Speaker 1: In last week's video, we broke down the character Philip K.
Dick and his insight connections with Silicon Valley as the
likely source as to how his novels were so precient
and how there was so much predictive programming packed within
his stories, and in particular the breakthrough film in nineteen
eighty two by Ridley Scott, Blade Runner. And in this video,
we're going to break down Blade Runner twenty forty nine,
the sequel and what its meaning is.
Speaker 2: I've already had numerous.
Speaker 1: People texting me, messaging me saying, please explain.
Speaker 2: What the meaning was.
Speaker 1: And this is interesting because the sequel pretty much confirms
that everything that I wrote in my analysis as correct.
You're interested in a full breakdown, you can also subscribe
to guy A TV where you can watch my show
co created with Jay Widner, Hollywood Decoded. In the latest episode,
we break down with Precision and app the original nineteen
eighty two Blade Runner by Ridley Scott that's available now
by streaming and on Amazon Prime through Gaya.
Speaker 2: In the sequel, we have the character of Ka or
the Ryan.
Speaker 1: Gosling character later called Joe, who is on the case
of a faction of replicants that are upgraded, so they
don't got the upgrade from the Nexus six to Nexus eight.
He's tasked, of course with shutting them down.
Speaker 2: And we are told from the beginning that he.
Speaker 1: Himself is also a replicant. His job is to retire
the remaining faction of revolutionaries, and this is crucial as
to why they're revolutionaries, and then as a result, put
an end to any possibility of.
Speaker 2: There being replicants.
Speaker 1: What we have in this story is a reverse telling
way of the story of Moses. This is a biblical
theme that's repeated many times in the scriptures. In the
case of Moses, of course, we know he was rescued
from the attempt at extermination of the Jews on the
part of Pharaoh by his parents putting him in a
basket and floating him down to the river.
Speaker 2: Moses was then, of course raised.
Speaker 1: In Egypt as an Egyptian, and by the time he
came of age, of course, everyone i think hopefully knows
the story of Moses, he rejected the paganism and returned
to his people to become a leader and thereby to
in many ways give himself as a liberator. And he's
of course given the law at Mount Sinai. In the
new film, the Moses story takes on a weird inversion
where we have the replacement of Tyrrell by the character
of Niander Wallace played by Jared Leedo. Once again, the
demi Urge is given deformed eyes, and we are to
assume I think that he's had some sort of modification
and has as a result, bionic vision like Jordie LaForge
in Star Trek or something, and as a result of
this he's able to What he's trying to do is
upgrade humanity to where he can have an army of
replicants made after his own image. So he very clearly
is a creator god, but he's also pictured as a
tyrant and a weird villain, just like the creeper weirdo,
just like Tyrell.
Speaker 2: Was in the original series.
Speaker 1: Neander Wallace specifically invokes the number nine and Initiation and
angels and angelic orders that seem to have fallen from
his ranks, and by that he means the original Nexus
and then the late Nexus eight rebels. These rebel angels
are described specifically again as Luciferian, and this is why
in my analysis I specifically mentioned that Roy Batty was
a Luciferian kind of gnostic savior. The film The New
One twenty forty nine absolutely proves my thesis as correct.
In the original story, of course, we had the woman
who was, as the film describes, seduced by the serpent,
and that she receives pleasure from the serpent. This is
an image of the fallen woman of Eve as she
has fallen, and then as a result, in the.
Speaker 2: New Blade Runner, there's going to be a new Eve, a.
Speaker 1: New kind of virgin birth, if you will, although the
virgin birth is not virginal, it's actually Rachel, and God
looks upon Rachel with favor and has a child. In fact,
in the very scene where Niander interacts with Decker, Niander
explains that God looked upon Rachel and remembered her and
opened her wound that she might conceive. In this case,
Niander is speaking a course of Rachel from the original
Blade Runner, the sean young character. If you remember, Rachel
was seen in the Almost Palace, you could say of
Tyrell with a lot of fascist imagery and with the owl.
So you have very obvious references to like Me and Grove,
and a lot of the transhumanist Star Wars defense initiative
type ideas were birth actually at Bohemian Grove. I think
this is all conscious. You have, of course, the usage
of the owl in masonry very prominently, and the owl,
of course is the Tyrell logo. It signifies in a
way kind of panopticism and surveillance. And it's interesting that
throughout the original Blade Runner eye imagery was prevalent, and
it's the means by which one is identified as a
replicant or not in the new film, which is curious
because certain characters, for example, will have their eyes removed
as a way to avoid detection.
Speaker 2: We'll also see scenes in.
Speaker 1: The new film where even statues appear with one eye.
And this is all intentional, of course, because as I've said,
the entire plot is an illuminous plot. And you might
think that what does that mean illuminist, Well, it means scientism.
Speaker 2: It means the ability or the.
Speaker 1: Attempt to transcend nature through technology, and this is completely
obvious in the new film. The whole message of the
film is that Rachel is in many ways a new
Eve or a new Mary, in that she has a
miraculous birth, all right right, the birth of the Revolutionary
Sun of the mutants. It's almost in many ways a
kind of X Men story. An interesting side note, too,
is that we learn that Deckard is hiding out in
Las Vegas, and there's a scene where there's actually a
shootout near the Luxor. And that's curious because this was
of course filmed prior to the events of the past
few days of the attack in Las Vegas. And that's
precisely why the film is said to be scaled back
in its twenty forty nine or in its Las Vegas release.
As I said, the film is also dominated by the
idea of a new coming humanity, the new stage of evolution.
Speaker 2: Which will be the new race.
Speaker 1: Based around transhumanism. As I said, it's basically the X
Men mythology, and the idea here is again based on
trans humanism. And you need to look no further than
globalist Jacques Attalie's book A Brief History of the Future.
In fact, Atali says on page two sixty and two
sixty one that the vanguard, that is the tip of
the spear of the hyper democrat, that is, the Luciferian revolutionary,
is precisely the transhumanist. Why is that because the transhumanists
are all going to be joined in a giant hive mind.
He explains on page two sixty one, Audily says that
it's women who will more easily join with transhumanism and
the Luciferian promise of the future because they are more
herd like. In fact, this is precisely why the film
gives you the great twist that it is not Joe
that is the special miraculous birth, but it is rather
a woman who is the New Seed.
Speaker 2: As we saw on my video last week.
Speaker 1: On the original Blade, it was Roy Batty's purpose to
awaken Decker to his real destiny, and in the new
film we find the exact same model of Ryan Goslin's
character Joe going on a journey inward into his mind,
into his implanted memories, something that the Deep State has
actually been working on through DARPA. I cover that in
the first video if you've missed it.
Speaker 2: The discovery, of course, is that.
Speaker 1: The mysteries of his origin, that is, the character Joe,
were partly true and partly false. He was not the
coming New Seed or Messiah, but he was part of
this seed. And in many ways you could argue that
the scale that Deckard finds in the original blaeb Runner
signifies the seed of the serpent. It is in fact
the rebel angels that Roy Batty refers to right the
seed of the Serpent, the serpentine falling angels who follow
Lucifer in their rebellion against in their view, demiurge creator Tyrell,
and in this case, the new Tyrell of Niander Wallace.
So what we have is a Luciferian enlightenment, an illuminism
that is the journey of the character of Joe. As
a result, the end is the plan of a new race,
the wiping out of the old race.
Speaker 2: Precisely what every one.
Speaker 1: Of the globalists literally says in their writings. The offer
of technological transcendence of transhumanism as promised by the globalists
is in fact a scam, and even within the story
itself you can deduce that it's a scam. The synthetic
operating system that Joe falls in love with, who is
a kind of feminine gnostic sophia principle that leads him
along the way, was in fact designed by the corporation
to lead him to where he needed to go. In
other words, he was a tool the entire time until
he stepped out of the system. So within the mythology
of the original and the sequel, you have even the
revelation that those who think that they are on their
own quest are being used, and especially when it comes
to technology and the promise of technology. Indeed, what does
the film offer everything that you want Joe through insertion
into the synthetic virtual matrix. That's precisely what the trick
and the trap of transhumanism is. It's a mimicry. Again,
all of the presentation the biblical stories here are mimics
and they're inverted, they're reversed. And so even from a
film that is in many ways gnostic and a perversion,
can still come away with the idea the truth that
this is a deception. Thank you for watching my video
and subscribe to Jaysonalysis dot com and you can also
get the signed copies of my book There Esoteric Hollywood.
You're listening to Jay's Analysis. This is the introduction to
the jays Analysis podcast. The only authoritative source for Jay's
analysis is jays Analysis, Film Philosophy, Geopolitics, The Esoteric and
much much more satire and comedy too. Now added bonus
for free with the coming release of the new Blade
Runner film, I thought would be appropriate to go back
and do an analysis of the original Blade Runner from
nineteen eighty two, which does constitute a pretty popular chapter
in my book Esoteric Hollywood. If you don't have a copy,
I would encourage you to go ahead and get one
from my website. Jay's analysis Esoteric Hollywood made it to
the number one spot in Amazon's Film and Hollywood Industry category.
It also has about ninety to ninety five percent five
star ratings across Amazon Goodreads US UK markets. So go
ahead and avail yourself of the full three hundred and
sixty three pages and four hundred and four footnotes, which
of course also led to my tea TV show with
Jay Wiedner Hollywood Decoded on the Gaya Network, So check
those out for a lot more of the information. In
a similar vein of what you're going to hear in
this video, Ridley Scott's Blade Runner presents us with a
prescient dystopian future based on Philip K. Dixon novella Do
Android's Dream of Electric Sheep, and we'll see in the
film that this is not only an accurate prediction of
the future's general landscape, but it also tends to be
suffused with occult imagery and deep esoteric and symbolic themes.
It also raises crucial moral and social questions. The film,
I think operates on several levels. You could argue the
immediate story itself, there's also predictive future analyzes with various
social critiques. There's the level of covert operations and mind
control MKO Ultra, I think is present in this film
very clearly. And you also have a kind of deeper
union mythology and archetype level with the alchemical symbology that
we're going to see from the character of Gaff, as
well as the background imagery behind characters like Roy Batty.
So all these levels I think have to be integrated
to grasp the full import of the film insofar as
Ridley Scott conveys it. It's also interesting that Philip K.
Dick himself had some very esoteric, bizarre, fringe views about
the end times and so forth, and he kind of
felt that we were stuck in some kind of culd
de sac of history, and that history had stopped at
the point of like Acts eleven or twelve, the Book
of Acts, so we were in some kind of weird
time loop side story that was accidental and not intended
to happen, and so unfortunately, I think mister Dick, for
all of his great writings and for hanging out with
the Silicon Valley crew in his days and getting a
lot of insights as to what was coming in the future,
probably did a little too many drugs and got a
little confused. But regardless, the works as a whole are
all packed with a lot of predicted programming, and again
this I think has to do with his close connections
to many of those in Silicon Valley in that time.
The film, of course, begins by showing us the eye,
presumably of Decord, and the eye is wreathed in flame.
This is going to be very prominent as a theme
throughout the film, the Eye, and that's for many reasons.
On one level, it's signifying the genetic DNA identification that
tells the difference between the synthetic replicants and the actual
human beings. But it also signifies the occult and Masonic
themes that are prevalent throughout the film and the idea
of as we're going to see the gnostic elements of
retelling the story of creation and the fall and the
sort of Promethean rebellion against the creator embodied in the
character of Roy Batty, who's this kind of Luciferian savior.
We see the twenty twenty landscape of Los Angeles, we
see the eye viewing this landscape, and the eye represents
the viewer in many ways, and as we discussed in
my analysis of Eyes of Wide Shut and the reviewing
of that film, we are going through a kind of
initiatory experience on the part of the viewer. The viewer
is going to be shown in many ways the elite plan,
and most of what we see is actually still I
guess you could say hidden from the public, even though
it's explained throughout so many instances of fiction and predictive programming,
the public is still busy with their eyes wide shut,
And for the masses, I think there's no ability to
make this kind of deeper level connection and to associate
these ideas, symbols and archetypes. And that's why so much
of this Hollywood imagery functions as a kind of whodoo
spell put over on people. So this all kind of
is downloaded into your subconscious, but you don't ever really
realize that what you're witnessing is a fictional presentation of
in many ways, what's going on in the real world.
So if the viewer has eyes to see, I think
you can argue that they're actually seeing the future itself,
and that's why characters like Philip K. Dick are so important.
It also shows the ruling ideology of the upper so
called class, or the scientism of the elite, and we're
going to be looking at this in more depth as
we go through the works one by one of Bertrand, Russell,
Jonah Salk, Jacques Attalie HG. Wells, and many of the
actual globalists who describe their religion as one of scientism.
But here we see the ie overlooking the La city scape,
the giant, multi cult dystopia that has been created as
a result, presumably of monopolistic capital control. The global government
appears to be here, there's no question, and it is
run by the Tyrel Corporation. So you see that there's
no distinction between fascism, communism, and monopoly capitalism in this
future dystopia. They're all blended into the same system because
they all lead to the same final destination. And it's
significant that we were presented with the eyeshots above a
zigarot or a pyramid without a capstone. This is obviously
Egyptian symbology, which comes.
Speaker 2: Up frequently throughout the film.
Speaker 1: You can't mistake the owl symbology, which is very prevalent
Bohemian grove imagery within the Tyral corporation itself. And this
Egyptian and owl symbology quite clearly represents the ruling class,
the elite. This all seeing eyes flashed between images of
the pyramid, as I said, in this connection, in this sense,
in this context is quite obviously the idea that the
elite are gods precisely because of the technology that they possess.
So I think what we're looking at here is a
kind of magical worldview in the sense of alchemy as technology,
and that's really where we're going with the gnosticism in
this film. In many ways, it embodies Arthur C. Clark's
third Law, which is that there's really no significant distinction
between technology or advanced technology and magic. The god who
controls things in this worldview is the quote god who
has the upper hand in genetic engineering and artificial intelligence.
And I want to show you really quick an interesting
passage from Bertrand Russell back in nineteen thirty one. Bertrand
Russell member of the Fabian Society as well as the
inner clique of the Royal Society, basically the controlling establishment
of the Western power structure of the Atlantis's power structure.
Russell wrote back in nineteen thirty one, that is two
years or a year or two prior to the publication
of Braveney World by Aldus Huxley. Russell wrote on page
one sixty nine of the Scientific Outlook that in the
future world government there will be eugenical regimentation such that
the complete sterilization of the feeble minded will be practiced,
and that as a result, embryos will be directly operated
upon while they are a fetus, so basically GMO babies
is the government of the future. As a result of this,
Bertrand goes on to say the technocracy of the future
will be run by completely megalomaniac technocrats, and he ac
says this explicitly in chapter fourteen of the book. After this,
we see the viewer approach the pyramid, as we said,
and it's engulfed in a sort of golden sunlight, conjuring
up the images of raw in Egypt. The mysteries of Egypt,
of course center around the godlike philosopher king or pharaoh,
and the material manifestation of autum Ra thus mirrors the
spiritual hierarchy as above so below, so on Earth you
have the Emperor, essentially the Egyptian Pharaoh, being the incarnation
in the mirror of what's going on in the divine
spiritual plane. And this is relevant because in Blade Runner
you have the character of Tyrrell sort of embodying that
pheyonic figure, but he's an old, decrepit, almost evil, gnostic
demi urge creator right as opposed to the kind of
creator that the Biblical presentation gives. So it's again the
gnostic presentation. So the light then is enlightening the viewer,
i would say, in this scene, inviting him along for
the ride in the flying car to the top of
the pyramid.
Speaker 2: In other words, for.
Speaker 1: Those who can see you are about to see what
they see. Next scene is the Voight komf tests, which
is given to Leon, one of the replicants or the
advanced AI bots created by the Tyrell Corporation. This test
is designed to see if it is possible to tell
the replicants emotional state.
Speaker 2: Recalls.
Speaker 1: Of course, Hitler's mind, which is manifesto, was devoted to
struggle and the struggle of the Will Tyrell, we learn
has been in the business of developing these assassin droids
AI assassins, and yet some of these replicants do not
know that they are programmed with false memories and false identities. Interestingly,
this is an actual subject of study by DARPA. DARPA
actually does work on the attempts to create implanted memories,
and of course this has been going on for a
long time in terms of research through the mk ulture
program and then what would later become MK Search, as
is detailed in John Marx's book The Search for the
Mentoring and Candidate. It's within this perspective that the replicants
seem to partly resemble the infamous plans of the various
nation states, in particularly the US over the last fifty
sixty years to create the idea of a super soldier
or a mind control assassin. And ultimately we know that
these programs really resulted not so much in the creation
of a super soldier, and not even just in terms
of studies related to mass mind control, but ultimately they
devolve into studies related to transhumanism. And this is actually
the last chapter of John Marx's book, which was again
written in the seventies, and he's telling you, just like
Philip K. Dick, that what was coming was the implementation
of transhumanism. MK Ultra Subproject one nineteen was a literature
review which included a summary of the existing techniques of
the manipulation of the human organism by remote and electronic means.
According to a report in Defense Electronics, this consideration was
given to US non lethal weapons technology and it was
used on David Koresh during the Branch Davidians. The Age
of nineteen ninety three is a test case. Research on
the ability of magnetic fields to facilitate the creation of
false memories an altered states of consciousness was funded by
the Defense Intelligence Agency through the project Kryptonym Sleeping Beauty.
Sleeping Beauty was a Defense Department study of remote microwave
mind influencing techniques. That's also mentioned in doctor Colin Ross's
books on m KLTRA, Bluebird, and Artochoke. So we have
many examples of characters like this, and in the Blade
Runner instantiation, it's the character of Roy Batty, who kind
of embodies this Nexus six model, right, the leader of
the rebels the Replicants, who is himself a super soldier assassin.
He's more human than a human. Tyrrel states, and we're
not talking about the Rob Zombie song here, although I
guess in a way Rob Zombie is talking about the
retinal imagery in the scene of the Voiit comp test
is in this case once again referring to Leon Kowalski
and the identification of synthetic and the real Leon is
given the tests and assassinates his tester at a certain
point when the trigger words tortoise and mother are mentioned,
signifying in a way a sort of mind control manipulation
through symbols and union archetypes, which I think again is
crucial in this film. The tortoise is associated with Hermes
and Mercury, as we'll see here in a moment, but
the Replicants, as we see, are given a four year
lifespan which allows Tyrell to have total control over them.
This keeps them from rebelling, and so there's a kind
of implementation of death, and thus Tyrrell is pictured as
a god, the father figure in the real world, our
so called elite have always sought to control life spans
of the populations through depopulation through regimentation of diet and food.
As again Bertrand Russell and others characters like Charles Galton D.
Darwin discussed in the Next Million Years. This is part
of full spectrum dominance which I've done many talks on.
It could also have a possible reference to something like
a self destruct programming in the minds of those who
have undergone in k If the notion of programming someone
in terms of their mind to at a certain point
engage in a suicide program, you need to look no
further than John C. Lilly, one of the MKLTR doctors himselves,
who in the book Programming and Metaprogramming in the Human
Biocomputer mentions the possibility of wiping children's minds from birth
and giving them a completely programmed reality through.
Speaker 2: The use of LSD.
Speaker 1: So who you have one of the top in Kaltra doctors.
The guy who basically was involved in Flippery Flipper, is
in many ways based on John C. Lily right the
idea of giving LSD to dolphins, so forth and so
on animals and seeing the effects of this very degenerate ideology.
This radical scientism is just as guilty as someone like
Alfred Kinsey. You know, Lily brags about and mentions wiping
children's brains through LSD, so this is very possible. This
is not really the realm of craze conspiracy theory. Interestingly,
Lily also pioneered the idea of the deep induced drug
state inside the isolation tank. It's floating inside the tank
directly arises from the m culture program, and ultimately this
is supposed to give you the impression that you are
in a deep meditative state and seeing deep within yourself
and other realms and all this kind of stuff. But
ultimately this kind of stuff I think is quite deceptive.
You've been watching my analysis of Blade Runner, very in depth,
very esoteric, and based in a lot of dystopian realities
that are unfortunately now coming to fruition, including the sex bots,
and including as we'll see, a lot more bad news. However,
it's not all bad news. There's a bright light at
the end of this tunnel, and it is not the
bright light Lucifer. If you'd like to see the rest
of this analysis in video presentation, you can go to
jay'snalysis dot com and subscribe at the PayPal links for
four ninety five a month or for sixty dollars a year.
You can also get my book Esoteric Hollywood Sex, Cults
and Symbols and Film and you can also watch my
television show on The guy a Network with Jay Widner
called Hollywood Decoded. Now, this Blade Runner series is also
going to be an episode of Hollywood Decoded, which will
be different information, some of the same information, but different
information of what I'm resenting here. So a lot of
different angles that we're going to take on Blade Runner,
but definitely check that out at jasanalysis dot com.