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Speaker 1: The commission was from a London magazine i'd worked with before.

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It was a long form piece about six thousand words

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and a photo essay, all on the ecological recovery in

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the Chernobyl zone. The angle was genuinely good, genuinely surprising

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if you hadn't read the science. In thirty eight years

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without humans, the exclusion zone had become accidentally the largest

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wildlife sanctuary in Europe. Surprisingly, wolves had returned in numbers

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not seen in the region since before industrialization. There were

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links wild boar, white tailed eagles, and a population of

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Puzzwalski's horses introduced as an experiment in the nineties that

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had thrived beyond any reasonable projection. The absence of humans

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had done more for the ecosystem than any conservation program,

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which said something worth saying. The radiation was still measurable,

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but it turned out wolves didn't care about elevated background

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radiation in the way they cared about being shot, which

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they no longer were. This was the piece what happens

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to a landscape when people leave it entirely. I'd spent

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three weeks reading the ecology literature before I came, and

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I had a genuine interest in the subject that made

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the work easier. I wanted to photograph a wolf if

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I could. I wanted to photograph the zones edges at

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dawn with a forest that reclaimed the outskirts of Pripriat,

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and you could stand in what had once been a

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residential street and find it fully wooded, the pavement broken

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by roots, the street signs lost in undergrowth. My counter

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clicked up to one point four microcy verts and I

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noted it and moved on. That was part of the

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job a a SOCCA, you learn not to dwell on

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the numbers. The helicopters absorb your attention anyway. There were

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hundreds of them spread across the flat ground in rusting rows,

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the MI eight and the M twenty six's that flew

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over the reactor in the weeks after the explosion, trailing

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their water and sand and lead. Some still had their rotors,

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some lost them to weather or theft, and sit with

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their necks exposed, the stumps of their rotor hubs corroded green.

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From a distance, they looked like a parking lot from

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a war that finished badly. Up close, crouched between two

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of them with a twenty four seventy at f eight.

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The scale of the things hit you again each time.

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The cockpit windows were still intact on most. When the

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light catches them, they reflect the sky. I got the shot.

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I wanted a line of five of them, receding into

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morning haze, the nearest one sharp and the furthest dissolved

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and stood up, and the counter clicked again, and I

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checked it. It had climbed to one point nine. Back up,

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Mikola said from behind me, not urgently. I backed up

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three steps and the reading dropped. He nodded, and we

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moved the next row. That was how it went with him.

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Information delivered as it became relevant, in the same even

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tone he used for everything. The floor on the third

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level of the administration building had collapsed into the second.

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In the school ampripate, you could touch the desks and

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the floors, but not the window frames. Something in the

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paint had concentrated it, and everywhere in the zone. Not

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the air. Never worry about the air. The air is fine.

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The dust was the problem. Don't touch your face, don't

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put anything on the ground that you'll be touching later.

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He had been doing this for fifteen years. He had

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a way of standing slightly ahead of you in any

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given space, position between you and whatever direction he hadn't

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cleared yet. I'd stopped noticing it after the first few hours,

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the same way you stopped noticing the presence of the

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cockpit on a long flight. You don't verify the pilot.

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You require a pilot, and so there is one, and

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you extend the necessary trust, and that's the whole transaction.

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The first day was clean, new material, the work running

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ahead of the anxiety. We were in Prippier by six

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before the zones perimeter opened to the trickle of tourists

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permitted in organized groups, and I had the fair ground

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to myself. The ferris wheel was the obvious shot, and

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I took it anyway, because obvious shots are obvious for

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a reason. And then I moved off and angles that

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were less obvious. The bomber car Arena, with the cars

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still in their positions as if the power had cut midride,

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the soles of their wheels rusted to the floor. The

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Palace of Culture, with its Soviet mosaic facade still largely intact,

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the workers and cosmonauts rendered in tesserae, looking out over

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a street empty of everything except weeds growing through tarmac.

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I worked for five hours, and Mikola was somewhere nearby

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for all of them. I stay somewhere because I wasn't

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tracking him and didn't need to. Every time I moved

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to a new building or a new section of the street,

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I was aware of him in the peripheral way you're

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aware of the light when you're not focused on it,

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but its absence would register immediately. The Zone authority's accommodation

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was a converted administration building at the checkpoint. Two bedrooms,

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a shared bathroom, a kitchen with a table, and a

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mounted television that received four channels. It smelled of old

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concrete and the specific institutional cleaning product that seemed mandatory

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in post Soviet buildings. I'd slept in worse. The bed

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was narrow, the mattress had a dip in the center,

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but I slept well enough in it. Before I slept,

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I went through the day's photographs on my laptop, which

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was the routine flag the keepers, delete the obvious failures,

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make notes on what I still needed. I'd shot four

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hundred frames, and maybe sixty of them were worth examining seriously,

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which was a good ratio for a first day. I

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worked through them slowly. The photograph was from the fourth

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floor of one of the apartment blocks unless ya Ukrainki Street.

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I shot it mid morning, looking down and west into

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the street below and the tree line at its far end.

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A good frame, the geometry of the empty street, the

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where the trees had started to reclaim, the pavement of

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the edges, the scents of the forest waiting at the

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boundary of human construction. I'd flagged it already as a keeper.

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I zoomed in on the tree line and looked for

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hints of the wildlife I was seeking. A shape was

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at the tree line's edge, half in and half out,

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of the shadows between two birch trunks. I pushed the

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zoom to the pixel limit, compression noise, the image breaking

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into blocks. But the shape was there, and its proportions

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were wrong for a wolf and wrong for a bore,

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subtly off, the way a word looks off when you've

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stared at it too long. The thing my eye kept

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returning to was the height. I looked at it for

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a while, then closed the laptop, got into the narrow

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bed with the dip in the middle, and went to sleep.

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In the morning, Mikola was already in the kitchen with

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a coffee made and a map of the day's route

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on the table, and I sat down, poured a coffee

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and looked at the map. I said nothing about the photograph.

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I have thought about this decision many times since I

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don't have a clean explanation for it. Something like the

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photograph was mine, the shape in the tree line was mine,

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and giving it to some one else would make it

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real in a way I wasn't ready for at six

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in the morning, with a day's work ahead, so I

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said nothing. I drank the coffee, I looked at the map.

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We left for the hospital at half eight. Mikola told

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me to wait at the jeep, the same flast instruction

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as every time before we entered a building, and every

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time I waited and he was back within five minutes.

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I leaned against the jeep with my camera and went

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through yesterday's frames and didn't think much about it. The

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hospital entrance stood open, the double door frame without its doors.

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He went through it and the building swallowed him. Five

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minutes ten, I radioed him and got static. Tried again

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at fifteen. At twenty I started calculating how long it

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would take to reach the checkpoint on foot if his

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radio had simply died and this was nothing. At twenty

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five minutes, I went in after him. In the ground floor,

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the plaster peeled off in sheets, graffiti across every surface,

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the flat gray light coming through filthy windows. I called

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his name. My voice went into the building and stopped,

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absorbed rather than echoed, the silence reasserting itself immediately, no answer.

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I went upstairs, second floor clear. I kept calling every

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few rooms and getting nothing back. On the third floor,

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I stopped half way down the corridor. A sound below me,

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too far down for the second floor, maybe the ground floor,

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possibly lower, A scraping intermittent, the sound something makes moving

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carefully through a dark space. Mickeler had gone down to

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check a basement, I thought. I started down the stairs

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to meet him and pulled the radio off my belt. Mickler,

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I pressed transmit, I'm on the third floor. Where are you?

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The chirp of his radio sounded off somewhere far beneath me.

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I heard my own transmission echo back from his speaker

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the half second delay, and underneath it, just before the

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echo died, another sound Micholas's voice, but not words, A

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sound a person makes when air leaves them. Suddenly and

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without choice, I went down. While descending, I heard a

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follow up sound. It sounded like someone had put shaving

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foam on their hands and clapped, a visceral, wet sound

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that I couldn't piece together, followed soon after by a

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metallic crunching at the ground floor. I went quickly and quietly,

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without consciously deciding to do either. The chirp had come

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from the far end, past the main corridor junction, where

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a set of doors led toward an old administration section.

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One of them was a jar. I pushed it open

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and went through the room. Beyond had been some kind

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of records office, filing cabinets along the walls, most of

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them open, and empty papers on the floor, A desk

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overturned in the far corner. The room's only window was

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half boarded, the light coming through in a single gray bar.

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Mickela was on the floor. I got three steps into

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the room before I stopped. I had been so used

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to the color saturation of the place that the bright

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reds scattered about gave me pause. It was messy, So

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much had happened that I was shocked. There was more noise.

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Whatever had done this had done it incredibly fast, but

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it wasn't finished. In the distance, I could hear it

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still working. It was at the far end of the room,

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in the corner where the light didn't reach low to

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the ground, not moving. I couldn't tell you what I

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was looking at in terms of shape or size, because

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my eyes kept failing to hold it, kept sliding off

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it the way I slide off things that don't resolve

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into known categories. What I can tell you is that

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it was large, and that it was still, in the

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way that things are still when they're not done. I

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did not breathe. I stood in the doorway with my

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hands still on the door, and I watched it, and

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I did not look up. I stepped back through the door,

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one step two into the corridor. I pulled the door

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as slowly as I could, put my back against the wall,

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and slid down it until I was sitting on the floor,

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and stayed there. The understanding came in pieces when your

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mind is protecting you from arriving at it all at once.

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The chirp his radio going off in the dark, my

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own voice playing out of his speaker in a silent building.

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The sound he'd made the sound of the transmission had

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found him, and so did whatever was with him at

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the same moment, and what it did. I stopped the

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thought there and started it again from somewhere more useful.

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I was on the ground. The exit was at the

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end of the main corridor, thirty feet away. I was

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going to stand up and walk to it and go

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through it and get in the jeep and drive south.

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I stood up, walked to the entrance. The frame had

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been closed. It hadn't been like this when I entered.

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There were no doors. There hadn't been since long before

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to day. The frame itself had been deformed, the metal

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on both ends bent inward toward each other. The gap

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it left perhaps eighteen inches across the courtyard. Light came

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through it, the jeep visible beyond, close enough that I

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could see the tent in the front left panel. I

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put my hands on the frame and pushed, and it

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moved perhaps an inch, and stopped. I got my shoulders

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into the gap, turned sideways and shoved one shoulder through

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the metal, found the other and held. I pushed the harder,

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the frame groaning under the pressure, and the groan rang

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down the corridor behind me, and I heard it from

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the floor I had just come from the sound of

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something beginning to move. I pulled back. The metal stripped

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a length of skin from my forearm as I came free,

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and the groan of the frame was still ringing down

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the corridor. Movement sudden and decisive. Wait, finding the floor

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with a speed that didn't match the slow movement i'd

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heard before. This was a response. I ran away from

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the entrance, back down the corridor. My footsteps were loud,

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and I stopped caring. The noise had already happened. Distance

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was all that mattered now. The stairwell door threw it away,

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but deeper into the building. It was the only option

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the building was giving me. On the second floor, I

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went through the first door. I reached and got behind

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the remains of a metal cabinet that had come away

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from the wall, and crouched down, pulled my knees in

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and made myself as small as I could against the

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base board. The building moved around me. Wait on the stairwell.

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00:16:56,559 --> 00:17:00,480
Then not a displacement in the corridor outside the room,

240
00:17:01,200 --> 00:17:04,640
Something passing the door with a proximity I felt before

241
00:17:04,640 --> 00:17:08,480
I heard it, the air pressure changing slightly, the dust

242
00:17:08,480 --> 00:17:11,720
and the floor nearest the door, lifting in a faint current,

243
00:17:13,640 --> 00:17:17,359
a pause long enough that the urge to look became

244
00:17:17,440 --> 00:17:21,720
almost physical, the need to know where it was. And

245
00:17:21,759 --> 00:17:24,119
I pressed my forehead against the cold metal of the

246
00:17:24,160 --> 00:17:30,799
cabinet and did not look. At some point I looked

247
00:17:30,799 --> 00:17:33,839
at the counter, just something to do with my eyes

248
00:17:33,880 --> 00:17:37,720
that wasn't the door. The number sat at two point eight,

249
00:17:38,400 --> 00:17:42,680
higher than the building's baseline. I watched it for a while.

250
00:17:43,599 --> 00:17:47,799
Then somewhere below me, the sound shifted and the number

251
00:17:47,880 --> 00:17:51,279
dropped the two point six. I watched it drop again

252
00:17:51,559 --> 00:17:55,920
as the sound grew fainter, two point four, two point two.

253
00:17:57,519 --> 00:18:02,079
I stayed still, watched it fall and understood what I

254
00:18:02,160 --> 00:18:06,559
was looking at. It couldn't be ambient radiation from the building.

255
00:18:06,839 --> 00:18:11,519
From the way it changed, it was something else, something

256
00:18:12,400 --> 00:18:17,160
that moved. I didn't know what to do with that yet,

257
00:18:17,559 --> 00:18:19,720
but I noted it the way I had been trained

258
00:18:19,720 --> 00:18:25,200
to note things as information, not a conclusion yet, and

259
00:18:25,279 --> 00:18:28,680
I kept watching the number until it settled at one

260
00:18:28,720 --> 00:18:33,839
point six. I stayed where I was until the silence

261
00:18:33,839 --> 00:18:37,160
had been complete and unbroken for what felt like a

262
00:18:37,279 --> 00:18:41,240
very long time. Then I stayed for the same amount

263
00:18:41,279 --> 00:18:48,119
of time again. The corridor was empty, and I needed

264
00:18:48,160 --> 00:18:52,240
to move. No plan beyond the immediate There was one

265
00:18:52,359 --> 00:18:55,880
exit I knew of, and it was closed. There had

266
00:18:55,920 --> 00:19:01,119
to be another, one basic architecture of institutional construcuction, and

267
00:19:01,200 --> 00:19:03,559
I was going to find it before the thing below

268
00:19:03,680 --> 00:19:08,920
found me. That was the entirety of my thinking. I

269
00:19:08,960 --> 00:19:11,440
went through each room on the south side where the

270
00:19:11,480 --> 00:19:14,079
external wall would give onto the rear of the building,

271
00:19:14,720 --> 00:19:19,119
checking windows, checking frames. The first three would move it

272
00:19:19,200 --> 00:19:23,119
all the corrosion welding them to their frames as completely

273
00:19:23,440 --> 00:19:26,880
as if they'd been bricked over before. Had a handle

274
00:19:26,920 --> 00:19:30,279
that turned, and I felt the frame shift fractionally before

275
00:19:30,279 --> 00:19:33,279
it stopped, the seal of forty years of weather and

276
00:19:33,359 --> 00:19:37,440
neglect holding it shut. I put my shoulder into it

277
00:19:37,839 --> 00:19:41,240
and it didn't give. Doing it harder would make noise

278
00:19:41,279 --> 00:19:46,880
I couldn't afford, so I moved on the drop from

279
00:19:46,880 --> 00:19:50,960
the second floor. Windows were survivable anyway, two stories to

280
00:19:51,079 --> 00:19:55,400
scrub ground, nothing broken if he landed right, but survivable

281
00:19:55,480 --> 00:19:58,480
meant nothing if I couldn't get through the frame quietly.

282
00:19:59,559 --> 00:20:05,119
Quiet was the only currency I had. The third floor

283
00:20:05,640 --> 00:20:09,720
east corridor, I went carefully heeled to toe the way you

284
00:20:09,759 --> 00:20:13,279
walk when you're aware of every sound your body makes.

285
00:20:13,759 --> 00:20:17,519
And at the corridor's far end, I found the fire door.

286
00:20:18,799 --> 00:20:22,880
The handle turned, I let out of breath I've been

287
00:20:22,880 --> 00:20:26,000
holding since the second floor, and pushed the door open.

288
00:20:27,240 --> 00:20:31,160
The daylight hit me, gray and cold, and the most

289
00:20:31,200 --> 00:20:35,359
welcome thing I'd seen in an hour. An external metal

290
00:20:35,359 --> 00:20:38,519
staircase running down the rear of the building to the ground.

291
00:20:39,440 --> 00:20:43,119
The rear courtyard below, smaller than the front, had a

292
00:20:43,200 --> 00:20:46,400
chain link fence along its edge, and beyond the fence

293
00:20:46,839 --> 00:20:50,680
the tree line the jeepe wasn't there, but the ground

294
00:20:50,759 --> 00:20:53,599
level fence I could climb, and the forest I could

295
00:20:53,599 --> 00:20:57,799
move through until I hit the perimeter road. I stepped

296
00:20:57,799 --> 00:21:02,279
out onto the first tread, second tread, the third. Then

297
00:21:02,519 --> 00:21:05,680
the section beneath my feet pulled away from the wall.

298
00:21:06,759 --> 00:21:09,480
The mounting bolts on the right side had corroded through

299
00:21:09,759 --> 00:21:12,599
at some point in the last decade, and the whole

300
00:21:12,680 --> 00:21:15,720
right flank of the staircase swung outward from the brickwork

301
00:21:16,079 --> 00:21:18,839
with a sound that started as a groan and became

302
00:21:18,960 --> 00:21:24,079
something much larger. Metal pulling from brick, the structure twisting

303
00:21:24,079 --> 00:21:27,680
on its remaining fixings, the groan becoming a shriek that

304
00:21:27,799 --> 00:21:31,519
went through the building and through the ground. I grabbed

305
00:21:31,519 --> 00:21:34,240
the door frame with both hands and hauled myself back

306
00:21:34,279 --> 00:21:37,359
through the opening, my feet scrambling for purchase on the

307
00:21:37,400 --> 00:21:41,960
tilting treads. I got inside, pulled the door shot behind me,

308
00:21:42,279 --> 00:21:48,279
and stood against it, my hand shaking. The staircase hadn't fallen.

309
00:21:48,920 --> 00:21:52,400
I could hear it settling outside the door, the occasional

310
00:21:52,519 --> 00:21:56,839
tick of stressed metal finding its new position, useless and

311
00:21:57,079 --> 00:22:04,279
enormously catastrophically loud. Lord the counter hit three point four

312
00:22:05,119 --> 00:22:10,720
as spike instantaneous. I stared at it three point four

313
00:22:10,759 --> 00:22:15,599
and climbing three point six. The reading I associated with

314
00:22:15,680 --> 00:22:18,000
the way it did when you walked directly toward a

315
00:22:18,000 --> 00:22:22,240
hot sauce. It was moving, coming from the stairwell end

316
00:22:22,240 --> 00:22:27,359
of the corridor, and it was getting closer fast. I

317
00:22:27,440 --> 00:22:29,839
went to the nearest door and dropped to the floor

318
00:22:29,880 --> 00:22:32,960
behind the wall beside the frame, and made myself as

319
00:22:33,000 --> 00:22:36,720
small as possible. The counter of my hand read three

320
00:22:36,720 --> 00:22:39,599
point eight, and I turned the screen face down against

321
00:22:39,599 --> 00:22:45,200
my thigh. The sound came from the corridor fast. This

322
00:22:45,359 --> 00:22:49,240
was direct something that had heard a specific location and

323
00:22:49,400 --> 00:22:53,319
was going to it the fire door. I heard the

324
00:22:53,359 --> 00:22:56,440
handle move, heard the door open, the creak of it,

325
00:22:56,920 --> 00:23:04,559
the shifted staircase, groaning at the disturbance, silence. It was

326
00:23:04,599 --> 00:23:07,640
in the doorway, looking at the staircase with no one

327
00:23:07,680 --> 00:23:11,119
on it. I pressed my back into the wall and

328
00:23:11,200 --> 00:23:16,480
watched the ceiling, trying not to breathe. The door closed.

329
00:23:16,920 --> 00:23:19,880
The sounds moved away from the fire door, back down

330
00:23:19,920 --> 00:23:24,759
the corridor, slower now, the purposefulness gone out of them.

331
00:23:26,319 --> 00:23:30,319
I waited, listen to the movement descend floor by floor,

332
00:23:30,839 --> 00:23:35,000
the sounds diminishing, and then I looked at the counter.

333
00:23:36,920 --> 00:23:39,880
I watched it for a long time, tracking the movement,

334
00:23:40,279 --> 00:23:44,920
reading the position from the changes. Three point eight had

335
00:23:44,920 --> 00:23:47,759
become three point two when the sounds left the corridor,

336
00:23:48,559 --> 00:23:51,160
then two point eight as they went down the stairwell,

337
00:23:51,799 --> 00:23:56,319
then two point four a pause, two point two a

338
00:23:56,440 --> 00:24:00,000
lateral movement. The number rose slightly to two point four,

339
00:24:00,319 --> 00:24:04,559
with outther sounds getting louder, which meant horizontal distance rather

340
00:24:04,680 --> 00:24:09,559
than vertical, the creature crossing the floor below rather than ascending,

341
00:24:10,480 --> 00:24:16,240
Then down again two point zero, one point eight. I

342
00:24:16,319 --> 00:24:20,200
stayed completely still for five minutes while faint sounds moved

343
00:24:20,240 --> 00:24:24,359
through the lower floors and watched the number respond rise

344
00:24:24,440 --> 00:24:27,640
when the sounds came closer to the stairwell drop when

345
00:24:27,640 --> 00:24:31,720
they moved away. It wasn't precise. I couldn't get a

346
00:24:31,759 --> 00:24:34,920
direction from it. Couldn't tell if a rise meant it

347
00:24:34,960 --> 00:24:38,079
was below me or down the corridor, only that it

348
00:24:38,160 --> 00:24:42,960
was closer or further in some aggregate sense. But closer

349
00:24:42,960 --> 00:24:47,519
and further was information more than i'd had. When the

350
00:24:47,599 --> 00:24:50,519
number sat at one point six and the sounds had

351
00:24:50,519 --> 00:24:54,200
been absent for several minutes, I got up off the floor.

352
00:24:55,559 --> 00:24:59,160
I moved to the stairwell, put distance between me and

353
00:24:59,200 --> 00:25:03,039
whatever the lower floors contained, and the fourth floor had

354
00:25:03,079 --> 00:25:07,079
the highest windows and the best view. I needed to

355
00:25:07,119 --> 00:25:10,400
see the building's geography from the outside before I made

356
00:25:10,519 --> 00:25:15,119
any decision about the inside. I went up one floor

357
00:25:15,160 --> 00:25:18,240
at a time, stopping at each landing to read the

358
00:25:18,279 --> 00:25:23,359
counter and listen it stayed at one point six. I

359
00:25:23,440 --> 00:25:25,839
made the fourth floor and went to the window at

360
00:25:25,880 --> 00:25:30,480
the corridor's end, the one facing the front courtyard, and

361
00:25:30,519 --> 00:25:36,559
I looked out. The jeep was there, undisturbed, exactly where

362
00:25:36,559 --> 00:25:39,960
we'd left it. The windscreen was filmed with road dust.

363
00:25:40,359 --> 00:25:43,759
The courtyard was empty. The gate of the courtyard's far

364
00:25:43,880 --> 00:25:48,480
side was open. Beyond it, the axis road ran south,

365
00:25:49,039 --> 00:25:53,359
straight and clear, and twelve kilometers down that road was

366
00:25:53,400 --> 00:25:58,079
the checkpoint and other people. I looked at the entrance

367
00:25:58,119 --> 00:26:02,119
frame from up pier, the book gap, eighteen inches of

368
00:26:02,160 --> 00:26:06,400
deformed metal between me and all of that. From four

369
00:26:06,480 --> 00:26:12,920
floors up, it looked almost manageable. Almost. I looked at

370
00:26:12,960 --> 00:26:16,480
it for a long time. Then I checked my watch.

371
00:26:17,680 --> 00:26:21,839
Early afternoon, the light coming through the window was still full,

372
00:26:22,480 --> 00:26:26,279
hours before dark. Though I didn't know what that dark

373
00:26:26,400 --> 00:26:30,359
meant for my situation, only that light felt like an ally,

374
00:26:31,000 --> 00:26:33,519
and I wanted as much of it as I could get.

375
00:26:34,880 --> 00:26:38,359
The question wasn't whether the gap was passable. The question

376
00:26:38,519 --> 00:26:40,680
was whether I could reach it with the counter low

377
00:26:41,039 --> 00:26:44,119
and enough time to work it slowly with the entrance clear.

378
00:26:45,640 --> 00:26:51,319
Two problems, all of them solvable in theory. I sat

379
00:26:51,359 --> 00:26:54,160
down under the window, with my back against the wall

380
00:26:54,480 --> 00:26:58,440
and the counter in my lap, and I started thinking

381
00:26:58,680 --> 00:27:09,480
about how a pipe had come off a burst radiator

382
00:27:09,480 --> 00:27:12,920
fitting on the fourth floor. I'd found it, working my

383
00:27:12,960 --> 00:27:18,200
way along the rooms, testing floors, cataloging options. A meter

384
00:27:18,359 --> 00:27:22,240
of steel heavy, the threading at one end still intact.

385
00:27:23,279 --> 00:27:25,079
I didn't know yet what I was going to use

386
00:27:25,119 --> 00:27:29,720
it for. I took it anyway. The third floor fire

387
00:27:29,759 --> 00:27:32,440
door was a bust, but there was still one on

388
00:27:32,480 --> 00:27:36,240
the second. I already knew the staircase outside was gone,

389
00:27:36,720 --> 00:27:40,000
but the door itself opened inward. If the drop to

390
00:27:40,039 --> 00:27:43,920
the rear courtyard was clear, there was an escape possibility.

391
00:27:44,119 --> 00:27:50,200
I hadn't fully exhausted. The lock was the problem counter.

392
00:27:50,400 --> 00:27:55,160
At one point six I moved. I made it to

393
00:27:55,200 --> 00:27:58,720
the second floor landing. I went heeled to toe, the

394
00:27:58,759 --> 00:28:01,759
pipe held against my body to stop its swinging, the

395
00:28:01,839 --> 00:28:05,680
counter in my other hand, A steady one point six.

396
00:28:06,920 --> 00:28:10,400
I reached the fire door and stopped, listened, and the

397
00:28:10,440 --> 00:28:13,759
building gave me nothing back, just the tick and creak

398
00:28:13,799 --> 00:28:18,119
of all concrete doing what all concrete did. I put

399
00:28:18,119 --> 00:28:21,640
the pipe's threaded end into the lock housing. The mechanism

400
00:28:21,720 --> 00:28:25,880
was corroded, but not solid. I could feel movement in it,

401
00:28:26,480 --> 00:28:29,960
a give of metal that had rusted into position rather

402
00:28:30,000 --> 00:28:35,519
than being engineered into one. I applied pressure, steady, a

403
00:28:35,559 --> 00:28:40,319
low force of leverage rather than impact. The lock moved

404
00:28:41,119 --> 00:28:45,519
a millimeter, then another. The pipe trembled in my hands

405
00:28:45,519 --> 00:28:52,359
with the resistance of it. Twenty seconds thirty. The lock turned.

406
00:28:53,720 --> 00:28:56,039
I caught the door as it swung inward before I

407
00:28:56,079 --> 00:28:59,519
could move more than an inch. The hinges silent enough

408
00:28:59,720 --> 00:29:02,599
that I I almost didn't need to, but I wasn't

409
00:29:02,640 --> 00:29:07,240
taking any chances. I stood with my hand flat against

410
00:29:07,279 --> 00:29:12,200
the door and I listened. The counter set one point six,

411
00:29:12,599 --> 00:29:16,440
and the corridor behind me was empty. I pulled the

412
00:29:16,480 --> 00:29:22,839
door open six inches and it stopped a solid resistance,

413
00:29:23,359 --> 00:29:28,839
the door pressing against something. I pulled harder, controlled, putting

414
00:29:28,920 --> 00:29:33,799
heft into it, and nothing moved. I could see through

415
00:29:33,799 --> 00:29:38,720
the six inch gap gray daylight. I stepped back to

416
00:29:38,720 --> 00:29:43,599
get the full picture. The floor was warped. Decades of

417
00:29:43,680 --> 00:29:47,400
decay made the floor bulge just enough to jam the door.

418
00:29:48,480 --> 00:29:51,519
I shoved it hard, trying to see if the door

419
00:29:51,559 --> 00:29:55,599
could force the lump down released flecks around it. The

420
00:29:55,680 --> 00:29:59,400
door scraped with a sound like an avalanche, grinding brick

421
00:29:59,680 --> 00:30:02,880
that went on for two full seconds and echoed off

422
00:30:02,920 --> 00:30:06,359
the rear courtyard walls and came back and echoed again.

423
00:30:07,680 --> 00:30:10,839
The counter hit three point two before the echo died.

424
00:30:12,160 --> 00:30:16,119
I closed the door and moved fast, backed down the corridor,

425
00:30:16,400 --> 00:30:19,039
away from the fire door into the first room. I

426
00:30:19,079 --> 00:30:23,240
reached and hid the counter. At three point four three

427
00:30:23,279 --> 00:30:27,960
point six, the sounds came up from below the stairwell,

428
00:30:28,359 --> 00:30:32,759
something ascending with a horrible purposefulness. It went to the

429
00:30:32,759 --> 00:30:36,680
fire door and stopped. I heard the handle move. The

430
00:30:36,720 --> 00:30:42,079
door opened and jammed. The sound moved away slower, this time,

431
00:30:42,640 --> 00:30:47,160
laterally along the corridor outside the long patrol of the floor,

432
00:30:47,319 --> 00:30:51,680
before finally descending. I watched the counter drop in increments,

433
00:30:52,079 --> 00:30:55,400
and didn't relax until it was back at one point six.

434
00:30:57,240 --> 00:30:59,720
When I finally stood up, I went to the window

435
00:30:59,799 --> 00:31:03,200
at the corridors end and looked out, and the light

436
00:31:03,359 --> 00:31:08,640
told me what I already knew. It had changed. The

437
00:31:08,680 --> 00:31:12,279
flat white of the afternoon was gone, replaced by something

438
00:31:12,400 --> 00:31:15,960
lower and angled. The shadows in the courtyard longer than

439
00:31:16,000 --> 00:31:19,319
they'd been an hour ago, The light through the dirty

440
00:31:19,359 --> 00:31:23,440
glass of an afternoon running out, trending toward dusk. With

441
00:31:23,480 --> 00:31:27,039
the inevitability of all things today that had gone wrong,

442
00:31:28,400 --> 00:31:31,400
I worried about my chances of survival in the pitch black.

443
00:31:32,240 --> 00:31:35,920
Time was running out. I went back to the fourth floor,

444
00:31:36,279 --> 00:31:39,200
sat against the wall beneath the window, and went through

445
00:31:39,240 --> 00:31:44,319
the exits one more time. Ground floor entrance eighteen inches

446
00:31:44,359 --> 00:31:49,240
of buckled frame impassable without noise. Noise meant it came

447
00:31:50,119 --> 00:31:53,559
that door was closed. The fire exit was out of

448
00:31:53,599 --> 00:31:57,480
the question. Unjamming the door would take time and make

449
00:31:57,519 --> 00:32:00,920
that sound continuously for us. As long as it took

450
00:32:01,960 --> 00:32:04,240
I'd be doing it with a counter, climbing toward for

451
00:32:04,440 --> 00:32:09,720
the entire time that door was closed. The windows and

452
00:32:09,759 --> 00:32:12,920
the second floor was a survivable drop eight feet to

453
00:32:12,960 --> 00:32:16,279
the ground below. But the second floor windows facing the

454
00:32:16,319 --> 00:32:19,759
front courtyard were jammed. I'd have less time to work

455
00:32:19,799 --> 00:32:22,400
on them. And even if I dropped from a second

456
00:32:22,440 --> 00:32:26,720
floor window, it would be into open ground. I did

457
00:32:26,720 --> 00:32:30,920
not think I would make thirty meters. I'd checked the counter,

458
00:32:31,680 --> 00:32:35,319
a steady one point nine. It was upper floor. I

459
00:32:35,359 --> 00:32:40,000
could only assume. Looking for me, I let the fact settle.

460
00:32:41,160 --> 00:32:45,519
Every exit in this building was closed. The light was going.

461
00:32:46,079 --> 00:32:50,000
The thing below me had been stalking all day. I

462
00:32:50,039 --> 00:32:52,079
had nothing that told me it would stop, and the

463
00:32:52,119 --> 00:32:55,240
floor it moved to, slowly working its way up to me.

464
00:32:56,119 --> 00:32:59,400
Nothing except a pattern I'd observed for only a few

465
00:32:59,440 --> 00:33:03,039
hours in building. I'd been inside for the worst afternoon

466
00:33:03,079 --> 00:33:07,319
of my life. The panic had burned through hours ago.

467
00:33:08,240 --> 00:33:12,599
What was left was something quieter, and in some ways worse,

468
00:33:13,720 --> 00:33:17,559
the flat, clear eyed assessment of a situation with no

469
00:33:17,720 --> 00:33:21,400
remaining moves. I was not going to get out of

470
00:33:21,440 --> 00:33:24,799
this building before dark by any method I could think of,

471
00:33:26,960 --> 00:33:30,640
For this wasn't true. There was still a place I

472
00:33:30,680 --> 00:33:37,160
hadn't looked, a stone left unturned. The question was whether

473
00:33:37,240 --> 00:33:42,599
I could face him again. I had known where Mikola

474
00:33:42,839 --> 00:33:46,880
was since the ground floor corridor. I had known, and

475
00:33:46,960 --> 00:33:51,079
I had not gone there. I told myself this was tactical,

476
00:33:51,599 --> 00:33:54,960
for the counter was too high, the creature was too close.

477
00:33:55,440 --> 00:33:57,359
There was no reason to go to a place that

478
00:33:57,480 --> 00:34:01,000
served no purpose except to confirm. But I already knew

479
00:34:02,519 --> 00:34:05,440
this was not entirely a lie. But it was not

480
00:34:05,759 --> 00:34:11,039
entirely the truth either. The counter dropped at twenty past four.

481
00:34:11,800 --> 00:34:14,360
The secondary reading that had been sitting at two point

482
00:34:14,360 --> 00:34:18,320
one for the last forty minutes simply fell away, the

483
00:34:18,400 --> 00:34:21,360
number returning to one point four in the space of

484
00:34:21,400 --> 00:34:25,519
two readings. I watched it for three minutes, waiting for

485
00:34:25,559 --> 00:34:30,159
it to climb again. It didn't. It had gone somewhere

486
00:34:30,159 --> 00:34:34,119
where the building's mass was muffling its signature, the basement,

487
00:34:34,159 --> 00:34:38,280
maybe the far end of the ground floor somewhere that

488
00:34:38,440 --> 00:34:44,239
wasn't between me and the corridor below. Five minutes maybe less.

489
00:34:45,119 --> 00:34:47,480
I knew by now how quickly the number could move.

490
00:34:48,840 --> 00:34:55,400
I braced myself and went downstairs. I moved fast. I

491
00:34:55,440 --> 00:34:58,920
didn't know how long I would get the main corridor,

492
00:34:58,920 --> 00:35:03,159
the junction, the door to the Record's office. I stopped

493
00:35:03,159 --> 00:35:07,599
outside it. The door was ajar. I pushed it open

494
00:35:07,679 --> 00:35:12,000
with the end of the pipe and went in. Mikola

495
00:35:12,320 --> 00:35:16,000
was small. That was the first thing, the thing that

496
00:35:16,119 --> 00:35:19,960
hit me before anything else in life. He had been

497
00:35:20,000 --> 00:35:24,199
a large man, broad across the shoulders, the physical confidence

498
00:35:24,239 --> 00:35:28,519
of someone who had spent decades in difficult terrain. What

499
00:35:28,719 --> 00:35:31,360
was on the floor of the Record's office was no

500
00:35:31,400 --> 00:35:35,960
longer large. Violence had reduced him in ways I won't

501
00:35:35,960 --> 00:35:40,280
describe completely, because it feels repulsive to desecrate the memory

502
00:35:40,320 --> 00:35:44,599
of a great man with such disgusting terms, and because

503
00:35:44,639 --> 00:35:47,360
I think my mind had since edited out some of

504
00:35:47,400 --> 00:35:50,559
what was in that room without my permission, protecting me

505
00:35:50,679 --> 00:35:55,159
from the full inventory. What I can tell you is this.

506
00:35:56,280 --> 00:35:59,039
He was on his back and his face was intact,

507
00:35:59,679 --> 00:36:03,199
which was a mercy, and I could seem clearly enough

508
00:36:03,239 --> 00:36:07,119
to know him. The gray stubble, the lines around his eyes,

509
00:36:07,559 --> 00:36:11,559
the Zone Authority jacket still on his shoulders, or most

510
00:36:11,599 --> 00:36:16,639
of it. His expression was not what I expected. He

511
00:36:16,719 --> 00:36:19,559
did not look frightened. He looked like a man who

512
00:36:19,559 --> 00:36:22,400
had been in the middle of something and had been stopped.

513
00:36:23,199 --> 00:36:25,440
He looked like a man who had known this was

514
00:36:25,440 --> 00:36:29,079
a possibility and made his peace with the possibility a

515
00:36:29,119 --> 00:36:33,199
long time ago. The guilt came in and sat in

516
00:36:33,280 --> 00:36:37,519
my chest like a stone that is still there. The

517
00:36:37,639 --> 00:36:40,559
bag was by the door, a meter inside the room,

518
00:36:41,039 --> 00:36:44,119
placed with the deliberateness that I had come to understand

519
00:36:44,239 --> 00:36:49,840
was Michola's signature. Everything he did was deliberate. I grabbed

520
00:36:49,880 --> 00:36:53,519
it and went back upstairs, and I did not look

521
00:36:53,559 --> 00:36:58,519
at the room again. Counter was at one point six

522
00:36:58,559 --> 00:37:03,159
when I reached the fourth floor rising. I had four minutes,

523
00:37:03,440 --> 00:37:08,920
maybe less. I went through the bag, fast water, rations,

524
00:37:09,079 --> 00:37:12,960
first aid kit, spare batteries same size as my counter.

525
00:37:14,159 --> 00:37:17,719
I registered this and kept moving. A printed map of

526
00:37:17,760 --> 00:37:22,199
the zone folded Micheler's handwriting across it in annotations I

527
00:37:22,199 --> 00:37:25,480
couldn't read in the low light, and the Zone Authority

528
00:37:25,519 --> 00:37:30,800
tablet in its rubberized case. I opened it, still charged

529
00:37:31,239 --> 00:37:35,840
Michla's staff loggin already open. Counter at one point eight

530
00:37:37,599 --> 00:37:41,920
camera network first Begauseu's the first icon I saw. I

531
00:37:41,960 --> 00:37:47,159
went to the hospital exterior feed jeep there, courtyard, empty gate,

532
00:37:47,239 --> 00:37:52,400
open road south, all of it still there. Then I

533
00:37:52,480 --> 00:37:55,840
went to the archive, dragging the scrubber back through last night,

534
00:37:56,880 --> 00:38:00,519
and at two seventeen I found three frames before the

535
00:38:00,559 --> 00:38:06,800
camera angle shift. Those three frames was enough. Wrong proportions,

536
00:38:07,079 --> 00:38:10,880
wrong number of apparent limbs moving across the courtyard toward

537
00:38:10,920 --> 00:38:14,480
the forest in a way that wasn't natural locomotion in

538
00:38:14,559 --> 00:38:19,559
any sense. I recognized Counter at two point zero. I

539
00:38:19,639 --> 00:38:24,760
kept moving through the tablet documents folder one item, a

540
00:38:24,840 --> 00:38:29,519
series of files, photographs and text documents, all created at

541
00:38:29,559 --> 00:38:33,360
different dates over the past decade. I opened the most

542
00:38:33,440 --> 00:38:38,840
recent text tight in Ukrainian, the translation app rendering it

543
00:38:38,960 --> 00:38:44,719
in broken fragments as I scrobbled. If you are reading contingency,

544
00:38:46,400 --> 00:38:50,559
I read fast. The translation app losing words, catching others

545
00:38:51,960 --> 00:38:55,000
does not come up while the light is held. Confirmed

546
00:38:55,000 --> 00:39:00,159
across eleven years, Counter at two point two, still reading

547
00:39:01,320 --> 00:39:06,079
to not go, basement goes there when fed full, Counter

548
00:39:06,159 --> 00:39:10,599
returns the baseline. When below I looked at the counter

549
00:39:11,360 --> 00:39:17,519
two point four, and climbing baseline means below slow, no noise.

550
00:39:19,199 --> 00:39:22,360
The translation dropped out for two lines and came back

551
00:39:22,400 --> 00:39:26,159
for the last one. I looked at the window. The

552
00:39:26,239 --> 00:39:29,280
light outside was the deep blue of ten minutes before

553
00:39:29,400 --> 00:39:33,360
full dark. Not gone yet, but it was the last

554
00:39:33,400 --> 00:39:36,679
of it. The document said not to look at the

555
00:39:36,679 --> 00:39:41,039
basement door. Mickeler had been studying this thing for eleven years.

556
00:39:41,760 --> 00:39:44,559
He knew its geography the way I knew the layout

557
00:39:44,639 --> 00:39:48,199
of my own flat, because it had become part of

558
00:39:48,320 --> 00:39:52,800
him through repetition. But the warning about the basement door

559
00:39:52,880 --> 00:39:59,199
was specific, a place it goes when full. However, it

560
00:39:59,320 --> 00:40:03,320
wasn't full. It was trying to be looking for me

561
00:40:03,400 --> 00:40:08,199
the whole afternoon. The last place I hadn't looked was

562
00:40:08,239 --> 00:40:12,440
in there, my last glimmer of hope, in the most

563
00:40:12,519 --> 00:40:20,480
dangerous place imaginable. I had to time it right, making

564
00:40:20,519 --> 00:40:22,920
sure the thing was a longer corridor and a middle

565
00:40:23,000 --> 00:40:27,000
level searching. I made it back to the ground floor

566
00:40:27,559 --> 00:40:31,239
counter at one point six. The buckward frame was visible

567
00:40:31,280 --> 00:40:34,400
at the far end of the corridor, the gray rectangle

568
00:40:34,440 --> 00:40:37,679
of the courtyard light coming through the gap, the jeep

569
00:40:37,800 --> 00:40:42,599
beyond it, the road south beyond that everything I'd been

570
00:40:42,639 --> 00:40:47,679
trying to reach all day forty feet away, and I

571
00:40:47,760 --> 00:40:50,760
turned my back on it and walked the other direction.

572
00:40:52,719 --> 00:40:56,159
The corridor felt longer this way, every step taking me

573
00:40:56,280 --> 00:40:59,159
further from the light and closer to the end of

574
00:40:59,199 --> 00:41:03,039
the building I had been avoiding since the morning. The

575
00:41:03,079 --> 00:41:07,360
basement door was at the corridor's end, wooden swollen with

576
00:41:07,480 --> 00:41:12,119
decades of damp, standing slightly ajar a darkness beyond with

577
00:41:12,239 --> 00:41:16,400
steps going down. I stopped six feet from it and

578
00:41:16,519 --> 00:41:23,000
looked at the counter one point six steady. I locked

579
00:41:23,039 --> 00:41:28,039
at the basement door and breathed to compose myself. Then

580
00:41:28,440 --> 00:41:34,199
I looked at the wall beside it. I almost missed it.

581
00:41:34,199 --> 00:41:38,000
It was below eye level, set into the exterior wall

582
00:41:38,079 --> 00:41:42,280
at ankle height, perhaps half a meter square, one of

583
00:41:42,280 --> 00:41:46,280
those access points that exists in old institutional buildings for

584
00:41:46,320 --> 00:41:50,199
coal delivery or drainage management, or any of the dozen

585
00:41:50,360 --> 00:41:55,679
unglamorous functions that buildings require that nobody thinks about. The

586
00:41:55,679 --> 00:41:59,079
metal plate was black with algae, the edges furred with

587
00:41:59,159 --> 00:42:02,800
decades of damp growth. The hinges corroded to the same

588
00:42:02,880 --> 00:42:06,000
dark color as the stone around it, so that the

589
00:42:06,000 --> 00:42:09,480
whole thing disappeared into the wall unless you were crouched

590
00:42:09,559 --> 00:42:13,679
and looking directly at it. The mechanism was a simple

591
00:42:13,760 --> 00:42:18,239
latch that flips up and releases. I put my fingers

592
00:42:18,239 --> 00:42:23,559
on it. The metal was rough, corroded, wet, and cold

593
00:42:23,639 --> 00:42:30,159
enough to sting. I lifted it and it moved, not much.

594
00:42:30,760 --> 00:42:35,320
The corrosion had fused it partially, but it moved, the

595
00:42:35,400 --> 00:42:38,559
latch scraping upward with a sound that was small, but

596
00:42:38,719 --> 00:42:44,920
present in the corridor silence. I stopped breathing, listened counter

597
00:42:45,000 --> 00:42:48,400
At one point four, I lifted the latch the rest

598
00:42:48,400 --> 00:42:51,519
of the way, and the plate shifted inward a centimeter,

599
00:42:52,239 --> 00:42:55,599
the seal of decades breaking with a soft exhalation of

600
00:42:55,679 --> 00:43:00,599
stale air. I locked at the basement door ill ajar,

601
00:43:01,039 --> 00:43:05,880
the darkness beyond it unchanged with a latch undone. I

602
00:43:05,920 --> 00:43:09,920
pulled the hatch open. The sound it made was not small.

603
00:43:10,760 --> 00:43:13,760
The hinges had been still for god knows how many years,

604
00:43:14,280 --> 00:43:18,679
and they said so loudly, a grinding metal shriek that

605
00:43:18,760 --> 00:43:21,679
went up the corridor and into the stairwell and through

606
00:43:21,800 --> 00:43:26,239
every floor of the buildings simultaneously. I felt it in

607
00:43:26,320 --> 00:43:29,559
my teeth. I yanked the hatch the rest of the

608
00:43:29,599 --> 00:43:33,519
way open, because stopping halfway was worse than slowing down.

609
00:43:33,559 --> 00:43:37,280
At this point, I pressed myself against the wall, looked

610
00:43:37,280 --> 00:43:41,800
at the counter, and watched the number. It went from

611
00:43:41,840 --> 00:43:44,920
one point four to three point eight in one breath.

612
00:43:45,719 --> 00:43:48,679
And then from below the basement door came a sound.

613
00:43:48,679 --> 00:43:52,639
I had no category four, the rushing scramble of something

614
00:43:52,679 --> 00:43:57,559
with mass, and it was coming up. I went through

615
00:43:57,599 --> 00:44:01,400
the hatch head first, no room for anything except forward

616
00:44:02,239 --> 00:44:05,480
on my stomach. The bag dragged behind me, the frame

617
00:44:05,519 --> 00:44:09,840
of the hatch catching my shoulders. I wrenched through it regardless,

618
00:44:10,199 --> 00:44:13,719
stone scraping my back through the jacket, the cold outside

619
00:44:13,760 --> 00:44:17,039
air hitting my face as my hands found frozen ground

620
00:44:18,119 --> 00:44:21,559
behind me. The basement door hit the corridor wall as

621
00:44:21,599 --> 00:44:25,400
something came through it at speed, the impact shuddering through

622
00:44:25,440 --> 00:44:28,480
the building's frame and into the ground beneath my palms.

623
00:44:29,400 --> 00:44:33,360
I pulled my legs free and scrambled upright, and I

624
00:44:33,480 --> 00:44:39,079
ran at the rear of the courtyard, a trailing fence

625
00:44:39,119 --> 00:44:42,159
to my left, the building at my back making sounds.

626
00:44:42,280 --> 00:44:45,400
I was not going to stop to interpret. I hit

627
00:44:45,440 --> 00:44:48,000
the corner of the building and came around it into

628
00:44:48,000 --> 00:44:52,920
the front courtyard. I didn't slow down, legs already burning

629
00:44:53,599 --> 00:44:56,159
the gate ahead of me and the jeep between me

630
00:44:56,280 --> 00:44:59,760
and it. I got to the driver's door and got inside,

631
00:45:00,280 --> 00:45:02,880
pulled it shut, and the sound the door made as

632
00:45:02,920 --> 00:45:07,199
it closed was enormous. In the silence that followed, I

633
00:45:07,280 --> 00:45:10,920
sat with my back against the seat, chest heaving, and

634
00:45:11,039 --> 00:45:13,719
I listened to the silence while looking at the counter.

635
00:45:15,159 --> 00:45:20,119
Three point one dropping two point eight two point six.

636
00:45:21,639 --> 00:45:24,960
I looked through the windscreen at the hospital entrance. The

637
00:45:24,960 --> 00:45:30,480
courtyard was empty, the gate opened beyond it, and the

638
00:45:30,480 --> 00:45:34,119
Axis Road running south into the dark, and the sky

639
00:45:34,239 --> 00:45:37,679
above it the deep blue of dusk, the last light

640
00:45:37,800 --> 00:45:41,480
still hovering, the only thing stopping it from carrying on

641
00:45:41,599 --> 00:45:47,880
the chase it had stayed inside two point zero one

642
00:45:47,920 --> 00:45:53,639
point eight one point six background. I put the key

643
00:45:53,719 --> 00:45:57,679
in the ignition, the engine turned over and found no purchase.

644
00:45:58,800 --> 00:46:02,480
I waited one second, jaw clenched, and turned it again.

645
00:46:03,840 --> 00:46:06,960
It caught, and I had it in first before it

646
00:46:06,960 --> 00:46:12,000
had finished. Deciding to run the gate the Axis road south,

647
00:46:12,920 --> 00:46:15,199
I took one last look at the building behind me,

648
00:46:16,719 --> 00:46:22,480
and I did not look at it again. A kilometer out,

649
00:46:22,719 --> 00:46:26,000
I reached into the bag for the counter, my hand

650
00:46:26,039 --> 00:46:29,639
found the tablet. I pulled it out and turned it over.

651
00:46:31,039 --> 00:46:35,559
The screen was dark. A crack running corner as a

652
00:46:35,559 --> 00:46:39,159
corner across the glass. The rubberized case compressed on one

653
00:46:39,239 --> 00:46:41,679
side with a hatch frame and caught it. As I

654
00:46:41,760 --> 00:46:47,840
came through, I pressed a power button. Nothing. I put

655
00:46:47,880 --> 00:46:50,320
it on the passenger seat and looked at the road.

656
00:46:52,079 --> 00:46:56,199
Michola's document the camera footage with three frames. It had

657
00:46:56,239 --> 00:47:01,559
captured eleven years of annual records. The proof that any

658
00:47:01,599 --> 00:47:04,280
of it had happened, that a man had spent the

659
00:47:04,320 --> 00:47:07,519
better part of his adult life managing something in a

660
00:47:07,519 --> 00:47:13,719
building in the zone was gone. The checkpoint lights appeared

661
00:47:13,760 --> 00:47:17,440
at eleven kilometers. I watched them come and did not

662
00:47:17,519 --> 00:47:20,519
think about what I was going to say, because the

663
00:47:20,559 --> 00:47:24,679
empty seat would say it before I could. I drove

664
00:47:24,800 --> 00:47:28,239
through the barrier and stopped the jeep, leaving the engine running.

665
00:47:29,400 --> 00:47:33,320
The zone authority officer came out, the young one. He

666
00:47:33,400 --> 00:47:36,480
came to the window and I put it down. He

667
00:47:36,559 --> 00:47:40,320
looked at me, then at the passenger seat where Michela

668
00:47:40,360 --> 00:47:43,840
should have been. He looked at the tablet for a moment,

669
00:47:44,559 --> 00:47:49,079
then he looked at me. I had nothing to give him.

670
00:47:49,920 --> 00:47:53,559
No footage, no proof of anything except the raw strip

671
00:47:53,599 --> 00:47:56,320
of my forearm and the fact that I was here

672
00:47:56,719 --> 00:48:01,000
and Micheler wasn't the zone author He stepped back from

673
00:48:01,000 --> 00:48:04,679
the window and unclipped the radio from his jacket, raised

674
00:48:04,679 --> 00:48:07,679
it without taking his eyes off the empty seat, and

675
00:48:07,760 --> 00:48:12,039
began speaking to it quietly in Ukrainian. I sat in

676
00:48:12,079 --> 00:48:14,760
the running jeep with a cracked tablet on the seat

677
00:48:14,800 --> 00:48:23,119
beside me and nothing else, and I let him. They

678
00:48:23,239 --> 00:48:27,840
did not find Mikola. The search lasted four days. Two

679
00:48:27,880 --> 00:48:31,519
additional zone authority officers a dog that wouldn't go past

680
00:48:31,519 --> 00:48:34,159
the ground floor entrance and had to be led away.

681
00:48:35,440 --> 00:48:38,320
The official conclusion came eight days after I drove through

682
00:48:38,360 --> 00:48:43,400
the checkpoint structural collapse, flooring stability on the upper levels,

683
00:48:43,880 --> 00:48:47,960
and the victim conducting a professional assessment of a compromised building.

684
00:48:49,280 --> 00:48:53,000
It happened in the zone. The paperwork acknowledged the absence

685
00:48:53,039 --> 00:48:56,400
of a body, including a clause on debris field scale

686
00:48:56,599 --> 00:49:01,519
and search limitations. The hospital was close to future visitors. Within

687
00:49:01,559 --> 00:49:05,800
the week, his own authority website was quietly updated. The

688
00:49:05,840 --> 00:49:09,679
building was removed from approved itineries, pending a structural review

689
00:49:10,039 --> 00:49:16,119
that everyone understood would never happen. I was interviewed twice,

690
00:49:16,440 --> 00:49:20,039
same room, same two officers, and I gave the same

691
00:49:20,079 --> 00:49:23,639
account both times. I signed my name twice at the

692
00:49:23,679 --> 00:49:27,960
bottom of the same form. I was eventually flown home.

693
00:49:29,039 --> 00:49:35,679
I filed the Peace Iran in February. The ecological recovery angle,

694
00:49:36,039 --> 00:49:40,400
the wolves, the rewilding. The ferris wheel photograph is because

695
00:49:40,440 --> 00:49:43,960
you always run the ferris wheel. The Palace of Culture

696
00:49:43,960 --> 00:49:47,360
at dawn, the mosaic facade at the first light. The

697
00:49:47,400 --> 00:49:50,880
apartment blocks on Lessier Ukraenki Street have the birds trees

698
00:49:50,920 --> 00:49:55,000
growing out past the first four windows. The piece was

699
00:49:55,079 --> 00:49:58,400
six thousand words and I wrote it in eleven days.

700
00:49:59,599 --> 00:50:02,519
I knew why it came so quickly, and I didn't

701
00:50:02,559 --> 00:50:08,000
look at that reason directly either. The response was good.

702
00:50:08,760 --> 00:50:11,599
The editor emailed us say it was the most read

703
00:50:11,679 --> 00:50:15,039
long form piece in two years and asked whether I'd

704
00:50:15,039 --> 00:50:19,960
consider a follow up. There was appetite, she said readers

705
00:50:20,000 --> 00:50:24,559
wanted more of the zone. I told her I felt

706
00:50:24,599 --> 00:50:29,760
I covered the subject. This was true in every sense,

707
00:50:31,639 --> 00:50:44,000
but I didn't explain it to her.

