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<v Speaker 1>Let's depart for one podcast and get away from the

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<v Speaker 1>monster stories and the bigfoot stories and the werewolf stories

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<v Speaker 1>and ghost stories and read something that's just normal. What

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<v Speaker 1>you're about to hear are the first few scenes from

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<v Speaker 1>a novel titled Salvaged this World by the author Michael

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<v Speaker 1>Ferris Smith. When I'm done reading this, I'll talk to

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<v Speaker 1>you a little more about what you're about to hear.

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<v Speaker 1>So here we go. She stood bathed in twilight, the

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<v Speaker 1>dust in her hair and a kid on her hip.

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<v Speaker 1>She stared at the approaching storm as if trying to

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<v Speaker 1>figure how to wrangle the thunderheads and steer them to

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<v Speaker 1>a distant and parched land where desperate souls would pay

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<v Speaker 1>whatever ransom she demanded. The acres of sugar cane cutting

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<v Speaker 1>up surrounding the house. A dry autumn turned to an

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<v Speaker 1>unpredictable winter, and then, eleven days ago, he left, and

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<v Speaker 1>she'd seen no one since it was a mile walk

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<v Speaker 1>along the dirt road that separated the acreage. Another eight

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<v Speaker 1>miles to walk to the nearest telephone, but even if

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<v Speaker 1>she wanted to bundle up and make it, she wouldn't

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<v Speaker 1>know who to call. He was gone, and he had

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<v Speaker 1>taken the car and the cigarettes and every dollar except

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<v Speaker 1>the stash she kept hidden beneath the floorplank in the closet.

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<v Speaker 1>She had finished the last of the whiskey three nights

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<v Speaker 1>before the milk had run out. Yesterday, Jesse stared at

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<v Speaker 1>the storm, and the wind began to blow, and dust

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<v Speaker 1>clouds rose like souls awakened, and she listened to the

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<v Speaker 1>wind and welcomed the sound of something else. She shifted

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<v Speaker 1>the child from one hip to the other and pointed

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<v Speaker 1>out at the lightning, and said, look at the light.

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<v Speaker 1>Can you see the light? One side of the sky

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<v Speaker 1>was thick with storm clouds, and the other side of

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<v Speaker 1>the sky was wrapped in a rusted belt that bled

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<v Speaker 1>into the horizon like an open wound. And the child

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<v Speaker 1>lifted his small hand and pointed at the light. But

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<v Speaker 1>it was not the lightning he saw, but a gathering

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<v Speaker 1>of headlights approaching in the distance. The thunder roared and

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<v Speaker 1>the engines roared, and she turned and ran for the house,

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<v Speaker 1>setting the child down on the porch and hurrying for

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<v Speaker 1>the bedroom. Her footfalls hard against the floorboards, and her

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<v Speaker 1>breath in quick sucks as she took the pistol from

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<v Speaker 1>beneath the mattress and grabbed the set of keys from

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<v Speaker 1>the dresser drawer that he had always told her to

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<v Speaker 1>grab if she had to make a run for it,

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<v Speaker 1>And then she hustled out and scooped up the child,

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<v Speaker 1>the headlights growing closer and splitting the dusk as she

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<v Speaker 1>hurried around the house and along the beaten trail through

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<v Speaker 1>the high grass that led into the woods. And she ran,

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<v Speaker 1>and the child bounced in her arms, and she had

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<v Speaker 1>just reached the edge of the woods when she looked

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<v Speaker 1>back to see the vehicles skid to a stop in

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<v Speaker 1>front of the house, a pale and powdery cloud rising

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<v Speaker 1>around them. She heard the engines cut and the door

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<v Speaker 1>slam behind her, and then she heard the shouts coming

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<v Speaker 1>in her direction as the last of twilight seeped into

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<v Speaker 1>the earth. They called out as they chased her into

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<v Speaker 1>the woods, and the child squeezed her neck and held

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<v Speaker 1>on but did not cry as she ran. She had

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<v Speaker 1>gone far into these woods before, but never far enough

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<v Speaker 1>to know if there was anything on the other side.

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<v Speaker 1>She was seized by the thought that she may run

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<v Speaker 1>over the edge of the earth, and that she and

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<v Speaker 1>the child would plummet soundlessly into nothing. That thought was

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<v Speaker 1>interrupted when a shotgun fired into the night, its echo

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<v Speaker 1>ringing through the trees. She pushed harder, squeezing the child

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<v Speaker 1>close to her chest, praying not to run over the edge,

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<v Speaker 1>or if there was such a thing, praying that her

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<v Speaker 1>fall would be brief and painless. Another shotgun blast, and

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<v Speaker 1>then in another, and she knew they were looking for him.

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<v Speaker 1>She knew there was a fine damn reason he had

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<v Speaker 1>never returned. She knew she and the child could never

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<v Speaker 1>go back to the house, and she knew she would

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<v Speaker 1>have to keep running. They shivered through the night. Jesse

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<v Speaker 1>unbuttoned her flannel shirt and held Jase against her skin

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<v Speaker 1>and wrapped the shirt around them both, but it did

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<v Speaker 1>not stop the shaking. He cried some little whimpers of discomfort,

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<v Speaker 1>little whimpers of hunger. She sat on a pile of leaves,

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<v Speaker 1>with her back against a white oak and held him tight.

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<v Speaker 1>She rocked a little, hummed, and sometimes sang, and she

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<v Speaker 1>kept promising that everything was going to be all right.

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<v Speaker 1>The boy slept in increments, the ragged sleep of distress

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<v Speaker 1>and discomfort, and an owl hooted, and nightbirds sang. The

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<v Speaker 1>deer moved in the dark, and their creeping sounded like

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<v Speaker 1>monsters and wait. She nodded in and out of sleep,

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<v Speaker 1>and when her eyes fell heavy, she imagined strong arms

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<v Speaker 1>and strong hands reaching for her through the dark, prying

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<v Speaker 1>the child from her grasp. She would wake with a

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<v Speaker 1>jerk to find herself squeezing the child so tightly that

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<v Speaker 1>he was struggling for freedom. She would stroke the back

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<v Speaker 1>of his head and coax him back to sleep, and

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<v Speaker 1>her eyes stayed open, wide, watching the woods and watching

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<v Speaker 1>for the arms and hands that approached in her dreams,

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<v Speaker 1>but then closing them again. Finally there was light. She

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<v Speaker 1>rubbed her eyes and felt the warmth of the child's

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<v Speaker 1>skin against her own. She did not want to wake him,

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<v Speaker 1>so she sat there and watched the morning come, listen

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<v Speaker 1>to the chirps and whistles and the movement of the

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<v Speaker 1>early creatures. The child lifted its head and coughed, opened

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<v Speaker 1>his eyes and looked with question at his mother. She

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<v Speaker 1>kissed the boy on top of his ear and said,

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<v Speaker 1>it's all right, it's all right. She then tucked the

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<v Speaker 1>empty pistol into the back of her pants, and she

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<v Speaker 1>started them walking south, believing if she kept walking south

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<v Speaker 1>that she would run into de Cambre. Amidst the trees.

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<v Speaker 1>She would stop and listen for the hum of the highway,

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<v Speaker 1>and set the boy down and rest him in it

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<v Speaker 1>and listen. Then he would cry to be carried again,

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<v Speaker 1>and she would tell him to hold on, hush a second,

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<v Speaker 1>but he was not concerned, and he cried harder and

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<v Speaker 1>made little mad fists, and she would pick him up

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<v Speaker 1>and start again. In an hour, she came to a clearing,

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<v Speaker 1>and the earth grew soft and heavy. The damp ground

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<v Speaker 1>sucked at her feet, and she set the child down

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<v Speaker 1>and retied the laces on her boots. He wabbled and

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<v Speaker 1>plopped down on his behind a smack as his ass

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<v Speaker 1>hit the wet ground. He screamed something different now from

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<v Speaker 1>toddler whimpers. And he screamed and shook and slapped at

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<v Speaker 1>his own legs, red faced and releasing as much anger

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<v Speaker 1>as his little body could muster. And she propped her

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<v Speaker 1>hands on her hips and looked down at him and said,

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<v Speaker 1>let it out, Let it all out, boy, And when

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<v Speaker 1>he was done, she reached down and helped him to

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<v Speaker 1>his feet. In the back of his pants muddy, he

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<v Speaker 1>stood next to her and they both looked out across

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<v Speaker 1>the marshland cranes stood on stumps. A flock of blackbirds

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<v Speaker 1>rose from a cluster of young cypress and scattered across

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<v Speaker 1>the low sky, and the sun sat on the horizon

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<v Speaker 1>and lathered the Martian gold, and it seemed beautiful to

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<v Speaker 1>her in a way she had not expected. But there

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<v Speaker 1>was no time to admire. The child was now wet

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<v Speaker 1>and hungry and cold, and she was hungry and cold,

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<v Speaker 1>and she didn't know where they were, but she knew

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<v Speaker 1>there was a highway somewhere. They circled around the edge

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<v Speaker 1>of the marsh for at least an hour, and crossed

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<v Speaker 1>into another wood, where the trees thinned. The sun rose

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<v Speaker 1>higher into a blue and cloudless sky, and their pace

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<v Speaker 1>had slowed, and the child slept with his head on

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<v Speaker 1>his mother's shoulder. The pistol was cold and hard against

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<v Speaker 1>the small of her back, and every now and then

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<v Speaker 1>she touched the pocket of her jeans, feeling the keys

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<v Speaker 1>and making sure she had grabbed them, and it was

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<v Speaker 1>not part of some hurried dream. First she saw the smoke,

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<v Speaker 1>and she followed it until she was close enough to

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<v Speaker 1>smell it. She came to the edge of the woods

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<v Speaker 1>and stopped hid herself behind a tree. Saw a small

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<v Speaker 1>cabin with smoke rising from its chimney and a trailer

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<v Speaker 1>next to it. A truck sat unavidly propped up by

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<v Speaker 1>a jack, a front tier missing the hood raised behind

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<v Speaker 1>a truck, a hatchback sat running and the driver's door

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<v Speaker 1>was open, a cloud of exhaust from the tailpipe as

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<v Speaker 1>the heat met the coal. A woman stood on the

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<v Speaker 1>cabin porch with a lit cigarette, and then another woman

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<v Speaker 1>joined her. She held a shovel and she leaned it

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<v Speaker 1>against the doorframe. They both wore denim jackets with collars

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<v Speaker 1>pushed up around their necks, and both stood with their

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<v Speaker 1>hips propped while they smoked. They talked between inhales and

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<v Speaker 1>exhales and one and two word sentences, and when they

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<v Speaker 1>were done smoking, they flicked the butts into the dirt,

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<v Speaker 1>and one of them yelled out toward the trailer, come on,

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<v Speaker 1>we got shit to do. The women then stepped back

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<v Speaker 1>inside the cabin, leaving the door open, and Jesse sprinted

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<v Speaker 1>from the woods, the child waking with a sudden jolt,

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<v Speaker 1>and he let out a cry that she didn't acknowledge

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<v Speaker 1>as she darted between old tires and a pile of

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<v Speaker 1>firewood and a smoldering heap of trash, and then she

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<v Speaker 1>heard the growl as a wolf on a chain rose

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<v Speaker 1>from slumber and lurched at her backside with its bone

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<v Speaker 1>white fangs, only to be held fast by a chain.

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<v Speaker 1>She screamed, and the wolf yet, but she didn't slow down,

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<v Speaker 1>making it to the hatchback and hopping in, just as

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<v Speaker 1>a man in coveralls emerged from the trailer holding a

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<v Speaker 1>coffee mug. He sipped and watched dumb eyed, before realizing

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<v Speaker 1>that it was a stranger in the car, a stranger

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<v Speaker 1>holding a child. He hollered, and two women came from

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<v Speaker 1>the cabin, and the three of them came down the

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<v Speaker 1>steps and ran for the hatchback. As Jesse shifted into reverse,

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<v Speaker 1>the car door opened and flapping like a wing, and

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<v Speaker 1>then slamming shut when she hit the brakes, shifted into

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<v Speaker 1>drive and stamped the gas, the tires spinning and the

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<v Speaker 1>three of them trying to corral the hatchback like some

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<v Speaker 1>untamed animal. And as the car raced away from their cries,

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<v Speaker 1>a coffee mug crashed on the hood as if dropped

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<v Speaker 1>from heaven, just as the tires caught firm on the

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<v Speaker 1>gravel road. She drove along the back roads away from

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<v Speaker 1>De Cambre and toward Lake Penure, finding a solitary gas

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<v Speaker 1>station where she stopped and bought a small bottle of

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<v Speaker 1>milk and honey, buns and powdered doughnuts, cigarettes and a lighter,

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<v Speaker 1>and a pack of diapers. Then she left the store

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<v Speaker 1>and drove east a long highway fourteen, the landscape shifting

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<v Speaker 1>from swamp to crops and back to swamp. She turned

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<v Speaker 1>off down a dirt road, and she and the child

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<v Speaker 1>ate and drank until there was nothing left but to

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<v Speaker 1>lift the sugar from their fingertips. She changed the boy's diaper,

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<v Speaker 1>leaned back the passenger seat, let him lie down while

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<v Speaker 1>she sat on the hood, smoked a cigarette and tried

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<v Speaker 1>to figure out what the hell to do. She would

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<v Speaker 1>need to get rid of the hatchback, and she was

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<v Speaker 1>ready for that. The upholstery was stained and poked with

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<v Speaker 1>cigarette burns, and smelled sour and sick. The back seat

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<v Speaker 1>was piled with wadded clothes and fast food bags. And

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<v Speaker 1>as foul as the hatchback looked and smelled, she knew

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<v Speaker 1>it had been called in. They were not far from

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<v Speaker 1>New Iberia, and there was probably a bus station there,

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<v Speaker 1>and she could leave the hatchback with a nice note

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<v Speaker 1>that said I was only borrowing it, but also a

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<v Speaker 1>new Iberia. There would be real police made aware of

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<v Speaker 1>the license plate and given a description of both them

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<v Speaker 1>and the shitty little car. And where the hell do

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<v Speaker 1>you think you're taking a bus to? Anyway, She made

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<v Speaker 1>a lap around the car, smoking and thinking, and looking

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<v Speaker 1>in at Jace, who was turned on his side and sleeping,

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<v Speaker 1>small hands tuck beneath a small cheek powdered sugar on

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<v Speaker 1>the corners of his mouth. She flicked away the cigarette

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<v Speaker 1>and looked at the heap and the back seat, and

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<v Speaker 1>it didn't matter if she was going another mile or

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<v Speaker 1>another one hundred miles. She couldn't do it with the smell.

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<v Speaker 1>So she quietly opened the door, pulled the lever on

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<v Speaker 1>the driver's seat and it came forward, and she reached

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<v Speaker 1>into the back seat and grabbed a mess of clothes

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<v Speaker 1>and trash. She made three before she had it all

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<v Speaker 1>lying in a pile at the rear of the car,

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<v Speaker 1>and then she took the keys from the ignition and

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<v Speaker 1>she unlocked the hatch to shove it all into the back,

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<v Speaker 1>but there was no room. It was covered in garbage

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<v Speaker 1>bags and bound with duct tape, and it was big

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<v Speaker 1>and lumpy, and she knew what it was. She stepped back,

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<v Speaker 1>tripping through the clothes and trash and falling to the ground,

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<v Speaker 1>up quickly and hand over her mouth as she moved

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<v Speaker 1>back toward the hatch and stared at it, wondering if

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<v Speaker 1>it would jerk if she poked it. And she watched

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<v Speaker 1>carefully for a moment, any rise and fall of breathing,

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<v Speaker 1>any possibility of it being something other than dead as hell.

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<v Speaker 1>But it was still, and the world hell still around her,

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<v Speaker 1>as her mind could only find one thought, Is it him?

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<v Speaker 1>She walked back and forth along the side of the car,

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<v Speaker 1>mumbling to herself, rubbing at her face and neck, wanting

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<v Speaker 1>to look and to keep away. And she picked up

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<v Speaker 1>a rock and threw it, and then another and another,

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<v Speaker 1>finally crying out in disgust with not just today and yesterday,

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<v Speaker 1>but crying out against the years that had led her

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<v Speaker 1>to now all the steps she had taken to arrive

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<v Speaker 1>on this empty road in the middle of nowhere, with

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<v Speaker 1>her small son asleep in a stolen car and a

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<v Speaker 1>dead thing wrapped in a garbage bag and the hatch,

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<v Speaker 1>and she screamed out into the void. And when she

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<v Speaker 1>had screamed herself out of breath, she turned and saw

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<v Speaker 1>Jason's face in the window, awakened by his mother, his

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<v Speaker 1>nose and palms pressed against the glass. She slammed the

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<v Speaker 1>hatch before opening the car door and lifting him out,

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<v Speaker 1>talking to him in a flurry of motherly voice, did

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<v Speaker 1>you sleep okay? I didn't mean to wake you up.

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<v Speaker 1>Do you feel better with your tummy full? Ready to

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<v Speaker 1>ride some more? The child shook his head at her questions,

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<v Speaker 1>rubbed at his eyes, and then he put his hands

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<v Speaker 1>on her cheeks, as if to hold her still and

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<v Speaker 1>gain her full attention. Their eyes were close, and the

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<v Speaker 1>boy pushed at her cheeks. Home. He said, but I

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<v Speaker 1>don't know where that is. She thought, I don't know

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<v Speaker 1>which direction. I don't know what to do, And then

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<v Speaker 1>he said it again and pressed her cheeks harder with

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<v Speaker 1>his little hands. Home. She squeezed him, walked down the

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<v Speaker 1>road holding him, singing bits and pieces of songs, fragments

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<v Speaker 1>of lullabies and a half of a verse of amazing Grace,

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<v Speaker 1>and ending with both of them quacking like ducks. They

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<v Speaker 1>sang and walked, and she kept looking back at the hatchback,

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<v Speaker 1>as if hoping it had sunk into the earth, or

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<v Speaker 1>maybe never existed at all. They returned to the car.

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<v Speaker 1>Nobody would have called it in. She could drive it

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<v Speaker 1>to the end of the world if she wanted to,

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<v Speaker 1>but she didn't want to. She opened the milk bottle

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<v Speaker 1>and Jase took a swallow, and then she took a swallow.

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<v Speaker 1>She settled him in the passenger seat, and then she

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<v Speaker 1>returned to the back. You have to look, she thought,

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<v Speaker 1>you know, you have to look and see if it's him.

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<v Speaker 1>She opened the hatch again and felt around and found

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<v Speaker 1>the head pulled at the plastic bags and tore a hole,

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<v Speaker 1>and she saw matted hair and crusted blood on the forehead.

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<v Speaker 1>And she turned the face toward her, and two bruised,

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<v Speaker 1>pulpy and half open eyes looked at her, and she gasped,

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<v Speaker 1>taken quickly by the stair of the dead, and she

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<v Speaker 1>stepped back and put her hands on her knees and

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<v Speaker 1>bent over, drawing deep breaths, settling herself because it was

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<v Speaker 1>not him, and she had been ready for it to

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<v Speaker 1>be so. But she took a breath and pulled at

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<v Speaker 1>the body and tried to rustle it out of the hatchback.

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<v Speaker 1>It was heavy and awkward and kept flopping back down,

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<v Speaker 1>but she finally got the legs over the side and

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<v Speaker 1>she lifted the torso and the weight carried forward and

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<v Speaker 1>the body tumbled out. It lay on its back, the

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<v Speaker 1>hole and the plastic, allowing its swollen eyes one last

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<v Speaker 1>glimpse of sunlight before she turned it on its stomach

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<v Speaker 1>and grabbed the legs and pulled it into the ditch.

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<v Speaker 1>When she was done, she turned around and Jace was

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<v Speaker 1>standing there watching her, holding the bottle of milk and

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<v Speaker 1>pointing at the thing in the ditch as if pointing

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<v Speaker 1>at an animal in the zoo. The wrestling and the

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<v Speaker 1>anxiety had given her a sweat, and she wiped her

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<v Speaker 1>forehead and mouth, and then she scooped up the child

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<v Speaker 1>and began telling the story of the Three Little Bears

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<v Speaker 1>as she returned him to the car and buckled his

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<v Speaker 1>seat belt. And she kept telling it as she cranked

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<v Speaker 1>the car, and as they turned back onto the highway,

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<v Speaker 1>Jay set silently and Jesse drove with both hands gripping

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<v Speaker 1>the steering wheel. Her forearms clenched and her shoulders clenched

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<v Speaker 1>as she deepened her voice for Papa Bear and lightened

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00:17:59.839 --> 00:18:02.960
<v Speaker 1>it for Mama Bear and the rough road thump beneath

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00:18:03.000 --> 00:18:06.000
<v Speaker 1>them as she told the story and tried to figure

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<v Speaker 1>out how many years it had been since she had

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<v Speaker 1>last spoken to her father. I've been doing this podcast

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<v Speaker 1>for six years. It'll be six years this October, I think.

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<v Speaker 1>And I've done some I've done several audio books. I've

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<v Speaker 1>done hundreds and thousands of stories that you guys have

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<v Speaker 1>sent me. I've done several stories that I've written myself.

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<v Speaker 1>We've done the Steve Lily series, which if you don't

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<v Speaker 1>know who Steve Lily is, it's another podcast. Just look

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<v Speaker 1>up the Steve Lily Journals. I was able to write

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00:18:41.680 --> 00:18:44.400
<v Speaker 1>those and share them with you. But of all the

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<v Speaker 1>all these all the time that I've been doing this,

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<v Speaker 1>that what I just read you to me is the

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<v Speaker 1>greatest honor that I've and greatest pleasure that I've had

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<v Speaker 1>to share something with you. I'm not saying I did

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<v Speaker 1>the story any justice, and it's just the beginning of

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00:19:02.240 --> 00:19:05.480
<v Speaker 1>the novel. But here's how this came about. You all

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<v Speaker 1>know that I'm a I'm not a voracious reader. I'm

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<v Speaker 1>a picky reader. I like to read good quality stuff

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<v Speaker 1>and sometimes I like to read just you know, fun

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<v Speaker 1>stuff that may not be written well. But I love

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<v Speaker 1>Southern writers. You all know I live in Mississippi. I

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<v Speaker 1>actually lived just about an hour north of this author.

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<v Speaker 1>I came across his books. My wife and I went

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<v Speaker 1>to a movie probably last year. The title of the

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<v Speaker 1>movie is Desperation Road, and we thought it was a

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<v Speaker 1>great story. We were enthralled with the movie. And when

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<v Speaker 1>I see a movie that a film that I really like,

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<v Speaker 1>I will sit through the credits to see if it's

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<v Speaker 1>based on a novel, so that if it's a good story,

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<v Speaker 1>I can look up the author and see what they

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<v Speaker 1>have out and maybe read their stuff. And I did

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<v Speaker 1>on this one, and it it's very and it said

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<v Speaker 1>it is based on a novel by Michael Ferris Smith,

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<v Speaker 1>who is a Mississippi writer who's written a novel and

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<v Speaker 1>it was turned into a really popular film. He has

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<v Speaker 1>several books out. I've read them all. He has another

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<v Speaker 1>novel out called The Fighter, which is an excellent, excellent

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<v Speaker 1>story which was also made into a film called I Believe.

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<v Speaker 1>The title is Rumble in the Dark. It's about a

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<v Speaker 1>prize fighter, a bare knuckle fighter in the Delta in Mississippi,

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<v Speaker 1>and it's just a saga of his last few days.

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<v Speaker 1>But Michael Ferris Smith, so let me just you know,

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<v Speaker 1>you guys, I ramble a lot. So here's how this

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<v Speaker 1>came about. I've read all his books, and when I

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<v Speaker 1>read good stuff, and since I do narrate some of

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<v Speaker 1>this stuff for this podcast, as I'm reading these novels,

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<v Speaker 1>I can I can hear it in my mind, and

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<v Speaker 1>I can see the story with my mind's eye. Everybody's

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<v Speaker 1>vision of what they read is different, but mine is.

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<v Speaker 1>I pay attention to it. I pay attention to the

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<v Speaker 1>voice as I read. And every time I read a

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<v Speaker 1>really good book, I think, oh my gosh, I would

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<v Speaker 1>love to just be able to just share with this

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<v Speaker 1>audience one chapter to show you how well these Southern

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<v Speaker 1>writers are able to tell a story in a succinct,

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<v Speaker 1>compact way, yet move a story from point A to

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<v Speaker 1>point B, which could be one hundred miles in two weeks,

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<v Speaker 1>and they can do it in three chapters. And it

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00:21:41.960 --> 00:21:46.359
<v Speaker 1>is and the adjectives and the way they describe the scenery,

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<v Speaker 1>and all that is not over flowery. That's the best

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<v Speaker 1>word I can think of, but it is so to

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<v Speaker 1>the point and so beautiful. Anyway, I started reading Michael

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<v Speaker 1>Faris Smith, and I love uh. This was the first

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<v Speaker 1>book I read that he's written, is called Rivers, excellent book.

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<v Speaker 1>I think Salvage this World, which is the first few

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<v Speaker 1>scenes you just heard, was a second book I read.

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<v Speaker 1>Then I read Blackwood, which is an excellent, very good novel,

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<v Speaker 1>and then I went to Desperation Road because I had

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<v Speaker 1>already seen the movie, so I kind of had an

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<v Speaker 1>idea of the story. By the way, Desperation Road I

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00:22:24.759 --> 00:22:29.640
<v Speaker 1>believe was produced by Mel Gibson, he's actually in the movie. Anyway.

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<v Speaker 1>So I read these books and I think, oh my gosh,

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<v Speaker 1>I kind of do that, And you know, I'm into

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<v Speaker 1>this stuff. I love fiction, especially Southern fiction, and I

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00:22:41.559 --> 00:22:43.599
<v Speaker 1>think it would be so great if I could just

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<v Speaker 1>read one or two chapters to show you all what

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<v Speaker 1>really good writing sounds like and encourage you to maybe,

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<v Speaker 1>if you are a reader, to go buy these books

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<v Speaker 1>and try these authors out. And so I got on

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<v Speaker 1>Michael Ferrissmith's website just to read more about him. I'm

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<v Speaker 1>interested in writers, and you know how they do their thing,

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<v Speaker 1>where they live, where there, what are their influences. I

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<v Speaker 1>don't know why I'm interested in that. I just am

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<v Speaker 1>and there was a contact information a contact link which

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<v Speaker 1>gave me his email address. So I thought, well, I'm

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<v Speaker 1>just going to fire him off an email, and I

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00:23:21.839 --> 00:23:24.240
<v Speaker 1>sent him an email and I said, look, you staid

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<v Speaker 1>nothing to gain from this, because I'm just a small

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<v Speaker 1>podcast narrator, you know, who narrates audio book style stories.

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<v Speaker 1>But I would love permission from you to share a

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<v Speaker 1>few chapters from some of your books with my audience.

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<v Speaker 1>And a couple of days later he responded and he said,

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<v Speaker 1>he said, sure, that sounds great, go ahead and do it.

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<v Speaker 1>And thanks for asking. What an I mean? This guy

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<v Speaker 1>is a best selling author. He knows and associates with

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<v Speaker 1>people who make films and produce films. He's really done well,

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00:23:59.319 --> 00:24:01.480
<v Speaker 1>and for him to give me permission to do this

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00:24:02.400 --> 00:24:05.519
<v Speaker 1>is one of my favorite things I've ever done with

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<v Speaker 1>this podcast. And I don't know if he'll ever hear

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<v Speaker 1>this or not, but Michael, if you're listening, thank you

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<v Speaker 1>for giving me permission. So that's all I wanted to say.

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<v Speaker 1>You can find all of his books. I'll put his

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<v Speaker 1>name in a list of two or three of the

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<v Speaker 1>books that I can remember off the top of my

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00:24:24.839 --> 00:24:27.799
<v Speaker 1>head in the description. You can look him up on Amazon.

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<v Speaker 1>I'm not going to put a link to any of

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<v Speaker 1>his books because I don't think YouTube likes Amazon. I

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<v Speaker 1>don't think they like the Amazon links. I don't know

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<v Speaker 1>why I say that, but it seems like a couple

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<v Speaker 1>of years ago I had a video taken down because

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<v Speaker 1>I was promoting an indie author, and it seems like

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<v Speaker 1>I'm pretty sure YouTube took the video down, they demonetized it,

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<v Speaker 1>and then took the video down, mainly because that link

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<v Speaker 1>was in the description. So I'll put Michael Ferris Smith's website,

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<v Speaker 1>his name and a list of a few of the

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<v Speaker 1>novels he has out. Please look him up and buy

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<v Speaker 1>his books. If you enjoy good storytelling and good writing,

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<v Speaker 1>exceptional writing, read him. Here are some other authors that

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<v Speaker 1>I read. These are Southern. These are Southern authors who

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<v Speaker 1>that I kind of follow. I haven't read all of

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<v Speaker 1>their stuff, but I'm getting through it. One is Larry Brown.

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<v Speaker 1>I've just told you about Michael Ferris Smith. There's an

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<v Speaker 1>author named Barry Hannah. There's Brad Watson, Harry Crews. He

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<v Speaker 1>writes some kind of weird stuff, but it's really good.

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<v Speaker 1>It's good stuff. And then there's Pat Conroy. Larry Brown

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<v Speaker 1>and Pat Conroy have died since I began reading their stuff.

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<v Speaker 1>Pat Conroy is a wonderful Southern writer. One of my

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<v Speaker 1>favorite novels of all time is The Prince of Tides.

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<v Speaker 1>It's the most beautiful, one of the most beautifully written

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<v Speaker 1>books think I've ever read. I've actually that's one of

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<v Speaker 1>the few novels I've actually reread. And Prince of Ties.

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<v Speaker 1>Pat Conroy has several novels out. You can read them.

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<v Speaker 1>So that's all I wanted to do for this podcast.

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<v Speaker 1>I know it's unusual, and I know it's short, but

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<v Speaker 1>sometimes you just want to do something different. And I'm

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<v Speaker 1>as long as Michael Ferris Smith's permission stands, I'm going

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<v Speaker 1>to pick up over the next few months a couple

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<v Speaker 1>of his other books and read three or four chapters

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<v Speaker 1>from it to try to give you get you interested

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<v Speaker 1>in it. Because if you enjoy good writing, you will

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<v Speaker 1>enjoy all these writers. So that's it. This is I'm

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<v Speaker 1>gonna upload this on Sunday. I don't know what the

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<v Speaker 1>date is. The first, maybe September first, as Labor Day weekend.

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<v Speaker 1>Hope you guys are having a good Labor Day weekend

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<v Speaker 1>and we'll be back to monster stories on the next podcast.

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<v Speaker 1>Love you all, see you on the next one. Thanks

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<v Speaker 1>the was amashim my computer
