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<v Speaker 1>Oh, hello, old uncle Wally Ward. Here back with another

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<v Speaker 1>episode of ologies. Now this one, well it's something to

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<v Speaker 1>write home about. We're talking deltiology, which is the study

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<v Speaker 1>or just the collection of postcards. Yes, kiddos, there is

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<v Speaker 1>an ology for that. I wanted to know what in

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<v Speaker 1>the fricking frick that was about. So I was outside

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<v Speaker 1>of Detroit shooting the CBS show Innovation Nation at the

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<v Speaker 1>Henry Ford Museum. I was like, hey, hey, you guys

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<v Speaker 1>got any ins with the delteologist And they were like,

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<v Speaker 1>what is that? Is that a word? And I had

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<v Speaker 1>to be like, well, according to some dude named Randall

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<v Speaker 1>Rhodes of Ohio who coined this term in nineteen forty

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<v Speaker 1>five based on the Greek for deltion meaning little tablets, yes, yeah,

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<v Speaker 1>it's a word. And they were like, oh, okay, cool,

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<v Speaker 1>because yeah, we have a museum curator who studies and collects,

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<v Speaker 1>who cherishes and archives and displays postcards. And I was like,

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<v Speaker 1>let's get it on, let's do this. Also, sorry the

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<v Speaker 1>Henry Ford. Sometimes there's swear words in my podcasts. I

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<v Speaker 1>think I kept them to them and amum, I'm just

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<v Speaker 1>me being me, but I'm pretty sure it's pretty clean.

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<v Speaker 1>But before we get into what is, according to Wikipedia,

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<v Speaker 1>the third most popular hobby worldwide, I guess people like

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<v Speaker 1>stamp and coin collecting more and I'm not sure if

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<v Speaker 1>by coin they just mean money like amassing wealth, but whatever.

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<v Speaker 1>Before we get into it, let's say thank you to

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<v Speaker 1>the patrons for their coin that they toss at the

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<v Speaker 1>podcast in exchange forgetting to ask the ologists questions. Twenty

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<v Speaker 1>five cents an episode gets you in. You can also

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<v Speaker 1>support for no Money just by telling a friend or

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<v Speaker 1>your secret lover or someone handing out pizza role samples

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<v Speaker 1>at Costco or your accountant about the podcast. Spread the word.

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<v Speaker 1>You can rate and review on iTunes. That also helps

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<v Speaker 1>keep us in still the top twenty or so signed podcasts.

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<v Speaker 1>It's so exciting and also I'm really creepy and I

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<v Speaker 1>read all your reviews that you leave because I want

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<v Speaker 1>you to feel seen, and I'm kind of thirsty. So

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<v Speaker 1>this week, Mallard the Duck says no Divorce Required. Amazing

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<v Speaker 1>podcast can take any topic and make it interesting through

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<v Speaker 1>Ali's personality and the guestologists. Oh thank you. This podcast

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<v Speaker 1>kept my wife and I entertained and happy on a

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<v Speaker 1>two thousand mile road trip to Canada. So can't wait

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<v Speaker 1>for the return trip home to listen to new things

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<v Speaker 1>and I won't need to find a divorce attorney after

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<v Speaker 1>four thousand miles of driving.

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<v Speaker 2>Thanks Alli, So.

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<v Speaker 1>Mallard the Duck twenty three. I hope you and your

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<v Speaker 1>continued wife are enjoying this episode about postcards. You better

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<v Speaker 1>send me one. Okay, you're a delltyologist. She got her

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<v Speaker 1>bachelor's degree in anthropology, a masters in Early American culture,

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<v Speaker 1>and is now the curator of Public Life, which is

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<v Speaker 1>a thing at the Henry Vard Museum in Dearborn, Michigan.

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<v Speaker 1>So she's been there. Are you even ready for this

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<v Speaker 1>forty one years forty one? I checked her LinkedIn profile

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<v Speaker 1>and I also just looked up to see what the

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<v Speaker 1>traditional forty one year anniversary gift would be, and it

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<v Speaker 1>looks like it's land. Like when you commit to something

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<v Speaker 1>that long, you just deserve chunks of the earth. So

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<v Speaker 1>she curates artifacts relevant to, according to the museum website,

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<v Speaker 1>vacations and worldfairs, to civil rights and social activism, to

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<v Speaker 1>advertising and retail, and has referred to the museum's vast

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<v Speaker 1>collections as quote, a bottomless pit of wonderfulness, she loves

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<v Speaker 1>her job, so I nabbed her for a chat in

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<v Speaker 1>the museum. We ducked into a little classroom off the

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<v Speaker 1>main hall to talk shop about postcards. So yes, we'll

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<v Speaker 1>cover some history and their uses, but this talk turned

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<v Speaker 1>into a really fascinating look at how we tell our

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<v Speaker 1>own narratives and how we want others to see our lives,

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<v Speaker 1>and the luxury of travel and how etching out a

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<v Speaker 1>message changes the way that we remember things. So it's

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<v Speaker 1>a loving gaze at postcards, of course, but it's also

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<v Speaker 1>a look at how we live and how a curator

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<v Speaker 1>is tasked with collecting and presenting back our own story

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<v Speaker 1>for us.

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<v Speaker 2>So it's really cool.

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<v Speaker 1>You can hear in my voice that I'm and I'm

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<v Speaker 1>almost apologetic, but not really to you guys, how excited

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<v Speaker 1>I was to be having this conversation because she's just

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<v Speaker 1>so down to earth.

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<v Speaker 2>She's like this bespectacled.

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<v Speaker 1>Hero because she's an artifact badass, and I just kind

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<v Speaker 1>of was fangirling for a lot of it. So collect

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<v Speaker 1>these museum musings and postcard wisdoms from deltyologist Donna Brayden.

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<v Speaker 2>Can you test and see if it's okay?

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<v Speaker 1>So it looks like your level is look at it

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<v Speaker 1>and I feel like I'm about to inform you that

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<v Speaker 1>you are a deltologist.

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<v Speaker 2>That was a new word to me.

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<v Speaker 3>But I love the fact that there is a word

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<v Speaker 3>about the love of postcards.

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<v Speaker 1>I mean, you don't just love them. You also are

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<v Speaker 1>a curator here at the Henry Ford, so you also

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<v Speaker 1>deal with the collection of them, the inspection of them,

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<v Speaker 1>the cataloging.

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<v Speaker 3>Yes, I have looked through huge swaths of our postcard

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<v Speaker 3>collection and we have many How many postcards.

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<v Speaker 1>Do you think you have in the collections here A few.

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<v Speaker 2>Thousand, We have a lot. How do they get stored?

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<v Speaker 1>Are they in like U haul boxes or are they

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<v Speaker 1>like all an acid fair laver?

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<v Speaker 3>Yeah, imagine shoe boxes, okay that are like acid free.

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<v Speaker 3>Oh so they're like protective certain kind of cardboard that

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<v Speaker 3>is okay for that quality of postcard paper. And they're

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<v Speaker 3>all nicely organized by topic usually state.

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<v Speaker 2>Oh so you can then by topic.

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<v Speaker 1>So like Wisconsin fishing, spon and.

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<v Speaker 3>Bears right, who right? And we have two different collections.

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<v Speaker 3>The main one is all indexed in our computer, so

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<v Speaker 3>we can look up any topic or any state or

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<v Speaker 3>any year and find those postcards and then just kind

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<v Speaker 3>of dig them out and look at them. I think

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<v Speaker 3>there are pictures of most.

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<v Speaker 2>Of them as well. And then there's a whole.

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<v Speaker 3>Other collection that I found more recently that you have

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<v Speaker 3>to know we have.

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<v Speaker 1>What So the museum recently discovered a pristine postcard collection

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<v Speaker 1>by this publishing company which was kind of like this

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<v Speaker 1>papery time capsule into postcards past. And I don't know

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<v Speaker 1>if they had to wear gloves to touch them, but

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<v Speaker 1>I'm going to picture them wearing gloves to touch them.

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<v Speaker 2>They're not indexed. They were not written by people and mailed.

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<v Speaker 1>So they don't have messages like Betty, I wish you

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<v Speaker 1>are on the boat with us.

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<v Speaker 2>Right, and then a licked stamp. They don't separate.

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<v Speaker 3>I mean, those are great because you get postmarks on

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<v Speaker 3>them and you can date them that way. But the

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<v Speaker 3>ones that have no messages, in this one company's collection,

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<v Speaker 3>you get a very more complete run of every postcard

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<v Speaker 3>they ever made. So a couple of years ago, I

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<v Speaker 3>was delving deep into the history of Yellowstone National Park

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<v Speaker 3>and I found that those postcards sem to be earlier

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<v Speaker 3>as well, kind of these really early teens and twenties

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<v Speaker 3>era postcards of every attraction at Yellowstone. I was like,

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<v Speaker 3>oh my gosh, you don't or not finding these on

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<v Speaker 3>the computer.

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<v Speaker 2>But I'm going to get them digitized so people can

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<v Speaker 2>see them now.

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<v Speaker 1>So what is the history of postcards? Did they just

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<v Speaker 1>always exist like forever? Like did the dinosaurs pop them

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<v Speaker 1>in the mail? And they're like eh, down in Mexico

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<v Speaker 1>for VAK there's so huge common or some shit I

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<v Speaker 1>don't know, man made for some red sunsets though, talk

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<v Speaker 1>to you later. No, not so much. Postcards were invented

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<v Speaker 1>for a reason, relatively recently, because they were cheap to mail.

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<v Speaker 1>They're like a penny. Everyone's like, dude, these rule technology.

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<v Speaker 1>It's so crazy. And then from there they evolved. So

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<v Speaker 1>let's get all up to speed on the history of postcards.

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<v Speaker 1>I swear this is fascinating. You'll never look at them

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<v Speaker 1>the same way. You'll be like, OMG, look at the

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<v Speaker 1>border on that ooh a linen finish, and maybe maybe

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<v Speaker 1>you'll join a deltyology club and meet the love of

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<v Speaker 1>your life. I don't know, the world's crazy, but let's

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<v Speaker 1>get into it.

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<v Speaker 3>The first postcards were put up by the government, the

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<v Speaker 3>post office, and you had no choice over what you

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<v Speaker 3>got and then oh oh, they act passed where private

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<v Speaker 3>companies could produce postcards, and then it became a bigger deal.

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<v Speaker 3>And that's when you got kind of that golden age

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<v Speaker 3>of early the early twentieth century postcards put out by

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<v Speaker 3>these companies. Oh okay, and then if you're familiar with postcards,

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<v Speaker 3>there's that early look on kind of a rag paper

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<v Speaker 3>that looks almost like a painting something. Yeah, that's those

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<v Speaker 3>early twentieth century postcards.

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<v Speaker 1>Okay, more little tidbits. So the first first, first postcard

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<v Speaker 1>ever was invented by this British author, prankster and play boy,

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<v Speaker 1>this guy named Theodor Hook. And he sent this hand

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<v Speaker 1>painted postcard to himself in eighteen forty and on it

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<v Speaker 1>unflattering drawings of a bunch of postal workers. He's like,

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<v Speaker 1>you've been served. Boom. Now that postcards sold at auction

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<v Speaker 1>in two thousand and two for twenty seven thousand British pounds.

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<v Speaker 1>So some Lotvian guy, his name is Eugene Gomberg. I

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<v Speaker 1>looked him up on Facebook. I spent some time looking

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<v Speaker 1>towards vacation photos last night. I'm not gonna lie, none

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<v Speaker 1>are photos involving this postcard. I met he legit forgot

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<v Speaker 1>that he bought it. Anyway, I'm going to give you

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<v Speaker 1>a quick rundown. In eighteen sixty one, the US allowed

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<v Speaker 1>postcards to be sent through the mail, and then ten

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<v Speaker 1>years later they were like, hey, let's make some and

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<v Speaker 1>sell our own pre stamped postcards. For God's sake, let's

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<v Speaker 1>make a little money. And then from there, in late

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<v Speaker 1>eighteen hundreds to early nineteen hundreds, this was officially the

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<v Speaker 1>Golden Age of postcards. What a time to be alive.

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<v Speaker 1>They really started taking off. People were like, they're so cheap,

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<v Speaker 1>they're so easy, I won't get hand cramps writing these

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<v Speaker 1>long ass inky letters, and wagons with photo equipment started

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<v Speaker 1>traveling and printing pictures onto these mailable postcards.

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<v Speaker 2>Now, there was also a white border period.

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<v Speaker 1>That was in the early nineteen hundreds that saved ink

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<v Speaker 1>by printing on a smaller surface. Nineteen thirties, there was

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<v Speaker 1>a shift to linen texture, nineteen fifties, some scalloped edges,

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<v Speaker 1>and now what we know today they're printed to the

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<v Speaker 1>edges with modern chrome, full color. So congratulations, you now

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<v Speaker 1>know the whole history of postcards.

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<v Speaker 2>We did it.

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<v Speaker 1>Isn't it weird that postcards have an origin story, they're

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<v Speaker 1>like a superhero or a rescue dog. It just makes

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<v Speaker 1>you love them more. And Donna loves her work.

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<v Speaker 3>So there's a big shift in how they look and

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<v Speaker 3>what tends to happen. The reason you can't date that

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<v Speaker 3>that well unless they have postmarks is that those early

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<v Speaker 3>postcards get continue to be offered for years and years

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<v Speaker 3>after they're not made anymore. Oh really, so they keep going.

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<v Speaker 2>Yeah, they keep going.

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<v Speaker 3>So you see these, you see people in like outdated clothing.

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<v Speaker 3>I know this was not taken this year because it's

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<v Speaker 3>so much cheaper just to keep producing those same postcards.

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<v Speaker 1>Right Like when you see people with like feathered eighties

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<v Speaker 1>hair and like Venice Beach postcards, you're.

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<v Speaker 3>Like, whoa, man, it's very nicely still around. It's definitely

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<v Speaker 3>still around. Our ladies with big hats and you know,

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<v Speaker 3>Gibson girl looking outfits and it's like the nineteen thirties

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<v Speaker 3>and it should be like or the nineteen forties.

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<v Speaker 2>That's like nineteen ten. Yeah, okay, that it needs to

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<v Speaker 2>be updated.

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<v Speaker 3>And that was just I mean, the discoveries here are

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<v Speaker 3>always every day.

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<v Speaker 2>Even for me and I've been here forty years. Every

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<v Speaker 2>day new things. That's what's so great about it.

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<v Speaker 1>So does that mean when you digitize them, do you

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<v Speaker 1>have to scan them or photograph them? And then does

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<v Speaker 1>someone have to catalog like them? Okay, this one has

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<v Speaker 1>a barn in it and a bucket, so I have

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<v Speaker 1>to put those keywords in.

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<v Speaker 2>That's a great question.

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<v Speaker 3>I think they do put the keywords in, but in

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<v Speaker 3>the old days before computers, when I was here, we.

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<v Speaker 2>Had to actually physically describe them.

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<v Speaker 3>But we do have to do the company the date

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<v Speaker 3>those keywords I think material sometimes and we put a

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<v Speaker 3>title at the top so that it's descriptive. And then

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<v Speaker 3>something that curators add is something called a narrative, which

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<v Speaker 3>is a short write up explaining the context of each thing,

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<v Speaker 3>which keeps us really busy, and we'll never we'll never

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<v Speaker 3>catch up, but it's something that's ongoing that we try

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<v Speaker 3>to do. So every time somebody looks something up on

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<v Speaker 3>our website, they find a little right up about it.

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<v Speaker 1>And so it might be like a woman picks apples

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<v Speaker 1>in an orchard while a puppy looks on or something whatever.

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<v Speaker 3>We actually try to be more interpretive than that. We

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<v Speaker 3>try to explain why the woman is there, what she's

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<v Speaker 3>looking at why she looks the way she does, what

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<v Speaker 3>kind of you know, was the place of vacasion place

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<v Speaker 3>or you know, sort of try to provide some context

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<v Speaker 3>and some background.

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<v Speaker 2>That's what we curators try to do.

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<v Speaker 1>So I went down a deep, deep, deep, deep rabbit

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<v Speaker 1>burrow looking at the digital archives of postcards and the

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<v Speaker 1>Henry Ford collection, and I was just tickled to see

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<v Speaker 1>this one was this black and white full length portrait.

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<v Speaker 1>It was titled Gentleman Posed with a Chair nineteen ten,

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<v Speaker 1>and it features this small framed man in a dusty

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<v Speaker 1>suit and a like a brimmed hat cocked far back

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<v Speaker 1>on his head, and he's got this silvery mustache over

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<v Speaker 1>an uncertain grin. Just a plucky looking guy. And the

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<v Speaker 1>museum caption of it reads, this man likely decided at

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<v Speaker 1>the spur of the moment to have his photograph taken.

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<v Speaker 1>He has left his tie tucked in as he would

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<v Speaker 1>while wearing a work apron. He probably saw the temporary

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<v Speaker 1>setup by a traveling photographer of a painted canvas in

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<v Speaker 1>a store or a public building. Choosing postcard paper meant

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<v Speaker 1>that he could mail photos to friends and relatives. And

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<v Speaker 1>not to get too sentimental, but museums are so powerful,

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<v Speaker 1>not only when they just display our past for us

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<v Speaker 1>to see, but when they lay out moments and stories

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<v Speaker 1>that we'd never even consider. And postcards kind of tell

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<v Speaker 1>those tales of what aspiration meant. In past Eras and

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<v Speaker 1>Donna curated promotional postcards for one exhibit about motels, and

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<v Speaker 1>they tell the story of hitting the open road in

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<v Speaker 1>a car with your nuclear family for some time away,

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<v Speaker 1>just kind of weaving sunburn and heartburn and discovery and

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<v Speaker 1>tall the new memories.

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<v Speaker 3>So the motel postcards, for example, I, you know, looked

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<v Speaker 3>up each motel on the on the internet, is like,

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<v Speaker 3>what can I find on them? What can I find

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<v Speaker 3>on the owners? What is the back saying when it

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<v Speaker 3>says air cooled rooms, new mattresses, all these crazy things

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<v Speaker 3>that they say. Is the television exactly what does that

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<v Speaker 3>mean for the era? And is it a tiny little motel?

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<v Speaker 3>Did it last? Is it still around? Is it a

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<v Speaker 3>one off?

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<v Speaker 2>Did it go away?

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<v Speaker 3>Is it a popular tourist area? These are the things

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<v Speaker 3>we try to find out.

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<v Speaker 1>Why are there so many motel postcards? And in your

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<v Speaker 1>collection and your creation of postcards in Deltiology, do you

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<v Speaker 1>find there are Okay, there are state postcards.

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<v Speaker 2>There are motel postcards.

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<v Speaker 1>There are get Well postcards, like what are the genres?

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<v Speaker 2>Well?

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<v Speaker 3>The the get Well postcards are very early form of postcards,

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00:15:57.799 --> 00:16:01.159
<v Speaker 3>which was more like greeting cards, and the companies that

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<v Speaker 3>made their early postcards actually started with kind of holiday greetings.

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<v Speaker 3>People sent them to each other and it was a

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00:16:07.759 --> 00:16:10.799
<v Speaker 3>very inexpensive way of sending. It was amazing to have

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<v Speaker 3>something colorful and printed to send people and was very cheap.

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00:16:15.600 --> 00:16:18.360
<v Speaker 1>Postcards also ended up as a way to send like

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00:16:18.559 --> 00:16:22.600
<v Speaker 1>stupid messages, kind of like a jiff in today's world. Okay,

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00:16:23.360 --> 00:16:25.840
<v Speaker 1>we were talking about lighthearted postcards.

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<v Speaker 2>Turned it more into.

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<v Speaker 3>Like jokey postcards than you know, greeting postcards, because of

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<v Speaker 3>course you can find greeting cards everywhere now.

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<v Speaker 2>It became a big industry.

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<v Speaker 3>The tourism postcards is what's such a gigantic what became

303
00:16:39.000 --> 00:16:42.480
<v Speaker 3>such a gigantic industry, And of course you know everywhere

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<v Speaker 3>you go you can go to the souvenir shop and

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00:16:45.159 --> 00:16:49.679
<v Speaker 3>buy a memory of someplace that you've been. The motel

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00:16:49.720 --> 00:16:53.519
<v Speaker 3>postcards are an interesting case because sometimes you still find

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00:16:53.559 --> 00:16:57.200
<v Speaker 3>but not so often anymore, you would find a free

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00:16:57.240 --> 00:16:59.559
<v Speaker 3>postcard in the drawer of the motel you would stay in.

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00:17:00.360 --> 00:17:02.159
<v Speaker 3>And this is when I was growing up. This is

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<v Speaker 3>what we all did, and that's what free you could

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<v Speaker 3>send your family or your friends, this is where I'm staying.

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<v Speaker 2>And they were ads for the motels.

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<v Speaker 3>They were like the best, most inexpensive advertising for these motels,

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00:17:17.440 --> 00:17:20.400
<v Speaker 3>and they become such a document. But I still have

315
00:17:20.559 --> 00:17:23.240
<v Speaker 3>because I saved postcards.

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00:17:22.799 --> 00:17:23.440
<v Speaker 2>When I was a kid.

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00:17:23.480 --> 00:17:26.279
<v Speaker 3>It was a free way to build a collection and

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00:17:26.359 --> 00:17:29.920
<v Speaker 3>all these great messages I would say from my friends

319
00:17:29.960 --> 00:17:32.200
<v Speaker 3>and family, and then people would start sending them to

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00:17:32.240 --> 00:17:35.359
<v Speaker 3>me because they knew I collected them. But my parents

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00:17:35.400 --> 00:17:39.519
<v Speaker 3>would occasionally escape from me and my four brothers and

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00:17:39.759 --> 00:17:43.319
<v Speaker 3>go somewhere, always not very expensive, but you know, they'd

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00:17:43.359 --> 00:17:45.160
<v Speaker 3>go somewhere and then we'd get a postcard from my

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00:17:45.240 --> 00:17:48.160
<v Speaker 3>mom that would circle the room ah and say this

325
00:17:48.240 --> 00:17:51.559
<v Speaker 3>is the room we're staying, and it would just paint

326
00:17:51.680 --> 00:17:53.400
<v Speaker 3>I mean, she was so proud to let us know

327
00:17:53.440 --> 00:17:56.519
<v Speaker 3>that they were staying, you know, you know, in a

328
00:17:56.599 --> 00:17:58.799
<v Speaker 3>lodging that wasn't at home, and it just gave us

329
00:17:58.920 --> 00:18:00.759
<v Speaker 3>sort of painted a picture where they were.

330
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<v Speaker 2>So that was really cool. Do you still have that collection?

331
00:18:03.279 --> 00:18:03.680
<v Speaker 1>Personally?

332
00:18:03.799 --> 00:18:07.759
<v Speaker 3>Of course, really I have, Yes, I have savored the collection.

333
00:18:07.839 --> 00:18:11.559
<v Speaker 3>I would it's very personal. But what's really funny is

334
00:18:11.599 --> 00:18:16.000
<v Speaker 3>when I was I don't know, elementary school, I had

335
00:18:16.039 --> 00:18:19.240
<v Speaker 3>a cork bulletin board in my bedroom and there was

336
00:18:19.279 --> 00:18:22.720
<v Speaker 3>a period of time where I thumbtacked all my postcards

337
00:18:22.759 --> 00:18:24.720
<v Speaker 3>to the board. And so I look at these postcards

338
00:18:24.720 --> 00:18:27.759
<v Speaker 3>now in the olive holes in the corners or varied

339
00:18:27.799 --> 00:18:31.319
<v Speaker 3>places where I changed the holes, and it's like surrounded

340
00:18:31.359 --> 00:18:33.039
<v Speaker 3>by these holes, and it's like why did I do that?

341
00:18:33.240 --> 00:18:36.440
<v Speaker 3>But it brings such a funny memory back when I

342
00:18:36.480 --> 00:18:38.960
<v Speaker 3>was just so proud to display these until it got

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00:18:38.960 --> 00:18:40.200
<v Speaker 3>to be too many.

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<v Speaker 2>So note to potential museum curators, don't poke holes in

345
00:18:45.079 --> 00:18:50.599
<v Speaker 2>things days your future self will build a time machine

346
00:18:51.000 --> 00:18:53.720
<v Speaker 2>out of lawnmower parts and come back and hurt you

347
00:18:53.799 --> 00:18:57.880
<v Speaker 2>in the face. So Donna has her personal collection all

348
00:18:57.920 --> 00:18:59.960
<v Speaker 2>stored in a box at home. How many are in there?

349
00:19:00.559 --> 00:19:04.720
<v Speaker 2>How many do I have? Probably a hundred? You know,

350
00:19:04.799 --> 00:19:05.680
<v Speaker 2>that seemed like a lot.

351
00:19:07.119 --> 00:19:09.319
<v Speaker 3>And I look, you know, recently, every once in a

352
00:19:09.359 --> 00:19:10.640
<v Speaker 3>while I come across and I'm like, oh, I have

353
00:19:10.720 --> 00:19:12.720
<v Speaker 3>to look at these. I was like, you know, sometimes

354
00:19:12.759 --> 00:19:15.279
<v Speaker 3>like i'd go to the well. I grew up in

355
00:19:15.319 --> 00:19:17.880
<v Speaker 3>Cleveland and the Art Museum was one of my favorite

356
00:19:17.880 --> 00:19:20.839
<v Speaker 3>all time. I took art classes there and it was

357
00:19:20.920 --> 00:19:24.039
<v Speaker 3>just this magical place, and I'd always buy a postcard.

358
00:19:24.519 --> 00:19:27.200
<v Speaker 3>So I have all these wonderful postcards of paintings and

359
00:19:27.240 --> 00:19:31.559
<v Speaker 3>things from when I was a kid. So it's and

360
00:19:31.720 --> 00:19:34.400
<v Speaker 3>so many levels. It just kind of brings joy to

361
00:19:34.480 --> 00:19:37.200
<v Speaker 3>have those that little pile of postcards.

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00:19:37.599 --> 00:19:40.119
<v Speaker 1>Do you think that postcards back in the day were

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00:19:40.160 --> 00:19:43.000
<v Speaker 1>the equivalent of a text message, whereas a letter was

364
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<v Speaker 1>an email.

365
00:19:45.799 --> 00:19:49.240
<v Speaker 3>That's a great I think you could have something there

366
00:19:49.279 --> 00:19:54.319
<v Speaker 3>because particularly because the back was divided in half and

367
00:19:55.160 --> 00:19:57.559
<v Speaker 3>one side you had to put the address on, so

368
00:19:57.599 --> 00:20:00.279
<v Speaker 3>you were left with one half of a postcard write

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<v Speaker 3>the message. And I have messages on some of them

370
00:20:04.200 --> 00:20:07.079
<v Speaker 3>where you know, people used up the space because they

371
00:20:07.160 --> 00:20:09.119
<v Speaker 3>wrote too big, and then they're like writing all around

372
00:20:09.160 --> 00:20:09.960
<v Speaker 3>the edges.

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00:20:09.720 --> 00:20:10.279
<v Speaker 2>On the top.

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<v Speaker 3>But I don't think you were supposed to. The post

375
00:20:13.720 --> 00:20:16.160
<v Speaker 3>office did not like it if you ran over into

376
00:20:16.200 --> 00:20:18.279
<v Speaker 3>the side with the address right, because that was like

377
00:20:18.319 --> 00:20:21.799
<v Speaker 3>the rule, the address the stamp, and only the side

378
00:20:21.880 --> 00:20:23.799
<v Speaker 3>is for the right, So you were that's a great point.

379
00:20:23.799 --> 00:20:26.279
<v Speaker 3>You were forced to write almost like a post It

380
00:20:26.359 --> 00:20:30.359
<v Speaker 3>note size message on there. And that's why when we

381
00:20:30.400 --> 00:20:34.119
<v Speaker 3>studied messages on the back of postcards for an exhibit

382
00:20:34.160 --> 00:20:38.039
<v Speaker 3>we did called Americans on Vacation, it was fascinating not

383
00:20:38.079 --> 00:20:40.680
<v Speaker 3>only to see what people wrote, but also there were

384
00:20:40.720 --> 00:20:44.200
<v Speaker 3>certain formulaic ways that people.

385
00:20:43.960 --> 00:20:45.799
<v Speaker 2>Wrote things I love this.

386
00:20:46.720 --> 00:20:48.680
<v Speaker 1>I love this because you.

387
00:20:48.640 --> 00:20:52.000
<v Speaker 3>Had to write in phrases, and there were certain things

388
00:20:52.000 --> 00:20:55.359
<v Speaker 3>people come in it on repeatedly, the weather, Yeah, car

389
00:20:55.440 --> 00:20:56.160
<v Speaker 3>breaking down.

390
00:20:57.640 --> 00:21:00.160
<v Speaker 1>They're like one of the kids poked the other's eye.

391
00:21:00.559 --> 00:21:01.519
<v Speaker 1>You're getting a divorce.

392
00:21:01.920 --> 00:21:02.440
<v Speaker 2>See fun.

393
00:21:02.839 --> 00:21:06.039
<v Speaker 3>But interestingly, we also found that there was a lot

394
00:21:06.119 --> 00:21:08.799
<v Speaker 3>of we're not sure how far they stretched it, but

395
00:21:09.079 --> 00:21:11.960
<v Speaker 3>people tended to want to make their vacations sound really good.

396
00:21:12.160 --> 00:21:14.480
<v Speaker 1>Oh my god, that's what they do on Instagram.

397
00:21:14.279 --> 00:21:17.680
<v Speaker 3>Exactly and Facebook. I mean it's a bragging thing, right,

398
00:21:17.799 --> 00:21:20.480
<v Speaker 3>so like we are here and you are not. Yes,

399
00:21:20.759 --> 00:21:23.319
<v Speaker 3>therefore we're going to make it sound as good as possible.

400
00:21:23.559 --> 00:21:26.759
<v Speaker 3>And there's you know, the classic having a wonderful time,

401
00:21:26.759 --> 00:21:29.400
<v Speaker 3>wish you were here, Yeah, showed up repeatedly.

402
00:21:29.400 --> 00:21:30.759
<v Speaker 2>I mean it's not made up.

403
00:21:31.039 --> 00:21:33.759
<v Speaker 3>Yeah, it was always that kind of we're having a

404
00:21:33.759 --> 00:21:36.079
<v Speaker 3>great time and you're not you know, yeah, not kind

405
00:21:36.079 --> 00:21:37.880
<v Speaker 3>of a little bit of one's one upsmanship.

406
00:21:37.960 --> 00:21:40.480
<v Speaker 1>A lot of times no one's ever like, uh, the

407
00:21:40.559 --> 00:21:43.519
<v Speaker 1>wife got sal Manila from the shrimp buffet.

408
00:21:43.759 --> 00:21:47.240
<v Speaker 3>I don't hear that a lot on a maybe a letter, yeah,

409
00:21:47.279 --> 00:21:49.039
<v Speaker 3>you know, maybe a letter, but where people have a

410
00:21:49.039 --> 00:21:51.839
<v Speaker 3>little more time to play that out. Certainly journals that

411
00:21:51.880 --> 00:21:54.960
<v Speaker 3>we've read, sort of trip diaries where they don't expect anyone.

412
00:21:54.640 --> 00:21:55.240
<v Speaker 2>To ever read them.

413
00:21:55.359 --> 00:21:59.519
<v Speaker 3>Oh yeah, I have a lot myself on those. But postcards, No,

414
00:21:59.759 --> 00:22:04.079
<v Speaker 3>it's very short and sweeten. It's mostly highlights and don't

415
00:22:04.160 --> 00:22:06.359
<v Speaker 3>like social media now it is kind of like that,

416
00:22:06.759 --> 00:22:08.960
<v Speaker 3>you know, we get a picture and a little bit

417
00:22:09.000 --> 00:22:11.200
<v Speaker 3>of impression, mostly positive.

418
00:22:11.880 --> 00:22:15.079
<v Speaker 1>So now the Americans on vacation collection you put together,

419
00:22:15.599 --> 00:22:17.519
<v Speaker 1>Where did you get those postcards? And what was it

420
00:22:17.640 --> 00:22:19.839
<v Speaker 1>like reading all those little messages and like seeing the

421
00:22:19.960 --> 00:22:22.759
<v Speaker 1>handwriting and the post was that just was that mind

422
00:22:22.759 --> 00:22:23.240
<v Speaker 1>blowing for you?

423
00:22:23.759 --> 00:22:26.279
<v Speaker 3>We I can't even remember how we came up with

424
00:22:26.319 --> 00:22:32.039
<v Speaker 3>the idea to do a presentation in the exhibit on

425
00:22:32.279 --> 00:22:35.359
<v Speaker 3>the messages and postcards. I think as we read about vacations,

426
00:22:35.799 --> 00:22:39.880
<v Speaker 3>we realized that everybody's familiar with the pictures on the front,

427
00:22:39.960 --> 00:22:41.799
<v Speaker 3>but not a lot of people are familiar with what

428
00:22:41.839 --> 00:22:44.359
<v Speaker 3>people say on the back. Nobody's written anything about that.

429
00:22:44.880 --> 00:22:48.079
<v Speaker 3>It was a new idea. So when we started reading them,

430
00:22:48.119 --> 00:22:51.920
<v Speaker 3>they went, this is rich. And we thought, all right,

431
00:22:51.960 --> 00:22:55.519
<v Speaker 3>we need to start collecting. We need to start accumulating

432
00:22:55.559 --> 00:22:58.039
<v Speaker 3>a collection of postcards with interesting messages.

433
00:22:58.319 --> 00:22:58.960
<v Speaker 2>How do we do that?

434
00:22:59.079 --> 00:23:02.880
<v Speaker 3>So we went to antiques and there was a one

435
00:23:02.920 --> 00:23:07.119
<v Speaker 3>nearby here that was every month, and so my colleague

436
00:23:07.119 --> 00:23:09.400
<v Speaker 3>I was working with and I went there for the

437
00:23:09.480 --> 00:23:13.640
<v Speaker 3>specific goal of looking at postcards with messages. And there

438
00:23:13.640 --> 00:23:16.799
<v Speaker 3>were a few dealers we knew that had postcards, and

439
00:23:17.240 --> 00:23:21.079
<v Speaker 3>they were all organized by state or topic, and they

440
00:23:21.119 --> 00:23:23.000
<v Speaker 3>were freaked out by what we were doing.

441
00:23:23.119 --> 00:23:25.720
<v Speaker 2>They're like, well, what topic are you looking for?

442
00:23:25.799 --> 00:23:27.640
<v Speaker 3>I can help you, and we're like, no, we're not

443
00:23:27.680 --> 00:23:29.079
<v Speaker 3>really looking for topic, we're.

444
00:23:28.960 --> 00:23:29.880
<v Speaker 2>Just reading the bags.

445
00:23:30.799 --> 00:23:33.079
<v Speaker 3>And eventually they just gave up and threw up their

446
00:23:33.079 --> 00:23:35.480
<v Speaker 3>hands and said, okay, you're on your own, and they

447
00:23:35.519 --> 00:23:37.079
<v Speaker 3>let us stay for like, I don't know, an hour

448
00:23:37.160 --> 00:23:39.960
<v Speaker 3>or two hours at a time because they didn't organize

449
00:23:40.000 --> 00:23:42.920
<v Speaker 3>anything that way. No one ever bought postcards that way,

450
00:23:43.160 --> 00:23:46.319
<v Speaker 3>And we just had the best time reading all of them,

451
00:23:46.359 --> 00:23:49.000
<v Speaker 3>and we made a pile of, you know, some of

452
00:23:49.039 --> 00:23:54.519
<v Speaker 3>the more interesting good and bad messages, and that became

453
00:23:54.640 --> 00:23:57.279
<v Speaker 3>this media presentation in the exhibit.

454
00:23:57.759 --> 00:24:01.319
<v Speaker 1>So this American's on Vacation exhibit appropriately toward the country,

455
00:24:01.680 --> 00:24:05.920
<v Speaker 1>and it featured these chronological looks at types of recreating

456
00:24:06.319 --> 00:24:07.000
<v Speaker 1>we did.

457
00:24:07.119 --> 00:24:07.839
<v Speaker 2>Back in the day.

458
00:24:07.880 --> 00:24:11.880
<v Speaker 1>And it had this audio visual component of actors reading

459
00:24:11.920 --> 00:24:15.119
<v Speaker 1>the backs of vintage postcards, kind of giving life to

460
00:24:15.200 --> 00:24:19.440
<v Speaker 1>these long gone moments and voices to people who would

461
00:24:19.480 --> 00:24:22.759
<v Speaker 1>never know that their road trip or steamer cruise memories

462
00:24:22.759 --> 00:24:25.640
<v Speaker 1>would be in the hands of postcard collectors and in

463
00:24:25.680 --> 00:24:29.440
<v Speaker 1>the ears of future strangers. And I tried so hard

464
00:24:29.440 --> 00:24:31.000
<v Speaker 1>to find audio of this, but we're just gonna have

465
00:24:31.000 --> 00:24:34.440
<v Speaker 1>to imagine. I'm imagining. And it's super cool, Okay.

466
00:24:34.680 --> 00:24:38.240
<v Speaker 3>They would read a line or two from these postcards,

467
00:24:38.240 --> 00:24:40.440
<v Speaker 3>and he put the thing together by showing the fronts

468
00:24:40.960 --> 00:24:42.319
<v Speaker 3>and people reading the backs.

469
00:24:42.519 --> 00:24:45.839
<v Speaker 2>It's wonderful, Oh, wonderful, so cool to see it come

470
00:24:45.880 --> 00:24:46.640
<v Speaker 2>to life like that.

471
00:24:47.880 --> 00:24:50.880
<v Speaker 3>Sometimes you get media people who don't do what you

472
00:24:50.960 --> 00:24:54.400
<v Speaker 3>yeah visioned, but he was beyond what we envisioned.

473
00:24:54.440 --> 00:24:58.319
<v Speaker 2>It was really great. So that was a wonderful project.

474
00:24:58.440 --> 00:25:00.480
<v Speaker 1>Do when you go on vacation, when you go to

475
00:25:00.480 --> 00:25:03.000
<v Speaker 1>a museum, do you look at the postcards? Do you

476
00:25:03.039 --> 00:25:05.240
<v Speaker 1>still collect them? Or do you look at them fondly

477
00:25:05.279 --> 00:25:07.200
<v Speaker 1>and say, oh, that's a cool rack of postcards, Like.

478
00:25:07.680 --> 00:25:08.799
<v Speaker 2>I'm all filled up here.

479
00:25:09.759 --> 00:25:12.680
<v Speaker 3>I still buy postcards, not for exactly the same reason,

480
00:25:12.839 --> 00:25:16.400
<v Speaker 3>but what I tend to do with them, although we

481
00:25:16.440 --> 00:25:18.920
<v Speaker 3>do get more than I can do that do this

482
00:25:18.960 --> 00:25:20.640
<v Speaker 3>with is I keep a daily journal?

483
00:25:20.880 --> 00:25:23.799
<v Speaker 2>I have for many years? You do I do? That's amazing.

484
00:25:23.880 --> 00:25:29.880
<v Speaker 2>Tells me organize the chas and come to terms with it. Sometimes.

485
00:25:30.559 --> 00:25:33.559
<v Speaker 3>And I go through about three different journals a year

486
00:25:33.720 --> 00:25:36.000
<v Speaker 3>before I use one up and have to start another one.

487
00:25:36.640 --> 00:25:40.000
<v Speaker 3>And I pick my favorite postcards and I put them

488
00:25:40.000 --> 00:25:43.680
<v Speaker 3>in the back of the journal during which the time

489
00:25:43.720 --> 00:25:46.839
<v Speaker 3>which I took that trip. And every time I open

490
00:25:46.920 --> 00:25:49.920
<v Speaker 3>the journal now or in the future, I see those

491
00:25:49.960 --> 00:25:52.000
<v Speaker 3>postcards and it reminds me of the trips.

492
00:25:52.440 --> 00:25:54.880
<v Speaker 2>It's wonderful. It's a wonderful thing.

493
00:25:55.279 --> 00:25:59.559
<v Speaker 1>So on the subject of archiving and personal memories, I

494
00:25:59.640 --> 00:26:02.880
<v Speaker 1>had to ask her about this daily journaling because I

495
00:26:02.960 --> 00:26:05.960
<v Speaker 1>just had to. It's Dad's podcast. She'll ask what she

496
00:26:06.000 --> 00:26:09.599
<v Speaker 1>wants and it turned into this really interesting discussion. Wow,

497
00:26:09.640 --> 00:26:11.039
<v Speaker 1>how many journals do you think you have.

498
00:26:11.279 --> 00:26:12.319
<v Speaker 2>Oh gosh, I hope.

499
00:26:12.640 --> 00:26:15.000
<v Speaker 3>I'm afraid some future person is going to read them

500
00:26:15.000 --> 00:26:18.720
<v Speaker 3>and oh my god, what was this crazy person thinking?

501
00:26:18.799 --> 00:26:22.400
<v Speaker 3>But I started, well, I kept journals when I was

502
00:26:22.440 --> 00:26:25.440
<v Speaker 3>in high school, in college a little bit. But I

503
00:26:25.480 --> 00:26:28.039
<v Speaker 3>started a daily journal in Are you ready for this

504
00:26:28.200 --> 00:26:33.960
<v Speaker 3>in nineteen eighty two, yes, and I have daily writings

505
00:26:33.960 --> 00:26:35.359
<v Speaker 3>in there ever since then.

506
00:26:35.480 --> 00:26:38.720
<v Speaker 1>So you'd be a great expert witness. Where were you

507
00:26:39.359 --> 00:26:39.640
<v Speaker 1>the night?

508
00:26:39.680 --> 00:26:39.720
<v Speaker 3>Know?

509
00:26:39.799 --> 00:26:41.440
<v Speaker 1>And I'll tell you how much do you forget?

510
00:26:42.559 --> 00:26:42.880
<v Speaker 2>Yeah?

511
00:26:42.920 --> 00:26:45.799
<v Speaker 3>Myself and my family, and how often I always keep

512
00:26:45.880 --> 00:26:49.160
<v Speaker 3>last year's journal out because I was like, when did

513
00:26:49.200 --> 00:26:51.400
<v Speaker 3>we plant flowers last year? And I'll let me check

514
00:26:51.440 --> 00:26:53.680
<v Speaker 3>my journal and these are the flowers we planted, and

515
00:26:53.720 --> 00:26:55.480
<v Speaker 3>this is what days we went shopping, and this was

516
00:26:55.519 --> 00:26:57.359
<v Speaker 3>the weather. And it always comes in handy.

517
00:26:57.480 --> 00:27:00.759
<v Speaker 1>Yeah, I find this extreme adorable.

518
00:27:01.480 --> 00:27:03.200
<v Speaker 3>And a lot of times it's like, how was I

519
00:27:03.240 --> 00:27:05.079
<v Speaker 3>feeling a year ago? When what kind of work was

520
00:27:05.079 --> 00:27:08.519
<v Speaker 3>I doing? When I have to document, you know, what

521
00:27:08.559 --> 00:27:13.240
<v Speaker 3>I've accomplished for the year, or just so many, so

522
00:27:13.319 --> 00:27:15.960
<v Speaker 3>many things that comes in handy. How many journals do

523
00:27:16.000 --> 00:27:21.480
<v Speaker 3>I have? Probably I hate to think somewhere between fifty

524
00:27:21.480 --> 00:27:23.319
<v Speaker 3>and one hundred. Probably that's amazing.

525
00:27:23.880 --> 00:27:26.880
<v Speaker 1>Yeah, what happens if you decide you're going to go

526
00:27:26.920 --> 00:27:28.680
<v Speaker 1>live in an island or something and you leave your

527
00:27:28.720 --> 00:27:32.680
<v Speaker 1>journals behind. Would you be like burn these or would

528
00:27:32.720 --> 00:27:34.680
<v Speaker 1>you be like I hope one day someone publishes these.

529
00:27:37.400 --> 00:27:40.039
<v Speaker 3>I think that if someone published them, I would want

530
00:27:40.039 --> 00:27:44.920
<v Speaker 3>them to be me fair enough. I think I'd freak

531
00:27:45.000 --> 00:27:47.640
<v Speaker 3>out at the thought of somebody else reading them. I

532
00:27:48.480 --> 00:27:50.839
<v Speaker 3>know my fan, my my husband, my daughter watched me

533
00:27:50.880 --> 00:27:54.000
<v Speaker 3>write my journal every day. I hope I would be

534
00:27:54.079 --> 00:27:57.000
<v Speaker 3>nervous to think if because I write things about them

535
00:27:57.039 --> 00:28:00.279
<v Speaker 3>and what I want them to know. Maybe sometimes, but

536
00:28:00.400 --> 00:28:04.359
<v Speaker 3>sometimes not, because it just helped. It's a tool for

537
00:28:04.440 --> 00:28:09.200
<v Speaker 3>me to try to figure out what happened, Yeah, and

538
00:28:09.319 --> 00:28:11.279
<v Speaker 3>how to you know, proceed from there.

539
00:28:11.680 --> 00:28:15.039
<v Speaker 1>And it's so interesting that the notion of public writing

540
00:28:15.359 --> 00:28:19.720
<v Speaker 1>short format public journaling for others consumption versus the private journaling.

541
00:28:20.279 --> 00:28:24.079
<v Speaker 1>And it's interesting because it almost makes you wonder what

542
00:28:24.200 --> 00:28:27.759
<v Speaker 1>memories are etched in permanently, you know, is it?

543
00:28:27.960 --> 00:28:28.279
<v Speaker 2>Wow?

544
00:28:28.559 --> 00:28:31.039
<v Speaker 1>If we don't, if we don't write down the good

545
00:28:31.079 --> 00:28:32.359
<v Speaker 1>and the bad, I.

546
00:28:32.279 --> 00:28:33.440
<v Speaker 2>Have forgotten details.

547
00:28:33.640 --> 00:28:36.640
<v Speaker 3>A few years ago I went back and got a

548
00:28:36.640 --> 00:28:40.799
<v Speaker 3>second master's degree because I for various reasons, asked the

549
00:28:40.920 --> 00:28:45.799
<v Speaker 3>deep studying of a topic and the writing about it.

550
00:28:46.559 --> 00:28:50.680
<v Speaker 3>And it was a cool program on Liberal Studies, which

551
00:28:50.720 --> 00:28:54.440
<v Speaker 3>is interdisciplinary, and I took these amazing I took these

552
00:28:54.440 --> 00:29:00.920
<v Speaker 3>amazing classes on time, on place, on memory. So I

553
00:29:00.960 --> 00:29:03.960
<v Speaker 3>was always doing these crazy papers. So one paper was

554
00:29:04.000 --> 00:29:07.920
<v Speaker 3>on called autobiographical memory. And the whole point was the

555
00:29:07.920 --> 00:29:12.000
<v Speaker 3>whole key was that emotional things that are more emotional

556
00:29:12.039 --> 00:29:15.279
<v Speaker 3>you remember better. Oh that makes it will makes totally

557
00:29:15.400 --> 00:29:17.920
<v Speaker 3>makes sense. So the things that are a lot of

558
00:29:17.920 --> 00:29:20.759
<v Speaker 3>times the really bad things that happen are the things

559
00:29:20.799 --> 00:29:22.839
<v Speaker 3>you remember because the emotions were higher.

560
00:29:23.079 --> 00:29:26.279
<v Speaker 1>Right, it had it imprints, It imprints exactly everyone knows

561
00:29:26.279 --> 00:29:28.039
<v Speaker 1>where they were when they heard about nine to eleven

562
00:29:28.119 --> 00:29:30.480
<v Speaker 1>or JFK when an earthquake happened.

563
00:29:30.480 --> 00:29:33.000
<v Speaker 3>But and there's been studies on those, but it then

564
00:29:33.039 --> 00:29:35.440
<v Speaker 3>they sort of relate it to, you know, in general,

565
00:29:36.160 --> 00:29:39.839
<v Speaker 3>what you remember, and it just makes total sense.

566
00:29:39.839 --> 00:29:42.680
<v Speaker 2>So the little daily details you totally forget.

567
00:29:43.200 --> 00:29:47.079
<v Speaker 1>That's so fascinating. Yeah, do you have a favorite postcard

568
00:29:47.119 --> 00:29:49.640
<v Speaker 1>that you have ever seen? Like if you if there

569
00:29:49.680 --> 00:29:53.880
<v Speaker 1>were a fire and you had to say, oh, a postcard,

570
00:29:54.599 --> 00:29:56.079
<v Speaker 1>I know that's difficult.

571
00:30:01.119 --> 00:30:14.680
<v Speaker 3>Yeah, Wow. I have a personal love for Route sixty

572
00:30:14.720 --> 00:30:18.160
<v Speaker 3>six and we did a lot of that road several

573
00:30:18.240 --> 00:30:23.000
<v Speaker 3>years ago, and we have one, at least one great

574
00:30:23.079 --> 00:30:27.160
<v Speaker 3>postcard of a motel court is it called Coronado Courts

575
00:30:27.160 --> 00:30:31.400
<v Speaker 3>with a K on Route sixty six And it's so,

576
00:30:32.079 --> 00:30:35.480
<v Speaker 3>you know, Pueblo looking Southwestern looking and.

577
00:30:35.440 --> 00:30:39.559
<v Speaker 2>Road sixty six. And I think it's more all of.

578
00:30:39.440 --> 00:30:46.640
<v Speaker 3>The memories and meaning wrapped up in that postcard as

579
00:30:46.640 --> 00:30:50.079
<v Speaker 3>well as how beautiful the art is. And maybe that's

580
00:30:50.359 --> 00:30:53.440
<v Speaker 3>kind of the reason that that one sticks out in

581
00:30:53.480 --> 00:30:53.880
<v Speaker 3>my mind.

582
00:30:53.920 --> 00:30:55.319
<v Speaker 2>But I'm sure I.

583
00:30:55.200 --> 00:30:58.319
<v Speaker 3>Have many favorites and I love many, many of them,

584
00:30:59.000 --> 00:31:00.559
<v Speaker 3>but that one sticks out in my every time I

585
00:31:00.599 --> 00:31:02.960
<v Speaker 3>look at him, like, oh, I love those postcard.

586
00:31:04.000 --> 00:31:06.039
<v Speaker 1>Okay, So I found a picture of this postcard and

587
00:31:06.079 --> 00:31:08.720
<v Speaker 1>it looks kind of like a double wide one like

588
00:31:08.759 --> 00:31:12.000
<v Speaker 1>a it folds out, and it's panoramic, and it has

589
00:31:12.000 --> 00:31:16.599
<v Speaker 1>a linen finish from the nineteen forties. I basically, right now,

590
00:31:16.599 --> 00:31:18.839
<v Speaker 1>I'm like the postcard equivalent of a person who's gone

591
00:31:18.880 --> 00:31:22.279
<v Speaker 1>to one wine tasting but changes all my online profiles

592
00:31:22.319 --> 00:31:25.759
<v Speaker 1>to say I'm an una Fhile now her favorite postcard

593
00:31:25.880 --> 00:31:29.599
<v Speaker 1>depicts the super cute kind of cream colored cottages with

594
00:31:29.799 --> 00:31:34.119
<v Speaker 1>red tile roofs and manicured trees, and it says Joplin,

595
00:31:34.200 --> 00:31:38.039
<v Speaker 1>Missouri underneath. So I went digging to see if possibly

596
00:31:38.559 --> 00:31:41.519
<v Speaker 1>that cottage motel is still there, because how awesome would

597
00:31:41.559 --> 00:31:46.599
<v Speaker 1>that be? And number one, no, just no. I looked everywhere.

598
00:31:46.640 --> 00:31:49.720
<v Speaker 1>I used Google Maps to pinpoint the exact spot it was,

599
00:31:49.799 --> 00:31:53.680
<v Speaker 1>and I think it was on Seventh Street and Schiffendecker

600
00:31:54.079 --> 00:31:57.200
<v Speaker 1>in Joplin, Missouri, where there is now a convenience store

601
00:31:57.559 --> 00:32:00.640
<v Speaker 1>named Cases, and according to Yelp photos, they appear to

602
00:32:00.720 --> 00:32:04.599
<v Speaker 1>sell sushi, which is a bold move. Anyway, Then I remembered,

603
00:32:04.599 --> 00:32:07.960
<v Speaker 1>oh Man, Joplin, there was a twister there. And then

604
00:32:08.000 --> 00:32:11.119
<v Speaker 1>I spent like an hour getting super sad looking at

605
00:32:11.119 --> 00:32:14.160
<v Speaker 1>aerial photos of the aftermath of the May twenty eleven

606
00:32:14.279 --> 00:32:16.359
<v Speaker 1>tornado and looking at.

607
00:32:16.240 --> 00:32:17.319
<v Speaker 2>Maps of its path.

608
00:32:17.440 --> 00:32:21.720
<v Speaker 1>And it missed the former location of these Coronado courts

609
00:32:21.759 --> 00:32:25.599
<v Speaker 1>motel by like two houses, so it went right through

610
00:32:25.599 --> 00:32:28.279
<v Speaker 1>where it used to be. Nothing like the mutability of

611
00:32:28.319 --> 00:32:32.519
<v Speaker 1>the human made landscape to make you appreciate time captured

612
00:32:32.559 --> 00:32:38.079
<v Speaker 1>in historical artifacts and our fleeting presence on the planet. Anyway, No,

613
00:32:38.400 --> 00:32:41.559
<v Speaker 1>you can't visit Coronado Courts on a road trip because

614
00:32:41.599 --> 00:32:44.279
<v Speaker 1>it's now a minimart. But you can see the postcard

615
00:32:44.359 --> 00:32:47.160
<v Speaker 1>online on the Henry Ford's website, and I'll post it

616
00:32:47.599 --> 00:32:50.359
<v Speaker 1>on the Ology's Instagram, which is kind of like a

617
00:32:50.400 --> 00:32:51.960
<v Speaker 1>digital postcard these days.

618
00:32:52.200 --> 00:32:53.519
<v Speaker 2>So there's that.

619
00:32:54.000 --> 00:32:56.240
<v Speaker 3>I'm not sure that the Coronado Courts are still there.

620
00:32:56.720 --> 00:32:59.519
<v Speaker 3>I just love the postcard. It looks like a suburban

621
00:33:01.240 --> 00:33:07.079
<v Speaker 3>city of little motel courts and the just you know,

622
00:33:07.119 --> 00:33:10.079
<v Speaker 3>it's like the best lodging on Root sixty six. So

623
00:33:10.200 --> 00:33:12.839
<v Speaker 3>it's just a great kind of combination of things.

624
00:33:13.200 --> 00:33:15.079
<v Speaker 1>What do you think of the movie Postcards from the Edge?

625
00:33:15.519 --> 00:33:17.440
<v Speaker 1>Do you ever see it? Meryl Streep?

626
00:33:17.839 --> 00:33:18.799
<v Speaker 2>How have I not seen that?

627
00:33:19.039 --> 00:33:21.480
<v Speaker 1>It's Postcards from the Edge? But it's it's uh Meryl

628
00:33:21.519 --> 00:33:26.400
<v Speaker 1>Streep plays Carrie Fisher. Is that her one aboutmar Yes? Yes,

629
00:33:26.559 --> 00:33:29.680
<v Speaker 1>okay and and yeah so, but it's I can't think

630
00:33:29.720 --> 00:33:33.359
<v Speaker 1>of any other movies dealing with postcards, are you? The

631
00:33:33.400 --> 00:33:35.119
<v Speaker 1>postcard always rings twice a.

632
00:33:35.039 --> 00:33:41.000
<v Speaker 3>Little bit With National Poons Vacation, they show postcards in

633
00:33:41.039 --> 00:33:41.599
<v Speaker 3>the credits.

634
00:33:41.839 --> 00:33:42.599
<v Speaker 1>Oh they do?

635
00:33:43.200 --> 00:33:44.160
<v Speaker 2>Yeah?

636
00:33:44.279 --> 00:33:46.759
<v Speaker 1>Oh man. I just pulled up the title sequence of

637
00:33:46.839 --> 00:33:52.200
<v Speaker 1>the nineteen eighty three Chevy Chase Blockbuster Comedy, National Lampoon's

638
00:33:52.279 --> 00:33:56.599
<v Speaker 1>Vacation and Donna right on the money. It is postcard

639
00:33:56.759 --> 00:33:59.720
<v Speaker 1>porn and you are gonna love it. So many motel

640
00:33:59.720 --> 00:34:13.320
<v Speaker 1>posts cards, so many what do you How do you

641
00:34:13.360 --> 00:34:16.920
<v Speaker 1>feel about the style of you know, it'll say like Wyoming,

642
00:34:17.000 --> 00:34:18.960
<v Speaker 1>and then each letter has like a I.

643
00:34:19.039 --> 00:34:22.320
<v Speaker 3>Love those things you do? I do they sum up

644
00:34:22.719 --> 00:34:26.719
<v Speaker 3>a place. I think they're so clever. And they still

645
00:34:26.760 --> 00:34:30.400
<v Speaker 3>sell replicas of those. I don't think they make new ones,

646
00:34:30.440 --> 00:34:32.840
<v Speaker 3>but they make We were just in Wyoming last summer

647
00:34:33.280 --> 00:34:35.599
<v Speaker 3>and I was like, oh, look one of those Wyoming

648
00:34:35.599 --> 00:34:38.559
<v Speaker 3>postcards with the scenery in it, and Yellowstone has one.

649
00:34:38.639 --> 00:34:40.440
<v Speaker 3>And then if you get to know a place, you're like,

650
00:34:40.599 --> 00:34:44.639
<v Speaker 3>well you have to identify each landmark in the letter.

651
00:34:45.000 --> 00:34:48.039
<v Speaker 3>Well that's not a very good, you know version of it.

652
00:34:48.159 --> 00:34:51.079
<v Speaker 3>Or I really missed this thing, or you know, who

653
00:34:51.079 --> 00:34:53.039
<v Speaker 3>are these people that pick this? But it's really it

654
00:34:53.119 --> 00:34:57.079
<v Speaker 3>becomes very interactive, actually because it's ours.

655
00:34:57.119 --> 00:34:58.199
<v Speaker 2>I just think they're very clever.

656
00:34:58.360 --> 00:35:00.599
<v Speaker 1>I always thought they were so beautiful. Yeah, do you

657
00:35:00.639 --> 00:35:02.880
<v Speaker 1>want to do a quick lightning round? Okay, So these

658
00:35:02.920 --> 00:35:06.239
<v Speaker 1>are people who are Patreon subscribers get to submit questions

659
00:35:06.320 --> 00:35:08.719
<v Speaker 1>to the ologists so I put out a call for

660
00:35:09.239 --> 00:35:13.000
<v Speaker 1>del teology questions. Okay, and here is what people ask.

661
00:35:13.639 --> 00:35:17.039
<v Speaker 1>But before we take questions from you, our beloved listeners,

662
00:35:17.079 --> 00:35:19.360
<v Speaker 1>we're going to take a quick break for sponsors of

663
00:35:19.400 --> 00:35:20.559
<v Speaker 1>the show. Sponsors.

664
00:35:20.719 --> 00:35:21.480
<v Speaker 2>Why sponsors?

665
00:35:21.519 --> 00:35:23.320
<v Speaker 1>You know what they do? They help us give money

666
00:35:23.320 --> 00:35:25.960
<v Speaker 1>to different charities every week. So if you want to

667
00:35:25.960 --> 00:35:28.519
<v Speaker 1>know where Ologies gives our money, you can go to

668
00:35:28.920 --> 00:35:32.159
<v Speaker 1>Aliward dot com and look for the tab Ologies gives back.

669
00:35:32.400 --> 00:35:34.960
<v Speaker 1>There's like one hundred and fifty different charities that we've

670
00:35:34.960 --> 00:35:38.000
<v Speaker 1>given to already, with more every single week. So if

671
00:35:38.039 --> 00:35:39.679
<v Speaker 1>you need a place to go, donate a little bit

672
00:35:39.719 --> 00:35:41.480
<v Speaker 1>of money but you're not sure where to go. Those

673
00:35:41.480 --> 00:35:45.119
<v Speaker 1>are all picked biologists who work in those fields, and

674
00:35:45.519 --> 00:35:48.480
<v Speaker 1>this ad break allows us to give a ton of

675
00:35:48.519 --> 00:35:53.119
<v Speaker 1>money to them. So thanks for listening and thank sponsors. Okay,

676
00:35:53.679 --> 00:35:57.119
<v Speaker 1>your questions. Charles Anderson wants to know what's the biggest

677
00:35:57.119 --> 00:36:01.599
<v Speaker 1>thing you can rightly call a postcard? Probably a size limitation, right, Like,

678
00:36:01.639 --> 00:36:04.760
<v Speaker 1>maybe you know I have some giant postcards and I

679
00:36:04.760 --> 00:36:07.360
<v Speaker 1>think we have we have oversized postcards in our collection.

680
00:36:07.639 --> 00:36:12.920
<v Speaker 1>Really I think they're about a foot wow, y'all, I

681
00:36:12.960 --> 00:36:16.760
<v Speaker 1>look this up. I'm too excited. Okay, technically you can

682
00:36:16.960 --> 00:36:20.119
<v Speaker 1>send a giant postcard through the mail, provided that it

683
00:36:20.159 --> 00:36:24.400
<v Speaker 1>is quote sufficiently stiff to make it through the machines,

684
00:36:24.800 --> 00:36:27.280
<v Speaker 1>so you don't get the cheaper rates if it's huge.

685
00:36:27.320 --> 00:36:30.840
<v Speaker 1>But you can mail postcards up to twelve inches by

686
00:36:31.000 --> 00:36:35.559
<v Speaker 1>fifteen inches, so over a square foot of Like dear

687
00:36:35.679 --> 00:36:37.880
<v Speaker 1>Aunt nadel, I went to a lake and saw a

688
00:36:37.920 --> 00:36:40.239
<v Speaker 1>weird bird, and then we ate corn dogs, and Mary

689
00:36:40.280 --> 00:36:42.440
<v Speaker 1>and Jonas had a water balloon fight, and then and

690
00:36:42.480 --> 00:36:45.280
<v Speaker 1>then and then there's so much space, so many mems.

691
00:36:45.440 --> 00:36:49.079
<v Speaker 1>So you should mail someone hear me out a giant

692
00:36:49.119 --> 00:36:51.960
<v Speaker 1>postcard and just see what they say. Don't tell them

693
00:36:52.000 --> 00:36:54.599
<v Speaker 1>it's coming. Just mail them a giant postcard. Please do

694
00:36:54.719 --> 00:36:57.320
<v Speaker 1>this and report back. Thank you, And you can still

695
00:36:57.360 --> 00:36:58.039
<v Speaker 1>send those my mail.

696
00:36:58.599 --> 00:36:59.440
<v Speaker 2>That's a good question.

697
00:36:59.519 --> 00:37:01.440
<v Speaker 3>Maybe they don't even allow them anymore, but there was

698
00:37:01.480 --> 00:37:04.199
<v Speaker 3>a period of time when they were out. And whether

699
00:37:04.239 --> 00:37:06.519
<v Speaker 3>you needed extra postage, I bet you did. I'm sure

700
00:37:06.559 --> 00:37:10.440
<v Speaker 3>you did that you did. But I've seen these oversized

701
00:37:10.480 --> 00:37:14.079
<v Speaker 3>postcards and probably they're not around too much because they

702
00:37:14.079 --> 00:37:16.840
<v Speaker 3>were to expect people. Postcards are supposed to be cheap.

703
00:37:16.840 --> 00:37:19.920
<v Speaker 3>You're supposed to use one stamp and be done with it.

704
00:37:20.039 --> 00:37:23.960
<v Speaker 3>So if there are some bigger good question.

705
00:37:23.840 --> 00:37:26.639
<v Speaker 1>Al Martinez wants to know, with social media so prominent,

706
00:37:26.840 --> 00:37:30.159
<v Speaker 1>has the romance with postcards faded? Do you think or

707
00:37:31.039 --> 00:37:33.719
<v Speaker 1>do you think people still have a romance about them.

708
00:37:35.679 --> 00:37:37.719
<v Speaker 3>I don't know that people send them so much anymore.

709
00:37:38.000 --> 00:37:39.800
<v Speaker 3>I mean, geez, you got to find a stamp. Where

710
00:37:39.800 --> 00:37:42.079
<v Speaker 3>do you even find a stamp? Sattom and your purse

711
00:37:42.199 --> 00:37:44.880
<v Speaker 3>start to someone else. It's amazing sometimes when gift shops

712
00:37:45.239 --> 00:37:46.559
<v Speaker 3>have stamps at the cashier.

713
00:37:46.719 --> 00:37:47.760
<v Speaker 1>Oh God, bless you.

714
00:37:48.079 --> 00:37:48.920
<v Speaker 2>I know you have to.

715
00:37:48.880 --> 00:37:51.760
<v Speaker 3>Ask because I always have to send a Mother's Day

716
00:37:51.760 --> 00:37:53.960
<v Speaker 3>card to my mom when I'm on vacation, Someone's like, oh,

717
00:37:54.039 --> 00:37:59.480
<v Speaker 3>I forgot stamps, or well will you? Ten years ago

718
00:37:59.519 --> 00:38:04.079
<v Speaker 3>we were still sending postcards. My daughter, bless her heart,

719
00:38:04.119 --> 00:38:06.639
<v Speaker 3>who's twenty eight now, used to send a postcard to

720
00:38:06.639 --> 00:38:10.800
<v Speaker 3>each of her dolls. Serious, seriously, when we would go

721
00:38:10.920 --> 00:38:13.159
<v Speaker 3>on vacation and then we would get home, there would

722
00:38:13.199 --> 00:38:14.280
<v Speaker 3>be the postcards.

723
00:38:14.719 --> 00:38:18.719
<v Speaker 2>Did she save those? I hope? Of course she saves everything.

724
00:38:18.800 --> 00:38:23.039
<v Speaker 3>She's her mother's daughter, she's the daughter of a curator

725
00:38:23.360 --> 00:38:28.079
<v Speaker 3>of correctly, everything is like, can you please get rid

726
00:38:28.079 --> 00:38:30.000
<v Speaker 3>of some things. No, I can't get rid of anything.

727
00:38:30.239 --> 00:38:32.760
<v Speaker 3>It's going to be collectible someday. That's her favorite life.

728
00:38:33.280 --> 00:38:35.559
<v Speaker 3>But no, that was I thought that was the coolest

729
00:38:35.559 --> 00:38:40.599
<v Speaker 3>idea ever. But I do think that I don't think

730
00:38:40.639 --> 00:38:44.639
<v Speaker 3>that postcard purchasing has gotten less because people buy them

731
00:38:44.880 --> 00:38:47.719
<v Speaker 3>for themselves. Yeah, certainly, that's what we do. We come

732
00:38:47.760 --> 00:38:50.760
<v Speaker 3>home with a bunch of postcards wherever we go, and

733
00:38:51.280 --> 00:38:54.079
<v Speaker 3>we save them. We have a giant, you know, growing

734
00:38:54.199 --> 00:38:57.920
<v Speaker 3>and out of space box of postcards for postcards that

735
00:38:57.960 --> 00:39:02.079
<v Speaker 3>we you know, just put our collective postcards from trips.

736
00:39:02.440 --> 00:39:04.159
<v Speaker 1>Well it's lovely because a lot of times you might

737
00:39:04.199 --> 00:39:05.880
<v Speaker 1>take a nice photo, but you're not going to print

738
00:39:05.880 --> 00:39:08.000
<v Speaker 1>it out. But it is nice to have something tangible

739
00:39:08.000 --> 00:39:09.880
<v Speaker 1>that you can look at, and especially when it's a

740
00:39:10.000 --> 00:39:14.199
<v Speaker 1>beautiful professional photograph or a photo of a jackalope or

741
00:39:14.239 --> 00:39:15.840
<v Speaker 1>somebody or some weird.

742
00:39:15.599 --> 00:39:18.360
<v Speaker 3>People may send joke ones, you know, that's a good question.

743
00:39:18.960 --> 00:39:21.679
<v Speaker 3>I think the biggest problem is the need for a standstamp,

744
00:39:21.880 --> 00:39:23.719
<v Speaker 3>because who would think to even bring them and who

745
00:39:23.800 --> 00:39:25.920
<v Speaker 3>even knows what it costs to send a postcard now

746
00:39:26.039 --> 00:39:28.840
<v Speaker 3>I know, just posed to a letter. So I think

747
00:39:28.840 --> 00:39:31.679
<v Speaker 3>people buy them in a spur of the moment. Buying

748
00:39:31.719 --> 00:39:37.239
<v Speaker 3>souvenir mania because you want memories, visual memories of those trips.

749
00:39:37.280 --> 00:39:41.159
<v Speaker 3>But buying them is important when you're there for your

750
00:39:41.199 --> 00:39:43.960
<v Speaker 3>own memories. And you're right, you can show them to people.

751
00:39:44.000 --> 00:39:47.360
<v Speaker 3>But I think they're more keepsakes like other kinds of keepsakes.

752
00:39:47.599 --> 00:39:54.000
<v Speaker 3>They're just beautifully stunning, stunning visual records of a trip.

753
00:39:54.639 --> 00:39:56.400
<v Speaker 1>And I think when you do buy them and send them,

754
00:39:56.440 --> 00:39:58.119
<v Speaker 1>even if you're doing it kind of like the same

755
00:39:58.159 --> 00:40:01.360
<v Speaker 1>way people buy vinyl, you don't need to listen to

756
00:40:01.400 --> 00:40:03.480
<v Speaker 1>something on vinyl. Right, it is large, it is commercame.

757
00:40:03.480 --> 00:40:05.280
<v Speaker 1>I think it's interesting when you go on vacation and

758
00:40:05.320 --> 00:40:07.599
<v Speaker 1>you buy a bunch of postcards and then if you

759
00:40:07.599 --> 00:40:09.840
<v Speaker 1>have people's addresses to sit at a cafe or a

760
00:40:09.840 --> 00:40:12.280
<v Speaker 1>coffee shop or a diner and write things out.

761
00:40:12.320 --> 00:40:15.519
<v Speaker 3>That's it's a wonderful idea. It's part of your vacation

762
00:40:15.679 --> 00:40:18.159
<v Speaker 3>is to sit there. And I hope that people are

763
00:40:18.159 --> 00:40:20.119
<v Speaker 3>doing that because I find that we never have time

764
00:40:20.800 --> 00:40:23.320
<v Speaker 3>to sit there and be reflective, and I have to

765
00:40:23.360 --> 00:40:26.719
<v Speaker 3>force myself to keep that journal going, and sometimes all

766
00:40:26.719 --> 00:40:28.920
<v Speaker 3>I can do is write notes and write it at

767
00:40:28.960 --> 00:40:32.039
<v Speaker 3>the airport, or you know when I get home, because

768
00:40:32.079 --> 00:40:34.719
<v Speaker 3>we never had time to be reflective and I'm sad

769
00:40:34.719 --> 00:40:36.960
<v Speaker 3>about that. It's like we used to have more time

770
00:40:37.000 --> 00:40:39.239
<v Speaker 3>to do that. Yeah, and postcards are part of that.

771
00:40:39.280 --> 00:40:41.119
<v Speaker 3>You have to sit there and think, how do I

772
00:40:41.159 --> 00:40:44.920
<v Speaker 3>sum this experience up for somebody? And Facebook online on

773
00:40:44.920 --> 00:40:47.440
<v Speaker 3>Facebook with a picture just ever so much easier.

774
00:40:48.280 --> 00:40:50.280
<v Speaker 1>But it's so But postcards are so personal because I'm

775
00:40:50.280 --> 00:40:51.559
<v Speaker 1>not going to write the same thing to my sister

776
00:40:51.679 --> 00:40:52.320
<v Speaker 1>true as I.

777
00:40:52.239 --> 00:40:54.800
<v Speaker 3>Would, you know what I mean, write, And for somebody

778
00:40:54.840 --> 00:40:57.159
<v Speaker 3>to get something in the mail these days is so

779
00:40:58.320 --> 00:41:02.079
<v Speaker 3>exceptionally wonderful. Who you know to get a personal note.

780
00:41:02.320 --> 00:41:04.599
<v Speaker 3>I think we should revive the writing of postcards.

781
00:41:04.639 --> 00:41:08.480
<v Speaker 1>I'm with you, Donna, one hundred percent. Sarah Michelle says,

782
00:41:08.599 --> 00:41:11.000
<v Speaker 1>I see your old weird postcards and I raise you.

783
00:41:11.079 --> 00:41:14.480
<v Speaker 1>Victorian Christmas cards. Have you seen them before? And are

784
00:41:14.519 --> 00:41:16.559
<v Speaker 1>they better or worse than the postcards? In your opinion?

785
00:41:16.760 --> 00:41:21.039
<v Speaker 3>I think Victorian Christmas cards are like early postcards. They're

786
00:41:21.119 --> 00:41:25.960
<v Speaker 3>very embellished. They're sometimes a little imprinted, like they're a

787
00:41:25.960 --> 00:41:30.239
<v Speaker 3>little three d Oh like, engraved, engraved and raised sometimes

788
00:41:30.559 --> 00:41:33.079
<v Speaker 3>if that's what that must be. The meaning is in

789
00:41:33.320 --> 00:41:37.320
<v Speaker 3>the early twentieth century, there were for every holiday, there

790
00:41:37.360 --> 00:41:41.039
<v Speaker 3>were these postcard greeting cards, and that maybe I mean,

791
00:41:41.079 --> 00:41:43.360
<v Speaker 3>I'm sure there were more Christmas ones of those than

792
00:41:43.400 --> 00:41:44.280
<v Speaker 3>any other holiday.

793
00:41:44.400 --> 00:41:46.320
<v Speaker 2>Yeah, and that's what we were talking about in the beginning.

794
00:41:46.360 --> 00:41:50.599
<v Speaker 3>That that was early the early form of greeting cards

795
00:41:50.599 --> 00:41:53.079
<v Speaker 3>and the early form of postcards. And then I think

796
00:41:53.280 --> 00:41:56.519
<v Speaker 3>as greeting cards became a bigger industry, you could probably.

797
00:41:57.159 --> 00:41:58.079
<v Speaker 2>Thank Hallmark for that.

798
00:41:58.360 --> 00:42:02.840
<v Speaker 3>Yeah, you know, postcards went off in another direction, which

799
00:42:03.000 --> 00:42:04.280
<v Speaker 3>was as souvenirs.

800
00:42:04.480 --> 00:42:08.239
<v Speaker 1>I wanted some visual references for Victorian Christmas cards because

801
00:42:08.239 --> 00:42:11.159
<v Speaker 1>I didn't know what this question was about. And boy,

802
00:42:11.280 --> 00:42:15.039
<v Speaker 1>howdy did the Internet deliver. I'm sure there were plenty

803
00:42:15.079 --> 00:42:18.199
<v Speaker 1>of examples of like boring bowls of like winter treats,

804
00:42:18.239 --> 00:42:22.480
<v Speaker 1>and beautiful calligraphy with holiday tidings, but there are some

805
00:42:22.639 --> 00:42:28.119
<v Speaker 1>straight up acid trip offerings also. So picture Victorian era

806
00:42:28.360 --> 00:42:32.519
<v Speaker 1>postcards with drawings of frogs stabbing each other.

807
00:42:32.840 --> 00:42:33.039
<v Speaker 3>What.

808
00:42:33.840 --> 00:42:38.159
<v Speaker 1>There's a robin dead belly up on this plain beige

809
00:42:38.280 --> 00:42:42.480
<v Speaker 1>surface bearing the message may yours be a joyous Christmas.

810
00:42:42.800 --> 00:42:45.960
<v Speaker 1>There's one of an army of ants slaughtering each other,

811
00:42:46.360 --> 00:42:50.480
<v Speaker 1>one aunt holding a flag that reads the complements of

812
00:42:50.519 --> 00:42:54.599
<v Speaker 1>the season. Another one I saw has Saint Nick kidnapping

813
00:42:54.639 --> 00:42:57.880
<v Speaker 1>a child. And then there's my personal favorite, a message

814
00:42:57.880 --> 00:43:01.719
<v Speaker 1>of make Christmas be merry, alongside the visual of a

815
00:43:01.760 --> 00:43:06.599
<v Speaker 1>frog and a stag beetle dancing in the silvery blue

816
00:43:06.719 --> 00:43:11.599
<v Speaker 1>dusk while a nearby fly plays the tambourine. I kid

817
00:43:11.639 --> 00:43:15.559
<v Speaker 1>you not. I have never considered a tattoo before, but man,

818
00:43:16.039 --> 00:43:20.480
<v Speaker 1>that is some solid imagery. And also I'm like, what,

819
00:43:20.760 --> 00:43:25.039
<v Speaker 1>but I suppose people smoked a ton of opium back then.

820
00:43:25.360 --> 00:43:28.679
<v Speaker 1>Another explanation is people didn't care about Christmas as much

821
00:43:28.840 --> 00:43:30.760
<v Speaker 1>and they were like, I don't know, let's make this weird,

822
00:43:31.000 --> 00:43:35.079
<v Speaker 1>and or the visuals were socially relevant references that are

823
00:43:35.119 --> 00:43:38.119
<v Speaker 1>just totally lost today, Like if you went back in

824
00:43:38.199 --> 00:43:40.440
<v Speaker 1>time from the future and you were like, why does

825
00:43:40.480 --> 00:43:43.280
<v Speaker 1>this Jack in the box magazine ED have a guy

826
00:43:43.320 --> 00:43:47.679
<v Speaker 1>in a suit but with a clown, huge clown head.

827
00:43:47.719 --> 00:43:50.159
<v Speaker 1>He's holding a burger, he doesn't have a mouth. This

828
00:43:50.199 --> 00:43:54.480
<v Speaker 1>isn't normal. So I guess essentially, maybe with these Victorian

829
00:43:54.639 --> 00:43:57.199
<v Speaker 1>Christmas postcards, you just had to be there and on

830
00:43:57.320 --> 00:44:00.440
<v Speaker 1>opium is there? Ashley Perez wants to know is their

831
00:44:00.519 --> 00:44:02.880
<v Speaker 1>proper postcard etiquette.

832
00:44:03.960 --> 00:44:09.760
<v Speaker 2>That is a great question. You You have to realize

833
00:44:09.760 --> 00:44:10.840
<v Speaker 2>that anybody could read it.

834
00:44:11.719 --> 00:44:12.639
<v Speaker 1>Yeah, that's right. True.

835
00:44:12.679 --> 00:44:15.400
<v Speaker 3>The postman could read it, the postal worker could read it,

836
00:44:15.880 --> 00:44:18.920
<v Speaker 3>your mom could read it. It's not private.

837
00:44:19.800 --> 00:44:25.360
<v Speaker 1>So your point there is tale to god. I have

838
00:44:25.599 --> 00:44:31.159
<v Speaker 1>enjoyed relations with seventeen neupile suitors on this sojourn to

839
00:44:31.280 --> 00:44:32.559
<v Speaker 1>Niagara Falls.

840
00:44:32.920 --> 00:44:36.559
<v Speaker 3>You probably do want to think about what you're writing,

841
00:44:37.239 --> 00:44:41.599
<v Speaker 3>because it isn't It's really a very unprivate form of communication,

842
00:44:42.440 --> 00:44:45.320
<v Speaker 3>and that's what makes them so cheap. But boy, they

843
00:44:45.320 --> 00:44:50.800
<v Speaker 3>are very public, right, And probably maybe what lent itself

844
00:44:50.840 --> 00:44:54.280
<v Speaker 3>to that sort of formulaic way of writing, people didn't

845
00:44:54.320 --> 00:44:57.920
<v Speaker 3>really reveal what was really going on, and part of it.

846
00:44:57.840 --> 00:45:00.760
<v Speaker 1>Maybe their post men might read it.

847
00:45:01.079 --> 00:45:01.719
<v Speaker 2>Yeah, part of it.

848
00:45:01.760 --> 00:45:03.639
<v Speaker 3>Might be they didn't want people to know what it

849
00:45:03.679 --> 00:45:05.239
<v Speaker 3>was really like, but part of it might be that

850
00:45:05.280 --> 00:45:06.559
<v Speaker 3>they knew anybody could read it.

851
00:45:08.320 --> 00:45:11.840
<v Speaker 1>I am willing to wager that every postcard that has

852
00:45:11.880 --> 00:45:14.840
<v Speaker 1>been sent through the US postal mail has been read

853
00:45:14.960 --> 00:45:16.760
<v Speaker 1>by at least twelve people, right.

854
00:45:17.719 --> 00:45:21.239
<v Speaker 3>And it is a little funny now to read postcards

855
00:45:21.239 --> 00:45:24.800
<v Speaker 3>in our collection that, you know, individuals meant for their

856
00:45:24.880 --> 00:45:26.880
<v Speaker 3>friends and family, and here we are, you know, here

857
00:45:26.880 --> 00:45:30.079
<v Speaker 3>they are in this public archive, and everybody is reading them,

858
00:45:30.159 --> 00:45:33.719
<v Speaker 3>and we're reading them because they're historically have some historical

859
00:45:33.719 --> 00:45:34.519
<v Speaker 3>interest to us.

860
00:45:34.559 --> 00:45:35.119
<v Speaker 2>That must be.

861
00:45:35.239 --> 00:45:38.559
<v Speaker 3>It's a little it's a little funny sometimes to think

862
00:45:38.559 --> 00:45:42.320
<v Speaker 3>about the original purpose being personal.

863
00:45:43.039 --> 00:45:45.280
<v Speaker 1>But it's also like, I don't know, I think that

864
00:45:45.880 --> 00:45:49.599
<v Speaker 1>almost all of us strive for our narrative to be

865
00:45:49.679 --> 00:45:50.719
<v Speaker 1>immortal in some way.

866
00:45:50.840 --> 00:45:53.480
<v Speaker 3>That's true, and I think that people were conscious of

867
00:45:53.519 --> 00:45:55.920
<v Speaker 3>that when they were when they write those messages. It's like,

868
00:45:56.360 --> 00:45:58.280
<v Speaker 3>who's going to read this? How's it going to sound?

869
00:45:59.039 --> 00:46:01.519
<v Speaker 3>It's not you know, when I in my own personal journal,

870
00:46:02.239 --> 00:46:05.800
<v Speaker 3>it's stream of consciousness. Every once in a while, I think,

871
00:46:05.920 --> 00:46:08.079
<v Speaker 3>how can I write this a little better? But it's

872
00:46:08.199 --> 00:46:10.719
<v Speaker 3>most important it's just getting all those thoughts down. If

873
00:46:10.719 --> 00:46:13.960
<v Speaker 3>you're writing a postcard, you sort of have to think

874
00:46:13.960 --> 00:46:16.920
<v Speaker 3>about what you right. I mean Facebook too, it's not unlike,

875
00:46:17.280 --> 00:46:20.239
<v Speaker 3>how do I want to word this exactly right so

876
00:46:20.639 --> 00:46:23.079
<v Speaker 3>I get the most likes? You know?

877
00:46:23.159 --> 00:46:25.920
<v Speaker 2>Can I word it better? You know? Is it worth sending?

878
00:46:25.960 --> 00:46:27.320
<v Speaker 3>What are people going to think of it? If I

879
00:46:27.400 --> 00:46:30.360
<v Speaker 3>put this picture in? And there's always that quality when

880
00:46:30.400 --> 00:46:32.400
<v Speaker 3>you know somebody else is going to read it.

881
00:46:33.360 --> 00:46:36.960
<v Speaker 1>But I think it's great to know that our stories

882
00:46:37.039 --> 00:46:40.840
<v Speaker 1>live on past us is, even if it's just something mundane,

883
00:46:41.000 --> 00:46:44.480
<v Speaker 1>like we had a very delicious candalope at breakfast and

884
00:46:44.519 --> 00:46:46.480
<v Speaker 1>then we saw flamingos.

885
00:46:45.880 --> 00:46:48.960
<v Speaker 2>Like that's exactly your story. That would be lost right,

886
00:46:50.000 --> 00:46:52.559
<v Speaker 2>that takes on an importance. I mean, I've read a

887
00:46:52.559 --> 00:46:55.599
<v Speaker 2>lot about going on vacation and as soon as you

888
00:46:55.719 --> 00:46:57.719
<v Speaker 2>leave home, you go.

889
00:46:57.719 --> 00:47:01.440
<v Speaker 3>Off into another frame of mind. You are not home anymore.

890
00:47:01.440 --> 00:47:04.639
<v Speaker 3>You are away from home, and it's a different world.

891
00:47:04.880 --> 00:47:08.599
<v Speaker 3>You're experiencing different things. You're hoping to grow from it.

892
00:47:09.039 --> 00:47:14.159
<v Speaker 3>You're hoping to come back more relaxed, or smarter, or

893
00:47:14.239 --> 00:47:16.559
<v Speaker 3>just a better person, a different person.

894
00:47:16.639 --> 00:47:18.119
<v Speaker 2>And postcards are all part of that.

895
00:47:18.800 --> 00:47:22.199
<v Speaker 3>So yes, to be immortalized because you feel kind of

896
00:47:22.239 --> 00:47:24.719
<v Speaker 3>feel that way during your trip, I have done something

897
00:47:24.760 --> 00:47:29.519
<v Speaker 3>different and I've changed in some way person now.

898
00:47:30.760 --> 00:47:31.400
<v Speaker 2>So true.

899
00:47:31.599 --> 00:47:35.360
<v Speaker 1>Also, studies show that just planning a vacation and having

900
00:47:35.440 --> 00:47:38.840
<v Speaker 1>something to look forward to boosts your mood for months

901
00:47:39.199 --> 00:47:42.360
<v Speaker 1>before the trip. So get a good deal, just book

902
00:47:42.559 --> 00:47:45.599
<v Speaker 1>something in advance. Go somewhere anywhere, even if it's not

903
00:47:45.679 --> 00:47:48.239
<v Speaker 1>that far away and you can't in the dirt because

904
00:47:48.239 --> 00:47:51.119
<v Speaker 1>it's worth it and it's working brain magic on you

905
00:47:51.239 --> 00:47:55.079
<v Speaker 1>before you even go. Ali Ward pleaded with herself Mia

906
00:47:55.199 --> 00:47:58.199
<v Speaker 1>and a Side on her podcast. I have two our

907
00:47:58.280 --> 00:48:00.440
<v Speaker 1>questions from Okay, what is the hardest thing about your

908
00:48:00.519 --> 00:48:03.760
<v Speaker 1>job or what? Especially when it comes to postcard curation.

909
00:48:04.079 --> 00:48:06.519
<v Speaker 1>What's the most annoying thing? What is the.

910
00:48:06.480 --> 00:48:16.639
<v Speaker 3>Most Is it paper weavils? Is it alphabetizing? Well, I've

911
00:48:16.679 --> 00:48:19.639
<v Speaker 3>been lucky that I don't have to be the person

912
00:48:19.639 --> 00:48:24.199
<v Speaker 3>who does the conservation the arrangements of cataloging. I just

913
00:48:24.239 --> 00:48:32.280
<v Speaker 3>get to look at them. Possibly the most frustrating part

914
00:48:32.320 --> 00:48:38.880
<v Speaker 3>of it is that as technology of our computer system changes,

915
00:48:40.519 --> 00:48:47.039
<v Speaker 3>the information change looks different, so that we did a

916
00:48:47.119 --> 00:48:51.320
<v Speaker 3>massive cataloging and imaging of our postcard collection twenty years

917
00:48:51.360 --> 00:48:54.880
<v Speaker 3>ago and the pictures.

918
00:48:54.679 --> 00:48:55.679
<v Speaker 2>Don't look good anymore.

919
00:48:56.400 --> 00:48:59.280
<v Speaker 3>So you can see some weird, vague version of it

920
00:48:59.320 --> 00:49:02.280
<v Speaker 3>as opposed to other collections that have been more recently digitized,

921
00:49:02.280 --> 00:49:06.559
<v Speaker 3>because with how many two thousand postcards you cannot look

922
00:49:06.559 --> 00:49:09.199
<v Speaker 3>at them all in person to select. As I pick

923
00:49:09.280 --> 00:49:13.039
<v Speaker 3>new things for new projects, they then re they digitize

924
00:49:13.039 --> 00:49:15.159
<v Speaker 3>them so they look nice. But that's a very long,

925
00:49:15.840 --> 00:49:20.039
<v Speaker 3>slow process. So photographic archiving I think that's that's a

926
00:49:20.039 --> 00:49:25.599
<v Speaker 3>good way of putting it. But at the other end is,

927
00:49:25.840 --> 00:49:28.039
<v Speaker 3>oh my gosh, I get to go look at postcards today.

928
00:49:28.119 --> 00:49:30.719
<v Speaker 3>That's so oh my gosh, look at these amazing things

929
00:49:30.760 --> 00:49:33.840
<v Speaker 3>in our collection. That's the coolest thing. The coolest thing

930
00:49:33.880 --> 00:49:36.119
<v Speaker 3>is like get out of your office and go look

931
00:49:36.159 --> 00:49:39.960
<v Speaker 3>at you know, postcards in the archives. And it makes

932
00:49:39.960 --> 00:49:42.079
<v Speaker 3>my day to do things like that. So it's the

933
00:49:42.079 --> 00:49:44.239
<v Speaker 3>best job on earth when I get to do things

934
00:49:44.239 --> 00:49:45.000
<v Speaker 3>like that.

935
00:49:45.000 --> 00:49:46.800
<v Speaker 1>That was my next question is what's your favorite thing

936
00:49:46.840 --> 00:49:50.679
<v Speaker 1>about it? But does it feel like you're cheating because

937
00:49:50.719 --> 00:49:52.119
<v Speaker 1>you're getting paid to do something that you want to

938
00:49:52.159 --> 00:49:52.960
<v Speaker 1>do Anyway.

939
00:49:54.199 --> 00:49:56.000
<v Speaker 2>No, it all balances out at the end of the day.

940
00:49:57.199 --> 00:49:58.920
<v Speaker 2>You're like, I'm still the work. That's like the high

941
00:49:58.960 --> 00:50:01.239
<v Speaker 2>points to escape.

942
00:50:00.960 --> 00:50:06.480
<v Speaker 3>From the emails and at the meetings and just kind

943
00:50:06.480 --> 00:50:10.840
<v Speaker 3>of work with the pure collections. And that's always been

944
00:50:11.599 --> 00:50:15.920
<v Speaker 3>what I've loved about museum work. It's not it's not

945
00:50:16.000 --> 00:50:19.599
<v Speaker 3>just looking at them, but figuring out what the context

946
00:50:19.679 --> 00:50:23.360
<v Speaker 3>is behind them. That's the whole reason I'm in this

947
00:50:24.360 --> 00:50:27.559
<v Speaker 3>is what do objects mean in people's lives past and present?

948
00:50:28.320 --> 00:50:31.360
<v Speaker 3>And that's what I most love. So being able to

949
00:50:31.480 --> 00:50:33.360
<v Speaker 3>go look at a collection of postcards.

950
00:50:34.199 --> 00:50:35.239
<v Speaker 2>It's the best.

951
00:50:35.679 --> 00:50:38.320
<v Speaker 1>Staying always learning is something that you probably love about

952
00:50:38.320 --> 00:50:38.840
<v Speaker 1>your job. I do.

953
00:50:39.039 --> 00:50:40.960
<v Speaker 2>That is a good boy. You pick up things well.

954
00:50:41.320 --> 00:50:43.760
<v Speaker 3>That is one of the main things I love in general.

955
00:50:43.880 --> 00:50:48.559
<v Speaker 3>I always love to keep learning and creativity and learning

956
00:50:48.599 --> 00:50:51.559
<v Speaker 3>are like two of the things that keep me going

957
00:50:51.920 --> 00:50:54.400
<v Speaker 3>just in all ways. And if I can bring them

958
00:50:54.400 --> 00:50:57.159
<v Speaker 3>into my job, so much the better. If it feels creative,

959
00:50:57.199 --> 00:50:58.559
<v Speaker 3>I'm good. You know, it feels like.

960
00:50:58.480 --> 00:51:00.800
<v Speaker 2>I'm learning new things. I'm good. And so yeah, you

961
00:51:00.920 --> 00:51:01.960
<v Speaker 2>got a good beat on it.

962
00:51:03.079 --> 00:51:05.679
<v Speaker 1>Thank you so much for doing this. This is so interesting.

963
00:51:06.000 --> 00:51:08.320
<v Speaker 1>Now you know you're a del teologist.

964
00:51:08.480 --> 00:51:09.360
<v Speaker 2>Delteologist.

965
00:51:09.519 --> 00:51:10.320
<v Speaker 1>Isn't that crazy?

966
00:51:10.519 --> 00:51:13.840
<v Speaker 2>It's wow, I know it. It's great.

967
00:51:15.039 --> 00:51:18.239
<v Speaker 1>So Donna once again is the curator of Public Life

968
00:51:18.239 --> 00:51:20.920
<v Speaker 1>at the Henry Ford Museum in Dearborn, Michigan, which is

969
00:51:21.199 --> 00:51:24.079
<v Speaker 1>such a lovely place. It's filled with all kinds of history,

970
00:51:24.119 --> 00:51:27.679
<v Speaker 1>from like Edgar Allen Poe's desk to the Rosa Parks

971
00:51:27.760 --> 00:51:32.360
<v Speaker 1>bus to presidential limos and postcards. And I'm a correspondent

972
00:51:32.400 --> 00:51:35.159
<v Speaker 1>on their Saturday morning CBS show, the Henry Ford's Innovation

973
00:51:35.320 --> 00:51:38.760
<v Speaker 1>Nation with Morocca. But they are in no way paying

974
00:51:38.760 --> 00:51:41.559
<v Speaker 1>me to make this episode. And I try to hide

975
00:51:41.599 --> 00:51:44.360
<v Speaker 1>this podcast from them because I swear so heavily and

976
00:51:44.400 --> 00:51:47.480
<v Speaker 1>it usually accept not that much in this episode. And

977
00:51:47.559 --> 00:51:51.000
<v Speaker 1>actually I'll be there at the museum shooting from July

978
00:51:51.199 --> 00:51:53.920
<v Speaker 1>eighth to thirteenth, coming up. Just in case you see

979
00:51:53.920 --> 00:51:55.280
<v Speaker 1>me around the halls. If you happen to be there,

980
00:51:55.320 --> 00:51:58.400
<v Speaker 1>say hi to old Dad Ward. You can join up

981
00:51:58.440 --> 00:52:01.840
<v Speaker 1>on the Facebook Ologies pot cast group. Typically, if they

982
00:52:01.880 --> 00:52:04.320
<v Speaker 1>have meetups, they usually arrange them there. We did that

983
00:52:04.480 --> 00:52:06.880
<v Speaker 1>last time I was there a few weeks ago. Digital

984
00:52:06.960 --> 00:52:10.760
<v Speaker 1>postcard archives are at the Henry Ford dot org and

985
00:52:10.880 --> 00:52:14.280
<v Speaker 1>I'll also post links from this episode at aliward dot

986
00:52:14.320 --> 00:52:18.480
<v Speaker 1>com slash ologies. You can also find photos of images

987
00:52:18.519 --> 00:52:22.199
<v Speaker 1>that we talked about on the Ologies Instagram just at Ologies.

988
00:52:22.679 --> 00:52:26.039
<v Speaker 1>We're also on Twitter at ologies, and I'm Ali Ward

989
00:52:26.239 --> 00:52:29.880
<v Speaker 1>on Twitter and Instagram. Thank you to Hannah Lippo and

990
00:52:29.960 --> 00:52:33.199
<v Speaker 1>Aaron Talbert for being just lovely and wonderful friends and

991
00:52:33.320 --> 00:52:36.719
<v Speaker 1>adminting the Facebook Ologies podcast group. And if you'd like

992
00:52:36.760 --> 00:52:39.760
<v Speaker 1>to support the podcast, you can do so by getting

993
00:52:39.760 --> 00:52:44.239
<v Speaker 1>yourself some sweet merch at ologiesmerch dot com. There's shirts

994
00:52:44.239 --> 00:52:47.760
<v Speaker 1>and tots and pins and Dad hats and phone cases

995
00:52:47.800 --> 00:52:50.760
<v Speaker 1>and onesies. Thank you Bonnie Dutch and Shannon Felts for

996
00:52:50.880 --> 00:52:53.519
<v Speaker 1>running all of that. And you can kick in as

997
00:52:53.559 --> 00:52:55.519
<v Speaker 1>little as a buck a month and you can become

998
00:52:55.559 --> 00:52:58.679
<v Speaker 1>a patron at patreon dot com slash ologies. You get

999
00:52:58.679 --> 00:53:00.880
<v Speaker 1>to hear what episodes are come up next to answer

1000
00:53:00.960 --> 00:53:04.960
<v Speaker 1>my questions for me to ask theologists, And thank you

1001
00:53:05.039 --> 00:53:08.159
<v Speaker 1>all for making this podcast possible. I would not get

1002
00:53:08.199 --> 00:53:12.039
<v Speaker 1>the incredible editing of Steven Ray Morris without you. The

1003
00:53:12.119 --> 00:53:16.119
<v Speaker 1>music was written by Nick Thorburn, and actually the title

1004
00:53:16.320 --> 00:53:19.599
<v Speaker 1>of the theme song officially is Ali at the Museum.

1005
00:53:19.880 --> 00:53:20.400
<v Speaker 2>Is that cool?

1006
00:53:20.800 --> 00:53:23.719
<v Speaker 1>So now you know, and you also know at the

1007
00:53:23.800 --> 00:53:28.199
<v Speaker 1>end of each episode, I tell you a secret, and

1008
00:53:28.599 --> 00:53:33.079
<v Speaker 1>I'm gonna tell you about my latest horrible snack because

1009
00:53:33.159 --> 00:53:39.559
<v Speaker 1>I know Shannon Feltus loves those. Tonight, like a few

1010
00:53:39.599 --> 00:53:43.559
<v Speaker 1>hours ago, I really want a cookie dough so bad,

1011
00:53:44.119 --> 00:53:47.360
<v Speaker 1>and I didn't have any cookie dough, but I took

1012
00:53:48.360 --> 00:53:51.559
<v Speaker 1>some margarine and I mixed it with a little bit

1013
00:53:51.559 --> 00:53:55.159
<v Speaker 1>of brown sugar in a bowl and I ate it.

1014
00:53:56.199 --> 00:53:58.880
<v Speaker 1>And then I remembered that I had these lentil potato

1015
00:53:59.039 --> 00:54:01.320
<v Speaker 1>chips in the cupboard, and I was like, would this

1016
00:54:01.400 --> 00:54:06.440
<v Speaker 1>be a good dip, and so I put some margarine

1017
00:54:06.599 --> 00:54:11.000
<v Speaker 1>sugar on a lentil potato chip and it wasn't as

1018
00:54:11.039 --> 00:54:14.000
<v Speaker 1>gross as it sounds. Anyway. I've been gone a lot

1019
00:54:14.039 --> 00:54:18.280
<v Speaker 1>and haven't been grocery shopping, so cupboards are a little bear,

1020
00:54:18.639 --> 00:54:25.079
<v Speaker 1>and I will rectify that tomorrow. There's your secret. We

1021
00:54:25.199 --> 00:54:29.639
<v Speaker 1>all eat weird stuff, right, Okay, So please continue to

1022
00:54:29.719 --> 00:54:34.320
<v Speaker 1>ask super smart people just stupid questions, because honestly, I

1023
00:54:34.360 --> 00:54:36.480
<v Speaker 1>think those are kind of the best questions anyway, and

1024
00:54:36.559 --> 00:54:38.760
<v Speaker 1>I think that they really secretly love it all right

1025
00:54:38.840 --> 00:54:58.840
<v Speaker 1>byby Pacodermatology, hobbiology, r doo, Zoology, lithology, technology, meteorology, paratology, ethology, zeiology, elinology.

1026
00:55:01.519 --> 00:55:03.760
<v Speaker 1>Get value you can't argue with at Tesco with their

1027
00:55:03.800 --> 00:55:06.840
<v Speaker 1>amazing club card prices. Serve up something special with our

1028
00:55:06.880 --> 00:55:09.599
<v Speaker 1>finest meal deal for two starring one main, two sides

1029
00:55:09.679 --> 00:55:12.559
<v Speaker 1>and dessert for only sixteen euro like succulent board be

1030
00:55:12.639 --> 00:55:15.400
<v Speaker 1>approved rush Angus strip loin steaks with pepper corn butter

1031
00:55:15.599 --> 00:55:19.320
<v Speaker 1>or delicious firous chicken parmeshama served with creamy potato grotame

1032
00:55:19.440 --> 00:55:22.280
<v Speaker 1>and our mix of rainbow root vegetables. And enjoy goo

1033
00:55:22.400 --> 00:55:24.440
<v Speaker 1>Zillionaire or saltier caramel cheesecake.

1034
00:55:24.639 --> 00:55:27.480
<v Speaker 2>Can't argue with that shop in store or online.

1035
00:55:27.519 --> 00:55:30.159
<v Speaker 1>Tesco Every Little helps available at most stores.

1036
00:55:30.159 --> 00:55:31.320
<v Speaker 2>Prices very in express
