Speaker 1: Wm h rips, the normals, the prettiest guys I've ever seen.
Speaker 2: Oh, your lips don't move it when you blink, you
show me what you mean. And I would do anything
to just say it's true. So it's breathed. Look at me,
I love you. Had a dream we went dancing all night.
Speaker 3: Oh I never.
Speaker 2: Danced do once before, but you My feet move right,
and I would do anything to just say it's true.
Speaker 3: So it's breathe.
Speaker 2: Look at me, I love you, and that you fall asleep.
Speaker 3: I count the sheep.
Speaker 2: That's playing for your mind, and I watch your flaws
hanging off your jaws, the feelings that you hide.
Speaker 3: Or your golden hair swinging inny.
Speaker 2: It's the quiet winds, subsides and your loneliness and your
only and your mind.
Speaker 3: Now I see why I say you and I.
Speaker 4: On the bellies I wrote before, have you between the lines,
and I would do anything.
Speaker 3: To just say I.
Speaker 2: Do so, Spree, look at me, I love you so Sprey,
look at me.
Speaker 5: What a beautiful song that is called Stacy. And we
have the writer and composer and singer and guitarist and
from Temple Mountain is here with us live in studio.
And we get that mic up. Hello, Eric, Hey, how
are we doing? Let's see?
Speaker 6: How do I sound good?
Speaker 5: I'm just gonna boosome that volume a little bit.
Speaker 6: Heard.
Speaker 5: Eric's gonna play live for us this morning, so I
want to make sure we can hear you. Okay, I
think we're I think we're good. Yeah, congratulations that just
came out. Stacy.
Speaker 7: Yeah, it's Stacy's song has been out since today, and yeah,
it's the series of probably several singles that are gonna
be coming in in the near future. So I have
like at least seven or eight more.
Speaker 5: Okay, So has this been played on the radio before today?
World Radio premiere?
Speaker 3: We love it?
Speaker 5: Excellent? Excellent? Uh so when you say it's out today,
so it's on all the streaming play platforms.
Speaker 7: Yeah, and then I have a video and official video
that uh I handa B photography and I filmed together
that I'm going to be releasing soon too.
Speaker 5: Very good. Like how so like within the next couple
of weeks.
Speaker 7: You would think with someone who's passionate, they would have
a date set, but I haven't put it. We we
kind of created that video so extemporaneously and very last minute.
So it's done and it's ready.
Speaker 6: I could release it now, but I don't know when
I want to do it.
Speaker 5: Right right, No, it makes sense. Yeah, you want to
wait till the time is right. Yeah, absolutely absolutely. And
so you said, so you're releasing a series of singles.
Speaker 6: Yeah, I'm doing you you ever heard the Waterfall Effect?
Speaker 5: Yes, yes, I've heard.
Speaker 7: I don't really want to do it because I don't
like the idea of it, but it seems to everyone's
just telling me to do it. So I'm like, why
don't I do it this time around and then the next I.
Speaker 6: Can do with the way I want to do it.
Speaker 3: Yeah.
Speaker 7: So, yeah, I'm releasing probably every other month, I'm going
to release a song.
Speaker 5: Actually, I'm going to ask you to get a little
closer to that, mic. I thought it was a good distance.
But yeah, So, uh, you're a previous because you have
the album Schema, which we've played songs from before. So
but this time, so will the singles that you're releasing
will they eventually call a.
Speaker 7: Yeah, actually it's going to release. The album is going
to be called Case Studies. And you had the artists
who did the artwork for it on the show.
Speaker 6: Kira Curtis Oh yes, that's why we talked about that.
Speaker 7: Yeah, she did the final album artwork, and then for
all the singles, I want to get local artists to
kind of create the what what would you call it,
the Spotify single template for it.
Speaker 5: Yeah. Oh that's a great idea. Yeah, yeah, very cool,
very cool? Are these? Uh So Schema obviously kind of
has a theme.
Speaker 6: Yeah, now I took that out this time.
Speaker 5: Okay.
Speaker 6: I mean, I'm sure.
Speaker 7: It's in there because I think in that kind of way,
but in terms of titles and overall concept, I just
wanted to kind of rein free. There was I put
a lot of restrictions on Schema, like there's only you know,
you play guitar or correct yea, so there's only like
certain shapes that I restricted myself to to create songs with.
For this time around, I was like, let me experiment
more of harmony and let me experiment more with just
I just wanted it to be completely And I even
went to like a studio this time around to like
record them and act in Massachusetts.
Speaker 6: So I just wanted to try something new.
Speaker 5: Okay. So that's where Stacy was recorded.
Speaker 6: Yeah, and well Spring sounds okay. Josh is awesome. I
love the guy.
Speaker 5: Now, how did you connect with him and why did
you decide to work with him?
Speaker 7: I was looking at places that offered tape recording because
I was because you know, why not and they don't
do that. But they came up and I saw their
rates and I was like, that's affordable.
Speaker 5: So so you were looking for so when you say
tape recording, so you were looking for that, I.
Speaker 6: Was looking for like real to reel that.
Speaker 7: Wow, and it's it's possible. It's just then I started
I get really in my head about these things. It's
like would that be a cliche? Would that be a
little bit of a gimmick? And so then I found
them and I was like, why don't I just give
this a try? And Josh, what's cool is I'm a
big Elliott Smith fan. And they have the original microphones
that Elliott Smith used on his Lucky three documentary, which
is like the mike, it's a Newman something. I forget
what they're called, but uh, okay, so just I got
to record the whole album with those microphones.
Speaker 5: So kidding, Oh very cool. Yeah, yeah, that's awesome.
Speaker 6: I mean it meant a lot to me.
Speaker 5: That's awesome. Yeah, I am curious. Were you able to
find I assume not in the area. Were you able
to find a studio that does real to real when
you were looking online? Yeah?
Speaker 7: Yeah, yeah absolutely. And I had a friend, uh, my
friend Josh. He actually has a four track set recorder,
and I was thinking about doing something like that.
Speaker 6: But I don't know, it's so funny you because I
was just thinking about this.
Speaker 7: I kind of want to make an album and I
know saying this live on the air, like it's silly,
but I want to create an album where I just
record right on my iPhone because to me, the iPhone
voicemail app seems to be like the new Lo Fi
And I would like, what can.
Speaker 6: I do with that?
Speaker 7: And maybe I could do something kind of Nick Drake
like and like do a live fingerpicking and vocal intimate
stuff and like it won't sound like high professional, but
that's like that's the point.
Speaker 5: Right right. Yeah.
Speaker 7: I love I love when it sounds like you're there,
you know why. It's not like I love.
Speaker 6: The room noise. I love everything about that. Yeah, I
love the mistakes.
Speaker 5: Yeah, how did I know? We talked about this before?
But how how was schema recorded?
Speaker 7: In my in my farmhouse, just with like a simple
microphone and and uh a Logic Pro and a laptop
that couldn't handle Logic Pro. And then I just kind
of figured it out. I mixed in myself, so I
just did it by ear. I don't really know how
to do compression or make uh you know EQ and
you know it shows. But I'm really happy. I'm really
proud of that album. Every time I listen to it,
I'm always.
Speaker 6: Like, oh I still like this, Yeah, which that good?
That hasn't happened before.
Speaker 8: Yeah?
Speaker 5: Really?
Speaker 3: Yeah?
Speaker 5: Have you been self critical in the past of some of.
Speaker 6: Your pre prozac Yeah?
Speaker 5: That makes sense. That makes sense. You want to play
something a lot for sure?
Speaker 6: Could I play an Elliot Smith song?
Speaker 5: You can play anything you'd like?
Speaker 7: All right, this is an Elliot Smith song. It's called Angelus.
Speaker 2: Someone's always coming around here trailing some nucule said, I
see in your picture on a hundred dollars bill.
Speaker 3: Taking of chance to you in the swan of real skill.
So glad to meet you and just pick it up.
Speaker 2: The ticket showstairs, money to be me, go on loose
that gamble that stuff history you have the trade?
Speaker 3: Did you add up all the cards left to play
to zero, sign up with evil and less.
Speaker 2: Don't start me dry now, uh huh uh huh uh
huh uh uh.
Speaker 3: Because I'm born over it and.
Speaker 2: I can make you satisfied with everything you do. All
your secret wishes could right now home back to you.
Speaker 3: Be for with Mad Poyson around you.
Speaker 2: No one's gone fool round first, no one's gone the fool.
Speaker 3: First song that meets you angeless?
Speaker 5: Very cool? I like it. I like it.
Speaker 6: What's that called Angelus by Elliott Smith?
Speaker 5: Yeah? I like it. I don't think I've ever heard
that before.
Speaker 3: That's beautiful.
Speaker 5: I mean, I've always been aware of Elliott Smith and
and somewhat familiar, but I don't Uh yeah, I don't
know that song. But no, I really like it.
Speaker 6: He's my hero, yea.
Speaker 5: What is it about him? Is it is? That's a
great song? Is it a songwriting?
Speaker 6: Yes, it's definitely the songwriting. When I was in my
senior year of high school, this really cool guy did
a English project and we had to choose a song
and like talk about how it has symbolic meaning. And
he did a song called Between.
Speaker 7: The Bars and I just watched it and it was
like everything I wanted to be. Yeah, and then that
night It's so funny because it was just coincidence. I
watched Goodwill Hunting and he did the music for Goodwill Hunting.
Speaker 5: Oh okay, and I was.
Speaker 6: Watching, I was listening to it. I was like, wow,
this is really good.
Speaker 3: Who is it?
Speaker 7: And I looked it up at was Elliot Smith And
actually is the reason I got into psychology that movie.
Speaker 6: So really yeah, so he just I don't know, his
playing blows my mind, his songwriting, his voice blows mine
and I love it.
Speaker 2: Yeah.
Speaker 5: Yeah, I don't remember if we talked about this before,
but so Goodwill Hunting is what inspired you to get
into psychology.
Speaker 6: Yeah, there's this.
Speaker 7: There's a great scene in that movie where Robin Williams
is talking to Matt Damon about laying bricks, and Matt
Damon's like making the argument like why are we looking
at laying bricks like it's a bad job.
Speaker 6: That's a noble job.
Speaker 7: There's honor in that, And it like blew my mind
hearing that for the first time and seeing then Matt
have a kind of breakthrough.
Speaker 6: It was like, I want to I want to experience
that in my lifetime.
Speaker 4: Oh.
Speaker 5: Interesting, yeah. The Uh if this sounds familiar to you,
then we did talk about this before. But your friend
my dad has told me that people have told him
that the Robin Williams character reminds that reminds them of him.
Speaker 6: Oh really, yeah, I know. Yeah, but you're a hypnotist, correct, Yes?
Have you do you find that?
Speaker 7: Because hypnotism can create incredible change in a person, is
there like a breakthrough moment? Would you say, like, can
a person realize there I don't like using the word cured,
but when they realized that a problem can maybe get
diminished or fixed.
Speaker 5: Yeah.
Speaker 7: Do you experience that yourself or is it more outside
the office where they notice that.
Speaker 5: I'll well, I'll tell you this. It's a great question
because sometimes during a session, at the end of it,
they're different, Like, not everybody, but sometimes they are, Like
I can see the subtle differences even in just how
they like their facial expressions, Like they exude a confidence
and a sense of empowerment that clearly was not there
before the sex. Cool. Yeah, and it is. I do
love that. I guess such a rush for that's you know.
I like to think I have certain skill sets, I'm
good at something, I think I'm okay at hosting a
talk show. I'm good for some good at that. But
the one thing I really love is hypnotherapy.
Speaker 3: Really.
Speaker 7: Yeah, you know what's cool about hitting the therapy too
is and people don't talk about this, but hypnotherapy is
the reason why psychoanalysis and therapy exists because Freud saw
hypnotherapy and was fascinated by it.
Speaker 5: Yeah.
Speaker 7: So, like it's such an important part of mental health
that we don't talk about a lot. It's diminished a
little bit, it's coming back and its diminished, it goes
in waves. Sometimes it's used as a party trick, and
it's like it's not just that it's it's a form
of behavioral therapy.
Speaker 5: Yeah, yeah, oh absolutely absolutely, No, I love I love
helping people with it. I do uh, I do a
visualization while they're in a state of hypnosis where I
have them imagine they're the ideal version of themselves, the
version of themselves that they most want to be. Oh wow,
And yeah, people seem to really get a lot out
of that, you know. But yeah, and so you now
are you where are you in your career with with
psycho psychology.
Speaker 6: Ye, I'm in my third semester of grad school.
Speaker 5: Excellent.
Speaker 7: I'm actually in my counseling skills class that I adore.
Speaker 6: I've been a.
Speaker 7: Case manager since the beginning, but I'm really looking forward
to internship. I love case management, but I'm really looking
forward to internship because i want to be in the
office and you know, just reading up on Yalam and
reading up on.
Speaker 6: Carl Rogers.
Speaker 7: I think the therapy that I'm interested in the most
is Rogarian therapy and like existential therapy.
Speaker 6: So I'm still trying and a little bit of solution focused.
There's some that's in there.
Speaker 7: But yeah, I just I'm I got about another year
and a half until i am.
Speaker 6: That's like part of my life.
Speaker 7: Yeah, cool, very exciting, cant and done days.
Speaker 5: That's that's excellent. Do you think do you think your
music will change when you when you get to that point?
Speaker 6: How so, like I don't know, like do you.
Speaker 5: Think because obviously you know you have these things in mind,
like with schema, you have these things in mind as
you're writing these songs. I mean, do you think it'll
do you think it will change your perspective at all
in terms of how you actually approach your music.
Speaker 7: I think where I get my most happiness from is
playing live. And I mean I've been busy with the
music stuff and it's been like two three hour shows
playing at bars, playing like you know, can't help falling
in love with Elves or hate Jude by the Beatles,
And I find a lack of arcists in that, and.
Speaker 6: I don't. I think the image.
Speaker 7: That I'm kind of portraying right in front of you
right now is kind of what I want to continue doing.
Speaker 2: Yeah.
Speaker 7: See, at one point I was singing about do I
want a band or nine? That's like that sounds so expensive?
Speaker 9: So right right, So in a lot of ways, yeah, yeah,
I think I want to find a healthy balance like
and sounds silly, but almost like the Batman thing, you know.
Speaker 7: By day I do I see patients and I see
clients and I help the best I can, and I
grow and build relationships. And at night I play music
and I grow and build relationships. So yeah, that's and
then you know, somewhere in between that also, I'm I'm
a happy husband and father, So to me, that sounds
like the ideal life for me.
Speaker 5: Yeah.
Speaker 6: Yeah.
Speaker 5: Do you think people overlook the benefit the psychological benefits
of music, like do you think the It's funny because
I've never really thought about it before from this angle,
but as we're talking to a personally, like, you know,
music in and of itself is such great therapy, even
just listening to it, you know, it can really affect
how you feel. And but sometimes I wonder if people don't.
I mean a lot of people do, even if they
just don't realize it necessarily consciously. But I think music
itself is kind of overlooked in that it can so
so much influence how we feel, how we feel about ourselves,
and and but it can also be sabotaging, and I
feel too exactly. Yeah, something I've never understood about people
is why. I mean, I I do get it, but
I but I it's not my instinct to do this
when someone is sad and they want to listen to
sad songs because they feel sad. And I've always been
from my entire from when I was a kid, when
I was a little kid. If I'm sad, the last
thing I want to do is listen to sad music.
I want to listen to something that's going to change
my state of mind.
Speaker 6: I think the thing that is actually maybe maybe not
maybe I'm getting a tangential. But the thing that's more
interesting to me is.
Speaker 7: Music you can develop an identity with. You know, if
there's a banana across the room, I'm not going to
have an identity with that banana. I'm not gonna go like, oh, yeah,
that's my favorite type of banana. It's from New Zealand
or something like that. You know, I don't know if
New Zealand grows bananas, but yeah, you know, with music,
it can get really idiolating because there can be times
where I've had moments where music is my best friend
on certain days, and there's certain days where it's just like,
oh my god, I've listened to Room for Squares by
John Mayer NonStop for a week and then I have
an identity crisis. Yeah, so that part doesn't get taught
bad enough, where, especially if you're into the arts and
you pursue the arts, you have moments of imposter syndrome
and identity crisis. And yes, music can be your best
friend at the end of the day. And I think
Smells Like Teen Spirit is one of the greatest songs
of all time, but after listening to it two thousand times,
when I listen to it now, it's like, I know
what happens on second forty five.
Speaker 6: I can't listen to that song anymore, you know.
Speaker 7: Yeah, yeah, yeah, So it's a it's a balance, and
I'm always trying. The other hard thing I want to
say is discovering new music for me is really difficult.
Speaker 6: I try really hard.
Speaker 7: I look for stuff, and it's just there's something going
on where my brain's like, nah, keep going. And when
I do find somebody, like right now it's been hip hop,
I'm like obsessed with just like we were talking about
before the show, making, like beat making and stuff like that. Yeah,
that's fine. It's like, finally here's that energetic high I've
been looking for.
Speaker 5: Yeah, yeah, that's interesting. So but so you so you
have a hard time though, finding new music that you like.
Speaker 7: Especially with acoustic music, because usually when people recommend me
acoustic stuff that it would make sense that I should
like it, but it just doesn't hit me. Like A
good example is Bonaver, very talented musician. People who love Boneaver.
You have great taste. I'm not here to try and
question that. And then when it comes to my ears
and I process it, it's like this isn't for me.
It's just not hitting it. I've I don't Maybe the
maybe the problem is.
Speaker 6: I don't actually know what I want.
Speaker 7: Yeah, yeah, I don't actually have my taste well defined
yet in my head?
Speaker 5: Well does it? Is it also possible that the production
is bothering you because because yeah, because you know, you're
a low fi guy.
Speaker 7: But I love again, I love smells like teen Spirit,
which is the exact opposite of that. So it's like
it depends on the context of the music itself.
Speaker 5: But even smells like teen Spirit, the production is different
than what like now, everything is so compressed.
Speaker 6: Yes, yeah, the only.
Speaker 5: People I feel really get it right is uh. I'm
not a big country guy, but I gotta say, from
a production standpoint, Nashville has it down.
Speaker 6: Oh yeah, yeah.
Speaker 5: The drums always sound great.
Speaker 7: You know, this is where it sounds like I almost
don't want to come across as like a double like
I'm here I making double standards. But like, for example,
like my friend sent me a song by an artist
called Dare the songs called Girls Don't Play. It's very raunchy.
I love that song. Yeah, it's awesome. I love I
love when that stuff is incorporated into like dance music
and stuff like that, it's like yes, but when it's incorporated,
it's like the acoustic guitar.
Speaker 6: And I hear an acoustic guitar, especially.
Speaker 7: Like like maybe controversible, and I hear guitar that has
like Elixir strings on it. For those who know what
Elexa strings are, they're coded strings. It's like an immediate
turnoff from my ears.
Speaker 6: Yeah, I don't like it. It sounds too clean.
Speaker 7: Yeah, And I want to make it clear, like I
don't think that this should be the standard for anyone
by any means, like because I'm not the best guitar
player of all time.
Speaker 6: I'm not the best songwriter of all time.
Speaker 3: I'm not.
Speaker 7: It's nothing like that. It's just for what I look
for to help me grow as a musician. I put
these kind of things on a pedestal.
Speaker 5: Yeah, yeah, no, that makes sense. That makes sense. If
you are just joining us, Temple Mountain is here with
us alive in studio, and you want.
Speaker 6: To play another one, Sure, I'll actually play.
Speaker 7: Because you played Stacy song earlier, I'll played the next
single I'm probably gonna release after that. Oh cool, And
I'm probably gonna mess it.
Speaker 5: Up, So that's okay.
Speaker 6: Ever, only live.
Speaker 5: It's an original and we won't know very good.
Speaker 6: It's called grateful, all right.
Speaker 2: Choice of girl is so profound, different shades of black
and gray. And you're say in the world is round,
but I'd seen in different ways, and I've noticed you're
holding my soul. Good, say with a breadth, Fay, it's
only one way. Oh, it's all right, say that I
need you so grateful, that meant you this way, waiting
for the moon to bloom.
Speaker 3: I watch the way it starts. My heart is only
sat on you. So now I thank you for today.
Speaker 2: And remember you told me the whole day the world
can be the friend each day. Oh, it's all right
to say that I need you so grateful to met.
Speaker 3: You sway stand behind again, backs our face and then.
Speaker 2: With voices all around, but we never made a sound.
All Your story is so profound. Now you choose to
live each day and it's never up or down.
Speaker 3: It's not a side that leans your way.
Speaker 2: Member, you told me to say for the world, as
asked you this say. Oh it's all right to say
that I needs you so grateful the mech you its way.
Speaker 3: Oh, it's all al.
Speaker 2: Right to say that I need you so grateful the
met you today.
Speaker 5: Beautiful beautiful Temple Mountain Live and studio. Well that's so
that's gonna be the next single.
Speaker 6: Yeah I think so. Yeah, yeah, probably in December.
Speaker 5: Very good, very good? Is it? Is it difficult to
choose what to what to go with next because obviously
you've written a lot of songs.
Speaker 7: Yeah, yes, and no, I just kind of do it,
but yeah, I don't put too much thought into it,
Like the this sounds silly, but like I'm just so
I know social media is important. ID even think you
were just talking about that with the last artist, how
important it is on so or maybe that was yesterday.
The social media is just so important to do as
an artist. But I just don't see it as important.
You know, if I wanted to, I can pay twenty
bucks and get like fifty fake likes on my Facebook account, right,
So like it's artificial, like it's all controlled. Like it's
not the same as when I go live and I
play a song with someone and connect with them and
they come up to me after the show and say, hey,
that was really cool. Even if it's just one person,
that means way more to me, so.
Speaker 6: Yeah, I don't put too much thought. I do allow
the releasing and stuff like that just so I can
get gigs.
Speaker 5: Yeah, yeah, that makes sense. Jenny was just reminding me
too online.
Speaker 6: Do you teach now, Oh, you don't teach music.
Speaker 5: Yeah, I think that's what she meant.
Speaker 6: No, no, okay, I'm not much of a teacher.
Speaker 5: It's unfortunately thinking of somebody else. Yeah, now you uh,
you did mention earlier. Sometimes you think about, you know,
playing in a band or getting a band together. I mean,
how how how seriously do you do you think about that?
Is it possible in the future or is it something
that you kind of dismissed when it pops into your head?
Speaker 7: Or I got a telecaster recently, so oh yeah, telecasts
and a jazz chort Sam. Because I really like the
sound of it, I think about it. It's just I
don't know. I don't know how to do it. If
if I don't think, I would want to search for
it like I would if it happens naturally. That's how
I'd be down for it, because I don't want to
have like Temple Mountain, then I control the music and
everything like that. I want it would be cool if
it was something like Queen, where it's like I write songs,
bass player write songs, and drummer writes songs and we
just appreciate each.
Speaker 6: Other's songwriting together and we could all sing. That would
be awesome.
Speaker 5: Yeah. Yeah, were you in a band before?
Speaker 6: Growing up?
Speaker 7: I was in a death metal band, Oh you were, yeah,
called The Story of Anatomy in New York, but we
didn't do anything. Yeah, and then I played I was
Eric Phillip in New York City.
Speaker 6: And then because that's.
Speaker 7: My middle name, okay, and that just didn't go very well.
And then this this has been really taking off. It's
been crazy.
Speaker 5: And tell us again, how did you become Temple Mountain?
Speaker 7: Well, I live in Peterborough, which is right off and
I live off a temple mountain.
Speaker 6: And then, you know, when you're starting to.
Speaker 7: Be a licensed therapist, you you learn a lot about
both boundaries and confidentiality, and I think it's important that
you know, I want to keep this life separate.
Speaker 6: So it's it's like I said earlier, it's kind of
like my batman.
Speaker 5: Yeah, yeah, that makes sense, that makes sense. And uh,
by the way, are you married now?
Speaker 3: No?
Speaker 5: Not yet? Oh not yeah, no, there. Okay, yeah, very good?
Speaker 6: Wait, very good?
Speaker 5: Is Stacy's song? Is that about your It is early?
Speaker 7: Yeah?
Speaker 5: Excellent. Yeah. I think I think she was in the
chat room last time you were on with Yeah.
Speaker 6: She she works for Kobe Sawyer and today is homecoming,
so she had to leave work for work today at
like six am.
Speaker 7: She just doing a lot of stuff. So yeah, we're
not going to be seeing each other until tomorrow. Probably
not in the chat room today, gotcha. And if she is,
then Kobe Sawyer should think about that because she's not
doing her job.
Speaker 5: Well do you want to uh? Oh yeah, we got time.
You want to play another one?
Speaker 6: For sure?
Speaker 8: Sure?
Speaker 5: If you are just joining us, A Temple Mountain is
here with us live in studio, and we should tell
people to Last night you were on Granded State of
Mind with Rob as a veto. Yeah, so if you
want to check that out too, that is of course
up on the site WM Andhradio dot Org.
Speaker 6: Shout to Rob.
Speaker 5: Yeah, yeah, Rob doing amazing things. You've you've played at
Pembroke City Limits.
Speaker 6: So yeah, I played the Nirvana night there?
Speaker 5: Oh did you Yeah?
Speaker 6: It was incredible?
Speaker 5: What song did you do?
Speaker 3: Oh?
Speaker 6: Uh? I think I played on I'm on a Plane.
Speaker 5: Oh okay, yeah that's yeah.
Speaker 7: Yeah, I did that, and then I played something in
the way I meant. So what happened was I went
in there going to play something in the way, and
then like the day before, he asked.
Speaker 6: Me if I could play I think it was I'm
on a Plane. Oh.
Speaker 7: I was just like yeah, okay, and so I had
to kind of figure it out. And I remember I
drove there like two hours earlier. I learned the song
like two hours before the show, and no kidding, Yeah,
I was so nervous and like it kept blanking because
I kept going through the lyrics in my head. And
then once you're on stage, something just kind of happens, yeah,
and it all comes back to you.
Speaker 5: Yeah.
Speaker 7: So I got lucky. It was a good shime and
I met so many cool people that night. That was
the best part about that show, kid, Yeah, because here
you just playing bar gigs, you're always by yourself. You
don't get to really see other artist because you're always overlapping.
Rob did something gray where he got all these people
coming together.
Speaker 5: Yeah. Yeah, for those who don't know what we're talking about.
So it was a show where everybody everybody played just
just one right, just one Nirvana song?
Speaker 2: Yeah?
Speaker 5: Two? Yeah, yeah. Do you know how many performers there
were that night?
Speaker 6: Total must have been close to seven or eight, no kidding. Yeah,
I met Ben. Do you know Ben Harris?
Speaker 3: No?
Speaker 5: I heard him on Rob's show a couple of weeks ago.
Speaker 6: Yeah, saw such a nice guy. So we met.
Speaker 7: We were speaking online already, and then we met from
the show, and then he invited me to play at
Panucci's Conquered, So like, we need more shows like that. Yeah,
it's a great artist like to help artists. So yes,
I really appreciate Rob.
Speaker 3: For doing that.
Speaker 5: Yeah, yeah, no, that's awesome. Yeah. Check out Pembroke City
Limits if you haven't been there, it's a it's a
great place. Rob's doing great things there. And uh, all right,
you were gonna play and I totally derailed you.
Speaker 6: No, you're fine, But.
Speaker 5: Devile Mountain is here with us live in studio, and
what are you gonna play for us?
Speaker 6: This is a song off Schema.
Speaker 7: It's called Stages of Attachment and with a name like that,
you would never guess, but it's about my cat.
Speaker 6: Oh yeah, all right, very good.
Speaker 8: So let's see you try to wake me up, assuming
I should rise, So pull my.
Speaker 3: Blanket up and stay here for a while. All just
fell for.
Speaker 2: You and simple life you like you could break off
the rules. Love you all the time. You're just a
little thing sheltered by these walls.
Speaker 3: See his life for gaunt eyes, little ginger parts. It's
just a little thing. Your heart is.
Speaker 2: Pure and true, bringing love to you all. You mean
everything you do. I remember the day, all the morning drive,
seven are in the room and you with us, a guy, how.
Speaker 3: Your wells just came to me and family did rise.
Speaker 2: And home you fell asleep, pouder powder cry. It's just
a little thing sheltered by these walls.
Speaker 3: Seems like through gold and eyes, a little ginger pards.
You're just a little thing. Your heart is pure and true.
Bring in love to you all.
Speaker 2: You mean everything you do. When I get home, it's hello,
not goodbye. And when I leave tomorrow you'll always try
and cry. You walk your sister up zooming, she play,
but you know when she's fed up with all your
silling games.
Speaker 3: And the world around you know.
Speaker 2: How it makes me want to cry, But you know
I'll never frown. As you lay by my side, You're
just a little thing. You sto bout these walls.
Speaker 3: He see his life through gold eyes, Little Ginger Paus,
You're just a little thing.
Speaker 2: Your heart is pure and true, bringing love to you all.
Speaker 3: You mean and everything you do.
Speaker 2: Bringing love to you all you mean and everything you do.
Speaker 5: Very cool, Thank you.
Speaker 6: What's that called stages of attachment?
Speaker 5: Stages of attachment? Yes, yes, Jenny and I have two
cats and we love them very much. So I find
that song very relatable.
Speaker 6: Oh I appreciate that.
Speaker 7: Yeah you don't, do you know Dylan Patrick Ward? Does
that name sound familiar?
Speaker 5: Sounds familiar.
Speaker 6: It's a local songwriter from Vermont.
Speaker 7: He has a song called the Cat's Song, and when
I heard it, I was like, oh, you can write
about your cats.
Speaker 6: That was the inspiration.
Speaker 5: We had a recently, well a couple months ago, we
had the band Turbo Cats. I played with them.
Speaker 6: Oh okay, yeah, I played with that show at Terminus.
Speaker 7: Oh right, so funny, Oh yeah, yeah, god they cracked
like in a great way. Yeah awesome, And it was
just like they were so seriously like this next song
is called licking your Leg.
Speaker 6: Or something like that. It was brilliant.
Speaker 5: They have that song. My senior lady cat, which because
we have a female cat that's you know, getting up there,
so we could relate to that.
Speaker 6: It's really trendy right now to sing about your cat.
Speaker 5: Yeah, yeah, I think it's a great thing. Some people
really don't like cats, and uh yeah, I don't get that.
I think I think those people have some sort of
psychological issue. Yet you could not love cats?
Speaker 7: Well, just how can you not love any animal? Right,
besides a wasp because they hurt?
Speaker 5: Well, it's not an animal, right, that's an insect.
Speaker 6: Is an insect not an animal?
Speaker 5: Or I don't think so. But then but then, uh
we were talking about.
Speaker 6: This on a on a Friday night on a Cereal
of Soup.
Speaker 5: I'm a co host on Retrospect Radio with poly C
and Paul was saying that ants actually technically are animals,
not insects. And it freaked me out because when I
was a kid, my friends and I would light ants
on fire in the summertime with a lighter and uh,
now I feel terrible about it. I didn't care when
I thought they were insects.
Speaker 6: You know, they're pre their their pre the size of their.
Speaker 7: Brains alone, for the for who what the size of
them as an animal is alone like enough to be like, wow,
these are very impressive creatures.
Speaker 6: Cats are Yeah, pre frontal cortexes are he really?
Speaker 5: Is that true?
Speaker 2: Yeah?
Speaker 5: See now I feel really bad?
Speaker 6: Yeah yeah yeah. Wow how old are you?
Speaker 5: Oh? I was probably like ten oh yeah times past
yeah yeah, I mean I would.
Speaker 6: Probably done way worse since then.
Speaker 5: Oh definitely. Oh yeah, you have no idea of course
if you are just joining us on this Saturday morning,
Temple Mountain is here with us live in studio. Are
you playing a lot? You're playing pretty consistently.
Speaker 7: Yeah, I have a show later today, and then this
month I was playing a lot. September I played probably
like close to twenty shows. Oh kidding, yeah, next month
I have probably I think I'm at fifteen right now.
I'm trying to get more. So yeah, it's gonna taper
down by the new year, but it's slowly growing back.
Speaker 6: And yeah, I love I have. Two weeks ago, I
played three three hour shows.
Speaker 7: In one day and wow, that was an incredible accomplishment
on my end that I was really proud of and
I always wanted to because Billy Shean of the ban
Talis said that he once did three shows and one day,
I was like, I could do that.
Speaker 6: Yeah, so I was. It was a nice kind of
yeah farces.
Speaker 5: Three three hour shows.
Speaker 7: Yeah, I couldn't sing for a little bit after that one.
It was had a great time.
Speaker 5: How did that even happen?
Speaker 6: Like how do you my own it's my own stupidity.
Speaker 7: I just keep saying yes, yeah, yes, and then I'll
be like so that. That was a crazy day too,
because I had to go my first gig was in
Where's Beach and then I had to drive to Manchester
to play at Great North, and then I had to
go to Foundry and play the Foundry. So and Great
North was such a shout out to Jesse by the
way for that gig. Yes, And I'm glad I brought
that up because I want to apologize to Jesse because
Jesse asked me to like check if my songs were
gonna be a part of B M I or something
like that and just didn't have time.
Speaker 6: He did it for me.
Speaker 7: Yeah, it was very nice of him, but like I
had to change my whole setlist around.
Speaker 6: And it turned out it was a great show, but
it was it was so funny.
Speaker 7: I was like, so can I I was gonna play
like Dave Matthews, Like you can't play Dave Matthews.
Speaker 6: That was such a great gig though I had. I
loved that place.
Speaker 5: Yeah yeah, and the beer was amazing, yes, yes, yeah.
Jenny and I stopped in there recently because it was
Jesse's birthday and she's a she's a proud mama. Yeah yeah,
so yeah, and he you know, he's been on the
show a bunch of times too. Oh yeah, sounding really good, wicked, talented,
really good. Absolutely, but that that's not something usually run
into though, right at a venue where they you know,
because of the music rights, where that kind of gets something.
I mean, if you run into that before.
Speaker 7: I did at not when I was playing music. I
used to be a butcher, and they took the music
there very seriously because they were worried.
Speaker 6: I get it. Yeah, like it is. It's it's not
the venue's fault or anything like that.
Speaker 5: It's right.
Speaker 6: The way the music industry works is you gotta be careful.
Speaker 5: Yeah, I don't know.
Speaker 6: I kind of like when stuff like that happens, Like
if you.
Speaker 7: Have like a two hour set or three hour set
and then all of a sudden you have to remove
twenty songs and figure it out.
Speaker 6: Like it's kind of fun.
Speaker 5: It's a challenge.
Speaker 6: I love it.
Speaker 5: Yeah, yeah, that's good. That's good. Good, good attitude to
have about it, certainly. Yeah. Yeah. I've just over the years,
I've heard stories of like BMI and ASCAP, like actually
it's it sounds like you wouldn't think it would really happen,
but like sending undercover agents, yeah, into places to see.
Speaker 7: If they're I remember when piracy was big, and like
there was like those stories of kids getting like sued
because they downloaded the Titanic, and that actually happened.
Speaker 6: Yeah, it sued for lots of money. It's like these
are kids, oh.
Speaker 5: Yeah, yeah, yeah, it's wild. It's wild. Yeah. And there
used to be uh years ago, there was a place
in Conquered called the Cafe Eclipse, and they got into
some kind of trouble and they.
Speaker 6: Just that's a great name.
Speaker 5: Yeah yeah, it was a cool place. I played there
a lot back in the day. But they had to
make a rule just no covers because they had gotten
in trouble and they'd been threatened by I don't know
if it was ASCAP, BMI, or it might have been
Sea Sack, because I remember the guy telling me, and
I was like, oh, that's what I'm not familiar with.
Speaker 7: I believe I'm playing a gig in March. It's a
place that I've been wanting to get. It's hard to
get the gig. It's like a two year out gig.
It's called Stage thirty three. It's in Bellow Falls, Vermont. Yeah,
I'm pretty sure. That's part of the rules is I
can't play any covers because they don't have any licensing agreements,
so it's all gonna be originals. For like, it's like
a forty minute set of original which is fine, hayahy
to do that. Yeah, if anything, it's refreshing. Yeah, there's
not many listening rooms. That's the It's not a fault
of New Hampshire, but it's the hardest thing in New
Hampshire is there's not many listening rooms.
Speaker 5: Right, yeah, right, no, I agree. When you when you
play covers, do you mix in any originals?
Speaker 3: Yeah?
Speaker 7: Always, yeah, yeah, you gotta and they usually, you know,
usually people want to hear it too. And my covers vary,
Like I play John Mayor Dave Matthews Shehr, but I
also play Britney Spears.
Speaker 6: I play I do. I do.
Speaker 7: Wow, that was almost very uh braggadocios. I do a
cover of Cake by the Ocean that I really like.
I just I do things that I want to hear. Yeah,
I want to listen to you know what I mean?
And it's yeah, it's just so. Then if you incorporate
those and I base my set lists on where I
have to place the capo.
Speaker 6: Oh that makes sense.
Speaker 7: Yeah, yeah, like if I do all my like second
fret capo songs together, so it helps with tuning stability and.
Speaker 6: Yeah, so I incorporate my originals conclusion.
Speaker 5: Yeah, well i'd imagine too. Some of the covers you do,
like that Elliott Smith song I didn't recognize. I'm sure.
I'm sure if you ever had anyone come up to
you and say, hey, I really like that song and
they have no idea that it's not an original, does
that happen?
Speaker 7: The only covers I would say that I do that
people don't recognize are Elliott Smith and I Have so
and which sends me. But I do them just I
do them as like a kind of way of saying
thank you to Elliott. Yeah, but yeah, usually people like
people pick up on things like it's crazy. You know,
you play you, people wonder why, Like somebody will be like,
I'll never.
Speaker 6: Play Hate Jude because it's such a cliche. But you
play it at a bar, you're gonna get a reaction
that's gonna give you such an endorphin rush. That's it's incredible,
the dopamine high you get from playing Hate You Live.
I can't I recollect it to everyone. Play Hay Jude.
Speaker 5: Live, no kidding?
Speaker 6: Yeah, and play The Boxer by Paul by something. Oh yeah,
that's a great one.
Speaker 2: Yeah.
Speaker 6: Yeah.
Speaker 5: Are do you have a favorite cover? Is there is
there one that you especially.
Speaker 6: That like I look forward to? Yeah, I can. I
play Neon by John Mayer, and that's a bit of
a flex and that seems to be giving me some attention.
Speaker 7: So I like playing that one. Yea, yeah, yeah, that's
it's been fun. I also like playing Your Body as
a Wonderland.
Speaker 5: Yeah.
Speaker 6: I love that song. Yeah yeah yeah uh. And I
also love playing I Can't help falling in Love with You. Yeah,
play Elvis a lot. That's a great song.
Speaker 4: Yeah.
Speaker 5: I would imagine that goes over pretty well.
Speaker 7: I can I can see how just watch I've seen
like moms bring their little kids on stage up the
front to dance.
Speaker 5: Yeah yeah, oh yeah, yeah, that's very cool, very cool.
Have you ever if you ever played any covers that
you had to ditch because you they weren't going over
well or.
Speaker 7: That's a good question. Yeah, definitely. I tried doing party
rock by l MFAO.
Speaker 6: That didn't work. I still do it sometimes, but there's
a line in.
Speaker 7: It it's like half half black, half white Domino and like,
once I sung it out loud.
Speaker 3: Was like, oh yeah, I'm as.
Speaker 6: Just white male. So there was that, and then there
was also.
Speaker 7: There's a song called issues like I Got I Got Issues,
you got too. I don't know who actually does a song,
but it just didn't translate well to acoustic. But I'm
working on a version, you know, the song I Will Survive.
I'm working on that at the moment. That's like my
latest thing. I'm really excited. I think I want to
actually like put it on the album. I always wanted
to have a song like a cover so on the album.
Speaker 5: Oh okay, so I might do that.
Speaker 6: Yeah yeah, spoiler alert, Yeah.
Speaker 5: I know I think that would that would be pretty cool.
Now the singles that you're releasing, are these all being
recorded at the same studio or yeah, yeah.
Speaker 6: Yeah, yeah, Well I'll go in there and we'll spend
like three hours record like three songs because they're just
double tracked. They're very simple. It's still I like. What
I like is it's not it's not low fi, but
it's like just the next step up. Yeah, and I
just want.
Speaker 7: To keep polishing it up, you know, keep polishing the
turd if you will, until it's maybe where people would
consider it acceptable or something like that.
Speaker 5: Well, I'll look forward to hearing the next one when
it's ready.
Speaker 6: That's for sure.
Speaker 5: That's for sure. Let's see you want to play one more? Sure? Sure, sure,
if you're just joining us, We have Temple Mountain here
with us alive in studio on this Saturday morning. We
do have a dead by Wednesday in the third hour,
although they might be a little late. We were talking,
we were I think it was off air. We were
talking about how they're coming up from Connecticut, and apparently
Jenny messaged me and said they had a little bit
of a delay because of the Hartford Marathon, which I
didn't know what's happening today, but I can see how
that would happen.
Speaker 6: Here's a random question. What are your thoughts on do
you know about New Haven's clam pizza?
Speaker 5: No, but I'm horrified.
Speaker 7: Yeah right, yeah, it's someone from New York. It's just like,
there's no way that.
Speaker 5: Works clam pizza. I have a rule because you know,
pizza is my favorite food. And uh oh really and
and if somebody asked me, you know, Matt, why you
know you say certain types of pizza are gross and
other types are good. Here's here's how. This is what
I tell people. If you want your pizza to be delicious,
you should only choose delicious toppings. If you choose disgusting toppings,
your pizza will be disgusting. And that's all you have
to know.
Speaker 2: Now.
Speaker 7: With that said, you know pizza is hard to find.
Come around here there's good pizza and there's Sorry New Hampshire,
there's not. If you're from New York, you're not gonna
love the pizza.
Speaker 2: Right.
Speaker 6: Have you been Tollis in Peterborough?
Speaker 5: No?
Speaker 7: No, they're good, really Yeapelli's only getting better too.
Speaker 6: Yeah.
Speaker 7: They are very traditional in like New York style slices
and they still slices by the singles Monday through Friday,
eleven am to four pm.
Speaker 5: You being from New York, you you, I mean, you
wouldn't say that if it wasn't true.
Speaker 7: So it's now is it New York Pizza? No, but
but there's something in the water, so.
Speaker 5: It's the clos probably so far.
Speaker 7: Yeah, I've heard think that people have told me about
Tilton's House of Pizza, and I need to check out.
Apparently I've had good pizza. I kind of like bad
pizza too. I just love pizza.
Speaker 5: Yeah, I'm the same way.
Speaker 7: Yeah, yeah, it doesn't have to be great exactly. I
love you know, cumber Comby's Farms pizza makes me happy.
Speaker 6: Yeah, sure, I'm gonna get out of I hate for that.
Speaker 5: But yeah, seven eleven pizza isn't bad if like when
it's fresh. But it has to be fresh because once
it turns, it turns. Oh yeah, I fell into a
habit of I don't need seven eleven pizza anymore, but
I felt of eating it. But it had to be
like like, I mean, like within the last five minutes.
It had to have been put.
Speaker 6: Yeah, otherwise something happens to cheese at.
Speaker 5: Minute six it turns into something horrible.
Speaker 6: And you know, I'm not stupid. I know it's not real.
Speaker 7: I know it's yeah, yeah, I know that's not that's
not all right, that's not tomato right.
Speaker 5: Right, making me hungry? All right, Temple Mountain is here
with us, live in studio, and what are you gonna
play for us?
Speaker 7: I'm gonna play a John Mayer song if that's okay, Yeah, yeah, absolutely.
Speaker 6: I'll play your Body's of Wonderland?
Speaker 5: Right, happy, all right, very good.
Speaker 2: We got the afternoon. You got this room too. One
thing that's left to do government discovering you, one mind
to avery and Jeff, your skin like Parson, one pair
of cantie lips, and your bubble gum too.
Speaker 10: And if you want love making swimming a deep sea
of blankets, take your big plants and break up.
Speaker 2: This is bound to be a wild Your body is
wanting land. Your body is a wonder I'll use my hands.
Your body is wanton land. Something about wid half falls
in your face. I love the shape you take.
Speaker 10: One crownto Honts billowcas you tell me where to go,
and the one I lead found it and never let
your head hits bad.
Speaker 3: Found my hand behind it. One off, make it swim
in the deep sea. Plants.
Speaker 2: Take all your big plants and break them.
Speaker 5: This is bound to be a wow.
Speaker 2: Your body is wander Lands.
Speaker 3: Your body is wander Well you use my hands, your
body is wander lands.
Speaker 2: Damn, baby, man, you rest your may.
Speaker 3: I know your mind.
Speaker 2: Oh man o man, But she looks so good it hurts.
Speaker 3: Sometimes.
Speaker 6: Bad is want lands.
Speaker 3: Bad is wander all use mans, bad is want.
Speaker 5: That's a long fade. Well, you know what's funny. I
was thinking about this as you were playing it. I
haven't heard you know, his version, the original version of
a long time. But speaking of phades, there's I always
thought it was kind of funny how the song kind
of tricks you a little bit in that it sounds
like it's over. There's a point where the song sounds
like it's over where you know what I mean, and
it goes to that like you know exactly what I mean,
which is not because I've said this to other people
and they don't know what I'm talking about. Yeah, there's
a point in the song where it's like, if you
haven't heard it before, you're sure the fade out is
right there, and then it doesn't happen.
Speaker 6: He does that actually a lot on M squares.
Speaker 7: This is a song called my stupid mouth and there's
a part where it just ends and then he goes
one more thing.
Speaker 5: Oh yea yeah yeah. I was like, Clarity, that's a
down Mary's song that I really like. Yeah, yeah, that's
a good one. What uh so we are approaching the
top of the hour. What do you are you playing
this weekend anywhere?
Speaker 7: I'm going to Campton, New Hampshire today to play at
mad River Coffee House, okay, and then I'm playing this Thursday.
I play at kill Kenny's in New Hampshire, and then
i play in Francis Town. The following week I play
I don't know my whole schedule, but I'm all over
the place if you want to find out. Www dot
Temple Mats and music dot com. I just updated the
website too, so.
Speaker 5: Oh very good, very good. You do all that yourself,
the yeah web web stuff, Yeah, yeah, excellent. Yeah, no,
it's a nice website. Thank you. I'm kind of a
website nerd. I look at websites and judge them.
Speaker 6: That's I don't know what I'm doing, so that means
a lot to me.
Speaker 5: Well, because a lot of a lot of our guests
I look at their websites and it's like, oh they're
so like, you know, I'll have a band on It's like, oh,
there's such a great band and their website. It's horrible.
Speaker 7: You know, invest put if you make money at gigs,
put money back into things.
Speaker 5: You know.
Speaker 7: I paid for a graphic designer. Shout to Emily Perry
for designing my logo and ever since that, that was
like a game changer, Like I don't got so many
gigs from.
Speaker 5: That logo, don't kidding? Yeah, yeah, yeah, No, it's great
that you say that, though, because that demonstrates that sometimes,
you know, even just tweaking one thing, oh yeah, that
that most people might not think would make a difference
sometimes just everything.
Speaker 7: Yeah, yeah, And learning how to talk to people is
so important, yes, you know, don't Yeah, I have a
real pet peeve when I hear like, I know, we
gotta go. But when I hear an artist like almost
like say something condescending to like a person.
Speaker 5: Yeah, it's like, just be nice, right right, just do it? Yeah. Yeah,
it's not hard, it's not hard. It doesn't cost anything.
Speaker 6: Now, it's not easy either, sometimes, but yeah, make it easy,
find a way.
Speaker 5: Yeah, exactly exactly, And that's how you build relationships exactly. Yeah, absolutely,
and uh so you've got uh and then you're are
you pretty busy for the rest of the month too?
When when does Because I know you said you're starting
to slow down, but that's is that in November.
Speaker 6: I'm slowing down.
Speaker 7: I'm taking a little bit of a break just to
focus on grad school. So I have two gigs left
for October.
Speaker 5: Oh okay, yeah, and.
Speaker 7: Then I go into a studio on the thirtieth, okay,
and then November I start again. I'll have I think
I have like ten to fifteen gigs or something like that.
Speaker 5: Okay, okay, oh wow, okay, and then uh and Stacey
the new single, which we'll we'll play again to close
out to a segment two of you because this is
out today on all the streaming platforms, and there's a
video coming soon.
Speaker 6: Make a week okay, yeah it might. Yeah, I'll probably
release it in a week.
Speaker 5: All right, all right, excellent, excellent, Well, thank you, my friend.
This is always wonderful to see you. I think this
is your Is this your third time on the show.
Speaker 6: Yeah, thank you for always having me. You guys, that's
really sweet.
Speaker 5: Absolutely, no, we we love to have you on and
I'll remind people too. Eric was also on Rob's show
Granted State of Mind, so you can find that in
the archive as well. And we will close out the
segment once again with the brand new single out today.
It is called Stacy by Temple Mountain. Thanks again.
Speaker 2: The prettiest us I've seen. Oh your lips, so that's
when you link. You show me what you mean, and
I would do anything just say it's true. So it's breathe.
Look at me.
Speaker 3: I love you.
Speaker 2: Had a dream we would dancing all night.
Speaker 3: Oh I never.
Speaker 2: Danced uf once before, but you My feet move right.
Speaker 3: And I would do.
Speaker 2: Anything to just say it's true.
Speaker 3: So it's breathe. Look at me.
Speaker 2: I love you, And that.
Speaker 3: You fall asleep. I count the sheep that's.
Speaker 2: Playing through your minds, and I watch your flaws hanging
off your jaws, the feelings that you high.
Speaker 3: Or you're cold, and hair swinging in the.
Speaker 2: Quiet winds subsides, and your loneliness and your only and
your mind. Now I see why I say you and I.
Speaker 4: M hmm on the bellies I wrote before, have you
between the lines, And I would do anything.
Speaker 2: To just say I do so expreas look at me
I love you.
Speaker 3: So Sprea, look at me.
Speaker 2: I love you.