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<v Speaker 1>Oh, Glory Day. I am one of the few who was.

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<v Speaker 2>Able to go to the Marines.

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<v Speaker 1>The AMC theater on Wednesday, August twenty eighth and get

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<v Speaker 1>myself a Batman bat signal popcorn bucket.

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<v Speaker 2>Yeah. I don't know if I've ever seen you as

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<v Speaker 2>motivated as you've been this week, both with your activity,

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<v Speaker 2>your day with Raffie, and then also you know, trying

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<v Speaker 2>to coordinate getting that Batman popcorn bucket.

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<v Speaker 1>Yes, the showtime for the movie that I was taking

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<v Speaker 1>my son to on that Wednesday was twelve thirty. I

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<v Speaker 1>knew that the movie theater opened at noon. I was

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<v Speaker 1>there at eleven fifty nine, ready to go. I got

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<v Speaker 1>my bucket. They said, oh, we also have these cups,

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<v Speaker 1>a commemorative Batman cup by the way, they're celebrating the

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<v Speaker 1>eighty fifth anniversary of The Dark Night. It's a pretty

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<v Speaker 1>sweet cup. I'm going to show these both off when

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<v Speaker 1>I'm at home, and I can do that. But it's

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<v Speaker 1>the popcorn bucket. It's a bats said. No, you can

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<v Speaker 1>open it up, you can put popcorn in there, you

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<v Speaker 1>can flash it with a light on. It's quite stunning

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<v Speaker 1>if you ask me. And then the cup if you

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<v Speaker 1>turn it ever, so it shows you the bat signal

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<v Speaker 1>and then it shows you the batmobile that goes with

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<v Speaker 1>said signal.

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<v Speaker 2>It's a nice little old day you had there really

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<v Speaker 2>really rounded you out, and now finally your your home

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<v Speaker 2>collection is complete.

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<v Speaker 1>Having said that, as I was walking to the theater

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<v Speaker 1>with my son to see Inside Out Too, It's a

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<v Speaker 1>cute little movie, I noticed that a worker was taking

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<v Speaker 1>apart the Deadpool and Wolverine cardboard cutout thing that you

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<v Speaker 1>can take a fuck yeah, the stand up, and I said, hey,

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<v Speaker 1>what do you plan on doing with those? And they

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<v Speaker 1>said I'm gonna throw these away? So I said can

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<v Speaker 1>I have them? And they said, I don't care.

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<v Speaker 2>Now explain to me how you what happened next? Did

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<v Speaker 2>you have to now go back to your vehicle put

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<v Speaker 2>me in your car that is going to go back

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<v Speaker 2>to the theater.

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<v Speaker 1>So I had already gone back and forth to my

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<v Speaker 1>vehicle once to put my Batman popcorn bucket in my

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<v Speaker 1>car right right then I came back and I did

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<v Speaker 1>it again with the six foot five standis of Hugh

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<v Speaker 1>Jackman and Ryan Reynolds that I now have at my house.

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<v Speaker 1>And I'm not sure what to do with what.

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<v Speaker 2>Did your uh, your wife think think about those acquisitions.

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<v Speaker 1>She hasn't seen them yet. So Hugh Jackman is in

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<v Speaker 1>my office at the moment, he's standing the sitting behind

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<v Speaker 1>my door. Ryan Reynolds Deadpool is in my attic. But

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<v Speaker 1>I'm thinking that I can probably like use them to

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<v Speaker 1>scare her at some point, right like she thinks is

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<v Speaker 1>a big, physically imposing man in the house.

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<v Speaker 2>Yeah, you get a home aloner.

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<v Speaker 1>Yeah, I'm an a spooker. I'm gonna spooker. But what

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<v Speaker 1>a day at the theater? One Goo three, Yeah, job three,

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<v Speaker 1>King of Queen Marl Street.

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<v Speaker 2>Enterta Goo and I'm Mac.

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<v Speaker 1>And we are the hosts with the most Baby today.

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<v Speaker 2>And anticipation for its sequel next week. We are discussing

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<v Speaker 2>one of Goo's favorite movies of all time and quite frankly,

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<v Speaker 2>one of the one of my favorite movies of my childhood.

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<v Speaker 2>So this is two weeks a row we're doing this. Beetlejuice.

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<v Speaker 2>That's right, Beetlejuice. This hit theaters on March thirtieth, nineteen

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<v Speaker 2>eighty eight, and Goo, it made eight million dollars in

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<v Speaker 2>its opening weekend. It actually made more on its second

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<v Speaker 2>weekend because it picked up quite a buzz word of mouth,

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<v Speaker 2>made eight and a half million on its second weekend.

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<v Speaker 2>It's very rare for movie then, now or ever to

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<v Speaker 2>make more in its second weekend, So that's quite the accomplishment.

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<v Speaker 1>That is a podcast topic that I would like to

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<v Speaker 1>do if we can figure it.

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<v Speaker 2>Out, put it pin in that. Yes, it ended up

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<v Speaker 2>making seventy three point seven million worldwide upon worldwide upon

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<v Speaker 2>its initial release, Uh, it only made two thousand, nine

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<v Speaker 2>hundred or two thousand and ninety nine dollars internationally.

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<v Speaker 1>What was caught on your throat right then?

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<v Speaker 2>I don't know who knows?

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<v Speaker 1>I was like, I hope he figures this out.

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<v Speaker 2>It made two thousand ninety nine dollars internationally, which what

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<v Speaker 2>did it? One international theater have beatled juice?

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<v Speaker 1>Well, I don't think it can be shown in China

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<v Speaker 1>because of the ghosts.

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<v Speaker 2>Okay, there's like one hundred and ninety five other countries though.

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<v Speaker 1>But which ones matter?

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<v Speaker 2>It ended up being the tenth highest grossing film of

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<v Speaker 2>nineteen eighty eight, and all that money was made gou

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<v Speaker 2>off a budget of fifteen million dollars, So it like what,

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<v Speaker 2>it's a tuppled. It's its budget there's ma Set or

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<v Speaker 2>Quinn whatever that is. It made. It made a pretty

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<v Speaker 2>penny for the box office. It's been re released a

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<v Speaker 2>couple times since in celebration. I believe it got released

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<v Speaker 2>in uh twenty eighteen for the thirty year anniversary. So

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<v Speaker 2>there's that. Goo Beetlejuice is a PG rated comedy and fantasy,

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<v Speaker 2>but a I ooh ugh. Is it a dark comedy,

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<v Speaker 2>a dark fantasy, a quirky comedy, a supernatural fantasy. All

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<v Speaker 2>of those things are listed. Not quite as fun as

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<v Speaker 2>a c adventure, but some of those are deep. I

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<v Speaker 2>like supernatural fantasy.

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<v Speaker 1>Because I think that most of the comedy in this

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<v Speaker 1>movie is pretty morbid.

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<v Speaker 2>Yeah, but it's more of a it's it's a pretty split,

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<v Speaker 2>pretty split actually between like dark comedy and dark fantasy.

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<v Speaker 2>It does a good job of that, So I won't

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<v Speaker 2>I won't lean one way or the other.

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<v Speaker 1>Like I enjoy it, but I could see how someone's

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<v Speaker 1>like I don't really care for how they depict the

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<v Speaker 1>dead or like, you know, sure, but that also leads

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<v Speaker 1>me to questions. And this is a spoiler filled podcast, right, yeah, okay,

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<v Speaker 1>you have seen many of dead bodies, right.

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<v Speaker 2>I would say many but I've I've been around a

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<v Speaker 2>dead body or two.

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<v Speaker 1>Now, you would think that Alec Baldwin and Geena Davis,

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<v Speaker 1>their characters should have looked a little more ghoulish after drowning. Right, Well, no, because.

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<v Speaker 2>It's it's a spiritual representation of them.

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<v Speaker 1>It's not their act now, because when you go to

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<v Speaker 1>the afterlife, people have slits in their throat, they're being hung,

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<v Speaker 1>they're flattened, they're in bus accidents.

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<v Speaker 2>If they just drowned, then it's really not that bad.

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<v Speaker 1>Okay, That's why I asked you. That's why you're the expert.

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<v Speaker 1>I have no issue with that. I'm just trying to

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<v Speaker 1>I'm asking.

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<v Speaker 2>Sus sure, du this movie is a run time of

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<v Speaker 2>ninety two minutes, ninety two Chris minutes, and honestly, it

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<v Speaker 2>might have been able to be might have been able

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<v Speaker 2>to even be like ten minutes shorter. There's there's some

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<v Speaker 2>a couple of things you can get out of here,

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<v Speaker 2>but in general, a really brisk watch.

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<v Speaker 1>It is a get in, get out movie. And I

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<v Speaker 1>would even say that I'm not even sure if it

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<v Speaker 1>reaches the ninety minutes, if you're gonna take opening an

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<v Speaker 1>end credits out.

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<v Speaker 2>Yeah, and actually before the end credits hit, I believe

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<v Speaker 2>it's eighty nine minutes. So there's three minutes of credits

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<v Speaker 2>at the end and a couple of minutes too.

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<v Speaker 1>Yeah, So when you point out that Michael Keaton is

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<v Speaker 1>in less than eighteen minutes of this movie, look at

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<v Speaker 1>percentage wise, he's in like most of it.

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<v Speaker 2>Yeah, it's still twenty percent of the movie.

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<v Speaker 1>The movie is twenty five minutes long.

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<v Speaker 2>Goo on Roddy T's This is a very visually pleasing

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<v Speaker 2>double eighty two percent from the critics and the audience.

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<v Speaker 2>So eighty two eighty two, which I think is fair.

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<v Speaker 2>That speaks to a little bit of what you're talking

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<v Speaker 2>about about the morbidness and some of that. There's just

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<v Speaker 2>a certain amount of a certain percentage of people that

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<v Speaker 2>just aren't going to buy into what this movie is

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<v Speaker 2>trying to do. And I think you could just say

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<v Speaker 2>that about Tim Burton movies in general.

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<v Speaker 1>But this is also before Tim Burton was known as

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<v Speaker 1>being this Tim Burton. This was really the first one

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<v Speaker 1>because Pee Wee's Big Adventure wasn't like this. This kind

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<v Speaker 1>of set into motion. Edward Scissorhands.

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<v Speaker 2>I think this Scissor Hands really sets the mood for

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<v Speaker 2>what a Tim Burton movie or what you would expect

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<v Speaker 2>from the Tim Burton movie seventy one on Metacritic as well,

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<v Speaker 2>so again pretty well reviewed good. This movie is written

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<v Speaker 2>by Michael McDowell, Larry Wilson, and Warren Scarin You really

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<v Speaker 2>wouldn't know McDowell and Wilson. McDowell also wrote The Nightmare

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<v Speaker 2>Before Christmas. Unfortunately he passed in ninety nine, a very

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<v Speaker 2>young forty nine. Larry Wilson also wrote The Adams Family,

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<v Speaker 2>the first one and The Little Vampire the Jonathan Lipnicki

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<v Speaker 2>vehicle Vampire.

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<v Speaker 1>I will say that the original script for this movie

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<v Speaker 1>was written by McDowell and then Lawrence Senelik Sinelk. That's

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<v Speaker 1>what I have here. I'm not sure how I spelt it.

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<v Speaker 1>I'm apologizing here, But originally the character of Beetlejuice was

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<v Speaker 1>supposed to be a murderous, winged demon who eventually kills

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<v Speaker 1>Lydia to bring her to the afterlife. And it was

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<v Speaker 1>supposed to have no comedy.

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<v Speaker 2>Yeah, and he was also supposed to take a human

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<v Speaker 2>form of a small Middle Eastern man. Yes, I saw

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<v Speaker 2>that as a bit weird tidbit In the original.

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<v Speaker 1>Tim Burton saw that and said, let's make this a

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<v Speaker 1>dark comedy.

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<v Speaker 2>Yeah. So the third writer here Warren Scarin, you would

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<v Speaker 2>know from Beverly Hills Coop two and also the writer

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<v Speaker 2>on nineteen eighty nine's Batman, And unfortunately he passed just

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<v Speaker 2>a year later in ninety at the age of forty four.

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<v Speaker 2>So a couple rough ones there go. Obviously, this movie

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<v Speaker 2>is directed by Tim Burton. You spoke about this a

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<v Speaker 2>minute ago. Right before this movie, he makes Peewee's Big Adventure,

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<v Speaker 2>and that's the movie that really puts him on the

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<v Speaker 2>map and starts getting him opportunities like this one.

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<v Speaker 1>Through my research, that is internet web videos, so on

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<v Speaker 1>and so forth, I did see that Wes Craven was

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<v Speaker 1>approached to direct this movie when it was more of

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<v Speaker 1>a straight horror movie.

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<v Speaker 2>Ah. Interesting, I suppose that that would be one of

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<v Speaker 2>two people you would go to, Wes Craven or John Carpenter.

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<v Speaker 1>They were the only horror directors at the time.

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<v Speaker 2>Right after this, of course, he makes nineteen eighty nine's Batman.

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<v Speaker 2>More recently, gou we saw Dumbo a few years ago

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<v Speaker 2>and that movie straight up stunk. He has not made

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<v Speaker 2>a movie since, and I don't know what's on the

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<v Speaker 2>horizon for him, because there's nothing on his IMDb page

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<v Speaker 2>as well. However, he has been involved in the Wednesday

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<v Speaker 2>Show on Netflix starring Gena Ortega. I don't know. He's

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<v Speaker 2>not the creator of the show, but he's directed some.

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<v Speaker 2>I think he produces some, and he's still doing that

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<v Speaker 2>going forward.

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<v Speaker 1>Yeah. I saw that he was debating retirement after Dumbo.

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<v Speaker 1>He didn't care for the results the work process of it,

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<v Speaker 1>but Beatlejuice. Beatle Juice has reinvigorated him.

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<v Speaker 2>Goose synopsis. The spirits of a deceased couple are harassed

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<v Speaker 2>by an unbearable family that has moved into their home

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<v Speaker 2>and hire a malicious spirit to drive them out. This

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<v Speaker 2>movie stars Alec Baldwin as Adam Maitland. Geena Davis is

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<v Speaker 2>Barbara Maitland. That was originally supposed to be Angelica Houston.

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<v Speaker 2>Actually she dropped out due to an illness. Incomes Gena Davis,

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<v Speaker 2>Catherine O'Hara as Diliadets Between this in a home alone.

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<v Speaker 2>I've spent an awful lot of time with Catherine O'Hara

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<v Speaker 2>during much.

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<v Speaker 1>I'll tell you what I think. During the rewatch that

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<v Speaker 1>was the character that really popped out to me is like,

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<v Speaker 1>I really enjoy her. I've overlooked her in the past.

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<v Speaker 2>I almost think they had too many She wasn't unhinged enough,

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<v Speaker 2>you know. I wish there was a little bit more

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<v Speaker 2>of her.

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<v Speaker 1>Well, she couldn't be so unhinged with Otho there sure.

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<v Speaker 2>Playing her husband is Jeffrey Jones as Charles Deets.

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<v Speaker 1>I think that is my biggest issue watching this movie now,

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<v Speaker 1>is they need to find a way to take him

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<v Speaker 1>out of the movie and cgi in someone else.

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<v Speaker 2>Oh, I don't I don't mind him at all.

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<v Speaker 1>Well, the issue is what he did off off the

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<v Speaker 1>camera is what I'm saying.

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<v Speaker 2>I'm not aware of that stuff.

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<v Speaker 1>Give it a google, all right. It kind of affects

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<v Speaker 1>the viewing.

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<v Speaker 2>Fair enough, I was, I was not aware of the

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<v Speaker 2>the mishap there, Yes, why not? As lydear?

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<v Speaker 1>As lydear.

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<v Speaker 2>This was her first big break goose. She was in

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<v Speaker 2>a couple of things prior to this, but no one's

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<v Speaker 2>ever seen those. Yeah, no one's ever heard of those.

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<v Speaker 2>And also Heathers comes out almost exactly a year after this,

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<v Speaker 2>so a good back to back. And then she's in

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<v Speaker 2>Scissor Hands in the next year. She was sixteen during

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<v Speaker 2>filming in this, and that's pretty impressive to think back

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<v Speaker 2>on because like, yes, she's playing a team, but she

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<v Speaker 2>feels like an adult in this role, and it's very impressive. Goo.

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<v Speaker 2>Some of the other young eighties stars that were in

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<v Speaker 2>consideration for this Sarah Jessica Parker, Brooks Shields, Lori Laughlin,

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<v Speaker 2>Diane Lane, Justine Bateman, Molly Ringwall, Juliette Lewis, and Jennifer Conley.

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<v Speaker 2>But the person that came in second they run her

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<v Speaker 2>up for Lydia Deets was Alyssa Milano of course, was starring.

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<v Speaker 2>And who's the boss at the time. Andy McEnroe is

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<v Speaker 2>Jane Butterfield. She's the realtor.

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<v Speaker 1>Ah, she sucks. Oh my god. That first scene. That

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<v Speaker 1>was one that popped out to me too, of like, look, oh,

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<v Speaker 1>you guys can't have a family. You shouldn't own this

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<v Speaker 1>big house. Oh lady. They clearly just tried to have one,

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<v Speaker 1>and I don't know what's happened recently with them because

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<v Speaker 1>they talk about trying again, but like, that's what you're

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<v Speaker 1>gonna bring up to them, is that, oh, you aren't

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<v Speaker 1>able to have children, you should sell your house.

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<v Speaker 2>Real low hanging fruit there. That's that's a tough one.

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<v Speaker 2>She does play the role well, noh, you mentioned Othough

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<v Speaker 2>played by Glenn Shattocks. He's great. He's like the interior

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<v Speaker 2>designer you know, also does the seance thing.

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<v Speaker 1>I would also like to point this out is that

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<v Speaker 1>the interior design of the house after the deets is

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<v Speaker 1>move in three months in. I think it looks quite snazzy.

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<v Speaker 2>What's it like art decos?

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<v Speaker 1>Yeah. I like the look of it. And I also

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<v Speaker 1>I love the look of the porch that they construct

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<v Speaker 1>with like the siding of the.

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<v Speaker 2>House, the wall but no roof.

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<v Speaker 1>I think that looks dynamite.

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<v Speaker 2>I totally agree with you totally in on Otho's design. Yeah,

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<v Speaker 2>Sylvia Sidney plays Juno, who's there after life.

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<v Speaker 1>She's also fantastic.

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<v Speaker 2>She's very good, very good. And then other than that, Gou,

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<v Speaker 2>I guess all you would need to know is Michael

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<v Speaker 2>Keaton as Beetlegeis. That's right, beatle Geis.

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<v Speaker 1>I was just going to ask you how do you

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<v Speaker 1>say and spell the name?

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<v Speaker 2>I so I like the way that Baldwin pronounces it

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<v Speaker 2>when he first is reading the ad there beetle geis

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<v Speaker 2>goo interesting. The thing to think about here, especially since

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<v Speaker 2>he dies a couple of years after this. Burton originally

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<v Speaker 2>wanted Sammy Davis Junior for this role, and that would

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<v Speaker 2>have been really interesting if it was Sammy Davis Junior.

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<v Speaker 1>So there was that the studio said no, and then

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<v Speaker 1>the studio pushed Dudley Moore and Sam Kennison. Now I

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<v Speaker 1>could see Kennison doing something similar. But the whole thing

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<v Speaker 1>with Beatle Jews and Michael Keaton is that Keaton worked

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<v Speaker 1>on this character and really shaped it into what it was.

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<v Speaker 2>Yeah, I think once he was attached and once everyone

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<v Speaker 2>saw what he was doing, they certainly gave him more freedom.

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<v Speaker 2>And also because the idea of the character was ever

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<v Speaker 2>changing anyways when they first developed it, I think they

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<v Speaker 2>were happy to see him take it in that direction.

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<v Speaker 1>And yeah, he was recommend David Geffen and then Keaton

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<v Speaker 1>took inspiration for the Beatle Juice character from chop Top

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<v Speaker 1>from Texas Chainsaw Massacre two.

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<v Speaker 2>Goo. Here's a little background on the name Beetlejuice. Beetlejuice

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<v Speaker 2>is a red super giant star in the constellation of Orion.

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<v Speaker 2>It is usually the tenth brightest star in the night

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<v Speaker 2>sky and after Rigel, the second brightest in its own constellation.

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<v Speaker 2>It is a it is distinctly reddish, semi regular variable

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<v Speaker 2>star who's apparent magnitude varying between zero and plus one

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<v Speaker 2>point six, has the widest range displayed by any first

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<v Speaker 2>magnitude star. Beetlejuice is the brightest star in the night

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<v Speaker 2>sky at near infrared wavelengths.

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<v Speaker 1>So how about that, good job, well done.

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<v Speaker 2>The name Beetlejuice was derived from the Arabic job all right,

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<v Speaker 2>all right, come on the hand of Orion.

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<v Speaker 1>We don't need this podcast to be longer than the movie.

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<v Speaker 2>Also, Aboriginal groups South Australia have shared oral tales of

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<v Speaker 2>the variable brightness of Beetlejuice for over one thousand years.

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<v Speaker 1>All right, So, because Keaton was only in about seventeen

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<v Speaker 1>and a half minutes under eighteen minutes of this movie,

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<v Speaker 1>he actually shot all of his scenes in two weeks.

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<v Speaker 1>Oh not bad, Yeah, not bad, of course. Yeah.

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<v Speaker 2>The second idonic iconic factor here other than Keaton is

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<v Speaker 2>the music in score, composed by Daniel Yes and in

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<v Speaker 2>It's such a big part, especially considering the titular characters

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<v Speaker 2>barely on screen. The score in the in the music

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<v Speaker 2>competition becomes such a you need that and in its

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<v Speaker 2>own right.

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<v Speaker 1>Yeah, you need that swelling And I was like, while

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<v Speaker 1>watching it, like that, really that is what pops out

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<v Speaker 1>to you. I think this is his best work on

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<v Speaker 1>a score. I'm not saying soundtrack because Nightmare Before Christmas

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<v Speaker 1>is more of a soundtrack. But I think this might

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<v Speaker 1>be because you look at Peewee's Big Adventure, Batman, Goodwill,

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<v Speaker 1>Hunting Flubber.

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<v Speaker 2>Edward Scissorhans is pretty great too.

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<v Speaker 1>It is big fish natchal libre. But I think this

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<v Speaker 1>is this is where it's at.

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<v Speaker 2>Man. He's also like, he did Silver Linings, Playbook agea Veltron,

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<v Speaker 2>he did the Joss Whedon Justice League. He's been everywhere

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<v Speaker 2>and done everything. He's obviously been been around.

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<v Speaker 1>For Simpson's theme song.

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<v Speaker 2>Fucking what a career. But to your point, just with

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<v Speaker 2>the opening credits, that score over the opening credits is awesome.

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<v Speaker 2>It sets the mood.

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<v Speaker 1>It really does, because like it brings you into this

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<v Speaker 1>small town, this everybody knows your name town, and you

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<v Speaker 1>could also feel like if the music was a little

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<v Speaker 1>less like bouncy, that could be the start of a

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<v Speaker 1>horror movie.

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<v Speaker 2>Yeah, you're right, it does bring in the fun factor

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<v Speaker 2>to it. The comedic factor played into the built in

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<v Speaker 2>to the composition Goose speaking of that town, the fictional

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<v Speaker 2>town is Winter River, Connecticut, and I will say anyone

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<v Speaker 2>from the New England region would not believe it as Connecticut.

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<v Speaker 2>It feels like Vermont. It feels like New Hampshire. And

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<v Speaker 2>in fact, they shot this in a small town, the

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<v Speaker 2>exterior shots anyways, in the small town of Corinth, Vermont,

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<v Speaker 2>the population of fourteen hundred, so it was.

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<v Speaker 1>A fourteen the population of fourteen fourteen.

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<v Speaker 2>Hundred in a total area of forty eight square miles,

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<v Speaker 2>So that's kind of crazy to think about. They also

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<v Speaker 2>filmed the exterior shots for the upcoming sequel in the

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<v Speaker 2>same town.

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<v Speaker 1>Hell yeah, and you know, we can also bring up

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<v Speaker 1>Oscar Award winning movie.

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<v Speaker 2>That's right, That's right, the Academy Award winner for Best Makeup.

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<v Speaker 1>So there it is deservingly so. I think the makeup

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<v Speaker 1>and the stomp motion clamation in this is it just

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<v Speaker 1>it brings you back to that time of movie making too.

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<v Speaker 1>And Burton, on that shoestring budget wanted it to be

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<v Speaker 1>a bit of a B movie, but everything still feel

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<v Speaker 1>I think, maybe just because of like the gross filming

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<v Speaker 1>of eighties movies. It feels right.

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<v Speaker 2>Yeah, it really, it's like quintessential eighties the way this

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<v Speaker 2>movie feels and looks and go. It's it's funny to

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<v Speaker 2>think about the Beetlejuice makeup and this is incredible, so

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<v Speaker 2>much so that when I've been seeing trailers for the name,

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<v Speaker 2>it looks.

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<v Speaker 1>Better back then, right, it looked better.

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<v Speaker 2>Yeah, I don't know what's going on. I don't know

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<v Speaker 2>if it's too crisp now, but it looks better in

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<v Speaker 2>the original.

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<v Speaker 1>I think, And maybe I'm just missing it, but it's

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<v Speaker 1>the mold around his face and mouth and the eye

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<v Speaker 1>makeup also looked better back then too, like it blended better.

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<v Speaker 2>Yeah, I don't know, And maybe it's just a trailer issue.

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<v Speaker 2>Maybe after what we've seen the movie we won't feel

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<v Speaker 2>that way, But so far, it looks like the makeup

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<v Speaker 2>for the original is superior.

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<v Speaker 1>Let's also point out that Suicide Squad in twenty sixteen

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<v Speaker 1>also won an Academy Award for makeup. And my final

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<v Speaker 1>big notes before we get to any of the octagon

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<v Speaker 1>or timelining, is that the movie poster for this flick

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<v Speaker 1>fucking rules. It is so good.

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<v Speaker 2>My final note before we how about.

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<v Speaker 1>You respond to my final note really quick? Respond to

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<v Speaker 1>how good? My note is, I want to know who

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<v Speaker 1>was done by artist Carl Ramsey, who also did the

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<v Speaker 1>movie poster for Caddy Shack two.

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<v Speaker 2>How about that? How about that? It's a nice fun

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<v Speaker 2>fact for you're.

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<v Speaker 1>A welcome folks. Mac wanted to jump right past that.

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<v Speaker 1>He didn't even care.

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<v Speaker 2>My final note is, I am absolutely stunned that you

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<v Speaker 2>and your wife have not cosplayed as Beetlejuice and Lydia

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<v Speaker 2>from that wedding scene you know, with him in the

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00:20:45.799 --> 00:20:48.000
<v Speaker 2>in the good one or dark part. But I think

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<v Speaker 2>it's purple and her in the red dress. I think

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<v Speaker 2>that'd be a great Halloween costume.

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<v Speaker 1>You know what, I agree? And then I don't know,

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<v Speaker 1>maybe my son could be the shrunken head guy or something.

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<v Speaker 2>I also love. And I'll get to this in a

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<v Speaker 2>few But like the aesthetic of the whole afterlife is

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<v Speaker 2>like great.

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<v Speaker 1>It's so good because like Beatlejuice is not in this

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<v Speaker 1>movie until halfway through the movie, you go forty seven

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<v Speaker 1>minutes before he is actually in the movie. Now you

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<v Speaker 1>get him on the TV screen for a quick commercial.

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<v Speaker 1>You hear him talking for a second, but you don't

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<v Speaker 1>have him interacting with other characters until the forty seven

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<v Speaker 1>minute mark. But it's still fun leading up to that

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<v Speaker 1>because you're learning about these rules of the afterlife and

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<v Speaker 1>seeing especially who is the civil servant there, civil servant,

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<v Speaker 1>the civil servant, the old lady who smokes.

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<v Speaker 2>Oh oh, the caseworker there, yeah, yeah, yeah.

420
00:21:43.839 --> 00:21:47.480
<v Speaker 1>Some of the Jake whatever Juno, the scene setting with

421
00:21:47.599 --> 00:21:51.400
<v Speaker 1>her and going behind the scenes of like the filing

422
00:21:51.440 --> 00:21:54.480
<v Speaker 1>and all that. Like, this movie, in its short amount

423
00:21:54.519 --> 00:21:58.039
<v Speaker 1>of runtime, does such a great job storytelling.

424
00:21:58.240 --> 00:22:00.720
<v Speaker 2>It tells you everything you need to know, and most

425
00:22:00.720 --> 00:22:02.640
<v Speaker 2>of the BS, if there ever was BS in the

426
00:22:02.640 --> 00:22:05.519
<v Speaker 2>story does. It does a really good job streamlining things,

427
00:22:05.519 --> 00:22:09.759
<v Speaker 2>that's for sure, and it's interesting or encouraging, I should say.

428
00:22:09.880 --> 00:22:12.960
<v Speaker 2>So this was just over ninety minutes. I believe the

429
00:22:13.599 --> 00:22:16.759
<v Speaker 2>sequel is gonna be around one hundred minutes or something

430
00:22:16.799 --> 00:22:20.400
<v Speaker 2>like that. I saw along either, so that's very encouraging

431
00:22:20.440 --> 00:22:20.720
<v Speaker 2>for that.

432
00:22:20.920 --> 00:22:22.640
<v Speaker 1>Shall we get to the nonagone.

433
00:22:23.240 --> 00:22:23.880
<v Speaker 2>Let's do it.

434
00:22:23.920 --> 00:22:26.039
<v Speaker 1>We should have done six because that's a spooky number.

435
00:22:26.079 --> 00:22:29.119
<v Speaker 1>It's a satanic number, or six hundred and sixty six.

436
00:22:29.160 --> 00:22:32.039
<v Speaker 1>I want to do six hundred and sixty six. Yeah, yeah,

437
00:22:32.079 --> 00:22:35.000
<v Speaker 1>all right, let's do that fun factor. I love the

438
00:22:35.039 --> 00:22:37.119
<v Speaker 1>whole look of this, I love the sound of it,

439
00:22:37.559 --> 00:22:41.519
<v Speaker 1>I love the clamation of it. And anytime, and I

440
00:22:41.559 --> 00:22:43.799
<v Speaker 1>know what we're talking about. When Beetlejuice isn't on the screen,

441
00:22:43.839 --> 00:22:46.039
<v Speaker 1>how fun it is when he is on the screen.

442
00:22:46.400 --> 00:22:48.920
<v Speaker 1>It's an all time character. And he is such a fun,

443
00:22:49.559 --> 00:22:54.039
<v Speaker 1>quick talking voice all over the place. He's just so fun.

444
00:22:54.279 --> 00:22:56.880
<v Speaker 2>Yeah, this isn't the most fun movie ever, don't get

445
00:22:56.920 --> 00:22:59.359
<v Speaker 2>me wrong, no, no, no, but this movie sets out

446
00:22:59.359 --> 00:23:02.759
<v Speaker 2>to have fun and it accomplishes exactly that. It's a

447
00:23:02.799 --> 00:23:05.720
<v Speaker 2>pretty fun viewing. And I hadn't seen it in a while,

448
00:23:05.759 --> 00:23:07.480
<v Speaker 2>and I had fun watching.

449
00:23:07.240 --> 00:23:10.240
<v Speaker 1>It borometer, and I'm not gonna tell you that it

450
00:23:10.359 --> 00:23:13.000
<v Speaker 1>isn't boring at some points, but it's in and out

451
00:23:13.000 --> 00:23:14.240
<v Speaker 1>in less than ninety minutes.

452
00:23:14.440 --> 00:23:18.519
<v Speaker 2>Yeah, I actually think, you know, there's a little bit

453
00:23:18.519 --> 00:23:20.720
<v Speaker 2>of a smidge of bore in the first thirty forty,

454
00:23:20.759 --> 00:23:24.400
<v Speaker 2>but once we're finally into the afterlife stuff, it goes

455
00:23:24.440 --> 00:23:25.440
<v Speaker 2>and it's a breeze.

456
00:23:25.480 --> 00:23:27.440
<v Speaker 1>Also, just what a payoff? And I guess, so let's

457
00:23:27.440 --> 00:23:31.079
<v Speaker 1>go to satisfactor. What a payoff of the first forty

458
00:23:31.119 --> 00:23:33.640
<v Speaker 1>seven minutes. You hear the voice, you see the commercial,

459
00:23:34.039 --> 00:23:36.799
<v Speaker 1>You're hearing all of the afterlife people being like, don't

460
00:23:36.920 --> 00:23:40.480
<v Speaker 1>summon beetlejuice, and then when they finally do, it was

461
00:23:40.519 --> 00:23:41.119
<v Speaker 1>worth the wait.

462
00:23:41.400 --> 00:23:45.519
<v Speaker 2>Yeah, that is pretty satisfying. But I do think it

463
00:23:45.720 --> 00:23:48.880
<v Speaker 2>needs a little bit more after life stuff for the

464
00:23:48.920 --> 00:23:51.759
<v Speaker 2>movie to be truly satisfying. And I'm hoping the sequel

465
00:23:51.759 --> 00:23:54.519
<v Speaker 2>gives us that. But they really just dabbled. They stuck

466
00:23:54.559 --> 00:23:57.880
<v Speaker 2>their toes in the afterlife stuff, and I wanted more.

467
00:23:58.240 --> 00:24:00.920
<v Speaker 2>Back then, I wanted more, and now does It is

468
00:24:00.920 --> 00:24:02.759
<v Speaker 2>a little bit of blue balls when it comes to that.

469
00:24:03.119 --> 00:24:07.039
<v Speaker 1>Let me go to Halloween. That's a spooky word. This

470
00:24:07.119 --> 00:24:09.680
<v Speaker 1>is a spooky movie. Has it waned over time? I

471
00:24:09.759 --> 00:24:12.680
<v Speaker 1>appreciate different things from this movie with every watch.

472
00:24:12.839 --> 00:24:15.079
<v Speaker 2>Yeah, I hadn't again, I hadn't watched it in a while.

473
00:24:15.200 --> 00:24:18.039
<v Speaker 2>I thoroughly enjoyed this viewing. I had a lot of

474
00:24:18.039 --> 00:24:18.599
<v Speaker 2>fun with it.

475
00:24:18.640 --> 00:24:22.119
<v Speaker 1>Aw equator. Is this movie better or worse than Aquaman?

476
00:24:22.200 --> 00:24:22.960
<v Speaker 1>It's way better.

477
00:24:23.160 --> 00:24:25.519
<v Speaker 2>Yeah, it's much better. And dare I say, are we

478
00:24:25.559 --> 00:24:30.799
<v Speaker 2>calling this now the aquatter world the water world?

479
00:24:30.920 --> 00:24:33.880
<v Speaker 1>You know what, let's fucking do that Awquator is out.

480
00:24:34.000 --> 00:24:36.839
<v Speaker 1>It is a what is it now? The equater World,

481
00:24:36.920 --> 00:24:39.640
<v Speaker 1>the aquater World, the aquater World. Is this movie better

482
00:24:39.720 --> 00:24:40.519
<v Speaker 1>than water Worlds?

483
00:24:40.599 --> 00:24:41.920
<v Speaker 2>Is it better than water World?

484
00:24:42.039 --> 00:24:47.440
<v Speaker 1>Or it took us almost five hundred regular episodes, but

485
00:24:47.519 --> 00:24:51.960
<v Speaker 1>we've finally done it. We're switching. It's fine, the aquad World.

486
00:24:52.039 --> 00:24:55.480
<v Speaker 1>When life gives you plemings, you make plemonade. And you

487
00:24:55.519 --> 00:24:59.000
<v Speaker 1>could look at Otho doesn't get as much time, say

488
00:24:59.000 --> 00:25:01.920
<v Speaker 1>as the titular character, or Juno doesn't get as much

489
00:25:01.920 --> 00:25:04.960
<v Speaker 1>time as the titular character. Those two characters pop. But

490
00:25:05.839 --> 00:25:07.160
<v Speaker 1>you have to give it to Keaton.

491
00:25:07.400 --> 00:25:11.480
<v Speaker 2>This is like the most obvious plemonade case of all time.

492
00:25:11.519 --> 00:25:14.160
<v Speaker 2>I know he's the titular character, but he's in like

493
00:25:14.319 --> 00:25:17.519
<v Speaker 2>six scenes and every time he's on screen it's one

494
00:25:17.559 --> 00:25:19.240
<v Speaker 2>of the better parts of the movie. So this is

495
00:25:19.279 --> 00:25:20.960
<v Speaker 2>like so obviously Keaton.

496
00:25:21.160 --> 00:25:25.920
<v Speaker 1>And when I had Pop Culture Pile Driver Rest in Peace,

497
00:25:26.039 --> 00:25:28.960
<v Speaker 1>all right, they're in the afterlife now. When I had

498
00:25:29.039 --> 00:25:32.319
<v Speaker 1>them on the show to do top ten Michael Keaton characters,

499
00:25:32.839 --> 00:25:36.559
<v Speaker 1>this was number one. And he has a portfolio of

500
00:25:36.599 --> 00:25:38.599
<v Speaker 1>some of my favorite characters of all time.

501
00:25:38.759 --> 00:25:42.519
<v Speaker 2>Yeah, it's hard to beat this one. Obviously, he was

502
00:25:42.519 --> 00:25:45.680
<v Speaker 2>Bruce Wayne Batman as well. I think the most underrated

503
00:25:45.720 --> 00:25:47.960
<v Speaker 2>one is his other guy's character.

504
00:25:48.519 --> 00:25:49.880
<v Speaker 1>That was great, that made the list.

505
00:25:49.960 --> 00:25:52.960
<v Speaker 2>It escapes me. That would be on my Rushmore as well.

506
00:25:52.960 --> 00:25:56.799
<v Speaker 2>He's just when he's having fun. He's a really fun

507
00:25:56.839 --> 00:25:58.160
<v Speaker 2>actor to watch do his thing.

508
00:25:58.319 --> 00:26:01.119
<v Speaker 1>I'm trying to think if that was on my Mount Rushmore.

509
00:26:01.160 --> 00:26:04.519
<v Speaker 1>I know that I had Beatlejuice, Bruce Wayne Ray Kroc,

510
00:26:05.240 --> 00:26:07.599
<v Speaker 1>and then I can't think of the fourth.

511
00:26:07.880 --> 00:26:11.279
<v Speaker 2>I honestly think that's why we liked the Flash more

512
00:26:11.279 --> 00:26:14.599
<v Speaker 2>than most people is because Keaton's having key and he

513
00:26:14.799 --> 00:26:15.319
<v Speaker 2>carries it.

514
00:26:15.400 --> 00:26:18.240
<v Speaker 1>Because that is one thing that does scare me because

515
00:26:18.240 --> 00:26:22.319
<v Speaker 1>it's a spooky movie about Beatlejuice Beetlejuice is that Keaton

516
00:26:22.480 --> 00:26:25.400
<v Speaker 1>doesn't seem to have the same energy, because the energy

517
00:26:25.440 --> 00:26:28.480
<v Speaker 1>that he gives you in this movie is insane, and

518
00:26:28.559 --> 00:26:31.319
<v Speaker 1>the commercials that we've seen, he doesn't seem to have

519
00:26:31.400 --> 00:26:37.000
<v Speaker 1>that same quick talking, quick biting type of energy that

520
00:26:37.160 --> 00:26:37.720
<v Speaker 1>we had here.

521
00:26:37.799 --> 00:26:41.279
<v Speaker 2>No, I agree, something has seemed a little off. Hopefully

522
00:26:41.319 --> 00:26:44.119
<v Speaker 2>after we have seen the movie, we don't feel that way.

523
00:26:44.119 --> 00:26:46.680
<v Speaker 2>But the promotional stuff hasn't been the best.

524
00:26:46.839 --> 00:26:50.839
<v Speaker 1>Pants ten City Excite bike Mania, what from this movie

525
00:26:50.839 --> 00:26:53.480
<v Speaker 1>got you going, and I guess you would say Beetlejuice

526
00:26:53.480 --> 00:26:53.880
<v Speaker 1>in action.

527
00:26:54.200 --> 00:26:57.319
<v Speaker 2>Obviously, one of the most iconic movie scenes of all

528
00:26:57.359 --> 00:27:00.920
<v Speaker 2>time is that dinner party scene. It's just it's so great.

529
00:27:01.279 --> 00:27:05.279
<v Speaker 2>The song choice is amazing. That's up there, and then

530
00:27:05.319 --> 00:27:09.240
<v Speaker 2>again the afterlife stuff. I love playing around that sandbox,

531
00:27:09.519 --> 00:27:12.079
<v Speaker 2>even if it was just briefly. I am really really

532
00:27:12.079 --> 00:27:13.839
<v Speaker 2>hoping the sequel dives into that more.

533
00:27:14.079 --> 00:27:18.480
<v Speaker 1>The shrimp in that scene looks disgusting. It's a hand on,

534
00:27:18.519 --> 00:27:21.440
<v Speaker 1>it's a it's a fucking glove, but it looks disgusting.

535
00:27:21.640 --> 00:27:24.960
<v Speaker 1>But I do think he said, and he said, day,

536
00:27:25.799 --> 00:27:29.079
<v Speaker 1>I do think that the final scene when Lydia summons

537
00:27:29.160 --> 00:27:32.880
<v Speaker 1>him and it showtime. Yeah, that's boom right there.

538
00:27:32.960 --> 00:27:35.559
<v Speaker 2>Great, it's a great, all time great meme or jift too,

539
00:27:35.559 --> 00:27:36.079
<v Speaker 2>it's awesome.

540
00:27:36.200 --> 00:27:38.799
<v Speaker 1>Max credit Union, who are you giving credit to?

541
00:27:38.799 --> 00:27:41.279
<v Speaker 2>To me? This is pretty clear in this movie as well.

542
00:27:41.440 --> 00:27:43.759
<v Speaker 2>It's whin on a Rider, a sixteen year old why

543
00:27:43.839 --> 00:27:47.799
<v Speaker 2>not a rider giving a fantastic performance. Her performance, her

544
00:27:47.880 --> 00:27:50.640
<v Speaker 2>character is the lifeline of the movie. It's what makes

545
00:27:50.680 --> 00:27:53.799
<v Speaker 2>the movie works. And it's just it's very impressive to

546
00:27:53.880 --> 00:27:57.480
<v Speaker 2>see someone that young putting on such a good performance.

547
00:27:57.559 --> 00:27:59.799
<v Speaker 1>I would say Tim Burton because he shifted it from

548
00:27:59.839 --> 00:28:02.400
<v Speaker 1>being a horror movie to what we now have. He

549
00:28:02.559 --> 00:28:05.920
<v Speaker 1>changed the Beatlejuice character, letting Keaton work with the character

550
00:28:06.000 --> 00:28:08.240
<v Speaker 1>to make it what it was. And then also, this

551
00:28:08.279 --> 00:28:11.559
<v Speaker 1>is really where he built his He built his am,

552
00:28:11.839 --> 00:28:14.720
<v Speaker 1>he built his god damn it aesthetic. I can't say

553
00:28:14.759 --> 00:28:17.119
<v Speaker 1>it in a sentence, but this is where Tim Burton

554
00:28:17.200 --> 00:28:18.319
<v Speaker 1>built his esthetic.

555
00:28:18.599 --> 00:28:20.279
<v Speaker 2>I totally agree with you, So if you would look

556
00:28:20.319 --> 00:28:21.920
<v Speaker 2>behind the camera, I think that's a fair answer. But

557
00:28:22.240 --> 00:28:25.079
<v Speaker 2>I think this movie has a hard time working without

558
00:28:25.480 --> 00:28:27.559
<v Speaker 2>a performance to the quality of Wyonos.

559
00:28:27.799 --> 00:28:29.839
<v Speaker 1>For those of you target to the Mac and Goo party,

560
00:28:29.839 --> 00:28:33.160
<v Speaker 1>we rate everything on a forty hot dog rating system,

561
00:28:33.200 --> 00:28:37.000
<v Speaker 1>and Mac I will reveal that when we gave Richard

562
00:28:37.039 --> 00:28:41.200
<v Speaker 1>Milhouse keef Our top fifty movies of all time, I

563
00:28:41.400 --> 00:28:46.119
<v Speaker 1>did have Beetlejuice on my list. Now I will say

564
00:28:46.160 --> 00:28:49.960
<v Speaker 1>this after a rewatch, I might not have it top fifty,

565
00:28:50.039 --> 00:28:52.759
<v Speaker 1>but I do think it is top one hundred. To me.

566
00:28:52.960 --> 00:28:55.200
<v Speaker 1>I love this movie. I love the look of this movie.

567
00:28:55.240 --> 00:28:57.759
<v Speaker 1>I love the performances. I think that Keaton's role as

568
00:28:57.799 --> 00:29:02.319
<v Speaker 1>Beetlejuice is one of my favorite cat characters. I love

569
00:29:02.920 --> 00:29:06.480
<v Speaker 1>just that quick, manic energy that he gives us. This

570
00:29:06.559 --> 00:29:09.519
<v Speaker 1>is truly the beginning of when we saw Burton become

571
00:29:09.599 --> 00:29:13.079
<v Speaker 1>Burton behind the camera with these characters. For better or

572
00:29:13.079 --> 00:29:15.920
<v Speaker 1>for worse. Lydia Diets is an all time character. Catherine

573
00:29:15.960 --> 00:29:20.319
<v Speaker 1>O'Hara is also great in this. I'm not because I

574
00:29:20.359 --> 00:29:22.880
<v Speaker 1>think we might have had this in our Mount Rushmore

575
00:29:22.920 --> 00:29:25.240
<v Speaker 1>of nineteen eighty eight movies. It definitely is.

576
00:29:25.400 --> 00:29:26.720
<v Speaker 2>It was up for vote, for sure.

577
00:29:27.039 --> 00:29:30.079
<v Speaker 1>This is a tough one, but I do think that

578
00:29:30.160 --> 00:29:32.480
<v Speaker 1>the way they're able to tell this story in under

579
00:29:32.559 --> 00:29:35.240
<v Speaker 1>ninety minutes and just be so crisp, get in, get out,

580
00:29:35.960 --> 00:29:37.720
<v Speaker 1>something needs to be said for that. The way that

581
00:29:37.759 --> 00:29:39.839
<v Speaker 1>they're able to I'm not sure how this was even

582
00:29:39.880 --> 00:29:42.279
<v Speaker 1>in nineteen eighty eight rated PG. This is not a

583
00:29:42.319 --> 00:29:45.079
<v Speaker 1>PG movie. This is a PG thirteen movie. Even if

584
00:29:45.119 --> 00:29:47.440
<v Speaker 1>you take out the cursing, just the dead bodies, it's

585
00:29:47.440 --> 00:29:47.839
<v Speaker 1>a bit.

586
00:29:47.759 --> 00:29:49.960
<v Speaker 2>More, oh just the subject matter. Yeah, sure it should

587
00:29:50.000 --> 00:29:51.000
<v Speaker 2>have been PG thirteen.

588
00:29:51.160 --> 00:29:52.720
<v Speaker 1>But the way they're able to slip this as a

589
00:29:52.720 --> 00:29:55.680
<v Speaker 1>PG movie, get this under the censors, that's incredible too.

590
00:29:56.680 --> 00:30:03.200
<v Speaker 1>I gotta go. I'm going thirty eight hot Dogs thirty nine.

591
00:30:03.519 --> 00:30:05.759
<v Speaker 1>I'm not sure if it's a forty. I think this

592
00:30:05.880 --> 00:30:10.039
<v Speaker 1>is an absolute classic. It's kind of genre defining if

593
00:30:10.039 --> 00:30:12.400
<v Speaker 1>you're looking at it, like I would say that Ghostbusters,

594
00:30:12.519 --> 00:30:14.839
<v Speaker 1>dealing with more of like the horror comedy might do

595
00:30:15.279 --> 00:30:18.200
<v Speaker 1>a little bit better. But this is up here of like,

596
00:30:18.400 --> 00:30:22.359
<v Speaker 1>if you're looking for a horror adjacent movie, it's in

597
00:30:22.440 --> 00:30:23.279
<v Speaker 1>the Mount Rushmore.

598
00:30:23.440 --> 00:30:25.039
<v Speaker 2>I think it's a good entry level.

599
00:30:25.160 --> 00:30:25.359
<v Speaker 1>Yeah.

600
00:30:25.480 --> 00:30:27.359
<v Speaker 2>That like, And we were talking about it the other

601
00:30:27.400 --> 00:30:30.559
<v Speaker 2>day a little bit like when you would start introducing

602
00:30:30.559 --> 00:30:33.559
<v Speaker 2>your son to these sort of themes and movies.

603
00:30:33.559 --> 00:30:35.960
<v Speaker 1>After watching it, I really I cannot. I cannot show

604
00:30:36.000 --> 00:30:36.519
<v Speaker 1>him this yet.

605
00:30:36.519 --> 00:30:37.319
<v Speaker 2>No, you definitely know.

606
00:30:37.440 --> 00:30:39.920
<v Speaker 1>I was like, within the first ten minutes, I'm like,

607
00:30:40.000 --> 00:30:41.160
<v Speaker 1>I cannot show him this.

608
00:30:43.319 --> 00:30:47.960
<v Speaker 2>Yeah. You you are definitively higher on this movie than I.

609
00:30:47.960 --> 00:30:49.759
<v Speaker 2>I watched this movie a ton as a kid. I

610
00:30:49.799 --> 00:30:53.119
<v Speaker 2>really enjoy this movie. The pacing is great, the performances

611
00:30:53.160 --> 00:30:57.559
<v Speaker 2>are great. Yeah, the score is great. Just really lacks

612
00:31:00.160 --> 00:31:02.960
<v Speaker 2>it lacks a big uppercut punch. It's got a couple

613
00:31:03.039 --> 00:31:05.680
<v Speaker 2>small jabs in there that I enjoy throughout. You just

614
00:31:05.759 --> 00:31:08.920
<v Speaker 2>want more beetlejuice. You just want more afterlife stuff. You're

615
00:31:09.079 --> 00:31:11.720
<v Speaker 2>you're happy to be introduced to this world in this story.

616
00:31:12.079 --> 00:31:15.000
<v Speaker 2>I just think it's almost too simple at points. I

617
00:31:15.000 --> 00:31:17.839
<v Speaker 2>think I have this at like thirty four maybe thirty simple.

618
00:31:17.640 --> 00:31:19.559
<v Speaker 1>Stupid, Keep it simple, stupid.

619
00:31:19.920 --> 00:31:23.880
<v Speaker 2>It's a really enjoyable movie, and if people love this movie,

620
00:31:24.000 --> 00:31:27.160
<v Speaker 2>I obviously wouldn't be upset, But I have a hard

621
00:31:27.200 --> 00:31:30.759
<v Speaker 2>time getting this remotely near the top fifty. To your point,

622
00:31:30.759 --> 00:31:32.400
<v Speaker 2>you did give it thirty eight thirty nine. All of

623
00:31:32.440 --> 00:31:35.920
<v Speaker 2>my top fifty is forty thirty nine and maybe a

624
00:31:35.960 --> 00:31:38.920
<v Speaker 2>couple thirty eight slipped on there. But this isn't This

625
00:31:39.000 --> 00:31:41.759
<v Speaker 2>isn't in that same territory for me. But I don't

626
00:31:41.759 --> 00:31:50.039
<v Speaker 2>blame someone who has more interesting interests like you for

627
00:31:50.160 --> 00:31:51.119
<v Speaker 2>liking this movie more.

628
00:31:51.240 --> 00:31:54.240
<v Speaker 1>Yeah, if they could rework the wedding at the end,

629
00:31:54.319 --> 00:31:57.039
<v Speaker 1>I think I think it's a little rushed. Well not

630
00:31:57.079 --> 00:31:59.720
<v Speaker 1>only that, like just the you know she's only seventeen

631
00:31:59.799 --> 00:32:02.720
<v Speaker 1>to like, if they could just re because so I

632
00:32:02.759 --> 00:32:06.079
<v Speaker 1>think Beetlejuice at the beginning, like he was supposed to

633
00:32:06.119 --> 00:32:07.759
<v Speaker 1>be a way worse character.

634
00:32:07.920 --> 00:32:10.160
<v Speaker 2>She's sixteen playing like fourteen.

635
00:32:09.759 --> 00:32:11.200
<v Speaker 1>She's playing seventeen. I looked it up.

636
00:32:12.359 --> 00:32:13.920
<v Speaker 2>They don't say that at all in movie.

637
00:32:14.000 --> 00:32:16.640
<v Speaker 1>So she's thirteen in the animated show. I did look

638
00:32:16.680 --> 00:32:18.720
<v Speaker 1>that because I was I was like trying to figure out.

639
00:32:18.599 --> 00:32:20.839
<v Speaker 2>It's more like the age she's trying to convey because

640
00:32:20.880 --> 00:32:24.400
<v Speaker 2>she's worried about math test this that she's not driving either,

641
00:32:24.759 --> 00:32:26.759
<v Speaker 2>So that screams to me, not sixteen.

642
00:32:26.880 --> 00:32:31.279
<v Speaker 1>Look, obviously Beatles is a bad guy. Let's toss it out.

643
00:32:31.359 --> 00:32:33.200
<v Speaker 2>What degree is he?

644
00:32:33.839 --> 00:32:37.359
<v Speaker 1>That pad slash? He wants to get out of the afterlife.

645
00:32:37.359 --> 00:32:39.799
<v Speaker 1>That's his great thing, right, that's the whole thing. All right?

646
00:32:39.839 --> 00:32:41.279
<v Speaker 1>Shall we timeline a little bit?

647
00:32:41.559 --> 00:32:42.119
<v Speaker 2>Sure? All right?

648
00:32:42.119 --> 00:32:44.599
<v Speaker 1>I already mentioned how much I dislike the realtor. She's

649
00:32:44.599 --> 00:32:46.880
<v Speaker 1>got to get out of their face. She's come on,

650
00:32:47.039 --> 00:32:48.880
<v Speaker 1>just let them live their lives. But I also do

651
00:32:48.960 --> 00:32:52.599
<v Speaker 1>appreciate the fact that within six minutes of this movie starting,

652
00:32:52.960 --> 00:32:55.079
<v Speaker 1>our two main characters are dead yep.

653
00:32:55.200 --> 00:32:59.960
<v Speaker 2>Six minutes, and we get introduced to the handbook for

654
00:33:00.079 --> 00:33:01.000
<v Speaker 2>the recently deceased.

655
00:33:01.160 --> 00:33:03.680
<v Speaker 1>Oh, I think recently diseased is what he says. So

656
00:33:03.759 --> 00:33:06.240
<v Speaker 1>I think that is one of two or three of

657
00:33:06.279 --> 00:33:08.279
<v Speaker 1>the best non Beetlejuice jokes.

658
00:33:08.480 --> 00:33:12.039
<v Speaker 2>Yeah, and I also love that they it's a great

659
00:33:12.079 --> 00:33:14.720
<v Speaker 2>way to frame this movie or have a jumping off

660
00:33:14.759 --> 00:33:16.799
<v Speaker 2>for this movie is to have that handbook for the

661
00:33:16.799 --> 00:33:21.000
<v Speaker 2>recently deceased. Very simple but great idea to make this movie.

662
00:33:21.039 --> 00:33:23.640
<v Speaker 1>Go Beetlejuice. We hear the voice nine minutes in. We

663
00:33:24.039 --> 00:33:26.839
<v Speaker 1>Meet the Deets is twelve minutes in. Catherine O'Hara is

664
00:33:26.960 --> 00:33:27.559
<v Speaker 1>just wonderful.

665
00:33:27.680 --> 00:33:30.160
<v Speaker 2>You're oft by a couple minutes on those both eleven

666
00:33:30.680 --> 00:33:34.119
<v Speaker 2>completely right, eleven thirty for the first peak at Beatlejuice,

667
00:33:34.319 --> 00:33:36.200
<v Speaker 2>New Family moves into fourteen minutes?

668
00:33:36.400 --> 00:33:38.759
<v Speaker 1>What did you watch it on? Are you watching a

669
00:33:38.799 --> 00:33:41.480
<v Speaker 1>different movie than me? Oh? You know what the issue was.

670
00:33:41.559 --> 00:33:43.480
<v Speaker 1>I was watching it on my phone and it only

671
00:33:43.519 --> 00:33:45.839
<v Speaker 1>tells me how much time is left. So I was

672
00:33:45.839 --> 00:33:47.599
<v Speaker 1>doing the math as I was doing and I wasn't

673
00:33:47.599 --> 00:33:51.640
<v Speaker 1>watching on two. Well, go ahead fucking check my math then,

674
00:33:53.200 --> 00:33:55.920
<v Speaker 1>so moving forward, all of my math is wrong. O though,

675
00:33:56.200 --> 00:33:57.400
<v Speaker 1>is sixteen minutes in?

676
00:33:57.440 --> 00:33:59.440
<v Speaker 2>Then I didn't put his timestamp.

677
00:34:00.079 --> 00:34:03.680
<v Speaker 1>I have everyone's timestamp because this it's a crisp, fucking

678
00:34:03.720 --> 00:34:05.359
<v Speaker 1>moving movie. Yeah, no, I really is.

679
00:34:05.400 --> 00:34:09.039
<v Speaker 2>They move in they first entered the house fourteen minutes.

680
00:34:08.880 --> 00:34:11.599
<v Speaker 1>And while they can't see them, I do like the

681
00:34:11.639 --> 00:34:14.000
<v Speaker 1>scares that Baldwin and Geena Davis.

682
00:34:13.719 --> 00:34:15.960
<v Speaker 2>Do here that they're attempting to do.

683
00:34:16.280 --> 00:34:18.760
<v Speaker 1>Yeah. Like so when Geena Davis is hanging in the

684
00:34:18.800 --> 00:34:21.119
<v Speaker 1>closet and then she pulls her face off, that was

685
00:34:21.159 --> 00:34:23.280
<v Speaker 1>the time when I said, my son can't watch this.

686
00:34:23.360 --> 00:34:24.800
<v Speaker 1>My four year old can't watch this.

687
00:34:25.039 --> 00:34:28.440
<v Speaker 2>Nope, he'll have nightmares forever. Gou Here's here's a thought

688
00:34:28.440 --> 00:34:31.159
<v Speaker 2>I had while watching this. And I hadn't quite considered

689
00:34:31.199 --> 00:34:34.559
<v Speaker 2>this before, even though it was probably subconsciously there did

690
00:34:34.840 --> 00:34:38.000
<v Speaker 2>Why not a Ryder in this movie mold the interests

691
00:34:38.000 --> 00:34:43.000
<v Speaker 2>of a whole generation. I think Lydia Deets molded the

692
00:34:43.000 --> 00:34:47.760
<v Speaker 2>way we or our desires. Like Lydia Deets walked, so

693
00:34:47.800 --> 00:34:51.239
<v Speaker 2>Aubrey Plaza could run Aubrey Plaza is just Lydia Deets.

694
00:34:51.400 --> 00:34:54.519
<v Speaker 1>Yeah. So, Winona Ryder recently talked about this of like

695
00:34:54.559 --> 00:34:56.480
<v Speaker 1>and she's like, I don't want you to like think

696
00:34:56.480 --> 00:34:58.760
<v Speaker 1>that I'm saying this, but like Lydia, the character I

697
00:34:58.760 --> 00:35:01.320
<v Speaker 1>played was kind of like the original Emo that sure

698
00:35:01.480 --> 00:35:02.400
<v Speaker 1>went in mainstream.

699
00:35:02.760 --> 00:35:04.760
<v Speaker 2>Yeah, And that's kind of what I'm talking And then

700
00:35:05.000 --> 00:35:06.920
<v Speaker 2>you have a whole generation that kind of grew up

701
00:35:07.039 --> 00:35:09.400
<v Speaker 2>on emo music in those types, and I think you

702
00:35:09.440 --> 00:35:11.719
<v Speaker 2>could point back to her being one of the first

703
00:35:11.760 --> 00:35:12.519
<v Speaker 2>examples of that.

704
00:35:12.800 --> 00:35:15.400
<v Speaker 1>Let me ask you a question. If you were to

705
00:35:15.559 --> 00:35:18.480
<v Speaker 1>look at your house and you looked at the attic

706
00:35:18.760 --> 00:35:23.000
<v Speaker 1>and you saw two unknown faces looking back at you, Yeah,

707
00:35:23.039 --> 00:35:24.360
<v Speaker 1>how would you respond?

708
00:35:24.840 --> 00:35:27.000
<v Speaker 2>Oh, that would be interesting. Because I don't really believe

709
00:35:27.079 --> 00:35:29.079
<v Speaker 2>in the afterlife or ghosts or anything like that. I

710
00:35:29.119 --> 00:35:31.760
<v Speaker 2>won't subscribe to that. So if I was, I would

711
00:35:31.760 --> 00:35:35.280
<v Speaker 2>think they were real people, I suppose, right, Yeah, I

712
00:35:35.559 --> 00:35:40.039
<v Speaker 2>would be. I would be. I would be a little perturbed. However,

713
00:35:40.400 --> 00:35:43.159
<v Speaker 2>because our attic is a pull down, unlike yours with

714
00:35:43.199 --> 00:35:45.719
<v Speaker 2>actual stairs, they would have a hard time coming down

715
00:35:45.760 --> 00:35:48.079
<v Speaker 2>to attack me, So I would I think I'd be

716
00:35:48.119 --> 00:35:50.920
<v Speaker 2>prepared because I'd have to drop through the hole. You're

717
00:35:50.960 --> 00:35:52.079
<v Speaker 2>in a different spot there.

718
00:35:52.239 --> 00:35:54.320
<v Speaker 1>Yeah, Like my first reaction wouldn't be let me go

719
00:35:54.400 --> 00:35:55.039
<v Speaker 1>check the attic.

720
00:35:55.320 --> 00:35:58.719
<v Speaker 2>Yeah, and actually, like this attic has stairs, yours does

721
00:35:58.719 --> 00:36:01.199
<v Speaker 2>as well, so you could up in a similar situation.

722
00:36:01.559 --> 00:36:05.679
<v Speaker 1>Let me also ask you this, have you ever encountered ghosts?

723
00:36:05.880 --> 00:36:08.440
<v Speaker 2>Once again, I don't believe in them, So therefore, I

724
00:36:09.400 --> 00:36:11.840
<v Speaker 2>think you could interpret that as I've never had a

725
00:36:11.960 --> 00:36:13.159
<v Speaker 2>supernatural experience.

726
00:36:13.239 --> 00:36:15.719
<v Speaker 1>I as I say, have you ever encountered anything spooky?

727
00:36:15.800 --> 00:36:17.880
<v Speaker 2>In your life, not like when I was a kid

728
00:36:17.920 --> 00:36:22.199
<v Speaker 2>I had nightmares, but like once you learn about stuff

729
00:36:22.239 --> 00:36:26.039
<v Speaker 2>in subscribe to some science, I think you're like, oh, yeah,

730
00:36:26.079 --> 00:36:26.920
<v Speaker 2>ghosts don't exist.

731
00:36:27.000 --> 00:36:29.400
<v Speaker 1>Two things. Number one, do you remember when I told

732
00:36:29.440 --> 00:36:32.559
<v Speaker 1>you once that during a fever dream, I saw a

733
00:36:32.639 --> 00:36:35.480
<v Speaker 1>horse face demon at the foot of my bed and

734
00:36:35.519 --> 00:36:37.559
<v Speaker 1>you just went right past it without responding.

735
00:36:37.920 --> 00:36:40.039
<v Speaker 2>I don't recall that, and I don't know how I

736
00:36:40.039 --> 00:36:41.599
<v Speaker 2>would or should respond to that.

737
00:36:43.559 --> 00:36:46.920
<v Speaker 1>It spoke to me in a in a vibrating It

738
00:36:47.000 --> 00:36:48.920
<v Speaker 1>was very very odd. I did not care for it.

739
00:36:48.960 --> 00:36:53.000
<v Speaker 1>I was very very spooked. And now also my wife

740
00:36:53.039 --> 00:36:57.239
<v Speaker 1>is spooked because my son has an imaginary friend. Yeah,

741
00:36:57.320 --> 00:36:59.760
<v Speaker 1>and she's convinced that it's a ghost. And I'm like,

742
00:37:00.119 --> 00:37:01.719
<v Speaker 1>kids have imaginary friends.

743
00:37:02.000 --> 00:37:04.440
<v Speaker 2>Yeah, I never did. I don't know if my sister did.

744
00:37:04.480 --> 00:37:06.760
<v Speaker 2>My younger brother did, though, I remember growing up he

745
00:37:06.840 --> 00:37:11.199
<v Speaker 2>distinctly had an imaginary friend named Scoop, who they actually named.

746
00:37:11.760 --> 00:37:14.280
<v Speaker 2>They got a family cat a couple of years ago,

747
00:37:14.320 --> 00:37:17.760
<v Speaker 2>they named him Scoop. Homage to the imaginary friend.

748
00:37:18.159 --> 00:37:20.719
<v Speaker 1>Yeah. What I did is so he told us about it,

749
00:37:20.760 --> 00:37:22.840
<v Speaker 1>and that I'm I'm like, oh, can you describe him

750
00:37:22.880 --> 00:37:25.599
<v Speaker 1>to us? And then he told my wife every last detail,

751
00:37:25.840 --> 00:37:27.960
<v Speaker 1>and she was getting like really really creeped out, and

752
00:37:28.000 --> 00:37:30.480
<v Speaker 1>I'm like, I'm gonna hide that Hugh Jackman thing somewhere

753
00:37:30.480 --> 00:37:35.400
<v Speaker 1>and really fucking creeper all late. I'm just biding my time.

754
00:37:35.400 --> 00:37:36.119
<v Speaker 1>I'm gonna do it.

755
00:37:36.480 --> 00:37:38.559
<v Speaker 2>Yeah, you have you know, you need to put it

756
00:37:39.199 --> 00:37:42.360
<v Speaker 2>like halfway in the doorway to your kitchen. So now

757
00:37:42.480 --> 00:37:44.480
<v Speaker 2>she's going to the bathroom, she catches a glimpse.

758
00:37:44.599 --> 00:37:47.079
<v Speaker 1>What I'm thinking is that she usually does really early

759
00:37:47.119 --> 00:37:50.519
<v Speaker 1>morning workouts on Friday mornings. Yeah, I'm thinking of doing

760
00:37:50.559 --> 00:37:53.440
<v Speaker 1>it tomorrow morning in the kitchen. I was gonna put

761
00:37:53.440 --> 00:37:55.639
<v Speaker 1>it in the closet so that when she opens the door,

762
00:37:55.960 --> 00:37:58.559
<v Speaker 1>it falls out. But guys, can you help me out.

763
00:37:58.840 --> 00:38:01.880
<v Speaker 2>I think halfway stock an eye out your kitchen doorframe

764
00:38:01.960 --> 00:38:02.719
<v Speaker 2>would be perfect.

765
00:38:02.920 --> 00:38:05.440
<v Speaker 1>Okay, what I'm gonna do tonight, I'm gonna hide the

766
00:38:05.519 --> 00:38:11.400
<v Speaker 1>Hugh Jackman six Yeah, Brian, he's in a yells, you know,

767
00:38:11.440 --> 00:38:14.840
<v Speaker 1>a scream. It's gonna be worth it, though, It's gonna

768
00:38:14.840 --> 00:38:17.039
<v Speaker 1>be great. Go yes.

769
00:38:17.239 --> 00:38:20.119
<v Speaker 2>Twenty four minutes into this movie, Lydia spots Adam and

770
00:38:20.159 --> 00:38:23.400
<v Speaker 2>Barb up in the attic and they're confused because you're like,

771
00:38:23.400 --> 00:38:25.719
<v Speaker 2>hold on, hold the fucking phone here. I thought we

772
00:38:25.719 --> 00:38:26.880
<v Speaker 2>were invisible.

773
00:38:26.480 --> 00:38:29.519
<v Speaker 1>Right, And then we get the beetlejuice commercial at that point,

774
00:38:29.760 --> 00:38:32.119
<v Speaker 1>but then we go to the afterlife. And one thing

775
00:38:32.119 --> 00:38:34.360
<v Speaker 1>that I do have an issue with is that Alec

776
00:38:34.400 --> 00:38:37.519
<v Speaker 1>Baldwin draws a door on the bricks right, yeah.

777
00:38:37.679 --> 00:38:37.960
<v Speaker 2>Yeah.

778
00:38:38.000 --> 00:38:40.400
<v Speaker 1>For some reason, when he is drawing the chalk on

779
00:38:40.440 --> 00:38:43.679
<v Speaker 1>the top, when there is a very clear line to follow,

780
00:38:43.960 --> 00:38:45.880
<v Speaker 1>he like goes way off the line.

781
00:38:46.199 --> 00:38:49.599
<v Speaker 2>Yeah, and a kickflip a christ air off of that

782
00:38:49.800 --> 00:38:53.039
<v Speaker 2>que I'm annoyed that he draws straight lines and then

783
00:38:53.079 --> 00:38:55.840
<v Speaker 2>it opens jagged with the bricks. It should just open

784
00:38:55.880 --> 00:38:56.679
<v Speaker 2>straight where he drew.

785
00:38:56.840 --> 00:38:58.639
<v Speaker 1>I think it's because they ran out of budget on that,

786
00:38:58.760 --> 00:39:00.280
<v Speaker 1>and that's the reason why they had to have the

787
00:39:00.400 --> 00:39:04.920
<v Speaker 1>jagged bricks fair enough. And also what's he doing drawing

788
00:39:04.960 --> 00:39:08.679
<v Speaker 1>the door handle on the left side. I hated everything

789
00:39:08.719 --> 00:39:09.159
<v Speaker 1>about his.

790
00:39:09.119 --> 00:39:11.400
<v Speaker 2>Maybe where they were it made more sense to open

791
00:39:11.519 --> 00:39:13.199
<v Speaker 2>like that. You're right, though, You're right.

792
00:39:13.159 --> 00:39:16.199
<v Speaker 1>Yeah, I think that is if they fixed the door,

793
00:39:16.239 --> 00:39:18.599
<v Speaker 1>if they went in there and post and fixed the door.

794
00:39:18.760 --> 00:39:26.760
<v Speaker 2>Forty Dog movie, forty Dog movie. Uh, I do like, how,

795
00:39:28.760 --> 00:39:30.920
<v Speaker 2>what's the word, what's the word for not being scared,

796
00:39:30.960 --> 00:39:32.639
<v Speaker 2>because that's what Lydia is in this movie.

797
00:39:32.639 --> 00:39:35.280
<v Speaker 1>She approaches its son Yeah.

798
00:39:35.159 --> 00:39:38.239
<v Speaker 2>Yeah, nonchalant. It's a good way of putting it. And

799
00:39:38.280 --> 00:39:40.199
<v Speaker 2>so they go through the door. They're in the afterlife.

800
00:39:40.239 --> 00:39:42.559
<v Speaker 2>I love the aesthetic in here. You see the shrink

801
00:39:42.559 --> 00:39:44.480
<v Speaker 2>headed dude who I had a toy of when I

802
00:39:44.519 --> 00:39:46.719
<v Speaker 2>was younger. I always remember that guy. It's like an

803
00:39:46.880 --> 00:39:50.960
<v Speaker 2>iconic looking character. I do also like that the way

804
00:39:51.000 --> 00:39:54.400
<v Speaker 2>they frame the afterlife is it's so backed up. It's

805
00:39:54.400 --> 00:39:57.599
<v Speaker 2>this complex, like bureaucracy the way the real world is,

806
00:39:57.639 --> 00:39:59.320
<v Speaker 2>and you have caseworkers.

807
00:39:58.719 --> 00:39:59.760
<v Speaker 1>And it's like the DMV.

808
00:40:00.199 --> 00:40:02.679
<v Speaker 2>Yeah, it's it's super funny way to just put that

809
00:40:02.719 --> 00:40:05.239
<v Speaker 2>little spin on it. It just it really works for me.

810
00:40:05.400 --> 00:40:08.320
<v Speaker 1>I also think we get maybe the funniest line of

811
00:40:08.320 --> 00:40:12.320
<v Speaker 1>the movie is when Juno is talking to our deceased

812
00:40:12.639 --> 00:40:15.360
<v Speaker 1>friends there and she says, oh, this house seems pretty

813
00:40:15.440 --> 00:40:20.400
<v Speaker 1>quiet here. Good thing you didn't die in Italy smoked

814
00:40:20.480 --> 00:40:24.880
<v Speaker 1>us because Italians are loud, loud people. It's it's a

815
00:40:25.000 --> 00:40:29.320
<v Speaker 1>nice joke, real nice joke. I do question what is

816
00:40:29.440 --> 00:40:33.280
<v Speaker 1>the dad's scheme here? What he wants to do is

817
00:40:33.480 --> 00:40:36.800
<v Speaker 1>sell real estate and make it a ghost town. Is

818
00:40:36.840 --> 00:40:38.440
<v Speaker 1>that what he's trying to make money.

819
00:40:38.599 --> 00:40:41.159
<v Speaker 2>I want to make it like a Salem, Massachusetts type

820
00:40:41.159 --> 00:40:44.159
<v Speaker 2>of type of place with you know, obviously that haunted

821
00:40:44.199 --> 00:40:46.559
<v Speaker 2>house as the main attraction and then you have other

822
00:40:46.599 --> 00:40:49.159
<v Speaker 2>stuff down below on that on that main drag.

823
00:40:49.239 --> 00:40:51.360
<v Speaker 1>But I also hate how so he's a he's a

824
00:40:51.400 --> 00:40:54.599
<v Speaker 1>big money making guy, but for some reason he's like

825
00:40:54.679 --> 00:40:56.519
<v Speaker 1>asking other PEO's like, oh, this will make me money, right,

826
00:40:56.599 --> 00:40:58.599
<v Speaker 1>this will make me money, right. You should have a

827
00:40:58.599 --> 00:40:59.480
<v Speaker 1>little more confidence.

828
00:40:59.599 --> 00:41:03.559
<v Speaker 2>I also still love the look when they're shooting scenes

829
00:41:03.719 --> 00:41:06.199
<v Speaker 2>in the shrunken model town, Like I love the way,

830
00:41:06.400 --> 00:41:08.679
<v Speaker 2>like when they're digging them up that you can see cardboard, Like,

831
00:41:08.719 --> 00:41:12.000
<v Speaker 2>I love that aspect to it. It's a great touch

832
00:41:12.039 --> 00:41:12.280
<v Speaker 2>on it.

833
00:41:12.360 --> 00:41:15.400
<v Speaker 1>Yeah, so, Beatlejuice is finally introduced forty seven minutes in

834
00:41:15.440 --> 00:41:18.320
<v Speaker 1>halfway through the movie. He is great. We have him

835
00:41:18.360 --> 00:41:21.119
<v Speaker 1>lifting the dress and then he does the jerk off

836
00:41:21.159 --> 00:41:23.760
<v Speaker 1>motion too, which is so funny. And then you know,

837
00:41:23.920 --> 00:41:27.360
<v Speaker 1>my favorite line of the entire movie is nice fucking model.

838
00:41:30.960 --> 00:41:32.960
<v Speaker 2>And then we get to the dinner party scene fifty

839
00:41:33.000 --> 00:41:36.280
<v Speaker 2>three minutes in iconic what two three minutes of cinema,

840
00:41:36.360 --> 00:41:39.000
<v Speaker 2>it's you've seen it in all sorts of shit, all

841
00:41:39.039 --> 00:41:42.480
<v Speaker 2>sorts of montages, and I just love, like, I don't

842
00:41:42.559 --> 00:41:44.360
<v Speaker 2>know how they stumbled upon it. Maybe you have a

843
00:41:44.400 --> 00:41:46.880
<v Speaker 2>fun fact here, but I love that they use this

844
00:41:47.000 --> 00:41:49.880
<v Speaker 2>jump in the line Harry Belafonte song. It's just for

845
00:41:50.000 --> 00:41:53.440
<v Speaker 2>whatever reason, it just fucking fits with the ascetic of

846
00:41:53.480 --> 00:41:54.440
<v Speaker 2>the movie and the scene.

847
00:41:54.519 --> 00:41:56.840
<v Speaker 1>And then we get to Robert Goulay. I'm not sure

848
00:41:56.880 --> 00:41:59.639
<v Speaker 1>that the original person was supposed to be here, but

849
00:42:00.159 --> 00:42:02.119
<v Speaker 1>Robert goula Gulay.

850
00:42:05.079 --> 00:42:07.559
<v Speaker 2>This might be the only movie I've seen Robert Goulay in.

851
00:42:07.719 --> 00:42:09.159
<v Speaker 1>I had to check. I had to make sure it

852
00:42:09.199 --> 00:42:10.039
<v Speaker 1>was Robert Goulay.

853
00:42:10.159 --> 00:42:12.079
<v Speaker 2>I don't know if i've now that. You say that,

854
00:42:12.239 --> 00:42:16.960
<v Speaker 2>you know? And yeah, because that Will ferrell sketch is

855
00:42:17.519 --> 00:42:19.920
<v Speaker 2>a plus, one of the best he's ever done. Yeah,

856
00:42:19.920 --> 00:42:21.840
<v Speaker 2>and I don't I don't know if I can recall

857
00:42:21.880 --> 00:42:23.679
<v Speaker 2>another movie I've seen Robert Goulay.

858
00:42:23.840 --> 00:42:26.039
<v Speaker 1>Well, it was a joking the Simpsons that when they

859
00:42:26.119 --> 00:42:28.960
<v Speaker 1>opened a casino, Robert Goulay was supposed to go there,

860
00:42:29.000 --> 00:42:32.079
<v Speaker 1>but Bart kidnapped him and brought him to his treehouse casino.

861
00:42:33.840 --> 00:42:36.280
<v Speaker 2>Oh good, big note I had here. This really pissed

862
00:42:36.280 --> 00:42:39.159
<v Speaker 2>me off. Yeah, Lydia seems like a pretty bright young girl.

863
00:42:39.199 --> 00:42:42.519
<v Speaker 2>She's not scared of anything. She is terrible at charades,

864
00:42:42.800 --> 00:42:45.719
<v Speaker 2>really has no idea what Beatlejuice is trying to describe,

865
00:42:45.719 --> 00:42:46.960
<v Speaker 2>not a single fucking.

866
00:42:46.800 --> 00:42:49.119
<v Speaker 1>And also, uh, you know, not to get too far

867
00:42:49.159 --> 00:42:51.480
<v Speaker 1>into this either, but the whole suicide thing at the end,

868
00:42:51.480 --> 00:42:55.280
<v Speaker 1>I thought that was a bit of moving quickly for her.

869
00:42:55.320 --> 00:42:58.000
<v Speaker 1>Obviously we don't know what her entire backstory is, but

870
00:42:58.199 --> 00:43:00.840
<v Speaker 1>from to go from like like wanting to be in

871
00:43:00.880 --> 00:43:05.280
<v Speaker 1>the afterlife with the ghosts, I don't know, move pretty quick.

872
00:43:05.440 --> 00:43:08.159
<v Speaker 2>And this is sort of it's really bizarre that it

873
00:43:08.199 --> 00:43:12.679
<v Speaker 2>is PG She's essentially writing a suicide out there towards

874
00:43:12.760 --> 00:43:15.400
<v Speaker 2>the end, like that is pretty heavy stuff.

875
00:43:15.599 --> 00:43:18.000
<v Speaker 1>No, and that's where I could see a lot of

876
00:43:18.000 --> 00:43:19.960
<v Speaker 1>people having an issue with this movie, is that there

877
00:43:20.119 --> 00:43:23.400
<v Speaker 1>is a lot of suicide jokes. Yeah, for sure, with

878
00:43:23.639 --> 00:43:25.920
<v Speaker 1>you know, someone with their accident that they say with

879
00:43:26.000 --> 00:43:29.719
<v Speaker 1>the risks or you see the people hanging constantly.

880
00:43:29.320 --> 00:43:31.679
<v Speaker 2>They take it a little too lightly for sure.

881
00:43:31.760 --> 00:43:36.000
<v Speaker 1>And then just the iconic ending with the ghosts in

882
00:43:36.039 --> 00:43:40.239
<v Speaker 1>their wedding outfits, Beetlejuice in the red tuxedo.

883
00:43:40.000 --> 00:43:42.280
<v Speaker 2>And this is in That scene is also a big

884
00:43:42.320 --> 00:43:44.360
<v Speaker 2>reason why they won the Academy Award because they do

885
00:43:44.440 --> 00:43:47.639
<v Speaker 2>a great job looks on like the ghoulish frail makeup there.

886
00:43:47.719 --> 00:43:49.760
<v Speaker 1>Yeah, so once again, this movie's cool.

887
00:43:50.039 --> 00:43:52.639
<v Speaker 2>It's it's again. I couldn't tell you the last time

888
00:43:52.639 --> 00:43:55.760
<v Speaker 2>I had rewatched it. I really enjoyed watching it this

889
00:43:55.840 --> 00:43:58.599
<v Speaker 2>time through. I don't remember when we discussed it for

890
00:43:58.639 --> 00:44:01.559
<v Speaker 2>a nineteen ninety eight to eighty eight. I don't remember

891
00:44:01.639 --> 00:44:05.440
<v Speaker 2>what I said about it, but man, I have fond

892
00:44:05.440 --> 00:44:07.920
<v Speaker 2>memories of this movie, and they were only confirmed by this.

893
00:44:07.880 --> 00:44:19.079
<v Speaker 1>Viewing Max that could be anything. It could be a

894
00:44:19.119 --> 00:44:23.599
<v Speaker 1>boat and jumping off of little Olie, off of the

895
00:44:23.639 --> 00:44:28.880
<v Speaker 1>movie of Beetlejuice. This was a very popular movie with children,

896
00:44:29.159 --> 00:44:32.079
<v Speaker 1>and when you have a popular movie with children, you

897
00:44:32.599 --> 00:44:38.760
<v Speaker 1>sell merch. Yeah, there were so many toys for this movie.

898
00:44:39.079 --> 00:44:42.519
<v Speaker 1>They were made by Kenner, and like there's like three

899
00:44:42.639 --> 00:44:45.920
<v Speaker 1>or four waves of figures that came with this. And

900
00:44:46.320 --> 00:44:51.760
<v Speaker 1>because you're dealing with these afterlike characters, these ghoulish, creative characters,

901
00:44:51.800 --> 00:44:53.639
<v Speaker 1>you could really do anything.

902
00:44:53.800 --> 00:44:57.199
<v Speaker 2>Yeah, I always again I remember distinctly having the toy

903
00:44:57.440 --> 00:44:59.360
<v Speaker 2>of the guy with the struck in head. Of course

904
00:44:59.400 --> 00:45:01.559
<v Speaker 2>I had a couple Beetlejuice in the in the black

905
00:45:01.559 --> 00:45:04.199
<v Speaker 2>and white sort of prison attire nearly. I don't know

906
00:45:04.239 --> 00:45:05.599
<v Speaker 2>if I had him in the wedding suit, but I

907
00:45:05.639 --> 00:45:08.039
<v Speaker 2>love the look of that too. Like that, What I'm

908
00:45:08.079 --> 00:45:11.599
<v Speaker 2>really hoping for is this second movie at the very

909
00:45:11.719 --> 00:45:15.119
<v Speaker 2>least really nails that aesthetic. And I feel like getting

910
00:45:15.199 --> 00:45:17.880
<v Speaker 2>Jenna Ortega number one as Lydia Ditz's daughter was a

911
00:45:17.880 --> 00:45:21.280
<v Speaker 2>great move. She just plays into that for sure. I'm

912
00:45:21.360 --> 00:45:24.039
<v Speaker 2>just really hoping it looks and feels like the first movie.

913
00:45:24.079 --> 00:45:26.679
<v Speaker 1>The figure that definitely pops out to me is one

914
00:45:26.679 --> 00:45:31.719
<v Speaker 1>that I definitely had was the Showtime Beetlejuice with Rotten Radler,

915
00:45:32.119 --> 00:45:34.880
<v Speaker 1>and that is the one where it's this step right up,

916
00:45:34.920 --> 00:45:37.880
<v Speaker 1>step right up, and he has the circus tent on

917
00:45:37.920 --> 00:45:42.480
<v Speaker 1>his head with the bas I absolutely had that I

918
00:45:42.559 --> 00:45:45.840
<v Speaker 1>probably had. This is Shipwrecked Beetle Juice. It looks like

919
00:45:46.159 --> 00:45:49.000
<v Speaker 1>Marty McFly, but his Beetlejuice. That's odd.

920
00:45:50.840 --> 00:45:52.519
<v Speaker 2>You were also, you were in a good spot too,

921
00:45:52.559 --> 00:45:53.800
<v Speaker 2>because being that your brother.

922
00:45:53.639 --> 00:45:55.920
<v Speaker 1>Was Yes, my brother had a bunch of these yeah.

923
00:45:55.840 --> 00:45:58.119
<v Speaker 2>Yeah, so that was that was definitely nice to be

924
00:45:58.199 --> 00:45:59.159
<v Speaker 2>able to have those.

925
00:45:59.199 --> 00:46:01.280
<v Speaker 1>Jumping off of that as well. Let me do a

926
00:46:01.320 --> 00:46:06.920
<v Speaker 1>little a grind if you will. There was an animated

927
00:46:06.920 --> 00:46:09.599
<v Speaker 1>show that ran for three years after this movie. It

928
00:46:09.639 --> 00:46:12.679
<v Speaker 1>had ninety four episodes. I think you could watch full

929
00:46:12.679 --> 00:46:16.119
<v Speaker 1>episodes on YouTube. It might be on shout, but this

930
00:46:16.360 --> 00:46:20.519
<v Speaker 1>was a very fun animated show that made beetlejuice. It

931
00:46:21.480 --> 00:46:24.559
<v Speaker 1>softened the edges, you know when he's like when he's

932
00:46:24.599 --> 00:46:28.199
<v Speaker 1>horny and he's got like the spikes on him. They

933
00:46:29.000 --> 00:46:31.239
<v Speaker 1>grinded those right off. They shaved those right off, and

934
00:46:31.280 --> 00:46:34.880
<v Speaker 1>they made him more of a more of a circle

935
00:46:34.920 --> 00:46:36.360
<v Speaker 1>than a square, if you will.

936
00:46:36.559 --> 00:46:40.679
<v Speaker 2>I distinctly remember watching that show. I couldn't tell you

937
00:46:40.760 --> 00:46:41.920
<v Speaker 2>one thing about the show.

938
00:46:42.039 --> 00:46:44.239
<v Speaker 1>So he's more of a hero, and it's him helping

939
00:46:44.280 --> 00:46:47.199
<v Speaker 1>people in the afterlife, and he's helped by his friend,

940
00:46:47.280 --> 00:46:48.840
<v Speaker 1>his twelve year old friend, Lydia.

941
00:46:49.000 --> 00:46:50.840
<v Speaker 2>Yeah, so that's an interesting thing to think about too.

942
00:46:50.960 --> 00:46:54.400
<v Speaker 2>This movie ends with that sand worm devouring him, and

943
00:46:55.480 --> 00:46:58.920
<v Speaker 2>I wonder what type of introduction they do in the

944
00:46:58.920 --> 00:46:59.480
<v Speaker 2>second No.

945
00:46:59.760 --> 00:47:02.719
<v Speaker 1>So, yes, the sandworm eats them, but it ends. And

946
00:47:02.760 --> 00:47:05.400
<v Speaker 1>they did this on purpose because the fans loved the

947
00:47:05.480 --> 00:47:07.960
<v Speaker 1>character is they brought him back to that waiting room.

948
00:47:08.280 --> 00:47:11.519
<v Speaker 1>That's right, and then yeah, he's grabbing the legs. Do

949
00:47:11.559 --> 00:47:15.239
<v Speaker 1>you know whose legs those were? No, I forget the

950
00:47:15.280 --> 00:47:18.679
<v Speaker 1>person's name, but it's Tim Burton's girlfriend at the time.

951
00:47:19.360 --> 00:47:22.920
<v Speaker 2>Oh. I so think of the spookiest eighties woman and

952
00:47:22.960 --> 00:47:26.159
<v Speaker 2>it was her. How long did him and h what's

953
00:47:26.199 --> 00:47:26.960
<v Speaker 2>your face date for?

954
00:47:27.360 --> 00:47:28.360
<v Speaker 1>Oh? I can't think of it.

955
00:47:28.440 --> 00:47:30.679
<v Speaker 2>Ellatrix there they were together forever.

956
00:47:30.960 --> 00:47:34.599
<v Speaker 1>Yeah, but yeah, this is it's a great movie. Guys,

957
00:47:34.639 --> 00:47:35.239
<v Speaker 1>go check it out.

958
00:47:35.280 --> 00:47:38.280
<v Speaker 2>It's it's it's if you haven't watched it in a while,

959
00:47:38.400 --> 00:47:41.000
<v Speaker 2>it's it's a it's a I think, an easy recommendation

960
00:47:41.440 --> 00:47:44.199
<v Speaker 2>because it holds up and it's quick, under ninety minutes.

961
00:47:44.639 --> 00:47:46.599
<v Speaker 1>Also in your sack. Not to get too far into

962
00:47:46.599 --> 00:47:50.400
<v Speaker 1>my personal life, but I live in a suburb of Boston.

963
00:47:50.440 --> 00:47:52.239
<v Speaker 2>And uh, well, you live in Boston.

964
00:47:52.400 --> 00:47:55.239
<v Speaker 1>I technically do, but it's not Boston Boston. I when

965
00:47:55.239 --> 00:47:56.880
<v Speaker 1>I say that I'm from Boston, they're like, oh, are

966
00:47:56.920 --> 00:47:59.000
<v Speaker 1>you really from Boston? I say where I'm from and

967
00:47:59.000 --> 00:48:01.039
<v Speaker 1>they're like, it's not not really Boston. Whatever.

968
00:48:01.079 --> 00:48:03.719
<v Speaker 2>You're like, You're like, if there's no traffic, you're like

969
00:48:03.840 --> 00:48:05.000
<v Speaker 2>six minutes from downtown.

970
00:48:05.079 --> 00:48:07.440
<v Speaker 1>Oh, I pretty much. I live on the Highway but

971
00:48:08.159 --> 00:48:11.840
<v Speaker 1>coming up where I live is something called Allston Christmas

972
00:48:12.840 --> 00:48:15.079
<v Speaker 1>where the students and everyone that are moving out of

973
00:48:15.079 --> 00:48:18.519
<v Speaker 1>their apartments put all of their trash on the sidewalk

974
00:48:18.840 --> 00:48:21.519
<v Speaker 1>for other people to take. Like say, if someone wants

975
00:48:21.679 --> 00:48:25.000
<v Speaker 1>a soiled mattress, this is the time to get it.

976
00:48:25.119 --> 00:48:27.920
<v Speaker 2>The only PSA I'll have here. I got this is

977
00:48:28.159 --> 00:48:31.440
<v Speaker 2>for my eleven years in past control of ten years.

978
00:48:31.480 --> 00:48:34.440
<v Speaker 2>Whatever I did, do not take any furniture out of

979
00:48:34.480 --> 00:48:37.920
<v Speaker 2>the trash. It is probably the easiest way, especially in

980
00:48:37.960 --> 00:48:41.719
<v Speaker 2>Austin Brighton, to bring bed bugs into your house. Stay

981
00:48:41.760 --> 00:48:43.280
<v Speaker 2>away from that shit please.

982
00:48:43.559 --> 00:48:47.199
<v Speaker 1>I would argue that I want this day canceled. I

983
00:48:47.239 --> 00:48:49.039
<v Speaker 1>want I hate this day.

984
00:48:49.119 --> 00:48:51.519
<v Speaker 2>It's it's no, it's not by choice. It's because the

985
00:48:51.599 --> 00:48:53.920
<v Speaker 2>changeover of the apartments are nine to one, so you

986
00:48:54.000 --> 00:48:54.559
<v Speaker 2>got to move out.

987
00:48:54.559 --> 00:48:56.559
<v Speaker 1>You can do, you can plan.

988
00:48:57.320 --> 00:48:58.679
<v Speaker 2>It's not by choice at all.

989
00:48:58.960 --> 00:49:01.119
<v Speaker 1>You can plan. Be or when putting all of your

990
00:49:01.199 --> 00:49:04.199
<v Speaker 1>garbage on the sidewalk. Mac, I live in a place

991
00:49:04.239 --> 00:49:06.800
<v Speaker 1>that is just overtaken by rats.

992
00:49:06.840 --> 00:49:08.960
<v Speaker 2>It's a bunch of people in their teams in twenties

993
00:49:09.000 --> 00:49:12.920
<v Speaker 2>that number one can't afford storage places for in between,

994
00:49:12.960 --> 00:49:15.719
<v Speaker 2>and number two don't give a fuck that. It's always

995
00:49:15.880 --> 00:49:19.280
<v Speaker 2>until your neighborhood becomes gentrified. This is gonna happen.

996
00:49:19.039 --> 00:49:22.079
<v Speaker 1>For uh, bring in more rats, then let the rats

997
00:49:22.159 --> 00:49:26.360
<v Speaker 1>run free, let them do whatever they want. Then I'm

998
00:49:26.440 --> 00:49:30.679
<v Speaker 1>dodging rats on a constant basis, every single day, every

999
00:49:30.679 --> 00:49:33.599
<v Speaker 1>single night. I need to, and like, they don't bother me,

1000
00:49:33.679 --> 00:49:35.719
<v Speaker 1>so I don't bother them. They do bother me. They're

1001
00:49:35.719 --> 00:49:39.960
<v Speaker 1>fucking understanding. We have an understanding. But like I'm constantly

1002
00:49:40.000 --> 00:49:43.159
<v Speaker 1>like walking from my driveway to my back door and

1003
00:49:43.719 --> 00:49:46.079
<v Speaker 1>rats just cross right just right in front of me.

1004
00:49:46.440 --> 00:49:50.519
<v Speaker 2>Yeah, that's that's that's just a nature of living in

1005
00:49:50.559 --> 00:49:53.119
<v Speaker 2>that neighborhood. You just you just hope they don't enter

1006
00:49:53.159 --> 00:49:56.039
<v Speaker 2>your domain and you take care of them on the outside.

1007
00:49:55.800 --> 00:49:58.320
<v Speaker 1>As long as they stay out of my house. Yeah,

1008
00:49:58.400 --> 00:50:00.719
<v Speaker 1>I will, for the most part leave them alone. But

1009
00:50:00.760 --> 00:50:03.639
<v Speaker 1>I will ask people to stop putting things out where

1010
00:50:03.639 --> 00:50:04.360
<v Speaker 1>they can live in.

1011
00:50:06.719 --> 00:50:08.559
<v Speaker 2>Or eat or agreed.

1012
00:50:09.679 --> 00:50:12.079
<v Speaker 1>But Austin Christmas is so cute. It's just such a

1013
00:50:12.119 --> 00:50:12.559
<v Speaker 1>cute day.

1014
00:50:12.599 --> 00:50:13.840
<v Speaker 2>Look at all the Google.

1015
00:50:13.599 --> 00:50:17.599
<v Speaker 1>This stuff you can take. It's all trash, yeah, garbage, it's.

1016
00:50:17.519 --> 00:50:20.000
<v Speaker 2>Bedbug ridden, it's gross. Don't touch it.

1017
00:50:20.400 --> 00:50:22.360
<v Speaker 1>All, right, Where can the people find you or me

1018
00:50:22.920 --> 00:50:23.639
<v Speaker 1>or us.

1019
00:50:24.599 --> 00:50:28.360
<v Speaker 2>You can invite us on Facebook and Instagram. Do I

1020
00:50:28.440 --> 00:50:31.480
<v Speaker 2>get that wrong? I'm all over the place Twitter, Instagram,

1021
00:50:31.480 --> 00:50:34.840
<v Speaker 2>at Mac and Goo podcast that is Mac shifts. No,

1022
00:50:35.400 --> 00:50:37.960
<v Speaker 2>I'm all over the fucking map here today Mac and

1023
00:50:37.960 --> 00:50:40.320
<v Speaker 2>Goo podcast on Twitter and Instagram. Every other platform were

1024
00:50:40.400 --> 00:50:42.639
<v Speaker 2>mac ampersan and Goo. That's mac Shift seven good. That

1025
00:50:42.679 --> 00:50:45.159
<v Speaker 2>includes Facebook, stitchrit tuning, and castwar Spare, Google Play, I

1026
00:50:45.360 --> 00:50:48.639
<v Speaker 2>are Radio. We're on Spotify, and more importantly we are

1027
00:50:48.679 --> 00:50:51.519
<v Speaker 2>on Apple Podcasts. Get on there, rate review, subscribe five stars.

1028
00:50:51.840 --> 00:50:53.360
<v Speaker 2>If you do that, we'll get you a free Mac

1029
00:50:53.360 --> 00:50:55.519
<v Speaker 2>and Goo t shirt from the folks over at Watertown

1030
00:50:55.559 --> 00:50:58.079
<v Speaker 2>Sports where Watertown Sports. We're on thirty four Modoborn Street

1031
00:50:58.280 --> 00:51:01.559
<v Speaker 2>in Watertown, Watertown Sports. We're dot I'm expert screenprinting a broider.

1032
00:51:01.639 --> 00:51:03.599
<v Speaker 1>Oh. We've gotten a bunch of reviews lately, and I'd

1033
00:51:03.679 --> 00:51:05.599
<v Speaker 1>like to thank everyone for doing that. We just got

1034
00:51:05.599 --> 00:51:11.079
<v Speaker 1>one very recently from the handle. Thank god, it's almost Friday.

1035
00:51:11.400 --> 00:51:14.280
<v Speaker 1>Five stars with the with the little caption there, Mac

1036
00:51:14.320 --> 00:51:22.920
<v Speaker 1>and Goo rock my socks off? Ryan's I like that? Hey, Alexa,

1037
00:51:23.800 --> 00:51:27.760
<v Speaker 1>play the Mac and Goo Movie Club on the iHeartRadio app.

1038
00:51:30.360 --> 00:51:34.360
<v Speaker 1>Did it start. Guys, if you're watching this on YouTube,

1039
00:51:34.360 --> 00:51:37.360
<v Speaker 1>give us a like, give us a subscribe, give us

1040
00:51:37.639 --> 00:51:40.599
<v Speaker 1>whatever else you do there you smash that subscribe button.

1041
00:51:40.599 --> 00:51:42.800
<v Speaker 1>Tell your friends about us too. We need to grow.

1042
00:51:43.119 --> 00:51:46.920
<v Speaker 1>We need more reviews because without reviews, we're just gonna die,

1043
00:51:47.480 --> 00:51:51.679
<v Speaker 1>ye and we'll end up summoning beetlejuice to then attack you.

1044
00:51:52.719 --> 00:51:54.880
<v Speaker 2>What would be your first haunt? If you had to

1045
00:51:54.920 --> 00:51:55.840
<v Speaker 2>haunt someone.

1046
00:51:56.119 --> 00:51:59.360
<v Speaker 1>I'd probably do it. I'd probably do one of my buddies.

1047
00:51:59.719 --> 00:52:02.000
<v Speaker 1>But that's a joke because I think it no funny.

1048
00:52:02.079 --> 00:52:03.360
<v Speaker 2>Method, not personal.

1049
00:52:04.000 --> 00:52:04.239
<v Speaker 1>Fuck.

1050
00:52:05.119 --> 00:52:07.880
<v Speaker 2>I think i'd start simple. I would I would uh

1051
00:52:08.239 --> 00:52:09.840
<v Speaker 2>open all of the kitchen cabinets.

1052
00:52:10.000 --> 00:52:10.519
<v Speaker 1>That's a good one.

1053
00:52:10.559 --> 00:52:12.079
<v Speaker 2>I'm smack it back and forth.

1054
00:52:13.440 --> 00:52:16.159
<v Speaker 1>Maybe I would stand on one side of the door

1055
00:52:16.599 --> 00:52:19.239
<v Speaker 1>and I would take a blow torch and I'd really

1056
00:52:19.280 --> 00:52:21.679
<v Speaker 1>heat the handle up so the person burns their hands.

1057
00:52:21.760 --> 00:52:24.440
<v Speaker 2>That's a good haunt, right, Yeah, that's a really funny.

1058
00:52:25.360 --> 00:52:27.239
<v Speaker 1>I would light someone's house on fire. Is that a

1059
00:52:27.239 --> 00:52:27.679
<v Speaker 1>good hot?

1060
00:52:28.199 --> 00:52:31.000
<v Speaker 2>Third degree? Burn them?

1061
00:52:31.119 --> 00:52:34.280
<v Speaker 1>Guys? Send us a post on X right now, How

1062
00:52:34.280 --> 00:52:38.000
<v Speaker 1>would you What would you do for your first haunt?

1063
00:52:38.559 --> 00:52:40.679
<v Speaker 1>All right, that'll do it. For this episode of Mac

1064
00:52:40.719 --> 00:52:44.760
<v Speaker 1>and Goo, check us out next week for Beetlejuice. Beetlejuice

1065
00:52:44.800 --> 00:52:52.400
<v Speaker 1>Tuesdays or Goose Days. I Abuse Kangaroos, Barton tam tam Burn.

1066
00:52:57.559 --> 00:53:00.000
<v Speaker 1>Please flip the cassette over to side B to continue

1067
00:53:00.239 --> 00:53:03.199
<v Speaker 1>the adventure. Now it's not for girls jumping on trampolines