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<v Speaker 1>You see, something's going to happen.

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<v Speaker 2>What's going to happen?

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<v Speaker 3>Thank you? What a.

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<v Speaker 4>Welcome to the cult rejects. In this episode I got

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<v Speaker 4>my co host Jin the Ninja.

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<v Speaker 2>What is going on? Jin?

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<v Speaker 4>Thank you very much for joining me and being the

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<v Speaker 4>co host. I'm sure pretty much everybody knows who you

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<v Speaker 4>are ready for being one of.

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<v Speaker 2>The cult rejects.

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<v Speaker 4>But in case there's some new listeners that maybe you

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<v Speaker 4>haven't heard yet in a few episodes, why don't you

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<v Speaker 4>let everybody know what your deal is and where they

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<v Speaker 4>can find your amazing works.

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<v Speaker 5>Thank you so much, Nick, and thank you for having

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<v Speaker 5>me on. And thank you to Mark who was a guest,

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<v Speaker 5>a great guest.

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<v Speaker 6>On my show.

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<v Speaker 5>I can't even remember the episode number, Mark, but it

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<v Speaker 5>was a really great episode entitled Breath of Fire and

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<v Speaker 5>we discussed Zelda about It was a far ranging discussion

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<v Speaker 5>that talked about the metaphysics of anime and I think

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<v Speaker 5>video games at least an as an introductory I mean,

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<v Speaker 5>I could have gone on for three hours, but for

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<v Speaker 5>what it was, it was like a really in depth conversation.

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<v Speaker 6>So I appreciate that.

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<v Speaker 5>And so people can check out my shows Threshold Saints,

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<v Speaker 5>I am really interested in this idea of parafiction and metafiction.

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<v Speaker 5>That's sort of the evolution of my show and what

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<v Speaker 5>it's become, which is kind of like an idea that

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<v Speaker 5>comes a little bit from chaos magic and then a

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<v Speaker 5>little bit from contra Buddhism and this idea of clarifying

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<v Speaker 5>narratives with the truth and sort of mixing them alchemically

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<v Speaker 5>and so just like podcasting.

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<v Speaker 4>Really, thank you and all his links and everything will

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<v Speaker 4>be in the bottom as well with the show notes,

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<v Speaker 4>and thank you very much, Jin, I really do appreciate

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<v Speaker 4>you getting this suggesting this guest. I'm thinking this is

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<v Speaker 4>going to be very fun and interesting topic. H And

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<v Speaker 4>that leads us to the guest, Mark Mark. Thank you

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<v Speaker 4>so much for coming on. I know it was I

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<v Speaker 4>think I left you hanging for a while. I had

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<v Speaker 4>things going on I knew, but finally finally got you on. Mark,

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<v Speaker 4>if you can let everybody know, I guess you know

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<v Speaker 4>where they can find your work and maybe give us

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<v Speaker 4>a little bit of a I guess a background about

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<v Speaker 4>like you know what you're into and you know what

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<v Speaker 4>we're going to talk about here eventually.

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<v Speaker 3>Yeah, absolutely, uh yeah, I'm on Twitter as Solier, So

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<v Speaker 3>you'll see that in my name there, you know. And

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<v Speaker 3>I'm kind of a regular guy, you know, So I

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<v Speaker 3>taste wine. I do wine collections. I have a winery

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<v Speaker 3>in the mountains south of Los Angeles, and you know,

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<v Speaker 3>I've been working on that for several years with some partners.

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<v Speaker 3>But being you know, on Twitter and X, I've you know,

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<v Speaker 3>kind of created a I don't know, little side project

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<v Speaker 3>of examining media in a lot of different ways, and

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<v Speaker 3>originally started with like death stranding and the Legend of

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<v Speaker 3>Zelda and is applying a cult metaphysics and analysis to

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<v Speaker 3>you know, what are what are these things being presented

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<v Speaker 3>to us that are normally just a regular consumption. And

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<v Speaker 3>I began to pick up on a lot of hidden

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<v Speaker 3>trends and strange synchronicities, and through that, I've I've done

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<v Speaker 3>a number of different threads, particularly on anime because they

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<v Speaker 3>have a lot of strange things in them aside from

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<v Speaker 3>normal you know, American television for instance.

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<v Speaker 2>Uh.

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<v Speaker 3>And you know, I do a little continental philosophy, but

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<v Speaker 3>most of it is uh, you know, media studies. And

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<v Speaker 3>I think we're at a really unique juncture in history. Uh,

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<v Speaker 3>you know, everyone's kind of blost their minds a little bit.

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<v Speaker 3>We're inundated with technology, uh, mass media certainly changing people's perceptions,

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<v Speaker 3>and uh, you know, I really want to understand how

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<v Speaker 3>that affects, you know, me personally, that affects my friends

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<v Speaker 3>that you know country I live in, and you know,

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<v Speaker 3>how to navigate going forward as the world consistently changes,

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<v Speaker 3>and that's accelerating, that's being amplified, and I think some

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<v Speaker 3>of these you know, shows can really give us insights

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<v Speaker 3>into ourselves and maybe taking the next step forward and

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<v Speaker 3>navigating the future.

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<v Speaker 2>Thank you, I appreciate that.

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<v Speaker 4>I know what we're going to talk about originally kind

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<v Speaker 4>of talk about how do you just pronounce the name

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<v Speaker 4>of this again?

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<v Speaker 2>I don't want to screw it up.

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<v Speaker 3>The Evangelian, Yeah, I pronounced it on Neon Genesis Evangelian, Evangelian.

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<v Speaker 1>You know it's made over tomato.

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<v Speaker 6>Yeah.

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<v Speaker 4>Yeah, I'm from New York. So I'm from New York.

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<v Speaker 4>I could say however I want. I guess, so, yeah,

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<v Speaker 4>it doesn't matter. I know we're going to kind of

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<v Speaker 4>talk about that. But I mean, I think, you know,

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<v Speaker 4>we were saying something prior, and I do think there's

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<v Speaker 4>something behind this. And one thing I do want to

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<v Speaker 4>even add too, believe it or not, a lot of

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<v Speaker 4>suggested things I get to cover that is like something

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<v Speaker 4>i'd have to watch. It's actually a lot of like

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<v Speaker 4>japanimation stuff. I've actually have suggested to me a lot

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<v Speaker 4>some stuff I have looked at and I'm like, wow,

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<v Speaker 4>that's just blatant, you know, And uh, I'd never really

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<v Speaker 4>got like, really delved into the stuff too much. But

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<v Speaker 4>it seems like it's kind of blatant and it's things

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<v Speaker 4>are real popular and it's commercialized. I'm assuming there's probably

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<v Speaker 4>a reason maybe for this, or.

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<v Speaker 2>Maybe it just works. I don't know.

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<v Speaker 4>It captivates people's attention anyway, and you can make money

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<v Speaker 4>off of it. But I guess what I'm getting at

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<v Speaker 4>is it just does seem from what I looked at,

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<v Speaker 4>seems pretty prevalent amongst that japanimation with a cult and

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<v Speaker 4>you know, you know, I guess maybe you were kind

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<v Speaker 4>of like wondering, as you know, something to do with politics,

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<v Speaker 4>occultism all that, maybe there's a reason for it to

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<v Speaker 4>be going on right now. I know you have like

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<v Speaker 4>maybe some theories on that. Maybe we could talk about that.

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<v Speaker 3>Yeah, uh, you know, I mentioned this on Jin's episode two.

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<v Speaker 3>I had written an episode on the Breadth of Fire,

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<v Speaker 3>which talked about you know, Japan's.

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<v Speaker 1>Foray into Western imperialism. You know, at the the end.

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<v Speaker 3>Of the nineteenth century, you know, with the the Meiji

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<v Speaker 3>Reformation and how you know, Japan kind of abandoned the

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<v Speaker 3>old shogunate and became you know.

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<v Speaker 1>Masonic market imperialist.

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<v Speaker 3>And you know, you could look at the last Samurai

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<v Speaker 3>for instance, that's kind of you know Tom Tom Cruise

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<v Speaker 3>doing you know, dances with wolves, but he's you know, uh,

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<v Speaker 3>modernizing Japan, and it's it's a really interesting reflection on

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<v Speaker 3>how the Western or sorry, the Japanese elite began to

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<v Speaker 3>adopt a lot of.

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<v Speaker 1>Western occult symbolism. Uh. You know, many of them become

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<v Speaker 1>indoctrinated into you.

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<v Speaker 3>Know, some form of liberalism, uh, some form of you

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<v Speaker 3>know again Western uh militarism, and they start wearing all

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<v Speaker 3>the same badges and the stars and and and so

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<v Speaker 3>that's the beginning of their expansion into China, into the

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<v Speaker 3>Southeast Asia. And you know, over time, there's you know,

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<v Speaker 3>see World War two, the atomic bomb has dropped on them,

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<v Speaker 3>and then the kind of society changes and they're almost

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<v Speaker 3>like the leading precursor of what is happening around the

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<v Speaker 3>world now.

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<v Speaker 1>You know, they a.

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<v Speaker 3>Lot of the country is devastated. They have a huge

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<v Speaker 3>infrastructure rebuilding, and they adopt a lot of Western you know,

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<v Speaker 3>economic models.

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<v Speaker 1>But through this, you.

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<v Speaker 3>Know, you have arcades coming out and these you know,

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<v Speaker 3>brilliant light shows and cartoons, right like really become forefront

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<v Speaker 3>and and something in this society kind of adopts that

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<v Speaker 3>latches onto it. And and I you know, early on

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<v Speaker 3>I noticed, going back to like the fifties and the sixties,

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<v Speaker 3>there's weird occult themes in the Japanese anime even then.

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<v Speaker 3>And you know, it's only now being illuminated simply because

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<v Speaker 3>I can you know, we can all go on these

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<v Speaker 3>hyperlinks and surf the web and go, you know, make

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<v Speaker 3>all these cross references, whereas you know, thirty forty years ago,

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<v Speaker 3>you know, you would see that and go, oh, that's

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<v Speaker 3>that's interesting. But the fact that it continually recurs, right,

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<v Speaker 3>that's something that just caught my attention, and so I

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<v Speaker 3>wanted to dig into it, you know, and then you

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<v Speaker 3>start playing games or you know, we talked about Zeno Gears.

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<v Speaker 3>That's a highly cabalistic video game. Uh, Neon Genesis was

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<v Speaker 3>actually really hard to find, you know, when I was

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<v Speaker 3>a kid, and so it wasn't until years later that

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<v Speaker 3>actually revisited as an adult, you know, Final Fantasy. Right,

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<v Speaker 3>the guy's name is Sephiroth, you know, and you're like,

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<v Speaker 3>that's a very strange name to just pick it for

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<v Speaker 3>a villain. And and so I kind of was pulling

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<v Speaker 3>that thread. And now that you know everyone has links

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<v Speaker 3>and you can pass us all around, it's actually no,

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<v Speaker 3>there's a huge pattern there. And so I think somewhere

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<v Speaker 3>in the Japanese adoption of Western philosophy, uh, you know,

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<v Speaker 3>their alliance into you.

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<v Speaker 1>Know, like the like the G seven, you know.

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<v Speaker 3>A Western American occupation, and right there they're little ruled

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<v Speaker 3>by a dragon emperor. And so there are I think

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<v Speaker 3>affinities in that nation that maybe align themselves with this

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<v Speaker 3>sort of a cult power structure. You know. I tend

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<v Speaker 3>to refer to them as like the cosmopolity. They're they're

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<v Speaker 3>almost like this old form of like bourgeois aristocracy that

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<v Speaker 3>like it's like private old money you never heard of, right,

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<v Speaker 3>and it's you know parts of all these like old

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<v Speaker 3>bourbon habsburg.

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<v Speaker 1>You know, you can talk about like.

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<v Speaker 3>Black mobility, stuff like you can make yourself crazy picking

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<v Speaker 3>us stuff apart, but you can't just abandon it.

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<v Speaker 1>And there are these hidden structures, and I think.

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<v Speaker 3>Japan is almost like the spotlight that allows us to then,

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<v Speaker 3>you know, go behind the dark side of the moon

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<v Speaker 3>and see like, oh there's something else here.

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<v Speaker 6>Yeah, I totally agree with you, Mark.

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<v Speaker 5>It's you know, I have my foot in anime twitter,

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<v Speaker 5>perhaps significantly more than Nick does, So I see a

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<v Speaker 5>lot of the sort of.

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<v Speaker 6>As I'm sure you do, and I've seen on your

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<v Speaker 6>own threads.

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<v Speaker 5>A lot of people will sort of as the kids

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<v Speaker 5>call it, cope with this idea that there is a

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<v Speaker 5>sort of fundamental occult name mature of animation and video

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<v Speaker 5>and video games. But there definitely is. You can trace it.

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<v Speaker 5>Even in Owen Davies's book on the history of Grimore Publishing,

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<v Speaker 5>he even mentions that there were grimoar is brought by

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<v Speaker 5>the Dutch in the sixteen eighties. So yeah, there are

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<v Speaker 5>clear and there are Japanese translations of the Keys of Solomon,

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<v Speaker 5>and so they have a clear idea that this was happening.

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<v Speaker 5>And you can watch even the nineteen eighty one movie

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<v Speaker 5>samurai reincarnation.

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<v Speaker 6>It's all about this. It's about a.

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<v Speaker 5>Christian samurai who gets murdered by the showgunate. He makes

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<v Speaker 5>a deal with the devil, reincarnates seven of his generals,

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<v Speaker 5>and then he must be killed by a magical swordsman.

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<v Speaker 5>So there clearly is also an association with Christianity with

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<v Speaker 5>occultism in Japan. And I think that you agree with this,

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<v Speaker 5>but you can say Mark if you don't agree. But

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<v Speaker 5>I think that there is something to that where they

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<v Speaker 5>sort of think it's a very powerful or maybe a

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<v Speaker 5>foreign sort of occult system that is in Christianity.

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<v Speaker 3>Yeah, absolutely, and right, And even you know James Clevel's Shogun, right,

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<v Speaker 3>he even talks about all these missionaries, and for a

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<v Speaker 3>long time the shogun that was a little you know, insular,

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<v Speaker 3>and they were you know, keeping Jesuits at bay and

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<v Speaker 3>all these like Franciscans.

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<v Speaker 1>And eventually right that that breaks.

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<v Speaker 3>But you know, I tend to it was something I

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<v Speaker 3>noticed as a kid, and now that with social media

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<v Speaker 3>it's just so amplified that I use it almost as

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<v Speaker 3>like a scrying marror to write do almost psychoanalysis on myself.

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<v Speaker 1>Right, or to do some sort of depth psychology.

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<v Speaker 3>Or you know, whatever it is, but they are I

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<v Speaker 3>think you almost enter in like these kind of hypnogogic

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<v Speaker 3>free associative states, right, and so then from that you

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<v Speaker 3>can get these really interesting perspectives. They're highly generative. And

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<v Speaker 3>then that's kind of why I write.

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<v Speaker 1>A lot of my threads.

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<v Speaker 5>So one thing I wanted to mention was that something

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<v Speaker 5>Nick brought up about the sort of fifties or you

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<v Speaker 5>brought it up, Mark, but Nick commented on it.

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<v Speaker 6>It was all the fifties and sixties and the sort

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<v Speaker 6>of post.

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<v Speaker 5>War infusion of anime with the sort of cubalistic and

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<v Speaker 5>Masonic colors. There is a very famous Osama Osamu Tezuka

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<v Speaker 5>manga about the life of the Buddha, but it's he

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<v Speaker 5>also wrote a sort of a compendium or a companion.

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<v Speaker 5>It's not really interrelated, but it's interrelated in a broadway

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<v Speaker 5>about the Phoenix.

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<v Speaker 6>And so yeah, yeah, I'm sure you know.

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<v Speaker 5>What I'm talking about, right, Yeah, it's trippy.

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<v Speaker 1>So he did Metropolis too.

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<v Speaker 5>Right, Yes, So he's like a great manga master. He

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<v Speaker 5>had worked at Disney for like I don't know, two

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<v Speaker 5>years or so, but he clearly brought something back with

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<v Speaker 5>him in this understanding. Like you can even look at

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<v Speaker 5>like Astro Boy in the color like red, white and gold,

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<v Speaker 5>and it's just it's it's it's there's something in it

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<v Speaker 5>that he's carrying back and it's But it's interesting because

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<v Speaker 5>when you look at him treat Buddhist metaphysics or Eustasian metaphysics,

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<v Speaker 5>it is different. You can see that there's a slight

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<v Speaker 5>distinction between the between the systems, or at least his

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<v Speaker 5>thinking on it, whereas the later, like the late the

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<v Speaker 5>late eighties and the early nineties anime, you can see

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<v Speaker 5>that they're blending these ideas in like Card.

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<v Speaker 6>Captor Sucker is a really good example.

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<v Speaker 5>Even Sailor Moon's a really good example where they're clearly

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<v Speaker 5>adding like a little bit of Shinto on meoto Buddhism

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<v Speaker 5>with kabbala, with ritual magic seals and pentagrams, and as

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<v Speaker 5>you've noted, they often use very real invocation sigils in

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<v Speaker 5>a lot in a wide range of anime.

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<v Speaker 1>Yeah.

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<v Speaker 3>Well, yeah, that was the weirdest thing because before you know,

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<v Speaker 3>I would see this as a kid and I think, oh,

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<v Speaker 3>maybe that's like an astrological sign or I didn't know

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<v Speaker 3>what it was, and then finally years later I could

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<v Speaker 3>do enough research and going these are actual magic sigils,

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<v Speaker 3>like somebody has done their homework. It's not like, oh,

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<v Speaker 3>you know, I'm would drawing a scribble or it's a

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<v Speaker 3>cheap replica, like I generally believe a lot of the

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<v Speaker 3>guys at the higher end of Japanese culture do all

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<v Speaker 3>this stuff, even though like hell Ninja Guidan, right, I mean, what.

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<v Speaker 1>Are they fighting Ishtar and he's he's a dragon. I mean,

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<v Speaker 1>like all of these games are just a trip.

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<v Speaker 3>So and so, you know, talking about Metropolis, that's going

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<v Speaker 3>back to what's his name, Fritz Lang or you know

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<v Speaker 3>the Silent movie with the you know, talks about the

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<v Speaker 3>Tower of Babbel and the and the mechanical Golum. That's

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<v Speaker 3>almost kind of my operative thesis is that something in

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<v Speaker 3>the human imagination drives us into civilization. We build these

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<v Speaker 3>power structures, and from our activities we begin to draw

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<v Speaker 3>potencies from some hidden place and like this is a

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<v Speaker 3>karma that like humanity has to somehow work through, and

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<v Speaker 3>and by studying this it could almost become an antidote

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<v Speaker 3>that we learn about ourselves and maybe try to speak

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<v Speaker 3>to it without becoming just delirious or you know, because

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<v Speaker 3>you make yourself paranoid and crazy?

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<v Speaker 1>Well what does that mean? Does that mean?

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<v Speaker 2>Uh?

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<v Speaker 3>And so I, you know, I try to at least

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<v Speaker 3>create some of these threads that are more systematized and

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<v Speaker 3>break it down rather than just you know, I mentioned

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<v Speaker 3>that Charlie Damien where you just like you've gun bonkers

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<v Speaker 3>and everyone you're just noticing incessantly, and so that that's

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<v Speaker 3>kind of what's happening, is we become cartoons by going,

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<v Speaker 3>well did you see that thing that happened today? Right,

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<v Speaker 3>It's it's like under the Silver Lake. You know, the

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<v Speaker 3>guy is like just pulling all these threads and it's

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<v Speaker 3>its form of masturbation, and he doesn't resolve anything, and

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<v Speaker 3>he's just like some dude like you know, squatting in

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<v Speaker 3>someone's apartment at the end of the movie and like

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<v Speaker 3>nothing else to figure it out.

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<v Speaker 5>So there definitely is a fine line between schizo poster

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<v Speaker 5>and like high IQ noticer. So but you know, I

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<v Speaker 5>think that's totally right, Mark. I think that, you know,

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<v Speaker 5>it's it's all pervading. So what do we do with

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<v Speaker 5>that that knowledge? Do we do we schizophos about it?

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<v Speaker 5>Or do we uh, you know, sort of look at

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<v Speaker 5>it as a hermoneutic look at us as part of

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<v Speaker 5>like a system in which at least to understand at

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<v Speaker 5>least a little bit at least, you know, climb up

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<v Speaker 5>a little higher. So I agree with you. I think

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<v Speaker 5>that's where what I sort of think about. I know,

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<v Speaker 5>Nick and I talk about this a lot off cameras

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<v Speaker 5>or a lot off show, is that like what do

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<v Speaker 5>you do? What do you like make of the the

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<v Speaker 5>occults everywhere? So you might as well, you might as

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<v Speaker 5>well obtain the dragon.

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<v Speaker 3>So yeah, yeah, I mean, I uh, that's why I

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<v Speaker 3>wrote that last thread on you know krscuro and uh,

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<v Speaker 3>you know, how to just dive into a lot of

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<v Speaker 3>this stuff. So everyone tends to be skipping on like

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<v Speaker 3>the surface of these little things and it's like a cat,

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<v Speaker 3>you know, chasing the laser beam, you know, and I

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<v Speaker 3>want to kind of figure out, like what is the

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<v Speaker 3>actual thing that's directing the laser beam. And so right,

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<v Speaker 3>that's why I like write about neon genesis of you know,

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<v Speaker 3>what is what are these larger power structures really doing?

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<v Speaker 3>Because they frankly don't care about.

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<v Speaker 1>You know, what we're doing day to day, right, we're

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<v Speaker 1>almost a liability.

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<v Speaker 3>So you know, whether it's the economics, they're going to

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<v Speaker 3>make things more expensive, they're going to start another war, right,

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<v Speaker 3>the biggest thing is like how does the society or

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<v Speaker 3>civilization go to the either the stars?

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<v Speaker 1>But what what can we do on the ground.

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<v Speaker 3>Okay, well, first of all, it's just understand that the

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<v Speaker 3>system is maybe not aligned with us.

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<v Speaker 1>So you know, probably maybe.

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<v Speaker 3>Be at least on the edge of the system, have

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<v Speaker 3>some form of financial independence that's much easier said than done.

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<v Speaker 3>Probably be tied in a land a little bit more.

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<v Speaker 3>Maybe just read and exercise a lot more, you know,

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<v Speaker 3>and try to find like minded and somewhat somewhat measured people,

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<v Speaker 3>you know, to act as a counterbalance against the hysteria

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<v Speaker 3>that you know, I continue see online. You know, there's

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<v Speaker 3>there's almost two worlds where we're in the one of

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<v Speaker 3>the the timeline it just keeps going and everyone's like

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<v Speaker 3>spun up, and then it's like, well, I have to

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<v Speaker 3>go to work and I have to you know, I

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<v Speaker 3>got to make do with the you know, the things

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<v Speaker 3>that I'm giving. You know, folks on your relationships, you know,

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<v Speaker 3>talk to the people you know that are in your life.

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<v Speaker 3>And and so that's kind.

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<v Speaker 1>Of the balance.

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<v Speaker 3>And you know, that's why I wrote on the Neon

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<v Speaker 3>Genesis was because you know, like Shinji for instance, like

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<v Speaker 3>a lot of that is about these people wrestling with

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<v Speaker 3>their their internal emotions and trying to connect with people

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<v Speaker 3>while there's this larger space opera that's you know, unfolding

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<v Speaker 3>around them. And so these things are very real simultaneously,

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<v Speaker 3>and you know, it's not an either or, it's a

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<v Speaker 3>it's a yes and yes and yes, and but then

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<v Speaker 3>to integrate it in a way that you know, we

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<v Speaker 3>can be somewhat a little creative and unhinged, but then

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<v Speaker 3>we're also busy, productive and present for the people in

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<v Speaker 3>our lives.

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<v Speaker 2>You definitely need to have a balance.

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<v Speaker 3>Sure, yeah, well I'm sure that's something right that you've

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<v Speaker 3>talked to, you know about with the Oto all these

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<v Speaker 3>personalities and everyone's like it's a power trip or backstabbing,

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<v Speaker 3>and oh.

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<v Speaker 2>Yeah, yeah, yeah, this is it. It's a silly it's

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<v Speaker 2>a silly game going on over there.

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<v Speaker 4>They even keep it short, just like just like the

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<v Speaker 4>way it is over there with like ego trips. It's

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<v Speaker 4>like this, I have one kid that like I'm kind

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<v Speaker 4>of still cool with that's like in it. And the

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<v Speaker 4>only reason he's been staying into this because he thinks

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<v Speaker 4>he can rise up and actually get like a position

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<v Speaker 4>in something. And he was like, he's like he's like, yo,

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<v Speaker 4>like eighty percent of these things already given away, like

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<v Speaker 4>people that have like these positions. He's like, they're all feminists.

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<v Speaker 4>He's like, I'm never gonna have a fucking voice here

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<v Speaker 4>at all.

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<v Speaker 1>Yeah.

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<v Speaker 3>Well, I mean, but that's the thing too, right, is

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<v Speaker 3>like masonry, magic, you know, sex, They're almost right, those

393
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<v Speaker 3>occult forms are now mainstream in the form of corporations, right, literally,

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<v Speaker 3>corporations like modern business is emerges from the East India company, right,

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<v Speaker 3>and all these colonial powers that had charters from the

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00:20:12.039 --> 00:20:15.200
<v Speaker 3>queen or you know, the king, whoever it was, and

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00:20:15.519 --> 00:20:18.319
<v Speaker 3>so we're living in that world. These structures emerge that

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<v Speaker 3>are very hierarchical, and it all becomes wheeling and dealing

399
00:20:22.440 --> 00:20:25.640
<v Speaker 3>and how can I come out on top? And and

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00:20:26.039 --> 00:20:28.160
<v Speaker 3>so now when you you know, you see these things

401
00:20:28.160 --> 00:20:30.319
<v Speaker 3>like feminism, it's like, on the face of it, yeah,

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00:20:30.640 --> 00:20:33.759
<v Speaker 3>I have no problem you know with you know, you know,

403
00:20:33.880 --> 00:20:37.359
<v Speaker 3>minorities or people being you know, you know, we hear

404
00:20:37.400 --> 00:20:40.400
<v Speaker 3>their voices, yes, but when it's used as a tool

405
00:20:40.480 --> 00:20:44.279
<v Speaker 3>to just kind of silence any you know, real discussion

406
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<v Speaker 3>about hey, are we going.

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<v Speaker 1>On the right direction as a people? Does this make sense? Right?

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00:20:48.279 --> 00:20:50.240
<v Speaker 3>That then it's like okay, no, I'm not on board.

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00:20:50.480 --> 00:20:52.759
<v Speaker 3>And it's almost a form of like corporate eugenics that

410
00:20:52.839 --> 00:20:56.559
<v Speaker 3>you can then use to write because you're you're you're

411
00:20:56.599 --> 00:20:59.119
<v Speaker 3>dissolving nations and it's all about labor markets at a

412
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<v Speaker 3>certain point, and we're almost returning back to these large

413
00:21:02.519 --> 00:21:05.400
<v Speaker 3>trade conglomerates, you know, and we're on the high seas

414
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<v Speaker 3>because we do live in this corporate magic thing.

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00:21:08.720 --> 00:21:08.920
<v Speaker 1>You know.

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00:21:09.000 --> 00:21:11.119
<v Speaker 3>We could talk about like admiralty law a little bit,

417
00:21:11.200 --> 00:21:13.599
<v Speaker 3>or like Jordan Maxwell and a lot of his stuff,

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00:21:13.799 --> 00:21:16.920
<v Speaker 3>but like that that is actually I think a valid

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00:21:17.000 --> 00:21:19.799
<v Speaker 3>form of analysis, and so all of these things kind

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00:21:19.799 --> 00:21:24.000
<v Speaker 3>of fold into themselves there. There there's no bifurcation. There

421
00:21:24.039 --> 00:21:25.519
<v Speaker 3>isn't a hard line in the sand, because if you know,

422
00:21:25.599 --> 00:21:28.640
<v Speaker 3>there's enough of the study, you begin to understanding like,

423
00:21:28.680 --> 00:21:31.400
<v Speaker 3>oh wow, this is almost like a living fluid pan

424
00:21:31.480 --> 00:21:35.160
<v Speaker 3>psychic you know, reality, right, And that's why I refer

425
00:21:35.200 --> 00:21:36.559
<v Speaker 3>to like the theater and things like that.

426
00:21:39.160 --> 00:21:42.319
<v Speaker 2>Definitely theater did you want to say something.

427
00:21:43.359 --> 00:21:46.359
<v Speaker 5>I just I think what you said Mark was really interesting,

428
00:21:46.960 --> 00:21:49.519
<v Speaker 5>just as you can look at the sort of the

429
00:21:49.599 --> 00:21:53.519
<v Speaker 5>corporeal body not just in one property of media, but

430
00:21:53.680 --> 00:21:58.200
<v Speaker 5>in media or as you're saying, in economics as a whole,

431
00:21:58.359 --> 00:22:01.200
<v Speaker 5>like you're saying, the whole body is kind of like

432
00:22:01.240 --> 00:22:04.319
<v Speaker 5>the Golam or the Adam Cadman, the whole economy.

433
00:22:04.400 --> 00:22:05.759
<v Speaker 6>It's just like it's kind of.

434
00:22:05.680 --> 00:22:10.640
<v Speaker 5>Interconnected loosely but also broadly and also deeply in one

435
00:22:10.680 --> 00:22:13.720
<v Speaker 5>way of thinking, right, there are at least they have

436
00:22:13.839 --> 00:22:16.720
<v Speaker 5>at least some kind of you know, electrical charge or

437
00:22:16.759 --> 00:22:21.400
<v Speaker 5>dialectrical relationship between the two, whether whether they're fully integrated

438
00:22:21.480 --> 00:22:24.079
<v Speaker 5>or not. So I think that's really interesting that you

439
00:22:24.119 --> 00:22:26.559
<v Speaker 5>can look at one small property as looking at like

440
00:22:26.640 --> 00:22:30.720
<v Speaker 5>one specific cell, like looking at Evangelion or breath of Fire,

441
00:22:31.079 --> 00:22:33.960
<v Speaker 5>and that's just looking at the micro And then what

442
00:22:34.200 --> 00:22:35.519
<v Speaker 5>they're talking about is the macro.

443
00:22:36.559 --> 00:22:36.839
<v Speaker 2>Yeah.

444
00:22:36.880 --> 00:22:40.119
<v Speaker 3>Well, right, and I think even using the matrix is

445
00:22:40.160 --> 00:22:44.039
<v Speaker 3>probably a really good, you know, tool to just plug

446
00:22:44.119 --> 00:22:48.079
<v Speaker 3>in right this computer programming. Right, we talked about this,

447
00:22:48.400 --> 00:22:51.519
<v Speaker 3>you know, and on your show of you know, either

448
00:22:51.559 --> 00:22:53.920
<v Speaker 3>the fighting games or you know, the if I'm going

449
00:22:54.000 --> 00:22:56.640
<v Speaker 3>to do the hadouken or all these you know, jump kicks,

450
00:22:56.720 --> 00:22:59.319
<v Speaker 3>and the same thing, how do I manifest the reality

451
00:22:59.400 --> 00:23:03.400
<v Speaker 3>through this energetic system And that totally tracks back into

452
00:23:03.440 --> 00:23:08.799
<v Speaker 3>the ceremonial magic or or forms of gestalt psychology, And

453
00:23:08.799 --> 00:23:11.960
<v Speaker 3>that's basically what neon Genesis is all about. Right in

454
00:23:12.039 --> 00:23:16.480
<v Speaker 3>this it's almost like human instright. Human instrumentality is probably

455
00:23:16.519 --> 00:23:20.559
<v Speaker 3>one of my primary interests of how do I play

456
00:23:20.640 --> 00:23:23.079
<v Speaker 3>the human instrument in the most effective way?

457
00:23:23.440 --> 00:23:24.599
<v Speaker 1>And what are going to be.

458
00:23:24.640 --> 00:23:28.039
<v Speaker 3>What what will be the results from those interactions? And

459
00:23:28.119 --> 00:23:31.240
<v Speaker 3>can we all play together? We can do our solos,

460
00:23:31.640 --> 00:23:36.839
<v Speaker 3>we can do a collaborative orchestration right an arrangement, or

461
00:23:37.000 --> 00:23:39.200
<v Speaker 3>or we can have created a wild dissonance and no,

462
00:23:39.359 --> 00:23:41.160
<v Speaker 3>I'm gonna be the I'm gonna be the lead singer.

463
00:23:41.200 --> 00:23:42.000
<v Speaker 1>I'm gonna you know.

464
00:23:42.200 --> 00:23:45.920
<v Speaker 3>And you can see this in bands too, So it's

465
00:23:45.920 --> 00:23:48.079
<v Speaker 3>it does all feed into one thing. And so that's

466
00:23:48.400 --> 00:23:51.119
<v Speaker 3>I'm I'm a little disappointed to see everyone kind of

467
00:23:51.119 --> 00:23:55.599
<v Speaker 3>go crazy and maybe not align with a better future.

468
00:23:58.359 --> 00:24:00.880
<v Speaker 5>I think this is interesting, just as like maybe a

469
00:24:00.920 --> 00:24:04.279
<v Speaker 5>broader commentary on your work is that your work is

470
00:24:04.279 --> 00:24:06.599
<v Speaker 5>about the hero's journey and it's about that specific thing

471
00:24:06.640 --> 00:24:08.880
<v Speaker 5>that you just said that we get to determine, like

472
00:24:08.920 --> 00:24:12.960
<v Speaker 5>a large part of our will determines reality. Right, it's

473
00:24:12.960 --> 00:24:16.079
<v Speaker 5>a reality shaping, just like being online or on social

474
00:24:16.119 --> 00:24:19.799
<v Speaker 5>media is reality shaping. Like the narratives that we say

475
00:24:20.119 --> 00:24:24.160
<v Speaker 5>on the timeline, which is magic because it's traveling through

476
00:24:24.240 --> 00:24:27.799
<v Speaker 5>time and space in other people's minds, especially if the

477
00:24:27.799 --> 00:24:28.680
<v Speaker 5>tweet is popular.

478
00:24:29.200 --> 00:24:32.640
<v Speaker 6>So I mean that's magic. So the things that we say.

479
00:24:33.279 --> 00:24:37.680
<v Speaker 5>Are broadly like determinant of what that where we at

480
00:24:37.759 --> 00:24:39.279
<v Speaker 5>least can influence to a small degree.

481
00:24:41.119 --> 00:24:44.599
<v Speaker 3>Yeah, but now it's all mainstream, Like all of these

482
00:24:44.640 --> 00:24:49.759
<v Speaker 3>methods and magic practices are vulgar, but know that they're

483
00:24:49.759 --> 00:24:52.160
<v Speaker 3>just covered in corporate jargon and how can I get

484
00:24:52.160 --> 00:24:53.559
<v Speaker 3>more productivity out of this person?

485
00:24:54.039 --> 00:24:54.279
<v Speaker 6>You know?

486
00:24:54.359 --> 00:24:55.519
<v Speaker 1>And so people are it's like.

487
00:24:55.440 --> 00:24:59.319
<v Speaker 3>The office or was just like grinding away lifeless because yeah,

488
00:24:59.519 --> 00:25:02.799
<v Speaker 3>you're actually not contributing, you know, your own destiny to

489
00:25:02.880 --> 00:25:06.400
<v Speaker 3>this You you've been subsumed or absorbed or or right,

490
00:25:06.440 --> 00:25:09.440
<v Speaker 3>there's almost like a hex put on you and they're

491
00:25:09.519 --> 00:25:13.079
<v Speaker 3>channeling your energy. And uh, that doesn't mean those things

492
00:25:13.119 --> 00:25:15.079
<v Speaker 3>are bad, you know, I don't I don't want from

493
00:25:15.119 --> 00:25:17.680
<v Speaker 3>this discussion for anybody to think like, oh, I just

494
00:25:17.799 --> 00:25:20.880
<v Speaker 3>like hate companies or I hate business, Like, No, that's

495
00:25:20.960 --> 00:25:23.640
<v Speaker 3>that's not that's not it Like they actually serve a purpose.

496
00:25:24.079 --> 00:25:27.519
<v Speaker 3>That's how we you know, a company is a magic

497
00:25:27.640 --> 00:25:31.680
<v Speaker 3>arrangement of space and time with other people. Right, it's

498
00:25:31.680 --> 00:25:34.519
<v Speaker 3>but we've somehow made a distinction. Oh no, that's not

499
00:25:34.599 --> 00:25:37.880
<v Speaker 3>the case. And right, and we're actually summoning magic artifacts

500
00:25:38.319 --> 00:25:41.559
<v Speaker 3>through these incantations. Only we call them plans or schematics

501
00:25:42.079 --> 00:25:44.519
<v Speaker 3>or you know, intellectual property, and and.

502
00:25:44.559 --> 00:25:47.599
<v Speaker 1>So they're there. There's there's no there's no fine line there.

503
00:25:48.960 --> 00:25:52.240
<v Speaker 3>But and so uh, that's why I think neo genesis

504
00:25:52.240 --> 00:25:54.160
<v Speaker 3>is actually like the best thing to talk about because

505
00:25:54.200 --> 00:25:55.079
<v Speaker 3>it all blurs together.

506
00:25:55.119 --> 00:25:58.279
<v Speaker 1>It's all military, it's all personal.

507
00:25:58.559 --> 00:26:03.440
<v Speaker 3>Uh, you know, magic space making interfacing and fighting aliens

508
00:26:03.440 --> 00:26:03.920
<v Speaker 3>in some way.

509
00:26:06.480 --> 00:26:08.680
<v Speaker 5>Yeah, let's get let's get I think uh, I think

510
00:26:08.720 --> 00:26:11.279
<v Speaker 5>we're already. I think we'll get into Evangelian. But I

511
00:26:11.279 --> 00:26:15.279
<v Speaker 5>do want to say one thing broadly about maybe just

512
00:26:15.400 --> 00:26:19.000
<v Speaker 5>like the new media video games and animes specifically, is

513
00:26:19.039 --> 00:26:23.720
<v Speaker 5>that the visual the visualization sometimes that they depict are

514
00:26:23.799 --> 00:26:28.359
<v Speaker 5>actually very esoteric visualizations that you would use in tontrac Buddhism,

515
00:26:28.440 --> 00:26:31.079
<v Speaker 5>and not just Tondraic Buddism, but I think broadly like

516
00:26:31.160 --> 00:26:35.240
<v Speaker 5>the kind of East Asian sorcery. You could even say

517
00:26:35.279 --> 00:26:38.920
<v Speaker 5>like a lot of the metaphysics that are just seeming

518
00:26:39.359 --> 00:26:44.079
<v Speaker 5>seemingly stylistic or esthetic choices actually have like a deeper

519
00:26:45.200 --> 00:26:49.680
<v Speaker 5>metaphysical implication. So there's like an idea that you could

520
00:26:49.799 --> 00:26:51.480
<v Speaker 5>use even in chaos magic.

521
00:26:51.559 --> 00:26:54.759
<v Speaker 6>Like Peter Carroll writes about this in cybermagic, is that.

522
00:26:55.640 --> 00:26:59.759
<v Speaker 5>You can take the ideas from the video game itself,

523
00:27:00.200 --> 00:27:02.759
<v Speaker 5>apply it to the sodna, or apply it to what

524
00:27:02.880 --> 00:27:05.720
<v Speaker 5>he doesn't call it an I'm calling but when you're

525
00:27:05.920 --> 00:27:10.559
<v Speaker 5>he's doing magic, he's actually taking the what he sees

526
00:27:10.599 --> 00:27:12.920
<v Speaker 5>on the video game and he's applying it to that

527
00:27:13.119 --> 00:27:16.920
<v Speaker 5>internal whatever is happening inside of his mind. So he's

528
00:27:16.960 --> 00:27:22.279
<v Speaker 5>actually kind of remixing this meta reality what he's perceiving

529
00:27:22.440 --> 00:27:25.680
<v Speaker 5>and then also what he's exerting his will on. So

530
00:27:25.720 --> 00:27:27.559
<v Speaker 5>I think, but I think it's true that you can

531
00:27:27.680 --> 00:27:30.839
<v Speaker 5>use there are actually a lot of very deep interesting

532
00:27:32.079 --> 00:27:32.960
<v Speaker 5>color choices.

533
00:27:33.759 --> 00:27:33.880
<v Speaker 7>Uh.

534
00:27:35.599 --> 00:27:37.559
<v Speaker 6>Even the Hadukin thing that you said, Mark.

535
00:27:37.440 --> 00:27:40.720
<v Speaker 5>Like, that's that's like the ball of basra energy that

536
00:27:40.759 --> 00:27:43.240
<v Speaker 5>you like in yourself.

537
00:27:43.200 --> 00:27:46.559
<v Speaker 6>And that you draw from, you know, the void.

538
00:27:46.279 --> 00:27:49.559
<v Speaker 5>Element, you could say, so there's something like really, there's

539
00:27:49.559 --> 00:27:51.440
<v Speaker 5>some really deep shit there, so.

540
00:27:54.920 --> 00:27:57.160
<v Speaker 4>Real quick, I mean, I'm just trying to ask you,

541
00:27:57.839 --> 00:27:59.599
<v Speaker 4>do you think the aliens are even like kind of

542
00:27:59.640 --> 00:28:03.000
<v Speaker 4>in a aspect, yeah.

543
00:28:02.799 --> 00:28:06.640
<v Speaker 3>Oh yes, right, I've written a little bit on like

544
00:28:06.880 --> 00:28:11.000
<v Speaker 3>Breadth of Fire too, and right even right, Neon Genesis

545
00:28:11.000 --> 00:28:15.440
<v Speaker 3>is kind of time about these alien things. I suspect

546
00:28:16.400 --> 00:28:20.960
<v Speaker 3>technology is an amplifier, it's a mirror. It's a horizon

547
00:28:21.079 --> 00:28:25.839
<v Speaker 3>by which our future expands. And we're at a point

548
00:28:25.880 --> 00:28:32.319
<v Speaker 3>where the technologies are harmonizing, they're converging, and it's going

549
00:28:32.319 --> 00:28:37.359
<v Speaker 3>to radically change humanity. And so I think the West

550
00:28:37.480 --> 00:28:40.759
<v Speaker 3>right now, right, a lot of sovereign nations are saddled

551
00:28:40.759 --> 00:28:46.400
<v Speaker 3>with huge amounts of debt, and you know, twentieth century

552
00:28:46.480 --> 00:28:50.400
<v Speaker 3>global capitalism doesn't work. And so what we're seeing now

553
00:28:50.440 --> 00:28:55.240
<v Speaker 3>like in Ukraine or Israel or you know, Syria Saudi Arabia,

554
00:28:55.279 --> 00:28:59.839
<v Speaker 3>this is sort of a split along you know, Russia, China, Iran,

555
00:29:00.519 --> 00:29:03.000
<v Speaker 3>and then you know, Saudi Arabia is maybe somewhat of

556
00:29:03.000 --> 00:29:05.039
<v Speaker 3>the political football because they have a lot of the

557
00:29:05.079 --> 00:29:08.359
<v Speaker 3>oil and so this is like it's an arms race,

558
00:29:08.759 --> 00:29:11.000
<v Speaker 3>and so I think a lot of the alien stuff

559
00:29:11.160 --> 00:29:15.079
<v Speaker 3>is mostly military technology that you know, they're using to

560
00:29:15.519 --> 00:29:18.279
<v Speaker 3>first of all, just get a measure on psychometrics, so

561
00:29:18.400 --> 00:29:23.319
<v Speaker 3>the population, they'll use that as a form of camouflage.

562
00:29:23.359 --> 00:29:26.720
<v Speaker 3>It sounds nonsense, It sounds insane. Who would believe that

563
00:29:27.039 --> 00:29:29.960
<v Speaker 3>or is it real? So I do believe that a

564
00:29:29.960 --> 00:29:32.400
<v Speaker 3>lot of the technology is much further along than we've

565
00:29:32.400 --> 00:29:34.599
<v Speaker 3>been led to believe. And you know, if you're like

566
00:29:34.640 --> 00:29:38.240
<v Speaker 3>you know, the Pentagon or Five Eyes, you certainly have

567
00:29:38.319 --> 00:29:42.920
<v Speaker 3>an interest in, you know, controlling you know, international trade.

568
00:29:43.000 --> 00:29:46.279
<v Speaker 3>You want everyone to live in your franchise. And so

569
00:29:46.319 --> 00:29:49.559
<v Speaker 3>we're I think we're at an inflection point historically, and

570
00:29:49.599 --> 00:29:52.960
<v Speaker 3>that's why we're seeing the preponderance of all these UFOs,

571
00:29:53.079 --> 00:29:56.039
<v Speaker 3>and everything's just being dialed up to the point where

572
00:29:56.079 --> 00:29:58.119
<v Speaker 3>there's so much noise in the system that you can't

573
00:29:58.160 --> 00:29:59.720
<v Speaker 3>really figure out what's going on.

574
00:30:00.400 --> 00:30:02.559
<v Speaker 1>And and so the alien.

575
00:30:02.279 --> 00:30:04.440
<v Speaker 3>Is just like the cherry on top, you know, and

576
00:30:04.480 --> 00:30:07.319
<v Speaker 3>maybe that is like the un blue being really comes

577
00:30:07.319 --> 00:30:09.400
<v Speaker 3>out right. And if that were the case, you know,

578
00:30:09.440 --> 00:30:11.799
<v Speaker 3>I probably lose my marbles and just like pack my

579
00:30:11.880 --> 00:30:12.359
<v Speaker 3>bags and.

580
00:30:12.319 --> 00:30:16.160
<v Speaker 1>Go to the hills at that point, because it's like

581
00:30:16.200 --> 00:30:16.759
<v Speaker 1>martial low.

582
00:30:16.799 --> 00:30:20.119
<v Speaker 3>At that point, everything's off the table or on the table,

583
00:30:20.160 --> 00:30:22.119
<v Speaker 3>I should say, you know, you're gonna lose your constitutional

584
00:30:22.200 --> 00:30:23.799
<v Speaker 3>rights or your civil liberties.

585
00:30:23.839 --> 00:30:25.440
<v Speaker 1>And and so I don't.

586
00:30:25.279 --> 00:30:28.880
<v Speaker 3>Think people really understand like where we are historically, and

587
00:30:28.920 --> 00:30:30.400
<v Speaker 3>you know, it's almost like we're on the verge of

588
00:30:30.440 --> 00:30:33.519
<v Speaker 3>you know, World War one again, you know, not to

589
00:30:33.640 --> 00:30:37.839
<v Speaker 3>make it sound you know, extreme or or hyperbolic, but

590
00:30:39.039 --> 00:30:40.599
<v Speaker 3>we could go in a lot of different directions. And

591
00:30:40.640 --> 00:30:43.000
<v Speaker 3>I think the alien is a representative of those you know,

592
00:30:44.279 --> 00:30:49.880
<v Speaker 3>flights of uh you know, uh flight or you know escape, right,

593
00:30:49.960 --> 00:30:52.440
<v Speaker 3>the escape of not only the world, but but like

594
00:30:52.519 --> 00:30:55.160
<v Speaker 3>our own preconceptions of ourselves.

595
00:30:55.480 --> 00:30:57.480
<v Speaker 1>And so that's why I really latched on all this

596
00:30:57.680 --> 00:30:58.799
<v Speaker 1>in the thread.

597
00:31:03.799 --> 00:31:05.599
<v Speaker 4>Yeah, yeah, I just wanted to get an idea because

598
00:31:05.759 --> 00:31:09.279
<v Speaker 4>in my opinion, I do think, just my opinion, I

599
00:31:09.319 --> 00:31:11.440
<v Speaker 4>do think the use of aliens is like it deeply

600
00:31:11.480 --> 00:31:15.960
<v Speaker 4>occulted archetype or multiple things, you know. So I just

601
00:31:16.039 --> 00:31:18.279
<v Speaker 4>was wondering, like if you were possibly viewing it like

602
00:31:18.319 --> 00:31:20.960
<v Speaker 4>that as well, considering just to show you think it

603
00:31:21.000 --> 00:31:23.240
<v Speaker 4>is already a cult and it's got aliens mixed in there.

604
00:31:23.240 --> 00:31:24.920
<v Speaker 2>I'm sure that it's used for something, you.

605
00:31:24.880 --> 00:31:26.839
<v Speaker 1>Know, yeah, I mean, look at I was right. I

606
00:31:26.880 --> 00:31:29.319
<v Speaker 1>Mean the dude literally is like a gray alien, you know.

607
00:31:30.359 --> 00:31:32.599
<v Speaker 3>So right, this is the thing we see all over

608
00:31:32.599 --> 00:31:34.599
<v Speaker 3>the internet. Oh, it could be it's an angel, I'm

609
00:31:35.359 --> 00:31:38.960
<v Speaker 3>channeling a higher intelligence, or it's a you know, inter

610
00:31:39.079 --> 00:31:43.319
<v Speaker 3>dimensional alien or right, it's it's just the concept of

611
00:31:43.400 --> 00:31:47.400
<v Speaker 3>the other, of the outside, and of the unknown, just

612
00:31:48.039 --> 00:31:52.359
<v Speaker 3>manifest in a shape right in that shape could take

613
00:31:52.400 --> 00:31:56.279
<v Speaker 3>on any appearance. Right, So it's like it's just this,

614
00:31:57.000 --> 00:31:59.200
<v Speaker 3>it's it's the axe, right. That's why I also find

615
00:31:59.240 --> 00:32:01.240
<v Speaker 3>it fascinating that twin is now called X. You know,

616
00:32:01.720 --> 00:32:05.119
<v Speaker 3>it's it could be anything. It's just a placeholder. And

617
00:32:05.279 --> 00:32:07.519
<v Speaker 3>we're at this point in time where the change is

618
00:32:07.599 --> 00:32:11.039
<v Speaker 3>so rapid and the human evolution is kind of right,

619
00:32:11.160 --> 00:32:14.599
<v Speaker 3>this is where you get to either transhumanism, right, which

620
00:32:14.640 --> 00:32:18.039
<v Speaker 3>could be a benefit, it could be totally destructive.

621
00:32:18.480 --> 00:32:20.640
<v Speaker 1>And that's literally what Neon Genesis is all about.

622
00:32:20.799 --> 00:32:23.359
<v Speaker 3>You know, Like the beginning of the show is like

623
00:32:23.640 --> 00:32:27.680
<v Speaker 3>there's been massive climate change, there's been a catastrophe, there

624
00:32:27.720 --> 00:32:31.000
<v Speaker 3>are smart cities, and there's all this technology, and now

625
00:32:31.079 --> 00:32:37.279
<v Speaker 3>you have right advanced research institutes, you know, battling chaos

626
00:32:37.400 --> 00:32:39.480
<v Speaker 3>in some way, or or in the form of the angel,

627
00:32:39.599 --> 00:32:41.960
<v Speaker 3>you know, and so these things kind of just take

628
00:32:42.000 --> 00:32:45.880
<v Speaker 3>on this exteriority that human beings have to collectively manage.

629
00:32:47.960 --> 00:32:48.599
<v Speaker 2>Thank you.

630
00:32:48.960 --> 00:32:51.519
<v Speaker 4>Did you want to say something before we, I guess

631
00:32:51.519 --> 00:32:54.119
<v Speaker 4>get into the actual topic so yourself.

632
00:32:54.880 --> 00:32:56.599
<v Speaker 6>Oh no, I appreciate that, Thank you, Nick.

633
00:32:56.680 --> 00:33:01.079
<v Speaker 5>I just wanted to say that this series for me

634
00:33:01.480 --> 00:33:05.200
<v Speaker 5>is a very I would say important in terms of

635
00:33:05.599 --> 00:33:09.359
<v Speaker 5>when I first saw it, I did not understand how

636
00:33:09.440 --> 00:33:13.440
<v Speaker 5>deep the metaphysics was, but I probably recognize some parts

637
00:33:13.440 --> 00:33:16.200
<v Speaker 5>of it because it's so obvious. Just like the I'm

638
00:33:16.200 --> 00:33:19.279
<v Speaker 5>sure that you'll get into Mark, the cabalistic tree falls

639
00:33:19.319 --> 00:33:23.759
<v Speaker 5>down into the intro with all the paths intact. So

640
00:33:24.000 --> 00:33:30.039
<v Speaker 5>there's something really interesting about even the just the outer presentation.

641
00:33:30.240 --> 00:33:33.200
<v Speaker 5>For me, as like a whatever the twelve year old

642
00:33:33.279 --> 00:33:36.240
<v Speaker 5>or however old I was, there was something.

643
00:33:36.240 --> 00:33:37.319
<v Speaker 6>It was a very meaty.

644
00:33:37.400 --> 00:33:40.039
<v Speaker 5>It was very like, oh, this is like a little transgressive,

645
00:33:40.119 --> 00:33:42.519
<v Speaker 5>this is a little like ritual magic. There's something like

646
00:33:42.559 --> 00:33:43.519
<v Speaker 5>a little deeper here.

647
00:33:45.720 --> 00:33:50.920
<v Speaker 3>Yeah, I mean, and you know, Idiokaiano, he himself, you know,

648
00:33:50.960 --> 00:33:55.759
<v Speaker 3>has stated like he was depressed and he was struggling

649
00:33:55.799 --> 00:33:58.359
<v Speaker 3>with a lot of stuff like during the show and

650
00:33:58.480 --> 00:34:00.519
<v Speaker 3>that's imparted in the in the care right.

651
00:34:00.519 --> 00:34:03.319
<v Speaker 1>So if you want to kind of put in the context.

652
00:34:02.920 --> 00:34:05.640
<v Speaker 3>Of a hero's journey, right, this whole thing is like

653
00:34:05.720 --> 00:34:09.559
<v Speaker 3>humanity going on on its hero's journey at the you know,

654
00:34:09.639 --> 00:34:13.039
<v Speaker 3>as in the macro and the micro, in the children, right,

655
00:34:13.079 --> 00:34:18.159
<v Speaker 3>the future of humanity, but also you know, collectively as

656
00:34:18.199 --> 00:34:23.239
<v Speaker 3>can we not destroy ourselves? And you know, like literally

657
00:34:23.320 --> 00:34:26.239
<v Speaker 3>going into all this stuff, like I'll just talk about

658
00:34:26.960 --> 00:34:29.400
<v Speaker 3>I have the thread pulled up so we could just

659
00:34:29.599 --> 00:34:32.519
<v Speaker 3>you know, look at the slogan right nerve.

660
00:34:33.599 --> 00:34:36.480
<v Speaker 1>You know, God's in his heaven, All's right.

661
00:34:36.320 --> 00:34:39.800
<v Speaker 3>With the world, and you know that's I'm pretty sure

662
00:34:39.800 --> 00:34:43.119
<v Speaker 3>it's a vine leaf and it's nerve. Right, So all

663
00:34:43.159 --> 00:34:48.480
<v Speaker 3>of these things are already suggestive of, you know, something Christian,

664
00:34:48.679 --> 00:34:52.760
<v Speaker 3>and it's like a Christian science right at the forefront.

665
00:34:53.000 --> 00:34:55.079
<v Speaker 4>I was going to say, it almost has physiology, kind

666
00:34:55.079 --> 00:34:56.760
<v Speaker 4>of like being thrown in the face ready.

667
00:34:56.599 --> 00:34:59.800
<v Speaker 1>Right, Yeah, So the whole thing is.

668
00:35:01.360 --> 00:35:04.320
<v Speaker 3>And I'm you almost using these these threads as a

669
00:35:04.480 --> 00:35:08.639
<v Speaker 3>means of fleshing out a bigger like a broader theory,

670
00:35:08.719 --> 00:35:10.800
<v Speaker 3>you know, and hopefully maybe down the road I could

671
00:35:10.840 --> 00:35:13.800
<v Speaker 3>write a thread that tieses them all together in one

672
00:35:13.880 --> 00:35:16.840
<v Speaker 3>final well maybe not a final thing, but a general

673
00:35:16.880 --> 00:35:19.239
<v Speaker 3>outline of like how to navigate all this.

674
00:35:19.920 --> 00:35:24.559
<v Speaker 1>But you know, right, the second page is second impact.

675
00:35:24.760 --> 00:35:28.880
<v Speaker 3>Right, So they discovered Adam in Antarctica of all places.

676
00:35:29.639 --> 00:35:31.400
<v Speaker 1>Right, so we're you know, you could.

677
00:35:31.280 --> 00:35:34.000
<v Speaker 3>Now go into oh maybe it's a Nazi moon based thing,

678
00:35:34.159 --> 00:35:36.840
<v Speaker 3>you know, with it's the ice wall. Right, We're already

679
00:35:36.840 --> 00:35:40.440
<v Speaker 3>talking about Antarctica. So these things have these correspondences in

680
00:35:41.440 --> 00:35:43.760
<v Speaker 3>the media today that are being thrown in our face.

681
00:35:43.920 --> 00:35:46.480
<v Speaker 2>So you really interesting.

682
00:35:46.519 --> 00:35:48.119
<v Speaker 4>I just want to throw this in there real quick.

683
00:35:48.199 --> 00:35:51.760
<v Speaker 4>We had this guy, Leon Southgate on recently that should

684
00:35:51.840 --> 00:35:55.920
<v Speaker 4>drop actually probably before this, and he's like real big

685
00:35:55.960 --> 00:35:58.440
<v Speaker 4>into orgon and stuff, and he's like studying all this

686
00:35:58.480 --> 00:36:01.480
<v Speaker 4>other stuff and like like like they're finding I think,

687
00:36:01.559 --> 00:36:05.440
<v Speaker 4>like other smaller things of life now or things that like,

688
00:36:05.840 --> 00:36:08.000
<v Speaker 4>believe it or not, something that's kind of dead, something

689
00:36:08.039 --> 00:36:10.239
<v Speaker 4>could almost come from it. He was going on about

690
00:36:10.239 --> 00:36:14.000
<v Speaker 4>something and he said, the most abundance of that stuff

691
00:36:15.239 --> 00:36:17.639
<v Speaker 4>is found in like ice, and he says he does

692
00:36:17.800 --> 00:36:20.000
<v Speaker 4>question now the whole thing with Antartica because he says,

693
00:36:20.039 --> 00:36:24.599
<v Speaker 4>technically that should be like crazy spot to find this

694
00:36:24.679 --> 00:36:26.840
<v Speaker 4>type of stuff it's as silly as it sounds.

695
00:36:27.480 --> 00:36:29.320
<v Speaker 2>And like, I if people.

696
00:36:29.039 --> 00:36:31.559
<v Speaker 4>Were to hear the way we were actually talking about,

697
00:36:31.559 --> 00:36:34.480
<v Speaker 4>because I can't you know, whatever there's but it's above me.

698
00:36:35.280 --> 00:36:37.039
<v Speaker 4>But I mean when the guy explains like what's going

699
00:36:37.039 --> 00:36:38.920
<v Speaker 4>on with Orgon and all this stuff and how like

700
00:36:39.079 --> 00:36:41.079
<v Speaker 4>what what it does and how people are looking at

701
00:36:41.079 --> 00:36:43.880
<v Speaker 4>it as like life or consciousness, now you're almost like,

702
00:36:44.079 --> 00:36:46.079
<v Speaker 4>could that actually be with these fucking people? But doing

703
00:36:46.159 --> 00:36:48.440
<v Speaker 4>up there? Doing up there now? Because it's all ice.

704
00:36:49.679 --> 00:36:51.599
<v Speaker 4>I mean, they're not doing anything with it, are they.

705
00:36:51.800 --> 00:36:53.519
<v Speaker 4>I mean, I don't know, maybe they are, but you

706
00:36:53.599 --> 00:36:55.519
<v Speaker 4>know what I'm saying, it's just like really weird how

707
00:36:55.559 --> 00:36:58.679
<v Speaker 4>something like that wild and basic and powerful actually can

708
00:36:58.719 --> 00:37:02.320
<v Speaker 4>be found in snow and ice cubes and we're not.

709
00:37:02.280 --> 00:37:04.480
<v Speaker 2>Allowed to go to an article I don't know, just

710
00:37:04.480 --> 00:37:04.960
<v Speaker 2>to be hopest.

711
00:37:05.079 --> 00:37:05.880
<v Speaker 6>Yeah that's the trip.

712
00:37:05.960 --> 00:37:06.800
<v Speaker 1>Yeah, they've got that.

713
00:37:06.800 --> 00:37:09.039
<v Speaker 3>That the what is it that they've got a treaty

714
00:37:09.159 --> 00:37:12.039
<v Speaker 3>like you can't really go you can't drill for anything

715
00:37:12.119 --> 00:37:16.480
<v Speaker 3>down there, you can't really sail down there, and and

716
00:37:16.559 --> 00:37:18.840
<v Speaker 3>so there is right there is a thread of this,

717
00:37:19.079 --> 00:37:22.119
<v Speaker 3>like you know the Hyperborea bros, you know, getting hung

718
00:37:22.199 --> 00:37:25.960
<v Speaker 3>up on you know, the Nazi UFOs and stuff, but

719
00:37:26.400 --> 00:37:29.679
<v Speaker 3>it is being put out there, and again it's contextualized

720
00:37:29.719 --> 00:37:33.320
<v Speaker 3>with clandestine technology. So I do suspect though that like

721
00:37:33.400 --> 00:37:39.800
<v Speaker 3>there are proprietary and top secret uh forms of metaphysics

722
00:37:40.000 --> 00:37:43.320
<v Speaker 3>and ontologies that are not released to the public because

723
00:37:43.320 --> 00:37:46.199
<v Speaker 3>their weapons. Right, because if if I had an ability

724
00:37:46.280 --> 00:37:48.920
<v Speaker 3>to engage with reality in a certain way, that would.

725
00:37:48.679 --> 00:37:50.280
<v Speaker 1>Give me a competitive advantage.

726
00:37:50.480 --> 00:37:52.519
<v Speaker 3>And so what we tend to, you know, live with

727
00:37:53.039 --> 00:37:56.760
<v Speaker 3>generally is you know consumer Oh I saw someone's you know,

728
00:37:56.840 --> 00:37:59.960
<v Speaker 3>I saw some boobs and some butts and some.

729
00:38:00.360 --> 00:38:01.679
<v Speaker 1>Guy and there's a little romance.

730
00:38:01.719 --> 00:38:04.280
<v Speaker 3>Oh, there's a little drama, and that's kind of like

731
00:38:04.559 --> 00:38:07.960
<v Speaker 3>we can talk about that stuff, but God forbid, you know,

732
00:38:08.079 --> 00:38:12.639
<v Speaker 3>we're going to you know, improve ourselves spiritually or you know,

733
00:38:12.719 --> 00:38:15.960
<v Speaker 3>become independent and strong and whole like no like stay

734
00:38:16.000 --> 00:38:17.639
<v Speaker 3>in the in the in the in the dust bin.

735
00:38:18.360 --> 00:38:20.760
<v Speaker 3>And so I do think the smartphone and all this

736
00:38:20.800 --> 00:38:24.559
<v Speaker 3>connectivity does amplify it in both ways. Right, It can

737
00:38:24.559 --> 00:38:26.760
<v Speaker 3>make you insane and now you're obsessed and you're studying

738
00:38:26.800 --> 00:38:30.000
<v Speaker 3>all the ice, but it does allude to something else.

739
00:38:30.280 --> 00:38:32.199
<v Speaker 3>And I don't think, you know, I think we should

740
00:38:32.199 --> 00:38:35.280
<v Speaker 3>at least pay credence to the possibility that those things

741
00:38:35.280 --> 00:38:37.800
<v Speaker 3>are very real, all that quack science, all the mk

742
00:38:37.960 --> 00:38:42.920
<v Speaker 3>Ultra Start Project, Stargate. I put a lot of stock

743
00:38:43.000 --> 00:38:46.719
<v Speaker 3>in those things. How they actually work in practice, I

744
00:38:46.760 --> 00:38:49.199
<v Speaker 3>don't really know, right because we don't have that access

745
00:38:49.199 --> 00:38:51.039
<v Speaker 3>and we don't have you know, the patents or.

746
00:38:51.000 --> 00:38:53.400
<v Speaker 1>The clearance for it.

747
00:38:53.440 --> 00:38:58.599
<v Speaker 5>So Mark, I'm looking at your EVANGELI on Throad right now,

748
00:38:58.679 --> 00:39:02.960
<v Speaker 5>and I'm the section on the I know you're probably

749
00:39:02.960 --> 00:39:07.039
<v Speaker 5>not even have gone here, but about the children, and

750
00:39:07.079 --> 00:39:09.199
<v Speaker 5>so it's just thought you could go over because I

751
00:39:09.199 --> 00:39:12.280
<v Speaker 5>think that Nick, and also people watching we'll find the

752
00:39:12.400 --> 00:39:16.920
<v Speaker 5>names of it really interesting. And the three kids you mean, yes,

753
00:39:17.440 --> 00:39:21.400
<v Speaker 5>the DARPA program that is like the Marduke Institute and

754
00:39:21.519 --> 00:39:22.480
<v Speaker 5>United Nations.

755
00:39:23.280 --> 00:39:27.400
<v Speaker 3>Yeah, I mean there was like that's kind of nuts, Like, right, Marduke,

756
00:39:27.400 --> 00:39:30.880
<v Speaker 3>what is he the Babylonian god of the storm?

757
00:39:31.559 --> 00:39:31.719
<v Speaker 1>Right?

758
00:39:31.800 --> 00:39:34.039
<v Speaker 3>This again we're going back to the concept of this

759
00:39:34.199 --> 00:39:39.800
<v Speaker 3>like the right Empire of Marduke fights Tiamat and you

760
00:39:39.840 --> 00:39:42.679
<v Speaker 3>know it's almost like what is it the theogony right

761
00:39:42.719 --> 00:39:47.280
<v Speaker 3>of the Titans and the Greek gods right now, you know,

762
00:39:47.719 --> 00:39:50.719
<v Speaker 3>taking over there's this kind of changing of the Guard.

763
00:39:51.920 --> 00:39:54.719
<v Speaker 3>It's put into the future. But yeah, so Marduke is

764
00:39:54.760 --> 00:39:57.639
<v Speaker 3>basically like, you know, it's like DARPA or you know,

765
00:39:57.679 --> 00:40:01.760
<v Speaker 3>the Ghostbusters, right, you generally believe of Ghostbusters is fairly real,

766
00:40:01.880 --> 00:40:05.639
<v Speaker 3>you know, like all this ESP stuff, right, human beings

767
00:40:05.679 --> 00:40:08.639
<v Speaker 3>have a ton of potential. It's mostly being squashed and

768
00:40:08.760 --> 00:40:11.800
<v Speaker 3>what is known is like, right, like why would you

769
00:40:11.880 --> 00:40:13.800
<v Speaker 3>want that to be public knowledge? Right, that's not even

770
00:40:13.800 --> 00:40:16.639
<v Speaker 3>a conspiracy. It's like, hey, this is actually valuable. I

771
00:40:16.679 --> 00:40:18.039
<v Speaker 3>want to be able to sell it, you know. It's

772
00:40:18.079 --> 00:40:20.719
<v Speaker 3>like if you had any sort of business plan, like, yeah,

773
00:40:20.719 --> 00:40:24.199
<v Speaker 3>I want to monetize it. And so like this shot

774
00:40:24.239 --> 00:40:26.960
<v Speaker 3>where it says like top secret only, you know, top

775
00:40:27.000 --> 00:40:29.320
<v Speaker 3>secret for your eyes only. That's from the show, right,

776
00:40:29.679 --> 00:40:33.519
<v Speaker 3>Like in Japan is actually draws heavily on all this

777
00:40:33.679 --> 00:40:37.440
<v Speaker 3>UN stuff, and so it's almost like Japan during the

778
00:40:37.480 --> 00:40:41.199
<v Speaker 3>sixties and seventies became like the UN's like trial ground

779
00:40:41.320 --> 00:40:44.039
<v Speaker 3>for the post war era of like, Okay, now we're

780
00:40:44.039 --> 00:40:47.559
<v Speaker 3>going to try to institute these policies. And it's repeatedly

781
00:40:47.599 --> 00:40:50.760
<v Speaker 3>shown again and again United Nations. They've got the tanks, right,

782
00:40:50.800 --> 00:40:53.960
<v Speaker 3>They've got it's a top secret UN program. Marduk Is

783
00:40:54.039 --> 00:40:57.719
<v Speaker 3>references Babylon and the three children. They're they're all gift

784
00:40:57.760 --> 00:41:03.519
<v Speaker 3>they're gifted children, and they've been selected from birth or

785
00:41:03.559 --> 00:41:07.320
<v Speaker 3>they're genetically engineered, and their names are all loaded with

786
00:41:07.480 --> 00:41:09.320
<v Speaker 3>these insane references.

787
00:41:09.400 --> 00:41:11.079
<v Speaker 1>Let me find it on the on.

788
00:41:11.000 --> 00:41:16.760
<v Speaker 3>The thread, right, So Asuka, right, she's the redhead. It's

789
00:41:16.840 --> 00:41:20.960
<v Speaker 3>literally the feminine version of Akira. Right, and Akira is

790
00:41:21.199 --> 00:41:25.360
<v Speaker 3>a reference is like right means shining light. And all

791
00:41:25.400 --> 00:41:29.400
<v Speaker 3>the kids are psychics and they're espers, and again it's

792
00:41:29.400 --> 00:41:32.880
<v Speaker 3>his play on technology, and you know, the character starts

793
00:41:32.920 --> 00:41:36.519
<v Speaker 3>absorbing all this metal and becomes this huge machinic monstrosity

794
00:41:37.000 --> 00:41:40.679
<v Speaker 3>in a very similar way, you know, to what we're

795
00:41:40.719 --> 00:41:44.360
<v Speaker 3>almost doing on our own. And so it's you know,

796
00:41:44.360 --> 00:41:47.480
<v Speaker 3>it's almost like our magic spells have like gotten out

797
00:41:47.480 --> 00:41:49.960
<v Speaker 3>of control and we need to like reel them in.

798
00:41:50.000 --> 00:41:52.639
<v Speaker 3>It's it's almost like Fantasia, you know, with the Sorcerer's

799
00:41:52.679 --> 00:41:56.039
<v Speaker 3>Apprentice and he's getting the brooms going well, and now

800
00:41:56.039 --> 00:41:58.519
<v Speaker 3>they're kind of got running wild, flooding the you know,

801
00:41:58.599 --> 00:42:01.440
<v Speaker 3>the Wizard's laboratory and he's going, oh man, I got

802
00:42:01.519 --> 00:42:03.360
<v Speaker 3>to fix this mess. And so a lot of this

803
00:42:03.519 --> 00:42:06.800
<v Speaker 3>is like I think we can begin to grapple with

804
00:42:07.000 --> 00:42:10.280
<v Speaker 3>how does technology wildly distort our own potential?

805
00:42:10.800 --> 00:42:13.280
<v Speaker 1>And how's it running her own lives? So right, and

806
00:42:13.280 --> 00:42:13.679
<v Speaker 1>and all.

807
00:42:13.599 --> 00:42:17.000
<v Speaker 3>These kids have like huge psychological issues. They can all

808
00:42:17.039 --> 00:42:19.760
<v Speaker 3>be like identified in like cluster A, B or C.

809
00:42:20.599 --> 00:42:23.760
<v Speaker 3>But yeah, Asuka is you know, the the alternative to

810
00:42:23.800 --> 00:42:27.920
<v Speaker 3>a Kira shining fragrant. Like her last name is uh,

811
00:42:28.840 --> 00:42:31.559
<v Speaker 3>her middle name is Langley c I A right.

812
00:42:31.519 --> 00:42:36.199
<v Speaker 2>Like uh what yeah, like so on that head.

813
00:42:36.039 --> 00:42:39.360
<v Speaker 3>You know, like okay, and soriy you blue green dragon

814
00:42:39.559 --> 00:42:41.079
<v Speaker 3>and she's the firebrand.

815
00:42:41.199 --> 00:42:44.679
<v Speaker 1>She's like hot headed, and you know she does crazy stuff.

816
00:42:44.679 --> 00:42:47.639
<v Speaker 3>Her mom killed herself and uh, you know there's all

817
00:42:47.639 --> 00:42:51.280
<v Speaker 3>these flashbacks with the kids and right again it's kind

818
00:42:51.280 --> 00:42:54.360
<v Speaker 3>of reference to the dolls or the play things of

819
00:42:54.599 --> 00:42:59.639
<v Speaker 3>you know, God or the gods. It's kind of a trip,

820
00:43:00.159 --> 00:43:02.440
<v Speaker 3>you know Shinji, Right, we got the picture of him

821
00:43:02.840 --> 00:43:07.360
<v Speaker 3>that's literally you know, his father's desk, his father's office

822
00:43:07.960 --> 00:43:11.719
<v Speaker 3>is placed between the capstone of the pyramid and and

823
00:43:11.800 --> 00:43:15.719
<v Speaker 3>the and the base and right, the shadow it creates

824
00:43:16.079 --> 00:43:19.840
<v Speaker 3>is right, uh, you know what you could consider right

825
00:43:19.960 --> 00:43:23.679
<v Speaker 3>a tifferreth or you know, or you know, the Israeli

826
00:43:23.679 --> 00:43:27.760
<v Speaker 3>Star David or you know ren Fan and the Union

827
00:43:27.800 --> 00:43:29.840
<v Speaker 3>of Above and the blow and it's a shadow cast

828
00:43:30.280 --> 00:43:32.920
<v Speaker 3>and then the floor of the office is literally the

829
00:43:32.960 --> 00:43:33.440
<v Speaker 3>tree alike.

830
00:43:33.559 --> 00:43:36.000
<v Speaker 1>It's this huge cabalistic expression.

831
00:43:37.199 --> 00:43:40.320
<v Speaker 3>And he's right, his name represents you know, the true

832
00:43:40.360 --> 00:43:44.280
<v Speaker 3>ruler New expansion. So right, this is like what what

833
00:43:44.280 --> 00:43:50.079
<v Speaker 3>what what we alluded to in the other episode of uh,

834
00:43:50.320 --> 00:43:52.280
<v Speaker 3>you know, like the the death and rebirth, almost like

835
00:43:52.320 --> 00:43:54.480
<v Speaker 3>the way Horace is. And so he's kind of like

836
00:43:54.559 --> 00:43:58.000
<v Speaker 3>this Horus figure or this potentially a Christ figure, but

837
00:43:58.480 --> 00:44:03.400
<v Speaker 3>certainly a much more compromised, you know version. He's a child,

838
00:44:03.840 --> 00:44:06.159
<v Speaker 3>he's been abused by the father in like this like

839
00:44:06.239 --> 00:44:10.079
<v Speaker 3>kind of fallen demiurgic way. And his last name is

840
00:44:10.400 --> 00:44:13.760
<v Speaker 3>uh in a car anchor wrath rage. So there's something

841
00:44:13.880 --> 00:44:17.280
<v Speaker 3>keeping him anchoring him to this physical world.

842
00:44:17.519 --> 00:44:17.960
<v Speaker 1>Uh.

843
00:44:18.000 --> 00:44:21.239
<v Speaker 3>And he's he's actually kind of a like a you know,

844
00:44:21.760 --> 00:44:27.679
<v Speaker 3>a negative antagonist. He's he's, you know, your quintessential failure.

845
00:44:28.159 --> 00:44:30.000
<v Speaker 3>And so the whole movie, not the whole series, he's

846
00:44:30.039 --> 00:44:32.840
<v Speaker 3>like really struggling to step up the whole time, and

847
00:44:32.880 --> 00:44:37.039
<v Speaker 3>he just resents everyone and he feels cut off. Uh

848
00:44:37.079 --> 00:44:42.159
<v Speaker 3>and then ray Uh right, that's zero spirit, my shepherd

849
00:44:42.960 --> 00:44:46.639
<v Speaker 3>Ayanami twilled waves. Right, that's almost like this quantum physics thing.

850
00:44:47.800 --> 00:44:49.760
<v Speaker 3>And she's like cloned again and again. She keeps getting

851
00:44:49.800 --> 00:44:52.400
<v Speaker 3>killed in the series, and so she's like, you know,

852
00:44:52.840 --> 00:44:55.880
<v Speaker 3>hell with like which one am I? She's also the

853
00:44:55.880 --> 00:45:00.280
<v Speaker 3>clone of right, uh, Shingy's mom, and there's all this

854
00:45:00.360 --> 00:45:02.880
<v Speaker 3>like weird sexual tension between the two of them, like

855
00:45:02.920 --> 00:45:05.760
<v Speaker 3>he's kind of like into her. And then there's a

856
00:45:05.760 --> 00:45:09.039
<v Speaker 3>shot of like Gendo like like it's like his daughter,

857
00:45:09.159 --> 00:45:11.320
<v Speaker 3>but the clone of his dead wife.

858
00:45:11.800 --> 00:45:13.000
<v Speaker 1>Right, So all of this is like.

859
00:45:13.000 --> 00:45:19.440
<v Speaker 3>Super Freudian, Right, I touched again on right Oedipus and right,

860
00:45:19.519 --> 00:45:24.280
<v Speaker 3>all these kind of these Greek themes psychoanalysts, uh, highly

861
00:45:24.320 --> 00:45:25.960
<v Speaker 3>prevalent in the whole series.

862
00:45:26.559 --> 00:45:26.800
<v Speaker 6>Uh.

863
00:45:26.840 --> 00:45:29.960
<v Speaker 3>And then the the cloning chamber right literally is like

864
00:45:30.039 --> 00:45:34.519
<v Speaker 3>this this brain cylinder and on the floor of this

865
00:45:34.639 --> 00:45:38.159
<v Speaker 3>on her cloning chamber, the dub dummy plug plant is

866
00:45:38.639 --> 00:45:44.280
<v Speaker 3>from the British Library, right from the urs Ghotia. Like

867
00:45:44.400 --> 00:45:46.599
<v Speaker 3>that is such a bizarre thing to have in a cartoon,

868
00:45:47.320 --> 00:45:49.440
<v Speaker 3>Like what I like? I Right, And there's like a

869
00:45:49.519 --> 00:45:54.039
<v Speaker 3>Tessa ract the black cube four corners right this right,

870
00:45:54.119 --> 00:45:56.639
<v Speaker 3>the elements and ether right, and it's like Ether is

871
00:45:56.639 --> 00:45:58.639
<v Speaker 3>almost like the Oregone anyways.

872
00:45:58.639 --> 00:46:03.400
<v Speaker 1>And so all of this is like pretty wild and sorry, yeah,

873
00:46:03.400 --> 00:46:04.239
<v Speaker 1>I don't want to keep.

874
00:46:04.599 --> 00:46:07.039
<v Speaker 2>What did you mention about thea.

875
00:46:07.920 --> 00:46:10.239
<v Speaker 1>So if you look, yeah, in the thread, I have

876
00:46:10.320 --> 00:46:11.239
<v Speaker 1>a shot of this.

877
00:46:11.559 --> 00:46:16.119
<v Speaker 2>I can't find his threat unfortunately. Yeah right, I was

878
00:46:16.159 --> 00:46:16.719
<v Speaker 2>going through.

879
00:46:16.760 --> 00:46:18.480
<v Speaker 4>You know, you know what, I didn't realize real quick

880
00:46:18.559 --> 00:46:20.320
<v Speaker 4>just to uh so you know, I can get this

881
00:46:20.400 --> 00:46:22.800
<v Speaker 4>link and maybe catch up something. I noticed you big

882
00:46:22.800 --> 00:46:23.639
<v Speaker 4>into Twin Peaks.

883
00:46:24.920 --> 00:46:26.039
<v Speaker 1>I'm huge in the Twin.

884
00:46:26.039 --> 00:46:28.159
<v Speaker 4>Yeah, I just noticed going through your your Twitter, I

885
00:46:28.199 --> 00:46:30.599
<v Speaker 4>was like, I've seen him post David Lynch a Twin

886
00:46:30.599 --> 00:46:34.320
<v Speaker 4>Peaks a few times. I was like, this is interesting, nice, nice.

887
00:46:35.039 --> 00:46:36.880
<v Speaker 1>I did not know that it's the same thing. Man,

888
00:46:37.039 --> 00:46:38.960
<v Speaker 1>Oh it's right. And so it's like.

889
00:46:39.159 --> 00:46:39.920
<v Speaker 2>It's funny too.

890
00:46:40.000 --> 00:46:42.679
<v Speaker 4>How you mentioned the Goatia and I'm thinking about you know,

891
00:46:42.719 --> 00:46:44.880
<v Speaker 4>I'm seeing Twin Peaks because even in Twin Peaks, at

892
00:46:44.880 --> 00:46:46.880
<v Speaker 4>one point on the side of the chalkboard in like

893
00:46:46.920 --> 00:46:49.159
<v Speaker 4>the police office, there is a sigil from the Goasia,

894
00:46:49.480 --> 00:46:50.400
<v Speaker 4>one of the demons.

895
00:46:51.000 --> 00:46:52.119
<v Speaker 2>Yeah, yeah, I think I started.

896
00:46:54.360 --> 00:46:56.760
<v Speaker 1>Yeah, I mean, have you've seen this show, right, yeah?

897
00:46:56.920 --> 00:46:59.079
<v Speaker 2>Yeah, I'm a huge fan. Yeah, yeah, big.

898
00:46:59.039 --> 00:47:03.000
<v Speaker 1>Dad's trick to be right, and it's like the yeah,

899
00:47:03.159 --> 00:47:04.000
<v Speaker 1>the whole thing's nuts.

900
00:47:04.039 --> 00:47:06.320
<v Speaker 3>And right he's what is he like the Zen supposed

901
00:47:06.400 --> 00:47:08.480
<v Speaker 3>Zen Buddhist And you know, I think he's probably an

902
00:47:08.960 --> 00:47:18.760
<v Speaker 3>I hope he's a nice guy, but yeah, but the

903
00:47:19.199 --> 00:47:22.960
<v Speaker 3>major in Twin Peaks, he's like part of the same thing. Oh,

904
00:47:23.039 --> 00:47:28.159
<v Speaker 3>it's there's these interdimensional alien maybe thing or their demons. Right,

905
00:47:28.239 --> 00:47:32.719
<v Speaker 3>this almost goes right into X Files, right, and then

906
00:47:32.719 --> 00:47:35.599
<v Speaker 3>all of Lynch's movies are almost like this, right again,

907
00:47:35.679 --> 00:47:39.280
<v Speaker 3>this dream state that you like wander into and there's

908
00:47:39.320 --> 00:47:42.519
<v Speaker 3>like so much meaning. And and then actually when the

909
00:47:42.559 --> 00:47:45.760
<v Speaker 3>when the new season came out, somebody made a post

910
00:47:45.800 --> 00:47:48.159
<v Speaker 3>a couple of weeks ago saying it's like, you know,

911
00:47:48.320 --> 00:47:52.079
<v Speaker 3>now America has been sort of separated and blown apart

912
00:47:52.159 --> 00:47:55.199
<v Speaker 3>into smithereens, and now we're just like living in these

913
00:47:55.239 --> 00:47:59.000
<v Speaker 3>like private vignettes and and right, the story like barely

914
00:47:59.079 --> 00:48:04.239
<v Speaker 3>coheres only for like Lynch is insane, right, unfolding an

915
00:48:04.239 --> 00:48:06.760
<v Speaker 3>involution of the of the whole narrative. But like that

916
00:48:06.760 --> 00:48:09.000
<v Speaker 3>that's how how I'm approaching a lot of this stuff.

917
00:48:09.119 --> 00:48:12.239
<v Speaker 3>Is like we're into Twin Peaks, like we're in deep

918
00:48:12.320 --> 00:48:15.760
<v Speaker 3>and it's like everything means everything, and it's like pay

919
00:48:15.800 --> 00:48:19.480
<v Speaker 3>attention and pull the thread and just be careful that

920
00:48:19.519 --> 00:48:20.679
<v Speaker 3>you don't spin yourself out.

921
00:48:22.320 --> 00:48:26.960
<v Speaker 2>But yeah, that is interesting.

922
00:48:27.039 --> 00:48:32.480
<v Speaker 4>It was like, all right, sorry, I forgot where. Oh so, yeah,

923
00:48:32.519 --> 00:48:34.719
<v Speaker 4>you did mentioned something about the urs gatia, Right, I

924
00:48:34.760 --> 00:48:39.079
<v Speaker 4>forgot where was that something because you saw something in

925
00:48:39.079 --> 00:48:41.199
<v Speaker 4>the show, like a symbolism for that.

926
00:48:41.280 --> 00:48:43.000
<v Speaker 1>Yeah, it's yeah, it's in the show.

927
00:48:43.119 --> 00:48:46.239
<v Speaker 3>And so one of the three children, you know, the

928
00:48:46.320 --> 00:48:50.960
<v Speaker 3>girl who's the I know, gets super convoluted. The girl

929
00:48:51.039 --> 00:48:57.119
<v Speaker 3>who's the the clone of the dead scientist's wife is

930
00:48:57.199 --> 00:49:00.159
<v Speaker 3>being like her sphere is being channeled back into the

931
00:49:00.199 --> 00:49:03.960
<v Speaker 3>bodies through a glyph on the arts go asia like

932
00:49:04.119 --> 00:49:08.039
<v Speaker 3>it's in the laboratory, and then it says, right, it's

933
00:49:08.159 --> 00:49:11.280
<v Speaker 3>with the three divine written in divine names of Romanized

934
00:49:11.320 --> 00:49:13.639
<v Speaker 3>Hebrew that are split into nine sections.

935
00:49:14.000 --> 00:49:14.199
<v Speaker 1>Right.

936
00:49:14.280 --> 00:49:17.280
<v Speaker 3>Each one of the nine sections contains names commonly allotted

937
00:49:17.800 --> 00:49:21.360
<v Speaker 3>onto relevant numbers of the caballistic tree life. And I've

938
00:49:21.360 --> 00:49:24.800
<v Speaker 3>heard people like, oh, you know, Hideaki, you know said

939
00:49:25.880 --> 00:49:28.159
<v Speaker 3>I wanted to make like a cool show, and I

940
00:49:28.199 --> 00:49:30.000
<v Speaker 3>saw some of this and I thought it would be

941
00:49:30.000 --> 00:49:32.920
<v Speaker 3>cool if I just like threw it in there, and

942
00:49:33.840 --> 00:49:35.840
<v Speaker 3>you know, I think he's being really tongue in chek

943
00:49:35.920 --> 00:49:40.199
<v Speaker 3>because there's there's just way too much attention to detail

944
00:49:40.800 --> 00:49:42.480
<v Speaker 3>in the whole like in the in the whole show,

945
00:49:42.559 --> 00:49:45.000
<v Speaker 3>I mean, this is like that that like that's even

946
00:49:45.079 --> 00:49:47.719
<v Speaker 3>like in the cartoon. It is like bizarre that that's

947
00:49:47.800 --> 00:49:50.719
<v Speaker 3>someone's doing a ton of research and you don't just

948
00:49:50.760 --> 00:49:52.000
<v Speaker 3>like casually throw it in there.

949
00:49:54.599 --> 00:49:55.039
<v Speaker 1>And then.

950
00:49:56.920 --> 00:49:59.079
<v Speaker 6>I just want to say that that that's hand drawn.

951
00:49:59.599 --> 00:50:02.440
<v Speaker 5>So the sequences are drawn by a group of people

952
00:50:02.480 --> 00:50:06.039
<v Speaker 5>that must be looking at the actual glyph or sigil,

953
00:50:06.119 --> 00:50:09.599
<v Speaker 5>and a lot of anime uses the correct sigils. That's

954
00:50:09.639 --> 00:50:12.719
<v Speaker 5>what's really interesting. That's what catches my eye in particular,

955
00:50:12.840 --> 00:50:15.480
<v Speaker 5>is that they don't it's not just like make believe.

956
00:50:15.519 --> 00:50:20.079
<v Speaker 5>They're actually like looking at medieval grimoires, European grimoiirs, not

957
00:50:20.119 --> 00:50:24.199
<v Speaker 5>always Europeans. Sometimes they will use Buddhist cinem script, but

958
00:50:24.199 --> 00:50:27.559
<v Speaker 5>they actually use real spells. Like the spells are like

959
00:50:27.719 --> 00:50:30.559
<v Speaker 5>very close to how they would be, and there the

960
00:50:30.679 --> 00:50:35.719
<v Speaker 5>colors that they assign are actually very significant. And so

961
00:50:35.920 --> 00:50:38.360
<v Speaker 5>even in this sequence that you're talking about where she's

962
00:50:38.360 --> 00:50:40.440
<v Speaker 5>in the lab and her as you said.

963
00:50:40.320 --> 00:50:42.360
<v Speaker 6>Her name means zero.

964
00:50:43.280 --> 00:50:44.159
<v Speaker 2>So she is.

965
00:50:44.199 --> 00:50:47.880
<v Speaker 5>Inherently the vesca pisces, or the vessel, the empty vessel

966
00:50:48.679 --> 00:50:52.320
<v Speaker 5>through which to be imbued into spirit or spirits to

967
00:50:52.360 --> 00:50:55.519
<v Speaker 5>be imbued into her. But she's kind of the negative

968
00:50:55.599 --> 00:50:59.079
<v Speaker 5>forces like interaction, and she has that very purple of

969
00:50:59.159 --> 00:51:03.320
<v Speaker 5>yasod hair. She wears like a quicksilver kind of jumpsuit.

970
00:51:04.079 --> 00:51:05.159
<v Speaker 6>So yeah, there's.

971
00:51:05.079 --> 00:51:09.840
<v Speaker 8>Absolutely like it's it's like a it's like almost letting

972
00:51:09.840 --> 00:51:12.800
<v Speaker 8>you see a ritual if you were like maybe the

973
00:51:13.360 --> 00:51:16.079
<v Speaker 8>maybe the plot of like the kids and all that stuff.

974
00:51:16.159 --> 00:51:19.800
<v Speaker 5>Yeah, that's like the scary sort of like outer ritual component.

975
00:51:19.840 --> 00:51:21.320
<v Speaker 6>That's just how they're containing it.

976
00:51:21.639 --> 00:51:24.119
<v Speaker 5>But it's really like it's about the colors, it's about

977
00:51:24.119 --> 00:51:25.599
<v Speaker 5>the shapes, it's about.

978
00:51:26.960 --> 00:51:28.360
<v Speaker 6>Yeah, how it all works together.

979
00:51:28.440 --> 00:51:31.000
<v Speaker 5>And then plus its movement and sound, so it's like

980
00:51:31.039 --> 00:51:33.159
<v Speaker 5>a really perfect ritual in consolation.

981
00:51:34.599 --> 00:51:38.239
<v Speaker 1>Yeah, it's really it's competent. And then they're there's they're

982
00:51:38.280 --> 00:51:39.320
<v Speaker 1>putting this right in your face.

983
00:51:39.400 --> 00:51:41.280
<v Speaker 3>It's right, and this is this show came out with

984
00:51:41.360 --> 00:51:44.440
<v Speaker 3>thirty years ago, right, so it's not like a lot

985
00:51:44.480 --> 00:51:47.119
<v Speaker 3>of this was like common knowledge, not not at least

986
00:51:47.119 --> 00:51:49.360
<v Speaker 3>the way it is out there now, where you know

987
00:51:49.400 --> 00:51:51.440
<v Speaker 3>you can go on some random form, and there's quite

988
00:51:51.440 --> 00:51:53.639
<v Speaker 3>a few knowledgeable people like you had to go look

989
00:51:53.679 --> 00:51:55.960
<v Speaker 3>all this stuff up, or you had to be initiated

990
00:51:55.960 --> 00:51:56.519
<v Speaker 3>in this stuff.

991
00:51:57.119 --> 00:51:58.159
<v Speaker 1>And this is the one.

992
00:51:58.000 --> 00:52:01.239
<v Speaker 3>Thing that I keep coming back to. I cannot believe

993
00:52:01.320 --> 00:52:04.599
<v Speaker 3>like for fifty sixty years this stuff has just been

994
00:52:04.679 --> 00:52:08.360
<v Speaker 3>like thrown out there, and in some ways, like that's

995
00:52:08.360 --> 00:52:13.000
<v Speaker 3>how I was initiated into like mystery religions and right

996
00:52:13.119 --> 00:52:17.760
<v Speaker 3>perennial philosophy and begun to like explore magic accidentally.

997
00:52:17.880 --> 00:52:23.920
<v Speaker 1>You know, it's through I got initiated through cartoons. Yeah,

998
00:52:23.960 --> 00:52:24.559
<v Speaker 1>it's a trip.

999
00:52:25.000 --> 00:52:27.599
<v Speaker 3>And so you know Genda Lacari, he's the mad scientist,

1000
00:52:28.000 --> 00:52:31.960
<v Speaker 3>he's Shinji's father. He's the head of Nerve and right,

1001
00:52:32.000 --> 00:52:35.119
<v Speaker 3>he wants to become god. He's literally on a path

1002
00:52:35.639 --> 00:52:36.280
<v Speaker 3>to godhood.

1003
00:52:36.400 --> 00:52:38.119
<v Speaker 1>And he's kind of a psychopath.

1004
00:52:38.480 --> 00:52:42.599
<v Speaker 3>He doesn't care about anybody, and his son has been abused,

1005
00:52:42.679 --> 00:52:47.119
<v Speaker 3>and so he manipulates them. And it turns out though

1006
00:52:47.599 --> 00:52:50.119
<v Speaker 3>that the second impact, right, this huge.

1007
00:52:51.440 --> 00:52:54.320
<v Speaker 1>Climate catastrophe, you know.

1008
00:52:54.400 --> 00:52:57.599
<v Speaker 3>Help them summon the power of Adam or these angels.

1009
00:52:57.920 --> 00:53:01.360
<v Speaker 3>But now they're coming to life too, ro merge with

1010
00:53:01.519 --> 00:53:04.320
<v Speaker 3>Adam again. And so you know this Adam is like

1011
00:53:04.360 --> 00:53:08.239
<v Speaker 3>this literally like an alien that came from outer space

1012
00:53:08.920 --> 00:53:11.480
<v Speaker 3>from this like you know, it's almost like Halo, you know,

1013
00:53:11.840 --> 00:53:14.199
<v Speaker 3>the the what are they called the Forerunners, right, this

1014
00:53:14.360 --> 00:53:17.320
<v Speaker 3>is like their version of it, and they crash landed

1015
00:53:17.400 --> 00:53:21.440
<v Speaker 3>on Earth, you know, millions of years ago. However, it

1016
00:53:21.519 --> 00:53:26.440
<v Speaker 3>was two strands of this species, Lilith and Adam and

1017
00:53:26.480 --> 00:53:29.400
<v Speaker 3>the angels are right, Adam's tree of life in the

1018
00:53:29.519 --> 00:53:32.480
<v Speaker 3>in the Lilan or the descendants of Lilith, who was

1019
00:53:32.559 --> 00:53:36.280
<v Speaker 3>again what was she Adam's first bride, but she was like,

1020
00:53:36.559 --> 00:53:39.239
<v Speaker 3>you know, a demon or she was corrupt and she

1021
00:53:39.760 --> 00:53:42.840
<v Speaker 3>tried to send him on his own way. So this

1022
00:53:42.880 --> 00:53:46.719
<v Speaker 3>whole bloodline they're like fighting. And then Ava is literally right,

1023
00:53:46.800 --> 00:53:50.480
<v Speaker 3>the union of the technology that the children like go into,

1024
00:53:50.559 --> 00:53:55.199
<v Speaker 3>so they're like biological meccas of the mother in some way.

1025
00:53:55.320 --> 00:53:56.800
<v Speaker 3>It's kind of strange, but.

1026
00:53:59.039 --> 00:54:02.559
<v Speaker 5>No, it's very it's very cabalistic. It's just like you like,

1027
00:54:02.760 --> 00:54:05.280
<v Speaker 5>you know, this market is like the it's the outer vessel.

1028
00:54:05.400 --> 00:54:08.119
<v Speaker 5>They take on this kind of like shape that they shape,

1029
00:54:08.159 --> 00:54:10.920
<v Speaker 5>so it's like their Golam. Nick had me on to

1030
00:54:11.000 --> 00:54:13.239
<v Speaker 5>speak with one from one on one and he talks

1031
00:54:13.239 --> 00:54:14.119
<v Speaker 5>a lot about the monkey.

1032
00:54:14.280 --> 00:54:15.239
<v Speaker 6>So it's like very like that.

1033
00:54:15.360 --> 00:54:20.880
<v Speaker 5>It's like they're creating a bio mechanical golum with planetary metals, colors,

1034
00:54:21.400 --> 00:54:25.239
<v Speaker 5>all the associations, plus they place the driver who has

1035
00:54:25.320 --> 00:54:30.280
<v Speaker 5>these innate separatic associations each of them themselves, and then

1036
00:54:30.320 --> 00:54:32.719
<v Speaker 5>they place them into the golams as kind of like

1037
00:54:32.760 --> 00:54:36.119
<v Speaker 5>a battery or a life force or a breath, you

1038
00:54:36.159 --> 00:54:39.000
<v Speaker 5>could say. And it's sort of right. It takes they

1039
00:54:39.000 --> 00:54:42.599
<v Speaker 5>take form in the in the higher heaven. So they

1040
00:54:42.599 --> 00:54:46.000
<v Speaker 5>are leaving Malcouth, they are leaving like the material world,

1041
00:54:46.000 --> 00:54:48.880
<v Speaker 5>and they're going higher than Ossia. I think that's sort

1042
00:54:48.920 --> 00:54:51.360
<v Speaker 5>of the idea too. But there is, like you've said

1043
00:54:51.360 --> 00:54:54.360
<v Speaker 5>this several times, but there's a very gnostic component, like

1044
00:54:54.360 --> 00:54:58.119
<v Speaker 5>a very nag Hamadi component to a lot of anime

1045
00:54:58.599 --> 00:55:01.719
<v Speaker 5>like you are you are, you are not never quite

1046
00:55:02.119 --> 00:55:05.039
<v Speaker 5>trapped in the world, but there's always a way to

1047
00:55:05.079 --> 00:55:08.039
<v Speaker 5>transcend it. There always is a way to move through it.

1048
00:55:08.079 --> 00:55:11.920
<v Speaker 5>There's always a way to change your dimension. There's like

1049
00:55:12.119 --> 00:55:16.400
<v Speaker 5>this gnostic idea that, yeah, the the universe is just

1050
00:55:16.400 --> 00:55:20.840
<v Speaker 5>like a bunch of intertange changeable worlds that you you.

1051
00:55:20.800 --> 00:55:22.280
<v Speaker 6>Know, can travel to at will.

1052
00:55:22.400 --> 00:55:25.400
<v Speaker 5>Like that's a very common theme, and I would say

1053
00:55:25.440 --> 00:55:28.280
<v Speaker 5>a very common theme with Evangelion, like this idea, Yes,

1054
00:55:28.280 --> 00:55:30.840
<v Speaker 5>you're trapped in your psychology. I know you like that

1055
00:55:30.920 --> 00:55:34.400
<v Speaker 5>psychoanalytic lens, and I find it really interesting.

1056
00:55:34.440 --> 00:55:35.760
<v Speaker 6>I just am not strong in it.

1057
00:55:36.119 --> 00:55:40.079
<v Speaker 5>But for me, I think it's it's like about uh,

1058
00:55:40.360 --> 00:55:43.719
<v Speaker 5>it's telling you, like the world is what you sort

1059
00:55:43.760 --> 00:55:46.480
<v Speaker 5>of imagine it to be in some ways, and that's

1060
00:55:46.480 --> 00:55:48.519
<v Speaker 5>sort of what the down of all of the characters is.

1061
00:55:48.719 --> 00:55:50.960
<v Speaker 5>They can't get they're so stuck in their own heads

1062
00:55:50.960 --> 00:55:53.840
<v Speaker 5>all the time. They can never really break free even

1063
00:55:53.840 --> 00:55:56.599
<v Speaker 5>though they live in this fantastical and magical world.

1064
00:55:58.559 --> 00:56:02.559
<v Speaker 3>Yeah the uh, right, And so a lot of the

1065
00:56:02.559 --> 00:56:04.199
<v Speaker 3>show is you know, it's.

1066
00:56:04.039 --> 00:56:06.800
<v Speaker 1>Uh I talk about uh, what was it?

1067
00:56:06.800 --> 00:56:10.159
<v Speaker 3>It's the kind of boilerplate Kaiju battles, right, and so yeah,

1068
00:56:10.159 --> 00:56:12.519
<v Speaker 3>they're fighting the aliens, and that's you know, that's cool.

1069
00:56:12.519 --> 00:56:15.000
<v Speaker 3>There's all this action, but then there's the kind of

1070
00:56:15.000 --> 00:56:17.599
<v Speaker 3>the interpersonal. A lot of these episodes just go off

1071
00:56:17.599 --> 00:56:20.119
<v Speaker 3>on these like side tangents of like people struggling with

1072
00:56:20.199 --> 00:56:24.480
<v Speaker 3>their own their own bullshit, or they're actually traumatized. Right,

1073
00:56:24.519 --> 00:56:26.760
<v Speaker 3>the world is kind of ending, and a lot of

1074
00:56:26.760 --> 00:56:28.280
<v Speaker 3>the times you know, the kids are like and I

1075
00:56:28.280 --> 00:56:29.280
<v Speaker 3>don't know if I can do this.

1076
00:56:29.360 --> 00:56:30.480
<v Speaker 1>I'm trying to protect.

1077
00:56:30.199 --> 00:56:34.360
<v Speaker 3>Humanity against these angels, these aliens, Like what's going to happen?

1078
00:56:35.000 --> 00:56:38.679
<v Speaker 3>And uh, Right, the civilization is being run by a

1079
00:56:38.719 --> 00:56:41.320
<v Speaker 3>smart grit at this point, and so all the technology

1080
00:56:41.840 --> 00:56:45.519
<v Speaker 3>has been converging into the human instrumentality project.

1081
00:56:45.599 --> 00:56:46.880
<v Speaker 1>Right, how can we.

1082
00:56:46.880 --> 00:56:50.239
<v Speaker 3>Leverage the potential of the human being to not only

1083
00:56:50.440 --> 00:56:55.840
<v Speaker 3>you know, basically uh, subdue.

1084
00:56:53.920 --> 00:56:56.159
<v Speaker 1>The powers of God? Right?

1085
00:56:56.239 --> 00:56:59.559
<v Speaker 3>Like the how can we overcome God and sort of

1086
00:56:59.559 --> 00:57:03.880
<v Speaker 3>take our place or become one with it through the

1087
00:57:03.920 --> 00:57:04.840
<v Speaker 3>Tree of Knowledge?

1088
00:57:04.920 --> 00:57:06.079
<v Speaker 1>Right, It's it's.

1089
00:57:05.840 --> 00:57:10.880
<v Speaker 3>Almost that, you know, the fall from grace be taking

1090
00:57:11.639 --> 00:57:14.239
<v Speaker 3>to its own conclusion. Right, I'm we're now going to

1091
00:57:14.320 --> 00:57:16.039
<v Speaker 3>through the Tower of Battle, go back to heaven.

1092
00:57:16.679 --> 00:57:18.280
<v Speaker 1>And right, you can see this in.

1093
00:57:19.840 --> 00:57:24.000
<v Speaker 3>The Nerve headquarters, right, Like they're literally a sunken or

1094
00:57:24.159 --> 00:57:29.440
<v Speaker 3>is it they're a pyramid and like an obelisk underground, right,

1095
00:57:29.480 --> 00:57:32.000
<v Speaker 3>and there's this like representation of above and the below,

1096
00:57:33.679 --> 00:57:38.119
<v Speaker 3>the dual pyramids. They're underground. They talk about the end

1097
00:57:38.159 --> 00:57:40.360
<v Speaker 3>of the world. Right, that is like a total like

1098
00:57:40.480 --> 00:57:48.360
<v Speaker 3>rebirth death and rebirth right magical system and right through

1099
00:57:48.440 --> 00:57:52.119
<v Speaker 3>the whole show sale starts coming in. So they're like

1100
00:57:52.239 --> 00:57:55.559
<v Speaker 3>the but I would refer to like the Cosmopolity. They're

1101
00:57:55.840 --> 00:57:59.559
<v Speaker 3>almost like this ancient power structure that.

1102
00:57:59.559 --> 00:58:00.280
<v Speaker 1>Rules the world.

1103
00:58:01.400 --> 00:58:04.800
<v Speaker 3>We're behind the un behind all the banks, and they're

1104
00:58:04.840 --> 00:58:08.519
<v Speaker 3>trying to become one with God and by killing all

1105
00:58:08.519 --> 00:58:12.679
<v Speaker 3>the angels, right, kind of this very transgressive maneuver. They're

1106
00:58:12.679 --> 00:58:15.039
<v Speaker 3>going to use the technology, they're going to exploit everyone,

1107
00:58:15.639 --> 00:58:18.280
<v Speaker 3>and and like that's what the show is. So all

1108
00:58:18.320 --> 00:58:20.920
<v Speaker 3>these people are kind of working through their stuff fighting

1109
00:58:20.960 --> 00:58:24.880
<v Speaker 3>these angels, and you know, things start getting pretty hairy,

1110
00:58:25.000 --> 00:58:27.639
<v Speaker 3>and they find out that you know, oh yeah, we're

1111
00:58:27.679 --> 00:58:30.599
<v Speaker 3>basically space aliens, and so I don't know, like, you know,

1112
00:58:30.599 --> 00:58:32.559
<v Speaker 3>if that's going to be used at some point, you know,

1113
00:58:32.559 --> 00:58:35.119
<v Speaker 3>in the future like oh we are aliens or yeah.

1114
00:58:35.119 --> 00:58:37.840
<v Speaker 1>I just don't know where it goes. So it's it's

1115
00:58:37.840 --> 00:58:40.119
<v Speaker 1>pretty interesting. I don't know if you get any other

1116
00:58:40.199 --> 00:58:42.679
<v Speaker 1>questions or comments before I keep going.

1117
00:58:44.199 --> 00:58:45.079
<v Speaker 2>No, you can go ahead.

1118
00:58:45.320 --> 00:58:46.960
<v Speaker 4>I was gonna ask because you want to show me

1119
00:58:46.960 --> 00:58:48.800
<v Speaker 4>like where you are on your posts.

1120
00:58:48.840 --> 00:58:54.719
<v Speaker 7>I was going to try to oh sure, yeah, yeah.

1121
00:58:53.559 --> 00:58:56.320
<v Speaker 3>I've kind of just been floating around. But at this point,

1122
00:58:57.559 --> 00:58:59.920
<v Speaker 3>you know, we went through the three kids and get

1123
00:59:00.000 --> 00:59:02.559
<v Speaker 3>I know, Acari just because there's so many characters and

1124
00:59:02.599 --> 00:59:06.239
<v Speaker 3>you could go down the line, but I think where

1125
00:59:06.280 --> 00:59:09.920
<v Speaker 3>I would be at this point is the one about

1126
00:59:09.920 --> 00:59:13.559
<v Speaker 3>Slee and seated above the United Nations. And then there's

1127
00:59:13.559 --> 00:59:17.239
<v Speaker 3>a revolutionary girl Utana link of which I would also

1128
00:59:17.280 --> 00:59:20.480
<v Speaker 3>recommend people check out. Like that's an absolutely insane show.

1129
00:59:21.800 --> 00:59:23.119
<v Speaker 6>Very Age of Aquarius.

1130
00:59:23.480 --> 00:59:26.960
<v Speaker 3>In fact, yeah, I mean I happen to just go

1131
00:59:27.480 --> 00:59:29.920
<v Speaker 3>as an aside, I you know, went on YouTube to

1132
00:59:29.960 --> 00:59:32.480
<v Speaker 3>listen to those songs again when they're dueling and they're

1133
00:59:32.760 --> 00:59:34.440
<v Speaker 3>like I used you guys should check it out after

1134
00:59:34.480 --> 00:59:38.599
<v Speaker 3>we're done talking because you can find the translations in

1135
00:59:38.679 --> 00:59:45.960
<v Speaker 3>English and it's crazy shit. So yeah, I'm at the

1136
00:59:46.039 --> 00:59:48.920
<v Speaker 3>Selee and there's all those like almost tombstones where they're

1137
00:59:48.920 --> 00:59:51.519
<v Speaker 3>having the meeting, and there's that like red light and

1138
00:59:51.559 --> 00:59:53.119
<v Speaker 3>they're all illuminated with the numbers.

1139
00:59:53.480 --> 00:59:54.360
<v Speaker 1>You gotta see that one.

1140
01:00:00.039 --> 01:00:03.320
<v Speaker 7>Maybe it went too far, It might be halfway or

1141
01:00:06.440 --> 01:00:11.320
<v Speaker 7>see go back up?

1142
01:00:12.760 --> 01:00:16.000
<v Speaker 1>Oh wait, yeah, right there a little more.

1143
01:00:15.920 --> 01:00:19.159
<v Speaker 2>A little more upward, which way go.

1144
01:00:19.199 --> 01:00:20.039
<v Speaker 1>Down a little bit.

1145
01:00:22.920 --> 01:00:23.679
<v Speaker 6>One more?

1146
01:00:24.360 --> 01:00:30.480
<v Speaker 3>Yeah, so you see where the oraporos and the tectratus. Yes, yeah,

1147
01:00:30.519 --> 01:00:35.519
<v Speaker 3>so right, and again Selee writes German for soul, there's

1148
01:00:35.360 --> 01:00:40.679
<v Speaker 3>the seven eyes, seven powers. It's a chromatic image and

1149
01:00:40.719 --> 01:00:44.320
<v Speaker 3>it's coming down. So it's like this inverted pyramid again,

1150
01:00:44.480 --> 01:00:47.880
<v Speaker 3>kind of like the the elohem coming back down to

1151
01:00:48.000 --> 01:00:50.440
<v Speaker 3>then grab the golum and then bring it like back

1152
01:00:50.480 --> 01:00:56.199
<v Speaker 3>to the heavens. This is like very large structural force, right,

1153
01:00:56.199 --> 01:00:59.880
<v Speaker 3>Obviously the pyramid is very important, and we go to

1154
01:01:00.159 --> 01:01:04.719
<v Speaker 3>human instrumentality. Is comes from a sci fi author, Hordwainer

1155
01:01:04.760 --> 01:01:09.480
<v Speaker 3>Smith and right again he's he's a spook basically US

1156
01:01:09.639 --> 01:01:16.559
<v Speaker 3>Army officer East Asia scholar psychological Warfare JOHNS. Hopkins, right, Like,

1157
01:01:16.639 --> 01:01:20.679
<v Speaker 3>so they're using they're using a term from some spooks

1158
01:01:20.800 --> 01:01:25.599
<v Speaker 3>sci fi novels that came out what fifty sixty years ago, right,

1159
01:01:25.639 --> 01:01:28.119
<v Speaker 3>And all of these are representative of, you know.

1160
01:01:28.119 --> 01:01:29.039
<v Speaker 1>Human instrumentality.

1161
01:01:29.079 --> 01:01:32.159
<v Speaker 3>Mankind, you will never be the same, you know, in

1162
01:01:32.239 --> 01:01:34.920
<v Speaker 3>the world of men who are machines that weep the

1163
01:01:34.960 --> 01:01:38.639
<v Speaker 3>rediscovery of man. So right, and then there's this he's

1164
01:01:38.639 --> 01:01:41.320
<v Speaker 3>got this other one those Luciferian scarlet woman. Right, I

1165
01:01:41.360 --> 01:01:45.800
<v Speaker 3>mean it's like it's crazy, right, So they're using all

1166
01:01:45.840 --> 01:01:51.239
<v Speaker 3>these terms that are representative of larger economic and metaphysical changes,

1167
01:01:51.280 --> 01:01:53.480
<v Speaker 3>and the whole show is like that. It's almost like

1168
01:01:53.480 --> 01:01:57.519
<v Speaker 3>we're all we're seeing what the big plan is, you know,

1169
01:01:57.800 --> 01:02:00.000
<v Speaker 3>or at least that's what they have to do, right,

1170
01:02:00.039 --> 01:02:01.559
<v Speaker 3>we have to get off the planet.

1171
01:02:01.400 --> 01:02:05.639
<v Speaker 1>Otherwise destroy ourselves. At least that's what I would think

1172
01:02:06.280 --> 01:02:10.159
<v Speaker 1>is in their mind or would be suggestive of the show.

1173
01:02:12.400 --> 01:02:15.320
<v Speaker 3>And it turns out, right, you see again Lilith is

1174
01:02:15.559 --> 01:02:19.000
<v Speaker 3>crucified to the cross at the bottom of the the

1175
01:02:19.000 --> 01:02:22.000
<v Speaker 3>bottom of the Nerve center, you know, the aliens get

1176
01:02:22.039 --> 01:02:25.519
<v Speaker 3>out of control. And it turns out though that Selee

1177
01:02:25.639 --> 01:02:28.440
<v Speaker 3>betrays Nerve and they're like, no, We're going to become

1178
01:02:28.639 --> 01:02:32.679
<v Speaker 3>one with God and they activate, you know, like once

1179
01:02:32.719 --> 01:02:38.199
<v Speaker 3>they've killed the angels, they activate human instrumentality and right,

1180
01:02:38.199 --> 01:02:40.599
<v Speaker 3>they want to become one with the divine And so

1181
01:02:41.360 --> 01:02:44.679
<v Speaker 3>in the show, the last two episodes are like Shiny

1182
01:02:44.800 --> 01:02:47.800
<v Speaker 3>finally coming to terms with you know, wow, I am

1183
01:02:47.840 --> 01:02:51.280
<v Speaker 3>the biggest obstacle in my whole life, Like I really

1184
01:02:51.320 --> 01:02:53.960
<v Speaker 3>did push people away. We know, what can I do

1185
01:02:54.159 --> 01:02:58.159
<v Speaker 3>to integrate those people? How can I you know, grow

1186
01:02:58.199 --> 01:03:02.440
<v Speaker 3>as a person. And so Hideakaiana got a ton of

1187
01:03:02.440 --> 01:03:04.920
<v Speaker 3>crap for it because people were like, bro like I

1188
01:03:04.960 --> 01:03:08.519
<v Speaker 3>want to see angels fight. I want like a climactic

1189
01:03:09.159 --> 01:03:11.760
<v Speaker 3>resolution goal show. And so he was getting like a

1190
01:03:11.840 --> 01:03:14.079
<v Speaker 3>bunch of hate mail and like death threats, and so

1191
01:03:14.199 --> 01:03:17.119
<v Speaker 3>finally they released the end of Evangelian, which is like

1192
01:03:17.159 --> 01:03:19.960
<v Speaker 3>the really famous sequence, but that was like a separate film,

1193
01:03:20.039 --> 01:03:23.320
<v Speaker 3>like I don't know, like two years later. And so

1194
01:03:23.440 --> 01:03:27.559
<v Speaker 3>this all then ties into right the Breath of Fire three,

1195
01:03:28.000 --> 01:03:30.440
<v Speaker 3>where I talk about this is the construction of the

1196
01:03:30.480 --> 01:03:34.159
<v Speaker 3>Third Temple, and I go into that's about cybernetics and

1197
01:03:35.559 --> 01:03:39.760
<v Speaker 3>quantum met well not quantum but met changing metaphysics, new technologies,

1198
01:03:39.800 --> 01:03:43.440
<v Speaker 3>and that how the military and universities have been collaborating

1199
01:03:43.480 --> 01:03:48.159
<v Speaker 3>for decades to accelerate write something. And you know, it's

1200
01:03:48.199 --> 01:03:51.480
<v Speaker 3>like we get along for the ride, otherwise it's going

1201
01:03:51.559 --> 01:03:52.280
<v Speaker 3>to get really weird here.

1202
01:03:52.280 --> 01:03:53.400
<v Speaker 1>And I think we're living there right now.

1203
01:03:55.559 --> 01:03:58.719
<v Speaker 2>Yeah, I did want no, go ahead, go ahead.

1204
01:03:59.119 --> 01:04:01.800
<v Speaker 5>I Mark wanting to ask if you could expand on

1205
01:04:01.920 --> 01:04:05.039
<v Speaker 5>the stuff you talked about the Essolin Institute and like

1206
01:04:05.079 --> 01:04:08.719
<v Speaker 5>the Human Potentiality movement, because I think this, as you

1207
01:04:08.760 --> 01:04:10.559
<v Speaker 5>mentioned in the thread, has a lot to do with

1208
01:04:10.719 --> 01:04:14.480
<v Speaker 5>the series as a whole, but also with maybe transhumanism

1209
01:04:14.679 --> 01:04:15.320
<v Speaker 5>in the future.

1210
01:04:16.039 --> 01:04:19.519
<v Speaker 3>Oh yeah, so you know, Esslin's out by Big sur

1211
01:04:20.400 --> 01:04:24.199
<v Speaker 3>They have a lot of connections to like SRI so

1212
01:04:24.280 --> 01:04:28.559
<v Speaker 3>the Stanford Research Institute, which is obviously really huge for right,

1213
01:04:28.599 --> 01:04:32.320
<v Speaker 3>Silicon Valley has been one of the main funders of

1214
01:04:32.559 --> 01:04:37.159
<v Speaker 3>technology in general. And if you kind of explore this,

1215
01:04:37.280 --> 01:04:39.760
<v Speaker 3>and some of my other thread threads allude to it.

1216
01:04:39.920 --> 01:04:41.199
<v Speaker 1>But a lot of the stuff with.

1217
01:04:41.199 --> 01:04:44.000
<v Speaker 3>Like the Hippies and the New Age movement, the Age

1218
01:04:44.000 --> 01:04:50.840
<v Speaker 3>of Aquarius tied directly back into like theosophy global global federalism.

1219
01:04:51.639 --> 01:04:52.960
<v Speaker 1>And what's his name?

1220
01:04:53.079 --> 01:04:56.039
<v Speaker 3>Like a not her name, h P. Blavatsky, but then

1221
01:04:56.280 --> 01:04:59.239
<v Speaker 3>what's his name? The Indian dude that they wanted to

1222
01:04:59.239 --> 01:05:01.239
<v Speaker 3>be like the Second Coming. I'm drawing a blank on

1223
01:05:01.239 --> 01:05:01.719
<v Speaker 3>his name, but.

1224
01:05:03.679 --> 01:05:05.199
<v Speaker 1>Yeah, Christian Murty.

1225
01:05:05.320 --> 01:05:08.239
<v Speaker 3>Yeah, so all of this is like and if you guys, actually,

1226
01:05:08.280 --> 01:05:10.719
<v Speaker 3>did you see The Three Body Problem at all on Netflix?

1227
01:05:11.719 --> 01:05:13.840
<v Speaker 2>No, I've heard about it, but I've not seen it.

1228
01:05:14.400 --> 01:05:16.480
<v Speaker 3>Yeah, I mean, you know, it's it's the first few

1229
01:05:16.519 --> 01:05:18.679
<v Speaker 3>episodes are really good, but like there's literally a scene

1230
01:05:18.679 --> 01:05:21.400
<v Speaker 3>in the show where they're like in the the meditation

1231
01:05:21.599 --> 01:05:22.639
<v Speaker 3>room of the.

1232
01:05:22.639 --> 01:05:24.599
<v Speaker 1>Un which was donated.

1233
01:05:24.159 --> 01:05:27.199
<v Speaker 3>By like the Loosest Trust, which was like an Alice

1234
01:05:27.239 --> 01:05:30.599
<v Speaker 3>Bailey adjacent project. So like the in and of itself

1235
01:05:30.679 --> 01:05:33.800
<v Speaker 3>is like wildly connected to like all these weird theosophical,

1236
01:05:34.360 --> 01:05:40.400
<v Speaker 3>New Age occult movements. And so then after World War Two, right,

1237
01:05:40.519 --> 01:05:43.960
<v Speaker 3>you have even the Beatniks and the Beatles and the

1238
01:05:44.000 --> 01:05:47.679
<v Speaker 3>Grateful Dead, like very right, that's a whole other thread

1239
01:05:47.760 --> 01:05:51.199
<v Speaker 3>of like how music and culture have been used to

1240
01:05:51.320 --> 01:05:55.119
<v Speaker 3>engineer social change. And right, Esslayn, they had a bunch

1241
01:05:55.119 --> 01:05:59.840
<v Speaker 3>of guys, you know, teaching about psychedelics and and gystal

1242
01:06:00.039 --> 01:06:03.760
<v Speaker 3>psychology and cognitive behavioral therapy and all these things we

1243
01:06:03.800 --> 01:06:07.639
<v Speaker 3>hear about like the Overton Window or you know, what's

1244
01:06:07.639 --> 01:06:11.360
<v Speaker 3>what's his name, the Zimbardo Project, the Lucifer experiments, right,

1245
01:06:11.480 --> 01:06:15.239
<v Speaker 3>like there is a body of knowledge that is actually

1246
01:06:15.320 --> 01:06:20.440
<v Speaker 3>commensurate or tracks with magical applications, but it's it's now

1247
01:06:20.519 --> 01:06:24.760
<v Speaker 3>from a psychological, scientific, technocratic system.

1248
01:06:25.440 --> 01:06:27.960
<v Speaker 1>And right, all of these things continue to compound.

1249
01:06:28.000 --> 01:06:33.239
<v Speaker 3>But now we have technology and cybernetic applications who really

1250
01:06:34.119 --> 01:06:37.000
<v Speaker 3>control the environment of the human in a way that

1251
01:06:37.039 --> 01:06:41.800
<v Speaker 3>the human being human being becomes like a gpu of reality.

1252
01:06:41.920 --> 01:06:44.559
<v Speaker 3>And so we're general like we're being hijacked to create

1253
01:06:44.559 --> 01:06:48.159
<v Speaker 3>that future. And so a lot of this show ties

1254
01:06:48.199 --> 01:06:50.719
<v Speaker 3>into all of those bigger themes, and I mean it's

1255
01:06:50.760 --> 01:06:53.480
<v Speaker 3>just so much information. You know, I'm probably not doing

1256
01:06:53.719 --> 01:06:56.039
<v Speaker 3>enough justice to it, but you know you almost have

1257
01:06:56.079 --> 01:06:58.159
<v Speaker 3>to like just read the threads or you know, like

1258
01:06:58.360 --> 01:07:03.400
<v Speaker 3>pull those individually and then back to Nean genesis.

1259
01:07:05.679 --> 01:07:05.960
<v Speaker 6>Yeah.

1260
01:07:06.039 --> 01:07:08.800
<v Speaker 5>I think that that is what the strength of the

1261
01:07:08.800 --> 01:07:12.480
<v Speaker 5>written threads is, Mark, is that you have a meta

1262
01:07:12.840 --> 01:07:16.159
<v Speaker 5>narrative to the threads, like they all interconnect and interweave,

1263
01:07:16.599 --> 01:07:20.519
<v Speaker 5>and the stories about how one series will depict like

1264
01:07:20.719 --> 01:07:23.920
<v Speaker 5>one side of metaphysics and while the other one maybe

1265
01:07:23.920 --> 01:07:28.039
<v Speaker 5>will preference a different side of the greater narrative you're

1266
01:07:28.199 --> 01:07:30.840
<v Speaker 5>you're weaving. I think it's interesting though, to look at

1267
01:07:30.880 --> 01:07:34.679
<v Speaker 5>the inter relationship and like the commonality and using a

1268
01:07:34.719 --> 01:07:39.239
<v Speaker 5>genre property like anime, there's a lot more than you

1269
01:07:39.239 --> 01:07:41.920
<v Speaker 5>can do with it because of its it's animated, like

1270
01:07:41.960 --> 01:07:46.079
<v Speaker 5>you can do it colors and you can do I

1271
01:07:46.119 --> 01:07:49.360
<v Speaker 5>think the music is very understudied in the sense that

1272
01:07:49.440 --> 01:07:51.599
<v Speaker 5>like Nick and I have done a magic behind the

1273
01:07:51.639 --> 01:07:55.519
<v Speaker 5>MIC series, so shout out to that obviously, but you know,

1274
01:07:57.320 --> 01:08:00.719
<v Speaker 5>the Japanese music, especially of the time, and like how

1275
01:08:00.760 --> 01:08:05.800
<v Speaker 5>it kind of interweaves subculturally, like breakcres. Very Japanese vapor

1276
01:08:05.840 --> 01:08:09.320
<v Speaker 5>wave has like a very Japanese sort of city pop aesthetic,

1277
01:08:09.760 --> 01:08:12.599
<v Speaker 5>Like a lot of this, like eighties Japanese music came

1278
01:08:12.760 --> 01:08:13.639
<v Speaker 5>really popular.

1279
01:08:13.679 --> 01:08:16.159
<v Speaker 6>It was like a hipster trend for like a few years.

1280
01:08:16.600 --> 01:08:19.880
<v Speaker 5>So you're seeing like this always is undercurrent that it exists,

1281
01:08:20.159 --> 01:08:23.079
<v Speaker 5>but you don't really hear very many people like discuss

1282
01:08:23.279 --> 01:08:27.199
<v Speaker 5>what it is, the translations, what they're talking about, and

1283
01:08:27.520 --> 01:08:29.760
<v Speaker 5>sort of the properties that it goes with, because there's

1284
01:08:30.720 --> 01:08:33.399
<v Speaker 5>a lot of this music goes along with anime.

1285
01:08:33.880 --> 01:08:34.880
<v Speaker 6>So it's like the.

1286
01:08:34.840 --> 01:08:39.800
<v Speaker 5>Sound literal soundtrack to this kind of visual magical journey

1287
01:08:39.840 --> 01:08:43.239
<v Speaker 5>that you watch. But then you're also like hearing almost

1288
01:08:43.359 --> 01:08:47.039
<v Speaker 5>different media property. But it's like you're it's like the

1289
01:08:47.039 --> 01:08:49.840
<v Speaker 5>association is like one to one. You're saying it's the

1290
01:08:49.880 --> 01:08:52.479
<v Speaker 5>same thing, but it's not quite the same thing. One

1291
01:08:52.560 --> 01:08:53.920
<v Speaker 5>is visual and one is audio.

1292
01:08:54.640 --> 01:08:58.039
<v Speaker 3>Yeah, well that's a holistic, right, It's you're being in

1293
01:08:58.159 --> 01:09:01.319
<v Speaker 3>bed embedded whole thing. So I kind of talk about

1294
01:09:01.479 --> 01:09:03.760
<v Speaker 3>McClue in a little bit in the First Breath of

1295
01:09:03.800 --> 01:09:06.600
<v Speaker 3>Fire and how he was really big on in media

1296
01:09:06.640 --> 01:09:10.000
<v Speaker 3>study and so I you know, I would he's encourage

1297
01:09:10.039 --> 01:09:11.880
<v Speaker 3>people to check that out too, is like read some

1298
01:09:11.960 --> 01:09:12.439
<v Speaker 3>McClue in.

1299
01:09:12.680 --> 01:09:14.600
<v Speaker 1>He talks about you know, the medium is.

1300
01:09:14.600 --> 01:09:18.199
<v Speaker 3>The message, and I think that's really important to uh

1301
01:09:18.279 --> 01:09:22.479
<v Speaker 3>to deal with because, right, these are applications of magical

1302
01:09:22.479 --> 01:09:26.880
<v Speaker 3>forms of coercion through media. You're thing being initiated, you're

1303
01:09:26.920 --> 01:09:31.439
<v Speaker 3>being inundated, you're being spun around, and right, how do

1304
01:09:31.520 --> 01:09:33.960
<v Speaker 3>we how do we learn to swim through that environment?

1305
01:09:34.600 --> 01:09:34.920
<v Speaker 5>Uh?

1306
01:09:35.000 --> 01:09:38.680
<v Speaker 1>And that's mostly what my big project is. And you know,

1307
01:09:38.720 --> 01:09:39.600
<v Speaker 1>it's it's it's.

1308
01:09:39.439 --> 01:09:42.439
<v Speaker 3>A lot of material and and you almost have to

1309
01:09:42.479 --> 01:09:44.680
<v Speaker 3>do it on your own or read it, you know, read.

1310
01:09:44.560 --> 01:09:45.399
<v Speaker 1>These threads on your own.

1311
01:09:45.399 --> 01:09:48.159
<v Speaker 3>Otherwise you know, we could just kind of topically cover

1312
01:09:48.239 --> 01:09:50.359
<v Speaker 3>it without maybe not necessarily getting to the meat of

1313
01:09:50.359 --> 01:09:51.000
<v Speaker 3>a lot of stuff.

1314
01:09:51.840 --> 01:09:54.600
<v Speaker 4>Yeah, if you I will include the link for this

1315
01:09:54.600 --> 01:09:58.840
<v Speaker 4>this threat as well for people to look at if

1316
01:09:58.840 --> 01:10:03.560
<v Speaker 4>they want to. Was there anything else that you wanted

1317
01:10:03.600 --> 01:10:06.279
<v Speaker 4>to add to you know that I guess that show.

1318
01:10:07.359 --> 01:10:09.359
<v Speaker 4>I didn't know, like if you were kind of dumb

1319
01:10:09.359 --> 01:10:09.760
<v Speaker 4>with that or.

1320
01:10:11.720 --> 01:10:12.000
<v Speaker 1>Yeah.

1321
01:10:12.039 --> 01:10:14.159
<v Speaker 3>I mean you know at the end, they have the

1322
01:10:14.439 --> 01:10:16.800
<v Speaker 3>again the whole tree of life, but it's actually inverted.

1323
01:10:17.520 --> 01:10:20.039
<v Speaker 1>The whole thing is just a just a giant ritual.

1324
01:10:21.960 --> 01:10:24.399
<v Speaker 3>But now it's you know, otherwise I just kind of

1325
01:10:24.399 --> 01:10:26.600
<v Speaker 3>get in the weeds of like what all the individual

1326
01:10:26.760 --> 01:10:29.640
<v Speaker 3>symbology is. But my biggest, my biggest thing is like

1327
01:10:29.680 --> 01:10:31.840
<v Speaker 3>just pay attention to like what's being put out there.

1328
01:10:31.880 --> 01:10:36.479
<v Speaker 3>And it's definitely competent portrayals of magic, but it's just

1329
01:10:36.560 --> 01:10:39.279
<v Speaker 3>woven in a in a cult way and it's right

1330
01:10:39.279 --> 01:10:40.039
<v Speaker 3>in your face.

1331
01:10:41.520 --> 01:10:42.239
<v Speaker 2>And in your opinion.

1332
01:10:42.239 --> 01:10:43.600
<v Speaker 4>You're also saying you thought there was a lot of

1333
01:10:43.600 --> 01:10:46.439
<v Speaker 4>cabbalistic ideas in there, right, or like you could see

1334
01:10:46.439 --> 01:10:47.760
<v Speaker 4>the spheares being like played out.

1335
01:10:48.680 --> 01:10:51.279
<v Speaker 3>Yeah, I mean it's it's literally there's a I've got

1336
01:10:51.319 --> 01:10:53.399
<v Speaker 3>a gift of it down there, like towards the end

1337
01:10:53.520 --> 01:10:58.479
<v Speaker 3>when they're you know, when instrumentality is being initiated, like

1338
01:10:58.800 --> 01:11:02.239
<v Speaker 3>there's a full blown tree of life like in the

1339
01:11:02.279 --> 01:11:05.359
<v Speaker 3>sky and right, it's always referencing like the Dead Sea

1340
01:11:05.399 --> 01:11:09.920
<v Speaker 3>Scrolls as like written by the aliens, and so like

1341
01:11:10.079 --> 01:11:13.239
<v Speaker 3>Nerve and Sail are like we've you know, we've consulted

1342
01:11:13.239 --> 01:11:15.920
<v Speaker 3>the Dead Sea squirrels and you're telling us more secrets

1343
01:11:15.960 --> 01:11:20.520
<v Speaker 3>and uh, and so like that's a that's an extra biblical,

1344
01:11:21.039 --> 01:11:26.239
<v Speaker 3>non canonical, right, hidden script that talks about a.

1345
01:11:26.119 --> 01:11:28.239
<v Speaker 1>Ton of capitalism and the cult stuff.

1346
01:11:29.600 --> 01:11:31.560
<v Speaker 3>But yeah, you know, they all just blend together at

1347
01:11:31.560 --> 01:11:35.159
<v Speaker 3>this point, like you it's all out there and it's

1348
01:11:35.279 --> 01:11:37.079
<v Speaker 3>you know, it's pretty nuts.

1349
01:11:38.359 --> 01:11:44.880
<v Speaker 2>Thank you. Was there anything you wanted to add.

1350
01:11:42.880 --> 01:11:45.960
<v Speaker 6>Just for this series? I think Mark did a great job.

1351
01:11:46.000 --> 01:11:49.119
<v Speaker 5>But I will say that the three kids, there are

1352
01:11:49.199 --> 01:11:53.039
<v Speaker 5>three separate stars of serious, So they're serious.

1353
01:11:52.680 --> 01:11:53.600
<v Speaker 2>A, B and C.

1354
01:11:54.319 --> 01:11:57.159
<v Speaker 5>And so you could say that the these three kids

1355
01:11:57.199 --> 01:11:59.560
<v Speaker 5>are like what Mark said, it's kind of like they're

1356
01:11:59.560 --> 01:12:02.960
<v Speaker 5>all the Aon's of Horus in a way. They're just distinct,

1357
01:12:03.079 --> 01:12:07.000
<v Speaker 5>maybe in their the vessel that they sort of think

1358
01:12:07.039 --> 01:12:09.000
<v Speaker 5>they are, but they're not really. They're all empty in

1359
01:12:09.039 --> 01:12:11.319
<v Speaker 5>their own way. So it's like the hero, the princess,

1360
01:12:11.359 --> 01:12:12.840
<v Speaker 5>and the dragon, and.

1361
01:12:12.840 --> 01:12:14.119
<v Speaker 6>So it's interesting.

1362
01:12:14.239 --> 01:12:16.399
<v Speaker 5>It's just it is interesting because the series is so

1363
01:12:16.520 --> 01:12:23.560
<v Speaker 5>deeply cubalistic, and it plays out many like multiple hero's journeys,

1364
01:12:23.600 --> 01:12:28.319
<v Speaker 5>not just it's not just like the normative like singular hero,

1365
01:12:28.560 --> 01:12:31.279
<v Speaker 5>the you know, the kind of good guy, every man hero.

1366
01:12:31.439 --> 01:12:34.479
<v Speaker 5>It's kind of like there's anti heroes and some of

1367
01:12:34.479 --> 01:12:35.279
<v Speaker 5>them are girls.

1368
01:12:35.359 --> 01:12:35.680
<v Speaker 6>It's it.

1369
01:12:36.079 --> 01:12:41.159
<v Speaker 5>It it allows the story to be like weird and malleable,

1370
01:12:41.239 --> 01:12:44.079
<v Speaker 5>but it takes you I guess what I'm trying to.

1371
01:12:44.079 --> 01:12:46.359
<v Speaker 6>Say is that it is it's like a magic journey.

1372
01:12:46.359 --> 01:12:49.399
<v Speaker 5>It's like taking you through the different ways that you

1373
01:12:49.399 --> 01:12:53.640
<v Speaker 5>yourself project into a character, because you're not every character,

1374
01:12:53.720 --> 01:12:55.560
<v Speaker 5>Like I don't watch a show and say, okay, I'm

1375
01:12:55.560 --> 01:12:58.079
<v Speaker 5>every character. No, but there's there's a character that you're

1376
01:12:58.199 --> 01:13:01.439
<v Speaker 5>going to identify with in that character undergoes a magic journey.

1377
01:13:01.439 --> 01:13:04.319
<v Speaker 5>So I think that's the three characters in particular. So

1378
01:13:04.359 --> 01:13:07.000
<v Speaker 5>I think that's really interesting about this series in particular,

1379
01:13:07.079 --> 01:13:10.520
<v Speaker 5>and how they did release these two sort of follow

1380
01:13:10.600 --> 01:13:15.439
<v Speaker 5>up sequel films and it is kind of like they

1381
01:13:15.800 --> 01:13:18.199
<v Speaker 5>you have to watch the series multiple times and then

1382
01:13:18.199 --> 01:13:20.279
<v Speaker 5>maybe you could say you're like an adept or, like

1383
01:13:20.399 --> 01:13:24.079
<v Speaker 5>maybe an acolyte of the series and like understanding how

1384
01:13:24.159 --> 01:13:27.079
<v Speaker 5>they are relating the sephera and they are relating the

1385
01:13:27.119 --> 01:13:28.119
<v Speaker 5>metaphysical concepts.

1386
01:13:28.359 --> 01:13:33.119
<v Speaker 6>But then the movies do it so it's much more subtle.

1387
01:13:33.600 --> 01:13:36.319
<v Speaker 5>So you've like kind of built up an audience to

1388
01:13:36.359 --> 01:13:39.760
<v Speaker 5>the point where they're allowed to understand what the movie

1389
01:13:39.800 --> 01:13:42.680
<v Speaker 5>is really saying. Like you're able to sort of like

1390
01:13:42.800 --> 01:13:45.560
<v Speaker 5>remove the densities, remove the klipas of it, and then

1391
01:13:45.600 --> 01:13:47.520
<v Speaker 5>you can be like oh, I see what I see

1392
01:13:47.520 --> 01:13:50.319
<v Speaker 5>what the truth is if you want to even say that. So, yeah,

1393
01:13:50.319 --> 01:13:53.199
<v Speaker 5>there's something really crazy about this series, really dark and

1394
01:13:53.279 --> 01:13:54.239
<v Speaker 5>really interesting.

1395
01:13:54.319 --> 01:13:54.680
<v Speaker 6>I think.

1396
01:13:55.800 --> 01:14:00.800
<v Speaker 4>Yeah, right, when he mentioned the upside down tree, I

1397
01:14:00.840 --> 01:14:04.760
<v Speaker 4>wonder if, like when when you noticed the like kind

1398
01:14:04.800 --> 01:14:08.000
<v Speaker 4>of like the Kabbala play out in this series, did

1399
01:14:08.039 --> 01:14:11.600
<v Speaker 4>you have any notice like maybe a pattern or anything going.

1400
01:14:11.359 --> 01:14:15.119
<v Speaker 1>To like exact specific correspondences.

1401
01:14:14.479 --> 01:14:16.159
<v Speaker 4>Either that or like I was wondering if maybe it

1402
01:14:16.199 --> 01:14:18.560
<v Speaker 4>was manifesting down to the bottom. But I mean, you know,

1403
01:14:18.560 --> 01:14:20.479
<v Speaker 4>if you saw like a like a line kind of

1404
01:14:20.479 --> 01:14:21.600
<v Speaker 4>coming straight down.

1405
01:14:21.479 --> 01:14:25.279
<v Speaker 5>Or oh yeah, definitely the angels, because the angels are

1406
01:14:25.520 --> 01:14:29.039
<v Speaker 5>like the fallen they're like the spheres that have fallen

1407
01:14:29.159 --> 01:14:31.720
<v Speaker 5>onto the grounds. You could think of it like that,

1408
01:14:32.279 --> 01:14:34.439
<v Speaker 5>Like they are like the Nepha, like I know, people

1409
01:14:34.479 --> 01:14:36.520
<v Speaker 5>don't I don't really like this word, but they're kind

1410
01:14:36.520 --> 01:14:37.520
<v Speaker 5>of like Nephilin.

1411
01:14:37.239 --> 01:14:38.159
<v Speaker 1>In a way or like that.

1412
01:14:39.039 --> 01:14:42.840
<v Speaker 5>Yeah, they're sort of clipolithic, but they're also of God.

1413
01:14:43.319 --> 01:14:46.319
<v Speaker 5>And so when they're defeated by the kids, like the

1414
01:14:46.399 --> 01:14:49.640
<v Speaker 5>three heroes at Hoad, but because they all are different

1415
01:14:49.720 --> 01:14:52.359
<v Speaker 5>kinds of heroes, they go in different directions on the paths.

1416
01:14:52.439 --> 01:14:55.199
<v Speaker 5>That's how you could understand it. It's like they're taking

1417
01:14:55.319 --> 01:14:58.800
<v Speaker 5>full expression into the tree. So they're climbing back up

1418
01:14:59.159 --> 01:15:02.079
<v Speaker 5>in the sense that trying to rectify the world, but

1419
01:15:02.119 --> 01:15:04.800
<v Speaker 5>the angels are trying to well. One way to understand

1420
01:15:04.800 --> 01:15:08.520
<v Speaker 5>them is that they're just strawing at so theres the

1421
01:15:08.560 --> 01:15:09.600
<v Speaker 5>world through destruction.

1422
01:15:10.560 --> 01:15:12.760
<v Speaker 4>Interesting is again it depends on how you want to

1423
01:15:12.760 --> 01:15:16.680
<v Speaker 4>look at the tree coming down. Coming down. I mean,

1424
01:15:16.720 --> 01:15:19.920
<v Speaker 4>obviously you have to become an angel before you come

1425
01:15:19.960 --> 01:15:22.479
<v Speaker 4>into matter, So I mean, are you're not. I mean,

1426
01:15:22.560 --> 01:15:24.079
<v Speaker 4>I guess what you're saying is you kind of going

1427
01:15:24.119 --> 01:15:25.880
<v Speaker 4>the wrong way even though you are an angel at

1428
01:15:25.880 --> 01:15:27.960
<v Speaker 4>that point, you're kind of falling down into matter and

1429
01:15:28.000 --> 01:15:30.399
<v Speaker 4>then going back up. I could see how you'd be

1430
01:15:30.439 --> 01:15:34.680
<v Speaker 4>passing that yourself in that way. It sounds weird, but.

1431
01:15:35.520 --> 01:15:37.720
<v Speaker 3>Yeah, I almost say it's like the clip of Right,

1432
01:15:37.800 --> 01:15:40.640
<v Speaker 3>It's like they've inverted the tree of Knowledge so far

1433
01:15:41.079 --> 01:15:43.680
<v Speaker 3>that like now they're gonna it's almost like they're falling

1434
01:15:43.800 --> 01:15:47.800
<v Speaker 3>back up to Heaven. Right, It's it's a trip. And

1435
01:15:47.960 --> 01:15:50.680
<v Speaker 3>so both of these are like merged simultaneously. And I

1436
01:15:50.680 --> 01:15:54.640
<v Speaker 3>don't think there is necessarily a specific narrative like oh,

1437
01:15:54.720 --> 01:15:56.680
<v Speaker 3>it's going to be this one single thing. Right, there

1438
01:15:56.760 --> 01:16:00.279
<v Speaker 3>is a lot of deliberate ambiguity. It's almost like watching

1439
01:16:00.359 --> 01:16:04.520
<v Speaker 3>Kubrick or again, you know Twin Peaks. You're this is

1440
01:16:04.560 --> 01:16:09.239
<v Speaker 3>all presented there in this general way, and it's not

1441
01:16:09.319 --> 01:16:11.520
<v Speaker 3>like this is exactly what it is. I don't think

1442
01:16:11.560 --> 01:16:14.279
<v Speaker 3>that's how it's meant to be presented. But these themes

1443
01:16:14.319 --> 01:16:16.640
<v Speaker 3>are there, and I think it's something that you would

1444
01:16:16.680 --> 01:16:21.439
<v Speaker 3>play with in any magic practice or like just in

1445
01:16:21.520 --> 01:16:22.880
<v Speaker 3>any analysis in general.

1446
01:16:23.119 --> 01:16:27.880
<v Speaker 5>So yeah, you could change paradigms depending on like even

1447
01:16:27.920 --> 01:16:31.159
<v Speaker 5>your own understanding of the series. The more the better

1448
01:16:31.199 --> 01:16:34.039
<v Speaker 5>you want, or the more ocall to your understanding the

1449
01:16:34.359 --> 01:16:38.840
<v Speaker 5>like maybe your relationship with how the narrative flows is different.

1450
01:16:38.960 --> 01:16:41.680
<v Speaker 5>So yeah, there's definitely a context dependent.

1451
01:16:43.199 --> 01:16:46.840
<v Speaker 2>That's the truth. All right.

1452
01:16:46.880 --> 01:16:50.279
<v Speaker 4>Well, I guess there's nothing else that you guys want

1453
01:16:50.319 --> 01:16:53.000
<v Speaker 4>to add. I mean, unfortunately I haven't seen the series,

1454
01:16:53.039 --> 01:16:55.319
<v Speaker 4>so there's really not much I could add to it myself.

1455
01:16:56.359 --> 01:16:58.439
<v Speaker 3>Yeah, I would just encourage you to watch the show

1456
01:16:58.479 --> 01:17:01.560
<v Speaker 3>and uh, you know, kind of pull the other threads

1457
01:17:01.560 --> 01:17:03.439
<v Speaker 3>because I think it would help contextualize a lot of

1458
01:17:03.479 --> 01:17:07.079
<v Speaker 3>the other material that I'm talking about, because it is

1459
01:17:07.199 --> 01:17:11.359
<v Speaker 3>just pretty broad. But you know, if you are interested,

1460
01:17:11.399 --> 01:17:14.920
<v Speaker 3>you going to read about mk ultrip stargate, you know,

1461
01:17:15.720 --> 01:17:19.479
<v Speaker 3>human potential movements and the history of Japan, and that's

1462
01:17:19.479 --> 01:17:20.199
<v Speaker 3>maybe a start.

1463
01:17:20.439 --> 01:17:23.079
<v Speaker 4>You think the human potential movement, you know that stuff

1464
01:17:23.159 --> 01:17:28.800
<v Speaker 4>is like huge, actually like actually being done, and it's

1465
01:17:28.880 --> 01:17:29.520
<v Speaker 4>kind of being.

1466
01:17:30.640 --> 01:17:32.920
<v Speaker 3>Yeah, well yeah, I think it's just a way of like,

1467
01:17:33.119 --> 01:17:36.319
<v Speaker 3>you know, it's now just advertising, right, It's again, it's

1468
01:17:36.359 --> 01:17:40.840
<v Speaker 3>just become so mainstream that it's it's lost the cachet. Oh,

1469
01:17:40.880 --> 01:17:42.720
<v Speaker 3>it's the human potential. It's like, now, how can I

1470
01:17:42.720 --> 01:17:46.600
<v Speaker 3>get more clicks? How can I create a spectacle that's

1471
01:17:46.640 --> 01:17:49.600
<v Speaker 3>going to drive more revenue to my website?

1472
01:17:49.720 --> 01:17:51.479
<v Speaker 1>How am I going to get more engagement? Right?

1473
01:17:51.520 --> 01:17:54.159
<v Speaker 3>And it's like how do we just nudge people and

1474
01:17:54.279 --> 01:17:57.760
<v Speaker 3>affect their attitudes? Right? And so it doesn't have to

1475
01:17:57.760 --> 01:18:01.239
<v Speaker 3>be sinister necessarily, and it doesn't even have to be coordinated.

1476
01:18:01.399 --> 01:18:04.640
<v Speaker 3>But I do think there are larger trends and and

1477
01:18:05.600 --> 01:18:11.199
<v Speaker 3>uh interests that are moving collectively and maybe even unintentionally.

1478
01:18:12.039 --> 01:18:14.239
<v Speaker 3>But these are things are changing us and we're living

1479
01:18:14.279 --> 01:18:16.680
<v Speaker 3>in that world right now. And by studying these things

1480
01:18:17.000 --> 01:18:19.760
<v Speaker 3>and learning about like the history of media and technology

1481
01:18:20.239 --> 01:18:24.840
<v Speaker 3>and of like old biblical references. We can sort ourselves

1482
01:18:24.920 --> 01:18:28.840
<v Speaker 3>and orient ourselves in a way to maybe not lose

1483
01:18:28.840 --> 01:18:29.199
<v Speaker 3>our minds.

1484
01:18:31.840 --> 01:18:33.359
<v Speaker 2>That's a plus, not lose on minds.

1485
01:18:34.840 --> 01:18:42.279
<v Speaker 4>Yeah, yeah, if you want, you have you guys played

1486
01:18:42.319 --> 01:18:44.960
<v Speaker 4>your shows again, and I think we'll wrap it up here.

1487
01:18:44.960 --> 01:18:46.560
<v Speaker 4>I would be really interested in having a talk with

1488
01:18:46.600 --> 01:18:49.359
<v Speaker 4>you on Twin Peaks, since that's something I have watched.

1489
01:18:49.600 --> 01:18:52.600
<v Speaker 1>Oh yeah, we could go really deep on it. Yeah.

1490
01:18:52.600 --> 01:18:55.640
<v Speaker 3>I think all of the Lynch's movies tied directly into

1491
01:18:55.720 --> 01:19:00.000
<v Speaker 3>Twin Peaks. I think it's almost like one dream. Uh

1492
01:19:00.079 --> 01:19:02.920
<v Speaker 3>but yeah, that's that's a really long discussion, and i'd

1493
01:19:02.920 --> 01:19:05.479
<v Speaker 3>probably have to watch the show again just to brush up,

1494
01:19:05.479 --> 01:19:09.039
<v Speaker 3>because these things are so ambiguous and can go in

1495
01:19:09.079 --> 01:19:11.800
<v Speaker 3>so many different directions, and so it's not necessarily again,

1496
01:19:11.880 --> 01:19:13.920
<v Speaker 3>it's like, you know mccluan's thing. You know, it's not

1497
01:19:13.960 --> 01:19:17.279
<v Speaker 3>about the content, it's about the context and the medium

1498
01:19:17.319 --> 01:19:19.560
<v Speaker 3>itself and what is it doing to us.

1499
01:19:20.920 --> 01:19:22.520
<v Speaker 4>You can watch that show again and be like, oh

1500
01:19:22.520 --> 01:19:25.479
<v Speaker 4>my god, I have a completely different take on that's

1501
01:19:25.479 --> 01:19:27.479
<v Speaker 4>a problem with that show too. Every time you watch it,

1502
01:19:27.479 --> 01:19:29.680
<v Speaker 4>there's something new and you're like, oh man, it just

1503
01:19:29.720 --> 01:19:30.880
<v Speaker 4>has we will confuse.

1504
01:19:30.640 --> 01:19:33.560
<v Speaker 3>Then well shit, it's you know, it's like the Shining.

1505
01:19:33.640 --> 01:19:35.239
<v Speaker 3>You know, it's like people were you know, they made

1506
01:19:35.239 --> 01:19:38.079
<v Speaker 3>a documentary about the Shining like it was a room

1507
01:19:38.079 --> 01:19:39.600
<v Speaker 3>two thirty seven, Like what does it mean?

1508
01:19:39.800 --> 01:19:40.960
<v Speaker 1>It's like a Jack's time.

1509
01:19:41.760 --> 01:19:45.199
<v Speaker 4>I'm actually happy somebody on tomorrow for that documentary. Oh

1510
01:19:45.239 --> 01:19:49.880
<v Speaker 4>great Shining, Yeah rightily, I mean JJ advance often check

1511
01:19:49.920 --> 01:19:50.199
<v Speaker 4>it out.

1512
01:19:50.359 --> 01:19:51.439
<v Speaker 2>Yeah yeah yeah yeah.

1513
01:19:51.760 --> 01:19:54.720
<v Speaker 4>Uh so, all right, I'll let you guys plug your stuff.

1514
01:19:54.720 --> 01:19:56.279
<v Speaker 4>I'll go with Jin first. Jin, thank you so much

1515
01:19:56.319 --> 01:19:56.760
<v Speaker 4>for coming on.

1516
01:19:56.840 --> 01:19:57.000
<v Speaker 3>Man.

1517
01:19:57.119 --> 01:19:59.039
<v Speaker 2>I appreciate you bringing the guests of the show to

1518
01:19:59.079 --> 01:19:59.680
<v Speaker 2>the suggestion.

1519
01:20:01.439 --> 01:20:04.000
<v Speaker 6>No thanks Nick, of course, of course.

1520
01:20:04.079 --> 01:20:04.279
<v Speaker 2>Yeah.

1521
01:20:04.359 --> 01:20:06.560
<v Speaker 4>Yeah, And let everybody know, like you know, where they

1522
01:20:06.560 --> 01:20:09.039
<v Speaker 4>can find you to on Twitter and your podcast and

1523
01:20:09.239 --> 01:20:10.039
<v Speaker 4>sure please.

1524
01:20:10.520 --> 01:20:13.600
<v Speaker 5>Sure so people can find me at wucom Reborn to

1525
01:20:13.640 --> 01:20:16.199
<v Speaker 5>w uk O and g Reborn on Twitter and Instagram,

1526
01:20:16.239 --> 01:20:20.399
<v Speaker 5>at Threshold Saints and then Threshold Saints on Apple on Spotify.

1527
01:20:20.720 --> 01:20:23.800
<v Speaker 5>There's also a show account at Threshold Saints on x

1528
01:20:23.840 --> 01:20:29.479
<v Speaker 5>Twitter and obviously Mark Spennagast talked about very I would

1529
01:20:29.479 --> 01:20:32.479
<v Speaker 5>say parallel. This is like more of a continuation of

1530
01:20:32.560 --> 01:20:35.000
<v Speaker 5>our discussion of my breadth of Fire. I think it's

1531
01:20:35.119 --> 01:20:38.399
<v Speaker 5>really like a part too spiritual part two, but with

1532
01:20:38.399 --> 01:20:41.039
<v Speaker 5>with you Nick, so it's like it's a true reject episode.

1533
01:20:41.079 --> 01:20:43.159
<v Speaker 5>So I appreciate that you set it up and let

1534
01:20:43.199 --> 01:20:46.600
<v Speaker 5>me kind of, you know, frame the parameters of it.

1535
01:20:46.840 --> 01:20:49.239
<v Speaker 5>And thank you, Mark. I really appreciate it. It's always

1536
01:20:49.239 --> 01:20:50.840
<v Speaker 5>a pleasure to talk to you and consider you like

1537
01:20:50.880 --> 01:20:51.880
<v Speaker 5>a sort of like.

1538
01:20:51.880 --> 01:20:53.680
<v Speaker 6>Mad scientist media scholar.

1539
01:20:55.399 --> 01:20:57.000
<v Speaker 5>I love it. I get a lot out of it.

1540
01:20:57.119 --> 01:20:59.880
<v Speaker 5>I see where you're going with it, and I'm down.

1541
01:21:00.520 --> 01:21:03.319
<v Speaker 5>So thank you, And.

1542
01:21:03.560 --> 01:21:05.880
<v Speaker 4>All egend stuff will be in the bottom. And Mark,

1543
01:21:05.960 --> 01:21:08.119
<v Speaker 4>let everybody know where they can find you as well.

1544
01:21:08.119 --> 01:21:12.399
<v Speaker 4>Please anything you want to plun or the shows.

1545
01:21:12.000 --> 01:21:15.640
<v Speaker 3>Uh yeah, the uh, you know, it's mostly the threads.

1546
01:21:15.720 --> 01:21:18.079
<v Speaker 3>You know, if somebody thought any of this was interesting,

1547
01:21:18.520 --> 01:21:22.520
<v Speaker 3>you can find me at Somolier s O Underscore, M

1548
01:21:22.680 --> 01:21:26.640
<v Speaker 3>M E L Underscore, I E R and uh. You

1549
01:21:26.680 --> 01:21:29.000
<v Speaker 3>know if you I have my most recent one on

1550
01:21:30.159 --> 01:21:35.840
<v Speaker 3>qrscuro and Gill Delouze uh and Henri Bergson, right, you

1551
01:21:35.840 --> 01:21:38.560
<v Speaker 3>can literally apply that whole thread to what we've been

1552
01:21:38.560 --> 01:21:41.760
<v Speaker 3>talking about. Yeah, hopefully you know some of this stuff

1553
01:21:41.840 --> 01:21:45.239
<v Speaker 3>is maybe not I didn't get too abstract or maybe

1554
01:21:45.239 --> 01:21:48.680
<v Speaker 3>two off the beaten path given it's more of a

1555
01:21:48.720 --> 01:21:51.600
<v Speaker 3>cult focused show. But for me, these things I'll do

1556
01:21:51.720 --> 01:21:56.399
<v Speaker 3>tie together and I use a lot of my stuff

1557
01:21:56.399 --> 01:22:00.319
<v Speaker 3>that I learned studying, like Kabbala and magic literally just

1558
01:22:00.479 --> 01:22:01.880
<v Speaker 3>runs right into how I.

1559
01:22:01.880 --> 01:22:05.560
<v Speaker 1>Engage with what's going on with the world. So appreciate

1560
01:22:05.560 --> 01:22:08.319
<v Speaker 1>you guys have me on. It's a lot of fun.

1561
01:22:08.439 --> 01:22:10.279
<v Speaker 4>Hell yeah, yeah, you know, that was a good discussion.

1562
01:22:10.720 --> 01:22:13.119
<v Speaker 4>And no, I do agree that I do think like

1563
01:22:13.239 --> 01:22:18.279
<v Speaker 4>magic or occultism, or maybe people not understanding occultism, it's

1564
01:22:18.640 --> 01:22:22.359
<v Speaker 4>being used to accomplish other things right in our faces,

1565
01:22:22.600 --> 01:22:24.920
<v Speaker 4>you know what I'm saying. So I can understand, like

1566
01:22:24.960 --> 01:22:27.720
<v Speaker 4>how you would go with the whole psychology and how

1567
01:22:27.960 --> 01:22:29.199
<v Speaker 4>people are being manipulated.

1568
01:22:29.800 --> 01:22:32.279
<v Speaker 2>Yeah, that's exactly what I think they're doing it for.

1569
01:22:32.479 --> 01:22:35.680
<v Speaker 3>You know so well, And I would point to the

1570
01:22:35.720 --> 01:22:40.359
<v Speaker 3>Breath of Fire three because I definitively link cybernetics and

1571
01:22:40.439 --> 01:22:44.720
<v Speaker 3>all these military scientists to occultism.

1572
01:22:44.960 --> 01:22:49.239
<v Speaker 2>Yes, huge, So you have to think about it.

1573
01:22:49.319 --> 01:22:51.560
<v Speaker 4>Probably some of the you know, back in the day

1574
01:22:52.760 --> 01:22:56.199
<v Speaker 4>cultists were considered scientists and alchemists.

1575
01:22:56.560 --> 01:23:00.439
<v Speaker 1>Yeah, yes, exactly. Nothing much has changed, so it's all chemical.

1576
01:23:00.640 --> 01:23:01.479
<v Speaker 1>Nothing has changed.

1577
01:23:02.760 --> 01:23:04.840
<v Speaker 4>They just have different cover stories. For what they're working

1578
01:23:04.840 --> 01:23:06.239
<v Speaker 4>on and why Yeah.

1579
01:23:06.359 --> 01:23:08.600
<v Speaker 3>Yeah, Well and everyone's just you know, clicking on their

1580
01:23:08.640 --> 01:23:11.199
<v Speaker 3>phones and you know, watching some singer and you know,

1581
01:23:11.359 --> 01:23:14.600
<v Speaker 3>trying to have fun pay attention to the stuff.

1582
01:23:14.720 --> 01:23:16.159
<v Speaker 2>Yeah, yeah, they don't.

1583
01:23:16.399 --> 01:23:16.560
<v Speaker 6>You know.

1584
01:23:16.640 --> 01:23:19.039
<v Speaker 4>The thing is, it's just like even some of like

1585
01:23:19.119 --> 01:23:23.119
<v Speaker 4>understanding this, you'd have to look back, you know, thirty forty,

1586
01:23:23.199 --> 01:23:25.439
<v Speaker 4>fifty sixty years ago to even start like seeing this,

1587
01:23:25.680 --> 01:23:28.319
<v Speaker 4>I mean, or even alchemists or you know, cultists were

1588
01:23:28.359 --> 01:23:30.640
<v Speaker 4>considered scientists. You'd have to know about them like a

1589
01:23:30.680 --> 01:23:34.119
<v Speaker 4>thousand years ago. Unfortunately, that's just not the cool thing

1590
01:23:34.159 --> 01:23:36.840
<v Speaker 4>to be doing right now. So why would you ever

1591
01:23:36.880 --> 01:23:39.039
<v Speaker 4>start reading about stuff like yeah, well, you have to

1592
01:23:39.640 --> 01:23:41.560
<v Speaker 4>get it to an extent. Yeah, yeah, right, I mean

1593
01:23:41.600 --> 01:23:45.520
<v Speaker 4>I do get it to an extent. I mean, but yeah,

1594
01:23:46.039 --> 01:23:48.000
<v Speaker 4>I get where you were going with that for sure,

1595
01:23:48.239 --> 01:23:52.199
<v Speaker 4>and I appreciate that angle. Yeah, everybody's links will be

1596
01:23:52.239 --> 01:23:55.159
<v Speaker 4>in the bottom. Jin the Ninja and mark his links

1597
01:23:55.399 --> 01:23:56.920
<v Speaker 4>that everything will be in the bottom if you want

1598
01:23:56.920 --> 01:23:59.920
<v Speaker 4>to check it out. Thank you again for both coming on.

1599
01:24:00.520 --> 01:24:02.720
<v Speaker 4>And that is the end of another Occult Rejects and

1600
01:24:02.800 --> 01:24:05.479
<v Speaker 4>until the next one, everybody be well Later.
