Speaker 1: Hello, Yes, this is the Falcon speaking O Cora. Thanks
for calling Angel, but I'll have to take a rain
check tonight. I'm tied up with a guy who.
Speaker 2: Fell so hard for a girl he never got up again.
Speaker 1: The Adventures of the Falcon starring Les Taman. You met
the Falcon first in his best selling novel, then you
saw him in his thrilling motion picture series. Now join
him on the air when the Falcon's halved. The Case
of the Invisible Fuck, No, the Case of the Invisible Plug.
It's early Sunday in New York when terrified herea Castro
fumbles with the key to her apartment with shaking fingers.
Finally she locates the keyhole, unlocks the door, and hello there, Arrah.
Speaker 2: What's the matter with you? Pete, Pete, Pete Lloyd?
Speaker 3: Yes, yes, I just saw him.
Speaker 2: What's he doing in New York?
Speaker 4: I don't know, but he's here?
Speaker 2: Did He's here?
Speaker 3: And he gets him there?
Speaker 1: He is?
Speaker 2: What do we do? Who is it him? The door
for an old friend?
Speaker 3: Honey, We've got to get out of here.
Speaker 2: It's two floors of the street. That's I'm gonna have
some one myself in there trying to break in.
Speaker 3: Honey, does something, You'll kill it.
Speaker 4: I know he will.
Speaker 2: Please leave us alone, shaking baby, I'm not gonna touch you.
Speaker 1: It wouldn't dirty my hands. Your husband. I come to
see put away the gun?
Speaker 2: Lloyd.
Speaker 1: Hey, funny boy, what do you want? Yeah, Castro, what
do I want? You run off with my girl? Yes?
Speaker 2: What do I want?
Speaker 3: But you don't want me, you say, I don't.
Speaker 2: Want you now?
Speaker 1: All I want is payment, and I'm taking it. We
don't have much, you're living. That's much up, all right, Castro?
Speaker 5: Go, But listen, give me a chance, don't.
Speaker 1: Yeah. Hello, my name's Pete Lloyd. I'm looking for Mike
Wearing the detective and you found him.
Speaker 2: Oh good. I want to hire you to do a
job for me and that case. Come in, Bran.
Speaker 1: I want to be sure I have the right boy, though,
you are the one they call the falk, aren't you?
Speaker 2: Mm hmm. Try to find your office? Don't you have one?
Don't even have a trench coat.
Speaker 1: If I'm not making a mistake hiring you, you already
made a mistake, or you wouldn't be needing a detective.
I suppose you told me about it, But worrying, I
pick up the paper this morning. What do you think
I see? I don't know if they're a warmer says.
Speaker 2: I'm wanted for murder, for murder? Well nothing, I was
starting the day you off. Wh don't you here?
Speaker 1: He knows, used to go with a girl in Pittsburgh.
They break up and she marries a guy named a Castro. Well,
last night, somebody shoots Castro Verra, that's the girl tells
the cops it was me.
Speaker 3: How do you like that?
Speaker 2: I like it? Fine?
Speaker 1: Huh, Well it brought me a client. You have an alibi? No, dom, Well,
I wasn't even in town. That's how come the law
hasn't picked me up yet?
Speaker 2: Well, I was going to pick you up. What I'm
not shielding you? Oh no, no, sure, not worrying. You know,
I'll give myself up.
Speaker 1: They can't hang this on me. Wellly, I wanted to
hire you first. You got to prove I.
Speaker 2: Didn't do it. I suppose I prove you did. I'll
take my chances. No, fair enough, I'll work on it
at fifty a day and expence.
Speaker 1: Yeah sure, sure, But I can't figure why Vera do
a thing like this to me?
Speaker 2: Why maybe she killed Castro thought you'd make a good Patsy.
Speaker 6: Hey, let go.
Speaker 2: Viverra wouldn't kill nobody, not Verra. You're not gonna all right, chum,
but let's call off the dance. I said, Look, she
didn't do it, Wearing. I know Verra, all right, all right,
you didn't do it. Vera didn't do it. Nobody did it.
But the guy's dead. Sorry, worrying. It's kind of edgy.
You don't say.
Speaker 1: The paper says it happened fast. Maybe Verra didn't get
a good look. Maybe she really thinks it was me.
Speaker 2: I don't know. There was one way to find out.
Speaker 1: Yeah, yeah, I'll ask Vera.
Speaker 3: What I'm sure, mister Wearing it was Pete Lloyd.
Speaker 2: I know it.
Speaker 3: There can't be any mistake about it. I saw the
whole thing. I talked to Pete. I begged him to
listen to reason, but he wouldn't.
Speaker 2: He tells me you used to carry a gun.
Speaker 4: Well, yes, I had a night job a girl out
laid you know.
Speaker 2: Yeah, sure, I know you still have the gun.
Speaker 3: No, I told it when I got married.
Speaker 1: Well, I told me you used to hide the gun
in the blue urn you had in the living room table.
Speaker 2: Is it the urn?
Speaker 3: I told you that I saw the gun so short.
Speaker 1: But he kept the urn after you married, and oh,
what's this?
Speaker 4: Wait a minute, I never saw that before. That's not
the gun I used to have.
Speaker 2: I mean to be so sure. You've probably even looked
at it. But I don't have the gun. This was
in the urn. Pete must have put it there, right
under your nose.
Speaker 4: I find it when he shot Ernie. He must have
put it there while I was unconscious.
Speaker 2: Did you tell the police about painting something new has
been added?
Speaker 3: Oh, it didn't seem important. I told him what I saw.
Speaker 4: That's what matted. Look, I'm being friend. Don't you know
that Pete hired you just to find that gun. He
was furious when I quit him and married Bernie Castro.
He never got over, so he killed Ernie and he's
trying to put the.
Speaker 3: Blame on me.
Speaker 1: Well, I hate to be unflattering, Vera, but I'm not
soul on Pete Lloyd's mad passion for you.
Speaker 3: But it's true.
Speaker 2: Well, it's convenient for Houcking Lloyd. But I happen to
know that instead of crying.
Speaker 1: In his beer because he was jilted, he's been booking
a chick who has what it takes to make a
man forget even you Angel.
Speaker 3: And I know that Pete killed Ernie.
Speaker 4: I saw him do it, and he said that it
was on account of me.
Speaker 1: All right, you don't believe me too, you, I don't
believe anybody in my business betting on his honesty.
Speaker 2: Is the best policy.
Speaker 4: And you think I killed Ernie?
Speaker 2: Did I say that?
Speaker 1: Well?
Speaker 3: What reason would I have?
Speaker 2: How about Georgie Richards? What Pete? Lloyd says? He was
more interested in Richards?
Speaker 4: Pete says, Pete says, it seems that he's been making
quite a study of me.
Speaker 3: I thought he just found me.
Speaker 2: Oh, people knew Pete used to go with you. They've
told him things.
Speaker 4: Oh, mister Wherren, can't you see that he's just crazy
jealous any man I ever spoke to He's going to
make something of Yes, I know Georgie Richards, but I'm.
Speaker 3: Not interested in him. He was interested in me, but.
Speaker 4: I didn't want to have anything to do with him.
Oh oh, look, I loved Ernie And that.
Speaker 3: Is the truth. Georgie Richards is just.
Speaker 4: Like plead anything to make up buck gambling, feeling what not. Well,
I'm through with that sort all they mean is trouble.
Speaker 2: Some people like trouble.
Speaker 4: I've had my feel and now if that is all,
mister Waring verse.
Speaker 6: By the goodbye, I'll show him.
Speaker 3: Hello, Georgie Richards, please.
Speaker 2: Action soon.
Speaker 7: In the Triangle murder case, Pete Lloyd, sweetheart of Via
Castro and accused by her of the murder of her husband,
surrendered to the police early today.
Speaker 2: He was grilled for hours, but the.
Speaker 7: Police were unable to shake his story and he was released.
It is believed, however, that he had gave some important
information chip confirm may lead to an arrest.
Speaker 2: The nature of it'll be confirmed. The Falcon'll see to that.
Speaker 4: Tell me something.
Speaker 2: Petey's here, Okay, what do you want to know?
Speaker 4: Did you kill Ernie Castro?
Speaker 1: Well you heard what the man said then, yeah, police
couldn't shake my story. He couldn't shake it.
Speaker 3: You didn't answer my question.
Speaker 2: Stop worrying. They can't pin this on.
Speaker 3: I'm not worried about that.
Speaker 2: I just want to know. Is a blood on my
hands and I can't look at him, look at him.
Speaker 4: I just want to know that you still have a
case on Verra.
Speaker 2: That's all over, all over. I told you, I wonder baby,
come here.
Speaker 4: I don't care what you do, Pete. I don't care
how many men you kill, but not for another.
Speaker 1: Get coming that out. I told you I'm through with Vera.
All I want from her is for to get what's
coming to her.
Speaker 3: You hate her?
Speaker 2: I hate her?
Speaker 4: Well that means you're still interested.
Speaker 2: Oh oh, I don't know.
Speaker 4: Hello, Yes, you addresses and then you straight if you want.
Speaker 8: I've got to see you.
Speaker 4: Can you come over here right away?
Speaker 1: Why?
Speaker 4: I'll explain when I see you.
Speaker 2: It's all right, Vera, I'll be over.
Speaker 4: You're not going to see her.
Speaker 2: The heats on. She's squirming. I want to see her.
Speaker 3: Square No, Pete, forget her?
Speaker 5: Will you shut up?
Speaker 2: Shut up?
Speaker 3: Hum my lips?
Speaker 2: Please, here's a handkerchief. I get out of my way.
Speaker 5: Will you.
Speaker 4: Come on here?
Speaker 2: Pe?
Speaker 5: Yeah?
Speaker 2: Sure baby? Sure?
Speaker 4: And now, Vera, why don't you come on over here,
sit down beside me?
Speaker 1: Sure?
Speaker 2: Why not? That said Vera? Turn on the glamour. See
how far it gets it?
Speaker 3: All right, Pete?
Speaker 4: Isn't it enough that you're killed?
Speaker 3: Ernie? Can't you leave me alone?
Speaker 2: Leave you alone? You wess me over? It was your idea,
I mean the gun.
Speaker 4: And hiring Mike Waring telling him that something but me
and Georgie Richards.
Speaker 3: You're trying to put the blame on me for Ernie's murders.
Speaker 2: You tried to put it on me.
Speaker 4: Well, could I make a deal if I changed my story?
Speaker 2: It couldn't.
Speaker 6: Right, laugh, just laugh.
Speaker 4: But you had your chance.
Speaker 2: Remember that, I remember.
Speaker 3: I'll prove you killed Ernie?
Speaker 5: Is that a fact?
Speaker 3: Because you did kill him?
Speaker 5: You did?
Speaker 3: You did?
Speaker 2: Relax, you killed him.
Speaker 3: You're a murderer.
Speaker 2: How many times are you gonna say that until you
admit it? What's to admit? I killed him?
Speaker 1: You know that, I know, But if you expect I'm
going to admit it to anyone else? What are you
grinning about?
Speaker 5: You were?
Speaker 1: What is it?
Speaker 2: Why did you make me? You got the room? You
got somebody in the other room, haven't you? You can
answer me? They got a room?
Speaker 5: Maybe the law?
Speaker 2: Well you ain't find out. You'll come back here. Well,
what do you know, George Richard?
Speaker 3: Let's go.
Speaker 2: So this is your witness, ver some witness.
Speaker 5: What are you going to do? What am I?
Speaker 1: Goodness, I'm not gonna do anything. Vera thinks your word's
gonna help her. She counted like you and for a minute,
she had me worried. Sure, baby, sure, I wouldn't think
him less than that pretty boy.
Speaker 2: Oh, I'm trying to figure just what were you trying
to pull here? Anyway?
Speaker 1: Nothing, but that's all that's going to amount to. You
can battle on that. That's the great Big zero And
back to the adventures all the pocon twenty minutes of
past since Pete Lloyd was tricked by Vera Castro into
revealing his guilt in front of a third party. Now
in Mike Wearing's combination apartment office, Hello, is.
Speaker 3: This the Falcon?
Speaker 2: Yes, it is the Falcon speaking. Well this is oh, yes, Sains.
I'm glad you called. It's got a report on the gun.
It's the murder weapon. All right.
Speaker 4: Oh so now you're sure I killed Ernie.
Speaker 2: I didn't say that, not many words. Well it's not important.
What do you want an apology? When I see proof?
Speaker 3: I have proof?
Speaker 4: How'sitive proof that Pete Lloyd killed Ernie. That's why I phone.
Oh if you will meet me at police headquarters and
half an hour, I'll show it to you.
Speaker 2: You will see that very Hello. Hello, who hey Mike Wearing?
Speaker 4: Oh hello, mister Anon. What happened to you angel I
got knocked out, and.
Speaker 2: That proof you were talking about Gaune, huh, surprised.
Speaker 4: You don't believe me?
Speaker 3: To you you think I just faked the whole thing.
Speaker 2: Oh it does look phony, as phony as the gun
in the air.
Speaker 3: Oh, then you realize that was a plaque.
Speaker 2: I didn't say that. I just said it looked like it.
But you never can tell. And just what was the proof?
Speaker 4: He was supposed to have had a tape recording of
a conversation between me and Pete Lloyd.
Speaker 2: How'd you get it?
Speaker 1: Well?
Speaker 4: I remember that Georgie Richards had a tape recorder, so
I called him.
Speaker 2: Thought Richards was nothing but troubled. You weren't going to
have anything to do with him.
Speaker 3: I needed his machine. You don't believe me? Do you
think there's something more to look?
Speaker 2: Why are you so concerned about what I believe?
Speaker 4: I don't know?
Speaker 2: All right? Anyway, you made a recording, Yes, I did.
Speaker 4: Georgie hit the microphone on the pillows on the sofa.
I got peace to admit that he killed any and
we got it on the tape. And then when he
left that called you. But Pete must have figured out
if something was wrong because he came back, heard me
talking to you and knocked me out.
Speaker 2: How about Richards?
Speaker 3: What about it?
Speaker 2: Was he here when you phoned me?
Speaker 4: No, he'd gone too oh too bad.
Speaker 2: He might have seen, but he was here when he
made the recording. You'll tell you, yes, I'm sure he will.
But I'd rather hear what Pete Lloyd has to say
about it. So let's go show in.
Speaker 4: What are you going to say to Pete?
Speaker 3: Mister Waring?
Speaker 1: Oh? Just check the story against yours there and look,
don't you think it's about time you started calling me?
Speaker 2: Mike?
Speaker 4: Could be well, here is floor, except that you're still
working for him?
Speaker 8: What's that?
Speaker 2: I think that came from Lloyd's apartment?
Speaker 1: Yeah, I'm going to break it in.
Speaker 4: Wait, wait, wait a minute, I think someone's coming.
Speaker 2: Hello, Angel, what happened?
Speaker 3: It's where?
Speaker 5: Is he? Right there?
Speaker 2: I see him? Angel? No, wonder if he screamed?
Speaker 1: Is he dead? Yes?
Speaker 2: There is somebody knife him. He's very dead. Mike.
Speaker 4: Don't you think we should have stayed back there with
Cale ntil the police came.
Speaker 2: No, I didn't want to waste time. I'll check back.
How I get in?
Speaker 3: What's a hurry?
Speaker 4: Where are we going?
Speaker 2: See Georgie.
Speaker 3: You Richards said you wouldn't take his word?
Speaker 1: I won't.
Speaker 3: Well, then why do you see.
Speaker 5: Mike?
Speaker 4: Yeah, I didn't kill see m h you don't believe.
Speaker 2: I wish you'd believe. Where is Richards living.
Speaker 3: Cliburn apartment?
Speaker 2: But I still don't understand if Hugh Bard is recording machine?
Now it's my turn, that's all?
Speaker 4: Well, what do you want it for us?
Speaker 2: He didn't notice me picked us up at Lloyd?
Speaker 1: Did you? What's that?
Speaker 3: The tape?
Speaker 2: A tape? Where there's the tape we may to be seen?
Was lying on the floor? That might be he see?
Speaker 3: And if it is, will you help me?
Speaker 2: If it is, will you need help?
Speaker 4: Well, it'll approved that I didn't kill Ernie, but I
may be accuse the peace murder? So will you approve
that I didn't kill him?
Speaker 2: Do you want to hire any angels?
Speaker 5: Yes?
Speaker 2: Well I just lost one client, so I'm available. But
considering what happened to that client, maybe you'd better think
it over.
Speaker 3: Here's Richard's apartment five.
Speaker 2: Hey, what's going on in there? It sounds like something
over some more be a free for all, Come on
over and up?
Speaker 4: What do we do?
Speaker 2: I just guess I'll have to wait a minute. Stopped.
I was just about to break it in.
Speaker 4: Anybody coming, I.
Speaker 2: Don't think so. Maybe they couldn't hear me during the fight.
I'll try again.
Speaker 4: I don't know what that was all about.
Speaker 2: I wouldn't know. It seems we're always butting into something.
Hold on, we're go get him into this chair. Close
the door for it, all right.
Speaker 4: Well, I don't see anybody else in the apartment, Mike.
Speaker 3: Look, everything's all upside down.
Speaker 5: He's gone the window.
Speaker 2: It wasn't Richard.
Speaker 5: I don't know big guy. I never saw him before.
Speaker 2: What was he doing here?
Speaker 8: When we were searching me the apartment? He had all
the joys out. I came in, caught him, and I
right away started swinging.
Speaker 2: Say better, go in the kitchen, see if the some
ice in the refrigerator. I watched that for You can
see your face, Jim. It's a lot of shape, huh.
And that shiner is the honey?
Speaker 1: Why we patch you up?
Speaker 2: And then I want to try your recording machine. Okay,
you killed her.
Speaker 1: Because you did kill him.
Speaker 4: You did you did like me, you killed him.
Speaker 1: You're emerved. How many times are you gonna say that.
Speaker 2: Until you admitted.
Speaker 1: What's to admit?
Speaker 2: I killed him?
Speaker 1: You know that I know, But if you expect I'm
going to admit it to anyone else?
Speaker 2: Well, what are you grinning about? Oh? I guess that
does it?
Speaker 1: Now?
Speaker 4: You see that I've been telling the truth.
Speaker 2: All right? Vera Lloyd killed your husband? Who killed Lloyd?
Speaker 4: Well that's what you're supposed to find her?
Speaker 5: Maybe it's a charity and feed up on me.
Speaker 2: Yeah? Maybe so, Richard? What do you look like? Why?
Speaker 5: It's a big guy, so you said, blonde? Straight?
Speaker 8: Hey you had to push the nose and go on
a rugged joy. Looked sort of like an expert.
Speaker 2: How was he dressed?
Speaker 8: We had a great pit striped shoot the full shite
of dirty yellow tie, of two tone shoes.
Speaker 2: Oh and yeah his his felt buckle? What about it?
His initial j H JH. Well, now we're getting somewhere.
Speaker 6: Do you know who it is?
Speaker 3: Mike?
Speaker 2: Think I know where I can find out where? Phone book?
Speaker 4: The phone book.
Speaker 1: Yes, I'm not the only private detective in town. I'll
try all the jh is till I land our boy.
Speaker 5: Thank he's a detective.
Speaker 2: I think it's worth a try. This case is tightly knit.
You they're a Kay, I don't see an outside of
fitting in unless he was working for one of you.
So a detective looks like a good bet. You could
be right wise, No shoe, rangel, Why is a surprise?
Come on, I'll take you home, then I'll go to
work on it.
Speaker 1: Now back to the adventures of the Falcon. Ten minutes
have passed and the Falcon is fulfilling his promise with
up there at her house on his way is holding the.
Speaker 2: Case was so long for I'll let you know how
I make up.
Speaker 4: All right, Mike good Night's been waiting for you to
say stop it. You're rise.
Speaker 2: You'll have to tear off mine first.
Speaker 3: That's a good idea.
Speaker 2: I'm not come and break it up. Break it up.
Speaker 4: She killed me, she killed him, But no, I'm gonna
kill her.
Speaker 2: I'm gonna do anything. Oh you you're breaking my arm?
Speaker 7: Go up her?
Speaker 1: Look over?
Speaker 5: Did you all right for her?
Speaker 3: Yes? Good?
Speaker 1: Now?
Speaker 2: You okay? No, he was making like a maniact. I
won't help anything. You don't understand. I loved you, sure well.
Everyone do his taste.
Speaker 1: Why I don't like Kay, but I can't let you
go and you calm down? Come on, Kay, you better
go with me so long for her? Hy? Sorry if
I heard you k I don't like a rough a lady,
but you haven't exactly been a lady angel.
Speaker 2: Now, come on, how do you know a rotten Thanks
and belligerent?
Speaker 5: No, tired?
Speaker 2: Well that's an improvement.
Speaker 4: Where do we go from here?
Speaker 5: You go home? I go to work.
Speaker 2: I see yes, and you stay home. If I don't,
you just be wasting your time. I'm phoning Vera to
keep her door locked until I get back. Oh, you're
going back as soon as I nailed JH.
Speaker 3: Who's JH.
Speaker 2: He's the key to this case, and you know where
to find him. I know where not to find him,
and under the circumstances that'll be just as good.
Speaker 5: Oh hello, wearing take to find JH.
Speaker 2: I have a lead on. I'm Richards.
Speaker 5: Oh good, Come in and tell me.
Speaker 2: Huh yeah? If you saw him again, Richards, could you
identify him for sure?
Speaker 1: Now?
Speaker 2: Maybe I can arrange it, but I want to be
sure I'm not making a mistake. Now he said he's
a big guy.
Speaker 5: Rat least six to two.
Speaker 2: How did you say he was dressed?
Speaker 5: Pinstriped suit gray gray?
Speaker 2: Don't you said it was brown? Did I I'm pretty
sure you did viol remembered.
Speaker 5: Yeah, well wait a minute, Yeah, that's right. It was brown,
brown pinstripe.
Speaker 2: I forgot. You should have kept notes. Richards made a mistake.
Speaker 1: It's a big mistake because you did say gray before
well kill you and I told you sure, and you
switched to my bluff because you weren't sure, you gause.
Speaker 2: You weren't describing JH. For memory. You were describing him
off the cuff because there isn't any JH.
Speaker 5: You nuts.
Speaker 2: It's been so rumined, but verification is lacking.
Speaker 5: You think I pusted my face out of shit like
this myself.
Speaker 2: No, I think Pete Lloyd busted it for Lloyd. Yeah,
and you tried to blackmail him. What are you talking about?
Speaker 1: After you and Vera made the tape, you returned the
verage your conte. You swiped the tape and tried to
blackmail Lloyd with it.
Speaker 2: He offered the pay, but when you produced the tape,
he made a grab for birth. There was a fight.
You knife to him. I suppose you can prove that,
don't mind on a police headquarters and I'll show you, well,
I have a better.
Speaker 1: Fighting gives me a chance?
Speaker 3: Oh no, you don't.
Speaker 5: I thought, so the knife?
Speaker 3: Come on, you drop that knife head, drop it all right?
Speaker 2: All right?
Speaker 5: Yeah?
Speaker 2: I thought if we got enough fight, he could pull
that knife again.
Speaker 1: I have an idea that police labor will find specks
of dried blood on it, Lloyd's blood.
Speaker 2: That's the trouble with playing with knives, Richards.
Speaker 5: You're likely to get stuck.
Speaker 4: For the checktive who operates out of his hat?
Speaker 1: You do?
Speaker 3: All right?
Speaker 2: Mindy?
Speaker 4: What's the man?
Speaker 2: It's bad enough my setup isn't according to Hoyer. But
on top of that, do you realize the awful full
part pulled.
Speaker 5: On this particular case.
Speaker 2: No what, I went all through this case without once
getting knocked out.
Speaker 4: That's right.
Speaker 2: I took the lumps for you.
Speaker 3: Well, don't you worry.
Speaker 4: I won't breathe it too?
Speaker 2: Should that's my girl?
Speaker 4: Hey, but I know one way we can keep from
being too unorthodox.
Speaker 2: What's that ain't? Well?
Speaker 7: Right now?
Speaker 4: I can ask kill how did you know that Georgie
Richards was the murderers?
Speaker 5: Oh?
Speaker 1: Well, that the business with jh The only time Richard
saw that stranger was when they were struggling.
Speaker 2: Did he gave me a perfect description?
Speaker 5: Yeah?
Speaker 3: But what is the purpose of creating the mythical j.
Speaker 2: Anyway to explain Richard Shiner.
Speaker 5: Richards killed Lloyd in the fight.
Speaker 2: The fight left marks on him. He had to explain
them away.
Speaker 1: So when we arrived at this place, he stayed the
sound effects of battle and invented JH to account for
the condition of his face. I see, and I pretended
to go along with the gag to give them time
to forget some details.
Speaker 2: Well he did, and that's it.
Speaker 4: And now you see that I didn't have anything to
do with either of the murders. You didn't want to
believe that at first.
Speaker 2: Oh what gave you that idea?
Speaker 3: I could tell by the look in your eyes.
Speaker 2: I mean, you can tell what I'm thinking about just
looking in my eyes.
Speaker 4: That's right.
Speaker 2: Well, can you tell what I'm thinking now, Angel?
Speaker 4: I certainly can.
Speaker 3: Good Night, Mike,