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Speaker 1: The CBS Radio Mystery Theater prevents. Come in. Welcome, I'm E. G. Marshall,

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your landlord in this mansion of terror, and often there's

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no terror quite like those nameless terrors, those undercurrents we

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can't put our finger on. We know something not quite right,

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but we don't know why. It nags at those dark

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corners of our mind. And such is the story we

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have for you. Now, all seems to be sweetness and light,

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or watch out for those dark corners, those things left unsaid.

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Juan and Mike Slater are young city dwellers spending their

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vacation in a quiet village called Granville. They thought it

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was the perfect spot to get away from it all.

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That's what they thought until they got there and tried

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to get away from it.

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Speaker 2: Mike, we should've turned left back there.

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Speaker 1: No, no, no, no, we're on the main road out

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of the village.

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Speaker 3: No, we're not. Look up there, there's another dead end.

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Speaker 1: Well, this doesn't have upchaina. But we've been driving for

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a half hour trying to get out of this town.

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Every road is either a dead end or it takes

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us right back into the middle of the village.

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Speaker 2: But we came in on the main road. Where is it?

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Speaker 4: Why can't we find it?

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Speaker 1: I think they don't want us to find it. Change.

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We've trapped, trapped in this town, and I don't know why.

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Our mystery drama, The Summer People was written especially for

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the Mystery Theater by Bob Jura and stars Tony Roberts.

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I'll be back shortly with that one. Two weeks in

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another town, a summer place. They all add up to

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a change of scene, something everyone enjoys, and for Jane

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and Mike Slater, a summer in the country was not

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only desired, but almost necessary. Jane is a serious painter

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and Mike's a young reporter with a novel burning in

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his brain, a couple ripe for spending their vacation away

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from it all and working on their respective art. So

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it was no wonder that when Mike picked up the

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paper one evening he enthused and Jane, listen to this.

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Oh well, I think it's this that we've been looking

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for for our vacation. I mean private rooms with bath

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in lovely private home, quiet village on beautiful river, complete

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peace and quiet. All meals fifty dollars a week.

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Speaker 2: Per person, fifty dollars a week.

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Speaker 3: What's the date on that paper? Nineteen ten?

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Speaker 1: Say it's fifteen unless it's a misprint. Restricted to persons

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twenty three years or younger.

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Speaker 3: Well, at least we qualify there.

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Speaker 1: Interested parties may phone for interview eight one four in

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the number interview.

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Speaker 3: Ah, sounds too snobbish.

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Speaker 1: It sounds intriguing to me.

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Speaker 3: Doesn't the ad say where it is?

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Speaker 1: Nope? Nothing more. It's a perfect place to spend the

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summer and start the draft on my book.

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Speaker 2: It's okay with me if you want it. We're phoning

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for an interview. Isn't that strange?

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Speaker 1: Well, whoever put the ad in had his reasons. We

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won't know unless we call.

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Speaker 4: How very.

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Speaker 3: Mister Slater.

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Speaker 1: Yes you're Missus william that's right. Oh we've been expecting you.

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Speaker 2: But my child on the phone, you sounded like the.

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Speaker 3: Right kind of people.

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Speaker 4: Come in, thank you.

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Speaker 3: Ooh what a cozy place.

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Speaker 1: Jane's Missus Williams.

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Speaker 2: The Dutch cloth must be in the heirlooms my great grandmother,

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Missus Williams. Hello, missus Slater, Uh, sit down, please, thank you.

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Speaker 4: Uh.

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Speaker 2: You may think this a bit unusual that we.

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Speaker 3: Request an interview.

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Speaker 2: Yeah, frankly, yes, Well you've seen, mister Slater, We and

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Granville are well. We do invite the summer people into

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our homes. There are no hotels, and we.

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Speaker 3: Want to be careful.

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Speaker 4: I mean, we want to be.

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Speaker 3: Sure our summer people will fit in.

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Speaker 2: Your ads said only people under twenty three years old.

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I think that's curing on, so you should. But we're

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a young town, missus Slater. Oh, a grandfather's been a

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village for two hundred and thirty years. But cause people

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are young, we stay young, and we want our summer

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visitors to be the same way.

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Speaker 4: Uh uh, how old would you say I was.

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Speaker 1: Mister saf Oh no, no, no, up, don't put me

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on the spot.

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Speaker 4: What do you want to get, missus Slater?

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Speaker 2: Well, since you asked, uh, forty forty two, Oh, i've

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severn denied.

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Speaker 1: I mean die, oh you can't.

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Speaker 2: Well, that's the way it is in Granville.

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Speaker 4: We've found the secret.

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Speaker 2: For keeping young, and we want our summer people to

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enjoy us just as much as we'll enjoyed them.

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Speaker 5: It all sounds great to me.

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Speaker 2: We're quite self supporting, but we do depend on the

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summer people. That's why we're willing to take the trouble

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to meet our prospective visitors personally.

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Speaker 3: You're both in good health.

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Speaker 2: Oh yes, uh, no recent illnesses or operations.

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Speaker 3: Would you like a blood sample?

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Speaker 1: M Jane?

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Speaker 3: This is ridiculous?

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Speaker 4: Mind later. I understand your reaction. Many people feel the

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same way.

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Speaker 2: But if you're willing to cooperate with us just these

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few questions, you won't regret it.

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Speaker 3: Just where is Granville? Missus Williams. I'll give you the

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directions when.

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Speaker 4: We decide on your visit.

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Speaker 3: Uh what do you do, mister Slater?

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Speaker 5: I'm a writer.

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Speaker 1: I'm I'm a n uh newswriter for the Post. Jane

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goes to art school. It's working on a master's.

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Speaker 4: Oh you're both arts.

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Speaker 1: Oh well, thanks for the compliments.

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Speaker 2: Huh Uh.

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Speaker 1: The reason I was interested in your ad is, uh,

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I wanna spend the summer blocking a book and Jane

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wants to paint. It sounded like just the place.

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Speaker 4: Oh, I'm sure it will be.

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Speaker 2: I can tell from meeting you both so attractive, healthy, young,

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you'll fit in with Granville just perfect. Say if we

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choose to come, Oh before, wouldn't you?

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Speaker 3: You haven't told us enough about the town or your home.

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Speaker 2: You've been concerned in making I'm sure weed fit in.

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Speaker 3: Maybe we couldn't.

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Speaker 4: From our point of view.

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Speaker 2: Oh well, you you do have a point, Missus Slater. Uh,

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but I'm afraid there's not much more to tell.

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Speaker 3: Grandville is a pleasant little.

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Speaker 2: Village on the banks of the Seconey River upstate. I

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can offer you my second floors wheat and the friendship

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and attention of all the residents of Granville.

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Speaker 1: We'll think it over, uh accord in a day or two,

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but I'm pretty certain we'll be there.

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Speaker 4: Uh very well, mister Slater.

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Speaker 3: Missus Slater, it's been a pleasure meeting you.

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Speaker 2: And I do hope you'll decide to come to Grandville.

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Speaker 4: You're just the kind of people we was. Thank you.

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Speaker 3: They give my reservations. Missus Williams. We'll let you know.

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Speaker 4: I'll be waiting good night.

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Speaker 2: And I.

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Speaker 1: What's the big deal? Chain it sounds perfect.

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Speaker 3: I don't know, Mike.

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Speaker 2: It's something strange the things she didn't or wouldn't say.

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Speaker 1: Yeah, well, it's all amoret more interesting. I'm dying to

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see the place, and we're okay on her lest Yes.

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Speaker 2: She seemed eager to have us not against it. Might

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let sleep on it. I'll probably feel different in the morning.

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Speaker 1: You in there of her?

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Speaker 4: Come on in there, I was Elizabeth.

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Speaker 1: Oh she's okay. A doctor Teal said it was indigestion. Hm,

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the way she was carrying on, I thought it was

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a heart attack. How'd you make out with the uh

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summer people in the city, the uh Slaters?

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Speaker 4: They're perfect? Who's the best I'll ever have? I hope

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they decide to come.

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Speaker 1: Oh they're uh not firmed up yet. Uh.

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Speaker 3: The wife was a little leery if my question.

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Speaker 4: They did call me.

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Speaker 1: Well what about the basketball player? Oh, he's a set.

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Speaker 2: He didn't seem to mind it all the.

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Speaker 1: Questions and restrictions.

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Speaker 2: Said he couldn't wait to soap the basketball season out

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of his bones in peace and quiet.

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Speaker 1: I sure hope the Slats come. I hate to start

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looking again.

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Speaker 4: I think they will. I impressed him with the age thing.

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Speaker 1: Hm, what they say?

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Speaker 2: Like everyone else, I guessed around forty and were amazed

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when I said seventy nine.

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Speaker 1: Imagine what the summer people would say if they knew

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how old we really are.

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Speaker 2: I wouldn't believe it, so why tell them.

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Speaker 1: It can't be much further? We passed the lily pond

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two miles ago. She said, two.

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Speaker 2: Miles past the lily pond. Look for a wooden sign

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on right and take road to the left.

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Speaker 1: Well, it's been two miles unless my odometer's wrong.

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Speaker 4: Yeah, there he is up ahead.

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Speaker 1: Oh yeah, m the arrow sign Granville four mile or

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where's the road?

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Speaker 2: Well, it's supposed to be on the left.

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Speaker 1: Well the sign points left, all right, Granville four miles.

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But there's no road unless they mean those two ruts

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through the field over there.

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Speaker 2: It's crazy, but I guess we'll have to see where

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they go.

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Speaker 1: Okay, but talk about being off a beaten track. We're

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getting just what we bargained for.

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Speaker 2: It looks as though it gets better up ahead.

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Speaker 1: Yeah, yeah, there's at least some paving up there. You know,

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if it weren't for that sign back on the highway,

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you could go right past this place and never even

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know it was here.

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Speaker 2: Well, this looks more like it.

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Speaker 4: There is a town.

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Speaker 3: Back in here.

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Speaker 1: Welcome to Granville, population two hundred and ten.

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Speaker 4: How can they be so accurate?

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Speaker 2: After meeting missus Williams, I can believe anything. Why, Mike,

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it's beautiful.

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Speaker 1: That's clean all right, nice looking houses too.

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Speaker 3: It's almost unreal.

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Speaker 4: It's so perfect.

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Speaker 1: Uh, where do we head next?

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Speaker 2: Oh? Uh, continue along Symbole Street. That's what we're on

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to the greenhouse on Maple Avenue.

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Speaker 1: Well it can't be too far. Hey, look at that

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Jamee and little church. There's something to paint.

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Speaker 4: My first subject.

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Speaker 3: I wonder where the river is.

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Speaker 1: We got plenty of time to find it.

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Speaker 2: Oh, Mike, this really is paradise. We made the right

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decision coming here.

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Speaker 1: I think so too.

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Speaker 2: I I can't wait til oh it's the mother.

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Speaker 1: But where do we go from here? I mean we're

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at the end of Fimble Street, and so far there's

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been no Maple aven You were no greenhouse.

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Speaker 3: We must have passed it.

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Speaker 2: We were talking too much.

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Speaker 1: I've been watching every street. We didn't come to Maple

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aven Yeah.

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Speaker 3: Oh, I have to ask. I'll go in that little store.

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Speaker 1: Uh ask the fellow coming out. Uh excuse me, sir,

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Oh hello there.

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Speaker 2: Could you tell me how to get to missus williams.

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Speaker 1: Oh sure you are the uh summer people. She's expecting

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me now.

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Speaker 6: The direction, said the straight arm.

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Speaker 1: Fimble to Maple Avenger. Oh you passed Maple one block back,

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go back left on Maple by the green house. Then

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about a quarter of a mile you find Missus Williams

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on the right, big yellow house with the green Paul.

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Speaker 4: Thanks so much.

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Speaker 1: I can't say how we miss Maple Avenue. My name's

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Ned Broker, glad to have you with us. I'm uh

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Mike Slater. It's my wife Jane, say you later. Thanks

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for the direction.

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Speaker 2: What a pleasant man.

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Speaker 1: The prows, Missus Williams point, I guess Grandville stays young.

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Speaker 2: It's nice to know we're not staying with a bunch

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of old fogies.

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Speaker 1: Hey, they seem to be anything but that. Uh, Missus Williams,

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is that guy back there at least?

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Speaker 2: Oh there's the green house, Maple Avenue.

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Speaker 1: I don't see how we passed it before.

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Speaker 2: Well go less, like the man said, a quarter of

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a mile and we'll be at Missus Williams.

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Speaker 4: Hello, I've been waiting for you.

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Speaker 1: Here we are.

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Speaker 2: I wasn't sure when you'd arrived.

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Speaker 1: No, we only made one bad turn, not bad for newcomers.

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Speaker 3: Mister Broker, and the village told us how to get here.

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Speaker 2: Uh well, uh, come on and even get settled.

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Speaker 3: Your rooms are already and.

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Speaker 2: I've got a part of hoot coffee and homemade apple pie.

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Speaker 4: All waiting like I said, this is paradise.

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Speaker 2: Your rooms are on the second floor. I'm expecting another

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guest towards the end of the week. He'll have the

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third Your place is just charming, Missus Williams.

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Speaker 1: That's exactly what we want.

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Speaker 4: Well, I'm sure you'll enjoy it here.

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Speaker 2: The whole town seems so fresh and clean.

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Speaker 4: The people look so well. We're very careful about how

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we live here. We grow all our own.

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Speaker 3: Vegetables, meats and sport it.

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Speaker 4: Who you love her food?

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Speaker 1: Well?

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Speaker 4: Who you are?

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Speaker 3: Two rooms with connecting by it's lovely.

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Speaker 5: This is great.

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Speaker 2: Well, you get settled in and then come down to

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the kitchen. I want to introduce you to some real

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Granville cooking.

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Speaker 4: You and there mother come on in.

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Speaker 2: Then.

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Speaker 1: Yeah, you're uh, your folks settled in?

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Speaker 3: Hm.

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Speaker 1: It's a boy and you were right about them. They

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seem like the right tide to me. Hm.

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Speaker 4: I know how to pick them.

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Speaker 1: But when's the next.

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Speaker 4: One arriving at the end of the week.

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Speaker 1: I told the slaters, I drop around and see 'em

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set all the stafe.

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Speaker 4: For pine coughing there. They'll be down a couple of minutes.

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Speaker 1: I'll show 'em around town tomorrow. Uh, the girl's a painter.

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Speaker 4: H that's what they said.

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Speaker 1: Yeah, she'll be looking for subjects. I'll know what to

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show her, yes.

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Speaker 2: And what to keep her away from.

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Speaker 1: Charming people in Granville hospitable, friendly, attentive. But I can't

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help feeling. Oh now, it's just my overly active imagination.

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There's nothing wrong, nothing sinister. How could there be with

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such lovely, youthful, healthy people. And yet, well, we'll return

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to Granville. When I returned with that too, I did

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say we'd return to Granville, where Jane and Mike Slater

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have decided to spend some time in late summer. He

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who started a book, and she'd pursue her painting. But frankly,

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that town gives me the willies. If you don't mind,

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I'll just stay here and meet you later. You go

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on ahead and join Jane and Mike in the kitchen

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of that friend missus Williams.

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Speaker 5: You might even get.

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Speaker 2: A piece of that apple pie oother size, sister slatery.

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Speaker 1: Oh oh, Franks, this is when it it's delicious for two?

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Is my limits?

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Speaker 4: Oh? Now, come on, a young zellow like you ought

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to be able.

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Speaker 3: To put away a whole pie. He's being polite, I'll.

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Speaker 1: Uh, I'll take another one.

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Speaker 4: My Uh, help yourself.

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Speaker 1: I understand you paint, missus Slater. There's plenty of subject

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matter here in Granville.

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Speaker 2: Well, that's what I was hoping. I'm dying to look

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around the village.

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Speaker 1: I'd be glad to show you around. Well, I'll be

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glued to my time writer most of the time. I'm

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glad Jane has a painting to keep her busy. Well,

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you you want to rest up today, why don't we

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start out tomorrow?

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Speaker 3: Fine with me.

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Speaker 2: From what I've seen already, I know we couldn't have

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found a lovelier place.

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Speaker 1: Mm.

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Speaker 3: I've never seen such a I can't farm land.

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Speaker 1: Mm. We grow everything we eat.

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Speaker 2: Uh.

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Speaker 1: Let's walk on down to the liver front the view.

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There is something.

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Speaker 3: Oh, what's that low brown building over there? A factory?

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Speaker 1: No, no factories in Grandville. That's our freezer. We freeze

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the harvest for the winter months, one of our few

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concessions to modern gadget.

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Speaker 4: Uh huh.

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Speaker 2: You have such an idyllic place here, I'm surprised you

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want outsiders at all.

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Speaker 1: Oh, living too closed up isn't good either. We like

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the right kind of summer. People visiting us gives us.

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Speaker 2: To spec for you, and Missus Williams is so warm

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and friendly.

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Speaker 1: You'll find everyone in Grandville's that way. Oh, how is

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the grand tour beautiful?

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Speaker 2: It's a beautiful spot, almost two perfect.

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Speaker 3: Everything's laid out just so.

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Speaker 1: What's wrong with that?

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Speaker 4: Nothing?

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Speaker 2: Really, it's just curious. I don't remember seeing any children,

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not a single child.

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Speaker 5: Oh maybe they were all grown up.

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Speaker 2: Uh.

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Speaker 1: Everyone seems to be proud of how old they are

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here and how well they look.

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Speaker 3: But a whole village without any children.

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Speaker 1: That's unusual. Yeah, what's the difference.

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Speaker 2: Oh none, I guess to us.

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Speaker 3: Anyway, I'm going to start on mit a broker's barn.

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It's so unique, Missus Slater.

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Speaker 2: Lunch is ready, thank you, we'll be right down.

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Speaker 1: Oh I don't really feel like any lunch. Hey, that

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practice she poured and the worst would last week a week.

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Speaker 2: Oh, it's fantastic, but we can't hurt her feelings.

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Speaker 4: I know you're going to like it here, mister Reagan.

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Speaker 6: Oh I can see that already. He's some Quiet's all

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I want.

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Speaker 4: Well, you're on the third floor.

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Speaker 2: A nice young couple has the second all. Oh, mister Slater, hello,

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Oh oh, this is mister Egan, mister Slater our new residents.

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Speaker 1: Hi.

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Speaker 2: I uh, mister Egan's a professional basketball player.

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Speaker 6: Right recovering from the season, and.

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Speaker 4: Mister Stavor's a writer. His wife's a painter.

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Speaker 5: We're sort of on a work vacation.

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Speaker 6: Well, it won't see much of me. I'm just gonna

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sleep and eat.

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Speaker 4: Oh that's what I like to hear.

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Speaker 2: I've afraid the Slaters aren't used to my big meals now.

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Speaker 1: But food's great. It's just, uh, there's just so much

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of it where it's.

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Speaker 4: My duty to keep our summer people well set.

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Speaker 5: Uh huh, you won't have any trouble with me.

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Speaker 2: Mis William, Well, out, come along, we'll la, We'll get

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you settled.

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Speaker 5: I see you later, mister Slater. Oh, hey, I didn't

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mean that the way it sounds. Call me Mike. Okay,

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I'm tim see you later.

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Speaker 1: The uh basketball player all settled in? Yes, eh. I

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00:19:52,079 --> 00:19:54,359
guess i'd better get out to the main road and

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00:19:54,440 --> 00:19:57,960
take the sign down. We won't be expecting any more

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for a while.

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Speaker 4: N huh for a while.

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Speaker 5: Oh. How's the painting coming along, Jane?

395
00:20:08,960 --> 00:20:12,440
Speaker 2: Oh, I don't know, Jim. I started out with a bang,

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but lately, I haven't been able to concentrate.

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Speaker 5: Can I look sure?

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Speaker 3: That's two weeks of work.

399
00:20:20,400 --> 00:20:22,079
Speaker 5: Mmm, looks good to me.

400
00:20:22,799 --> 00:20:25,720
Speaker 2: Oh, it's all there, the barn and the sky and

401
00:20:25,759 --> 00:20:26,359
the field.

402
00:20:26,480 --> 00:20:31,160
Speaker 4: But it's just there. It's no spark. I don't know.

403
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Speaker 3: I've been so lazy lately. I I can't get up steam.

404
00:20:35,799 --> 00:20:39,720
Speaker 6: I'm the same way and enjoying every minute it must see.

405
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Speaker 3: Missus Williams cooking and this country air.

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Speaker 1: Oh high there, I didn't know you were back. You

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finished for the day.

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Speaker 3: Yeah.

409
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Speaker 2: I can't work up any enthusiasm, you.

410
00:20:50,480 --> 00:20:53,519
Speaker 1: Know, that's my problem talking about writer's block. I've been

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staring at that typewriter for a week.

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Speaker 2: I'm beginning to wonder if we came to the right

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00:20:57,799 --> 00:21:01,319
place after all we wanted. It's be quiet to work,

414
00:21:01,400 --> 00:21:04,279
But between the food and the climate, we're.

415
00:21:04,119 --> 00:21:05,480
Speaker 3: Growing sat and lazy.

416
00:21:05,720 --> 00:21:05,839
Speaker 2: Uh.

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Speaker 6: Well it suits me fine, but I'm gonna have to

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00:21:08,039 --> 00:21:10,720
take off ten pounds before the new season starts.

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00:21:11,160 --> 00:21:12,799
Speaker 1: How did you happen to find this place too?

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00:21:13,119 --> 00:21:14,920
Speaker 5: Ooh? Just an ad in the paper?

421
00:21:15,079 --> 00:21:16,920
Speaker 4: Yeah, same as we did, did uh?

422
00:21:17,160 --> 00:21:19,880
Speaker 1: Missus Williams give you a personal interview sort of?

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00:21:20,319 --> 00:21:22,559
Speaker 6: She came to my apartment, took one look at me

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and gave me directions to Granville.

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Speaker 2: Did you think it was funny they made such a

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00:21:26,599 --> 00:21:27,759
fuss about meeting it?

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00:21:28,400 --> 00:21:29,559
Speaker 5: Well, yeah I did.

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Speaker 6: But she was so nice, and this Granville sounded so great.

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Speaker 5: I didn't care. I just wanted to get away.

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Speaker 2: You know.

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Speaker 6: I didn't even tell my fiance where I was gone.

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Speaker 3: Have you looked around the town?

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Speaker 6: Tim, No, I've done what I said i'd do. Just sit,

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eat and sleep.

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Speaker 1: Hey, Jane, there's no need to bring that up. What's that? Well,

436
00:21:48,359 --> 00:21:51,480
Jane thinks that, Uh, there's something unusual.

437
00:21:50,920 --> 00:21:55,599
Speaker 2: Here, Jim. There's not a single pet in town. Everyone

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00:21:55,680 --> 00:21:58,599
in Granville is a youthful senior citizen.

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00:21:58,680 --> 00:22:00,240
Speaker 5: Oh, well, there's nothing odd about it that.

440
00:22:00,440 --> 00:22:02,599
Speaker 6: I was in Florida one time and there were these

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00:22:02,640 --> 00:22:03,200
old fees.

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00:22:03,240 --> 00:22:05,799
Speaker 2: It isn't an old people's retirement community.

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00:22:06,319 --> 00:22:11,319
Speaker 3: It's a plastic village. Everyone's very charming and gracious.

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Speaker 2: Like mannequins.

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Speaker 6: I still don't see anything wrong in that.

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00:22:16,400 --> 00:22:19,920
Speaker 2: It just bothers me. Why are they so anxious to

447
00:22:19,960 --> 00:22:22,839
have us come for the summer. They say they need

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their summer folk.

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00:22:24,279 --> 00:22:26,599
Speaker 1: For what, well, the money? I mean, they don't have

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00:22:26,640 --> 00:22:30,119
any industry here. They just they just need cash for something.

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00:22:30,400 --> 00:22:34,680
Speaker 2: The money fifty dollars a week for the two of us.

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Speaker 1: What are you paying him twenty five?

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00:22:37,200 --> 00:22:42,480
Speaker 2: It's not the money, except this lethargy we all have it.

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I think they're draining our strengths.

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00:22:45,759 --> 00:22:46,319
Speaker 4: In some way.

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Speaker 1: Come on, don't make such your big deal out. Come on,

457
00:22:50,440 --> 00:22:52,319
don't make such you a big deal out of nothing.

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Speaker 5: I'll see you do it. Supper.

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00:22:54,400 --> 00:22:57,759
Speaker 2: Okay, I love the mermade ice cream that's already in

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the kitchen.

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00:22:58,480 --> 00:23:01,759
Speaker 1: Oh thanks, no, uh uh no, thanks, missus Williams.

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00:23:01,839 --> 00:23:04,119
Speaker 6: Jah, I was just gonna take a snooze maybe later,

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00:23:04,160 --> 00:23:05,200
Miss Williams, Well.

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Speaker 3: Whatever you wiss is there when you wanted. She was listening.

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She heard what we said.

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00:23:11,440 --> 00:23:14,119
Speaker 1: Ah, I doubt it, Jane, But if she thought we

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suspected her of something, she would have said so.

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00:23:16,640 --> 00:23:20,640
Speaker 2: Not necessarily, not if there was a good reason for

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00:23:20,759 --> 00:23:23,160
us not to know.

470
00:23:30,240 --> 00:23:31,119
Speaker 1: What's up, Martha.

471
00:23:31,759 --> 00:23:35,079
Speaker 2: I don't think the Slaters will be saying the whole summer.

472
00:23:35,319 --> 00:23:37,759
Missus Slater's particularly nervous.

473
00:23:38,039 --> 00:23:40,200
Speaker 1: Mm. What you gonna do?

474
00:23:40,759 --> 00:23:42,240
Speaker 3: I'd advertised their rooms.

475
00:23:42,279 --> 00:23:43,359
Speaker 4: Mister Egan's too.

476
00:23:43,880 --> 00:23:46,079
Speaker 3: Uh he was Julily the end of the month anyway.

477
00:23:46,319 --> 00:23:51,480
Speaker 1: Well, okay, if uh, if you're sure you can get replacements. Three.

478
00:23:51,680 --> 00:23:52,920
Some of the people aren't to know.

479
00:23:53,200 --> 00:24:03,279
Speaker 2: I know, but I won't have trouble filling the room.

480
00:24:03,319 --> 00:24:05,319
Speaker 1: Hello there, I'm mister Egan.

481
00:24:05,960 --> 00:24:08,920
Speaker 6: After stroll, I'll just like to watch other people work

482
00:24:09,240 --> 00:24:11,319
getting ready for the barbecue tomorrow.

483
00:24:11,480 --> 00:24:16,759
Speaker 1: Yeah, real, great time, our July barbecue. It's a lot

484
00:24:16,799 --> 00:24:18,720
of work, but we think it's worth it.

485
00:24:18,880 --> 00:24:20,640
Speaker 6: I'm glad I'm gonna be around for it.

486
00:24:21,279 --> 00:24:24,759
Speaker 1: See, mister Egan's I wonder if you could help me

487
00:24:24,920 --> 00:24:27,599
later on sure, couple of chores that.

488
00:24:27,759 --> 00:24:30,039
Speaker 6: Could use your muscle power, or any time.

489
00:24:30,200 --> 00:24:31,519
Speaker 5: Tell me where and when.

490
00:24:32,160 --> 00:24:34,720
Speaker 1: Well, I'll come by for yet. Missus Williams.

491
00:24:35,079 --> 00:24:37,200
Speaker 6: This evening, well, don't make it too late, though I've

492
00:24:37,240 --> 00:24:39,799
been hitting the sack earlier and earlier. I never slept

493
00:24:39,839 --> 00:24:40,799
so good in my life.

494
00:24:40,839 --> 00:24:44,599
Speaker 1: But all we'll all be betting down early tonight with

495
00:24:44,759 --> 00:24:48,279
the barbecue and dance. Nobody will be going to bed

496
00:24:48,400 --> 00:24:57,480
timorrow and night more corn, Missus Slater, Oh, yes, maybe

497
00:24:57,559 --> 00:24:59,880
just one more another around the states are on.

498
00:25:01,359 --> 00:25:04,640
Speaker 3: What a shame Tim had. Mister he is too bad.

499
00:25:05,000 --> 00:25:07,480
Speaker 2: I'm I'm surprised he didn't say anything to it before

500
00:25:07,519 --> 00:25:09,880
he led. Well, when mister Egan got the phone call

501
00:25:09,960 --> 00:25:12,119
last night, he said it was an emergency at home.

502
00:25:12,200 --> 00:25:16,000
Speaker 4: He just grabbed his things and round. He seemed very upset.

503
00:25:16,440 --> 00:25:20,799
Speaker 2: I'm so curious because he uh, I thought, why, sir, bather,

504
00:25:21,440 --> 00:25:22,839
why don't give me a hand with these?

505
00:25:23,039 --> 00:25:25,640
Speaker 3: Oh'll be right there, h help yourself to sell?

506
00:25:25,880 --> 00:25:28,279
Speaker 1: Did you say that or you gonna shay him?

507
00:25:28,720 --> 00:25:32,359
Speaker 2: I wondering who could have called Tim? I remember him

508
00:25:32,400 --> 00:25:37,079
saying he didn't even tell his fiance where.

509
00:25:36,759 --> 00:25:37,599
Speaker 4: He was going.

510
00:25:42,720 --> 00:25:45,839
Speaker 1: May uh, may I have the honor of a dance and.

511
00:25:45,920 --> 00:25:47,640
Speaker 4: Missus later I thank you?

512
00:25:47,839 --> 00:25:52,960
Speaker 2: No, no, please, I could God, dray, I'm too fool Maybe.

513
00:25:52,720 --> 00:25:57,200
Speaker 1: Later Well, Martha, it looks like us, sir, old folks

514
00:25:57,559 --> 00:26:00,000
have to show the youngsters how to have fun. Huh

515
00:26:00,079 --> 00:26:03,039
that's eh, my arm, Missus William's.

516
00:26:02,720 --> 00:26:05,000
Speaker 2: Delighted, mister Broger.

517
00:26:05,359 --> 00:26:09,319
Speaker 1: Excuse uh, just one dance and I'll be back for you, missus,

518
00:26:09,400 --> 00:26:12,640
Lady ay Jane, we might as well pack up and

519
00:26:12,680 --> 00:26:14,640
go back to town tomorrow. If you wanna act like this,

520
00:26:15,240 --> 00:26:18,799
I'm sorry, Mike, h no reason for these suspicions. But

521
00:26:18,839 --> 00:26:19,559
do you wanna leave?

522
00:26:19,839 --> 00:26:20,279
Speaker 3: No?

523
00:26:20,279 --> 00:26:22,240
Speaker 4: No, you have your work to do.

524
00:26:22,680 --> 00:26:26,000
Speaker 1: I'm not getting anything done. Maybe we'd better pack it in.

525
00:26:26,440 --> 00:26:30,680
Speaker 2: No, I won't say anything more about it, Mike. I'll

526
00:26:30,720 --> 00:26:34,039
get back to my painting tomorrow and try to enjoy.

527
00:26:33,799 --> 00:26:34,759
Speaker 4: The rest of the summer.

528
00:26:35,200 --> 00:26:40,599
Speaker 3: Mm.

529
00:26:40,640 --> 00:26:43,559
Speaker 2: You ought to be back writing instead of watching me paint.

530
00:26:44,240 --> 00:26:47,119
Speaker 1: I don't see why you're unhappy with this painting, Jane. No,

531
00:26:47,200 --> 00:26:49,119
it's mister Broker's barn to a t.

532
00:26:50,119 --> 00:26:51,720
Speaker 2: I have a new idea for it.

533
00:26:52,559 --> 00:26:54,640
Speaker 3: This morning I hit on what's wrong?

534
00:26:55,319 --> 00:26:58,440
Speaker 2: What wll I seize the outside?

535
00:26:59,000 --> 00:27:01,599
Speaker 3: You don't feel a whole barn in the picture.

536
00:27:02,480 --> 00:27:05,400
Speaker 2: It's because I've never bothered to look inside.

537
00:27:05,640 --> 00:27:06,039
Speaker 1: What do you mean?

538
00:27:06,519 --> 00:27:07,960
Speaker 3: Come on, it's a broker.

539
00:27:07,960 --> 00:27:12,519
Speaker 2: Won't mind even though I'm not going to show the interior.

540
00:27:13,079 --> 00:27:15,079
If I know in my mind what it looks like,

541
00:27:15,680 --> 00:27:17,640
I'll give the whole painting more character.

542
00:27:18,200 --> 00:27:21,400
Speaker 1: That makes sense. Hm, It's first barn I've ever seen

543
00:27:21,440 --> 00:27:25,000
with no dust on the windows. The door's not.

544
00:27:25,000 --> 00:27:26,440
Speaker 3: Locked, not surprising.

545
00:27:27,000 --> 00:27:28,799
Speaker 2: Missus Williams never locks her house.

546
00:27:29,240 --> 00:27:30,599
Speaker 4: I don't think any of them do.

547
00:27:31,119 --> 00:27:35,480
Speaker 1: Well, let's go get that mood you're after. It's as

548
00:27:35,680 --> 00:27:40,000
clean as it you know what, Yes, what's the matter.

549
00:27:40,279 --> 00:27:41,240
Speaker 3: It's too clean.

550
00:27:42,319 --> 00:27:45,880
Speaker 2: Whoever saw a barn without any hay or harnesses or

551
00:27:45,960 --> 00:27:46,880
just plain junk?

552
00:27:47,359 --> 00:27:50,000
Speaker 1: Oh there's a loft, Maybe there's some junk up here.

553
00:27:50,200 --> 00:27:52,359
Speaker 2: Oh, hey, be careful climbing that ladder.

554
00:27:52,880 --> 00:27:53,480
Speaker 3: That's steady.

555
00:27:54,319 --> 00:27:55,160
Speaker 4: You see anything?

556
00:27:55,480 --> 00:28:00,000
Speaker 1: Hm, that's alright, no playing junks? But hey, wait a minute,

557
00:28:00,519 --> 00:28:06,000
what is it? I'll be dark? What hap?

558
00:28:06,480 --> 00:28:06,720
Speaker 6: Hey?

559
00:28:08,279 --> 00:28:12,759
Speaker 1: Look at this? It's a sign. It's the sign we

560
00:28:12,759 --> 00:28:13,799
saw out on the main road.

561
00:28:13,880 --> 00:28:16,279
Speaker 3: Oh maybe it's one like it, Ah, an old one.

562
00:28:16,519 --> 00:28:19,920
Speaker 1: No, no, no, it's the same sign, so one that

563
00:28:20,000 --> 00:28:21,680
pointed to the two ruts through the field.

564
00:28:22,319 --> 00:28:24,200
Speaker 3: Why would mister Broker have it in here?

565
00:28:25,400 --> 00:28:27,440
Speaker 1: It without this sign out there, you could go right

566
00:28:27,480 --> 00:28:30,960
past that field, go right past Granville. I never know

567
00:28:31,000 --> 00:28:31,400
it was here.

568
00:28:32,200 --> 00:28:35,119
Speaker 4: If that what they want.

569
00:28:36,519 --> 00:28:38,359
Speaker 1: Maybe your suspicions weren't so wrong.

570
00:28:38,240 --> 00:28:42,160
Speaker 3: Jane, Oh, Mike, what does it mean?

571
00:28:42,880 --> 00:28:46,079
Speaker 1: I wanna ask him questions, but don't let on. We

572
00:28:46,160 --> 00:28:46,519
found this.

573
00:28:46,680 --> 00:28:47,920
Speaker 3: Huh.

574
00:28:48,480 --> 00:28:50,440
Speaker 1: Come on, Let's get out of here fast before Broker

575
00:28:50,480 --> 00:28:50,880
gets back.

576
00:28:51,720 --> 00:28:53,559
Speaker 3: Let's leave this town right away.

577
00:28:53,759 --> 00:28:55,000
Speaker 1: Yeah, I only hope we can.

578
00:28:55,519 --> 00:28:57,480
Speaker 3: Tim Egan, did oh did he?

579
00:28:58,720 --> 00:29:01,720
Speaker 1: You were suspicious about that soub departure. Now I'm beginning

580
00:29:01,759 --> 00:29:05,799
to wonder he departed, but I'd like to know where

581
00:29:12,039 --> 00:29:15,359
our things in Granville. That you forgive me for not

582
00:29:15,400 --> 00:29:18,519
going along with you, But maybe now you know why.

583
00:29:18,720 --> 00:29:22,119
I much prefer to stay here and let you tell

584
00:29:22,160 --> 00:29:25,240
me what's going on there. I'm dying to know what

585
00:29:25,319 --> 00:29:28,799
happens next to our friends, Mike and Jane Slater. You'll

586
00:29:28,799 --> 00:29:31,480
be able to fill me in after you return to

587
00:29:31,519 --> 00:29:43,559
Granville shortly in act free still feel you want to

588
00:29:43,640 --> 00:29:48,440
return to the odd little village, well if you insist,

589
00:29:48,759 --> 00:29:52,039
and don't say I didn't warn you. Mike and Jane

590
00:29:52,039 --> 00:29:56,039
Slater have finally awakened to the fact that Granville isn't.

591
00:29:55,720 --> 00:29:57,200
Speaker 5: All it's backed up to be.

592
00:29:58,480 --> 00:30:02,599
Speaker 1: Jane felt it first, and now Mike, having found that

593
00:30:02,680 --> 00:30:05,279
Granville can shut itself off from the world with them

594
00:30:05,319 --> 00:30:09,839
in it. Besides, Jane wasn't so long after all. The

595
00:30:09,880 --> 00:30:14,680
thing that makes me curious, and perhaps you too, is

596
00:30:14,880 --> 00:30:20,400
why why do these sweet townsfolk of Granville appear to

597
00:30:20,440 --> 00:30:24,480
be increasingly sinister? I hope you'll be able to tell

598
00:30:24,519 --> 00:30:29,319
me when you get back, that is, if you get back.

599
00:30:30,279 --> 00:30:32,039
Speaker 2: What kind of danger are we in?

600
00:30:32,359 --> 00:30:35,480
Speaker 1: I don't know. It's so damn maddening. I don't know.

601
00:30:35,960 --> 00:30:37,920
Speaker 2: Do you think it's even safe to go back into

602
00:30:37,960 --> 00:30:38,359
the house.

603
00:30:38,680 --> 00:30:42,319
Speaker 1: Oh, we've got to get us things from the car. Well,

604
00:30:42,400 --> 00:30:44,359
tell Missus Williams that we've got to leave sooner than

605
00:30:44,400 --> 00:30:44,759
we thought.

606
00:30:44,839 --> 00:30:48,400
Speaker 2: Oh, she'd be suspicious after Tim Egan's disappearance.

607
00:30:48,920 --> 00:30:51,119
Speaker 1: I'd like to find out if that guy really went home.

608
00:30:51,359 --> 00:30:54,680
Speaker 3: Oh, forget about him. Let's get ourselves home.

609
00:30:55,640 --> 00:30:57,559
Speaker 1: Isn't it broker just leaving Missus Williams.

610
00:30:57,839 --> 00:30:59,160
Speaker 3: He probably knows what's been.

611
00:30:59,119 --> 00:30:59,720
Speaker 4: To his barn.

612
00:31:00,079 --> 00:31:03,000
Speaker 1: Don't learn all about anything? Well, good morning, you two

613
00:31:03,799 --> 00:31:05,079
rested up from last night?

614
00:31:05,480 --> 00:31:05,680
Speaker 2: Oh?

615
00:31:05,799 --> 00:31:10,160
Speaker 1: Yes, that still stuffed though. That's been putting the finishing

616
00:31:10,240 --> 00:31:12,240
touches on that painting, Missus Slater.

617
00:31:12,680 --> 00:31:14,720
Speaker 3: Yes, it's finished as a matter of fact.

618
00:31:14,839 --> 00:31:17,440
Speaker 4: And uh it's a present for you.

619
00:31:17,759 --> 00:31:19,440
Speaker 1: Oh now, Missus Slater.

620
00:31:19,319 --> 00:31:20,680
Speaker 3: Oh please take it?

621
00:31:20,839 --> 00:31:24,799
Speaker 1: Well, thank you. That's real special and I put it

622
00:31:24,799 --> 00:31:27,759
over my mantle. I sorry to run off. Got the

623
00:31:27,880 --> 00:31:31,720
chores at home now, that's okay. See you wrong by h.

624
00:31:32,559 --> 00:31:33,720
Speaker 3: I don't know why I did that.

625
00:31:36,720 --> 00:31:37,920
Speaker 1: You didn't like it? Anyway?

626
00:31:39,319 --> 00:31:40,319
Speaker 3: That's in the phone.

627
00:31:41,240 --> 00:31:43,279
Speaker 2: Maybe we can sneak up the stairs while she's on

628
00:31:43,319 --> 00:31:48,279
the phone. Hello, ooh oh oh, Slater.

629
00:31:48,519 --> 00:31:53,720
Speaker 3: Oh, yes for us. No, No, they never arrived. I

630
00:31:53,799 --> 00:31:57,480
was expecting them the person July. That's right, they were

631
00:31:57,519 --> 00:31:58,960
taking the second store for the summer.

632
00:31:59,000 --> 00:32:01,599
Speaker 2: I called her apartment in the city twice and didn't

633
00:32:01,599 --> 00:32:02,279
get an actor.

634
00:32:02,440 --> 00:32:04,960
Speaker 4: I I assume they changed their plans.

635
00:32:05,119 --> 00:32:06,519
Speaker 6: I wish they'd let me know.

636
00:32:06,680 --> 00:32:08,160
Speaker 4: I could have gotten other tenants.

637
00:32:09,200 --> 00:32:14,160
Speaker 3: And you haven't heard of since they left the city. Oh, dear, well,

638
00:32:14,240 --> 00:32:15,759
I wish there was something I could tell you.

639
00:32:17,400 --> 00:32:21,039
Speaker 4: Yes, yes, perhaps you better all right?

640
00:32:21,119 --> 00:32:26,200
Speaker 2: Good Eyeh, he's gone into the kitchen like this is unbelievable.

641
00:32:26,519 --> 00:32:29,480
Speaker 1: We are in danger. I don't know, won know why.

642
00:32:29,960 --> 00:32:31,799
We have to get out of here. Don't let on

643
00:32:31,960 --> 00:32:35,079
we heard that conversation. Don't do anything to make them

644
00:32:35,079 --> 00:32:39,920
think we're suspicious. You gotta give ourselves time to time

645
00:32:39,960 --> 00:32:40,839
to make an escape.

646
00:32:45,720 --> 00:32:48,680
Speaker 3: Why would she say we weren't here, that we'd never.

647
00:32:48,680 --> 00:32:51,480
Speaker 1: Arrived, so they can do whatever they intend to do

648
00:32:51,599 --> 00:32:54,000
with us. I think m'd call had to be from

649
00:32:54,039 --> 00:32:56,000
Stu Henry. He's the only one I told her where

650
00:32:56,039 --> 00:32:56,440
we'd be.

651
00:32:56,640 --> 00:32:58,000
Speaker 2: He must be franctic.

652
00:32:58,480 --> 00:33:00,000
Speaker 1: Well, I've gotta call him.

653
00:33:00,039 --> 00:33:01,799
Speaker 3: How can you There's.

654
00:33:01,599 --> 00:33:03,160
Speaker 1: Gotta be a public phone in the village.

655
00:33:03,880 --> 00:33:06,519
Speaker 4: Uh, missus lady, missus lady, lunch is ready.

656
00:33:06,720 --> 00:33:07,839
Speaker 3: You couldn't need a thing.

657
00:33:08,160 --> 00:33:18,039
Speaker 1: Try when I slip into town and call sto, Missus Williams,

658
00:33:18,240 --> 00:33:19,400
Can I use your phone?

659
00:33:19,480 --> 00:33:19,640
Speaker 4: Well?

660
00:33:19,720 --> 00:33:22,720
Speaker 1: Of course I couldn't find a public phone in town.

661
00:33:22,880 --> 00:33:25,559
Speaker 4: Oh so that's where you were when I had lunch ready.

662
00:33:25,920 --> 00:33:27,319
You didn't have to go all that way.

663
00:33:27,440 --> 00:33:28,559
Speaker 3: All you had to do was ask.

664
00:33:29,079 --> 00:33:31,200
Speaker 2: My phone's right here in the parlor.

665
00:33:31,759 --> 00:33:34,279
Speaker 1: Hang, how do we wanna call my publisher by my book?

666
00:33:34,759 --> 00:33:35,720
I'll reverse the charges?

667
00:33:35,799 --> 00:33:38,680
Speaker 2: All right, Just help yourself. I'm going to a friends

668
00:33:38,759 --> 00:33:42,359
the afternoon. It's our backhamon day. And uh, help yourself

669
00:33:42,400 --> 00:33:43,519
to the refrigerator.

670
00:33:43,960 --> 00:33:48,119
Speaker 3: Missus lader hardly touched a thing for a lot aw.

671
00:33:49,160 --> 00:33:53,240
Speaker 1: Entry here. So it's my Where are you in Grenville?

672
00:33:53,400 --> 00:33:53,440
Speaker 3: What?

673
00:33:54,160 --> 00:33:54,400
Speaker 5: Why?

674
00:33:54,440 --> 00:33:56,599
Speaker 1: I just saw there and a cell dame told me

675
00:33:56,599 --> 00:33:57,240
and they were right.

676
00:33:57,359 --> 00:33:57,559
Speaker 6: I know.

677
00:33:57,920 --> 00:34:01,680
Speaker 1: Listen, Stu, we're in danger here. They do work. I

678
00:34:01,680 --> 00:34:04,559
don't know what it is, but Stu, listen, this is important.

679
00:34:04,640 --> 00:34:06,559
Jane and I are leaving here in a couple of minutes.

680
00:34:06,799 --> 00:34:08,519
We'll call you as soon as we're out. If you

681
00:34:08,599 --> 00:34:10,960
don't hear from us in one hour, I want you

682
00:34:11,000 --> 00:34:12,679
to get all the police you can and get up

683
00:34:12,679 --> 00:34:15,360
here to Grahamville. How do I find the place? Take

684
00:34:15,440 --> 00:34:19,079
Route forty seven north to Minerville, then Route eleven west

685
00:34:19,119 --> 00:34:21,760
two miles and look, oh no, no, no, no, the

686
00:34:21,800 --> 00:34:24,119
sign won't be there. Look ah, you look for two

687
00:34:24,199 --> 00:34:30,960
ruts across a f Stu. Do you hear me? Stu? Stu?

688
00:34:33,639 --> 00:34:38,039
Damn they know? Jane, Jane?

689
00:34:38,800 --> 00:34:39,360
Speaker 4: What is it?

690
00:34:39,800 --> 00:34:39,880
Speaker 3: Is?

691
00:34:39,920 --> 00:34:40,559
Speaker 1: Everything packed?

692
00:34:40,840 --> 00:34:41,039
Speaker 4: Yes?

693
00:34:41,119 --> 00:34:43,000
Speaker 1: I just been it. We're leaving now. This is Williams

694
00:34:43,039 --> 00:34:43,880
went to a friend's hurry.

695
00:34:44,159 --> 00:34:45,159
Speaker 3: What did Stu say?

696
00:34:45,519 --> 00:34:47,239
Speaker 1: We were cut off and it wasn't in the accident.

697
00:34:47,679 --> 00:34:49,639
Grab those cases. I'll take a drunk and the typewriter.

698
00:34:49,719 --> 00:34:50,000
Speaker 2: Huh.

699
00:34:50,000 --> 00:34:51,280
Speaker 4: I'm so glad to get out of here.

700
00:34:51,360 --> 00:34:53,320
Speaker 2: All kiss those hot city sidewalk.

701
00:34:54,400 --> 00:34:57,400
Speaker 1: This is a only chance. Someone who was listening in

702
00:34:57,519 --> 00:35:00,320
on my talk with Stu. I just hopefully make it

703
00:35:00,320 --> 00:35:00,679
in time.

704
00:35:00,760 --> 00:35:01,480
Speaker 4: I'll get the door.

705
00:35:02,519 --> 00:35:09,239
Speaker 1: Wait, anybody out there, not a soul? Okay, let's go.

706
00:35:09,920 --> 00:35:11,000
Speaker 2: M think they're watching.

707
00:35:11,519 --> 00:35:15,239
Speaker 1: I don't know. Just keep walking in with We'll load

708
00:35:15,320 --> 00:35:17,440
the car cause nothing they can do to stop us here.

709
00:35:18,360 --> 00:35:19,440
I don't seem to have any.

710
00:35:19,280 --> 00:35:21,440
Speaker 2: Guns, none that you knew of.

711
00:35:22,119 --> 00:35:25,840
Speaker 1: Huh, huh, help me with the trunk. That's it now

712
00:35:25,920 --> 00:35:33,400
in case. Okay, get in. It's still not a soul

713
00:35:33,480 --> 00:35:37,239
on the street, so much the better. Where are you going?

714
00:35:37,880 --> 00:35:38,920
Speaker 2: You should have turned right?

715
00:35:39,079 --> 00:35:41,039
Speaker 1: Oh, I wonder god to get back to Fimble Street.

716
00:35:41,280 --> 00:35:43,760
We came in from Fimble to Maple. It's it's left

717
00:35:43,840 --> 00:35:44,440
on Fimble.

718
00:35:44,760 --> 00:35:45,199
Speaker 3: Oh.

719
00:35:45,239 --> 00:35:47,320
Speaker 1: I guess that's right the green house.

720
00:35:47,360 --> 00:35:49,199
Speaker 2: Remember, yes, there it is.

721
00:35:49,679 --> 00:35:54,559
Speaker 1: I mean, what's that sign? Say what that was Broad Street? Oh?

722
00:35:54,559 --> 00:35:56,480
There wasn't any broad Street when we came in.

723
00:35:56,519 --> 00:35:58,000
Speaker 4: Well it's probably the next one.

724
00:35:58,360 --> 00:36:01,280
Speaker 1: Uh, keep going, we're coming to a dead end.

725
00:36:02,159 --> 00:36:03,400
Speaker 3: We'll have to go back.

726
00:36:04,159 --> 00:36:05,960
Speaker 2: Try turning right on Broad Street.

727
00:36:06,039 --> 00:36:07,559
Speaker 1: Large. This is getting crazy.

728
00:36:08,039 --> 00:36:11,000
Speaker 2: We turned left coming in, turn right here?

729
00:36:11,519 --> 00:36:13,559
Speaker 1: Okay, well this looks right.

730
00:36:14,320 --> 00:36:17,320
Speaker 2: This takes us right out onto the main road. Oh,

731
00:36:17,360 --> 00:36:26,360
thank god. Like we should have turned left back there.

732
00:36:26,480 --> 00:36:28,360
Speaker 1: Oh no, no, we're still on the main road out

733
00:36:28,360 --> 00:36:28,880
of the village.

734
00:36:28,920 --> 00:36:32,960
Speaker 2: No we're not. Look look up there at another dead end.

735
00:36:34,639 --> 00:36:35,400
Speaker 1: It can't be.

736
00:36:36,639 --> 00:36:38,880
Speaker 2: We've got to go back and take the road.

737
00:36:38,639 --> 00:36:39,239
Speaker 4: To the left.

738
00:36:39,440 --> 00:36:41,920
Speaker 1: Oh this doesn't add up, Jane. Look, we've been driving

739
00:36:41,920 --> 00:36:43,880
for a half hour trying to get out of this town.

740
00:36:44,320 --> 00:36:47,119
Every road's either a dead end or it takes us

741
00:36:47,159 --> 00:36:48,679
right back into the middle of the village.

742
00:36:48,719 --> 00:36:51,880
Speaker 2: But we came in on the main road. Where is it?

743
00:36:51,920 --> 00:36:53,360
Speaker 3: Why can't we find it?

744
00:36:53,840 --> 00:36:57,719
Speaker 1: Don't want us to find it, Jane. We're trapped. We're

745
00:36:57,719 --> 00:37:00,360
trapped to this town and I don't know why. I

746
00:37:00,360 --> 00:37:02,519
don't know why, but they don't want us to get out.

747
00:37:04,400 --> 00:37:12,280
Speaker 2: Oh, we're back at Missus Williams.

748
00:37:12,440 --> 00:37:15,960
Speaker 1: Uh. Oh, rhades lead to Missus Williams. I don't know

749
00:37:15,960 --> 00:37:20,119
what to do anymore. Driving around is useless. I'm gonna

750
00:37:20,119 --> 00:37:22,320
confront that woman. I'm gonna find out what's going on.

751
00:37:22,280 --> 00:37:25,440
Speaker 2: Now, and we'll never get out of here again.

752
00:37:25,559 --> 00:37:30,679
Speaker 1: I have to say, I don't know. Come on, we're

753
00:37:30,719 --> 00:37:32,840
gonna wait for Missus Williams to get back from our

754
00:37:32,920 --> 00:37:33,519
back gammer.

755
00:37:39,639 --> 00:37:42,599
Speaker 2: Why mister savor u missus say there's something wrong?

756
00:37:43,599 --> 00:37:45,960
Speaker 1: Uh, very Missus Williams, very wrong.

757
00:37:46,000 --> 00:37:47,960
Speaker 3: I I don't understand us. So all your things in

758
00:37:48,000 --> 00:37:48,599
your cars.

759
00:37:48,679 --> 00:37:49,239
Speaker 4: I came in.

760
00:37:49,679 --> 00:37:53,400
Speaker 1: We're leaving, Missus Williams. That is, we're trying to leave it.

761
00:37:53,599 --> 00:37:55,519
Speaker 4: Why well you you.

762
00:37:55,480 --> 00:38:00,599
Speaker 1: Wanna know you listened in on my phone conversation. You

763
00:38:00,800 --> 00:38:03,039
know now that we're on to you all? All you

764
00:38:03,199 --> 00:38:06,480
lovely people in Grenville on to us. Oh, come on,

765
00:38:06,559 --> 00:38:10,960
missus Williams. We're prisoners here. We know it, you know it. Why,

766
00:38:11,400 --> 00:38:13,039
that's what I wanna know? Why?

767
00:38:13,320 --> 00:38:15,719
Speaker 2: Uh, mister Slater, if you want to leave, I think

768
00:38:15,760 --> 00:38:19,159
you'd better. I've never had guessed act as strangely as you.

769
00:38:19,440 --> 00:38:23,199
Speaker 1: All Right, what happened to Tim Egan? Why was the

770
00:38:23,280 --> 00:38:26,840
road marker hidden in Broker's barn? And why why can't

771
00:38:26,880 --> 00:38:30,519
we find our way out? Every street's changed since we

772
00:38:30,639 --> 00:38:33,039
came in. For half an hour we drove in circles

773
00:38:33,079 --> 00:38:34,639
trying to find the road we came in on.

774
00:38:34,880 --> 00:38:37,960
Speaker 2: Mister Slater, if you want to leave Granville, I'll have

775
00:38:38,119 --> 00:38:39,599
Ned show you the right way.

776
00:38:40,079 --> 00:38:41,039
Speaker 1: It's no secret.

777
00:38:47,239 --> 00:38:50,360
Speaker 3: Ned will be over in two minutes. I have your coffee.

778
00:38:50,360 --> 00:38:51,639
Speaker 4: You've nothing to worry about.

779
00:38:51,440 --> 00:38:53,519
Speaker 3: Mister Slater and missus Williams.

780
00:38:53,559 --> 00:38:56,159
Speaker 2: I guess we've seemed awfully strange.

781
00:38:56,559 --> 00:38:57,960
Speaker 3: But things have happened.

782
00:38:57,639 --> 00:39:01,719
Speaker 2: Here that we don't understand why old mistress lady enumerated them.

783
00:39:02,599 --> 00:39:03,920
Speaker 1: I have some more coffee.

784
00:39:04,360 --> 00:39:10,480
Speaker 2: Alright, I guess I'm feeling better, I said Williams.

785
00:39:10,519 --> 00:39:14,639
Speaker 1: Here, Well, we we've enjoyed your hospitality. Maybe we're making

786
00:39:14,679 --> 00:39:15,800
a big deal out of nothing.

787
00:39:15,960 --> 00:39:16,679
Speaker 4: Of course you are.

788
00:39:17,800 --> 00:39:19,760
Speaker 2: I can't see a thing we've done to make you

789
00:39:19,840 --> 00:39:20,840
think we want to harm.

790
00:39:21,320 --> 00:39:24,559
Speaker 1: Oh, oh, it's was trying was trying to get out

791
00:39:24,599 --> 00:39:30,119
of town, imber Roadmarker like, uh you you were trying

792
00:39:30,159 --> 00:39:30,679
to hide us.

793
00:39:31,000 --> 00:39:31,440
Speaker 2: Mm we.

794
00:39:33,039 --> 00:39:35,519
Speaker 3: Well, maybe our imagination's got the best of it.

795
00:39:36,280 --> 00:39:38,920
Speaker 1: Well, maybe we were. Maybe maybe we want to stay

796
00:39:38,960 --> 00:39:42,559
the rest of the summer. Jane, we've we've chased away

797
00:39:42,719 --> 00:39:43,320
the boogeyman.

798
00:39:43,679 --> 00:39:47,519
Speaker 4: No, I'm afraid it's time for able to leave. I'm

799
00:39:47,559 --> 00:39:48,079
sorry too.

800
00:39:49,039 --> 00:39:50,760
Speaker 3: I don't think you've got enough of my good home

801
00:39:50,840 --> 00:39:51,840
cooking mother.

802
00:39:52,320 --> 00:39:58,480
Speaker 4: You in there, good money in there. I think they're

803
00:39:58,960 --> 00:40:01,119
uh ready each had two cups.

804
00:40:01,840 --> 00:40:04,639
Speaker 1: I do hope you got some replacements coming.

805
00:40:04,679 --> 00:40:07,199
Speaker 4: A new couple tomorrow tomorrow on the weekend.

806
00:40:07,519 --> 00:40:13,760
Speaker 1: Good Mr Slater. M huh huh, missus Slater.

807
00:40:15,039 --> 00:40:16,000
Speaker 5: When do we go home?

808
00:40:16,800 --> 00:40:20,800
Speaker 1: Em i'd uh better get 'em over to the freezer.

809
00:40:21,000 --> 00:40:23,440
Speaker 2: Oh, dear, I wish I'd had more time to fatten

810
00:40:23,519 --> 00:40:24,119
'em up a bit.

811
00:40:24,320 --> 00:40:28,320
Speaker 1: Oh you did fine, Marka, same as always. Well, I

812
00:40:28,480 --> 00:40:32,159
hope so it's my job when I'll get them backed down,

813
00:40:32,280 --> 00:40:36,039
and then i'd better get that sign out again. Don't

814
00:40:36,119 --> 00:40:37,719
want to miss the folks tomorrow.

815
00:40:44,199 --> 00:40:48,440
Speaker 4: Uh be right there, oh ill no, uh.

816
00:40:48,400 --> 00:40:50,920
Speaker 5: Hello, m missus Williams. Where the rentols?

817
00:40:51,239 --> 00:40:53,320
Speaker 2: Of course, I've been expecting you all morning.

818
00:40:53,679 --> 00:40:55,400
Speaker 3: You didn't have any trouble finding the place.

819
00:40:55,519 --> 00:40:58,000
Speaker 2: Oh no, oh, come on end rouser.

820
00:40:57,800 --> 00:40:59,960
Speaker 3: Already you're on the second floor.

821
00:41:00,039 --> 00:41:02,519
Speaker 4: Why lovely couple just moved down.

822
00:41:02,760 --> 00:41:05,400
Speaker 2: I know now why you're so particular about your guess

823
00:41:06,039 --> 00:41:07,599
this home is so beautiful.

824
00:41:07,719 --> 00:41:09,039
Speaker 4: Well, yes, we have to be.

825
00:41:09,320 --> 00:41:09,880
Speaker 6: Oh my th.

826
00:41:10,079 --> 00:41:12,000
Speaker 5: The whole town is just a picture.

827
00:41:12,199 --> 00:41:14,360
Speaker 2: I just know we're going to enjoy it here, and

828
00:41:14,760 --> 00:41:16,119
we're going to enjoy you.

829
00:41:16,519 --> 00:41:19,400
Speaker 6: We stopped at that little store in town to ask directions,

830
00:41:19,440 --> 00:41:21,480
and everyone seems so happy and healthy.

831
00:41:21,599 --> 00:41:23,719
Speaker 5: It's so so youthful like you.

832
00:41:24,639 --> 00:41:26,760
Speaker 3: We just can't believe you're seventy nine.

833
00:41:26,880 --> 00:41:29,920
Speaker 2: Uh well, we keep young and grandboll the secrets in

834
00:41:30,000 --> 00:41:33,719
our diet. We're very particular about what we eat.

835
00:41:34,000 --> 00:41:35,280
Speaker 4: It's all in the diet.

836
00:41:35,480 --> 00:41:37,079
Speaker 2: Oh your health food.

837
00:41:36,920 --> 00:41:40,480
Speaker 4: Fattest, Well, we do raise everything we eat.

838
00:41:41,320 --> 00:41:44,679
Speaker 2: I I hope you brought good appetites with you. It's

839
00:41:44,760 --> 00:41:48,280
my job too, that not my summer people.

840
00:41:56,719 --> 00:41:59,760
Speaker 1: Well I warned you not to go back there, but

841
00:41:59,880 --> 00:42:03,280
you went anyway. You can spare me the details.

842
00:42:04,159 --> 00:42:06,639
Speaker 5: I know what went on there in Ranville.

843
00:42:07,679 --> 00:42:10,679
Speaker 1: Suffice it to say a trip to Granville is a

844
00:42:10,760 --> 00:42:14,960
one way trip. But I'm glad you got back safely,

845
00:42:16,000 --> 00:42:21,400
relaxed and order anything on the menu. I'll be back shortly.

846
00:42:28,599 --> 00:42:31,280
I do hope you won't make the mistake of ever

847
00:42:31,400 --> 00:42:35,679
returning to Granville again. You're lucky to have gotten out

848
00:42:35,800 --> 00:42:39,400
with your skin. I can tell you one thing. You

849
00:42:39,559 --> 00:42:43,199
wouldn't catch me dead in the place, but you will

850
00:42:43,400 --> 00:42:48,559
find me in this same place tomorrow with another menu suspense,

851
00:42:48,920 --> 00:42:53,400
mystery and horror. Our cast included Tony Roberts, Jennifer Harmon,

852
00:42:53,519 --> 00:42:57,920
Grace Matthews, Leon Jenny and William Redfield. The entire production

853
00:42:58,159 --> 00:43:01,480
was under the direction of Hymon Brown and now a

854
00:43:01,719 --> 00:43:06,239
preview of our next tale. And it's a simple enough request.

855
00:43:07,320 --> 00:43:08,280
I think it's a high time.

856
00:43:08,320 --> 00:43:09,400
Speaker 4: I've heard it your.

857
00:43:09,400 --> 00:43:19,519
Speaker 1: High time, oh, as you can hear. I have my

858
00:43:19,639 --> 00:43:24,199
own doctor whom I trust implicitly. He finally has told

859
00:43:24,320 --> 00:43:29,280
me that my life can be measured in hours. I

860
00:43:29,599 --> 00:43:34,840
want you to promise to be by my bedside. I

861
00:43:35,079 --> 00:43:38,039
want you to do for me what has never been

862
00:43:38,159 --> 00:43:42,840
done before. I want you to mess my eyes me

863
00:43:43,760 --> 00:43:49,480
in articular Martis in the act of death, but just

864
00:43:49,719 --> 00:43:54,320
before it, so that the old man with the side

865
00:43:55,480 --> 00:44:00,559
will be stopped in his tracks. G. Marshall inviting you

866
00:44:00,639 --> 00:44:04,280
to return to our mystery theater for another adventure in

867
00:44:04,400 --> 00:44:09,920
the macabre. Until next time, pleasant dreams.