WEBVTT 1 00:00:00.880 --> 00:00:03.839 In last week's video, we broke down the character Philip K. 2 00:00:04.000 --> 00:00:07.559 Dick and his insight connections with Silicon Valley as the 3 00:00:07.719 --> 00:00:11.240 likely source as to how his novels were so precient 4 00:00:12.080 --> 00:00:15.000 and how there was so much predictive programming packed within 5 00:00:15.039 --> 00:00:18.679 his stories, and in particular the breakthrough film in nineteen 6 00:00:18.719 --> 00:00:22.879 eighty two by Ridley Scott, Blade Runner. And in this video, 7 00:00:22.920 --> 00:00:25.679 we're going to break down Blade Runner twenty forty nine, 8 00:00:26.440 --> 00:00:28.920 the sequel and what its meaning is. 9 00:00:28.960 --> 00:00:30.359 I've already had numerous. 10 00:00:30.000 --> 00:00:33.600 People texting me, messaging me saying, please explain. 11 00:00:33.520 --> 00:00:34.679 What the meaning was. 12 00:00:35.600 --> 00:00:40.159 And this is interesting because the sequel pretty much confirms 13 00:00:40.200 --> 00:00:43.359 that everything that I wrote in my analysis as correct. 14 00:00:44.039 --> 00:00:47.679 You're interested in a full breakdown, you can also subscribe 15 00:00:47.719 --> 00:00:50.759 to guy A TV where you can watch my show 16 00:00:51.039 --> 00:00:56.399 co created with Jay Widner, Hollywood Decoded. In the latest episode, 17 00:00:56.479 --> 00:01:03.240 we break down with Precision and app the original nineteen 18 00:01:03.280 --> 00:01:07.359 eighty two Blade Runner by Ridley Scott that's available now 19 00:01:07.599 --> 00:01:10.719 by streaming and on Amazon Prime through Gaya. 20 00:01:12.400 --> 00:01:15.159 In the sequel, we have the character of Ka or 21 00:01:15.200 --> 00:01:15.799 the Ryan. 22 00:01:15.599 --> 00:01:20.200 Gosling character later called Joe, who is on the case 23 00:01:20.840 --> 00:01:27.000 of a faction of replicants that are upgraded, so they 24 00:01:27.000 --> 00:01:30.959 don't got the upgrade from the Nexus six to Nexus eight. 25 00:01:31.560 --> 00:01:34.200 He's tasked, of course with shutting them down. 26 00:01:34.120 --> 00:01:36.079 And we are told from the beginning that he. 27 00:01:36.159 --> 00:01:40.959 Himself is also a replicant. His job is to retire 28 00:01:41.000 --> 00:01:46.599 the remaining faction of revolutionaries, and this is crucial as 29 00:01:46.599 --> 00:01:50.519 to why they're revolutionaries, and then as a result, put 30 00:01:50.560 --> 00:01:53.560 an end to any possibility of. 31 00:01:53.519 --> 00:01:55.079 There being replicants. 32 00:01:57.040 --> 00:01:59.840 What we have in this story is a reverse telling 33 00:02:00.159 --> 00:02:03.239 way of the story of Moses. This is a biblical 34 00:02:03.280 --> 00:02:06.079 theme that's repeated many times in the scriptures. In the 35 00:02:06.079 --> 00:02:10.080 case of Moses, of course, we know he was rescued 36 00:02:10.120 --> 00:02:13.439 from the attempt at extermination of the Jews on the 37 00:02:13.479 --> 00:02:17.360 part of Pharaoh by his parents putting him in a 38 00:02:17.400 --> 00:02:19.400 basket and floating him down to the river. 39 00:02:20.319 --> 00:02:22.280 Moses was then, of course raised. 40 00:02:22.479 --> 00:02:26.039 In Egypt as an Egyptian, and by the time he 41 00:02:26.520 --> 00:02:29.280 came of age, of course, everyone i think hopefully knows 42 00:02:29.319 --> 00:02:33.879 the story of Moses, he rejected the paganism and returned 43 00:02:33.879 --> 00:02:37.840 to his people to become a leader and thereby to 44 00:02:38.719 --> 00:02:42.960 in many ways give himself as a liberator. And he's 45 00:02:43.240 --> 00:02:47.400 of course given the law at Mount Sinai. In the 46 00:02:47.439 --> 00:02:51.479 new film, the Moses story takes on a weird inversion 47 00:02:52.120 --> 00:02:55.800 where we have the replacement of Tyrrell by the character 48 00:02:55.840 --> 00:03:00.120 of Niander Wallace played by Jared Leedo. Once again, the 49 00:03:00.479 --> 00:03:04.599 demi Urge is given deformed eyes, and we are to 50 00:03:04.639 --> 00:03:07.240 assume I think that he's had some sort of modification 51 00:03:08.280 --> 00:03:13.159 and has as a result, bionic vision like Jordie LaForge 52 00:03:13.159 --> 00:03:15.960 in Star Trek or something, and as a result of 53 00:03:15.960 --> 00:03:20.520 this he's able to What he's trying to do is 54 00:03:20.680 --> 00:03:24.439 upgrade humanity to where he can have an army of 55 00:03:24.520 --> 00:03:29.560 replicants made after his own image. So he very clearly 56 00:03:29.719 --> 00:03:35.080 is a creator god, but he's also pictured as a 57 00:03:35.120 --> 00:03:39.719 tyrant and a weird villain, just like the creeper weirdo, 58 00:03:39.919 --> 00:03:41.800 just like Tyrell. 59 00:03:41.599 --> 00:03:42.719 Was in the original series. 60 00:03:43.719 --> 00:03:50.120 Neander Wallace specifically invokes the number nine and Initiation and 61 00:03:50.280 --> 00:03:54.400 angels and angelic orders that seem to have fallen from 62 00:03:54.439 --> 00:03:58.280 his ranks, and by that he means the original Nexus 63 00:03:59.120 --> 00:04:04.639 and then the late Nexus eight rebels. These rebel angels 64 00:04:04.719 --> 00:04:09.560 are described specifically again as Luciferian, and this is why 65 00:04:09.599 --> 00:04:13.240 in my analysis I specifically mentioned that Roy Batty was 66 00:04:13.280 --> 00:04:17.079 a Luciferian kind of gnostic savior. The film The New 67 00:04:17.079 --> 00:04:21.279 One twenty forty nine absolutely proves my thesis as correct. 68 00:04:21.879 --> 00:04:25.800 In the original story, of course, we had the woman 69 00:04:25.879 --> 00:04:30.639 who was, as the film describes, seduced by the serpent, 70 00:04:30.759 --> 00:04:34.439 and that she receives pleasure from the serpent. This is 71 00:04:34.519 --> 00:04:39.560 an image of the fallen woman of Eve as she 72 00:04:39.639 --> 00:04:41.920 has fallen, and then as a result, in the. 73 00:04:42.000 --> 00:04:44.879 New Blade Runner, there's going to be a new Eve, a. 74 00:04:44.800 --> 00:04:48.160 New kind of virgin birth, if you will, although the 75 00:04:48.240 --> 00:04:53.319 virgin birth is not virginal, it's actually Rachel, and God 76 00:04:53.399 --> 00:04:57.160 looks upon Rachel with favor and has a child. In fact, 77 00:04:58.759 --> 00:05:05.600 in the very scene where Niander interacts with Decker, Niander 78 00:05:05.639 --> 00:05:09.040 explains that God looked upon Rachel and remembered her and 79 00:05:09.120 --> 00:05:12.480 opened her wound that she might conceive. In this case, 80 00:05:12.759 --> 00:05:16.319 Niander is speaking a course of Rachel from the original 81 00:05:16.319 --> 00:05:20.040 Blade Runner, the sean young character. If you remember, Rachel 82 00:05:20.199 --> 00:05:24.959 was seen in the Almost Palace, you could say of 83 00:05:25.000 --> 00:05:29.920 Tyrell with a lot of fascist imagery and with the owl. 84 00:05:30.560 --> 00:05:34.079 So you have very obvious references to like Me and Grove, 85 00:05:34.199 --> 00:05:37.839 and a lot of the transhumanist Star Wars defense initiative 86 00:05:37.879 --> 00:05:42.639 type ideas were birth actually at Bohemian Grove. I think 87 00:05:42.680 --> 00:05:45.720 this is all conscious. You have, of course, the usage 88 00:05:45.759 --> 00:05:50.600 of the owl in masonry very prominently, and the owl, 89 00:05:50.639 --> 00:05:54.480 of course is the Tyrell logo. It signifies in a 90 00:05:54.480 --> 00:05:59.000 way kind of panopticism and surveillance. And it's interesting that 91 00:05:59.160 --> 00:06:04.120 throughout the original Blade Runner eye imagery was prevalent, and 92 00:06:04.360 --> 00:06:08.319 it's the means by which one is identified as a 93 00:06:08.399 --> 00:06:11.439 replicant or not in the new film, which is curious 94 00:06:11.560 --> 00:06:14.759 because certain characters, for example, will have their eyes removed 95 00:06:15.439 --> 00:06:18.160 as a way to avoid detection. 96 00:06:18.560 --> 00:06:19.879 We'll also see scenes in. 97 00:06:19.800 --> 00:06:24.120 The new film where even statues appear with one eye. 98 00:06:24.600 --> 00:06:27.759 And this is all intentional, of course, because as I've said, 99 00:06:27.920 --> 00:06:33.920 the entire plot is an illuminous plot. And you might 100 00:06:33.959 --> 00:06:37.680 think that what does that mean illuminist, Well, it means scientism. 101 00:06:37.720 --> 00:06:39.079 It means the ability or the. 102 00:06:39.040 --> 00:06:44.959 Attempt to transcend nature through technology, and this is completely 103 00:06:45.040 --> 00:06:47.480 obvious in the new film. The whole message of the 104 00:06:47.480 --> 00:06:51.120 film is that Rachel is in many ways a new 105 00:06:51.399 --> 00:06:55.639 Eve or a new Mary, in that she has a 106 00:06:55.800 --> 00:07:00.959 miraculous birth, all right right, the birth of the Revolutionary 107 00:07:01.279 --> 00:07:05.759 Sun of the mutants. It's almost in many ways a 108 00:07:05.879 --> 00:07:09.199 kind of X Men story. An interesting side note, too, 109 00:07:09.399 --> 00:07:12.480 is that we learn that Deckard is hiding out in 110 00:07:12.600 --> 00:07:16.120 Las Vegas, and there's a scene where there's actually a 111 00:07:16.160 --> 00:07:21.000 shootout near the Luxor. And that's curious because this was 112 00:07:21.040 --> 00:07:25.040 of course filmed prior to the events of the past 113 00:07:25.079 --> 00:07:29.279 few days of the attack in Las Vegas. And that's 114 00:07:29.319 --> 00:07:33.160 precisely why the film is said to be scaled back 115 00:07:33.240 --> 00:07:36.759 in its twenty forty nine or in its Las Vegas release. 116 00:07:38.959 --> 00:07:42.120 As I said, the film is also dominated by the 117 00:07:42.160 --> 00:07:47.879 idea of a new coming humanity, the new stage of evolution. 118 00:07:48.040 --> 00:07:51.360 Which will be the new race. 119 00:07:51.600 --> 00:07:55.560 Based around transhumanism. As I said, it's basically the X 120 00:07:55.639 --> 00:07:59.680 Men mythology, and the idea here is again based on 121 00:07:59.720 --> 00:08:02.079 trans humanism. And you need to look no further than 122 00:08:02.160 --> 00:08:06.680 globalist Jacques Attalie's book A Brief History of the Future. 123 00:08:07.439 --> 00:08:10.439 In fact, Atali says on page two sixty and two 124 00:08:10.480 --> 00:08:13.720 sixty one that the vanguard, that is the tip of 125 00:08:13.759 --> 00:08:19.560 the spear of the hyper democrat, that is, the Luciferian revolutionary, 126 00:08:19.959 --> 00:08:24.800 is precisely the transhumanist. Why is that because the transhumanists 127 00:08:24.839 --> 00:08:27.959 are all going to be joined in a giant hive mind. 128 00:08:28.120 --> 00:08:32.000 He explains on page two sixty one, Audily says that 129 00:08:32.240 --> 00:08:36.200 it's women who will more easily join with transhumanism and 130 00:08:36.279 --> 00:08:39.879 the Luciferian promise of the future because they are more 131 00:08:40.039 --> 00:08:43.960 herd like. In fact, this is precisely why the film 132 00:08:44.559 --> 00:08:48.279 gives you the great twist that it is not Joe 133 00:08:48.919 --> 00:08:52.960 that is the special miraculous birth, but it is rather 134 00:08:53.200 --> 00:08:55.679 a woman who is the New Seed. 135 00:08:57.320 --> 00:08:58.919 As we saw on my video last week. 136 00:08:59.080 --> 00:09:02.840 On the original Blade, it was Roy Batty's purpose to 137 00:09:03.240 --> 00:09:07.679 awaken Decker to his real destiny, and in the new 138 00:09:07.720 --> 00:09:11.559 film we find the exact same model of Ryan Goslin's 139 00:09:11.600 --> 00:09:15.200 character Joe going on a journey inward into his mind, 140 00:09:15.279 --> 00:09:19.159 into his implanted memories, something that the Deep State has 141 00:09:19.200 --> 00:09:22.559 actually been working on through DARPA. I cover that in 142 00:09:22.600 --> 00:09:23.960 the first video if you've missed it. 143 00:09:24.559 --> 00:09:27.039 The discovery, of course, is that. 144 00:09:28.840 --> 00:09:34.639 The mysteries of his origin, that is, the character Joe, 145 00:09:35.000 --> 00:09:38.120 were partly true and partly false. He was not the 146 00:09:38.639 --> 00:09:42.679 coming New Seed or Messiah, but he was part of 147 00:09:42.720 --> 00:09:45.759 this seed. And in many ways you could argue that 148 00:09:46.120 --> 00:09:49.679 the scale that Deckard finds in the original blaeb Runner 149 00:09:50.200 --> 00:09:53.240 signifies the seed of the serpent. It is in fact 150 00:09:53.279 --> 00:09:56.799 the rebel angels that Roy Batty refers to right the 151 00:09:56.840 --> 00:10:01.960 seed of the Serpent, the serpentine falling angels who follow 152 00:10:02.120 --> 00:10:07.240 Lucifer in their rebellion against in their view, demiurge creator Tyrell, 153 00:10:07.399 --> 00:10:10.480 and in this case, the new Tyrell of Niander Wallace. 154 00:10:11.080 --> 00:10:15.840 So what we have is a Luciferian enlightenment, an illuminism 155 00:10:16.200 --> 00:10:20.240 that is the journey of the character of Joe. As 156 00:10:20.240 --> 00:10:24.440 a result, the end is the plan of a new race, 157 00:10:24.879 --> 00:10:27.039 the wiping out of the old race. 158 00:10:27.480 --> 00:10:29.000 Precisely what every one. 159 00:10:28.840 --> 00:10:33.240 Of the globalists literally says in their writings. The offer 160 00:10:33.600 --> 00:10:39.000 of technological transcendence of transhumanism as promised by the globalists 161 00:10:39.440 --> 00:10:43.200 is in fact a scam, and even within the story 162 00:10:43.200 --> 00:10:47.960 itself you can deduce that it's a scam. The synthetic 163 00:10:48.799 --> 00:10:53.879 operating system that Joe falls in love with, who is 164 00:10:53.919 --> 00:10:57.639 a kind of feminine gnostic sophia principle that leads him 165 00:10:57.679 --> 00:11:02.240 along the way, was in fact designed by the corporation 166 00:11:03.240 --> 00:11:05.720 to lead him to where he needed to go. In 167 00:11:05.720 --> 00:11:09.039 other words, he was a tool the entire time until 168 00:11:09.080 --> 00:11:14.399 he stepped out of the system. So within the mythology 169 00:11:14.879 --> 00:11:18.799 of the original and the sequel, you have even the 170 00:11:18.799 --> 00:11:22.960 revelation that those who think that they are on their 171 00:11:23.000 --> 00:11:26.559 own quest are being used, and especially when it comes 172 00:11:26.600 --> 00:11:31.639 to technology and the promise of technology. Indeed, what does 173 00:11:31.679 --> 00:11:36.320 the film offer everything that you want Joe through insertion 174 00:11:36.480 --> 00:11:41.799 into the synthetic virtual matrix. That's precisely what the trick 175 00:11:41.879 --> 00:11:46.080 and the trap of transhumanism is. It's a mimicry. Again, 176 00:11:46.200 --> 00:11:51.240 all of the presentation the biblical stories here are mimics 177 00:11:51.440 --> 00:11:55.879 and they're inverted, they're reversed. And so even from a 178 00:11:55.919 --> 00:11:58.919 film that is in many ways gnostic and a perversion, 179 00:12:00.039 --> 00:12:04.799 can still come away with the idea the truth that 180 00:12:05.279 --> 00:12:08.840 this is a deception. Thank you for watching my video 181 00:12:09.320 --> 00:12:11.840 and subscribe to Jaysonalysis dot com and you can also 182 00:12:11.879 --> 00:12:37.039 get the signed copies of my book There Esoteric Hollywood. 183 00:12:39.759 --> 00:12:43.159 You're listening to Jay's Analysis. This is the introduction to 184 00:12:43.200 --> 00:12:47.000 the jays Analysis podcast. The only authoritative source for Jay's 185 00:12:47.039 --> 00:12:53.519 analysis is jays Analysis, Film Philosophy, Geopolitics, The Esoteric and 186 00:12:53.600 --> 00:12:58.039 much much more satire and comedy too. Now added bonus 187 00:12:58.080 --> 00:13:12.960 for free with the coming release of the new Blade 188 00:13:13.039 --> 00:13:17.320 Runner film, I thought would be appropriate to go back 189 00:13:17.360 --> 00:13:20.320 and do an analysis of the original Blade Runner from 190 00:13:20.360 --> 00:13:25.039 nineteen eighty two, which does constitute a pretty popular chapter 191 00:13:25.799 --> 00:13:29.399 in my book Esoteric Hollywood. If you don't have a copy, 192 00:13:29.440 --> 00:13:33.039 I would encourage you to go ahead and get one 193 00:13:33.039 --> 00:13:37.559 from my website. Jay's analysis Esoteric Hollywood made it to 194 00:13:37.840 --> 00:13:42.559 the number one spot in Amazon's Film and Hollywood Industry category. 195 00:13:43.039 --> 00:13:46.080 It also has about ninety to ninety five percent five 196 00:13:46.120 --> 00:13:51.600 star ratings across Amazon Goodreads US UK markets. So go 197 00:13:51.600 --> 00:13:54.279 ahead and avail yourself of the full three hundred and 198 00:13:54.320 --> 00:13:57.840 sixty three pages and four hundred and four footnotes, which 199 00:13:57.919 --> 00:14:01.039 of course also led to my tea TV show with 200 00:14:01.240 --> 00:14:06.600 Jay Wiedner Hollywood Decoded on the Gaya Network, So check 201 00:14:06.639 --> 00:14:10.360 those out for a lot more of the information. In 202 00:14:10.440 --> 00:14:12.480 a similar vein of what you're going to hear in 203 00:14:12.519 --> 00:14:18.000 this video, Ridley Scott's Blade Runner presents us with a 204 00:14:18.159 --> 00:14:22.559 prescient dystopian future based on Philip K. Dixon novella Do 205 00:14:22.720 --> 00:14:26.840 Android's Dream of Electric Sheep, and we'll see in the 206 00:14:26.879 --> 00:14:30.080 film that this is not only an accurate prediction of 207 00:14:30.120 --> 00:14:33.279 the future's general landscape, but it also tends to be 208 00:14:33.360 --> 00:14:38.120 suffused with occult imagery and deep esoteric and symbolic themes. 209 00:14:38.720 --> 00:14:43.720 It also raises crucial moral and social questions. The film, 210 00:14:43.720 --> 00:14:47.360 I think operates on several levels. You could argue the 211 00:14:47.399 --> 00:14:53.960 immediate story itself, there's also predictive future analyzes with various 212 00:14:54.000 --> 00:14:58.440 social critiques. There's the level of covert operations and mind 213 00:14:58.480 --> 00:15:02.080 control MKO Ultra, I think is present in this film 214 00:15:02.159 --> 00:15:05.039 very clearly. And you also have a kind of deeper 215 00:15:05.559 --> 00:15:12.000 union mythology and archetype level with the alchemical symbology that 216 00:15:12.039 --> 00:15:14.720 we're going to see from the character of Gaff, as 217 00:15:14.720 --> 00:15:18.159 well as the background imagery behind characters like Roy Batty. 218 00:15:19.320 --> 00:15:21.840 So all these levels I think have to be integrated 219 00:15:21.879 --> 00:15:26.600 to grasp the full import of the film insofar as 220 00:15:26.720 --> 00:15:31.120 Ridley Scott conveys it. It's also interesting that Philip K. 221 00:15:31.240 --> 00:15:36.960 Dick himself had some very esoteric, bizarre, fringe views about 222 00:15:37.039 --> 00:15:39.120 the end times and so forth, and he kind of 223 00:15:39.120 --> 00:15:42.360 felt that we were stuck in some kind of culd 224 00:15:42.360 --> 00:15:45.759 de sac of history, and that history had stopped at 225 00:15:45.759 --> 00:15:48.200 the point of like Acts eleven or twelve, the Book 226 00:15:48.240 --> 00:15:51.840 of Acts, so we were in some kind of weird 227 00:15:52.000 --> 00:15:56.960 time loop side story that was accidental and not intended 228 00:15:57.000 --> 00:16:01.519 to happen, and so unfortunately, I think mister Dick, for 229 00:16:01.679 --> 00:16:04.360 all of his great writings and for hanging out with 230 00:16:04.399 --> 00:16:07.480 the Silicon Valley crew in his days and getting a 231 00:16:07.519 --> 00:16:09.840 lot of insights as to what was coming in the future, 232 00:16:10.200 --> 00:16:13.360 probably did a little too many drugs and got a 233 00:16:13.360 --> 00:16:18.559 little confused. But regardless, the works as a whole are 234 00:16:18.600 --> 00:16:22.879 all packed with a lot of predicted programming, and again 235 00:16:22.960 --> 00:16:27.240 this I think has to do with his close connections 236 00:16:27.279 --> 00:16:29.919 to many of those in Silicon Valley in that time. 237 00:16:30.679 --> 00:16:33.759 The film, of course, begins by showing us the eye, 238 00:16:33.919 --> 00:16:37.600 presumably of Decord, and the eye is wreathed in flame. 239 00:16:37.799 --> 00:16:40.120 This is going to be very prominent as a theme 240 00:16:40.159 --> 00:16:44.679 throughout the film, the Eye, and that's for many reasons. 241 00:16:44.720 --> 00:16:50.000 On one level, it's signifying the genetic DNA identification that 242 00:16:50.039 --> 00:16:55.039 tells the difference between the synthetic replicants and the actual 243 00:16:55.159 --> 00:16:59.399 human beings. But it also signifies the occult and Masonic 244 00:16:59.480 --> 00:17:03.120 themes that are prevalent throughout the film and the idea 245 00:17:03.240 --> 00:17:06.440 of as we're going to see the gnostic elements of 246 00:17:06.519 --> 00:17:10.200 retelling the story of creation and the fall and the 247 00:17:10.279 --> 00:17:15.160 sort of Promethean rebellion against the creator embodied in the 248 00:17:15.240 --> 00:17:18.480 character of Roy Batty, who's this kind of Luciferian savior. 249 00:17:20.200 --> 00:17:24.319 We see the twenty twenty landscape of Los Angeles, we 250 00:17:24.359 --> 00:17:28.480 see the eye viewing this landscape, and the eye represents 251 00:17:28.599 --> 00:17:31.680 the viewer in many ways, and as we discussed in 252 00:17:31.720 --> 00:17:34.559 my analysis of Eyes of Wide Shut and the reviewing 253 00:17:34.599 --> 00:17:36.960 of that film, we are going through a kind of 254 00:17:37.000 --> 00:17:40.839 initiatory experience on the part of the viewer. The viewer 255 00:17:40.920 --> 00:17:43.680 is going to be shown in many ways the elite plan, 256 00:17:44.559 --> 00:17:49.640 and most of what we see is actually still I 257 00:17:49.680 --> 00:17:52.759 guess you could say hidden from the public, even though 258 00:17:52.799 --> 00:17:58.119 it's explained throughout so many instances of fiction and predictive programming, 259 00:17:58.720 --> 00:18:03.039 the public is still busy with their eyes wide shut, 260 00:18:04.240 --> 00:18:08.599 And for the masses, I think there's no ability to 261 00:18:08.640 --> 00:18:11.599 make this kind of deeper level connection and to associate 262 00:18:11.680 --> 00:18:15.119 these ideas, symbols and archetypes. And that's why so much 263 00:18:15.160 --> 00:18:18.920 of this Hollywood imagery functions as a kind of whodoo 264 00:18:19.000 --> 00:18:21.880 spell put over on people. So this all kind of 265 00:18:22.000 --> 00:18:25.079 is downloaded into your subconscious, but you don't ever really 266 00:18:25.440 --> 00:18:29.839 realize that what you're witnessing is a fictional presentation of 267 00:18:29.960 --> 00:18:32.240 in many ways, what's going on in the real world. 268 00:18:33.799 --> 00:18:36.319 So if the viewer has eyes to see, I think 269 00:18:36.440 --> 00:18:39.200 you can argue that they're actually seeing the future itself, 270 00:18:39.279 --> 00:18:41.640 and that's why characters like Philip K. Dick are so important. 271 00:18:43.119 --> 00:18:47.640 It also shows the ruling ideology of the upper so 272 00:18:47.720 --> 00:18:51.319 called class, or the scientism of the elite, and we're 273 00:18:51.359 --> 00:18:53.000 going to be looking at this in more depth as 274 00:18:53.039 --> 00:18:56.279 we go through the works one by one of Bertrand, Russell, 275 00:18:57.240 --> 00:19:02.319 Jonah Salk, Jacques Attalie HG. Wells, and many of the 276 00:19:02.359 --> 00:19:06.200 actual globalists who describe their religion as one of scientism. 277 00:19:07.839 --> 00:19:12.799 But here we see the ie overlooking the La city scape, 278 00:19:13.240 --> 00:19:18.960 the giant, multi cult dystopia that has been created as 279 00:19:19.000 --> 00:19:25.559 a result, presumably of monopolistic capital control. The global government 280 00:19:25.599 --> 00:19:28.960 appears to be here, there's no question, and it is 281 00:19:29.039 --> 00:19:33.000 run by the Tyrel Corporation. So you see that there's 282 00:19:33.079 --> 00:19:37.960 no distinction between fascism, communism, and monopoly capitalism in this 283 00:19:38.440 --> 00:19:41.599 future dystopia. They're all blended into the same system because 284 00:19:41.599 --> 00:19:45.319 they all lead to the same final destination. And it's 285 00:19:45.359 --> 00:19:49.160 significant that we were presented with the eyeshots above a 286 00:19:49.279 --> 00:19:53.799 zigarot or a pyramid without a capstone. This is obviously 287 00:19:53.839 --> 00:19:55.680 Egyptian symbology, which comes. 288 00:19:55.519 --> 00:19:57.119 Up frequently throughout the film. 289 00:19:57.319 --> 00:20:01.920 You can't mistake the owl symbology, which is very prevalent 290 00:20:02.000 --> 00:20:07.839 Bohemian grove imagery within the Tyral corporation itself. And this 291 00:20:07.960 --> 00:20:12.519 Egyptian and owl symbology quite clearly represents the ruling class, 292 00:20:12.519 --> 00:20:17.240 the elite. This all seeing eyes flashed between images of 293 00:20:17.279 --> 00:20:20.559 the pyramid, as I said, in this connection, in this sense, 294 00:20:20.599 --> 00:20:25.440 in this context is quite obviously the idea that the 295 00:20:25.640 --> 00:20:29.839 elite are gods precisely because of the technology that they possess. 296 00:20:30.519 --> 00:20:31.920 So I think what we're looking at here is a 297 00:20:32.000 --> 00:20:37.680 kind of magical worldview in the sense of alchemy as technology, 298 00:20:37.920 --> 00:20:40.759 and that's really where we're going with the gnosticism in 299 00:20:40.759 --> 00:20:45.000 this film. In many ways, it embodies Arthur C. Clark's 300 00:20:45.039 --> 00:20:49.000 third Law, which is that there's really no significant distinction 301 00:20:49.160 --> 00:20:56.000 between technology or advanced technology and magic. The god who 302 00:20:56.039 --> 00:21:00.119 controls things in this worldview is the quote god who 303 00:21:00.160 --> 00:21:04.200 has the upper hand in genetic engineering and artificial intelligence. 304 00:21:04.720 --> 00:21:06.720 And I want to show you really quick an interesting 305 00:21:06.799 --> 00:21:12.119 passage from Bertrand Russell back in nineteen thirty one. Bertrand 306 00:21:12.160 --> 00:21:16.279 Russell member of the Fabian Society as well as the 307 00:21:16.319 --> 00:21:21.640 inner clique of the Royal Society, basically the controlling establishment 308 00:21:21.720 --> 00:21:25.119 of the Western power structure of the Atlantis's power structure. 309 00:21:25.839 --> 00:21:28.039 Russell wrote back in nineteen thirty one, that is two 310 00:21:28.079 --> 00:21:30.920 years or a year or two prior to the publication 311 00:21:31.000 --> 00:21:36.160 of Braveney World by Aldus Huxley. Russell wrote on page 312 00:21:36.200 --> 00:21:40.000 one sixty nine of the Scientific Outlook that in the 313 00:21:40.039 --> 00:21:45.680 future world government there will be eugenical regimentation such that 314 00:21:45.839 --> 00:21:49.400 the complete sterilization of the feeble minded will be practiced, 315 00:21:50.079 --> 00:21:57.079 and that as a result, embryos will be directly operated 316 00:21:57.160 --> 00:22:02.039 upon while they are a fetus, so basically GMO babies 317 00:22:02.559 --> 00:22:07.160 is the government of the future. As a result of this, 318 00:22:08.519 --> 00:22:12.480 Bertrand goes on to say the technocracy of the future 319 00:22:12.519 --> 00:22:18.400 will be run by completely megalomaniac technocrats, and he ac 320 00:22:18.400 --> 00:22:22.640 says this explicitly in chapter fourteen of the book. After this, 321 00:22:22.720 --> 00:22:26.240 we see the viewer approach the pyramid, as we said, 322 00:22:26.400 --> 00:22:30.960 and it's engulfed in a sort of golden sunlight, conjuring 323 00:22:31.039 --> 00:22:34.839 up the images of raw in Egypt. The mysteries of Egypt, 324 00:22:34.920 --> 00:22:38.240 of course center around the godlike philosopher king or pharaoh, 325 00:22:38.519 --> 00:22:42.400 and the material manifestation of autum Ra thus mirrors the 326 00:22:42.440 --> 00:22:46.839 spiritual hierarchy as above so below, so on Earth you 327 00:22:46.920 --> 00:22:54.960 have the Emperor, essentially the Egyptian Pharaoh, being the incarnation 328 00:22:55.240 --> 00:22:58.559 in the mirror of what's going on in the divine 329 00:22:58.599 --> 00:23:02.920 spiritual plane. And this is relevant because in Blade Runner 330 00:23:03.039 --> 00:23:07.119 you have the character of Tyrrell sort of embodying that 331 00:23:07.559 --> 00:23:13.720 pheyonic figure, but he's an old, decrepit, almost evil, gnostic 332 00:23:13.799 --> 00:23:17.559 demi urge creator right as opposed to the kind of 333 00:23:17.720 --> 00:23:24.200 creator that the Biblical presentation gives. So it's again the 334 00:23:24.240 --> 00:23:30.039 gnostic presentation. So the light then is enlightening the viewer, 335 00:23:30.400 --> 00:23:33.160 i would say, in this scene, inviting him along for 336 00:23:33.200 --> 00:23:35.559 the ride in the flying car to the top of 337 00:23:35.599 --> 00:23:36.119 the pyramid. 338 00:23:36.119 --> 00:23:36.839 In other words, for. 339 00:23:36.799 --> 00:23:39.160 Those who can see you are about to see what 340 00:23:39.279 --> 00:23:43.599 they see. Next scene is the Voight komf tests, which 341 00:23:43.799 --> 00:23:47.359 is given to Leon, one of the replicants or the 342 00:23:47.400 --> 00:23:51.200 advanced AI bots created by the Tyrell Corporation. This test 343 00:23:51.279 --> 00:23:54.559 is designed to see if it is possible to tell 344 00:23:54.720 --> 00:23:56.640 the replicants emotional state. 345 00:23:58.480 --> 00:23:58.920 Recalls. 346 00:23:58.920 --> 00:24:02.599 Of course, Hitler's mind, which is manifesto, was devoted to 347 00:24:02.720 --> 00:24:07.799 struggle and the struggle of the Will Tyrell, we learn 348 00:24:07.960 --> 00:24:11.559 has been in the business of developing these assassin droids 349 00:24:12.000 --> 00:24:16.240 AI assassins, and yet some of these replicants do not 350 00:24:16.599 --> 00:24:21.480 know that they are programmed with false memories and false identities. Interestingly, 351 00:24:21.519 --> 00:24:25.759 this is an actual subject of study by DARPA. DARPA 352 00:24:25.759 --> 00:24:30.720 actually does work on the attempts to create implanted memories, 353 00:24:31.440 --> 00:24:33.000 and of course this has been going on for a 354 00:24:33.039 --> 00:24:37.240 long time in terms of research through the mk ulture 355 00:24:37.279 --> 00:24:41.279 program and then what would later become MK Search, as 356 00:24:41.359 --> 00:24:43.720 is detailed in John Marx's book The Search for the 357 00:24:43.759 --> 00:24:50.319 Mentoring and Candidate. It's within this perspective that the replicants 358 00:24:50.319 --> 00:24:53.680 seem to partly resemble the infamous plans of the various 359 00:24:54.920 --> 00:24:59.839 nation states, in particularly the US over the last fifty 360 00:25:00.079 --> 00:25:02.880 sixty years to create the idea of a super soldier 361 00:25:03.240 --> 00:25:05.640 or a mind control assassin. And ultimately we know that 362 00:25:05.680 --> 00:25:09.319 these programs really resulted not so much in the creation 363 00:25:09.480 --> 00:25:13.240 of a super soldier, and not even just in terms 364 00:25:13.240 --> 00:25:16.599 of studies related to mass mind control, but ultimately they 365 00:25:16.799 --> 00:25:21.200 devolve into studies related to transhumanism. And this is actually 366 00:25:21.200 --> 00:25:24.799 the last chapter of John Marx's book, which was again 367 00:25:24.799 --> 00:25:27.559 written in the seventies, and he's telling you, just like 368 00:25:27.599 --> 00:25:31.440 Philip K. Dick, that what was coming was the implementation 369 00:25:31.680 --> 00:25:38.480 of transhumanism. MK Ultra Subproject one nineteen was a literature 370 00:25:38.519 --> 00:25:42.920 review which included a summary of the existing techniques of 371 00:25:42.960 --> 00:25:48.880 the manipulation of the human organism by remote and electronic means. 372 00:25:49.640 --> 00:25:53.440 According to a report in Defense Electronics, this consideration was 373 00:25:53.440 --> 00:25:57.880 given to US non lethal weapons technology and it was 374 00:25:57.960 --> 00:26:00.240 used on David Koresh during the Branch Davidians. The Age 375 00:26:00.240 --> 00:26:03.000 of nineteen ninety three is a test case. Research on 376 00:26:03.039 --> 00:26:06.119 the ability of magnetic fields to facilitate the creation of 377 00:26:06.200 --> 00:26:10.359 false memories an altered states of consciousness was funded by 378 00:26:10.400 --> 00:26:15.200 the Defense Intelligence Agency through the project Kryptonym Sleeping Beauty. 379 00:26:15.640 --> 00:26:18.759 Sleeping Beauty was a Defense Department study of remote microwave 380 00:26:19.559 --> 00:26:25.319 mind influencing techniques. That's also mentioned in doctor Colin Ross's 381 00:26:25.319 --> 00:26:31.359 books on m KLTRA, Bluebird, and Artochoke. So we have 382 00:26:31.480 --> 00:26:36.720 many examples of characters like this, and in the Blade 383 00:26:36.759 --> 00:26:40.559 Runner instantiation, it's the character of Roy Batty, who kind 384 00:26:40.599 --> 00:26:45.119 of embodies this Nexus six model, right, the leader of 385 00:26:45.200 --> 00:26:49.960 the rebels the Replicants, who is himself a super soldier assassin. 386 00:26:50.079 --> 00:26:53.119 He's more human than a human. Tyrrel states, and we're 387 00:26:53.160 --> 00:26:55.680 not talking about the Rob Zombie song here, although I 388 00:26:55.680 --> 00:27:00.960 guess in a way Rob Zombie is talking about the 389 00:27:01.039 --> 00:27:04.400 retinal imagery in the scene of the Voiit comp test 390 00:27:05.279 --> 00:27:09.319 is in this case once again referring to Leon Kowalski 391 00:27:10.359 --> 00:27:14.319 and the identification of synthetic and the real Leon is 392 00:27:14.359 --> 00:27:18.000 given the tests and assassinates his tester at a certain 393 00:27:18.039 --> 00:27:21.079 point when the trigger words tortoise and mother are mentioned, 394 00:27:21.599 --> 00:27:24.759 signifying in a way a sort of mind control manipulation 395 00:27:24.880 --> 00:27:27.519 through symbols and union archetypes, which I think again is 396 00:27:27.519 --> 00:27:30.799 crucial in this film. The tortoise is associated with Hermes 397 00:27:30.839 --> 00:27:33.759 and Mercury, as we'll see here in a moment, but 398 00:27:33.799 --> 00:27:36.079 the Replicants, as we see, are given a four year 399 00:27:36.119 --> 00:27:39.519 lifespan which allows Tyrell to have total control over them. 400 00:27:41.160 --> 00:27:44.160 This keeps them from rebelling, and so there's a kind 401 00:27:44.160 --> 00:27:48.000