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Speaker 1: Business Cafe is the place to put a smile on

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your face. Judy and the crew will take care of you,

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Cafe is always a winning choice. Breakfast, lunch or supper

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Speaker 2: When it comes to keeping WMNH on the air and

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Speaker 3: Midnight seven times out of ten we listened to our

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music at night.

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Speaker 4: That's one titled business program.

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Speaker 5: Late Night to Light with DJ Midas right here on

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WMNH Manchester.

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Speaker 1: Because Saturdays and Sunday nights midnight to four am.

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Speaker 6: This hour on WMNH is sponsored by CGI Business Solutions,

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located at five Dartmouth Drive in Auburn. They serve all

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your business needs including employee benefits, planning, corporate design and

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business administration, investments and wealth management and customized business insurance solutions.

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Their phone number is eight sixty six eighty four to

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one forty six hundred, or on the web at CGI

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business Solutions dot com.

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Speaker 5: Behold the harmony of airwaves as you immerse yourself in

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the captivating frequencies of w M NHLP, the sonic cartageats

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of Manchester, transcending through the ether at ninety five point

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three megahertz frequency modulation or transmissions emanate from the zenith

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of one thousand Elm streets, ensure into the hearts of

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our creative realm at one nineteen Canal Street, where innovation

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and sound collode. They're the impromter of Manchester Public Television

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Service in the venerable City of Manchester, New Hampshire, USA.

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Enrich your auditory journey with the depth of our license

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to wesdens met your missives do. W MNH ninety five

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three at gmail dot com or traverse the virtual corridors

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of wmnhradio dot org. Engage with our sonic vibrations by

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communing with us through the digital channels or radio beckons

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eager to enthrall you with its mesmerizing cadence and develop

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you in a symphony of boundless auditories.

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Speaker 6: Won Dude, WMNH rips.

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Speaker 1: The novels.

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Speaker 7: Worth all you live.

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Speaker 4: Brother, It's complemential.

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Speaker 7: See it comes.

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Speaker 8: Directly from my heart.

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Speaker 7: It's to you and it's from me.

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Speaker 3: It's my way of saying and how I show respent

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for what you are braving and daring too up be

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you are me.

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Speaker 4: Away into the unknown.

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Speaker 3: Understand the heart knows best and aloud to reshull, so.

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Speaker 7: Cheer you on and flat her smile on my face.

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Speaker 4: Hey, little brother, it's you that il in works.

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Speaker 7: True to your purpose.

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Speaker 3: Exploring from within your real and authentic can help all.

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Speaker 4: To with aware your pea go.

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Speaker 7: Instead you me your heart.

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Speaker 9: You're tired all the way the world is tearing itself

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out of heart and you unread me away into the unknown.

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Speaker 8: You understand the heart goes best and aloud.

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Speaker 7: To be shown until.

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Speaker 10: Ch you on and clean the bird smile on my face,

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the pay and all brother, it's.

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Speaker 11: You that I am embrace.

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Speaker 12: I'm read to leave the way into the unknown, the

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unst down.

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Speaker 8: The heart, don't western allow it to be shot.

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Speaker 13: So cherry one and than bird.

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Speaker 4: Smile on my face.

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Speaker 3: Hey little brother, it's you that alans a little brother.

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Speaker 7: It's you that Alan brother.

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Speaker 14: This is Jesse Rutstein and.

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Speaker 15: Caleb dn Oh, oh okay, we we can. Let's do

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that one more time. This is Jesse Rutstein and Caleb Dyer.

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Speaker 16: Oh crap, hold on, what do you want me to say?

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Right after that?

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Speaker 14: From Hatchet act from and then I'll say, you're listening right?

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Speaker 15: Sounds good.

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Speaker 14: This is Jesse Rutstein and oh ah, this is why

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I'm the leader. This is Jesse Rutstein and.

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Speaker 15: Caleb Dyer from Hatchet Axon Saw Records.

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Speaker 14: You are listening to the Matt Connerton Show on w

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m n H ninety five point three Manchester.

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Speaker 16: Actually, what did I say?

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Speaker 17: Okay?

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Speaker 16: All right, all right, let's do this again. Let's do

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this again.

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Speaker 15: This is Jesse Rutstein and Caleb Dyer from Hatchet Axon

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Saw Records.

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Speaker 14: You are listening to Matt connorton Unleashed on ninety five

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three w NA. Dude, this is Jesse Rutstein.

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Speaker 15: And Caleb Dyer from Hatchet Axon Saw Records.

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Speaker 14: You are listening to Matt Connorton Unleashed on ninety five

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point three w m n H f M.

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Speaker 16: Hey, everybody, welcome.

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Speaker 11: We have entered our number three New Marrow trace of

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Matt Connorton Unleashed. For those of you listening live on

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Saturday August nine, twenty twenty five, we are live from

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the studios of wm n H ninety five point three

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FM and Glorious Manchester, New Hampshire. Jenny is here, of

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course at the news table and Nancy.

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Speaker 18: Is asking you to send the teams link again again. Well,

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she says it's not working.

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Speaker 16: It's not working all right.

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Speaker 11: Well, so in a moment we're going to be joined

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by don't I have her callin? Yeah, you want to

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have her call in Nancy Manet, who's supposed to be

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with us, but she's having some sort of internet issue.

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Speaker 16: We did just we open it. She thinks she got it. Okay,

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maybe you'll see her. Okay.

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Speaker 11: We did open the hour with her brand new single. Well,

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I don't know if it's brand new Actually it's been

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out for a little while. We know, because it's doing

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really well on the charts, and we'll talk about that. Hey,

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little brother, and uh, really looking forward to talking to Nancy.

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She's been on with us a few times. One one

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time she was she lives in Texas, but she was

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on tour and she actually came into the studio one

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of the times that she was on, which was really

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cool because she was able to you.

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Speaker 16: Know, her tour routing allowed her to get here, which

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was great. But h so we're waiting for her to.

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Speaker 11: Join us on her I don't see anybody, Nope, do

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not have her. So what we might actually do is

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play another track of hers while we wait for her

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to join us. She's got another song called set Us Free,

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which I believe is going to be hitting radio next month.

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So let's go ahead and give the suspin and we'll

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see if we can get Nancy on the line.

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Speaker 16: Nancy mine. This is called set Us Free.

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Speaker 19: Women who have on before on fine and they went

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to the pay away from within their tears.

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Speaker 3: They are hard after it, cons fight their tears yet

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to come full.

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Speaker 7: Circle where we are?

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Speaker 12: Why have we not come as far as our homes

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and dreams.

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Speaker 8: Say we can't o Is it our fault?

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Speaker 7: Do we explain the man we don't love when.

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Speaker 4: Our grandparents built.

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Speaker 12: We choose to live without hiding gill We admit when.

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Speaker 8: We're wrong, choosing love instead.

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Speaker 13: We solve our crumbs over and down. We don't want

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what our pallor.

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Speaker 12: And start they could do without getting cord on before

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you and you'l before me.

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Speaker 20: It's the ballot that sads free.

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Speaker 12: God something we don't see those raging.

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Speaker 3: War on you vanity. It's not just women, it's not

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just man.

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Speaker 7: It's free that leads. It's where we've been.

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Speaker 12: We don't solve our prom Soon it'll get worse hard

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for me, for you.

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Speaker 10: Lives are described by the wars we wait windows.

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Speaker 4: In and can we turn the pan.

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Speaker 8: We don't want what our grandparents built.

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Speaker 13: We choose to.

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Speaker 12: Live without hiding guilty.

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Speaker 8: We admit when we're wrong, choosing long instead.

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Speaker 13: Solve our problems.

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Speaker 7: Are friend of dat.

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Speaker 13: We don't want what our pairs not they.

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Speaker 12: Could do without game hot.

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Speaker 4: Before you and you before me.

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Speaker 20: It's the ballot that sad us free.

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Speaker 7: We don't want what our grandparents built. We choose to.

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Speaker 8: Live without hiding guilt.

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Speaker 7: We admit when we're wrong.

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Speaker 8: Choosy love instead solve.

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Speaker 4: Our problems are and dead.

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Speaker 13: We don't want water, pres not.

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Speaker 12: They could do without Gang Cardile.

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Speaker 4: Before you and you before me.

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Speaker 20: It's the ballot that sad us free.

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Speaker 16: That is called set us fore.

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Speaker 11: Another great track from Nancy Manet, who is here with us.

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Speaker 16: Online via teams. I think, hey, Nancy, are you there, Hey,

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I am, can you hear me? Excellent? Yeah, no, you

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sound great.

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Speaker 11: Welcome to the program, welcome back, Thank you, absolutely, So

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tell us about so at the top of the hour,

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we played Hey Little Brother, and and it looks like

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that's been pretty successful for you as a single.

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Speaker 21: It has, Yeah, And you know, I know you you

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talk with so many amazing artists, and we're always surprised, right,

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you know, we have our personal favorites are the ones

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that you know, we think will land, you know, very

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strongly with people, and then one that just takes off

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and you kind of like wow, you know, and and yeah,

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it did, it did, and I'm really excited about it.

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Speaker 11: So what you sound surprised though, I mean, is there

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is there something about the song that you didn't think

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it was? Maybe as commercially viable as as it turned

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out to be.

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Speaker 21: Or really really good question. No, I think I was

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just super playful about about the song. And you know,

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it was for It was for a very good friend

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of mine who is ten years younger, and I call

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him my little brother and he always calls me sis,

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and I just I just wrote this fun, playful song

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really kind of you know, as a tribute to him.

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And and you know, I mean, like because a lot

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of the other songs that we you know, that I write,

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that we've even talked about, are heavily thematic in the

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sense of like I've got something very strong and and

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this was just just love and encouragement for my little bro.

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And uh, yeah, I'm excited because it is for the

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all of little brothers out there. Yeah, you know, yeah,

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for sure. So that's the reason, you know, because it

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just was one of those, you know, the people that

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that I love in my life, I'll write songs for them.

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Speaker 11: Yeah, that's very cool. Is this is this the most

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successful single you've had thus.

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Speaker 21: Far in commercial radio? Yes? Excellent, Yes, absolutely absolutely yeah.

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Speaker 4: Yeah.

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Speaker 11: And then and this is from the album is Paths

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And when did this come out? This is this is

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your newest release. Obviously my newest release.

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Speaker 21: It came out in May, okay, yeah, and so uh hey,

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Little Brother hit the airwaves in May and it's just

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been going ever since.

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Speaker 11: Okay, so okay, and you've you've recorded quite a few,

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right now? How many albums have you recorded?

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Speaker 16: Now?

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Speaker 11: Because it seems like a you've recorded a lot in

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a relatively short span of time.

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Speaker 21: You really want to know the number, like the actual

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album number we're working on. I can't see your face,

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so I'm getting like, yeah, nodding your head.

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Speaker 16: Yes, oh, yes.

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Speaker 21: We are and high gen by the way, we are

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working on album number five.

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Speaker 16: This is wow. You're working on number five right now?

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Speaker 21: Yes?

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Speaker 7: Oh wow?

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Speaker 16: Been completed in what a span of what? Two years?

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Speaker 17: Yes?

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Speaker 16: That's that's great.

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Speaker 21: The first, the first, The first album took longer to

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write because I was in the process of should I

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write an album?

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Speaker 10: Right?

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Speaker 21: Should?

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Speaker 1: What?

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Speaker 21: What would I want to well not even what would

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I want to write about? I pretty much knew what

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I wanted to write about, but it was more of

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the can I right? It was the can question? Can

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I do it?

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Speaker 19: Not?

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Speaker 21: Can I do it? From a skill set? Can I

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do it? Because I you know can.

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Speaker 19: I do it?

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Speaker 21: Because I was always told I couldn't, right, So in

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twenty twenty I had to start kind of you know,

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doing that my own healing process of like wait, yeah,

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of course I can, Yes, I can.

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Speaker 12: Do that, you know.

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Speaker 21: Yeah, Like wait, I was I told I couldn't, and

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then I listened to it, you know. So there was

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a lot of that I had to get through to

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get that first album written. But then which really would

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be probably the first one and two and then three,

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four and five have been in the last year.

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Speaker 11: Okay, wow, yeah, that's that's a lot of output in

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a short time. Do you think putting out so much

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music is what has led to your current chart success

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with A Hey Little Brother?

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Speaker 21: Oh you know yeah, yeah, I mean I guess I've

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never thought about it that way, but yeah, well I

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will say this, just the churning of music maybe is

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not the complete answer, because you know, first of all,

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writing music, the more you write anything, right, the more

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you do anything, the better we become at it. Right.

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So plenty of songs, Matt, that I've written and I've

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gone you know, or or they've started one way and

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I've shelfed them and I've pulled off and I've either

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completely you know, cut and pasted and just moved around,

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or just scrapped tons of the lyrics and I took

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the theme, or sometimes I just completely start over with

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a new melody. But the ideas are there, right, And

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so there's that component.

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Speaker 4: Then there's.

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Speaker 21: I have a great producer, I really do, and he

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challenges me. And the one that we're we're in the

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process right now, the number five. There were some songs

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when we sat down, I've submitted everything. We sat down

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and I said, okay, I want to bring my thoughts

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and he's bringing his thoughts, and you know, a couple

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of our thoughts actually aligned and.

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Speaker 7: Meaning.

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Speaker 21: Like one of the songs, I said, I think this

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one needs to be revisited, and it was on his.

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Speaker 17: List, right.

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Speaker 21: And he's always pushing and always challenging and always reminding

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me to do something different and expand my my my

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even my skill set. Just keep growing, keep growing as

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a musician, Nancy, keep growing as a singer, and show

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growth every single thing you do and write. Push yourself

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further and further and further. And it's been it's yeah,

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So that's a longer version. Probably the answer to that

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question for now, for hey, little brother, because because of

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all of that, and I listen, you know, I think

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having the right collaborators and and then being willing to

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listen to what the feedback is and and push and

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stretch and grow, and you know, even musically, I'll do

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things that that I've never even tried before.

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Speaker 16: And yeah, you know, yeah, well, have you worked with

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the same Has it been the same producer for each project?

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Speaker 21: It has been?

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Speaker 16: It has been okay.

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Speaker 11: Yeah, so you definitely found somebody who you can work

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with who brings out the best in you and has

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a lot of ideas. And that's great too, because you know,

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a lot of artists they don't want to hear a

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lot of artists don't want to hear ideas necessarily, you

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know what I mean. They want to go in and

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they know what they want to do, and and you know,

325
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the producer doesn't always know best necessarily. But it sounds

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like the person you're working with, who are they, by

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the way, what what's their name? We should give them credit?

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Speaker 17: Oh?

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Speaker 21: Absolutely, David person full with Yellow Dog Studios, And yeah,

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so he's been he's been in the industry for forty

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plus years. Right, He's a Grammy winning producer, has some

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very notable bands and experience under felt. And the thing

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about David Percival is that he never stops pushing himself. So,

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you know, the older that we get, we get, we

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tend to get stuck right in our style or our

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ways or this is the way we do something. And

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he's constantly experimenting. So if I you know, I mean,

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I'm working with somebody who that is what he holds

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himself to. Of course I'm I'm going to hold myself

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to that. I also, you know, I'm that's also kind

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of who I am. Never in my twenties, man, I

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coined well, I think it was already coined, but I

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heard it somewhere and then I made it mine right,

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never stop being teachable, Always be teachable, And that just

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meant a lifetime of curiosity and learning and listening. And

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you know, we have an agreement that that if he

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feels super strongly about something, he's really just I mean,

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he is going to tell me. And I don't like

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something that comes across in production, I'm I'm.

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Speaker 4: Going to tell him.

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Speaker 21: Like on the past album and people may have loved it,

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I could not I couldn't do it in the song

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that was in we had a Glockenspiel, and I'm like, Dave,

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it's got to come out. That's all I hear. And

355
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he was like, Nancy, it's so fun I'm like, it's

356
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gonna drive me nuts. And now post production and post mastering, right,

357
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I'm like, now I only hear it, but nobody else

358
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knew what was there? Oh?

359
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Speaker 16: Interesting?

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Speaker 21: Okay, yeah, yeah, it's funny.

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Speaker 11: So now did you go on I saw someone about

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a radio tour? Did you go on a big radio

363
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tour for uh?

364
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Speaker 22: I did?

365
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Speaker 21: Just yes, and we're now we just spent so much

366
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time in the studio. I had to decide, Okay, what

367
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are what are the priorities? What what do we need

368
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to finish? What do we are? Because you can only

369
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go be so many places at once, right, that would

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be one exactly, I can only be in one place

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at one time.

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Speaker 7: And so.

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Speaker 21: Yes, so now we're so. Yes, we did the big

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radio tour, we did shows. Then we've just been hunkered

375
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down either in my home writing or doing things locally,

376
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doing private events and in the studio. So now we're

377
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gearing up to get back out, you know, to be

378
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on the road again.

379
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Speaker 11: Yeah, absolutely, and then so what what's the plan long

380
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term as far as is that us Free going to

381
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be the next single?

382
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Speaker 16: Did I understand that correctly?

383
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Speaker 10: Yes?

384
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Speaker 21: It is okay thank you, which which is very anthemic.

385
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Speaker 22: Right.

386
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Speaker 21: So I wrote it with really specific intent, and we

387
00:24:15,440 --> 00:24:19,759
did drop it first in January, but I will tell you, Matt,

388
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I dropped it on January sixth. Yeah, and I was

389
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and I'm just going to be as raw and as

390
00:24:28,400 --> 00:24:31,039
vulnerable and we're just going to let it land where

391
00:24:31,079 --> 00:24:36,319
it landed. And you know, plus I talked with my therapist.

392
00:24:36,640 --> 00:24:39,720
I was actually scared, really like we just we just

393
00:24:39,759 --> 00:24:43,319
did what. We just dropped what song on January sixth.

394
00:24:43,720 --> 00:24:47,359
That's basically saying we don't want It's not basically it's

395
00:24:47,400 --> 00:24:50,480
flat out saying we don't want what our grandparents built,

396
00:24:51,519 --> 00:24:54,480
and we don't want what our parents thought they could

397
00:24:54,519 --> 00:24:58,680
do without getting caught. Yeah, I'm calling our parents' generation.

398
00:24:59,519 --> 00:25:06,359
Yeah everyone, right, not everyone, very specifically. I'm making some

399
00:25:06,400 --> 00:25:09,359
statements and I'm making them based upon what I've listened to,

400
00:25:09,640 --> 00:25:14,240
you know, always remain teachable. I'm listening to what younger

401
00:25:14,279 --> 00:25:18,640
generations are saying, and they're saying, we don't want that

402
00:25:19,559 --> 00:25:23,160
we don't want. We don't even want what all of

403
00:25:23,200 --> 00:25:25,359
you guys went out to scrap and build and work

404
00:25:25,480 --> 00:25:28,400
so hard and all the stuff you've accumulated. We don't

405
00:25:28,440 --> 00:25:32,880
want it. We don't want that. We don't want war, right,

406
00:25:32,960 --> 00:25:33,920
we want to get wrong?

407
00:25:34,640 --> 00:25:37,119
Speaker 16: And yeah, did you did you say it?

408
00:25:37,200 --> 00:25:39,160
Speaker 11: Because we've talked about the song before too. Was there

409
00:25:39,200 --> 00:25:42,839
something too about a conversation, a specific conversation that.

410
00:25:42,839 --> 00:25:45,039
Speaker 16: You had with your daughter. Am I remembering that correctly?

411
00:25:45,720 --> 00:25:49,480
Speaker 21: That's what started the whole thing, was that she sat

412
00:25:49,559 --> 00:25:54,039
me down and just you know, said, there's a better

413
00:25:54,079 --> 00:25:56,640
way to do business, mom, There's a better way to

414
00:25:56,680 --> 00:26:02,119
do life where you're not so exhaust because right, I mean,

415
00:26:02,359 --> 00:26:04,599
we were taught to do it all and we hadn't

416
00:26:04,640 --> 00:26:06,039
to do it all, and we had to do it

417
00:26:06,079 --> 00:26:09,880
all with energy and never sleep. And it's the work ethic.

418
00:26:09,880 --> 00:26:13,000
And there's nothing wrong with the work ethic. Or my

419
00:26:13,079 --> 00:26:14,839
daughter's got a fantastic work ethic.

420
00:26:15,079 --> 00:26:16,279
Speaker 16: Yeah, she's an.

421
00:26:16,160 --> 00:26:20,759
Speaker 21: Amazing life where she actually builds in respite and she

422
00:26:20,839 --> 00:26:25,920
isn't driving herself into the ground by thirty nine years old, right, Yeah,

423
00:26:26,079 --> 00:26:28,680
So that's what I was doing. I was driving myself

424
00:26:28,720 --> 00:26:32,440
into the ground at thirty nine. It's true.

425
00:26:32,720 --> 00:26:34,799
Speaker 16: Yeah, yeah, laughing.

426
00:26:35,240 --> 00:26:37,640
Speaker 21: Yeah, I made it mad. I made it past forty.

427
00:26:37,680 --> 00:26:40,920
But they said I wouldn't right right, I didn't shift.

428
00:26:41,680 --> 00:26:44,519
And I think it's also the amount of stress and

429
00:26:44,640 --> 00:26:47,440
the amount of anger and the amount of hate. And

430
00:26:47,480 --> 00:26:49,960
she's like, Mom, it's just we we don't want it.

431
00:26:50,119 --> 00:26:52,079
We don't want a world like that anymore.

432
00:26:52,400 --> 00:26:57,640
Speaker 11: Yeah, you're yeah, you you right about a lot of

433
00:26:57,880 --> 00:27:00,839
I mean obviously, like you said, hey, little brother is playful,

434
00:27:00,960 --> 00:27:03,160
but you you write a lot about a lot of

435
00:27:03,160 --> 00:27:03,880
heavy stuff.

436
00:27:05,400 --> 00:27:10,359
Speaker 16: I do. I do.

437
00:27:10,960 --> 00:27:13,039
Speaker 21: I'm kind of laughing because there's some things I've not

438
00:27:13,319 --> 00:27:18,079
I've not to put music to. But I just I'm write,

439
00:27:18,279 --> 00:27:20,319
you know. And as soon as I got off the

440
00:27:20,359 --> 00:27:25,759
phone with my daughter, I sat down and I wrote,

441
00:27:26,319 --> 00:27:30,000
I actually, yeah, I wrote those lyrics. I wrote those

442
00:27:30,079 --> 00:27:33,599
specifically after that conversation because I was so moved by

443
00:27:33,599 --> 00:27:37,880
what to say. Yeah, so came to January. I was

444
00:27:37,920 --> 00:27:42,599
actually pretty afraid of how that could land. Really, yeah,

445
00:27:42,680 --> 00:27:45,839
I was. Actually I think nobody understood what was going

446
00:27:45,880 --> 00:27:51,039
to happen in come January. I don't think we still do.

447
00:27:53,400 --> 00:27:58,319
We're trying to navigate, and there was there was you know,

448
00:27:58,359 --> 00:28:00,279
I mean, Matt, you know some of my backstory there

449
00:28:00,359 --> 00:28:04,839
was there was some old patriarchal and there's nothing wrong

450
00:28:04,880 --> 00:28:07,720
with men, right that this is not an anti men thing, right,

451
00:28:08,440 --> 00:28:13,079
But for me, that old model was very much what

452
00:28:13,319 --> 00:28:17,319
really kept me silent. Why I had to ask myself,

453
00:28:17,599 --> 00:28:19,240
can I do this right?

454
00:28:19,640 --> 00:28:20,039
Speaker 8: Yeah?

455
00:28:20,160 --> 00:28:23,480
Speaker 21: That's actually why, because I came from that old model

456
00:28:24,319 --> 00:28:27,799
that that really held or holds a lot of people down,

457
00:28:29,000 --> 00:28:30,960
of people down, and so yes, of course when that

458
00:28:31,000 --> 00:28:37,119
came out, it's like, oh oh, but we're leading off

459
00:28:37,119 --> 00:28:38,039
with it next month.

460
00:28:38,200 --> 00:28:40,839
Speaker 16: So yeah, for long.

461
00:28:40,759 --> 00:28:43,039
Speaker 21: I was just quiet about it for a few months.

462
00:28:44,200 --> 00:28:46,000
Speaker 11: Has that changed it all, by the way over the

463
00:28:46,000 --> 00:28:48,240
course of because you know, like we talked about, you've

464
00:28:48,240 --> 00:28:50,880
been creating a lot of music. Has your has your

465
00:28:51,000 --> 00:28:54,480
approach or your priorities in terms of what you're singing about?

466
00:28:54,720 --> 00:28:56,799
Has that changed it all over the course of that,

467
00:28:56,960 --> 00:28:59,680
because obviously in the beginning, you know, you had a

468
00:28:59,680 --> 00:29:03,319
lot to get out. At this point, are you still

469
00:29:03,839 --> 00:29:07,079
trying to work all that out through the songs or

470
00:29:07,240 --> 00:29:10,640
or or has as yours as your your priorities in

471
00:29:10,680 --> 00:29:12,279
terms of what you sing about changed at all?

472
00:29:13,240 --> 00:29:17,359
Speaker 21: So what you're saying that, is, am I still singing

473
00:29:17,519 --> 00:29:20,799
about loss and trauma?

474
00:29:21,359 --> 00:29:26,440
Speaker 16: Yeah? Well I suppose I am, Yes, Well, because that.

475
00:29:26,359 --> 00:29:28,559
Speaker 21: First work was really what I what I had done

476
00:29:28,640 --> 00:29:32,119
is I had weaved a story of my life. Yeah,

477
00:29:31,440 --> 00:29:35,640
and so that was a lot of a lot of

478
00:29:35,680 --> 00:29:39,079
that was I would say every song that was on

479
00:29:39,119 --> 00:29:41,640
that first work or the first two, right, because we've

480
00:29:41,640 --> 00:29:44,880
got a longer work that we did not release yet,

481
00:29:45,440 --> 00:29:49,519
and I would say that I had already gone through

482
00:29:50,200 --> 00:29:52,519
and processed that stuff. But now I'm putting it to

483
00:29:52,720 --> 00:29:57,400
music in a way that may and the hope is

484
00:29:57,400 --> 00:29:59,559
that it would resonate with others that are going through that.

485
00:29:59,720 --> 00:29:59,880
Speaker 7: Right.

486
00:30:01,640 --> 00:30:04,240
Speaker 21: But yes, the trauma and things like that. So the

487
00:30:04,319 --> 00:30:08,839
answer to that question is I still write from life,

488
00:30:09,440 --> 00:30:16,759
and I write from happy life, and I write from

489
00:30:16,799 --> 00:30:25,200
difficult life, and I write from painful life, and that

490
00:30:25,200 --> 00:30:31,200
that part is not going to change. I Oh, gosh,

491
00:30:31,319 --> 00:30:33,960
how do I want to say that? There are just

492
00:30:34,039 --> 00:30:35,839
different styles of writers?

493
00:30:36,200 --> 00:30:36,680
Speaker 16: Yeah?

494
00:30:37,079 --> 00:30:40,519
Speaker 21: And and sure do I want my music to be

495
00:30:40,599 --> 00:30:44,400
toe tapping. I want it to be, you know, drawing

496
00:30:44,400 --> 00:30:46,960
in or a lot of ballads. I'm a ballad writer too, right,

497
00:30:47,480 --> 00:30:51,119
and so I want those to draw people, you know,

498
00:30:51,119 --> 00:30:53,640
My hope is that it draws people. But then but

499
00:30:53,759 --> 00:30:59,160
then eventually the lyrics hit right, like on the the

500
00:30:59,279 --> 00:31:05,240
number four I've written a song about and they're not

501
00:31:05,279 --> 00:31:09,359
coming out in that order, just so that's clear, right, like, yeah,

502
00:31:09,480 --> 00:31:12,680
we're not putting them. So the technically the first album

503
00:31:12,759 --> 00:31:15,319
has not been released, and that won't be that'll be

504
00:31:15,359 --> 00:31:18,319
actually hanging out there for a while. The long one

505
00:31:18,319 --> 00:31:21,799
that you and I originally talked about, Okay, the seventeen

506
00:31:21,920 --> 00:31:27,319
song you know, rock Opera is right, it's a lot

507
00:31:27,359 --> 00:31:30,960
to digest. And my advisors really said, they're like, just

508
00:31:31,079 --> 00:31:34,279
let's let's write write albums for right now. Let's wait

509
00:31:34,880 --> 00:31:39,160
to bring that out. And that's that was the best advice.

510
00:31:39,200 --> 00:31:42,839
And if any artists are listening, listen to the advisors

511
00:31:42,839 --> 00:31:44,559
that have been in this world forever.

512
00:31:45,079 --> 00:31:46,240
Speaker 16: Yeah, just listen to.

513
00:31:46,200 --> 00:31:49,799
Speaker 21: What they're saying. And so in next year a song's

514
00:31:49,880 --> 00:31:54,480
going to come out. That's about one of my best

515
00:31:54,519 --> 00:31:58,000
friends who lost her husband after thirty eight years of marriage,

516
00:31:58,119 --> 00:32:02,160
and it's her journey over the last four years of

517
00:32:02,400 --> 00:32:04,880
what she had to do to move on and just

518
00:32:04,960 --> 00:32:07,839
her thought processes in song format.

519
00:32:07,920 --> 00:32:08,079
Speaker 19: Right.

520
00:32:08,119 --> 00:32:10,559
Speaker 21: So when I first wrote it, it was probably eight minutes longer.

521
00:32:11,559 --> 00:32:14,599
Ye kept writing and writing and writing. I'm like, Okay,

522
00:32:14,599 --> 00:32:17,960
now I have to trim trim, trim trim, And then

523
00:32:18,000 --> 00:32:20,359
it was still very long. It was still five minutes,

524
00:32:20,359 --> 00:32:22,799
and I'm like, nope, got a trim trim trim, trim trim.

525
00:32:23,440 --> 00:32:27,680
So uh, yeah, I do I write from life. I

526
00:32:27,720 --> 00:32:30,640
write for my own life. I believe in therapy, I

527
00:32:30,680 --> 00:32:34,759
believe in healing, and and things always come up. They

528
00:32:34,839 --> 00:32:38,240
always come up. But I will say thematically. I wouldn't

529
00:32:38,279 --> 00:32:42,440
necessarily from my own maybe because my life is settled

530
00:32:42,440 --> 00:32:46,400
a little bit. No, maybe for my own personal trauma

531
00:32:47,759 --> 00:32:53,000
it's not so heavy. But I'm still writing thematically about

532
00:32:53,720 --> 00:32:58,359
things that I think about, Yeah, right, things that I

533
00:32:58,400 --> 00:33:01,039
see happening in the world, things that are happening to

534
00:33:01,039 --> 00:33:06,440
people I know, see things that are just happening. Another

535
00:33:06,480 --> 00:33:11,319
one that's coming out addresses it addresses loss that's sudden,

536
00:33:11,680 --> 00:33:16,359
but it addresses it's specifically written about school shootings because

537
00:33:17,079 --> 00:33:20,680
I have a nephew that was in a school that

538
00:33:21,559 --> 00:33:25,680
in December had had a student shoot up a classroom.

539
00:33:25,759 --> 00:33:29,119
Oh my god, it is yes, And when that touches

540
00:33:29,160 --> 00:33:32,319
that close to home, my nephew is fine. But I

541
00:33:32,359 --> 00:33:34,880
know staff at that school. It was where my kids

542
00:33:34,880 --> 00:33:39,480
grew up, where I raised them, and it hit home

543
00:33:39,759 --> 00:33:42,240
very strongly. It was, you know, the school's three doors

544
00:33:42,279 --> 00:33:46,839
away from where my kids grew up, and so friends

545
00:33:46,880 --> 00:33:54,319
and teachers and community members in Madison, Wisconsin all were affected. Right,

546
00:33:54,400 --> 00:33:58,039
everybody has been rocked and turned upside down. And that's

547
00:33:58,079 --> 00:34:00,279
just that's not it. There's not even a great way

548
00:34:00,319 --> 00:34:03,559
to say it, right, it's just horrible, horrible and horrible.

549
00:34:04,359 --> 00:34:08,119
But then there's lighter songs, right of course. Yeah, for

550
00:34:08,159 --> 00:34:15,639
all the generation exers, we have one that's coming out too.

551
00:34:15,719 --> 00:34:19,360
So yeah, yeah, all right, answered your question.

552
00:34:19,559 --> 00:34:22,000
Speaker 16: Yeah, no, absolutely absolutely, And I know too.

553
00:34:22,079 --> 00:34:23,960
Speaker 11: You know, you're right, you write a lot about you know,

554
00:34:24,039 --> 00:34:27,480
advocacy for LGBTQ plus and I think that's important too,

555
00:34:27,559 --> 00:34:30,360
especially in the you know, the times we're living in.

556
00:34:31,519 --> 00:34:35,360
Speaker 21: Yes, so on the one we're in the middle of

557
00:34:35,480 --> 00:34:38,840
right now, I have one that very much specifically deals

558
00:34:38,960 --> 00:34:50,400
with their freedoms and uh are Hispanic friends? Yeah, absolutely, yeah, yes, Okay,

559
00:34:50,440 --> 00:34:53,719
I don't even know what to say. You know, I'm

560
00:34:53,760 --> 00:34:56,760
born and raised in a suburb of LA and I

561
00:34:56,760 --> 00:34:59,519
live in Houston, and.

562
00:35:00,320 --> 00:35:04,880
Speaker 16: Yeah, yeah, you no, doubt know people or have known

563
00:35:04,880 --> 00:35:08,599
people who are affected. You no doubt know a lot

564
00:35:08,639 --> 00:35:11,079
of people who have been affected by what's happening, or

565
00:35:11,280 --> 00:35:13,519
or are worried about being affected.

566
00:35:13,159 --> 00:35:17,679
Speaker 11: By what's happening. Yes, yeah, scary, scary stuff, but but

567
00:35:18,039 --> 00:35:20,639
you know, certainly worth making music about. You know, that's

568
00:35:20,800 --> 00:35:22,719
that's I mean, you know, that's one of the best

569
00:35:22,719 --> 00:35:25,840
delivery systems for for for putting, you know, trying to

570
00:35:25,880 --> 00:35:27,920
put a message out there and expressing your concern about

571
00:35:27,920 --> 00:35:28,480
what's going on.

572
00:35:28,599 --> 00:35:28,760
Speaker 16: You know.

573
00:35:29,760 --> 00:35:38,039
Speaker 21: Yeah, you know, man in my writing, I I hope

574
00:35:38,280 --> 00:35:43,639
to be a bridge. So the last name Manet, actually

575
00:35:44,599 --> 00:35:48,639
you know it's it's the artist who bridge to generations

576
00:35:48,679 --> 00:35:53,920
of art, right. I take his example from realism to Impressionism.

577
00:35:53,960 --> 00:35:58,840
He taught money, and I thought about my life and

578
00:35:59,440 --> 00:36:02,079
just where I've been throughout my life and the opportunities

579
00:36:02,079 --> 00:36:04,960
I've been given, and where I tend to settle or

580
00:36:05,000 --> 00:36:07,280
not settle as far as like I'm settling, but where

581
00:36:07,320 --> 00:36:10,639
I land, right, Yeah, and tend to land is in

582
00:36:10,840 --> 00:36:17,920
a space of bridging, right, Bridging two schools of thought,

583
00:36:18,000 --> 00:36:21,360
bridging two generations. You know, we've got the younger generation

584
00:36:21,440 --> 00:36:29,280
and the older generation, and it's it's hopefully like if

585
00:36:29,320 --> 00:36:31,199
you could see me, my hands are all stretched out

586
00:36:31,239 --> 00:36:36,239
why bridging thoughts and ideas and helping to cross this

587
00:36:36,320 --> 00:36:41,000
divide And if anything that I write can can even

588
00:36:41,199 --> 00:36:48,000
just cause pause and for people to think even things lighter.

589
00:36:48,199 --> 00:36:50,719
You know, hey, little brother, right, it is a light

590
00:36:50,800 --> 00:36:53,719
and fun song. But if we listen, you know you

591
00:36:53,840 --> 00:36:56,880
aren't afraid to lead the way into the unknown. That

592
00:36:57,000 --> 00:36:58,719
means you're daring.

593
00:36:58,599 --> 00:37:02,280
Speaker 23: As a little brother to the world right to like

594
00:37:02,559 --> 00:37:07,239
venture out side of what you were told even as

595
00:37:07,239 --> 00:37:10,159
a child you had to be like right, you're not

596
00:37:10,840 --> 00:37:11,719
afraid to do.

597
00:37:11,679 --> 00:37:14,679
Speaker 21: It, and you're leading the way on it, and and

598
00:37:14,679 --> 00:37:18,360
and so those have certain themes in it of encouragement

599
00:37:18,400 --> 00:37:21,559
and stepping out of who you know what always has

600
00:37:21,639 --> 00:37:25,840
been and asking why. And we're not all going to agree,

601
00:37:26,039 --> 00:37:30,000
and we were never supposed to all agree.

602
00:37:30,400 --> 00:37:34,320
Speaker 23: I just don't think we were supposed to be positioned with,

603
00:37:34,760 --> 00:37:37,199
you know, war heads at each other.

604
00:37:37,039 --> 00:37:39,719
Speaker 21: All the time. I just don't think that that the

605
00:37:39,880 --> 00:37:43,239
plan either, right, So you know, Matt, you know how

606
00:37:43,320 --> 00:37:47,880
when you tune a guitar, it takes tension, right, It

607
00:37:47,920 --> 00:37:53,440
takes tension to tune a string to bring it into

608
00:37:53,440 --> 00:37:56,400
the right frequency to bring it into harmony. And the

609
00:37:56,440 --> 00:37:58,239
only way to do that is we have to have tension.

610
00:37:58,239 --> 00:38:01,960
But if we have too much tension, it snaps right

611
00:38:02,079 --> 00:38:04,599
enough you can't even tell what it is right.

612
00:38:06,880 --> 00:38:12,039
Speaker 16: Exactly. Oh, Nancy just froze.

613
00:38:14,599 --> 00:38:15,159
Speaker 7: Whoops.

614
00:38:15,280 --> 00:38:20,199
Speaker 16: Uh oh her screen is her screen is frozen?

615
00:38:20,360 --> 00:38:25,320
Speaker 13: Oh no, uh.

616
00:38:24,440 --> 00:38:27,360
Speaker 16: Yeah, well she did mention she was having an internet issues.

617
00:38:27,440 --> 00:38:29,400
Speaker 18: Yeah, that has been a bit of an issue for

618
00:38:29,440 --> 00:38:32,199
her today. Okay, I wonder if she's like, is she

619
00:38:32,280 --> 00:38:33,519
in the city or out in.

620
00:38:33,480 --> 00:38:35,159
Speaker 16: The I don't know. I don't know.

621
00:38:35,440 --> 00:38:38,559
Speaker 11: It is late in the show. Oh, it's probably her

622
00:38:38,599 --> 00:38:41,840
on the phone. Good goody, Nancy?

623
00:38:41,920 --> 00:38:42,280
Speaker 16: Is that you?

624
00:38:43,840 --> 00:38:45,760
Speaker 17: It is? My power went down again?

625
00:38:45,960 --> 00:38:50,119
Speaker 11: Oh okay, yeah, all of a sudden, it froze the screen.

626
00:38:50,159 --> 00:38:52,679
I noticed the screen was frozen. I said, oh, that's

627
00:38:52,679 --> 00:38:53,639
why she's not talking.

628
00:38:55,639 --> 00:39:00,679
Speaker 17: Yeah. Yeah, all right, Well, so I hope this is okay.

629
00:39:00,280 --> 00:39:04,519
Speaker 11: Yeah, absolutely, okay, Yeah, no, that's fine. Uh yeah, We're

630
00:39:04,519 --> 00:39:06,840
we're getting We're we're gonna have to wrap up soon anyway.

631
00:39:06,880 --> 00:39:07,440
Speaker 16: But I'm glad.

632
00:39:07,480 --> 00:39:09,039
Speaker 11: I'm glad you were able to call in because I

633
00:39:09,039 --> 00:39:12,480
do want to ask you about to finish out the segment.

634
00:39:12,519 --> 00:39:14,440
We're going to play this track. Oh, son of mine,

635
00:39:14,480 --> 00:39:16,199
this is another one of the songs that you sent

636
00:39:16,320 --> 00:39:18,840
us that that I really like, and I wanted you

637
00:39:18,880 --> 00:39:21,800
to tell us about this, uh you know, any anything

638
00:39:21,840 --> 00:39:23,000
we should know about this track?

639
00:39:24,679 --> 00:39:28,320
Speaker 17: Yeah, thank you. Well, it was a toss up for

640
00:39:28,360 --> 00:39:30,280
which one was going to radio next this one or

641
00:39:30,280 --> 00:39:34,079
set us Free. So we did. We did a test market,

642
00:39:34,760 --> 00:39:37,639
and not because it isn't a great track. We just

643
00:39:37,679 --> 00:39:41,280
had some people feedback like the time was now right, yeah,

644
00:39:41,480 --> 00:39:45,559
set us free? But here is what uh, well, well,

645
00:39:45,679 --> 00:39:47,639
it's a very personal song to me because it was

646
00:39:47,639 --> 00:39:51,840
written for my son. And my son is thirty years

647
00:39:51,840 --> 00:39:56,280
old now. But you know, he at twenty two bought

648
00:39:56,280 --> 00:40:00,719
a house and when COVID hit, he sold that house

649
00:40:01,000 --> 00:40:06,679
and moved to the Houston region and ended up having

650
00:40:06,679 --> 00:40:08,920
to live off the proceeds of what he sold his

651
00:40:09,000 --> 00:40:13,559
house for. And he was really bummed and he felt,

652
00:40:14,199 --> 00:40:17,400
you know, he felt like a failure. He had trouble

653
00:40:17,800 --> 00:40:21,800
getting back on his feat, he had trouble getting work again,

654
00:40:22,599 --> 00:40:26,320
and it's taken him a while to dig back out.

655
00:40:26,599 --> 00:40:32,639
And in his discouragement, I wrote this song and sent

656
00:40:32,679 --> 00:40:35,159
it to him and I said, anytime you're feeling low,

657
00:40:35,199 --> 00:40:38,960
I want you to hear this. And even some other

658
00:40:39,039 --> 00:40:41,519
friends of mine that were talking about their sons and

659
00:40:41,599 --> 00:40:45,400
the discouragements that they were feeling, and I said, so

660
00:40:45,519 --> 00:40:50,360
this is for our sons out there, no matter no

661
00:40:50,400 --> 00:40:54,199
matter who you are or where they are. Everybody that

662
00:40:54,199 --> 00:40:56,760
I've ever talked to their sons have gone through you know,

663
00:40:58,599 --> 00:41:02,480
down cycle, and they've had back up and and I

664
00:41:02,920 --> 00:41:06,039
I my my bigger and broader hope for this song

665
00:41:06,199 --> 00:41:10,480
is that that young sons, you know, in that twenty something,

666
00:41:10,920 --> 00:41:16,239
you know, teenage years, that they may find encouragement and

667
00:41:16,280 --> 00:41:19,679
hope that they can keep going and they can start again,

668
00:41:19,719 --> 00:41:24,280
and they can they can always rebuild, and they can

669
00:41:24,360 --> 00:41:26,679
always always remember that they are loved.

670
00:41:27,480 --> 00:41:27,840
Speaker 16: Excellent.

671
00:41:27,960 --> 00:41:32,239
Speaker 11: No, I think that's fantastic and certainly very relatable. So

672
00:41:32,280 --> 00:41:34,360
we're gonna play that in a moment. One more thing, Nancy,

673
00:41:34,400 --> 00:41:36,519
where should people go online to keep up with everything

674
00:41:36,519 --> 00:41:38,920
that you're doing and find your music and and everything

675
00:41:38,920 --> 00:41:40,519
you got going on. Where's the best place to go?

676
00:41:41,039 --> 00:41:47,599
Speaker 17: Uh? Primary? Nancy? Mine m A N E T dot com. Okay,

677
00:41:48,360 --> 00:41:52,480
and uh find me on Facebook. I am on Instagram,

678
00:41:53,800 --> 00:41:59,679
but I am on Facebook. More Okay, I would say that.

679
00:42:00,199 --> 00:42:04,000
So I'm on Facebook, and really follow and send me

680
00:42:04,039 --> 00:42:07,960
a direct message because I respond personally and I love

681
00:42:08,440 --> 00:42:11,840
connecting with people. So send me a message to my website,

682
00:42:12,599 --> 00:42:15,360
send me a message on Facebook. I'd love to hear

683
00:42:15,400 --> 00:42:19,519
from you, absolutely, and watch the website for the updates

684
00:42:19,559 --> 00:42:22,360
of a tour coming near you guys.

685
00:42:22,599 --> 00:42:25,760
Speaker 16: Oh fantastic. Oh hopefully we can see you personally. That

686
00:42:25,760 --> 00:42:27,519
would be great. That would be awesome.

687
00:42:27,880 --> 00:42:30,079
Speaker 17: That would be that would be I would be honored

688
00:42:30,199 --> 00:42:31,559
to have you there.

689
00:42:31,719 --> 00:42:34,760
Speaker 11: Thank you, definitely wonderful. All right, so we're going to

690
00:42:34,840 --> 00:42:38,039
hit that track, Nancy, we will let you go. I

691
00:42:38,480 --> 00:42:40,519
hope the rest of your day in terms of the

692
00:42:40,519 --> 00:42:45,360
Internet is better. But technology will fail us at times.

693
00:42:45,760 --> 00:42:46,400
I know the pain.

694
00:42:47,039 --> 00:42:51,119
Speaker 17: Yeah, thank you for being flexible and gracious and as

695
00:42:51,159 --> 00:42:55,960
always you two. I'm just really I'm really grateful to

696
00:42:56,000 --> 00:42:57,639
be a part of your show and have you guys

697
00:42:57,719 --> 00:43:00,360
on this journey with me. So thank you. Oh well,

698
00:43:00,440 --> 00:43:01,880
we're being you who you are.

699
00:43:02,079 --> 00:43:04,400
Speaker 11: Oh, thank you, Nancy. We appreciate that very much, and

700
00:43:04,440 --> 00:43:07,280
we appreciate you and and we wish you, uh continued

701
00:43:07,320 --> 00:43:08,639
success and we'll talk soon again.

702
00:43:08,679 --> 00:43:09,079
Speaker 16: I'm sure.

703
00:43:10,599 --> 00:43:13,119
Speaker 17: Absolutely, I would love it okay, thank you guys, and

704
00:43:13,159 --> 00:43:15,360
thanks again for rolling with today's Internet.

705
00:43:15,800 --> 00:43:16,599
Speaker 21: Oh you guys have the.

706
00:43:16,519 --> 00:43:18,039
Speaker 16: Best health the internet.

707
00:43:18,079 --> 00:43:21,280
Speaker 11: You can't healthy internet. That's right, all right, Nancy Manee,

708
00:43:21,280 --> 00:43:22,000
thank you so much.

709
00:43:23,840 --> 00:43:25,880
Speaker 16: There you go, guys, have a good one YouTube. Bye

710
00:43:25,920 --> 00:43:27,880
bye bye, all right, wonderful.

711
00:43:27,920 --> 00:43:29,519
Speaker 11: So we're gonna play this track and then Jenny and

712
00:43:29,519 --> 00:43:31,960
I are going to come back with some final words

713
00:43:32,119 --> 00:43:32,880
on today's show.

714
00:43:32,920 --> 00:43:33,599
Speaker 16: But check this out.

715
00:43:33,599 --> 00:43:35,719
Speaker 11: This is Nancy Manet and this is called O Son

716
00:43:35,760 --> 00:43:41,159
of Mine.

717
00:43:48,320 --> 00:43:57,079
Speaker 7: Never forget you do so much, so fun.

718
00:43:58,960 --> 00:44:06,159
Speaker 3: Anything you bounce, keep your food to stay on track.

719
00:44:06,719 --> 00:44:10,880
Speaker 8: You are more than your failures. You are more than them.

720
00:44:11,079 --> 00:44:16,880
Speaker 3: You are more than the colder pop your skin shop

721
00:44:17,000 --> 00:44:21,760
that the faller one step by time. I am prowl

722
00:44:22,119 --> 00:44:24,400
love you, sub.

723
00:44:26,039 --> 00:44:30,440
Speaker 7: Sere you on through out your life, though.

724
00:44:30,400 --> 00:44:35,960
Speaker 8: Wits up to you to make get it right. Taught

725
00:44:36,320 --> 00:44:37,320
you well, you.

726
00:44:37,519 --> 00:44:44,599
Speaker 7: Know what to do. Make it rain stop up to you.

727
00:44:44,599 --> 00:44:46,880
Speaker 8: You are more than your failures.

728
00:44:47,000 --> 00:44:52,639
Speaker 7: You are more than them. You are more than the per.

729
00:44:52,199 --> 00:44:58,280
Speaker 3: Pup your skin, stopbander flower, one stepbody time.

730
00:44:58,880 --> 00:45:05,400
Speaker 19: I am proud you son, But you do today.

731
00:45:05,559 --> 00:45:10,360
Speaker 7: It may not be seen, it will feel then.

732
00:45:10,880 --> 00:45:15,199
Speaker 12: You're reading between results will come.

733
00:45:15,039 --> 00:45:16,039
Speaker 7: If you stay.

734
00:45:16,639 --> 00:45:18,760
Speaker 8: The corns said.

735
00:45:19,000 --> 00:45:22,880
Speaker 4: You're calm this ball of driven on and.

736
00:45:22,920 --> 00:45:29,079
Speaker 20: When in a poll, rise on an don't look back.

737
00:45:29,679 --> 00:45:32,920
Speaker 7: I'm still your friend. I'm inde.

738
00:45:34,800 --> 00:45:38,039
Speaker 13: J will see who you.

739
00:45:39,519 --> 00:45:45,599
Speaker 10: Then to be and when I'm not not you fat

740
00:45:46,400 --> 00:45:51,719
the man you are don't know really friend, this my

741
00:45:53,760 --> 00:45:59,840
on this her, remember my son, know your words.

742
00:46:00,159 --> 00:46:05,800
Speaker 3: You are hoarding your nailures, your most and bam you armost.

743
00:46:06,320 --> 00:46:07,320
Speaker 8: Then the come.

744
00:46:08,639 --> 00:46:10,480
Speaker 7: Your skin top.

745
00:46:10,679 --> 00:46:14,440
Speaker 3: Bam forward one step bad eight times.

746
00:46:14,719 --> 00:46:15,480
Speaker 7: I'm prowl.

747
00:46:15,880 --> 00:46:23,400
Speaker 19: Love you sun my nder, love you sun My.

748
00:46:41,760 --> 00:46:45,360
Speaker 5: You're listening to Matt Connorton Unleashed on.

749
00:46:45,639 --> 00:46:52,400
Speaker 6: WM and H ninety five point three.

750
00:46:55,400 --> 00:46:57,920
Speaker 11: While we are approaching the end of another episode of

751
00:46:58,239 --> 00:47:01,360
Matt Connorton Unleashed. Of course, we are live from the

752
00:47:01,400 --> 00:47:03,639
studios of w m n H ninety five point three

753
00:47:03,719 --> 00:47:06,639
FM and Glorious Manchester, New Hampshire, and you can stream

754
00:47:06,679 --> 00:47:09,079
the show and of course you can find the archives

755
00:47:09,119 --> 00:47:11,480
of the show and everything if you go to mattconnorton

756
00:47:11,559 --> 00:47:15,280
dot com slash live or Matt conorton dot com slash

757
00:47:15,360 --> 00:47:18,239
Unleashed for even more information on the show, and you

758
00:47:18,280 --> 00:47:20,159
can find the show on all the podcast platforms and

759
00:47:20,199 --> 00:47:22,360
all of that, and thank you again to everybody who

760
00:47:22,440 --> 00:47:24,280
joined us today. Of course we had Andrew Voorhees in

761
00:47:24,320 --> 00:47:27,320
the first hour. In the second hour we had Amber

762
00:47:27,400 --> 00:47:29,719
Nicole Cannon, and of course we just spoke with Nancy

763
00:47:29,800 --> 00:47:32,320
Manet and we played We finished that segment with O

764
00:47:32,519 --> 00:47:35,280
Son of Mine, another great track from Nancy Manet. And

765
00:47:35,360 --> 00:47:38,039
by the way, that bumper that you heard, and all

766
00:47:38,079 --> 00:47:40,039
the new bumpers that you're hearing on the show, we

767
00:47:40,039 --> 00:47:43,079
should mention two those are from our friend Dylan Reynolds

768
00:47:43,480 --> 00:47:47,320
from Adam Baum Artwork and Audio. He does a fantastic job.

769
00:47:47,360 --> 00:47:48,880
He's done a lot of great music too. He's a

770
00:47:48,920 --> 00:47:52,079
very talented musician. But he's also been doing the imaging

771
00:47:52,599 --> 00:47:55,519
for the show and he does a great job with that.

772
00:47:55,559 --> 00:47:58,440
So we're really proud to be associated with Dylan Reynolds.

773
00:47:58,440 --> 00:48:00,440
Speaker 16: Look him up. Let's see.

774
00:48:00,440 --> 00:48:04,880
Speaker 11: The website is adamboum artwork dot com if you need

775
00:48:04,920 --> 00:48:07,400
some of that done. So not only is he great

776
00:48:07,440 --> 00:48:09,800
with audio, but he does a lot of really amazing

777
00:48:09,920 --> 00:48:10,599
artwork too.

778
00:48:11,159 --> 00:48:11,320
Speaker 19: Uh.

779
00:48:11,400 --> 00:48:13,559
Speaker 16: Let's see, Jenny, you had someone you wanted to plug.

780
00:48:14,199 --> 00:48:17,559
Speaker 18: Yeah, absolutely, So you guys know, it's never fun to

781
00:48:17,559 --> 00:48:20,400
be a forever sick patient, but it can be a

782
00:48:20,440 --> 00:48:22,760
little bit better if you can do some things to

783
00:48:22,840 --> 00:48:25,519
give some self love and just to make you feel better.

784
00:48:25,519 --> 00:48:27,400
And I like to do that with my girlfriend Cheryl.

785
00:48:28,239 --> 00:48:29,880
Some of you already know, some of you might just

786
00:48:29,920 --> 00:48:34,000
now find out. She actually supplies me with beautiful nails

787
00:48:34,199 --> 00:48:37,039
and beautiful park Lane jewelry. And I love doing that

788
00:48:37,079 --> 00:48:39,400
with her because I get to support my friend's small business.

789
00:48:39,599 --> 00:48:41,920
Plus I get to enjoy some nice stuff. And you know,

790
00:48:42,360 --> 00:48:45,239
feeling good, looking good makes you feel better. Right, So

791
00:48:45,400 --> 00:48:46,760
if you want to join me, if you want to

792
00:48:46,800 --> 00:48:48,679
have some fun, this prize is to be one. I'm

793
00:48:48,719 --> 00:48:50,960
having a little pop up party right now with Cheryl.

794
00:48:51,280 --> 00:48:55,159
You can go to join vip dot Cheryl Korkowski dot com.

795
00:48:55,360 --> 00:48:58,840
That's k r A k O W s k KI

796
00:48:59,480 --> 00:49:02,199
joined v I P Cheryl Kokowski dot com or just

797
00:49:02,320 --> 00:49:03,960
hit me up and I'd be happy to pop you

798
00:49:03,960 --> 00:49:05,320
into my private party with me.

799
00:49:05,519 --> 00:49:06,360
Speaker 7: And if you want to find.

800
00:49:06,199 --> 00:49:08,400
Speaker 18: Out what kind of trouble I'm getting into, good trouble

801
00:49:08,440 --> 00:49:11,400
as always, visit Jencoffee dot com j E n n

802
00:49:11,519 --> 00:49:14,679
c O f f uy dot com very good.

803
00:49:14,880 --> 00:49:17,559
Speaker 11: And you can also go to my website Matt Connorton

804
00:49:17,639 --> 00:49:19,199
dot com if you want to keep up with everything

805
00:49:19,199 --> 00:49:22,760
I'm doing. Oh, and congratulations of course to Christian Lacasse

806
00:49:22,800 --> 00:49:26,119
aka DJ Reckless. The other night we attended the Fisher

807
00:49:26,159 --> 00:49:28,400
CAATs game. Jenny and I neither of us really care

808
00:49:28,480 --> 00:49:31,960
much about baseball. I've that, but but Christian was at

809
00:49:32,280 --> 00:49:35,000
Northeast Southtidental Stadium. Christian was thrown out the first pitch.

810
00:49:35,199 --> 00:49:37,239
Speaker 18: Not only did he throw out the first pitch that night,

811
00:49:37,320 --> 00:49:39,760
the next day he got to go to NASCAR, that's right,

812
00:49:39,840 --> 00:49:42,320
and participate in a NASCAR event. This kid's having a

813
00:49:42,440 --> 00:49:44,559
last and we are so proud of everything that he

814
00:49:44,719 --> 00:49:48,320
is doing. Catch him tonight in Portland in Portland. Yeah,

815
00:49:48,360 --> 00:49:50,440
He'm in Portland tonight having a special shot.

816
00:49:50,519 --> 00:49:51,920
Speaker 16: Oh, very good, very good.

817
00:49:52,519 --> 00:49:55,360
Speaker 11: Let's see. Also, just a couple other quick things. Uh,

818
00:49:55,760 --> 00:49:59,239
there should be soon a new hanging left. One of

819
00:49:59,239 --> 00:50:02,519
the podcasts I'm involved in. Our our one guest today,

820
00:50:02,559 --> 00:50:05,559
Andrew Voorhees. He is the newest member of that show.

821
00:50:05,639 --> 00:50:07,840
So that's the show that I've been doing with Todd Air.

822
00:50:08,199 --> 00:50:11,400
And Andrew has joined us as well. Officially, he'll be

823
00:50:11,440 --> 00:50:15,800
our third third mic going forward on the podcast and we.

824
00:50:15,719 --> 00:50:19,440
Speaker 18: Did our first MCU MCU AF.

825
00:50:19,599 --> 00:50:21,400
Speaker 16: Yes, the online only version of the show.

826
00:50:21,480 --> 00:50:22,639
Speaker 18: We always said we were going to do it.

827
00:50:22,760 --> 00:50:24,800
Speaker 16: Now we're doing it. So you got to come check

828
00:50:24,840 --> 00:50:25,840
that out. Yep, yep.

829
00:50:25,880 --> 00:50:27,360
Speaker 18: So we're gonna do that whenever we feel like it.

830
00:50:27,559 --> 00:50:28,639
Speaker 16: You watch us.

831
00:50:28,719 --> 00:50:31,719
Speaker 11: So that is that is the podcast version of this show.

832
00:50:32,119 --> 00:50:34,880
That is really different. We do that completely separate from

833
00:50:35,719 --> 00:50:39,239
w We do that completely separate from w m n H,

834
00:50:39,760 --> 00:50:41,800
so that has no association with the radio station.

835
00:50:41,840 --> 00:50:44,440
Speaker 16: It's a completely separate podcast. But but we call it.

836
00:50:44,400 --> 00:50:47,199
Speaker 11: Matt Connorton Unleashed AF and if you don't know what

837
00:50:47,239 --> 00:50:49,960
the AF stands for, look it up and but on

838
00:50:50,039 --> 00:50:53,039
that is completely uncensored, unfiltered, truly unleashed.

839
00:50:53,119 --> 00:50:54,639
Speaker 18: If you want to have some fun and laugh and

840
00:50:54,719 --> 00:50:56,760
joke around, you can join Matt and Eric when they

841
00:50:56,800 --> 00:50:59,440
talk about Wrestley on Tough Bumps.

842
00:50:59,800 --> 00:51:02,920
Speaker 11: So we're gonna do that, uh tommorrow tomorrow at four pm.

843
00:51:03,000 --> 00:51:05,519
So Sunday at four pm we'll be streaming that live.

844
00:51:05,880 --> 00:51:07,599
So just keep an eye on social media for when

845
00:51:07,599 --> 00:51:07,800
we go.

846
00:51:07,880 --> 00:51:11,079
Speaker 18: Lots of good stuff, lots of good stuff. Absolutely never

847
00:51:11,119 --> 00:51:12,880
gonna run out of material, all.

848
00:51:12,880 --> 00:51:15,000
Speaker 11: Right, So if you miss any part of today's show,

849
00:51:15,000 --> 00:51:16,280
and we'll be up in just a little bit at

850
00:51:16,400 --> 00:51:20,360
WM andhradio dot org at my website Matt Connorton dot com.

851
00:51:20,400 --> 00:51:22,320
And uh, that's it for us for now. We'll talk

852
00:51:22,360 --> 00:51:25,320
at you all little bit later. Bye everybody, Bye bye.

853
00:51:27,400 --> 00:51:32,079
Speaker 5: You're listening to Matt Connorton Unleashed on WM and H

854
00:51:32,199 --> 00:51:33,599
ninety five point.

855
00:51:33,280 --> 00:51:39,400
Speaker 11: Three and now exclusively on w MNH ninety five point

856
00:51:39,400 --> 00:51:44,039
three FM. Matt Connorton Unleashed presents the American radio premiere

857
00:51:44,360 --> 00:51:45,920
of the new track from Rivia.

858
00:51:46,440 --> 00:51:48,320
Speaker 16: This is called Piece of View?

859
00:51:49,880 --> 00:51:51,280
Speaker 13: Do you write up bad?

860
00:51:52,840 --> 00:52:01,239
Speaker 24: I don't want to be like shoe recognizable, Welcome to pricess?

861
00:52:01,239 --> 00:52:02,639
Speaker 4: Should it no better.

862
00:52:04,079 --> 00:52:04,400
Speaker 19: Sounding?

863
00:52:04,480 --> 00:52:05,119
Speaker 7: For a while?

864
00:52:05,239 --> 00:52:05,400
Speaker 19: Now?

865
00:52:06,559 --> 00:52:09,559
Speaker 4: The probably trying to God?

866
00:52:09,599 --> 00:52:10,880
Speaker 7: I said, I don't want to lead.

867
00:52:11,159 --> 00:52:18,559
Speaker 13: Chun ya way hill y'all way?

868
00:52:19,000 --> 00:52:19,280
Speaker 7: Child?

869
00:52:21,760 --> 00:52:33,079
Speaker 13: Now, ain't long, guy? How don't long? You'll brocky? That

870
00:52:33,280 --> 00:52:37,280
ain't long? God? How do you love God?

871
00:52:40,599 --> 00:52:40,840
Speaker 19: Can so?

872
00:52:40,920 --> 00:52:44,639
Speaker 7: I ain't hit the ringst But I don't want to start.

873
00:52:44,920 --> 00:52:49,880
Speaker 24: Chad said, ain't no, please like child, Please start like you.

874
00:52:50,039 --> 00:52:53,119
Speaker 13: I was like, but he wasn't what you want?

875
00:52:54,679 --> 00:52:56,480
Speaker 7: Said, don't why? Child is sun?

876
00:52:57,360 --> 00:52:59,599
Speaker 16: We can't waste some man, and we want to waste

877
00:52:59,639 --> 00:53:01,440
some man. It's a joysome man.

878
00:53:03,119 --> 00:53:14,440
Speaker 13: No way that ain't long. Guys that ain't long, my

879
00:53:14,719 --> 00:53:19,719
brocky yard guy that ain't long, guy.

880
00:53:21,079 --> 00:53:21,840
Speaker 7: That ain't long.

881
00:53:36,320 --> 00:53:41,280
Speaker 4: I've got that sick chi feeling, but we used to eeling.

882
00:53:41,880 --> 00:53:45,800
I don't know what to do it still love he

883
00:53:46,079 --> 00:53:50,639
sup you. I got that sick chat figured out right

884
00:53:50,760 --> 00:53:55,199
out now. Still I don't know what some time?

885
00:53:56,000 --> 00:54:27,440
Speaker 13: So don't wait that ain't a long, guy.

886
00:54:28,800 --> 00:54:29,639
Speaker 19: That long?

887
00:54:33,480 --> 00:54:38,159
Speaker 24: Don't let that ain't a long?

888
00:54:38,360 --> 00:54:40,920
Speaker 13: Guy that a long?

889
00:54:44,119 --> 00:54:48,800
Speaker 25: I got that, said Jeff very but I always throw him.

890
00:54:49,760 --> 00:54:54,840
I said no, I said, I say how they sell tow.

891
00:55:01,000 --> 00:55:10,480
Speaker 11: Matterson and Now exclusively on w m n H ninety

892
00:55:10,480 --> 00:55:15,159
five point three FM, Matt Connerton Unleashed presents the American

893
00:55:15,280 --> 00:55:17,920
radio premiere of the new single from the Falls.

894
00:55:18,440 --> 00:55:20,480
Speaker 16: This is called between the Lines.

895
00:55:34,800 --> 00:55:46,039
Speaker 26: See nice sophidorphield choirrye to me. I mean taking some

896
00:55:46,239 --> 00:55:50,519
time to utilizs choir for these.

897
00:55:54,519 --> 00:55:56,880
Speaker 4: Where I said Pele who called.

898
00:55:56,840 --> 00:55:57,519
Speaker 17: Pe who go?

899
00:55:58,119 --> 00:55:59,880
Speaker 13: So I try not skate it?

900
00:56:00,199 --> 00:56:03,000
Speaker 7: Vote you never read the no food shore.

901
00:56:03,280 --> 00:56:07,840
Speaker 4: Who's gonna sticking around? You change your child?

902
00:56:08,480 --> 00:56:11,000
Speaker 13: It doesn't matter if you won't go right.

903
00:56:11,119 --> 00:56:13,239
Speaker 16: You need to speak between the lines.

904
00:56:13,679 --> 00:56:28,760
Speaker 22: You gonna keep on gasing, keep pocasing because you said

905
00:56:28,800 --> 00:56:30,320
you change your your feels a.

906
00:56:32,199 --> 00:56:32,760
Speaker 19: Shame to me.

907
00:56:38,440 --> 00:56:41,239
Speaker 4: But at the end of the days for worse.

908
00:56:42,840 --> 00:56:43,400
Speaker 25: Best to me.

909
00:56:47,840 --> 00:56:51,760
Speaker 4: Well, I said, people call the people go so why

910
00:56:51,960 --> 00:56:55,079
try not scaring? Vote you neighbor.

911
00:56:54,960 --> 00:56:56,079
Speaker 12: Read and no food?

912
00:56:56,079 --> 00:56:59,679
Speaker 4: Sure, who's gonna sticking around you?

913
00:57:00,079 --> 00:57:04,119
Speaker 22: Say your child, It doesn't matter if your wrong, all

914
00:57:04,239 --> 00:57:11,840
right between the lies. Keep procasing, keep pocasing, saying your Chile.

915
00:57:12,519 --> 00:57:15,039
Speaker 13: It doesn't matter if you wrong, go right.

916
00:57:15,159 --> 00:57:21,320
Speaker 22: You it speak between the lies, and keep podcasing, keep pocussing.

917
00:57:32,039 --> 00:57:33,159
Speaker 13: Say your Chile.

918
00:57:33,880 --> 00:57:37,360
Speaker 4: It doesn't matter every wrong or right, you gitter be

919
00:57:37,559 --> 00:57:38,119
between the.

920
00:57:38,199 --> 00:57:41,880
Speaker 22: Lies, keep focusing, keep pocussing.

921
00:57:42,679 --> 00:57:43,920
Speaker 4: Sake your child.

922
00:57:44,519 --> 00:57:48,039
Speaker 13: It doesn't show if you all go right, it be

923
00:57:48,239 --> 00:57:49,239
between the lies.

924
00:57:49,679 --> 00:57:52,639
Speaker 22: You don't keep focusing, keep podcasing.

925
00:58:27,119 --> 00:58:32,519
Speaker 5: You're listening to Mattconnorton Unleashed on WM NAH ninety five

926
00:58:32,599 --> 00:58:33,239
point three.

927
00:58:34,519 --> 00:58:38,800
Speaker 16: Another brand new track. This is Skull. The track is

928
00:58:38,920 --> 00:58:40,159
called the Whites.

929
00:59:00,119 --> 00:59:04,840
Speaker 12: Yeah, somebody keep m on.

930
00:59:05,000 --> 00:59:07,599
Speaker 7: Then say to you, you know what's coming in my bow?

931
00:59:07,719 --> 00:59:09,719
The lights up bun in It's time to go.

932
00:59:10,880 --> 00:59:14,760
Speaker 24: Why did I keep my playing, no Stephen began, y'all,

933
00:59:14,880 --> 00:59:16,679
life was ab man wasted, Yeah, I.

934
00:59:16,760 --> 00:59:17,440
Speaker 7: Know your call.

935
00:59:17,639 --> 00:59:27,920
Speaker 24: Man, y'all stopping sun, Why even got up through the road, say.

936
00:59:33,039 --> 00:59:33,840
Speaker 4: We'll come and tea.

937
00:59:33,920 --> 00:59:34,519
Speaker 7: So I started.

938
00:59:34,840 --> 00:59:36,599
Speaker 10: Some days we do in Hun