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<v Speaker 1>Peter, invite you to have a date with Judy. You know,

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<v Speaker 1>Judy Foster, a typical American girl in a typical American family. Well,

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<v Speaker 1>let's see, it's a quiet evening in the Foster house.

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<v Speaker 1>Mother is sewing, father is reading, Randolph is tying, boy

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<v Speaker 1>Scout knots, and Judy is glumping because she doesn't have

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<v Speaker 1>a date.

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<v Speaker 2>Mother looks up, Melvin. Yes, I had a letter from

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<v Speaker 2>Grandma today. She didn't let her what you say. She's

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<v Speaker 2>worried about Aunt Lily. Why is she worried about Aunt Lily?

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<v Speaker 3>Well, because tell me let me get because Aunt Lily

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<v Speaker 3>isn't married.

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<v Speaker 2>Well, yes, that's nothing new. Grandma's worrying about that for

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<v Speaker 2>the last ten years. I was just thinking maybe we

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<v Speaker 2>ought to have Lily here for a visit, a sweet

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<v Speaker 2>girl like this girl. Mother, she's thirty four years old. Well, really, Judy,

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<v Speaker 2>that isn't the last page of finility, you know?

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<v Speaker 3>The girl to mother till Rigamorta said, sim.

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<v Speaker 2>I'm going to write Aunt Lily to come and we'll

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<v Speaker 2>see if we can't find somebody for her. Maybe you

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<v Speaker 2>didn't you get her a date. Me.

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<v Speaker 3>I'm having enough trouble getting dates for myself. I haven't

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<v Speaker 3>had a date for three nights, so what are you

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<v Speaker 3>complaining about? And Lily hasn't had a date for three years,

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<v Speaker 3>that is so.

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<v Speaker 2>I'm sure enough of young men has been extremely fond

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<v Speaker 2>of ant Lily. In thirty four years, They've had lots

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<v Speaker 2>of time to the problem is, how can we dig

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<v Speaker 2>her up? A man thinking himark might be a good idea.

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<v Speaker 2>J just think of it. I know somebody old enough

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<v Speaker 2>frand Lily, Oh, mister Manchester.

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<v Speaker 3>She's a librarian at the library. I bet he's thirty

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<v Speaker 3>five of you to day.

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<v Speaker 2>And he said, hey, all right, that's simply wonderful idea.

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<v Speaker 2>But I wonder how we should go about asking him. Well,

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<v Speaker 2>I could try to take a book out of the

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<v Speaker 2>library and get slain the invitation to him. We could

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<v Speaker 2>invite him to dinner the very first night Anthony is here.

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<v Speaker 3>Oh sure, we wouldn't want to waste any time after

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<v Speaker 3>thirty four lesually years we get a step on it.

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<v Speaker 1>That's only the beginning of your dates with Judy chaperone

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<v Speaker 1>by pepsident, How would you like to find out if

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<v Speaker 1>your present toothpaste is really doing what you think it is?

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<v Speaker 1>Maybe it's letting you down. Now, here's the way to

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<v Speaker 1>find out. Run the tip of your tongue over your teeth.

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<v Speaker 1>Can you feel of filmy coating? That's what makes teeth dingy?

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<v Speaker 1>And it's a sign that you'd better switch to Pepsident

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<v Speaker 1>toothpaste tonight. Pepsident with aerium is the new high speed

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<v Speaker 1>toothpaste with the fresh taste and the super cleansing ingredients.

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<v Speaker 1>It removes that dingy coating come teeth, makes them so

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<v Speaker 1>brilliantly clean. They feel tiny, smooth, and they look sparkling.

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<v Speaker 1>But so hung Up a collapsible metal tube from any

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<v Speaker 1>product and take it to your drug counter tonight.

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<v Speaker 2>To exchange for a.

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<v Speaker 1>YouTube of pepsil and toothpaste. Now back to a date

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<v Speaker 1>with Judy.

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<v Speaker 4>Well then, my goodness, hello Lily, Well is certainly good

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<v Speaker 4>to see you.

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<v Speaker 2>Do I get a kid from my favorite brother in law? Sure, Lily,

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<v Speaker 2>you Well, I'm starved. When is that guy going.

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<v Speaker 4>To get here?

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<v Speaker 2>Guys, s have you invited someone else to dinner? Well? Yes,

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<v Speaker 2>in a way a man, Well, yes in a way.

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<v Speaker 2>Really you didn't have now, Lily, this is just sart

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<v Speaker 2>of an accident. As a matter of fact, we've invited

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<v Speaker 2>the gentlemen's dinner long before we knew you were coming.

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<v Speaker 2>Oh yes, ion, before I'll go now who that could

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<v Speaker 2>be good evening? Oh good evening, mister Manchester.

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<v Speaker 5>Very kind of you to stop at the libraries this afternoon,

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<v Speaker 5>invite me to dinner exactly.

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<v Speaker 2>Perfectly, all right, the command to come in. I'd like

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<v Speaker 2>you to meet my well a friend of mine, Lily Rogan.

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<v Speaker 6>How do you do?

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<v Speaker 2>How do you do? And you know the rest of

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<v Speaker 2>the family. Oh my, what a formal introduction. We'll argue

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<v Speaker 2>it all over. This is Donald Donald, this is really

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<v Speaker 2>how do you do? How do you do? Do your

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<v Speaker 2>people ever call you don Oh? Yes?

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<v Speaker 4>Indeed, at College Ohio Wesley in nineteen twenty four.

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<v Speaker 2>They called me don Or Man. She isn't that man?

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<v Speaker 6>Choose? Yes?

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<v Speaker 2>Indeed.

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<v Speaker 4>Well, now that that's all that, Where are we going

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<v Speaker 4>to have Jenna?

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<v Speaker 6>My aunt?

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<v Speaker 2>Lily cook em me into it from soup? I rammed off.

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<v Speaker 2>I did not. Lily is so modestly. Well, how's business

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<v Speaker 2>to Manchester? Business? Yeah? All very good. We collected thirty

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<v Speaker 2>two cents and fines today. Oh really, mister Manchester is

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<v Speaker 2>a new Librarrian Lily, Lily is very interested in books,

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<v Speaker 2>mister Manchester, she'd make a wonderful wife for somebody who

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<v Speaker 2>was interested in literary things. Should Why that was a

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<v Speaker 2>fine dinner, missus Boston. Thank you, Melvin. Aren't you planning

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<v Speaker 2>to go to your large meeting tonight? I know my

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<v Speaker 2>large meets on Thursdays. Oh well, the Exalted High Councilor

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<v Speaker 2>called and said it was moved up to tonight, early tonight.

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<v Speaker 2>Are you going out tonight? Mother? As if I didn't know, so, yes,

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<v Speaker 2>I am my Red Cross class meet tonight. I'll go

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<v Speaker 2>about met on Friday. Well doing the emergencies? Are they

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<v Speaker 2>call special sessions? Yes? Well, my goodness, I must say

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<v Speaker 2>this isn't very sociable of us to run off like this,

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<v Speaker 2>but it will give you two a chance to get acquainted.

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<v Speaker 2>I think, really, Dora, you don't have to do JUNI

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<v Speaker 2>and Randolph for going out in the kitchen and wash

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<v Speaker 2>the dishes, aren't you DearS? Well, I guess we are,

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<v Speaker 2>I guess, And then they go right to bed so

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<v Speaker 2>you won't have to worry about them deserving you. Well,

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<v Speaker 2>come on, Delvin, thank you very much for the dinner.

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<v Speaker 2>Miss fos Oh, that's all right to dir Well Dora,

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<v Speaker 2>What are we going to do tonight? What do you

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<v Speaker 2>think we're going to do? You're going to take me

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<v Speaker 2>to a movie? Back here in the whole, Judy, I'll

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<v Speaker 2>take a quick peek.

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<v Speaker 3>Are they Yeah, he's on one end of the damn

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<v Speaker 3>point and she's on the other.

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<v Speaker 2>Let me look. Gosh, she'sn't turning on the heat? Is

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<v Speaker 2>shame a personally mister Man's letter, I prefer Dickens later works.

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<v Speaker 2>Great expectations always seemed to me a little in the

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<v Speaker 2>tour cheaperson. I think we're handling that way. My favorite

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<v Speaker 2>work of Dickens necklace Nickelby.

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<v Speaker 5>Although I have found great charm and Eckwick papers.

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<v Speaker 2>I find no charm in this conversation. Have you had

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<v Speaker 2>much of Pope and Dryden? Yes, yes I have. Poor

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<v Speaker 2>she doesn't know beans about man. She's a ray amateur.

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<v Speaker 2>Well I wouldn't call either of them great glovers. Don't

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<v Speaker 2>you love the little of Pope Rhyan couplet? Yes? Yes

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<v Speaker 2>I do. Isn't that awful?

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<v Speaker 6>Hey?

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<v Speaker 2>Hey, he's getting loop. You will see some action now,

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<v Speaker 2>Oh it's getting late. It is charming leading you, mister Manchester,

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<v Speaker 2>hope I'll see you assume I hope he too. This

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<v Speaker 2>is a critical moment. If you ask her for d't

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<v Speaker 2>now she's in. Otherwise she's cooked. Good night, then good night,

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<v Speaker 2>she's cooked. Uh, what are you doing a week from

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<v Speaker 2>tomorrow night? It's rogan?

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<v Speaker 3>Well, nothing came through but a woe from tomorrow night. Yeah,

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<v Speaker 3>I wouldn't exactly call it a wool wind courtier.

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<v Speaker 5>Why I wonder if I might come to call.

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<v Speaker 2>He's one of those parlor pops. I'm very happy to

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<v Speaker 2>see you. Well, good night, then that's good night. Mister

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<v Speaker 2>Manchester really is gone?

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<v Speaker 3>Yeah, I said I want a week way, it'll take

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<v Speaker 3>her till Christmas.

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<v Speaker 2>You end up. I think I'll have to give her

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<v Speaker 2>some advice about man You mean you're gonna part with

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<v Speaker 2>some of your vast or of knowledge on the subjects

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<v Speaker 2>if it helps her yoke a bloke, I'd be glad

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<v Speaker 2>to you know. You've sure got enough research on the

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<v Speaker 2>subject for Aunt Lily. I hate to say this, because, frankly,

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<v Speaker 2>your technique is a little ubie.

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<v Speaker 3>There speaks the voice of experience, Aunt Lily.

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<v Speaker 2>Tell me, frankly, do you have a yen from mister Yancester?

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<v Speaker 2>A yen by Judy Eyes? I hardly know the man.

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<v Speaker 2>What I got to do with it? I actually had

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<v Speaker 2>a yen forum. Well, I think he's very intelligence.

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<v Speaker 3>In Aunt Lili's language, that's I am, look aunt Lily.

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<v Speaker 2>One of the first principles of getting a guy Gaga

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<v Speaker 2>bat is to be glamours you guys, now, persons, take

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<v Speaker 2>who Edgar? This guy going, You've got God about me

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<v Speaker 2>called me up night and day. Now. The first thing

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<v Speaker 2>I did when I wanted to make him weak, and

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<v Speaker 2>he was that way the beginning was believe me, Randolph, please,

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<v Speaker 2>Scot could I given't really any advice? Well, the first

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<v Speaker 2>thing I did was find out what moving pictures? That

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<v Speaker 2>was his idea, and I simply made myself look like

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<v Speaker 2>that's done. There, I was, do you always do that?

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<v Speaker 6>Well?

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<v Speaker 2>Sure, this was she is Dorothy Lamore Bradgar, and a

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<v Speaker 2>couple of weeks ago she was Mana Chulder for child.

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<v Speaker 2>For goodness sake, Calenda Chulder is okay, but her Dorothy

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<v Speaker 2>little Moore is is very nerve Rackings. It is not Randolph.

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<v Speaker 2>And really, I'll guarantee this work. Do you think so, Judy,

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<v Speaker 2>I'm positive? Well, I'm not so sure, but well give

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<v Speaker 2>me the work and I want you to make it

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<v Speaker 2>only positively Humphy, I will make it so umphy. We

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<v Speaker 2>learn it good. You can start the mud tack, and

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<v Speaker 2>then an ice pack, and after the grandual of facial

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<v Speaker 2>and then an eyebrow person an eyerish curl. This is

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<v Speaker 2>not good at Lily, it's perfecly jerusylets to give me

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<v Speaker 2>an Andrew a number of five. No less positively kichproof

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<v Speaker 2>and everything. No, okay, up your lips on, Lili. And

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<v Speaker 2>and when you finish, the manager give a credicure. The

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<v Speaker 2>passion red nail polish on her feet tool of.

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<v Speaker 5>Course, Oh, the passion red nail polish. Gee so fashion, Hey.

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<v Speaker 2>Missy what I Judy wants to come over here for well?

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<v Speaker 2>She said that something startling with going our merch from

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<v Speaker 2>the beauty shop. You want both of us half on

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<v Speaker 2>him here, I'm promissy high enough, Hello Randall and Lily.

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<v Speaker 2>At Lily, this is Missy. I actually got by her well,

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<v Speaker 2>got to give you the ones over. Oh really, Julie,

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<v Speaker 2>do you have to call him perfect strangers?

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<v Speaker 6>Oh?

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<v Speaker 2>Missy isn't a perfect stranger. She's my best girlfriend. Besides,

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<v Speaker 2>she's practically authority on grammar anti micy. Wow.

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<v Speaker 3>Oh practically, doesn't that Lily look perfectly youngly?

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<v Speaker 2>She sure does me.

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<v Speaker 3>I have been able to take my eyes off ant

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<v Speaker 3>little since she came out of the beauty parr and

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<v Speaker 3>I say, a couple of pedestrians with the same idea.

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<v Speaker 2>I don't know whether they're staring at me or glaring

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<v Speaker 2>at me. Let's go. Just wait till you get home.

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<v Speaker 2>Mother's here. She'll be insane about you. And as for father,

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<v Speaker 2>they'll have to put him in an institution. Yeah, Lily,

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<v Speaker 2>don't you feel just like a movie star? Well, I

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<v Speaker 2>certainly don't feel like myself. I think you will wow

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<v Speaker 2>any man you meet if you just remember to turn

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<v Speaker 2>on a heat. Turn on the heat. That's what I've

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<v Speaker 2>been trying to tell her. Mixxy. She needs just give

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<v Speaker 2>her the stuff at Lily, you know, quick on the trigger,

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<v Speaker 2>give with this stuff. It's really very easy.

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<v Speaker 3>For instance, what rep arty would you hand out of

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<v Speaker 3>a man said to you, come now, let's grout.

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<v Speaker 2>No man, I know what I it's say, Come on, mouse,

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<v Speaker 2>let's grow. You'd better listen to Missy Lily. Her advice

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<v Speaker 2>has been very successful with me. All I'm trying to

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<v Speaker 2>do is make a cuddle chat out of me. I'm

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<v Speaker 2>not so sure I want to be a cuddle chat?

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<v Speaker 2>Why you do too, Aunt Lily? Go ahead, Mitzy, all

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<v Speaker 2>right now, why don't you come back with When somebody

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<v Speaker 2>says to you, what's cooking? Good? Looker? I don't know

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<v Speaker 2>you come back with soap group? Well slow me down.

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<v Speaker 2>Look who that is over there across the street. Why

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<v Speaker 2>is mister Manchester?

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<v Speaker 3>Oh my, why I am Lily into that glam roller

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<v Speaker 3>number five?

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<v Speaker 2>You're blushing. He's coming over to talk to us. I

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<v Speaker 2>remember it, Lily sparkle, be enthusiastic. Gotcham Do you want

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<v Speaker 2>to go right? You look like a house of fire.

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<v Speaker 2>That's what I'm afraid of.

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<v Speaker 7>You want?

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<v Speaker 2>You want to make a positive impression on this guy,

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<v Speaker 2>Miss Rogan? Oh yes, yes I do. But hand out

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<v Speaker 2>the gool? Do you like Natia talk about his necktie

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<v Speaker 2>and his shoulders and his chest extension? Well try here

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<v Speaker 2>you come, good afternoon. That's Rogan? And hello children? What

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<v Speaker 2>miss Rogan? What's cooking good looking? Thanks? Pardon? That's a

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<v Speaker 2>very beautiful Next time you have on and throw your shoulders?

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<v Speaker 2>What was that? Miss Rogan? And you've got a very

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<v Speaker 2>nanzy chest extension? Why miss Rogan, Why are you coming

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<v Speaker 2>over to dinner again? Mister Manchester, I don't know. You

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<v Speaker 2>know what a having the dinner tonight?

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<v Speaker 8>Well, no, I have having soup. Oh wow, oh my goodness.

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<v Speaker 2>Well I'm coming in at tonight, mister Manchez. Well, I

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<v Speaker 2>hardly think I can make it.

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<v Speaker 5>I well come over and grow mouth. Well some of

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<v Speaker 5>the time, perhaps, Oh good good.

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<v Speaker 2>Mister Manchell. Well, the fact is I am.

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<v Speaker 5>I have a library commity meeting tonight, and I well,

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<v Speaker 5>I I must attend.

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<v Speaker 2>I'm dreadfully sorry. I'll see you next whinchy. Well, I'm

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<v Speaker 2>not absolutely sure that I can make it. That is,

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<v Speaker 2>I'll have to let you know. Well, I'm very glad

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<v Speaker 2>I saw you.

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<v Speaker 5>I'm sorry, I have to dash goodbye.

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<v Speaker 2>I really have to dish boom. That's true, there was

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<v Speaker 2>a danshing conversation. I can't understand it. You know, we're

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<v Speaker 2>just wonderful. Yeah, you certainly sparkled and everything, Yes, sparkled,

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<v Speaker 2>all right, sparkled him right out of my life. Well,

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<v Speaker 2>we certainly did have a funny reaction or well, I

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<v Speaker 2>really don't bother about him. If he had funny reactions

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<v Speaker 2>like that, I just wouldn't waste any time. I certainly wouldn't.

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<v Speaker 2>He acted like an egg. He did not. He did

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<v Speaker 2>a tweet sensical murder. I like him very much. Cheap

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<v Speaker 2>was trying to report love? Would I learnt to this well?

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<v Speaker 1>Julian Ramdall seem to be doing it the hard way.

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<v Speaker 1>We'll see what happens on your date with Judy. In

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<v Speaker 1>just a moment, you know there's a hard way and an.

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<v Speaker 2>Easy way to do everything.

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<v Speaker 1>The hard way to learn if your teeth are dingy,

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<v Speaker 1>if your smile is unattractive, is to watch the reaction

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<v Speaker 1>of your friends if they seem to avoid you, that

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<v Speaker 1>may be a clue. The easy way to learn about

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<v Speaker 1>your smile takes two seconds and spares you lots of embarrassment.

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<v Speaker 1>Now here's all you do is run the tip of

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<v Speaker 1>your tongue over your teeth.

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<v Speaker 2>Feel that filmy coating.

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<v Speaker 1>That dingy film collects stains on your teeth, spoils the

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<v Speaker 1>effects of your smile, and there's no reason in the

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<v Speaker 1>world why you should put up with it. For pepsident toothpaste,

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<v Speaker 1>remove that filmy coating. You can feel with your tongue.

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<v Speaker 1>Pubsident with arium is a clean tasting toothpaste with super

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<v Speaker 1>cleansing ingredients. It foams through your mouth in millions of

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<v Speaker 1>refreshing bubbles the gluten and flush away the dingy film

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<v Speaker 1>from your teeth. When you brush your teeth with pepsidonce

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<v Speaker 1>they're so clean, they passed the tongue tail.

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<v Speaker 2>They feel clean and they look.

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<v Speaker 1>So sparkling and shiny. Everybody likes to see you smile.

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<v Speaker 2>Small maybe your big day.

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<v Speaker 1>So go to your drug comver tonight and say Pepsident

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<v Speaker 1>toothpaste please, and remember to take an empty tube, any size,

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<v Speaker 1>from any product to exchange for your.

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<v Speaker 2>New tube of Pestsident.

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<v Speaker 1>Well, let's see what's happening now on your date with Judy.

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<v Speaker 2>All end Off. I feel catch he's been tankically in

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<v Speaker 2>kids ever since we got home. She's taking me run

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<v Speaker 2>and her makeup.

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<v Speaker 6>It was for me.

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<v Speaker 2>She looks that it was at rules. You know, Randolph,

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<v Speaker 2>I think she goes to mister Manchester. She'll live marryhim

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<v Speaker 2>if we keeps helping her. Do you know what I'm

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<v Speaker 2>going to do, Randall? I hate to think I'm going

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<v Speaker 2>to offer her Edgar Andar. What's she going to do

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<v Speaker 2>with him? Well, haven't you ever heard of the Channel,

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00:18:20.839 --> 00:18:23.440
<v Speaker 2>try and book. When mister Manchester hears that really is

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<v Speaker 2>going out with Edgar? Well, you know what? Real hot

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<v Speaker 2>go Chelsey, I'm calling it to right. Hey, Oh that

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<v Speaker 2>you Edgar? What do you want, Judy? How would you

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<v Speaker 2>like to have a date?

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<v Speaker 1>Huh?

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00:18:42.079 --> 00:18:44.319
<v Speaker 2>Isn't this a slight reversal of form?

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<v Speaker 7>Oh? Sure, Judy?

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<v Speaker 2>Anytime he's say how about tonight?

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<v Speaker 6>Well what do they think?

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<v Speaker 2>Oh, the date's not with me.

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<v Speaker 3>It's a new girl just came to town, a terribly

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<v Speaker 3>new girl. It's just thirty four years old.

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<v Speaker 2>You why is it a date? Edwer? You to pass

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<v Speaker 2>off on me some witch? Why? Edgar? What a way

318
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<v Speaker 2>to talk? This girl's just about the cutest number you

319
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<v Speaker 2>ever said? All right, what's the matter with her? Lovely?

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<v Speaker 2>She's very young and very attractive. The hand's mad a

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<v Speaker 2>date for six years? And Edgar, when you do this

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<v Speaker 2>for me?

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<v Speaker 7>Well, all right, I'll do it if you will promise

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<v Speaker 7>to go with me to the summer.

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<v Speaker 2>Prom at today. I come right on and take up

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<v Speaker 2>that Lily aunt Lily, Okay, Judy, I'll be right over.

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<v Speaker 2>He's trying to do it and Lily and Lily. Yes, Judy, Elily,

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<v Speaker 2>I got your date. With a new man. I don't

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<v Speaker 2>want to date with a new man? Why? I really

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<v Speaker 2>don't be chilly? You didn't want to date with mister

331
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<v Speaker 2>Manchester just because you turned out? Yeah? Just looks now,

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<v Speaker 2>Aunt Lily. It's absolutely imperative you and prefector because then

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<v Speaker 2>you'll get dates with other foes and the first thing

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<v Speaker 2>you know, it'll get back to mister Manchester. You're chasing

335
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<v Speaker 2>your hand with everybod you'll let's be good, he'll be

336
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<v Speaker 2>eating up now. Look, can't really we've got to go

337
00:20:05.039 --> 00:20:09.839
<v Speaker 2>to personality entire again. Oh no, we're going to be hurt. Randolf,

338
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<v Speaker 2>You Edgar, I'm who you pretend you're dating? Aunt Loomy.

339
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<v Speaker 3>Okay, I'm in the Edgar moon. You're I Comrady, You're

340
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<v Speaker 3>not Judy.

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<v Speaker 2>Somehow my heart isn't didn't they remember it's alcame to Manchester? Well, Rando,

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<v Speaker 2>why my dear miss Walgan, it's a pleasure to see

343
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<v Speaker 2>you again. Listen, may I kiss you're hands? Rand Don't

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<v Speaker 2>you know Edgar doesn't talk like that. You don't have

345
00:20:31.960 --> 00:20:37.960
<v Speaker 2>to be so Shakespearean. Excuse me the Manchester influence. Okay,

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<v Speaker 2>I'll start over. Hi, good looks fools, brand ball. It's

347
00:20:45.480 --> 00:20:49.599
<v Speaker 2>too abrupt, don't you understand? Try it again? Oh yeah,

348
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<v Speaker 2>I must feel fus so we haven't had time gry hurt.

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<v Speaker 2>Oh it really doesn't make much difference, Judy. O, Hi

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<v Speaker 2>are you Judy? I want you to meet to day

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<v Speaker 2>Lily Emily. This is Edgar, Edgar, this is mature. How

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<v Speaker 2>do you do? How do you do? It is a

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00:21:06.319 --> 00:21:07.160
<v Speaker 2>pleasure to meet you.

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<v Speaker 3>Gee's part of Lily Say experience, Edgar, goody?

355
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<v Speaker 2>What are you doing over at my house? Till early

356
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<v Speaker 2>in the morning.

357
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<v Speaker 7>I couldn't sleep, so I just thought i'd come over.

358
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<v Speaker 2>Did you have a nice time about Lily last night?

359
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<v Speaker 7>Surely, Judy, I gotta talk to you. Go ahead, Judy,

360
00:21:37.079 --> 00:21:43.480
<v Speaker 7>I'm I'm fans about her, so Lily, Lily. Don't keep

361
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<v Speaker 7>calling her aunt Lily. She's hardly any older than you are,

362
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<v Speaker 7>Like Edgar Wilson.

363
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<v Speaker 2>She's twice my age and yours too. That's just it.

364
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<v Speaker 2>She's so so mature. Edgar Wilson, have you got a

365
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<v Speaker 2>crush on aunt Lily?

366
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<v Speaker 7>Don't call it a crush that sound so well childish

367
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<v Speaker 7>and Lily Lily so so spiritual and wantfully and everything.

368
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<v Speaker 2>Judy, I'm gonna ask you something.

369
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<v Speaker 7>What do you think I have a right to ask

370
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<v Speaker 7>Lily to wait for me?

371
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<v Speaker 2>Wait for you?

372
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<v Speaker 7>Oh yeah, just until I finished high school.

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<v Speaker 2>Until you're out of your mind? Blow, I'm not a

374
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<v Speaker 2>lot of men have married older women. Wife when I'm.

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<v Speaker 7>Sixty, she'll only be seventy seven, she wiz, when you're

376
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<v Speaker 7>in seventy.

377
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<v Speaker 2>Oh I never thought that's what happened, Judy.

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<v Speaker 7>Would you mind, just awfully if if I took Lily

379
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<v Speaker 7>to the summer chrome.

380
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<v Speaker 2>Instead of you all? May I see Lily? Please? She

381
00:22:49.920 --> 00:22:51.920
<v Speaker 2>still thinking, do you want me to waituse?

382
00:22:52.079 --> 00:22:55.319
<v Speaker 7>Oh no, no, I wouldn't disturb her sils and dreams

383
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<v Speaker 7>for anything.

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<v Speaker 2>I'll come back later. Bye, Judy, O Lily Bell, it

385
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<v Speaker 2>is green. Randolf, Randol come here. I need you.

386
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<v Speaker 3>What's the matter now, mister fact to try angle the backfires?

387
00:23:12.799 --> 00:23:14.359
<v Speaker 2>Edgrew's goddab about that Lily?

388
00:23:14.720 --> 00:23:18.640
<v Speaker 3>Now I have seen everything, I mean trying.

389
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<v Speaker 2>To positively God, God about Edgar? Who Landolf? I'm desperate,

390
00:23:22.640 --> 00:23:23.079
<v Speaker 2>ed let me.

391
00:23:23.119 --> 00:23:31.200
<v Speaker 3>In great danger of what being robbed by the cradles.

392
00:23:29.160 --> 00:23:34.720
<v Speaker 3>So something for our own blood relation, Anne get un selfish,

393
00:23:34.759 --> 00:23:37.680
<v Speaker 3>little Beauty. Of course you aren't worried about holding Edgar

394
00:23:37.759 --> 00:23:41.279
<v Speaker 3>or anything. Randolph don't quipple, so we do. Let me

395
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<v Speaker 3>put my brain to us. I don't think of something.

396
00:23:43.519 --> 00:23:46.880
<v Speaker 2>I don't be so desperate, dude, you'll get your land back. Hey,

397
00:23:48.119 --> 00:24:02.200
<v Speaker 2>if I marry that Moly, she's me my uncle A. Well,

398
00:24:02.680 --> 00:24:04.799
<v Speaker 2>I've been telling you, mister man said. He is still

399
00:24:04.880 --> 00:24:06.480
<v Speaker 2>now talking in the library around though.

400
00:24:06.960 --> 00:24:09.119
<v Speaker 3>Well, what I've been trying to tell you is that

401
00:24:09.240 --> 00:24:10.200
<v Speaker 3>my aunt now he's been.

402
00:24:10.079 --> 00:24:12.359
<v Speaker 2>Wrong around with another man she had.

403
00:24:12.799 --> 00:24:15.519
<v Speaker 3>Yeah, he's practically on the verge of almost a pausing

404
00:24:15.599 --> 00:24:17.720
<v Speaker 3>to her he is.

405
00:24:18.079 --> 00:24:20.759
<v Speaker 2>Yeah, it's one of those whool wind courtships. He's got

406
00:24:20.880 --> 00:24:24.799
<v Speaker 2>a practically swept off her beef. Hush, oh, that's terrible.

407
00:24:25.240 --> 00:24:28.279
<v Speaker 2>That's her because she's so stickling an intellectual and everything.

408
00:24:28.680 --> 00:24:30.319
<v Speaker 2>You know, that day we saw you in the street,

409
00:24:30.680 --> 00:24:32.640
<v Speaker 2>she was just made up that way because she was

410
00:24:32.680 --> 00:24:37.720
<v Speaker 2>going to a mascarade. Hush, a masquerade. I never thought

411
00:24:37.759 --> 00:24:40.400
<v Speaker 2>of that. Yeah, she was going Judy.

412
00:24:40.960 --> 00:24:47.519
<v Speaker 3>Everybody had to go with something funny. You'll order practically

413
00:24:47.559 --> 00:24:48.440
<v Speaker 3>talking like Judy.

414
00:24:48.799 --> 00:24:53.759
<v Speaker 2>Yes, I did a masquerade. Oh that's wonderful news.

415
00:24:53.799 --> 00:24:56.279
<v Speaker 3>Of course, how you moved back, you may still be

416
00:24:56.319 --> 00:24:58.839
<v Speaker 3>in time to stop the elopements, or maybe a ladder

417
00:24:58.880 --> 00:24:59.799
<v Speaker 3>outside of a window.

418
00:24:59.799 --> 00:25:02.440
<v Speaker 5>This very more, Randolph, I'm going to move faster than

419
00:25:02.480 --> 00:25:04.160
<v Speaker 5>I have ever moved in all my life.

420
00:25:04.400 --> 00:25:14.559
<v Speaker 6>The Manchester hush?

421
00:25:13.839 --> 00:25:18.359
<v Speaker 2>Where is she? Who? Lily? Of course? Well, I guess

422
00:25:18.359 --> 00:25:21.160
<v Speaker 2>he's upstairs in her room. But before she Manchester, are

423
00:25:21.160 --> 00:25:24.519
<v Speaker 2>you going upstairs? We took herself that a lot? Oh, yes,

424
00:25:25.039 --> 00:25:28.039
<v Speaker 2>a long. There may be a shiplighter outside her window

425
00:25:28.079 --> 00:25:30.039
<v Speaker 2>this very moment. If there is, this is the first

426
00:25:30.079 --> 00:25:35.680
<v Speaker 2>I've heard of it. Lily, Lily, where are you? Who's

427
00:25:35.759 --> 00:25:36.359
<v Speaker 2>doing all right?

428
00:25:36.519 --> 00:25:36.839
<v Speaker 6>Yelling?

429
00:25:36.960 --> 00:25:39.799
<v Speaker 2>Whether what's happening around you? I don't know. Miss Manchester

430
00:25:39.880 --> 00:25:43.279
<v Speaker 2>just ran upstairs like a crazy man. I wonder what

431
00:25:43.440 --> 00:25:47.960
<v Speaker 2>made him do that? Gee, I hope he doesn't see it. Lily.

432
00:25:48.279 --> 00:25:50.519
<v Speaker 2>She's in a big hair for Grandmos today. She's just

433
00:25:50.599 --> 00:25:53.759
<v Speaker 2>herself again. Oh, that same old personality she used to him.

434
00:25:54.039 --> 00:25:58.359
<v Speaker 2>My father got her. Look she told me it, Lily

435
00:25:58.400 --> 00:26:01.200
<v Speaker 2>downstairs like a chid. Me. I'm donald, Let me go.

436
00:26:02.359 --> 00:26:03.440
<v Speaker 2>I want to say something, Lily.

437
00:26:03.920 --> 00:26:06.200
<v Speaker 5>I want to pay it right here in front of everybody.

438
00:26:07.000 --> 00:26:14.200
<v Speaker 2>Don't do it, Lily, do what I can't imagine. Relly,

439
00:26:14.319 --> 00:26:16.799
<v Speaker 2>call off that and open fy Lily, what's been going

440
00:26:16.799 --> 00:26:18.400
<v Speaker 2>on in this house? I wouldn't know.

441
00:26:18.519 --> 00:26:20.519
<v Speaker 5>I'll make you a devoted husband, even though my courtship

442
00:26:20.559 --> 00:26:22.759
<v Speaker 5>hasn't been whirlwind sounds my whirlwind to.

443
00:26:22.799 --> 00:26:25.160
<v Speaker 3>Meld me completely over.

444
00:26:27.480 --> 00:26:34.200
<v Speaker 2>Donald, Are you proposing? Well, I guess I am you.

445
00:26:34.200 --> 00:26:38.400
<v Speaker 2>I want to quick he early? All right? I stept you. Donald.

446
00:26:38.680 --> 00:26:42.279
<v Speaker 2>He's here engaged, just so as I get my bread. Haaw,

447
00:26:42.279 --> 00:26:46.440
<v Speaker 2>congratulates here Lily. I think I'm going to kiss you.

448
00:26:47.119 --> 00:27:02.319
<v Speaker 2>Oh oh, not here, Donald's Lily. It's fun. Children. I

449
00:27:02.400 --> 00:27:04.720
<v Speaker 2>just got another letter from Grandma. What'd you say? But

450
00:27:04.839 --> 00:27:07.279
<v Speaker 2>let me see, she says, I'm very happy to hear

451
00:27:07.319 --> 00:27:12.480
<v Speaker 2>about Lily's engagement, And oh, good heavens, what's the matter? Mother?

452
00:27:12.680 --> 00:27:16.480
<v Speaker 2>She's sending answer to and count and Chachiana to visitors.

453
00:27:17.200 --> 00:27:32.599
<v Speaker 2>She wants us to get them married too. You have

454
00:27:32.720 --> 00:27:33.480
<v Speaker 2>just heard a.

455
00:27:33.599 --> 00:27:37.440
<v Speaker 1>Date with Judy the story of an American family. Let's

456
00:27:37.519 --> 00:27:39.480
<v Speaker 1>join the Foster family again for.

457
00:27:39.480 --> 00:27:42.400
<v Speaker 2>A moment, Jim, Mother, I had a good week, he

458
00:27:42.519 --> 00:27:45.440
<v Speaker 2>did this. Yes, I had five dates, one with Ogin

459
00:27:45.640 --> 00:27:50.240
<v Speaker 2>and one with Hank and one with Skunky. Answered the door, Randall, Yes,

460
00:27:50.279 --> 00:27:52.119
<v Speaker 2>fris we didn't wait.

461
00:27:52.039 --> 00:27:53.559
<v Speaker 1>A minute to her teeth of this sort of a

462
00:27:53.599 --> 00:27:55.519
<v Speaker 1>deportation who to get us with the members of all

463
00:27:55.599 --> 00:27:56.279
<v Speaker 1>your family.

464
00:27:56.000 --> 00:27:58.319
<v Speaker 7>Should be ready for depatch up, and we can just greet.

465
00:27:58.079 --> 00:28:00.519
<v Speaker 2>Outside your hoses to midate with you one instead of.

466
00:28:00.519 --> 00:28:04.319
<v Speaker 5>Closing one woman blanketon blanket for person who for several

467
00:28:04.400 --> 00:28:06.079
<v Speaker 5>days got certificate not more.

468
00:28:05.960 --> 00:28:06.799
<v Speaker 2>Than twenty dollars.

469
00:28:06.799 --> 00:28:13.200
<v Speaker 1>A fantastic no, not at all. Hundreds of thousands of Dutch, Belgians, Poles,

470
00:28:13.319 --> 00:28:16.680
<v Speaker 1>French have heard that order red. It is being read

471
00:28:16.759 --> 00:28:20.559
<v Speaker 1>this very minute in some black corner of Europe. People

472
00:28:20.599 --> 00:28:25.359
<v Speaker 1>are victims, always the quiet, innocent people like you, old

473
00:28:25.440 --> 00:28:30.119
<v Speaker 1>and young women with babies in their arms. And it can.

474
00:28:30.039 --> 00:28:33.079
<v Speaker 2>Happen here, yes, ladies and gentlemen, it can happen here

475
00:28:33.519 --> 00:28:36.160
<v Speaker 2>unless we stamp it out over there. And that means

476
00:28:36.240 --> 00:28:39.599
<v Speaker 2>guns and tanks and planes not only more than the

477
00:28:39.720 --> 00:28:44.440
<v Speaker 2>enemy has not air supremacy, but air and grounds mastery

478
00:28:45.000 --> 00:28:49.440
<v Speaker 2>that takes money every day, every hour. More planes must

479
00:28:49.440 --> 00:28:53.319
<v Speaker 2>be built, more guns made, more tanks manufactured.

480
00:28:53.599 --> 00:28:56.680
<v Speaker 4>That's right, Or buying a few bonds isn't enough. They

481
00:28:56.759 --> 00:28:59.000
<v Speaker 4>must buy bonds regularly so we can make the engines

482
00:28:59.000 --> 00:29:00.000
<v Speaker 4>of four without stuff.

483
00:29:00.640 --> 00:29:01.400
<v Speaker 2>Every quarter we.

484
00:29:01.400 --> 00:29:03.960
<v Speaker 4>Invested in war bonds sends one dozen bullets ripping into

485
00:29:03.960 --> 00:29:07.079
<v Speaker 4>Access tank commons. Every dollar we invest turns our war

486
00:29:07.119 --> 00:29:11.079
<v Speaker 4>wheels faster, binds our enemy smaller. That's why our government

487
00:29:11.160 --> 00:29:12.759
<v Speaker 4>urges us to put at least ten percent of our

488
00:29:12.759 --> 00:29:15.920
<v Speaker 4>earnings into war bonds. That's why millions of Americans have

489
00:29:15.960 --> 00:29:19.640
<v Speaker 4>already joined the ten percent club by buying war bonds regularly.

490
00:29:19.279 --> 00:29:19.880
<v Speaker 2>Every pay day.

491
00:29:20.720 --> 00:29:23.160
<v Speaker 4>The best way to save god our future is to

492
00:29:23.200 --> 00:29:27.279
<v Speaker 4>destroy completely everything the Access stands for with bullets, with planes,

493
00:29:27.279 --> 00:29:31.000
<v Speaker 4>with tanks. And it will take money, ten percent of

494
00:29:31.039 --> 00:29:32.440
<v Speaker 4>it every payday to do the job.

495
00:29:32.720 --> 00:29:34.960
<v Speaker 2>My dad's name of the ten percent club, aren't you dad?

496
00:29:35.119 --> 00:29:38.039
<v Speaker 2>That's right, Randolf. Because we know that every day, every.

497
00:29:37.839 --> 00:29:41.079
<v Speaker 4>Dime counts in lives and blood. We hope you'll buy

498
00:29:41.079 --> 00:29:43.119
<v Speaker 4>your quarter of war bonds tomorrow.

499
00:29:43.960 --> 00:29:45.759
<v Speaker 2>A duty came to you from Hollywood.

500
00:29:45.880 --> 00:29:47.640
<v Speaker 1>This is the National Broadcasting Colony.

501
00:29:49.160 --> 00:29:49.359
<v Speaker 2>Boo