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Speaker 1: W m n H rip the nobles.

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Speaker 2: You're listening to Mattconnorton Unleashed on w m n H

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ninety five point three.

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Speaker 1: I champ five, I.

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Speaker 3: Inside will my campader before I lost my.

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Speaker 4: Ride, sellar can't star sounds to chat press three say

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sales side, Let you do some thing chay side when

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it burn down?

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Speaker 1: To stuff checks to mony three three s side.

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Speaker 5: A fender seed.

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Speaker 6: And to.

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Speaker 7: Work.

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Speaker 1: Who is seven strange? Same for archiside.

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Speaker 8: Don't sound.

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Speaker 1: Sat side you can.

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Speaker 4: Size same chant such.

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Speaker 1: Senside going back til two play from the snout the

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kids shunning the first s.

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Speaker 4: S Sorry how I had sad, but I thought going

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out a fart goscy how broadcast side.

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Speaker 7: The first.

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Speaker 9: Nook for a flash cou shot.

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Speaker 8: Come somebody help?

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Speaker 1: So when the science same chamres.

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Speaker 8: Sn science.

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Speaker 10: I love it. That is called in flames. The band

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is a silent season, and we have silent season here

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with us in studio. We're gonna talk with these guys

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in just a moment. But welcome everybody. You have entered

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our number two Newmarrow dose of Matt Connorton Unleashed, and

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we are live from the studios of w m n H.

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Ninety five point three FM and Glorious Manchester, New Hampshire.

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Today is a Saturday, August thirtieth, twenty twenty five. Jenny

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is here, of course, at the news table, accounted for,

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and we've got the guys from Silent Season. Let me

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get these mics on here. Yeah, that is really good.

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That is really good. Welcome guys.

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Speaker 1: Hey, Hi, So how's everyone doing?

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Speaker 10: Good? Good? So what I think we should do? Let's uh,

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because all five of you are here, let's start in

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the corner and we're gonna have you each introduce yourselves

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to us. Who you are, what you do in the band,

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and anything else you want us to know, but mainly

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who you are and what you do in the band.

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We'll start over here.

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Speaker 5: I am Jeremy and I'm the vocalist.

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Speaker 10: Welcome Jeremy, thank you.

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Speaker 11: I am Brendan.

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Speaker 10: I play guitar. Welcome Brendan, right, Brendan or Brandon Brendan, Brendan. Okay.

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I'm Enzo and I do lead it to car Enzo. Welcome.

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Speaker 6: I'm David and I play drums. Slash business magician.

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Speaker 10: Oh, business magician, I like that all right.

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Speaker 12: Welcome David, Thank you, and you sir, and I'm Joe

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and I pray to bees.

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Speaker 10: All right, welcome Joe. So yeah, and I'm glad that

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you're all here. You know, sometimes not everyone you have

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a five V span, there's usually at least one person

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who doesn't make it right. So it's cool you're all here.

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So we should let's start with this because it was

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just announced. So you're now the co headliners on Swarmyfest,

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right with Sepsis. Yeah, coming up in November. That's pretty cool.

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Speaker 6: Yes, very excited about that. We can't wait to play

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that show on November fifteenth. And we've been friends with

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Sepsist for a while and it's it's exciting to finally

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be able to play with those guys up here and

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gals in Manchester.

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Speaker 10: Yeah, at Jewel November fifteenth. And so how did that?

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How did that come about? How did that was that?

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You're the you're the business magician, right, yes, so did

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are you the one who made that happen? Or how

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did that come about?

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Speaker 6: It was actually a great question, Matt. It was a

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collaborative effort between Joe and I. Joe knows the promoter

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and most of the folks in Sepsis, so we got together.

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We had a good conversation with Will and their team

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and also the promoter Allowed Entertainment, and they said, hey,

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let's let's do something. We want you guys to play

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the show. It's been a while and we're going to

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rock it and it's just history from there. So we're

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ready to go and we hope to see everyone at

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that show. It's going to be great.

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Speaker 10: Rhythm section makes it happen, right, it's right, right, Joe.

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I'm a bass player, so I you know, so I

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appreciate you. So you guys have been this band, Silent

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Season has been around since what two thousand and eight?

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Is that correct?

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Speaker 13: Eight?

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Speaker 10: Okay, okay, I was commenting off air. You know how

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impressive that is to me because it's not you know,

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you don't see a ton of longevity in the in

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the music business. But I assume the lineup has changed

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over the years, right, somewhat right for your time?

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Speaker 1: Who are so?

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Speaker 10: Who are the original members? You guys have been here

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since the beginning, yeah, and then and then everyone else,

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so everyone else has changed. So what So I'm curious,

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So what is it that because a lot of times

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when there's lineup changes, especially over the course of So

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I'm not good at math.

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Speaker 12: What is that?

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Speaker 10: How many years is almost a wow, it's a lot

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of years.

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Speaker 12: Yeah, yeah, I.

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Speaker 10: Mean what is it that's driven you to keep this

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thing going?

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Speaker 13: Like?

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Speaker 10: How do you how do you keep or maybe you've

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taken breaks along the way with the band? I don't know,

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but but what is it that keeps Silent Season going

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after all this time?

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Speaker 14: I think it's the music. I think it's the fans

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who have supported us over the years.

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Speaker 10: Yeah.

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Speaker 5: I think it's the drive.

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Speaker 14: You know, if you have all of those ingredients, I

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think it just leads to, you know, wanting to continue

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no matter what happens.

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Speaker 10: Yeah, it's so fun. Yeah yeah, yeah. So I'm curious

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between the two of you, Jeremy and Brendan. Yes, I'm assume.

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I assume. I mean, has there ever been when you've

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got to change members? Because you know, I've been in

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a lot of bands, and I know people come and

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people go. I was in a band a long time

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ago called My Life Crisis, and I was the only like,

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there were so many changes over the years, but I

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was the only original member. I was the only one

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who was in every single lineup of that band, and

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it was hard, you know, always keep it going. You

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know people you know, Sepsist has gone through that too.

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You know they've had a lot of jeez, Jenny, do

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you remember that that night that you were online and

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you saw like they'd lost Will and Melissa, like like

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everybody left and they had to replace everybody, like when

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one fell swoop end it did. It all worked out.

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But but but that's one of the challenges.

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Speaker 7: Right with the band change.

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Speaker 14: And now you look at modern like these days, everybody's

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suing everybody else.

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Speaker 10: Oh yeah, yeah, when you.

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Speaker 6: Look at like old school rockers, right guys we all

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grew up with, and like now they're.

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Speaker 7: All sewing each other.

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Speaker 10: Oh yeah, it's so great to see people stay together

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and play and continue the music. Yeah, in a positive way, right, yeah.

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But I'm curious between the two of you, at any point,

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has there ever been a discussion about, I don't know,

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do we want to keep doing this or or have

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you guys always been on the same page or I

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mean I think that.

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Speaker 5: For the most part we've been on the same page.

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Speaker 14: There's been you know, a question of like, you know,

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if it is worth doing and I think we always

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come back to the same answer that it is because

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we just love what we do. And yeah, I mean

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it's just important to us. It's kind of like our

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baby at the end of the day, you know, right right.

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Speaker 10: Plus you know you've had some success, you've gotten some

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some radio play. I was, I was, you know, as

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I was reading about you guys, and it's like, you know,

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so you build up a name, it's like you don't

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want to just let all that go right, just just

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because you know somebody has to go or so now,

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so how long? So endz? So how long have you

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been in the band? About two years? Two years? Okay?

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Are you the new are you the new guy? Are

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you the newest member. I'm not the newest member. That's

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actually Joe. Joe's the newist. Okay, all right? And then

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so and David, how long have you been in the band?

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Speaker 6: So? I actually I started the band with Jeremy back

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in two thousand and eight. Oh okay, and then Brendan

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came along shortly thereafter. And then as as Jeremy mentioned.

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Speaker 10: Oh so you're an original member too, yeah, okay, so

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the three of you okay, gotcha? Okay?

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Speaker 6: And then you know, I remember lineup changes, you know,

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like every band typically goes through. Yes, we discussed, but

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then Enzo and Joe came into the fold, and you know,

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it works out. It's clicking really well, and we're very

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excited about the future of Silent Season.

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Speaker 10: Yeah. So where does the name come from? The obvious question,

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because it's a cool name.

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Speaker 6: So I was listening to a breaking Benjamin song. I

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believe it was called Sign of Season. Okay, but but

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I said to myself, hey, why don't we say something

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about Silent Season Because the time we started the band,

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there were a lot of venues closing, and there were

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a lot of negative things happening in the music industry

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with you know, just coming off the whole Napster thing

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and digital downloading, and there was just a mix of

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like a lot of crazy things happening. So we said,

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why don't we try to come out with a positive

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message and you know, just say, hey, how can we

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overcome this, and especially in the rock genre, like how

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can we get everything back to a good spot and

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try to help influence the scene.

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Speaker 10: Yeah, yeah, now that's cool.

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Speaker 5: I like that.

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Speaker 10: I like that it came from a good you know,

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a good positive perspective, and yeah, I yeah, two thousand

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and eight. I'm trying to think of, like what was

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what was happening? So yeah, I guess I was kind

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of just right after yeah, not too long, right after

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Napster or and everything, and there was such a transition happening.

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It's almost in my mind sometimes it's hard to pinpoint

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because you know, the the music business has gone through

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so many just you know, in the last you know,

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twenty years, so many changes, right, It's it's uh but

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you know, and not everyone can adapt to it, and

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you know, being able to adapt is is uh is

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so important. So when you so how long, like so

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the three of you guys started it together and then

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like did it come together pretty quickly when you all

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started working together or or did it take a while

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to get it off the ground or uh?

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Speaker 14: Yeah, So I mean Dave and I had been in

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a previous band together before. Oh so we had chemistry

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as far as you know, knowing like you know, what

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musicals we had and all that.

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Speaker 10: Kind of stuff that always helps.

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Speaker 14: Yeah, yeah, yeah, and then you know, after we had

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Brendan come in and then another original member and Brendan's

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brother actually oh wow, that was our original lineup and

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uh yeah, no, after that. I mean we we were recording,

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we were playing out. I think one of our first

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shows was with tap Root, which was pretty cool.

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Speaker 5: Nice at the time.

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Speaker 14: So yeah, we we just were getting into it real fast.

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I think we had a couple connections and stuff which

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made it a little easier. But yeah, it wasn't It

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wasn't too hard at the time, I don't think.

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Speaker 6: And Matt quick backstory there quickly when we came together.

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I have to say this on all the interviews, Jeremy

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and I formulated this band idea at a Wendy's over

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some fries at Frosty No kidding.

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Speaker 10: Yeah, that's where all the great ideas start, that's right.

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Speaker 7: And then so.

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Speaker 10: The the songs that we're hearing today, Now, these are

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are these from over a period of time because he

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has a voviy you know, you've recorded a lot of music.

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I assume over over all these years. These aren't all

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from one album, correct or maybe I'm wrong about that.

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Speaker 5: No, They're they're kind of spread out, spread out.

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Speaker 10: Yeah, yeah, Now one was in Flames. Is that one

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of the more recent ones or is that?

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Speaker 5: Yes, in Flames is are one of our newest ones

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that we've been pushing.

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Speaker 10: Okay, yeah, great track, great track, thank you.

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Speaker 12: Thank you.

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Speaker 10: Has the process changed over the years as far as

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writing and recording, and I mean, obviously with different members,

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I assume a change is somewhat, But what about the

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overall approach.

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Speaker 14: I think, like you were talking or you were talking

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about with the music industry, some things end up changing

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as far as uh, like technology and what you were

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able to do when we first started versus what we're

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able to do now.

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Speaker 10: Mm hmm.

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Speaker 14: Because when we first started, you know, we were all

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just in a basement and we were just writing there

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and like recording off of this awful computer that we had. Yeah,

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and and or just like a tape or something like that. Yeah,

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really aging us at this point. But but you know,

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now we have all this technology and you can just

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like record anything, you know, at the palm of your hands,

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you know. Yeah, you have computers that can do professional

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recordings and stuff like that. So oh yeah, we kind

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of get ideas, you know, based off of that. We

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also jam together. It's kind of a mixture of both

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at this point. But yeah, yeah, but it's cool because

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you know, you have all this stuff at your fingertips

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and yeah, It's just makes it a lot easier.

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Speaker 10: It's an amazing time to be alive. Yes, I always

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say too with the pandemic, which I assume affected you guys,

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because it affected everybody, right, you know, it affected the

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music industry certainly. You know, it was a terrible experience collectively,

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but we got to find these silver linings where we can.

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And one of the silver linings of it is I

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think it really and this comes up all the time

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on the show, I think it really forced people to

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kind of think of a thing outside the box creatively

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of you know, well, how can we continue to make music?

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And and you know, the technology was already there as

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far as you know, we already had, you know, so

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for example, if you're recording and you're sending tracks back

285
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and forth, we already had things like Google Drive and

286
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Dropbox and everything. But I think the pandemic kind of

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forced people, some people who may have been a little

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bit technophobic and a little bit resistant to using that

289
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stuff to really embrace that and and you know, learn

290
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you know, what's going on in terms of technology, and

291
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how can I use that, because you know, if I don't,

292
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if I don't learn this stuff, now I'm kind of screwed.

293
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I know, I can tell you for myself, just as

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an aside. I also work as a hypnotherapist, and I'd

295
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always been really resistant to doing sessions online until, you know,

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till that was the only way to do them for

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a while, you know, so, But but yeah, that's that's

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one of those few silver linings about the pandemic. I

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think it kind of forced everyone forward in terms of

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technology and uh, you know, and a lot of people,

301
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a lot of people we've had on the show over

302
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the years too, have talked about how you know, They'll say,

303
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I didn't think I could you know, I could play,

304
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I could write, but I didn't think I could record.

305
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I didn't think I could engineer something. But I was

306
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forced to learn how to do it. And now I'm

307
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really glad I learned how to do it, you know,

308
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So knowledge is power. Why don't we play another track?

309
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I really I love all these songs, They're so good.

310
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Usually I leave it to the guests. I would like

311
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to be with your permission. I'd like to be a

312
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little bit selfish and play hopeless.

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Speaker 5: Okay, also do it because this song.

314
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Speaker 10: I love this song, and I like all of them,

315
00:16:17,120 --> 00:16:20,639
but this one really connected with me. I'm curious if

316
00:16:20,679 --> 00:16:24,399
there's a story behind this one or or anything anything

317
00:16:24,399 --> 00:16:25,639
we should know about it before we hear it.

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Speaker 14: Yeah, I mean it was it was kind of written

319
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at a time where I was feeling really I mean hopeless.

320
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Speaker 12: I was.

321
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Speaker 14: I was not I was not in a good place.

322
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I didn't really know like where my life was going

323
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and know where, you know, what what was in the future.

324
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And and it's kind we kind of try to put

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a positive spin on all of our music and you know,

326
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make it so like you know, telling people they can

327
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get out of that, they can they can conquer, you know,

328
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whatever they're feeling or you know, all the negative stuff.

329
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Speaker 5: Yeah, and you know, music is therapy for me in

330
00:17:00,200 --> 00:17:00,639
that sense.

331
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Speaker 14: And that's that's how I got out of my hopeless

332
00:17:04,640 --> 00:17:08,240
kind of feeling, is by you know, writing that with

333
00:17:08,359 --> 00:17:09,759
the guys and yeah.

334
00:17:09,759 --> 00:17:12,079
Speaker 5: And yeah, no, that's that's basically what it's about.

335
00:17:12,440 --> 00:17:14,319
Speaker 10: Well that's the thing too, about you know, using music

336
00:17:14,400 --> 00:17:18,160
and creating art for therapy, because not only do I

337
00:17:18,200 --> 00:17:20,039
think it's the best therapy, right when you take anything

338
00:17:20,079 --> 00:17:21,960
that's bothering you or a trauma or anything and you

339
00:17:22,079 --> 00:17:24,640
create something out of it that is art. That's I

340
00:17:24,680 --> 00:17:26,279
think the best way to deal with it. But also

341
00:17:27,279 --> 00:17:29,960
with music as an example, it also ends up helping

342
00:17:30,039 --> 00:17:32,079
other people too, because then they can relate to it

343
00:17:32,319 --> 00:17:34,880
and you know, Okay, I feel this and that's you know,

344
00:17:34,960 --> 00:17:36,640
and then they connect to the song too, So you're

345
00:17:36,880 --> 00:17:38,759
you help yourself, but you also help other people too.

346
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And you know, you've probably had people tell you over

347
00:17:41,799 --> 00:17:43,000
the years that that's.

348
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Speaker 14: One of the most rewarding things that you can have

349
00:17:44,960 --> 00:17:47,160
a fan tell you is that this this song helped

350
00:17:47,200 --> 00:17:47,960
me through this time.

351
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Speaker 5: Yep, because I know that.

352
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Speaker 14: You know, I went through a bunch of times when

353
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I was a kid and I listened to songs and

354
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they helped me through those.

355
00:17:53,880 --> 00:17:57,279
Speaker 10: Yeah. Absolutely, Well, let's give this a spin. When was

356
00:17:57,319 --> 00:17:59,039
this recorded? Is this one of the newer ones?

357
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Speaker 5: Or this is also one the newer one?

358
00:18:00,519 --> 00:18:03,279
Speaker 10: Oh cool cool? I thought, so, okay, excellent. Uh, if

359
00:18:03,319 --> 00:18:05,319
you are just joining us, we have Silent Season here

360
00:18:05,359 --> 00:18:07,279
with us in studio and let's listen to this. This

361
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track is called Hopeless.

362
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Speaker 1: Feels of Pressure calling JOm I'm feel safe behind every

363
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single day all the same.

364
00:18:50,480 --> 00:18:53,640
Speaker 7: J Cham.

365
00:18:58,720 --> 00:19:00,720
Speaker 1: Is Johnny Fault.

366
00:19:03,640 --> 00:19:04,000
Speaker 7: From My.

367
00:19:07,799 --> 00:19:11,480
Speaker 1: Chace Suits.

368
00:19:13,960 --> 00:19:16,640
Speaker 7: Say Glass.

369
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Speaker 1: And will know s go makes with saying.

370
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Speaker 7: Glass, I'm better.

371
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Speaker 1: Reading them no praise I.

372
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Speaker 10: How I felt so sad.

373
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Speaker 4: Answer, I'd say that I can't everything and I should change,

374
00:19:41,799 --> 00:19:43,160
should be So.

375
00:19:44,960 --> 00:19:52,400
Speaker 1: That starts so raw. Nora's gonna saying.

376
00:19:57,039 --> 00:19:58,720
Speaker 7: That. No.

377
00:20:00,519 --> 00:20:08,759
Speaker 1: See letting in so sang show I see, I'll say, as.

378
00:20:10,119 --> 00:20:17,599
Speaker 4: You well know, no, son, thank God, it's a big sens.

379
00:20:19,559 --> 00:20:25,599
Speaker 1: I'm not a such with my inshie. So I don't

380
00:20:25,720 --> 00:20:31,839
know which way is still poor god, my eyes, my

381
00:20:32,000 --> 00:20:33,000
shot man.

382
00:20:33,200 --> 00:20:35,079
Speaker 12: You were draw.

383
00:20:38,440 --> 00:20:42,720
Speaker 1: You'll feel my God, you watch it actual walk.

384
00:20:43,640 --> 00:20:44,960
Speaker 7: That's very good.

385
00:20:52,119 --> 00:20:55,799
Speaker 1: Chat see let in s sange.

386
00:20:58,000 --> 00:21:28,960
Speaker 15: I'll say, sure sound.

387
00:21:35,440 --> 00:21:38,759
Speaker 10: Mm hmmm. I love that. That is hopeless. The band

388
00:21:38,880 --> 00:21:41,400
is Silent Season, and we've got Silent Season here with

389
00:21:41,559 --> 00:21:44,880
us alive in studio. Yeah, that's that's such a great track.

390
00:21:44,920 --> 00:21:48,000
I love that chorus. It's very very strong. Whoops, there

391
00:21:48,079 --> 00:21:50,359
we go and have all those mics on. It's very uh. Yeah,

392
00:21:50,480 --> 00:21:53,279
it's a great chorus. It's very catchy, lyrics are very inspiring.

393
00:21:53,400 --> 00:21:54,960
It's funny too because it kind of fools you, right

394
00:21:55,079 --> 00:21:57,960
because the song is called hopeless, but it's actually very hopeful.

395
00:21:58,160 --> 00:21:58,359
Speaker 5: Yeah.

396
00:21:59,119 --> 00:22:01,720
Speaker 10: So it's a little little twist there. That's that's nice.

397
00:22:01,759 --> 00:22:04,599
But no, I like that a lot. Yeah that that

398
00:22:04,720 --> 00:22:07,000
came out what last year? Was that what I was reading?

399
00:22:07,079 --> 00:22:07,319
Speaker 12: Correct?

400
00:22:07,720 --> 00:22:10,119
Speaker 10: Yeah, so it's been out for a little bit, but yeah, great,

401
00:22:10,160 --> 00:22:15,480
great track. I also want to mention too, Uh Sheila

402
00:22:15,640 --> 00:22:18,720
from paper Jam was she had messaged I think she

403
00:22:18,799 --> 00:22:23,279
had messaged. Did she message that about how you guys

404
00:22:23,279 --> 00:22:24,839
are one of her favorite bands? And she was so

405
00:22:24,960 --> 00:22:28,240
thrilled to be able to interview you on her birthday

406
00:22:28,359 --> 00:22:29,079
for paper Jam.

407
00:22:29,240 --> 00:22:29,480
Speaker 5: Yeah?

408
00:22:29,640 --> 00:22:31,599
Speaker 10: So yeah, so congratulations right now.

409
00:22:31,599 --> 00:22:34,079
Speaker 6: Folks up there at paper Jam, we appreciate all their support.

410
00:22:34,200 --> 00:22:38,759
Speaker 10: Oh yeah, yeah, yeah, always send me the best artists.

411
00:22:39,680 --> 00:22:42,000
Oh yeah, yeah. We get a lot of guests from them,

412
00:22:42,079 --> 00:22:45,160
and uh, you know, every month we always look forward

413
00:22:45,160 --> 00:22:46,880
to getting paper Jam in the mail too. It's so

414
00:22:47,000 --> 00:22:51,880
cool that, you know, because too, that's quite an undertaking

415
00:22:51,960 --> 00:22:54,160
in the digital age, you know, to to say, Okay,

416
00:22:54,200 --> 00:22:57,599
we're gonna put out this magazine, you know what I mean.

417
00:22:57,839 --> 00:22:59,319
And I remember when we had them on the show.

418
00:22:59,359 --> 00:22:59,640
Speaker 12: I I.

419
00:23:01,279 --> 00:23:03,559
Speaker 10: I asked Sheila and Tony, I said, did anyone when

420
00:23:03,599 --> 00:23:05,559
you started payper Jam, did anyone try to talk you

421
00:23:05,640 --> 00:23:08,279
out of it? Did anyone say you know, do you

422
00:23:08,319 --> 00:23:09,880
really want to you know, in a time when you know,

423
00:23:10,319 --> 00:23:13,720
traditional publications have struggled and have been struggling for well

424
00:23:13,799 --> 00:23:18,200
probably twenty years with the rise of digital media, do

425
00:23:18,200 --> 00:23:19,839
you really want to do this? And they said no,

426
00:23:19,960 --> 00:23:21,920
No one really tried to, Like everyone was like super

427
00:23:21,920 --> 00:23:24,160
supportive and it worked out.

428
00:23:24,880 --> 00:23:25,880
Speaker 7: So you know, that's great.

429
00:23:25,920 --> 00:23:27,160
Speaker 10: They're having a lot of success with it.

430
00:23:27,319 --> 00:23:27,480
Speaker 12: Yeah.

431
00:23:27,640 --> 00:23:30,839
Speaker 6: Yeah, Joe introduced introduced us to paper Jam. He was

432
00:23:31,039 --> 00:23:32,160
very connected to them before.

433
00:23:32,240 --> 00:23:32,759
Speaker 10: So oh cool.

434
00:23:32,920 --> 00:23:34,599
Speaker 6: Every thankful for that connection as well.

435
00:23:34,799 --> 00:23:37,400
Speaker 10: Yeah. Yeah. Being able to hold something in your hands

436
00:23:37,519 --> 00:23:39,400
and look at it. Oh yeah, love that.

437
00:23:39,680 --> 00:23:41,880
Speaker 1: Oh yeah, computer screen just doesn't do.

438
00:23:41,880 --> 00:23:45,359
Speaker 10: It right, right. Yeah, No, it's very very cool, very cool.

439
00:23:46,160 --> 00:23:47,960
Have you guys been obviously, you know, we talked about

440
00:23:47,960 --> 00:23:50,160
Swarmyfest coming up in November. Are you guys playing a

441
00:23:50,200 --> 00:23:52,839
lot of shows generally? Are you doing a lot of

442
00:23:53,200 --> 00:23:54,400
what's the live situation?

443
00:23:54,640 --> 00:23:54,680
Speaker 9: Like?

444
00:23:54,960 --> 00:23:57,000
Speaker 6: Yeah, as of late, we've been playing a lot of

445
00:23:57,079 --> 00:24:00,359
great shows over the New England base and area. We

446
00:24:00,720 --> 00:24:03,200
just opened up for the Word Alive at Brighton Music

447
00:24:03,279 --> 00:24:06,599
Hall a couple of weeks ago. It's just amazing. We

448
00:24:07,000 --> 00:24:09,440
also jammed with Keith Wallen of Breaking Benjamin at the

449
00:24:09,440 --> 00:24:15,000
Pladium in Worcester, Okay. That was an amazing show and Lakeview, Lakeview,

450
00:24:15,160 --> 00:24:16,960
shout out to those guys. They added us to a

451
00:24:17,000 --> 00:24:20,480
couple of their shows and we have more planned coming up.

452
00:24:20,519 --> 00:24:22,400
We'll be announcing some of the other shows, you know

453
00:24:22,480 --> 00:24:24,559
where we're We're not going to fall off. We're going

454
00:24:24,640 --> 00:24:27,799
to keep going hard. Yeah, and we appreciate everyone coming

455
00:24:27,880 --> 00:24:30,960
to these shows and giving us the support. And you know,

456
00:24:31,039 --> 00:24:33,200
we like to call the fans our friends. We look

457
00:24:33,279 --> 00:24:35,480
at them as our friends, you know, and they're helping us.

458
00:24:35,519 --> 00:24:39,000
They're getting the word out their paper, Jam and everyone across.

459
00:24:39,079 --> 00:24:42,319
So let's keep it going and let's keep the train moving.

460
00:24:43,880 --> 00:24:47,119
Speaker 10: When you when you play live, do you play songs

461
00:24:47,160 --> 00:24:50,240
that span, you know, the entire history of the band

462
00:24:50,640 --> 00:24:52,720
or how does that work? Because like we've talked about,

463
00:24:52,720 --> 00:24:54,680
you guys have been around a while. You got a

464
00:24:54,720 --> 00:24:55,440
lot of music, right.

465
00:24:55,880 --> 00:24:58,480
Speaker 11: We try to get the ones that like the singles

466
00:24:58,720 --> 00:25:02,640
like Chance was the same from Breaking then Breaking Breaking

467
00:25:02,680 --> 00:25:07,960
Me Down, Breaking Benjamin, Yeah, and then with the couple

468
00:25:08,039 --> 00:25:11,720
from the War Within and the definitely the newest ones

469
00:25:11,759 --> 00:25:13,359
we definitely try to fit in there as well.

470
00:25:13,559 --> 00:25:17,440
Speaker 10: Yeah, Yeah, how many albums do you have as a band,

471
00:25:17,519 --> 00:25:18,599
or or albums.

472
00:25:18,200 --> 00:25:22,240
Speaker 14: And EPs or we have one full album, we have

473
00:25:22,559 --> 00:25:25,279
one e P and then we have a bunch of singles.

474
00:25:25,440 --> 00:25:26,319
Speaker 10: Okay, okay.

475
00:25:26,839 --> 00:25:29,480
Speaker 6: And you were saying earlier, Matt, about the time of COVID,

476
00:25:30,079 --> 00:25:32,319
we really sort of changed our stance, you know, with

477
00:25:32,400 --> 00:25:34,200
a lot of bands, Like we saw bands like spirit

478
00:25:34,279 --> 00:25:37,839
Box and releasing singles. You know, it became a little

479
00:25:37,880 --> 00:25:41,720
bit more like get the content out quicker and you know,

480
00:25:41,880 --> 00:25:45,319
keep the base engage. So we decided to do more singles.

481
00:25:45,799 --> 00:25:47,559
And but we're you know, we're you know, that's not

482
00:25:47,640 --> 00:25:49,680
going to stop us. I should say, we're we're thinking

483
00:25:49,720 --> 00:25:52,920
about you know, EPs and you know, get a collection

484
00:25:53,039 --> 00:25:55,440
of our art out there, you know, so we're I

485
00:25:55,519 --> 00:25:58,319
guess it just really depends on the mood and what's

486
00:25:58,400 --> 00:26:00,400
going on out there, because we don't we also, you know,

487
00:26:00,440 --> 00:26:02,720
we want to be able to deliver what the fan,

488
00:26:02,880 --> 00:26:05,240
the friends and want from Silent Season.

489
00:26:05,640 --> 00:26:07,599
Speaker 10: That's another thing that's changed too, is so many different

490
00:26:07,599 --> 00:26:09,319
ways to release music now. You know, when I was

491
00:26:09,359 --> 00:26:12,079
growing up, it was, you know, you've got an album

492
00:26:12,319 --> 00:26:14,640
and then you've got a series of singles. If you're lucky,

493
00:26:14,640 --> 00:26:16,039
you have a series of singles, or maybe you only

494
00:26:16,079 --> 00:26:18,240
have one. You know, it depends. But now it's like

495
00:26:18,720 --> 00:26:20,279
a lot of artists do the inverse of that. They

496
00:26:20,359 --> 00:26:23,000
release a series of singles that eventually coalesce into an

497
00:26:23,039 --> 00:26:25,720
album or you know, or maybe they put out I

498
00:26:25,799 --> 00:26:28,319
forget who it was. Recently we had on the show.

499
00:26:28,480 --> 00:26:32,480
There was somebody who, oh is Jesse Rutstein. He's got

500
00:26:32,519 --> 00:26:36,240
an EP, but that EP is going to become part

501
00:26:36,319 --> 00:26:37,240
of a larger album.

502
00:26:37,640 --> 00:26:37,799
Speaker 12: You know.

503
00:26:37,920 --> 00:26:39,960
Speaker 10: It's so there's so many different ways to do it now.

504
00:26:40,599 --> 00:26:43,720
And but I think the key, as you know you

505
00:26:43,799 --> 00:26:46,079
alluded to David, is because youve got to feed that algorithm, right,

506
00:26:46,119 --> 00:26:49,759
you gotta. So you gotta somehow even if you're even

507
00:26:49,799 --> 00:26:52,160
if you're only doing albums, because some some artists are

508
00:26:52,160 --> 00:26:54,200
stubborn and they will only do albums. But then it's

509
00:26:54,279 --> 00:26:56,160
like when you do an album and you release that album,

510
00:26:56,400 --> 00:26:58,519
so you've got that one shot to make a big splash,

511
00:26:58,880 --> 00:27:02,119
which is very difficult, uh in the digital age that

512
00:27:02,200 --> 00:27:04,960
we live in. So you know, so you got to

513
00:27:05,000 --> 00:27:07,079
you got to figure out ways to stay engaged with

514
00:27:07,200 --> 00:27:09,319
your audience so they don't forget about you.

515
00:27:09,480 --> 00:27:15,440
Speaker 6: You know, Social media, engagement content. You know, we're being

516
00:27:15,519 --> 00:27:17,599
in a band today. It's like you know, we're we're

517
00:27:17,839 --> 00:27:20,480
creating art, but we're also becoming influencers in a way.

518
00:27:20,680 --> 00:27:23,519
Speaker 10: Yeah right, Oh yeah, yeah, I mean that's kind of

519
00:27:23,559 --> 00:27:26,039
how I think of it. Everyone's an influencer now and

520
00:27:26,319 --> 00:27:28,480
some people don't like that term, but but but I

521
00:27:28,839 --> 00:27:32,839
mean it. Yeah, yeah, everyone's an influencer. Everyone's a brand.

522
00:27:33,279 --> 00:27:35,000
You got to kind of embrace that, you know, it's

523
00:27:35,079 --> 00:27:37,160
it's it's uh, if you want to have a long

524
00:27:37,720 --> 00:27:39,480
Like I said, you know a lot of bands don't

525
00:27:39,519 --> 00:27:41,240
have the kind of longevity you guys have. But if

526
00:27:41,240 --> 00:27:42,839
you want to have that longevity, you know, you gotta

527
00:27:43,160 --> 00:27:45,960
you gotta embrace everything that you gotta do to you know,

528
00:27:46,079 --> 00:27:48,240
to to stay in front of your fans and continue

529
00:27:48,279 --> 00:27:51,039
to grow that fan base. And so you guys are

530
00:27:51,319 --> 00:27:53,079
you have the right attitude. You're clearly on a on

531
00:27:53,160 --> 00:27:57,000
a good path. So that's great. I noticed too, you've

532
00:27:57,079 --> 00:27:59,759
you've had some airplay on is it Octane on?

533
00:28:00,880 --> 00:28:01,079
Speaker 7: Yeah?

534
00:28:01,119 --> 00:28:02,079
Speaker 10: Yeah, that's really cool too.

535
00:28:02,200 --> 00:28:03,960
Speaker 6: Yeah, yeah, there will a shout out to those guys.

536
00:28:04,039 --> 00:28:07,279
We appreciate their support. And but you know, we we've

537
00:28:07,359 --> 00:28:10,880
done uh, we've done a lot of campaigns, like you

538
00:28:10,960 --> 00:28:14,599
were saying earlier, with radio is again I draw back

539
00:28:14,640 --> 00:28:18,000
to COVID. I mean trying to be creative during a

540
00:28:18,079 --> 00:28:20,920
time where we couldn't play out a lot, and you know,

541
00:28:21,039 --> 00:28:23,240
we released some music, but it was trying to stay

542
00:28:23,279 --> 00:28:25,279
fresh out there? How can we stay fresh? And that

543
00:28:25,480 --> 00:28:28,359
was really Radio is a strong medium, you know, as

544
00:28:28,559 --> 00:28:30,480
a way to get our music out there, along with

545
00:28:30,599 --> 00:28:32,880
social media. So it really worked out well for us

546
00:28:32,960 --> 00:28:33,559
in that regards.

547
00:28:33,799 --> 00:28:37,240
Speaker 10: Yeah, yeah, one hundred. Why don't we play another track?

548
00:28:37,279 --> 00:28:38,599
What do you have now? This time? I will not

549
00:28:38,720 --> 00:28:40,440
be selfish. You guys can pick what what should we

550
00:28:40,640 --> 00:28:41,079
play next?

551
00:28:41,680 --> 00:28:43,039
Speaker 6: And Zo Joe you want to pick one?

552
00:28:43,440 --> 00:28:44,279
Speaker 10: Oh yeah, let's do.

553
00:28:44,519 --> 00:28:47,599
Speaker 6: Let's do and so and Joe will pick one. Okay, Oh,

554
00:28:48,079 --> 00:28:50,759
there's wounds and stars. I think we went to the

555
00:28:50,799 --> 00:28:53,079
stars before wounds and chants.

556
00:28:53,400 --> 00:28:55,200
Speaker 10: I don't have stars in front of me for some reason.

557
00:28:55,440 --> 00:28:56,920
Speaker 1: Okay, although I thought I thought.

558
00:28:56,799 --> 00:28:58,319
Speaker 10: You did send that though, but for some Oh no,

559
00:28:58,400 --> 00:29:00,640
I do see it. I'm sorry, I'm just wounds in chance.

560
00:29:00,720 --> 00:29:02,200
Speaker 6: I think those are still but but.

561
00:29:02,240 --> 00:29:04,839
Speaker 10: I do I do have stars also, Yeah, I don't

562
00:29:04,839 --> 00:29:05,359
know why I don't.

563
00:29:07,759 --> 00:29:08,839
Speaker 12: We'll go we'll go wounds.

564
00:29:09,240 --> 00:29:10,720
Speaker 10: You want to go with wounds? Okay, the right word.

565
00:29:10,759 --> 00:29:13,039
Speaker 12: We'll keep it going, all right, cool?

566
00:29:13,880 --> 00:29:15,640
Speaker 10: Anything we should know about this before we play it?

567
00:29:16,599 --> 00:29:17,960
There is a story or uh.

568
00:29:19,720 --> 00:29:22,279
Speaker 14: Oh yeah, no, I mean I I feel like a

569
00:29:22,400 --> 00:29:24,920
lot of a lot of stuff around this time was

570
00:29:25,119 --> 00:29:29,480
just generally about anxiety and and how to get over it.

571
00:29:30,759 --> 00:29:34,319
Also keeping that positive vibe you know, with you know,

572
00:29:34,599 --> 00:29:36,839
not just being like you know, poor me or whatever,

573
00:29:36,960 --> 00:29:39,680
but like hey, like you know, you get over this whatever.

574
00:29:40,400 --> 00:29:42,720
So yeah, no, it was kind of along the same lines.

575
00:29:43,359 --> 00:29:45,799
Speaker 10: Okay, all right, I like it. All right, let's give

576
00:29:45,839 --> 00:29:47,880
this a spin. This is Wounds and the band is

577
00:29:48,240 --> 00:29:49,000
Silent Season.

578
00:30:07,599 --> 00:30:14,440
Speaker 3: It's a short busted load in the talk roll the

579
00:30:14,599 --> 00:30:16,079
shadow side.

580
00:30:17,039 --> 00:30:25,720
Speaker 1: For the gradually feel commusic comes.

581
00:30:26,839 --> 00:30:28,480
Speaker 3: Up, cut silk.

582
00:30:28,319 --> 00:30:32,960
Speaker 1: Sat out of castle, I see.

583
00:30:33,640 --> 00:30:48,599
Speaker 4: By side side fuck so thanfuls un look class snow

584
00:30:50,240 --> 00:30:55,400
side side fluck soul thankful most.

585
00:31:05,240 --> 00:31:10,079
Speaker 3: Rohim sown the sword of part mo is lost of

586
00:31:10,319 --> 00:31:13,480
the heart is seating me love.

587
00:31:14,559 --> 00:31:17,000
Speaker 1: The selsy lost side.

588
00:31:18,400 --> 00:31:29,680
Speaker 3: Sail like commusing come so love cut such console a

589
00:31:30,000 --> 00:31:42,680
s ca brit Li sig fucking so hell thankful, I'm

590
00:31:42,880 --> 00:31:53,240
looking snow sign suck so hell, thanks.

591
00:31:54,799 --> 00:32:03,599
Speaker 1: Put your car your shot shop rod sho.

592
00:32:08,400 --> 00:32:11,680
Speaker 4: Say s shot to show when you shot sid no

593
00:32:12,000 --> 00:32:12,920
take your kidding.

594
00:32:13,119 --> 00:32:15,160
Speaker 1: Swings should say ju.

595
00:32:16,559 --> 00:32:28,480
Speaker 16: Shore, cat back, what's mine? Nothing's ws or shies So.

596
00:32:33,680 --> 00:32:41,920
Speaker 4: I'm looking sill.

597
00:32:46,400 --> 00:32:59,519
Speaker 1: When will you you shot?

598
00:33:07,839 --> 00:33:11,119
Speaker 10: That is called Wounds. The band is a silent season,

599
00:33:11,240 --> 00:33:14,200
and we have silent season here with us live in studio.

600
00:33:14,359 --> 00:33:16,799
Another great track Jeremy. Is it hard to sing like

601
00:33:16,880 --> 00:33:19,240
that when you gotta switch back and forth between the Uh?

602
00:33:19,799 --> 00:33:22,119
I mean, does does that bother your throat?

603
00:33:22,640 --> 00:33:23,480
Speaker 5: It's very hard.

604
00:33:24,480 --> 00:33:26,960
Speaker 14: It's It's funny because I've I've been really trying to

605
00:33:27,799 --> 00:33:31,680
hone in on both of those aspects lately, trying to

606
00:33:31,880 --> 00:33:34,920
you know, coach myself and you know, vocals, but also

607
00:33:35,200 --> 00:33:38,680
like not just vocal singing, but but then also like

608
00:33:38,880 --> 00:33:41,599
learning the the screams and stuff like that, and trying

609
00:33:41,640 --> 00:33:45,240
to get more knowledge about how to do it correctly,

610
00:33:45,720 --> 00:33:47,680
because I feel like for a long time I was

611
00:33:47,759 --> 00:33:50,160
just kind of just doing whatever I wanted to and

612
00:33:50,279 --> 00:33:52,720
not like actually like looking into it and like how

613
00:33:52,799 --> 00:33:57,079
you should. Yeah, but yeah, no, it's tricky sometimes, uh,

614
00:33:57,440 --> 00:33:59,839
you know, like not as recently because I've been kind

615
00:33:59,880 --> 00:34:02,440
of doing a little bit more research into it, but uh,

616
00:34:02,839 --> 00:34:05,799
sometimes it was just so hard to like scream and

617
00:34:05,839 --> 00:34:07,400
then go back to singing and scream and go back

618
00:34:07,400 --> 00:34:07,759
to singing.

619
00:34:07,839 --> 00:34:11,039
Speaker 5: But right, right, Yeah, it's a constant, uphill battle. But

620
00:34:11,079 --> 00:34:13,480
I think that, uh, it's getting better.

621
00:34:13,880 --> 00:34:15,840
Speaker 10: Yeah. I've always kind of marveled at singers who can

622
00:34:15,920 --> 00:34:18,480
do that and seamlessly go back and forth like that. Yeah,

623
00:34:18,599 --> 00:34:20,679
do you do anything special for your vocal cords, like

624
00:34:21,199 --> 00:34:23,280
for you know, some people use lemons, you know.

625
00:34:24,360 --> 00:34:29,360
Speaker 14: I have two different devices that I've been using as

626
00:34:29,440 --> 00:34:32,280
of recently. Ones kind of looks like a whistle. I

627
00:34:32,599 --> 00:34:35,159
can't specifically remember what these things are called, except for

628
00:34:35,880 --> 00:34:39,519
ones called doctor Vox and it's like kind of like

629
00:34:39,559 --> 00:34:41,840
a water bottle that's like half filled and then you

630
00:34:42,000 --> 00:34:44,960
like sing into it and it kind of like worms

631
00:34:45,039 --> 00:34:45,920
up your vocal cords.

632
00:34:46,000 --> 00:34:46,480
Speaker 10: Interesting.

633
00:34:46,679 --> 00:34:50,760
Speaker 14: Yeah, yeah, I feel like those things are are good

634
00:34:50,800 --> 00:34:52,719
for when you're you know, about to do like a

635
00:34:52,800 --> 00:34:55,639
recording session or something like that, but maybe not necessarily

636
00:34:55,719 --> 00:34:58,840
for when you're about to you know, go live on

637
00:34:58,920 --> 00:34:59,599
a set or whatever.

638
00:34:59,800 --> 00:34:59,960
Speaker 12: Yeah.

639
00:35:00,360 --> 00:35:03,079
Speaker 10: Yeah, now that makes sense. Oh, I saw a chat

640
00:35:03,159 --> 00:35:06,159
room message too. I want to make sure I read

641
00:35:06,280 --> 00:35:12,039
this Renee Carlisle Abbott. Uh says hi, Daddy love Devin

642
00:35:12,159 --> 00:35:13,599
and Riley and Julian.

643
00:35:13,920 --> 00:35:18,519
Speaker 12: So there you go. My beautiful family and my wife,

644
00:35:18,599 --> 00:35:19,360
oh very nice.

645
00:35:21,159 --> 00:35:24,440
Speaker 10: Now having a supportive family is definitely. Uh do they

646
00:35:24,480 --> 00:35:25,159
come see you live?

647
00:35:26,559 --> 00:35:26,760
Speaker 17: Yeah?

648
00:35:27,159 --> 00:35:30,760
Speaker 12: My order ten has and my wife has not yet.

649
00:35:30,880 --> 00:35:32,760
Not yet. Yeah, I don't know if they can handle it.

650
00:35:33,000 --> 00:35:37,280
Speaker 10: Yeah, the volume of it, yeah, absolutely. So if you

651
00:35:37,320 --> 00:35:39,039
are just joining us, we do have silent season here

652
00:35:39,079 --> 00:35:44,599
with us live in studio. And what's the in terms

653
00:35:44,599 --> 00:35:46,480
of what is the future hold in terms of new music, Like,

654
00:35:46,519 --> 00:35:48,559
are you guys always working on new music or obviously

655
00:35:48,599 --> 00:35:50,760
you've got you know, you're playing shows and you've got

656
00:35:50,840 --> 00:35:52,800
Swarmy Fest coming up, which is a big deal. But

657
00:35:52,920 --> 00:35:55,320
are you guys also actively working on new stuff.

658
00:35:55,159 --> 00:35:58,880
Speaker 14: Or Yeah, the summer has been packed with shows, So

659
00:35:59,159 --> 00:36:01,679
I mean between you know, work life and then playing shows,

660
00:36:01,800 --> 00:36:04,079
we've done a lot of a lot of that.

661
00:36:04,639 --> 00:36:04,840
Speaker 10: Yeah.

662
00:36:05,320 --> 00:36:08,159
Speaker 14: I think that now the things have kind of died

663
00:36:08,199 --> 00:36:10,440
down for a minute, we're going to be focusing on

664
00:36:10,639 --> 00:36:13,440
putting out new music and our writing new music. Yeah,

665
00:36:14,159 --> 00:36:15,920
we have a lot of things that are kind of

666
00:36:15,960 --> 00:36:18,960
in the vault right now. Yeah, so it should be

667
00:36:19,039 --> 00:36:20,159
easy to work with though.

668
00:36:20,239 --> 00:36:23,440
Speaker 10: Yeah, good good. And as far as the live shows go,

669
00:36:23,800 --> 00:36:25,480
is there anybody in the area. Are there any bands

670
00:36:25,519 --> 00:36:27,239
that you've kind of you know, what happens organically? Are

671
00:36:27,239 --> 00:36:29,119
there any bands you've kind of teamed up with? I

672
00:36:29,199 --> 00:36:32,280
mean obviously for Swarmy Fest, but are there bands that

673
00:36:32,320 --> 00:36:34,480
you play a lot of shows with that or.

674
00:36:36,880 --> 00:36:39,079
Speaker 6: We've been involved in the local scene for a while

675
00:36:40,000 --> 00:36:41,840
and a lot of bands have come and gone, but

676
00:36:42,079 --> 00:36:44,920
I as of recently, we've been playing shows with bands

677
00:36:44,960 --> 00:36:49,079
like Red Crown, Chasing the Devil. You know, we know

678
00:36:49,199 --> 00:36:53,159
those guys really well. We played a few shows. What

679
00:36:53,320 --> 00:36:57,960
major moment they're doing their thing? Oh yeah, and uh,

680
00:36:58,159 --> 00:37:00,400
I'm just there's just just so many of them. But

681
00:37:00,920 --> 00:37:03,559
those have been like really that I mentioned those because

682
00:37:03,599 --> 00:37:04,960
I know a lot of the bands so too. I

683
00:37:05,039 --> 00:37:08,239
mentioned at the beginning of from New Hampshire. So yeah,

684
00:37:08,320 --> 00:37:09,920
I mean, keep an eye out. We may end up

685
00:37:09,960 --> 00:37:12,960
doing more with with those bands. But you know, we

686
00:37:13,159 --> 00:37:15,719
we also have been really focused a lot on national

687
00:37:15,800 --> 00:37:18,400
shows as of late too, as a strategy.

688
00:37:18,000 --> 00:37:18,800
Speaker 10: Good to get back.

689
00:37:18,920 --> 00:37:20,840
Speaker 6: We were doing that and we toured in the past

690
00:37:20,960 --> 00:37:24,000
and we were writing and then we kind of started

691
00:37:24,039 --> 00:37:25,280
playing some local shows again.

692
00:37:25,400 --> 00:37:26,760
Speaker 7: But everything we do.

693
00:37:26,880 --> 00:37:28,880
Speaker 6: We try to do with strategy in mind, you know,

694
00:37:29,840 --> 00:37:32,400
as the business grows and we evolve as a band.

695
00:37:32,639 --> 00:37:35,239
Speaker 10: Yeah. Who are some of the I'm curious about national

696
00:37:35,320 --> 00:37:36,280
acts that you guys have played with.

697
00:37:36,519 --> 00:37:40,039
Speaker 6: Yeah, so over the years we've played with bands like

698
00:37:40,360 --> 00:37:43,639
Blackfield Brides at the Palladiums, Falling and Reverse. We we

699
00:37:43,760 --> 00:37:47,559
played with them when rag Key was getting out of

700
00:37:47,599 --> 00:37:51,079
his thing and getting back on the road. We've also

701
00:37:51,239 --> 00:37:56,400
played with seven Yeah, we toured with seven Dusts, ten

702
00:37:56,519 --> 00:38:00,119
Years in Gemini Syndrome, a few bands that mentioned off

703
00:38:00,159 --> 00:38:01,800
with in Ninja. I got to throw those guys out

704
00:38:01,840 --> 00:38:07,320
too from Australia. Amazing, amazing band. But yeah, just just

705
00:38:07,440 --> 00:38:10,559
a slew of nationals over the years and we want

706
00:38:10,599 --> 00:38:12,440
to keep that keep that ball rolling.

707
00:38:12,559 --> 00:38:15,639
Speaker 10: Oh yeah, no doubt, no doubt. You said you'd gone

708
00:38:15,679 --> 00:38:16,559
out on tour. Yeah.

709
00:38:16,800 --> 00:38:18,800
Speaker 6: Yeah, we did a few a couple of weeks with

710
00:38:18,920 --> 00:38:22,480
seven to Us and Gemini Syndrome was on that, and

711
00:38:22,559 --> 00:38:24,760
then we did another tour with ten Years and twelve

712
00:38:24,800 --> 00:38:27,800
Foot Ninja okay, and other offers came in.

713
00:38:28,239 --> 00:38:28,360
Speaker 17: Uh.

714
00:38:28,559 --> 00:38:31,400
Speaker 6: It just it's hard because it's all you know, it's

715
00:38:31,559 --> 00:38:35,119
it's a business. It's a big investment, and you know,

716
00:38:35,280 --> 00:38:37,760
but we're very thankful for those tours and seven to

717
00:38:37,840 --> 00:38:39,280
us was just amazing.

718
00:38:39,800 --> 00:38:39,960
Speaker 12: You know.

719
00:38:40,079 --> 00:38:43,119
Speaker 6: They were very welcoming, they treated us as family. Yeah,

720
00:38:43,119 --> 00:38:45,360
and we'll forever be grateful for that. And we always

721
00:38:45,480 --> 00:38:48,519
keep in touch with those guys. So yeah, I just

722
00:38:48,599 --> 00:38:49,239
wanted to share.

723
00:38:49,719 --> 00:38:54,599
Speaker 10: Yeah, I met them when they played at Meadowbrook. Boy

724
00:38:54,679 --> 00:38:56,280
how long ago was out? It was quite a while

725
00:38:56,320 --> 00:38:58,320
ago too, Gauz. I might have been around two thousand

726
00:38:58,320 --> 00:39:00,719
and eight. But yeah, yeah, yeah, really nice guy.

727
00:39:00,800 --> 00:39:03,159
Speaker 6: Yeah yeah, Yeah, they're great. They're great and they're still

728
00:39:03,239 --> 00:39:06,360
doing it after all these years. They're road warriors and

729
00:39:06,599 --> 00:39:09,360
they're phenomenal musicians and great amazing music.

730
00:39:09,639 --> 00:39:13,519
Speaker 10: Yeah, yeah, absolutely. Is there anybody you guys have wanted

731
00:39:13,599 --> 00:39:16,559
to like, do you have like a dream band that

732
00:39:16,639 --> 00:39:18,880
you'd love to open for or get to tour with.

733
00:39:19,599 --> 00:39:22,039
Speaker 18: I definitely have one, Yeah, and We've tried a few

734
00:39:22,079 --> 00:39:24,440
times to try to open for them. But I'm a

735
00:39:24,519 --> 00:39:28,800
huge fan of the band. He is legend and yeah,

736
00:39:28,840 --> 00:39:31,079
they they've come by the Taffta about a year ago.

737
00:39:31,360 --> 00:39:35,320
Oh really, yeah, and they they're coming by in September

738
00:39:35,519 --> 00:39:36,880
actually pretty pretty soon.

739
00:39:38,079 --> 00:39:39,159
Speaker 10: We tried to get on that show.

740
00:39:39,199 --> 00:39:42,199
Speaker 18: It seems like they were full for that, so but

741
00:39:42,360 --> 00:39:45,559
I'm gonna be there anyways in the crowd because they're

742
00:39:45,599 --> 00:39:46,559
one of my favorite bands.

743
00:39:46,639 --> 00:39:48,079
Speaker 10: Oh yeah, would definitely be mine.

744
00:39:48,239 --> 00:39:50,519
Speaker 6: Oh very quick story on that. I'm a I'm a

745
00:39:50,599 --> 00:39:51,440
guy full of stories.

746
00:39:51,480 --> 00:39:52,119
Speaker 1: I'll make this quick.

747
00:39:52,239 --> 00:39:54,199
Speaker 10: Nole's so before ends.

748
00:39:54,360 --> 00:39:57,840
Speaker 6: Well, actually, when Enzo joined, we had played a showm

749
00:39:58,119 --> 00:40:00,719
right before COVID with He Is Legend and While She

750
00:40:00,880 --> 00:40:05,719
Sleeps in Summerville, and uh, when Enzo was playing with

751
00:40:05,880 --> 00:40:09,239
us shortly after he joined, he said, Hey, you know

752
00:40:09,320 --> 00:40:12,280
you guys played with He Is Legend at Once Ballroom

753
00:40:12,320 --> 00:40:13,559
and some of them We're like, yeah we did.

754
00:40:13,880 --> 00:40:15,760
Speaker 10: He was I was there. I'm like oh wow.

755
00:40:15,840 --> 00:40:18,679
Speaker 6: We were like wow, that's crazy, small world kind of vibe.

756
00:40:18,719 --> 00:40:20,639
And we didn't know him at the time. And a

757
00:40:20,719 --> 00:40:24,039
couple of years, few years fast forward, he then joined

758
00:40:24,079 --> 00:40:25,840
the band, and I think it was meant to be

759
00:40:25,920 --> 00:40:28,719
at that He Is Legend show. Now we just got

760
00:40:28,840 --> 00:40:30,960
to come full circle. Like Enzoe said, we got to

761
00:40:30,960 --> 00:40:33,039
play a show what he is Legend?

762
00:40:33,119 --> 00:40:33,760
Speaker 7: So he is Legend.

763
00:40:33,800 --> 00:40:36,079
Speaker 6: If you're listening, let's do this.

764
00:40:36,519 --> 00:40:40,599
Speaker 10: Yeah, yeah, no doubt, no doubt. Let's hit another studio tracks.

765
00:40:40,599 --> 00:40:41,960
So we've got a couple we haven't played, right, we

766
00:40:42,000 --> 00:40:45,480
haven't played a chance or Stars. We'll play one now

767
00:40:45,519 --> 00:40:47,000
and then we'll play one for the end of the segment.

768
00:40:47,039 --> 00:40:50,159
How's that? So, I'll let you guy, which which one

769
00:40:50,159 --> 00:40:51,239
do you want to go with next?

770
00:40:51,400 --> 00:40:54,360
Speaker 6: Brandon Joe Jeremy's two Stars do Stars?

771
00:40:55,639 --> 00:40:55,800
Speaker 7: Is this?

772
00:40:56,360 --> 00:40:58,079
Speaker 10: What's the newest one? By the way, is that Stars?

773
00:40:58,440 --> 00:41:00,880
Speaker 5: No? The newest ones are in Flames and Hopeless.

774
00:41:01,039 --> 00:41:03,320
Speaker 10: Okay, those are the two that we Okay, all right, cool,

775
00:41:03,639 --> 00:41:05,639
let's give this a spend. If you're just joining us,

776
00:41:06,079 --> 00:41:08,280
We've got silent Season here with us, live in studio,

777
00:41:08,320 --> 00:41:11,039
and we're gonna play another track. This is called Stars.

778
00:41:23,639 --> 00:41:25,239
Speaker 1: Shoot shoot you.

779
00:41:29,079 --> 00:41:33,360
Speaker 9: And for for tho sides?

780
00:41:34,960 --> 00:41:35,480
Speaker 1: Shoot you.

781
00:41:37,280 --> 00:41:55,280
Speaker 8: Side? Sure?

782
00:42:01,599 --> 00:42:17,480
Speaker 1: What can't you start at? Always go as you chose?

783
00:42:17,920 --> 00:42:18,199
Speaker 7: Can't?

784
00:42:18,639 --> 00:42:22,239
Speaker 1: I can't jump the can.

785
00:42:30,280 --> 00:42:31,920
Speaker 7: This little one? Who should?

786
00:42:32,079 --> 00:42:32,599
Speaker 1: Children?

787
00:42:36,079 --> 00:42:43,400
Speaker 7: Soon? Way, sir should and make up.

788
00:42:47,760 --> 00:42:56,960
Speaker 19: The I can't shot him? God, but I in my

789
00:42:57,239 --> 00:43:12,480
dream as guys, what just go smell got.

790
00:43:13,920 --> 00:43:24,400
Speaker 1: My boye go you myself girls girl song.

791
00:43:24,880 --> 00:43:37,079
Speaker 4: John Watcher said, good by.

792
00:43:41,880 --> 00:44:07,719
Speaker 1: You, Jeff.

793
00:44:11,440 --> 00:44:36,880
Speaker 20: Job, Jeff you stus if you Shosken Woice you.

794
00:44:47,440 --> 00:44:49,280
Speaker 10: I didn't even want to talk over the feed it

795
00:44:49,360 --> 00:44:51,960
sounds so cool. As a radio guy, I'm supposed to

796
00:44:52,000 --> 00:44:54,400
talk over the fade out rather not feed the fade out.

797
00:44:54,480 --> 00:44:56,199
But I just love that so much. I just wanted

798
00:44:56,239 --> 00:44:58,000
to let that ring out. That's so cool. That's an

799
00:44:58,039 --> 00:45:00,079
epic song. Great job, guys, I love that, man. I

800
00:45:00,440 --> 00:45:03,320
love that. That is star as the band is Silent Season,

801
00:45:03,480 --> 00:45:05,920
And hey, thank you all for joining us today. This

802
00:45:06,000 --> 00:45:07,960
has been this has been great. Really love talking to

803
00:45:08,000 --> 00:45:09,960
you guys. I want to make sure so a couple

804
00:45:09,960 --> 00:45:12,119
of things. I want to make sure remind everybody about

805
00:45:12,360 --> 00:45:14,960
Swarmy Fest November fifteenth. You guys are co headlining with

806
00:45:15,079 --> 00:45:19,639
sepsis very very cool, right really right across the street

807
00:45:19,719 --> 00:45:22,960
at school ye, right here in Manchester. So I'm excited

808
00:45:23,000 --> 00:45:25,639
to see you guys live. That's gonna be great. Matt

809
00:45:25,800 --> 00:45:27,960
Condorton Unleashed is one of the sponsors on the show,

810
00:45:28,000 --> 00:45:31,639
so we're we're we're really looking forward to that. And

811
00:45:31,760 --> 00:45:34,559
then let's see where should people go. Where's the best

812
00:45:34,559 --> 00:45:35,960
place for who will go online to keep up with

813
00:45:36,000 --> 00:45:37,079
everything that you guys are doing.

814
00:45:37,199 --> 00:45:39,719
Speaker 6: Yeah, we have a website, Silent Season music dot com.

815
00:45:39,960 --> 00:45:43,039
It lists out all our socials on there. We're on Facebook,

816
00:45:43,400 --> 00:45:48,360
Instagram x where we just as recently started TikTok not

817
00:45:48,559 --> 00:45:52,360
dances really more show announcements and some cool live footage.

818
00:45:52,440 --> 00:45:56,800
But you know, so we're engaging there as well. And

819
00:45:57,119 --> 00:45:59,280
you know, we're in a few different places. But if

820
00:45:59,280 --> 00:46:01,719
you go to our website, you'll really be able to

821
00:46:01,800 --> 00:46:04,760
find all our content. And Enzo is also helping running

822
00:46:04,760 --> 00:46:06,800
our website. He set up a mailing list, So sign

823
00:46:06,880 --> 00:46:09,440
up for our mailing list and find out the latest

824
00:46:09,480 --> 00:46:11,159
and greatest updates about Silent season.

825
00:46:11,440 --> 00:46:14,840
Speaker 10: Excellent. And then when's your next show? Is Swarmy Thust

826
00:46:14,880 --> 00:46:16,239
the next one? Or do you have something before? Then

827
00:46:16,280 --> 00:46:17,039
where's the next place?

828
00:46:17,360 --> 00:46:20,119
Speaker 6: It's the next one right now? But there, even though

829
00:46:20,159 --> 00:46:22,000
we said we're going to be working on some things

830
00:46:22,039 --> 00:46:24,679
with music, we're gonna sort of multitask. There's a couple

831
00:46:25,079 --> 00:46:28,159
shows we're working on in Providence and oh good also

832
00:46:28,639 --> 00:46:30,719
maybe New Jersey. That's all I can say for now,

833
00:46:31,239 --> 00:46:33,199
but as soon as more details come out, we'll be

834
00:46:33,280 --> 00:46:36,639
sure to let the show here. No, and we could

835
00:46:36,679 --> 00:46:38,960
let everyone find out what's going on if they want

836
00:46:39,000 --> 00:46:39,960
to travel to come see us.

837
00:46:40,199 --> 00:46:41,480
Speaker 10: Yeah, but We're going to try to.

838
00:46:42,480 --> 00:46:44,800
Speaker 6: Also do some more shows obviously around the area so

839
00:46:44,880 --> 00:46:49,199
we don't lose the burn, and you know, just keep active, multitasking,

840
00:46:49,280 --> 00:46:51,000
writing shows, all that good stuff.

841
00:46:51,119 --> 00:46:52,880
Speaker 10: Yeah, there's a lot that goes into it. People who

842
00:46:52,880 --> 00:46:54,440
don't people who haven't done it don't know. There's a

843
00:46:54,480 --> 00:46:58,559
lot that goes into it. Yeah, yeah, yeah, and shout

844
00:46:58,599 --> 00:47:00,920
out again to paper Jam Right, that's so cool. You know,

845
00:47:01,880 --> 00:47:06,079
I know she's she is probably listening right now. So yeah, yeah,

846
00:47:06,239 --> 00:47:07,960
I if you are just joining us and you don't know,

847
00:47:08,000 --> 00:47:10,559
Sheila was. She had messaged Jenny earlier and said how

848
00:47:10,639 --> 00:47:12,599
much she loved because you guys are like one of

849
00:47:12,639 --> 00:47:15,000
her favorite bands. She loved interviewing you on her birthday.

850
00:47:15,079 --> 00:47:16,400
So yeah, yeah, we've.

851
00:47:16,239 --> 00:47:20,760
Speaker 6: Got a special edition coming out with them September, in September,

852
00:47:20,800 --> 00:47:21,840
October edition.

853
00:47:22,280 --> 00:47:25,880
Speaker 10: Yeah, yeah, very cool. Well I think so we will

854
00:47:26,039 --> 00:47:27,880
end the uh the only one we didn't play at

855
00:47:27,960 --> 00:47:31,480
is chance correct. Yes, yes, So we'll end the segment

856
00:47:31,559 --> 00:47:34,519
with this, And if you are listening live on Saturday,

857
00:47:34,559 --> 00:47:37,199
stick around. We've got Cody Pope coming up in the

858
00:47:37,320 --> 00:47:40,480
third hour, so very excited about that. This is Matt

859
00:47:40,519 --> 00:47:43,400
Connorton Unleashed We are live on WM and H ninety

860
00:47:43,440 --> 00:47:46,199
five point three FM, and we will close the segment

861
00:47:46,280 --> 00:47:49,199
with this. This is Chance and the band is Silent

862
00:47:49,280 --> 00:47:51,079
Season and guys, thank you again so much.

863
00:47:52,320 --> 00:47:54,400
Speaker 12: Appreciate it, thank you for having you got it.

864
00:48:19,199 --> 00:48:26,079
Speaker 21: Archer through the storm awaiting my sure, it's time.

865
00:48:26,480 --> 00:48:32,800
Speaker 4: To let go of your bad con savage, your sun man.

866
00:48:33,760 --> 00:48:37,000
Speaker 7: It's the same as stage of.

867
00:48:37,239 --> 00:48:41,119
Speaker 1: The answer for something.

868
00:48:42,280 --> 00:49:04,559
Speaker 4: A shot such models a new so that it's the

869
00:49:04,840 --> 00:49:14,679
fly coustrains day for something. Just change your time and

870
00:49:14,960 --> 00:49:21,119
your fly bots the line post what.

871
00:49:23,480 --> 00:49:26,320
Speaker 1: And le stud.

872
00:49:29,480 --> 00:49:39,719
Speaker 4: The change losing and a chance that pocket make a

873
00:49:40,039 --> 00:49:42,400
change because.

874
00:49:42,920 --> 00:49:54,000
Speaker 9: Study loss come up.

875
00:49:56,280 --> 00:50:05,800
Speaker 1: And that you want stop at on the stock hold

876
00:50:06,079 --> 00:50:13,480
hold the change very shirt side gets.

877
00:50:15,000 --> 00:50:16,519
Speaker 9: So I.

878
00:50:22,760 --> 00:50:24,360
Speaker 1: Don't shound side like.

879
00:50:28,239 --> 00:50:39,280
Speaker 4: Obja Doll got shout that podcast on al mat say

880
00:50:40,360 --> 00:50:42,519
that stoy.

881
00:50:43,880 --> 00:51:02,079
Speaker 10: S Right now. W U M n H ninety five

882
00:51:02,159 --> 00:51:07,039
point three f M exclusive Matt Connerton Unleashed presents the

883
00:51:07,239 --> 00:51:12,599
world radio premiere of the new single from Brides. This

884
00:51:12,800 --> 00:51:14,480
is called Creature Culture.

885
00:51:14,840 --> 00:51:20,239
Speaker 1: You are listening to WUMNH world premiere.

886
00:51:47,119 --> 00:52:03,559
Speaker 17: Stars for White the creature second name mutation. Oh it's South.

887
00:52:03,440 --> 00:52:06,719
Speaker 4: Taste like WHD skin smell down and grab up and

888
00:52:06,800 --> 00:52:08,039
strut out the paper.

889
00:52:08,360 --> 00:52:09,199
Speaker 1: How does you plea?

890
00:52:09,320 --> 00:52:15,000
Speaker 17: So I just come back at joke h it's map

891
00:52:15,039 --> 00:52:16,079
skin say French.

892
00:52:15,920 --> 00:52:19,400
Speaker 9: Speak, lead, eat me too and sho do that's today?

893
00:52:19,519 --> 00:52:22,880
Speaker 17: Shall the South ain't back a choice? It's like your sensation.

894
00:52:35,000 --> 00:52:46,119
Speaker 22: Creatcher chop, chump, creat jump shop, jump, stretching nig.

895
00:52:46,440 --> 00:52:48,199
Speaker 17: The white chosky gets in.

896
00:52:48,360 --> 00:52:52,519
Speaker 4: It's your on the line and you put your huns.

897
00:52:52,239 --> 00:52:53,800
Speaker 17: On the don't two of your rights.

898
00:52:53,679 --> 00:52:56,159
Speaker 1: But your right teases my all elspie.

899
00:52:57,440 --> 00:52:59,039
Speaker 7: Wow, oh.

900
00:53:01,199 --> 00:53:06,239
Speaker 23: The soup taste that redskin strother than rubbers, struggle the paper.

901
00:53:06,519 --> 00:53:08,119
Speaker 1: I don't you go st just.

902
00:53:08,199 --> 00:53:12,079
Speaker 17: Come back lash.

903
00:53:12,800 --> 00:53:13,719
Speaker 7: This man skins and.

904
00:53:13,800 --> 00:53:16,719
Speaker 1: Free skin leading me to you.

905
00:53:16,920 --> 00:53:19,000
Speaker 17: That's the may s, the suthing my day.

906
00:53:19,000 --> 00:53:34,960
Speaker 23: It's gonna just lack of sensation, shake me away, show

907
00:53:35,039 --> 00:53:36,000
me any other.

908
00:53:35,880 --> 00:53:38,679
Speaker 17: The good line of your creature as being on the

909
00:53:38,880 --> 00:53:41,920
culture of mind to distract us the rest of the

910
00:53:42,079 --> 00:53:43,280
tab since.

911
00:53:43,119 --> 00:53:46,639
Speaker 7: Sor the sons of.

912
00:53:46,679 --> 00:53:47,679
Speaker 17: Mine face the man.

913
00:53:47,679 --> 00:53:48,920
Speaker 1: It's rain in my shoes.

914
00:53:49,239 --> 00:53:52,079
Speaker 17: It's win behind me and that's when behind you.

915
00:53:52,639 --> 00:53:54,239
Speaker 1: But not drunk upon said the.

916
00:53:54,239 --> 00:53:58,559
Speaker 22: Straight by its bank, give me see true.

917
00:54:04,239 --> 00:54:11,360
Speaker 1: Christy Cris.

918
00:54:17,360 --> 00:54:37,840
Speaker 7: Crist do you want anything to do that.

919
00:54:39,519 --> 00:54:41,159
Speaker 1: I don't want to be like shoe.

920
00:54:42,239 --> 00:54:47,800
Speaker 3: I recognize abo from the persons.

921
00:54:47,960 --> 00:54:51,800
Speaker 1: Should have no better sounded for a while.

922
00:54:51,960 --> 00:54:58,199
Speaker 4: Now it's probably you're trying do ten can't sound.

923
00:54:59,000 --> 00:55:05,119
Speaker 7: No, yow, don't.

924
00:55:05,000 --> 00:55:16,159
Speaker 4: Wait, child, that ain't long? God, I ain't long. I'll

925
00:55:16,280 --> 00:55:20,639
blacky that ain't long?

926
00:55:20,840 --> 00:55:23,639
Speaker 8: Guy, now ain't love.

927
00:55:27,320 --> 00:55:27,559
Speaker 15: Can so?

928
00:55:27,639 --> 00:55:31,039
Speaker 1: I ain't hit the reset, but I don't want.

929
00:55:30,920 --> 00:55:36,320
Speaker 3: To start John Saint, No, please like child, please start.

930
00:55:36,320 --> 00:55:37,159
Speaker 1: Like you was like?

931
00:55:37,400 --> 00:55:41,599
Speaker 7: But who wasn't what you want said?

932
00:55:41,679 --> 00:55:45,599
Speaker 1: Don't like John is. We can't waste a minute. We

933
00:55:45,719 --> 00:55:48,199
want to waste some minutes, jays some man.

934
00:55:49,800 --> 00:56:01,320
Speaker 4: Don't wait child that ain't long, Guy that ain't long? Well,

935
00:56:01,440 --> 00:56:03,440
body are guys.

936
00:56:04,960 --> 00:56:05,800
Speaker 7: That ain't long?

937
00:56:06,000 --> 00:56:08,559
Speaker 1: Guy that you love?

938
00:56:18,559 --> 00:56:27,159
Speaker 7: H I've got that sick chim feeling what we used

939
00:56:27,199 --> 00:56:28,000
to healing.

940
00:56:28,639 --> 00:56:30,400
Speaker 12: I don't know what to do.

941
00:56:31,079 --> 00:56:33,239
Speaker 1: I still lot he suit you.

942
00:56:34,360 --> 00:56:35,039
Speaker 7: I got that.

943
00:56:35,280 --> 00:56:37,599
Speaker 1: Sick chet figuring out right now.

944
00:56:37,599 --> 00:56:37,920
Speaker 7: I know.

945
00:56:39,960 --> 00:57:16,320
Speaker 1: I don't know what sometime, So now wait long log

946
00:57:24,000 --> 00:57:39,440
that a long lot s fail always sell no sell

947
00:57:40,599 --> 00:57:48,480
sessions dot com.

948
00:57:49,360 --> 00:57:51,920
Speaker 13: You spent your mussooms do w M N H ninety

949
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five three at gmail dot com or traverse the virtual

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corridors of w m n H radio dot org. Engage

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with our sounding coprations, like commuting with us through the

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digital channel.

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Speaker 1: You know our radio beckond.

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Speaker 13: It's eager to enthrall you with its mes verizing cadence

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and envelop you with a symphony of foundless audits horns.

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Speaker 7: One dude,