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Speaker 1: Come in welcome.

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Speaker 2: I'm e. G. Marshall Ciceroni of this guided tour through

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the regions of the mysterious and the macabre. Every man

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has his price, or so we are told. Some of

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us may protest that we are not for sale, and

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we may even be convinced of it. However, one should

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really refrain from making such statements until one is turned

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down and offer. The cynical view is that human beings

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are like the stock work. It's merely a matter of

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closing the distance between.

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Speaker 1: The bid and the ask.

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Speaker 2: Is there really such a thing as an offer one

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cannot refuse? That's what the next hour is all about.

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What can I do for you?

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Speaker 3: Man?

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Speaker 4: I want someone to commit a murder?

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Speaker 1: What did you say?

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Speaker 2: I believe you heard me, madam. This is a furniture factory.

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I am the owner.

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Speaker 4: I know exactly who you are and what you do.

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Speaker 2: Why come to me. I'm not a murderer.

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Speaker 4: I'm willing to pay a million dollars.

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Speaker 2: Murderers against every moral and religious conviction.

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Speaker 4: I'm willing to pay a million dollars. I would never

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I'm willing to pay you one million dollars.

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Speaker 2: Our mystery drama, million dollar Murder was written especially for

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the Mystery Theater by Sam Dan and stars Mandel Kramer.

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It is sponsored in part by All State Insurance Companies

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and True Value Hardware Stories.

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Speaker 5: We'll be back shortly with that one.

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Speaker 1: Luck, as you know, is fortune. Of course, that's good luck.

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Speaker 2: On the other hand, we have bad luck. The way

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it works, most people average out, which brings us to

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the law of averages, which says that over the course

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of your lifetime, you can expect.

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Speaker 1: Luck to break fifty to fifty.

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Speaker 2: Well, some people can get each fifty percent all at once.

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Speaker 1: Here we have Richard F. Nelson.

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Speaker 2: Till recently he's had nothing.

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Speaker 1: But good luck.

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Speaker 2: But these past several months he's taken one blow after another.

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He's thirty five half his allotted three score and ten

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is bad luck to be the pattern for the rest

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of his life. Come in, Jerry, not insidam.

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Speaker 1: Dick?

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Speaker 4: Uh?

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Speaker 1: I uh?

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Speaker 2: What's the matter? What's a long face? I guess there's

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no other way to say it except to say it.

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I'm leaving you what I got another offer. You're walking

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out on me in the middle of the season, Dick.

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Speaker 1: I can't turn it down.

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Speaker 2: The money is twice as good. I taught you everything

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you know. I made you my production foreman and my

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future to think about. Who are you giving me two weeks? Two?

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As far as I'm concerned, you can walk out of

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here right now, pick up your money, and beat it. Okay, Dick,

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that's the way you feel, Jerry. Wait a minute, I'm sorry.

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I I had no right to talk to you like that. Actually,

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I I should be happy that you're getting.

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Speaker 1: A break, Dick. Believe me, if it wasn't for that money.

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Speaker 2: You're not supposed to spend your life out here in

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the stick. You don't really owe me anything. Where's the

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job Imperial Furniture in p Oh, that's big time. I

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don't even know how they ever heard it. Well, word

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gets around you're a top.

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Speaker 1: Man, Jerry.

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Speaker 2: Well I I I sort of felt you'd be glad

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for me, Dick, because that's the kind of guy you will.

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Just that. So many things have been going wrong lately.

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I guess I'm just a little loft dride.

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Speaker 1: That's all where you know.

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Speaker 2: My assistants are pretty good, man. Don't worry about it.

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We'll survive anyhow. Good luck, Thanks to and let's have

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dinner one night before you go where I'm going to

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be working overtime for the last minute. I wanna leave

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you in good shape.

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Speaker 1: Oh, by the.

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Speaker 2: Way, that northern cherry wood I want to use for

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the sofa frames, it didn't come in. What do you

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mean didn't come in?

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Speaker 1: We should have had delivery a week ago. Look, you

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get back to the shop. I'll have literature.

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Speaker 2: Yes, Millie, get me George Cawley please.

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Speaker 4: Yes, mister Nelson and I have a call from it.

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Speaker 6: What's your room of Western States Merchandisers?

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Speaker 4: Who're you talk to him?

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Speaker 1: I talked to him.

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Speaker 2: What do you think?

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Speaker 6: Yes, sir, I have mister Nelson for you now, mister Jerome.

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Speaker 2: Hello, Dick, Eddie, what's you Dick?

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Speaker 6: I'm uh I'm calling. Pretend that we happy cancel what

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I just got word this morning canceled. It's direct from

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the eighth floor, Eddie.

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Speaker 2: We made a lot of those cheers to your particular specification.

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Speaker 6: Well, I was just part of, you know, an informal understanding.

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But why, Eddie, I don't know. I guess all of

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a sudden, classic is out and modern is there, Eddie.

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Speaker 2: Practically all of it is made packed ready to ship.

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Speaker 6: Believe me, Dick, I understand you know.

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Speaker 2: What I've got tied up in that order?

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Speaker 6: Yeah? Yeah, I know, and I'm sorry.

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Speaker 2: Look, well, can't you salvage even a piece of it

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for me?

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Speaker 6: I tried, Dick, you know I tried, but they shot

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me down. I'm really sorry, Dick. I'll be talking to you.

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Speaker 2: Yeah, yeah, okay, I could almost believe it's a plot.

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What now?

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Speaker 6: Yes, I had George Caley. Oh thanks, Now I handing

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it to colle high day. What's on your mind?

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Speaker 2: Wearing blazers? Is my cherry wood?

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Speaker 6: Oh well, I'll think. I'm sorry. What happened is there's

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no record if you're ordering any.

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Speaker 2: No, what do you mean it's a standing order?

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Speaker 5: Oh?

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Speaker 2: Actually it's kind of an understart.

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Speaker 1: I don't care what it is.

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Speaker 2: I've been getting that chip in every month for over

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a year.

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Speaker 6: Look, here's what happens. You know, my own hast got

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his master's business administration and he's come in with me

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and he set up for seed.

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Speaker 2: George. All I want is literally you can get shipped

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unless there's a written order, and the shipping.

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Speaker 6: Clerk must have forgotten to tell it. Thick, I'm really embarrassed.

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Speaker 2: Look forget it. How quickly can you load a truck

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and get it out here.

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Speaker 6: Well, that's the problem, Dick. I don't think I've got

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ten feet left in the warehouse.

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Speaker 2: George, I have to fill a special order for a

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New York Kane.

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Speaker 6: I'm sorry. It was a terribleman's understanding, but I'll make

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sure you're taking care of next month.

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Speaker 2: Next month, I have to wait thirty days.

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Speaker 6: Oh, I hope it's only thirty days. You know how

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scarce that stuff is.

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Speaker 1: Get all right?

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Speaker 3: All right? Oh?

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Speaker 4: What?

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Speaker 6: Well for being so understanding, the average guy would have

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flipped that.

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Speaker 2: Last Sure, sure, goodbye, George. Yes, really for the rest

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of the day. I don't want to hear any bad news,

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you understand. I'm going to the club for lunch. What

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could happen to me there?

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Speaker 1: Hello, Dick? Oh, judge tomorrow?

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Speaker 2: Uh you expecting anyone? No?

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Speaker 1: No, joined me for lunch?

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Speaker 6: Thanks.

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Speaker 2: I was hoping i'd run into you. You look a.

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Speaker 1: Bit out of search date.

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Speaker 2: Something wrong, Yeah, I did. I wish I knew. You

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have to explain that, Judge, you familiar with the story

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of job last Well, that's who I feel like right now.

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We don't see any boils. Well, it might have been

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much presumptuous to me to make the comparison, But I

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just feel that I am about to go down the drain.

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Are you serious, Dick, judge, there's things go on. At

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this rate, I'll be bankrupt within the year. I stand

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to lose everything I own in the world. But everyone

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says things are going great at your plant. Every day

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at something else another setback. I'm losing key customers. Ah,

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I don't know, vital raw material don't arrive. Why it

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just happens. And the top of all, my foreman got

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a better job and is leaving me.

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Speaker 1: What is it?

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Speaker 2: What's happening? Well, it's just a lot of bad luck,

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so much bad luck, all at once, Dick. I've known

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you all your life.

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Speaker 1: You've always in the Golden Boys.

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Speaker 2: Fortune has smiled.

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Speaker 1: Upon your constantly.

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Speaker 2: Well, she is an extremely fig old girl, and now

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she wants to frown for a bit. But it just

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seems to be a pattern.

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Speaker 4: Day.

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Speaker 2: You've probably been spoiled. You've never had to cope with it.

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Very now and a lot more than that change. It's

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reached a point now where I know that every day

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is going to produce another sentinel.

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Speaker 1: Come on now, Dacke's Ali in your head.

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Speaker 2: Wait, where's the way to Charlie? Charlie, would you please

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bring a phone over to my table? Why do you

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wanna fall I've only been away from the office for

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twenty minutes, judge, and I am willing to bet trouble

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is still rolling in. Thank you.

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Speaker 1: Charlie.

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Speaker 2: You uh might want to see a psychiatrist? Yeah, I

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would if I could tell him some furniture.

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Speaker 6: Where'd you have Nelson in company?

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Speaker 2: It's me, Millie.

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Speaker 4: Oh, it's a good.

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Speaker 6: Thing you call mister Nelson, mister Davis a consolidated phone.

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Speaker 2: They're sending back our order, mister Nelson. How did you know, Millie?

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I'm taking the rest of the day off.

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Speaker 1: You see.

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Speaker 2: He never rains because nead, but eventually it stops. One

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time it didn't stop for forty days and forty minutes,

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and for most people that was forever.

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Speaker 4: You don't have to let Jerry Lyons go according to

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the union time.

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Speaker 3: No.

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Speaker 2: I know I can keep him for a full year

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on the technicality, but what's the good of it.

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Speaker 1: He'd be unhappy.

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Speaker 4: And why did you let George Cally off the hood?

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Speaker 1: Dorothy?

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Speaker 4: What was there I could do? You know what probably

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happened somebody needed that would badly offered him a higher product.

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Speaker 2: Come on, George Coley, isn't that kind of a guy.

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Speaker 4: You're not that kind of a guy. So you want

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to believe the best about everyone else and Diddie Jerome,

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Maybe the time has come to reach a certain understanding

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with Eddie.

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Speaker 1: What are you talking about?

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Speaker 4: Maybe Eddie wants to be taken.

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Speaker 2: Care of Dorothy. You know, I've never done business that way.

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Speaker 4: Maybe it's time you thought about it.

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Speaker 2: We're saying, I don't know, Dick, I never heard you

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talk like that about things like like bribery, and I know,

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I know, but.

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Speaker 4: Maybe that's the way business has to be conducted these days.

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Maybe you and I have lived a kind of a

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charmed life so far, maybe we were shielded from reality.

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Speaker 2: Look, I have always prided myself on being ethical and honest.

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Maybe I'm being punished for for what? Hubris pride?

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Speaker 1: Who knows?

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Speaker 2: Hello? Who are you?

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Speaker 4: Well? H how did you get in? May I introduce myself?

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My name is ALTHEA Beaumont. Uh, your door is open,

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and so.

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Speaker 2: I what does it you want?

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Speaker 4: What do I want? First? May I sit down? Thank you?

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How are things that Richard F. Nelson and the company

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manufactures of fine furniture. Oh well, miss uh, it's missus.

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Although mister Beaumont has left us these past five years, we.

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Speaker 2: Uh don't wanna seem inhospitable. But uh, of.

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Speaker 4: Course, so let's just get to business business. Yes, that's

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why I'm here. Are your furniture by missus Beaumont. By

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the end of the year, the Richard fne Nelson Company

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will need one million dollars.

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Speaker 2: What are you talking about?

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Speaker 4: Sali's accounts payable, loans due and nothing is coming in.

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Speaker 2: And what do you know about that?

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Speaker 4: That's true, isn't it.

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Speaker 6: Well?

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Speaker 2: We have had a phenomenal streak of bad luck, I.

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Speaker 4: Know, and that's why I'm here to reverse that streak.

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Speaker 2: Who are you?

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Speaker 4: No, reverse isn't quite the way to put it, although

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that will happen. Now, what I should have said is

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that I'm here to help you ride out that run

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of bad luck. In short, mister Nelson, I should like

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to offer you one million.

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Speaker 2: Dollars as a loan.

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Speaker 4: Oh no, no, no, no, as a kiser. Why would

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you want to make us a gift of one million dollars?

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Speaker 1: What dick?

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Speaker 2: This woman is crazy? That that's no way to do.

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Speaker 4: Of course it is. It's a sound, practical feminine reactions,

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and you should verify me first. Here's my card, and

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here are some banks you should call. And of this

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brokerage firm, I've authorized them to answer your questions, and

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i shall expect you to have lunch with me at

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my week tomorrow at one. But why should you want

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to give my husband one million dollars? My dear missus Nelson.

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Should one look a gift horse in the mouth?

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Speaker 2: There are two schools of thought on that subject. People

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like Saint Jerome and Miguel Davantis said no. On the

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other hand, had the men of ancient Troy been more

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scrupulous in the inspection of their gift horse, the Greeks

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would have lost the Trojan War. But who is this,

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missus Elsie of Beaumont, who intends to offer a million

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dollars to a complete stranger, and for no apparent reason.

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We will know more when I return in just a

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few moments. With that two, does luck good or bad

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follow a pattern? According to the law of averages, you're

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supposed to get an equal part of each over the

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course of your lifetime. M And we even have testimony

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for this in the Bible.

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Speaker 1: After all, the seven.

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Speaker 2: Fat years were followed by seven lean all of which

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is scant consolation.

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Speaker 1: To Richard F.

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Speaker 2: Nelson, who has been having some problems lately.

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Speaker 4: Come in, Ah, welcome, Oh won't you both sit down

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sease now, mister Nelson. Mister Nelson, have you investigated me?

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Speaker 2: Well? We, uh, we made some calls and we.

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Speaker 4: Discovered that you, uh, you're a fabulously wealthy woman, missus

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beaumonhont fabulously wealthy, Yes, you could put it that way.

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And so you have ascertained that I am capable of

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giving you a million dollars if I.

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Speaker 2: Choose, yes, But we can't understand why should you choose?

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Speaker 4: Well, I expect you to perform a small service for

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me in return, of course, are we supposed to sell

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our souls to the devil? What a remarkable notion? Oh please,

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I didn't mean it to sound that way. But what

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am I supposed to sing out of a clear blue sky?

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A stranger offers us a million dollars? And well, these

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things only happen in books or plays where you have

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to make a bargain with the devil, don't they You

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need that million, don't you, mister Nelson.

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Speaker 2: Yes, you said something about uh performing a small service.

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Speaker 4: Oh yes, And I don't think it's too much to ask,

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considering that I'm willing to pay a million dollars for us.

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What do you want us to do? Do you know

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00:15:58,120 --> 00:16:00,480
Judge Walter k maraw No it.

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Speaker 2: He's my dearest, closest friend.

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Speaker 4: The judge has been like a father to Dick all

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these years.

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Speaker 2: What about the judge?

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Speaker 4: I want you to kill him?

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Speaker 2: What did you say?

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Speaker 4: I believe you heard me. I did huh uh uh uh.

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I'm frightened. She's s sh she's a mad woman. I

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would disagree.

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Speaker 1: You can't be serious kill judge.

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Speaker 4: Mam for one million dollars.

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Speaker 2: You are a sick woman.

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Speaker 4: It isn't worth one million dollars to you.

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Speaker 1: I should have to report this to the police.

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Speaker 4: What will you report to the police? Who would believe

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such a ridiculous sounding accusation? And then you admit it's ridiculous? No,

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I only said it sounds ridiculous.

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Speaker 2: Don't believe we have anything further to discuss her.

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Speaker 4: I agree we have discussed enough for one day.

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Speaker 2: Sleep missus Beaumont, you are an evil, vicious woman.

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Speaker 4: You may feel differently tomorrow about Murdier. Never you know

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where to find me.

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Speaker 6: I'm sorry, Dick, we can't afford you anymore.

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Speaker 2: I counted on that order.

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Speaker 6: The merchandise is just to expand, but its.

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Speaker 2: Highest quality is the best workmanship, the raw material.

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Speaker 6: I know, but we can't sell it. Maybe the public

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doesn't appreciate it.

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Speaker 2: Look, isn't there any way that we can do some

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business this year?

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Speaker 6: Why you have to give us a better price?

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Speaker 1: How much better?

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Speaker 6: Say better?

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Speaker 1: Thirty percent?

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Speaker 2: How can I do thirty percent better?

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Speaker 6: Cut corners?

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Speaker 2: Cut corners take out the quality.

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Speaker 6: Our customers don't understand quality, therefore we don't demand it,

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and so you don't have to put it in.

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Speaker 2: I wouldn't know how to do business that way.

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Speaker 6: I understand your problem, but you have to understand my problem.

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Speaker 2: Yes, yes, look, let me think about it. Maybe maybe

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I can figure something out.

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Speaker 6: I sure hope. So go by.

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Speaker 2: It won't work.

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Speaker 4: You can't compete with the cut throats.

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Speaker 2: How did you get in here? You didn't come to

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00:17:59,440 --> 00:18:01,000
see me, nothing to see you above her?

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Speaker 4: So I decided to make it easier for you. I

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came to your office.

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Speaker 2: Tell me, why do you want judge Morrow murdered.

359
00:18:09,359 --> 00:18:13,400
Speaker 4: I don't like him, and for that reason I can

360
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afford to indulge my emotion.

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Speaker 2: Why offer me a million dollars to do it? Surely

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you could hire some gangster to do it for a

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lot most money.

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Speaker 4: It has to do with what you were just talking.

365
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Speaker 2: About on the phone.

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00:18:24,359 --> 00:18:30,000
Speaker 4: Quality quality, Yes, because this murder would be meaningless if

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it didn't have a certain quality.

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00:18:32,559 --> 00:18:33,920
Speaker 2: I don't know who you are. I don't know what

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00:18:33,960 --> 00:18:34,759
your motive.

370
00:18:34,519 --> 00:18:39,160
Speaker 4: Is, Ah, Richard, Richard, don't I look familiar?

371
00:18:40,279 --> 00:18:40,440
Speaker 1: No?

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00:18:40,559 --> 00:18:41,240
Speaker 2: I can't say that.

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Speaker 4: I ever s look closely, Richard. You don't recognize me.

374
00:18:48,319 --> 00:18:49,079
Speaker 2: I don't seem to.

375
00:18:50,440 --> 00:18:54,799
Speaker 4: How many people have ever called you Richard? And how

376
00:18:54,839 --> 00:18:57,599
many girls have you ever known who were called a'l

377
00:18:57,680 --> 00:19:03,960
fia I. You've blocked it and her completely from your mind,

378
00:19:04,119 --> 00:19:04,640
haven't you.

379
00:19:05,759 --> 00:19:08,200
Speaker 2: Healthea to Althea.

380
00:19:07,799 --> 00:19:12,519
Speaker 4: From Prison by Richard Lovelace. Stone walls do not a prison, make,

381
00:19:12,720 --> 00:19:17,720
nor iron bars a cage. Mine's innocent and quiet. Take

382
00:19:17,799 --> 00:19:21,559
that for a hermitage, good Lord. If I have freedom

383
00:19:21,559 --> 00:19:24,240
in my love and in my soul, am.

384
00:19:24,119 --> 00:19:26,359
Speaker 2: Free angels alone?

385
00:19:26,440 --> 00:19:29,680
Speaker 4: That soul above enjoy such liberty.

386
00:19:30,279 --> 00:19:30,920
Speaker 2: It's althea?

387
00:19:31,359 --> 00:19:34,680
Speaker 4: What a coincidence. Your name was Richard and my name

388
00:19:34,799 --> 00:19:38,359
was Alfa, and we pretended that you were that poet,

389
00:19:38,440 --> 00:19:43,480
that wonderful seventeenth century poet. How old were we.

390
00:19:43,519 --> 00:19:44,039
Speaker 2: All, fear?

391
00:19:44,400 --> 00:19:45,240
Speaker 4: Just eighteen?

392
00:19:45,519 --> 00:19:46,640
Speaker 1: You can't be Authia.

393
00:19:46,799 --> 00:19:49,680
Speaker 4: You're the wealthy college boy, and I only a towny

394
00:19:49,680 --> 00:19:52,240
who worked at the coffee shop. Oh how I loved.

395
00:19:51,960 --> 00:19:52,640
Speaker 1: You, Richard.

396
00:19:54,119 --> 00:19:57,160
Speaker 4: You were so different from every boy I'd ever known.

397
00:19:57,240 --> 00:19:59,480
Speaker 2: Please Healthia, who introduced.

398
00:19:59,000 --> 00:20:03,000
Speaker 4: Me to art, music, poetry? And now you don't even

399
00:20:03,039 --> 00:20:05,880
remember I do I remember? Do you remember the day

400
00:20:05,960 --> 00:20:09,240
that I told you I loved you so much?

401
00:20:09,359 --> 00:20:09,720
Speaker 1: Richard?

402
00:20:09,880 --> 00:20:13,680
Speaker 2: I loved you so much. Help me refresh your memory

403
00:20:13,799 --> 00:20:14,440
healthier for you.

404
00:20:14,599 --> 00:20:19,279
Speaker 4: We were walking in the woods and we came.

405
00:20:19,200 --> 00:20:26,160
Speaker 2: To our favorite Healthier Dolly.

406
00:20:27,400 --> 00:20:28,799
Speaker 4: Tell me you love me, Richard?

407
00:20:29,240 --> 00:20:30,720
Speaker 2: Oh, tell me? I love you?

408
00:20:31,640 --> 00:20:32,000
Speaker 4: Richard?

409
00:20:33,200 --> 00:20:35,359
Speaker 1: What's Dolly? What is it? Well?

410
00:20:36,079 --> 00:20:37,359
Speaker 2: I something wrong?

411
00:20:38,200 --> 00:20:41,079
Speaker 4: I I guess it all depends on on the way

412
00:20:41,160 --> 00:20:45,319
you look at it. I suppose I am. It is

413
00:20:45,400 --> 00:20:50,000
the eternal mystery, the age old mystery, ever new mystery

414
00:20:50,039 --> 00:20:53,000
of life and birth?

415
00:20:54,720 --> 00:20:56,000
Speaker 2: Healthia, what are you saying?

416
00:20:56,839 --> 00:20:59,799
Speaker 4: I'm saying that we you and I are going to

417
00:21:00,119 --> 00:21:00,680
a field.

418
00:21:02,359 --> 00:21:03,079
Speaker 2: Are you sorry?

419
00:21:03,160 --> 00:21:03,519
Speaker 6: Richard.

420
00:21:04,240 --> 00:21:10,519
Speaker 2: Sorry, Oh my darling, Darling, I'm so happy, are you sure? Well?

421
00:21:10,559 --> 00:21:13,119
We'll have to get married. Oh, Richard, you're the only

422
00:21:13,119 --> 00:21:15,519
girl I've ever loved out here. We're going to be

423
00:21:15,519 --> 00:21:25,000
married sooner or later, Okay, sooner is greater. That was

424
00:21:25,039 --> 00:21:25,799
on a Sunday.

425
00:21:26,480 --> 00:21:30,720
Speaker 4: I remembered, it was my day on and you said

426
00:21:30,759 --> 00:21:32,680
that you were going home to break the news to

427
00:21:32,720 --> 00:21:37,119
your legal guardian, Judge Morrow. And the following week you

428
00:21:37,240 --> 00:21:40,640
came back and the distinguished jur he was with you.

429
00:21:41,599 --> 00:21:44,000
Must have been quite a week because.

430
00:21:43,839 --> 00:21:47,240
Speaker 2: Any team marriage out of the question for Richard.

431
00:21:47,400 --> 00:21:51,200
Speaker 4: But we're going to have a baby, Richard. Aren't you

432
00:21:51,279 --> 00:21:52,400
going to say anything?

433
00:21:52,680 --> 00:21:56,160
Speaker 2: Right, dear girl, you gambled and lost.

434
00:21:56,920 --> 00:21:58,000
Speaker 4: What does that mean?

435
00:21:58,799 --> 00:22:01,359
Speaker 1: No, force me to be blunt, Richard.

436
00:22:02,000 --> 00:22:06,279
Speaker 4: What we did was because we were now tell him that.

437
00:22:06,240 --> 00:22:11,200
Speaker 2: Richard Richard cannot and must not marry you. It will

438
00:22:11,240 --> 00:22:15,039
destroy his career and the plans I've made for him.

439
00:22:15,440 --> 00:22:18,319
Speaker 4: Richard, Aren't you going to say anything?

440
00:22:18,519 --> 00:22:21,480
Speaker 2: Richard and I have discussed this matter from every viewpoint,

441
00:22:21,599 --> 00:22:23,440
and we have reached the same conclusion.

442
00:22:24,160 --> 00:22:26,799
Speaker 4: He is, Richard. I won't Lechard leave me. I won't

443
00:22:26,839 --> 00:22:29,200
give you up I'll kill myself.

444
00:22:29,799 --> 00:22:31,079
Speaker 1: No, be quiet, Richard.

445
00:22:32,200 --> 00:22:37,000
Speaker 2: We have here determined and consummate middle actress, Judge Richard.

446
00:22:37,680 --> 00:22:39,039
We discussed this thoroughly.

447
00:22:39,680 --> 00:22:40,960
Speaker 1: We arrived at a conclude.

448
00:22:41,000 --> 00:22:43,480
Speaker 2: I've changed my mind, then I shall change my mind.

449
00:22:44,000 --> 00:22:46,640
And I keep reminding you constantly that you are to

450
00:22:46,680 --> 00:22:50,880
receive the bulk of your father's fortune at my discretion.

451
00:22:51,039 --> 00:22:53,720
But I love her, of course you love her, and

452
00:22:53,839 --> 00:22:57,599
I'm sure she loves you. But your children, both of you,

453
00:22:57,839 --> 00:23:01,599
two children, and playing an adult's game.

454
00:23:01,720 --> 00:23:02,640
Speaker 1: I can't give her up.

455
00:23:02,839 --> 00:23:05,039
Speaker 2: I realized that I sound.

456
00:23:04,920 --> 00:23:08,640
Speaker 1: Like a villain, but somebody has to take the mature approach.

457
00:23:09,640 --> 00:23:11,160
Speaker 2: Now, he'll fear.

458
00:23:11,519 --> 00:23:13,759
Speaker 1: We'll take care of all your expenses.

459
00:23:13,839 --> 00:23:14,880
Speaker 4: I don't want your money.

460
00:23:15,079 --> 00:23:19,039
Speaker 2: There's no reason why Dick shouldn't pay for his mistakes. Mistake.

461
00:23:20,039 --> 00:23:22,000
Speaker 4: We should tell me, what's a mistake?

462
00:23:25,319 --> 00:23:26,319
Speaker 1: Tell me, I fear.

463
00:23:26,920 --> 00:23:30,759
Speaker 4: I see. I want you both to leave this place

464
00:23:30,839 --> 00:23:32,039
this minute, Elfie, get.

465
00:23:31,960 --> 00:23:34,799
Speaker 2: Out now, el fear, we're just trying to do the

466
00:23:34,839 --> 00:23:35,359
right thing.

467
00:23:35,440 --> 00:23:40,720
Speaker 4: There, get out, and one day I promise you I'll

468
00:23:40,720 --> 00:23:45,160
pay you back. I will pay both of you back.

469
00:23:49,599 --> 00:23:53,039
And here I am, Richard, ready to keep my promise.

470
00:23:53,440 --> 00:23:55,359
Speaker 2: I'll fear, what happened to the child?

471
00:23:56,119 --> 00:23:57,279
Speaker 4: Do you really care?

472
00:23:57,559 --> 00:24:00,000
Speaker 2: Yes? The day doesn't go by that I don't.

473
00:24:00,480 --> 00:24:05,240
Speaker 4: I don't know what happened to the baby. In those days,

474
00:24:05,799 --> 00:24:08,279
in age, you give them up. It isn't the way

475
00:24:08,279 --> 00:24:11,759
it is today. Back then it was a shame, a sin,

476
00:24:12,160 --> 00:24:17,680
a stigma for an unmarried girl who knows what happened

477
00:24:17,680 --> 00:24:18,079
to him?

478
00:24:18,279 --> 00:24:21,240
Speaker 2: Healthy. It's over and I've suffered as much as you had.

479
00:24:21,359 --> 00:24:24,440
Speaker 4: Oh no, you haven't believed me. You haven't.

480
00:24:24,759 --> 00:24:26,960
Speaker 2: You don't look as if you're suffering.

481
00:24:26,400 --> 00:24:27,759
Speaker 4: Ohm, the elegant lady.

482
00:24:27,839 --> 00:24:28,079
Speaker 3: Now.

483
00:24:29,119 --> 00:24:32,000
Speaker 4: But I had ten dad years before I met Jack Beaumap.

484
00:24:33,240 --> 00:24:36,240
He was attracted to me because I reminded him of

485
00:24:36,279 --> 00:24:40,359
a half drowned kitten, Jack Bowmump. Have you ever heard

486
00:24:40,400 --> 00:24:44,759
of him? No? I a happy Jack, the wildcatter. One

487
00:24:44,839 --> 00:24:47,640
day the drill would strike oil, he'd be worth millions,

488
00:24:47,720 --> 00:24:50,680
the next day be flat broke. Fortunately for me, he

489
00:24:50,759 --> 00:24:52,079
died on a day he was rich.

490
00:24:52,200 --> 00:24:56,640
Speaker 2: Helleear, I have repented every waking and every sleeping moment.

491
00:24:56,759 --> 00:24:58,039
Speaker 1: Have you look?

492
00:24:58,039 --> 00:24:59,880
Speaker 2: What I did to you is wrong. I've spent my

493
00:25:00,000 --> 00:25:01,839
my life's trying to make up for it. Have you?

494
00:25:02,759 --> 00:25:07,039
I've tried to be honest, to be ethical. Ask about me,

495
00:25:07,119 --> 00:25:10,319
Ask anyone in town. I'm the most trustworthy.

496
00:25:10,319 --> 00:25:14,759
Speaker 4: You're a phony. When I was a child, I was impressed.

497
00:25:14,759 --> 00:25:18,000
But the truth is, Richard, you are a hollow man.

498
00:25:18,680 --> 00:25:21,640
You have no real convictions. In the end, you'll always

499
00:25:21,680 --> 00:25:23,519
sell yourself to the highest bidder.

500
00:25:26,279 --> 00:25:30,039
Speaker 2: Fellow, I haven't worth on the pont oh from the bank,

501
00:25:30,119 --> 00:25:31,319
Uh tell him, I stepped out of the.

502
00:25:31,240 --> 00:25:33,200
Speaker 6: Office, but it's very important.

503
00:25:33,200 --> 00:25:36,160
Speaker 2: I'm out of the office and I can't talk to him.

504
00:25:36,160 --> 00:25:38,000
Speaker 4: You have some notes overdo at the bank.

505
00:25:38,799 --> 00:25:41,559
Speaker 2: How do you know I own the bank?

506
00:25:42,240 --> 00:25:46,640
Speaker 4: What I'm the majority stockholder and next week Southworth will

507
00:25:46,680 --> 00:25:48,519
has to call in these notes or.

508
00:25:48,480 --> 00:25:50,559
Speaker 2: Else You own the bank?

509
00:25:50,640 --> 00:25:55,599
Speaker 4: Yes, yes, I also recently acquired Imperial Furniture, and my

510
00:25:55,720 --> 00:25:59,000
new manager was instructed to hire your foreman, Jerry Ritzer,

511
00:25:59,440 --> 00:26:02,359
So that's I also have a controlling interest in Western

512
00:26:02,400 --> 00:26:05,880
State Merchandises. I don't think they'll be buying from you

513
00:26:05,920 --> 00:26:08,160
in the future, or at least until I give them

514
00:26:08,160 --> 00:26:08,480
the word.

515
00:26:08,519 --> 00:26:10,680
Speaker 2: Did you also buy up George Cawley's mill.

516
00:26:10,680 --> 00:26:15,519
Speaker 4: George Cowley, No, No, I don't know about that. Well,

517
00:26:15,720 --> 00:26:18,880
it goes to show you bad luck is contagious. You

518
00:26:18,920 --> 00:26:21,880
won't need me to destroy you? And now on it

519
00:26:22,039 --> 00:26:25,759
can uh be a snowball rolling downhill, But we can

520
00:26:25,880 --> 00:26:29,319
always break up that snowball before it gets out of control.

521
00:26:30,400 --> 00:26:33,000
Just uh kill Judge Morrow for me.

522
00:26:33,319 --> 00:26:46,720
Speaker 2: No, I'll never do it. Never, As we all know,

523
00:26:47,440 --> 00:26:53,400
you're a long long time. Actually it's the same as forever,

524
00:26:54,559 --> 00:26:58,039
and things have a way of falling into different perspectives

525
00:26:58,680 --> 00:27:05,200
and circumstances and alter cases. Man is nothing if not flexible.

526
00:27:06,720 --> 00:27:11,920
Well will he or won't he? The third act is

527
00:27:11,960 --> 00:27:12,799
coming up in.

528
00:27:12,960 --> 00:27:28,200
Speaker 3: Just a few moments.

529
00:27:29,440 --> 00:27:34,799
Speaker 2: We talk about morality. But what is morality? It comes

530
00:27:34,799 --> 00:27:39,799
from the Latin moras, which means custom. In other words,

531
00:27:40,440 --> 00:27:45,519
what the majority believes is moral. Now, if we are

532
00:27:45,559 --> 00:27:49,640
having this searching analysis of morality, it's only because mister

533
00:27:49,720 --> 00:27:54,960
Richard F. Nelson is undergoing the same process. Mister Nelson

534
00:27:55,319 --> 00:27:59,640
is in danger of losing everything he cherishes unless he

535
00:27:59,680 --> 00:28:04,759
can murder and murder. As we all know, he is

536
00:28:04,880 --> 00:28:10,720
not moral. So what is morality?

537
00:28:10,880 --> 00:28:11,119
Speaker 1: Dick?

538
00:28:11,519 --> 00:28:14,720
Speaker 4: Yes, I I was at the club today and I

539
00:28:14,839 --> 00:28:19,039
signed for lunch. Oh and as I was leaving, John

540
00:28:19,599 --> 00:28:23,599
the manager took me aside and said, you hadn't paid

541
00:28:23,599 --> 00:28:25,720
our dues and that we were three.

542
00:28:25,880 --> 00:28:27,680
Speaker 1: Yes, I know, I know, Dick.

543
00:28:27,799 --> 00:28:30,720
Speaker 4: I don't want to be embarrassed, so so won't you

544
00:28:30,759 --> 00:28:31,279
take care of it?

545
00:28:31,359 --> 00:28:34,319
Speaker 2: Wait a minute, Dorothy, is it possible that you don't

546
00:28:34,359 --> 00:28:35,079
know what's happening?

547
00:28:35,359 --> 00:28:36,960
Speaker 4: Dear? Sure they was in pay our dou.

548
00:28:37,039 --> 00:28:38,559
Speaker 2: We're gonna have to resign from the club.

549
00:28:38,759 --> 00:28:42,920
Speaker 4: Well that's impossible. W D Do you realize my family

550
00:28:43,000 --> 00:28:46,079
has always or my grandfather was one of the.

551
00:28:46,079 --> 00:28:48,480
Speaker 2: Friends of We no longer can afford it.

552
00:28:48,920 --> 00:28:50,160
Speaker 4: What am I gonna say to people?

553
00:28:50,160 --> 00:28:51,400
Speaker 2: I don't know and I don't care.

554
00:28:51,680 --> 00:28:53,119
Speaker 4: I have no way to talk to me.

555
00:28:53,319 --> 00:28:54,960
Speaker 2: But you're going to have to sign this paper for me.

556
00:28:55,079 --> 00:28:57,000
Why I'm taking a second mortgage on the house and

557
00:28:57,039 --> 00:28:57,880
I need your signature.

558
00:28:58,000 --> 00:28:59,440
Speaker 1: Well, this is really my hotory.

559
00:28:59,440 --> 00:29:00,839
Speaker 2: I have a note, I mean you at the bank.

560
00:29:01,039 --> 00:29:03,720
Speaker 4: Daddy gave it to us for a wedding present, but he.

561
00:29:03,799 --> 00:29:05,880
Speaker 2: Really meant for me to have my darling. We are

562
00:29:05,920 --> 00:29:07,519
facing bankruptcy.

563
00:29:07,839 --> 00:29:08,759
Speaker 4: I don't understand it.

564
00:29:08,839 --> 00:29:11,599
Speaker 2: I'll see a Beaumont woman is out to destroy us.

565
00:29:11,720 --> 00:29:14,599
Speaker 4: So why what have you ever done to her?

566
00:29:14,680 --> 00:29:20,680
Speaker 2: Nothing? Nothing? Now, Look, I can make it despite everything

567
00:29:20,720 --> 00:29:22,559
with the mortgage on the house, so we can pawn

568
00:29:22,640 --> 00:29:27,519
some of your jewelry. We have no choice dying just

569
00:29:27,599 --> 00:29:37,200
a minute, Hello, Dick, Uh mind if I come in more?

570
00:29:37,319 --> 00:29:37,599
Speaker 3: Judge?

571
00:29:38,079 --> 00:29:40,759
Speaker 2: Of course, of course. Well how about joining us for dinner?

572
00:29:40,960 --> 00:29:42,119
Speaker 4: Yeah? How good you see you?

573
00:29:42,480 --> 00:29:44,559
Speaker 2: Oh I'm on my way up to the country.

574
00:29:44,680 --> 00:29:47,599
Speaker 1: I spent little time by myself in the cabinet.

575
00:29:47,640 --> 00:29:48,200
Speaker 6: Are you all right?

576
00:29:48,880 --> 00:29:51,440
Speaker 2: Well now it is he did to be my age

577
00:29:51,640 --> 00:29:54,440
and any day and be alas.

578
00:29:54,599 --> 00:29:56,599
Speaker 4: Oh God, you mustn't talk like that.

579
00:29:57,839 --> 00:30:01,440
Speaker 1: I said I'd drop in and let you know.

580
00:30:01,640 --> 00:30:04,119
Speaker 2: The bridge game for tomorrow night has to be canceled.

581
00:30:04,240 --> 00:30:06,839
Oh it's all right. What's all this?

582
00:30:07,039 --> 00:30:07,960
Speaker 1: Southworth tells me.

583
00:30:08,200 --> 00:30:11,759
Speaker 2: Southworth at the bank, you seem to be running into

584
00:30:11,839 --> 00:30:15,359
some cash flow Proboh well, uh, we've had a few reverses, Judger.

585
00:30:15,960 --> 00:30:17,440
A matter of fact, I was thinking of asking you

586
00:30:17,559 --> 00:30:21,920
for a loan me where else can I turn my boy?

587
00:30:23,000 --> 00:30:25,920
Fifteen years ago I gave you all the money you

588
00:30:26,000 --> 00:30:28,440
were ever going to get from me when Judge, times

589
00:30:28,559 --> 00:30:31,279
happened to be very tough. It's tough times to.

590
00:30:31,359 --> 00:30:35,160
Speaker 1: Bring out the best of people. That's when you develop characters.

591
00:30:35,200 --> 00:30:37,799
Speaker 2: But I have some unusual problems. I could do the

592
00:30:37,880 --> 00:30:40,839
easy thing, think and give you the money, but you get.

593
00:30:40,720 --> 00:30:41,640
Speaker 1: Out of this yourself.

594
00:30:41,799 --> 00:30:45,160
Speaker 2: Now you got the stuff, and you'll see you'll both

595
00:30:45,559 --> 00:30:48,400
thank before it later, since I remember I once heard

596
00:30:48,440 --> 00:30:49,799
you say that before him. Mm.

597
00:30:50,039 --> 00:30:52,559
Speaker 4: You may have and I was right? Was I?

598
00:30:53,680 --> 00:30:58,000
Speaker 1: Now? Goodbye? I'll probably be back for the weekend.

599
00:31:02,759 --> 00:31:04,000
Speaker 4: What is he talking about?

600
00:31:04,279 --> 00:31:04,519
Speaker 1: Nothing?

601
00:31:04,720 --> 00:31:05,000
Speaker 2: Nothing?

602
00:31:06,880 --> 00:31:07,160
Speaker 1: All right?

603
00:31:07,200 --> 00:31:09,480
Speaker 2: Now I can raise uh eighty thousand on the house,

604
00:31:10,400 --> 00:31:13,000
and the jewels would be another fifty. And we have

605
00:31:13,079 --> 00:31:15,920
the Persian rugs and the porcelain and the sofa. I'll

606
00:31:15,920 --> 00:31:17,599
be able to pay the interest and meet the payroll.

607
00:31:18,079 --> 00:31:18,240
Speaker 1: Oh.

608
00:31:18,279 --> 00:31:20,720
Speaker 2: I needed some breathing room, Dorothy, and I'll beat this thing.

609
00:31:21,400 --> 00:31:24,480
Just stand buy me, darling, stand by me. Promise, uh,

610
00:31:25,680 --> 00:31:26,559
I promise?

611
00:31:27,079 --> 00:31:37,680
Speaker 4: Ah, Missus Nelson, Missus Richard F. Nelson? Who may I

612
00:31:37,880 --> 00:31:45,440
come here? Missus Beaumont? Oh, forgive me, of course? Won't

613
00:31:45,519 --> 00:31:49,759
you sit down? Thank you? Why are you out to

614
00:31:49,880 --> 00:31:50,640
destroy us?

615
00:31:51,559 --> 00:31:51,680
Speaker 2: Us?

616
00:31:52,640 --> 00:31:52,799
Speaker 1: Oh?

617
00:31:52,839 --> 00:31:55,440
Speaker 4: I have nothing against you, Dorothy. What have you got

618
00:31:55,440 --> 00:31:57,519
against my husband? That's private?

619
00:31:57,759 --> 00:31:58,160
Speaker 2: Private?

620
00:31:58,440 --> 00:32:02,440
Speaker 4: Yes? Does he ask you to come to his rescuer?

621
00:32:03,319 --> 00:32:05,279
What are you talking about? Let me do you a

622
00:32:05,359 --> 00:32:07,759
good turn? Why would you want to do me a

623
00:32:07,839 --> 00:32:12,000
good turn? Especially since you are resolved to destroy my husband.

624
00:32:12,160 --> 00:32:16,880
Save yourself. What the ship is sinking? Get on the lifeboat.

625
00:32:17,519 --> 00:32:20,480
So far it's a rather roomy and comfortable lifeboat. I

626
00:32:20,559 --> 00:32:23,640
don't know what you're talking about. Travel in the same circles, mingle,

627
00:32:23,759 --> 00:32:26,400
Try to meet a man of your own position. Mary, Again,

628
00:32:26,680 --> 00:32:29,680
I happen to love my husband. That's an interesting word.

629
00:32:30,240 --> 00:32:30,559
Speaker 1: Happen.

630
00:32:31,240 --> 00:32:35,440
Speaker 4: You happen to love Richard. By the same happenstance, you'll

631
00:32:35,559 --> 00:32:39,599
come to love someone else. I should know it happened

632
00:32:39,640 --> 00:32:42,880
to me. Richard isn't worth it, and you are a

633
00:32:43,000 --> 00:32:45,960
woman of no morality. Lot is foreign to your understanding.

634
00:32:46,039 --> 00:32:49,960
Of course, Well here's the position.

635
00:32:50,640 --> 00:32:51,440
Speaker 1: You can strip.

636
00:32:51,279 --> 00:32:54,880
Speaker 4: Yourself clean in a vain attempt to salvage Richard's business.

637
00:32:54,960 --> 00:32:59,519
I have confidence in rich I hope so. I think

638
00:32:59,559 --> 00:33:01,839
it's through. You won't have a penny to your name,

639
00:33:01,880 --> 00:33:04,319
and neither were Richard. Are you equipped for a life

640
00:33:04,359 --> 00:33:07,960
of poverty? Missus Nelson hits a woman's duty to stand

641
00:33:08,039 --> 00:33:12,680
by her husband. This show promise and even progress. First

642
00:33:12,759 --> 00:33:14,839
you would stand by him because you love him. Now

643
00:33:14,960 --> 00:33:19,039
because it's your beauty. M Yes, indeed, we are really

644
00:33:19,359 --> 00:33:28,720
getting somewhere. You lied to me. Why Why did you

645
00:33:28,920 --> 00:33:29,400
lie to me?

646
00:33:29,559 --> 00:33:30,759
Speaker 1: How could I tell you the truth?

647
00:33:31,119 --> 00:33:31,160
Speaker 2: You?

648
00:33:31,920 --> 00:33:35,519
Speaker 4: You were the father of her child? Oh good lord,

649
00:33:35,599 --> 00:33:37,079
it sounds like a melodrama.

650
00:33:37,119 --> 00:33:38,359
Speaker 2: I was young, stupid.

651
00:33:38,720 --> 00:33:40,400
Speaker 4: Now you're older and not much wiser.

652
00:33:40,519 --> 00:33:41,720
Speaker 2: Didn't you ever make a mistake?

653
00:33:41,920 --> 00:33:43,960
Speaker 1: Yes, I married you, Dorothy.

654
00:33:44,160 --> 00:33:47,240
Speaker 4: I guessed wrong. I never had the courage to bring

655
00:33:47,319 --> 00:33:50,240
it out into the open, but now I can face it.

656
00:33:50,880 --> 00:33:52,200
My share of our money.

657
00:33:52,000 --> 00:33:53,119
Speaker 1: Won't save to you, Dorothy.

658
00:33:53,240 --> 00:33:56,240
Speaker 2: You have to help me. I have nowhere else to go, Yes,

659
00:33:56,359 --> 00:33:58,359
you have. What are you saying?

660
00:33:58,599 --> 00:33:59,680
Speaker 4: You know what I'm saying.

661
00:34:00,799 --> 00:34:02,880
Speaker 2: Are you telling me to kill Judgemorrow?

662
00:34:03,160 --> 00:34:05,599
Speaker 4: I'm only saying you have an alternate?

663
00:34:05,640 --> 00:34:07,680
Speaker 2: Do you think for one moment but I would?

664
00:34:07,920 --> 00:34:11,360
Speaker 4: I don't know, I I I. I just can't stand

665
00:34:11,480 --> 00:34:14,840
any more of this. It's impossible for me to stay

666
00:34:14,920 --> 00:34:19,000
with you any longer, just as just as it was

667
00:34:19,079 --> 00:34:20,880
impossible for you to stay.

668
00:34:20,679 --> 00:34:21,480
Speaker 5: With her one.

669
00:34:30,039 --> 00:34:32,440
Speaker 4: Have you told them all? Have you told them they're

670
00:34:32,440 --> 00:34:33,840
not getting paid this Friday? No?

671
00:34:34,440 --> 00:34:35,559
Speaker 2: What business is it of yourns?

672
00:34:35,719 --> 00:34:39,559
Speaker 4: My bag holds your note? Oh poor Richard. Actually there

673
00:34:39,639 --> 00:34:42,039
can be plenty of money here by Friday, and plenty

674
00:34:42,079 --> 00:34:42,559
of orders.

675
00:34:42,599 --> 00:34:44,280
Speaker 2: You get out of here before I forget I'm a gentleman.

676
00:34:44,360 --> 00:34:46,400
Speaker 4: Are you going to shoot judge more for me? Richard?

677
00:34:46,440 --> 00:34:48,079
Speaker 2: I won't even dignify that with an answer.

678
00:34:48,159 --> 00:34:50,960
Speaker 4: It would be different if you really had scruples, But

679
00:34:51,119 --> 00:34:54,000
in the end, you always do what's best for Richard.

680
00:34:54,079 --> 00:34:56,880
Speaker 2: You don't know me. I made an adolescent mistake. I'm

681
00:34:56,880 --> 00:34:57,480
different now.

682
00:34:57,719 --> 00:35:01,039
Speaker 4: Actually the trouble is the judge, which he talked you

683
00:35:01,119 --> 00:35:01,880
out of marrying me.

684
00:35:02,039 --> 00:35:03,440
Speaker 2: What business was it of his?

685
00:35:04,599 --> 00:35:08,119
Speaker 4: You married Dorothy? Did she really love you? Oh? Yes,

686
00:35:08,480 --> 00:35:12,440
in her way? But where is she now? Richard? You're

687
00:35:12,480 --> 00:35:15,000
in a jam. The judge could help you. Has he

688
00:35:15,119 --> 00:35:17,719
offered to lend you even one copper penny?

689
00:35:17,800 --> 00:35:20,239
Speaker 2: I'll start if I have to brave and I need them.

690
00:35:20,239 --> 00:35:22,000
I'll get a job doing anything.

691
00:35:22,159 --> 00:35:24,400
Speaker 4: Oh those anything jobs? Want to post you at the

692
00:35:24,440 --> 00:35:25,119
Country Cloud.

693
00:35:25,119 --> 00:35:27,840
Speaker 2: I don't need the club. I won't commit murder.

694
00:35:28,239 --> 00:35:30,639
Speaker 4: Southworth will have to close you down on Friday.

695
00:35:31,880 --> 00:35:32,840
Speaker 2: Dem Richard F.

696
00:35:32,960 --> 00:35:37,440
Speaker 4: Nelson and Company, Fine Furniture, the end of four generations?

697
00:35:37,519 --> 00:35:37,880
Speaker 6: Oh bid?

698
00:35:39,559 --> 00:35:40,960
Speaker 1: Tell her sick?

699
00:35:42,079 --> 00:35:47,280
Speaker 2: Oh yes, Judge, I'm.

700
00:35:45,480 --> 00:35:46,760
Speaker 6: Feeling kind of point.

701
00:35:47,760 --> 00:35:48,199
Speaker 2: What's wrong?

702
00:35:48,880 --> 00:35:49,079
Speaker 4: Oh?

703
00:35:53,320 --> 00:35:56,880
Speaker 6: Why don't you take a round here tomorrow? The company a.

704
00:35:56,920 --> 00:35:59,280
Speaker 2: Bit Judge's brilliant.

705
00:35:59,360 --> 00:35:59,920
Speaker 1: Appreciate it.

706
00:36:01,559 --> 00:36:01,719
Speaker 3: All.

707
00:36:01,800 --> 00:36:03,199
Speaker 6: I've our art.

708
00:36:07,519 --> 00:36:12,119
Speaker 4: Well, that was the author of all your problems. Why

709
00:36:12,159 --> 00:36:13,480
don't you go up there and kill him?

710
00:36:13,880 --> 00:36:16,760
Speaker 2: I don't have to kill him, and I've got the

711
00:36:16,840 --> 00:36:19,280
last laugh on you. It looks like he's going to

712
00:36:19,400 --> 00:36:21,079
die soon and he's leaving everything to me.

713
00:36:21,280 --> 00:36:22,599
Speaker 4: Oh, I'm afraid he isn't.

714
00:36:23,079 --> 00:36:24,079
Speaker 2: Oh but he promised me.

715
00:36:24,199 --> 00:36:28,159
Speaker 4: He did. He bows and commonly of his attorneys they

716
00:36:28,199 --> 00:36:30,400
also represent a company of mine. I've been able to

717
00:36:30,480 --> 00:36:33,320
ascertain that most of his money is going into a

718
00:36:33,360 --> 00:36:37,639
foundation to help needy law students. Well, but he's not

719
00:36:37,840 --> 00:36:41,119
going to leave you anything. But why should you care?

720
00:36:41,800 --> 00:36:44,280
After all, you still have your integrity?

721
00:36:45,679 --> 00:36:47,079
Speaker 2: Why do you want me to kill him?

722
00:36:47,159 --> 00:36:50,159
Speaker 4: He deserves to die. He's an evil meddling old man.

723
00:36:50,840 --> 00:36:53,280
Speaker 1: Jour I know, but we do it all the time.

724
00:36:53,519 --> 00:36:58,400
Speaker 2: See that isn't there any tenderness, lift, any memory of

725
00:36:58,559 --> 00:37:00,599
all of the sweet times when we were young.

726
00:37:00,800 --> 00:37:04,360
Speaker 4: The judge will die soon anyhow, he has to be sick.

727
00:37:05,159 --> 00:37:06,840
It isn't as if you were robbing a man of

728
00:37:07,039 --> 00:37:08,000
full rich life.

729
00:37:08,000 --> 00:37:09,039
Speaker 6: I don't want to hear anymore.

730
00:37:09,599 --> 00:37:12,119
Speaker 4: Who's to know? Who's to suspect? They'll think it was

731
00:37:12,199 --> 00:37:14,760
some prowler a burger. There's no one not there.

732
00:37:14,800 --> 00:37:16,119
Speaker 2: I don't even ever go I do.

733
00:37:16,559 --> 00:37:18,800
Speaker 4: I have it ready and wait here here. This is months,

734
00:37:19,079 --> 00:37:23,039
of course, but it's not your first. After all, you

735
00:37:23,199 --> 00:37:24,480
abandoned me, didn't you.

736
00:37:25,159 --> 00:37:25,280
Speaker 1: Oh?

737
00:37:25,360 --> 00:37:26,119
Speaker 2: I know I can trust you.

738
00:37:26,239 --> 00:37:28,760
Speaker 4: You can trust me. I know I keep my promises,

739
00:37:28,840 --> 00:37:30,880
don't I? Years ago, I promised i'd paid both of

740
00:37:30,960 --> 00:37:35,320
you back. I'm keeping Elsie. We're wasting time. Tonight is

741
00:37:35,360 --> 00:37:36,960
when we should do it. When we get there, I'll

742
00:37:36,960 --> 00:37:39,440
give you the revolver and I'll tell you exactly what

743
00:37:39,760 --> 00:37:40,159
to say.

744
00:37:45,880 --> 00:37:47,760
Speaker 1: Oh, who's there?

745
00:37:49,159 --> 00:37:55,440
Speaker 2: I say, who's there? It's made Judge, Oh Dick, I

746
00:37:55,760 --> 00:37:59,800
thought you weren't coming up until tomorrow. Here, let me

747
00:37:59,840 --> 00:38:00,679
turn on the life.

748
00:38:01,760 --> 00:38:04,519
Speaker 1: Who whoo? Who's that with you?

749
00:38:04,519 --> 00:38:06,519
Speaker 4: You don't remember me?

750
00:38:06,800 --> 00:38:08,599
Speaker 2: Judge? Who are you?

751
00:38:09,320 --> 00:38:11,480
Speaker 4: I'm the girl who gambled and lost.

752
00:38:11,960 --> 00:38:13,480
Speaker 2: Stop talking in riddled.

753
00:38:13,719 --> 00:38:17,519
Speaker 4: I'm outfeared, Judge, the town girl who wasn't good enough

754
00:38:17,599 --> 00:38:19,239
to marry Richard Dick.

755
00:38:19,559 --> 00:38:20,440
Speaker 1: What's the meeting?

756
00:38:20,760 --> 00:38:23,159
Speaker 4: The meaning is that I promised to pay you back

757
00:38:23,239 --> 00:38:26,960
and I'm giving Dick one million dollars to kill you. Well?

758
00:38:27,119 --> 00:38:28,719
Speaker 2: Is this crazy showing the revolver.

759
00:38:28,920 --> 00:38:31,480
Speaker 4: Richard, this is a joke, you told me, She choked

760
00:38:31,480 --> 00:38:33,079
with a loaded thirty eight in his hand.

761
00:38:33,440 --> 00:38:36,920
Speaker 2: Pick careful, I've done for you, what have you done

762
00:38:37,039 --> 00:38:41,000
for him? Lengthly, I swear to you are I'll leave

763
00:38:41,039 --> 00:38:44,239
you everything in my wild we're here. I'll even write

764
00:38:44,280 --> 00:38:45,960
it out now, and I'm trying it.

765
00:38:46,039 --> 00:38:48,280
Speaker 4: Can you give him a million dollars? No, you don't

766
00:38:48,320 --> 00:38:50,079
have that much, and that's my bid.

767
00:38:51,039 --> 00:38:51,280
Speaker 1: Dick.

768
00:38:52,599 --> 00:38:56,360
Speaker 2: You can't kill me. I've known you since you were

769
00:38:56,360 --> 00:38:59,599
to him. I can't. I can't.

770
00:38:59,639 --> 00:39:00,519
Speaker 1: He look shot me like that.

771
00:39:00,679 --> 00:39:05,039
Speaker 4: I turned Southwi with her clothes in the morning. Shoot him, No, don't.

772
00:39:05,199 --> 00:39:06,079
Speaker 2: I can kill him.

773
00:39:06,760 --> 00:39:07,079
Speaker 1: I turn.

774
00:39:07,159 --> 00:39:08,960
Speaker 4: I don't want your money. It's child. If you need

775
00:39:09,039 --> 00:39:12,079
money for so many things, payroll the bank, loan. Shoot him.

776
00:39:12,199 --> 00:39:14,480
Speaker 1: No, Richard shoots him. I'm sorry.

777
00:39:14,760 --> 00:39:15,920
Speaker 4: Please fitch your.

778
00:39:15,920 --> 00:39:16,760
Speaker 1: Meddling, old fool.

779
00:39:16,880 --> 00:39:18,960
Speaker 2: No, get hanged ruined my wife.

780
00:39:19,000 --> 00:39:19,960
Speaker 1: That's it, an account of you.

781
00:39:20,039 --> 00:39:22,039
Speaker 2: I lost the only girl I ever loved. No, why

782
00:39:22,119 --> 00:39:24,039
shouldn't I kill for a million dollars?

783
00:39:24,559 --> 00:39:28,480
Speaker 4: I ought to tinue for nothing? Bravo, Richard, Bravo.

784
00:39:29,360 --> 00:39:30,119
Speaker 2: He doesn't die.

785
00:39:31,280 --> 00:39:32,440
Speaker 1: Look at him. He doesn't die.

786
00:39:32,800 --> 00:39:40,960
Speaker 4: Richard you're wasting your time, Richard. Those are blank cartridges, blanks.

787
00:39:41,800 --> 00:39:47,280
I proved my point. You are a scoundrel, and now

788
00:39:47,519 --> 00:39:52,079
I am over you, completely over me. His only you

789
00:39:52,199 --> 00:39:54,920
had told me to take my money and go to Blazes,

790
00:39:55,119 --> 00:40:01,800
if only you had meant it. Well, goodbye Richard, goodbye Judge.

791
00:40:03,159 --> 00:40:06,239
I hope you will remain fast friends.

792
00:40:15,519 --> 00:40:20,039
Speaker 2: No, they didn't, and Richard's wife left him too.

793
00:40:21,000 --> 00:40:24,039
Speaker 1: But you know, Elsier did pay him a million dollars.

794
00:40:24,679 --> 00:40:28,599
Speaker 2: After all, he kept his part of the bargain. It

795
00:40:28,800 --> 00:40:32,599
was she who loaded the dice. Oh, we should say

796
00:40:32,960 --> 00:40:37,000
the gun. I'll be loading up with some information for

797
00:40:37,119 --> 00:40:55,000
you when I returned shortly. I wouldn't do it for

798
00:40:55,119 --> 00:40:56,159
a million dollars?

799
00:40:57,840 --> 00:41:00,519
Speaker 1: Have you ever said that? Careful?

800
00:41:01,719 --> 00:41:05,239
Speaker 2: Someone might just happen along and offer you the million,

801
00:41:05,880 --> 00:41:06,360
And then.

802
00:41:06,360 --> 00:41:07,000
Speaker 1: Where would you be?

803
00:41:09,320 --> 00:41:09,920
Speaker 6: Morality?

804
00:41:10,880 --> 00:41:15,239
Speaker 1: We're still no further along our we Does it go deep?

805
00:41:16,360 --> 00:41:17,920
Speaker 3: Or is it a veneer?

806
00:41:19,719 --> 00:41:21,400
Speaker 1: I suppose it all depends.

807
00:41:23,679 --> 00:41:27,480
Speaker 2: We have these and similar problems that are aired here

808
00:41:27,920 --> 00:41:34,320
seven times each week. Our cast included Mandel Kramer, Patricia Elliott,

809
00:41:34,920 --> 00:41:40,960
Katherine Byers, Robert Dryden, and Matt Pollan. The entire production

810
00:41:41,199 --> 00:41:47,559
was under the direction of Hyman Brown and now a

811
00:41:47,719 --> 00:41:49,559
preview of our next tale.

812
00:41:50,480 --> 00:41:53,480
Speaker 1: Yes, it's such you know you alone?

813
00:41:53,760 --> 00:41:55,360
Speaker 4: Yeah, call a.

814
00:41:55,400 --> 00:41:56,920
Speaker 1: Baby, hold it, just tell me one thing.

815
00:41:57,199 --> 00:41:59,039
Speaker 4: Only after you tell me how you are right.

816
00:41:59,119 --> 00:42:03,199
Speaker 1: I'm fine. Now it's your turn. What bank do I use?

817
00:42:03,599 --> 00:42:03,880
Speaker 6: Honey?

818
00:42:05,239 --> 00:42:08,920
Speaker 2: Never mind, dag what bank'kay?

819
00:42:09,400 --> 00:42:15,039
Speaker 1: All I need to know? The board manager recognized me.

820
00:42:15,159 --> 00:42:17,400
Speaker 2: In the sheet I had to sign had earlier signatures

821
00:42:17,440 --> 00:42:18,760
on it by Gino himself.

822
00:42:19,679 --> 00:42:21,719
Speaker 1: What I forged was close enough. In the box had

823
00:42:21,880 --> 00:42:25,519
just what I figured. I didn't stop the counter money.

824
00:42:26,320 --> 00:42:29,519
Speaker 2: What was more interesting was a list of names and

825
00:42:29,679 --> 00:42:33,679
the whole structure of the organization. And what was most

826
00:42:33,760 --> 00:42:36,159
interesting after I put the box back and came out

827
00:42:38,000 --> 00:42:39,159
was beating myself.

828
00:42:39,719 --> 00:42:40,880
Speaker 1: Radio Mystery Theater.

829
00:42:40,719 --> 00:42:44,039
Speaker 2: Was sponsored in part by sign Off, the Sinus Medicines

830
00:42:44,480 --> 00:42:48,360
and Buick Motor Division. This is E. G. Marshall inviting

831
00:42:48,440 --> 00:42:51,840
you to return to our Mystery Theater for another adventure

832
00:42:52,239 --> 00:43:00,119
in the macabre. Until next time, Pleasant dreams, O.

833
00:43:26,559 --> 00:43:26,760
Speaker 3: FA.

