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Speaker 1: Hello, Yes, this is the Falcon speaking O Cora. Thanks

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for calling Angel, but I'll have to take a rain

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check tonight. I'm tied up with a guy who.

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Speaker 2: Fell so hard for a girl he never got up again.

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Speaker 1: The Adventures of the Falcon starring Les Taman. You met

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the Falcon first in his best selling novel, then you

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saw him in his thrilling motion picture series. Now join

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him on the air when the Falcon's halved. The Case

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of the Invisible Fuck, No, the Case of the Invisible Plug.

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It's early Sunday in New York when terrified herea Castro

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fumbles with the key to her apartment with shaking fingers.

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Finally she locates the keyhole, unlocks the door, and hello there, Arrah.

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Speaker 2: What's the matter with you? Pete, Pete, Pete Lloyd?

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Speaker 3: Yes, yes, I just saw him.

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Speaker 2: What's he doing in New York?

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Speaker 4: I don't know, but he's here?

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Speaker 2: Did He's here?

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Speaker 3: And he gets him there?

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Speaker 1: He is?

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Speaker 2: What do we do? Who is it him? The door

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for an old friend?

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Speaker 3: Honey, We've got to get out of here.

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Speaker 2: It's two floors of the street. That's I'm gonna have

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some one myself in there trying to break in.

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Speaker 3: Honey, does something, You'll kill it.

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Speaker 4: I know he will.

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Speaker 2: Please leave us alone, shaking baby, I'm not gonna touch you.

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Speaker 1: It wouldn't dirty my hands. Your husband. I come to

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see put away the gun?

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Speaker 2: Lloyd.

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Speaker 1: Hey, funny boy, what do you want? Yeah, Castro, what

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do I want? You run off with my girl? Yes?

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Speaker 2: What do I want?

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Speaker 3: But you don't want me, you say, I don't.

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Speaker 2: Want you now?

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Speaker 1: All I want is payment, and I'm taking it. We

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don't have much, you're living. That's much up, all right, Castro?

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Speaker 5: Go, But listen, give me a chance, don't.

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Speaker 1: Yeah. Hello, my name's Pete Lloyd. I'm looking for Mike

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Wearing the detective and you found him.

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Speaker 2: Oh good. I want to hire you to do a

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job for me and that case. Come in, Bran.

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Speaker 1: I want to be sure I have the right boy, though,

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you are the one they call the falk, aren't you?

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Speaker 2: Mm hmm. Try to find your office? Don't you have one?

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Don't even have a trench coat.

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Speaker 1: If I'm not making a mistake hiring you, you already

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made a mistake, or you wouldn't be needing a detective.

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I suppose you told me about it, But worrying, I

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pick up the paper this morning. What do you think

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I see? I don't know if they're a warmer says.

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Speaker 2: I'm wanted for murder, for murder? Well nothing, I was

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starting the day you off. Wh don't you here?

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Speaker 1: He knows, used to go with a girl in Pittsburgh.

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They break up and she marries a guy named a Castro. Well,

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last night, somebody shoots Castro Verra, that's the girl tells

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the cops it was me.

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Speaker 3: How do you like that?

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Speaker 2: I like it? Fine?

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Speaker 1: Huh, Well it brought me a client. You have an alibi? No, dom, Well,

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I wasn't even in town. That's how come the law

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hasn't picked me up yet?

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Speaker 2: Well, I was going to pick you up. What I'm

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not shielding you? Oh no, no, sure, not worrying. You know,

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I'll give myself up.

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Speaker 1: They can't hang this on me. Wellly, I wanted to

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hire you first. You got to prove I.

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Speaker 2: Didn't do it. I suppose I prove you did. I'll

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take my chances. No, fair enough, I'll work on it

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at fifty a day and expence.

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Speaker 1: Yeah sure, sure, But I can't figure why Vera do

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a thing like this to me?

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Speaker 2: Why maybe she killed Castro thought you'd make a good Patsy.

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Speaker 6: Hey, let go.

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Speaker 2: Viverra wouldn't kill nobody, not Verra. You're not gonna all right, chum,

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but let's call off the dance. I said, Look, she

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didn't do it, Wearing. I know Verra, all right, all right,

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you didn't do it. Vera didn't do it. Nobody did it.

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But the guy's dead. Sorry, worrying. It's kind of edgy.

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You don't say.

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Speaker 1: The paper says it happened fast. Maybe Verra didn't get

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a good look. Maybe she really thinks it was me.

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Speaker 2: I don't know. There was one way to find out.

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Speaker 1: Yeah, yeah, I'll ask Vera.

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Speaker 3: What I'm sure, mister Wearing it was Pete Lloyd.

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Speaker 2: I know it.

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Speaker 3: There can't be any mistake about it. I saw the

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whole thing. I talked to Pete. I begged him to

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listen to reason, but he wouldn't.

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Speaker 2: He tells me you used to carry a gun.

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Speaker 4: Well, yes, I had a night job a girl out

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laid you know.

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Speaker 2: Yeah, sure, I know you still have the gun.

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Speaker 3: No, I told it when I got married.

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Speaker 1: Well, I told me you used to hide the gun

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in the blue urn you had in the living room table.

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Speaker 2: Is it the urn?

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Speaker 3: I told you that I saw the gun so short.

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Speaker 1: But he kept the urn after you married, and oh,

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what's this?

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Speaker 4: Wait a minute, I never saw that before. That's not

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the gun I used to have.

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Speaker 2: I mean to be so sure. You've probably even looked

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at it. But I don't have the gun. This was

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in the urn. Pete must have put it there, right

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under your nose.

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Speaker 4: I find it when he shot Ernie. He must have

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put it there while I was unconscious.

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Speaker 2: Did you tell the police about painting something new has

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been added?

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Speaker 3: Oh, it didn't seem important. I told him what I saw.

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Speaker 4: That's what matted. Look, I'm being friend. Don't you know

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that Pete hired you just to find that gun. He

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was furious when I quit him and married Bernie Castro.

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He never got over, so he killed Ernie and he's

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trying to put the.

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Speaker 3: Blame on me.

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Speaker 1: Well, I hate to be unflattering, Vera, but I'm not

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soul on Pete Lloyd's mad passion for you.

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Speaker 3: But it's true.

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Speaker 2: Well, it's convenient for Houcking Lloyd. But I happen to

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know that instead of crying.

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Speaker 1: In his beer because he was jilted, he's been booking

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a chick who has what it takes to make a

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man forget even you Angel.

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Speaker 3: And I know that Pete killed Ernie.

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Speaker 4: I saw him do it, and he said that it

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was on account of me.

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Speaker 1: All right, you don't believe me too, you, I don't

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believe anybody in my business betting on his honesty.

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Speaker 2: Is the best policy.

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Speaker 4: And you think I killed Ernie?

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Speaker 2: Did I say that?

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Speaker 1: Well?

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Speaker 3: What reason would I have?

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Speaker 2: How about Georgie Richards? What Pete? Lloyd says? He was

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more interested in Richards?

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Speaker 4: Pete says, Pete says, it seems that he's been making

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quite a study of me.

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Speaker 3: I thought he just found me.

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Speaker 2: Oh, people knew Pete used to go with you. They've

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told him things.

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Speaker 4: Oh, mister Wherren, can't you see that he's just crazy

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jealous any man I ever spoke to He's going to

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make something of Yes, I know Georgie Richards, but I'm.

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Speaker 3: Not interested in him. He was interested in me, but.

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Speaker 4: I didn't want to have anything to do with him.

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Oh oh, look, I loved Ernie And that.

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Speaker 3: Is the truth. Georgie Richards is just.

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Speaker 4: Like plead anything to make up buck gambling, feeling what not. Well,

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I'm through with that sort all they mean is trouble.

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Speaker 2: Some people like trouble.

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Speaker 4: I've had my feel and now if that is all,

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mister Waring verse.

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Speaker 6: By the goodbye, I'll show him.

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Speaker 3: Hello, Georgie Richards, please.

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Speaker 2: Action soon.

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Speaker 7: In the Triangle murder case, Pete Lloyd, sweetheart of Via

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Castro and accused by her of the murder of her husband,

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surrendered to the police early today.

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Speaker 2: He was grilled for hours, but the.

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Speaker 7: Police were unable to shake his story and he was released.

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It is believed, however, that he had gave some important

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information chip confirm may lead to an arrest.

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Speaker 2: The nature of it'll be confirmed. The Falcon'll see to that.

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Speaker 4: Tell me something.

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Speaker 2: Petey's here, Okay, what do you want to know?

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Speaker 4: Did you kill Ernie Castro?

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Speaker 1: Well you heard what the man said then, yeah, police

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couldn't shake my story. He couldn't shake it.

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Speaker 3: You didn't answer my question.

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Speaker 2: Stop worrying. They can't pin this on.

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Speaker 3: I'm not worried about that.

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Speaker 2: I just want to know. Is a blood on my

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hands and I can't look at him, look at him.

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Speaker 4: I just want to know that you still have a

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case on Verra.

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Speaker 2: That's all over, all over. I told you, I wonder baby,

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come here.

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Speaker 4: I don't care what you do, Pete. I don't care

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how many men you kill, but not for another.

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Speaker 1: Get coming that out. I told you I'm through with Vera.

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All I want from her is for to get what's

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coming to her.

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Speaker 3: You hate her?

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Speaker 2: I hate her?

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Speaker 4: Well that means you're still interested.

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Speaker 2: Oh oh, I don't know.

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Speaker 4: Hello, Yes, you addresses and then you straight if you want.

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Speaker 8: I've got to see you.

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Speaker 4: Can you come over here right away?

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Speaker 1: Why?

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Speaker 4: I'll explain when I see you.

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Speaker 2: It's all right, Vera, I'll be over.

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Speaker 4: You're not going to see her.

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Speaker 2: The heats on. She's squirming. I want to see her.

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Speaker 3: Square No, Pete, forget her?

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Speaker 5: Will you shut up?

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Speaker 2: Shut up?

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Speaker 3: Hum my lips?

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Speaker 2: Please, here's a handkerchief. I get out of my way.

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Speaker 5: Will you.

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Speaker 4: Come on here?

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Speaker 2: Pe?

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Speaker 5: Yeah?

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Speaker 2: Sure baby? Sure?

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Speaker 4: And now, Vera, why don't you come on over here,

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sit down beside me?

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Speaker 1: Sure?

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Speaker 2: Why not? That said Vera? Turn on the glamour. See

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how far it gets it?

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Speaker 3: All right, Pete?

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Speaker 4: Isn't it enough that you're killed?

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Speaker 3: Ernie? Can't you leave me alone?

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Speaker 2: Leave you alone? You wess me over? It was your idea,

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I mean the gun.

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Speaker 4: And hiring Mike Waring telling him that something but me

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and Georgie Richards.

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Speaker 3: You're trying to put the blame on me for Ernie's murders.

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Speaker 2: You tried to put it on me.

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Speaker 4: Well, could I make a deal if I changed my story?

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Speaker 2: It couldn't.

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Speaker 6: Right, laugh, just laugh.

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Speaker 4: But you had your chance.

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Speaker 2: Remember that, I remember.

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Speaker 3: I'll prove you killed Ernie?

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Speaker 5: Is that a fact?

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Speaker 3: Because you did kill him?

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Speaker 5: You did?

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Speaker 3: You did?

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Speaker 2: Relax, you killed him.

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Speaker 3: You're a murderer.

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Speaker 2: How many times are you gonna say that until you

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admit it? What's to admit? I killed him?

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Speaker 1: You know that, I know, But if you expect I'm

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going to admit it to anyone else? What are you

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grinning about?

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Speaker 5: You were?

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Speaker 1: What is it?

240
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Speaker 2: Why did you make me? You got the room? You

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got somebody in the other room, haven't you? You can

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answer me? They got a room?

243
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Speaker 5: Maybe the law?

244
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Speaker 2: Well you ain't find out. You'll come back here. Well,

245
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what do you know, George Richard?

246
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Speaker 3: Let's go.

247
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Speaker 2: So this is your witness, ver some witness.

248
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Speaker 5: What are you going to do? What am I?

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Speaker 1: Goodness, I'm not gonna do anything. Vera thinks your word's

250
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gonna help her. She counted like you and for a minute,

251
00:11:21,240 --> 00:11:24,799
she had me worried. Sure, baby, sure, I wouldn't think

252
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him less than that pretty boy.

253
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Speaker 2: Oh, I'm trying to figure just what were you trying

254
00:11:30,080 --> 00:11:30,960
to pull here? Anyway?

255
00:11:31,200 --> 00:11:34,120
Speaker 1: Nothing, but that's all that's going to amount to. You

256
00:11:34,200 --> 00:11:53,799
can battle on that. That's the great Big zero And

257
00:11:54,399 --> 00:11:59,879
back to the adventures all the pocon twenty minutes of

258
00:12:00,080 --> 00:12:02,759
past since Pete Lloyd was tricked by Vera Castro into

259
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revealing his guilt in front of a third party. Now

260
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in Mike Wearing's combination apartment office, Hello, is.

261
00:12:10,840 --> 00:12:11,440
Speaker 3: This the Falcon?

262
00:12:11,919 --> 00:12:15,039
Speaker 2: Yes, it is the Falcon speaking. Well this is oh, yes, Sains.

263
00:12:15,120 --> 00:12:17,279
I'm glad you called. It's got a report on the gun.

264
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It's the murder weapon. All right.

265
00:12:18,840 --> 00:12:20,559
Speaker 4: Oh so now you're sure I killed Ernie.

266
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Speaker 2: I didn't say that, not many words. Well it's not important.

267
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What do you want an apology? When I see proof?

268
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Speaker 3: I have proof?

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Speaker 4: How'sitive proof that Pete Lloyd killed Ernie. That's why I phone.

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Oh if you will meet me at police headquarters and

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half an hour, I'll show it to you.

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00:12:33,919 --> 00:12:49,720
Speaker 2: You will see that very Hello. Hello, who hey Mike Wearing?

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Speaker 4: Oh hello, mister Anon. What happened to you angel I

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got knocked out, and.

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Speaker 2: That proof you were talking about Gaune, huh, surprised.

276
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Speaker 4: You don't believe me?

277
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Speaker 3: To you you think I just faked the whole thing.

278
00:13:07,080 --> 00:13:09,240
Speaker 2: Oh it does look phony, as phony as the gun

279
00:13:09,279 --> 00:13:09,600
in the air.

280
00:13:09,799 --> 00:13:11,600
Speaker 3: Oh, then you realize that was a plaque.

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00:13:11,799 --> 00:13:13,879
Speaker 2: I didn't say that. I just said it looked like it.

282
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But you never can tell. And just what was the proof?

283
00:13:17,559 --> 00:13:19,480
Speaker 4: He was supposed to have had a tape recording of

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a conversation between me and Pete Lloyd.

285
00:13:21,399 --> 00:13:22,000
Speaker 2: How'd you get it?

286
00:13:22,120 --> 00:13:22,279
Speaker 1: Well?

287
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Speaker 4: I remember that Georgie Richards had a tape recorder, so

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I called him.

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00:13:24,919 --> 00:13:27,279
Speaker 2: Thought Richards was nothing but troubled. You weren't going to

290
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have anything to do with him.

291
00:13:28,200 --> 00:13:32,200
Speaker 3: I needed his machine. You don't believe me? Do you

292
00:13:32,279 --> 00:13:33,639
think there's something more to look?

293
00:13:33,879 --> 00:13:35,679
Speaker 2: Why are you so concerned about what I believe?

294
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Speaker 4: I don't know?

295
00:13:38,000 --> 00:13:39,879
Speaker 2: All right? Anyway, you made a recording, Yes, I did.

296
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Speaker 4: Georgie hit the microphone on the pillows on the sofa.

297
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I got peace to admit that he killed any and

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we got it on the tape. And then when he

299
00:13:46,320 --> 00:13:49,039
left that called you. But Pete must have figured out

300
00:13:49,039 --> 00:13:51,159
if something was wrong because he came back, heard me

301
00:13:51,240 --> 00:13:52,279
talking to you and knocked me out.

302
00:13:52,440 --> 00:13:53,159
Speaker 2: How about Richards?

303
00:13:53,679 --> 00:13:54,200
Speaker 3: What about it?

304
00:13:54,519 --> 00:13:55,399
Speaker 2: Was he here when you phoned me?

305
00:13:55,679 --> 00:13:57,600
Speaker 4: No, he'd gone too oh too bad.

306
00:13:57,679 --> 00:13:59,279
Speaker 2: He might have seen, but he was here when he

307
00:13:59,360 --> 00:14:01,399
made the recording. You'll tell you, yes, I'm sure he will.

308
00:14:01,879 --> 00:14:03,679
But I'd rather hear what Pete Lloyd has to say

309
00:14:03,679 --> 00:14:04,960
about it. So let's go show in.

310
00:14:13,840 --> 00:14:14,799
Speaker 4: What are you going to say to Pete?

311
00:14:14,840 --> 00:14:15,360
Speaker 3: Mister Waring?

312
00:14:15,720 --> 00:14:18,440
Speaker 1: Oh? Just check the story against yours there and look,

313
00:14:18,480 --> 00:14:20,080
don't you think it's about time you started calling me?

314
00:14:20,159 --> 00:14:20,360
Speaker 2: Mike?

315
00:14:21,039 --> 00:14:24,399
Speaker 4: Could be well, here is floor, except that you're still

316
00:14:24,440 --> 00:14:25,039
working for him?

317
00:14:25,679 --> 00:14:26,000
Speaker 8: What's that?

318
00:14:26,159 --> 00:14:27,480
Speaker 2: I think that came from Lloyd's apartment?

319
00:14:30,639 --> 00:14:31,519
Speaker 1: Yeah, I'm going to break it in.

320
00:14:31,799 --> 00:14:33,399
Speaker 4: Wait, wait, wait a minute, I think someone's coming.

321
00:14:35,639 --> 00:14:36,720
Speaker 2: Hello, Angel, what happened?

322
00:14:37,080 --> 00:14:38,519
Speaker 3: It's where?

323
00:14:38,600 --> 00:14:39,559
Speaker 5: Is he? Right there?

324
00:14:41,679 --> 00:14:45,919
Speaker 2: I see him? Angel? No, wonder if he screamed?

325
00:14:46,200 --> 00:14:46,960
Speaker 1: Is he dead? Yes?

326
00:14:47,080 --> 00:14:58,120
Speaker 2: There is somebody knife him. He's very dead. Mike.

327
00:14:58,159 --> 00:14:59,639
Speaker 4: Don't you think we should have stayed back there with

328
00:14:59,759 --> 00:15:00,720
Cale ntil the police came.

329
00:15:00,759 --> 00:15:02,320
Speaker 2: No, I didn't want to waste time. I'll check back.

330
00:15:02,919 --> 00:15:03,440
How I get in?

331
00:15:04,240 --> 00:15:04,799
Speaker 3: What's a hurry?

332
00:15:04,799 --> 00:15:05,399
Speaker 4: Where are we going?

333
00:15:05,639 --> 00:15:06,200
Speaker 2: See Georgie.

334
00:15:06,200 --> 00:15:08,000
Speaker 3: You Richards said you wouldn't take his word?

335
00:15:08,279 --> 00:15:08,679
Speaker 1: I won't.

336
00:15:08,879 --> 00:15:10,399
Speaker 3: Well, then why do you see.

337
00:15:12,399 --> 00:15:12,600
Speaker 5: Mike?

338
00:15:13,159 --> 00:15:17,120
Speaker 4: Yeah, I didn't kill see m h you don't believe.

339
00:15:18,679 --> 00:15:21,639
Speaker 2: I wish you'd believe. Where is Richards living.

340
00:15:23,120 --> 00:15:23,960
Speaker 3: Cliburn apartment?

341
00:15:24,320 --> 00:15:27,000
Speaker 2: But I still don't understand if Hugh Bard is recording machine?

342
00:15:27,039 --> 00:15:28,200
Now it's my turn, that's all?

343
00:15:28,279 --> 00:15:29,360
Speaker 4: Well, what do you want it for us?

344
00:15:30,200 --> 00:15:31,799
Speaker 2: He didn't notice me picked us up at Lloyd?

345
00:15:31,960 --> 00:15:32,799
Speaker 1: Did you? What's that?

346
00:15:33,679 --> 00:15:34,279
Speaker 3: The tape?

347
00:15:34,559 --> 00:15:36,960
Speaker 2: A tape? Where there's the tape we may to be seen?

348
00:15:37,440 --> 00:15:39,600
Was lying on the floor? That might be he see?

349
00:15:39,840 --> 00:15:41,720
Speaker 3: And if it is, will you help me?

350
00:15:42,120 --> 00:15:43,399
Speaker 2: If it is, will you need help?

351
00:15:43,519 --> 00:15:45,360
Speaker 4: Well, it'll approved that I didn't kill Ernie, but I

352
00:15:45,440 --> 00:15:48,360
may be accuse the peace murder? So will you approve

353
00:15:48,399 --> 00:15:49,279
that I didn't kill him?

354
00:15:49,440 --> 00:15:50,519
Speaker 2: Do you want to hire any angels?

355
00:15:50,600 --> 00:15:50,759
Speaker 5: Yes?

356
00:15:51,519 --> 00:15:53,960
Speaker 2: Well I just lost one client, so I'm available. But

357
00:15:54,080 --> 00:15:56,399
considering what happened to that client, maybe you'd better think

358
00:15:56,440 --> 00:15:56,679
it over.

359
00:16:06,200 --> 00:16:07,840
Speaker 3: Here's Richard's apartment five.

360
00:16:10,240 --> 00:16:12,360
Speaker 2: Hey, what's going on in there? It sounds like something

361
00:16:12,720 --> 00:16:15,519
over some more be a free for all, Come on

362
00:16:15,679 --> 00:16:16,120
over and up?

363
00:16:16,600 --> 00:16:17,120
Speaker 4: What do we do?

364
00:16:17,600 --> 00:16:20,559
Speaker 2: I just guess I'll have to wait a minute. Stopped.

365
00:16:21,000 --> 00:16:21,960
I was just about to break it in.

366
00:16:23,200 --> 00:16:24,159
Speaker 4: Anybody coming, I.

367
00:16:24,200 --> 00:16:26,639
Speaker 2: Don't think so. Maybe they couldn't hear me during the fight.

368
00:16:26,759 --> 00:16:27,320
I'll try again.

369
00:16:29,000 --> 00:16:30,200
Speaker 4: I don't know what that was all about.

370
00:16:30,759 --> 00:16:33,120
Speaker 2: I wouldn't know. It seems we're always butting into something.

371
00:16:35,000 --> 00:16:38,559
Hold on, we're go get him into this chair. Close

372
00:16:38,600 --> 00:16:39,440
the door for it, all right.

373
00:16:40,720 --> 00:16:42,480
Speaker 4: Well, I don't see anybody else in the apartment, Mike.

374
00:16:43,279 --> 00:16:44,759
Speaker 3: Look, everything's all upside down.

375
00:16:45,200 --> 00:16:46,159
Speaker 5: He's gone the window.

376
00:16:46,240 --> 00:16:46,879
Speaker 2: It wasn't Richard.

377
00:16:47,039 --> 00:16:49,039
Speaker 5: I don't know big guy. I never saw him before.

378
00:16:49,120 --> 00:16:49,879
Speaker 2: What was he doing here?

379
00:16:49,960 --> 00:16:51,320
Speaker 8: When we were searching me the apartment? He had all

380
00:16:51,360 --> 00:16:52,960
the joys out. I came in, caught him, and I

381
00:16:53,120 --> 00:16:54,039
right away started swinging.

382
00:16:55,200 --> 00:16:56,519
Speaker 2: Say better, go in the kitchen, see if the some

383
00:16:56,559 --> 00:16:58,960
ice in the refrigerator. I watched that for You can

384
00:16:59,000 --> 00:17:01,000
see your face, Jim. It's a lot of shape, huh.

385
00:17:01,159 --> 00:17:02,240
And that shiner is the honey?

386
00:17:03,080 --> 00:17:03,960
Speaker 1: Why we patch you up?

387
00:17:04,000 --> 00:17:06,160
Speaker 2: And then I want to try your recording machine. Okay,

388
00:17:17,039 --> 00:17:17,720
you killed her.

389
00:17:18,640 --> 00:17:19,599
Speaker 1: Because you did kill him.

390
00:17:19,759 --> 00:17:22,079
Speaker 4: You did you did like me, you killed him.

391
00:17:22,319 --> 00:17:24,519
Speaker 1: You're emerved. How many times are you gonna say that.

392
00:17:24,839 --> 00:17:26,240
Speaker 2: Until you admitted.

393
00:17:27,039 --> 00:17:27,880
Speaker 1: What's to admit?

394
00:17:29,559 --> 00:17:30,240
Speaker 2: I killed him?

395
00:17:31,279 --> 00:17:34,640
Speaker 1: You know that I know, But if you expect I'm

396
00:17:34,640 --> 00:17:35,920
going to admit it to anyone else?

397
00:17:36,119 --> 00:17:39,799
Speaker 2: Well, what are you grinning about? Oh? I guess that

398
00:17:39,880 --> 00:17:40,119
does it?

399
00:17:40,359 --> 00:17:40,480
Speaker 1: Now?

400
00:17:40,559 --> 00:17:42,279
Speaker 4: You see that I've been telling the truth.

401
00:17:42,200 --> 00:17:44,799
Speaker 2: All right? Vera Lloyd killed your husband? Who killed Lloyd?

402
00:17:45,079 --> 00:17:46,759
Speaker 4: Well that's what you're supposed to find her?

403
00:17:46,880 --> 00:17:48,279
Speaker 5: Maybe it's a charity and feed up on me.

404
00:17:48,359 --> 00:17:50,519
Speaker 2: Yeah? Maybe so, Richard? What do you look like? Why?

405
00:17:50,559 --> 00:17:53,079
Speaker 5: It's a big guy, so you said, blonde? Straight?

406
00:17:53,160 --> 00:17:54,960
Speaker 8: Hey you had to push the nose and go on

407
00:17:55,200 --> 00:17:57,359
a rugged joy. Looked sort of like an expert.

408
00:17:58,079 --> 00:17:58,839
Speaker 2: How was he dressed?

409
00:17:59,039 --> 00:18:01,519
Speaker 8: We had a great pit striped shoot the full shite

410
00:18:01,519 --> 00:18:03,839
of dirty yellow tie, of two tone shoes.

411
00:18:04,480 --> 00:18:07,079
Speaker 2: Oh and yeah his his felt buckle? What about it?

412
00:18:07,720 --> 00:18:11,359
His initial j H JH. Well, now we're getting somewhere.

413
00:18:11,480 --> 00:18:12,160
Speaker 6: Do you know who it is?

414
00:18:12,240 --> 00:18:12,440
Speaker 3: Mike?

415
00:18:12,640 --> 00:18:14,640
Speaker 2: Think I know where I can find out where? Phone book?

416
00:18:14,880 --> 00:18:15,720
Speaker 4: The phone book.

417
00:18:15,920 --> 00:18:18,519
Speaker 1: Yes, I'm not the only private detective in town. I'll

418
00:18:18,519 --> 00:18:20,359
try all the jh is till I land our boy.

419
00:18:20,640 --> 00:18:21,480
Speaker 5: Thank he's a detective.

420
00:18:21,519 --> 00:18:24,519
Speaker 2: I think it's worth a try. This case is tightly knit.

421
00:18:24,920 --> 00:18:27,720
You they're a Kay, I don't see an outside of

422
00:18:27,759 --> 00:18:29,799
fitting in unless he was working for one of you.

423
00:18:30,599 --> 00:18:32,440
So a detective looks like a good bet. You could

424
00:18:32,480 --> 00:18:35,039
be right wise, No shoe, rangel, Why is a surprise?

425
00:18:36,079 --> 00:18:37,319
Come on, I'll take you home, then I'll go to

426
00:18:37,359 --> 00:18:37,720
work on it.

427
00:18:51,519 --> 00:18:57,640
Speaker 1: Now back to the adventures of the Falcon. Ten minutes

428
00:18:57,640 --> 00:18:59,880
have passed and the Falcon is fulfilling his promise with

429
00:19:00,079 --> 00:19:02,200
up there at her house on his way is holding the.

430
00:19:02,200 --> 00:19:06,039
Speaker 2: Case was so long for I'll let you know how

431
00:19:06,079 --> 00:19:06,480
I make up.

432
00:19:06,599 --> 00:19:13,480
Speaker 4: All right, Mike good Night's been waiting for you to

433
00:19:13,759 --> 00:19:16,319
say stop it. You're rise.

434
00:19:16,880 --> 00:19:18,160
Speaker 2: You'll have to tear off mine first.

435
00:19:18,400 --> 00:19:19,319
Speaker 3: That's a good idea.

436
00:19:19,359 --> 00:19:20,720
Speaker 2: I'm not come and break it up. Break it up.

437
00:19:20,960 --> 00:19:23,440
Speaker 4: She killed me, she killed him, But no, I'm gonna

438
00:19:23,680 --> 00:19:24,160
kill her.

439
00:19:24,359 --> 00:19:27,920
Speaker 2: I'm gonna do anything. Oh you you're breaking my arm?

440
00:19:28,200 --> 00:19:28,559
Speaker 7: Go up her?

441
00:19:28,680 --> 00:19:29,039
Speaker 1: Look over?

442
00:19:31,039 --> 00:19:31,839
Speaker 5: Did you all right for her?

443
00:19:32,119 --> 00:19:32,680
Speaker 3: Yes? Good?

444
00:19:32,759 --> 00:19:32,839
Speaker 1: Now?

445
00:19:32,880 --> 00:19:34,400
Speaker 2: You okay? No, he was making like a maniact. I

446
00:19:34,440 --> 00:19:37,400
won't help anything. You don't understand. I loved you, sure well.

447
00:19:37,400 --> 00:19:38,279
Everyone do his taste.

448
00:19:38,480 --> 00:19:42,039
Speaker 1: Why I don't like Kay, but I can't let you

449
00:19:42,079 --> 00:19:44,319
go and you calm down? Come on, Kay, you better

450
00:19:44,359 --> 00:19:47,240
go with me so long for her? Hy? Sorry if

451
00:19:47,240 --> 00:19:49,119
I heard you k I don't like a rough a lady,

452
00:19:49,160 --> 00:19:50,960
but you haven't exactly been a lady angel.

453
00:19:51,000 --> 00:20:03,920
Speaker 2: Now, come on, how do you know a rotten Thanks

454
00:20:04,240 --> 00:20:04,920
and belligerent?

455
00:20:05,599 --> 00:20:07,559
Speaker 5: No, tired?

456
00:20:08,039 --> 00:20:09,200
Speaker 2: Well that's an improvement.

457
00:20:09,839 --> 00:20:10,839
Speaker 4: Where do we go from here?

458
00:20:11,359 --> 00:20:12,519
Speaker 5: You go home? I go to work.

459
00:20:13,200 --> 00:20:16,680
Speaker 2: I see yes, and you stay home. If I don't,

460
00:20:16,920 --> 00:20:19,200
you just be wasting your time. I'm phoning Vera to

461
00:20:19,279 --> 00:20:21,839
keep her door locked until I get back. Oh, you're

462
00:20:22,240 --> 00:20:24,319
going back as soon as I nailed JH.

463
00:20:25,160 --> 00:20:25,960
Speaker 3: Who's JH.

464
00:20:26,240 --> 00:20:28,519
Speaker 2: He's the key to this case, and you know where

465
00:20:28,559 --> 00:20:30,599
to find him. I know where not to find him,

466
00:20:30,720 --> 00:20:32,759
and under the circumstances that'll be just as good.

467
00:20:44,119 --> 00:20:47,880
Speaker 5: Oh hello, wearing take to find JH.

468
00:20:48,160 --> 00:20:49,279
Speaker 2: I have a lead on. I'm Richards.

469
00:20:49,559 --> 00:20:51,240
Speaker 5: Oh good, Come in and tell me.

470
00:20:51,319 --> 00:20:55,160
Speaker 2: Huh yeah? If you saw him again, Richards, could you

471
00:20:55,200 --> 00:20:56,240
identify him for sure?

472
00:20:56,519 --> 00:20:56,599
Speaker 1: Now?

473
00:20:56,640 --> 00:20:58,480
Speaker 2: Maybe I can arrange it, but I want to be

474
00:20:58,519 --> 00:21:01,359
sure I'm not making a mistake. Now he said he's

475
00:21:01,359 --> 00:21:01,920
a big guy.

476
00:21:01,920 --> 00:21:02,640
Speaker 5: Rat least six to two.

477
00:21:03,880 --> 00:21:04,920
Speaker 2: How did you say he was dressed?

478
00:21:05,359 --> 00:21:06,880
Speaker 5: Pinstriped suit gray gray?

479
00:21:07,400 --> 00:21:09,960
Speaker 2: Don't you said it was brown? Did I I'm pretty

480
00:21:09,960 --> 00:21:11,759
sure you did viol remembered.

481
00:21:11,799 --> 00:21:14,799
Speaker 5: Yeah, well wait a minute, Yeah, that's right. It was brown,

482
00:21:15,559 --> 00:21:16,480
brown pinstripe.

483
00:21:16,480 --> 00:21:20,079
Speaker 2: I forgot. You should have kept notes. Richards made a mistake.

484
00:21:20,279 --> 00:21:22,680
Speaker 1: It's a big mistake because you did say gray before

485
00:21:22,880 --> 00:21:25,079
well kill you and I told you sure, and you

486
00:21:25,200 --> 00:21:28,359
switched to my bluff because you weren't sure, you gause.

487
00:21:28,359 --> 00:21:30,680
Speaker 2: You weren't describing JH. For memory. You were describing him

488
00:21:30,680 --> 00:21:32,519
off the cuff because there isn't any JH.

489
00:21:32,880 --> 00:21:33,359
Speaker 5: You nuts.

490
00:21:33,640 --> 00:21:35,559
Speaker 2: It's been so rumined, but verification is lacking.

491
00:21:35,720 --> 00:21:37,279
Speaker 5: You think I pusted my face out of shit like

492
00:21:37,319 --> 00:21:37,839
this myself.

493
00:21:37,960 --> 00:21:41,119
Speaker 2: No, I think Pete Lloyd busted it for Lloyd. Yeah,

494
00:21:41,359 --> 00:21:43,640
and you tried to blackmail him. What are you talking about?

495
00:21:44,480 --> 00:21:46,559
Speaker 1: After you and Vera made the tape, you returned the

496
00:21:46,680 --> 00:21:48,680
verage your conte. You swiped the tape and tried to

497
00:21:48,759 --> 00:21:49,799
blackmail Lloyd with it.

498
00:21:50,319 --> 00:21:52,160
Speaker 2: He offered the pay, but when you produced the tape,

499
00:21:52,200 --> 00:21:53,519
he made a grab for birth. There was a fight.

500
00:21:53,680 --> 00:21:55,240
You knife to him. I suppose you can prove that,

501
00:21:55,400 --> 00:21:57,440
don't mind on a police headquarters and I'll show you, well,

502
00:21:57,480 --> 00:21:58,200
I have a better.

503
00:22:00,039 --> 00:22:00,880
Speaker 1: Fighting gives me a chance?

504
00:22:01,720 --> 00:22:02,440
Speaker 3: Oh no, you don't.

505
00:22:02,640 --> 00:22:03,599
Speaker 5: I thought, so the knife?

506
00:22:03,680 --> 00:22:06,799
Speaker 3: Come on, you drop that knife head, drop it all right?

507
00:22:06,839 --> 00:22:07,160
Speaker 2: All right?

508
00:22:09,119 --> 00:22:09,319
Speaker 5: Yeah?

509
00:22:10,240 --> 00:22:11,720
Speaker 2: I thought if we got enough fight, he could pull

510
00:22:11,759 --> 00:22:12,359
that knife again.

511
00:22:13,200 --> 00:22:15,279
Speaker 1: I have an idea that police labor will find specks

512
00:22:15,279 --> 00:22:16,920
of dried blood on it, Lloyd's blood.

513
00:22:17,839 --> 00:22:19,480
Speaker 2: That's the trouble with playing with knives, Richards.

514
00:22:19,559 --> 00:22:20,920
Speaker 5: You're likely to get stuck.

515
00:22:32,400 --> 00:22:34,319
Speaker 4: For the checktive who operates out of his hat?

516
00:22:34,400 --> 00:22:34,599
Speaker 1: You do?

517
00:22:34,720 --> 00:22:35,039
Speaker 3: All right?

518
00:22:35,160 --> 00:22:35,440
Speaker 2: Mindy?

519
00:22:36,359 --> 00:22:36,839
Speaker 4: What's the man?

520
00:22:37,480 --> 00:22:39,559
Speaker 2: It's bad enough my setup isn't according to Hoyer. But

521
00:22:39,680 --> 00:22:41,359
on top of that, do you realize the awful full

522
00:22:41,400 --> 00:22:42,079
part pulled.

523
00:22:41,880 --> 00:22:42,759
Speaker 5: On this particular case.

524
00:22:42,920 --> 00:22:45,480
Speaker 2: No what, I went all through this case without once

525
00:22:45,559 --> 00:22:46,319
getting knocked out.

526
00:22:48,319 --> 00:22:48,799
Speaker 4: That's right.

527
00:22:49,559 --> 00:22:50,599
Speaker 2: I took the lumps for you.

528
00:22:51,559 --> 00:22:52,359
Speaker 3: Well, don't you worry.

529
00:22:52,400 --> 00:22:53,119
Speaker 4: I won't breathe it too?

530
00:22:53,240 --> 00:22:54,319
Speaker 2: Should that's my girl?

531
00:22:55,000 --> 00:22:56,759
Speaker 4: Hey, but I know one way we can keep from

532
00:22:56,799 --> 00:22:57,759
being too unorthodox.

533
00:22:57,920 --> 00:22:59,119
Speaker 2: What's that ain't? Well?

534
00:22:59,200 --> 00:22:59,519
Speaker 7: Right now?

535
00:22:59,559 --> 00:23:01,200
Speaker 4: I can ask kill how did you know that Georgie

536
00:23:01,279 --> 00:23:02,200
Richards was the murderers?

537
00:23:03,160 --> 00:23:03,319
Speaker 5: Oh?

538
00:23:03,440 --> 00:23:06,839
Speaker 1: Well, that the business with jh The only time Richard

539
00:23:06,880 --> 00:23:08,480
saw that stranger was when they were struggling.

540
00:23:08,599 --> 00:23:09,920
Speaker 2: Did he gave me a perfect description?

541
00:23:10,359 --> 00:23:10,559
Speaker 5: Yeah?

542
00:23:10,559 --> 00:23:12,599
Speaker 3: But what is the purpose of creating the mythical j.

543
00:23:12,960 --> 00:23:14,880
Speaker 2: Anyway to explain Richard Shiner.

544
00:23:15,599 --> 00:23:16,759
Speaker 5: Richards killed Lloyd in the fight.

545
00:23:17,279 --> 00:23:19,200
Speaker 2: The fight left marks on him. He had to explain

546
00:23:19,279 --> 00:23:19,640
them away.

547
00:23:19,759 --> 00:23:22,039
Speaker 1: So when we arrived at this place, he stayed the

548
00:23:22,119 --> 00:23:24,519
sound effects of battle and invented JH to account for

549
00:23:24,599 --> 00:23:26,920
the condition of his face. I see, and I pretended

550
00:23:26,920 --> 00:23:28,400
to go along with the gag to give them time

551
00:23:28,440 --> 00:23:29,400
to forget some details.

552
00:23:29,799 --> 00:23:31,799
Speaker 2: Well he did, and that's it.

553
00:23:32,599 --> 00:23:34,240
Speaker 4: And now you see that I didn't have anything to

554
00:23:34,279 --> 00:23:37,079
do with either of the murders. You didn't want to

555
00:23:37,079 --> 00:23:37,920
believe that at first.

556
00:23:38,200 --> 00:23:39,559
Speaker 2: Oh what gave you that idea?

557
00:23:40,359 --> 00:23:41,839
Speaker 3: I could tell by the look in your eyes.

558
00:23:42,400 --> 00:23:43,720
Speaker 2: I mean, you can tell what I'm thinking about just

559
00:23:43,799 --> 00:23:44,519
looking in my eyes.

560
00:23:44,839 --> 00:23:45,319
Speaker 4: That's right.

561
00:23:46,000 --> 00:23:48,440
Speaker 2: Well, can you tell what I'm thinking now, Angel?

562
00:23:48,680 --> 00:23:49,799
Speaker 4: I certainly can.

563
00:23:50,559 --> 00:23:51,480
Speaker 3: Good Night, Mike,