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Speaker 1: The Adventures of the Falcon, starring Less Tremaine.

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Speaker 2: Hello, Yes, is the Falcon speaking?

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Speaker 1: Oh Masha, I'm glad you called, but I don't see

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how I can make it Tonight, Angel I have to

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locate a girl.

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Speaker 2: Is she attractive?

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Speaker 3: Well?

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Speaker 2: I know one guy.

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Speaker 1: Who fell for did he Paul Hard? They're burying him tomorrow.

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Once again, the Mutual Broadcasting System brings.

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Speaker 4: You The Adventures of the Falcons.

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Speaker 1: One thing about Michael Wearing the Falcon, he certainly gets around.

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You met him first in his best selling novels. Then

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you saw him in his dwelling motion picture theories, and

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now where happy to bring you again his adventures on

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the air. Yes, it's Michael Wearing. That freelance detective was

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always ready with a hand for oppressed men and an

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I for repressed women.

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Speaker 4: So join him tonight. When the Falcon.

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Speaker 1: Lands Murder is a knockout, It's ten city at night

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in New York and in Madison Square Garden, the sixth

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round of the main event is underway. At the ringside,

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Blonde k Davis looks from the fighters to her escort

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Nick Jones, whose good looking but rather weak face is

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talk quite as he sees the boy he is.

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Speaker 4: Rooting for taking a bad.

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Speaker 5: Looking Come on, Wallace, keep it, laugh back, keep it

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af all.

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Speaker 6: He could like to push them on Waller's work.

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Speaker 5: Ready, come on wart As, hold don't just charging Vicky

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need not I that suffer.

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Speaker 1: Yeah, well, I'm afraid they're gonna have to let.

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Speaker 3: Me have five bills.

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Speaker 6: I gave you that idea.

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Speaker 3: I was on walls. I wasn't on I don't be

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like that, baby.

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Speaker 6: Come on now, I'm Vic. That's exactly how I'm going

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to be. I played sucker long enough.

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Speaker 3: I got to have that Dokay, no matter.

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Speaker 6: You got a boat, lady, you want money, worse for it.

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Speaker 1: I'm gonna have plenty, but it will take a little time.

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I have a lot of irons in the fire.

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Speaker 6: You have one iron in the fire me and I'm tired.

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They're getting burned.

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Speaker 1: Okay, baby, you figure you got burned, so now you

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want to chill with us. That's what you're gonna get anyway.

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Speaker 3: It was nice knowing.

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Speaker 6: No, wait a minute, Vic, I'm not asking to have

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fine horse.

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Speaker 3: That's what you think.

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Speaker 6: And I was right about what you were only using

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me for what you could get out of me.

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Speaker 3: There weren't people around here?

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Speaker 6: I kick your teeth in for that, because I'm right.

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Speaker 2: Uh what I wait?

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Speaker 3: Fighting for a kid? You know it's you and me?

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Speaker 1: No matter what, we we can't help.

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Speaker 3: Fur styles a minute.

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Speaker 6: Let's get out of here quick.

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Speaker 2: What is it?

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Speaker 3: Come on, we'll be I old jam Well we.

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Speaker 6: Can push all the way through. Excuse me? Please?

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Speaker 1: What goes? You?

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Speaker 6: See that character over the other one on the gray hat,

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he's looking this way?

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Speaker 3: What about it?

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Speaker 6: He works for Alexis.

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Speaker 7: Oh do you think he saw you?

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Speaker 6: I know he did. That's twice here. Alexo knows I

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like to fight. Yeah, we'll have to shake him vick.

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He'll want to trick me and find out where I live.

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He Halloween.

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Speaker 3: I don't know. I can't see him though, good, and.

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Speaker 6: That means he can't see us. Father. No, well, we

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can only keep it that way. It'll be all right.

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Speaker 7: Hello, Hegan, I do you know my name?

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Speaker 2: Kay?

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Speaker 7: Point Jo?

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Speaker 3: The fight?

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Speaker 1: I sorry she couldn't stay around to see if she

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wasn't feeling sociable, she went home a high politics.

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Speaker 7: What do you want?

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Speaker 1: I like?

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Speaker 3: So?

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Speaker 1: Is he no doesn't get into tomorrow morning? What do

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you want to see him about?

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Speaker 3: I have a composition for him. He's looking for k

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I I know where he can find it.

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Speaker 7: My name, I man, don't think the lecture.

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Speaker 1: You could talk to me right, what's your name Joan

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vic Joones and what's your proposition?

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Speaker 3: Five hundred on the line.

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Speaker 7: That's kind of steep.

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Speaker 3: Oh, I wouldn't say so and cable out. I like la.

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Speaker 1: She took seventy five thousand of Electra's money where her

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five seas isn't much to get it back.

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Speaker 7: I'll find it sooner or later, whether you have or not.

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Speaker 1: Yeah, sure, but while you're looking, she'll be dipping into

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seventy five grand.

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Speaker 3: She could uh burn up a lot more than five bills.

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Speaker 2: Before you went.

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Speaker 7: Got a point, Uh do was good business? And I

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don't y Jones.

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Speaker 5: Hit San Francis joan intermediate city now looking skate free all.

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Speaker 1: The more, like Nan see, I like so here, I

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am hello Hagen.

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Speaker 2: I was a trip, so so far things going? Got

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anything on?

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Speaker 7: The girl had?

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Speaker 2: She had nothing bout the fight?

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Speaker 7: Yeah, she was there.

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Speaker 1: I didn't see you don't think she's in New York.

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A detective in Chicago ser buy a ticket to New York.

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Speaker 7: Maybe she went on through Florida.

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Speaker 1: Maybe I think she is here. I wouldn't have come

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all the way from La if I wasn't pretty sure.

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Speaker 7: Well, what should we do?

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Speaker 1: I've already wired Mike wearing the falking hat. You don't

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want that bird snooping into your activities, heme, On, all

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I'm going to have him do is locate the girl.

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Speaker 7: And I don't like it.

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Speaker 1: You know, Hagen, Sometimes I get the idea you don't

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want me to fan?

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Speaker 2: Kay?

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Speaker 3: What now?

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Speaker 7: Look the election.

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Speaker 1: I turned the town inside out trying to find her.

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I hope you did me because if I find out

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you are lying, you are the one that's going to

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be tanned inside out?

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Speaker 2: How are you doing it? To ring? Hello? You must

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be a electro, that's right. Come in the night trip,

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my dad? Well, what can I do for you?

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Speaker 1: I want you to find my sister? So you sat

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in your wire? What can you give me on her?

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Speaker 2: Here's a picture?

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Speaker 1: Me?

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Speaker 2: When did you last see her? In Los Angeles? Two

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weeks ago? And she disappeared without any warning?

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Speaker 7: Man?

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Speaker 2: Do you have any reason to run away? I said?

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Speaker 1: I know?

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Speaker 2: What makes you think she's in New York? Well?

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Speaker 1: I thought you might have gone to Chicago. She used

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to live there, so I sent her picture to a

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Chicago detective. He located her, but before I could get there,

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she bought a ticket to New York and paid it again.

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If you notified the police, No, I don't want her

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to get the idea I think she's done anything wrong.

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Speaker 2: Why are you smiling to Wayne? I didn't realize I was.

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So you have a detective looking for her in Chicago

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and me in New York? Anybody else? Well, some of

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my boys looking for boys or fellows. Who works for me?

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Doing what works for me? My business? What is your business?

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Speaker 1: What's that got to do with this? You never know, Wearing.

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I didn't come here for a third degree. You came

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here to get me to find someone for you. So

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I have to know things about her and you. What

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do you want to know? Why you've been lying for me?

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You say you haven't any idea why she disappeared, but

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still you're sure right away it's a long distance fade off.

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You don't want the police in it. You burn when

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I ask what business you're in? I don't like the

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way it adds up, all right, Wearing, you don't want

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that job? Sorry, I bother If you who says, I

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don't want a job. You just said you were lying.

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Speaker 2: But if that picture does the.

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Speaker 1: Girl justice, I still could be persuaded to look for her.

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You know something wearng somehow I don't think outside to

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such wage. You know something Alexo. Somehow I didn't think

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you would.

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Speaker 3: Hello, Okay, Higgins.

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Speaker 7: How come a girl of your looks is eating Along?

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Speaker 6: Maybe I like it that way?

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Speaker 7: Nobody likes Steve Along. I'll join you.

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Speaker 6: How don't you know where to find me?

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Speaker 1: Maybe I followed you last night? I found out where

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you're standing, not.

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Speaker 6: Unless you're invisible. I made sure I wasn't followed.

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Speaker 7: Well here I am. I see what would you do

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if I those your Alexos in town?

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Speaker 6: But did you know where I am?

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Speaker 7: Not yet? Thank Heaven, Thank heaven, Thank me. Cave man.

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Know just how you can show your gratitude?

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Speaker 6: Oh you do?

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Speaker 7: Yeah?

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Speaker 1: If you have seventy five grand I like those money.

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But I'm a generous guy. I'll let you keep fifty

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of it.

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Speaker 6: Thank you, Hagen.

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Speaker 1: I mention it to finish your lunch. We'll go pick

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up my twenty five.

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Speaker 6: Can I get time to think it over?

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Speaker 1: But do you have to think? You don't want to

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keep fifty thousands and you keep nothing.

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Speaker 6: All right, I'll bring you the money tonight.

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Speaker 7: Oh no, you don't.

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Speaker 1: I'm not letting you out of my sight that I

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have the cash in my hands, not giving you a

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chance to run away again.

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Speaker 6: You don't miss any tricks, do you.

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Speaker 7: I can't afford to my bit.

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Speaker 1: Of grand slam, believe me. Kay, I'm gonna make it.

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What's beyond?

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Speaker 7: He is going on the alley.

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Speaker 6: Usually no parking places on the street. So I leave

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the car here and so in the backway.

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Speaker 1: Okay, go get it done, all right? Wait a minute,

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your fox too close to the building. I can't get

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out here.

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Speaker 6: Slide over, you can get out on this slide. I'll

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get out first, okay.

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Speaker 1: I hope you don't have the bright idea that you

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make a break for it while I'm trying to get out,

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because if you do, I'm what. Oh okay, you dirty ratt.

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Speaker 3: What's the matter?

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Speaker 6: You know, what's the matter? Get out of my way.

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I'm coming in.

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Speaker 3: I don't know if you'd only town.

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Speaker 6: I suppose you didn't tip Hagen where to find me?

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Speaker 3: Well, why would I do that?

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Speaker 6: You did it? You must know?

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Speaker 3: Why? Wait a minute, well, where'd you get that gun from?

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Speaker 6: Hagen? How we tried to make a deal with me

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twenty five thousand not to tip ale extro. I played alone.

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Speaker 3: What happened?

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Speaker 6: We drove into the alley behind my building and he

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was getting out of the car. I clouded him with

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a flashlight. Then I got his gun.

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Speaker 2: You get quite a girl.

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Speaker 6: I can take care of myself, and I can take

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care of anybody who tries to cross.

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Speaker 1: My I didn't cross your baby. You gotta believe that,

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maybe maybe not.

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Speaker 6: Anyway, Alexo still doesn't know where I am, and you

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are not tipping warm. Of course, I'm glad we're agreed

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on that, but just to make showing.

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Speaker 3: I don't be careful with that gun.

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Speaker 6: That right where you are. You'll try to get to

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that window. You're not getting out of here.

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Speaker 1: There's always the window.

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Speaker 6: Hello. Hello, Okay, Well that was a great stunch you pulled.

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Speaker 1: Yeah, lucky, I only live on the second floor. Anyway,

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it was better than getting shot.

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Speaker 6: I wasn't going to shoot you. I want now, all right,

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what do you want?

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Speaker 2: I've been looking for Hagen.

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Speaker 3: Finally found him.

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Speaker 6: He did.

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Speaker 1: Yeah, he's still in the alley where you left. Him.

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Speaker 2: He was a sure pack of.

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Speaker 6: Wallats and give him everything I could.

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Speaker 3: You sure did, well, Why are you calling?

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Speaker 2: I thought I ought to tip you off.

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Speaker 1: Even if you do think I double cross, you tip

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me off to what police have already found. Hagen, You're

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gonna blow. You'll have to hurry.

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Speaker 6: Why should I blow?

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Speaker 1: Well, you have a story ready in case they call

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on you.

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Speaker 6: You're not calling on me. Hagen won't tell them anything

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about me. I know too much about him and a LETSI.

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Speaker 1: You're right, Hagen won't tell the police anything. But the

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reason he won't tell him isn't that he's afraid, is

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that he's dead. When sudden death calls wearing a white

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tie and leaving a calling card in the form of

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a forty five caliber slug, it's frequently just another case

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for the falcon. But when wholesale disaster threatens the community,

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that's the time when everyone thinks. In terms of the

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Red Cross, the nineteen forty nine Red Cross Campaign has

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set its sights on the sum of sixty million dollars

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to assault the problems that lie ahead this year.

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Speaker 3: The increased total of disasters in.

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Speaker 1: The last year, the expanding national blood program, the large

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number of community services. All these require greater Red Cross efforts,

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made possible only by the financial support and volunteer participation

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of the people. Remember this, You, through your contributions and

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voluntary action, are the Red Cross providing a channel through

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which compassion and mercy find expression in the relief of

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human suffering. You too, can help through your Red Cross.

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I'll back to the adventures of the Falcon. It's a

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couple of hours since the body of Pagan was found

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in an alley behind the apartment house where Kay Davis lives.

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Speaker 3: Now.

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Speaker 1: Peter Alexo, the client whom Mike Wearing had rejected, was

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once again at Wearing's door. H Oh you again, I

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like something?

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Speaker 2: Yes, may I come in? I want to talk to him?

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Speaker 1: Okay, all right, what is it, Wearing? I don't suppose

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I could persuade you to forget my visit to you

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this morning?

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Speaker 2: Persuade me? How money? Why? I have my reasons? What

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would it cost for you to forget that? Give usaw me? Sorry?

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I like so, my memory is.

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Speaker 1: Too good and I was afraid you take this attitude. Well, then, Wearing,

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there's just one thing to do. Gotta be cobbed on

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the table. But it's above time. Wearing that girl I

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wanted you to find. Yeah, she is not my sister.

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Surprised she was my girlfriend ran away with another man.

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I want her back, mm hmm, but I don't intend

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to risk a murderer to get her. Where does murder

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come in. I had one of my boys, Joey Haying,

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looking for k seemed to found it. According to the paper,

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he's been murdered, and you figure she did it.

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Speaker 3: I don't know, Wearing.

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Speaker 1: How about her boyfriend of possibility? I want you to

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look into it, all right, as long as you don't

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00:15:01,039 --> 00:15:02,120
start acting KOI again.

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Speaker 2: I can't.

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Speaker 1: Now the police are bound to find out Hagen was

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on my payroll.

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Speaker 2: You figure the police will think you killed him if

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we don't find the girl. I'm the only person in

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New York had any connection with him. Uh huh.

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Speaker 1: What I'd like would be to hop a plane back

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to the coast and make like I've never been here,

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but that would require your cooperation. I haven't been able

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to buy that, So your next best bet is to

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00:15:20,080 --> 00:15:20,399
get me.

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Speaker 2: To crack the case for him.

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Speaker 1: All right, least I'm k only now, whatever I find

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out I turn over.

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Speaker 2: To the police instead.

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Speaker 7: Up to you.

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Speaker 1: Whatever you say, all right, so I'll do what I

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00:15:29,120 --> 00:15:32,240
can't good I would feel last thanks. I'm considering what

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happened to the last fella who tracked down.

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Speaker 2: Your girl for you. I'm going to need it.

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00:15:48,159 --> 00:15:52,399
Speaker 1: Homicides scribetanic Grason speaking wearing salry wearing.

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Speaker 2: We don't have a thing for you. Do you know

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00:15:54,320 --> 00:15:55,200
you don't know what I want?

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00:15:55,480 --> 00:15:57,600
Speaker 1: I know what we've got for your two moneys.

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Speaker 2: You want to be able to give me something.

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00:15:59,080 --> 00:16:00,960
Speaker 1: On the Hagen case, I told you I don't have

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00:16:01,000 --> 00:16:02,879
any suspects a girl.

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00:16:02,720 --> 00:16:06,000
Speaker 2: But Gleason, you interest me strangely.

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00:16:05,720 --> 00:16:08,080
Speaker 1: Before you start dancing in the streets wearing. We don't

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00:16:08,080 --> 00:16:10,320
have very much on her, only that Hagen was found

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00:16:10,320 --> 00:16:12,919
in an alley behind the building where she lives. Her

340
00:16:12,960 --> 00:16:15,600
address was in his pocket, but she claims she didn't

341
00:16:15,600 --> 00:16:17,639
know him. We can't prove different. We're checking.

342
00:16:17,759 --> 00:16:19,679
Speaker 4: Don't mind that. What does she look like?

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00:16:19,960 --> 00:16:23,039
Speaker 1: One bleach? About five five, good looking but a little

344
00:16:23,039 --> 00:16:24,200
on the husky side per day?

345
00:16:25,120 --> 00:16:26,600
Speaker 4: Where can I find her at home?

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Speaker 1: I guess we're not holding her yet, but what girls, Mike,

347
00:16:29,480 --> 00:16:31,320
I'll let you know after I've seen her, and if

348
00:16:31,320 --> 00:16:33,279
she's who I think she is the answer to your

349
00:16:33,399 --> 00:16:51,360
question is plenty. What do you want you are? And

350
00:16:51,559 --> 00:16:55,320
what the girl in the picture? What pictures that Alextro

351
00:16:55,440 --> 00:16:55,879
showed me?

352
00:16:56,000 --> 00:16:56,120
Speaker 5: What?

353
00:16:57,360 --> 00:16:58,879
Speaker 6: I don't know what you're talking about. I don't know

354
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any Alectro.

355
00:16:59,639 --> 00:17:01,440
Speaker 2: Well, let me come in and I'll tell you all

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00:17:01,480 --> 00:17:01,799
about it.

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00:17:02,000 --> 00:17:05,079
Speaker 1: You don't, uh, Then I go to the police and

358
00:17:05,119 --> 00:17:07,400
tell them that the Karen Darrence they questioned is really

359
00:17:07,480 --> 00:17:09,759
Kay Davis of Los Angeles, and Joey Hagen.

360
00:17:09,440 --> 00:17:11,279
Speaker 2: Came to New York for the express purpose of finding it.

361
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Speaker 6: You win, come in.

362
00:17:15,079 --> 00:17:23,039
Speaker 2: Thanks, and now, mister wearing Mike wearing the Fultons, you were.

363
00:17:22,960 --> 00:17:23,799
Speaker 6: Working for Alexe.

364
00:17:25,319 --> 00:17:27,799
Speaker 1: The police know about him yet, not yet, but I'll

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00:17:27,799 --> 00:17:29,440
have to turn what I have over to them pretty soon.

366
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Speaker 6: I don't think you will.

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00:17:32,200 --> 00:17:34,519
Speaker 1: That's not very smart pulling a gun. I'm not gonna talk,

368
00:17:34,559 --> 00:17:36,880
all right, I don't talk. The police have a corpse,

369
00:17:36,880 --> 00:17:38,799
they'll check on his background. It'll lead them to election,

370
00:17:38,880 --> 00:17:39,839
and that'll lead them to you.

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Speaker 6: I'll know what to do. I have to have time

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to think.

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Speaker 2: He should have thought before you killed Hagen.

374
00:17:45,599 --> 00:17:46,400
Speaker 6: I didn't kill him.

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Speaker 1: He came here to see you, yes, and you didn't

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want him to report back to Alexe.

377
00:17:49,839 --> 00:17:51,400
Speaker 6: He wasn't going to report back.

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00:17:51,440 --> 00:17:51,799
Speaker 2: Why not?

379
00:17:52,359 --> 00:17:55,599
Speaker 3: He wanted me to pay him not to, and you agreed.

380
00:17:56,160 --> 00:17:59,279
Speaker 1: I was going to think it over, but killing him

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was a cheaper out.

382
00:18:00,359 --> 00:18:04,240
Speaker 6: I tell you I didn't kill him. I want to

383
00:18:04,240 --> 00:18:05,359
ask you something to Wearing.

384
00:18:05,440 --> 00:18:06,240
Speaker 7: Go ahead.

385
00:18:06,720 --> 00:18:08,000
Speaker 6: What is Alecto paying you?

386
00:18:08,079 --> 00:18:08,319
Speaker 2: Why?

387
00:18:09,000 --> 00:18:10,839
Speaker 6: Whatever it is, I'll double it. It's'll work for me.

388
00:18:11,400 --> 00:18:13,599
Speaker 2: Sounds like the same deal Hagen Gun, and look what

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00:18:13,680 --> 00:18:14,240
happened to him.

390
00:18:14,400 --> 00:18:17,000
Speaker 6: No, no, I've given up trying to get away from Alecto.

391
00:18:17,079 --> 00:18:19,880
I see it's no use. But I'm on a spot

392
00:18:19,920 --> 00:18:22,200
with a murder. Maybe you can help clear me.

393
00:18:22,240 --> 00:18:24,440
Speaker 2: Maybe unless you're guilty.

394
00:18:24,759 --> 00:18:25,160
Speaker 3: I'm not.

395
00:18:27,359 --> 00:18:28,079
Speaker 6: Well what do you think?

396
00:18:28,960 --> 00:18:49,920
Speaker 2: All right? Kay? You've hired yourself a detective? Hello?

397
00:18:50,400 --> 00:18:53,680
Speaker 1: Huh, you must be big Jones. Who are you, Mike Wearing?

398
00:18:53,880 --> 00:18:56,279
What do you want you? If you are Jones, you

399
00:18:56,400 --> 00:18:59,079
fit Kay's description. I've been waiting in front of the

400
00:18:59,119 --> 00:19:00,000
building for you to come home.

401
00:19:00,440 --> 00:19:03,759
Speaker 3: Kay, sent I'm working for her. Why did she send

402
00:19:03,799 --> 00:19:04,039
you here?

403
00:19:04,039 --> 00:19:05,160
Speaker 2: As a matter of fact, she didn't.

404
00:19:05,200 --> 00:19:06,039
Speaker 7: That was my idea.

405
00:19:06,200 --> 00:19:07,720
Speaker 2: She wants me to work on the Hagen case.

406
00:19:08,079 --> 00:19:10,599
Speaker 1: I thought you might know something What would I know, Lenny,

407
00:19:11,319 --> 00:19:14,720
if you're the murderer, why would I want to kill Hagen?

408
00:19:14,799 --> 00:19:18,039
You wanted K for yourself, Alexa wanted her back, Hagen

409
00:19:18,119 --> 00:19:18,920
found her for him.

410
00:19:19,319 --> 00:19:21,720
Speaker 2: You could have killed Hagen to keep him from reporting.

411
00:19:22,640 --> 00:19:24,319
Speaker 3: There's only one trouble with that, Wearing?

412
00:19:24,400 --> 00:19:27,359
Speaker 1: Yeah, what can I had already split up last night,

413
00:19:27,759 --> 00:19:28,720
So why should I care?

414
00:19:28,799 --> 00:19:29,799
Speaker 3: If a like self founder?

415
00:19:30,519 --> 00:19:32,359
Speaker 1: It looks like my client has been holding back on me.

416
00:19:33,319 --> 00:19:35,720
Unless you're lying if you don't believe me, asked Kay, I.

417
00:19:35,680 --> 00:19:37,440
Speaker 2: May do that at first. I'd like to ask you

418
00:19:37,440 --> 00:19:38,200
a few more questions.

419
00:19:38,319 --> 00:19:40,319
Speaker 1: Yeah, yeah, sure, But I'm not stand out here on

420
00:19:40,319 --> 00:19:42,400
this straight. We can we can go inside, all right.

421
00:19:44,200 --> 00:19:48,599
I don't understand Wearing. If if you're working for K,

422
00:19:48,799 --> 00:19:52,039
how come you thought I killed Hagen? Why shouldn't I?

423
00:19:52,039 --> 00:19:53,599
I didn't know you and she had split up?

424
00:19:53,880 --> 00:19:55,680
Speaker 3: But didn't she tell you what happened with Hagen?

425
00:19:56,039 --> 00:19:56,680
Speaker 2: What did happen?

426
00:19:57,759 --> 00:19:58,279
Speaker 7: Oh?

427
00:19:58,640 --> 00:20:02,039
Speaker 1: If you don't know, I'm not saying I've had enough

428
00:20:02,119 --> 00:20:05,519
trouble with Kay. She thought I kept Hagen off about her.

429
00:20:05,599 --> 00:20:08,400
I think I've convinced her I I didn't by now,

430
00:20:08,440 --> 00:20:10,200
but I'm not gonna give her any other reason to

431
00:20:10,240 --> 00:20:10,680
blow up?

432
00:20:10,839 --> 00:20:13,480
Speaker 2: Oh she blew up? Huh?

433
00:20:13,559 --> 00:20:16,000
Speaker 1: Yeah, Well why did she care if Hagan found her?

434
00:20:16,480 --> 00:20:17,720
Since you'd already split.

435
00:20:17,559 --> 00:20:19,960
Speaker 3: With you on account of the seventy five grand?

436
00:20:20,119 --> 00:20:22,319
Speaker 2: But what's seventy five grand?

437
00:20:23,319 --> 00:20:26,920
Speaker 3: Well didn't she tell you that either? Well, she didn't

438
00:20:27,039 --> 00:20:29,440
tell you much seems nuts.

439
00:20:29,799 --> 00:20:31,880
Speaker 1: Well in that case, there's not much I can do

440
00:20:31,960 --> 00:20:34,400
for you either. But if you know anything, we.

441
00:20:34,359 --> 00:20:36,680
Speaker 3: Are no use wearing.

442
00:20:36,720 --> 00:20:39,599
Speaker 1: I'm not talking, so you might as well run along.

443
00:20:39,680 --> 00:20:40,480
Speaker 2: Oh no, not yet.

444
00:20:40,680 --> 00:20:41,880
Speaker 3: Well I tell you I'm not good.

445
00:20:42,640 --> 00:20:43,160
Speaker 2: What's the matter.

446
00:20:44,720 --> 00:20:51,000
Speaker 1: There's somebody in the bedroom. I'm gonna go see who's there,

447
00:20:52,880 --> 00:20:56,319
But I don't hear anything. Chose Okay, the windows open,

448
00:20:56,559 --> 00:21:01,160
the fire escape, see, I don't know, I don't know.

449
00:21:01,640 --> 00:21:02,240
Speaker 3: Darkt there.

450
00:21:02,319 --> 00:21:05,480
Speaker 1: Wait a minute, there's someone in the courtyard and the shatters.

451
00:21:05,799 --> 00:21:08,559
Speaker 3: Hey you down there, stop? Stop?

452
00:21:09,559 --> 00:21:11,519
Speaker 4: Oh Kate, how you ask for it?

453
00:21:20,640 --> 00:21:23,880
Speaker 1: There's high Western action adventure for you on Mutuals thrilling

454
00:21:23,920 --> 00:21:27,160
new radio programs Straight Arrow. For the first time in

455
00:21:27,240 --> 00:21:30,119
radio history of full blooded American Indian becomes the central

456
00:21:30,119 --> 00:21:33,079
figure of a radio drama. A champion of law and order,

457
00:21:33,119 --> 00:21:37,000
a dynamic hero and action packed struggles. The incomparable, Straight

458
00:21:37,119 --> 00:21:40,519
Arrow presents the vanishing American in his true life. You'll

459
00:21:40,519 --> 00:21:43,079
find swift paste entertainment when you hear the bold and

460
00:21:43,160 --> 00:21:50,480
daring Straight Arrow on Mutual A'll back to the Adventures

461
00:21:50,480 --> 00:21:57,240
of the Falcon. Twenty minutes have passed since Mike Wearing

462
00:21:57,279 --> 00:21:59,559
and Bick Jones surprised an intruder.

463
00:21:59,160 --> 00:21:59,960
Speaker 7: In Jones's a park.

464
00:22:00,839 --> 00:22:01,920
Speaker 4: Now in another part.

465
00:22:01,759 --> 00:22:04,480
Speaker 1: Of town, Kay Davis stands outside the door of a

466
00:22:04,519 --> 00:22:11,000
hotel room.

467
00:22:11,039 --> 00:22:15,400
Speaker 2: Okay, hello, Alexo, this is a surprise.

468
00:22:15,960 --> 00:22:16,839
Speaker 6: I thought it would be.

469
00:22:17,799 --> 00:22:19,519
Speaker 3: Come in all right.

470
00:22:21,920 --> 00:22:24,519
Speaker 6: I see you'll never give up, Alexo, and I'm tired

471
00:22:24,559 --> 00:22:29,319
of running and here I am good. Tell me something?

472
00:22:30,519 --> 00:22:32,960
Was it me or the money? That you were really active?

473
00:22:33,720 --> 00:22:36,440
Speaker 2: Don't you know you're like a truth.

474
00:22:37,079 --> 00:22:40,319
Speaker 6: I know Bobby talked. I really had it bed with

475
00:22:40,400 --> 00:22:43,839
that Krumvich. It's all over now.

476
00:22:44,200 --> 00:22:47,279
Speaker 2: I'm glad to hear that. Now we can go back

477
00:22:47,279 --> 00:22:49,200
and pick up where we let go.

478
00:22:50,400 --> 00:22:54,319
Speaker 6: Aren't you forgetting something? What a little matter of murder?

479
00:22:54,880 --> 00:22:57,799
Speaker 3: All that's right, But I.

480
00:22:57,519 --> 00:22:59,400
Speaker 6: Think I know how we can take care of that

481
00:23:00,720 --> 00:23:03,880
if we play it right, stick together. We ought to

482
00:23:03,880 --> 00:23:08,000
be able to pin this on Vic Jones. Ah tried

483
00:23:08,000 --> 00:23:12,240
this on beside seventy five grand. Suppose I'm not the

484
00:23:12,240 --> 00:23:15,359
one who took it from the victim and ran off

485
00:23:15,359 --> 00:23:17,839
with me. But I didn't know it was your money.

486
00:23:18,599 --> 00:23:21,680
Couldn't you say that then? So you weren't really looking

487
00:23:21,720 --> 00:23:24,240
for me. You were looking for Vic. The only reason

488
00:23:24,279 --> 00:23:26,240
you tried to find me was that I could lead.

489
00:23:26,079 --> 00:23:26,480
Speaker 3: You to Vict.

490
00:23:26,599 --> 00:23:27,839
Speaker 2: Oh, sure, I get it.

491
00:23:28,480 --> 00:23:30,920
Speaker 1: Then when Hagen found you, Vic had to kill him

492
00:23:30,920 --> 00:23:32,440
to keep me away from the two of you.

493
00:23:32,559 --> 00:23:34,240
Speaker 6: That's it. Gives him a motor.

494
00:23:34,400 --> 00:23:34,640
Speaker 7: Yeah.

495
00:23:34,960 --> 00:23:38,240
Speaker 6: I've already started on it. I've prided your bakcase the

496
00:23:38,240 --> 00:23:41,400
one I took the money in in Vict's apartment to night.

497
00:23:41,880 --> 00:23:43,519
He almost caught me at it, but I got away.

498
00:23:43,680 --> 00:23:47,400
Speaker 2: Great, I think we can make it stick. Now this

499
00:23:47,519 --> 00:23:50,400
calls for a drink beautiful celebration.

500
00:23:51,480 --> 00:23:54,759
Speaker 6: Uh, I don't know. But whoever it is, remember our story.

501
00:23:55,039 --> 00:23:55,880
Speaker 2: Sure kiddo. Sure?

502
00:23:58,599 --> 00:24:02,279
Speaker 1: Hello, Like so I thought I ought a report. Yeah,

503
00:24:02,279 --> 00:24:04,119
I come in wearing of course, come in.

504
00:24:04,240 --> 00:24:10,160
Speaker 2: Thanks. Oh my other clients here too. We are good. Hello, Okay,

505
00:24:10,279 --> 00:24:12,359
hello you other times?

506
00:24:12,480 --> 00:24:15,079
Speaker 1: Yeah, I have no objection to a double fee, since

507
00:24:15,079 --> 00:24:17,319
you both want me to do the same job. Cracked

508
00:24:17,319 --> 00:24:20,720
Hagan's murder. Okay, why didn't you tell me you were

509
00:24:20,759 --> 00:24:22,039
the one who beat Hagen's head in?

510
00:24:22,200 --> 00:24:24,480
Speaker 6: What? Who told you that?

511
00:24:24,759 --> 00:24:24,960
Speaker 4: Vick?

512
00:24:25,279 --> 00:24:29,440
Speaker 3: No, he must've He's the only one who what who knew?

513
00:24:30,000 --> 00:24:31,279
Speaker 4: And don't reach till that gun again?

514
00:24:33,160 --> 00:24:35,400
Speaker 2: Killing that's better.

515
00:24:36,240 --> 00:24:38,880
Speaker 1: As a matter of fact, Hey, nobody told me, But

516
00:24:38,920 --> 00:24:41,680
you told me yourself. Hagen found you and he wouldn't

517
00:24:41,680 --> 00:24:43,240
have let you get away from him again unless he

518
00:24:43,240 --> 00:24:44,160
couldn't help himself.

519
00:24:44,519 --> 00:24:45,680
Speaker 2: You admitted you didn't pay him.

520
00:24:45,759 --> 00:24:49,319
Speaker 6: Well, I didn't mean to kill him. It was an accident.

521
00:24:49,680 --> 00:24:51,359
I just wanted to knock him out so I could

522
00:24:51,359 --> 00:24:51,799
get away.

523
00:24:51,960 --> 00:24:55,119
Speaker 2: She killed him, but I thought no, like so she didn't,

524
00:24:55,240 --> 00:24:56,079
but she thought she did.

525
00:24:56,119 --> 00:24:58,960
Speaker 1: That's why she's been so hysterical. I've checked for the police.

526
00:24:59,279 --> 00:25:01,400
Hagan's head was covered with blood, but there was no

527
00:25:01,440 --> 00:25:03,440
blood in the alley where he was found. That means

528
00:25:03,480 --> 00:25:05,599
he was killed somewhere else and brought there. But how

529
00:25:05,680 --> 00:25:07,920
does that mean that Kay didn't the planet of the

530
00:25:07,960 --> 00:25:09,799
body right behind her own apartment building?

531
00:25:09,799 --> 00:25:11,200
Speaker 2: It but a point two directly toward her.

532
00:25:11,359 --> 00:25:12,799
Speaker 3: I see, But Dick knew.

533
00:25:12,640 --> 00:25:14,759
Speaker 6: I'd not Hagen out in the el, so he brought

534
00:25:14,759 --> 00:25:16,680
the body there to frame it.

535
00:25:16,720 --> 00:25:21,119
Speaker 1: Was not necessarily Hagen recovered left. He could have told

536
00:25:21,119 --> 00:25:22,119
anyone else what happened.

537
00:25:22,960 --> 00:25:26,160
Speaker 2: That's right, But who else would have wanted to kill Hagen?

538
00:25:26,920 --> 00:25:30,200
Speaker 1: How about you, Alexe me? Hagen double crossed you. You

539
00:25:30,240 --> 00:25:31,519
wanted revenge, you killed it.

540
00:25:31,640 --> 00:25:32,079
Speaker 2: I didn't.

541
00:25:32,079 --> 00:25:33,720
Speaker 1: I didn't know about the double cross when you tried

542
00:25:33,720 --> 00:25:36,920
to frame k No use, Alexo. All I need is

543
00:25:36,920 --> 00:25:38,559
a few more answers from Kay and I'll have all

544
00:25:38,599 --> 00:25:41,039
the facts I need. And now that she realizes how

545
00:25:41,039 --> 00:25:42,880
you tried to frame her, I think she'll give them

546
00:25:42,920 --> 00:25:44,720
to him. Well, this is this wearing. I hired you

547
00:25:44,799 --> 00:25:46,920
to clear me. You hire me to solve the case, Alexe,

548
00:25:47,480 --> 00:25:49,440
And that's exactly what I'm doing.

549
00:26:00,119 --> 00:26:00,680
Speaker 3: To frame me.

550
00:26:01,160 --> 00:26:02,319
Speaker 2: Oh that's right, Joe.

551
00:26:02,440 --> 00:26:05,079
Speaker 1: Now I'm sure grad you saw through it. How did

552
00:26:05,079 --> 00:26:07,440
you know Alexo was the murderer? Well, I didn't. I

553
00:26:07,519 --> 00:26:11,759
was just feeling my way. First I eliminated Kay. The

554
00:26:11,759 --> 00:26:13,519
body being planted in the alley cleared her.

555
00:26:13,599 --> 00:26:14,480
Speaker 3: Yeah, yeah, you told me.

556
00:26:14,640 --> 00:26:16,720
Speaker 2: But then there was one fact I had to get straight.

557
00:26:17,000 --> 00:26:17,519
Speaker 7: What was that?

558
00:26:17,559 --> 00:26:19,119
Speaker 2: How Alexo and Kay got together?

559
00:26:19,799 --> 00:26:21,440
Speaker 1: Kay could tell me, but I had to make sure

560
00:26:21,440 --> 00:26:24,160
she was telling the truth, and that's why I accused Alexo.

561
00:26:24,400 --> 00:26:27,319
Why Yeah, because if she thought Alexo was the murderer

562
00:26:27,319 --> 00:26:29,480
and that he had tried to frame her, then she

563
00:26:29,519 --> 00:26:30,680
wouldn't try to protect him.

564
00:26:31,240 --> 00:26:33,000
Speaker 2: So I accused him, and.

565
00:26:32,960 --> 00:26:35,839
Speaker 1: Then I asked how Alexo found her. She said he

566
00:26:35,839 --> 00:26:38,119
didn't find her, that she went to see him herself tonight.

567
00:26:38,240 --> 00:26:41,480
So why don't you see Alexo wanted to find Kay

568
00:26:41,640 --> 00:26:42,880
and his seventy.

569
00:26:42,519 --> 00:26:43,720
Speaker 2: Five thousand dollars.

570
00:26:43,880 --> 00:26:46,680
Speaker 1: Hagen knew where Kay was, so Alexo would never have

571
00:26:46,759 --> 00:26:49,400
killed Hagen until Hagen had talked, and he obviously hadn't

572
00:26:49,440 --> 00:26:52,160
talked because Alexo was still looking for her, which means

573
00:26:52,200 --> 00:26:53,079
Alexo didn't.

574
00:26:52,880 --> 00:26:53,559
Speaker 2: Kill Hagen either.

575
00:26:53,640 --> 00:26:56,359
Speaker 1: But if he didn't, If he didn't and Kay didn't,

576
00:26:57,039 --> 00:27:01,759
that just leaves Yeah, that's right you Jones.

577
00:27:01,640 --> 00:27:02,559
Speaker 3: But why would I?

578
00:27:02,559 --> 00:27:04,480
Speaker 1: I can't try to kill you because she thought you

579
00:27:04,599 --> 00:27:07,240
tipped Hagen off about where to find it. You denied

580
00:27:07,279 --> 00:27:09,799
tipping him. You hope to convince Kay of your denial,

581
00:27:10,319 --> 00:27:12,799
but you couldn't if Hagen told her the truth. You

582
00:27:12,920 --> 00:27:14,000
killed him to shut him up.

583
00:27:15,200 --> 00:27:19,279
Speaker 2: Well, there it is, Isn't it a shame? Jones?

584
00:27:19,440 --> 00:27:21,480
Speaker 1: What that they went to the trouble of trying to

585
00:27:21,519 --> 00:27:31,000
frame you when you were guilty the whole time. Death

586
00:27:31,200 --> 00:27:38,359
is a one armed bandit. Death is a one armed bandit.

587
00:27:38,680 --> 00:27:42,000
That's the title of next week's Adventure of the Falcon, when.

588
00:27:41,839 --> 00:27:43,240
Speaker 4: Mike Wearing learns that when it.

589
00:27:43,240 --> 00:27:46,400
Speaker 1: Comes to slot machines, there's more than one way to

590
00:27:46,400 --> 00:27:49,400
make a killing. So be sure to listen next week

591
00:27:49,440 --> 00:27:52,839
at this time to another exciting adventure of the Falcon.

592
00:28:00,240 --> 00:28:01,759
Speaker 4: The Adventures of the Falcon.

593
00:28:01,480 --> 00:28:03,960
Speaker 1: Are based on the famous character created by Drexel Drake,

594
00:28:04,000 --> 00:28:05,039
produced by Bernard L.

595
00:28:05,160 --> 00:28:07,160
Speaker 4: Hubert, written Tonight by Gene Wang and.

596
00:28:07,160 --> 00:28:10,759
Speaker 1: Directed by Richard Lewis, music by Emerson Buckley composed by

597
00:28:10,799 --> 00:28:14,039
Richard DuPage. Lest Tremaine was starred as the Falcon, with

598
00:28:14,119 --> 00:28:18,200
Beverly Roberts as Kate Russ Dunbar speaking. This program came

599
00:28:18,240 --> 00:28:37,480
from New York. This is the Mutual Broadcasting System.

