Yeah, well,

530
00:34:51.960 --> 00:34:54.000
<v Speaker 2>Leopold and Lobe with certainly kind of love story.

531
00:34:54.119 --> 00:34:58.559
<v Speaker 5>So yeah, now let's get back to this Fokes Gallery

532
00:34:58.639 --> 00:35:03.840
<v Speaker 5>of Evil here and the Smutty Nose Horror of eighteen

533
00:35:03.880 --> 00:35:07.400
<v Speaker 5>seventy three, and Louis Wagner tell.

534
00:35:07.320 --> 00:35:10.400
<v Speaker 2>Us a little bit about Louis Wagner. Well, you know,

535
00:35:10.440 --> 00:35:16.000
<v Speaker 2>that's a really interesting case. Smutty Nose is a tiny,

536
00:35:16.280 --> 00:35:23.079
<v Speaker 2>tiny little island that's part of this archipelago off the

537
00:35:23.119 --> 00:35:26.559
<v Speaker 2>coast of it sort of spans Maine and New Hampshire.

538
00:35:26.679 --> 00:35:32.360
<v Speaker 2>They're called the Isle of Shoals. And on this one

539
00:35:32.559 --> 00:35:40.320
<v Speaker 2>tiny islet there was a family of Norwegian immigrants who

540
00:35:40.360 --> 00:35:45.440
<v Speaker 2>made their living well as fisher people. You know, the husband,

541
00:35:45.599 --> 00:35:49.159
<v Speaker 2>the men were fishermen, and you know, the wives kept

542
00:35:49.199 --> 00:35:54.599
<v Speaker 2>the house and they Louis Wagner was this German emigre

543
00:35:54.880 --> 00:36:00.559
<v Speaker 2>who occasionally helped out with a fishing enterprise and uh

544
00:36:00.639 --> 00:36:02.760
<v Speaker 2>and sometimes boarded with him. You know, he was a

545
00:36:02.800 --> 00:36:07.360
<v Speaker 2>friend of the family really and uh in on the

546
00:36:07.480 --> 00:36:11.039
<v Speaker 2>on the on the night of this horrible crime that

547
00:36:11.079 --> 00:36:14.400
<v Speaker 2>he committed, because the men of the family, I guess

548
00:36:14.480 --> 00:36:22.400
<v Speaker 2>there were three men. There were three women and three men.

549
00:36:23.760 --> 00:36:27.960
<v Speaker 2>The men went off on their fishing boat and ended

550
00:36:28.000 --> 00:36:31.800
<v Speaker 2>up having to spend the night on on the mainland,

551
00:36:32.400 --> 00:36:36.760
<v Speaker 2>and they ran into Lewis Wagner uh And Wagner realized

552
00:36:36.760 --> 00:36:39.440
<v Speaker 2>that the women were going to be all by themselves

553
00:36:39.519 --> 00:36:44.719
<v Speaker 2>on this remote island, and he believed that there was

554
00:36:45.639 --> 00:36:49.440
<v Speaker 2>a cache of money somewhere in the house. So he

555
00:36:49.960 --> 00:36:53.800
<v Speaker 2>stole a row boat and rowed to this little island

556
00:36:54.280 --> 00:36:58.280
<v Speaker 2>and ended up ended up butchering two of the women

557
00:36:58.360 --> 00:37:03.000
<v Speaker 2>with an axe. One of the women managed to crawl

558
00:37:03.119 --> 00:37:06.559
<v Speaker 2>through a window with her little dog and run down

559
00:37:06.760 --> 00:37:11.920
<v Speaker 2>to the to the shoreline and huddle in under a

560
00:37:12.039 --> 00:37:15.639
<v Speaker 2>rock all night while Wagner, you know, I think I

561
00:37:15.719 --> 00:37:18.199
<v Speaker 2>write in the book a sort of a classic scene

562
00:37:18.199 --> 00:37:21.840
<v Speaker 2>out of you know, like a Hollywood you know, a

563
00:37:21.880 --> 00:37:24.639
<v Speaker 2>movie with Jamie Lee Curtison or something. You know. You know,

564
00:37:25.000 --> 00:37:28.199
<v Speaker 2>she was like huddling under this rock, trying to keep

565
00:37:28.199 --> 00:37:32.280
<v Speaker 2>her dog quiet, you know, while this homicidal madman was

566
00:37:32.360 --> 00:37:35.239
<v Speaker 2>scouring the island for her with his axe, you know,

567
00:37:35.480 --> 00:37:38.440
<v Speaker 2>just walking very very close to where she was. But

568
00:37:38.599 --> 00:37:41.119
<v Speaker 2>in the end he couldn't find her. So he went

569
00:37:41.239 --> 00:37:45.519
<v Speaker 2>back to the cottage where the corpses of these two

570
00:37:45.559 --> 00:37:48.679
<v Speaker 2>other young women he had just butchered leg you know,

571
00:37:48.719 --> 00:37:52.400
<v Speaker 2>and made himself a meal and then hopped in the

572
00:37:52.480 --> 00:37:55.760
<v Speaker 2>rowboat and you know, and made off, and you know,

573
00:37:55.760 --> 00:37:58.920
<v Speaker 2>he was eventually caught and executed. One of the very

574
00:37:58.960 --> 00:38:03.639
<v Speaker 2>interesting things about it was that inhabiting the next island

575
00:38:03.679 --> 00:38:11.639
<v Speaker 2>over was a family that ran a little hotel which

576
00:38:11.760 --> 00:38:14.760
<v Speaker 2>was frequented actually by you know, some very very famous

577
00:38:14.800 --> 00:38:18.840
<v Speaker 2>people during the summer, people like Nathaniel Hawthorne and Henry

578
00:38:18.920 --> 00:38:22.880
<v Speaker 2>David Farreaux had visited there. And the daughter of the

579
00:38:22.920 --> 00:38:26.119
<v Speaker 2>family was this woman named Celia Thaxter, who was a

580
00:38:26.199 --> 00:38:28.760
<v Speaker 2>very very well known poet at the time, and she

581
00:38:29.800 --> 00:38:31.599
<v Speaker 2>was one of the first on the seat on the

582
00:38:31.679 --> 00:38:34.440
<v Speaker 2>murder scene the next day, and she ended up writing

583
00:38:36.519 --> 00:38:41.639
<v Speaker 2>a long, long article about the smutty Nose horror. That

584
00:38:41.840 --> 00:38:45.559
<v Speaker 2>is a very very very pioneering piece of American true

585
00:38:45.559 --> 00:38:50.280
<v Speaker 2>crime writing. It really, in many ways, I would argue,

586
00:38:50.360 --> 00:38:53.199
<v Speaker 2>is the first modern piece of American true crime writing.

587
00:38:54.519 --> 00:38:57.960
<v Speaker 2>It predates in Cold Blood, you know, by almost one

588
00:38:58.039 --> 00:39:01.079
<v Speaker 2>hundred years, but it does something of what in Cold

589
00:39:01.159 --> 00:39:03.880
<v Speaker 2>Blood does, you know, which is bring a literary kind

590
00:39:03.920 --> 00:39:09.159
<v Speaker 2>of sensibility and literary style and literary language, you know,

591
00:39:09.199 --> 00:39:13.000
<v Speaker 2>to the telling of this horrible, horrible murder. So it's

592
00:39:13.119 --> 00:39:18.119
<v Speaker 2>quite an interesting case. The author Anita Shreeve wrote a

593
00:39:18.159 --> 00:39:20.559
<v Speaker 2>book called The Weight of Water, which was made into

594
00:39:20.599 --> 00:39:24.039
<v Speaker 2>a not very good movie with Sean Penn, I believe

595
00:39:25.280 --> 00:39:26.199
<v Speaker 2>based on the case.

596
00:39:29.039 --> 00:39:34.880
<v Speaker 5>Interesting, well, let's talk about this was surprising that this

597
00:39:34.920 --> 00:39:38.119
<v Speaker 5>is the year of this in nineteen twenty seven. But

598
00:39:38.840 --> 00:39:40.400
<v Speaker 5>tell us about Andrew Keyhole.

599
00:39:41.079 --> 00:39:45.559
<v Speaker 2>Yeah, well that was a very very fascinating case. You know,

600
00:39:45.639 --> 00:39:48.480
<v Speaker 2>that was something you know that's gone down in criminal

601
00:39:48.519 --> 00:39:52.519
<v Speaker 2>history as the Bath School disaster. This was a little

602
00:39:52.559 --> 00:39:59.800
<v Speaker 2>town in Michigan, Bath, Michigan, and Keyhoe was a local resident,

603
00:40:00.039 --> 00:40:02.599
<v Speaker 2>local citizen of the town, very well respected. He had

604
00:40:02.599 --> 00:40:13.599
<v Speaker 2>a farm. He became obsessed with the up until a

605
00:40:13.639 --> 00:40:19.519
<v Speaker 2>certain point, all the children in that particular vicinity, you know,

606
00:40:19.559 --> 00:40:23.679
<v Speaker 2>we're going to these little separate, one room schoolhouses. And

607
00:40:24.239 --> 00:40:28.000
<v Speaker 2>the town built this big, consolidated school which was the

608
00:40:28.039 --> 00:40:32.880
<v Speaker 2>pride of the community, this big modern school which educated

609
00:40:32.880 --> 00:40:39.159
<v Speaker 2>the children from kindergarten up through high school. And to support,

610
00:40:39.320 --> 00:40:42.519
<v Speaker 2>of course, you know, all the citizens of the town

611
00:40:42.559 --> 00:40:48.280
<v Speaker 2>were taxed. And Keiho developed this obsession about being taxed.

612
00:40:48.440 --> 00:40:51.000
<v Speaker 2>He and his wife didn't have any children, you know,

613
00:40:51.039 --> 00:40:53.840
<v Speaker 2>and he thought that this was you know, incredibly unfair,

614
00:40:53.880 --> 00:40:58.719
<v Speaker 2>and so on and so forth, and and anyway he

615
00:40:58.760 --> 00:41:02.519
<v Speaker 2>had been he was he had some engineering background and

616
00:41:02.719 --> 00:41:07.719
<v Speaker 2>was very very very skillful in mechanics, and you know,

617
00:41:07.760 --> 00:41:12.159
<v Speaker 2>had some electrical knowledge. So he was kind of hired

618
00:41:12.239 --> 00:41:16.760
<v Speaker 2>to do some upkeep on the building. And over the

619
00:41:16.920 --> 00:41:21.480
<v Speaker 2>course of many, many months, he was given a key

620
00:41:21.519 --> 00:41:27.679
<v Speaker 2>to the to the schoolhouse, and unbeknownst to anybody else

621
00:41:27.719 --> 00:41:33.559
<v Speaker 2>in the community, he was smuggling in explosives into the

622
00:41:33.599 --> 00:41:38.000
<v Speaker 2>building at night and rigging up this huge time bomb

623
00:41:38.079 --> 00:41:41.760
<v Speaker 2>in the basement which was triggered to go off of

624
00:41:41.760 --> 00:41:45.280
<v Speaker 2>some homemade detonating device he made out of alarm clocks.

625
00:41:46.119 --> 00:41:51.239
<v Speaker 2>Got he got some surplus World War One explosives which

626
00:41:51.280 --> 00:41:54.639
<v Speaker 2>were very widely available at that time to farmers who

627
00:41:54.760 --> 00:41:57.079
<v Speaker 2>used them to get rid of stumps on their property

628
00:41:57.119 --> 00:41:59.559
<v Speaker 2>and so on. And he had managed to accumulate a

629
00:41:59.599 --> 00:42:02.079
<v Speaker 2>huge man of this stuff, and he just brought you know,

630
00:42:02.119 --> 00:42:04.639
<v Speaker 2>I can't even remember how much, but you know, hundreds

631
00:42:04.679 --> 00:42:07.079
<v Speaker 2>and hundreds of pounds of this he loaded into the

632
00:42:07.119 --> 00:42:10.800
<v Speaker 2>basement of this school. And then on the last day

633
00:42:10.840 --> 00:42:14.159
<v Speaker 2>of the school year, when he knew that there would

634
00:42:14.159 --> 00:42:18.679
<v Speaker 2>be many, many, many students attending class to take their finals,

635
00:42:19.760 --> 00:42:22.760
<v Speaker 2>he set this timer to go off and blew this

636
00:42:22.880 --> 00:42:27.880
<v Speaker 2>school up. Fortunately for some reason, not all the explosives detonated,

637
00:42:28.599 --> 00:42:31.599
<v Speaker 2>but it did destroy a huge portion of the school

638
00:42:31.719 --> 00:42:35.840
<v Speaker 2>and killed I can't remember, about forty children and teachers.

639
00:42:36.880 --> 00:42:42.559
<v Speaker 2>At the same time. While the school was going up,

640
00:42:43.199 --> 00:42:48.840
<v Speaker 2>he loaded up his Ford pickup with all this shrapnel

641
00:42:48.920 --> 00:42:53.840
<v Speaker 2>and dynamite. He murdered his wife. Again typical of mass

642
00:42:53.920 --> 00:42:56.639
<v Speaker 2>murderers who basically are going to like end their whole

643
00:42:56.679 --> 00:43:00.239
<v Speaker 2>lives and destroy their whole worlds. Killed his wife up

644
00:43:00.280 --> 00:43:03.440
<v Speaker 2>this forward pick up with shrapped alt explosives, drove it

645
00:43:03.519 --> 00:43:07.000
<v Speaker 2>down to the schoolhouse where all these survived, all these

646
00:43:07.719 --> 00:43:12.000
<v Speaker 2>men and community members are frantically trying to save kids

647
00:43:12.039 --> 00:43:15.360
<v Speaker 2>and dig the survivors out of the rubble. And drove

648
00:43:15.400 --> 00:43:19.719
<v Speaker 2>this car bomb down to the down to the schoolhouse

649
00:43:19.719 --> 00:43:23.159
<v Speaker 2>and called over some men he had this grudge against,

650
00:43:23.239 --> 00:43:25.920
<v Speaker 2>and then detonated this car bomb, killing himself and these

651
00:43:25.960 --> 00:43:29.360
<v Speaker 2>other men. So he you know, this was the greatest act.

652
00:43:29.760 --> 00:43:34.679
<v Speaker 2>This was the most heinous act of domestic terrorism up

653
00:43:34.760 --> 00:43:38.519
<v Speaker 2>until the time of Timothy McVeigh. And it was a

654
00:43:38.599 --> 00:43:41.480
<v Speaker 2>kind of combination of both you know, the you know,

655
00:43:41.519 --> 00:43:46.480
<v Speaker 2>the Oklahoma City bombing, and you know, what you now

656
00:43:46.480 --> 00:43:50.320
<v Speaker 2>think of is like a contemporary car bombing, so it

657
00:43:50.360 --> 00:43:55.119
<v Speaker 2>was a suicide bombing, domestic terrorism, just this horrendous, horrendous act,

658
00:43:55.239 --> 00:43:58.519
<v Speaker 2>and yet after making the front pages of the newspapers

659
00:43:58.519 --> 00:44:02.599
<v Speaker 2>for a few days, it completely disappeared. And again nobody's

660
00:44:02.639 --> 00:44:04.679
<v Speaker 2>ever heard of it. And here's a guy who blew

661
00:44:04.760 --> 00:44:08.599
<v Speaker 2>up a schoolhouse, killing forty children in you know, the

662
00:44:08.639 --> 00:44:12.280
<v Speaker 2>Midwest in nineteen twenty seven. And if you you know,

663
00:44:12.440 --> 00:44:15.559
<v Speaker 2>say you know, mentioned the Bath School disaster and it

664
00:44:15.599 --> 00:44:17.760
<v Speaker 2>was such a horrendous crime for the time that people

665
00:44:18.119 --> 00:44:22.800
<v Speaker 2>were suggesting that the name Keiho was going to enter

666
00:44:22.840 --> 00:44:28.159
<v Speaker 2>into the language as a slang term for a domestic terrorist.

667
00:44:28.920 --> 00:44:31.480
<v Speaker 2>And yet far from that happening, you know, he became,

668
00:44:31.760 --> 00:44:36.079
<v Speaker 2>you know, completely obscure. So, I mean, I think part

669
00:44:36.119 --> 00:44:38.559
<v Speaker 2>of the I think there are several reasons for that.

670
00:44:38.639 --> 00:44:44.199
<v Speaker 2>One is, the Bath School disaster occurred literally just days

671
00:44:44.280 --> 00:44:48.440
<v Speaker 2>before Charles Lindberg made his transatlantic crossing, and that was

672
00:44:48.480 --> 00:44:52.360
<v Speaker 2>such a huge epical event that completely overshadow the disaster.

673
00:44:52.800 --> 00:44:55.480
<v Speaker 2>But the other factor is, you know, I think that again,

674
00:44:55.519 --> 00:45:01.039
<v Speaker 2>there are certain kinds of crimes that become called obsessions.

675
00:45:01.119 --> 00:45:07.719
<v Speaker 2>For example, back in the late nineteenth century, poisoners Americans

676
00:45:07.760 --> 00:45:15.039
<v Speaker 2>obsessed about poisoners in the way Americans did about serial killers.

677
00:45:15.079 --> 00:45:18.239
<v Speaker 2>In like the nineteen seventies and eighties. There was something

678
00:45:18.320 --> 00:45:22.360
<v Speaker 2>about something about the crime of poisoning that played on

679
00:45:23.199 --> 00:45:26.920
<v Speaker 2>very very widespread fears at the time, which I think

680
00:45:27.000 --> 00:45:28.920
<v Speaker 2>had to do with the fact that, you know, there

681
00:45:28.960 --> 00:45:31.440
<v Speaker 2>was no regulation of food and drugs and so on and

682
00:45:31.400 --> 00:45:35.480
<v Speaker 2>so forth, so people were just always afraid that whatever

683
00:45:35.559 --> 00:45:38.719
<v Speaker 2>they ingested was going to kill them. And somehow the

684
00:45:38.760 --> 00:45:42.519
<v Speaker 2>poisoner came to incarnate, you know, that particular kind of

685
00:45:42.519 --> 00:45:45.960
<v Speaker 2>cultural anxiety, you know, just as a serial murderer came

686
00:45:46.000 --> 00:45:49.360
<v Speaker 2>to incarnate certain kinds of anxieties having to do with

687
00:45:49.760 --> 00:45:53.679
<v Speaker 2>sexual danger and the spread of aids and so on and

688
00:45:53.679 --> 00:45:56.480
<v Speaker 2>so forth. In the eighties and so on, and now,

689
00:45:56.800 --> 00:45:58.840
<v Speaker 2>you know, the fear of the serial killer, I think

690
00:45:58.920 --> 00:46:02.000
<v Speaker 2>was we're not quite as obsessed with serial killers as

691
00:46:02.039 --> 00:46:05.760
<v Speaker 2>we were twenty years ago. Now we're much more focused

692
00:46:05.800 --> 00:46:10.719
<v Speaker 2>on mass murderers again, like you know the Columbine or this,

693
00:46:10.920 --> 00:46:13.920
<v Speaker 2>you know, the guy in Denver recently, and I think

694
00:46:13.960 --> 00:46:17.719
<v Speaker 2>that's because you know, the fear of serial murder has

695
00:46:17.760 --> 00:46:21.519
<v Speaker 2>been replaced by you know, this terror of the mass murder.

696
00:46:21.559 --> 00:46:27.800
<v Speaker 2>You know, because of terrorism. So yeah, yeah, that key

697
00:46:27.880 --> 00:46:30.440
<v Speaker 2>how is that? I mean, Key Hoo's crime was always like,

698
00:46:31.199 --> 00:46:33.360
<v Speaker 2>you know, in that sense, it was ahead of its time.

699
00:46:33.840 --> 00:46:36.159
<v Speaker 2>You know, it wasn't quite the kind of crime. As

700
00:46:36.199 --> 00:46:39.559
<v Speaker 2>horrendous as it was, it didn't strike that sort of

701
00:46:39.639 --> 00:46:43.800
<v Speaker 2>communal cord of anxiety, you know that something like that

702
00:46:43.880 --> 00:46:46.079
<v Speaker 2>would nowadays.

703
00:46:46.440 --> 00:46:49.519
<v Speaker 5>Yeah, and I think since nine to eleven as well,

704
00:46:49.280 --> 00:46:55.800
<v Speaker 5>we have this collective terror at mass murder and obviously

705
00:46:58.039 --> 00:47:00.440
<v Speaker 5>and also it keeps in line with the fear of

706
00:47:00.480 --> 00:47:03.639
<v Speaker 5>a serial killer. It's it's the fear of the randomness

707
00:47:03.639 --> 00:47:06.400
<v Speaker 5>of it. So that's why more people can relate to it.

708
00:47:06.440 --> 00:47:09.840
<v Speaker 2>I think, yeah, well, yeah, well, I think randomness is

709
00:47:09.880 --> 00:47:13.440
<v Speaker 2>always Yeah, randomness is always a very very terrifying thing.

710
00:47:13.440 --> 00:47:15.360
<v Speaker 2>I mean, I think it's one of the reasons why

711
00:47:15.440 --> 00:47:18.599
<v Speaker 2>there are so many conspiracy theories. You know, it's much

712
00:47:19.079 --> 00:47:22.599
<v Speaker 2>it's you know, it's more comforting to think, well, you know,

713
00:47:22.760 --> 00:47:25.920
<v Speaker 2>I mean my own opinion, for example, about the Kennedy assassination.

714
00:47:26.760 --> 00:47:28.639
<v Speaker 2>You know, it's more comforting in a way to think,

715
00:47:29.039 --> 00:47:32.199
<v Speaker 2>you know that something like that was committed as part

716
00:47:32.239 --> 00:47:34.960
<v Speaker 2>of a you know, a vast conspiracy. Then there was

717
00:47:35.039 --> 00:47:38.519
<v Speaker 2>just this one loose Cannon, you know, who randomly killed

718
00:47:38.559 --> 00:47:41.199
<v Speaker 2>this president and you know, changed all of history.

719
00:47:41.280 --> 00:47:46.559
<v Speaker 5>So anyway, Yeah, some people look for explanations that are

720
00:47:47.760 --> 00:47:50.960
<v Speaker 5>bigger than they are. I think there's I think that

721
00:47:51.000 --> 00:47:53.800
<v Speaker 5>there's an unwitting conspiracy a lot of times as well.

722
00:47:53.880 --> 00:47:56.880
<v Speaker 5>People just buy human nature do a lot of things

723
00:47:56.880 --> 00:47:59.800
<v Speaker 5>that seem to look like conspiracies.

724
00:48:00.280 --> 00:48:02.880
<v Speaker 2>But yeah, yeah, there's.

725
00:48:02.360 --> 00:48:04.519
<v Speaker 5>A lot of you know, you've covered how many two

726
00:48:04.559 --> 00:48:07.440
<v Speaker 5>crime books. There are so many it looks like ineptitude,

727
00:48:07.440 --> 00:48:12.360
<v Speaker 5>but it's just fortune the other way. And oftentimes the

728
00:48:12.440 --> 00:48:16.039
<v Speaker 5>police and authorities get breaks in the same sort of way,

729
00:48:16.280 --> 00:48:19.360
<v Speaker 5>just coming out of the blue. So I don't know

730
00:48:19.360 --> 00:48:23.280
<v Speaker 5>if it ever evens out, but it's probably not tell

731
00:48:23.360 --> 00:48:27.320
<v Speaker 5>us about a person I found particularly interesting, Anton Probes

732
00:48:27.719 --> 00:48:29.360
<v Speaker 5>the monster in the shape of a man.

733
00:48:30.119 --> 00:48:32.480
<v Speaker 2>Yeah, I mean that to me was one of the

734
00:48:32.480 --> 00:48:36.880
<v Speaker 2>most disturbing crimes you know, that I covered in the

735
00:48:36.880 --> 00:48:41.960
<v Speaker 2>book you know you had. You know, actually when it's

736
00:48:42.000 --> 00:48:45.960
<v Speaker 2>one of those sometimes I'll come across a crime and

737
00:48:46.039 --> 00:48:48.199
<v Speaker 2>you know, when you write about these things enough, you know,

738
00:48:48.239 --> 00:48:51.280
<v Speaker 2>you do a tree of a certain kind of detached

739
00:48:51.360 --> 00:48:54.280
<v Speaker 2>attitude towards it. You know, it's I always compare it

740
00:48:54.360 --> 00:48:59.320
<v Speaker 2>to you know, a medical student, you know, performing at autopsic.

741
00:48:59.480 --> 00:49:01.639
<v Speaker 2>You know, after a while, you know, it becomes kind

742
00:49:01.679 --> 00:49:04.480
<v Speaker 2>of a routine. But the Probe's case is one that

743
00:49:04.719 --> 00:49:07.800
<v Speaker 2>you know, I found when I really really allowed myself,

744
00:49:08.400 --> 00:49:11.119
<v Speaker 2>you know, to think about it, getting quite upset over it.

745
00:49:12.360 --> 00:49:15.599
<v Speaker 2>You know. Probes, again, was this German immigrant fought in

746
00:49:15.599 --> 00:49:19.639
<v Speaker 2>the Civil War. He'd been taken in by this family

747
00:49:19.840 --> 00:49:25.360
<v Speaker 2>called the Deerings, this farmer and his wife and young children,

748
00:49:25.400 --> 00:49:28.239
<v Speaker 2>and you know, who'd just been treated really really well

749
00:49:28.320 --> 00:49:32.679
<v Speaker 2>and you know, almost like a family member himself. And

750
00:49:32.760 --> 00:49:37.840
<v Speaker 2>then he decided that again a little bit like it

751
00:49:37.880 --> 00:49:42.000
<v Speaker 2>was a little analogous to this smutty nos case, you know,

752
00:49:42.039 --> 00:49:44.480
<v Speaker 2>because just as Lewis Wagner had been taken into this

753
00:49:44.599 --> 00:49:48.199
<v Speaker 2>family and then decided he was going to kill them all,

754
00:49:48.320 --> 00:49:50.840
<v Speaker 2>or the women, just so he could rob the money.

755
00:49:51.239 --> 00:49:54.159
<v Speaker 2>You know, Probes decided, you know, that Deering had a

756
00:49:54.159 --> 00:49:56.559
<v Speaker 2>bunch of money in his house which he didn't uh

757
00:49:56.800 --> 00:49:59.480
<v Speaker 2>and he was going to get it. And the only

758
00:49:59.519 --> 00:50:04.519
<v Speaker 2>way he could figure out somehow to achieve this goal

759
00:50:04.719 --> 00:50:09.400
<v Speaker 2>was to slaughter the entire family. So excuse me. One day,

760
00:50:09.480 --> 00:50:15.920
<v Speaker 2>he basically lured each of the members of the family

761
00:50:16.000 --> 00:50:20.400
<v Speaker 2>in succession, you know, the mother, you know, then one child,

762
00:50:20.559 --> 00:50:23.039
<v Speaker 2>the next child. He lued each one into the barn

763
00:50:23.639 --> 00:50:26.239
<v Speaker 2>under some pretext, you know, and as soon as he

764
00:50:26.280 --> 00:50:30.000
<v Speaker 2>got them in the barn, he would butcher them with

765
00:50:30.039 --> 00:50:33.960
<v Speaker 2>an axe. And then he ended up killing the father,

766
00:50:34.079 --> 00:50:36.519
<v Speaker 2>and he ended up killing you know, one other young

767
00:50:36.599 --> 00:50:38.760
<v Speaker 2>man who worked on the farm who was very very

768
00:50:38.760 --> 00:50:41.840
<v Speaker 2>friendly with He ended up butchering like eight people all together.

769
00:50:43.719 --> 00:50:46.639
<v Speaker 2>When I was writing about it, you know, it struck

770
00:50:46.719 --> 00:50:51.440
<v Speaker 2>me again as an atrocity that was on the level

771
00:50:51.480 --> 00:50:55.199
<v Speaker 2>of the Manson murders, you know, the Sharon Tate killings. Sure,

772
00:50:55.960 --> 00:51:01.639
<v Speaker 2>And you know, I in proped was a rather dull

773
00:51:01.719 --> 00:51:07.559
<v Speaker 2>witted fellow who didn't actually bother after he committed this massacre,

774
00:51:08.320 --> 00:51:11.639
<v Speaker 2>to put much distance between himself and the crime scene.

775
00:51:11.719 --> 00:51:15.599
<v Speaker 2>And so he was promptly, promptly captured. And that crime,

776
00:51:15.840 --> 00:51:23.360
<v Speaker 2>you know, very justifiably generated such incredible communal outrage and indignation.

777
00:51:24.840 --> 00:51:28.920
<v Speaker 2>You know, the Probes was just really seen as one

778
00:51:28.960 --> 00:51:33.519
<v Speaker 2>of the most hideous murderers of that era, which you know,

779
00:51:33.559 --> 00:51:38.599
<v Speaker 2>in fact he was so again it's not you wouldn't

780
00:51:38.599 --> 00:51:42.400
<v Speaker 2>call him a serial murder. His you know, he's unlike

781
00:51:42.480 --> 00:51:46.400
<v Speaker 2>Bundy or Gay si Er, you know, Jeffrey Dahmer. You know,

782
00:51:46.480 --> 00:51:50.480
<v Speaker 2>these are people whose crimes are sexually motivated. That wasn't

783
00:51:50.519 --> 00:51:56.000
<v Speaker 2>the case with Probes. He was just this, you know.

784
00:51:56.039 --> 00:51:59.559
<v Speaker 2>At the same time, he was obviously you know, psychopathic

785
00:52:00.280 --> 00:52:04.599
<v Speaker 2>in the sense that he was without any conscience. He

786
00:52:05.360 --> 00:52:10.559
<v Speaker 2>basically contrived and carried out this massacre, you know, on

787
00:52:10.679 --> 00:52:13.639
<v Speaker 2>people he knew and who had befriended him, you know,

788
00:52:13.719 --> 00:52:17.559
<v Speaker 2>for no other reason that you know, they were basically

789
00:52:17.599 --> 00:52:20.039
<v Speaker 2>in his way, because he wanted to get a little

790
00:52:20.039 --> 00:52:23.119
<v Speaker 2>money so he can go to the local brothel.

791
00:52:24.880 --> 00:52:29.360
<v Speaker 5>Yeah. Tell us about Robert Erwin, the mad sculptor.

792
00:52:30.239 --> 00:52:34.880
<v Speaker 2>Yeah, Erwin actually writing a whole book about Erwin was

793
00:52:34.880 --> 00:52:38.639
<v Speaker 2>a very fascinating character. This is going back. Erwin's crimes

794
00:52:38.639 --> 00:52:41.960
<v Speaker 2>were committed in the nineteen thirties. But Irwin was the

795
00:52:41.960 --> 00:52:48.519
<v Speaker 2>son of a well known, well within the particular world

796
00:52:48.599 --> 00:52:54.000
<v Speaker 2>Pentecostal evangelists. Both his parents were religious, zealous, and he

797
00:52:54.079 --> 00:52:57.719
<v Speaker 2>and his brothers were brought up in this world of

798
00:52:58.360 --> 00:53:04.360
<v Speaker 2>constantin meetings and you know, and and in traveling ministries

799
00:53:04.400 --> 00:53:08.880
<v Speaker 2>and so on and so forth. And Irwin and his brothers,

800
00:53:09.920 --> 00:53:13.519
<v Speaker 2>they were very neglect at as children because well, the

801
00:53:13.599 --> 00:53:16.760
<v Speaker 2>father ran off with some other woman, leaving the mother

802
00:53:16.840 --> 00:53:19.360
<v Speaker 2>to raise the kids by ourselves. And the mother was

803
00:53:19.960 --> 00:53:22.599
<v Speaker 2>very very fanatically religious, I mean, all her time was

804
00:53:22.639 --> 00:53:26.199
<v Speaker 2>spent involved with her religion and all that. There were

805
00:53:26.239 --> 00:53:31.039
<v Speaker 2>three sons who were allowed to run wild, and Erwin's

806
00:53:31.079 --> 00:53:34.639
<v Speaker 2>two brothers, you know, very promptly ended up in reformed

807
00:53:34.679 --> 00:53:41.320
<v Speaker 2>schools and they really became career criminals. Erwin himself displayed

808
00:53:41.320 --> 00:53:45.960
<v Speaker 2>a very very early talent for art, and particularly for sculpture,

809
00:53:47.000 --> 00:53:54.039
<v Speaker 2>and as he grew older, he decided to devote his

810
00:53:54.079 --> 00:53:57.920
<v Speaker 2>life to his art, and he became quite quite an

811
00:53:57.920 --> 00:54:04.039
<v Speaker 2>accomplished sculpture sculpt her who made his way first when

812
00:54:04.079 --> 00:54:07.920
<v Speaker 2>he was around in his teens, he ran away from home,

813
00:54:09.880 --> 00:54:13.480
<v Speaker 2>made his way to Hollywood and found work in the

814
00:54:13.519 --> 00:54:17.400
<v Speaker 2>studio of a guy named Carlo Romanelli, who did a

815
00:54:17.400 --> 00:54:22.800
<v Speaker 2>lot of set design at that time for early silent movies. Romanelli,

816
00:54:22.840 --> 00:54:28.400
<v Speaker 2>for example, did the statuary for the first silent version

817
00:54:28.400 --> 00:54:33.360
<v Speaker 2>of Ben her and Erwin worked with him for a while,

818
00:54:33.760 --> 00:54:37.159
<v Speaker 2>and then he made his way to Chicago and became

819
00:54:37.199 --> 00:54:40.239
<v Speaker 2>a protege of the man who at that time was

820
00:54:40.280 --> 00:54:44.079
<v Speaker 2>America's most famous sculptor guy named Laredo Taft who had

821
00:54:44.079 --> 00:54:47.679
<v Speaker 2>done a lot of work for the eighteen ninety three

822
00:54:47.880 --> 00:54:51.480
<v Speaker 2>Chicago World's Fair and did a lot of public statuary

823
00:54:51.519 --> 00:54:56.440
<v Speaker 2>around Chicago. Very very well known, and Irwin was a

824
00:54:56.480 --> 00:54:59.920
<v Speaker 2>favorite student of his. But Irwin was a very very

825
00:55:00.199 --> 00:55:04.440
<v Speaker 2>stable character. He really was a kind of jackal hide personality.

826
00:55:04.760 --> 00:55:09.679
<v Speaker 2>He can be extremely likable, extremely ingratiating. He was very

827
00:55:09.760 --> 00:55:13.440
<v Speaker 2>very bright. He was basically self taught but very well read.

828
00:55:14.519 --> 00:55:18.079
<v Speaker 2>But at the same time, he really had this kind

829
00:55:18.079 --> 00:55:25.320
<v Speaker 2>of homicidal temper which could be provoked for very very

830
00:55:25.400 --> 00:55:31.519
<v Speaker 2>little reason, and again and again and again he would

831
00:55:33.559 --> 00:55:38.079
<v Speaker 2>end up being fired from his jobs or as or

832
00:55:38.239 --> 00:55:41.199
<v Speaker 2>kicked out of his place of work, you know, because

833
00:55:41.280 --> 00:55:45.679
<v Speaker 2>some coworker would somehow insult him in some small way,

834
00:55:46.280 --> 00:55:50.119
<v Speaker 2>and he would just go crazy and administer this horrendous,

835
00:55:50.159 --> 00:55:52.679
<v Speaker 2>horrendous beating on this person, you know, and end up

836
00:55:52.719 --> 00:56:00.800
<v Speaker 2>being fired. Anyway, Irwin made his way to New York City,

837
00:56:01.800 --> 00:56:05.679
<v Speaker 2>and at that time he also had this weird crackpot

838
00:56:05.920 --> 00:56:10.719
<v Speaker 2>theory he developed called visualization, in which he believed that

839
00:56:11.159 --> 00:56:16.599
<v Speaker 2>he could somehow acquire the power to create art strictly

840
00:56:16.760 --> 00:56:20.599
<v Speaker 2>through mental you know, through his imagination. You know that

841
00:56:20.639 --> 00:56:24.239
<v Speaker 2>if he trained himself enough, if he could visualize a

842
00:56:24.280 --> 00:56:26.960
<v Speaker 2>piece of art in his mind, he would somehow be

843
00:56:27.039 --> 00:56:32.159
<v Speaker 2>able just to transform it into some material form. And

844
00:56:32.400 --> 00:56:36.559
<v Speaker 2>he became convinced that what was preventing him from doing

845
00:56:36.599 --> 00:56:43.199
<v Speaker 2>that was his his sexual impulses. You know, he believed

846
00:56:43.239 --> 00:56:46.119
<v Speaker 2>that he was being too distracted by his sex drive

847
00:56:46.760 --> 00:56:51.119
<v Speaker 2>and he wanted to channel that energy into his visualization.

848
00:56:51.880 --> 00:56:57.400
<v Speaker 2>So sometime in nineteen thirty four, he attempted to slice

849
00:56:57.480 --> 00:57:00.920
<v Speaker 2>off his own penis. Was living in New York at

850
00:57:00.920 --> 00:57:09.239
<v Speaker 2>the time, and he you know, you know, he tried

851
00:57:09.280 --> 00:57:12.239
<v Speaker 2>to do it. I mean, he inflicted this very very

852
00:57:12.360 --> 00:57:18.280
<v Speaker 2>very severe incision on his penis, but he couldn't quite

853
00:57:18.320 --> 00:57:20.679
<v Speaker 2>manage to bring himself to cut loll off. It was

854
00:57:20.719 --> 00:57:24.199
<v Speaker 2>too painful. So he went to Bellevue Hospital and tried

855
00:57:24.239 --> 00:57:30.079
<v Speaker 2>to persuade the doctors there to finish castraining him, and instead,

856
00:57:30.079 --> 00:57:32.840
<v Speaker 2>of course, they stuck him in the psych award and

857
00:57:32.960 --> 00:57:35.679
<v Speaker 2>he spent the next three or four years in an

858
00:57:35.679 --> 00:57:39.400
<v Speaker 2>out of mental institutions, and when he got out, he

859
00:57:39.519 --> 00:57:44.159
<v Speaker 2>became obsessed with He was boarding at the home of

860
00:57:44.239 --> 00:57:48.840
<v Speaker 2>a family called the Geddeons, and the family consisted of

861
00:57:49.039 --> 00:57:53.800
<v Speaker 2>a mother, a father who subsequently moved out of the house,

862
00:57:54.559 --> 00:57:56.679
<v Speaker 2>a daughter named Ethel who was an editor for a

863
00:57:56.800 --> 00:58:00.599
<v Speaker 2>valley fair magazine, and a beautiful younger what her named

864
00:58:01.360 --> 00:58:06.639
<v Speaker 2>Veronica Ronnie Gideon, who was an artist's model, and and

865
00:58:06.639 --> 00:58:11.599
<v Speaker 2>and Erwin became actually Erin became very obsessed with Ethel,

866
00:58:11.960 --> 00:58:17.079
<v Speaker 2>the older sister, you know. And and at this point,

867
00:58:17.159 --> 00:58:21.239
<v Speaker 2>you know, he was really in a way becoming more

868
00:58:21.239 --> 00:58:25.719
<v Speaker 2>and more demented. He also had syphilis, which might have

869
00:58:25.760 --> 00:58:30.719
<v Speaker 2>been a contributing factor to his growing instability. And anyway,

870
00:58:30.760 --> 00:58:35.880
<v Speaker 2>he decided he was going to he decided that again

871
00:58:35.960 --> 00:58:39.559
<v Speaker 2>in his own mad way, you know, to to achieve

872
00:58:39.639 --> 00:58:43.320
<v Speaker 2>this apotheosis. He was after who was going to sacrifice Ethel?

873
00:58:43.360 --> 00:58:45.760
<v Speaker 2>Who was going to kill Ethel? And he went to

874
00:58:45.840 --> 00:58:49.039
<v Speaker 2>the house. Ethel was not there. She had actually moved

875
00:58:49.039 --> 00:58:51.679
<v Speaker 2>out of the house and gotten married. And Erwin ended

876
00:58:51.760 --> 00:58:58.920
<v Speaker 2>up strangling the mother, strangling Veronica, the beautiful artist model,

877
00:58:59.599 --> 00:59:04.840
<v Speaker 2>and they and killing a border who was just living

878
00:59:04.880 --> 00:59:08.400
<v Speaker 2>there and was just you know, Irwin decided he had

879
00:59:08.440 --> 00:59:12.199
<v Speaker 2>a dispose of him as a potential witness. He stabbed

880
00:59:12.280 --> 00:59:13.960
<v Speaker 2>him eleven times, and they had with an ice pick

881
00:59:14.000 --> 00:59:17.480
<v Speaker 2>that he happened to have with him, and it became

882
00:59:17.519 --> 00:59:20.679
<v Speaker 2>this huge, huge tabloid sensation. I mean, it was one

883
00:59:20.679 --> 00:59:24.760
<v Speaker 2>of the biggest tabloid sensations in the nineteen thirties. Irwin

884
00:59:24.920 --> 00:59:27.239
<v Speaker 2>was called the mad Sculptor. I mean, it became a

885
00:59:27.320 --> 00:59:29.840
<v Speaker 2>huge tabloid sensation for a whole variety of reasons, one

886
00:59:29.880 --> 00:59:33.440
<v Speaker 2>of which was that there were all these naked photographs

887
00:59:33.440 --> 00:59:37.639
<v Speaker 2>of Ronnie Gideon floating around, which the tabloids immediately started

888
00:59:37.679 --> 00:59:40.800
<v Speaker 2>splashing over their front pages. You know, they retouched them

889
00:59:40.840 --> 00:59:44.480
<v Speaker 2>a little with air brushed on, you know, some you know,

890
00:59:44.559 --> 00:59:49.400
<v Speaker 2>some discrete coverings, but you know, they were running dozens

891
00:59:49.400 --> 00:59:52.840
<v Speaker 2>and dozens and dozens of pictures of Ronnie Gideon. She

892
00:59:52.880 --> 00:59:56.840
<v Speaker 2>had also posed for some true detective magazines at the time,

893
00:59:57.800 --> 01:00:01.800
<v Speaker 2>so that was another, you know, very very sensational, lurid

894
01:00:03.199 --> 01:00:06.320
<v Speaker 2>element of the case because she had posed for pictures

895
01:00:06.320 --> 01:00:10.039
<v Speaker 2>in these true detective magazines being attacked and strangled, and

896
01:00:10.119 --> 01:00:15.119
<v Speaker 2>here she showed up getting getting killed. So anyway, you know,

897
01:00:15.639 --> 01:00:17.920
<v Speaker 2>the thing that was one thing very fascinating to me

898
01:00:17.960 --> 01:00:22.840
<v Speaker 2>about the case is that Irwin's psychiatrist at Bellevue, when

899
01:00:22.880 --> 01:00:26.199
<v Speaker 2>he tried cutting off his penis was this famous New

900
01:00:26.239 --> 01:00:32.000
<v Speaker 2>York psychiatrist named Frederick Weretham. Wortham had been Albert Fish's psychiatrist,

901
01:00:33.000 --> 01:00:36.360
<v Speaker 2>and then were them in the nineteen fifties became very,

902
01:00:36.440 --> 01:00:40.599
<v Speaker 2>very notorious himself for leading a crusade against comic books

903
01:00:41.519 --> 01:00:44.199
<v Speaker 2>that almost put the comic American com book industry out

904
01:00:44.239 --> 01:00:48.559
<v Speaker 2>of business. He wrote a book called Seduction of the Innocent,

905
01:00:48.920 --> 01:00:52.320
<v Speaker 2>which was a big best seller, which argued that the

906
01:00:52.440 --> 01:00:58.239
<v Speaker 2>main cause of juve no delinquency was comic books. Yeah,

907
01:00:58.280 --> 01:00:59.679
<v Speaker 2>and so I've always been interested in more of them,

908
01:00:59.679 --> 01:01:02.440
<v Speaker 2>and was his psychiatrist where them got to know him

909
01:01:02.519 --> 01:01:05.840
<v Speaker 2>very well. It was, it was, it was a huge case.

910
01:01:06.599 --> 01:01:09.159
<v Speaker 2>The other element, you know, that added by the way

911
01:01:09.239 --> 01:01:13.639
<v Speaker 2>to its sensational character was that Irwin, who himself was

912
01:01:13.679 --> 01:01:18.920
<v Speaker 2>something of a religious fanatic, killed this family on Easter

913
01:01:19.079 --> 01:01:20.519
<v Speaker 2>Sunday in nineteen thirty seven.

914
01:01:21.519 --> 01:01:21.719
<v Speaker 5>You know.

915
01:01:21.800 --> 01:01:24.599
<v Speaker 2>So, so you had all these you know, this Easter

916
01:01:24.880 --> 01:01:28.960
<v Speaker 2>Sunday triple murder, which was committed in a very fashionable

917
01:01:29.039 --> 01:01:31.599
<v Speaker 2>neighborhood in New York City. You know, one of whose

918
01:01:31.719 --> 01:01:35.119
<v Speaker 2>victims was a beautiful artist model, you know, who had

919
01:01:35.199 --> 01:01:38.519
<v Speaker 2>posed for true crime magazines. You know. The killer turns

920
01:01:38.559 --> 01:01:41.719
<v Speaker 2>out to be you know, this very very talented sculptor

921
01:01:41.760 --> 01:01:43.400
<v Speaker 2>who had once tried to cut off his eye. It

922
01:01:43.519 --> 01:01:47.199
<v Speaker 2>had just everything, you know, like a tabloid could possibly

923
01:01:47.280 --> 01:01:50.079
<v Speaker 2>hope for. You know, it's like the perfect tabloid. It

924
01:01:50.159 --> 01:01:53.039
<v Speaker 2>was like the perfect tabloid storm. You know. So it

925
01:01:53.079 --> 01:01:54.519
<v Speaker 2>was like a huge, huge case.

926
01:01:55.880 --> 01:01:58.800
<v Speaker 5>Interesting that the tabloid business hasn't changed that much in

927
01:01:58.840 --> 01:01:59.880
<v Speaker 5>eighty years either.

928
01:02:00.880 --> 01:02:02.840
<v Speaker 2>No, not at all. Well, you know, I mean when

929
01:02:02.840 --> 01:02:04.719
<v Speaker 2>you look again, when you look at the tabloids in

930
01:02:04.800 --> 01:02:09.400
<v Speaker 2>nineteen thirties are so much more you know, sensationalistic, really,

931
01:02:09.880 --> 01:02:12.079
<v Speaker 2>you know, so much more. But yeah, but I mean

932
01:02:12.159 --> 01:02:16.280
<v Speaker 2>you know that that kind of that kind of sensationalistic

933
01:02:16.360 --> 01:02:19.800
<v Speaker 2>newspaper goes back to the Victorian era. Really, you know,

934
01:02:19.880 --> 01:02:23.400
<v Speaker 2>the Illustrated Police News when Jack the Ripper was around. Again,

935
01:02:23.480 --> 01:02:27.159
<v Speaker 2>nothing new, I mean, you know that tabloid sensibility, you

936
01:02:27.199 --> 01:02:30.400
<v Speaker 2>know that so many people point to somehow you know,

937
01:02:30.440 --> 01:02:33.760
<v Speaker 2>it's a sign that we're living in particularly like debased

938
01:02:33.960 --> 01:02:38.400
<v Speaker 2>you know, particularly debased culture. You know, that's that's completely ridiculous.

939
01:02:38.440 --> 01:02:40.800
<v Speaker 2>I mean, you know, the tabloids going back to the

940
01:02:40.840 --> 01:02:44.719
<v Speaker 2>Victorian era, where every bit as lurid and prurient, as

941
01:02:44.719 --> 01:02:47.840
<v Speaker 2>they are now wiistic, you know.

942
01:02:47.880 --> 01:02:49.639
<v Speaker 5>And the thing is to it, you could look at

943
01:02:49.679 --> 01:02:52.800
<v Speaker 5>it a different way too. True crime is it is

944
01:02:53.079 --> 01:02:55.440
<v Speaker 5>the name of the genre, but really it's history.

945
01:02:56.639 --> 01:03:00.519
<v Speaker 2>Absolutely history, Yeah, absolutely, I mean, you know, I think

946
01:03:00.559 --> 01:03:05.079
<v Speaker 2>you know what I think I say or meant to

947
01:03:05.119 --> 01:03:08.559
<v Speaker 2>say anyway in the introduction of my book is you know,

948
01:03:08.599 --> 01:03:12.519
<v Speaker 2>you can learn as much about American culture from studying

949
01:03:12.719 --> 01:03:16.559
<v Speaker 2>the crimes you know that people were obsessed by as

950
01:03:16.559 --> 01:03:20.119
<v Speaker 2>you can from looking at you know, the politics or

951
01:03:20.199 --> 01:03:23.639
<v Speaker 2>you know the you know, movie stars or other celebrities.

952
01:03:25.000 --> 01:03:28.480
<v Speaker 2>You know. I regard my books like a USA as

953
01:03:28.480 --> 01:03:32.360
<v Speaker 2>a kind of social history of American culture.

954
01:03:32.519 --> 01:03:37.119
<v Speaker 5>So well, you know, the thing is when, as you know,

955
01:03:37.239 --> 01:03:40.719
<v Speaker 5>when you write your crime, that the stories include all

956
01:03:40.800 --> 01:03:43.119
<v Speaker 5>the history at that time, all the events, all all

957
01:03:43.199 --> 01:03:48.039
<v Speaker 5>the the attitudes and perspectives and myths or or our

958
01:03:48.079 --> 01:03:52.360
<v Speaker 5>events that would in many cases overshadow. I just interviewed somebody,

959
01:03:53.639 --> 01:03:56.559
<v Speaker 5>Steve Miller, about his book about the Cleveland serial killer,

960
01:03:57.199 --> 01:04:00.599
<v Speaker 5>and I wondered why it wasn't, you know, these facts

961
01:04:00.599 --> 01:04:04.320
<v Speaker 5>weren't ringing so easy for me, Like I hadn't really

962
01:04:04.559 --> 01:04:06.800
<v Speaker 5>known about this crime so much, And of course it

963
01:04:06.920 --> 01:04:10.920
<v Speaker 5>was overshadowed by Casey Anthony. So you know, even even

964
01:04:10.960 --> 01:04:13.800
<v Speaker 5>a case like that can be overshadowed by a case

965
01:04:13.880 --> 01:04:17.360
<v Speaker 5>that has the optics or something that the media can

966
01:04:17.920 --> 01:04:21.159
<v Speaker 5>that does grab onto and that's that story dominates. And

967
01:04:21.639 --> 01:04:25.000
<v Speaker 5>you've seen in American media both three or four stories

968
01:04:25.320 --> 01:04:27.119
<v Speaker 5>seen the dominate in the last couple of years.

969
01:04:28.000 --> 01:04:31.760
<v Speaker 2>Yeah, and and P on their course. So yeah, well again,

970
01:04:31.800 --> 01:04:34.840
<v Speaker 2>the question, you know becomes, you know, what is it about?

971
01:04:34.960 --> 01:04:37.679
<v Speaker 2>The interesting question for me is what is it about

972
01:04:37.719 --> 01:04:40.760
<v Speaker 2>the case? A case that you know, it's not it's

973
01:04:40.800 --> 01:04:43.840
<v Speaker 2>not that the media is foisting this on people, you know,

974
01:04:44.159 --> 01:04:46.920
<v Speaker 2>it's just that, you know, there are certain cases that

975
01:04:47.159 --> 01:04:50.400
<v Speaker 2>resonate for whatever reason, and you know, we can't get

976
01:04:50.519 --> 01:04:54.400
<v Speaker 2>enough of them. I think there are complex, you know,

977
01:04:54.559 --> 01:04:59.000
<v Speaker 2>there are very very complex psychological and social reasons for that.

978
01:04:59.599 --> 01:05:02.159
<v Speaker 2>You know, think if there are aspects to those cases

979
01:05:02.239 --> 01:05:09.000
<v Speaker 2>that speak to very very dark, unacknowledged and forbidden feelings

980
01:05:09.079 --> 01:05:12.960
<v Speaker 2>that lots and lots of people have. And you know,

981
01:05:13.239 --> 01:05:16.559
<v Speaker 2>I mean, just to to state what I regard is

982
01:05:16.599 --> 01:05:22.119
<v Speaker 2>the obvious, you know, something like suit You know, you

983
01:05:22.199 --> 01:05:26.400
<v Speaker 2>get these matricidal cases like Susan Smith or Casey Anthony.

984
01:05:27.119 --> 01:05:30.800
<v Speaker 2>You know, and then you have this huge audience and

985
01:05:31.199 --> 01:05:33.719
<v Speaker 2>a great you know, a large part of it is

986
01:05:33.760 --> 01:05:36.360
<v Speaker 2>made up of women, you know, who just can't get

987
01:05:36.480 --> 01:05:38.599
<v Speaker 2>enough of this, you know, and you can't help to

988
01:05:38.679 --> 01:05:42.079
<v Speaker 2>get the feeling that you know, these kinds of cases

989
01:05:42.519 --> 01:05:50.719
<v Speaker 2>allow people to think thoughts that they that are going

990
01:05:50.800 --> 01:05:53.199
<v Speaker 2>on in the deepest recesses of their mind, you know,

991
01:05:53.239 --> 01:05:57.519
<v Speaker 2>if they wouldn't allow themselves other ways of thinking about, like, oh,

992
01:05:57.599 --> 01:06:00.480
<v Speaker 2>what would it be like to get rid of my child?

993
01:06:00.880 --> 01:06:08.559
<v Speaker 2>You know what I'm saying? Yeah, you know, whatever, what you've.

994
01:06:08.840 --> 01:06:12.519
<v Speaker 5>You've done over tell us, I tell our how many

995
01:06:12.599 --> 01:06:14.880
<v Speaker 5>two crime books you have penned, But it's around ten

996
01:06:15.039 --> 01:06:20.199
<v Speaker 5>or so, and you've covered, if not the most evil

997
01:06:20.320 --> 01:06:24.079
<v Speaker 5>and infamous killers of all times. Then I don't know.

998
01:06:24.639 --> 01:06:28.280
<v Speaker 5>But and in the research for this book that took

999
01:06:28.320 --> 01:06:30.679
<v Speaker 5>you even further back into history, I would think than

1000
01:06:30.920 --> 01:06:35.440
<v Speaker 5>you've even delved already in past books. Is there anything

1001
01:06:35.559 --> 01:06:38.360
<v Speaker 5>different about the killers today? Do you see any new

1002
01:06:39.239 --> 01:06:41.599
<v Speaker 5>Not that we're looking for anything like this, but do

1003
01:06:41.639 --> 01:06:45.920
<v Speaker 5>you see any difference in any trend, any disturbing sort

1004
01:06:45.960 --> 01:06:49.360
<v Speaker 5>of difference in killers over the last three hundred years?

1005
01:06:52.079 --> 01:06:56.639
<v Speaker 2>You know? I mean, I can't say that I do accept,

1006
01:06:56.840 --> 01:07:00.840
<v Speaker 2>you know, the most obvious way, which is as I

1007
01:07:01.000 --> 01:07:03.880
<v Speaker 2>was suggesting earlier, you know, in terms of you know,

1008
01:07:04.079 --> 01:07:11.599
<v Speaker 2>the weapons technology, you know, I mean obviously you can

1009
01:07:12.079 --> 01:07:15.119
<v Speaker 2>you know, if you're going to commit a mass murder,

1010
01:07:15.840 --> 01:07:19.360
<v Speaker 2>you can kill a lot more people with an automatic rifle,

1011
01:07:19.960 --> 01:07:23.480
<v Speaker 2>you know, than you can with a six shooter. So

1012
01:07:24.000 --> 01:07:26.800
<v Speaker 2>I mean, I think that is the most striking difference.

1013
01:07:26.920 --> 01:07:30.320
<v Speaker 2>Not that there weren't mass murderers in the past. There

1014
01:07:30.440 --> 01:07:35.480
<v Speaker 2>definitely were. It's just that they couldn't quite wreak as

1015
01:07:35.599 --> 01:07:41.920
<v Speaker 2>much you know, carnage as they can do. So you know,

1016
01:07:42.199 --> 01:07:46.480
<v Speaker 2>I can't you know, I don't actually see a huge

1017
01:07:46.480 --> 01:07:49.360
<v Speaker 2>amount of difference, and certainly in terms of the kinds

1018
01:07:49.400 --> 01:07:52.800
<v Speaker 2>of killers that I write about, which again are these

1019
01:07:54.119 --> 01:07:59.519
<v Speaker 2>you know, psychopathic basically psychopathic sex killers. To the most part,

1020
01:08:00.760 --> 01:08:03.360
<v Speaker 2>you know, that seems to me just to be as

1021
01:08:03.440 --> 01:08:06.719
<v Speaker 2>I said, you know, a part of human nature that

1022
01:08:06.920 --> 01:08:12.000
<v Speaker 2>has always unfortunately existed, and that seems to be rooted,

1023
01:08:12.320 --> 01:08:16.760
<v Speaker 2>you know, something very very archaic in our in our nature.

1024
01:08:18.920 --> 01:08:21.079
<v Speaker 5>Yeah, And I think the thing is too that with

1025
01:08:21.239 --> 01:08:24.479
<v Speaker 5>a lot of people, and I know from reading Stranger

1026
01:08:24.560 --> 01:08:27.920
<v Speaker 5>Beside Me, and there's there are various reasons why that

1027
01:08:28.199 --> 01:08:32.359
<v Speaker 5>sort of down plate. I would think, as you probably

1028
01:08:32.439 --> 01:08:37.520
<v Speaker 5>know with Annrule knowing Ted Bundy, but at the very

1029
01:08:37.600 --> 01:08:40.520
<v Speaker 5>least that I don't think a lot of people realize

1030
01:08:40.920 --> 01:08:44.840
<v Speaker 5>or most of the people realize, the necrophilia aspect of

1031
01:08:45.000 --> 01:08:47.920
<v Speaker 5>Ted Bundy and a lot of these killers. And and

1032
01:08:48.000 --> 01:08:50.319
<v Speaker 5>it is hard when you talk about the sexual motivation

1033
01:08:50.479 --> 01:08:54.520
<v Speaker 5>of murder. Obviously sex and murder intertwined fantasies, but then

1034
01:08:54.560 --> 01:08:57.359
<v Speaker 5>you get there are fair amount of necrophiliacs out of

1035
01:08:57.439 --> 01:09:00.520
<v Speaker 5>this deal as well. And again those we can see

1036
01:09:00.560 --> 01:09:04.239
<v Speaker 5>why I think why some of those crimes don't Certainly

1037
01:09:04.279 --> 01:09:09.199
<v Speaker 5>they resonate, they send fear throughout the throughout the community.

1038
01:09:09.319 --> 01:09:11.479
<v Speaker 5>But at the same time, there are things that we

1039
01:09:11.720 --> 01:09:15.800
<v Speaker 5>really don't want to dwell on, those those horrific tag

1040
01:09:15.960 --> 01:09:19.479
<v Speaker 5>teams where they're torturers and keep these sellers, and so

1041
01:09:19.600 --> 01:09:23.079
<v Speaker 5>I think maybe that's why some of that is that

1042
01:09:23.279 --> 01:09:25.399
<v Speaker 5>there's certainly you don't want to make a movie about

1043
01:09:25.439 --> 01:09:26.039
<v Speaker 5>anything like that.

1044
01:09:26.279 --> 01:09:31.840
<v Speaker 2>So but it is you know, I mean, what difference

1045
01:09:31.920 --> 01:09:37.079
<v Speaker 2>is well, especially now with the Internet, I mean interesting,

1046
01:09:37.239 --> 01:09:41.800
<v Speaker 2>knowledge of these crimes is much more widespread. But you know,

1047
01:09:41.880 --> 01:09:46.840
<v Speaker 2>if you look at craft Ebbing Psychopathia Sexualis, you know,

1048
01:09:46.920 --> 01:09:52.319
<v Speaker 2>which was published in the late nineteenth century, and you know,

1049
01:09:52.439 --> 01:09:55.199
<v Speaker 2>parts of it originally were written in Latin, you know,

1050
01:09:55.439 --> 01:09:59.399
<v Speaker 2>so that presumably only like professional medical people could understand

1051
01:09:59.439 --> 01:10:02.479
<v Speaker 2>what was going on, you know, the case histories that

1052
01:10:02.680 --> 01:10:07.439
<v Speaker 2>he relates there, I mean, you know again, or you know,

1053
01:10:07.640 --> 01:10:11.760
<v Speaker 2>every bit is is horrendous and awful. Or Wilhelm Steckel,

1054
01:10:11.800 --> 01:10:14.239
<v Speaker 2>who is a you know, who is a colleague of

1055
01:10:14.279 --> 01:10:17.439
<v Speaker 2>Sigmund Freud's, has a famous book on sadism and masochism,

1056
01:10:18.000 --> 01:10:21.199
<v Speaker 2>you know, and he has case histories of killers you know,

1057
01:10:21.319 --> 01:10:25.319
<v Speaker 2>who are at least as you know, horrendous and monstrouses

1058
01:10:25.560 --> 01:10:29.439
<v Speaker 2>John Wayne Gacy or Ted Bundy, you know, or Jeffrey Dahmert.

1059
01:10:29.439 --> 01:10:32.159
<v Speaker 2>Really you know, you see there again that there've always

1060
01:10:32.199 --> 01:10:37.520
<v Speaker 2>been very fortunately, you know, a small you know, but

1061
01:10:38.680 --> 01:10:44.319
<v Speaker 2>fraction of you know, any given population where you have

1062
01:10:44.439 --> 01:10:46.800
<v Speaker 2>these people who indulge in these kinds who are driven

1063
01:10:46.840 --> 01:10:49.399
<v Speaker 2>to indulge in these kinds of things. And I think

1064
01:10:49.439 --> 01:10:52.119
<v Speaker 2>it's probably always been that way, you know. Again, one

1065
01:10:52.199 --> 01:10:56.880
<v Speaker 2>difference is that nowadays, you know, the books about it,

1066
01:10:57.119 --> 01:11:00.680
<v Speaker 2>and certainly on the internet, the information about that kind

1067
01:11:00.720 --> 01:11:03.079
<v Speaker 2>of thing is just so much more readily available, but

1068
01:11:03.199 --> 01:11:06.560
<v Speaker 2>the crimes themselves have always existed and probably always existed

1069
01:11:06.640 --> 01:11:09.520
<v Speaker 2>in the same proportion to the population at large.

1070
01:11:11.560 --> 01:11:15.479
<v Speaker 5>Yeah, that's interesting. Th things just remain the same, yep.

1071
01:11:16.760 --> 01:11:17.000
<v Speaker 2>Yeah.

1072
01:11:17.119 --> 01:11:21.720
<v Speaker 5>Well, I want to thank you Harold for coming on

1073
01:11:21.920 --> 01:11:24.680
<v Speaker 5>this little program and talking about your new book Psycho

1074
01:11:24.840 --> 01:11:29.399
<v Speaker 5>USA American Famous American Killers You've never heard of, And

1075
01:11:30.000 --> 01:11:31.119
<v Speaker 5>thank you very much for your time.

1076
01:11:31.680 --> 01:11:34.079
<v Speaker 2>Yeah, my pleasure. Thank you very much for inviting me.

1077
01:11:35.159 --> 01:11:37.079
<v Speaker 5>And you'll have to get a hold of us, get

1078
01:11:37.119 --> 01:11:39.920
<v Speaker 5>a hold of me next time when you release anything else.

1079
01:11:40.000 --> 01:11:42.920
<v Speaker 5>And I may be just bothering you to come on

1080
01:11:43.039 --> 01:11:46.079
<v Speaker 5>and talk about some of the classics because I think

1081
01:11:46.159 --> 01:11:50.800
<v Speaker 5>it's now with the published on demand and the book.

1082
01:11:50.920 --> 01:11:53.800
<v Speaker 5>I think it is really good for true crime authors

1083
01:11:53.880 --> 01:11:56.680
<v Speaker 5>because a lot of these books, and part of what

1084
01:11:56.800 --> 01:11:59.680
<v Speaker 5>this program is too is telling people about some of

1085
01:11:59.720 --> 01:12:02.560
<v Speaker 5>the the best and greatest true crime authors who have

1086
01:12:02.960 --> 01:12:06.199
<v Speaker 5>covered some of the most incredible cases and written some

1087
01:12:06.279 --> 01:12:10.000
<v Speaker 5>of the best books. So I can get your back,

1088
01:12:12.359 --> 01:12:13.920
<v Speaker 5>I want to talk about some of the cases, so

1089
01:12:14.000 --> 01:12:16.039
<v Speaker 5>it would be great. Well, thank you very much, Harold.

1090
01:12:16.079 --> 01:12:18.159
<v Speaker 5>You have a good evening, and thank you very much.

1091
01:12:18.640 --> 01:12:18.880
<v Speaker 2>Thank you
