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Speaker 1: Wm h rips, the normals, the prettiest guys I've ever seen.

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Speaker 2: Oh, your lips don't move it when you blink, you

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show me what you mean. And I would do anything

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to just say it's true. So it's breathed. Look at me,

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I love you. Had a dream we went dancing all night.

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Speaker 3: Oh I never.

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Speaker 2: Danced do once before, but you My feet move right,

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and I would do anything to just say it's true.

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Speaker 3: So it's breathe.

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Speaker 2: Look at me, I love you, and that you fall asleep.

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Speaker 3: I count the sheep.

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Speaker 2: That's playing for your mind, and I watch your flaws

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hanging off your jaws, the feelings that you hide.

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Speaker 3: Or your golden hair swinging inny.

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Speaker 2: It's the quiet winds, subsides and your loneliness and your

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only and your mind.

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Speaker 3: Now I see why I say you and I.

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Speaker 4: On the bellies I wrote before, have you between the lines,

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and I would do anything.

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Speaker 3: To just say I.

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Speaker 2: Do so, Spree, look at me, I love you so Sprey,

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look at me.

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Speaker 5: What a beautiful song that is called Stacy. And we

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have the writer and composer and singer and guitarist and

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from Temple Mountain is here with us live in studio.

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And we get that mic up. Hello, Eric, Hey, how

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are we doing? Let's see?

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Speaker 6: How do I sound good?

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Speaker 5: I'm just gonna boosome that volume a little bit.

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Speaker 6: Heard.

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Speaker 5: Eric's gonna play live for us this morning, so I

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want to make sure we can hear you. Okay, I

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think we're I think we're good. Yeah, congratulations that just

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came out. Stacy.

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Speaker 7: Yeah, it's Stacy's song has been out since today, and yeah,

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it's the series of probably several singles that are gonna

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be coming in in the near future. So I have

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like at least seven or eight more.

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Speaker 5: Okay, So has this been played on the radio before today?

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World Radio premiere?

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Speaker 3: We love it?

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Speaker 5: Excellent? Excellent? Uh so when you say it's out today,

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so it's on all the streaming play platforms.

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Speaker 7: Yeah, and then I have a video and official video

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that uh I handa B photography and I filmed together

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that I'm going to be releasing soon too.

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Speaker 5: Very good. Like how so like within the next couple

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of weeks.

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Speaker 7: You would think with someone who's passionate, they would have

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a date set, but I haven't put it. We we

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kind of created that video so extemporaneously and very last minute.

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So it's done and it's ready.

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Speaker 6: I could release it now, but I don't know when

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I want to do it.

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Speaker 5: Right right, No, it makes sense. Yeah, you want to

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wait till the time is right. Yeah, absolutely absolutely. And

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so you said, so you're releasing a series of singles.

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Speaker 6: Yeah, I'm doing you you ever heard the Waterfall Effect?

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Speaker 5: Yes, yes, I've heard.

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Speaker 7: I don't really want to do it because I don't

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like the idea of it, but it seems to everyone's

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just telling me to do it. So I'm like, why

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don't I do it this time around and then the next I.

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Speaker 6: Can do with the way I want to do it.

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Speaker 3: Yeah.

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Speaker 7: So, yeah, I'm releasing probably every other month, I'm going

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to release a song.

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Speaker 5: Actually, I'm going to ask you to get a little

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closer to that, mic. I thought it was a good distance.

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But yeah, So, uh, you're a previous because you have

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the album Schema, which we've played songs from before. So

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but this time, so will the singles that you're releasing

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will they eventually call a.

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Speaker 7: Yeah, actually it's going to release. The album is going

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to be called Case Studies. And you had the artists

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who did the artwork for it on the show.

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Speaker 6: Kira Curtis Oh yes, that's why we talked about that.

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Speaker 7: Yeah, she did the final album artwork, and then for

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all the singles, I want to get local artists to

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kind of create the what what would you call it,

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the Spotify single template for it.

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Speaker 5: Yeah. Oh that's a great idea. Yeah, yeah, very cool,

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very cool? Are these? Uh So Schema obviously kind of

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has a theme.

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Speaker 6: Yeah, now I took that out this time.

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Speaker 5: Okay.

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Speaker 6: I mean, I'm sure.

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Speaker 7: It's in there because I think in that kind of way,

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but in terms of titles and overall concept, I just

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wanted to kind of rein free. There was I put

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a lot of restrictions on Schema, like there's only you know,

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you play guitar or correct yea, so there's only like

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certain shapes that I restricted myself to to create songs with.

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For this time around, I was like, let me experiment

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more of harmony and let me experiment more with just

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I just wanted it to be completely And I even

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went to like a studio this time around to like

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record them and act in Massachusetts.

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Speaker 6: So I just wanted to try something new.

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Speaker 5: Okay. So that's where Stacy was recorded.

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Speaker 6: Yeah, and well Spring sounds okay. Josh is awesome. I

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love the guy.

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Speaker 5: Now, how did you connect with him and why did

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you decide to work with him?

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Speaker 7: I was looking at places that offered tape recording because

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I was because you know, why not and they don't

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do that. But they came up and I saw their

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rates and I was like, that's affordable.

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Speaker 5: So so you were looking for so when you say

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tape recording, so you were looking for that, I.

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Speaker 6: Was looking for like real to reel that.

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Speaker 7: Wow, and it's it's possible. It's just then I started

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I get really in my head about these things. It's

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like would that be a cliche? Would that be a

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little bit of a gimmick? And so then I found

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them and I was like, why don't I just give

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this a try? And Josh, what's cool is I'm a

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big Elliott Smith fan. And they have the original microphones

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that Elliott Smith used on his Lucky three documentary, which

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is like the mike, it's a Newman something. I forget

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what they're called, but uh, okay, so just I got

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to record the whole album with those microphones.

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Speaker 5: So kidding, Oh very cool. Yeah, yeah, that's awesome.

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Speaker 6: I mean it meant a lot to me.

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Speaker 5: That's awesome. Yeah, I am curious. Were you able to

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find I assume not in the area. Were you able

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to find a studio that does real to real when

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you were looking online? Yeah?

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Speaker 7: Yeah, yeah absolutely. And I had a friend, uh, my

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friend Josh. He actually has a four track set recorder,

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and I was thinking about doing something like that.

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Speaker 6: But I don't know, it's so funny you because I

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was just thinking about this.

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Speaker 7: I kind of want to make an album and I

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know saying this live on the air, like it's silly,

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but I want to create an album where I just

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record right on my iPhone because to me, the iPhone

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voicemail app seems to be like the new Lo Fi

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And I would like, what can.

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Speaker 6: I do with that?

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Speaker 7: And maybe I could do something kind of Nick Drake

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like and like do a live fingerpicking and vocal intimate

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stuff and like it won't sound like high professional, but

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that's like that's the point.

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Speaker 5: Right right. Yeah.

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Speaker 7: I love I love when it sounds like you're there,

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you know why. It's not like I love.

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Speaker 6: The room noise. I love everything about that. Yeah, I

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love the mistakes.

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Speaker 5: Yeah, how did I know? We talked about this before?

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But how how was schema recorded?

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Speaker 7: In my in my farmhouse, just with like a simple

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microphone and and uh a Logic Pro and a laptop

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that couldn't handle Logic Pro. And then I just kind

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of figured it out. I mixed in myself, so I

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just did it by ear. I don't really know how

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to do compression or make uh you know EQ and

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you know it shows. But I'm really happy. I'm really

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proud of that album. Every time I listen to it,

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I'm always.

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Speaker 6: Like, oh I still like this, Yeah, which that good?

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That hasn't happened before.

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Speaker 8: Yeah?

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Speaker 5: Really?

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Speaker 3: Yeah?

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Speaker 5: Have you been self critical in the past of some of.

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Speaker 6: Your pre prozac Yeah?

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Speaker 5: That makes sense. That makes sense. You want to play

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something a lot for sure?

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Speaker 6: Could I play an Elliot Smith song?

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Speaker 5: You can play anything you'd like?

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Speaker 7: All right, this is an Elliot Smith song. It's called Angelus.

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Speaker 2: Someone's always coming around here trailing some nucule said, I

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see in your picture on a hundred dollars bill.

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Speaker 3: Taking of chance to you in the swan of real skill.

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So glad to meet you and just pick it up.

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Speaker 2: The ticket showstairs, money to be me, go on loose

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that gamble that stuff history you have the trade?

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Speaker 3: Did you add up all the cards left to play

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to zero, sign up with evil and less.

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Speaker 2: Don't start me dry now, uh huh uh huh uh

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huh uh uh.

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Speaker 3: Because I'm born over it and.

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Speaker 2: I can make you satisfied with everything you do. All

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your secret wishes could right now home back to you.

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Speaker 3: Be for with Mad Poyson around you.

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Speaker 2: No one's gone fool round first, no one's gone the fool.

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Speaker 3: First song that meets you angeless?

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Speaker 5: Very cool? I like it. I like it.

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Speaker 6: What's that called Angelus by Elliott Smith?

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Speaker 5: Yeah? I like it. I don't think I've ever heard

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that before.

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Speaker 3: That's beautiful.

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Speaker 5: I mean, I've always been aware of Elliott Smith and

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and somewhat familiar, but I don't Uh yeah, I don't

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know that song. But no, I really like it.

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Speaker 6: He's my hero, yea.

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Speaker 5: What is it about him? Is it is? That's a

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great song? Is it a songwriting?

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Speaker 6: Yes, it's definitely the songwriting. When I was in my

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senior year of high school, this really cool guy did

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a English project and we had to choose a song

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and like talk about how it has symbolic meaning. And

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he did a song called Between.

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Speaker 7: The Bars and I just watched it and it was

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like everything I wanted to be. Yeah, and then that

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night It's so funny because it was just coincidence. I

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watched Goodwill Hunting and he did the music for Goodwill Hunting.

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Speaker 5: Oh okay, and I was.

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Speaker 6: Watching, I was listening to it. I was like, wow,

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this is really good.

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Speaker 3: Who is it?

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Speaker 7: And I looked it up at was Elliot Smith And

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actually is the reason I got into psychology that movie.

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Speaker 6: So really yeah, so he just I don't know, his

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playing blows my mind, his songwriting, his voice blows mine

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and I love it.

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Speaker 2: Yeah.

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Speaker 5: Yeah, I don't remember if we talked about this before,

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but so Goodwill Hunting is what inspired you to get

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into psychology.

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Speaker 6: Yeah, there's this.

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Speaker 7: There's a great scene in that movie where Robin Williams

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is talking to Matt Damon about laying bricks, and Matt

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Damon's like making the argument like why are we looking

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at laying bricks like it's a bad job.

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Speaker 6: That's a noble job.

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Speaker 7: There's honor in that, And it like blew my mind

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hearing that for the first time and seeing then Matt

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have a kind of breakthrough.

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Speaker 6: It was like, I want to I want to experience

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that in my lifetime.

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Speaker 4: Oh.

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Speaker 5: Interesting, yeah. The Uh if this sounds familiar to you,

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then we did talk about this before. But your friend

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my dad has told me that people have told him

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that the Robin Williams character reminds that reminds them of him.

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Speaker 6: Oh really, yeah, I know. Yeah, but you're a hypnotist, correct, Yes?

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Have you do you find that?

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Speaker 7: Because hypnotism can create incredible change in a person, is

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there like a breakthrough moment? Would you say, like, can

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a person realize there I don't like using the word cured,

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but when they realized that a problem can maybe get

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diminished or fixed.

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Speaker 5: Yeah.

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Speaker 7: Do you experience that yourself or is it more outside

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the office where they notice that.

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Speaker 5: I'll well, I'll tell you this. It's a great question

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because sometimes during a session, at the end of it,

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they're different, Like, not everybody, but sometimes they are, Like

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I can see the subtle differences even in just how

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they like their facial expressions, Like they exude a confidence

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and a sense of empowerment that clearly was not there

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before the sex. Cool. Yeah, and it is. I do

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love that. I guess such a rush for that's you know.

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I like to think I have certain skill sets, I'm

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good at something, I think I'm okay at hosting a

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talk show. I'm good for some good at that. But

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the one thing I really love is hypnotherapy.

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Speaker 3: Really.

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Speaker 7: Yeah, you know what's cool about hitting the therapy too

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is and people don't talk about this, but hypnotherapy is

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the reason why psychoanalysis and therapy exists because Freud saw

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hypnotherapy and was fascinated by it.

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Speaker 5: Yeah.

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Speaker 7: So, like it's such an important part of mental health

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that we don't talk about a lot. It's diminished a

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little bit, it's coming back and its diminished, it goes

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in waves. Sometimes it's used as a party trick, and

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it's like it's not just that it's it's a form

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of behavioral therapy.

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Speaker 5: Yeah, yeah, oh absolutely absolutely, No, I love I love

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helping people with it. I do uh, I do a

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visualization while they're in a state of hypnosis where I

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have them imagine they're the ideal version of themselves, the

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version of themselves that they most want to be. Oh wow,

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And yeah, people seem to really get a lot out

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of that, you know. But yeah, and so you now

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are you where are you in your career with with

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psycho psychology.

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Speaker 6: Ye, I'm in my third semester of grad school.

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Speaker 5: Excellent.

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Speaker 7: I'm actually in my counseling skills class that I adore.

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Speaker 6: I've been a.

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Speaker 7: Case manager since the beginning, but I'm really looking forward

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to internship. I love case management, but I'm really looking

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forward to internship because i want to be in the

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office and you know, just reading up on Yalam and

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reading up on.

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Speaker 6: Carl Rogers.

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Speaker 7: I think the therapy that I'm interested in the most

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is Rogarian therapy and like existential therapy.

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Speaker 6: So I'm still trying and a little bit of solution focused.

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There's some that's in there.

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Speaker 7: But yeah, I just I'm I got about another year

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and a half until i am.

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Speaker 6: That's like part of my life.

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Speaker 7: Yeah, cool, very exciting, cant and done days.

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Speaker 5: That's that's excellent. Do you think do you think your

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music will change when you when you get to that point?

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Speaker 6: How so, like I don't know, like do you.

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Speaker 5: Think because obviously you know you have these things in mind,

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like with schema, you have these things in mind as

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you're writing these songs. I mean, do you think it'll

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do you think it will change your perspective at all

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in terms of how you actually approach your music.

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Speaker 7: I think where I get my most happiness from is

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playing live. And I mean I've been busy with the

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music stuff and it's been like two three hour shows

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playing at bars, playing like you know, can't help falling

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in love with Elves or hate Jude by the Beatles,

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And I find a lack of arcists in that, and.

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Speaker 6: I don't. I think the image.

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Speaker 7: That I'm kind of portraying right in front of you

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right now is kind of what I want to continue doing.

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Speaker 2: Yeah.

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Speaker 7: See, at one point I was singing about do I

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want a band or nine? That's like that sounds so expensive?

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Speaker 9: So right right, So in a lot of ways, yeah, yeah,

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I think I want to find a healthy balance like

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and sounds silly, but almost like the Batman thing, you know.

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Speaker 7: By day I do I see patients and I see

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clients and I help the best I can, and I

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grow and build relationships. And at night I play music

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and I grow and build relationships. So yeah, that's and

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then you know, somewhere in between that also, I'm I'm

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a happy husband and father, So to me, that sounds

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like the ideal life for me.

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Speaker 5: Yeah.

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Speaker 6: Yeah.

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Speaker 5: Do you think people overlook the benefit the psychological benefits

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of music, like do you think the It's funny because

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I've never really thought about it before from this angle,

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but as we're talking to a personally, like, you know,

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music in and of itself is such great therapy, even

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just listening to it, you know, it can really affect

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how you feel. And but sometimes I wonder if people don't.

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I mean a lot of people do, even if they

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just don't realize it necessarily consciously. But I think music

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itself is kind of overlooked in that it can so

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so much influence how we feel, how we feel about ourselves,

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and and but it can also be sabotaging, and I

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feel too exactly. Yeah, something I've never understood about people

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is why. I mean, I I do get it, but

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I but I it's not my instinct to do this

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when someone is sad and they want to listen to

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sad songs because they feel sad. And I've always been

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from my entire from when I was a kid, when

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I was a little kid. If I'm sad, the last

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thing I want to do is listen to sad music.

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I want to listen to something that's going to change

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my state of mind.

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Speaker 6: I think the thing that is actually maybe maybe not

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maybe I'm getting a tangential. But the thing that's more

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interesting to me is.

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Speaker 7: Music you can develop an identity with. You know, if

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there's a banana across the room, I'm not going to

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have an identity with that banana. I'm not gonna go like, oh, yeah,

359
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that's my favorite type of banana. It's from New Zealand

360
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or something like that. You know, I don't know if

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New Zealand grows bananas, but yeah, you know, with music,

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it can get really idiolating because there can be times

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where I've had moments where music is my best friend

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on certain days, and there's certain days where it's just like,

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oh my god, I've listened to Room for Squares by

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John Mayer NonStop for a week and then I have

367
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an identity crisis. Yeah, so that part doesn't get taught

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bad enough, where, especially if you're into the arts and

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you pursue the arts, you have moments of imposter syndrome

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and identity crisis. And yes, music can be your best

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friend at the end of the day. And I think

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Smells Like Teen Spirit is one of the greatest songs

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of all time, but after listening to it two thousand times,

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when I listen to it now, it's like, I know

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what happens on second forty five.

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Speaker 6: I can't listen to that song anymore, you know.

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Speaker 7: Yeah, yeah, yeah, So it's a it's a balance, and

378
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I'm always trying. The other hard thing I want to

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say is discovering new music for me is really difficult.

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Speaker 6: I try really hard.

381
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Speaker 7: I look for stuff, and it's just there's something going

382
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on where my brain's like, nah, keep going. And when

383
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I do find somebody, like right now it's been hip hop,

384
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I'm like obsessed with just like we were talking about

385
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before the show, making, like beat making and stuff like that. Yeah,

386
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that's fine. It's like, finally here's that energetic high I've

387
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been looking for.

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Speaker 5: Yeah, yeah, that's interesting. So but so you so you

389
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have a hard time though, finding new music that you like.

390
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Speaker 7: Especially with acoustic music, because usually when people recommend me

391
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acoustic stuff that it would make sense that I should

392
00:21:37,400 --> 00:21:39,440
like it, but it just doesn't hit me. Like A

393
00:21:39,440 --> 00:21:43,319
good example is Bonaver, very talented musician. People who love Boneaver.

394
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You have great taste. I'm not here to try and

395
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question that. And then when it comes to my ears

396
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and I process it, it's like this isn't for me.

397
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It's just not hitting it. I've I don't Maybe the

398
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maybe the problem is.

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Speaker 6: I don't actually know what I want.

400
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Speaker 7: Yeah, yeah, I don't actually have my taste well defined

401
00:22:00,799 --> 00:22:01,559
yet in my head?

402
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Speaker 5: Well does it? Is it also possible that the production

403
00:22:04,720 --> 00:22:09,359
is bothering you because because yeah, because you know, you're

404
00:22:09,400 --> 00:22:10,200
a low fi guy.

405
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Speaker 7: But I love again, I love smells like teen Spirit,

406
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which is the exact opposite of that. So it's like

407
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it depends on the context of the music itself.

408
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Speaker 5: But even smells like teen Spirit, the production is different

409
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than what like now, everything is so compressed.

410
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Speaker 6: Yes, yeah, the only.

411
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Speaker 5: People I feel really get it right is uh. I'm

412
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not a big country guy, but I gotta say, from

413
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a production standpoint, Nashville has it down.

414
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Speaker 6: Oh yeah, yeah.

415
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Speaker 5: The drums always sound great.

416
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Speaker 7: You know, this is where it sounds like I almost

417
00:22:38,079 --> 00:22:40,400
don't want to come across as like a double like

418
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I'm here I making double standards. But like, for example,

419
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like my friend sent me a song by an artist

420
00:22:46,240 --> 00:22:49,240
called Dare the songs called Girls Don't Play. It's very raunchy.

421
00:22:50,079 --> 00:22:53,200
I love that song. Yeah, it's awesome. I love I

422
00:22:53,200 --> 00:22:55,720
love when that stuff is incorporated into like dance music

423
00:22:55,759 --> 00:22:59,000
and stuff like that, it's like yes, but when it's incorporated,

424
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it's like the acoustic guitar.

425
00:23:00,000 --> 00:23:02,519
Speaker 6: And I hear an acoustic guitar, especially.

426
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Speaker 7: Like like maybe controversible, and I hear guitar that has

427
00:23:05,839 --> 00:23:07,920
like Elixir strings on it. For those who know what

428
00:23:07,960 --> 00:23:11,079
Elexa strings are, they're coded strings. It's like an immediate

429
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turnoff from my ears.

430
00:23:12,480 --> 00:23:14,559
Speaker 6: Yeah, I don't like it. It sounds too clean.

431
00:23:14,839 --> 00:23:17,720
Speaker 7: Yeah, And I want to make it clear, like I

432
00:23:17,759 --> 00:23:20,440
don't think that this should be the standard for anyone

433
00:23:20,480 --> 00:23:23,000
by any means, like because I'm not the best guitar

434
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player of all time.

435
00:23:23,599 --> 00:23:24,839
Speaker 6: I'm not the best songwriter of all time.

436
00:23:24,839 --> 00:23:25,160
Speaker 3: I'm not.

437
00:23:25,480 --> 00:23:27,920
Speaker 7: It's nothing like that. It's just for what I look

438
00:23:27,960 --> 00:23:30,400
for to help me grow as a musician. I put

439
00:23:30,440 --> 00:23:32,200
these kind of things on a pedestal.

440
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Speaker 5: Yeah, yeah, no, that makes sense. That makes sense. If

441
00:23:35,119 --> 00:23:37,079
you are just joining us, Temple Mountain is here with

442
00:23:37,160 --> 00:23:39,319
us alive in studio, and you want.

443
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Speaker 6: To play another one, Sure, I'll actually play.

444
00:23:42,359 --> 00:23:44,440
Speaker 7: Because you played Stacy song earlier, I'll played the next

445
00:23:44,480 --> 00:23:47,079
single I'm probably gonna release after that. Oh cool, And

446
00:23:47,200 --> 00:23:48,240
I'm probably gonna mess it.

447
00:23:48,200 --> 00:23:49,759
Speaker 5: Up, So that's okay.

448
00:23:49,799 --> 00:23:50,480
Speaker 6: Ever, only live.

449
00:23:50,519 --> 00:23:53,720
Speaker 5: It's an original and we won't know very good.

450
00:23:53,839 --> 00:23:55,559
Speaker 6: It's called grateful, all right.

451
00:24:14,480 --> 00:24:20,119
Speaker 2: Choice of girl is so profound, different shades of black

452
00:24:20,160 --> 00:24:25,039
and gray. And you're say in the world is round,

453
00:24:27,279 --> 00:24:32,079
but I'd seen in different ways, and I've noticed you're

454
00:24:32,240 --> 00:24:36,240
holding my soul. Good, say with a breadth, Fay, it's

455
00:24:36,480 --> 00:24:42,440
only one way. Oh, it's all right, say that I

456
00:24:42,640 --> 00:24:54,880
need you so grateful, that meant you this way, waiting

457
00:24:54,920 --> 00:24:58,480
for the moon to bloom.

458
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Speaker 3: I watch the way it starts. My heart is only

459
00:25:03,799 --> 00:25:08,759
sat on you. So now I thank you for today.

460
00:25:10,160 --> 00:25:15,079
Speaker 2: And remember you told me the whole day the world

461
00:25:15,200 --> 00:25:20,240
can be the friend each day. Oh, it's all right

462
00:25:20,720 --> 00:25:24,599
to say that I need you so grateful to met.

463
00:25:24,440 --> 00:25:33,599
Speaker 3: You sway stand behind again, backs our face and then.

464
00:25:35,960 --> 00:25:41,599
Speaker 2: With voices all around, but we never made a sound.

465
00:25:43,839 --> 00:25:48,799
All Your story is so profound. Now you choose to

466
00:25:48,920 --> 00:25:53,960
live each day and it's never up or down.

467
00:25:56,160 --> 00:25:58,039
Speaker 3: It's not a side that leans your way.

468
00:26:00,119 --> 00:26:05,000
Speaker 2: Member, you told me to say for the world, as

469
00:26:05,200 --> 00:26:10,519
asked you this say. Oh it's all right to say

470
00:26:10,640 --> 00:26:14,480
that I needs you so grateful the mech you its way.

471
00:26:17,759 --> 00:26:19,240
Speaker 3: Oh, it's all al.

472
00:26:19,240 --> 00:26:23,640
Speaker 2: Right to say that I need you so grateful the

473
00:26:23,759 --> 00:26:32,599
met you today.

474
00:26:30,960 --> 00:26:35,240
Speaker 5: Beautiful beautiful Temple Mountain Live and studio. Well that's so

475
00:26:35,279 --> 00:26:36,759
that's gonna be the next single.

476
00:26:36,599 --> 00:26:39,400
Speaker 6: Yeah I think so. Yeah, yeah, probably in December.

477
00:26:40,519 --> 00:26:42,960
Speaker 5: Very good, very good? Is it? Is it difficult to

478
00:26:43,400 --> 00:26:45,960
choose what to what to go with next because obviously

479
00:26:45,960 --> 00:26:47,000
you've written a lot of songs.

480
00:26:47,119 --> 00:26:52,079
Speaker 7: Yeah, yes, and no, I just kind of do it,

481
00:26:52,279 --> 00:26:55,359
but yeah, I don't put too much thought into it,

482
00:26:55,440 --> 00:26:59,599
Like the this sounds silly, but like I'm just so

483
00:27:00,039 --> 00:27:01,759
I know social media is important. ID even think you

484
00:27:01,759 --> 00:27:03,799
were just talking about that with the last artist, how

485
00:27:03,799 --> 00:27:05,680
important it is on so or maybe that was yesterday.

486
00:27:05,720 --> 00:27:07,799
The social media is just so important to do as

487
00:27:07,799 --> 00:27:12,319
an artist. But I just don't see it as important.

488
00:27:12,359 --> 00:27:14,799
You know, if I wanted to, I can pay twenty

489
00:27:14,799 --> 00:27:19,519
bucks and get like fifty fake likes on my Facebook account, right,

490
00:27:19,799 --> 00:27:24,039
So like it's artificial, like it's all controlled. Like it's

491
00:27:24,079 --> 00:27:25,799
not the same as when I go live and I

492
00:27:25,799 --> 00:27:28,240
play a song with someone and connect with them and

493
00:27:28,279 --> 00:27:29,759
they come up to me after the show and say, hey,

494
00:27:29,799 --> 00:27:32,319
that was really cool. Even if it's just one person,

495
00:27:32,359 --> 00:27:33,880
that means way more to me, so.

496
00:27:34,200 --> 00:27:36,480
Speaker 6: Yeah, I don't put too much thought. I do allow

497
00:27:36,559 --> 00:27:38,279
the releasing and stuff like that just so I can

498
00:27:38,279 --> 00:27:38,839
get gigs.

499
00:27:39,079 --> 00:27:42,839
Speaker 5: Yeah, yeah, that makes sense. Jenny was just reminding me

500
00:27:42,839 --> 00:27:43,359
too online.

501
00:27:43,359 --> 00:27:46,200
Speaker 6: Do you teach now, Oh, you don't teach music.

502
00:27:46,319 --> 00:27:47,759
Speaker 5: Yeah, I think that's what she meant.

503
00:27:48,119 --> 00:27:50,319
Speaker 6: No, no, okay, I'm not much of a teacher.

504
00:27:50,319 --> 00:27:55,319
Speaker 5: It's unfortunately thinking of somebody else. Yeah, now you uh,

505
00:27:55,759 --> 00:27:58,200
you did mention earlier. Sometimes you think about, you know,

506
00:27:58,319 --> 00:28:01,000
playing in a band or getting a band together. I mean,

507
00:28:01,039 --> 00:28:03,880
how how how seriously do you do you think about that?

508
00:28:04,000 --> 00:28:05,759
Is it possible in the future or is it something

509
00:28:05,799 --> 00:28:08,480
that you kind of dismissed when it pops into your head?

510
00:28:08,559 --> 00:28:12,160
Speaker 7: Or I got a telecaster recently, so oh yeah, telecasts

511
00:28:12,160 --> 00:28:13,880
and a jazz chort Sam. Because I really like the

512
00:28:13,920 --> 00:28:18,119
sound of it, I think about it. It's just I

513
00:28:18,160 --> 00:28:20,400
don't know. I don't know how to do it. If

514
00:28:20,880 --> 00:28:23,160
if I don't think, I would want to search for

515
00:28:23,240 --> 00:28:26,440
it like I would if it happens naturally. That's how

516
00:28:26,480 --> 00:28:27,960
I'd be down for it, because I don't want to

517
00:28:28,000 --> 00:28:31,880
have like Temple Mountain, then I control the music and

518
00:28:31,880 --> 00:28:34,319
everything like that. I want it would be cool if

519
00:28:34,319 --> 00:28:36,559
it was something like Queen, where it's like I write songs,

520
00:28:36,640 --> 00:28:38,920
bass player write songs, and drummer writes songs and we

521
00:28:39,119 --> 00:28:40,599
just appreciate each.

522
00:28:40,440 --> 00:28:43,279
Speaker 6: Other's songwriting together and we could all sing. That would

523
00:28:43,279 --> 00:28:44,160
be awesome.

524
00:28:44,359 --> 00:28:46,359
Speaker 5: Yeah. Yeah, were you in a band before?

525
00:28:47,920 --> 00:28:48,519
Speaker 6: Growing up?

526
00:28:48,599 --> 00:28:50,799
Speaker 7: I was in a death metal band, Oh you were, yeah,

527
00:28:51,680 --> 00:28:55,000
called The Story of Anatomy in New York, but we

528
00:28:55,039 --> 00:28:58,119
didn't do anything. Yeah, and then I played I was

529
00:28:58,240 --> 00:28:59,720
Eric Phillip in New York City.

530
00:29:00,440 --> 00:29:02,119
Speaker 6: And then because that's.

531
00:29:01,960 --> 00:29:05,119
Speaker 7: My middle name, okay, and that just didn't go very well.

532
00:29:05,119 --> 00:29:07,359
And then this this has been really taking off. It's

533
00:29:07,359 --> 00:29:07,920
been crazy.

534
00:29:08,240 --> 00:29:10,839
Speaker 5: And tell us again, how did you become Temple Mountain?

535
00:29:11,519 --> 00:29:14,119
Speaker 7: Well, I live in Peterborough, which is right off and

536
00:29:14,160 --> 00:29:15,519
I live off a temple mountain.

537
00:29:15,880 --> 00:29:18,039
Speaker 6: And then, you know, when you're starting to.

538
00:29:18,039 --> 00:29:20,720
Speaker 7: Be a licensed therapist, you you learn a lot about

539
00:29:20,720 --> 00:29:24,079
both boundaries and confidentiality, and I think it's important that

540
00:29:25,039 --> 00:29:27,200
you know, I want to keep this life separate.

541
00:29:27,400 --> 00:29:29,480
Speaker 6: So it's it's like I said earlier, it's kind of

542
00:29:29,480 --> 00:29:30,119
like my batman.

543
00:29:30,599 --> 00:29:34,079
Speaker 5: Yeah, yeah, that makes sense, that makes sense. And uh,

544
00:29:34,440 --> 00:29:35,599
by the way, are you married now?

545
00:29:35,880 --> 00:29:36,039
Speaker 3: No?

546
00:29:36,119 --> 00:29:41,920
Speaker 5: Not yet? Oh not yeah, no, there. Okay, yeah, very good?

547
00:29:42,000 --> 00:29:42,799
Speaker 6: Wait, very good?

548
00:29:42,960 --> 00:29:46,440
Speaker 5: Is Stacy's song? Is that about your It is early?

549
00:29:46,480 --> 00:29:47,079
Speaker 7: Yeah?

550
00:29:47,119 --> 00:29:49,079
Speaker 5: Excellent. Yeah. I think I think she was in the

551
00:29:49,160 --> 00:29:50,960
chat room last time you were on with Yeah.

552
00:29:51,000 --> 00:29:55,599
Speaker 6: She she works for Kobe Sawyer and today is homecoming,

553
00:29:56,079 --> 00:29:59,160
so she had to leave work for work today at

554
00:29:59,200 --> 00:29:59,720
like six am.

555
00:29:59,839 --> 00:30:01,880
Speaker 7: She just doing a lot of stuff. So yeah, we're

556
00:30:01,920 --> 00:30:04,319
not going to be seeing each other until tomorrow. Probably

557
00:30:04,319 --> 00:30:06,720
not in the chat room today, gotcha. And if she is,

558
00:30:07,200 --> 00:30:09,519
then Kobe Sawyer should think about that because she's not

559
00:30:09,559 --> 00:30:10,200
doing her job.

560
00:30:13,240 --> 00:30:15,359
Speaker 5: Well do you want to uh? Oh yeah, we got time.

561
00:30:15,359 --> 00:30:16,119
You want to play another one?

562
00:30:16,119 --> 00:30:17,400
Speaker 6: For sure?

563
00:30:17,119 --> 00:30:17,319
Speaker 8: Sure?

564
00:30:17,599 --> 00:30:19,920
Speaker 5: If you are just joining us, A Temple Mountain is

565
00:30:19,920 --> 00:30:22,920
here with us live in studio, and we should tell

566
00:30:22,920 --> 00:30:24,559
people to Last night you were on Granded State of

567
00:30:24,599 --> 00:30:26,640
Mind with Rob as a veto. Yeah, so if you

568
00:30:26,640 --> 00:30:28,880
want to check that out too, that is of course

569
00:30:28,960 --> 00:30:32,000
up on the site WM Andhradio dot Org.

570
00:30:32,960 --> 00:30:33,720
Speaker 6: Shout to Rob.

571
00:30:33,920 --> 00:30:36,599
Speaker 5: Yeah, yeah, Rob doing amazing things. You've you've played at

572
00:30:36,599 --> 00:30:37,519
Pembroke City Limits.

573
00:30:37,519 --> 00:30:39,079
Speaker 6: So yeah, I played the Nirvana night there?

574
00:30:39,240 --> 00:30:39,960
Speaker 5: Oh did you Yeah?

575
00:30:39,960 --> 00:30:40,640
Speaker 6: It was incredible?

576
00:30:40,720 --> 00:30:41,599
Speaker 5: What song did you do?

577
00:30:42,400 --> 00:30:42,920
Speaker 3: Oh?

578
00:30:43,559 --> 00:30:47,880
Speaker 6: Uh? I think I played on I'm on a Plane.

579
00:30:48,039 --> 00:30:49,960
Speaker 5: Oh okay, yeah that's yeah.

580
00:30:50,039 --> 00:30:51,440
Speaker 7: Yeah, I did that, and then I played something in

581
00:30:51,440 --> 00:30:53,559
the way I meant. So what happened was I went

582
00:30:53,640 --> 00:30:55,400
in there going to play something in the way, and

583
00:30:55,400 --> 00:30:57,680
then like the day before, he asked.

584
00:30:57,440 --> 00:30:59,160
Speaker 6: Me if I could play I think it was I'm

585
00:30:59,200 --> 00:31:00,480
on a Plane. Oh.

586
00:31:01,799 --> 00:31:04,880
Speaker 7: I was just like yeah, okay, and so I had

587
00:31:04,920 --> 00:31:08,559
to kind of figure it out. And I remember I

588
00:31:08,680 --> 00:31:10,599
drove there like two hours earlier. I learned the song

589
00:31:10,640 --> 00:31:12,559
like two hours before the show, and no kidding, Yeah,

590
00:31:12,559 --> 00:31:14,559
I was so nervous and like it kept blanking because

591
00:31:14,559 --> 00:31:15,799
I kept going through the lyrics in my head. And

592
00:31:15,799 --> 00:31:18,119
then once you're on stage, something just kind of happens, yeah,

593
00:31:18,200 --> 00:31:19,359
and it all comes back to you.

594
00:31:19,559 --> 00:31:19,920
Speaker 5: Yeah.

595
00:31:19,960 --> 00:31:22,200
Speaker 7: So I got lucky. It was a good shime and

596
00:31:22,240 --> 00:31:23,960
I met so many cool people that night. That was

597
00:31:24,000 --> 00:31:26,640
the best part about that show, kid, Yeah, because here

598
00:31:26,680 --> 00:31:28,680
you just playing bar gigs, you're always by yourself. You

599
00:31:28,720 --> 00:31:31,200
don't get to really see other artist because you're always overlapping.

600
00:31:31,559 --> 00:31:33,519
Rob did something gray where he got all these people

601
00:31:33,559 --> 00:31:34,160
coming together.

602
00:31:34,359 --> 00:31:36,920
Speaker 5: Yeah. Yeah, for those who don't know what we're talking about.

603
00:31:36,920 --> 00:31:40,039
So it was a show where everybody everybody played just

604
00:31:40,039 --> 00:31:41,599
just one right, just one Nirvana song?

605
00:31:42,759 --> 00:31:42,920
Speaker 2: Yeah?

606
00:31:42,920 --> 00:31:47,119
Speaker 5: Two? Yeah, yeah. Do you know how many performers there

607
00:31:47,119 --> 00:31:47,599
were that night?

608
00:31:47,680 --> 00:31:51,559
Speaker 6: Total must have been close to seven or eight, no kidding. Yeah,

609
00:31:51,559 --> 00:31:52,920
I met Ben. Do you know Ben Harris?

610
00:31:53,880 --> 00:31:54,119
Speaker 3: No?

611
00:31:55,319 --> 00:31:57,720
Speaker 5: I heard him on Rob's show a couple of weeks ago.

612
00:31:57,799 --> 00:32:00,000
Speaker 6: Yeah, saw such a nice guy. So we met.

613
00:32:00,240 --> 00:32:02,720
Speaker 7: We were speaking online already, and then we met from

614
00:32:02,759 --> 00:32:04,000
the show, and then he invited me to play at

615
00:32:04,039 --> 00:32:07,839
Panucci's Conquered, So like, we need more shows like that. Yeah,

616
00:32:08,039 --> 00:32:10,599
it's a great artist like to help artists. So yes,

617
00:32:11,759 --> 00:32:13,200
I really appreciate Rob.

618
00:32:13,079 --> 00:32:13,519
Speaker 3: For doing that.

619
00:32:13,720 --> 00:32:16,359
Speaker 5: Yeah, yeah, no, that's awesome. Yeah. Check out Pembroke City

620
00:32:16,400 --> 00:32:18,000
Limits if you haven't been there, it's a it's a

621
00:32:18,000 --> 00:32:21,960
great place. Rob's doing great things there. And uh, all right,

622
00:32:22,000 --> 00:32:24,119
you were gonna play and I totally derailed you.

623
00:32:24,200 --> 00:32:24,880
Speaker 6: No, you're fine, But.

624
00:32:26,440 --> 00:32:28,519
Speaker 5: Devile Mountain is here with us live in studio, and

625
00:32:28,759 --> 00:32:30,000
what are you gonna play for us?

626
00:32:30,240 --> 00:32:31,559
Speaker 6: This is a song off Schema.

627
00:32:32,400 --> 00:32:35,440
Speaker 7: It's called Stages of Attachment and with a name like that,

628
00:32:35,480 --> 00:32:37,079
you would never guess, but it's about my cat.

629
00:32:37,839 --> 00:32:40,000
Speaker 6: Oh yeah, all right, very good.

630
00:32:40,319 --> 00:32:59,079
Speaker 8: So let's see you try to wake me up, assuming

631
00:32:59,400 --> 00:33:03,440
I should rise, So pull my.

632
00:33:03,480 --> 00:33:09,759
Speaker 3: Blanket up and stay here for a while. All just

633
00:33:09,920 --> 00:33:10,599
fell for.

634
00:33:10,720 --> 00:33:16,759
Speaker 2: You and simple life you like you could break off

635
00:33:17,000 --> 00:33:23,839
the rules. Love you all the time. You're just a

636
00:33:23,960 --> 00:33:28,480
little thing sheltered by these walls.

637
00:33:29,960 --> 00:33:36,480
Speaker 3: See his life for gaunt eyes, little ginger parts. It's

638
00:33:36,559 --> 00:33:39,960
just a little thing. Your heart is.

639
00:33:40,079 --> 00:33:45,160
Speaker 2: Pure and true, bringing love to you all. You mean

640
00:33:46,039 --> 00:33:54,240
everything you do. I remember the day, all the morning drive,

641
00:33:56,440 --> 00:34:03,000
seven are in the room and you with us, a guy, how.

642
00:34:02,880 --> 00:34:07,559
Speaker 3: Your wells just came to me and family did rise.

643
00:34:09,199 --> 00:34:17,480
Speaker 2: And home you fell asleep, pouder powder cry. It's just

644
00:34:17,519 --> 00:34:22,159
a little thing sheltered by these walls.

645
00:34:23,800 --> 00:34:28,679
Speaker 3: Seems like through gold and eyes, a little ginger pards.

646
00:34:30,159 --> 00:34:34,920
You're just a little thing. Your heart is pure and true.

647
00:34:36,760 --> 00:34:38,280
Bring in love to you all.

648
00:34:38,400 --> 00:34:46,400
Speaker 2: You mean everything you do. When I get home, it's hello,

649
00:34:46,719 --> 00:34:53,480
not goodbye. And when I leave tomorrow you'll always try

650
00:34:53,519 --> 00:35:00,639
and cry. You walk your sister up zooming, she play,

651
00:35:02,559 --> 00:35:05,880
but you know when she's fed up with all your

652
00:35:06,000 --> 00:35:08,000
silling games.

653
00:35:09,079 --> 00:35:11,000
Speaker 3: And the world around you know.

654
00:35:11,480 --> 00:35:16,079
Speaker 2: How it makes me want to cry, But you know

655
00:35:16,280 --> 00:35:23,760
I'll never frown. As you lay by my side, You're

656
00:35:23,800 --> 00:35:28,599
just a little thing. You sto bout these walls.

657
00:35:30,000 --> 00:35:35,559
Speaker 3: He see his life through gold eyes, Little Ginger Paus,

658
00:35:36,480 --> 00:35:38,760
You're just a little thing.

659
00:35:39,400 --> 00:35:44,840
Speaker 2: Your heart is pure and true, bringing love to you all.

660
00:35:44,800 --> 00:35:47,760
Speaker 3: You mean and everything you do.

661
00:35:49,599 --> 00:35:54,159
Speaker 2: Bringing love to you all you mean and everything you do.

662
00:36:06,599 --> 00:36:07,760
Speaker 5: Very cool, Thank you.

663
00:36:08,000 --> 00:36:09,719
Speaker 6: What's that called stages of attachment?

664
00:36:09,760 --> 00:36:12,840
Speaker 5: Stages of attachment? Yes, yes, Jenny and I have two

665
00:36:12,920 --> 00:36:15,639
cats and we love them very much. So I find

666
00:36:15,639 --> 00:36:16,679
that song very relatable.

667
00:36:16,760 --> 00:36:17,599
Speaker 6: Oh I appreciate that.

668
00:36:17,679 --> 00:36:20,559
Speaker 7: Yeah you don't, do you know Dylan Patrick Ward? Does

669
00:36:20,559 --> 00:36:21,400
that name sound familiar?

670
00:36:21,679 --> 00:36:22,360
Speaker 5: Sounds familiar.

671
00:36:22,400 --> 00:36:23,880
Speaker 6: It's a local songwriter from Vermont.

672
00:36:23,880 --> 00:36:25,639
Speaker 7: He has a song called the Cat's Song, and when

673
00:36:25,639 --> 00:36:27,159
I heard it, I was like, oh, you can write

674
00:36:27,199 --> 00:36:30,519
about your cats.

675
00:36:30,199 --> 00:36:31,480
Speaker 6: That was the inspiration.

676
00:36:31,639 --> 00:36:34,000
Speaker 5: We had a recently, well a couple months ago, we

677
00:36:34,000 --> 00:36:35,599
had the band Turbo Cats. I played with them.

678
00:36:35,679 --> 00:36:38,239
Speaker 6: Oh okay, yeah, I played with that show at Terminus.

679
00:36:38,280 --> 00:36:42,119
Speaker 7: Oh right, so funny, Oh yeah, yeah, god they cracked

680
00:36:42,159 --> 00:36:44,440
like in a great way. Yeah awesome, And it was

681
00:36:44,480 --> 00:36:47,360
just like they were so seriously like this next song

682
00:36:47,440 --> 00:36:49,280
is called licking your Leg.

683
00:36:49,280 --> 00:36:51,599
Speaker 6: Or something like that. It was brilliant.

684
00:36:52,000 --> 00:36:55,480
Speaker 5: They have that song. My senior lady cat, which because

685
00:36:55,480 --> 00:36:58,079
we have a female cat that's you know, getting up there,

686
00:36:58,440 --> 00:37:00,079
so we could relate to that.

687
00:37:00,239 --> 00:37:02,119
Speaker 6: It's really trendy right now to sing about your cat.

688
00:37:02,280 --> 00:37:05,000
Speaker 5: Yeah, yeah, I think it's a great thing. Some people

689
00:37:05,159 --> 00:37:08,239
really don't like cats, and uh yeah, I don't get that.

690
00:37:08,440 --> 00:37:10,719
I think I think those people have some sort of

691
00:37:10,960 --> 00:37:14,440
psychological issue. Yet you could not love cats?

692
00:37:14,559 --> 00:37:16,719
Speaker 7: Well, just how can you not love any animal? Right,

693
00:37:16,920 --> 00:37:18,880
besides a wasp because they hurt?

694
00:37:19,199 --> 00:37:21,039
Speaker 5: Well, it's not an animal, right, that's an insect.

695
00:37:21,480 --> 00:37:22,719
Speaker 6: Is an insect not an animal?

696
00:37:22,880 --> 00:37:26,199
Speaker 5: Or I don't think so. But then but then, uh

697
00:37:26,519 --> 00:37:27,519
we were talking about.

698
00:37:27,239 --> 00:37:29,440
Speaker 6: This on a on a Friday night on a Cereal

699
00:37:29,480 --> 00:37:29,840
of Soup.

700
00:37:30,159 --> 00:37:32,679
Speaker 5: I'm a co host on Retrospect Radio with poly C

701
00:37:32,880 --> 00:37:35,559
and Paul was saying that ants actually technically are animals,

702
00:37:35,559 --> 00:37:38,719
not insects. And it freaked me out because when I

703
00:37:38,760 --> 00:37:40,920
was a kid, my friends and I would light ants

704
00:37:40,960 --> 00:37:44,280
on fire in the summertime with a lighter and uh,

705
00:37:44,400 --> 00:37:46,679
now I feel terrible about it. I didn't care when

706
00:37:46,679 --> 00:37:47,679
I thought they were insects.

707
00:37:47,760 --> 00:37:52,199
Speaker 6: You know, they're pre their their pre the size of their.

708
00:37:52,079 --> 00:37:55,480
Speaker 7: Brains alone, for the for who what the size of

709
00:37:55,519 --> 00:37:58,320
them as an animal is alone like enough to be like, wow,

710
00:37:58,320 --> 00:37:59,840
these are very impressive creatures.

711
00:38:00,280 --> 00:38:03,920
Speaker 6: Cats are Yeah, pre frontal cortexes are he really?

712
00:38:03,960 --> 00:38:04,480
Speaker 5: Is that true?

713
00:38:04,559 --> 00:38:04,760
Speaker 2: Yeah?

714
00:38:04,800 --> 00:38:05,880
Speaker 5: See now I feel really bad?

715
00:38:05,960 --> 00:38:07,760
Speaker 6: Yeah yeah yeah. Wow how old are you?

716
00:38:08,079 --> 00:38:10,800
Speaker 5: Oh? I was probably like ten oh yeah times past

717
00:38:11,440 --> 00:38:13,039
yeah yeah, I mean I would.

718
00:38:12,800 --> 00:38:14,159
Speaker 6: Probably done way worse since then.

719
00:38:14,239 --> 00:38:17,119
Speaker 5: Oh definitely. Oh yeah, you have no idea of course

720
00:38:19,159 --> 00:38:21,280
if you are just joining us on this Saturday morning,

721
00:38:21,440 --> 00:38:25,599
Temple Mountain is here with us live in studio. Are

722
00:38:25,639 --> 00:38:27,679
you playing a lot? You're playing pretty consistently.

723
00:38:27,880 --> 00:38:30,840
Speaker 7: Yeah, I have a show later today, and then this

724
00:38:30,880 --> 00:38:33,000
month I was playing a lot. September I played probably

725
00:38:33,000 --> 00:38:36,320
like close to twenty shows. Oh kidding, yeah, next month

726
00:38:36,360 --> 00:38:39,360
I have probably I think I'm at fifteen right now.

727
00:38:39,360 --> 00:38:43,239
I'm trying to get more. So yeah, it's gonna taper

728
00:38:43,320 --> 00:38:45,599
down by the new year, but it's slowly growing back.

729
00:38:45,679 --> 00:38:49,519
Speaker 6: And yeah, I love I have. Two weeks ago, I

730
00:38:49,559 --> 00:38:52,719
played three three hour shows.

731
00:38:52,199 --> 00:38:55,480
Speaker 7: In one day and wow, that was an incredible accomplishment

732
00:38:55,480 --> 00:38:57,159
on my end that I was really proud of and

733
00:38:57,760 --> 00:39:00,480
I always wanted to because Billy Shean of the ban

734
00:39:00,559 --> 00:39:02,880
Talis said that he once did three shows and one day,

735
00:39:02,880 --> 00:39:04,400
I was like, I could do that.

736
00:39:04,519 --> 00:39:06,880
Speaker 6: Yeah, so I was. It was a nice kind of

737
00:39:08,039 --> 00:39:09,079
yeah farces.

738
00:39:08,960 --> 00:39:10,400
Speaker 5: Three three hour shows.

739
00:39:10,719 --> 00:39:12,679
Speaker 7: Yeah, I couldn't sing for a little bit after that one.

740
00:39:12,960 --> 00:39:13,880
It was had a great time.

741
00:39:13,880 --> 00:39:14,920
Speaker 5: How did that even happen?

742
00:39:15,199 --> 00:39:17,800
Speaker 6: Like how do you my own it's my own stupidity.

743
00:39:18,400 --> 00:39:21,000
Speaker 7: I just keep saying yes, yeah, yes, and then I'll

744
00:39:21,039 --> 00:39:23,440
be like so that. That was a crazy day too,

745
00:39:23,440 --> 00:39:25,719
because I had to go my first gig was in

746
00:39:25,760 --> 00:39:28,679
Where's Beach and then I had to drive to Manchester

747
00:39:28,800 --> 00:39:30,920
to play at Great North, and then I had to

748
00:39:30,920 --> 00:39:33,880
go to Foundry and play the Foundry. So and Great

749
00:39:33,920 --> 00:39:36,119
North was such a shout out to Jesse by the

750
00:39:36,159 --> 00:39:39,199
way for that gig. Yes, And I'm glad I brought

751
00:39:39,199 --> 00:39:41,440
that up because I want to apologize to Jesse because

752
00:39:41,480 --> 00:39:45,360
Jesse asked me to like check if my songs were

753
00:39:45,360 --> 00:39:47,119
gonna be a part of B M I or something

754
00:39:47,159 --> 00:39:48,360
like that and just didn't have time.

755
00:39:48,800 --> 00:39:49,519
Speaker 6: He did it for me.

756
00:39:49,719 --> 00:39:51,599
Speaker 7: Yeah, it was very nice of him, but like I

757
00:39:51,639 --> 00:39:53,239
had to change my whole setlist around.

758
00:39:53,039 --> 00:39:54,760
Speaker 6: And it turned out it was a great show, but

759
00:39:54,880 --> 00:39:56,000
it was it was so funny.

760
00:39:56,039 --> 00:39:57,480
Speaker 7: I was like, so can I I was gonna play

761
00:39:57,480 --> 00:39:59,440
like Dave Matthews, Like you can't play Dave Matthews.

762
00:40:01,559 --> 00:40:03,440
Speaker 6: That was such a great gig though I had. I

763
00:40:03,599 --> 00:40:04,440
loved that place.

764
00:40:04,639 --> 00:40:08,360
Speaker 5: Yeah yeah, and the beer was amazing, yes, yes, yeah.

765
00:40:08,480 --> 00:40:10,440
Jenny and I stopped in there recently because it was

766
00:40:10,519 --> 00:40:13,960
Jesse's birthday and she's a she's a proud mama. Yeah yeah,

767
00:40:14,159 --> 00:40:16,440
so yeah, and he you know, he's been on the

768
00:40:16,440 --> 00:40:20,000
show a bunch of times too. Oh yeah, sounding really good, wicked, talented,

769
00:40:20,079 --> 00:40:24,599
really good. Absolutely, but that that's not something usually run

770
00:40:24,639 --> 00:40:26,440
into though, right at a venue where they you know,

771
00:40:26,480 --> 00:40:28,840
because of the music rights, where that kind of gets something.

772
00:40:28,920 --> 00:40:30,159
I mean, if you run into that before.

773
00:40:31,119 --> 00:40:34,320
Speaker 7: I did at not when I was playing music. I

774
00:40:34,400 --> 00:40:36,679
used to be a butcher, and they took the music

775
00:40:36,719 --> 00:40:38,920
there very seriously because they were worried.

776
00:40:39,320 --> 00:40:42,480
Speaker 6: I get it. Yeah, like it is. It's it's not

777
00:40:42,599 --> 00:40:43,960
the venue's fault or anything like that.

778
00:40:44,000 --> 00:40:44,320
Speaker 5: It's right.

779
00:40:44,360 --> 00:40:46,559
Speaker 6: The way the music industry works is you gotta be careful.

780
00:40:46,679 --> 00:40:48,400
Speaker 5: Yeah, I don't know.

781
00:40:48,440 --> 00:40:50,280
Speaker 6: I kind of like when stuff like that happens, Like

782
00:40:50,760 --> 00:40:51,119
if you.

783
00:40:51,159 --> 00:40:53,159
Speaker 7: Have like a two hour set or three hour set

784
00:40:53,199 --> 00:40:55,239
and then all of a sudden you have to remove

785
00:40:55,280 --> 00:40:56,719
twenty songs and figure it out.

786
00:40:56,920 --> 00:40:58,239
Speaker 6: Like it's kind of fun.

787
00:40:58,320 --> 00:40:59,079
Speaker 5: It's a challenge.

788
00:40:59,119 --> 00:40:59,480
Speaker 6: I love it.

789
00:40:59,559 --> 00:41:02,719
Speaker 5: Yeah, yeah, that's good. That's good. Good, good attitude to

790
00:41:02,719 --> 00:41:06,320
have about it, certainly. Yeah. Yeah. I've just over the years,

791
00:41:06,440 --> 00:41:11,679
I've heard stories of like BMI and ASCAP, like actually

792
00:41:11,840 --> 00:41:16,039
it's it sounds like you wouldn't think it would really happen,

793
00:41:16,079 --> 00:41:21,000
but like sending undercover agents, yeah, into places to see.

794
00:41:20,840 --> 00:41:23,519
Speaker 7: If they're I remember when piracy was big, and like

795
00:41:23,559 --> 00:41:26,159
there was like those stories of kids getting like sued

796
00:41:26,159 --> 00:41:28,719
because they downloaded the Titanic, and that actually happened.

797
00:41:28,760 --> 00:41:30,800
Speaker 6: Yeah, it sued for lots of money. It's like these

798
00:41:30,840 --> 00:41:31,719
are kids, oh.

799
00:41:31,719 --> 00:41:36,000
Speaker 5: Yeah, yeah, yeah, it's wild. It's wild. Yeah. And there

800
00:41:36,079 --> 00:41:38,360
used to be uh years ago, there was a place

801
00:41:38,400 --> 00:41:41,119
in Conquered called the Cafe Eclipse, and they got into

802
00:41:41,159 --> 00:41:42,280
some kind of trouble and they.

803
00:41:42,159 --> 00:41:43,440
Speaker 6: Just that's a great name.

804
00:41:43,920 --> 00:41:47,639
Speaker 5: Yeah yeah, it was a cool place. I played there

805
00:41:47,679 --> 00:41:49,119
a lot back in the day. But they had to

806
00:41:49,119 --> 00:41:51,280
make a rule just no covers because they had gotten

807
00:41:51,280 --> 00:41:53,719
in trouble and they'd been threatened by I don't know

808
00:41:53,760 --> 00:41:55,960
if it was ASCAP, BMI, or it might have been

809
00:41:56,000 --> 00:41:58,199
Sea Sack, because I remember the guy telling me, and

810
00:41:58,239 --> 00:41:59,920
I was like, oh, that's what I'm not familiar with.

811
00:42:00,320 --> 00:42:03,320
Speaker 7: I believe I'm playing a gig in March. It's a

812
00:42:03,320 --> 00:42:05,079
place that I've been wanting to get. It's hard to

813
00:42:05,079 --> 00:42:06,639
get the gig. It's like a two year out gig.

814
00:42:06,639 --> 00:42:09,719
It's called Stage thirty three. It's in Bellow Falls, Vermont. Yeah,

815
00:42:09,760 --> 00:42:11,559
I'm pretty sure. That's part of the rules is I

816
00:42:11,599 --> 00:42:14,719
can't play any covers because they don't have any licensing agreements,

817
00:42:14,719 --> 00:42:16,639
so it's all gonna be originals. For like, it's like

818
00:42:16,639 --> 00:42:18,800
a forty minute set of original which is fine, hayahy

819
00:42:18,840 --> 00:42:22,079
to do that. Yeah, if anything, it's refreshing. Yeah, there's

820
00:42:22,079 --> 00:42:24,840
not many listening rooms. That's the It's not a fault

821
00:42:24,880 --> 00:42:26,639
of New Hampshire, but it's the hardest thing in New

822
00:42:26,639 --> 00:42:28,199
Hampshire is there's not many listening rooms.

823
00:42:28,280 --> 00:42:32,280
Speaker 5: Right, yeah, right, no, I agree. When you when you

824
00:42:33,039 --> 00:42:35,599
play covers, do you mix in any originals?

825
00:42:35,800 --> 00:42:36,039
Speaker 3: Yeah?

826
00:42:36,119 --> 00:42:39,920
Speaker 7: Always, yeah, yeah, you gotta and they usually, you know,

827
00:42:40,079 --> 00:42:45,239
usually people want to hear it too. And my covers vary,

828
00:42:45,440 --> 00:42:47,960
Like I play John Mayor Dave Matthews Shehr, but I

829
00:42:47,960 --> 00:42:49,079
also play Britney Spears.

830
00:42:49,119 --> 00:42:52,079
Speaker 6: I play I do. I do.

831
00:42:52,719 --> 00:42:56,079
Speaker 7: Wow, that was almost very uh braggadocios. I do a

832
00:42:56,159 --> 00:42:58,599
cover of Cake by the Ocean that I really like.

833
00:43:00,119 --> 00:43:03,039
I just I do things that I want to hear. Yeah,

834
00:43:03,079 --> 00:43:04,320
I want to listen to you know what I mean?

835
00:43:05,000 --> 00:43:08,039
And it's yeah, it's just so. Then if you incorporate

836
00:43:08,079 --> 00:43:10,199
those and I base my set lists on where I

837
00:43:10,199 --> 00:43:11,039
have to place the capo.

838
00:43:11,599 --> 00:43:12,480
Speaker 6: Oh that makes sense.

839
00:43:12,639 --> 00:43:16,440
Speaker 7: Yeah, yeah, like if I do all my like second

840
00:43:16,480 --> 00:43:21,400
fret capo songs together, so it helps with tuning stability and.

841
00:43:22,800 --> 00:43:25,880
Speaker 6: Yeah, so I incorporate my originals conclusion.

842
00:43:26,280 --> 00:43:28,840
Speaker 5: Yeah, well i'd imagine too. Some of the covers you do,

843
00:43:29,320 --> 00:43:31,719
like that Elliott Smith song I didn't recognize. I'm sure.

844
00:43:31,920 --> 00:43:33,760
I'm sure if you ever had anyone come up to

845
00:43:33,800 --> 00:43:36,119
you and say, hey, I really like that song and

846
00:43:36,119 --> 00:43:38,360
they have no idea that it's not an original, does

847
00:43:38,400 --> 00:43:38,840
that happen?

848
00:43:39,400 --> 00:43:42,079
Speaker 7: The only covers I would say that I do that

849
00:43:42,159 --> 00:43:45,800
people don't recognize are Elliott Smith and I Have so

850
00:43:46,119 --> 00:43:50,119
and which sends me. But I do them just I

851
00:43:50,159 --> 00:43:52,199
do them as like a kind of way of saying

852
00:43:52,239 --> 00:43:56,440
thank you to Elliott. Yeah, but yeah, usually people like

853
00:43:57,000 --> 00:44:01,320
people pick up on things like it's crazy. You know,

854
00:44:01,440 --> 00:44:05,480
you play you, people wonder why, Like somebody will be like,

855
00:44:05,519 --> 00:44:06,039
I'll never.

856
00:44:05,880 --> 00:44:08,519
Speaker 6: Play Hate Jude because it's such a cliche. But you

857
00:44:08,559 --> 00:44:11,119
play it at a bar, you're gonna get a reaction

858
00:44:11,199 --> 00:44:15,559
that's gonna give you such an endorphin rush. That's it's incredible,

859
00:44:15,800 --> 00:44:18,039
the dopamine high you get from playing Hate You Live.

860
00:44:18,119 --> 00:44:20,960
I can't I recollect it to everyone. Play Hay Jude.

861
00:44:20,760 --> 00:44:21,440
Speaker 5: Live, no kidding?

862
00:44:21,480 --> 00:44:24,920
Speaker 6: Yeah, and play The Boxer by Paul by something. Oh yeah,

863
00:44:24,920 --> 00:44:25,760
that's a great one.

864
00:44:25,920 --> 00:44:26,119
Speaker 2: Yeah.

865
00:44:26,159 --> 00:44:26,880
Speaker 6: Yeah.

866
00:44:26,920 --> 00:44:29,480
Speaker 5: Are do you have a favorite cover? Is there is

867
00:44:29,480 --> 00:44:31,199
there one that you especially.

868
00:44:31,199 --> 00:44:34,880
Speaker 6: That like I look forward to? Yeah, I can. I

869
00:44:34,960 --> 00:44:37,679
play Neon by John Mayer, and that's a bit of

870
00:44:37,719 --> 00:44:41,159
a flex and that seems to be giving me some attention.

871
00:44:41,360 --> 00:44:44,239
Speaker 7: So I like playing that one. Yea, yeah, yeah, that's

872
00:44:44,480 --> 00:44:46,039
it's been fun. I also like playing Your Body as

873
00:44:46,039 --> 00:44:46,639
a Wonderland.

874
00:44:47,159 --> 00:44:47,360
Speaker 5: Yeah.

875
00:44:47,400 --> 00:44:49,559
Speaker 6: I love that song. Yeah yeah yeah uh. And I

876
00:44:49,599 --> 00:44:54,199
also love playing I Can't help falling in Love with You. Yeah,

877
00:44:54,280 --> 00:44:56,199
play Elvis a lot. That's a great song.

878
00:44:56,280 --> 00:44:56,480
Speaker 4: Yeah.

879
00:44:56,480 --> 00:44:58,159
Speaker 5: I would imagine that goes over pretty well.

880
00:44:58,199 --> 00:45:00,719
Speaker 7: I can I can see how just watch I've seen

881
00:45:00,760 --> 00:45:03,599
like moms bring their little kids on stage up the

882
00:45:03,639 --> 00:45:04,280
front to dance.

883
00:45:05,039 --> 00:45:08,079
Speaker 5: Yeah yeah, oh yeah, yeah, that's very cool, very cool.

884
00:45:08,320 --> 00:45:10,760
Have you ever if you ever played any covers that

885
00:45:10,800 --> 00:45:13,559
you had to ditch because you they weren't going over

886
00:45:13,599 --> 00:45:14,199
well or.

887
00:45:15,119 --> 00:45:21,360
Speaker 7: That's a good question. Yeah, definitely. I tried doing party

888
00:45:21,440 --> 00:45:22,920
rock by l MFAO.

889
00:45:23,280 --> 00:45:26,320
Speaker 6: That didn't work. I still do it sometimes, but there's

890
00:45:26,360 --> 00:45:26,760
a line in.

891
00:45:26,760 --> 00:45:29,920
Speaker 7: It it's like half half black, half white Domino and like,

892
00:45:30,000 --> 00:45:31,199
once I sung it out loud.

893
00:45:31,039 --> 00:45:33,719
Speaker 3: Was like, oh yeah, I'm as.

894
00:45:33,719 --> 00:45:37,840
Speaker 6: Just white male. So there was that, and then there

895
00:45:37,920 --> 00:45:38,920
was also.

896
00:45:40,119 --> 00:45:43,440
Speaker 7: There's a song called issues like I Got I Got Issues,

897
00:45:43,519 --> 00:45:46,320
you got too. I don't know who actually does a song,

898
00:45:46,360 --> 00:45:49,760
but it just didn't translate well to acoustic. But I'm

899
00:45:49,760 --> 00:45:52,280
working on a version, you know, the song I Will Survive.

900
00:45:52,599 --> 00:45:54,159
I'm working on that at the moment. That's like my

901
00:45:54,239 --> 00:45:56,320
latest thing. I'm really excited. I think I want to

902
00:45:56,320 --> 00:45:58,760
actually like put it on the album. I always wanted

903
00:45:58,760 --> 00:46:00,760
to have a song like a cover so on the album.

904
00:46:00,880 --> 00:46:02,039
Speaker 5: Oh okay, so I might do that.

905
00:46:02,400 --> 00:46:04,360
Speaker 6: Yeah yeah, spoiler alert, Yeah.

906
00:46:04,199 --> 00:46:06,119
Speaker 5: I know I think that would that would be pretty cool.

907
00:46:08,119 --> 00:46:10,559
Now the singles that you're releasing, are these all being

908
00:46:10,559 --> 00:46:13,079
recorded at the same studio or yeah, yeah.

909
00:46:12,920 --> 00:46:15,079
Speaker 6: Yeah, yeah, Well I'll go in there and we'll spend

910
00:46:15,079 --> 00:46:17,760
like three hours record like three songs because they're just

911
00:46:17,800 --> 00:46:21,239
double tracked. They're very simple. It's still I like. What

912
00:46:21,320 --> 00:46:23,400
I like is it's not it's not low fi, but

913
00:46:23,440 --> 00:46:25,559
it's like just the next step up. Yeah, and I

914
00:46:25,639 --> 00:46:26,159
just want.

915
00:46:26,000 --> 00:46:28,719
Speaker 7: To keep polishing it up, you know, keep polishing the

916
00:46:28,719 --> 00:46:34,519
turd if you will, until it's maybe where people would

917
00:46:34,639 --> 00:46:37,760
consider it acceptable or something like that.

918
00:46:38,280 --> 00:46:39,920
Speaker 5: Well, I'll look forward to hearing the next one when

919
00:46:39,960 --> 00:46:40,360
it's ready.

920
00:46:40,400 --> 00:46:41,000
Speaker 6: That's for sure.

921
00:46:41,079 --> 00:46:45,840
Speaker 5: That's for sure. Let's see you want to play one more? Sure? Sure, sure,

922
00:46:46,280 --> 00:46:48,320
if you're just joining us, We have Temple Mountain here

923
00:46:48,360 --> 00:46:52,039
with us alive in studio on this Saturday morning. We

924
00:46:52,079 --> 00:46:54,360
do have a dead by Wednesday in the third hour,

925
00:46:54,400 --> 00:46:56,280
although they might be a little late. We were talking,

926
00:46:56,679 --> 00:46:58,039
we were I think it was off air. We were

927
00:46:58,039 --> 00:47:00,880
talking about how they're coming up from Connecticut, and apparently

928
00:47:01,119 --> 00:47:03,079
Jenny messaged me and said they had a little bit

929
00:47:03,079 --> 00:47:05,199
of a delay because of the Hartford Marathon, which I

930
00:47:05,199 --> 00:47:07,440
didn't know what's happening today, but I can see how

931
00:47:07,440 --> 00:47:08,000
that would happen.

932
00:47:08,079 --> 00:47:09,960
Speaker 6: Here's a random question. What are your thoughts on do

933
00:47:10,039 --> 00:47:12,559
you know about New Haven's clam pizza?

934
00:47:13,719 --> 00:47:14,920
Speaker 5: No, but I'm horrified.

935
00:47:15,079 --> 00:47:17,920
Speaker 7: Yeah right, yeah, it's someone from New York. It's just like,

936
00:47:18,000 --> 00:47:18,880
there's no way that.

937
00:47:18,880 --> 00:47:22,880
Speaker 5: Works clam pizza. I have a rule because you know,

938
00:47:23,199 --> 00:47:26,440
pizza is my favorite food. And uh oh really and

939
00:47:26,440 --> 00:47:29,079
and if somebody asked me, you know, Matt, why you

940
00:47:29,119 --> 00:47:31,719
know you say certain types of pizza are gross and

941
00:47:31,760 --> 00:47:34,519
other types are good. Here's here's how. This is what

942
00:47:34,559 --> 00:47:37,679
I tell people. If you want your pizza to be delicious,

943
00:47:38,119 --> 00:47:42,400
you should only choose delicious toppings. If you choose disgusting toppings,

944
00:47:42,440 --> 00:47:44,440
your pizza will be disgusting. And that's all you have

945
00:47:44,519 --> 00:47:44,719
to know.

946
00:47:45,119 --> 00:47:45,320
Speaker 2: Now.

947
00:47:45,400 --> 00:47:47,599
Speaker 7: With that said, you know pizza is hard to find.

948
00:47:47,679 --> 00:47:51,400
Come around here there's good pizza and there's Sorry New Hampshire,

949
00:47:51,599 --> 00:47:53,599
there's not. If you're from New York, you're not gonna

950
00:47:53,639 --> 00:47:54,119
love the pizza.

951
00:47:54,199 --> 00:47:54,320
Speaker 2: Right.

952
00:47:54,840 --> 00:47:56,760
Speaker 6: Have you been Tollis in Peterborough?

953
00:47:57,039 --> 00:47:57,519
Speaker 5: No?

954
00:47:57,519 --> 00:48:01,039
Speaker 7: No, they're good, really Yeapelli's only getting better too.

955
00:48:01,119 --> 00:48:01,360
Speaker 6: Yeah.

956
00:48:01,360 --> 00:48:04,519
Speaker 7: They are very traditional in like New York style slices

957
00:48:04,559 --> 00:48:08,519
and they still slices by the singles Monday through Friday,

958
00:48:08,760 --> 00:48:10,320
eleven am to four pm.

959
00:48:11,920 --> 00:48:13,800
Speaker 5: You being from New York, you you, I mean, you

960
00:48:13,800 --> 00:48:15,320
wouldn't say that if it wasn't true.

961
00:48:15,320 --> 00:48:18,559
Speaker 7: So it's now is it New York Pizza? No, but

962
00:48:18,559 --> 00:48:20,239
but there's something in the water, so.

963
00:48:20,239 --> 00:48:23,400
Speaker 5: It's the clos probably so far.

964
00:48:23,480 --> 00:48:25,519
Speaker 7: Yeah, I've heard think that people have told me about

965
00:48:25,519 --> 00:48:27,360
Tilton's House of Pizza, and I need to check out.

966
00:48:27,400 --> 00:48:30,480
Apparently I've had good pizza. I kind of like bad

967
00:48:30,480 --> 00:48:31,840
pizza too. I just love pizza.

968
00:48:31,960 --> 00:48:32,960
Speaker 5: Yeah, I'm the same way.

969
00:48:33,159 --> 00:48:35,400
Speaker 7: Yeah, yeah, it doesn't have to be great exactly. I

970
00:48:35,480 --> 00:48:38,639
love you know, cumber Comby's Farms pizza makes me happy.

971
00:48:39,000 --> 00:48:40,519
Speaker 6: Yeah, sure, I'm gonna get out of I hate for that.

972
00:48:40,639 --> 00:48:44,639
Speaker 5: But yeah, seven eleven pizza isn't bad if like when

973
00:48:44,679 --> 00:48:48,039
it's fresh. But it has to be fresh because once

974
00:48:48,079 --> 00:48:51,320
it turns, it turns. Oh yeah, I fell into a

975
00:48:51,320 --> 00:48:53,400
habit of I don't need seven eleven pizza anymore, but

976
00:48:53,440 --> 00:48:55,480
I felt of eating it. But it had to be

977
00:48:55,559 --> 00:48:57,960
like like, I mean, like within the last five minutes.

978
00:48:58,000 --> 00:48:58,960
It had to have been put.

979
00:48:58,840 --> 00:49:00,880
Speaker 6: Yeah, otherwise something happens to cheese at.

980
00:49:00,840 --> 00:49:02,960
Speaker 5: Minute six it turns into something horrible.

981
00:49:03,000 --> 00:49:05,000
Speaker 6: And you know, I'm not stupid. I know it's not real.

982
00:49:05,239 --> 00:49:07,760
Speaker 7: I know it's yeah, yeah, I know that's not that's

983
00:49:07,800 --> 00:49:10,239
not all right, that's not tomato right.

984
00:49:10,199 --> 00:49:16,159
Speaker 5: Right, making me hungry? All right, Temple Mountain is here

985
00:49:16,199 --> 00:49:18,199
with us, live in studio, and what are you gonna

986
00:49:18,199 --> 00:49:18,719
play for us?

987
00:49:18,760 --> 00:49:22,239
Speaker 7: I'm gonna play a John Mayer song if that's okay, Yeah, yeah, absolutely.

988
00:49:22,280 --> 00:49:23,760
Speaker 6: I'll play your Body's of Wonderland?

989
00:49:24,079 --> 00:49:25,800
Speaker 5: Right, happy, all right, very good.

990
00:49:46,280 --> 00:49:56,119
Speaker 2: We got the afternoon. You got this room too. One

991
00:49:56,199 --> 00:50:06,199
thing that's left to do government discovering you, one mind

992
00:50:06,519 --> 00:50:15,480
to avery and Jeff, your skin like Parson, one pair

993
00:50:15,800 --> 00:50:19,880
of cantie lips, and your bubble gum too.

994
00:50:23,000 --> 00:50:28,840
Speaker 10: And if you want love making swimming a deep sea

995
00:50:30,079 --> 00:50:35,960
of blankets, take your big plants and break up.

996
00:50:36,840 --> 00:50:41,920
Speaker 2: This is bound to be a wild Your body is

997
00:50:42,199 --> 00:50:49,880
wanting land. Your body is a wonder I'll use my hands.

998
00:50:50,599 --> 00:50:59,599
Your body is wanton land. Something about wid half falls

999
00:50:59,639 --> 00:51:03,159
in your face. I love the shape you take.

1000
00:51:03,239 --> 00:51:07,840
Speaker 10: One crownto Honts billowcas you tell me where to go,

1001
00:51:08,079 --> 00:51:11,400
and the one I lead found it and never let

1002
00:51:11,440 --> 00:51:12,880
your head hits bad.

1003
00:51:13,480 --> 00:51:19,840
Speaker 3: Found my hand behind it. One off, make it swim

1004
00:51:19,840 --> 00:51:23,119
in the deep sea. Plants.

1005
00:51:23,719 --> 00:51:28,519
Speaker 2: Take all your big plants and break them.

1006
00:51:28,760 --> 00:51:31,239
Speaker 5: This is bound to be a wow.

1007
00:51:32,920 --> 00:51:35,639
Speaker 2: Your body is wander Lands.

1008
00:51:37,599 --> 00:51:42,559
Speaker 3: Your body is wander Well you use my hands, your

1009
00:51:42,599 --> 00:51:45,000
body is wander lands.

1010
00:51:51,159 --> 00:51:59,280
Speaker 2: Damn, baby, man, you rest your may.

1011
00:51:58,960 --> 00:51:59,840
Speaker 3: I know your mind.

1012
00:52:00,159 --> 00:52:05,519
Speaker 2: Oh man o man, But she looks so good it hurts.

1013
00:52:05,559 --> 00:52:06,400
Speaker 3: Sometimes.

1014
00:52:14,239 --> 00:52:16,440
Speaker 6: Bad is want lands.

1015
00:52:18,840 --> 00:52:25,000
Speaker 3: Bad is wander all use mans, bad is want.

1016
00:52:45,760 --> 00:52:48,719
Speaker 5: That's a long fade. Well, you know what's funny. I

1017
00:52:48,760 --> 00:52:51,360
was thinking about this as you were playing it. I

1018
00:52:51,360 --> 00:52:53,800
haven't heard you know, his version, the original version of

1019
00:52:53,840 --> 00:52:58,239
a long time. But speaking of phades, there's I always

1020
00:52:58,239 --> 00:53:00,719
thought it was kind of funny how the song kind

1021
00:53:00,719 --> 00:53:03,199
of tricks you a little bit in that it sounds

1022
00:53:03,280 --> 00:53:05,800
like it's over. There's a point where the song sounds

1023
00:53:05,840 --> 00:53:07,599
like it's over where you know what I mean, and

1024
00:53:07,760 --> 00:53:11,440
it goes to that like you know exactly what I mean,

1025
00:53:11,480 --> 00:53:13,360
which is not because I've said this to other people

1026
00:53:13,400 --> 00:53:15,840
and they don't know what I'm talking about. Yeah, there's

1027
00:53:15,840 --> 00:53:17,480
a point in the song where it's like, if you

1028
00:53:17,519 --> 00:53:19,880
haven't heard it before, you're sure the fade out is

1029
00:53:20,039 --> 00:53:21,960
right there, and then it doesn't happen.

1030
00:53:22,079 --> 00:53:24,079
Speaker 6: He does that actually a lot on M squares.

1031
00:53:24,079 --> 00:53:27,400
Speaker 7: This is a song called my stupid mouth and there's

1032
00:53:27,400 --> 00:53:29,440
a part where it just ends and then he goes

1033
00:53:29,760 --> 00:53:30,760
one more thing.

1034
00:53:30,920 --> 00:53:35,159
Speaker 5: Oh yea yeah yeah. I was like, Clarity, that's a

1035
00:53:35,760 --> 00:53:37,880
down Mary's song that I really like. Yeah, yeah, that's

1036
00:53:37,920 --> 00:53:43,119
a good one. What uh so we are approaching the

1037
00:53:43,119 --> 00:53:45,760
top of the hour. What do you are you playing

1038
00:53:45,760 --> 00:53:46,639
this weekend anywhere?

1039
00:53:47,159 --> 00:53:49,199
Speaker 7: I'm going to Campton, New Hampshire today to play at

1040
00:53:49,199 --> 00:53:52,840
mad River Coffee House, okay, and then I'm playing this Thursday.

1041
00:53:52,920 --> 00:53:55,639
I play at kill Kenny's in New Hampshire, and then

1042
00:53:55,679 --> 00:53:58,199
i play in Francis Town. The following week I play

1043
00:53:58,679 --> 00:54:00,760
I don't know my whole schedule, but I'm all over

1044
00:54:00,800 --> 00:54:03,280
the place if you want to find out. Www dot

1045
00:54:03,280 --> 00:54:05,360
Temple Mats and music dot com. I just updated the

1046
00:54:05,400 --> 00:54:06,320
website too, so.

1047
00:54:07,119 --> 00:54:09,239
Speaker 5: Oh very good, very good. You do all that yourself,

1048
00:54:09,239 --> 00:54:11,639
the yeah web web stuff, Yeah, yeah, excellent. Yeah, no,

1049
00:54:11,679 --> 00:54:13,679
it's a nice website. Thank you. I'm kind of a

1050
00:54:13,679 --> 00:54:15,960
website nerd. I look at websites and judge them.

1051
00:54:16,880 --> 00:54:18,599
Speaker 6: That's I don't know what I'm doing, so that means

1052
00:54:18,599 --> 00:54:19,000
a lot to me.

1053
00:54:19,079 --> 00:54:21,119
Speaker 5: Well, because a lot of a lot of our guests

1054
00:54:21,159 --> 00:54:24,880
I look at their websites and it's like, oh they're

1055
00:54:24,920 --> 00:54:27,519
so like, you know, I'll have a band on It's like, oh,

1056
00:54:27,519 --> 00:54:29,719
there's such a great band and their website. It's horrible.

1057
00:54:30,599 --> 00:54:33,960
Speaker 7: You know, invest put if you make money at gigs,

1058
00:54:33,960 --> 00:54:35,159
put money back into things.

1059
00:54:35,159 --> 00:54:35,320
Speaker 5: You know.

1060
00:54:35,360 --> 00:54:38,320
Speaker 7: I paid for a graphic designer. Shout to Emily Perry

1061
00:54:38,360 --> 00:54:41,960
for designing my logo and ever since that, that was

1062
00:54:41,960 --> 00:54:43,760
like a game changer, Like I don't got so many

1063
00:54:43,760 --> 00:54:44,320
gigs from.

1064
00:54:44,159 --> 00:54:47,480
Speaker 5: That logo, don't kidding? Yeah, yeah, yeah, No, it's great

1065
00:54:47,480 --> 00:54:50,559
that you say that, though, because that demonstrates that sometimes,

1066
00:54:50,599 --> 00:54:53,679
you know, even just tweaking one thing, oh yeah, that

1067
00:54:53,679 --> 00:54:56,360
that most people might not think would make a difference

1068
00:54:56,400 --> 00:54:58,599
sometimes just everything.

1069
00:54:58,719 --> 00:55:00,920
Speaker 7: Yeah, yeah, And learning how to talk to people is

1070
00:55:00,960 --> 00:55:05,960
so important, yes, you know, don't Yeah, I have a

1071
00:55:05,960 --> 00:55:07,559
real pet peeve when I hear like, I know, we

1072
00:55:07,599 --> 00:55:09,639
gotta go. But when I hear an artist like almost

1073
00:55:09,639 --> 00:55:12,079
like say something condescending to like a person.

1074
00:55:11,880 --> 00:55:15,599
Speaker 5: Yeah, it's like, just be nice, right right, just do it? Yeah. Yeah,

1075
00:55:15,639 --> 00:55:17,760
it's not hard, it's not hard. It doesn't cost anything.

1076
00:55:17,800 --> 00:55:20,760
Speaker 6: Now, it's not easy either, sometimes, but yeah, make it easy,

1077
00:55:20,800 --> 00:55:21,440
find a way.

1078
00:55:21,320 --> 00:55:26,719
Speaker 5: Yeah, exactly exactly, And that's how you build relationships exactly. Yeah, absolutely,

1079
00:55:26,800 --> 00:55:30,400
and uh so you've got uh and then you're are

1080
00:55:30,400 --> 00:55:32,079
you pretty busy for the rest of the month too?

1081
00:55:32,119 --> 00:55:34,039
When when does Because I know you said you're starting

1082
00:55:34,039 --> 00:55:36,719
to slow down, but that's is that in November.

1083
00:55:36,480 --> 00:55:37,320
Speaker 6: I'm slowing down.

1084
00:55:37,400 --> 00:55:38,880
Speaker 7: I'm taking a little bit of a break just to

1085
00:55:39,119 --> 00:55:41,039
focus on grad school. So I have two gigs left

1086
00:55:41,079 --> 00:55:42,320
for October.

1087
00:55:42,480 --> 00:55:43,280
Speaker 5: Oh okay, yeah, and.

1088
00:55:43,239 --> 00:55:45,760
Speaker 7: Then I go into a studio on the thirtieth, okay,

1089
00:55:46,119 --> 00:55:48,440
and then November I start again. I'll have I think

1090
00:55:48,480 --> 00:55:50,559
I have like ten to fifteen gigs or something like that.

1091
00:55:50,639 --> 00:55:54,039
Speaker 5: Okay, okay, oh wow, okay, and then uh and Stacey

1092
00:55:54,159 --> 00:55:56,280
the new single, which we'll we'll play again to close

1093
00:55:56,320 --> 00:55:57,840
out to a segment two of you because this is

1094
00:55:57,880 --> 00:56:00,320
out today on all the streaming platforms, and there's a

1095
00:56:00,400 --> 00:56:01,360
video coming soon.

1096
00:56:01,920 --> 00:56:04,360
Speaker 6: Make a week okay, yeah it might. Yeah, I'll probably

1097
00:56:04,400 --> 00:56:05,159
release it in a week.

1098
00:56:05,360 --> 00:56:08,880
Speaker 5: All right, all right, excellent, excellent, Well, thank you, my friend.

1099
00:56:08,920 --> 00:56:10,599
This is always wonderful to see you. I think this

1100
00:56:10,760 --> 00:56:12,360
is your Is this your third time on the show.

1101
00:56:12,400 --> 00:56:14,599
Speaker 6: Yeah, thank you for always having me. You guys, that's

1102
00:56:14,639 --> 00:56:15,159
really sweet.

1103
00:56:15,280 --> 00:56:17,480
Speaker 5: Absolutely, no, we we love to have you on and

1104
00:56:17,519 --> 00:56:20,760
I'll remind people too. Eric was also on Rob's show

1105
00:56:20,760 --> 00:56:22,280
Granted State of Mind, so you can find that in

1106
00:56:22,320 --> 00:56:25,559
the archive as well. And we will close out the

1107
00:56:25,559 --> 00:56:28,119
segment once again with the brand new single out today.

1108
00:56:29,039 --> 00:56:32,920
It is called Stacy by Temple Mountain. Thanks again.

1109
00:56:38,480 --> 00:56:47,960
Speaker 2: The prettiest us I've seen. Oh your lips, so that's

1110
00:56:48,119 --> 00:56:55,519
when you link. You show me what you mean, and

1111
00:56:55,679 --> 00:57:03,599
I would do anything just say it's true. So it's breathe.

1112
00:57:04,400 --> 00:57:05,239
Look at me.

1113
00:57:06,679 --> 00:57:07,880
Speaker 3: I love you.

1114
00:57:12,679 --> 00:57:16,079
Speaker 2: Had a dream we would dancing all night.

1115
00:57:19,440 --> 00:57:20,920
Speaker 3: Oh I never.

1116
00:57:21,000 --> 00:57:26,880
Speaker 2: Danced uf once before, but you My feet move right.

1117
00:57:29,360 --> 00:57:30,519
Speaker 3: And I would do.

1118
00:57:30,639 --> 00:57:35,079
Speaker 2: Anything to just say it's true.

1119
00:57:36,119 --> 00:57:39,119
Speaker 3: So it's breathe. Look at me.

1120
00:57:40,559 --> 00:57:45,119
Speaker 2: I love you, And that.

1121
00:57:45,199 --> 00:57:49,800
Speaker 3: You fall asleep. I count the sheep that's.

1122
00:57:49,599 --> 00:57:55,760
Speaker 2: Playing through your minds, and I watch your flaws hanging

1123
00:57:56,039 --> 00:58:00,760
off your jaws, the feelings that you high.

1124
00:58:01,880 --> 00:58:05,159
Speaker 3: Or you're cold, and hair swinging in the.

1125
00:58:06,599 --> 00:58:14,519
Speaker 2: Quiet winds subsides, and your loneliness and your only and

1126
00:58:14,679 --> 00:58:57,360
your mind. Now I see why I say you and I.

1127
00:58:59,480 --> 00:59:05,920
Speaker 4: M hmm on the bellies I wrote before, have you

1128
00:59:06,559 --> 00:59:15,239
between the lines, And I would do anything.

1129
00:59:15,159 --> 00:59:20,760
Speaker 2: To just say I do so expreas look at me

1130
00:59:22,199 --> 00:59:23,199
I love you.

1131
00:59:26,280 --> 00:59:29,280
Speaker 3: So Sprea, look at me.

1132
00:59:30,639 --> 00:59:31,639
Speaker 2: I love you.