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Speaker 1: The Avenger. The road to crime ends in a trap

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that justice sets, crime does not pay.

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Speaker 2: M The Avenger swore, an enemy of bull, is actually

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Jim Brandon, a famous biochemist. Through his numerous scientific experiments,

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Brandon has perfected two inventions to aid him in his

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crusade against crime as the Avenger, the telepathic indicator by

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which he is able to pick up thought flashes, and

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the secret diffusion capsule, which cloaks him in the black

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light of invisibility. Brandon's assistant, the beautiful Fern Collier, is

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the only one who shares his secrets and knows that

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he is the man the underworld fears as the Avenger,

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and now.

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Speaker 3: The Avenger and the coins of death.

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Speaker 4: Yes, come into tent out of breath.

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Speaker 1: Thank you.

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Speaker 5: You come to Yanina, the Queen of the Gypsies, to

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have your future foretold?

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Speaker 4: Is that not so?

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Speaker 6: Yes, my name is Casper Hobson. A friend of mine recommended.

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Speaker 1: You across the table in the lamp light.

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Speaker 4: I would see your face now.

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Speaker 5: Crossed this old Gypsies palm with silver, and she will

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call upon these spirits of all Romany to reveal your

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future to yr Nina.

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Speaker 6: Yes, I have a.

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Speaker 1: Coin for you.

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Speaker 6: Here, a rare old silver coin here, take it.

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Speaker 4: No, no, I curse upon you, goddle, What is it?

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Speaker 6: What's the matter?

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Speaker 4: This silver is a cursed You're doomed.

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Speaker 6: What are you talking about?

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Speaker 4: The curse upon you? Gotta go away? Go away? You

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have no future.

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Speaker 6: Listen here, I have a right to know what you're raising.

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Speaker 5: Go away, Goddel, get out, Baldo, baldo, con quit, thrive this.

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Speaker 1: Cursed one from the gypsy co All right, I'll go.

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This sort of thing is outrageous if be reported to

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the police. Go.

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Speaker 4: The mark of death is upon you. You have no future.

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Part of my sight's dodgel. Go go, you have no future.

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Speaker 3: Oh, climb in the car, quick, Casper, dripping wet.

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Speaker 6: Yes, thanks Tom, Let's get out of here.

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Speaker 3: Casper, you're shaking like a leaf. What's the matter?

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Speaker 6: Start driving?

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Speaker 4: I'll tell you.

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Speaker 3: Now.

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Speaker 4: What is it?

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Speaker 1: That old hag of a gypsy woman she drove me out.

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You mean she wouldn't tell your fortune? That's right, Tom,

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She shrieked at me like I'm mad. Woman told me

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I have no future. Oh that's nothing to get so

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upset about.

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Speaker 3: Gasper.

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Speaker 2: Probably your stockway of getting rid of customers after she

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gets her money.

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Speaker 1: That's what I would have thought, too, except she didn't

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take my money.

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Speaker 3: She didn't take your money.

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Speaker 1: No, she threw it away from her as though it

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had a plague on it. Then she started shouting that

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I had no future.

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Speaker 3: No, don't take it so seriously, Gasper. All this fortune

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telling is a bunk.

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Speaker 1: Anyway, I'm surprised you haven't bothered driving out here over

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this muddy country road and this weather. Our business worries

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can drive him man to any extreme town, and I

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am worried.

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Speaker 2: Look, Casper, you're on the very threshold of a million dollars,

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but that's c three M.

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Speaker 6: You've invented will revolutionize the wholeness guess the trouble.

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Speaker 1: It'll drive hundreds of established companies out of business and

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make a legion of enemies from me.

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Speaker 6: Be careful, Tom, Tom, you almost went off the road there.

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Speaker 1: The cliff dropped.

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Speaker 6: Sheer all along here.

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Speaker 2: Yeah, it's raining so hard I can hardly see its

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muddy roads as slippery as glass.

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Speaker 6: I'll take it easy, and my nervous are bad enough

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as it is.

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Speaker 3: A good dinner will fix you up, Casper. We're coming

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to the summit of the hill now, won't be so

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bad from there on in.

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Speaker 6: Okay, look at that rain, you know.

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Speaker 1: Hey, Paul, we've got a flat steady the car a camp.

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Speaker 3: We're skiddy the brates from home.

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Speaker 1: We're going over the cliffs. Come Tom jump, Fern. I

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picked up that wild music on the telepathic indicator again.

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Speaker 4: Where do you suppose it's coming from, Jim?

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Speaker 1: I'm not sure, Fern, but it sounds like gypsy music

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could be coming from that gypsy camp several miles out

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of town. Fern, quick, turn up a volume a little, Jim.

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Speaker 4: What happened, Jim?

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Speaker 1: Suddenly, right in the midst of a music, there was

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a crashing sound and then complete silence.

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Speaker 4: Maybe the storm cut off the reception.

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Speaker 1: That's not very likely, Fern. Telepathic messages are unusually affected

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by elemental disturbances. When the indicator suddenly loses contact with

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a strong impression like that, it usually means that the

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thought itself has been terminated by violence.

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Speaker 4: Stay with a Jim, looks like this may be something important.

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Were you able to pick up anything more? Jim?

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Speaker 1: Oh, not a thing, Fern, And that must be inspected.

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Speaker 4: White, Jim. Remember we invited him to dinner? Oh?

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Speaker 1: Yes, turn off the indicator furn I'll let the inspector in.

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Speaker 4: It, right, Jim. Just when I finish up all the

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reports on one case, something else turns up. Hello, Inspector.

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We'll be ready to go as soon as I filed

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these reports. It's still raining.

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Speaker 1: Well, it's beginning to let up a little now, some

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storm though. Anything new at headquarters, Inspector, Not a thing, Jim.

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Had a nice, quiet, routine day for a change. Now

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i'll get it burn.

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Speaker 4: Hello.

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Speaker 1: Oh yes, yes, the inspector just came in just a minute. Please,

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it's for you, Inspector. Oh what's up now? Hello, Inspector

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white speaking? What holy smoker? Would have to have your

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way out there? Okay, here, I'll go right away. What's

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the trouble, Inspector. A car went over the cliff out

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near Marsden. An accident, But I've got to get out

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there and make a report.

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Speaker 4: Oh, we'll go with you, Inspector. We can have dinner

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when we get back.

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Speaker 1: Yes, this may be the very thing I picked up

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on the indicator a while ago. Now listen, Jim. You

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can come along if you want to, but don't try

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any of your hunches.

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Speaker 4: This is an accident, Jim, isn't this the road we

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took to the scene of the accident last night? Oh?

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Why are we coming out here again? Jim? You're holding

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back on me. What are you up to?

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Speaker 1: Well, I did a little checking when I got home

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last night, Fern, and discovered that this Hopson accident was

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the second to occur at that same spot within a

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few months.

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Speaker 4: Oh, in other words, you are suspicious, Yes, but this

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is a very dangerous piece of road, Jim. In wet weather,

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I can easily see how a car might skid over

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the side.

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Speaker 1: Yes, but what was that car doing out here last night?

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This is really a private road and no one in

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his right mind would drive over it in the storm

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if there were any other way of reaching his destination.

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Speaker 4: Well, this is all farm land around here.

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Speaker 1: Here's the spot where the car went over the cliff.

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I want to take a look around. Come on, Fern, what.

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Speaker 4: Are you looking for, Jim?

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Speaker 1: There the tires on that car. If we're badly ripped.

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I wonder if that happened before the car went over

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and when it crashed.

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Speaker 4: Well, let's see if we can find anything.

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Speaker 1: The rain seems to have done a good job of

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covering up all traces of.

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Speaker 4: The skidding the m it's too deep to do much

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walking around here.

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Speaker 1: Yeah, they might as well drive on Fern. There's not

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a trace of a clue here.

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Speaker 4: Look, Jim, there's a fork in the road just ahead.

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Speaker 1: Ah, and there's a mailbox there too. I want to

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see them find it.

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Speaker 4: Oh, I think you are making a mountain out of

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a mole hill, gym. This is just an old country road.

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Can you make out the name on the box?

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Speaker 1: Yeah, it's uh Philip Peters.

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Speaker 4: Now what do we drive up that road and call

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on farm of Philippine?

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Speaker 1: Oh no, we don't. First we'll investigate the other fork

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in the road.

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Speaker 4: Well, nothing as invigorating as the morning drive in the country,

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I always say, only when I think of all the

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work I have to do on those labs inboratory report,

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I can enjoy it as I shore.

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Speaker 1: Look fern over there.

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Speaker 4: Oh it's a gypsy can.

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Speaker 1: I thought they were located somewhere in this section.

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Speaker 4: Now this motor trip is beginning to make a little sense.

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Speaker 1: Listen, Okay, can you hear music?

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Speaker 4: Oh? Yes, it's nice, isn't it nice?

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Speaker 1: Fern? That's let's same music I picked up on the

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telepathic indicator just before the crash last night.

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Speaker 4: Oh gosh, Jim, do you suppose all this adds up

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to something?

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Speaker 1: I think so Fern.

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Speaker 4: Come on, Jim, do you think it's a good idea

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to go bogging in.

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Speaker 1: On these gypsy Oh we'll soon find out.

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Speaker 4: Look, there's an old Gypsy woman standing in front of

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that first tent. She's giving us a dirty look.

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Speaker 1: Let's see if she'll give us any information.

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Speaker 7: Stop music, Stop music.

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Speaker 4: I see that's they wrong circle, Jim. I don't like this.

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Those gypsies look menacing. What you strangers want from gypsy?

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Speaker 1: A little information?

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Speaker 8: Oh?

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Speaker 4: Or you want fortune told across.

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Speaker 5: All Yae's palm with silver and she will call upon

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the spirits of all romany.

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Speaker 1: No, no, you don't understand. It's not about myself. I

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wish to ask what then, what you want? I'm making

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inquiries about the accident that occurred near here last night.

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Speaker 4: Gypsies don't know, don't know anything?

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Speaker 1: Did two men come here last night about seven o'clock?

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Speaker 4: You're from police.

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Speaker 1: Yes, I'm connected with the police, so you better tell

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me what you know.

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Speaker 4: What you saying, Jim, I don't know?

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Speaker 1: Answer in English?

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Speaker 6: What did you say?

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Speaker 4: Gypsies? No? Nothing? Go away.

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Speaker 7: Let gypsies alone.

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Speaker 1: Not until you answer my question. Were there two men

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here last night? Yes?

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Speaker 4: One man come, the other wait in car?

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Speaker 1: What did the man want?

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Speaker 4: He wanted gypsy to tell him future? Yes?

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Speaker 1: And what did you tell him?

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Speaker 4: What can I tell him?

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Speaker 5: He is cursed, he has no future?

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Speaker 1: How did you know that? He didn't read that in

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his palm?

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Speaker 4: I will say nothing more.

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Speaker 1: And I think you better come with us. Maybe the

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police can make your clock down and head.

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Speaker 6: No.

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Speaker 4: No, I'm a new Norman.

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Speaker 1: Speak in English.

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Speaker 5: Of course, must die.

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Speaker 4: I cannot blame gypsies.

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Speaker 1: Maybe not, but you know more than you're telling.

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Speaker 4: Oh, Jim, I think we'd better get out of here

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and wait God go away.

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Speaker 1: Thanks. We'll go better with her if you'll come along

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this question.

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Speaker 4: No, I will not go.

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Speaker 5: You got you always try to make trouble for gypsies.

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Speaker 4: Come on, those men have pubs?

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Speaker 1: Why away?

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Speaker 7: Gotcho lick goto.

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Speaker 8: H Now back to the avenger and the coins of.

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Speaker 9: Death, Jim, this case is beginning to look sinister, don't

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you worry, your pretty head, Fern.

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Speaker 1: Things are beginning to shape up fairly well.

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Speaker 4: Now, Jim, just how much dock do you put in

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the weird story that old gypsy woman told him down

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at headquarters.

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Speaker 1: Well, it's hard to say. Fern Inina was wild with

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anger because we sent Inspector white men out there to

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bring her in. She might have told a few lies

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just to get even. That's why I'm going to investigate

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everything she said.

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Speaker 4: She claimed the Filipino who owns the land where the

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gypsy camp is located, gave them permission to stay there

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as long as they wished it, didn't she.

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Speaker 1: Yes, And now that either means that mister Peters is

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a very generous man, or that he had some reason

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for wanting the Gypsies to stay there.

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Speaker 4: Oh, I don't trust those jypsies, Jim. All the facts

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in the case seemed to hinge around him.

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Speaker 1: Yes. Inna admits that Richfield, the first victim, came to

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her camp the night he went over the cliff three

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months ago. She told him he had no future, and

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no one ever saw him alive again. Then she told

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Hobson the same thing and he went over the cliff.

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Speaker 4: Well, we can be sure she's holding something back, Jim.

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She absolutely refused to reveal why she told those two

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men they had no future.

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Speaker 1: Yes, she conveniently claimed that the spirits of her tribe

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would curse her that she reveals her reason for predicting

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their death.

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Speaker 4: A neat method of holding that vital information.

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Speaker 1: I'd say, well, we'll soon find out. Right now, I'm

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off to have a talk with Philip Peters.

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Speaker 4: Do I come to Jim No Fern.

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Speaker 1: I'm going out for Peters farm as the Avenger? What's that?

274
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Who's in this barn? It's the Avenger? Peters, the Avenger?

275
00:16:15,279 --> 00:16:18,080
Where are you? I can't see you, oh but you

276
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can hear me? Peters? What do you want? I haven't

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done anything. I thought the Avenger only fought criminals. I

278
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haven't committed any crime. Are you quite sure of that?

279
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Peter's there's evidence against you. You can't frighten me, Avenger.

280
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I'm an honest farmer, and my conscience is clear. And

281
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you shouldn't mind answering some questions if they'll help solve

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00:16:38,799 --> 00:16:42,799
a murder. What are you getting at just this? Why

283
00:16:42,799 --> 00:16:45,200
did you give that tribal gypsies permissions to live rent

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00:16:45,240 --> 00:16:46,159
free on your land?

285
00:16:46,200 --> 00:16:46,360
Speaker 4: Well?

286
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Speaker 1: I didn't that, Well, I mean that is I What

287
00:16:49,120 --> 00:16:51,679
do you mean, Peters? If you didn't want them to stay,

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you could have driven them off. This is your land,

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isn't it. Yes? That is in a way not making sense. Peters.

290
00:16:58,200 --> 00:17:00,000
I'm not going to believe you're an as you play

291
00:17:00,159 --> 00:17:04,799
to be well, all right. I was wanted never to

292
00:17:04,880 --> 00:17:08,039
tell this, but I didn't count on getting mixed up

293
00:17:08,039 --> 00:17:10,440
in anything crooked. Do you own the land or don't you?

294
00:17:10,599 --> 00:17:10,839
Speaker 4: Oh?

295
00:17:10,960 --> 00:17:14,079
Speaker 1: No, I don't own it. The property's in my name

296
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and I run this farm. But somebody else really owns

297
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the place.

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Speaker 3: Who owns it?

299
00:17:19,160 --> 00:17:23,000
Speaker 1: Peters Well, doctor Myleott, who lives at seven Widows, he's

300
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the owner, but he doesn't want anybody to know it.

301
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He said I could live here rent free as long

302
00:17:28,599 --> 00:17:31,160
as I pretended the place was mine. What did doctor Myleott?

303
00:17:31,200 --> 00:17:33,319
I did to let the gypsies stay here? Yes, and

304
00:17:33,599 --> 00:17:36,000
that was part of the bargain. I was to let

305
00:17:36,039 --> 00:17:38,400
the gypsies camp here until he told me to drive

306
00:17:38,440 --> 00:17:41,440
them off. They've been here for almost a year now.

307
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I don't think they'll want to stay much longer. Peters, Well,

308
00:17:44,960 --> 00:17:47,319
i'll be out on my ear now too. Say nothing

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00:17:47,359 --> 00:17:51,000
of this and you will be protected. You have aded justice, Peters.

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But remember you must say nothing of this encounter with

311
00:17:54,200 --> 00:17:54,759
the Avenger.

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Speaker 4: Oh, well, there's seven Willows just ahead. I think this

313
00:18:17,200 --> 00:18:19,119
must be the language meant for me to meet him.

314
00:18:20,240 --> 00:18:23,480
I thought he'd be here waiting. I hope nothing's happened.

315
00:18:24,039 --> 00:18:24,720
Oh there he is.

316
00:18:25,839 --> 00:18:29,079
Speaker 1: Jim over here, hellover you to the minute.

317
00:18:29,240 --> 00:18:31,160
Speaker 4: Get in the card, Jim and tell me what's been happening.

318
00:18:31,599 --> 00:18:33,680
But in the world were you doing up at seven Willows?

319
00:18:33,839 --> 00:18:34,519
Speaker 6: I thought you were.

320
00:18:34,400 --> 00:18:35,240
Speaker 4: Going to see Peter's.

321
00:18:35,319 --> 00:18:37,079
Speaker 1: I went to Peters first and then came here to

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00:18:37,119 --> 00:18:38,240
compline on doctor Mylett.

323
00:18:38,559 --> 00:18:40,160
Speaker 4: Doctor Milott. Who's he?

324
00:18:40,160 --> 00:18:43,359
Speaker 1: He's a mind analyst who specializes in silent thought as

325
00:18:43,359 --> 00:18:45,400
a nerve treatment for wealthy clients.

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00:18:45,559 --> 00:18:47,480
Speaker 4: Well, how does he get into the picture? Did you

327
00:18:47,559 --> 00:18:48,119
question him?

328
00:18:48,200 --> 00:18:51,359
Speaker 1: No? I went into Seven Willows merely to observe and listen.

329
00:18:51,799 --> 00:18:52,519
No one saw me.

330
00:18:52,680 --> 00:18:53,680
Speaker 4: Did you find out anything?

331
00:18:53,759 --> 00:18:57,279
Speaker 1: Jim plenty? I think doctor Mylett was interviewing a young

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00:18:57,359 --> 00:18:59,799
lady by the name of Helen Dresden. When she asked

333
00:18:59,839 --> 00:19:02,599
him for advice about her future. He suggested that she

334
00:19:02,759 --> 00:19:03,640
visit the gypsies.

335
00:19:03,759 --> 00:19:05,559
Speaker 4: Ah, this is beginning to add up to something.

336
00:19:05,559 --> 00:19:10,279
Speaker 1: At last, we'll have to work fast. Burns starting to rain.

337
00:19:10,440 --> 00:19:11,480
Speaker 4: Well, what do we do? Jim?

338
00:19:11,519 --> 00:19:14,079
Speaker 1: First, we'll interrset miss Presdent that she drives past here.

339
00:19:14,440 --> 00:19:16,119
I'll block the road with our car and she'll have

340
00:19:16,160 --> 00:19:22,400
to stop. Eh, we better get out of the car

341
00:19:22,480 --> 00:19:25,039
feron all right, Oh, here she comes.

342
00:19:25,039 --> 00:19:28,839
Speaker 4: Now what's the mother?

343
00:19:30,160 --> 00:19:32,119
Speaker 1: No, we want to speak to you for a moment.

344
00:19:32,480 --> 00:19:33,160
Speaker 3: What is this?

345
00:19:33,240 --> 00:19:35,640
Speaker 4: Listen if you oh, please don't be driving, Miss Dresden.

346
00:19:35,880 --> 00:19:39,279
This is Jim Brandon of the police department. Oh what do.

347
00:19:39,279 --> 00:19:41,799
Speaker 1: You want, Miss Presden? I have reason to believe your

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00:19:41,839 --> 00:19:42,640
life is in danger.

349
00:19:43,279 --> 00:19:45,880
Speaker 4: Well that's a perfectly silly idea. Oh no, it isn't,

350
00:19:45,880 --> 00:19:49,279
miss Dresden. Several deaths have already occurred, and mister Brandon

351
00:19:49,279 --> 00:19:50,480
thinks you are the next timeline.

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00:19:50,599 --> 00:19:52,680
Speaker 1: You're headed for the gypsy camp, aren't you, Miss Presdent.

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00:19:52,759 --> 00:19:53,279
Speaker 4: That's right.

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00:19:53,359 --> 00:19:55,119
Speaker 1: If you wish to save your life, you'll let miss

355
00:19:55,160 --> 00:19:56,119
Callier go in your place.

356
00:19:56,279 --> 00:19:57,720
Speaker 4: But why you.

357
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Speaker 1: Will have to trust us, Miss Tresden.

358
00:20:00,000 --> 00:20:00,839
Speaker 4: What do you want me to do?

359
00:20:00,880 --> 00:20:03,160
Speaker 1: You take my car and go directly to the police headquarters.

360
00:20:03,400 --> 00:20:05,480
We'll borrow your car and go to the gypsy camp.

361
00:20:06,799 --> 00:20:09,519
Speaker 4: All right. I don't get this, But if you're from

362
00:20:09,519 --> 00:20:11,319
the police, I suppose you know what you're doing.

363
00:20:11,400 --> 00:20:15,119
Speaker 1: Oh and one other thing is president. What instructions did

364
00:20:15,119 --> 00:20:16,240
doctor Mylett give you?

365
00:20:16,960 --> 00:20:17,400
Speaker 4: Why?

366
00:20:18,160 --> 00:20:18,599
Speaker 6: Well, none?

367
00:20:18,640 --> 00:20:19,400
Speaker 4: In particular.

368
00:20:20,319 --> 00:20:23,279
Speaker 5: He told me the gypsy woman Joannina was clever at

369
00:20:23,319 --> 00:20:25,400
for telling the future to go over there.

370
00:20:25,440 --> 00:20:28,759
Speaker 4: And oh yes, he told me to give her this

371
00:20:28,799 --> 00:20:29,799
old silver coin.

372
00:20:29,920 --> 00:20:30,839
Speaker 1: Let me see that coin.

373
00:20:31,000 --> 00:20:31,400
Speaker 4: Here.

374
00:20:32,240 --> 00:20:33,000
Speaker 1: Look at this fern.

375
00:20:33,079 --> 00:20:35,680
Speaker 4: What is it, Jim, I've never seen a silver piece

376
00:20:35,759 --> 00:20:35,960
like that.

377
00:20:36,279 --> 00:20:55,200
Speaker 1: No, fern, this is doctor Milett's coin of death. Ah,

378
00:20:55,319 --> 00:20:58,480
that's Nina's tent. Fern. I'll wait here while you're go inside.

379
00:20:59,400 --> 00:21:01,039
You know what to do, yes, Jim, this.

380
00:21:01,000 --> 00:21:06,160
Speaker 4: Should only take a minute. Medamian Nina, Medamiannina, May I

381
00:21:06,240 --> 00:21:06,880
come inside?

382
00:21:07,160 --> 00:21:07,480
Speaker 1: Yes?

383
00:21:08,039 --> 00:21:12,599
Speaker 4: Come, Oh it's you. What you want now?

384
00:21:12,720 --> 00:21:14,519
Speaker 5: Come make more trouble for gypsies.

385
00:21:14,839 --> 00:21:18,079
Speaker 4: No, Madamianina, I want to have my feethbread Now you'll

386
00:21:18,119 --> 00:21:21,240
make joke of gypsy. No, seriously, I want you to

387
00:21:21,240 --> 00:21:22,000
tell my fortune.

388
00:21:22,160 --> 00:21:26,440
Speaker 5: Sit down then across the gypsy's time with silver.

389
00:21:26,720 --> 00:21:32,920
Speaker 4: Yes, here's a coin. No, No, what Banta, you are cursted.

390
00:21:33,960 --> 00:21:39,279
You have no future. Go away, Gotto go away, Medai.

391
00:21:40,000 --> 00:21:43,640
Speaker 1: Go Oh you have no future, you have no future.

392
00:21:44,240 --> 00:21:45,079
I have my faith.

393
00:21:45,200 --> 00:21:47,960
Speaker 7: Gottel you will die, you will.

394
00:21:47,799 --> 00:22:11,039
Speaker 1: Die now, Berne. Are you sure you understand exactly what

395
00:22:11,119 --> 00:22:11,359
to do?

396
00:22:11,559 --> 00:22:14,200
Speaker 4: Yes, Jim. When we come to that big pine tree,

397
00:22:14,319 --> 00:22:16,200
just before we reached the place where those other cars

398
00:22:16,200 --> 00:22:18,559
went over the cliff, I'm to jump out of the car.

399
00:22:18,680 --> 00:22:20,400
Speaker 1: I'll stay with the car a moment longer and then

400
00:22:20,400 --> 00:22:20,799
follow you.

401
00:22:20,839 --> 00:22:21,960
Speaker 4: We'll be sure to jump in time.

402
00:22:22,039 --> 00:22:24,160
Speaker 1: Jim, o a bar when you jump out, keep well

403
00:22:24,200 --> 00:22:25,480
off the road so no one can see you.

404
00:22:25,599 --> 00:22:26,160
Speaker 4: I understand.

405
00:22:26,240 --> 00:22:30,160
Speaker 1: Open the car door. Burn get ready. We're coming to

406
00:22:30,200 --> 00:22:33,960
the place. Okay, Berne jump.

407
00:22:37,720 --> 00:22:41,160
Speaker 4: Well. I don't seem to have any broken bones. I

408
00:22:41,200 --> 00:22:42,440
hope Jim makes it all right.

409
00:22:43,400 --> 00:22:46,599
Speaker 1: Gosh, I'm covered with Mark turn Maria hit you you

410
00:22:46,640 --> 00:22:52,680
are right? Oh fine, There goes the car off the cliff.

411
00:22:52,680 --> 00:22:55,319
Speaker 4: Fern. Come on, look, Jim, there's a man on the

412
00:22:55,400 --> 00:22:56,000
road up ahead.

413
00:22:56,160 --> 00:22:58,440
Speaker 1: Yes, he's pulling in a big board from the road.

414
00:22:58,880 --> 00:23:01,279
It's time for action. Forern do be cackled Jim. All right,

415
00:23:01,359 --> 00:23:03,440
doctor Milat, I've got your Coveroard stand where you are.

416
00:23:04,160 --> 00:23:06,680
It's the police. You're a little schemed and work this time.

417
00:23:06,759 --> 00:23:10,599
Speaker 4: Doctor you again, he's running toward the click.

418
00:23:10,640 --> 00:23:12,200
Speaker 1: He's not going to get away as easy as that.

419
00:23:12,480 --> 00:23:18,960
I'll head him off. Oh yeah, doctor a murder Milt,

420
00:23:19,240 --> 00:23:26,240
and you're trying to get what's coming to you. Jim,

421
00:23:26,440 --> 00:23:28,279
you're right, that's fern. I have to knock mile it

422
00:23:28,279 --> 00:23:31,720
out for a moment. Come on, let's get our prisoner

423
00:23:31,759 --> 00:25:17,039
back to town. Here drenched, Jim, there are just a

424
00:25:17,119 --> 00:25:19,599
few points I wanted to get clear before I speak

425
00:25:19,640 --> 00:25:23,079
to the reporters. Three reporters, inspector, so soon, well, listen

426
00:25:23,119 --> 00:25:27,039
to something hot, Jim, until I got mylot's confession. Those

427
00:25:27,119 --> 00:25:29,359
zests will book his accidents or really you should be

428
00:25:29,359 --> 00:25:33,359
more careful, Inspector. Now, Jim, don't start that. Okay, okay, Inspector,

429
00:25:33,680 --> 00:25:36,400
what do you want to know? Well, Mylott confessed that

430
00:25:36,440 --> 00:25:38,839
he was paid by a big businessman to get rid

431
00:25:38,839 --> 00:25:41,720
of Bridgefield and Hobson because both of them were about

432
00:25:41,759 --> 00:25:45,440
to pattern a new process that would have ruined their competitors.

433
00:25:46,039 --> 00:25:48,240
But he won't say a word about that Dresden girl.

434
00:25:48,839 --> 00:25:50,319
Why did he plan to get rid of her?

435
00:25:50,759 --> 00:25:52,680
Speaker 4: Yes, Jim, I don't understand that either.

436
00:25:53,160 --> 00:25:55,759
Speaker 1: Helen Dresden was to inherit a fortune on her twenty

437
00:25:55,759 --> 00:25:59,440
fifth birthday, which falls next week. Now, miss Dresden didn't

438
00:25:59,440 --> 00:26:02,599
know this, but one of her cousins did and paid

439
00:26:02,599 --> 00:26:05,039
doctor Milett to get rid of Helen so the fortune

440
00:26:05,039 --> 00:26:06,920
would be divided among the remaining relatives.

441
00:26:07,079 --> 00:26:09,839
Speaker 4: The Jim, all this doesn't explain what pap the gypsies

442
00:26:09,839 --> 00:26:10,519
paid the affair.

443
00:26:10,720 --> 00:26:14,119
Speaker 1: The Gypsies were the mysterious angle in the case Fern. Actually,

444
00:26:14,160 --> 00:26:16,279
though they had nothing to do with the murders.

445
00:26:15,960 --> 00:26:16,480
Speaker 4: They didn't.

446
00:26:16,559 --> 00:26:19,640
Speaker 1: No, doctor Myleott had the Gypsies on that land in

447
00:26:19,759 --> 00:26:22,559
order to have an excuse to end his victims out

448
00:26:22,599 --> 00:26:26,079
on that deserted road. While his victim visited the gypsy

449
00:26:26,519 --> 00:26:30,319
Mileott laid his trap. See, he placed a big plank

450
00:26:30,359 --> 00:26:32,960
with long spikes in it across the road just at

451
00:26:33,000 --> 00:26:35,559
the summit of the cliff, and he covered the whole

452
00:26:35,599 --> 00:26:38,480
thing with mud so he couldn't be seen. Now, the

453
00:26:38,559 --> 00:26:41,640
road was very narrowly at the summit, and when the

454
00:26:41,680 --> 00:26:44,279
tires blew out, the car skidded enough to send it

455
00:26:44,400 --> 00:26:47,240
right over the cliff. And they always chose rainy weather

456
00:26:47,279 --> 00:26:49,440
for the job, so that the car would be certain

457
00:26:49,480 --> 00:26:52,400
to skid and to make it look more like an accident.

458
00:26:53,519 --> 00:26:55,920
Speaker 4: But those coins, what about, then, Jim?

459
00:26:56,079 --> 00:26:58,680
Speaker 1: The coins were just a precaution to cast suspicion on

460
00:26:58,720 --> 00:27:01,720
the Gypsies in case the victim might survive the accident.

461
00:27:02,359 --> 00:27:04,440
Speaker 4: But why did the old gypsy go wild at the

462
00:27:04,519 --> 00:27:07,559
very sight of those coins until everyone who offered them

463
00:27:07,559 --> 00:27:08,799
to her that he had no future?

464
00:27:08,960 --> 00:27:12,920
Speaker 1: Because Ferne those coins were exact copies of the silver

465
00:27:13,240 --> 00:27:16,680
Judas accepted for the betrayal. All Gypsies have been taught

466
00:27:16,680 --> 00:27:20,039
to hate them and to believe that all possessed them doomed.

467
00:27:20,599 --> 00:27:23,279
Speaker 4: Well. I think Ianina an apology.

468
00:27:23,400 --> 00:27:27,279
Speaker 1: Her predictions proved true in this case. Anyway, those really

469
00:27:27,359 --> 00:27:29,440
were coins of death.

470
00:27:43,160 --> 00:27:45,880
Speaker 2: All characters, names, places, and plots used in the Avenger

471
00:27:45,920 --> 00:27:49,480
program are fictitious. Any similarity to persons living or dead

472
00:27:49,640 --> 00:27:50,799
is purely coincidental.

473
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Speaker 1: This is a pot a hot not remember. Listen for

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another adventure on the Avenger