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<v Speaker 1>Coming to you from the dining room table at East

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<v Speaker 1>Barbary Lane. Welcome to a special episode of Full Circle

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<v Speaker 1>the podcast. I am your host, Charles Tyson Junior, and

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<v Speaker 1>today I am thrilled to be sitting with our guest.

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<v Speaker 1>Juano Diaz is a wonderful author and artist, and his autobiography,

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<v Speaker 1>entitled Slumboy, has been called by The Guardian one of

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<v Speaker 1>the most moving accounts of non fiction ever written, and

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<v Speaker 1>I cannot help but agree. Wano, thank you so much

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<v Speaker 1>for joining us. How are you?

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<v Speaker 2>I'm good? Thank you so much, Charles. That's some introduction.

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<v Speaker 2>Thank you.

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<v Speaker 1>You definitely deserve it. So the first question that I

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<v Speaker 1>decided I needed to ask you after reading this turbulent,

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<v Speaker 1>tumultuous tale that was alliterated, is how are you doing now?

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<v Speaker 1>Tell me good things about yourself now?

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<v Speaker 2>Yes, I am good. Honestly, I thought as an adult,

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<v Speaker 2>I thought to myself, you know what I've lived with

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<v Speaker 2>my past. I've lived with my childhood, with the abuse,

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<v Speaker 2>the anxiety, the adoptions, the losing people. I really thought

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<v Speaker 2>I'd dealt with that until I had to sit down

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<v Speaker 2>and write this book. And what really got me was

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<v Speaker 2>the early part of my childhood having to sit and

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<v Speaker 2>go through three hundred pages of social work records and

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<v Speaker 2>write about this little boy's life, my life. It broke me,

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<v Speaker 2>and it broke me. Not for me, he me, because

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<v Speaker 2>there's still hundreds of thousands of children all over the

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<v Speaker 2>world who are going through these kind of things daily hunger,

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<v Speaker 2>you know, living in terrible circumstances, sexual abuse, violence, alcoholism.

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<v Speaker 2>So yeah, it really broke me having to sort of

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<v Speaker 2>go through that, and it made me realize, christ I

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<v Speaker 2>have come this lovely far and I've made it so

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<v Speaker 2>but I'm good. I'm really good. I'm really loving that

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<v Speaker 2>people are reaching out from different backgrounds from I'm hearing

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<v Speaker 2>nothing from artists, which is great. I'm hearing a lot

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<v Speaker 2>from people who were in care, who were in children's homes,

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<v Speaker 2>and social workers and people who work with alcoholics. My

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<v Speaker 2>mother was an alcoholic and a street worker. And it's

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<v Speaker 2>I'm loving. I'm loving and I'm loving hearing from everyone

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<v Speaker 2>and people saying, you know, I went through very similar things.

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<v Speaker 2>You know, that's horrible to hear. But just just to

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<v Speaker 2>know that you're not alone, is It's nice?

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<v Speaker 1>Yeah, And I actually I was going to ask you

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<v Speaker 1>about the process of writing this book because you had

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<v Speaker 1>to revisit so much pain and uncertainty and darkness in

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<v Speaker 1>order to tell your story. I mean, what were you

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<v Speaker 1>doing in terms of self care? Because I hope you

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<v Speaker 1>you had a support system while you were going through

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<v Speaker 1>the process of putting this book together.

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<v Speaker 2>I always say that art is my support system. I

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<v Speaker 2>use as a therapy. I always have. But again, writing

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<v Speaker 2>about those early years caught me off guard and at

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<v Speaker 2>one point I said, I am going to have to

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<v Speaker 2>seek some extra help to speak about this while I'm

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<v Speaker 2>writing the writing this And the crazy thing is here

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<v Speaker 2>in the UK we are being cut massively and in

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<v Speaker 2>every aspect the arts are being cut by the government. Doctors, nurses,

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<v Speaker 2>you can't get seen, you know, you can't get a

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<v Speaker 2>dental appointment, and the health and the mental health practices

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<v Speaker 2>are just overrun and terribly, terribly run as far as

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<v Speaker 2>I'm concerned. It took a long time for the appointment

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<v Speaker 2>to come up, and by that point I was kind

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<v Speaker 2>of like, Okay, I've dealt with it already myself, you know,

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<v Speaker 2>But yeah, it's been really What's what's been really healing

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<v Speaker 2>is talking about to go out to festivals and talking

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<v Speaker 2>about it and people asking questions, because what I noticed

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<v Speaker 2>people do is they tend to ask questions two things

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<v Speaker 2>they need answers to within themselves. But they'll but they'll

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<v Speaker 2>they'll do it through the through the the guys of

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<v Speaker 2>asking questions about my story if you know, do you

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<v Speaker 2>know what I mean? But anyway, I just I find

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<v Speaker 2>that really fascinating. And then yeah, I've just I've met

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<v Speaker 2>a huge, huge network of people from all different backgrounds

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<v Speaker 2>that have just come and kind of put their arms

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<v Speaker 2>around me and gave me a big hug and opened up.

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<v Speaker 2>And it's it's been fair. I've really loved the process.

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<v Speaker 2>It's been tough, but I've loved it good.

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<v Speaker 1>And I definitely hear you about art being a support

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<v Speaker 1>system because I said many many times, if it were

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<v Speaker 1>not for the ability to express myself through art, I

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<v Speaker 1>don't know that I would be here.

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<v Speaker 2>I say the same thing, Charles, I totally hear you.

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<v Speaker 2>I hear you, maybe not so much now, but more

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<v Speaker 2>when I was going through my teenage years and you're

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<v Speaker 2>sort of going through that sort of time where you're

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<v Speaker 2>trying going through puberty and there's all these emotions running view.

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<v Speaker 2>If I hadn't had the means to express myself, whether

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<v Speaker 2>it be you know, putting a wig on and my

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<v Speaker 2>mum's fur coat and climbing out of the bedroom window,

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<v Speaker 2>which is what I used to do, and not because

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<v Speaker 2>anybody could see me, because I would do it in

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<v Speaker 2>the middle of the night and I'd walk around this

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<v Speaker 2>tiny village in Scotland and it was just that liberating

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<v Speaker 2>feeling that I'm doing something fabulous and authentically me and

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<v Speaker 2>I'm not conforming to my upbringing, which.

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<v Speaker 1>Was part of the point of it. Yeah, yeah, yeah,

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<v Speaker 1>And you were doing it for yourself. You weren't doing

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<v Speaker 1>it for other people. And sometimes that's the best stuff.

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<v Speaker 1>When you're not right, you're not worried about the outside eye,

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<v Speaker 1>the outside opinion. Beautiful. I imagine that your art. If

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<v Speaker 1>you were to do a side by side comparison of

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<v Speaker 1>your art then and your art now, there would be

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<v Speaker 1>some drastic differences. There would have to be.

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<v Speaker 2>There are, but there's still a common theme for me.

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<v Speaker 2>When I was a little boy, when I was separated

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<v Speaker 2>from my mother. To give some context to the listeners,

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<v Speaker 2>my mother was a street worker and lady of the night, prostitute,

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<v Speaker 2>however you want to call it, I say, a street

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<v Speaker 2>worker and she was an addict. She was an alcoholic,

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<v Speaker 2>and she had a lot of ment health issues, so

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<v Speaker 2>she would leave me and my sisters for long periods

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<v Speaker 2>of time and go to work and come home drunk.

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<v Speaker 2>And an incident happened where we lost one of the

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<v Speaker 2>men that she kind of really attached to, and he

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<v Speaker 2>was really good for her in many ways, and we

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<v Speaker 2>both saw him drown when I was a little boy,

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<v Speaker 2>and it just threw my mum's world upside down and

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<v Speaker 2>she just wasn't able to mentally cope physically cope. So

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<v Speaker 2>my sisters were put into care, and the social services

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<v Speaker 2>tried to kind of keep me with my mum, and

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<v Speaker 2>they really could have done more to support her, but

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<v Speaker 2>they tried to keep me with her, but they kept

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<v Speaker 2>separating us and putting me into care. Well, she tried

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<v Speaker 2>to do rehab anyway. Eventually I was put into this

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<v Speaker 2>children's home and my mum, because she was drinking, would

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<v Speaker 2>stop kind of stopped visiting. She would say she was

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<v Speaker 2>going to turn up, and she wouldn't, so I had

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<v Speaker 2>no photographs. And by this time, the social workers were

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<v Speaker 2>preparing me to be adopted, and they'd given me a

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<v Speaker 2>scrap book and they said, Okay, we don't have any

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<v Speaker 2>photos of your mum, but draw some photo, draw some images.

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<v Speaker 2>And that's where it all came from for me, because

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<v Speaker 2>I I kind of I love this woman. She was

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<v Speaker 2>very exotic working women. She'd read hair and very high

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<v Speaker 2>cheek bones and very Asian eyes, and I would just

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<v Speaker 2>draw this face with the big spider leg lashes and

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<v Speaker 2>faces became very important from that moment, and then also

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<v Speaker 2>when I was adopted, it continued, you know, because it

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<v Speaker 2>was the only thing I had to remember my mother's image,

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<v Speaker 2>So drawing faces became very very important. And then when

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<v Speaker 2>I got to school, I remember to teach photographing our

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<v Speaker 2>the class and photocopying it. And back in the day,

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<v Speaker 2>the old photocopiers had an ink that when it dried,

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<v Speaker 2>you could scratch it with a knife and you could

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<v Speaker 2>remove some of the black area. Yeah, so I used

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<v Speaker 2>to change my face and sometimes sometimes I look like

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<v Speaker 2>my mom, and sometimes I just started to play with

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<v Speaker 2>my face like and then I would build a kind

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<v Speaker 2>of decopage and collage around it. So it really started

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<v Speaker 2>then really really really young.

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<v Speaker 1>So you were trying to reconstruct your past through the deconstruction.

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<v Speaker 2>I was trying to find I was trying to find

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<v Speaker 2>my identity within this world that i'd been adopted into.

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<v Speaker 2>My adoptive father was of the Roman Gypsy community and

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<v Speaker 2>my mother was Catholics. They were very very strict, very close,

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<v Speaker 2>very private people. So when I asked my parents, you know,

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<v Speaker 2>why are my eyes like this? You know, why do

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<v Speaker 2>I laugh like this? They had no reference and they

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<v Speaker 2>didn't want to know because, as far as they were concerned,

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<v Speaker 2>we adopted you. You're one of us. Now, forget the past,

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<v Speaker 2>and you know, so it was it was difficult for them.

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<v Speaker 2>But because they hadn't training this I'm talking in the eighties,

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<v Speaker 2>there was no training for people to adopt. It was literally,

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<v Speaker 2>here's a child, to.

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<v Speaker 1>Get on with it, girl, right exactly.

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<v Speaker 2>You know. So, so yeah, it was I don't know

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<v Speaker 2>where I was going with that.

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<v Speaker 1>Well, yeah I did notice that, Yeah, you're your adopted family.

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<v Speaker 1>It really did feel like they didn't want you to

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<v Speaker 1>even think about your your past that you know, your

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<v Speaker 1>life started when they brought you home, that's right, And I.

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<v Speaker 2>Think that's really unfair to do that for a child.

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<v Speaker 2>You know, I'm an adoptive parent myself, Me and my

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<v Speaker 2>partner have a little boy.

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<v Speaker 1>I love that.

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<v Speaker 2>The amazing thing about now, when you go through the

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<v Speaker 2>adoption process, you have weeks, months of coursework, months and

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<v Speaker 2>months with social workers and learning about the developing brain

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<v Speaker 2>of a child and what my parents And I love

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<v Speaker 2>my parents that the people who adopted me are my

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<v Speaker 2>parents as far as I'm concerned, right, But they could

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<v Speaker 2>have they could really could have done with the training

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<v Speaker 2>that they're given now, because I think to hold a

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<v Speaker 2>child back, which is what I felt happened to me,

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<v Speaker 2>I think it's just it's detrimental to the child's development.

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<v Speaker 2>You have to be you have to you have to

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<v Speaker 2>approach adoption with patients. Curiosity, empathy, play, and some of

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<v Speaker 2>those elements were there, but to be shut down and

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<v Speaker 2>told let's not speak about that, Let's leave your whole

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<v Speaker 2>identity to the side, and now be this person. It's

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<v Speaker 2>it's impossible for a child to.

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<v Speaker 1>Do that, especially considering at that point in your in

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<v Speaker 1>your life and your development as a child, your entire

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<v Speaker 1>being is curiosity and wanting to know and who am

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<v Speaker 1>I and why am I? So I can't imagine like

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<v Speaker 1>stunting that, you know, like trying to to to tamp

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<v Speaker 1>down the child's natural sense of curiosity and wonder and learning.

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<v Speaker 2>It's it's really impossible to do and and and it's

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<v Speaker 2>really what caused the rift between me and especially my

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<v Speaker 2>adoptive mother. She just couldn't understand why I just couldn't

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<v Speaker 2>settle and she didn't have They had no reference to

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<v Speaker 2>the none who looked after me in the children's home,

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<v Speaker 2>the man who sexually abused me for weeks on end

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<v Speaker 2>in a children's home, violently and emotionally. I was told,

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<v Speaker 2>I was told not to talk, don't talk about it,

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<v Speaker 2>let's go on with it now. And they had no

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<v Speaker 2>reference to my mother, who I'd seen in bed with

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<v Speaker 2>men and the hunger, and they had nothing of that,

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<v Speaker 2>and there was no opportunity to express it, to talk

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<v Speaker 2>it through.

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<v Speaker 1>And yeah, that's an interesting point from what I got

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<v Speaker 1>in the book. It feels like your introduction to the

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<v Speaker 1>concept of sex and sexuality was warped. It was violent, right.

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<v Speaker 2>It was violent, and it was really it was it

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<v Speaker 2>was twisted. I'd already seen. I already knew by the

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<v Speaker 2>age of five, what what men and women do, because

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<v Speaker 2>because I've seen my mother working, she she was she

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<v Speaker 2>was so incapacitated at times that you know these this

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<v Speaker 2>this is just the way it was. And but then

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<v Speaker 2>when I went into care and and other things were

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<v Speaker 2>going on, not just with me, with other children who

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<v Speaker 2>were involved in these instances, it was really confusing, really

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<v Speaker 2>really confusing. And I don't know. I don't know to

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<v Speaker 2>this day, I don't know how much my adoptive parents knew.

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<v Speaker 2>I don't know if they knew my mother's past. I

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<v Speaker 2>don't think they did. I think had had they had

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<v Speaker 2>they known maybe things that maybe they could have got

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<v Speaker 2>me some therapy early on. And that's and that's why

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<v Speaker 2>I used self therapy with the art Goodness.

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<v Speaker 1>I had to thank Goodness for art so and I

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<v Speaker 1>and I saw how in your teenage years, in your

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<v Speaker 1>early adulthood, it felt like a lot of your relationships

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<v Speaker 1>were like transactional, Like how how did all of that

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<v Speaker 1>affect your adult relationships? If I may ask, I didn't.

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<v Speaker 2>I doesn't have many adult relationships. I mean, we've all

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<v Speaker 2>we've all kind of done stuff. I had a few.

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<v Speaker 2>I had a few relationships when I allowed people to

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<v Speaker 2>walk over me and I got into stupid situations and stuff.

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<v Speaker 2>I think we all have when we're when we're younger

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<v Speaker 2>and I've been so honestly, I've been so sort of

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<v Speaker 2>laser focused with creating art and photographs in film that

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<v Speaker 2>it's kind of over over to call that for a

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<v Speaker 2>long long time. And I've had a I mean, I've

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<v Speaker 2>had a couple of relationships. The relationship I mean just

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<v Speaker 2>now is probably the most like level one.

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<v Speaker 1>But yeah, well I do love that for you. Yeah,

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<v Speaker 1>I imagine, you know, I mean, we all go through

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<v Speaker 1>that period of wanting to please others, but you had

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<v Speaker 1>to go through that for a sense of like stability

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<v Speaker 1>and survival, especially with your adoptive parents wanting to be

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<v Speaker 1>the kind of person they wanted you to be, which

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<v Speaker 1>meant not being who you were. And I felt like,

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<v Speaker 1>you know, that was a constant struggle.

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<v Speaker 2>It was, but I fought so hard against them.

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<v Speaker 1>You think you were a difficult child.

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<v Speaker 2>They would say that. They would say, my father to

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<v Speaker 2>this day would say you were such an arsehole to us,

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<v Speaker 2>and in a joking way, right, But I just I

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<v Speaker 2>couldn't help it. I had to express myself. I had to,

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<v Speaker 2>you know, when I was at that age where I

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<v Speaker 2>understood what was what, I didn't give a ship. I

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<v Speaker 2>went out in the village and wore high heels and

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<v Speaker 2>making these big camp paintings and just being myself. You know,

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<v Speaker 2>I wasn't going to conform to working in a scrap

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<v Speaker 2>yard and living in a boxing gym, which is what

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<v Speaker 2>my dad done. I hated it. It wasn't me, it

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<v Speaker 2>wasn't my name, it's not my nature.

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<v Speaker 1>You were so much bigger than the life that you.

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<v Speaker 2>I just was. I just have creativity connected to my core,

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<v Speaker 2>and in a small village in Scotland, there's no reference

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<v Speaker 2>at all for that. So one wonder full thing happened

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<v Speaker 2>with satellite TV when that appeared back in the eighties

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<v Speaker 2>and we suddenly were exposed to like fashion, TV and

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<v Speaker 2>TV and all that visual stuff. I mean I just

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<v Speaker 2>drunk all in and went with it. So it's almost

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<v Speaker 2>like an explosion waiting to happen, you know.

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<v Speaker 1>Okay, favorite supermodel girl, Naomi Campbell. That better have been

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<v Speaker 1>the answer.

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<v Speaker 2>Also, mav Pessa, Okay, yes, she's sensational.

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<v Speaker 1>I love it, I love it. Yeah, it was a

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<v Speaker 1>Naomi fan myself.

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<v Speaker 2>Yeah, stunning, stunning.

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<v Speaker 1>Every now and again I whip out my name Naomi

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<v Speaker 1>Campbell walked just because.

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<v Speaker 2>Hey, why not?

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<v Speaker 1>You have to exactly you know, I dare say that

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<v Speaker 1>your life, as recorded in this book is basically advertisement

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<v Speaker 1>for it putting and keeping the arts in schools.

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<v Speaker 2>Oh my god, I'm so honored that you said that.

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<v Speaker 2>I would love to get this book into schools and

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<v Speaker 2>let the teachers read it. Oh, you're right. It's like

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00:20:20.359 --> 00:20:25.960
<v Speaker 2>it's like the schools need the arts, they need it. Listen,

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<v Speaker 2>what was the first thing that people went to when

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<v Speaker 2>the pandemic hit music?

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<v Speaker 1>Yeah?

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<v Speaker 2>Art, TV, video visual.

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<v Speaker 1>Because that was comfort.

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<v Speaker 2>It is so important. Without art, life just shit.

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<v Speaker 1>And it's always the first thing to get cut. Yeah, yeah,

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<v Speaker 1>as if it's not an essential part of life.

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<v Speaker 2>I honestly can't remember the last time I had to

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<v Speaker 2>do a times table. I mean really well, some of

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<v Speaker 2>the stuff we got taught at school, and in my

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<v Speaker 2>mad school was horrific. The teachers were bullies, the assholes,

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<v Speaker 2>and you know, I had teachers that call me faggot,

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<v Speaker 2>you know, And it was terrible, really terrible. And I'm

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<v Speaker 2>lucky that we had an amazing art department. And I

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<v Speaker 2>had one teacher that I just adore. Her name's Norma,

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<v Speaker 2>and she's a very good friend of mine still, And

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<v Speaker 2>if I hadn't had this woman, in my life. I

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<v Speaker 2>don't know if I'd be here. Honestly, I really don't

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<v Speaker 2>know if I'd be here. I was being I was

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<v Speaker 2>at a period in my childhood thirteen fourteen, fifteen where

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00:21:46.480 --> 00:21:50.519
<v Speaker 2>I was so unhappy and nobody I had, nobody to

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<v Speaker 2>speak to, nobody who understood how important keytivity was. And

315
00:21:57.920 --> 00:22:00.359
<v Speaker 2>she did and she was that one person, and she

316
00:22:00.960 --> 00:22:04.559
<v Speaker 2>took me and really mothered me in a way that

317
00:22:04.680 --> 00:22:10.000
<v Speaker 2>I really needed. And it wasn't it wasn't all about

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00:22:10.039 --> 00:22:13.000
<v Speaker 2>her being an art teacher. It was this sort of

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<v Speaker 2>patience and curiosity and empathy that came from her. But

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<v Speaker 2>it was just she is just I love her so much,

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<v Speaker 2>and I think we're lucky when we're young and we

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<v Speaker 2>have that person, and not everyone gets that opportunity to

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<v Speaker 2>have that person. If I hadn't had her, I would

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<v Speaker 2>not be doing what I'm doing today.

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<v Speaker 1>I believe it. We need someone to see us.

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<v Speaker 2>She was the first person in all my childhood who

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<v Speaker 2>allowed me to talk about my adoption. I'm crazy, don't

328
00:22:51.920 --> 00:22:55.720
<v Speaker 2>know family members, it was all kept. She was the

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<v Speaker 2>first person who said, let's explore it in your work.

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<v Speaker 2>You know how, how how liberating for me to have.

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<v Speaker 1>That as a definitely. And so, what what is your

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<v Speaker 1>favorite medium to work in?

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<v Speaker 2>I honestly don't have a favorite. I love technology. I'm

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00:23:25.319 --> 00:23:30.079
<v Speaker 2>a really early photoshop person, so I loved I love

335
00:23:31.200 --> 00:23:36.720
<v Speaker 2>I love digital, and I yeah, yeah, is going a

336
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<v Speaker 2>bit crazy right now, but some of some of it's extraordinary.

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<v Speaker 2>I mean, I can take an old black and white

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<v Speaker 2>photograph of me and bring it to life and I could.

339
00:23:48.119 --> 00:23:51.720
<v Speaker 2>I could literally make a movie from a photograph, and

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<v Speaker 2>I love that. I love that it's becoming so accessible.

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<v Speaker 2>Some of it's completely ridiculous, but if the tools are

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<v Speaker 2>used properly, they can they can work. But one thing

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<v Speaker 2>I've loved a lot since I've written the book is

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<v Speaker 2>I've just gone back to painting, just painting with oils,

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00:24:10.519 --> 00:24:13.000
<v Speaker 2>and I'm loving it and loving.

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<v Speaker 1>That because that's like the most organic and for lack

347
00:24:18.680 --> 00:24:20.079
<v Speaker 1>of a better primal.

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<v Speaker 2>Yeah, it's the most authentic. It's the most authentic. There's

349
00:24:23.599 --> 00:24:28.920
<v Speaker 2>no there's no taking a photograph of a flower outside

350
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<v Speaker 2>to then cut it up and paste on something online

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00:24:32.720 --> 00:24:36.079
<v Speaker 2>on the computer. You have to you have to know

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<v Speaker 2>what you're doing with paintbrush.

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<v Speaker 1>And right because there's no undo button with the paintbrush.

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<v Speaker 2>There's no one too, So I'm loving I'm loving painting

355
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<v Speaker 2>just now. I have a studio here and it's fantastic

356
00:24:50.519 --> 00:24:55.759
<v Speaker 2>space and it's it's a new space for me and

357
00:24:55.839 --> 00:24:59.599
<v Speaker 2>it's very high ceilings, so I'm like getting all the

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<v Speaker 2>big ca I'm just like playing.

359
00:25:03.720 --> 00:25:11.240
<v Speaker 1>I love it. I love it and seeing you come

360
00:25:11.279 --> 00:25:17.119
<v Speaker 1>out on the other side as this strong creative person,

361
00:25:19.200 --> 00:25:22.440
<v Speaker 1>it makes me happy and it gives me hope for

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<v Speaker 1>so many of the other people out there who have

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<v Speaker 1>trouble passed. And you know, in addition to to visual arts,

364
00:25:31.519 --> 00:25:36.799
<v Speaker 1>you you're an author, what besides besides the book? Like,

365
00:25:36.960 --> 00:25:41.079
<v Speaker 1>is there a plan for a movie of the book?

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<v Speaker 2>Yes?

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<v Speaker 1>In your head.

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<v Speaker 2>I honestly can't say too much because I'm literally dealing

369
00:25:47.519 --> 00:25:54.799
<v Speaker 2>with it right now and yeah, but yeah, it's gonna happen.

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<v Speaker 1>That's okay. I'm glad the answer is yes. That's exciting, fabulous, fabulous, fabulist.

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<v Speaker 1>So do you have you mentioned you know, a relationship

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<v Speaker 1>with music. Is there a soundtrack that you like to

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<v Speaker 1>have going when you're working?

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00:26:17.680 --> 00:26:23.279
<v Speaker 2>Oh my god, everything by Cape Bush. Yeah, literally literally

375
00:26:23.400 --> 00:26:29.319
<v Speaker 2>everything by Capish. And I'm a late comer to Cape Bush.

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00:26:29.400 --> 00:26:32.759
<v Speaker 2>I only kind of hurt her. Well, I mean, I

377
00:26:33.200 --> 00:26:36.079
<v Speaker 2>knew of her, but I didn't really listen until I

378
00:26:36.119 --> 00:26:39.519
<v Speaker 2>met my partner nine years ago. And now it's like

379
00:26:40.079 --> 00:26:43.400
<v Speaker 2>I need Cape bish On to paint. But I also

380
00:26:43.480 --> 00:26:47.079
<v Speaker 2>listen to a lot of percussion. I like Glockenspiel and

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00:26:47.119 --> 00:26:51.079
<v Speaker 2>I like like, I like a lot of percussions. My friend,

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00:26:52.039 --> 00:26:59.079
<v Speaker 2>she's called Dame Evelyn Glenney. She's an incredible percussionist. And

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00:26:59.240 --> 00:27:04.079
<v Speaker 2>we're going to be doinging Slumboy with Alan Cumming at

384
00:27:04.200 --> 00:27:09.400
<v Speaker 2>his at pitt Lockery Festival Theater in January next year.

385
00:27:09.720 --> 00:27:12.680
<v Speaker 2>So I'm going to be reading parts of Slumboy while

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00:27:12.759 --> 00:27:17.720
<v Speaker 2>Evelyn does this very haunting percussion. And So I listened

387
00:27:17.759 --> 00:27:20.480
<v Speaker 2>to a lot of a lot of different music.

388
00:27:20.839 --> 00:27:25.839
<v Speaker 1>That's amazing. Yeah, I love it. What was your soundtrack

389
00:27:26.720 --> 00:27:27.640
<v Speaker 1>when you were writing?

390
00:27:28.839 --> 00:27:31.119
<v Speaker 2>Okay? So I listened to a lot of Anthony and

391
00:27:31.160 --> 00:27:39.079
<v Speaker 2>the Johnson's just to get the you know, to get

392
00:27:39.640 --> 00:27:43.000
<v Speaker 2>that vibe. Especially in the early years. I listened to

393
00:27:43.640 --> 00:27:49.440
<v Speaker 2>some of Grace's Grace Jones's Hurricane album. She kindly gave

394
00:27:49.519 --> 00:27:55.640
<v Speaker 2>me the short quote from I'm Crying Mother's Tears, which

395
00:27:55.680 --> 00:27:59.279
<v Speaker 2>is at the start of the book that song in

396
00:27:59.279 --> 00:28:06.559
<v Speaker 2>particular is just everything I feel about that book, because

397
00:28:06.599 --> 00:28:10.480
<v Speaker 2>the song is saying, you know, I'm I'm I'm grown

398
00:28:10.599 --> 00:28:14.680
<v Speaker 2>enough to sort of cry my mother's tears. So it's

399
00:28:14.759 --> 00:28:18.200
<v Speaker 2>kind of saying I'm I'm I'm old enough to understand

400
00:28:18.240 --> 00:28:22.240
<v Speaker 2>what my mother went through, you know. So she yeah.

401
00:28:22.400 --> 00:28:25.440
<v Speaker 2>So when I said, Grace, can I can I use

402
00:28:25.480 --> 00:28:28.599
<v Speaker 2>this little snippets. I'd love people to just see it

403
00:28:28.640 --> 00:28:31.440
<v Speaker 2>and then maybe play it and listen to it after

404
00:28:31.480 --> 00:28:35.079
<v Speaker 2>they've read the book, they'll understand this this record and

405
00:28:35.200 --> 00:28:37.839
<v Speaker 2>she's like, yes, I love that.

406
00:28:38.079 --> 00:28:45.920
<v Speaker 1>Look at you, Okay, Alan coming and Grace Jones. That's beautiful.

407
00:28:46.079 --> 00:28:49.559
<v Speaker 2>I love Alan. He's you know what I feel. I

408
00:28:49.599 --> 00:28:54.200
<v Speaker 2>feel very protective of them me too, actually, fellow Scott,

409
00:28:54.440 --> 00:28:58.160
<v Speaker 2>but most importantly, he's a fellow Fawn. It's a fellow.

410
00:28:59.400 --> 00:29:03.559
<v Speaker 1>True. This is true, and that's one of the things

411
00:29:03.559 --> 00:29:04.880
<v Speaker 1>we love about him so much.

412
00:29:05.200 --> 00:29:06.000
<v Speaker 2>He's adorable.

413
00:29:07.000 --> 00:29:13.480
<v Speaker 1>Really. I love that you mentioned in the book that

414
00:29:13.920 --> 00:29:23.599
<v Speaker 1>your basically your addiction is art, and that's the healthiest

415
00:29:23.599 --> 00:29:24.720
<v Speaker 1>addiction I can think of.

416
00:29:26.240 --> 00:29:29.839
<v Speaker 2>Hey, it could have been so many other things. Exactly

417
00:29:31.319 --> 00:29:37.240
<v Speaker 2>here we are and yeah, I smoke, that's an addiction.

418
00:29:38.079 --> 00:29:41.559
<v Speaker 2>But I can't drink. You know, my mother is an alcoholic.

419
00:29:41.640 --> 00:29:44.839
<v Speaker 2>I'm not into taking drugs. I like to know where

420
00:29:44.920 --> 00:29:50.680
<v Speaker 2>my friend is right. But yeah, I couldn't live without creativity.

421
00:29:51.039 --> 00:29:52.880
<v Speaker 2>And I get I get this thing where if I

422
00:29:52.960 --> 00:29:56.440
<v Speaker 2>have something in my mind, I can't get to the

423
00:29:56.480 --> 00:29:58.960
<v Speaker 2>studio to work on it. It starts to drive me.

424
00:29:59.079 --> 00:30:02.279
<v Speaker 2>It starts to like take me right, you know, it

425
00:30:02.400 --> 00:30:04.319
<v Speaker 2>starts to like I need to I need to get

426
00:30:04.319 --> 00:30:06.240
<v Speaker 2>it out. I need so if I can't get to

427
00:30:06.240 --> 00:30:09.440
<v Speaker 2>stud I need to get something to draw it onto.

428
00:30:09.920 --> 00:30:17.319
<v Speaker 1>Mm hmm, I I feel you on that. I definitely do.

429
00:30:17.359 --> 00:30:22.039
<v Speaker 1>You have a wonderful use of language in the way

430
00:30:22.079 --> 00:30:26.720
<v Speaker 1>that you you wrote this book? Where did you you

431
00:30:26.880 --> 00:30:29.119
<v Speaker 1>obviously have a love of words you were Were you

432
00:30:29.960 --> 00:30:31.920
<v Speaker 1>a voracious reader as well?

433
00:30:32.759 --> 00:30:36.240
<v Speaker 2>No? Never, I hadn't. I hadn't. I don't think I'd

434
00:30:36.279 --> 00:30:37.799
<v Speaker 2>read a full book in my life.

435
00:30:38.920 --> 00:30:39.279
<v Speaker 1>Really.

436
00:30:40.079 --> 00:30:44.079
<v Speaker 2>Yes, I came to reading very very late.

437
00:30:44.960 --> 00:30:47.359
<v Speaker 1>And I mean to understand, I don't.

438
00:30:47.519 --> 00:30:50.680
<v Speaker 2>I wrote a screenplay actually, and it was based on

439
00:30:51.039 --> 00:30:54.759
<v Speaker 2>a part of the book you have in front of you, someboy,

440
00:30:56.359 --> 00:30:59.799
<v Speaker 2>but I kind of I kind of fabricated it in

441
00:31:00.119 --> 00:31:05.119
<v Speaker 2>made the made the characters not me, So that I

442
00:31:05.160 --> 00:31:08.880
<v Speaker 2>could hide behind these characters. And I put it to

443
00:31:08.920 --> 00:31:11.319
<v Speaker 2>Alan coming and he was like, this is fantastic. Let's

444
00:31:11.440 --> 00:31:14.039
<v Speaker 2>get it made. And we both I was living in

445
00:31:14.039 --> 00:31:17.519
<v Speaker 2>New York at the time, and we both came back

446
00:31:17.799 --> 00:31:23.400
<v Speaker 2>to Scotland and I ended up falling in love with

447
00:31:23.400 --> 00:31:26.799
<v Speaker 2>my partner here and adopting a little boy. And then

448
00:31:26.839 --> 00:31:32.519
<v Speaker 2>I through the process of trying to rework this piece

449
00:31:32.559 --> 00:31:36.519
<v Speaker 2>that i'd written, someboy appeared and I was like, let

450
00:31:36.599 --> 00:31:40.119
<v Speaker 2>me just tell my truth instead of trying to write

451
00:31:40.200 --> 00:31:44.759
<v Speaker 2>this other thing. And but no, I approach writing very

452
00:31:44.839 --> 00:31:47.039
<v Speaker 2>much in the same way that I would with painting

453
00:31:47.119 --> 00:31:50.359
<v Speaker 2>that I find them very very similar. You're just creating

454
00:31:50.359 --> 00:31:56.839
<v Speaker 2>a visual with words. But I also come from the

455
00:31:56.880 --> 00:32:03.200
<v Speaker 2>Gypsy culture where we have we speak English, but we

456
00:32:03.359 --> 00:32:07.319
<v Speaker 2>also my family also speak what's what's known as scott

457
00:32:07.440 --> 00:32:14.920
<v Speaker 2>Scottish Aroma Can't, which is their own language, and they're big,

458
00:32:14.960 --> 00:32:19.000
<v Speaker 2>big storytellers as well. So I'm used to hearing story

459
00:32:19.480 --> 00:32:24.480
<v Speaker 2>and I'm used to hearing narrative, especially from my grandmother,

460
00:32:26.440 --> 00:32:28.480
<v Speaker 2>and I would hear it in both languages, so I

461
00:32:28.519 --> 00:32:32.640
<v Speaker 2>would hear it and my family speak Scottish English, but

462
00:32:32.720 --> 00:32:35.240
<v Speaker 2>we also speak the Scots Roma can't so, I guess

463
00:32:35.400 --> 00:32:39.680
<v Speaker 2>words and stories are always been a big part of

464
00:32:39.720 --> 00:32:44.039
<v Speaker 2>my life. Even though I didn't read. I read. I

465
00:32:44.039 --> 00:32:48.079
<v Speaker 2>would read art books. I would I would look through

466
00:32:48.119 --> 00:32:51.440
<v Speaker 2>a biography of an artist and look at all the

467
00:32:51.440 --> 00:32:54.319
<v Speaker 2>the details. But I wouldn't. I'd never sat down and

468
00:32:54.519 --> 00:33:00.920
<v Speaker 2>read a novel until I finished, until I finished slumboy okay,

469
00:33:01.000 --> 00:33:04.200
<v Speaker 2>And I only I only picked them up because I

470
00:33:04.319 --> 00:33:06.960
<v Speaker 2>had to. I started to be introduced to other authors,

471
00:33:07.599 --> 00:33:12.799
<v Speaker 2>and but it's been fantastic. I've I've opened this whole

472
00:33:12.799 --> 00:33:14.240
<v Speaker 2>new world to myself. You know.

473
00:33:15.200 --> 00:33:18.000
<v Speaker 1>I love that and it's of your own creation.

474
00:33:19.400 --> 00:33:21.319
<v Speaker 2>Yes, that's beautiful.

475
00:33:22.400 --> 00:33:27.519
<v Speaker 1>That is what one of the warmer moments in in

476
00:33:27.559 --> 00:33:32.799
<v Speaker 1>the book is when you were introduced to the Romanic culture.

477
00:33:35.160 --> 00:33:39.400
<v Speaker 1>It felt like to me coming home for you.

478
00:33:40.119 --> 00:33:40.440
<v Speaker 2>Mm hm.

479
00:33:41.559 --> 00:33:42.759
<v Speaker 1>Does that sound accurate?

480
00:33:43.559 --> 00:33:51.599
<v Speaker 2>Yeah, definitely. I mean that's although the culture was very

481
00:33:51.680 --> 00:33:58.839
<v Speaker 2>hard and very private, and the men had certain expectations

482
00:33:58.839 --> 00:34:01.079
<v Speaker 2>put up on them to be, you know, real men.

483
00:34:01.559 --> 00:34:05.720
<v Speaker 2>You go to your box, right, and you go and

484
00:34:05.799 --> 00:34:09.159
<v Speaker 2>you work in the family scrap yard, which my dad owned.

485
00:34:09.800 --> 00:34:15.320
<v Speaker 2>And it's a very hard world. And I found the

486
00:34:15.360 --> 00:34:20.639
<v Speaker 2>softness in the females of the family, particularly my father's mother,

487
00:34:20.760 --> 00:34:26.880
<v Speaker 2>my granny. I just adored she. She was a clearvoyant women.

488
00:34:27.039 --> 00:34:31.440
<v Speaker 2>So she would do tarer cars, tea leaves and that's

489
00:34:31.480 --> 00:34:36.039
<v Speaker 2>how they made their money when they traveled around. My

490
00:34:36.119 --> 00:34:39.239
<v Speaker 2>family were settled in a property and a house, but

491
00:34:39.360 --> 00:34:42.000
<v Speaker 2>when they were when my dad was born, he was

492
00:34:42.039 --> 00:34:45.159
<v Speaker 2>born in a wagon and they traveled around. And that's

493
00:34:45.199 --> 00:34:49.800
<v Speaker 2>how my granny, my grandmother made money. She what we

494
00:34:49.920 --> 00:34:57.880
<v Speaker 2>call darking, which is clairvoyance. And and I I she

495
00:34:58.039 --> 00:35:00.800
<v Speaker 2>loved me like she loved her own people. There was

496
00:35:00.880 --> 00:35:05.239
<v Speaker 2>no separation. You know. She'd take me and cuddle me

497
00:35:05.280 --> 00:35:08.360
<v Speaker 2>and tell me stories and singing songs. And then yeah,

498
00:35:08.559 --> 00:35:10.800
<v Speaker 2>that was that's coming home to any child.

499
00:35:12.400 --> 00:35:15.519
<v Speaker 1>You know, that's the element that I love. Basically, they

500
00:35:15.719 --> 00:35:18.400
<v Speaker 1>saw you and just went mine.

501
00:35:19.159 --> 00:35:22.000
<v Speaker 2>Yes, it really is, and that's that's that's incredible. I

502
00:35:22.079 --> 00:35:25.239
<v Speaker 2>really owe I owe them a lot because they instilled

503
00:35:25.280 --> 00:35:30.199
<v Speaker 2>in me a lot of good morals. Something I wanted

504
00:35:30.239 --> 00:35:34.440
<v Speaker 2>to do with Slumboy was show what these people are

505
00:35:34.480 --> 00:35:38.360
<v Speaker 2>actually like, because they get a real bad rap, especially

506
00:35:38.400 --> 00:35:43.559
<v Speaker 2>here in the UK in the media we see traveling

507
00:35:43.639 --> 00:35:47.880
<v Speaker 2>gypsy people being completely exploited on television. You know, they

508
00:35:47.960 --> 00:35:52.119
<v Speaker 2>have I think it's my big fat Gypsy Weddings TV show.

509
00:35:52.320 --> 00:35:53.159
<v Speaker 2>It's awful.

510
00:35:53.519 --> 00:35:56.280
<v Speaker 1>It's just awful, And that doesn't sound like it would

511
00:35:56.280 --> 00:35:57.280
<v Speaker 1>be any good at all.

512
00:35:57.480 --> 00:35:59.840
<v Speaker 2>It's just trash. It's that kind of trash TV where they,

513
00:36:00.320 --> 00:36:02.239
<v Speaker 2>you know, like when they you know, when they show

514
00:36:02.280 --> 00:36:07.880
<v Speaker 2>these harder people, you just exploit these poor mentally mentally

515
00:36:08.159 --> 00:36:11.320
<v Speaker 2>people or challenge people. It's just very similar here in

516
00:36:11.519 --> 00:36:15.400
<v Speaker 2>UK towards the traveling community. So I just wanted to

517
00:36:15.440 --> 00:36:17.599
<v Speaker 2>be as honest as I couldn't say that is not

518
00:36:17.760 --> 00:36:21.039
<v Speaker 2>that is not what I experienced with these people. Yeah,

519
00:36:21.079 --> 00:36:25.599
<v Speaker 2>it's hard, and yeah you would expected to have be

520
00:36:26.239 --> 00:36:29.519
<v Speaker 2>a man's man and be very private and live in

521
00:36:29.559 --> 00:36:34.239
<v Speaker 2>the gypsy way. But there was also really wonderful culture

522
00:36:34.440 --> 00:36:39.880
<v Speaker 2>two to be embraced by. So I love it.

523
00:36:40.760 --> 00:36:47.679
<v Speaker 1>So your queer identity was a very important part of

524
00:36:48.000 --> 00:36:52.119
<v Speaker 1>the book and of course of your life. Basically, I

525
00:36:52.119 --> 00:36:54.599
<v Speaker 1>guess tell me about being a spot of color in

526
00:36:54.639 --> 00:36:55.400
<v Speaker 1>a gray world.

527
00:36:58.360 --> 00:37:03.000
<v Speaker 2>I mean, what else can I be? You know, we

528
00:37:03.159 --> 00:37:09.119
<v Speaker 2>are so lucky in so many ways that we don't

529
00:37:09.159 --> 00:37:15.119
<v Speaker 2>live in other countries where we've been lynched. M m

530
00:37:15.760 --> 00:37:19.039
<v Speaker 2>yea be lynched even for having a couple of tattoos

531
00:37:19.079 --> 00:37:24.199
<v Speaker 2>and having fain glasses that you're wearing. You know, we

532
00:37:24.360 --> 00:37:26.599
<v Speaker 2>would we wouldn't be able to we wouldn't be able

533
00:37:26.639 --> 00:37:27.559
<v Speaker 2>to breathe.

534
00:37:28.199 --> 00:37:33.079
<v Speaker 1>And lynched if we're lucky. Oh, you know, just.

535
00:37:33.360 --> 00:37:38.800
<v Speaker 2>So sad and in so many ways, I feel like

536
00:37:38.840 --> 00:37:43.400
<v Speaker 2>we're going backwards fast and that frightens me. And I

537
00:37:43.400 --> 00:37:45.559
<v Speaker 2>think it frightens me more that I have a child

538
00:37:46.199 --> 00:37:49.800
<v Speaker 2>that I'm raising and I worry about what kind of

539
00:37:49.800 --> 00:37:55.079
<v Speaker 2>world he's going into. And and when I look back

540
00:37:55.119 --> 00:37:59.840
<v Speaker 2>at my own childhood, although there's been lots of hard, hardly,

541
00:38:01.000 --> 00:38:05.360
<v Speaker 2>I feel really lucky, really lucky that we're able to

542
00:38:05.519 --> 00:38:13.360
<v Speaker 2>be ourself, right. I wouldn't change it for the world.

543
00:38:13.639 --> 00:38:19.000
<v Speaker 2>I mean, I can imagine being anything else than a

544
00:38:19.079 --> 00:38:25.760
<v Speaker 2>queer person, right. Indeed, indeed, I love it. I love

545
00:38:26.280 --> 00:38:27.199
<v Speaker 2>my colors.

546
00:38:28.400 --> 00:38:31.639
<v Speaker 1>Exactly. And that's the thing that so many people don't understand.

547
00:38:31.760 --> 00:38:36.159
<v Speaker 1>Like we bring color to the world, we bring magic

548
00:38:36.320 --> 00:38:41.440
<v Speaker 1>to the world. So much of what makes the beautiful

549
00:38:41.800 --> 00:38:47.960
<v Speaker 1>tapestry of our society, of our culture, both locally and globally,

550
00:38:48.719 --> 00:38:53.199
<v Speaker 1>it comes from us. It just does. That's just facts.

551
00:38:53.199 --> 00:39:00.639
<v Speaker 2>Without us, the world would be a grim gray you know, nilong, right,

552
00:39:01.760 --> 00:39:03.559
<v Speaker 2>flat you know.

553
00:39:05.039 --> 00:39:09.639
<v Speaker 1>Place there would be no texture. Everyone's hair would be

554
00:39:09.760 --> 00:39:15.920
<v Speaker 1>just flat and lifeless, and they wouldn't have a frame

555
00:39:15.960 --> 00:39:17.800
<v Speaker 1>of reference to want anything better.

556
00:39:19.800 --> 00:39:23.840
<v Speaker 2>That's true. It's crazy, it's true.

557
00:39:23.960 --> 00:39:26.800
<v Speaker 1>It is true. And I do love. I love that

558
00:39:26.840 --> 00:39:34.280
<v Speaker 1>you're a daddy. Now, so what lessons from your own

559
00:39:35.000 --> 00:39:38.360
<v Speaker 1>upbringing do you think you will choose to pass on

560
00:39:39.440 --> 00:39:40.719
<v Speaker 1>to your own kid.

561
00:39:41.280 --> 00:39:45.199
<v Speaker 2>I'm for saying that. I have him actor John Leguizamo

562
00:39:46.320 --> 00:39:51.639
<v Speaker 2>in my head where he's in drag and he's doing

563
00:39:51.679 --> 00:39:54.360
<v Speaker 2>one of his characters that he done on stage. I

564
00:39:54.400 --> 00:39:58.159
<v Speaker 2>think it's a show he done Cold Spicorama.

565
00:39:58.360 --> 00:40:00.880
<v Speaker 1>Yes, yes, yes, yes, And he.

566
00:40:01.039 --> 00:40:06.199
<v Speaker 2>Says, you hate your own mother until you become her,

567
00:40:07.119 --> 00:40:11.199
<v Speaker 2>and then you're with the deepest respect. And it's true.

568
00:40:11.840 --> 00:40:12.639
<v Speaker 1>Yeah, it's true.

569
00:40:12.800 --> 00:40:13.000
<v Speaker 3>You know.

570
00:40:13.079 --> 00:40:16.639
<v Speaker 2>I used to think, cause you know, my adoptive mother.

571
00:40:16.679 --> 00:40:18.400
<v Speaker 2>I used to because she was so hard on me.

572
00:40:19.400 --> 00:40:23.960
<v Speaker 2>Why didn't she just let me have that gum and hm,

573
00:40:24.519 --> 00:40:26.519
<v Speaker 2>that bubble gum? And why didn't she just let me

574
00:40:26.559 --> 00:40:30.199
<v Speaker 2>be fabulous? And and then you and then you have

575
00:40:30.239 --> 00:40:34.920
<v Speaker 2>a child too to raise, and and and you see

576
00:40:34.920 --> 00:40:39.639
<v Speaker 2>how difficult it is. But the one, the one thing

577
00:40:39.719 --> 00:40:42.239
<v Speaker 2>I have is that I have the same experience that

578
00:40:42.320 --> 00:40:48.159
<v Speaker 2>my child had. I'm adopted. He's adopted, so I come

579
00:40:48.199 --> 00:40:50.920
<v Speaker 2>at it with a really different angle. I can answer

580
00:40:50.960 --> 00:40:54.039
<v Speaker 2>all those questions that my parents couldn't answer for me,

581
00:40:54.320 --> 00:40:59.159
<v Speaker 2>which were detrimental, really right, But I love being the

582
00:40:59.280 --> 00:41:06.400
<v Speaker 2>dad's It's just the best thing. And he's he's so musical,

583
00:41:07.000 --> 00:41:11.199
<v Speaker 2>and then I just love watching him create. It's wonderful.

584
00:41:11.360 --> 00:41:13.159
<v Speaker 1>How old is he?

585
00:41:13.159 --> 00:41:15.480
<v Speaker 2>He's nine?

586
00:41:14.280 --> 00:41:19.760
<v Speaker 1>Oh, I love that age. I taught kids for twenty years,

587
00:41:19.800 --> 00:41:21.519
<v Speaker 1>so like, I know what nine looks like.

588
00:41:23.559 --> 00:41:26.679
<v Speaker 2>Well, he came into a life when he was four,

589
00:41:27.360 --> 00:41:34.280
<v Speaker 2>and you know it's not you know, it's not a

590
00:41:34.360 --> 00:41:37.280
<v Speaker 2>my story to tell, but he came from a really

591
00:41:37.320 --> 00:41:44.079
<v Speaker 2>difficult start also, and it's just I'm so proud of

592
00:41:44.199 --> 00:41:45.760
<v Speaker 2>the little man he is becoming.

593
00:41:46.679 --> 00:41:51.239
<v Speaker 1>And the thing about four year old, there's still that's

594
00:41:51.280 --> 00:41:55.599
<v Speaker 1>the age, like there's still not afraid to love like openly.

595
00:41:56.280 --> 00:42:00.320
<v Speaker 1>So the so if the fact that you got him

596
00:42:00.360 --> 00:42:04.800
<v Speaker 1>at that point and move forward with a loving, nurturing

597
00:42:05.280 --> 00:42:08.280
<v Speaker 1>environment is perfection.

598
00:42:08.280 --> 00:42:10.320
<v Speaker 2>Yes, but it's one of the amazing one of the

599
00:42:10.400 --> 00:42:12.800
<v Speaker 2>amazing things I learned when I was going through the

600
00:42:12.840 --> 00:42:15.760
<v Speaker 2>adoption process and doing all the course work with psychologists

601
00:42:15.800 --> 00:42:19.559
<v Speaker 2>and all these doctors is that you learn a lot

602
00:42:19.559 --> 00:42:22.280
<v Speaker 2>about the developing brain of a child. And when a

603
00:42:22.360 --> 00:42:25.280
<v Speaker 2>child goes through things that we went I went through.

604
00:42:26.000 --> 00:42:31.199
<v Speaker 2>My children went through starvation and abuse and neglect, they

605
00:42:31.280 --> 00:42:36.079
<v Speaker 2>damage the brain. They physically damaged the brain, so the

606
00:42:36.159 --> 00:42:42.039
<v Speaker 2>child does have an amount of a stump and learning

607
00:42:42.159 --> 00:42:48.760
<v Speaker 2>almost And what's incredible is that love, the love of aarent,

608
00:42:49.400 --> 00:42:53.320
<v Speaker 2>rebuilds and refires the neurons in the brain and heals

609
00:42:53.440 --> 00:42:58.840
<v Speaker 2>the brain. It's just, I mean, I gets saying it.

610
00:42:59.039 --> 00:43:01.960
<v Speaker 2>That for me is to hear that. When I heard that,

611
00:43:02.320 --> 00:43:07.639
<v Speaker 2>it was so it was so grindbreaking because it put

612
00:43:07.719 --> 00:43:11.239
<v Speaker 2>everything into context for why I behaved the way I

613
00:43:11.320 --> 00:43:15.840
<v Speaker 2>did as a child, why my parents chose the decisions,

614
00:43:15.880 --> 00:43:18.639
<v Speaker 2>and the way they wanted to pay me because they

615
00:43:18.679 --> 00:43:21.480
<v Speaker 2>paid they loved me, you know, they showed me love,

616
00:43:21.599 --> 00:43:24.280
<v Speaker 2>physical love, but it was tough love, but it was

617
00:43:24.360 --> 00:43:31.280
<v Speaker 2>still secure love. And then, yeah, I just I make

618
00:43:31.320 --> 00:43:35.960
<v Speaker 2>sure my child does plenty of the good stuff.

619
00:43:36.599 --> 00:43:40.760
<v Speaker 1>I love that. And you get to heal certain parts

620
00:43:40.760 --> 00:43:43.199
<v Speaker 1>of yourself through loving him.

621
00:43:43.920 --> 00:43:49.000
<v Speaker 2>Yes, he has healed me more than anything has healed me,

622
00:43:49.159 --> 00:43:51.400
<v Speaker 2>having this, having this experience.

623
00:43:52.599 --> 00:43:53.480
<v Speaker 1>I love that for you.

624
00:43:53.800 --> 00:43:55.119
<v Speaker 2>Yeah, I really do.

625
00:43:56.440 --> 00:44:02.880
<v Speaker 1>So your story is why that everyone needs to read.

626
00:44:03.559 --> 00:44:10.159
<v Speaker 1>It is not an easy story, but in the end

627
00:44:11.039 --> 00:44:16.719
<v Speaker 1>there is definitely a ray of hope and it gives

628
00:44:16.800 --> 00:44:21.719
<v Speaker 1>us different ideas of what home is, of what love

629
00:44:21.800 --> 00:44:27.480
<v Speaker 1>looks like. And I think it's a very valuable book.

630
00:44:27.559 --> 00:44:32.400
<v Speaker 1>So I definitely recommend everyone within the sound of our

631
00:44:32.480 --> 00:44:36.800
<v Speaker 1>voice to pick up a copy of Slumboy. Where would

632
00:44:36.840 --> 00:44:41.360
<v Speaker 1>you immediately point people to purchase your book? Where should

633
00:44:41.360 --> 00:44:41.559
<v Speaker 1>we go?

634
00:44:42.719 --> 00:44:48.000
<v Speaker 2>You know what? In the USA, It's come out in February.

635
00:44:48.239 --> 00:44:51.760
<v Speaker 2>I'm not even quite sure where you can get it there.

636
00:44:52.199 --> 00:44:54.760
<v Speaker 2>I'm pretty sure in most bookshops you should be able

637
00:44:54.800 --> 00:44:59.039
<v Speaker 2>to get it, okay, But feeling that we have a

638
00:44:59.079 --> 00:45:04.239
<v Speaker 2>backup plan. If you go to my social media, if

639
00:45:04.239 --> 00:45:06.800
<v Speaker 2>you put my name in one ideas, you'll find me

640
00:45:06.880 --> 00:45:10.000
<v Speaker 2>on most social media. And I have linked you know,

641
00:45:10.039 --> 00:45:13.119
<v Speaker 2>there's link trees. Yes, yes, when it gives you all

642
00:45:13.159 --> 00:45:17.639
<v Speaker 2>the Amazon sell it, Barnes and Nobles have it, you know,

643
00:45:18.719 --> 00:45:20.840
<v Speaker 2>most places that have books have it. But it's out

644
00:45:20.880 --> 00:45:24.360
<v Speaker 2>on audiobook. Also, I really I narrate.

645
00:45:24.119 --> 00:45:24.800
<v Speaker 1>It, do you?

646
00:45:25.679 --> 00:45:26.000
<v Speaker 2>Yes?

647
00:45:26.719 --> 00:45:28.639
<v Speaker 1>Oh? Now I have to get it twice.

648
00:45:28.800 --> 00:45:32.679
<v Speaker 3>Okay, So some people, some people you know, bought the

649
00:45:32.719 --> 00:45:36.039
<v Speaker 3>hardback when it first come out, and then they and

650
00:45:36.079 --> 00:45:38.880
<v Speaker 3>then they listened to it and they said, it's completely different,

651
00:45:39.559 --> 00:45:41.320
<v Speaker 3>completely different story.

652
00:45:42.000 --> 00:45:46.400
<v Speaker 1>What I can imagine because you know the inflections, you

653
00:45:46.559 --> 00:45:51.840
<v Speaker 1>know where where to put the brush strokes, as it were. Yes,

654
00:45:52.199 --> 00:45:55.719
<v Speaker 1>I always prefer to listen to the author narrate their

655
00:45:55.719 --> 00:45:56.159
<v Speaker 1>own work.

656
00:45:56.239 --> 00:45:58.559
<v Speaker 2>I do, I really do. I love. I love an

657
00:45:58.559 --> 00:46:04.280
<v Speaker 2>audiobook now I do, and yeah, and I love. I

658
00:46:04.320 --> 00:46:06.599
<v Speaker 2>think it's important. And one thing about my book is

659
00:46:06.719 --> 00:46:09.159
<v Speaker 2>it doesn't read like a memoir. I think it reads

660
00:46:09.199 --> 00:46:11.400
<v Speaker 2>like an Also it does.

661
00:46:11.519 --> 00:46:12.880
<v Speaker 1>There were a couple of times where I had to

662
00:46:12.880 --> 00:46:14.719
<v Speaker 1>stop and go back and make sure that it wasn't

663
00:46:15.119 --> 00:46:20.079
<v Speaker 1>an actual nonfiction work. Yes, so that's a testament to

664
00:46:20.119 --> 00:46:23.719
<v Speaker 1>your writing skill. So the best place to reach you

665
00:46:23.800 --> 00:46:26.840
<v Speaker 1>is via social media if you wanted to learn more

666
00:46:26.880 --> 00:46:30.679
<v Speaker 1>about you, yep, okay, fabulous, And I will make sure

667
00:46:30.719 --> 00:46:33.679
<v Speaker 1>to put all of that information in the notes of

668
00:46:33.719 --> 00:46:37.519
<v Speaker 1>this episode. Uh why oh, Diaz. This has been a

669
00:46:37.559 --> 00:46:40.639
<v Speaker 1>delightful conversation. I am so glad to have met you,

670
00:46:41.360 --> 00:46:44.159
<v Speaker 1>and I have a feeling that this is not the

671
00:46:44.280 --> 00:46:49.400
<v Speaker 1>last time we will speak together. No, because I'll be

672
00:46:49.480 --> 00:46:52.599
<v Speaker 1>in the States by the end of the years. Fabulous

673
00:46:53.239 --> 00:46:57.480
<v Speaker 1>in New York. So okay, you should. It sounds good

674
00:46:57.480 --> 00:47:00.960
<v Speaker 1>to me, and you know, I want to catch up

675
00:47:00.960 --> 00:47:04.239
<v Speaker 1>on all the the new successes that are going to

676
00:47:04.239 --> 00:47:08.440
<v Speaker 1>be coming your way because I know that there will be.

677
00:47:09.760 --> 00:47:11.000
<v Speaker 2>Of course, I can't stop.

678
00:47:12.239 --> 00:47:14.400
<v Speaker 1>Why why would you.

679
00:47:16.199 --> 00:47:16.840
<v Speaker 2>Shift idea?

680
00:47:17.320 --> 00:47:18.400
<v Speaker 1>Onward and upward?

681
00:47:18.440 --> 00:47:18.800
<v Speaker 2>Baby?

682
00:47:20.360 --> 00:47:24.079
<v Speaker 1>Thank you so much, Thank you, you have a wonderful day.

683
00:47:24.639 --> 00:47:25.559
<v Speaker 2>Yes, lots a lot.

684
00:47:26.880 --> 00:47:33.239
<v Speaker 1>Bye. Full Circle is a Never Skurred Productions podcast hosted

685
00:47:33.239 --> 00:47:36.760
<v Speaker 1>by Charles Tyson Jr. And Martha Madrigal, Produced and edited

686
00:47:36.800 --> 00:47:40.360
<v Speaker 1>by Never Scured Executive Produced by Charles Tyson Jr. And

687
00:47:40.400 --> 00:47:43.960
<v Speaker 1>Martha Madrigal. Our theme in music is by the jingle Berries.

688
00:47:44.239 --> 00:47:47.920
<v Speaker 1>All names, pictures, music, audio, and video clips are registered

689
00:47:47.960 --> 00:47:51.559
<v Speaker 1>trademarks and or copyrights of their respective copyright holders.
