1 00:00:00,880 --> 00:00:03,839 Speaker 1: In last week's video, we broke down the character Philip K. 2 00:00:04,000 --> 00:00:07,559 Dick and his insight connections with Silicon Valley as the 3 00:00:07,719 --> 00:00:11,240 likely source as to how his novels were so precient 4 00:00:12,080 --> 00:00:15,000 and how there was so much predictive programming packed within 5 00:00:15,039 --> 00:00:18,679 his stories, and in particular the breakthrough film in nineteen 6 00:00:18,719 --> 00:00:22,879 eighty two by Ridley Scott, Blade Runner. And in this video, 7 00:00:22,920 --> 00:00:25,679 we're going to break down Blade Runner twenty forty nine, 8 00:00:26,440 --> 00:00:28,920 the sequel and what its meaning is. 9 00:00:28,960 --> 00:00:30,359 Speaker 2: I've already had numerous. 10 00:00:30,000 --> 00:00:33,600 Speaker 1: People texting me, messaging me saying, please explain. 11 00:00:33,520 --> 00:00:34,679 Speaker 2: What the meaning was. 12 00:00:35,600 --> 00:00:40,159 Speaker 1: And this is interesting because the sequel pretty much confirms 13 00:00:40,200 --> 00:00:43,359 that everything that I wrote in my analysis as correct. 14 00:00:44,039 --> 00:00:47,679 You're interested in a full breakdown, you can also subscribe 15 00:00:47,719 --> 00:00:50,759 to guy A TV where you can watch my show 16 00:00:51,039 --> 00:00:56,399 co created with Jay Widner, Hollywood Decoded. In the latest episode, 17 00:00:56,479 --> 00:01:03,240 we break down with Precision and app the original nineteen 18 00:01:03,280 --> 00:01:07,359 eighty two Blade Runner by Ridley Scott that's available now 19 00:01:07,599 --> 00:01:10,719 by streaming and on Amazon Prime through Gaya. 20 00:01:12,400 --> 00:01:15,159 Speaker 2: In the sequel, we have the character of Ka or 21 00:01:15,200 --> 00:01:15,799 the Ryan. 22 00:01:15,599 --> 00:01:20,200 Speaker 1: Gosling character later called Joe, who is on the case 23 00:01:20,840 --> 00:01:27,000 of a faction of replicants that are upgraded, so they 24 00:01:27,000 --> 00:01:30,959 don't got the upgrade from the Nexus six to Nexus eight. 25 00:01:31,560 --> 00:01:34,200 He's tasked, of course with shutting them down. 26 00:01:34,120 --> 00:01:36,079 Speaker 2: And we are told from the beginning that he. 27 00:01:36,159 --> 00:01:40,959 Speaker 1: Himself is also a replicant. His job is to retire 28 00:01:41,000 --> 00:01:46,599 the remaining faction of revolutionaries, and this is crucial as 29 00:01:46,599 --> 00:01:50,519 to why they're revolutionaries, and then as a result, put 30 00:01:50,560 --> 00:01:53,560 an end to any possibility of. 31 00:01:53,519 --> 00:01:55,079 Speaker 2: There being replicants. 32 00:01:57,040 --> 00:01:59,840 Speaker 1: What we have in this story is a reverse telling 33 00:02:00,159 --> 00:02:03,239 way of the story of Moses. This is a biblical 34 00:02:03,280 --> 00:02:06,079 theme that's repeated many times in the scriptures. In the 35 00:02:06,079 --> 00:02:10,080 case of Moses, of course, we know he was rescued 36 00:02:10,120 --> 00:02:13,439 from the attempt at extermination of the Jews on the 37 00:02:13,479 --> 00:02:17,360 part of Pharaoh by his parents putting him in a 38 00:02:17,400 --> 00:02:19,400 basket and floating him down to the river. 39 00:02:20,319 --> 00:02:22,280 Speaker 2: Moses was then, of course raised. 40 00:02:22,479 --> 00:02:26,039 Speaker 1: In Egypt as an Egyptian, and by the time he 41 00:02:26,520 --> 00:02:29,280 came of age, of course, everyone i think hopefully knows 42 00:02:29,319 --> 00:02:33,879 the story of Moses, he rejected the paganism and returned 43 00:02:33,879 --> 00:02:37,840 to his people to become a leader and thereby to 44 00:02:38,719 --> 00:02:42,960 in many ways give himself as a liberator. And he's 45 00:02:43,240 --> 00:02:47,400 of course given the law at Mount Sinai. In the 46 00:02:47,439 --> 00:02:51,479 new film, the Moses story takes on a weird inversion 47 00:02:52,120 --> 00:02:55,800 where we have the replacement of Tyrrell by the character 48 00:02:55,840 --> 00:03:00,120 of Niander Wallace played by Jared Leedo. Once again, the 49 00:03:00,479 --> 00:03:04,599 demi Urge is given deformed eyes, and we are to 50 00:03:04,639 --> 00:03:07,240 assume I think that he's had some sort of modification 51 00:03:08,280 --> 00:03:13,159 and has as a result, bionic vision like Jordie LaForge 52 00:03:13,159 --> 00:03:15,960 in Star Trek or something, and as a result of 53 00:03:15,960 --> 00:03:20,520 this he's able to What he's trying to do is 54 00:03:20,680 --> 00:03:24,439 upgrade humanity to where he can have an army of 55 00:03:24,520 --> 00:03:29,560 replicants made after his own image. So he very clearly 56 00:03:29,719 --> 00:03:35,080 is a creator god, but he's also pictured as a 57 00:03:35,120 --> 00:03:39,719 tyrant and a weird villain, just like the creeper weirdo, 58 00:03:39,919 --> 00:03:41,800 just like Tyrell. 59 00:03:41,599 --> 00:03:42,719 Speaker 2: Was in the original series. 60 00:03:43,719 --> 00:03:50,120 Speaker 1: Neander Wallace specifically invokes the number nine and Initiation and 61 00:03:50,280 --> 00:03:54,400 angels and angelic orders that seem to have fallen from 62 00:03:54,439 --> 00:03:58,280 his ranks, and by that he means the original Nexus 63 00:03:59,120 --> 00:04:04,639 and then the late Nexus eight rebels. These rebel angels 64 00:04:04,719 --> 00:04:09,560 are described specifically again as Luciferian, and this is why 65 00:04:09,599 --> 00:04:13,240 in my analysis I specifically mentioned that Roy Batty was 66 00:04:13,280 --> 00:04:17,079 a Luciferian kind of gnostic savior. The film The New 67 00:04:17,079 --> 00:04:21,279 One twenty forty nine absolutely proves my thesis as correct. 68 00:04:21,879 --> 00:04:25,800 In the original story, of course, we had the woman 69 00:04:25,879 --> 00:04:30,639 who was, as the film describes, seduced by the serpent, 70 00:04:30,759 --> 00:04:34,439 and that she receives pleasure from the serpent. This is 71 00:04:34,519 --> 00:04:39,560 an image of the fallen woman of Eve as she 72 00:04:39,639 --> 00:04:41,920 has fallen, and then as a result, in the. 73 00:04:42,000 --> 00:04:44,879 Speaker 2: New Blade Runner, there's going to be a new Eve, a. 74 00:04:44,800 --> 00:04:48,160 Speaker 1: New kind of virgin birth, if you will, although the 75 00:04:48,240 --> 00:04:53,319 virgin birth is not virginal, it's actually Rachel, and God 76 00:04:53,399 --> 00:04:57,160 looks upon Rachel with favor and has a child. In fact, 77 00:04:58,759 --> 00:05:05,600 in the very scene where Niander interacts with Decker, Niander 78 00:05:05,639 --> 00:05:09,040 explains that God looked upon Rachel and remembered her and 79 00:05:09,120 --> 00:05:12,480 opened her wound that she might conceive. In this case, 80 00:05:12,759 --> 00:05:16,319 Niander is speaking a course of Rachel from the original 81 00:05:16,319 --> 00:05:20,040 Blade Runner, the sean young character. If you remember, Rachel 82 00:05:20,199 --> 00:05:24,959 was seen in the Almost Palace, you could say of 83 00:05:25,000 --> 00:05:29,920 Tyrell with a lot of fascist imagery and with the owl. 84 00:05:30,560 --> 00:05:34,079 So you have very obvious references to like Me and Grove, 85 00:05:34,199 --> 00:05:37,839 and a lot of the transhumanist Star Wars defense initiative 86 00:05:37,879 --> 00:05:42,639 type ideas were birth actually at Bohemian Grove. I think 87 00:05:42,680 --> 00:05:45,720 this is all conscious. You have, of course, the usage 88 00:05:45,759 --> 00:05:50,600 of the owl in masonry very prominently, and the owl, 89 00:05:50,639 --> 00:05:54,480 of course is the Tyrell logo. It signifies in a 90 00:05:54,480 --> 00:05:59,000 way kind of panopticism and surveillance. And it's interesting that 91 00:05:59,160 --> 00:06:04,120 throughout the original Blade Runner eye imagery was prevalent, and 92 00:06:04,360 --> 00:06:08,319 it's the means by which one is identified as a 93 00:06:08,399 --> 00:06:11,439 replicant or not in the new film, which is curious 94 00:06:11,560 --> 00:06:14,759 because certain characters, for example, will have their eyes removed 95 00:06:15,439 --> 00:06:18,160 as a way to avoid detection. 96 00:06:18,560 --> 00:06:19,879 Speaker 2: We'll also see scenes in. 97 00:06:19,800 --> 00:06:24,120 Speaker 1: The new film where even statues appear with one eye. 98 00:06:24,600 --> 00:06:27,759 And this is all intentional, of course, because as I've said, 99 00:06:27,920 --> 00:06:33,920 the entire plot is an illuminous plot. And you might 100 00:06:33,959 --> 00:06:37,680 think that what does that mean illuminist, Well, it means scientism. 101 00:06:37,720 --> 00:06:39,079 Speaker 2: It means the ability or the. 102 00:06:39,040 --> 00:06:44,959 Speaker 1: Attempt to transcend nature through technology, and this is completely 103 00:06:45,040 --> 00:06:47,480 obvious in the new film. The whole message of the 104 00:06:47,480 --> 00:06:51,120 film is that Rachel is in many ways a new 105 00:06:51,399 --> 00:06:55,639 Eve or a new Mary, in that she has a 106 00:06:55,800 --> 00:07:00,959 miraculous birth, all right right, the birth of the Revolutionary 107 00:07:01,279 --> 00:07:05,759 Sun of the mutants. It's almost in many ways a 108 00:07:05,879 --> 00:07:09,199 kind of X Men story. An interesting side note, too, 109 00:07:09,399 --> 00:07:12,480 is that we learn that Deckard is hiding out in 110 00:07:12,600 --> 00:07:16,120 Las Vegas, and there's a scene where there's actually a 111 00:07:16,160 --> 00:07:21,000 shootout near the Luxor. And that's curious because this was 112 00:07:21,040 --> 00:07:25,040 of course filmed prior to the events of the past 113 00:07:25,079 --> 00:07:29,279 few days of the attack in Las Vegas. And that's 114 00:07:29,319 --> 00:07:33,160 precisely why the film is said to be scaled back 115 00:07:33,240 --> 00:07:36,759 in its twenty forty nine or in its Las Vegas release. 116 00:07:38,959 --> 00:07:42,120 As I said, the film is also dominated by the 117 00:07:42,160 --> 00:07:47,879 idea of a new coming humanity, the new stage of evolution. 118 00:07:48,040 --> 00:07:51,360 Speaker 2: Which will be the new race. 119 00:07:51,600 --> 00:07:55,560 Speaker 1: Based around transhumanism. As I said, it's basically the X 120 00:07:55,639 --> 00:07:59,680 Men mythology, and the idea here is again based on 121 00:07:59,720 --> 00:08:02,079 trans humanism. And you need to look no further than 122 00:08:02,160 --> 00:08:06,680 globalist Jacques Attalie's book A Brief History of the Future. 123 00:08:07,439 --> 00:08:10,439 In fact, Atali says on page two sixty and two 124 00:08:10,480 --> 00:08:13,720 sixty one that the vanguard, that is the tip of 125 00:08:13,759 --> 00:08:19,560 the spear of the hyper democrat, that is, the Luciferian revolutionary, 126 00:08:19,959 --> 00:08:24,800 is precisely the transhumanist. Why is that because the transhumanists 127 00:08:24,839 --> 00:08:27,959 are all going to be joined in a giant hive mind. 128 00:08:28,120 --> 00:08:32,000 He explains on page two sixty one, Audily says that 129 00:08:32,240 --> 00:08:36,200 it's women who will more easily join with transhumanism and 130 00:08:36,279 --> 00:08:39,879 the Luciferian promise of the future because they are more 131 00:08:40,039 --> 00:08:43,960 herd like. In fact, this is precisely why the film 132 00:08:44,559 --> 00:08:48,279 gives you the great twist that it is not Joe 133 00:08:48,919 --> 00:08:52,960 that is the special miraculous birth, but it is rather 134 00:08:53,200 --> 00:08:55,679 a woman who is the New Seed. 135 00:08:57,320 --> 00:08:58,919 Speaker 2: As we saw on my video last week. 136 00:08:59,080 --> 00:09:02,840 Speaker 1: On the original Blade, it was Roy Batty's purpose to 137 00:09:03,240 --> 00:09:07,679 awaken Decker to his real destiny, and in the new 138 00:09:07,720 --> 00:09:11,559 film we find the exact same model of Ryan Goslin's 139 00:09:11,600 --> 00:09:15,200 character Joe going on a journey inward into his mind, 140 00:09:15,279 --> 00:09:19,159 into his implanted memories, something that the Deep State has 141 00:09:19,200 --> 00:09:22,559 actually been working on through DARPA. I cover that in 142 00:09:22,600 --> 00:09:23,960 the first video if you've missed it. 143 00:09:24,559 --> 00:09:27,039 Speaker 2: The discovery, of course, is that. 144 00:09:28,840 --> 00:09:34,639 Speaker 1: The mysteries of his origin, that is, the character Joe, 145 00:09:35,000 --> 00:09:38,120 were partly true and partly false. He was not the 146 00:09:38,639 --> 00:09:42,679 coming New Seed or Messiah, but he was part of 147 00:09:42,720 --> 00:09:45,759 this seed. And in many ways you could argue that 148 00:09:46,120 --> 00:09:49,679 the scale that Deckard finds in the original blaeb Runner 149 00:09:50,200 --> 00:09:53,240 signifies the seed of the serpent. It is in fact 150 00:09:53,279 --> 00:09:56,799 the rebel angels that Roy Batty refers to right the 151 00:09:56,840 --> 00:10:01,960 seed of the Serpent, the serpentine falling angels who follow 152 00:10:02,120 --> 00:10:07,240 Lucifer in their rebellion against in their view, demiurge creator Tyrell, 153 00:10:07,399 --> 00:10:10,480 and in this case, the new Tyrell of Niander Wallace. 154 00:10:11,080 --> 00:10:15,840 So what we have is a Luciferian enlightenment, an illuminism 155 00:10:16,200 --> 00:10:20,240 that is the journey of the character of Joe. As 156 00:10:20,240 --> 00:10:24,440 a result, the end is the plan of a new race, 157 00:10:24,879 --> 00:10:27,039 the wiping out of the old race. 158 00:10:27,480 --> 00:10:29,000 Speaker 2: Precisely what every one. 159 00:10:28,840 --> 00:10:33,240 Speaker 1: Of the globalists literally says in their writings. The offer 160 00:10:33,600 --> 00:10:39,000 of technological transcendence of transhumanism as promised by the globalists 161 00:10:39,440 --> 00:10:43,200 is in fact a scam, and even within the story 162 00:10:43,200 --> 00:10:47,960 itself you can deduce that it's a scam. The synthetic 163 00:10:48,799 --> 00:10:53,879 operating system that Joe falls in love with, who is 164 00:10:53,919 --> 00:10:57,639 a kind of feminine gnostic sophia principle that leads him 165 00:10:57,679 --> 00:11:02,240 along the way, was in fact designed by the corporation 166 00:11:03,240 --> 00:11:05,720 to lead him to where he needed to go. In 167 00:11:05,720 --> 00:11:09,039 other words, he was a tool the entire time until 168 00:11:09,080 --> 00:11:14,399 he stepped out of the system. So within the mythology 169 00:11:14,879 --> 00:11:18,799 of the original and the sequel, you have even the 170 00:11:18,799 --> 00:11:22,960 revelation that those who think that they are on their 171 00:11:23,000 --> 00:11:26,559 own quest are being used, and especially when it comes 172 00:11:26,600 --> 00:11:31,639 to technology and the promise of technology. Indeed, what does 173 00:11:31,679 --> 00:11:36,320 the film offer everything that you want Joe through insertion 174 00:11:36,480 --> 00:11:41,799 into the synthetic virtual matrix. That's precisely what the trick 175 00:11:41,879 --> 00:11:46,080 and the trap of transhumanism is. It's a mimicry. Again, 176 00:11:46,200 --> 00:11:51,240 all of the presentation the biblical stories here are mimics 177 00:11:51,440 --> 00:11:55,879 and they're inverted, they're reversed. And so even from a 178 00:11:55,919 --> 00:11:58,919 film that is in many ways gnostic and a perversion, 179 00:12:00,039 --> 00:12:04,799 can still come away with the idea the truth that 180 00:12:05,279 --> 00:12:08,840 this is a deception. Thank you for watching my video 181 00:12:09,320 --> 00:12:11,840 and subscribe to Jaysonalysis dot com and you can also 182 00:12:11,879 --> 00:12:37,039 get the signed copies of my book There Esoteric Hollywood. 183 00:12:39,759 --> 00:12:43,159 You're listening to Jay's Analysis. This is the introduction to 184 00:12:43,200 --> 00:12:47,000 the jays Analysis podcast. The only authoritative source for Jay's 185 00:12:47,039 --> 00:12:53,519 analysis is jays Analysis, Film Philosophy, Geopolitics, The Esoteric and 186 00:12:53,600 --> 00:12:58,039 much much more satire and comedy too. Now added bonus 187 00:12:58,080 --> 00:13:12,960 for free with the coming release of the new Blade 188 00:13:13,039 --> 00:13:17,320 Runner film, I thought would be appropriate to go back 189 00:13:17,360 --> 00:13:20,320 and do an analysis of the original Blade Runner from 190 00:13:20,360 --> 00:13:25,039 nineteen eighty two, which does constitute a pretty popular chapter 191 00:13:25,799 --> 00:13:29,399 in my book Esoteric Hollywood. If you don't have a copy, 192 00:13:29,440 --> 00:13:33,039 I would encourage you to go ahead and get one 193 00:13:33,039 --> 00:13:37,559 from my website. Jay's analysis Esoteric Hollywood made it to 194 00:13:37,840 --> 00:13:42,559 the number one spot in Amazon's Film and Hollywood Industry category. 195 00:13:43,039 --> 00:13:46,080 It also has about ninety to ninety five percent five 196 00:13:46,120 --> 00:13:51,600 star ratings across Amazon Goodreads US UK markets. So go 197 00:13:51,600 --> 00:13:54,279 ahead and avail yourself of the full three hundred and 198 00:13:54,320 --> 00:13:57,840 sixty three pages and four hundred and four footnotes, which 199 00:13:57,919 --> 00:14:01,039 of course also led to my tea TV show with 200 00:14:01,240 --> 00:14:06,600 Jay Wiedner Hollywood Decoded on the Gaya Network, So check 201 00:14:06,639 --> 00:14:10,360 those out for a lot more of the information. In 202 00:14:10,440 --> 00:14:12,480 a similar vein of what you're going to hear in 203 00:14:12,519 --> 00:14:18,000 this video, Ridley Scott's Blade Runner presents us with a 204 00:14:18,159 --> 00:14:22,559 prescient dystopian future based on Philip K. Dixon novella Do 205 00:14:22,720 --> 00:14:26,840 Android's Dream of Electric Sheep, and we'll see in the 206 00:14:26,879 --> 00:14:30,080 film that this is not only an accurate prediction of 207 00:14:30,120 --> 00:14:33,279 the future's general landscape, but it also tends to be 208 00:14:33,360 --> 00:14:38,120 suffused with occult imagery and deep esoteric and symbolic themes. 209 00:14:38,720 --> 00:14:43,720 It also raises crucial moral and social questions. The film, 210 00:14:43,720 --> 00:14:47,360 I think operates on several levels. You could argue the 211 00:14:47,399 --> 00:14:53,960 immediate story itself, there's also predictive future analyzes with various 212 00:14:54,000 --> 00:14:58,440 social critiques. There's the level of covert operations and mind 213 00:14:58,480 --> 00:15:02,080 control MKO Ultra, I think is present in this film 214 00:15:02,159 --> 00:15:05,039 very clearly. And you also have a kind of deeper 215 00:15:05,559 --> 00:15:12,000 union mythology and archetype level with the alchemical symbology that 216 00:15:12,039 --> 00:15:14,720 we're going to see from the character of Gaff, as 217 00:15:14,720 --> 00:15:18,159 well as the background imagery behind characters like Roy Batty. 218 00:15:19,320 --> 00:15:21,840 So all these levels I think have to be integrated 219 00:15:21,879 --> 00:15:26,600 to grasp the full import of the film insofar as 220 00:15:26,720 --> 00:15:31,120 Ridley Scott conveys it. It's also interesting that Philip K. 221 00:15:31,240 --> 00:15:36,960 Dick himself had some very esoteric, bizarre, fringe views about 222 00:15:37,039 --> 00:15:39,120 the end times and so forth, and he kind of 223 00:15:39,120 --> 00:15:42,360 felt that we were stuck in some kind of culd 224 00:15:42,360 --> 00:15:45,759 de sac of history, and that history had stopped at 225 00:15:45,759 --> 00:15:48,200 the point of like Acts eleven or twelve, the Book 226 00:15:48,240 --> 00:15:51,840 of Acts, so we were in some kind of weird 227 00:15:52,000 --> 00:15:56,960 time loop side story that was accidental and not intended 228 00:15:57,000 --> 00:16:01,519 to happen, and so unfortunately, I think mister Dick, for 229 00:16:01,679 --> 00:16:04,360 all of his great writings and for hanging out with 230 00:16:04,399 --> 00:16:07,480 the Silicon Valley crew in his days and getting a 231 00:16:07,519 --> 00:16:09,840 lot of insights as to what was coming in the future, 232 00:16:10,200 --> 00:16:13,360 probably did a little too many drugs and got a 233 00:16:13,360 --> 00:16:18,559 little confused. But regardless, the works as a whole are 234 00:16:18,600 --> 00:16:22,879 all packed with a lot of predicted programming, and again 235 00:16:22,960 --> 00:16:27,240 this I think has to do with his close connections 236 00:16:27,279 --> 00:16:29,919 to many of those in Silicon Valley in that time. 237 00:16:30,679 --> 00:16:33,759 The film, of course, begins by showing us the eye, 238 00:16:33,919 --> 00:16:37,600 presumably of Decord, and the eye is wreathed in flame. 239 00:16:37,799 --> 00:16:40,120 This is going to be very prominent as a theme 240 00:16:40,159 --> 00:16:44,679 throughout the film, the Eye, and that's for many reasons. 241 00:16:44,720 --> 00:16:50,000 On one level, it's signifying the genetic DNA identification that 242 00:16:50,039 --> 00:16:55,039 tells the difference between the synthetic replicants and the actual 243 00:16:55,159 --> 00:16:59,399 human beings. But it also signifies the occult and Masonic 244 00:16:59,480 --> 00:17:03,120 themes that are prevalent throughout the film and the idea 245 00:17:03,240 --> 00:17:06,440 of as we're going to see the gnostic elements of 246 00:17:06,519 --> 00:17:10,200 retelling the story of creation and the fall and the 247 00:17:10,279 --> 00:17:15,160 sort of Promethean rebellion against the creator embodied in the 248 00:17:15,240 --> 00:17:18,480 character of Roy Batty, who's this kind of Luciferian savior. 249 00:17:20,200 --> 00:17:24,319 We see the twenty twenty landscape of Los Angeles, we 250 00:17:24,359 --> 00:17:28,480 see the eye viewing this landscape, and the eye represents 251 00:17:28,599 --> 00:17:31,680 the viewer in many ways, and as we discussed in 252 00:17:31,720 --> 00:17:34,559 my analysis of Eyes of Wide Shut and the reviewing 253 00:17:34,599 --> 00:17:36,960 of that film, we are going through a kind of 254 00:17:37,000 --> 00:17:40,839 initiatory experience on the part of the viewer. The viewer 255 00:17:40,920 --> 00:17:43,680 is going to be shown in many ways the elite plan, 256 00:17:44,559 --> 00:17:49,640 and most of what we see is actually still I 257 00:17:49,680 --> 00:17:52,759 guess you could say hidden from the public, even though 258 00:17:52,799 --> 00:17:58,119 it's explained throughout so many instances of fiction and predictive programming, 259 00:17:58,720 --> 00:18:03,039 the public is still busy with their eyes wide shut, 260 00:18:04,240 --> 00:18:08,599 And for the masses, I think there's no ability to 261 00:18:08,640 --> 00:18:11,599 make this kind of deeper level connection and to associate 262 00:18:11,680 --> 00:18:15,119 these ideas, symbols and archetypes. And that's why so much 263 00:18:15,160 --> 00:18:18,920 of this Hollywood imagery functions as a kind of whodoo 264 00:18:19,000 --> 00:18:21,880 spell put over on people. So this all kind of 265 00:18:22,000 --> 00:18:25,079 is downloaded into your subconscious, but you don't ever really 266 00:18:25,440 --> 00:18:29,839 realize that what you're witnessing is a fictional presentation of 267 00:18:29,960 --> 00:18:32,240 in many ways, what's going on in the real world. 268 00:18:33,799 --> 00:18:36,319 So if the viewer has eyes to see, I think 269 00:18:36,440 --> 00:18:39,200 you can argue that they're actually seeing the future itself, 270 00:18:39,279 --> 00:18:41,640 and that's why characters like Philip K. Dick are so important. 271 00:18:43,119 --> 00:18:47,640 It also shows the ruling ideology of the upper so 272 00:18:47,720 --> 00:18:51,319 called class, or the scientism of the elite, and we're 273 00:18:51,359 --> 00:18:53,000 going to be looking at this in more depth as 274 00:18:53,039 --> 00:18:56,279 we go through the works one by one of Bertrand, Russell, 275 00:18:57,240 --> 00:19:02,319 Jonah Salk, Jacques Attalie HG. Wells, and many of the 276 00:19:02,359 --> 00:19:06,200 actual globalists who describe their religion as one of scientism. 277 00:19:07,839 --> 00:19:12,799 But here we see the ie overlooking the La city scape, 278 00:19:13,240 --> 00:19:18,960 the giant, multi cult dystopia that has been created as 279 00:19:19,000 --> 00:19:25,559 a result, presumably of monopolistic capital control. The global government 280 00:19:25,599 --> 00:19:28,960 appears to be here, there's no question, and it is 281 00:19:29,039 --> 00:19:33,000 run by the Tyrel Corporation. So you see that there's 282 00:19:33,079 --> 00:19:37,960 no distinction between fascism, communism, and monopoly capitalism in this 283 00:19:38,440 --> 00:19:41,599 future dystopia. They're all blended into the same system because 284 00:19:41,599 --> 00:19:45,319 they all lead to the same final destination. And it's 285 00:19:45,359 --> 00:19:49,160 significant that we were presented with the eyeshots above a 286 00:19:49,279 --> 00:19:53,799 zigarot or a pyramid without a capstone. This is obviously 287 00:19:53,839 --> 00:19:55,680 Egyptian symbology, which comes. 288 00:19:55,519 --> 00:19:57,119 Speaker 2: Up frequently throughout the film. 289 00:19:57,319 --> 00:20:01,920 Speaker 1: You can't mistake the owl symbology, which is very prevalent 290 00:20:02,000 --> 00:20:07,839 Bohemian grove imagery within the Tyral corporation itself. And this 291 00:20:07,960 --> 00:20:12,519 Egyptian and owl symbology quite clearly represents the ruling class, 292 00:20:12,519 --> 00:20:17,240 the elite. This all seeing eyes flashed between images of 293 00:20:17,279 --> 00:20:20,559 the pyramid, as I said, in this connection, in this sense, 294 00:20:20,599 --> 00:20:25,440 in this context is quite obviously the idea that the 295 00:20:25,640 --> 00:20:29,839 elite are gods precisely because of the technology that they possess. 296 00:20:30,519 --> 00:20:31,920 So I think what we're looking at here is a 297 00:20:32,000 --> 00:20:37,680 kind of magical worldview in the sense of alchemy as technology, 298 00:20:37,920 --> 00:20:40,759 and that's really where we're going with the gnosticism in 299 00:20:40,759 --> 00:20:45,000 this film. In many ways, it embodies Arthur C. Clark's 300 00:20:45,039 --> 00:20:49,000 third Law, which is that there's really no significant distinction 301 00:20:49,160 --> 00:20:56,000 between technology or advanced technology and magic. The god who 302 00:20:56,039 --> 00:21:00,119 controls things in this worldview is the quote god who 303 00:21:00,160 --> 00:21:04,200 has the upper hand in genetic engineering and artificial intelligence. 304 00:21:04,720 --> 00:21:06,720 And I want to show you really quick an interesting 305 00:21:06,799 --> 00:21:12,119 passage from Bertrand Russell back in nineteen thirty one. Bertrand 306 00:21:12,160 --> 00:21:16,279 Russell member of the Fabian Society as well as the 307 00:21:16,319 --> 00:21:21,640 inner clique of the Royal Society, basically the controlling establishment 308 00:21:21,720 --> 00:21:25,119 of the Western power structure of the Atlantis's power structure. 309 00:21:25,839 --> 00:21:28,039 Russell wrote back in nineteen thirty one, that is two 310 00:21:28,079 --> 00:21:30,920 years or a year or two prior to the publication 311 00:21:31,000 --> 00:21:36,160 of Braveney World by Aldus Huxley. Russell wrote on page 312 00:21:36,200 --> 00:21:40,000 one sixty nine of the Scientific Outlook that in the 313 00:21:40,039 --> 00:21:45,680 future world government there will be eugenical regimentation such that 314 00:21:45,839 --> 00:21:49,400 the complete sterilization of the feeble minded will be practiced, 315 00:21:50,079 --> 00:21:57,079 and that as a result, embryos will be directly operated 316 00:21:57,160 --> 00:22:02,039 upon while they are a fetus, so basically GMO babies 317 00:22:02,559 --> 00:22:07,160 is the government of the future. As a result of this, 318 00:22:08,519 --> 00:22:12,480 Bertrand goes on to say the technocracy of the future 319 00:22:12,519 --> 00:22:18,400 will be run by completely megalomaniac technocrats, and he ac 320 00:22:18,400 --> 00:22:22,640 says this explicitly in chapter fourteen of the book. After this, 321 00:22:22,720 --> 00:22:26,240 we see the viewer approach the pyramid, as we said, 322 00:22:26,400 --> 00:22:30,960 and it's engulfed in a sort of golden sunlight, conjuring 323 00:22:31,039 --> 00:22:34,839 up the images of raw in Egypt. The mysteries of Egypt, 324 00:22:34,920 --> 00:22:38,240 of course center around the godlike philosopher king or pharaoh, 325 00:22:38,519 --> 00:22:42,400 and the material manifestation of autum Ra thus mirrors the 326 00:22:42,440 --> 00:22:46,839 spiritual hierarchy as above so below, so on Earth you 327 00:22:46,920 --> 00:22:54,960 have the Emperor, essentially the Egyptian Pharaoh, being the incarnation 328 00:22:55,240 --> 00:22:58,559 in the mirror of what's going on in the divine 329 00:22:58,599 --> 00:23:02,920 spiritual plane. And this is relevant because in Blade Runner 330 00:23:03,039 --> 00:23:07,119 you have the character of Tyrrell sort of embodying that 331 00:23:07,559 --> 00:23:13,720 pheyonic figure, but he's an old, decrepit, almost evil, gnostic 332 00:23:13,799 --> 00:23:17,559 demi urge creator right as opposed to the kind of 333 00:23:17,720 --> 00:23:24,200 creator that the Biblical presentation gives. So it's again the 334 00:23:24,240 --> 00:23:30,039 gnostic presentation. So the light then is enlightening the viewer, 335 00:23:30,400 --> 00:23:33,160 i would say, in this scene, inviting him along for 336 00:23:33,200 --> 00:23:35,559 the ride in the flying car to the top of 337 00:23:35,599 --> 00:23:36,119 the pyramid. 338 00:23:36,119 --> 00:23:36,839 Speaker 2: In other words, for. 339 00:23:36,799 --> 00:23:39,160 Speaker 1: Those who can see you are about to see what 340 00:23:39,279 --> 00:23:43,599 they see. Next scene is the Voight komf tests, which 341 00:23:43,799 --> 00:23:47,359 is given to Leon, one of the replicants or the 342 00:23:47,400 --> 00:23:51,200 advanced AI bots created by the Tyrell Corporation. This test 343 00:23:51,279 --> 00:23:54,559 is designed to see if it is possible to tell 344 00:23:54,720 --> 00:23:56,640 the replicants emotional state. 345 00:23:58,480 --> 00:23:58,920 Speaker 2: Recalls. 346 00:23:58,920 --> 00:24:02,599 Speaker 1: Of course, Hitler's mind, which is manifesto, was devoted to 347 00:24:02,720 --> 00:24:07,799 struggle and the struggle of the Will Tyrell, we learn 348 00:24:07,960 --> 00:24:11,559 has been in the business of developing these assassin droids 349 00:24:12,000 --> 00:24:16,240 AI assassins, and yet some of these replicants do not 350 00:24:16,599 --> 00:24:21,480 know that they are programmed with false memories and false identities. Interestingly, 351 00:24:21,519 --> 00:24:25,759 this is an actual subject of study by DARPA. DARPA 352 00:24:25,759 --> 00:24:30,720 actually does work on the attempts to create implanted memories, 353 00:24:31,440 --> 00:24:33,000 and of course this has been going on for a 354 00:24:33,039 --> 00:24:37,240 long time in terms of research through the mk ulture 355 00:24:37,279 --> 00:24:41,279 program and then what would later become MK Search, as 356 00:24:41,359 --> 00:24:43,720 is detailed in John Marx's book The Search for the 357 00:24:43,759 --> 00:24:50,319 Mentoring and Candidate. It's within this perspective that the replicants 358 00:24:50,319 --> 00:24:53,680 seem to partly resemble the infamous plans of the various 359 00:24:54,920 --> 00:24:59,839 nation states, in particularly the US over the last fifty 360 00:25:00,079 --> 00:25:02,880 sixty years to create the idea of a super soldier 361 00:25:03,240 --> 00:25:05,640 or a mind control assassin. And ultimately we know that 362 00:25:05,680 --> 00:25:09,319 these programs really resulted not so much in the creation 363 00:25:09,480 --> 00:25:13,240 of a super soldier, and not even just in terms 364 00:25:13,240 --> 00:25:16,599 of studies related to mass mind control, but ultimately they 365 00:25:16,799 --> 00:25:21,200 devolve into studies related to transhumanism. And this is actually 366 00:25:21,200 --> 00:25:24,799 the last chapter of John Marx's book, which was again 367 00:25:24,799 --> 00:25:27,559 written in the seventies, and he's telling you, just like 368 00:25:27,599 --> 00:25:31,440 Philip K. Dick, that what was coming was the implementation 369 00:25:31,680 --> 00:25:38,480 of transhumanism. MK Ultra Subproject one nineteen was a literature 370 00:25:38,519 --> 00:25:42,920 review which included a summary of the existing techniques of 371 00:25:42,960 --> 00:25:48,880 the manipulation of the human organism by remote and electronic means. 372 00:25:49,640 --> 00:25:53,440 According to a report in Defense Electronics, this consideration was 373 00:25:53,440 --> 00:25:57,880 given to US non lethal weapons technology and it was 374 00:25:57,960 --> 00:26:00,240 used on David Koresh during the Branch Davidians. The Age 375 00:26:00,240 --> 00:26:03,000 of nineteen ninety three is a test case. Research on 376 00:26:03,039 --> 00:26:06,119 the ability of magnetic fields to facilitate the creation of 377 00:26:06,200 --> 00:26:10,359 false memories an altered states of consciousness was funded by 378 00:26:10,400 --> 00:26:15,200 the Defense Intelligence Agency through the project Kryptonym Sleeping Beauty. 379 00:26:15,640 --> 00:26:18,759 Sleeping Beauty was a Defense Department study of remote microwave 380 00:26:19,559 --> 00:26:25,319 mind influencing techniques. That's also mentioned in doctor Colin Ross's 381 00:26:25,319 --> 00:26:31,359 books on m KLTRA, Bluebird, and Artochoke. So we have 382 00:26:31,480 --> 00:26:36,720 many examples of characters like this, and in the Blade 383 00:26:36,759 --> 00:26:40,559 Runner instantiation, it's the character of Roy Batty, who kind 384 00:26:40,599 --> 00:26:45,119 of embodies this Nexus six model, right, the leader of 385 00:26:45,200 --> 00:26:49,960 the rebels the Replicants, who is himself a super soldier assassin. 386 00:26:50,079 --> 00:26:53,119 He's more human than a human. Tyrrel states, and we're 387 00:26:53,160 --> 00:26:55,680 not talking about the Rob Zombie song here, although I 388 00:26:55,680 --> 00:27:00,960 guess in a way Rob Zombie is talking about the 389 00:27:01,039 --> 00:27:04,400 retinal imagery in the scene of the Voiit comp test 390 00:27:05,279 --> 00:27:09,319 is in this case once again referring to Leon Kowalski 391 00:27:10,359 --> 00:27:14,319 and the identification of synthetic and the real Leon is 392 00:27:14,359 --> 00:27:18,000 given the tests and assassinates his tester at a certain 393 00:27:18,039 --> 00:27:21,079 point when the trigger words tortoise and mother are mentioned, 394 00:27:21,599 --> 00:27:24,759 signifying in a way a sort of mind control manipulation 395 00:27:24,880 --> 00:27:27,519 through symbols and union archetypes, which I think again is 396 00:27:27,519 --> 00:27:30,799 crucial in this film. The tortoise is associated with Hermes 397 00:27:30,839 --> 00:27:33,759 and Mercury, as we'll see here in a moment, but 398 00:27:33,799 --> 00:27:36,079 the Replicants, as we see, are given a four year 399 00:27:36,119 --> 00:27:39,519 lifespan which allows Tyrell to have total control over them. 400 00:27:41,160 --> 00:27:44,160 This keeps them from rebelling, and so there's a kind 401 00:27:44,160 --> 00:27:48,000 of implementation of death, and thus Tyrrell is pictured as 402 00:27:48,039 --> 00:27:52,880 a god, the father figure in the real world, our 403 00:27:52,920 --> 00:27:56,359 so called elite have always sought to control life spans 404 00:27:56,400 --> 00:28:02,200 of the populations through depopulation through regimentation of diet and food. 405 00:28:02,720 --> 00:28:07,039 As again Bertrand Russell and others characters like Charles Galton D. 406 00:28:07,480 --> 00:28:12,799 Darwin discussed in the Next Million Years. This is part 407 00:28:12,839 --> 00:28:15,400 of full spectrum dominance which I've done many talks on. 408 00:28:16,359 --> 00:28:19,319 It could also have a possible reference to something like 409 00:28:19,480 --> 00:28:23,200 a self destruct programming in the minds of those who 410 00:28:23,240 --> 00:28:28,680 have undergone in k If the notion of programming someone 411 00:28:29,000 --> 00:28:32,319 in terms of their mind to at a certain point 412 00:28:32,480 --> 00:28:35,880 engage in a suicide program, you need to look no 413 00:28:35,960 --> 00:28:39,559 further than John C. Lilly, one of the MKLTR doctors himselves, 414 00:28:39,559 --> 00:28:42,880 who in the book Programming and Metaprogramming in the Human 415 00:28:42,920 --> 00:28:48,160 Biocomputer mentions the possibility of wiping children's minds from birth 416 00:28:48,640 --> 00:28:51,880 and giving them a completely programmed reality through. 417 00:28:51,839 --> 00:28:53,279 Speaker 2: The use of LSD. 418 00:28:53,519 --> 00:28:56,440 Speaker 1: So who you have one of the top in Kaltra doctors. 419 00:28:56,799 --> 00:29:00,559 The guy who basically was involved in Flippery Flipper, is 420 00:29:00,599 --> 00:29:03,839 in many ways based on John C. Lily right the 421 00:29:03,880 --> 00:29:07,759 idea of giving LSD to dolphins, so forth and so 422 00:29:07,839 --> 00:29:14,920 on animals and seeing the effects of this very degenerate ideology. 423 00:29:15,559 --> 00:29:19,039 This radical scientism is just as guilty as someone like 424 00:29:19,079 --> 00:29:22,880 Alfred Kinsey. You know, Lily brags about and mentions wiping 425 00:29:22,960 --> 00:29:26,680 children's brains through LSD, so this is very possible. This 426 00:29:26,759 --> 00:29:31,799 is not really the realm of craze conspiracy theory. Interestingly, 427 00:29:32,000 --> 00:29:37,440 Lily also pioneered the idea of the deep induced drug 428 00:29:37,480 --> 00:29:42,039 state inside the isolation tank. It's floating inside the tank 429 00:29:43,160 --> 00:29:47,720 directly arises from the m culture program, and ultimately this 430 00:29:47,880 --> 00:29:50,480 is supposed to give you the impression that you are 431 00:29:50,680 --> 00:29:55,160 in a deep meditative state and seeing deep within yourself 432 00:29:55,200 --> 00:29:57,039 and other realms and all this kind of stuff. But 433 00:29:57,119 --> 00:30:00,680 ultimately this kind of stuff I think is quite deceptive. 434 00:30:02,000 --> 00:30:06,480 You've been watching my analysis of Blade Runner, very in depth, 435 00:30:06,799 --> 00:30:10,960 very esoteric, and based in a lot of dystopian realities 436 00:30:10,960 --> 00:30:14,559 that are unfortunately now coming to fruition, including the sex bots, 437 00:30:15,039 --> 00:30:19,000 and including as we'll see, a lot more bad news. However, 438 00:30:19,079 --> 00:30:22,359 it's not all bad news. There's a bright light at 439 00:30:22,359 --> 00:30:24,440 the end of this tunnel, and it is not the 440 00:30:24,440 --> 00:30:27,759 bright light Lucifer. If you'd like to see the rest 441 00:30:27,759 --> 00:30:30,559 of this analysis in video presentation, you can go to 442 00:30:30,680 --> 00:30:33,839 jay'snalysis dot com and subscribe at the PayPal links for 443 00:30:34,400 --> 00:30:36,640 four ninety five a month or for sixty dollars a year. 444 00:30:36,759 --> 00:30:40,119 You can also get my book Esoteric Hollywood Sex, Cults 445 00:30:40,119 --> 00:30:42,000 and Symbols and Film and you can also watch my 446 00:30:42,079 --> 00:30:45,640 television show on The guy a Network with Jay Widner 447 00:30:46,680 --> 00:30:52,400 called Hollywood Decoded. Now, this Blade Runner series is also 448 00:30:52,599 --> 00:30:55,880 going to be an episode of Hollywood Decoded, which will 449 00:30:55,920 --> 00:30:58,839 be different information, some of the same information, but different 450 00:30:58,880 --> 00:31:02,279 information of what I'm resenting here. So a lot of 451 00:31:02,319 --> 00:31:04,680 different angles that we're going to take on Blade Runner, 452 00:31:04,759 --> 00:31:07,519 but definitely check that out at jasanalysis dot com.