WEBVTT

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<v Speaker 1>Welcome to the all Access pass area.

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<v Speaker 2>Enjoy the journey.

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<v Speaker 1>Hey, guys, what is happening? And then what is up?

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<v Speaker 1>They hold out that glass baby, because you know what

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<v Speaker 1>time it is. We're about to fill it up a

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<v Speaker 1>Welcome to the Prometheus Lens podcast. And this is an

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<v Speaker 1>all access pass episode. Honestly, this is the very first

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<v Speaker 1>one I ever put behind a paywall. So I have

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<v Speaker 1>so much content behind the paywall now, it's a huge

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<v Speaker 1>library that's growing every single month. Every once in a while,

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<v Speaker 1>I'm going to take one and give it to the

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<v Speaker 1>public to kind of remind you. Guys, Hey, you enjoyed

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<v Speaker 1>the show, you can help me and sign up sponsor

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<v Speaker 1>the show, help me keep doing what I love to do.

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<v Speaker 1>to all the content, you get access to a librairie

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<v Speaker 1>behind the paywett content just like this episode here will

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<v Speaker 1>so sit back, relax and enjoy this journey. And if

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<v Speaker 1>you've been thinking about scratching that itch, hey, I'm encouraging you.

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<v Speaker 1>Scratch that itch.

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<v Speaker 3>Support you boy, and ensure that I keep doing what

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<v Speaker 3>I love to do and what you enjoy listening to

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<v Speaker 3>all Right, guys, sit back, relax and enjoy the journey.

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<v Speaker 3>The disclaimer to the fair season karens out there, Oh Dad,

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<v Speaker 3>You All guests on the show do not reflect the

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<v Speaker 3>opinions of hosting. The purpose of the show is to

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<v Speaker 3>have interesting conversations, stretch our minds and.

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<v Speaker 4>Grow, not what we want.

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<v Speaker 1>If you are looking for an echo chamber you were saying, listener,

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<v Speaker 1>discretion us.

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<v Speaker 2>You talking about extreme, we will guilty from you. They

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<v Speaker 2>don't fear the questions.

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<v Speaker 4>They feel.

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<v Speaker 2>So we see just to see through sucking. They only show.

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<v Speaker 1>What's real, what's happening, what's up. Hold out your glass

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<v Speaker 1>because we're about to fill it up. Welcome to the

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<v Speaker 1>Prebtheous Lens Podcast. If you are within the sound of

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<v Speaker 1>my voice, this means you are in all access pass

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<v Speaker 1>holder and from the bottom of my heart, thank you.

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<v Speaker 1>But I've seen this spitting actually recording this January fourth,

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<v Speaker 1>at eight o'clock PM. My plan is to get this recorded,

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<v Speaker 1>edited and sent out tonight because I just released an

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<v Speaker 1>episode with doctor Judd Burton, The Anuma a Leish Part one,

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<v Speaker 1>and this is gonna be a three part series and

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<v Speaker 1>the first two I'm sending out everyone else, but the

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<v Speaker 1>last one is just gonna be for you guys and

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<v Speaker 1>you guys only. But as I was going through some

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<v Speaker 1>of my notes, I actually stumbled across the notes that

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<v Speaker 1>I took from Mike Heiser's book on New Anonaki, and

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<v Speaker 1>I was like, Man, I forgot I even read this

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<v Speaker 1>and that I had all these notes on it. And

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<v Speaker 1>then I was like, well, we just talked about the

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<v Speaker 1>Epic of Gilgamesh with Gary Wayne, and here we are

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<v Speaker 1>going through the Numa a Leish with doctor Judd Burton,

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<v Speaker 1>and I'm like, we have to throw in some Mike

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<v Speaker 1>Kaiser's work. So this was kind of my last minute

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<v Speaker 1>attempt to not only thank you guys, but to throw

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<v Speaker 1>in some extra context from another great mind. So I'm

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<v Speaker 1>just going to go through and give you some of

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<v Speaker 1>the notes that I had taken when I had read

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<v Speaker 1>this book and what stood out to me. So without

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<v Speaker 1>further ado, let's just go ahead and get into this thing.

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<v Speaker 1>So when you're going through all these ancient texts, you

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<v Speaker 1>get different variations, okay, of the same type of entity

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<v Speaker 1>or group of entities that's speaking of. You know, one

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<v Speaker 1>that you're probably really familiar with is the Annunaki. Well,

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<v Speaker 1>there's other words that are used that sound similar and

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<v Speaker 1>some that don't sound similar at all, but they're talking

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<v Speaker 1>about the exact same thing. So here I'm going to

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<v Speaker 1>talk about who these entities are, what their names are,

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<v Speaker 1>what they mean, and give some examples throughout the different

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<v Speaker 1>texts where you see these guys at because we tend

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<v Speaker 1>to kind of just group everything together that's in the

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<v Speaker 1>Fertile Crescent. But we have all these texts that are similar,

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<v Speaker 1>but they have different names because they're told by different

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<v Speaker 1>people and at different times. This is a land that

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<v Speaker 1>was constantly at war with each other and conquering each

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<v Speaker 1>other and amalgamating their religions. So I love how Mike

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<v Speaker 1>takes the approach on this book and just totally dissects

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<v Speaker 1>everything and separate them from not only their timeframe, but

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<v Speaker 1>from their cultures and their regions. So you may remember

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<v Speaker 1>from part one of the New Maleish and it means

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<v Speaker 1>it mentions the GigE. Well, you also have the igigu

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<v Speaker 1>in some texts, and this is the same thing. Well,

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<v Speaker 1>a gigu means gods of heaven, and then you have

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<v Speaker 1>the au naku is and this means gods of the

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<v Speaker 1>underworld aka with a biblical lens. This is the watchers

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<v Speaker 1>the fallen angels from Genesis six. So the gods of

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<v Speaker 1>Eridu and the poor were called Anu Naku. This term

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<v Speaker 1>was adopted by the Hittites later. The a Gigu first

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<v Speaker 1>appear in the Old Babylonian text from the time of Hammurabi,

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<v Speaker 1>or maybe even shortly before. Some examples, we have the

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<v Speaker 1>death of Gilgamesh. You know these gods were mentioned Robi's law.

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<v Speaker 1>Stella claims that Annum was king of the Anunaku. We

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<v Speaker 1>have no evidence of a gigu or Anunaku in Assyrian

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<v Speaker 1>texts before thirteen hundred BC. Ishtar's descent clearly has Anunaku

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<v Speaker 1>in the underworld, and the same goes for the epic

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<v Speaker 1>of Gilgamesh. If you remember that talk with Gary Wayne,

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<v Speaker 1>there's a myth called the Era myth, where the agigu

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<v Speaker 1>are in heaven and the Annunaku are in the underworld

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<v Speaker 1>as well, so those stories collaborate. The Anuma Alish has

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<v Speaker 1>six hundred gods. They are split three hundred to rule

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<v Speaker 1>in heaven and three hundred on earth. So here we

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<v Speaker 1>have that on earth as it is in heaven. Or

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<v Speaker 1>as above, so below your imaging going on here. But

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<v Speaker 1>one thing that I got as a note here, the

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<v Speaker 1>Book of Enoch records two hundred fallen slash rebellious watchers.

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<v Speaker 1>You know, it talks about in revelation that one third

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<v Speaker 1>of the angels rebelled. Well, according to this, if these

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<v Speaker 1>numbers are correcting, the coincide the Numlis versus the Book

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<v Speaker 1>of Enoch, it's two thirds ratio instead of one third.

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<v Speaker 1>But of course, as a Christian, God's word reigned supreme,

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<v Speaker 1>so it's good to have that biblical foundation. Now, the

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<v Speaker 1>Samerian in the Acadian mentions gods of heaven and earth.

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<v Speaker 1>Also they also mentioned dinga Ku ku Rah, and this

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<v Speaker 1>means the gods of foreign lands. So in my little

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<v Speaker 1>notes here of that I got, you know, it puts

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<v Speaker 1>me in mind of the Deuteronomy thirty two worldview. But

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<v Speaker 1>we also have the Inky then her sag myth. These

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<v Speaker 1>figures have an active role in the creation of humanity

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<v Speaker 1>out of the blood of two deities, and that kind

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<v Speaker 1>of puts me in mind of the Greek pantheon. You know,

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<v Speaker 1>the younger gods rebelled against the elder gods. Chronos castrated

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<v Speaker 1>him and his blood dripped down. That was the creation

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<v Speaker 1>of the monstrosities and other things. Inky of airdu bears

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<v Speaker 1>an effifet none and quotations none in you n Now

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<v Speaker 1>remember the land of None from the Bible with Cain right,

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<v Speaker 1>because this word means ruler. The city itself is referred

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<v Speaker 1>to as the land of none. Another story that we

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<v Speaker 1>have is the debate between the Grain and the Sheep.

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<v Speaker 1>This myth refers to the ann Naku as gods in

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<v Speaker 1>the mountains of Heaven and Earth. Now remember sacred geography.

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<v Speaker 1>The mountains were thought to be sacred. You know, it

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<v Speaker 1>was the place where heaven and Earth met. You know,

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<v Speaker 1>Enoch records that the fallen angels fell on Mount Herman.

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<v Speaker 1>Then recall our discussion with Gary Wayne and Derek Gilbert

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<v Speaker 1>where we talk about the epoch of Gilgamesh. This was

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<v Speaker 1>the mountain of the gods. It was also where the

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<v Speaker 1>god Al and his seventy sons aka his divine council,

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<v Speaker 1>held court. We have the story of Anana's descent. The

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<v Speaker 1>anuw Naku functioned as underworld judges, and there was seven

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<v Speaker 1>in total. You know, and remember the mystery schools of

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<v Speaker 1>Mithras and Egypt. Depicted that a death one must pass

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<v Speaker 1>through the seven sphears to reach judgment, and the gift

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<v Speaker 1>was giving at the passing of each sphere to aid

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<v Speaker 1>them in the final judgment. You know, this was symbolic

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<v Speaker 1>for the seven planetary spheres, but in this myth it's

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<v Speaker 1>a reverse fashion. Anona is a goddess who already has

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<v Speaker 1>quote unquote the gifts, so to enter the underworld to

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<v Speaker 1>pass each judge, she must give up an article of

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<v Speaker 1>clothing aka her coverings to enter the underworld. Then we

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<v Speaker 1>have in Lil and the then Lil myth. Once again,

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<v Speaker 1>seven gods of fate seize in Lil and expel him

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<v Speaker 1>from the poor for what for sexual impurity? Genesis six.

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<v Speaker 1>All over again, guys, same story, just told different times,

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<v Speaker 1>different ways, different caveats. Nothing new is under the sun.

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<v Speaker 1>Now the language changes a little bit. You know, we've

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<v Speaker 1>been talking about the Igigu. Now it changes to the

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<v Speaker 1>GigE and the Anunaku. Both are depicted as members of

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<v Speaker 1>the Divine Council, which, as we know, it's an imitation

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<v Speaker 1>of Ya always true Divine Council. The Anunaku are the

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<v Speaker 1>lower tier of gods, as they are not recorded to

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<v Speaker 1>receive worship like the Igigu are. In these texts Inki

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<v Speaker 1>calls for a tower in Aridu, which is modern day Iraq,

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<v Speaker 1>to be erected, and of course we know with the

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<v Speaker 1>Biblical lens, this is the tower of Bible. Ishtar is

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<v Speaker 1>mentioned as a lady of the Anunaku, so basically she

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<v Speaker 1>lords over them. They're like her minions. In a creation epic,

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<v Speaker 1>Martik allotted portions of governance to the Isu Naku once again.

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<v Speaker 1>Deuteronomy thirty two, the epic of Gilgamesh. He goes to

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<v Speaker 1>the Cedar forests, mount Herman slashed Lebanon to battle, and

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<v Speaker 1>this wording here it says who wah wah, but we

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<v Speaker 1>know it as whom Babae be ams for the dead

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<v Speaker 1>in the underworld. And I immediately thought of Second Samuel.

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<v Speaker 1>You know, when Yahweh goes silent and no longer speaks

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<v Speaker 1>to Saul. So then Saul goes out and seeks a medium,

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<v Speaker 1>you know. And then when he goes and sees this medium,

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<v Speaker 1>it says that the Elohim came up from the earth.

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<v Speaker 1>You know, we know that that word is God or

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<v Speaker 1>God's So when I read this, I was thinking, was

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<v Speaker 1>she seeing the Anunaku coming up to to deceive her

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<v Speaker 1>and pretend to be Samuel. In a recorded prayer to Ishtar,

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<v Speaker 1>it says, may be among the igigu, who is like you?

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<v Speaker 1>Among the Annunaku. That sounds familiar, doesn't it? Guys, who's

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<v Speaker 1>like you? Yahweh? Among the gods, Anu and Lil Minerta

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<v Speaker 1>and Nugi created humans as work slaves. They try to

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<v Speaker 1>destroy them later with a flood, but in this account

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<v Speaker 1>the Anunaku saved them with a boat. Anna and Unaki

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<v Speaker 1>and Annunaku are all interchangeable in the same set of entities,

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<v Speaker 1>and Unaki refers to a group of gods in the

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<v Speaker 1>Sumerian and Mesopotamian pantheon, and Unaki means princely seed in

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<v Speaker 1>this equals lordship. Later text credits creation of the Anunaki

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<v Speaker 1>to Marduk of Babylon. And then he assigned to them

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<v Speaker 1>above and below so once again as above so below,

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<v Speaker 1>or on earth as it is in heaven. And that

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<v Speaker 1>was all the notes that I had on the book.

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<v Speaker 1>You know, of course, the book. You know, it wasn't

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<v Speaker 1>that thick. It was only like maybe two or three

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<v Speaker 1>centimeters thick. It was not a very big book, but

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<v Speaker 1>it had a lot of information in there, but where

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<v Speaker 1>I had already studied the Anaki or the Anunaku, I knew,

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<v Speaker 1>you know, I had already read up on some of

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<v Speaker 1>this stuff, so I was already familiar with the work.

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<v Speaker 1>So I just wrote down the stuff that I was

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<v Speaker 1>unaware of her that's out to me or I thought

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<v Speaker 1>was significant, and I just remember those, and so I

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<v Speaker 1>was like, well, I'll go through those and I'll just

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<v Speaker 1>share those with the listeners because it's kind of pertinent

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<v Speaker 1>to what we are talking about now, because we're right

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<v Speaker 1>now in the middle of this Innuma Leash with doctor

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<v Speaker 1>Judd Burton, and we've kind of just had like an

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<v Speaker 1>epic past two months or so, because you know, we've

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<v Speaker 1>had the epic of Gilgamesh and now we're going into

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<v Speaker 1>the Numa Leish and this is going to be a

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<v Speaker 1>three part series. So I just thought I would share

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<v Speaker 1>that with you guys, and just give you some tidbits

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<v Speaker 1>of some stuff that I had found, just in case

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<v Speaker 1>you were unaware. It would help you better understand some

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<v Speaker 1>of the content that's coming on down the line. As

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<v Speaker 1>far as imagery. You know, you guys have probably seen

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<v Speaker 1>the depictions of these half bird men in their long

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<v Speaker 1>cloaks and standing there holding the little handbag and holding

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<v Speaker 1>the pine cone up. You know, these are the opt

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<v Speaker 1>callus say just that that they're speaking about here, and

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<v Speaker 1>a lot of people theorize, you know, what does the

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<v Speaker 1>bag symbolize, you know, in the in the pine cone.

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<v Speaker 1>And there's there's many theories out there, you know. I've

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<v Speaker 1>heard that, you know, the pine cone symbolizes the third eye,

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<v Speaker 1>and that the handbag is like their tool bag, you know,

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<v Speaker 1>and just different things like that. You know, nobody really knows,

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<v Speaker 1>it's just guesswork at this point what it could be.

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<v Speaker 1>But I do, I do find it very interesting. And

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<v Speaker 1>I've been listening to Graham Hancock's audio books because I

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<v Speaker 1>have an hour drive to work and an hour back,

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<v Speaker 1>so I get two hours a day that I'm just

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<v Speaker 1>in my car stuck. So I was like, well, I'll

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<v Speaker 1>listen to some of these audio books and try to

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<v Speaker 1>chew on some of this. And there's some really fascinating

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<v Speaker 1>stuff in there, and there's a lot of things that

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<v Speaker 1>can be said about you know, Graham Hancock. You know,

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<v Speaker 1>he's not a believer, you know, he's noted to take

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<v Speaker 1>these ayahuasca trips and things like that. But as you

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<v Speaker 1>guys know, my theology is grab the nuggets where you

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<v Speaker 1>can eat the meat, spit out the bones. Everybody's got nuggets.

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<v Speaker 1>Nobody has the complete picture. But I'm telling you, Graham

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<v Speaker 1>is so close to the biblical truth it's not funny.

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<v Speaker 1>He dances all around it but on it. And if

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<v Speaker 1>he would just, you know, get that biblical perspective, he

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<v Speaker 1>would have the closest thing to a twenty twenty vision

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<v Speaker 1>on all this stuff. You know my opinion. But I'm

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<v Speaker 1>gonna have to get the books so I can sit

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<v Speaker 1>down and write this stuff out and get some notes

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<v Speaker 1>on some stuff, because my memory is not what it

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<v Speaker 1>used to be. But I do recall that he's had

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<v Speaker 1>some really profound things, and he has some sections in

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<v Speaker 1>I'm trying to think of the name of the books now,

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<v Speaker 1>Fingerprints of the Gods and the Magicians of the Gods.

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<v Speaker 1>He talks significantly about these opcollig sages, and it's pretty

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<v Speaker 1>cool because how he interprets it and breaks breaks it down.

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<v Speaker 1>Because throughout culture, throughout time, you know, throughout the globe,

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<v Speaker 1>you have these flood you know, quote unquote myths, stories

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<v Speaker 1>and they're all so very similar. And then after the flood,

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<v Speaker 1>you have these divine beings or supernatural beings, extraordinary people

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<v Speaker 1>showing up and recivilizing nations. And he compares them, you know,

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<v Speaker 1>to the Opcolu, because he talks about out in South America,

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<v Speaker 1>you have Vericocha. Vericocha comes out of the water, out

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<v Speaker 1>of this lake, you know, which is symbolic for chaos.

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<v Speaker 1>The world was just destroyed with water, with chaos. And

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<v Speaker 1>he comes out and his story is a lot like

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<v Speaker 1>the story of Jesus. He goes through and he preaches love, compassion, forgiveness,

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<v Speaker 1>discourages human sacrifice, and he travels from town to town

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<v Speaker 1>teaching these things and teaching, you know, how to sow seed,

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<v Speaker 1>how to gather a harvest, how to build, you know,

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<v Speaker 1>in architecture and math and medicine and just all these

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<v Speaker 1>world civilizing things. But he also has a group of

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<v Speaker 1>followers or apostles that are with him, and they are

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<v Speaker 1>called the Vericachas. And one thing he talked about in

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<v Speaker 1>that book was they were also known as the shining Ones.

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<v Speaker 1>I immediately thought of, you know, the Hacitan Genesis three,

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<v Speaker 1>the serpent, the nakash, you know, and Hebrew that word

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<v Speaker 1>means the shining one. So here comes Verraicocha out of

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<v Speaker 1>Lake Titi Kakka with a group of shining ones. I

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<v Speaker 1>immediately thought of Genesis six, and just all those different

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<v Speaker 1>correlations were going off in my head. But then you

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<v Speaker 1>have Quatsi Kettle. Quatsi Kettle also known as the feathered serpent.

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<v Speaker 1>Quasi Kettle was described as fair skinned, bearded. You know,

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<v Speaker 1>this is not common in South America. This sounds like

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<v Speaker 1>Mesopotamian or European. And that he done the same thing,

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<v Speaker 1>same thing as very coach that went through civilizing humanity

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<v Speaker 1>after this great catastrophic event and taught all these things

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<v Speaker 1>and then left on what they said appeared to be

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<v Speaker 1>a raft of serpents in the ocean, and said that

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<v Speaker 1>one day he would return. And that's why when the

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<v Speaker 1>Spaniards showed back up the conquistadors, they didn't fight them.

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<v Speaker 1>They just laid down their arms and brought them gold

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<v Speaker 1>and just all these all these gifts, and just bowed

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<v Speaker 1>down to them and done whatever they wanted. Because the

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<v Speaker 1>Maya is the Aztect. The people of that nation out

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<v Speaker 1>and numbered the conquistadors. There's no way they could have,

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<v Speaker 1>you know, beat him in battle. They just had the

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<v Speaker 1>numbers and they had the home court advantage. If it

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<v Speaker 1>wasn't for that, they would have never conquered South America

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<v Speaker 1>and plundered it the way they did. They thought that

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<v Speaker 1>this was the return of Kwatsi Kettle, because he said

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<v Speaker 1>he would return. Veracoacha said he would return. He went

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<v Speaker 1>back into the lake, him and his very coachas his disciples,

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<v Speaker 1>apostles followers, and lo and behold, here comes these guys

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<v Speaker 1>from the ocean. Just like all the stories. They grew

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<v Speaker 1>up here in in this shiny metal. They were shining,

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<v Speaker 1>fair skinned, bearded men. I mean, I just thought that

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<v Speaker 1>was just the correlations was just crazy. And then you

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<v Speaker 1>go over to you know, Mesopotamia, you have the seven

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<v Speaker 1>op Calu sages and the alp Calu and the just

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<v Speaker 1>all these different you know, names, but the same thing.

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<v Speaker 1>But there they followed this god I think it was

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<v Speaker 1>called Oannis Oennis was the Verracocia, the Quatsi cattle figure

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<v Speaker 1>of the Middle East of Mesopotamia, and he had seven

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<v Speaker 1>op Collu sages that followed him, and they once again

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<v Speaker 1>civilized the world after a catastrophic event, and some of

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<v Speaker 1>them are depicted either as half bird half man or

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<v Speaker 1>half fish half man, you know, kind of symbolizing that

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<v Speaker 1>they swam through the flood, made it through carrying the

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<v Speaker 1>knowledge that that little handbag it very well, you know,

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<v Speaker 1>symbolized the bringing of the knowledge, the bringing of the

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<v Speaker 1>the recivilization. Then in Egypt you have the story of Osiris.

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<v Speaker 1>Osiris hands off the kingship after he gets everything laid

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<v Speaker 1>out and settled, he just gets bored. He wants to

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<v Speaker 1>explore and see the world, so he hands the kingship

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<v Speaker 1>off and just takes off on a boat to go

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<v Speaker 1>on adventures and recivilized the world after a catastrophe. So

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<v Speaker 1>just all the similarities just throughout culture. It's just a

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<v Speaker 1>mind blowing to me. And these books are really good.

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<v Speaker 1>If you've not read these yet, you know, or audio

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<v Speaker 1>book them, but either way, Graham Hancock, I have finished

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<v Speaker 1>Fingerprints of the Gods. It was really good. I am

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<v Speaker 1>going to buy that book just for highlights in my

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<v Speaker 1>note taking. And I'm like maybe two and a half

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<v Speaker 1>three hours into the Magicians of the Gods, and that

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<v Speaker 1>one goes into the Abcolu sages and things like that

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<v Speaker 1>a little bit more in depth and it also goes

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<v Speaker 1>into the younger, dryest theory and all this stuff. Like

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<v Speaker 1>I said, he don't have the whole picture. He's not

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<v Speaker 1>right on everything, but some things I feel he is,

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<v Speaker 1>but definitely going to get those and I those of

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<v Speaker 1>my collections so I can get some good notes and

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<v Speaker 1>hopefully get some good content for you guys in the future.

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<v Speaker 1>But this is just gonna be a little short blur.

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<v Speaker 1>Like I said, we're now thirty minutes in, so it

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<v Speaker 1>is eight thirty pm. I'm gonna try to close this

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<v Speaker 1>thing out and get it cleaned up and edited and

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<v Speaker 1>post it on the RSS speed so you guys can

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<v Speaker 1>either enjoy this tonight or Friday mornings until next time.

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<v Speaker 1>Torch is high.

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<v Speaker 4>Five, Still burn the sand, try it on your own

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<v Speaker 4>crowns build out of borrowed lighting thrones, wiring in the

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<v Speaker 4>fear truth chained on mountain walls. While vulture circle near

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<v Speaker 4>a knowledge is a crime.

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<v Speaker 1>We will guilty from the start.

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<v Speaker 2>They don't fear the questions, they fear the fun, so

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<v Speaker 2>we feel the