WEBVTT

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<v Speaker 1>It's the lapsed Fan Wrestling podcast with Jack and carn

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<v Speaker 1>s e O and JP Sorrow. He's a lapsed fan

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<v Speaker 1>and all my years and wrestling.

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<v Speaker 2>I never seen anything and it's the laps fan man

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<v Speaker 2>like the one in the ring. Forget about Sado. He

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<v Speaker 2>the real king of swing.

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<v Speaker 3>When the bell.

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<v Speaker 2>Goes in the kick like me throwing in the corner,

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<v Speaker 2>but gets rash like stick.

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<v Speaker 4>Even Jerry King gets take off the crowd nodded in

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<v Speaker 4>his head like its Steve low Brown.

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<v Speaker 2>Would you get low down? We go even high up?

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<v Speaker 2>Flipp you on your head, But you know cool driver,

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<v Speaker 2>you speak more and dragon spits fire give you more

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<v Speaker 2>shock than when he treats higher drop a more truth

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<v Speaker 2>than the.

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<v Speaker 4>Con of sniper unless you with a coconut.

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<v Speaker 2>Roddy Pipper Jack a JP he like j h D

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<v Speaker 2>drop the cupcakes and gold the brain Bob means the

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<v Speaker 2>best podcast Frost start the close cloud if you all

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<v Speaker 2>be it's a flassic a pose.

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<v Speaker 4>Back in that Colosseum collection tip Boss.

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<v Speaker 2>Oh yes, I do very much enjoy enjoy putting my

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<v Speaker 2>hands between the two pillars of the colosseum and bringing

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<v Speaker 2>everything down.

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<v Speaker 4>After all that time speculating on the crackle of Saboo's bones.

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<v Speaker 4>After we went through tables and RTLF tribute to Saboo,

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<v Speaker 4>maybe it's time now to get back to the crackle

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<v Speaker 4>that matters. The crackle you hear when you put a

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<v Speaker 4>VHS in the fun Yeah, well, yeah, there's Nellie at

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<v Speaker 4>the end. But I understand where you go inside. It's

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<v Speaker 4>nothing like a Colosseum home video to put you right

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<v Speaker 4>back to center. You put you right back where you

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<v Speaker 4>ought to be and getting back in touch with why

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<v Speaker 4>it used.

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<v Speaker 2>To be better.

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<v Speaker 4>And this time it's the WWF's explosive TNT Show.

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<v Speaker 2>I don't even know where to begin with this fucking thing.

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<v Speaker 4>I mean, I invite you to try.

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<v Speaker 2>I mean, this is it's one of the ones where

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<v Speaker 2>I'm you know, it's it's one of the videos I

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<v Speaker 2>redded only because of the fact that how do I

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<v Speaker 2>how do I break this down? You know, because I'm like,

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<v Speaker 2>I know what the format of TNT is, and I

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<v Speaker 2>think the TNT show is is quite fantastic, but how

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<v Speaker 2>do you format this, you know, uh, for our show

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<v Speaker 2>and to make it work in that in that regard,

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<v Speaker 2>And that's the main reason why I was dreading it,

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<v Speaker 2>and then I watch it and it's like, this is

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<v Speaker 2>one of the most absurd things I've ever seen in

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<v Speaker 2>my life.

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<v Speaker 4>I mean, tell tell us why it is. I mean,

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<v Speaker 4>the the the places it goes, yes, are are just

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<v Speaker 4>I mean, it's it's Susian, it is.

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<v Speaker 2>It is. It's it's honestly, it's like it's like Doctor Seuss,

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<v Speaker 2>you know, meeting Hunter S. Thompson. Right, you know that's

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<v Speaker 2>what this is, you know, Yeah, fear and loathing in

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<v Speaker 2>Suss in SEUs Land or whatever. Right, And because it's

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<v Speaker 2>just it, I wonder to myself, how how did people, like,

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<v Speaker 2>how did people watch this and still watch wrestling?

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<v Speaker 4>Well, that's just the thing. They really weren't. Yeah, I

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<v Speaker 4>mean I guess, I mean sure, surely hardcore wrestling fans

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<v Speaker 4>watch Tuesday Night Titans.

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<v Speaker 3>Yeah.

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<v Speaker 4>It seems pretty clear that this show, which for a

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<v Speaker 4>time was the number one show in USA Network, which

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<v Speaker 4>was one of the top cable networks in the United States,

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<v Speaker 4>such as it existed in nineteen eighty four and eighty five,

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<v Speaker 4>you know, much more limited penetration than what we thought

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<v Speaker 4>of as cable during the Golden years, so you know,

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<v Speaker 4>the Hasbro years, but still got a lot of people

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<v Speaker 4>looking at wrestling that otherwise wouldn't have just stopped on

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<v Speaker 4>the channel if it was matches, you know, from the

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<v Speaker 4>garden with you know, poorly lit crowds and all that.

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<v Speaker 4>And you know, as we'll get to no less than

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<v Speaker 4>Dick eversoll, according to the Sex, Lies and Headlocks book

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<v Speaker 4>was turned on to you know, the wwf Irony pastiche

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<v Speaker 4>by watching Tuesday Night Titans. Of course he's got his

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<v Speaker 4>finger on the pulse at NBC as far as what's

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<v Speaker 4>what's working on cable, you know, because he's also the

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<v Speaker 4>Friday Night Videos guy and watching him the MTV development

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<v Speaker 4>very closely. So this this show, this TNT show played

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<v Speaker 4>no small part in what led to Saturday Nights Made

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<v Speaker 4>event and then all of the explosive ramifications of that,

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<v Speaker 4>as we've talked about most recently, of course, when we

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<v Speaker 4>covered the very first Saturday Night's Made event earlier this year. Yeah,

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<v Speaker 4>but it's a hell of a way to get at TNT.

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<v Speaker 4>And to your point, it's such a fascinating little thing

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<v Speaker 4>they did, and what it really is, if we're honest,

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<v Speaker 4>is a deep psychological sketch of Vince mcmah Oh.

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<v Speaker 2>My God is it ever. I mean, it goes into

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<v Speaker 2>places I just I mean, namely, really that last segment,

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<v Speaker 2>that last segment is without a doubt. You know, when

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<v Speaker 2>you consider nineteen eighties WWE, you know, LJN Era, and

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<v Speaker 2>they're talking about sex like, not even in hidden terms,

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<v Speaker 2>just openly talking about sex in this mating game like

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<v Speaker 2>not even the dating mating game sketch is just surreal.

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<v Speaker 4>You've got Jim Knighthart and Brett Hart back when Brett

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<v Speaker 4>was still like so bashful about promos that he always

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<v Speaker 4>had his sunglasses on and very young guy at the time.

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<v Speaker 2>In a slight defense, they all had their sunglasses on

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<v Speaker 2>for this one.

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<v Speaker 4>I wonder why.

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<v Speaker 2>Yeah.

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<v Speaker 4>See, I mean, Brett's got the coke jaw. I'm not

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<v Speaker 4>afraid to say it, He's got lockjaw when he's trying

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<v Speaker 4>to deliver these lines oh yeah, and talk about oh yeah.

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<v Speaker 4>The Mating Game Boss.

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<v Speaker 2>Just bizarre. I mean it was, I mean, I you know,

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<v Speaker 2>one of the ones that what I guess is really

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<v Speaker 2>impressive too, is that for the most part, all this stuff,

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<v Speaker 2>for the most part, there's surely some repeats that we've

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<v Speaker 2>seen on previous video cassettes, and I know, We specifically

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<v Speaker 2>did the the Piper Christmas Carol thing for from All

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<v Speaker 2>American Wrestling when we did that Christmas episode of that,

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<v Speaker 2>but everything else like there are no there are really

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<v Speaker 2>no repeats outside of that and the the We've seen

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<v Speaker 2>some of the Morocco Fuji stuff, yes, in the past,

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<v Speaker 2>but my god, it is I was. I was speechless,

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<v Speaker 2>honestly at like, you know, I mean, you know, I

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<v Speaker 2>try to pull I try to pull bites, and it's like,

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<v Speaker 2>how can I pull bites? I get to pull the

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<v Speaker 2>whole fucking segment for some of these things. I mean,

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<v Speaker 2>because there isn't just one There isn't just one thing.

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<v Speaker 2>It's like we've got this entire this, this entire sketch

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<v Speaker 2>skit whatever, that is just ludicrous.

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<v Speaker 4>I'll spring it on you now. Watching this preparing for

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<v Speaker 4>this episode, I'm like, we have there. There might just

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<v Speaker 4>be a Tuesday I think there just might be a

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<v Speaker 4>Tuesday Night special for TLF listeners in the New York

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<v Speaker 4>Few have to be, might have to be because this

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<v Speaker 4>has Honestly, if we're gonna if we're gonna figure out Vince,

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<v Speaker 4>I mean, he's behind that desk playing Johnny Carson all

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<v Speaker 4>of the skits or things he would find funny. He's

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<v Speaker 4>there reacting in real time and cackling at the things

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<v Speaker 4>he thinks should be the beats where people laugh, which

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<v Speaker 4>nine times out of ten is not when the normal

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<v Speaker 4>human being would laugh. And his word choice is there,

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<v Speaker 4>his verbosity, his foolishness, his way over the top dress

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<v Speaker 4>like white dress, shoes with incredibly baggy pants. SHAWNA. Sale

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<v Speaker 4>put it well, he said he looked like a guy

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<v Speaker 4>who was being fitted for a suit for the first time. Yes,

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<v Speaker 4>that's how he wore the suit back then. But this

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<v Speaker 4>was Vince. This is Vince unleashed. Yeah, in this corner

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<v Speaker 4>of television on cables. He's now consolidated his control. His

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<v Speaker 4>father's passed away, and he can do whatever he wants

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<v Speaker 4>with these over the top gimmicks that he's got the

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<v Speaker 4>cash to pay. And my god, does he make them

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<v Speaker 4>do so many things? Make them is you know? I'm

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<v Speaker 4>sure they were glad to participate, but it was just

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<v Speaker 4>such an unusual skin for a pro wrestler to wear,

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<v Speaker 4>especially a locker room full of guys who had made

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<v Speaker 4>oh yeah, you know, gotten over to the max degree

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<v Speaker 4>in all of the traditional territories and never called upon

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<v Speaker 4>to do anything like this. Really we get Morocco, we

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<v Speaker 4>get Fuji Vice on this tape.

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<v Speaker 2>Do we not? We get we get Fuji Vice. We

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<v Speaker 2>also get I mean all the segments are just biz.

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<v Speaker 2>Like you know, you see the Western you see, which

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<v Speaker 2>is I thought was kind of fitting, you know, giving

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<v Speaker 2>me this touch on on on westerns and uh, the

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<v Speaker 2>soap opera sketch and like I just was, this is

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<v Speaker 2>so busy and like Morocco of all people, and and

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<v Speaker 2>the going to Hollywood, and like I, I, you know

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<v Speaker 2>when when what what I guess was also very bizarre.

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<v Speaker 2>Is I'm looking at it from being a viewer, and

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<v Speaker 2>I think of, you know, during our you know, during

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<v Speaker 2>like the attitude or even even beforehand, you know, you

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<v Speaker 2>were aware, you were aware of like the idea that

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<v Speaker 2>there's a camera everywhere, right, and the idea that cameras

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<v Speaker 2>are catching things behind the scenes. And so I appreciate

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<v Speaker 2>the idea that yes, they're they're they're trying to get

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<v Speaker 2>you know, they're following Morocco and Fuji, but it's done

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<v Speaker 2>more like you know, the the hidden camera version of

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<v Speaker 2>w W, like from I mean honestly up till now,

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<v Speaker 2>really where they're you're watching filmed things as if you know,

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<v Speaker 2>the camera's not there, you know, like you're watching a movie.

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<v Speaker 4>Right, that's a fuji pvice is it's them trying?

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<v Speaker 2>Yeah right, well, I mean but even like going to

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<v Speaker 2>Hollywood and stuff like that, whole thing is like it's

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<v Speaker 2>not done in a way like here, let's you know,

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<v Speaker 2>let's oh, here they are, we're gonna find them. Let's

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<v Speaker 2>let's get this footage should we get to It's more

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<v Speaker 2>like here, we're gonna set up a shot and we're

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<v Speaker 2>gonna watch them scheme to get into this, into this studio. Yes,

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<v Speaker 2>you know. It's like it's not like if that were

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<v Speaker 2>if you were catching somebody do that, you wouldn't catch

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<v Speaker 2>them saying those words. You know, they'd be like you, like,

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<v Speaker 2>can you get away? Please? Just say you know, but

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<v Speaker 2>it's done in this Yeah, I don't know, I'm making

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<v Speaker 2>no sense. It's just a lot of well.

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<v Speaker 4>They're figuring out their sense of perspective, like when Vince

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<v Speaker 4>with a mic needs to be there and not Vince

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<v Speaker 4>is certainly there with a mic at the big ass

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<v Speaker 4>fucking Dory funk Brisket site.

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<v Speaker 2>Which we oh, you're damn fucking right, he is took

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<v Speaker 2>a good.

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<v Speaker 4>Look at during the Lapsed Funk because while Terry Funk

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<v Speaker 4>doesn't feature in that segment, it's him and it's story

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<v Speaker 4>and Jimmy Jack or Hossfunk as Dory was called. Of

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<v Speaker 4>course at the time, it was definitely part and parcel

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<v Speaker 4>of what they wanted you to think the Funks were.

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<v Speaker 4>And for Vince it was all caricature. You know, these

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<v Speaker 4>guys had like real backgrounds in real histories. You know,

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<v Speaker 4>Don Morocco really is from Hawaii and he it really

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<v Speaker 4>is a serfhead. But my god, like does he over

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<v Speaker 4>does Vince just take that and make it an absolute,

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<v Speaker 4>over the top, overwhelming characteristic of a guy who was,

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<v Speaker 4>you know, a multifaceted wrestling performer, to say nothing of

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<v Speaker 4>Dory Funk Junior, a former n WA World Champion, one

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<v Speaker 4>of the preest wrestling stars the country had produced in

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<v Speaker 4>the seventies, and he's just reduced to like wearing a

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<v Speaker 4>you know, essentially a dunce cap.

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<v Speaker 2>He's right, and and and basically just a barbecue.

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<v Speaker 4>I understand that. And you got Vince making all that

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<v Speaker 4>that's why we have to do this' well, you know,

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<v Speaker 4>I'm not actually from Texas. All my exes are. However,

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<v Speaker 4>so you talk about serendipity in terms of that Western theme,

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<v Speaker 4>what about the serendipity that is we reach WWF's most

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<v Speaker 4>explosive tn T show in our Colosseum collection, which, for

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<v Speaker 4>the uninitiated is our mission to watch every single WWF

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<v Speaker 4>Colosseum home video release in order an occasional series. It's

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<v Speaker 4>not like we're not going to stop until but it's

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<v Speaker 4>definitely something that we love to pop our heads back

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<v Speaker 4>in on when we need a little cleanse. And and

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<v Speaker 4>so what what are the fact that we reached this tape?

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<v Speaker 4>Just as Netflix announces it's developing a scripted wrestling drama

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<v Speaker 4>called Tuesday Night Titans. I'm sure it'll be great. I'm

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<v Speaker 4>sure wrestling fans will love it.

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<v Speaker 2>I'm sure yes. And that's all we want, you know,

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<v Speaker 2>And that's all what we What the w needs for sure,

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<v Speaker 2>and what wrestling fans need is more product.

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<v Speaker 4>The executive produced by Michael Noteoreli, who was formerly a

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<v Speaker 4>writer on Raw apparently along with John.

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<v Speaker 2>That alone is that alone is fucking It's just nauseating

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<v Speaker 2>that he's a writer on Raw, even to this day,

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<v Speaker 2>even though it's been twenty years, more than twenty years

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<v Speaker 2>that they've had writers. It's like, fuck me, I know.

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<v Speaker 4>I can't get used to calling them writers. I really can't.

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<v Speaker 4>This article says, well, the show shares the name of

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<v Speaker 4>wwwe's talk variety show from the mid nineteen eighties. The

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<v Speaker 4>report notes from Deadline that the new series has no

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<v Speaker 4>connection to that project. Yeah, well this does this will.

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<v Speaker 4>It's so funny that Nitro ended up on TNT. And

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<v Speaker 4>like you see, t the first time wrestling fans were

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<v Speaker 4>encountered with TNT was Vince's fucking Crazy Fever Dreams right

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<v Speaker 4>here we are. But yeah, looking forward to that. And

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<v Speaker 4>we take a look at the video jacket as we're

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<v Speaker 4>wont to do on these Colisseum home video releases, and

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<v Speaker 4>it's kind of a beauty. It's got like it's got

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<v Speaker 4>almost this militaristic type face. The TNT is almost in

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<v Speaker 4>the fashion of, like, I don't know, platoon or something.

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<v Speaker 4>It makes me think of warfare.

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<v Speaker 2>Well, that's kind of I mean, yeah, you think of that,

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<v Speaker 2>You think of that stenciling on a on a on

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<v Speaker 2>a on a crate, on a wooden crate.

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<v Speaker 4>With a bit of a like a bomb, and it

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<v Speaker 4>says explosive across it. This must have been a very

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<v Speaker 4>strange tape to an encounter at the video store. Now

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<v Speaker 4>it's like, what the hell is a TNT show? These matches?

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<v Speaker 2>Like, are they bombing people? I don't understand what's going

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<v Speaker 2>on there? Are they bombing people or what?

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<v Speaker 4>Also to me kind of a sign that they're running

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<v Speaker 4>dry on ideas for videotapes. You know, it's like, we

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<v Speaker 4>got all this stuff we did for.

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<v Speaker 2>T they're not yet. They're actually in a way it

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<v Speaker 2>actually kind of looks like like raw. Actually it does.

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<v Speaker 2>It looks like I think we just found yeahs war, Yeah,

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<v Speaker 2>right right, this is the exact typeface in ras War.

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<v Speaker 2>That's a great catch. We can now we can now

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<v Speaker 2>take credit as having discovered that connection. Look at that

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<v Speaker 2>yep as it reads your favorite WWF stars in and

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<v Speaker 2>out of the ring, So an emphasis in the fact

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<v Speaker 2>that you're gonna get But if you pick up a

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<v Speaker 2>wrestling VHSDA been eighty five at your video store and

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<v Speaker 2>on the back it says Roddy Evanezer Piper, the ultimate Scrooge. Like,

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<v Speaker 2>what the fuck is that supposed to mean? I don't

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<v Speaker 2>know if it attracts me or detracts me. It's fine.

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<v Speaker 2>I don't understand. I get it. You don't get it.

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<v Speaker 2>I get it. Everyone got it.

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<v Speaker 4>Captain Loui Albano and George the Animal Steel prepare Christmas

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<v Speaker 4>goodies as we watch Loue Albano smash together all manner

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<v Speaker 4>of ingredients.

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<v Speaker 2>I mean, I mean it's it's what you expect, and

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<v Speaker 2>more of of fucking Captain lou Albino.

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<v Speaker 4>A couple of secks. He's like in full how.

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<v Speaker 2>About particular be very sanitary. We're gonna have sanitary plates.

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<v Speaker 2>We gotta make sure we clean everything up. I'll put

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<v Speaker 2>my cigar, I'll put it out on the counter top

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<v Speaker 2>and it be very very clean.

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<v Speaker 4>Absolutely, they got Fujivice, they got Fuji General, they got

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<v Speaker 4>Fuji and Morocco storm in the Gates of Hollywood. They

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<v Speaker 4>got the Heart Foundation trying to.

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<v Speaker 2>Work, which is hilarious, you know, by the way, I mean,

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<v Speaker 2>I don't know what it was like back then. But

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<v Speaker 2>like the fact that they go to Raleigh Studios, which

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<v Speaker 2>is a real place, that's a real studio in la

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<v Speaker 2>but it's not it's it's not a studio studio, it's

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<v Speaker 2>it's it's a facility. Like they rent out facility space.

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<v Speaker 2>It's not a movie studio.

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<v Speaker 4>Big fans of facilities pal eh.

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<v Speaker 2>You know, Like I mean maybe it was back in

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<v Speaker 2>the day, but from my experience, it's just like it's

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<v Speaker 2>it's it's a rental space for stuff like that's where

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<v Speaker 2>people go, like you'll you'll you'll see it on a

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<v Speaker 2>movie filmed at Raleigh Studios. You know this movie you know,

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<v Speaker 2>partially film that Raleigh Studios were, you know, because they'll

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<v Speaker 2>weren't just stayed, they'll build a set and that's where

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<v Speaker 2>it'll be. It's it's not a movie it's not a

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<v Speaker 2>place you go where you try to get a movie made.

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<v Speaker 2>It's not paramount like it's not a full run movie

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<v Speaker 2>studio that is that is producing work.

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<v Speaker 3>They are.

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<v Speaker 2>They are literally studio space, right And so to me,

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<v Speaker 2>I mean, I don't know if they knew that, or

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<v Speaker 2>if they if they did that on purpose or what,

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<v Speaker 2>but I was just like, this is bizarre a choice

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<v Speaker 2>like to make people try to I mean, maybe that's

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<v Speaker 2>what it is. Maybe maybe they were doing it as

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<v Speaker 2>a joke in the fact that you know, they've gone

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<v Speaker 2>to all the other studios and you know, but I

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<v Speaker 2>can't imagine that people outside of La know that about

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<v Speaker 2>Roley Studios, like they might think it's a it's a

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<v Speaker 2>it's a small time movie studio restaurant.

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<v Speaker 4>You know, they can make it whatever they want, right

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<v Speaker 4>And Morocco said, you know, basically, they would have him

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<v Speaker 4>booked in a town he's working Hogan at this point

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<v Speaker 4>in time against him in a city, and then they

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<v Speaker 4>try to find out, you know, some location that they

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<v Speaker 4>could shoot in that city that would fit this series

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<v Speaker 4>of they did with him and mister Fuji Fuji Vice,

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<v Speaker 4>which features prominently on this tape, was shot in Ocean City, Maryland,

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<v Speaker 4>not far from I think it was Owning's Mills or

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<v Speaker 4>something where they had the tant studio.

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<v Speaker 2>I was gonna say, it's definitely I can tell that

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<v Speaker 2>it is not Miami.

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<v Speaker 4>No, No, definitely not Miami. There's nothing more. There's nothing

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<v Speaker 4>more WWF under Vince than just like pretending the Northeast

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<v Speaker 4>is anywhere in the country, like having Hulk Hogan pose

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<v Speaker 4>with his corvette, the Venice Beach guy with his you know,

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<v Speaker 4>slaveless tan and there's snow on the ground behind him.

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<v Speaker 4>Because he did it at the at the house in

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<v Speaker 4>Stanford that he bought so tremendous. Vince also features on

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<v Speaker 4>the back cover as part of his MC duties and

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<v Speaker 4>presenting this as your life to Nikolai Volkoff. This is

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<v Speaker 4>the predecessor to the rock mcfoley. This is your life.

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<v Speaker 2>Yeah, yeah it is, that's for sure.

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<v Speaker 4>It's where the raw material came from. So Bobby Heenan

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<v Speaker 4>features on it as well. There's a it's just such

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<v Speaker 4>a strange odds and that thing to attack here. So

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<v Speaker 4>we're gonna a lot of fun.

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<v Speaker 2>Oh it is. It is very much a bizarre, a

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<v Speaker 2>bizarre thing to attack.

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<v Speaker 4>As we've talked about. Of course, the WWF Colosseum video

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<v Speaker 4>releases came in groups of threes. One was always a

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<v Speaker 4>profile of a wrestler, another was best of WWF series

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<v Speaker 4>of matches, and another was a themed show, this of

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<v Speaker 4>course being the theme tape tape number twenty five in

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<v Speaker 4>the collection. To come with the profile video and coming

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<v Speaker 4>up next on the Colisseum collection here at TLF is

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<v Speaker 4>the mantra Man Ready Savage and Elizabeth looking forward to

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<v Speaker 4>that one and best of the WWF Volume eight. So

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<v Speaker 4>let us lean in if you will to TNT. Let

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<v Speaker 4>us feel inspired as Vince was to do some of

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<v Speaker 4>these zany and unconventional things. We start with a passage

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<v Speaker 4>from the aforementioned sex lies and headlocks. Since his early

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<v Speaker 4>days imitating Howard Cosell under his father's watchful eyes in Washington,

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<v Speaker 4>Vinnie had developed an easy manner on television. On one level,

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<v Speaker 4>his job was simply to feed his wrestler's straight lines

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<v Speaker 4>and let them react, thereby setting up the plot and

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<v Speaker 4>foreshadowing the action. But that's like saying all Johnny Carson

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<v Speaker 4>had to do his talk. Vince had to sell their answers,

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<v Speaker 4>and he did it better than anyone. The man who'd

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<v Speaker 4>wanted to be a wrestler since he was twelve had

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<v Speaker 4>an obvious affection for his muscle bound performers, and it

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<v Speaker 4>came through on screen. He dug trenches in the studio

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<v Speaker 4>so his six foot three frame wouldn't tower over his

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<v Speaker 4>shorter entertainers, and he always played the straight man so

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<v Speaker 4>as never to steal their laughs, imitating his father's decorum.

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<v Speaker 4>See that's where he gets it from. He's trying to

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<v Speaker 4>imitate his dad using these words, and ah, being as

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<v Speaker 4>verbose as he is that notwithstanding, nonetheless, well, and then

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<v Speaker 4>from there.

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<v Speaker 2>Well, then, from Mary know, we we take things from

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<v Speaker 2>a physical nature, and I proceed with a you know,

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<v Speaker 2>a monosyllable pronunciation of an emotional and quite frankly, an

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<v Speaker 2>excitable standing.

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<v Speaker 4>And so, mister McMahon, what happened next between you and

389
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<v Speaker 4>missus Grant imitating you know?

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<v Speaker 2>I mean, these are things that, you know, if we're

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<v Speaker 2>looking at the various activities that two people partake during

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00:20:04.839 --> 00:20:09.519
<v Speaker 2>during a piece of intimacy, we have to look at

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<v Speaker 2>things from a very from a global standpoint, in terms

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<v Speaker 2>of what is acceptable in regards to a global, you know,

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<v Speaker 2>a global gender audience.

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<v Speaker 4>Imitating his father's to he dressed, this deposition's going nowhere,

397
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<v Speaker 4>This attorney, this attorney's getting nothing out of this, imitating

398
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<v Speaker 4>his father's decrem He dressed in suits with vests in

399
00:20:34.279 --> 00:20:37.119
<v Speaker 4>nineteen twenty style callers, always keeping an iron hanky in

400
00:20:37.200 --> 00:20:41.400
<v Speaker 4>his breast pocket with his deep He's a full display

401
00:20:41.559 --> 00:20:42.680
<v Speaker 4>on this tape in that regard.

402
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<v Speaker 2>My dad was a very snappy dresser. He understood what

403
00:20:46.079 --> 00:20:49.400
<v Speaker 2>class was. And I believe that these are opportunities for

404
00:20:49.720 --> 00:20:54.000
<v Speaker 2>people of a varying degrees of financial success to be

405
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<v Speaker 2>able to portray the possibility of a class and nature.

406
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<v Speaker 4>Cody's like, maybe if I dress like Vince Senior, Vince

407
00:21:02.599 --> 00:21:07.200
<v Speaker 4>Junior will love me. Maybe if I run a chain

408
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<v Speaker 4>from the center of my suit to the pocket. Maybe

409
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<v Speaker 4>if I get a pocket watch, get him a bunch

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<v Speaker 4>of quarters.

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<v Speaker 2>Oh my god.

412
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<v Speaker 4>With his deep voice doing there, cleft chin and wide,

413
00:21:17.359 --> 00:21:20.079
<v Speaker 4>stocky frame, he almost looked like a comic book character himself,

414
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<v Speaker 4>the twenties banker.

415
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<v Speaker 2>I like that.

416
00:21:22.240 --> 00:21:25.119
<v Speaker 4>The twenties banker is what he says. Vince's dress is like,

417
00:21:25.480 --> 00:21:27.640
<v Speaker 4>or the Vaudeville MC and there's a lot of this

418
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<v Speaker 4>venue on television. Every three weeks, the company filmed the

419
00:21:30.279 --> 00:21:32.839
<v Speaker 4>day's worth of wrestling matches at an old agricultural hall

420
00:21:33.079 --> 00:21:36.279
<v Speaker 4>at the Fairgrounds in Allentown, Pennsylvania, creating three hour long

421
00:21:36.319 --> 00:21:38.920
<v Speaker 4>installments of Championship Wrestling, the flagship show that he sold

422
00:21:38.960 --> 00:21:41.200
<v Speaker 4>in syndication. Then the troop would pack up and drive

423
00:21:41.240 --> 00:21:43.640
<v Speaker 4>to a small arena thirty miles away in Hamburg, where

424
00:21:43.680 --> 00:21:46.240
<v Speaker 4>more matches were shot, creating a second syndicated show called

425
00:21:46.240 --> 00:21:48.559
<v Speaker 4>All Star Wrestling. For a third show for markets with

426
00:21:48.640 --> 00:21:51.519
<v Speaker 4>an insatiable appetite, he takes scraps from the Allentown and

427
00:21:51.559 --> 00:21:54.640
<v Speaker 4>Hamburg sessions or re edit them with new voiceovers and

428
00:21:54.720 --> 00:21:57.279
<v Speaker 4>sell them as superstars of wrestling. His fourth hour of

429
00:21:57.319 --> 00:22:00.279
<v Speaker 4>weekly television was All American Wrestling in USA, and because

430
00:22:00.359 --> 00:22:03.559
<v Speaker 4>Nielson had just begun monitoring cable viewership, it became k Koplovitz,

431
00:22:03.559 --> 00:22:06.799
<v Speaker 4>who was the head of USA. Her first measurable ratings

432
00:22:06.880 --> 00:22:07.920
<v Speaker 4>hit All American Wrestling.

433
00:22:07.960 --> 00:22:08.279
<v Speaker 2>That's right.

434
00:22:08.319 --> 00:22:10.680
<v Speaker 4>We even looked at the nineteen eighty three premiere of

435
00:22:10.720 --> 00:22:13.480
<v Speaker 4>All American Wrestling when we did Black Saturday. Yes, and

436
00:22:13.559 --> 00:22:16.599
<v Speaker 4>how those early All Americans talked about other territories, you know,

437
00:22:16.720 --> 00:22:21.200
<v Speaker 4>in deferential terms, and featured watches from other territories, easily

438
00:22:21.240 --> 00:22:23.759
<v Speaker 4>outdoing Robert Klein and Don Adams. Knowing a good thing

439
00:22:23.799 --> 00:22:25.720
<v Speaker 4>when she saw it, cople of Ittz asked Vince if

440
00:22:25.720 --> 00:22:27.440
<v Speaker 4>he wanted to fill an hour long hole in her

441
00:22:27.599 --> 00:22:33.400
<v Speaker 4>Tuesday lineup as well? He knows how to fill Kplovitz's holes.

442
00:22:33.440 --> 00:22:34.559
<v Speaker 4>We made that very clear.

443
00:22:35.000 --> 00:22:37.319
<v Speaker 2>I understand that there are holes that may be filled,

444
00:22:37.359 --> 00:22:40.400
<v Speaker 2>and I believe I have the tools and the resources

445
00:22:40.440 --> 00:22:41.599
<v Speaker 2>to fill said holes.

446
00:22:41.799 --> 00:22:43.799
<v Speaker 4>Very good. He had no idea what to do with

447
00:22:43.880 --> 00:22:45.599
<v Speaker 4>it until he was out to dinner one evening with

448
00:22:45.680 --> 00:22:48.480
<v Speaker 4>a director named Nelson Sweglar, who suggested, why do you

449
00:22:48.519 --> 00:22:51.480
<v Speaker 4>do a talk show Tuesday Night Titans? Thank god TNT

450
00:22:52.039 --> 00:22:54.720
<v Speaker 4>Vince's you know you can tell shawna Sale talk to

451
00:22:54.839 --> 00:22:57.960
<v Speaker 4>Nelson Swegler. He gets credited with enough, oh of course,

452
00:22:58.200 --> 00:23:00.240
<v Speaker 4>but he you know, he did. He was like one

453
00:23:00.240 --> 00:23:02.759
<v Speaker 4>of the big producers and he was representing WWF at

454
00:23:02.839 --> 00:23:05.599
<v Speaker 4>like the NAPTI Television Convention and stuff. He was kind

455
00:23:05.599 --> 00:23:08.799
<v Speaker 4>of like Vince's straight man executive CEO type out there

456
00:23:09.519 --> 00:23:12.960
<v Speaker 4>working it. So he suggested this Tuesday Night Titans or

457
00:23:13.000 --> 00:23:17.119
<v Speaker 4>TNT's Vince's fifth program. A Sale Rights was a radical

458
00:23:17.160 --> 00:23:19.559
<v Speaker 4>departure for the WWF and wrestling in general. From a

459
00:23:19.599 --> 00:23:22.200
<v Speaker 4>shoestring set with a boxy black and white skyline behind

460
00:23:22.240 --> 00:23:24.799
<v Speaker 4>the talk show desk, he interviewed in paryed of wrestlers

461
00:23:25.319 --> 00:23:27.359
<v Speaker 4>as if they all lived like this, as if they

462
00:23:27.400 --> 00:23:30.319
<v Speaker 4>all lived in some parallel universe where everyone walked around

463
00:23:30.400 --> 00:23:33.960
<v Speaker 4>in colored trunks, arab head dresses, pink leisure suits, tribal feathers,

464
00:23:34.000 --> 00:23:34.880
<v Speaker 4>and army fatigues.

465
00:23:35.119 --> 00:23:39.400
<v Speaker 2>Yep, yeah, they show up in gimmick exactly. That's that's

466
00:23:39.440 --> 00:23:42.599
<v Speaker 2>part of it, is that they show up in gimmick.

467
00:23:42.440 --> 00:23:45.599
<v Speaker 4>And just you know, sit for an interview like you

468
00:23:45.680 --> 00:23:48.559
<v Speaker 4>had at Carson right, or a sidekick. He chose a

469
00:23:48.599 --> 00:23:51.240
<v Speaker 4>diminutive British wrestler named Lord Alfred Hayes who dressed in

470
00:23:51.279 --> 00:23:53.720
<v Speaker 4>tuxedos and spoke with masterpiece theater diction. How about when

471
00:23:53.720 --> 00:23:56.839
<v Speaker 4>they almost lynch Al Hayes in Texas? Oh my god

472
00:23:57.039 --> 00:23:58.200
<v Speaker 4>and some little much guys.

473
00:23:58.279 --> 00:24:02.480
<v Speaker 2>And then when he falls like there was a like

474
00:24:02.599 --> 00:24:05.119
<v Speaker 2>that was not there was an accident that was real. Yeah,

475
00:24:05.160 --> 00:24:07.319
<v Speaker 2>he tripped over a fence behind him. Yeah, and he

476
00:24:07.440 --> 00:24:10.119
<v Speaker 2>just collapsed, and you know, you got to keep on going.

477
00:24:10.400 --> 00:24:11.160
<v Speaker 4>Come on, come on, come on.

478
00:24:15.880 --> 00:24:18.920
<v Speaker 2>Real sometimes is the greatest fake.

479
00:24:20.720 --> 00:24:24.680
<v Speaker 4>Put that on a shirt. Because the wrestlers would never leave.

480
00:24:24.759 --> 00:24:27.640
<v Speaker 4>Character TNT became a running improv built around sight gags

481
00:24:27.680 --> 00:24:29.680
<v Speaker 4>and skits. Once a week, Vince would fly in from

482
00:24:29.720 --> 00:24:31.880
<v Speaker 4>New York to a small studio in Baltimore that looked

483
00:24:31.880 --> 00:24:34.279
<v Speaker 4>like a loading dock and spend the afternoon filming the

484
00:24:34.319 --> 00:24:37.000
<v Speaker 4>two hour show. I for one, am pretty obsessed with

485
00:24:37.160 --> 00:24:40.640
<v Speaker 4>Vince's routine to film. You know, he got on the plate.

486
00:24:40.839 --> 00:24:42.799
<v Speaker 4>What did he eat at home? He leaves greenwich in

487
00:24:42.839 --> 00:24:43.200
<v Speaker 4>the limo.

488
00:24:43.599 --> 00:24:46.039
<v Speaker 2>He want to know what he does? All right, I

489
00:24:46.119 --> 00:24:47.480
<v Speaker 2>want to know what he doesn't. Yes, I want to

490
00:24:47.519 --> 00:24:48.720
<v Speaker 2>know what he does on the private plane.

491
00:24:48.839 --> 00:24:50.519
<v Speaker 4>You know, he's got his glasses at the tip of

492
00:24:50.559 --> 00:24:55.559
<v Speaker 4>his nose on the plane, making notes, penciling things in Yep. Oh,

493
00:24:56.680 --> 00:24:56.960
<v Speaker 4>it's just.

494
00:24:57.480 --> 00:25:01.279
<v Speaker 2>Every I mean every minute, you know, yeah, every moment

495
00:25:01.559 --> 00:25:04.799
<v Speaker 2>from I mean, we know he doesn't really sleep much,

496
00:25:04.839 --> 00:25:06.880
<v Speaker 2>but from the moment he wakes up to get this

497
00:25:07.039 --> 00:25:10.519
<v Speaker 2>day started. Ugh, I need to know the whole thing

498
00:25:10.799 --> 00:25:15.880
<v Speaker 2>from morning till. You know, I assume he flies back

499
00:25:15.920 --> 00:25:18.319
<v Speaker 2>that same night. I assume he's not staying over.

500
00:25:18.759 --> 00:25:20.160
<v Speaker 4>Yeah, I assume that's correct.

501
00:25:20.200 --> 00:25:20.400
<v Speaker 2>Yeah.

502
00:25:20.400 --> 00:25:22.400
<v Speaker 4>For as, it was much miles as the wrestlers had

503
00:25:22.440 --> 00:25:24.160
<v Speaker 4>to put in criss crossing the country as they tried

504
00:25:24.200 --> 00:25:26.079
<v Speaker 4>to take advantage of the fact that every major media

505
00:25:26.119 --> 00:25:28.440
<v Speaker 4>market in the United States suddenly wanted ww F in

506
00:25:28.480 --> 00:25:31.119
<v Speaker 4>the nineteen eighties mid nineteen eighties, and you know, they

507
00:25:31.160 --> 00:25:33.279
<v Speaker 4>were just gonna send wrestlers wherever the fuck they felt

508
00:25:33.319 --> 00:25:35.000
<v Speaker 4>there was demand. They could give a shit about what

509
00:25:35.039 --> 00:25:37.319
<v Speaker 4>it was, what it was doing logistically to these guys.

510
00:25:37.599 --> 00:25:39.519
<v Speaker 4>Vince was on his you know, a little four hour

511
00:25:39.640 --> 00:25:42.200
<v Speaker 4>jaunts right between his little absolutely he had a nice

512
00:25:42.200 --> 00:25:44.680
<v Speaker 4>little cushy deal there, and I just love the thought

513
00:25:44.720 --> 00:25:46.680
<v Speaker 4>that while we were all, you know, obsessing over whole

514
00:25:46.680 --> 00:25:48.680
<v Speaker 4>Camania and the matches and who's gonna win and who's

515
00:25:48.680 --> 00:25:51.079
<v Speaker 4>punching in the face, Vince is in a TV studio

516
00:25:51.160 --> 00:25:53.680
<v Speaker 4>in Baltimore at Tuesday morning at ten am, shooting this

517
00:25:53.799 --> 00:25:57.359
<v Speaker 4>thing like what yes fuck yes. Dick ever Saw was

518
00:25:57.400 --> 00:25:59.920
<v Speaker 4>at a crossroads a sale rights when he asked Vince

519
00:26:00.079 --> 00:26:02.240
<v Speaker 4>was trump plaws a penthouse apartment for a meeting. He

520
00:26:02.400 --> 00:26:04.519
<v Speaker 4>just finished a second tour at Saturday Night Live, the

521
00:26:04.559 --> 00:26:06.960
<v Speaker 4>show he'd helped create, during which he assembled a cast

522
00:26:07.000 --> 00:26:10.160
<v Speaker 4>that included Eddie Murphy, Billy Crystal, Julia, Luis Dreyfuss, and

523
00:26:10.640 --> 00:26:12.480
<v Speaker 4>Martin Short. Now he was looking for something that would

524
00:26:12.519 --> 00:26:13.960
<v Speaker 4>let him spend more time at home with his wife,

525
00:26:14.000 --> 00:26:16.680
<v Speaker 4>the actress Susan Saint James, and their newborn son. Eber

526
00:26:16.720 --> 00:26:21.279
<v Speaker 4>Saw liked Tuesday Night Titans. Of course he did, because

527
00:26:21.279 --> 00:26:23.440
<v Speaker 4>he thought it shared many of the same elements as SNL,

528
00:26:23.599 --> 00:26:24.799
<v Speaker 4>namely the improv.

529
00:26:24.559 --> 00:26:27.680
<v Speaker 2>Oh okay, all right, well oh oh what is okay?

530
00:26:27.839 --> 00:26:30.039
<v Speaker 4>So I just want you to know, I think this

531
00:26:30.240 --> 00:26:33.680
<v Speaker 4>thing is just terrific. It's it fits the zeitgeist.

532
00:26:33.960 --> 00:26:35.880
<v Speaker 2>Would oh you know.

533
00:26:35.920 --> 00:26:38.640
<v Speaker 4>What I was, Vince is looking at a dictionary under

534
00:26:38.680 --> 00:26:39.559
<v Speaker 4>the table, try to look up.

535
00:26:40.039 --> 00:26:44.200
<v Speaker 2>I was, I was. This is the exact verbiage that

536
00:26:44.279 --> 00:26:48.839
<v Speaker 2>I told everybody at titaned hours. I said, zeitgeist. This

537
00:26:49.039 --> 00:26:51.559
<v Speaker 2>is the zeitgeist. Right, that's how you say it, right, right,

538
00:26:51.759 --> 00:26:56.240
<v Speaker 2>it's it's right. That's whatever it is. I know it is.

539
00:26:56.640 --> 00:26:57.680
<v Speaker 4>He's a nice sweater, by the way.

540
00:26:58.119 --> 00:27:01.519
<v Speaker 2>I listen, love, I'm a big fan. I love the

541
00:27:01.799 --> 00:27:03.759
<v Speaker 2>sweater with the I'm going to try that actually soon,

542
00:27:03.799 --> 00:27:07.160
<v Speaker 2>I'm going to do the sweater with the collared shirt underneath.

543
00:27:07.160 --> 00:27:09.759
<v Speaker 2>I think it's a very cowboy it's a very modern. Look. Yep,

544
00:27:09.880 --> 00:27:11.559
<v Speaker 2>I'm a big fan of the cowboy boots. What else

545
00:27:11.599 --> 00:27:11.960
<v Speaker 2>do you wear?

546
00:27:15.240 --> 00:27:19.000
<v Speaker 4>Awesome? He's just falling all over himself, I mean, just

547
00:27:19.279 --> 00:27:20.920
<v Speaker 4>making an absolute ass of himself.

548
00:27:20.920 --> 00:27:23.440
<v Speaker 2>Do you do you do you? Is it common for

549
00:27:23.799 --> 00:27:26.039
<v Speaker 2>men to get an erection when they're around you? Right?

550
00:27:26.400 --> 00:27:30.400
<v Speaker 2>Do you know this? I mean I don't. I don't normally.

551
00:27:30.839 --> 00:27:33.799
<v Speaker 2>You know that. I don't normally get aroused by a man.

552
00:27:33.880 --> 00:27:37.960
<v Speaker 2>But your ideas are very they they arouse.

553
00:27:40.640 --> 00:27:45.640
<v Speaker 4>Another T shirt. Your ideas they arouse. Hey, Look, it's

554
00:27:45.680 --> 00:27:49.200
<v Speaker 4>just Vince being creative. It's just Vince architecting this entire

555
00:27:49.359 --> 00:27:52.680
<v Speaker 4>thing that we're all leeching off of, you know, namely

556
00:27:52.759 --> 00:27:55.160
<v Speaker 4>the improv the sight gags, and they're running sketches.

557
00:27:55.559 --> 00:28:00.319
<v Speaker 2>Yes, sketches, write that down. Yes, we definitely do. We sketch.

558
00:28:00.440 --> 00:28:01.799
<v Speaker 2>We sketch quite a bit, one of.

559
00:28:01.799 --> 00:28:03.680
<v Speaker 4>The things, Dick, you know traditionally in our industry.

560
00:28:03.839 --> 00:28:03.960
<v Speaker 2>Uh.

561
00:28:05.440 --> 00:28:08.319
<v Speaker 4>The the gentleman involved took it quite seriously as they

562
00:28:08.400 --> 00:28:10.359
<v Speaker 4>chomped on their cigars, and a lot of this was

563
00:28:10.440 --> 00:28:12.559
<v Speaker 4>Sakra saying, I want to take it in a different direction.

564
00:28:12.920 --> 00:28:14.599
<v Speaker 4>I said, what if we lifted the veil? What if

565
00:28:14.640 --> 00:28:17.599
<v Speaker 4>we cast aside all pretense and just said, this is

566
00:28:17.680 --> 00:28:21.440
<v Speaker 4>as fun and as loose as is anything else on television.

567
00:28:21.519 --> 00:28:23.799
<v Speaker 2>I mean, what what? Why not? Why not to embrace

568
00:28:24.440 --> 00:28:27.519
<v Speaker 2>the fact that that you know that that that what

569
00:28:27.640 --> 00:28:29.839
<v Speaker 2>we're doing is is kind of a goof.

570
00:28:30.839 --> 00:28:36.599
<v Speaker 4>You know that sounds great. I think you already did.

571
00:28:36.640 --> 00:28:38.000
<v Speaker 4>It's sitting across the table.

572
00:28:41.359 --> 00:28:44.680
<v Speaker 2>And I just I, you know, I I I I

573
00:28:44.880 --> 00:28:46.680
<v Speaker 2>can't help. But thing mean, the thing is, you know

574
00:28:46.880 --> 00:28:51.440
<v Speaker 2>that the the improvisational aspect of entertainment. I mean, this

575
00:28:51.640 --> 00:28:54.200
<v Speaker 2>is this is what these guys excel at because you know.

576
00:28:54.319 --> 00:28:59.319
<v Speaker 2>They they don't read, you know, dialogue. They they they

577
00:29:00.319 --> 00:29:02.880
<v Speaker 2>improv impro improvise Morocco does.

578
00:29:02.960 --> 00:29:06.799
<v Speaker 4>But that's another thing. I oh my god, you can

579
00:29:06.839 --> 00:29:09.240
<v Speaker 4>see his eyes like literally looking down at the cue cards.

580
00:29:09.400 --> 00:29:12.839
<v Speaker 2>I mean, I'm hoping that's part of the whole goof

581
00:29:12.880 --> 00:29:14.920
<v Speaker 2>of the whole thing that that he it seems like

582
00:29:15.119 --> 00:29:19.000
<v Speaker 2>is like staring at the fucking que cards off camera.

583
00:29:19.160 --> 00:29:22.799
<v Speaker 2>I mean it is. It's it's ridiculous. But he looks nervous,

584
00:29:22.839 --> 00:29:26.039
<v Speaker 2>So it makes me wonder that maybe he maybe, yeah,

585
00:29:26.160 --> 00:29:28.599
<v Speaker 2>maybe he was, maybe he wasn't trying to be so obvious.

586
00:29:28.799 --> 00:29:30.240
<v Speaker 4>Well, I was shitting on the title of this of

587
00:29:30.279 --> 00:29:32.920
<v Speaker 4>this Coliseum home Video released most Explosive TNT show, But

588
00:29:33.000 --> 00:29:34.720
<v Speaker 4>it was better than the first working title that you

589
00:29:34.839 --> 00:29:35.279
<v Speaker 4>just mentioned.

590
00:29:35.359 --> 00:29:35.519
<v Speaker 2>There.

591
00:29:35.880 --> 00:29:39.240
<v Speaker 4>The improvisation, the improvisational nature of entertainment.

592
00:29:41.400 --> 00:29:43.519
<v Speaker 2>It's a great time for calls him video, calls him video,

593
00:29:44.039 --> 00:29:50.440
<v Speaker 2>the the the improvisational element of entertaining possibilities. That's what

594
00:29:50.519 --> 00:29:59.160
<v Speaker 2>we do the right entertainment. So EPU of Epe.

595
00:30:00.160 --> 00:30:03.119
<v Speaker 4>Yeah, this is great, probably catchy, Yeah, rolls right off

596
00:30:03.119 --> 00:30:06.119
<v Speaker 4>the tongue. You don't have to like stop, you know

597
00:30:06.559 --> 00:30:12.599
<v Speaker 4>that like SARSA, what that like SARSA story.

598
00:30:12.880 --> 00:30:14.160
<v Speaker 2>I don't know that, but I know, I know, I

599
00:30:14.240 --> 00:30:14.759
<v Speaker 2>know salsa.

600
00:30:15.559 --> 00:30:35.720
<v Speaker 1>It's the lap fan wrestling podcast, the wrestling podcast that

601
00:30:35.880 --> 00:30:39.319
<v Speaker 1>knows the boys need their candy. It's the lapsed Fan.

602
00:30:58.319 --> 00:31:03.599
<v Speaker 1>He's a lapsed fan wrestling podcast with Jack and Jo.

603
00:31:07.119 --> 00:31:11.200
<v Speaker 4>Yeah no Ship. Eric Bischoff created Sarsa. He learned it

604
00:31:11.559 --> 00:31:22.240
<v Speaker 4>from Dusty Rhodes is Salsa New York City tremendous. Eric

605
00:31:22.319 --> 00:31:26.720
<v Speaker 4>Bischoff had Sarsa, Dusty Rhodes has salsa, damn right, and

606
00:31:26.839 --> 00:31:28.359
<v Speaker 4>Kevin Sullivan had salsa.

607
00:31:29.680 --> 00:31:32.680
<v Speaker 2>Salsa. What what what do you want?

608
00:31:32.720 --> 00:31:37.240
<v Speaker 4>A polar Uh? Oh, you didn't say Seltzer.

609
00:31:37.400 --> 00:31:41.920
<v Speaker 2>Sorry, that's a fucking It was a great u uh

610
00:31:42.240 --> 00:31:45.680
<v Speaker 2>uh bit on Seinfeld. They do that, uh they say

611
00:31:45.720 --> 00:31:50.160
<v Speaker 2>Seltzer sal salsa, Seltzer thing they do that, George is

612
00:31:50.200 --> 00:31:52.359
<v Speaker 2>a whole thing. I'm mad. That's very funny.

613
00:31:52.880 --> 00:31:55.519
<v Speaker 4>And the impropsye gags, winning sketches. In fact, the sale

614
00:31:55.599 --> 00:31:57.599
<v Speaker 4>concludes it was close enough to the material he'd been

615
00:31:57.640 --> 00:31:59.440
<v Speaker 4>producing that he told Vince he'd like to try his

616
00:31:59.480 --> 00:32:02.559
<v Speaker 4>hand at sing a network version of it.

617
00:32:03.200 --> 00:32:06.119
<v Speaker 2>I will listen. I believe I believe that we are

618
00:32:06.880 --> 00:32:10.319
<v Speaker 2>we are network ready Is that right? Yes, I believe

619
00:32:10.400 --> 00:32:13.000
<v Speaker 2>the w W E is a is a network friendly

620
00:32:14.279 --> 00:32:18.680
<v Speaker 2>vehicle for for a particular uh no, for all facets

621
00:32:18.720 --> 00:32:24.759
<v Speaker 2>of entertainment. You know we we are entertainment. We you know,

622
00:32:25.279 --> 00:32:31.319
<v Speaker 2>worldwide entertainment. There it is, but it's still WWF. I

623
00:32:32.000 --> 00:32:34.559
<v Speaker 2>don't I don't know this F thing, but the improvisational

624
00:32:34.720 --> 00:32:41.359
<v Speaker 2>nature of w w D what we do? I mean,

625
00:32:41.640 --> 00:32:43.839
<v Speaker 2>I would like to I think it's safe to say

626
00:32:43.880 --> 00:32:49.240
<v Speaker 2>that I am really, unquestionably the the permanent w W

627
00:32:49.680 --> 00:32:53.160
<v Speaker 2>W w D champion. I am the champion of what

628
00:32:53.279 --> 00:32:58.880
<v Speaker 2>we do on a regular basis, for now and forever together.

629
00:33:02.000 --> 00:33:04.799
<v Speaker 2>Is that what a triple H would spray himself to glisten?

630
00:33:05.039 --> 00:33:11.559
<v Speaker 2>Double do w D forty? That's what he uses to

631
00:33:11.599 --> 00:33:12.440
<v Speaker 2>shine his bald head?

632
00:33:12.519 --> 00:33:14.160
<v Speaker 4>Now what we do?

633
00:33:14.519 --> 00:33:16.160
<v Speaker 2>Forty? What we do?

634
00:33:16.880 --> 00:33:16.920
<v Speaker 1>What?

635
00:33:17.359 --> 00:33:24.119
<v Speaker 2>What we do? Look at my bracelets? See what I'm

636
00:33:24.519 --> 00:33:28.839
<v Speaker 2>What we do is we wear entertainment bracelets.

637
00:33:29.039 --> 00:33:31.960
<v Speaker 4>It always amazes me how people assume that the story

638
00:33:32.079 --> 00:33:34.319
<v Speaker 4>is already concluded when in a lot of ways it's

639
00:33:34.440 --> 00:33:38.039
<v Speaker 4>just begun. No, I can't even let myself say it.

640
00:33:38.200 --> 00:33:42.480
<v Speaker 4>Oh my god. So you know, Tanty launches in nineteen

641
00:33:42.519 --> 00:33:44.119
<v Speaker 4>eighty four, while all of this transformation.

642
00:33:44.319 --> 00:33:47.319
<v Speaker 2>Stop thinking you're a fucking scriptwriter, you piece of shit.

643
00:33:48.400 --> 00:33:50.319
<v Speaker 2>My God almighty, he's.

644
00:33:50.119 --> 00:33:52.279
<v Speaker 4>In the idea room. We gotta waite. Wait, wait till

645
00:33:52.319 --> 00:33:54.759
<v Speaker 4>the fucking wait till the which I don't. Something tells

646
00:33:54.759 --> 00:33:57.559
<v Speaker 4>me it's never gonna come out. Wait till the fucking Netflix.

647
00:33:57.759 --> 00:34:00.359
<v Speaker 4>Oh yeah, Unreel comes out this summer, and you're going

648
00:34:00.400 --> 00:34:02.640
<v Speaker 4>to see him in his full self aggrandizement.

649
00:34:02.759 --> 00:34:04.759
<v Speaker 2>You know, I really can't imagine that ever coming out.

650
00:34:04.799 --> 00:34:07.680
<v Speaker 4>I mean, you're gonna be able to smell the you're

651
00:34:07.680 --> 00:34:09.480
<v Speaker 4>gonna be able to smell the black marker.

652
00:34:11.239 --> 00:34:12.920
<v Speaker 2>You're gonna be able to smell what we do.

653
00:34:13.159 --> 00:34:15.960
<v Speaker 4>Ah, all right, you're gonna see the you're gonna see

654
00:34:15.960 --> 00:34:18.519
<v Speaker 4>the order in. You're gonna see the door dash. Everyone

655
00:34:18.559 --> 00:34:22.360
<v Speaker 4>sits around and kicks around ideas, AKA just basically sits

656
00:34:22.400 --> 00:34:24.239
<v Speaker 4>there and waits for triple h and or events to

657
00:34:24.280 --> 00:34:25.400
<v Speaker 4>tell them what to write.

658
00:34:25.719 --> 00:34:26.840
<v Speaker 2>And we go from there.

659
00:34:27.119 --> 00:34:28.840
<v Speaker 4>No, you know a lot of way I really wanted

660
00:34:28.840 --> 00:34:31.360
<v Speaker 4>to open it up. And because great ideas can come

661
00:34:31.360 --> 00:34:33.960
<v Speaker 4>from anywhere as long as it's me, I think we

662
00:34:34.440 --> 00:34:36.760
<v Speaker 4>we just got to pull back the curtain and show

663
00:34:36.760 --> 00:34:38.440
<v Speaker 4>everybody what we do. It's time.

664
00:34:39.760 --> 00:34:42.159
<v Speaker 2>It's time now. That was in ninety six.

665
00:34:45.880 --> 00:34:49.840
<v Speaker 4>Yeah, that's already taken. So yeah, Tuesday Night Titans goes

666
00:34:49.920 --> 00:34:52.280
<v Speaker 4>up on USA network in nineteen eighty four amidst all

667
00:34:52.320 --> 00:34:55.440
<v Speaker 4>this change and the MTV relationship is budding, and there

668
00:34:55.519 --> 00:34:59.559
<v Speaker 4>the darling of cable television, Hulkgan is mister irony superhero,

669
00:35:00.320 --> 00:35:03.559
<v Speaker 4>you know, Andy Warhol showing up. We've talked about this

670
00:35:03.639 --> 00:35:06.519
<v Speaker 4>a million times, and by the spring of nineteen eighty six,

671
00:35:06.559 --> 00:35:09.679
<v Speaker 4>around the time this video released, this hits the Associated Press.

672
00:35:09.719 --> 00:35:13.199
<v Speaker 4>Wrestling's popularity is such that a superstation wr in New

673
00:35:13.320 --> 00:35:17.039
<v Speaker 4>York has three WWF shows each Saturday. Can you imagine

674
00:35:17.519 --> 00:35:21.440
<v Speaker 4>three shows every Saturday. Other wrestling series, including those featuring

675
00:35:21.440 --> 00:35:23.679
<v Speaker 4>the American Wrestling Alliance and the National Wrestling Alliance, can

676
00:35:23.719 --> 00:35:26.719
<v Speaker 4>be seen on various outlets, including MSG, USA and TBS.

677
00:35:27.079 --> 00:35:29.400
<v Speaker 4>We have two hundred and seventeen broadcast stations for our

678
00:35:29.440 --> 00:35:33.320
<v Speaker 4>programs every week, said Basil Lavito of WWF. Usays, listen

679
00:35:33.360 --> 00:35:39.199
<v Speaker 4>to this. USA's highest rated show usually is Tuesday Night Titans.

680
00:35:39.559 --> 00:35:42.559
<v Speaker 4>Of course, that's the thing about this. You look at

681
00:35:42.599 --> 00:35:45.360
<v Speaker 4>you like, this is so fucking stupid, so frivolous. What's

682
00:35:45.400 --> 00:35:48.960
<v Speaker 4>he doing. Why is he being you know, humored like

683
00:35:49.039 --> 00:35:51.000
<v Speaker 4>this to be able to do this to wrestling. It's

684
00:35:51.039 --> 00:35:54.480
<v Speaker 4>because it's a fucking hit. That's why it's a hit

685
00:35:55.719 --> 00:35:58.199
<v Speaker 4>at Wwfrodue and look all the more reason you'd put

686
00:35:58.199 --> 00:35:59.199
<v Speaker 4>it on a coliseum video.

687
00:35:59.360 --> 00:36:01.960
<v Speaker 2>Yep, yep. People don't want to believe that. I don't

688
00:36:02.000 --> 00:36:02.840
<v Speaker 2>think that's right.

689
00:36:02.880 --> 00:36:05.559
<v Speaker 4>That's correct. They wanted it to fail so badly. We're

690
00:36:05.679 --> 00:36:07.679
<v Speaker 4>not realizing that it's bringing all these people to the

691
00:36:07.719 --> 00:36:11.000
<v Speaker 4>table that otherwise could give two shits, including fucking Dick Ebersol,

692
00:36:11.320 --> 00:36:13.880
<v Speaker 4>and you know, the New York intelligensia, the media types,

693
00:36:13.960 --> 00:36:17.440
<v Speaker 4>the fucking agencies. You know, that's that's what they're after. Now,

694
00:36:17.480 --> 00:36:19.840
<v Speaker 4>that's what they're chasing. Madison Avenue. You know, m H

695
00:36:20.599 --> 00:36:23.519
<v Speaker 4>a WWF produced series which features interviews with wrestlers and

696
00:36:23.559 --> 00:36:25.360
<v Speaker 4>highlights of their fight. So that's on way to put it.

697
00:36:25.599 --> 00:36:27.599
<v Speaker 4>That's one of the most maddening things about this tape.

698
00:36:27.800 --> 00:36:29.400
<v Speaker 4>They pretend they're going to show you a match.

699
00:36:30.280 --> 00:36:34.159
<v Speaker 2>I know, they just do their they do a little tease,

700
00:36:34.559 --> 00:36:37.039
<v Speaker 2>like a little highlight thing for two seconds and it

701
00:36:37.199 --> 00:36:42.159
<v Speaker 2>just goes right back to the talk show.

702
00:36:42.320 --> 00:36:44.199
<v Speaker 4>Yeah, you start to think that oh, okay, we're going

703
00:36:44.239 --> 00:36:47.679
<v Speaker 4>to get TNT sketches interspersed with matches involving the wrestlers

704
00:36:47.679 --> 00:36:50.639
<v Speaker 4>in the sketches. Now, just Gene Okerlin doing a voiceover

705
00:36:50.719 --> 00:36:52.679
<v Speaker 4>over two or three moves in a match that involves

706
00:36:52.719 --> 00:36:57.119
<v Speaker 4>the wrestler, they go to more absurdity. NBC's occasional late

707
00:36:57.199 --> 00:37:00.280
<v Speaker 4>night wrestling Extravaganza is the piece notes. Of course, Saturday

708
00:37:00.360 --> 00:37:02.360
<v Speaker 4>Night's main event had already premiered by this point, have

709
00:37:02.519 --> 00:37:04.760
<v Speaker 4>been just as well received. In March, the network received

710
00:37:04.760 --> 00:37:07.239
<v Speaker 4>its highest share ever for the eleven thirty pm Eastern

711
00:37:07.280 --> 00:37:09.559
<v Speaker 4>time slot, with Saturday Night's main event drawing a thirty.

712
00:37:09.679 --> 00:37:12.119
<v Speaker 4>The rating was a sensational ten point five. We can

713
00:37:12.199 --> 00:37:14.360
<v Speaker 4>give you a wide exposure on all different levels of TV,

714
00:37:14.480 --> 00:37:17.360
<v Speaker 4>Defido says, Plus, we have seven hundred live events a year.

715
00:37:17.840 --> 00:37:19.440
<v Speaker 4>That's right, Well, no one's going to drop out of

716
00:37:19.480 --> 00:37:21.920
<v Speaker 4>exhaustion seven hundred live events a year, Am I wrong?

717
00:37:22.000 --> 00:37:23.719
<v Speaker 4>Or there are only three hundred and sixty five days

718
00:37:23.719 --> 00:37:24.800
<v Speaker 4>in the fucking year to begin with?

719
00:37:24.880 --> 00:37:27.719
<v Speaker 2>Well, I mean we provide a right, a varying degree

720
00:37:27.760 --> 00:37:31.719
<v Speaker 2>of aw you know, we have we have live events

721
00:37:31.760 --> 00:37:33.800
<v Speaker 2>that happen any day at any time, So we.

722
00:37:33.920 --> 00:37:37.079
<v Speaker 4>Provide a varying degree of entertainment. Is that what he said?

723
00:37:39.280 --> 00:37:43.400
<v Speaker 4>I mean, good luck disagreeing with that. Good you know,

724
00:37:43.440 --> 00:37:45.199
<v Speaker 4>good luck making the case because he's going to win

725
00:37:45.280 --> 00:37:47.000
<v Speaker 4>now one, Oh foul.

726
00:37:47.480 --> 00:37:47.599
<v Speaker 1>Uh.

727
00:37:48.559 --> 00:37:52.239
<v Speaker 2>I don't to tell you except we have varying degrees

728
00:37:52.320 --> 00:37:58.559
<v Speaker 2>of entertainment properties and entertaining possibilities. So I mean, we

729
00:37:58.800 --> 00:38:02.119
<v Speaker 2>entertain quite a bit, and we entertain the future, and.

730
00:38:02.760 --> 00:38:07.840
<v Speaker 4>We're willing to entertain offers. Yeah, Vince spend all We

731
00:38:07.920 --> 00:38:10.039
<v Speaker 4>thought Vince spent all those years entertaining us, but what

732
00:38:10.159 --> 00:38:13.679
<v Speaker 4>he was really doing, he spent all those years entertaining offers.

733
00:38:15.679 --> 00:38:16.079
<v Speaker 2>What did that?

734
00:38:16.360 --> 00:38:19.320
<v Speaker 4>Oh my god, there's one for stump the brain. What

735
00:38:19.480 --> 00:38:24.079
<v Speaker 4>did Vince entertain the most the fans buyout offers?

736
00:38:24.480 --> 00:38:27.280
<v Speaker 2>That's right? Oh shit.

737
00:38:27.480 --> 00:38:29.159
<v Speaker 4>So if you can open up the nineteen eighty four

738
00:38:29.239 --> 00:38:31.440
<v Speaker 4>edition of WWF magazine that I sent to you, Boss,

739
00:38:31.519 --> 00:38:33.559
<v Speaker 4>I'd like to turn it over to you as we

740
00:38:33.639 --> 00:38:35.239
<v Speaker 4>go into the pages, as we always do during the

741
00:38:35.280 --> 00:38:38.239
<v Speaker 4>Coliseum collection, because there's no better reference point to what

742
00:38:38.320 --> 00:38:40.440
<v Speaker 4>the WWF wanted you to think about the stuff they

743
00:38:40.480 --> 00:38:42.599
<v Speaker 4>were putting out on home video than how they covered

744
00:38:42.639 --> 00:38:44.960
<v Speaker 4>it in the pages of their own magazine. So often

745
00:38:45.000 --> 00:38:47.400
<v Speaker 4>there was overlap because you know, they would send a

746
00:38:47.400 --> 00:38:50.480
<v Speaker 4>photographer and a writer to the set of some of

747
00:38:50.519 --> 00:38:52.079
<v Speaker 4>these skits that they would shoot, or some of these

748
00:38:52.119 --> 00:38:54.760
<v Speaker 4>personality profile vignettes that they were putting together for their

749
00:38:55.360 --> 00:38:57.559
<v Speaker 4>new fangled wrestling television shows, and they would do an

750
00:38:57.639 --> 00:38:59.880
<v Speaker 4>article and my god, they would have in their own

751
00:38:59.880 --> 00:39:01.880
<v Speaker 4>words what they wanted you to think about it. So

752
00:39:01.920 --> 00:39:05.679
<v Speaker 4>it's a great songs. So this is true the October

753
00:39:05.920 --> 00:39:09.280
<v Speaker 4>November edition of WWF magazine. So Tuesday Titans had been

754
00:39:09.320 --> 00:39:11.280
<v Speaker 4>in the air for several months at this point. But

755
00:39:11.360 --> 00:39:14.159
<v Speaker 4>here's how they wrote about this, this new experiment in entertainment.

756
00:39:14.199 --> 00:39:16.400
<v Speaker 4>If you can toggle down to page twelve.

757
00:39:16.800 --> 00:39:22.840
<v Speaker 2>Page twelve, see then there I'll get we go.

758
00:39:22.960 --> 00:39:25.599
<v Speaker 4>Tuesday Night Titans. Vince and Lord Al at the desk.

759
00:39:25.719 --> 00:39:28.480
<v Speaker 4>Just look at Vince. Look at him. Such a young

760
00:39:28.519 --> 00:39:31.239
<v Speaker 4>whipper snapper, fucking psychopath. Look at him.

761
00:39:31.320 --> 00:39:33.239
<v Speaker 2>Yep, yep, a sociopath right there.

762
00:39:33.360 --> 00:39:36.880
<v Speaker 4>This is Bufont. Basically, think of think of all think

763
00:39:36.960 --> 00:39:39.440
<v Speaker 4>of all the skeletons, all right, Oh, think of what

764
00:39:39.519 --> 00:39:41.519
<v Speaker 4>he's gonna do with the power and money he's about

765
00:39:41.519 --> 00:39:45.559
<v Speaker 4>to amass and the info. Oh yeah, oh yeah, Tuesday

766
00:39:45.639 --> 00:39:49.599
<v Speaker 4>Night Titans explodes on the USA Network ES. What is

767
00:39:49.840 --> 00:39:54.239
<v Speaker 4>TNT Tuesday Night Titans is a new wrestling program on

768
00:39:54.320 --> 00:39:57.079
<v Speaker 4>the USA cable Network, unlike any wrestling show that has

769
00:39:57.119 --> 00:40:01.239
<v Speaker 4>ever been produced anywhere by Vin sick Mann, the voice

770
00:40:01.280 --> 00:40:05.000
<v Speaker 4>of professional wrestling. Professional wrestling in capital in caps by

771
00:40:05.000 --> 00:40:07.199
<v Speaker 4>the way, Yes, it's always so interesting to see what

772
00:40:07.280 --> 00:40:09.719
<v Speaker 4>they capitalize. It's Rostling by the way.

773
00:40:09.800 --> 00:40:14.400
<v Speaker 2>Yeah right, Professional Rostling and his co host, Lord Alfred Hayes.

774
00:40:14.559 --> 00:40:18.519
<v Speaker 2>TNT offers its audience a look at wrestlers up close

775
00:40:18.679 --> 00:40:25.159
<v Speaker 2>and personal, behind the scenes in the locker rooms, behind

776
00:40:25.199 --> 00:40:28.480
<v Speaker 2>the scenes in the locker rooms, gives insight into particular

777
00:40:28.559 --> 00:40:35.480
<v Speaker 2>grudge matches, and above all, TNT entertains Oh my god,

778
00:40:35.559 --> 00:40:39.079
<v Speaker 2>it says it. Each week, Vince and Alfred have as

779
00:40:39.159 --> 00:40:41.519
<v Speaker 2>their guests the most famous wrestlers in the world today,

780
00:40:41.840 --> 00:40:45.159
<v Speaker 2>who are interviewed about their personal lives and their wrestling careers.

781
00:40:45.559 --> 00:40:48.199
<v Speaker 2>The audience watches a match in which the guest is

782
00:40:48.280 --> 00:40:51.639
<v Speaker 2>a principal combatant, and then has the privilege of having

783
00:40:51.719 --> 00:40:55.119
<v Speaker 2>that guest comment on his own match. Yes, but that's

784
00:40:55.199 --> 00:40:58.599
<v Speaker 2>not all. Who would expect Ivan Putski the Polish Power

785
00:40:58.679 --> 00:41:01.320
<v Speaker 2>to come on, come with it, his own Polish band

786
00:41:01.880 --> 00:41:05.480
<v Speaker 2>and his group of Polish dancers, whom he joined in

787
00:41:05.599 --> 00:41:08.480
<v Speaker 2>a couple of rounds of the Poka TNT is a

788
00:41:08.559 --> 00:41:12.280
<v Speaker 2>different twist to old and familiar faces. Mister Fuji, instead

789
00:41:12.280 --> 00:41:15.199
<v Speaker 2>of appearing as a samurai warrior, appeared as a host

790
00:41:15.679 --> 00:41:21.480
<v Speaker 2>in an oriental tea room complete with geisha dancer. However,

791
00:41:21.880 --> 00:41:25.519
<v Speaker 2>he showed his true colors when his geisha geisha entertainer

792
00:41:25.599 --> 00:41:32.239
<v Speaker 2>accidentally spilled Saki spelled s a k I capitalized, which

793
00:41:32.480 --> 00:41:35.039
<v Speaker 2>wasn't that? Wasn't that? One of the wrestlers he managed,

794
00:41:35.880 --> 00:41:36.800
<v Speaker 2>mister Saki.

795
00:41:38.000 --> 00:41:39.840
<v Speaker 4>Sonny Siaki, I remember him.

796
00:41:41.280 --> 00:41:43.679
<v Speaker 2>On his hand and Vincent Alfred thought they would have

797
00:41:43.760 --> 00:41:47.960
<v Speaker 2>to restrain mister Fuji from physically striking the girl. To

798
00:41:48.119 --> 00:41:51.119
<v Speaker 2>mister Fuji, it was an insult to his honor to

799
00:41:51.239 --> 00:41:54.119
<v Speaker 2>shame him in front of his invited guests. The intriguing

800
00:41:54.159 --> 00:41:56.159
<v Speaker 2>aspect of T and T is that one must be

801
00:41:56.280 --> 00:42:00.400
<v Speaker 2>prepared for the unexpected and be prepared to have fun.

802
00:42:00.440 --> 00:42:03.559
<v Speaker 4>Can you can you please repeat that sentence and just

803
00:42:03.599 --> 00:42:06.119
<v Speaker 4>tell me that Vince didn't write that himself or dictate it.

804
00:42:08.480 --> 00:42:10.800
<v Speaker 2>This is what you should The intriguing aspect of TNT

805
00:42:11.039 --> 00:42:14.119
<v Speaker 2>is that one must be prepared for the unexpected and

806
00:42:14.719 --> 00:42:16.159
<v Speaker 2>be prepared to have fun.

807
00:42:16.239 --> 00:42:18.960
<v Speaker 4>So the intriguing aspect of TNT is one must be

808
00:42:19.039 --> 00:42:21.679
<v Speaker 4>prepared to have fun. That's the yeah, what.

809
00:42:21.920 --> 00:42:24.119
<v Speaker 2>What I've What people find to be most intriguing is

810
00:42:24.159 --> 00:42:27.000
<v Speaker 2>that you must prepare for this, for this television program.

811
00:42:28.760 --> 00:42:29.519
<v Speaker 4>It takes all day.

812
00:42:29.599 --> 00:42:32.239
<v Speaker 2>Actually you can't just you can't just turn on your

813
00:42:32.280 --> 00:42:35.840
<v Speaker 2>TV and watch it. You have to prepare for the unexpected.

814
00:42:36.480 --> 00:42:38.800
<v Speaker 2>You don't know what's going to happen. We may, we

815
00:42:38.960 --> 00:42:39.960
<v Speaker 2>may invade your home.

816
00:42:40.280 --> 00:42:41.679
<v Speaker 4>Let me ask you, pal, how do you prepare for

817
00:42:41.760 --> 00:42:42.440
<v Speaker 4>the unexpected?

818
00:42:42.639 --> 00:42:44.239
<v Speaker 2>Well, I mean, what do you do? How do you

819
00:42:44.599 --> 00:42:46.679
<v Speaker 2>when you don't expect something? How do you prepare for it?

820
00:42:48.400 --> 00:42:53.480
<v Speaker 2>M I know how I prepare for it. I'm always prepared. Wow,

821
00:42:54.039 --> 00:42:55.440
<v Speaker 2>I'm unexpectedly prepared.

822
00:42:57.159 --> 00:43:02.480
<v Speaker 4>Another quote, Bring us Home Boss.

823
00:43:03.079 --> 00:43:05.719
<v Speaker 2>Watch Vincent Alfred each week on Tuesday nights from eight

824
00:43:05.800 --> 00:43:08.880
<v Speaker 2>pm to ten pm on the USA cable network. You

825
00:43:09.079 --> 00:43:13.880
<v Speaker 2>really won't want to miss a single episode, but you

826
00:43:14.000 --> 00:43:16.280
<v Speaker 2>may want to miss multiple episodes.

827
00:43:16.920 --> 00:43:21.880
<v Speaker 4>Or married episodes. It would be two hours for a

828
00:43:22.079 --> 00:43:24.360
<v Speaker 4>short period of time. Eventually, the USA made they call

829
00:43:24.440 --> 00:43:27.159
<v Speaker 4>the trimit to one and this becomes you know, primetime

830
00:43:27.199 --> 00:43:29.559
<v Speaker 4>wrestling eventually, and that's where we come in our generation.

831
00:43:29.920 --> 00:43:32.880
<v Speaker 4>Yeah yeah, but it all starts with Tuesday Night Titans,

832
00:43:32.960 --> 00:43:36.400
<v Speaker 4>this idea of like a week night time slot for Vince,

833
00:43:36.599 --> 00:43:39.039
<v Speaker 4>you know, not just weekend crazy. Yeah, it really is

834
00:43:39.719 --> 00:43:41.119
<v Speaker 4>all the things that said in motion. So if you

835
00:43:41.159 --> 00:43:44.519
<v Speaker 4>can also open the February and March nineteen eighty five

836
00:43:44.639 --> 00:43:47.000
<v Speaker 4>edition of WIF magazine to go down to page nineteen,

837
00:43:47.599 --> 00:43:50.000
<v Speaker 4>we'll see how they're talking about Tuesday Night Titans about

838
00:43:50.000 --> 00:43:52.039
<v Speaker 4>a year after it had launched in the pages of

839
00:43:52.039 --> 00:43:54.280
<v Speaker 4>their own magazine. They've got a lot more sort of

840
00:43:54.360 --> 00:43:55.039
<v Speaker 4>under their belt.

841
00:43:55.519 --> 00:43:56.199
<v Speaker 2>And this is.

842
00:43:57.679 --> 00:44:00.400
<v Speaker 4>It shows the tongue of kid trying to tea Lord

843
00:44:00.440 --> 00:44:04.440
<v Speaker 4>Al and Vince the hula. It shows Vince and Freddy Blassi.

844
00:44:04.559 --> 00:44:06.639
<v Speaker 4>This is a famous one. We've seen it before on

845
00:44:06.760 --> 00:44:10.800
<v Speaker 4>the Coliseum Collection where fred Blassie is getting questions from

846
00:44:10.840 --> 00:44:14.079
<v Speaker 4>the audience about love and life and how to you know,

847
00:44:14.199 --> 00:44:18.480
<v Speaker 4>be romantic and stuff, and and Freddy Blassi offers, uh,

848
00:44:18.840 --> 00:44:21.880
<v Speaker 4>you know, kind of crude advice hearts and flowers.

849
00:44:21.719 --> 00:44:23.840
<v Speaker 2>So well, and if you just looked at it just

850
00:44:23.880 --> 00:44:27.559
<v Speaker 2>happened to just breeze past it from them. This this issue.

851
00:44:27.760 --> 00:44:30.679
<v Speaker 2>The article before this TNT one, Oh yeah, talks about

852
00:44:30.719 --> 00:44:33.719
<v Speaker 2>the new god ww president Jack Tunney.

853
00:44:33.719 --> 00:44:36.360
<v Speaker 4>He just hired him. So that means a clean break

854
00:44:36.400 --> 00:44:38.880
<v Speaker 4>from New Japan, which was such a vital part of

855
00:44:38.960 --> 00:44:41.400
<v Speaker 4>Vince McMahon's funding source in eighty four was that New

856
00:44:41.480 --> 00:44:44.159
<v Speaker 4>Japan would pay big money to get you know, Hulk

857
00:44:44.159 --> 00:44:46.559
<v Speaker 4>Coogan and stuff, and to bring their wrestlers to the

858
00:44:46.639 --> 00:44:48.679
<v Speaker 4>gardens so it could air on Japanese television. To make

859
00:44:48.719 --> 00:44:50.800
<v Speaker 4>these guys into including of course Antonio and ok he

860
00:44:50.880 --> 00:44:53.679
<v Speaker 4>looked like huge American stars, and that money played a

861
00:44:53.760 --> 00:44:55.840
<v Speaker 4>huge role in why he was able to you know,

862
00:44:55.960 --> 00:44:59.639
<v Speaker 4>stay afloat after WrestleMania. But that's why his Shashi Shinma

863
00:44:59.639 --> 00:45:02.639
<v Speaker 4>from New Japan was the WWF president during this point

864
00:45:02.679 --> 00:45:04.480
<v Speaker 4>in time. That was part of the euro Right. So

865
00:45:04.559 --> 00:45:06.119
<v Speaker 4>when you see Jack Tennant come in, that means the

866
00:45:06.159 --> 00:45:08.519
<v Speaker 4>fence is now financially solvent.

867
00:45:08.880 --> 00:45:11.800
<v Speaker 2>Let me tell you we're done with New Japan. Is

868
00:45:11.880 --> 00:45:12.760
<v Speaker 2>now Old Japan.

869
00:45:13.000 --> 00:45:15.199
<v Speaker 4>Of course, they brought Tony in making a deal to

870
00:45:15.320 --> 00:45:17.440
<v Speaker 4>take over Toronto, which of course was being run by

871
00:45:17.480 --> 00:45:19.920
<v Speaker 4>Jim Crockett. And so every time you see matches ww

872
00:45:20.000 --> 00:45:22.119
<v Speaker 4>from maple leaf gardens. You see the old Crocket ring

873
00:45:22.159 --> 00:45:25.239
<v Speaker 4>which used to have the NWA ring skirt and it's covered.

874
00:45:25.760 --> 00:45:27.800
<v Speaker 4>H They didn't buy a new ring. So that's why

875
00:45:27.880 --> 00:45:31.400
<v Speaker 4>some WWF matches back then, the black ropes in the ramp.

876
00:45:32.599 --> 00:45:39.000
<v Speaker 2>It's so fantastic Tuesday Night Titans, prime time pro wrestling thing.

877
00:45:39.079 --> 00:45:42.679
<v Speaker 2>They already got it right there, absolutely television program. You

878
00:45:42.760 --> 00:45:44.159
<v Speaker 2>know what prime time pro wrestling?

879
00:45:44.159 --> 00:45:44.679
<v Speaker 4>Should we call it?

880
00:45:44.760 --> 00:45:44.880
<v Speaker 5>Well?

881
00:45:44.920 --> 00:45:45.199
<v Speaker 4>I don't know.

882
00:45:46.119 --> 00:45:48.840
<v Speaker 2>Well this article time, you know, we talked about it.

883
00:45:48.920 --> 00:45:51.199
<v Speaker 2>We said it prime time Rossling.

884
00:45:51.400 --> 00:45:51.679
<v Speaker 4>Thank you.

885
00:45:52.840 --> 00:45:57.960
<v Speaker 2>TANT continues to explode as USA cable network. It was

886
00:45:58.079 --> 00:46:00.679
<v Speaker 2>clever to name the program on the u USA Cable

887
00:46:00.719 --> 00:46:04.000
<v Speaker 2>Network on Tuesday evenings TNT. TNT.

888
00:46:05.320 --> 00:46:08.639
<v Speaker 4>What an opening sentence. He just declares it was clever.

889
00:46:08.559 --> 00:46:11.000
<v Speaker 2>Okay, it was very clever to name the program on

890
00:46:11.079 --> 00:46:15.679
<v Speaker 2>the USA Cable Network on Tuesday evenings TNT. Yes, DNT

891
00:46:15.880 --> 00:46:17.280
<v Speaker 2>is a highly explosive element.

892
00:46:17.440 --> 00:46:20.159
<v Speaker 4>Oh god, element is a Vince word for sure.

893
00:46:22.000 --> 00:46:26.639
<v Speaker 2>And Tuesday Night Titans has definitely exploded on the USA network.

894
00:46:27.559 --> 00:46:29.639
<v Speaker 2>I mean it's February, like, the show's been on there

895
00:46:29.679 --> 00:46:30.239
<v Speaker 2>for how long? Now?

896
00:46:30.320 --> 00:46:32.159
<v Speaker 4>How many more times you're gonna say it? Exploded. That

897
00:46:32.159 --> 00:46:35.039
<v Speaker 4>doesn't make any sense. I know it's a play on TNT,

898
00:46:35.280 --> 00:46:39.639
<v Speaker 4>but my god, it's really bizarre. You know, it's funny

899
00:46:39.639 --> 00:46:41.400
<v Speaker 4>because that was one of those things, one of those

900
00:46:41.440 --> 00:46:43.920
<v Speaker 4>brain worms I always talk about and unlapsed, where like

901
00:46:43.960 --> 00:46:45.679
<v Speaker 4>I'll have this phrase in my head and I have

902
00:46:45.760 --> 00:46:47.440
<v Speaker 4>no idea where it came from because no one else

903
00:46:47.480 --> 00:46:49.639
<v Speaker 4>says it. And one of them, one of them, is

904
00:46:49.760 --> 00:46:54.599
<v Speaker 4>it explodes on USA Network, explodes in Las Vegas. Yeah,

905
00:46:54.679 --> 00:46:56.920
<v Speaker 4>it's like it doesn't explode. But Vince made me think

906
00:46:56.960 --> 00:46:59.880
<v Speaker 4>that that was a verb to use about something arriving

907
00:47:01.239 --> 00:47:02.760
<v Speaker 4>right face.

908
00:47:03.119 --> 00:47:08.199
<v Speaker 2>Like I don't, which makes no sense. Vincent Alfred keep

909
00:47:08.280 --> 00:47:11.400
<v Speaker 2>things humming as their guests involved them in hula lessons,

910
00:47:11.679 --> 00:47:16.199
<v Speaker 2>camel rides, tea room scenes, weightlifting records, and the whole

911
00:47:16.280 --> 00:47:25.400
<v Speaker 2>host of other involvements. Involvements, host of other involvements.

912
00:47:25.440 --> 00:47:27.199
<v Speaker 4>Well, that is one thing you could guarantee if you

913
00:47:27.239 --> 00:47:29.360
<v Speaker 4>watched Tuesday Night Titans back in the day, you would

914
00:47:29.360 --> 00:47:30.119
<v Speaker 4>get involvements.

915
00:47:30.320 --> 00:47:33.199
<v Speaker 2>Well, I believe that you know, TNT provides the the

916
00:47:33.639 --> 00:47:39.000
<v Speaker 2>the entertainment audience with a multitude of of of highly

917
00:47:39.079 --> 00:47:40.199
<v Speaker 2>excitable involvements.

918
00:47:42.760 --> 00:47:45.360
<v Speaker 4>Can't wait to tune in gott to set my VCR

919
00:47:45.440 --> 00:47:46.199
<v Speaker 4>to tape it every week.

920
00:47:46.920 --> 00:47:51.320
<v Speaker 2>Involvements are at an all time higher, that's clear.

921
00:47:51.400 --> 00:47:53.519
<v Speaker 4>I mean, how many more fucking places and networks can

922
00:47:53.599 --> 00:47:53.800
<v Speaker 4>you go?

923
00:47:54.480 --> 00:47:59.719
<v Speaker 2>Are you? Recently a new segment called Hearts and Flowers

924
00:47:59.800 --> 00:48:03.360
<v Speaker 2>with added whereby Vince reads selected letters sent in from

925
00:48:03.400 --> 00:48:06.239
<v Speaker 2>the fans relative to their love life or.

926
00:48:06.440 --> 00:48:08.840
<v Speaker 4>Lack of love life relative big Vince work.

927
00:48:09.039 --> 00:48:12.559
<v Speaker 2>Yes, indeed, and a quest for the Evening responds.

928
00:48:14.800 --> 00:48:14.840
<v Speaker 1>No.

929
00:48:14.960 --> 00:48:18.519
<v Speaker 2>A guest sorry, and a guest for the Evening responds

930
00:48:18.559 --> 00:48:23.840
<v Speaker 2>to those particular questions dear Abby style. The questions can

931
00:48:23.960 --> 00:48:27.119
<v Speaker 2>be very direct, and quite often Vince's guests are thrown

932
00:48:27.320 --> 00:48:31.480
<v Speaker 2>as to how to tactfully respond. For example, how would

933
00:48:31.519 --> 00:48:35.280
<v Speaker 2>Freddy BLASTI answer a question written from a lady which says, quote,

934
00:48:35.599 --> 00:48:38.599
<v Speaker 2>after watching T ANDT on Tuesday nights, my husband won't

935
00:48:38.599 --> 00:48:41.280
<v Speaker 2>pay any attention to me. He's very excited after the

936
00:48:41.320 --> 00:48:43.599
<v Speaker 2>show and gets very involved in the matches and the

937
00:48:43.679 --> 00:48:46.280
<v Speaker 2>guests who are interviewed, and he doesn't. He just doesn't

938
00:48:46.320 --> 00:48:49.280
<v Speaker 2>seem to care at all about me. When Vince asks

939
00:48:49.320 --> 00:48:55.280
<v Speaker 2>Freddy for his advice. The Hollywood Fashion plates Hollywood Fashion

940
00:48:55.400 --> 00:48:57.440
<v Speaker 2>is capitalized, but plate is not.

941
00:49:00.079 --> 00:49:05.159
<v Speaker 4>A good cats, that's good. You know, he thinks like

942
00:49:05.239 --> 00:49:08.159
<v Speaker 4>he's being formal. It's like how Rick Flair capitalizes every

943
00:49:08.280 --> 00:49:10.199
<v Speaker 4>word in his tweets, you know, because he thinks that's

944
00:49:10.880 --> 00:49:13.320
<v Speaker 4>he thinks that's like distinguished, and all it does is

945
00:49:13.440 --> 00:49:16.320
<v Speaker 4>reveal how like under educated you are right.

946
00:49:16.280 --> 00:49:21.119
<v Speaker 2>How stupid the Hollywood fashion plates answers were not quite

947
00:49:21.239 --> 00:49:24.920
<v Speaker 2>ready for prime time. There's always something for everyone on

948
00:49:25.039 --> 00:49:28.199
<v Speaker 2>TNT be off the mat segments and are entertaining and

949
00:49:28.920 --> 00:49:35.519
<v Speaker 2>show a side light a side light the lives yet

950
00:49:36.119 --> 00:49:39.159
<v Speaker 2>of the particular wrestlers who are on the program, but

951
00:49:39.280 --> 00:49:42.559
<v Speaker 2>for the real wrestling officionado, there are also live matches

952
00:49:42.599 --> 00:49:45.679
<v Speaker 2>which feature the top talent in the WWE. In short,

953
00:49:45.840 --> 00:49:48.360
<v Speaker 2>TN T is fun and entertaining.

954
00:49:51.320 --> 00:49:53.840
<v Speaker 4>He's just like, what would I want someone to say

955
00:49:53.840 --> 00:49:55.719
<v Speaker 4>about this TV show if they reviewed it? And I'm

956
00:49:55.760 --> 00:49:57.840
<v Speaker 4>just going to state it as fact in my own publication.

957
00:49:58.599 --> 00:50:01.800
<v Speaker 2>In short, T and T is fun and entertaining.

958
00:50:01.840 --> 00:50:04.079
<v Speaker 4>Good, Okay, great? I was wondering, where's the lead here?

959
00:50:04.760 --> 00:50:06.239
<v Speaker 4>Where's the take home point?

960
00:50:07.400 --> 00:50:10.760
<v Speaker 2>It has many twists, and one possible segment that we

961
00:50:10.880 --> 00:50:13.960
<v Speaker 2>might see develop in the future is a point counterpoint

962
00:50:14.039 --> 00:50:16.760
<v Speaker 2>segment which could pit one wrestler against another in a

963
00:50:17.000 --> 00:50:20.719
<v Speaker 2>verbal contest, answering questions about their lives or about a

964
00:50:20.760 --> 00:50:24.000
<v Speaker 2>particular match, or whatever the fuck is doing.

965
00:50:24.719 --> 00:50:28.559
<v Speaker 4>He's actually workshopping like future sketches to fill like, you know,

966
00:50:28.639 --> 00:50:30.119
<v Speaker 4>column inches in his own magazine.

967
00:50:30.239 --> 00:50:33.960
<v Speaker 2>It's so fucking bizarre. Shoot, people think about this one

968
00:50:35.599 --> 00:50:38.559
<v Speaker 2>counterpoint idea. You know, we could, we could, we could,

969
00:50:38.679 --> 00:50:43.800
<v Speaker 2>we could work on the varying array of topical suggestions

970
00:50:43.960 --> 00:50:45.679
<v Speaker 2>right for that nature.

971
00:50:49.880 --> 00:50:53.199
<v Speaker 4>Array of topical suggestions for that nature nature.

972
00:50:56.800 --> 00:50:58.760
<v Speaker 2>It would be interesting to see two wrestlers who had

973
00:50:58.800 --> 00:51:01.760
<v Speaker 2>been foes in the ring commenting on one of their matches.

974
00:51:02.199 --> 00:51:05.079
<v Speaker 2>I'm sure they would have decidedly different opinions as to

975
00:51:05.199 --> 00:51:08.840
<v Speaker 2>what had taken place inside the ring. Of course, moderator

976
00:51:08.960 --> 00:51:12.000
<v Speaker 2>Vince McMahon would have to be sure that the participants

977
00:51:12.079 --> 00:51:13.360
<v Speaker 2>adhered strictly.

978
00:51:13.079 --> 00:51:16.000
<v Speaker 4>To its an article where he this is like the

979
00:51:16.320 --> 00:51:19.960
<v Speaker 4>future tense, like this is not about what tn T is.

980
00:51:20.119 --> 00:51:23.159
<v Speaker 2>This is like one when it comes. He wants to

981
00:51:23.239 --> 00:51:26.400
<v Speaker 2>get He wants to see written response. If they would

982
00:51:26.440 --> 00:51:32.039
<v Speaker 2>watch this, if this segment would be popular, I mean also,

983
00:51:32.079 --> 00:51:34.039
<v Speaker 2>it's too detailed to be like an off the cuff.

984
00:51:34.159 --> 00:51:38.280
<v Speaker 2>I no suggestion you know to the of no violence

985
00:51:38.320 --> 00:51:42.280
<v Speaker 2>during the TNT segments. That is a rule strictly adhered,

986
00:51:42.360 --> 00:51:46.000
<v Speaker 2>strictly to the rules of no violence during the TNT segments.

987
00:51:46.119 --> 00:51:48.119
<v Speaker 4>I think that's interesting because that is true. They never

988
00:51:48.280 --> 00:51:50.960
<v Speaker 4>had it break down. You think, this is pro wrestling.

989
00:51:51.280 --> 00:51:53.679
<v Speaker 4>Eventually someone has to have a bench clearing brawl and

990
00:51:53.760 --> 00:51:56.400
<v Speaker 4>chairs have to fly. That never really happened, not on

991
00:51:56.480 --> 00:52:00.480
<v Speaker 4>the set, but they you know, we Lord Algotts, like

992
00:52:00.559 --> 00:52:03.480
<v Speaker 4>we talked about. Yes, that's true. People get sort of like,

993
00:52:04.199 --> 00:52:05.960
<v Speaker 4>I mean that that's a little extreme, but you know,

994
00:52:06.079 --> 00:52:08.679
<v Speaker 4>like bullied and kind of castigated and get pies in

995
00:52:08.760 --> 00:52:11.440
<v Speaker 4>the face. But that's the personnel. It's not like two

996
00:52:11.519 --> 00:52:14.800
<v Speaker 4>feuding wrestlers come to blows, whereas now you can't. You

997
00:52:14.920 --> 00:52:17.079
<v Speaker 4>can't put two feuding wrestlers in the frame without having

998
00:52:17.119 --> 00:52:19.480
<v Speaker 4>them come to blows. Right, it's a rule.

999
00:52:21.320 --> 00:52:41.480
<v Speaker 1>Fan Wrestling podcast, the wrestling podcast that knows the boys

1000
00:52:41.639 --> 00:53:03.960
<v Speaker 1>need their candy. It's the Lapsed Fan. He's a Lapsed

1001
00:53:04.039 --> 00:53:08.519
<v Speaker 1>fan wrestling podcast with Jack and JP Soro.

1002
00:53:09.159 --> 00:53:12.880
<v Speaker 2>One could imagine the difficulty in maintaining that rule if

1003
00:53:12.960 --> 00:53:16.079
<v Speaker 2>John Studd were sitting across from Andre the Giant and

1004
00:53:16.239 --> 00:53:19.079
<v Speaker 2>each was claiming to be the only giant in professional wrestling.

1005
00:53:19.760 --> 00:53:23.440
<v Speaker 2>Stay tuned to TNT. You'll be glad you did the.

1006
00:53:23.480 --> 00:53:26.280
<v Speaker 4>Worst article I've ever read in my life or seen

1007
00:53:26.360 --> 00:53:27.039
<v Speaker 4>read in my life.

1008
00:53:27.079 --> 00:53:28.639
<v Speaker 2>I mean just good. I'm good.

1009
00:53:28.760 --> 00:53:30.679
<v Speaker 4>Yeah, collection of nonsense.

1010
00:53:30.719 --> 00:53:33.199
<v Speaker 2>I'm glad. I'm glad that I didn't. All right, I'll

1011
00:53:33.199 --> 00:53:34.599
<v Speaker 2>tell you that's right. That's how I feel.

1012
00:53:34.960 --> 00:53:38.719
<v Speaker 4>Ad Week's taking notice May sixth, nineteen eighty five. Wrestling

1013
00:53:38.840 --> 00:53:39.239
<v Speaker 4>tries for.

1014
00:53:39.280 --> 00:53:40.719
<v Speaker 2>A grip on advertisers. Yes.

1015
00:53:41.199 --> 00:53:44.440
<v Speaker 4>Yes, when professional wrestling is the lead story of People magazine,

1016
00:53:44.480 --> 00:53:48.440
<v Speaker 4>you know it's a certifiable trend. Tragedy is more like it,

1017
00:53:48.480 --> 00:53:51.320
<v Speaker 4>which only means that mainstream media finally have found out

1018
00:53:51.440 --> 00:53:55.880
<v Speaker 4>what the fringe has known all along. America loves TV wrestling,

1019
00:53:56.559 --> 00:53:59.039
<v Speaker 4>oh my god. Not Olympic wrestling, mind you, but the

1020
00:53:59.159 --> 00:54:03.679
<v Speaker 4>martial art form that combines real body slams fake ie. Wow,

1021
00:54:03.880 --> 00:54:06.280
<v Speaker 4>we're calling the body slams real okay.

1022
00:54:06.599 --> 00:54:09.079
<v Speaker 2>Fake islams and fake eye gouges okay.

1023
00:54:09.199 --> 00:54:11.480
<v Speaker 4>A lot of weird masks in these days, weirder celebrities.

1024
00:54:11.639 --> 00:54:13.639
<v Speaker 4>So I guess the body slams are real because they happen.

1025
00:54:14.000 --> 00:54:15.760
<v Speaker 4>But it's like, what would a fake body slam be

1026
00:54:15.840 --> 00:54:19.280
<v Speaker 4>a fucking like a mirage, like an optical illusion, like

1027
00:54:20.119 --> 00:54:23.159
<v Speaker 4>maybe maybe if they're on like a wire and a crane,

1028
00:54:25.679 --> 00:54:28.679
<v Speaker 4>orchestrated by World Wrestling Federation President vincc Man Junior, the

1029
00:54:28.719 --> 00:54:32.239
<v Speaker 4>sport's heaviest weight promoter. Wrestling exhibitions, they put in quotes,

1030
00:54:32.440 --> 00:54:35.159
<v Speaker 4>are drawing in crowds to match those of the biggest

1031
00:54:35.199 --> 00:54:38.480
<v Speaker 4>professional boxing matches. Last March twenty three, thousand fans cranned

1032
00:54:38.480 --> 00:54:40.840
<v Speaker 4>in a Madison Square gardens hul Cogen and eighteen style

1033
00:54:40.920 --> 00:54:43.760
<v Speaker 4>wart Mister t took on Arch and MSC's Rabbity Roddy

1034
00:54:43.800 --> 00:54:47.159
<v Speaker 4>Piper and Mister Wonderful Paul Orndwarf. Libarachi was the timekeeper,

1035
00:54:47.239 --> 00:54:50.320
<v Speaker 4>Billy Martin the announcer in Muhammad Ali the referee. Everything

1036
00:54:50.360 --> 00:54:52.880
<v Speaker 4>wrestling touches seems to turn to gold. Four of the

1037
00:54:52.960 --> 00:54:56.159
<v Speaker 4>top ten cable TV shows are wrestling. When MTV covered

1038
00:54:56.199 --> 00:54:59.079
<v Speaker 4>a grudge match between Wendy Richter, who's managed by Cindy Lauper,

1039
00:54:59.119 --> 00:55:02.639
<v Speaker 4>and Lalani Kai, it became the network's highest rated show.

1040
00:55:03.119 --> 00:55:05.119
<v Speaker 4>Upper started the rock and wrestling connection when she had

1041
00:55:05.159 --> 00:55:07.920
<v Speaker 4>grappler captain Lluell Benno play her father in one of

1042
00:55:07.960 --> 00:55:10.760
<v Speaker 4>her MTV videos. When twenty twenty did a wrestling exposa,

1043
00:55:10.840 --> 00:55:12.800
<v Speaker 4>the program got its highest rating of the year. Just

1044
00:55:12.840 --> 00:55:15.039
<v Speaker 4>about the only people who seem unaware of wrestling's promotional

1045
00:55:15.119 --> 00:55:18.159
<v Speaker 4>value are national advertisers. Let's get that thumb up, baby.

1046
00:55:18.199 --> 00:55:20.440
<v Speaker 4>All right, there we go. It's not real, so we're

1047
00:55:20.480 --> 00:55:23.840
<v Speaker 4>not interested. But that may soon change. As during a

1048
00:55:23.880 --> 00:55:26.559
<v Speaker 4>recent broadcast industry lunch in what he thought was the

1049
00:55:26.599 --> 00:55:30.280
<v Speaker 4>next big TV programming trend, CBS Entertainment President Bud Grant said,

1050
00:55:30.519 --> 00:55:35.559
<v Speaker 4>professional wrestling. Great quote, and he wasn't joking, and he

1051
00:55:35.639 --> 00:55:38.440
<v Speaker 4>wasn't joking. Although no primetime wrestling series are scheduled for

1052
00:55:38.519 --> 00:55:40.920
<v Speaker 4>this fall, CBS will add to its Saturday morning lineup

1053
00:55:40.960 --> 00:55:43.639
<v Speaker 4>Hulk Cogan's Rock and Wrestling, a new animated series based

1054
00:55:43.639 --> 00:55:46.679
<v Speaker 4>on the WWF's wrestling personalities, and NBC is considering a

1055
00:55:46.719 --> 00:55:49.039
<v Speaker 4>late night wrestling show, Saturday Night's main Event here once

1056
00:55:49.079 --> 00:55:51.679
<v Speaker 4>a month in place of Saturday Night Live. Even mainstream

1057
00:55:51.679 --> 00:55:54.559
<v Speaker 4>sports programming ESPN is thinking of adding pro wrestling with

1058
00:55:54.559 --> 00:55:56.599
<v Speaker 4>its lineup to help both startch ratings, which of course

1059
00:55:56.639 --> 00:56:00.800
<v Speaker 4>it did with Vern and Fritz. In fact, for the BF,

1060
00:56:00.840 --> 00:56:03.480
<v Speaker 4>which began syndicating a package of wrestling shows nationally about

1061
00:56:03.480 --> 00:56:06.199
<v Speaker 4>a year ago have doubled in the last six months

1062
00:56:06.480 --> 00:56:09.239
<v Speaker 4>for a national rating of around thirteen. An average network

1063
00:56:09.280 --> 00:56:12.119
<v Speaker 4>primetime TV show gets about a seventeen rating. So that's

1064
00:56:12.159 --> 00:56:15.840
<v Speaker 4>on cable they're doing thirteens and network is seventeen. That's

1065
00:56:15.880 --> 00:56:18.679
<v Speaker 4>supposed to be a much bigger gap than that. Moreover,

1066
00:56:19.239 --> 00:56:22.199
<v Speaker 4>wrestling isn't just attracting more viewers, it's attracting better viewers.

1067
00:56:22.239 --> 00:56:26.639
<v Speaker 4>Wrestling's Tuesday Night Titans, Tuesday Night Titans, a sort of

1068
00:56:26.679 --> 00:56:33.199
<v Speaker 4>television equivalent of a potluck dinner, is now the number

1069
00:56:33.239 --> 00:56:36.119
<v Speaker 4>one cable show in Manhattan. Yes, that was a huge

1070
00:56:36.159 --> 00:56:38.559
<v Speaker 4>stat into the number one cable show in Manhattan. There

1071
00:56:38.599 --> 00:56:41.800
<v Speaker 4>we go, and that means yuppies. Washington Post writer Paul

1072
00:56:41.880 --> 00:56:46.239
<v Speaker 4>Attanasio noted recently, wrestling like pan blackened Louisiana, redfish and

1073
00:56:46.280 --> 00:56:49.559
<v Speaker 4>bowling shirts, has become an artifact of baby boom hip.

1074
00:56:49.800 --> 00:56:53.440
<v Speaker 4>Oh my god, I cringe, but that's where we were.

1075
00:56:54.719 --> 00:56:59.519
<v Speaker 4>Wrestling like pan, blackened, Louisiana, redfish and bowling shirt has

1076
00:56:59.559 --> 00:57:05.840
<v Speaker 4>become an artifact of baby boom hip. Vince is the

1077
00:57:05.920 --> 00:57:10.320
<v Speaker 4>luckiest motherfucker on the planet. Many landed right in this

1078
00:57:10.440 --> 00:57:12.880
<v Speaker 4>cultural moment like this. Oh ye, just as he took over,

1079
00:57:13.079 --> 00:57:15.760
<v Speaker 4>you know, and this is the only era he understood,

1080
00:57:15.960 --> 00:57:18.000
<v Speaker 4>you know, him, he understood you know, the seventies and stuff,

1081
00:57:18.000 --> 00:57:21.239
<v Speaker 4>but he wasn't in a position of architect angles. But

1082
00:57:21.320 --> 00:57:23.440
<v Speaker 4>like after like that, he just loses. He tries to

1083
00:57:23.599 --> 00:57:25.320
<v Speaker 4>keep with the nineties. You know, they change all the

1084
00:57:25.360 --> 00:57:28.480
<v Speaker 4>graphics and he starts wearing the baggy workout pants and everything.

1085
00:57:29.400 --> 00:57:29.559
<v Speaker 6>You know.

1086
00:57:29.760 --> 00:57:31.280
<v Speaker 2>Yeah, yeah, he like he he.

1087
00:57:31.679 --> 00:57:33.800
<v Speaker 4>He dressed Todd Pett and Gill, you know, right, he

1088
00:57:34.239 --> 00:57:37.199
<v Speaker 4>always has I mean all all the like he has

1089
00:57:37.320 --> 00:57:43.679
<v Speaker 4>this weird need or or or I don't know what

1090
00:57:43.960 --> 00:57:47.920
<v Speaker 4>it is really to always be on like whatever is

1091
00:57:48.320 --> 00:57:51.159
<v Speaker 4>contemporary right now, right, and it's like but it's it's

1092
00:57:51.440 --> 00:57:55.159
<v Speaker 4>usually the wrong side of that he right, you know,

1093
00:57:55.360 --> 00:57:59.280
<v Speaker 4>he misses keynotes. So it's like this weird thing where

1094
00:57:59.320 --> 00:58:04.599
<v Speaker 4>it's like, yeah, like John Cena is like like ten

1095
00:58:04.679 --> 00:58:05.599
<v Speaker 4>years too late.

1096
00:58:05.639 --> 00:58:08.360
<v Speaker 2>You know, with that character. Exactly exactly.

1097
00:58:09.360 --> 00:58:13.159
<v Speaker 4>Indeed, to hear Frank Tomayo, whose Creative Media Enterprises represents

1098
00:58:13.159 --> 00:58:16.079
<v Speaker 4>the WWF to advertisers talk about it, Wrestling viewers seem

1099
00:58:16.079 --> 00:58:19.360
<v Speaker 4>Taylor made from mass market advertisers, but Tomayo says national

1100
00:58:19.440 --> 00:58:21.719
<v Speaker 4>advertisers still act like a bunch of pencil necked geeks

1101
00:58:21.719 --> 00:58:24.400
<v Speaker 4>when it comes to buying time. We delivered three quarters

1102
00:58:24.400 --> 00:58:26.079
<v Speaker 4>of the men eighteen to thirty four. The NFL MINU

1103
00:58:26.119 --> 00:58:28.559
<v Speaker 4>Night Football delivers at one fifth to one sixth the

1104
00:58:28.639 --> 00:58:31.599
<v Speaker 4>price as to Mayo. We have huge product usage indices

1105
00:58:31.639 --> 00:58:35.800
<v Speaker 4>on some categories. That's a fucking vins. I'll write that down. Huge,

1106
00:58:36.920 --> 00:58:39.960
<v Speaker 4>huge product usage indices.

1107
00:58:40.639 --> 00:58:44.760
<v Speaker 2>I believe. Yeah, obviously, I.

1108
00:58:44.840 --> 00:58:45.239
<v Speaker 4>Know what you mean.

1109
00:58:45.280 --> 00:58:45.519
<v Speaker 3>Frank.

1110
00:58:45.599 --> 00:58:47.119
<v Speaker 4>It's good. It's great to hear. That's what we've been

1111
00:58:47.119 --> 00:58:48.639
<v Speaker 4>hoping for. It's a KPI for us.

1112
00:58:48.639 --> 00:58:51.800
<v Speaker 2>You know, we all we're all about that. That What

1113
00:58:52.280 --> 00:58:52.719
<v Speaker 2>was it again?

1114
00:58:52.719 --> 00:58:53.280
<v Speaker 3>What did you say?

1115
00:58:54.840 --> 00:58:55.159
<v Speaker 2>Or thank you?

1116
00:58:55.239 --> 00:58:57.360
<v Speaker 4>Thank you very much? Howard? Now Loik turned to you,

1117
00:58:57.440 --> 00:58:59.360
<v Speaker 4>Frank tell us, uh, well, what are we seeing in

1118
00:58:59.480 --> 00:59:04.800
<v Speaker 4>terms of use agendicies? I get. I guess that means,

1119
00:59:04.960 --> 00:59:07.599
<v Speaker 4>like when you survey the viewers, they actually use the

1120
00:59:07.639 --> 00:59:10.280
<v Speaker 4>products that are advertised to them at a higher level

1121
00:59:10.360 --> 00:59:12.639
<v Speaker 4>than other TV shows, because that's always the thing. Like

1122
00:59:12.679 --> 00:59:15.119
<v Speaker 4>I saw that ad, but I'm not do they really

1123
00:59:15.119 --> 00:59:16.679
<v Speaker 4>expect me to go out and buy that? Now? It's

1124
00:59:16.719 --> 00:59:18.559
<v Speaker 4>not like they ad had nothing to do with like

1125
00:59:18.800 --> 00:59:21.400
<v Speaker 4>what the experience of the product is. You know, we

1126
00:59:21.480 --> 00:59:23.559
<v Speaker 4>could use a little bit more of that, folks. Hint hint,

1127
00:59:24.000 --> 00:59:26.480
<v Speaker 4>a little less branding, Okay, a little more like why

1128
00:59:26.599 --> 00:59:29.800
<v Speaker 4>this like a fucking the detergent guys get it. They

1129
00:59:29.840 --> 00:59:33.719
<v Speaker 4>show the fucking thing, They show the stain, you know, yeah,

1130
00:59:33.800 --> 00:59:36.360
<v Speaker 4>and when everyone knows it's bullshit, but they keep doing

1131
00:59:36.400 --> 00:59:39.519
<v Speaker 4>it for a reason, because that's the minimum expectation of advertising.

1132
00:59:40.119 --> 00:59:43.280
<v Speaker 4>They show you why this product instead of that one. Anyway,

1133
00:59:43.639 --> 00:59:46.000
<v Speaker 4>our viewers almost have a love affair, he writes, with

1134
00:59:46.079 --> 00:59:48.039
<v Speaker 4>the automobile. Yet as of the state, we don't have

1135
00:59:48.119 --> 00:59:50.679
<v Speaker 4>one major automotive. The biggest problem we have is not

1136
00:59:50.719 --> 00:59:53.280
<v Speaker 4>the numbers. It's overcoming the image that buyers have of wrestling.

1137
00:59:53.280 --> 00:59:55.800
<v Speaker 4>I mean, talk about the age old struggle. Huh yeah, well,

1138
00:59:55.880 --> 00:59:58.239
<v Speaker 4>I guess I prefer that in the slim gym table days,

1139
00:59:58.480 --> 01:00:02.559
<v Speaker 4>because we're way past that do wipes and that image

1140
01:00:02.639 --> 01:00:05.239
<v Speaker 4>was created by years of regional productions full of kicks, bites,

1141
01:00:05.280 --> 01:00:07.800
<v Speaker 4>ear twisting and fake blood. Of course they call the

1142
01:00:07.840 --> 01:00:09.760
<v Speaker 4>body slams, reel in the blood fake when it's the

1143
01:00:10.559 --> 01:00:14.360
<v Speaker 4>fucking hell. Most local promoters quote still think they're in

1144
01:00:14.400 --> 01:00:16.880
<v Speaker 4>the wrestling business. We think we're in the entertainment business.

1145
01:00:17.079 --> 01:00:19.639
<v Speaker 4>That's a big philosophical difference, explains McBee.

1146
01:00:20.199 --> 01:00:22.880
<v Speaker 2>They think they think we're in the wrestling business. Wrestling business.

1147
01:00:23.239 --> 01:00:24.679
<v Speaker 2>We know we're in the entertainment business.

1148
01:00:24.800 --> 01:00:28.599
<v Speaker 4>NT proves we are not in the wrestling Most producers

1149
01:00:28.719 --> 01:00:31.239
<v Speaker 4>maintain that wrestling is a sport. Vinces that's bull crap.

1150
01:00:31.559 --> 01:00:35.320
<v Speaker 4>We're selling entertainment. Oh my god, he is it fake?

1151
01:00:35.480 --> 01:00:38.320
<v Speaker 4>That's the next sentence. Is it fake? Don't think so?

1152
01:00:38.559 --> 01:00:41.840
<v Speaker 2>I mean, well, I mean, you know, you know what

1153
01:00:42.880 --> 01:00:45.119
<v Speaker 2>define you know, what is your definition of fake? I mean,

1154
01:00:45.320 --> 01:00:48.639
<v Speaker 2>is entertainment fake? Do you believe that entertainment is a

1155
01:00:49.000 --> 01:00:51.679
<v Speaker 2>is a fake enterprise? So I think of it as

1156
01:00:51.840 --> 01:00:55.159
<v Speaker 2>being a very real thing. And if I'm entertained, I'm

1157
01:00:55.280 --> 01:00:56.079
<v Speaker 2>really entertained.

1158
01:00:57.360 --> 01:00:59.119
<v Speaker 4>And my father always said, if it's in the sun,

1159
01:00:59.199 --> 01:01:04.559
<v Speaker 4>it's so. No, it's choreographed. Okay, it says, no, excuse me.

1160
01:01:04.639 --> 01:01:07.079
<v Speaker 4>Here's the here's the sentence in thatweek. Is it fake? Well,

1161
01:01:07.280 --> 01:01:12.199
<v Speaker 4>is ballet fake? No, it's choreographed. According to it is ballet.

1162
01:01:12.360 --> 01:01:16.159
<v Speaker 4>See according so shut up Jr. To to Mayo w W.

1163
01:01:16.760 --> 01:01:19.719
<v Speaker 4>If it was ballet, people might respect it, right, exactly

1164
01:01:19.880 --> 01:01:21.880
<v Speaker 4>say that, like, it's a then flattering thing to be called.

1165
01:01:21.920 --> 01:01:26.079
<v Speaker 4>But it's probably the highest version of spectator appreciation for

1166
01:01:26.159 --> 01:01:28.639
<v Speaker 4>what wrestling is is ballet, you know, it's how ballet

1167
01:01:28.719 --> 01:01:32.039
<v Speaker 4>is viewed. According to Tomo, WWF research shows that ninety

1168
01:01:32.079 --> 01:01:34.599
<v Speaker 4>five percent of wrestling fans know they're watching a spectacle.

1169
01:01:34.960 --> 01:01:37.760
<v Speaker 4>Well that doesn't mean they know it's fake. Yeah, right,

1170
01:01:38.159 --> 01:01:41.840
<v Speaker 4>something that's real can be a spectacle to I mean,

1171
01:01:42.000 --> 01:01:44.760
<v Speaker 4>I mean that's also I don't know, you do you

1172
01:01:44.880 --> 01:01:47.760
<v Speaker 4>know you're watching a spectacle. When you're watching it seems

1173
01:01:48.239 --> 01:01:50.880
<v Speaker 4>seems like something that that that that is defined after it. Yes,

1174
01:01:51.000 --> 01:01:54.239
<v Speaker 4>something that organically develops, Yes, right. But McGahn says the

1175
01:01:54.280 --> 01:01:56.280
<v Speaker 4>issue isn't whether the wrestling is staged, but how it

1176
01:01:56.440 --> 01:01:59.679
<v Speaker 4>is staged. Sensationalism taints its image, he says. He cites

1177
01:01:59.679 --> 01:02:02.400
<v Speaker 4>a recent an exhibition carried by competing producer in which

1178
01:02:02.440 --> 01:02:04.679
<v Speaker 4>a wrestler was portrayed as being seriously injured. Even the

1179
01:02:04.719 --> 01:02:07.360
<v Speaker 4>camera angles accentuated the wrestler's anguish. It was one of

1180
01:02:07.400 --> 01:02:09.440
<v Speaker 4>the dartest things I've ever seen in my life. McMahon says.

1181
01:02:10.239 --> 01:02:12.960
<v Speaker 4>This kid was busted right open. He was bleeding profusely,

1182
01:02:13.199 --> 01:02:15.480
<v Speaker 4>and then the kid allegedly goes into convulsions and there

1183
01:02:15.480 --> 01:02:17.760
<v Speaker 4>are no doctors around. I don't really think that General

1184
01:02:17.880 --> 01:02:22.039
<v Speaker 4>Foods wants to be associated with that awesome what a

1185
01:02:22.199 --> 01:02:24.639
<v Speaker 4>throwing throwing shade. I'm trying to think what anglic could

1186
01:02:24.639 --> 01:02:28.000
<v Speaker 4>have been. Oh geez, I don't know, man, what he's

1187
01:02:28.039 --> 01:02:30.280
<v Speaker 4>talking about. Maybe talking about some of the van Erics

1188
01:02:30.320 --> 01:02:33.599
<v Speaker 4>did or something. Nah, he wouldn't shit talk them in

1189
01:02:33.639 --> 01:02:35.519
<v Speaker 4>eighty five. Must have been something on Crockett. But I

1190
01:02:35.559 --> 01:02:37.840
<v Speaker 4>can't think of what kid. Yeah, so what he did

1191
01:02:37.880 --> 01:02:40.519
<v Speaker 4>with thatdy Gilbert and so he own fucking TV taming

1192
01:02:40.559 --> 01:02:44.159
<v Speaker 4>when he was a young kid. Consequently, General Foods doesn't

1193
01:02:44.199 --> 01:02:46.280
<v Speaker 4>yet want to be associated with McMahon's new brand of

1194
01:02:46.280 --> 01:02:50.480
<v Speaker 4>wrestling either, even though forty percent of the viewers are women. Okay, yeah, sure.

1195
01:02:51.239 --> 01:02:54.119
<v Speaker 4>To be fair wrestling is relatively mixed bullshit, I know, like,

1196
01:02:54.199 --> 01:02:56.519
<v Speaker 4>do you just say these things? To be fair wrestling

1197
01:02:56.599 --> 01:02:59.239
<v Speaker 4>is relatively new to the national advertising scene. The WWF

1198
01:02:59.280 --> 01:03:02.119
<v Speaker 4>decided to take its in December nineteen eighty three, at

1199
01:03:02.159 --> 01:03:04.639
<v Speaker 4>which point it reached about forty percent of US TV homes,

1200
01:03:04.679 --> 01:03:07.039
<v Speaker 4>mostly in the Northeast. Through a combination of cable networks

1201
01:03:07.079 --> 01:03:11.360
<v Speaker 4>and independent broadcast stations. It now reaches about eighty five percent. Moreover,

1202
01:03:11.559 --> 01:03:14.079
<v Speaker 4>as the wrestling fad continues, the WWF is trading up

1203
01:03:14.119 --> 01:03:17.159
<v Speaker 4>to better time periods and better stations, including some network affiliates.

1204
01:03:17.440 --> 01:03:19.840
<v Speaker 4>The concept of a national wrestling medium really came three

1205
01:03:19.920 --> 01:03:22.880
<v Speaker 4>years ago when McMahon bought his father's shares in the WWF.

1206
01:03:23.079 --> 01:03:25.519
<v Speaker 4>McMahon senior was among the most successful and innovative of

1207
01:03:25.559 --> 01:03:28.239
<v Speaker 4>wrestling promoters. Early on, he took cameras right into the

1208
01:03:28.239 --> 01:03:30.719
<v Speaker 4>wrestling arenas. Where else would they be?

1209
01:03:31.320 --> 01:03:34.840
<v Speaker 2>I know, what does that even mean? What doesn't make

1210
01:03:34.840 --> 01:03:35.360
<v Speaker 2>any sense?

1211
01:03:35.679 --> 01:03:39.119
<v Speaker 4>Previously matches had been held in studios o icee. Oh,

1212
01:03:39.440 --> 01:03:41.599
<v Speaker 4>they're saying it's right, like you know the studio that

1213
01:03:41.719 --> 01:03:44.199
<v Speaker 4>was the Merrygold Arena in Chicago and the Dumont Network

1214
01:03:44.239 --> 01:03:49.440
<v Speaker 4>for instance, or Kimiski Park for fucking year Rogers O'Connor

1215
01:03:49.519 --> 01:03:53.039
<v Speaker 4>right via break guys. In fact, the original TV wrestling

1216
01:03:53.119 --> 01:03:55.559
<v Speaker 4>was not studio wrestling. That came after the original one

1217
01:03:55.679 --> 01:03:58.760
<v Speaker 4>was from the arena. For the most part, Previously, matches

1218
01:03:58.760 --> 01:04:00.639
<v Speaker 4>had been held in studios with none of the crowd excitement,

1219
01:04:00.679 --> 01:04:03.920
<v Speaker 4>but success as dulled his appetite for further innovation. Meanwhile,

1220
01:04:04.119 --> 01:04:06.519
<v Speaker 4>McMahon Junior had developed the vision of a national wrestling company.

1221
01:04:06.599 --> 01:04:11.000
<v Speaker 4>I knew we could not attract national advertisers regionally, and

1222
01:04:11.119 --> 01:04:12.280
<v Speaker 4>that we could not bring.

1223
01:04:13.639 --> 01:04:17.440
<v Speaker 2>I knew we could not attract national advertisers regionally. Right.

1224
01:04:18.239 --> 01:04:20.960
<v Speaker 4>That it's confusing, I think he means, while being a

1225
01:04:21.000 --> 01:04:22.880
<v Speaker 4>regional promotion, no one's going to want to place a

1226
01:04:23.000 --> 01:04:26.280
<v Speaker 4>national ad on our broadcast if we only reached certain states,

1227
01:04:26.599 --> 01:04:28.719
<v Speaker 4>and that we could not bring the entertainment values to

1228
01:04:28.840 --> 01:04:31.480
<v Speaker 4>it by continuing to be regional, he explains. But pro

1229
01:04:31.599 --> 01:04:34.599
<v Speaker 4>Rossling had a don't tread on me marketing philosophy, and

1230
01:04:34.679 --> 01:04:36.679
<v Speaker 4>as a result of that, Rostling, as far as TV went,

1231
01:04:37.039 --> 01:04:42.960
<v Speaker 4>was always a fragmented marketplace, A fragmented marketplace. Huge learning,

1232
01:04:43.000 --> 01:04:45.119
<v Speaker 4>he's he's studying those NBA books. I'll give him that.

1233
01:04:45.920 --> 01:04:48.079
<v Speaker 4>The first thing McMahon did after buying the company from

1234
01:04:48.079 --> 01:04:51.039
<v Speaker 4>his father was to move the ww's headquarters to Grantwich, Connecticut.

1235
01:04:51.239 --> 01:04:53.599
<v Speaker 4>We really should be in midtown Manhattan to do our business,

1236
01:04:53.719 --> 01:04:54.360
<v Speaker 4>says McMahon.

1237
01:04:54.559 --> 01:04:55.639
<v Speaker 2>But I wanted to make God.

1238
01:04:55.960 --> 01:04:57.639
<v Speaker 4>Yeah, but I wanted to make a statement to the

1239
01:04:57.639 --> 01:04:59.840
<v Speaker 4>world about the war wrestling Federation. Anybody can be ad

1240
01:05:00.079 --> 01:05:02.719
<v Speaker 4>down Manhattan, but Rustling and Greenwich, Connecticut. My god, it

1241
01:05:02.800 --> 01:05:05.639
<v Speaker 4>turned some heads. Oh please, that's such bullshit. It's because

1242
01:05:05.679 --> 01:05:08.960
<v Speaker 4>you lived there. That's where you like. Oh god, it

1243
01:05:09.039 --> 01:05:11.559
<v Speaker 4>turns you can't afford Midtown. That's why I was gonna say.

1244
01:05:11.639 --> 01:05:13.920
<v Speaker 2>And also like, like, he's gonna fucking commute into the

1245
01:05:13.960 --> 01:05:15.719
<v Speaker 2>city every fucking day from.

1246
01:05:15.599 --> 01:05:19.360
<v Speaker 4>The match, now right, you can't. He can't. He can't

1247
01:05:19.400 --> 01:05:21.119
<v Speaker 4>stop off for his rubbin tug if he has to

1248
01:05:21.239 --> 01:05:24.039
<v Speaker 4>drive it right exactly. Once he had secured control of

1249
01:05:24.079 --> 01:05:26.920
<v Speaker 4>the company, McMahon wasted little time in pursuing his expansion plan.

1250
01:05:27.119 --> 01:05:28.400
<v Speaker 4>It was less than a month before I made the

1251
01:05:28.440 --> 01:05:31.400
<v Speaker 4>first encroachment on the business, he recalls. His first assault

1252
01:05:31.519 --> 01:05:34.440
<v Speaker 4>was on the wrestling promoters in Saint Louis, which was

1253
01:05:34.480 --> 01:05:35.440
<v Speaker 4>considered the capital.

1254
01:05:35.199 --> 01:05:38.159
<v Speaker 2>Of professional wrestling, or or was it someone in the

1255
01:05:38.239 --> 01:05:39.000
<v Speaker 2>office for that matter.

1256
01:05:39.599 --> 01:05:42.000
<v Speaker 4>The WWF had been restricted to the Northeast from Boston

1257
01:05:42.000 --> 01:05:44.440
<v Speaker 4>to Pittsburgh as its marketing region, but Man put the

1258
01:05:44.480 --> 01:05:47.280
<v Speaker 4>first cracks in the cartel like wrestling Alliance by striking

1259
01:05:47.320 --> 01:05:50.199
<v Speaker 4>a deal with Saint Louis television station KPLR to show matches.

1260
01:05:50.239 --> 01:05:53.920
<v Speaker 4>He taped and staged rather in Madison Square Garden cause

1261
01:05:53.960 --> 01:05:56.360
<v Speaker 4>a lot of dissension, says mcmaddon. Now many of these

1262
01:05:56.440 --> 01:05:58.320
<v Speaker 4>cronies who have been in the business for years, tried

1263
01:05:58.360 --> 01:06:01.119
<v Speaker 4>to persuade my dad to pursue. Weighed me not to

1264
01:06:01.199 --> 01:06:03.199
<v Speaker 4>do this, But once you start a fight, you better

1265
01:06:03.280 --> 01:06:05.519
<v Speaker 4>be prepared to go the distance than we are. My

1266
01:06:05.639 --> 01:06:08.239
<v Speaker 4>McMahon's biggest battle now is with advertisers. One of the

1267
01:06:08.320 --> 01:06:11.119
<v Speaker 4>things that will help us as CBS and NBC, says McMahon.

1268
01:06:11.360 --> 01:06:14.039
<v Speaker 4>Now that the networks have endorsed us, maybe advertisers will.

1269
01:06:14.239 --> 01:06:16.440
<v Speaker 4>It gives you the stamp of approval. If Campbell Soup

1270
01:06:16.480 --> 01:06:19.519
<v Speaker 4>buys the Saturday Morning cartoon, they can then go out

1271
01:06:19.559 --> 01:06:22.639
<v Speaker 4>and buy us right after it, which no. A further

1272
01:06:22.719 --> 01:06:26.920
<v Speaker 4>inducement may be the WWFS Bargain Basement rate card. For

1273
01:06:27.119 --> 01:06:31.119
<v Speaker 4>twenty seven five hundred dollars, advertisers can buy a package

1274
01:06:31.280 --> 01:06:34.719
<v Speaker 4>that includes thirty second spots on six WWF shows on

1275
01:06:34.880 --> 01:06:37.760
<v Speaker 4>broadcast and cable TV, reaching about eighty seven percent of

1276
01:06:37.880 --> 01:06:41.039
<v Speaker 4>US television homes. That's that's a bargain right now. That's

1277
01:06:42.360 --> 01:06:44.480
<v Speaker 4>that's why we got such low red ads during wrestling.

1278
01:06:44.559 --> 01:06:48.039
<v Speaker 4>You know, like these fucking glorified infommercials and stuff.

1279
01:06:48.800 --> 01:06:51.239
<v Speaker 2>It's like it's the low ball of people. You know.

1280
01:06:51.719 --> 01:06:52.559
<v Speaker 2>That's that's it, you know.

1281
01:06:53.280 --> 01:06:55.800
<v Speaker 4>Yeah, there are other ways of reaching this audience, says

1282
01:06:55.840 --> 01:06:58.519
<v Speaker 4>to Mayo, But there is no more efficient way. According

1283
01:06:58.559 --> 01:07:00.960
<v Speaker 4>to to Mayo, CPMs, we like that cost per million

1284
01:07:01.000 --> 01:07:01.760
<v Speaker 4>one thousand.

1285
01:07:01.480 --> 01:07:02.360
<v Speaker 2>Viewers, Yes, we do.

1286
01:07:02.480 --> 01:07:05.880
<v Speaker 4>We like CPMs CPMs, Frank I like. I like acronyms

1287
01:07:05.920 --> 01:07:07.559
<v Speaker 4>like that. How do we how do we how do

1288
01:07:07.639 --> 01:07:10.320
<v Speaker 4>we seepm How do we cost? It's cost per million? No,

1289
01:07:10.440 --> 01:07:12.679
<v Speaker 4>it's cost per thousand. Well, why is there an M there? Well,

1290
01:07:12.760 --> 01:07:15.960
<v Speaker 4>mille means that I don't understand PAL. Why isn't it CPGs.

1291
01:07:16.239 --> 01:07:18.960
<v Speaker 4>I want to call it CpG PAL Right now, I

1292
01:07:18.960 --> 01:07:20.480
<v Speaker 4>want to I want to talk about what I want

1293
01:07:20.519 --> 01:07:24.960
<v Speaker 4>to talk about. According to Tomato, CPMs for the package

1294
01:07:25.000 --> 01:07:28.239
<v Speaker 4>are now about three dollars for total households, five dollars

1295
01:07:28.320 --> 01:07:30.320
<v Speaker 4>for men eighteen to forty nine, and eight dollars for

1296
01:07:30.440 --> 01:07:32.119
<v Speaker 4>men eighteen to thirty four. So that's what you pay

1297
01:07:32.159 --> 01:07:36.239
<v Speaker 4>to reach one thousand, and you know, the more exact

1298
01:07:36.280 --> 01:07:39.599
<v Speaker 4>thing you get now, that's why you know. In addition

1299
01:07:39.639 --> 01:07:41.480
<v Speaker 4>to the fact that advertisers want to reach man eighteen

1300
01:07:41.480 --> 01:07:43.360
<v Speaker 4>to forty nine because they have the most disposable income

1301
01:07:43.400 --> 01:07:47.039
<v Speaker 4>to actually buy the products. That's also why people want

1302
01:07:47.079 --> 01:07:49.639
<v Speaker 4>that young audience, because they can command five and eight

1303
01:07:49.719 --> 01:07:52.840
<v Speaker 4>bucks for one thousand views instead of three. Currently, the

1304
01:07:52.960 --> 01:07:56.519
<v Speaker 4>WWF is about half sold on its national avails availability,

1305
01:07:56.599 --> 01:07:59.000
<v Speaker 4>that is to say, the available time slots through September,

1306
01:07:59.239 --> 01:08:01.639
<v Speaker 4>but the WFL to figure into more media budgets. It

1307
01:08:01.679 --> 01:08:04.599
<v Speaker 4>would be very foolish for some advertisers to continue ignoring us,

1308
01:08:04.719 --> 01:08:07.639
<v Speaker 4>says McMahon. To help tell their story to the advertising community,

1309
01:08:07.639 --> 01:08:10.920
<v Speaker 4>they are to be have hired Lewis Pitts, Gershawn Pond GGK,

1310
01:08:11.440 --> 01:08:13.920
<v Speaker 4>which is excused me as an agency which has created

1311
01:08:13.960 --> 01:08:16.199
<v Speaker 4>trade ads playing on wrestling's rock and roll connection. A

1312
01:08:16.239 --> 01:08:17.960
<v Speaker 4>lot of people around here thought I was crazy when

1313
01:08:17.960 --> 01:08:22.000
<v Speaker 4>I took on the account, says LPGP GGK. Very catchy.

1314
01:08:22.560 --> 01:08:24.279
<v Speaker 4>They really know how to brand their own company name

1315
01:08:26.079 --> 01:08:27.960
<v Speaker 4>Chairman George Lewis. The same people who told me I

1316
01:08:28.039 --> 01:08:30.159
<v Speaker 4>was crazy were asked me for tickets to wrestle Mania.

1317
01:08:30.760 --> 01:08:32.640
<v Speaker 4>While televised wrestling still has improved a boon to the

1318
01:08:32.760 --> 01:08:35.279
<v Speaker 4>WWF in advertising revenues, it has been very successful at

1319
01:08:35.319 --> 01:08:38.279
<v Speaker 4>promoting arena attendants. Last year, wrestling had the second largest

1320
01:08:38.319 --> 01:08:40.760
<v Speaker 4>audience increase of any sport, Pro football had the largest.

1321
01:08:40.920 --> 01:08:43.439
<v Speaker 4>The WDAF regularly sells out Madison Square Garden, which of

1322
01:08:43.439 --> 01:08:46.680
<v Speaker 4>course it did before all of these changes, perhaps even

1323
01:08:46.720 --> 01:08:50.720
<v Speaker 4>more so in terms of frequency of visits with spillover

1324
01:08:50.760 --> 01:08:53.119
<v Speaker 4>audiences watching on TV in the Felt Forum. But the

1325
01:08:53.279 --> 01:08:56.680
<v Speaker 4>WAF also is exploiting other marketing opportunities. The company recently

1326
01:08:56.680 --> 01:09:00.840
<v Speaker 4>signed an exclusive licensing agreement with DIC Enterprise, which has

1327
01:09:00.880 --> 01:09:04.079
<v Speaker 4>about twenty percent licensing projects, Pardon Me, which has about

1328
01:09:04.159 --> 01:09:07.479
<v Speaker 4>twenty licensing projects in the works. The WWF is also

1329
01:09:07.520 --> 01:09:09.960
<v Speaker 4>distributing a series of wrestling highlights on home video Well

1330
01:09:10.000 --> 01:09:12.680
<v Speaker 4>Here we Are, the Colisseum Collection YEAP, and is considering

1331
01:09:12.680 --> 01:09:16.239
<v Speaker 4>sponsorship opportunities. Another potentially lucrative market is the endorsement rights

1332
01:09:16.279 --> 01:09:19.279
<v Speaker 4>of the wrestlers themselves. According to McMahon, the WWF already

1333
01:09:19.279 --> 01:09:22.560
<v Speaker 4>has turned down requests for endorsements from WA Superstar Hul Cogan,

1334
01:09:22.600 --> 01:09:26.680
<v Speaker 4>from Diet Coke and Minolta. Wow, it wasn't the right deal.

1335
01:09:26.920 --> 01:09:29.000
<v Speaker 4>McMahon says that the Diet Coke proposal like he has

1336
01:09:29.039 --> 01:09:31.199
<v Speaker 4>any right to tell Hulk Cogan he can't do it right.

1337
01:09:31.439 --> 01:09:33.920
<v Speaker 4>It wasn't the right deal for me. But didn't they

1338
01:09:33.920 --> 01:09:35.920
<v Speaker 4>want Hulk? Shouldn't he have a say?

1339
01:09:36.039 --> 01:09:38.479
<v Speaker 2>Well, that's not how operating pallent. When you want Hulk Hogan,

1340
01:09:38.479 --> 01:09:41.079
<v Speaker 2>you want physic man on the WWE. I don't know what.

1341
01:09:41.199 --> 01:09:42.960
<v Speaker 4>I don't know wor well he was he was Hulkgan

1342
01:09:43.039 --> 01:09:43.800
<v Speaker 4>before he came to you?

1343
01:09:44.720 --> 01:09:47.560
<v Speaker 2>Was he? Yes? I don't know that.

1344
01:09:48.800 --> 01:09:51.000
<v Speaker 4>So the fact that you're not aware of it makes

1345
01:09:51.039 --> 01:09:52.680
<v Speaker 4>it not true from a legal perspective.

1346
01:09:52.720 --> 01:09:55.239
<v Speaker 2>I mean, I mean, but everybody somebody before they come

1347
01:09:55.239 --> 01:09:55.880
<v Speaker 2>to somebodace else.

1348
01:09:56.239 --> 01:09:58.840
<v Speaker 4>But he's the exact same guy that you're claiming dominion over,

1349
01:09:59.199 --> 01:10:00.760
<v Speaker 4>the exact same name and likeness.

1350
01:10:01.279 --> 01:10:03.640
<v Speaker 2>Is he under contract to anybody else? Does he work

1351
01:10:03.680 --> 01:10:06.199
<v Speaker 2>for anybody else? Have you read his contract? Do you

1352
01:10:06.319 --> 01:10:10.039
<v Speaker 2>know what the what the the the fine print reads. No, No,

1353
01:10:10.159 --> 01:10:14.560
<v Speaker 2>you don't, so you don't know what exactly his rights

1354
01:10:14.560 --> 01:10:16.600
<v Speaker 2>are lack thereof.

1355
01:10:16.840 --> 01:10:18.600
<v Speaker 4>He signed away his rights to say yes to a

1356
01:10:18.720 --> 01:10:21.520
<v Speaker 4>diet coke? Ad Is that what you're telling me is

1357
01:10:21.560 --> 01:10:22.239
<v Speaker 4>in that contract?

1358
01:10:22.640 --> 01:10:24.840
<v Speaker 2>That's neither here nor there. I'm not allowed to discuss

1359
01:10:24.880 --> 01:10:28.199
<v Speaker 2>these things. We do have, we do we practice very

1360
01:10:28.720 --> 01:10:32.039
<v Speaker 2>regularly uh, NDAs.

1361
01:10:34.720 --> 01:10:40.720
<v Speaker 4>We practice very regularly. NDAs McMahon says to the diet

1362
01:10:40.760 --> 01:10:43.000
<v Speaker 4>coke proposal, but I fully expect Coca Cola to come

1363
01:10:43.039 --> 01:10:44.800
<v Speaker 4>back with a better one. Right now. Everyone in the

1364
01:10:44.800 --> 01:10:46.560
<v Speaker 4>world wants whole Cogan, but we have to be careful

1365
01:10:46.560 --> 01:10:49.399
<v Speaker 4>about the burdout factor. We've been doing this for three generations.

1366
01:10:49.600 --> 01:10:53.359
<v Speaker 4>We're not looking for a quick book. That's so much,

1367
01:10:55.159 --> 01:10:58.039
<v Speaker 4>are you like? Well, okay, so he seems like it

1368
01:10:58.520 --> 01:11:01.319
<v Speaker 4>a lot of time. You want you want that money

1369
01:11:01.319 --> 01:11:04.880
<v Speaker 4>as fast as fucking possible. Yeah, that definitely seemed that way.

1370
01:11:05.000 --> 01:11:08.159
<v Speaker 4>I mean, you're on every fucking platform right money could

1371
01:11:08.159 --> 01:11:11.840
<v Speaker 4>buy you put the record out just all over the place.

1372
01:11:12.720 --> 01:11:15.399
<v Speaker 4>What a time, What a time to be a fan

1373
01:11:16.439 --> 01:11:19.159
<v Speaker 4>and to see these things that are happening and transforming

1374
01:11:19.600 --> 01:11:23.359
<v Speaker 4>the industry. Well, we talked about Fuji, Vice and oh

1375
01:11:23.479 --> 01:11:26.239
<v Speaker 4>God in a lot of ways, this is the one.

1376
01:11:26.359 --> 01:11:29.199
<v Speaker 4>This is where we have to, you know, focus on

1377
01:11:29.319 --> 01:11:31.359
<v Speaker 4>what so many fans remember as one of the most

1378
01:11:31.399 --> 01:11:35.359
<v Speaker 4>bizarre things they really ever did. And he's talked about it.

1379
01:11:35.439 --> 01:11:38.319
<v Speaker 4>Don Rocco has in a series of interviews over the years.

1380
01:11:39.039 --> 01:11:43.560
<v Speaker 4>As he told here. A YouTube channel called a rewind

1381
01:11:43.720 --> 01:11:48.119
<v Speaker 4>Recap relive. It all came from a soap opera that

1382
01:11:48.399 --> 01:11:50.760
<v Speaker 4>was on television for like forty years. Have you ever

1383
01:11:50.840 --> 01:11:55.039
<v Speaker 4>heard We've talked about it once before when we reviewed

1384
01:11:55.039 --> 01:11:59.560
<v Speaker 4>a Colisseum video that included the reference to this show.

1385
01:11:59.600 --> 01:12:02.680
<v Speaker 4>It was called Search for Tomorrow? Have you ever heard

1386
01:12:02.680 --> 01:12:03.600
<v Speaker 4>of Search for Tomorrow?

1387
01:12:04.159 --> 01:12:04.199
<v Speaker 6>No?

1388
01:12:12.640 --> 01:12:15.600
<v Speaker 3>Canty? Thank god? You're all right? What are you doing here?

1389
01:12:15.720 --> 01:12:16.640
<v Speaker 6>Your life is in danger?

1390
01:12:16.680 --> 01:12:17.399
<v Speaker 3>There ought to kill you.

1391
01:12:19.840 --> 01:12:23.119
<v Speaker 7>Don't miss Search for Tomorrow twelve thirty Eastern eleven thirty Central,

1392
01:12:23.199 --> 01:12:24.079
<v Speaker 7>nine Pacific.

1393
01:12:26.199 --> 01:12:27.920
<v Speaker 4>A true soap that was on the air for like

1394
01:12:28.000 --> 01:12:30.760
<v Speaker 4>forty years. I mentioned from the fifties till eighty six. Yeah,

1395
01:12:31.119 --> 01:12:33.720
<v Speaker 4>and it's that soap opera that Don Morocco and Hulkogan

1396
01:12:33.760 --> 01:12:35.720
<v Speaker 4>are on. I remember we watched that, or at least

1397
01:12:35.760 --> 01:12:38.840
<v Speaker 4>clips of it. Yes, yes, they were on Search for Tomorrow. Apparently,

1398
01:12:38.880 --> 01:12:41.319
<v Speaker 4>according to Don Morocco, Rowdy Roddy Piper, who was quite

1399
01:12:41.359 --> 01:12:43.359
<v Speaker 4>in demand at the time, was offered a spot on

1400
01:12:43.399 --> 01:12:44.840
<v Speaker 4>the soap and turned it down, and so they went

1401
01:12:44.880 --> 01:12:46.960
<v Speaker 4>with Hulk and Morocco at a time when they were

1402
01:12:47.000 --> 01:12:50.000
<v Speaker 4>actually on the road feuding for the WBF Championship. Morocco

1403
01:12:50.000 --> 01:12:51.840
<v Speaker 4>would come back to the WBF of course, you know,

1404
01:12:51.920 --> 01:12:53.920
<v Speaker 4>in the early eighties and late seventies, feuding with Bob

1405
01:12:54.000 --> 01:12:56.920
<v Speaker 4>Backland and Jimmy Snook and so many others, took a hiatus,

1406
01:12:57.000 --> 01:12:59.119
<v Speaker 4>went down to Georgia and then came back in with

1407
01:12:59.239 --> 01:13:01.600
<v Speaker 4>a piper. Actually I mean not at the exact same time,

1408
01:13:01.680 --> 01:13:05.720
<v Speaker 4>but from Georgia both came and yeah, they this is

1409
01:13:05.720 --> 01:13:07.760
<v Speaker 4>where they linked him up with mister Fuji for the

1410
01:13:07.800 --> 01:13:10.399
<v Speaker 4>first time. Morocco didn't have a manager early before. Maybe

1411
01:13:10.439 --> 01:13:13.279
<v Speaker 4>he did, but it wasn't mister Fuji. And they've now

1412
01:13:13.359 --> 01:13:16.640
<v Speaker 4>rebade mister Fuji. Of course in the image of Oddball, right,

1413
01:13:16.720 --> 01:13:20.920
<v Speaker 4>that's an odd job, that's what we're seeing. That's what

1414
01:13:20.960 --> 01:13:24.479
<v Speaker 4>he's supposed to be at. Yeah, more or less as

1415
01:13:24.720 --> 01:13:31.159
<v Speaker 4>any studious listener under the ciniment. A very scrawny odd job,

1416
01:13:31.680 --> 01:13:35.119
<v Speaker 4>very scronny, very scornny, indeed, And so that's search for tomorrow.

1417
01:13:35.239 --> 01:13:38.880
<v Speaker 4>And so according to Morocco, they got it. They got

1418
01:13:38.920 --> 01:13:40.880
<v Speaker 4>on that show, and that gave Vince the idea of

1419
01:13:41.000 --> 01:13:43.680
<v Speaker 4>doing basically, you know, a campy in house version of

1420
01:13:43.760 --> 01:13:46.960
<v Speaker 4>a soap opera episode with some of his talent. Of course,

1421
01:13:47.000 --> 01:13:49.119
<v Speaker 4>Fuji Vice to take off on Miami Vice which was

1422
01:13:49.119 --> 01:13:50.920
<v Speaker 4>one of the hottest shows on television at the time,

1423
01:13:51.560 --> 01:13:55.359
<v Speaker 4>these Miami based cops Don Johnson and who's the other guy?

1424
01:13:57.000 --> 01:13:58.680
<v Speaker 2>Oh god, I can think of you, Mike Tyson. I

1425
01:13:58.720 --> 01:14:01.880
<v Speaker 2>think it was exactly you know, Mike Tyson.

1426
01:14:01.640 --> 01:14:06.000
<v Speaker 4>Investigating nightclub and illicit drug related crime in Miami. And

1427
01:14:06.079 --> 01:14:09.439
<v Speaker 4>so they thought would be hilarious to uh, basically remake

1428
01:14:09.520 --> 01:14:12.159
<v Speaker 4>Don Morocco and mister Fuji as a couple of crime

1429
01:14:12.479 --> 01:14:15.000
<v Speaker 4>investigating detectives like some narcotics units.

1430
01:14:15.199 --> 01:14:16.880
<v Speaker 2>Guys, what's wrong with that? Sounds great?

1431
01:14:16.920 --> 01:14:19.439
<v Speaker 4>Agreed, one hundred percent agreed. And it was always a

1432
01:14:19.520 --> 01:14:22.079
<v Speaker 4>huge mystery to me, you know, like where was this

1433
01:14:22.439 --> 01:14:25.119
<v Speaker 4>Like where was this film? Ye, you can see you

1434
01:14:25.199 --> 01:14:26.560
<v Speaker 4>can look it up pretty easy that it was shot

1435
01:14:26.600 --> 01:14:28.239
<v Speaker 4>in Baltimore. But that's not enough for me.

1436
01:14:28.359 --> 01:14:31.600
<v Speaker 2>I need more, right, absolutely, you need way more than that.

1437
01:14:31.960 --> 01:14:34.600
<v Speaker 4>Don Morocco, I'm talking to a James Morrero Romero on

1438
01:14:34.600 --> 01:14:36.000
<v Speaker 4>the Wrestling Shoot Interviews page.

1439
01:14:36.199 --> 01:14:41.600
<v Speaker 6>Hey, uh, Search for Tomorrow was was was evidently a

1440
01:14:41.720 --> 01:14:46.479
<v Speaker 6>popular soap at the time. So they had Paul Hogan

1441
01:14:46.800 --> 01:14:50.640
<v Speaker 6>coming to that town to wrestle myself, you know, and

1442
01:14:50.760 --> 01:14:54.840
<v Speaker 6>I it was like it took like a few couple

1443
01:14:54.880 --> 01:14:57.359
<v Speaker 6>of hours to do was fast, you know, and it

1444
01:14:57.520 --> 01:14:59.640
<v Speaker 6>ended up being about you know, two weeks of uh,

1445
01:15:00.199 --> 01:15:02.359
<v Speaker 6>two weeks of shows. You know that I broke up

1446
01:15:02.399 --> 01:15:05.680
<v Speaker 6>the TV station, you know, did a few things and

1447
01:15:05.960 --> 01:15:09.880
<v Speaker 6>that's h and that that's how that So Vince, Vince

1448
01:15:09.960 --> 01:15:12.319
<v Speaker 6>got in his mind somehow that he was gonna you know,

1449
01:15:12.680 --> 01:15:16.239
<v Speaker 6>start doing his own uh doing his own own shows.

1450
01:15:17.399 --> 01:15:17.600
<v Speaker 2>Yeah.

1451
01:15:17.920 --> 01:15:20.119
<v Speaker 6>Yeah, so you know what what what Vince saw with

1452
01:15:20.279 --> 01:15:23.279
<v Speaker 6>Vince said in his you know then that Vince want

1453
01:15:23.479 --> 01:15:24.479
<v Speaker 6>Vince Scott.

1454
01:15:24.279 --> 01:15:28.199
<v Speaker 3>You know, yeah, yeah, and you like doing those. You

1455
01:15:28.359 --> 01:15:29.720
<v Speaker 3>enjoyed that, having fun with food.

1456
01:15:30.760 --> 01:15:34.119
<v Speaker 6>Yeah, They're they're fun, They're okay, they're their extra work,

1457
01:15:34.159 --> 01:15:37.119
<v Speaker 6>you know. They they didn't they didn't carve out any

1458
01:15:37.199 --> 01:15:38.199
<v Speaker 6>time so we could do that.

1459
01:15:38.359 --> 01:15:38.520
<v Speaker 2>You know.

1460
01:15:39.359 --> 01:15:44.239
<v Speaker 7>That was aside from aside from making our regular regular appearances,

1461
01:15:44.319 --> 01:15:48.319
<v Speaker 7>you know, where we were booked on a daily schedule

1462
01:15:48.920 --> 01:15:54.119
<v Speaker 7>doing those and then uh, squeezing, squeezing those Uh most

1463
01:15:54.159 --> 01:15:56.880
<v Speaker 7>of them were done in Baltimore on that Tuesday night

1464
01:15:56.920 --> 01:15:59.000
<v Speaker 7>and Tuesday night tight and but a lot of them

1465
01:15:59.039 --> 01:16:02.880
<v Speaker 7>were done uh you know, on the move on location.

1466
01:16:03.720 --> 01:16:03.840
<v Speaker 2>Right.

1467
01:16:03.920 --> 01:16:06.399
<v Speaker 4>So we talked about the Inn studio stuff being done

1468
01:16:06.439 --> 01:16:08.600
<v Speaker 4>in Baltimore, but they would shoot like you know the

1469
01:16:08.640 --> 01:16:11.000
<v Speaker 4>Hollywood scene we see in other things. They did Fuji chan,

1470
01:16:11.159 --> 01:16:14.359
<v Speaker 4>they did Fuji Bandido. There's a series of skits that

1471
01:16:14.439 --> 01:16:16.319
<v Speaker 4>were Fuji General is supposed to be a play on

1472
01:16:16.359 --> 01:16:19.359
<v Speaker 4>the General Hospital soap opera rights having fun with it

1473
01:16:19.399 --> 01:16:21.880
<v Speaker 4>and apologies that that wasn't the James ra Merrow interview

1474
01:16:21.920 --> 01:16:25.279
<v Speaker 4>that was the aforementioned rewind Recap Relive episode. There as

1475
01:16:25.319 --> 01:16:29.000
<v Speaker 4>he outlines house search for tomorrow led to Fuji Vice,

1476
01:16:29.199 --> 01:16:31.680
<v Speaker 4>he mentioned Baltimore, indeed Baltimore, but as we said, we

1477
01:16:31.800 --> 01:16:34.279
<v Speaker 4>need more from Baltimore. We need to know more. And

1478
01:16:34.359 --> 01:16:37.399
<v Speaker 4>I'm like, how can I how can I really zone

1479
01:16:37.439 --> 01:16:41.000
<v Speaker 4>in on where Fujivice was shot. I can't accept that

1480
01:16:41.079 --> 01:16:43.319
<v Speaker 4>it's just Ocean City, Maryland, any right, No, you.

1481
01:16:43.319 --> 01:16:49.600
<v Speaker 2>Need more than that. But there's too much there absolutely

1482
01:16:49.720 --> 01:16:51.439
<v Speaker 2>needs to be needs to be discovered. So what do

1483
01:16:51.479 --> 01:16:53.880
<v Speaker 2>we do here at t left Do we look for clues? Yes?

1484
01:16:54.159 --> 01:16:56.119
<v Speaker 4>Do we look for little things that nobody else has

1485
01:16:56.159 --> 01:16:58.960
<v Speaker 4>noticed that make it into frame. Do we notice that

1486
01:16:59.119 --> 01:17:02.720
<v Speaker 4>while mister Fuji and Don Morocco are investigating the supposed

1487
01:17:02.960 --> 01:17:06.119
<v Speaker 4>beach homicide that serves as the plot point of Fuji

1488
01:17:06.279 --> 01:17:09.560
<v Speaker 4>Vice that they open a barroom door at one point

1489
01:17:09.680 --> 01:17:13.680
<v Speaker 4>after supposedly having case the joint to interview witnesses, and

1490
01:17:13.800 --> 01:17:16.960
<v Speaker 4>on the door reads the sign Daisy's Wheelhouse.

1491
01:17:17.600 --> 01:17:19.319
<v Speaker 2>Yeah, does that take.

1492
01:17:19.239 --> 01:17:23.600
<v Speaker 4>Us right to nineteen Wakomiko Street, Ocean City, Island. Do

1493
01:17:23.680 --> 01:17:25.560
<v Speaker 4>we know the precise address? Yes we do. Does it

1494
01:17:25.640 --> 01:17:30.600
<v Speaker 4>sit today? Yes it does. It's now called the Crawl

1495
01:17:30.680 --> 01:17:33.520
<v Speaker 4>Street Tavern and it's right right on the boardwalk there

1496
01:17:33.560 --> 01:17:36.359
<v Speaker 4>at Ocean City and that is where they've shot all

1497
01:17:36.479 --> 01:17:38.840
<v Speaker 4>of this Fujivice stuff. Then you can look, you look

1498
01:17:38.880 --> 01:17:41.159
<v Speaker 4>through Google Maps and street View and you can start

1499
01:17:41.199 --> 01:17:44.239
<v Speaker 4>to piece together. Okay, yeah, there's that, there's that, And

1500
01:17:44.319 --> 01:17:47.640
<v Speaker 4>I'm trying to find, you know, references to Daisy's Wheelhouse,

1501
01:17:48.359 --> 01:17:50.039
<v Speaker 4>hoping it was some kind of landmark or some kind

1502
01:17:50.039 --> 01:17:52.239
<v Speaker 4>of legendary place. Not a lot on that front, But

1503
01:17:52.359 --> 01:17:55.119
<v Speaker 4>I did find something that we really need. Facebook group

1504
01:17:55.199 --> 01:17:57.279
<v Speaker 4>is called I Love Ocean City, Maryland, and it's got

1505
01:17:57.319 --> 01:18:02.239
<v Speaker 4>a an image of the Crawl Street Tavern and underneath

1506
01:18:02.279 --> 01:18:05.079
<v Speaker 4>it someone makes a comment, I'm sorry, it will always

1507
01:18:05.159 --> 01:18:08.960
<v Speaker 4>be Daisy's Wheelhouse to me. Yah, that's the confirmation your

1508
01:18:09.000 --> 01:18:10.920
<v Speaker 4>boys need on that fucking cash.

1509
01:18:11.159 --> 01:18:14.600
<v Speaker 2>What the fucking needs. Know what else you need?

1510
01:18:15.199 --> 01:18:17.640
<v Speaker 4>Someone responds to that comment with the following, Oh yes,

1511
01:18:17.760 --> 01:18:23.279
<v Speaker 4>love Daisy's wheelhouse back in the day. Unfortunately, crackheads started

1512
01:18:23.319 --> 01:18:25.720
<v Speaker 4>hanging in there and selling drugs out of that place.

1513
01:18:26.199 --> 01:18:30.479
<v Speaker 2>That's right, that's what I going. Listen, listen, come on, boss,

1514
01:18:30.600 --> 01:18:35.640
<v Speaker 2>fuck it. What else would it be? Why are we

1515
01:18:35.840 --> 01:18:42.880
<v Speaker 2>surprised our favorite places are going to get destroyed by

1516
01:18:43.039 --> 01:18:48.039
<v Speaker 2>crack dealers? Accept that you enjoy a restaurant. Is there

1517
01:18:48.039 --> 01:18:52.079
<v Speaker 2>a place you like near where you live? It's going

1518
01:18:52.159 --> 01:18:56.560
<v Speaker 2>to be destroyed by crack dealers. It's going to happen.

1519
01:18:57.520 --> 01:19:01.720
<v Speaker 2>The sooner you accept that, Wow, the sooner you can

1520
01:19:01.840 --> 01:19:02.880
<v Speaker 2>accept yourself.

1521
01:19:03.479 --> 01:19:07.319
<v Speaker 4>Holy shit. You know my first thought when I read

1522
01:19:07.359 --> 01:19:09.800
<v Speaker 4>that crackhead started hanging in there, and I was like, yeah,

1523
01:19:09.800 --> 01:19:13.800
<v Speaker 4>it was Don Morocco. She must have been there when

1524
01:19:13.800 --> 01:19:16.279
<v Speaker 4>they were shooting this thing. But it's kind of funny

1525
01:19:16.560 --> 01:19:18.600
<v Speaker 4>that Fuji Vice is supposed to be them investigating a

1526
01:19:18.680 --> 01:19:21.159
<v Speaker 4>drug murder and they go into a place that people

1527
01:19:21.279 --> 01:19:23.720
<v Speaker 4>remember being a fucking crack den. I think that's where

1528
01:19:25.000 --> 01:19:27.479
<v Speaker 4>we all their respect to the current proprietors. I'm not

1529
01:19:27.520 --> 01:19:30.560
<v Speaker 4>suggesting that's still the case, but yeah, I don't know.

1530
01:19:30.640 --> 01:19:32.600
<v Speaker 4>I never never thought I'd ended up wanting to go

1531
01:19:32.680 --> 01:19:34.800
<v Speaker 4>to the Ocean City boardwalk. But here we are, Boss.

1532
01:19:34.800 --> 01:19:36.560
<v Speaker 4>I think a lapse of pilgrimage may be in order

1533
01:19:36.600 --> 01:19:38.520
<v Speaker 4>at some point. I think so, now that we think so,

1534
01:19:38.680 --> 01:19:41.319
<v Speaker 4>now that we have coordinate, so to speak, maybe we'll

1535
01:19:41.319 --> 01:19:44.319
<v Speaker 4>get a ringer's roosts across from Allentown, PA, where there's

1536
01:19:44.359 --> 01:19:47.640
<v Speaker 4>some guy that remembers, you know, shooting Fuji Vice.

1537
01:19:48.239 --> 01:19:52.920
<v Speaker 2>Oh my god, yes, that's that's yes, yes, and.

1538
01:19:53.000 --> 01:19:56.279
<v Speaker 4>The aforementioned wrestling shoot interviews in it. Well, actually James

1539
01:19:56.399 --> 01:19:58.520
<v Speaker 4>Meiro does the wrestling shoot interview stuff, which are which

1540
01:19:58.560 --> 01:19:59.960
<v Speaker 4>are great and we exert from them all the time.

1541
01:20:00.439 --> 01:20:02.279
<v Speaker 4>But he did a podcast for a little while with

1542
01:20:02.399 --> 01:20:04.560
<v Speaker 4>with Morocco, kind of a regular series where they talk

1543
01:20:04.600 --> 01:20:07.159
<v Speaker 4>about odds and ends, theroers life and times. And here

1544
01:20:07.319 --> 01:20:09.560
<v Speaker 4>is them talking about how they put the show together

1545
01:20:09.680 --> 01:20:13.039
<v Speaker 4>and the logistics behind doing these skits and and vent

1546
01:20:13.159 --> 01:20:14.560
<v Speaker 4>securing the locations and such.

1547
01:20:15.199 --> 01:20:17.279
<v Speaker 3>I was in Hawaii. I was on vacation in Hawaii.

1548
01:20:17.319 --> 01:20:20.720
<v Speaker 6>I think I came back, come back for something, and

1549
01:20:21.399 --> 01:20:24.960
<v Speaker 6>what they called me to the office call you got

1550
01:20:25.039 --> 01:20:27.000
<v Speaker 6>to come back a couple of days. This has got

1551
01:20:27.079 --> 01:20:32.399
<v Speaker 6>this idea about another another another another Fuji episode. He

1552
01:20:32.439 --> 01:20:36.680
<v Speaker 6>wants to film and we changed your flights. I had

1553
01:20:36.680 --> 01:20:38.319
<v Speaker 6>my wife and two kids with me, I think at

1554
01:20:38.319 --> 01:20:42.920
<v Speaker 6>the time, and you guys are inside the boat. Oh,

1555
01:20:42.960 --> 01:20:43.640
<v Speaker 6>they were in the boat.

1556
01:20:44.119 --> 01:20:46.640
<v Speaker 3>So I had my wife. They changed my flight.

1557
01:20:46.760 --> 01:20:48.960
<v Speaker 6>I was going back to Newark because I was living

1558
01:20:49.000 --> 01:20:51.079
<v Speaker 6>in Jersey, so they changed my flights to bolt the

1559
01:20:51.760 --> 01:20:55.199
<v Speaker 6>back to Baltimore. I had a limo wait waiting there,

1560
01:20:55.279 --> 01:20:59.920
<v Speaker 6>picked me in my family up, took us to Ocean City, Maryland,

1561
01:21:00.000 --> 01:21:02.640
<v Speaker 6>were filming. We were filming that, and it took me

1562
01:21:02.760 --> 01:21:06.439
<v Speaker 6>right to a nightclub. Did did Vincent? There was evidently

1563
01:21:06.520 --> 01:21:10.159
<v Speaker 6>closed for the night or Vincent bought the whole uh,

1564
01:21:10.760 --> 01:21:13.159
<v Speaker 6>the whole nightclub for the night. So they took me

1565
01:21:13.239 --> 01:21:14.760
<v Speaker 6>and drop my family off the hotel.

1566
01:21:16.039 --> 01:21:18.079
<v Speaker 3>Stay in the car. We're going, we're going here to film.

1567
01:21:18.119 --> 01:21:22.520
<v Speaker 6>So in we go to the nightclub, uh this nightclub,

1568
01:21:22.600 --> 01:21:25.000
<v Speaker 6>and they give me you know, that was it, you know,

1569
01:21:25.680 --> 01:21:28.880
<v Speaker 6>the lines, camera action that was you know, that was it.

1570
01:21:29.039 --> 01:21:32.199
<v Speaker 6>That was the start of food device. Then the other

1571
01:21:32.279 --> 01:21:35.279
<v Speaker 6>scenes that they were compiled together that they had, but

1572
01:21:35.399 --> 01:21:39.239
<v Speaker 6>it started. I just I got off the plane in Baltimore,

1573
01:21:40.359 --> 01:21:44.279
<v Speaker 6>took the limo to Ocean City, got my family off

1574
01:21:44.359 --> 01:21:47.119
<v Speaker 6>at whatever hotel where I was, you know, and then

1575
01:21:47.159 --> 01:21:50.159
<v Speaker 6>I went straight to the nightclub and we started filming

1576
01:21:50.159 --> 01:21:54.039
<v Speaker 6>about this but eight nine, ten a night, and work

1577
01:21:54.199 --> 01:21:57.760
<v Speaker 6>worked into the in the morning, and and then started

1578
01:21:57.800 --> 01:21:59.560
<v Speaker 6>again in a couple next next day or so.

1579
01:22:00.600 --> 01:22:21.119
<v Speaker 1>It's the lapsan wrestling podcast, the wrestling podcast that knows

1580
01:22:21.199 --> 01:22:43.520
<v Speaker 1>the boys need their candy. It's the Lapsed Fan. He's

1581
01:22:43.600 --> 01:22:48.239
<v Speaker 1>a Lapsed Fan wrestling podcast with Jack and Carnacio and Jpi.

1582
01:22:48.359 --> 01:22:50.680
<v Speaker 4>Soo man to be a fly on the wall for

1583
01:22:50.760 --> 01:22:53.600
<v Speaker 4>these like experimental vignettes. They don't even know what they're doing,

1584
01:22:53.720 --> 01:22:56.560
<v Speaker 4>you know. No, no, they're just trying to like on

1585
01:22:56.720 --> 01:22:59.600
<v Speaker 4>a women a prayer, make something funny and just to

1586
01:22:59.640 --> 01:23:01.039
<v Speaker 4>be in the room. While Vince is like, you know,

1587
01:23:01.159 --> 01:23:03.479
<v Speaker 4>making a square gesture with his two hands, like this

1588
01:23:03.600 --> 01:23:05.840
<v Speaker 4>is what I want in the frame, and oh god,

1589
01:23:06.560 --> 01:23:09.039
<v Speaker 4>it must have been such wild, such loose times.

1590
01:23:08.800 --> 01:23:11.359
<v Speaker 2>You know what we're trying to tell visually, hears we're

1591
01:23:11.359 --> 01:23:17.239
<v Speaker 2>trying to create a scene, which is kind of well,

1592
01:23:18.600 --> 01:23:21.159
<v Speaker 2>not only are we are we projecting the scene that

1593
01:23:21.600 --> 01:23:23.000
<v Speaker 2>you know people are going to see, but really what

1594
01:23:23.119 --> 01:23:26.399
<v Speaker 2>it is we're trying to create an element of subtext, right,

1595
01:23:26.560 --> 01:23:30.079
<v Speaker 2>a subtextual nature to this experience.

1596
01:23:35.640 --> 01:23:38.760
<v Speaker 4>And as he explains, like it just became money because

1597
01:23:38.800 --> 01:23:41.079
<v Speaker 4>Fuji would just flub these lines in ways that you

1598
01:23:41.199 --> 01:23:43.720
<v Speaker 4>had to keep Like at one point he had to

1599
01:23:43.800 --> 01:23:46.359
<v Speaker 4>say stand the test of time, and he said stand

1600
01:23:46.439 --> 01:23:47.399
<v Speaker 4>the taste of time.

1601
01:23:47.800 --> 01:23:50.439
<v Speaker 2>Yes, yes, and they kept it in and that was.

1602
01:23:50.479 --> 01:23:53.800
<v Speaker 4>Like Nelson Schwegler's thing. According to Morocco, Swegler, I guess

1603
01:23:53.920 --> 01:23:56.439
<v Speaker 4>was kind of like a supervising producer for these sketches,

1604
01:23:56.520 --> 01:23:58.520
<v Speaker 4>and uh, it would make the call that you know,

1605
01:23:58.880 --> 01:24:00.720
<v Speaker 4>we just we don't have to script Fuji, we don't

1606
01:24:00.760 --> 01:24:02.319
<v Speaker 4>have to have him take it again. Just the fact

1607
01:24:02.359 --> 01:24:06.479
<v Speaker 4>that he's fumbling over these English words is just perfect.

1608
01:24:06.640 --> 01:24:09.359
<v Speaker 4>And I mean, the guy, the guy is tremendous in

1609
01:24:09.439 --> 01:24:12.920
<v Speaker 4>these in his own way, like he I mean, mister Fuji,

1610
01:24:13.239 --> 01:24:17.239
<v Speaker 4>you know, will investigate what I mean that that that

1611
01:24:17.520 --> 01:24:21.640
<v Speaker 4>that bleeds through on these things, I think. And so

1612
01:24:21.800 --> 01:24:25.119
<v Speaker 4>as we uh we pause to consider, uh Fuji, we

1613
01:24:25.239 --> 01:24:26.720
<v Speaker 4>turned first to Don Morocco.

1614
01:24:27.039 --> 01:24:29.279
<v Speaker 6>It's just it was good, you know, it was it

1615
01:24:29.399 --> 01:24:32.479
<v Speaker 6>was actually fun doing it. You know, they would we're

1616
01:24:32.479 --> 01:24:36.079
<v Speaker 6>talking about Fuji. They never they didn't. They never they

1617
01:24:36.199 --> 01:24:39.720
<v Speaker 6>never put a script. They had, you know, a suggestion,

1618
01:24:39.920 --> 01:24:43.439
<v Speaker 6>you know, lines, they had lines, you know, lines for Fuji,

1619
01:24:43.520 --> 01:24:44.960
<v Speaker 6>but they never they never held them.

1620
01:24:45.560 --> 01:24:48.119
<v Speaker 3>They never held him to his lines. And the Nelson,

1621
01:24:48.520 --> 01:24:49.880
<v Speaker 3>the guys, the guys named.

1622
01:24:49.720 --> 01:24:50.000
<v Speaker 2>It that.

1623
01:24:52.079 --> 01:24:55.079
<v Speaker 6>That's film that the producer, the director of the show,

1624
01:24:55.560 --> 01:24:57.840
<v Speaker 6>he says, we give him, mister Fuji, we give him

1625
01:24:57.880 --> 01:25:00.840
<v Speaker 6>the script, but we don't, you know whatever or is

1626
01:25:00.880 --> 01:25:05.800
<v Speaker 6>there's one thing, uh was stand the test of time?

1627
01:25:06.560 --> 01:25:10.439
<v Speaker 6>That that that uh Fuji goes, yes, yes, this will

1628
01:25:10.640 --> 01:25:13.680
<v Speaker 6>was stand the taste of time. Instead they let it.

1629
01:25:14.000 --> 01:25:16.079
<v Speaker 6>They let it go, you know, you know, there was

1630
01:25:16.479 --> 01:25:18.359
<v Speaker 6>all that stuff was just brilliant. You know, it just

1631
01:25:18.840 --> 01:25:21.399
<v Speaker 6>it's just it's just and it was natural. It was

1632
01:25:21.479 --> 01:25:24.640
<v Speaker 6>just you know, and and it wasn't it wasn't planned,

1633
01:25:24.720 --> 01:25:25.680
<v Speaker 6>It wasn't suggested.

1634
01:25:26.920 --> 01:25:27.159
<v Speaker 3>Okay.

1635
01:25:27.279 --> 01:25:30.159
<v Speaker 6>I remember I was back here. My wife, my wife

1636
01:25:30.239 --> 01:25:33.960
<v Speaker 6>was having a baby. Uh my wife, my wife was pregnant.

1637
01:25:34.000 --> 01:25:36.359
<v Speaker 6>In fact, there was my my daughter has put that

1638
01:25:36.479 --> 01:25:39.479
<v Speaker 6>shot up. But I got two or three girls robbing

1639
01:25:39.560 --> 01:25:41.279
<v Speaker 6>me down on the beach and stuff. My ol lady

1640
01:25:41.319 --> 01:25:45.159
<v Speaker 6>sitting at home, nine muths pregnant. All that stuff's going up.

1641
01:25:45.680 --> 01:25:50.159
<v Speaker 4>Yes, they would roll out a photo shoot of Morocco being.

1642
01:25:50.000 --> 01:25:54.439
<v Speaker 2>All you know to do you mind? Yeah? You do

1643
01:25:54.479 --> 01:25:57.880
<v Speaker 2>you mind? Joining? You know, giving my hand job on

1644
01:25:57.920 --> 01:26:01.359
<v Speaker 2>a camera? Can we see that? Please? I actually get

1645
01:26:01.399 --> 01:26:02.520
<v Speaker 2>a preview right now?

1646
01:26:02.760 --> 01:26:04.680
<v Speaker 4>All right, ladies, finish them off.

1647
01:26:04.840 --> 01:26:09.720
<v Speaker 2>Ladies, ladies, we all need a happy ending here, a

1648
01:26:09.760 --> 01:26:12.560
<v Speaker 2>happy ending for this skid. Get to it.

1649
01:26:13.039 --> 01:26:16.479
<v Speaker 4>Six minutes later, there's a pathetic puddle of cum in

1650
01:26:16.680 --> 01:26:24.560
<v Speaker 4>Morocco's belly button. Oh no, yeah, exactly. I ever knew

1651
01:26:24.600 --> 01:26:28.439
<v Speaker 4>that the best way to get a Morocco impression is

1652
01:26:28.479 --> 01:26:34.079
<v Speaker 4>to go to Burt. Oh, Jesus Christ, you gotta looks

1653
01:26:34.119 --> 01:26:37.399
<v Speaker 4>like Burt, doesn't he Ernie? Just to touch both of

1654
01:26:37.399 --> 01:26:39.479
<v Speaker 4>them put together. He's got the eyebrows of Burt and

1655
01:26:39.560 --> 01:26:41.319
<v Speaker 4>the ship shape of Ernie.

1656
01:26:41.760 --> 01:26:44.880
<v Speaker 6>And uh and the uh.

1657
01:26:46.720 --> 01:26:50.920
<v Speaker 2>The size of the hair of a big pussy from

1658
01:26:58.960 --> 01:27:03.119
<v Speaker 2>nailed it good unseeing that one friend Vini Pastori. You

1659
01:27:03.159 --> 01:27:11.600
<v Speaker 2>got that right, Jesus Christ in a poke story, Oh

1660
01:27:11.720 --> 01:27:12.159
<v Speaker 2>my god.

1661
01:27:12.359 --> 01:27:14.000
<v Speaker 4>Yeah. So they would do the vignettes with him on

1662
01:27:14.039 --> 01:27:16.159
<v Speaker 4>the beach and the surf and all the girls rubbing

1663
01:27:16.199 --> 01:27:18.359
<v Speaker 4>him down. The models they hired, and they did a

1664
01:27:18.439 --> 01:27:21.199
<v Speaker 4>photo spread of the magazine. That was their reintroduction of

1665
01:27:21.279 --> 01:27:23.600
<v Speaker 4>Don Morocco for the rock and wrestling era, and they

1666
01:27:23.640 --> 01:27:25.279
<v Speaker 4>talk about it a lot in the pages of the magazine.

1667
01:27:25.319 --> 01:27:27.600
<v Speaker 4>Will get to it, but it's funny you mentioned happy

1668
01:27:27.720 --> 01:27:32.920
<v Speaker 4>endings and him absolutely bursting a nut, erupting like a

1669
01:27:32.960 --> 01:27:37.960
<v Speaker 4>Hawaiian volcano on the table. He did talk about a

1670
01:27:38.000 --> 01:27:41.199
<v Speaker 4>scene that's also included in this Colisseum home video release,

1671
01:27:41.359 --> 01:27:45.359
<v Speaker 4>WWF's Most Explosive TNT Show where he's being oiled down

1672
01:27:45.439 --> 01:27:49.119
<v Speaker 4>on the set of TNT. Remember this. It's laying stomach

1673
01:27:49.239 --> 01:27:52.239
<v Speaker 4>down on the sets. Yes, got the towel across his ass,

1674
01:27:52.279 --> 01:27:55.920
<v Speaker 4>and he's got these tube women oiling him down. You

1675
01:27:56.000 --> 01:27:58.359
<v Speaker 4>can kind of tell that it's kind of going off

1676
01:27:58.399 --> 01:28:01.439
<v Speaker 4>the rails in terms of Morocco expects to be happening.

1677
01:28:01.520 --> 01:28:03.560
<v Speaker 4>You can tell he's being oiled a little more liberally

1678
01:28:03.640 --> 01:28:08.000
<v Speaker 4>than he expected. Yes, because somehow, some way, ever the river,

1679
01:28:08.199 --> 01:28:10.680
<v Speaker 4>mister Fuji ends up being the one in possession of

1680
01:28:10.800 --> 01:28:14.880
<v Speaker 4>the baby oil course, and things get very Fuji from there.

1681
01:28:16.199 --> 01:28:20.640
<v Speaker 6>Two twins from the old Penhouse magazine and they're a

1682
01:28:20.680 --> 01:28:25.039
<v Speaker 6>nice looking girl, big you know things. And I got

1683
01:28:25.119 --> 01:28:28.359
<v Speaker 6>down there and me and Vince had this big table,

1684
01:28:28.479 --> 01:28:31.239
<v Speaker 6>you know, like a massage table set up, and you know,

1685
01:28:31.720 --> 01:28:34.640
<v Speaker 6>you people are you know, condescending.

1686
01:28:34.880 --> 01:28:36.560
<v Speaker 3>You know, people are so stupid.

1687
01:28:36.600 --> 01:28:38.840
<v Speaker 6>I'm gonna teach you how to how to take a

1688
01:28:38.920 --> 01:28:42.239
<v Speaker 6>proper suntan, but which wasn't a bad idea. And he

1689
01:28:42.319 --> 01:28:46.800
<v Speaker 6>had the two uh, the twin, the twin twin centerfold

1690
01:28:46.880 --> 01:28:50.199
<v Speaker 6>girls rubbing the oil on me, which would have been great.

1691
01:28:50.279 --> 01:28:53.119
<v Speaker 6>He even had the massaging my feet, which would have

1692
01:28:53.159 --> 01:28:56.279
<v Speaker 6>been wonderful if havn't had been Fuji holding the bottle

1693
01:28:56.479 --> 01:28:59.520
<v Speaker 6>of baby oil, which you know completely you know, ruined

1694
01:28:59.560 --> 01:29:02.920
<v Speaker 6>my my experience, you know, because I'm I'm laying my

1695
01:29:03.039 --> 01:29:08.720
<v Speaker 6>back and okay, you can stop now. You know there's

1696
01:29:08.720 --> 01:29:12.199
<v Speaker 6>this puddle. And there was no shower in that Baltimore

1697
01:29:12.319 --> 01:29:15.159
<v Speaker 6>studio either, so this is just just just I'm just

1698
01:29:15.600 --> 01:29:19.279
<v Speaker 6>covered with oil. I've covered with baby on it, just

1699
01:29:19.880 --> 01:29:22.600
<v Speaker 6>you know, just to be a puddle of baby on

1700
01:29:22.800 --> 01:29:27.239
<v Speaker 6>my back and these two uh twin centerfolds that you

1701
01:29:27.319 --> 01:29:30.199
<v Speaker 6>have to come in and rub the oil all over

1702
01:29:30.319 --> 01:29:33.000
<v Speaker 6>me and rub my you know, on my feet, you know.

1703
01:29:33.000 --> 01:29:34.640
<v Speaker 6>And I got out of that thing. I was just

1704
01:29:35.399 --> 01:29:37.720
<v Speaker 6>all day long, I was biting myself down and I

1705
01:29:37.760 --> 01:29:40.319
<v Speaker 6>couldn't you know, I was just soaked with oil as

1706
01:29:40.359 --> 01:29:42.119
<v Speaker 6>a yeah.

1707
01:29:42.000 --> 01:29:42.359
<v Speaker 3>That's a.

1708
01:29:44.319 --> 01:29:47.680
<v Speaker 6>It's funnier on the inside. It wasn't funny. I'm just yeah,

1709
01:29:48.479 --> 01:29:51.399
<v Speaker 6>I'm biting my tongue the whole time. You know, there's

1710
01:29:51.439 --> 01:29:54.439
<v Speaker 6>a big you know, it wasn't a bottle of baby.

1711
01:29:54.600 --> 01:29:57.279
<v Speaker 6>It was one of those big, you know, sixteen thirty

1712
01:29:57.319 --> 01:30:01.159
<v Speaker 6>two ounce bottles, and then we use all that much

1713
01:30:01.239 --> 01:30:01.439
<v Speaker 6>of it.

1714
01:30:01.760 --> 01:30:04.600
<v Speaker 4>I mean, we're talking to a Diddy sized bottle of baby.

1715
01:30:07.640 --> 01:30:15.279
<v Speaker 2>What the fu Yeah, he's a very interesting storyteller. Yeah,

1716
01:30:15.279 --> 01:30:17.000
<v Speaker 2>I agree, I agree, mister.

1717
01:30:17.640 --> 01:30:19.680
<v Speaker 4>I mean, can you picture like being in that situation,

1718
01:30:19.880 --> 01:30:22.079
<v Speaker 4>like tapes rolling, like we're doing this, and then you

1719
01:30:22.199 --> 01:30:24.399
<v Speaker 4>realize Fuji is the one with the bottle of oil

1720
01:30:24.439 --> 01:30:27.039
<v Speaker 4>and you can't you can't stop him. He's going, you

1721
01:30:27.079 --> 01:30:29.880
<v Speaker 4>know what he's gonna do, He's gonna do it got

1722
01:30:29.920 --> 01:30:33.560
<v Speaker 4>six times heavier than is anywhere near necessary to achieve

1723
01:30:33.720 --> 01:30:36.159
<v Speaker 4>the goal of the skit. I wonder if these two

1724
01:30:36.199 --> 01:30:38.800
<v Speaker 4>women that we see on this skit are penthouse models,

1725
01:30:38.840 --> 01:30:40.159
<v Speaker 4>like he remembers or not. I don't know.

1726
01:30:42.159 --> 01:30:45.439
<v Speaker 2>Yeah, I mean, I wouldn't put it past them for

1727
01:30:45.560 --> 01:30:46.880
<v Speaker 2>doing that, But honest.

1728
01:30:46.640 --> 01:30:48.640
<v Speaker 4>I do love the idea of Fuji just ah yes,

1729
01:30:48.800 --> 01:30:52.079
<v Speaker 4>and applying all all of this ah.

1730
01:30:55.359 --> 01:31:04.399
<v Speaker 2>Ah, my Oko, he called Don Morocco by yokozuna, ah

1731
01:31:05.319 --> 01:31:07.560
<v Speaker 2>baby oil ah.

1732
01:31:08.760 --> 01:31:13.520
<v Speaker 4>Thus, thus the highly entertaining alliance between Don Morocco and

1733
01:31:13.600 --> 01:31:15.920
<v Speaker 4>mister Fuji is born and in large part on the

1734
01:31:16.000 --> 01:31:19.199
<v Speaker 4>set of Tuesday Night Titans and during sketches that premiered

1735
01:31:19.399 --> 01:31:21.720
<v Speaker 4>on the course of the broadcast and are featured here

1736
01:31:21.840 --> 01:31:24.079
<v Speaker 4>on the Coliseum home video release. I want you to

1737
01:31:24.159 --> 01:31:26.159
<v Speaker 4>go back, boss, if you could, to the February third,

1738
01:31:26.199 --> 01:31:29.600
<v Speaker 4>eighty five WWF magazine that we've already read. Yes, we

1739
01:31:29.720 --> 01:31:32.920
<v Speaker 4>go on past the Tuesday Titans article that you have

1740
01:31:33.000 --> 01:31:35.159
<v Speaker 4>already shared with the Solar System. Go over to page twenty,

1741
01:31:35.399 --> 01:31:38.079
<v Speaker 4>because yes, I'm very glad you were warming up your

1742
01:31:38.119 --> 01:31:42.720
<v Speaker 4>Fuji pipes. It's time for a WWF magazine feature in

1743
01:31:42.760 --> 01:31:46.000
<v Speaker 4>which mister has interviewed about the nature of his newfound

1744
01:31:46.000 --> 01:31:49.640
<v Speaker 4>alliance with Don Morocco that is so spectacularly featured on

1745
01:31:50.199 --> 01:31:55.239
<v Speaker 4>WWF's most explosive TNT show. And I'll be your your questioner,

1746
01:31:55.399 --> 01:31:58.560
<v Speaker 4>and you I'll read the walk up here and Harry

1747
01:31:58.560 --> 01:32:03.520
<v Speaker 4>Fujiwara himself we'll be answering questions in the time period.

1748
01:32:04.399 --> 01:32:07.000
<v Speaker 4>The name Don Morocco conjures up many images or fans

1749
01:32:07.039 --> 01:32:09.640
<v Speaker 4>in the World Wrestling Federation. Morocco's fierce and long battle

1750
01:32:09.680 --> 01:32:12.520
<v Speaker 4>with Jimmy Superfly Snooker will probably never be forgotten for

1751
01:32:12.560 --> 01:32:15.079
<v Speaker 4>any WWF visionados who follow the course of that event.

1752
01:32:15.720 --> 01:32:20.039
<v Speaker 4>That's Vince in his most despicable nature. Hip there is

1753
01:32:20.479 --> 01:32:23.520
<v Speaker 4>Morocco insulted Superfly with an expression known only in Snook's

1754
01:32:23.560 --> 01:32:26.560
<v Speaker 4>native Fijian tongue. It's just the kind of fellow Morocco is.

1755
01:32:26.760 --> 01:32:28.880
<v Speaker 4>He reaches inside a man and finds the things which

1756
01:32:28.920 --> 01:32:31.039
<v Speaker 4>are dearest to him, then he uses those things as

1757
01:32:31.079 --> 01:32:34.359
<v Speaker 4>points of vulnerability. If Morocco discovered that a man is

1758
01:32:34.439 --> 01:32:37.359
<v Speaker 4>extremely fond of his younger sister, then Morocco, in order

1759
01:32:37.359 --> 01:32:40.000
<v Speaker 4>to get inside the man's skin, would constantly degrade the

1760
01:32:40.079 --> 01:32:45.600
<v Speaker 4>man's sister. As Vince continues to sketch out ideas in

1761
01:32:45.640 --> 01:32:50.960
<v Speaker 4>the pages of his own magazine, what if Morocco found

1762
01:32:51.000 --> 01:32:54.800
<v Speaker 4>out a man wanted his sister, he would degrade that

1763
01:32:54.960 --> 01:32:58.600
<v Speaker 4>man's sister, right like you want my sister. Well, I'm

1764
01:32:58.600 --> 01:33:02.039
<v Speaker 4>going to talk bad about your sister, Okay, great stuff

1765
01:33:02.319 --> 01:33:05.239
<v Speaker 4>is what I'm trying to say, great copy. If Morocco

1766
01:33:05.319 --> 01:33:06.600
<v Speaker 4>knew that one of his opponents was a.

1767
01:33:06.640 --> 01:33:10.560
<v Speaker 2>Dog honestly, honestly, they said, if Morocco discovered that that

1768
01:33:10.680 --> 01:33:13.079
<v Speaker 2>a man is extremely fond of his younger sister, then Morocco,

1769
01:33:13.119 --> 01:33:15.960
<v Speaker 2>in order to get inside the man's skin, would constantly

1770
01:33:16.000 --> 01:33:19.399
<v Speaker 2>degrade the man's sister. It's great, what are your thoughts

1771
01:33:19.439 --> 01:33:20.680
<v Speaker 2>on that? Please let us know.

1772
01:33:22.560 --> 01:33:27.640
<v Speaker 4>Right to forty second Street, wherever they'll calls care of

1773
01:33:27.760 --> 01:33:31.199
<v Speaker 4>Arthur Morowitz, wherever his name was. If Morocco knew that

1774
01:33:31.239 --> 01:33:33.079
<v Speaker 4>one of his opponents was a dog lover, then Morocco

1775
01:33:33.159 --> 01:33:35.000
<v Speaker 4>might do something like kick every dog in sight in

1776
01:33:35.039 --> 01:33:37.000
<v Speaker 4>front of the guy, just to get him enraged, such

1777
01:33:37.000 --> 01:33:39.039
<v Speaker 4>as the nature of Well, Fuji can do something about

1778
01:33:39.079 --> 01:33:41.960
<v Speaker 4>that too, such as the nature of Don Morocco. He

1779
01:33:42.039 --> 01:33:44.399
<v Speaker 4>seems to be without conscience and without morals. Who then

1780
01:33:44.479 --> 01:33:47.000
<v Speaker 4>could be better as Morocco's manager than the Master of

1781
01:33:47.079 --> 01:33:50.840
<v Speaker 4>pain himself, mister Fuji with his sadistic laugh, master of pain?

1782
01:33:51.079 --> 01:33:53.800
<v Speaker 4>Who's ever called mister Fuji the master of pain?

1783
01:33:54.239 --> 01:33:54.439
<v Speaker 2>I know?

1784
01:33:54.840 --> 01:33:58.920
<v Speaker 4>With his sadistic laugh accompanied by the surliest of grins, Fuji, indeed,

1785
01:33:59.359 --> 01:34:03.640
<v Speaker 4>ah evinced with indeed is the perfect compliment to Morocco

1786
01:34:03.680 --> 01:34:06.239
<v Speaker 4>at ringside. But we haven't seen Morocco for a while,

1787
01:34:06.279 --> 01:34:09.000
<v Speaker 4>whereas he been. We've been told that after Santana defeated

1788
01:34:09.039 --> 01:34:11.800
<v Speaker 4>Morocco for the Intercontinental title, Morocco decided that he needed

1789
01:34:11.840 --> 01:34:14.600
<v Speaker 4>a rest and retreated to his native Hawaii to unwind

1790
01:34:14.680 --> 01:34:17.520
<v Speaker 4>and retrain for his wrestling future. You have to wonder

1791
01:34:17.840 --> 01:34:21.439
<v Speaker 4>if perhaps Morocco felt demoralized and totally defeated after the

1792
01:34:21.479 --> 01:34:24.119
<v Speaker 4>Tacula Mexico star defeated him for the title. After all,

1793
01:34:24.399 --> 01:34:26.760
<v Speaker 4>Morocco boasted that if he ever was defeated, it wouldn't

1794
01:34:26.760 --> 01:34:29.880
<v Speaker 4>be by the likes of Tito Santana. But Santana persevered,

1795
01:34:29.920 --> 01:34:32.560
<v Speaker 4>and he continued to challenge Morocco time and time again

1796
01:34:32.880 --> 01:34:36.800
<v Speaker 4>until yes, he finally was successful. Perhaps in Morocco's own mind,

1797
01:34:36.840 --> 01:34:39.119
<v Speaker 4>he couldn't stand the disgrace of defeat in the hands

1798
01:34:39.119 --> 01:34:41.800
<v Speaker 4>of a man who, he said over and over again

1799
01:34:42.000 --> 01:34:45.359
<v Speaker 4>was too inferior, too inexperienced, and definitely too much of

1800
01:34:45.399 --> 01:34:47.840
<v Speaker 4>a whimp to ever take the belt away from him.

1801
01:34:48.560 --> 01:34:51.079
<v Speaker 4>WWF Magazines tried in vain over the past several months

1802
01:34:51.119 --> 01:34:53.079
<v Speaker 4>to reach down Morocco at his home for an interview,

1803
01:34:53.359 --> 01:34:56.239
<v Speaker 4>but we were able to convince mister Fuji, his new manager,

1804
01:34:56.720 --> 01:35:01.800
<v Speaker 4>to discuss Morocco's future with us. Mister Fuji, how did

1805
01:35:01.840 --> 01:35:03.399
<v Speaker 4>you become Don Morocco's manager?

1806
01:35:03.920 --> 01:35:07.560
<v Speaker 2>Ah, Don has had very good managers in the past,

1807
01:35:08.079 --> 01:35:12.039
<v Speaker 2>and he was looking for something different myself. I have

1808
01:35:12.319 --> 01:35:15.079
<v Speaker 2>proved myself as a great wrestler. This is like he

1809
01:35:15.119 --> 01:35:18.399
<v Speaker 2>would not say these it's so bad. You know, it's

1810
01:35:18.439 --> 01:35:23.760
<v Speaker 2>so like he would. This is not at all. But

1811
01:35:24.800 --> 01:35:28.359
<v Speaker 2>now I am stepping out of the wrestling Lime Night.

1812
01:35:29.159 --> 01:35:32.880
<v Speaker 2>I am not backing down from my challenges. But mister

1813
01:35:33.039 --> 01:35:37.439
<v Speaker 2>Fuji's primary goal now is to be very good manager

1814
01:35:37.560 --> 01:35:38.359
<v Speaker 2>for Don Morocco.

1815
01:35:38.479 --> 01:35:40.319
<v Speaker 4>But you took out the other good You took the

1816
01:35:40.640 --> 01:35:44.640
<v Speaker 4>out that's so awesome. That is what he adds is

1817
01:35:44.720 --> 01:35:45.199
<v Speaker 4>how he'd read.

1818
01:35:45.600 --> 01:35:49.359
<v Speaker 2>Actually what he said, Yes, i'mon't given me by Morocco

1819
01:35:50.199 --> 01:35:54.279
<v Speaker 2>to teach him the sadistic part of wrestling, to teach

1820
01:35:54.319 --> 01:35:57.920
<v Speaker 2>him how to make opponents scream and plead for mercy.

1821
01:35:58.720 --> 01:36:00.199
<v Speaker 2>As he spoke, mister fouo.

1822
01:36:02.920 --> 01:36:06.000
<v Speaker 4>Oh did they put a description of him in this

1823
01:36:06.199 --> 01:36:08.239
<v Speaker 4>same block of text? This is like a Q and

1824
01:36:08.279 --> 01:36:11.960
<v Speaker 4>A format in the magazine, and there's no paragraph break,

1825
01:36:12.239 --> 01:36:14.880
<v Speaker 4>they just go ready to As he spoke, mister Fuji

1826
01:36:14.920 --> 01:36:17.399
<v Speaker 4>had his head cocked slightly to one side and nodded

1827
01:36:17.520 --> 01:36:19.319
<v Speaker 4>up and down in that ever assuring way of his

1828
01:36:19.520 --> 01:36:22.279
<v Speaker 4>that yes, mister Fuji, indeed, and there's Vincy's in the

1829
01:36:22.319 --> 01:36:25.279
<v Speaker 4>word indeed again knew how to teach sadism and pain

1830
01:36:25.760 --> 01:36:28.640
<v Speaker 4>as a manager. Why do you wear top hat and tails?

1831
01:36:28.680 --> 01:36:30.359
<v Speaker 4>Are you just trying to draw attention to yourself or

1832
01:36:30.399 --> 01:36:32.239
<v Speaker 4>what reasons would you have for coming to the ring

1833
01:36:32.319 --> 01:36:34.359
<v Speaker 4>and formal attire when.

1834
01:36:34.359 --> 01:36:38.920
<v Speaker 2>Japan surrendered to us? That's actually written that way. I

1835
01:36:39.159 --> 01:36:41.680
<v Speaker 2>saw pictures and history books on the signing of the

1836
01:36:41.760 --> 01:36:48.039
<v Speaker 2>agreements at that time, amper Hoohito Hirohito wore formal attire,

1837
01:36:48.520 --> 01:36:51.720
<v Speaker 2>and I now I'm wearing the same formal attire to

1838
01:36:51.840 --> 01:36:53.960
<v Speaker 2>avenge proud Japanese ana.

1839
01:36:54.439 --> 01:36:56.279
<v Speaker 4>We haven't seen mister Morocco for a while in the

1840
01:36:56.319 --> 01:36:58.439
<v Speaker 4>World Wrestling Federation. We understand that after he lost the

1841
01:36:58.479 --> 01:37:00.760
<v Speaker 4>belt to Tito, perhaps he went by come to Wahii

1842
01:37:00.840 --> 01:37:03.199
<v Speaker 4>with his tail tucked between his legs. As mister Fuji

1843
01:37:03.279 --> 01:37:04.960
<v Speaker 4>prepared to answer this question, the look of anger was

1844
01:37:05.000 --> 01:37:07.159
<v Speaker 4>clearly in his eyes. He pushed himself up off the

1845
01:37:07.239 --> 01:37:08.840
<v Speaker 4>chair a little with his two hands and looked this

1846
01:37:08.960 --> 01:37:10.399
<v Speaker 4>interviewer squarely in the eye.

1847
01:37:11.079 --> 01:37:15.119
<v Speaker 2>You say, Morocco lost belt to Santana. Have you seen

1848
01:37:15.159 --> 01:37:19.039
<v Speaker 2>a tape of Morocco losing belt to Santana? Have you

1849
01:37:19.199 --> 01:37:21.199
<v Speaker 2>seen pictures of Tito pinning Morocco?

1850
01:37:21.600 --> 01:37:24.720
<v Speaker 4>No, why you didn't give you a chance? Answer?

1851
01:37:24.960 --> 01:37:28.880
<v Speaker 2>But okay, what if it was? Yes, mister Fuji, say no,

1852
01:37:32.279 --> 01:37:34.800
<v Speaker 2>he said there, He say there is no tape. Say

1853
01:37:34.880 --> 01:37:39.760
<v Speaker 2>there is no tape, there are no pictures. Yes, Morocco

1854
01:37:39.920 --> 01:37:43.680
<v Speaker 2>Santana wrestled in Boston, Massachusetts, on the night when Tito

1855
01:37:43.760 --> 01:37:46.920
<v Speaker 2>supposedly won the belt, but he did not win the belt.

1856
01:37:47.439 --> 01:38:02.079
<v Speaker 2>What unlike Maa Kazuma, I'm like, what my Mayo ko Zuma? Shit?

1857
01:38:02.199 --> 01:38:02.880
<v Speaker 4>That would hit good?

1858
01:38:05.359 --> 01:38:09.600
<v Speaker 2>Morocco became very disgusted during the match and realized that

1859
01:38:09.760 --> 01:38:14.279
<v Speaker 2>Santana was not a worthy opponent for him. He left

1860
01:38:14.319 --> 01:38:18.560
<v Speaker 2>the match. He left the ring in totally discussed and disillusionment.

1861
01:38:19.960 --> 01:38:20.720
<v Speaker 4>Dissolutions.

1862
01:38:20.920 --> 01:38:25.760
<v Speaker 2>Would never say the solution ever, and on his way

1863
01:38:25.800 --> 01:38:28.880
<v Speaker 2>out of the arena, he threw the inner cartinental belt

1864
01:38:29.319 --> 01:38:32.159
<v Speaker 2>in a garbage can in the back of the arena.

1865
01:38:35.000 --> 01:38:38.560
<v Speaker 2>Now everybody knows Mexicans like to look around and trash.

1866
01:38:42.800 --> 01:38:48.960
<v Speaker 2>Oh my god, I'm sure will deny this, but it's

1867
01:38:49.039 --> 01:38:56.039
<v Speaker 2>a known fact. This is great. Tito found championship belt

1868
01:38:56.079 --> 01:39:00.600
<v Speaker 2>in the garage and victory. Oh could I say garbage can?

1869
01:39:00.680 --> 01:39:04.359
<v Speaker 4>Not the garage? He found the title in the garage. Oh,

1870
01:39:04.840 --> 01:39:08.199
<v Speaker 4>how poetic, how evocative? You found it in the garage.

1871
01:39:10.319 --> 01:39:14.640
<v Speaker 4>Tino found the internment title next to the Christmas decoration.

1872
01:39:17.479 --> 01:39:18.239
<v Speaker 2>This is.

1873
01:39:20.039 --> 01:39:22.399
<v Speaker 3>W w F Hall of Famer.

1874
01:39:24.479 --> 01:39:31.079
<v Speaker 5>Forema, and this is for Jack. He wants to know

1875
01:39:32.319 --> 01:39:40.920
<v Speaker 5>where I found my Intercontinental title. Well, Jack, it's a

1876
01:39:41.039 --> 01:39:45.079
<v Speaker 5>story I've told often. I found it in my garage.

1877
01:39:47.079 --> 01:39:51.960
<v Speaker 5>Often misspelled in publications as garbage The.

1878
01:39:52.079 --> 01:40:12.640
<v Speaker 1>Lapt wrestling podcast, the wrestling podcast that knows the boys

1879
01:40:12.800 --> 01:40:35.119
<v Speaker 1>need their candy. It's the Lapsed Fan. He's the Lapsed

1880
01:40:35.199 --> 01:40:39.680
<v Speaker 1>Fan Wrestling podcast with Jack and Carnacio and JP Soro.

1881
01:40:40.560 --> 01:40:44.560
<v Speaker 4>Yeah, right, go ahead, o.

1882
01:40:47.279 --> 01:40:50.680
<v Speaker 2>Tato found the championship belt in the garbage can and

1883
01:40:50.920 --> 01:40:54.720
<v Speaker 2>calame victory for having one and defeated Morocco. That's the

1884
01:40:54.840 --> 01:40:57.560
<v Speaker 2>real story of House and Tana got the belt, and

1885
01:40:57.760 --> 01:41:00.920
<v Speaker 2>now Morocco is going to come back and take his

1886
01:41:01.079 --> 01:41:01.920
<v Speaker 2>belt back again.

1887
01:41:04.479 --> 01:41:07.279
<v Speaker 4>Hmmm. Yes, mister Fuji. But now when Morocco comes back

1888
01:41:07.279 --> 01:41:09.920
<v Speaker 4>to challenge again for the Inconadinental title, the challenge must

1889
01:41:09.920 --> 01:41:11.960
<v Speaker 4>be made to Greg the hem of Valentine. Mister Morocco

1890
01:41:12.239 --> 01:41:15.560
<v Speaker 4>has always had a great deal of respect for Valentine.

1891
01:41:15.720 --> 01:41:17.920
<v Speaker 4>How would he feel about challenging him for the title.

1892
01:41:18.479 --> 01:41:23.279
<v Speaker 2>Morocco has no fear. Valentine is a very great wrestler,

1893
01:41:23.399 --> 01:41:27.439
<v Speaker 2>strong and tough. My Morocco is a bigger man and

1894
01:41:27.560 --> 01:41:37.760
<v Speaker 2>stronger because of my Japanese philosophy. My philosophy is always concentration,

1895
01:41:39.479 --> 01:41:43.439
<v Speaker 2>never lose concentration in the ring, because when concentration is lost,

1896
01:41:43.880 --> 01:41:48.920
<v Speaker 2>wrestler becomes vulnerable. It's the same in any sport. If

1897
01:41:49.039 --> 01:41:55.359
<v Speaker 2>quarterback does not concentrate, they pick very random times for director,

1898
01:41:55.600 --> 01:41:59.000
<v Speaker 2>you know, for him to him to mix miss like

1899
01:41:59.199 --> 01:42:03.479
<v Speaker 2>certain words, herds and stuff like. It's if quarterback does

1900
01:42:03.560 --> 01:42:06.560
<v Speaker 2>not concentrated on to receive a downfield, he gets intercepted.

1901
01:42:07.000 --> 01:42:10.439
<v Speaker 2>If Morocco does not concentrate on his opponent in the ring,

1902
01:42:10.880 --> 01:42:14.039
<v Speaker 2>he will get pinned. But I have no doubts or

1903
01:42:14.119 --> 01:42:18.640
<v Speaker 2>fears about Morocco. He is learning many Japanese customs and

1904
01:42:18.760 --> 01:42:21.840
<v Speaker 2>studying very hard Oriental teachings of psychology.

1905
01:42:23.479 --> 01:42:25.439
<v Speaker 4>He just goes in there and has the same matches

1906
01:42:25.920 --> 01:42:26.960
<v Speaker 4>his career, you.

1907
01:42:27.000 --> 01:42:30.680
<v Speaker 2>Know, same fucking thing. We fucking kick punch and you know.

1908
01:42:31.359 --> 01:42:33.880
<v Speaker 2>But do not think that the inter continental title he

1909
01:42:33.960 --> 01:42:36.880
<v Speaker 2>is the only goal for Morocco and I have oh

1910
01:42:37.039 --> 01:42:42.560
<v Speaker 2>no that Morocco I have in the World Wrestling entertainment.

1911
01:42:42.840 --> 01:42:45.840
<v Speaker 2>Indeed not. We want to challenge Hulk Hogan for the

1912
01:42:45.920 --> 01:42:50.039
<v Speaker 2>greatest title there is, that fee Wait Championship.

1913
01:42:50.199 --> 01:42:52.840
<v Speaker 4>There's a great photo here of Don Morocco walking through

1914
01:42:52.960 --> 01:42:55.199
<v Speaker 4>I don't know the deserts of Syria.

1915
01:42:55.680 --> 01:43:00.920
<v Speaker 2>For some reason yet and somebody's fence right some gate

1916
01:43:01.039 --> 01:43:03.600
<v Speaker 2>that they exit there again, yeap or enter? He looks

1917
01:43:03.720 --> 01:43:05.439
<v Speaker 2>he looks very uncomfortable.

1918
01:43:05.479 --> 01:43:07.840
<v Speaker 4>Yeah, I'm sure it's not his Number one must have

1919
01:43:07.880 --> 01:43:09.800
<v Speaker 4>been that Kuwait tour they did, or the Saudi tours

1920
01:43:09.840 --> 01:43:13.640
<v Speaker 4>they did around then. Now that your plans are to

1921
01:43:13.760 --> 01:43:16.000
<v Speaker 4>have Morocco return to the World Wrestling Federation, what kind

1922
01:43:16.039 --> 01:43:17.800
<v Speaker 4>of training techniques are you using for him?

1923
01:43:19.079 --> 01:43:23.079
<v Speaker 2>My great plan was to give Morocco much punishment, to

1924
01:43:23.239 --> 01:43:26.079
<v Speaker 2>make him tougher than he has ever been before. I

1925
01:43:26.359 --> 01:43:29.800
<v Speaker 2>signed Morocco for a tour in the Middle Eastern countries

1926
01:43:30.359 --> 01:43:34.239
<v Speaker 2>to begin his re entry process. I wanted him to

1927
01:43:34.399 --> 01:43:37.119
<v Speaker 2>wrestle various wrestlers and all that parts of the world

1928
01:43:37.640 --> 01:43:40.720
<v Speaker 2>they take pain. I had him runny at one hundred

1929
01:43:40.720 --> 01:43:44.000
<v Speaker 2>and ten degrees in the day. Every other day we

1930
01:43:44.199 --> 01:43:47.199
<v Speaker 2>went out on the local fishing boats in Kuwait called

1931
01:43:47.359 --> 01:43:53.119
<v Speaker 2>a doe a dow. But I took him maybe fifty

1932
01:43:53.239 --> 01:43:57.079
<v Speaker 2>miles out and made him jump in the water and

1933
01:43:57.239 --> 01:44:01.159
<v Speaker 2>swim back to shore. Sir, that means he swam in

1934
01:44:01.239 --> 01:44:04.920
<v Speaker 2>the Bay of Kuwait with shocks and dolphins, but he

1935
01:44:05.079 --> 01:44:09.119
<v Speaker 2>had no fear. His main thought was to get to shore.

1936
01:44:10.079 --> 01:44:12.319
<v Speaker 2>We controlled his mind at all times.

1937
01:44:13.039 --> 01:44:13.439
<v Speaker 6>Who's we?

1938
01:44:14.760 --> 01:44:18.880
<v Speaker 2>I don't know who's we? I have told Don that way.

1939
01:44:19.119 --> 01:44:23.199
<v Speaker 2>When one cannot control one's mind, then that means trouble.

1940
01:44:23.520 --> 01:44:26.520
<v Speaker 2>And uh who what did it mean? Trouble for it

1941
01:44:26.640 --> 01:44:28.439
<v Speaker 2>King of the Ring ninety three for the title.

1942
01:44:28.880 --> 01:44:29.720
<v Speaker 4>Who was in trouble?

1943
01:44:29.760 --> 01:44:33.800
<v Speaker 2>Potentially it meant it meant that if he my uncle Doma,

1944
01:44:39.920 --> 01:44:46.840
<v Speaker 2>let's go my uncle Oma bulking up.

1945
01:44:50.119 --> 01:44:55.359
<v Speaker 4>You can say that again, turkey asshole dipped in Mayo.

1946
01:44:55.600 --> 01:44:57.600
<v Speaker 4>Oh my god, Oh, do you feel that you have

1947
01:44:57.720 --> 01:44:59.920
<v Speaker 4>total control of Don Morocco? Is he committed to your thing?

1948
01:45:00.279 --> 01:45:00.880
<v Speaker 4>And strategy.

1949
01:45:01.640 --> 01:45:04.960
<v Speaker 2>All right, Morocco will be back. We'll go back to

1950
01:45:05.079 --> 01:45:07.720
<v Speaker 2>some old ways and he will use my thinking to

1951
01:45:07.840 --> 01:45:12.039
<v Speaker 2>combine together with his. Two heads are better than one.

1952
01:45:12.520 --> 01:45:14.840
<v Speaker 2>When Morocco is in the Middle East, he weighed two

1953
01:45:14.960 --> 01:45:17.960
<v Speaker 2>hundred and eighty five pounds and he is now up

1954
01:45:18.039 --> 01:45:20.239
<v Speaker 2>to three hundred pounds of muscle and grit.

1955
01:45:21.000 --> 01:45:22.840
<v Speaker 4>Muscling grits is more like it.

1956
01:45:24.119 --> 01:45:30.600
<v Speaker 2>He's eating. He's eating muscles and grit. Do you anticipate

1957
01:45:30.680 --> 01:45:33.479
<v Speaker 2>going on more tours? I will take him on a

1958
01:45:33.560 --> 01:45:36.479
<v Speaker 2>lot more tours and take him all around the world

1959
01:45:36.520 --> 01:45:39.279
<v Speaker 2>to different countries, so that he can beat all the

1960
01:45:39.399 --> 01:45:40.319
<v Speaker 2>top wrestlers there.

1961
01:45:40.439 --> 01:45:42.119
<v Speaker 4>What do you hope to gain? Are you managing his

1962
01:45:42.239 --> 01:45:42.840
<v Speaker 4>money as well?

1963
01:45:43.560 --> 01:45:44.119
<v Speaker 2>Good question.

1964
01:45:45.920 --> 01:45:48.199
<v Speaker 4>All of a sudden he becomes very lawyerlike.

1965
01:45:49.479 --> 01:45:54.640
<v Speaker 2>Good question. My only manager who tas take nothing from Morocco.

1966
01:45:55.159 --> 01:45:58.159
<v Speaker 2>I give him everything. This is a trip for me.

1967
01:45:58.960 --> 01:46:01.960
<v Speaker 2>I want to be a great manager. I will fulfill

1968
01:46:02.119 --> 01:46:05.359
<v Speaker 2>my job as manager for Don Morocco, helping him to

1969
01:46:05.520 --> 01:46:08.119
<v Speaker 2>be the best at what he does. In his way,

1970
01:46:08.520 --> 01:46:11.600
<v Speaker 2>he will take care of mister Fuji. Money is not

1971
01:46:11.760 --> 01:46:12.560
<v Speaker 2>that important to me.

1972
01:46:13.000 --> 01:46:16.279
<v Speaker 4>Look at that picture of him on the aforementioned BOATKOI.

1973
01:46:15.600 --> 01:46:17.760
<v Speaker 2>Oh my god, look for the fucking goofball.

1974
01:46:18.399 --> 01:46:20.079
<v Speaker 4>We did hear you mentioned that while Morocco was in

1975
01:46:20.119 --> 01:46:22.039
<v Speaker 4>the Middle East, he invested quite heavily in gold.

1976
01:46:23.760 --> 01:46:28.119
<v Speaker 2>Yes, Morocco invested over one hundred and fifty thousand dollars

1977
01:46:28.199 --> 01:46:31.920
<v Speaker 2>in gold. This was money that he won from participating

1978
01:46:32.000 --> 01:46:38.600
<v Speaker 2>in different events in Middle East. Wrestlers came from Pakistan, Egypt, Orman, Syria, etc.

1979
01:46:38.880 --> 01:46:40.800
<v Speaker 2>Et cetera. Like he would say, et cetera, et cetera.

1980
01:46:40.880 --> 01:46:43.399
<v Speaker 4>Of course he would that's in his vocab.

1981
01:46:44.359 --> 01:46:47.760
<v Speaker 2>Some over six foot five inches and weighed over four

1982
01:46:47.840 --> 01:46:51.319
<v Speaker 2>hundred and fifty pounds looked like Japanese sumo wrestlers like

1983
01:46:51.399 --> 01:47:00.920
<v Speaker 2>Mayoko Zuma, and Morocco beat them so fast. They came

1984
01:47:01.000 --> 01:47:03.960
<v Speaker 2>with forty thousand and fifty thousand dollars to challenge Morocco

1985
01:47:04.039 --> 01:47:06.800
<v Speaker 2>for the match in one match, and Indian bet one

1986
01:47:06.880 --> 01:47:09.239
<v Speaker 2>hundred and fifty thousand dollars that he go beat Morocco,

1987
01:47:09.520 --> 01:47:11.920
<v Speaker 2>and Morocco beat him in less than three minutes.

1988
01:47:12.000 --> 01:47:13.920
<v Speaker 4>Hoping you're starting to get some of the absurdity around

1989
01:47:13.920 --> 01:47:16.760
<v Speaker 4>the Don Morocco character. That's part of why Fuji Vice

1990
01:47:16.840 --> 01:47:19.680
<v Speaker 4>made sense. You know, It's like they're like creating like

1991
01:47:19.760 --> 01:47:24.159
<v Speaker 4>all these fictionalized ludicrous plot points about the guy and

1992
01:47:24.680 --> 01:47:27.279
<v Speaker 4>Fuji is the foil that makes it all possible. Yeah,

1993
01:47:27.399 --> 01:47:29.199
<v Speaker 4>do you mean he really didn't have any competition on

1994
01:47:29.199 --> 01:47:29.880
<v Speaker 4>the Middle East tour?

1995
01:47:30.680 --> 01:47:34.760
<v Speaker 2>He went through all of them like yesterday's newspaper. Again,

1996
01:47:34.960 --> 01:47:38.479
<v Speaker 2>my philosophy of thinking positive for yourself. And Morocco is

1997
01:47:38.520 --> 01:47:44.319
<v Speaker 2>working very hard. He's serving thirty four waves, patterning, working out,

1998
01:47:44.439 --> 01:47:47.479
<v Speaker 2>training and running. He would be in tip top form

1999
01:47:47.560 --> 01:47:51.479
<v Speaker 2>when he Oh yeah, the way he comes back into

2000
01:47:51.560 --> 01:47:58.000
<v Speaker 2>the main arenas of the World Wrestling Entertainment, Oh, very

2001
01:47:58.039 --> 01:47:59.039
<v Speaker 2>good entertainment.

2002
01:47:59.079 --> 01:48:02.079
<v Speaker 4>App sure, then Morocco has never been a very popular wrestler.

2003
01:48:02.159 --> 01:48:03.600
<v Speaker 4>Does it affect him at all that he doesn't get

2004
01:48:03.640 --> 01:48:04.520
<v Speaker 4>support from the fans?

2005
01:48:05.319 --> 01:48:08.039
<v Speaker 2>Yes, it has a fact. The more the fans boo him,

2006
01:48:08.319 --> 01:48:11.199
<v Speaker 2>the more he loves it, the more they throw things

2007
01:48:11.279 --> 01:48:13.920
<v Speaker 2>at him, the more they spit at him. Then he

2008
01:48:14.439 --> 01:48:16.720
<v Speaker 2>knows he is hurting their loved ones in the ring,

2009
01:48:17.479 --> 01:48:21.720
<v Speaker 2>like Snooker, Santana and others. Then Morocco's mind, where he

2010
01:48:21.880 --> 01:48:23.720
<v Speaker 2>is booed, he is a success.

2011
01:48:27.279 --> 01:48:30.039
<v Speaker 4>What what course do you plan to take if the

2012
01:48:30.199 --> 01:48:34.279
<v Speaker 4>WWF Committee Capital C doesn't grant Morocco a shot at

2013
01:48:34.319 --> 01:48:34.640
<v Speaker 4>the title.

2014
01:48:35.239 --> 01:48:39.359
<v Speaker 2>What committee, by the way, the general, the general w

2015
01:48:39.600 --> 01:48:41.000
<v Speaker 2>w com Committee.

2016
01:48:40.640 --> 01:48:42.359
<v Speaker 4>Not even the championship committee.

2017
01:48:42.399 --> 01:48:48.680
<v Speaker 2>Right the boarder. In fact, he say board of Directors.

2018
01:48:48.960 --> 01:48:51.760
<v Speaker 2>Of course he would the Board of Directors will have

2019
01:48:51.840 --> 01:48:54.600
<v Speaker 2>a petition and we'll see mister Fuji's lawyers if we

2020
01:48:54.680 --> 01:48:58.680
<v Speaker 2>cannot get at Hulk Hogan. Hogan without exception, he's the

2021
01:48:58.720 --> 01:49:02.359
<v Speaker 2>greatest champion for he would say that, yeah, he is

2022
01:49:02.479 --> 01:49:05.600
<v Speaker 2>the strongest and most talented. And Morocco and mister Fuji

2023
01:49:05.840 --> 01:49:08.680
<v Speaker 2>will not be satisfied until we have had our chance

2024
01:49:09.119 --> 01:49:13.199
<v Speaker 2>to challenge Hulk Hogan. Everyone in ww must get ready

2025
01:49:13.239 --> 01:49:16.560
<v Speaker 2>for Don Magnificent Morocco. When he and mister Fuji returned,

2026
01:49:16.840 --> 01:49:21.000
<v Speaker 2>they will want to challenge everyone. Mister Fuji understands there

2027
01:49:21.079 --> 01:49:24.079
<v Speaker 2>is even some new meat on the counter, having names

2028
01:49:24.119 --> 01:49:28.199
<v Speaker 2>like Billy Jack, Billy Jack, Barry Wyndham, black Jack Mulligan.

2029
01:49:28.359 --> 01:49:30.239
<v Speaker 2>We are ready for all of you, but the question

2030
01:49:30.399 --> 01:49:31.479
<v Speaker 2>is are you ready for us?

2031
01:49:31.600 --> 01:49:40.319
<v Speaker 4>And are you ready for who? I? Are you ready

2032
01:49:40.520 --> 01:49:44.399
<v Speaker 4>for my Ocu Luman, my god tremendous. So we're off

2033
01:49:44.439 --> 01:49:46.479
<v Speaker 4>to the races with these two. And you know, we

2034
01:49:46.520 --> 01:49:48.000
<v Speaker 4>gotta find a boat. If this is going to be

2035
01:49:48.039 --> 01:49:49.960
<v Speaker 4>fuji vice. You gotta have a boat because they have

2036
01:49:50.039 --> 01:49:51.720
<v Speaker 4>to be pursuing drug.

2037
01:49:53.199 --> 01:49:53.960
<v Speaker 2>Oh my god.

2038
01:49:54.520 --> 01:49:56.840
<v Speaker 4>And I'm like, man, where did they get this boat from?

2039
01:49:57.000 --> 01:49:57.159
<v Speaker 2>You know?

2040
01:49:57.680 --> 01:49:59.199
<v Speaker 4>Do they have a boat, do they own a boat?

2041
01:49:59.239 --> 01:50:00.760
<v Speaker 4>Do they rent a boat? And then I saw, wait

2042
01:50:00.760 --> 01:50:02.119
<v Speaker 4>a minute, what does it say on the boat? What's

2043
01:50:02.119 --> 01:50:06.800
<v Speaker 4>the name? The boat is called? The Angler? Says the Angler,

2044
01:50:07.279 --> 01:50:08.920
<v Speaker 4>which I thought was like some kind of wrestling pun

2045
01:50:09.840 --> 01:50:13.479
<v Speaker 4>but no, yeah, right to this day, boss, you can

2046
01:50:13.600 --> 01:50:18.560
<v Speaker 4>charter the Angler on the Ocean City boardwalk for leisure

2047
01:50:19.199 --> 01:50:24.279
<v Speaker 4>cruise get out of here. Five generations of service. Around

2048
01:50:24.319 --> 01:50:27.760
<v Speaker 4>the turn of the twentieth century, Charles Rowland's Bunting, great

2049
01:50:27.760 --> 01:50:31.079
<v Speaker 4>great grandfather of Buntings, purchased the property where the Angler

2050
01:50:31.199 --> 01:50:34.199
<v Speaker 4>Marina now stands. At that time, there was no dock,

2051
01:50:34.399 --> 01:50:36.760
<v Speaker 4>only marsh grass through which the Buntings pulled their sail,

2052
01:50:36.840 --> 01:50:39.720
<v Speaker 4>Beteu and rowboats to shore. While the elder Bunting worked

2053
01:50:39.760 --> 01:50:42.560
<v Speaker 4>on a fish pond boat a fish pound boat, his

2054
01:50:42.680 --> 01:50:45.399
<v Speaker 4>five sons began the small fishing business. As business grew

2055
01:50:45.479 --> 01:50:47.680
<v Speaker 4>and the dock was needed, the Buntings were issued Ocean

2056
01:50:47.760 --> 01:50:50.600
<v Speaker 4>City's first dock permit, so the boat there on on.

2057
01:50:50.680 --> 01:50:54.680
<v Speaker 4>Fuji Vice comes from the first dock permit ever issued

2058
01:50:54.680 --> 01:50:58.119
<v Speaker 4>in Ocean City. Lumber was brought in from West Ocean

2059
01:50:58.199 --> 01:51:00.479
<v Speaker 4>City by a scow for the only access the island

2060
01:51:00.520 --> 01:51:03.399
<v Speaker 4>other than by water, was over a narrow railroad bridge.

2061
01:51:03.439 --> 01:51:06.840
<v Speaker 4>When completed, the Bunting dock became a favorite relaxation spot.

2062
01:51:07.159 --> 01:51:10.000
<v Speaker 4>Local residents and visitors alike enjoyed sitting out over the

2063
01:51:10.079 --> 01:51:12.720
<v Speaker 4>Quiet Bay waters as the years war Now, why are

2064
01:51:12.760 --> 01:51:14.680
<v Speaker 4>they always bunting? Weren't they actually taking a real heat?

2065
01:51:15.319 --> 01:51:18.000
<v Speaker 4>You don't always have to advance runners here. As the

2066
01:51:18.079 --> 01:51:20.119
<v Speaker 4>years wore on, the five sons were on to pursue

2067
01:51:20.159 --> 01:51:22.479
<v Speaker 4>their own careers. In the winter of nineteen thirty four,

2068
01:51:22.680 --> 01:51:26.000
<v Speaker 4>Charles' son William returned to Ocean City from North Carolina.

2069
01:51:27.159 --> 01:51:29.319
<v Speaker 4>A year later, he bought a house and property adjoining

2070
01:51:29.359 --> 01:51:31.760
<v Speaker 4>his father's dock. There, he built a small twenty by

2071
01:51:31.840 --> 01:51:34.840
<v Speaker 4>twenty building where he sold fishing bait, cool sodas, and

2072
01:51:34.920 --> 01:51:37.520
<v Speaker 4>rented small boats. Sounds like what a frit should have

2073
01:51:37.560 --> 01:51:40.520
<v Speaker 4>done with this life. Frankly, yeah right. His wife, Louise,

2074
01:51:40.560 --> 01:51:43.279
<v Speaker 4>an enterprising young woman, started selling homemade pies. It soon

2075
01:51:43.319 --> 01:51:45.920
<v Speaker 4>became obvious that they needed to serve breakfast, lunch, and dinner.

2076
01:51:46.079 --> 01:51:47.960
<v Speaker 4>Small tables were placed in the fishing office and it

2077
01:51:48.000 --> 01:51:50.920
<v Speaker 4>became a combined business venture. Along came World War Two.

2078
01:51:51.319 --> 01:51:53.840
<v Speaker 4>The captain and his boat, the Angler, were called to

2079
01:51:53.920 --> 01:51:56.439
<v Speaker 4>serve in the Coast Guard. When he returned, he found

2080
01:51:56.479 --> 01:51:58.800
<v Speaker 4>that storms had washed away nearly all of the old dock.

2081
01:51:59.000 --> 01:52:01.239
<v Speaker 4>A new dock in addition, were built in nineteen forty five.

2082
01:52:01.560 --> 01:52:03.720
<v Speaker 4>By the spring of that year, William and Louise Bunting's

2083
01:52:03.760 --> 01:52:06.079
<v Speaker 4>only son, William Porter, returned from the coast Guard and

2084
01:52:06.159 --> 01:52:08.279
<v Speaker 4>joined his parents in the business. He capta in the

2085
01:52:08.279 --> 01:52:11.319
<v Speaker 4>sport fishing boat Sunshine during the day and assisted in

2086
01:52:11.359 --> 01:52:13.720
<v Speaker 4>the operation of the restaurant during the evenings. His wife,

2087
01:52:13.800 --> 01:52:16.239
<v Speaker 4>Martha participated in the family operation in much the same

2088
01:52:16.319 --> 01:52:19.000
<v Speaker 4>capacity as Louise. The four Buntings continue to run the

2089
01:52:19.000 --> 01:52:21.800
<v Speaker 4>business until Bill Signior retired, followed by Louise. Bill and

2090
01:52:21.880 --> 01:52:25.000
<v Speaker 4>Martha's two daughters then joined their parents. Now five generations later,

2091
01:52:25.319 --> 01:52:27.359
<v Speaker 4>Julie and Jane's children are learning the ropes of the

2092
01:52:27.399 --> 01:52:30.680
<v Speaker 4>family business. Julie's children, Megan, Jane, r Jay, and Mara,

2093
01:52:30.760 --> 01:52:33.079
<v Speaker 4>along with it Jane's sun Boarder, are becoming integral parts

2094
01:52:33.119 --> 01:52:35.880
<v Speaker 4>of the Angler tradition. Much of the history of the

2095
01:52:35.880 --> 01:52:38.279
<v Speaker 4>Angler Marina could not have been written without the loyalty

2096
01:52:38.319 --> 01:52:41.760
<v Speaker 4>and devotion of our staff. There are many who deserve accolades.

2097
01:52:42.000 --> 01:52:44.520
<v Speaker 4>The Bunting family looks forward to continuing to serve you,

2098
01:52:44.960 --> 01:52:47.279
<v Speaker 4>your children, and their children in the manner to which

2099
01:52:47.359 --> 01:52:49.760
<v Speaker 4>they are committed. Of course, none of us would be

2100
01:52:49.840 --> 01:52:51.880
<v Speaker 4>here were it not for our many, many friends who

2101
01:52:51.920 --> 01:52:55.159
<v Speaker 4>have patronized us faithfully for over eighty years.

2102
01:52:55.720 --> 01:52:56.359
<v Speaker 1>We of the.

2103
01:52:56.399 --> 01:53:00.880
<v Speaker 4>Angler, thank you, wow, and we of the Angler on

2104
01:53:00.960 --> 01:53:04.399
<v Speaker 4>the wrestling side, thank you folks for providing boat for

2105
01:53:04.479 --> 01:53:07.960
<v Speaker 4>the skit that we won't soon forget Fujivis. So I

2106
01:53:08.000 --> 01:53:10.960
<v Speaker 4>think that's definitely a lapsed pilgrimage now because we can

2107
01:53:11.039 --> 01:53:12.680
<v Speaker 4>also get on the boat that they were on.

2108
01:53:13.439 --> 01:53:15.920
<v Speaker 2>Oh absolutely, oh fucking no question.

2109
01:53:16.079 --> 01:53:17.680
<v Speaker 4>You just picture them out there with a camera just

2110
01:53:17.720 --> 01:53:19.960
<v Speaker 4>walking the boardwalk, shooting all this stuff, and then look,

2111
01:53:20.039 --> 01:53:23.199
<v Speaker 4>here's a boat. Let's use the boat yep from and

2112
01:53:23.239 --> 01:53:25.560
<v Speaker 4>they actually get real coast guard in the Fujivis scene

2113
01:53:25.880 --> 01:53:28.239
<v Speaker 4>that they were patrolling the waterways. They somehow no shit,

2114
01:53:28.359 --> 01:53:31.159
<v Speaker 4>yeah they got I don't know, they just filmed the

2115
01:53:31.199 --> 01:53:33.159
<v Speaker 4>coast guard boat that happened to be traversing the waters.

2116
01:53:33.159 --> 01:53:36.359
<v Speaker 4>I think they kind of won their cooperation just for fun,

2117
01:53:36.399 --> 01:53:38.439
<v Speaker 4>because it didn't seem like they just at first it

2118
01:53:38.479 --> 01:53:40.199
<v Speaker 4>looked like it's just sort of like b roll. They

2119
01:53:40.279 --> 01:53:42.199
<v Speaker 4>captured of a coast Guard boat moving and it doesn't

2120
01:53:42.199 --> 01:53:44.840
<v Speaker 4>seem to be moving with any particular urgency like you

2121
01:53:44.880 --> 01:53:47.039
<v Speaker 4>would expect if he's chasing down a drug boat. And

2122
01:53:47.039 --> 01:53:51.159
<v Speaker 4>then they add the cheesiest police sirens over the moving boat.

2123
01:53:51.479 --> 01:53:52.800
<v Speaker 4>Oh my god, it's so bad.

2124
01:53:52.880 --> 01:53:53.640
<v Speaker 2>Oh it's awful.

2125
01:53:54.159 --> 01:53:57.239
<v Speaker 4>It's so purposely low rent. It's easy to do purpose

2126
01:53:57.279 --> 01:53:59.279
<v Speaker 4>little and ironic and low rent when you don't have

2127
01:53:59.319 --> 01:54:01.800
<v Speaker 4>any other joy in the matter. Really, yeah, a lot

2128
01:54:01.840 --> 01:54:03.920
<v Speaker 4>easier to poke fun at yourself in that circumstance. But

2129
01:54:05.279 --> 01:54:08.199
<v Speaker 4>it's explosive TNT show it's right in that sweet spot

2130
01:54:08.279 --> 01:54:12.199
<v Speaker 4>and the Colosseum collection continues to roll on. You mentioned serendipity,

2131
01:54:12.279 --> 01:54:14.600
<v Speaker 4>We mentioned it at the top. You mentioned the Western component,

2132
01:54:14.600 --> 01:54:16.039
<v Speaker 4>which we're going to get a taste stuff as well

2133
01:54:16.359 --> 01:54:18.760
<v Speaker 4>through the course of looking at the great TNT Moments

2134
01:54:18.840 --> 01:54:21.479
<v Speaker 4>is featured on the video cassette Boss We're Riding High.

2135
01:54:21.760 --> 01:54:24.159
<v Speaker 4>We're Riding High. Coming off the latest episode of Under

2136
01:54:24.159 --> 01:54:26.119
<v Speaker 4>the cinemat, if I may say, one of the finest

2137
01:54:26.159 --> 01:54:28.079
<v Speaker 4>ever Once upon a Time.

2138
01:54:27.960 --> 01:54:30.720
<v Speaker 2>In the West, Once upon a Time in the West.

2139
01:54:30.760 --> 01:54:36.079
<v Speaker 2>It's it is one of the great great Westerns. We

2140
01:54:36.199 --> 01:54:40.000
<v Speaker 2>get to dive into Sergiolione, we get to dive into

2141
01:54:40.159 --> 01:54:43.000
<v Speaker 2>Henry Fonda, we get to take a look at a

2142
01:54:43.079 --> 01:54:47.359
<v Speaker 2>little deeper into Woody Strode, who has been just a blessing.

2143
01:54:47.640 --> 01:54:50.920
<v Speaker 2>Honest to God, He's Woody Strode is just fantastic and

2144
01:54:51.479 --> 01:54:53.520
<v Speaker 2>is truly a blessing under the cinema because he does

2145
01:54:53.640 --> 01:54:59.439
<v Speaker 2>provide a significant amount of classic films. And you know,

2146
01:54:59.520 --> 01:55:02.079
<v Speaker 2>we've only we've only done two, so we've we've only

2147
01:55:02.199 --> 01:55:05.039
<v Speaker 2>really really scratched the very very bare minimum the surface

2148
01:55:05.039 --> 01:55:07.800
<v Speaker 2>as to what what he Strode can provide for us.

2149
01:55:08.279 --> 01:55:12.039
<v Speaker 2>And I'm so happy people are excited about it. It

2150
01:55:12.159 --> 01:55:16.119
<v Speaker 2>was such a fun, fun kind of just to look

2151
01:55:16.199 --> 01:55:19.000
<v Speaker 2>back at the Western itself to kind of really to

2152
01:55:19.079 --> 01:55:24.600
<v Speaker 2>discover the the the similarities of the of what the

2153
01:55:24.960 --> 01:55:30.399
<v Speaker 2>the original design of the Western live show and and

2154
01:55:30.680 --> 01:55:34.600
<v Speaker 2>it's it's really just a cousin of professional wrestling absolutely

2155
01:55:34.920 --> 01:55:39.840
<v Speaker 2>as we discovered, you know, again creating this this this realistic,

2156
01:55:40.199 --> 01:55:42.399
<v Speaker 2>you know, an attempt at at at fooling people into

2157
01:55:42.439 --> 01:55:46.439
<v Speaker 2>a realistic show, and it's all you know, it's all phony.

2158
01:55:46.279 --> 01:55:49.399
<v Speaker 4>Right, it's all like what we swear people were like

2159
01:55:49.479 --> 01:55:52.680
<v Speaker 4>in the frontier days for entertainment, like a freege show.

2160
01:55:53.159 --> 01:55:55.119
<v Speaker 2>Well, which is funny because like when they first invented

2161
01:55:55.159 --> 01:55:57.600
<v Speaker 2>as we discovered, it's like it's happening at the time too,

2162
01:55:57.720 --> 01:55:58.760
<v Speaker 2>like it's happening.

2163
01:55:59.279 --> 01:56:03.039
<v Speaker 4>Within the actual era of this, of the of the Frontier,

2164
01:56:03.119 --> 01:56:06.600
<v Speaker 4>and and people just didn't have the means to travel

2165
01:56:06.640 --> 01:56:08.479
<v Speaker 4>to see it themselves. So you could sell them as

2166
01:56:08.600 --> 01:56:10.760
<v Speaker 4>anything being You could sell them as I don't know,

2167
01:56:11.439 --> 01:56:14.680
<v Speaker 4>mister Fuji being a diabolical mastermind all of a sudden,

2168
01:56:15.199 --> 01:56:17.880
<v Speaker 4>you can sell them exactly, you know, any number of

2169
01:56:19.000 --> 01:56:21.319
<v Speaker 4>misaligned things to achieve a purpose.

2170
01:56:21.800 --> 01:56:26.359
<v Speaker 2>So it's just wild. Yeah, it was fun great, great episode.

2171
01:56:25.920 --> 01:56:29.720
<v Speaker 4>And definitely worth three months worth of under the cinemat dollar.

2172
01:56:29.840 --> 01:56:32.000
<v Speaker 4>Let alone the fact that they keep coming hard and heavy.

2173
01:56:32.680 --> 01:56:35.520
<v Speaker 4>What a great one. And look, we didn't even we

2174
01:56:35.720 --> 01:56:38.800
<v Speaker 4>didn't even appreciate the fact. And someone in the Solar

2175
01:56:38.840 --> 01:56:40.880
<v Speaker 4>system pointed it out. And I should have remembered this

2176
01:56:40.920 --> 01:56:42.920
<v Speaker 4>from the lapsed Funk when he came to the ring

2177
01:56:43.000 --> 01:56:45.680
<v Speaker 4>in the n WA in eighty nine. Yeah, is the

2178
01:56:45.720 --> 01:56:48.399
<v Speaker 4>harmonica man song is what he came out to yep.

2179
01:56:48.439 --> 01:56:50.079
<v Speaker 4>And I remember when we were doing it, I was like,

2180
01:56:50.119 --> 01:56:52.119
<v Speaker 4>what is this significance of that song and taking a

2181
01:56:52.159 --> 01:56:54.720
<v Speaker 4>glimpse but not sitting down to watch the film. And

2182
01:56:54.880 --> 01:56:58.000
<v Speaker 4>now I'm so much more connected and you will be

2183
01:56:58.039 --> 01:57:00.439
<v Speaker 4>too if you check this out. It's highly commended for

2184
01:57:00.520 --> 01:57:02.920
<v Speaker 4>the executive producer here and above. At patreon dot com,

2185
01:57:03.039 --> 01:57:05.680
<v Speaker 4>Slash the Lapsed Fan available now, as are all episodes

2186
01:57:05.680 --> 01:57:07.439
<v Speaker 4>of much of the cinemat and everything else we do

2187
01:57:07.560 --> 01:57:11.479
<v Speaker 4>exclusive for patrons. I feel so much more connected to

2188
01:57:11.640 --> 01:57:14.159
<v Speaker 4>like why they would have chose that song for the

2189
01:57:14.279 --> 01:57:15.479
<v Speaker 4>heel Terry funk.

2190
01:57:15.880 --> 01:57:20.720
<v Speaker 2>Well, and and the fact that they you know, how

2191
01:57:20.880 --> 01:57:25.439
<v Speaker 2>connected so many Western themed wrestlers are. You know, there's

2192
01:57:25.479 --> 01:57:28.439
<v Speaker 2>a lot of there's a lot of music being used

2193
01:57:28.560 --> 01:57:33.039
<v Speaker 2>that is either of written by Ennio Morricone or it's

2194
01:57:34.720 --> 01:57:39.159
<v Speaker 2>it's uh, you know, inspired by you know. And and

2195
01:57:39.640 --> 01:57:43.079
<v Speaker 2>it's no surprising that that score there are so many

2196
01:57:43.479 --> 01:57:49.119
<v Speaker 2>you can you can you can just see that that

2197
01:57:49.239 --> 01:57:53.520
<v Speaker 2>has the DNA of so many other scores. Yes, like

2198
01:57:53.640 --> 01:57:56.319
<v Speaker 2>so many scores, I should say, so many other scores

2199
01:57:56.399 --> 01:57:59.560
<v Speaker 2>written between Once Upon a Time in the West and

2200
01:57:59.720 --> 01:58:02.359
<v Speaker 2>now I'll have the DNA of Once Upon a Time

2201
01:58:02.399 --> 01:58:04.079
<v Speaker 2>in the West in it. It's unbelievable.

2202
01:58:04.199 --> 01:58:06.960
<v Speaker 4>Less than Adam Page heading into the big annual aw

2203
01:58:07.239 --> 01:58:09.359
<v Speaker 4>S Datium showed to challenge for the world title and

2204
01:58:09.479 --> 01:58:12.920
<v Speaker 4>his remixed song is the harmonica Man kind of strains

2205
01:58:13.000 --> 01:58:16.039
<v Speaker 4>and you get like, where what that means to people

2206
01:58:16.039 --> 01:58:17.960
<v Speaker 4>who are familiar with the Western genre to hear that

2207
01:58:18.000 --> 01:58:20.399
<v Speaker 4>harmonica sound. I didn't realize it was so haunting, you know,

2208
01:58:20.439 --> 01:58:22.680
<v Speaker 4>I mean, it sounds haunting, But now that I picture

2209
01:58:22.760 --> 01:58:26.520
<v Speaker 4>Charles Brunson playing it at these moments of high drama

2210
01:58:26.760 --> 01:58:29.600
<v Speaker 4>in the film, and it's like, yeah, he sees like

2211
01:58:29.680 --> 01:58:33.199
<v Speaker 4>a pied piper of the West. Yep and great, great stuff.

2212
01:58:33.279 --> 01:58:36.079
<v Speaker 4>Highest recommendation, it's now is the time if you haven't

2213
01:58:36.479 --> 01:58:38.960
<v Speaker 4>taken the plunge. So wonderful to hear Solar System members

2214
01:58:39.000 --> 01:58:42.439
<v Speaker 4>say things like, listen to the preamble during work on Friday,

2215
01:58:42.680 --> 01:58:44.439
<v Speaker 4>went home and made a night of watching the film.

2216
01:58:44.720 --> 01:58:45.439
<v Speaker 4>That's a beautiful thing.

2217
01:58:45.560 --> 01:58:48.520
<v Speaker 2>Yes, Oh, that's what I love when we're able to

2218
01:58:48.600 --> 01:58:53.159
<v Speaker 2>do that. I love it so much when people watch

2219
01:58:53.199 --> 01:58:55.439
<v Speaker 2>the film with us on Friday night.

2220
01:58:55.520 --> 01:58:58.119
<v Speaker 4>Let wrestling be urentre into movies you otherwise wouldn't watch.

2221
01:58:58.159 --> 01:59:00.399
<v Speaker 4>I certainly have been able to appreciate the value of

2222
01:59:00.439 --> 01:59:03.000
<v Speaker 4>that over the years we've been doing UTC and also

2223
01:59:03.000 --> 01:59:05.600
<v Speaker 4>available at patreon dot com slash last Plan of Courses

2224
01:59:05.640 --> 01:59:08.399
<v Speaker 4>AD free versions of this show deep dives a day early,

2225
01:59:08.680 --> 01:59:11.560
<v Speaker 4>and you also get our monthly premium live calls of

2226
01:59:11.800 --> 01:59:14.199
<v Speaker 4>w B Modern products, so you don't have to watch

2227
01:59:14.279 --> 01:59:17.119
<v Speaker 4>this stuff. We'll do it for you. Probably by the

2228
01:59:17.159 --> 01:59:19.680
<v Speaker 4>time you hear this, we are gearing up for Night

2229
01:59:19.760 --> 01:59:24.239
<v Speaker 4>of Champions in Saudi Arabia BO where they're mean. The

2230
01:59:24.319 --> 01:59:26.079
<v Speaker 4>only thing left to do is say WrestleMania is going

2231
01:59:26.119 --> 01:59:27.119
<v Speaker 4>to be an Iran next year.

2232
01:59:27.199 --> 01:59:28.560
<v Speaker 2>I mean, I know, I know.

2233
01:59:28.720 --> 01:59:31.119
<v Speaker 4>It is unbelievable how they end up in these situations

2234
01:59:31.239 --> 01:59:34.239
<v Speaker 4>like this and have to like pretend everything's fine. Stiff

2235
01:59:34.319 --> 01:59:36.560
<v Speaker 4>upper lip pal, I don't care if bombs are flying.

2236
01:59:36.600 --> 01:59:38.439
<v Speaker 4>We got to get over there. We got checks to cash.

2237
01:59:38.680 --> 01:59:42.159
<v Speaker 2>It's awful, unbelievable. The drizzling shits.

2238
01:59:41.880 --> 01:59:43.720
<v Speaker 4>Tremendous stuff, and so your co chairs are gonna have

2239
01:59:43.720 --> 01:59:45.159
<v Speaker 4>to grin and Barrett, we're gonna have to enter the

2240
01:59:45.199 --> 01:59:48.279
<v Speaker 4>sandstorm and we're gonna have to take in another bit

2241
01:59:48.359 --> 01:59:50.920
<v Speaker 4>of a WWF spectacular over there, the King and Queen

2242
01:59:50.960 --> 01:59:53.800
<v Speaker 4>of the Ring tournaments to conclude to determine title shots

2243
01:59:53.800 --> 01:59:58.560
<v Speaker 4>at Summer Slam, John Cena versus cum Punk. Oh so

2244
01:59:58.600 --> 02:00:00.840
<v Speaker 4>you're gonna know that, Yes, you're gonna want to hear

2245
02:00:00.960 --> 02:00:03.640
<v Speaker 4>the boss Man live in the wild react to the

2246
02:00:03.720 --> 02:00:06.800
<v Speaker 4>modern product with absolutely no clue what the fuck is

2247
02:00:06.840 --> 02:00:08.039
<v Speaker 4>going on since the last one we.

2248
02:00:08.079 --> 02:00:10.760
<v Speaker 2>Did, I didn't. I had no idea what that was

2249
02:00:10.800 --> 02:00:11.159
<v Speaker 2>the case.

2250
02:00:11.560 --> 02:00:15.000
<v Speaker 4>So one of a kind, well lapsed perspective available along

2251
02:00:15.039 --> 02:00:17.760
<v Speaker 4>with so much more for your Patreon dollar at Patreon

2252
02:00:17.840 --> 02:00:19.800
<v Speaker 4>dot com Slash the Lapsed Fan. If you're looking for

2253
02:00:19.880 --> 02:00:21.840
<v Speaker 4>other ways to support the show, you can always throw

2254
02:00:21.840 --> 02:00:23.840
<v Speaker 4>a tip in our digital tip jar by sending a

2255
02:00:23.880 --> 02:00:25.760
<v Speaker 4>little bit of coin to the Lapsed Fan at gmail

2256
02:00:25.840 --> 02:00:28.439
<v Speaker 4>dot com on PayPal, and you can also head over

2257
02:00:28.479 --> 02:00:30.720
<v Speaker 4>to Pro Wrestling Teas dot com slash the Lapsed Fan.

2258
02:00:31.000 --> 02:00:33.079
<v Speaker 4>Oh yes for a full array of our custom T

2259
02:00:33.239 --> 02:00:36.279
<v Speaker 4>shirts inspired almost entirely by the inside jokes that come

2260
02:00:36.319 --> 02:00:39.600
<v Speaker 4>out of absolutely nowhere to turn the course of our recording.

2261
02:00:40.079 --> 02:00:41.880
<v Speaker 4>And if you want something higher end than just a

2262
02:00:41.960 --> 02:00:45.119
<v Speaker 4>T shirt, chop Teas has got all manner of TLF

2263
02:00:45.239 --> 02:00:49.039
<v Speaker 4>licensed merchandise that you can rock from jackets and hoodies

2264
02:00:49.079 --> 02:00:52.119
<v Speaker 4>and pants and fanny packs and all the rest of

2265
02:00:52.119 --> 02:00:54.560
<v Speaker 4>the great stuff Dicky Bird is cooked up for us

2266
02:00:54.600 --> 02:00:54.960
<v Speaker 4>over there.

2267
02:00:55.079 --> 02:00:57.640
<v Speaker 2>So it's fucking money over there, Oh dude, Yeah, he's

2268
02:00:57.680 --> 02:00:59.479
<v Speaker 2>printing money basically. Yeah.

2269
02:01:00.199 --> 02:01:02.319
<v Speaker 4>So you know the deal. You know where to find

2270
02:01:02.560 --> 02:01:05.439
<v Speaker 4>that higher level of content. You know how to access

2271
02:01:05.600 --> 02:01:07.760
<v Speaker 4>the cockles of our heart. You know how to demonstrate

2272
02:01:07.840 --> 02:01:10.119
<v Speaker 4>that you deserve all we've put into this podcast for

2273
02:01:10.239 --> 02:01:12.279
<v Speaker 4>ten years. You've got a lot of work to do

2274
02:01:12.359 --> 02:01:15.000
<v Speaker 4>out there, but you could do worse than getting that

2275
02:01:15.079 --> 02:01:19.159
<v Speaker 4>Patreon dollar across the transom. Okay, folks, that's how we've decided.

2276
02:01:19.239 --> 02:01:21.600
<v Speaker 4>Creators are going to make it worth their while in

2277
02:01:21.760 --> 02:01:24.399
<v Speaker 4>the era we're moving into. So we thank you for

2278
02:01:24.479 --> 02:01:26.800
<v Speaker 4>your support and we'll keep rocking and rolling for you.

2279
02:01:27.119 --> 02:01:29.560
<v Speaker 4>I believe it's time. Boss. If I'm not mistaken for

2280
02:01:29.720 --> 02:01:34.079
<v Speaker 4>the WWE, for the WWF, our most explosive TNT show,

2281
02:01:34.199 --> 02:01:35.479
<v Speaker 4>death doll, you.

2282
02:01:35.640 --> 02:01:40.039
<v Speaker 2>Know what I didn't do. There's a lot of dead people.

2283
02:01:40.119 --> 02:01:43.640
<v Speaker 2>I mean, I can just say here, Gene off the

2284
02:01:43.720 --> 02:01:48.039
<v Speaker 2>top of my head. You get Gene Fuji Heenan heenan

2285
02:01:49.159 --> 02:01:52.199
<v Speaker 2>Lord al uh do.

2286
02:01:54.399 --> 02:01:55.159
<v Speaker 4>Lord als Dad.

2287
02:01:56.520 --> 02:01:57.680
<v Speaker 2>Is Jimmy jack alive?

2288
02:01:58.720 --> 02:02:00.920
<v Speaker 4>I don't think so is he? That's a great question.

2289
02:02:01.800 --> 02:02:07.079
<v Speaker 4>I don't think Nickolai Volkoff is dead. Nick Lai Volkoff

2290
02:02:07.119 --> 02:02:11.840
<v Speaker 4>is said, Captain lew is dead. George Steele is dead, Bullcoff,

2291
02:02:12.840 --> 02:02:16.119
<v Speaker 4>Freddy Blassie is dead. Those Penhouse Penhouse models are dead.

2292
02:02:17.399 --> 02:02:20.239
<v Speaker 2>Yeah, yeah, they might be. You never know, maybe they

2293
02:02:20.319 --> 02:02:25.319
<v Speaker 2>got fucking, you know, cracked up. Jim Art is dead,

2294
02:02:25.760 --> 02:02:31.960
<v Speaker 2>Jim Knightetheart is dead. Adrian o'donnis is dead. Jimmy Jackson Okay, well,

2295
02:02:32.079 --> 02:02:37.000
<v Speaker 2>all right, that's dead. That Piper is dead.

2296
02:02:37.279 --> 02:02:38.199
<v Speaker 4>Oh yeah, he's all over it.

2297
02:02:38.960 --> 02:02:46.239
<v Speaker 2>Orton's still alive. Uncle Elmer is dead, right, Yeah. My

2298
02:02:46.319 --> 02:02:47.199
<v Speaker 2>cousin Luke is dead.

2299
02:02:47.439 --> 02:02:47.840
<v Speaker 4>Is he dead?

2300
02:02:47.960 --> 02:02:48.760
<v Speaker 2>I don't know that.

2301
02:02:48.880 --> 02:02:49.279
<v Speaker 4>I don't know.

2302
02:02:49.720 --> 02:02:51.680
<v Speaker 2>I can't believe I freaking forgot to do this. It happens,

2303
02:02:52.279 --> 02:02:54.600
<v Speaker 2>I know it doesn't. I don't think I've ever missed.

2304
02:02:54.640 --> 02:02:59.520
<v Speaker 2>I don't ever missed before. Yeah, maybe we'll see.

2305
02:02:59.560 --> 02:03:01.800
<v Speaker 4>Now this is better, absolutely.

2306
02:03:03.520 --> 02:03:06.079
<v Speaker 2>The I think that's that's about I'd probably do it.

2307
02:03:06.239 --> 02:03:08.119
<v Speaker 2>I mean, Andre the Giant and I mean they're there

2308
02:03:08.159 --> 02:03:10.399
<v Speaker 2>are obviously some in the in the wrestling clips too,

2309
02:03:10.439 --> 02:03:14.960
<v Speaker 2>so like Andre is there and and uh Bundy is

2310
02:03:15.000 --> 02:03:19.039
<v Speaker 2>there by John Studd's there. So yeah, it's a tricky

2311
02:03:19.079 --> 02:03:25.199
<v Speaker 2>one because these things are Murdock's there, Johnson's, Rocky Jonas's dad, Yeah,

2312
02:03:25.640 --> 02:03:26.439
<v Speaker 2>Adonnas is dead.

2313
02:03:27.239 --> 02:03:31.079
<v Speaker 4>Yeah, yep, there's it's a lot, Mike Tyson. It's a long,

2314
02:03:31.439 --> 02:03:31.840
<v Speaker 4>long list.

2315
02:03:32.479 --> 02:03:32.680
<v Speaker 2>Yeah.

2316
02:03:33.279 --> 02:03:35.800
<v Speaker 4>So that established, it's time to light the matt light

2317
02:03:35.880 --> 02:03:38.520
<v Speaker 4>the fuse, Okay. As the Colosseum Collection rolls on. On

2318
02:03:38.600 --> 02:03:40.399
<v Speaker 4>the other side of the break, it's our deep dive.

2319
02:03:40.720 --> 02:03:42.560
<v Speaker 4>We're gonna pull it off the video shelf. We're gonna

2320
02:03:42.600 --> 02:03:45.239
<v Speaker 4>go rent this fucking sucker. We're gonna live in a

2321
02:03:45.279 --> 02:03:48.119
<v Speaker 4>time where physical media made life worth living and want

2322
02:03:48.159 --> 02:03:51.680
<v Speaker 4>to get back there with the WWF's most explosive T

2323
02:03:51.840 --> 02:03:54.760
<v Speaker 4>n T show. As the Colosseum Collection continues, it's that

2324
02:03:54.880 --> 02:03:56.119
<v Speaker 4>deep dive on the other side,
