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<v Speaker 1>You see, something's going to happen. What's going to happen?

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<v Speaker 2>Heine?

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<v Speaker 1>What help?

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<v Speaker 2>Welcome back to the occult rejects. This is part two

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<v Speaker 2>of the life of Jeadano Bruno. I hope you all

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<v Speaker 2>enjoyed part one, and if you haven't listened to that yet,

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<v Speaker 2>I suggest you do before you listen to this. And

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<v Speaker 2>now let's continue off where we left off in part one.

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<v Speaker 2>By fifteen ninety one, Bruno had spent over a decade.

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<v Speaker 1>Crisis crossing Europe.

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<v Speaker 2>He was famous in intellectual circles, but had failed to

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<v Speaker 2>find a secure patron or Haven and Frankfurt. In spring

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<v Speaker 2>of fifteen ninety one, at the Frankfurt book Fair, Bruno

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<v Speaker 2>met a Venetian patrician named Giovanni Mossenigo moss in Ego

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<v Speaker 2>and an aristocrat with an interest in esoteric knowledge, invited

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<v Speaker 2>Bruno to Venice to tutor him in the arts of

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<v Speaker 2>memory and perhaps.

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<v Speaker 1>Share occult secrets.

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<v Speaker 2>At the same time, Bruno heard that the prestigious University

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<v Speaker 2>of Padowa near Venice was looking to fill its chair

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<v Speaker 2>of mathematics, a position left vacant by the recent death

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<v Speaker 2>of a luminary. This was a golden opportunity. Padowa was

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<v Speaker 2>one of the foremost universities in Europe. Soon it would

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<v Speaker 2>hire Galileo for that very chair. Believing perhaps that the

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<v Speaker 2>climate in Italy had softened, Pope's sixthus to fifth, known

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<v Speaker 2>as a hardliner, had died in fifteen ninety and Venice

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<v Speaker 2>in particular was known for a relative independence from Rome,

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<v Speaker 2>Bruno made the fateful decision to return to Italy. He

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<v Speaker 2>later claimed that he thought the inquisition would be less

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<v Speaker 2>strict in Venice, reputedly the most liberal state in Italy.

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<v Speaker 2>In August of fifteen ninety one, after fifteen years abroad,

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<v Speaker 2>Giodano Bruno came back to Italian soil. Bruno first spent

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<v Speaker 2>a few months at Padua in late fifteen ninety one.

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<v Speaker 2>He lectured privately in geometry and Aristolian philosophy, and even

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<v Speaker 2>taught some German students there. He applied for the math professorship,

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<v Speaker 2>offering his expertise in the art of memory and Copernican cosmology,

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<v Speaker 2>but in early fifteen ninety two, the Padua position was

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<v Speaker 2>instead awarded to a less controversial figure, a young mathematics

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<v Speaker 2>tutor named Galileo. Disappointed, Bruno accepted Monsignego's invitation, and moved

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<v Speaker 2>into Monsenego's palace in Venice in March fifteen ninety two.

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<v Speaker 2>For about two months, Bruno lived comfortably as Mossenego's private tutor,

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<v Speaker 2>imparting his knowledge of mnemonic techniques and discussing philosophy. However,

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<v Speaker 2>Bruno's candid discourse soon alarmed the host. Cenego became disillusion

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<v Speaker 2>Perhaps Bruno's memory training did not produce the quick results

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<v Speaker 2>he hoped for, or perhaps Bruno divulged in some theological

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<v Speaker 2>views that he did not agree with. On May twenty second,

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<v Speaker 2>fifteen ninety two, Giovanni Mossenego betrayed his house guest. He

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<v Speaker 2>denounced Giodanno Bruno to the Venetian Inquisition, providing a list

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<v Speaker 2>of heretical statements Bruno had allegedly made. Bruno was arrested

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<v Speaker 2>in Venice on May twenty third, fifteen ninety two, and

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<v Speaker 2>thrown into the Inquisition's prison. Among the numerous charges Mossenego

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<v Speaker 2>leveled were that Bruno disbelieved core Catholic doctrines, the trinity,

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<v Speaker 2>the divinity of Christ in the virginity of Mary, and

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<v Speaker 2>that he saw nothing wrong in renouncing the Catholic faith,

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<v Speaker 2>that he had trafficked in magic, and that he had

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<v Speaker 2>held the belief in a plurality of worlds and their eternity.

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<v Speaker 2>It was a sweeping condemnation of Bruno's worldview. Over the

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<v Speaker 2>next seven months, the Venetian Holy Office interrogated Bruno. Bruno

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<v Speaker 2>behaved cooperatively at first, he saw a chance to argue

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<v Speaker 2>his case in a relative open minded court. Venice often

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<v Speaker 2>prided itself on handling its own affairs, and its inquisition

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<v Speaker 2>was considered milder than Rome's. Bruno defended himself, skillfully denying

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<v Speaker 2>some charges outright and presenting others as philosophical speculations.

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<v Speaker 1>Rather than fixed heresies.

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<v Speaker 2>For example, on the accusation of believing in multiple worlds,

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<v Speaker 2>Bruno admitted he had entertained the idea as a philosopher,

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<v Speaker 2>but with the reservation that I would not whold it

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<v Speaker 2>defendant against the Holy scriptures. Trying to placate the examiners

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<v Speaker 2>by drawing a line between philosophy and theology, Bruno stressed

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<v Speaker 2>that in question of faith, he accepted Church doctrine, and

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<v Speaker 2>that where he had doubted, for instance, about certain aspects

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<v Speaker 2>of Catholic dogma, he had done so only hypothetically. These

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<v Speaker 2>careful equivocations nearly saved him. In fact, the Venetian inquisitors

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<v Speaker 2>seemed so somewhat persuaded. One report suggests they were inclined

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<v Speaker 2>to be lenient or even release Bruno with a warning,

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<v Speaker 2>since his ideas were in the realm of philosophy and

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<v Speaker 2>had not been publicly preached as religious doctrine. The situation

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<v Speaker 2>took a dire turn when the Roman Inquisition, far less sympathetic, intervened.

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<v Speaker 2>In September of fifteen ninety two, the Holy Office in Rome,

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<v Speaker 2>prompted by testimony against Bruno that hand trickled down from

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<v Speaker 2>previous stops Geneva and other places, demanded Bruno's extradition to Rome.

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<v Speaker 2>For months, the Venetian government resisted handing him over, perhaps

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<v Speaker 2>reflecting Venice's independent streak and some support for Bruno among

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<v Speaker 2>Venetian intellectuals. Bruno himself wrote to the Venetian Senate arguing

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<v Speaker 2>that his case should remain in Venice, but in January

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<v Speaker 2>of fifteen ninety three, Venice bowed to pressure, possibly fearing

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<v Speaker 2>offending the powerful Pope Clement the Eighth. Bruno was sent

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<v Speaker 2>under guard to Rome to face the full might of

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<v Speaker 2>the Roman Inquisition. Tiodano Bruno spent the last seven years

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<v Speaker 2>of his life in the prisons of the Roman Inquisition.

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<v Speaker 2>He was incarcerated in the Tower of Nona in Rome

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<v Speaker 2>in a small cell. While his trial dragged on, the Inquisition,

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<v Speaker 2>led by the Formidables Cardinal Robert Bellamine, collected evidence and

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<v Speaker 2>witness testimonies from all over Europe to build an air

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<v Speaker 2>tight case. Unfortunately, many trial documents were later lost. Some

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<v Speaker 2>resurfaced only in the twentieth century, but enough remained to

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<v Speaker 2>reconstruct the outline. The charges against Bruno had crystallized into

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<v Speaker 2>eight eight main accusations enumerated by the inquisitors. According to

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<v Speaker 2>the summary rediscovered in nineteen forty by scholar Luigi Erpo,

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<v Speaker 2>Bruno was accused of one holding opinions contrary to the

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<v Speaker 2>Catholic faith and speaking against church authority. Two holding erroneous

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<v Speaker 2>opinions about the Trinity, Christ's divinity and incarnation, Three holding

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<v Speaker 2>erroneous opinions about Jesus as Christ, perhaps denying that Christ

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<v Speaker 2>was God Man. Four holding erroneous opinions about the Virgin

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<v Speaker 2>Mary and the Saints. Five holding erroneous opinions about trans

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<v Speaker 2>substantiation the Eucharist, and six claiming the existence of plurality

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<v Speaker 2>of worlds and their eternity in infinite universe, number seven

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<v Speaker 2>believing in metempsychosis, the transmigration of souls, reincarnation into animals,

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<v Speaker 2>and number eight dealing in magic and divination. In short,

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<v Speaker 2>Bruno was accused of being a heretic on virtually every count,

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<v Speaker 2>the nature of God, God, Christ and the Cosmos, the sacraments,

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<v Speaker 2>the after life, and involvement in occult arts. Before the

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<v Speaker 2>Roman Inquisition, Bruno initially continued his tactic of partial compliance.

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<v Speaker 2>Throughout fifteen ninety three and fifteen ninety nine, he was

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<v Speaker 2>repeatedly examined. He answered many questions and sought to explain

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<v Speaker 2>or contextualize his writings. He acknowledged that he had speculated

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<v Speaker 2>about an infinite universe of multiple worlds, but argued these

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<v Speaker 2>were philosophical conjectures not intended to contradict scripture. He denied

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<v Speaker 2>believing in magic in any heretical sense, claiming his magic

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<v Speaker 2>was natural linked to memory and imagination, not demonology.

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<v Speaker 1>He tried to.

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<v Speaker 2>Separate himself from the Lutheran and Calvinist heresies, emphasizing that

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<v Speaker 2>he had never adopted their doctrines. Indeed, he's been excommunicated

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<v Speaker 2>by them. However, the inquisitors, especially Cardinal, were not satisfied.

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<v Speaker 2>They pressed Bruno to formally recant all his suspected heresies.

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<v Speaker 2>In January of fifteen ninety nine, the Inquisition drew up

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<v Speaker 2>a document summarizing Bruno's heretical propositions. Unfortunately, this document is

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<v Speaker 2>lost now, but it contained eight propositions extracted from his works.

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<v Speaker 2>In testimony, Bruno was told to abjure solemnly recant these propositions,

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<v Speaker 2>or face condemnation. Initially, Bruno stoled. On January fourteenth, fifteen

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<v Speaker 2>ninety nine, he was asked if he would abjure, He

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<v Speaker 2>requested time to consider. Four days later, brought before the inquisitors,

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<v Speaker 2>Bruno declared that he did wish to hold with the

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<v Speaker 2>Holy Church holds, effectively offering to recant, but crucially with

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<v Speaker 2>the qualification that he did not believe he had ever erred.

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<v Speaker 1>Words.

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<v Speaker 2>He was willing to submit to the Church's judgment, but

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<v Speaker 2>would not explicitly confess to teaching heresy.

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<v Speaker 1>He even prepared ritent.

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<v Speaker 2>Defenses justifying his philosophical positions as not contrary to faith.

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<v Speaker 2>This maneuver trying to concede without truly conceding had worked

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<v Speaker 2>for Bruno before, as in Venice, but Bellamine saw through it,

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<v Speaker 2>regarding Bruno's half recantations as obstinacy. In December of fifteen

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<v Speaker 2>ninety nine, the trial approached its end, the inquisitors gave

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<v Speaker 2>Bruno one final opportunity to repent plainly. This time, Bruno

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<v Speaker 2>did not equivocate, perhaps deciding he could not sacrifice his integrity,

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<v Speaker 2>he refused to recant outright. On December twenty first, fifteen

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<v Speaker 2>ninety nine, when pressed yet again to abjure, Bruno defied

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<v Speaker 2>his judges. I neither ought to recant.

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<v Speaker 1>Nor will I.

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<v Speaker 2>I have nothing to recant, and I don't know what

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<v Speaker 2>I should recant. With this stubborn retort, Bruno sealed his fate.

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<v Speaker 2>The Inquisition Tribunal, which included theologians from various orders, among

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<v Speaker 2>them Bruno's own Dominican Order, unanimously declared him impotent and

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<v Speaker 2>relapsed a heretic beyond hope of reform.

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<v Speaker 1>Whew.

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<v Speaker 2>They petition Pope Clement the Eighth for permission to proceed

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<v Speaker 2>to sentencing. On January twentieth, sixteen hundred. The Inquisition with

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<v Speaker 2>the Pope's approval formally condemned Giodano Bruno to death as

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<v Speaker 2>an obstinate heretic. He was to be handed over to

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<v Speaker 2>the secular authorities. The inquisitors also decreed that all of

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<v Speaker 2>Bruno's works in manuscript or print were to be placed

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<v Speaker 2>on the index of prohibited books and destroyed. According to

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<v Speaker 2>a dispatch by a German witness, the scholar Gasper's Shop.

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<v Speaker 2>When the sentence was announced in the courtroom, Bruno responded

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<v Speaker 2>with legendary courage. He is reported to have told the

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<v Speaker 2>judge in English, perhaps you who pronounce this sentence are

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<v Speaker 2>in greater fear than I who will receive it. This

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<v Speaker 2>defying quip basically Bruno telling the inquisitors that their consciousness

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<v Speaker 2>should tremble more than his. May be apocryphal. Shop was

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<v Speaker 2>not an eyewitness to Bruno's final words, but he heard rumors.

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<v Speaker 1>True or not.

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<v Speaker 2>It has become the most famous quote attributed to Bruno,

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<v Speaker 2>encapsulating his fearless challenge to authority. On February seventeenth, sixteen hundred,

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<v Speaker 2>in the early dawn, Jiandanno Bruno was taken from his

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<v Speaker 2>cell the civil authorities. The governor of Rome led him

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<v Speaker 2>to the Campo di Fiori, a public square not far

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<v Speaker 2>from the Tiber, as was customary for one convicted of heresy.

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<v Speaker 2>Bruno's tongue was bound clamped with an iron gag to

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<v Speaker 2>prevent him from addressing the crowd or shouting out any blasphemies.

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<v Speaker 2>He was stripped naked and then tied to a wooden stake.

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<v Speaker 2>A lay brotherhood whose duty was to attend executions chanted

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<v Speaker 2>litany's for his soul. Piled high around him were wooden

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<v Speaker 2>bundles with a final order. The executioners lit the pyre Geodanno.

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<v Speaker 2>Bruno was burned, alive in the flames, faithful to his

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<v Speaker 2>ideas until his last breath. He was approximately fifty two

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<v Speaker 2>years old. After his body was consumed by fire, the

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<v Speaker 2>remnants of ash and bone were collected and scattered into

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<v Speaker 2>the river Tiber, so that no relic would remain. The

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<v Speaker 2>church aimed to erase Bruno's physical presence and memory, but

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<v Speaker 2>in this it failed. Bruno's martyrdom. The fact that a theologian, philosopher,

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<v Speaker 2>and scientist was executed by fire in the year sixteen

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<v Speaker 2>hundred sent through the intellectual community of Europe. All of

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<v Speaker 2>Bruno's books were banned in Catholic territories by sixteen oh three,

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<v Speaker 2>but clandestine copies survived, and his name took on a

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<v Speaker 2>life of its own. Even at the moment of his death,

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<v Speaker 2>Bruno's legacy began to form. The witness described that Bruno,

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<v Speaker 2>faced with the crucifix one last time by a monk,

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<v Speaker 2>turned his head away with disdain, a final gesture of refusal.

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<v Speaker 2>His executioners sought to silence him, but in doing so

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<v Speaker 2>they amplified his message. Bruno became, in the eyes of

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<v Speaker 2>later generations, a symbol of the freedom of thought against

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<v Speaker 2>the coercion of dogma. As the plaque now embedded in

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<v Speaker 2>the Roman squared notes. His ashes were thrown to the winds,

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<v Speaker 2>but his ideas were not extinguished. One cannot understand Geodonald

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<v Speaker 2>Bruno with out delving into his mystical and occult interests.

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<v Speaker 2>Bruno was not a scientist in the modern sense. He

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<v Speaker 2>was a philosopher magician of the Renaissance, deeply influenced by Hermeticism, Neoplatonism,

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<v Speaker 2>and the cabalistic tradition. In Bruno's era, the study of

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<v Speaker 2>magic and natural philosophy were often entwined. Bruno truly believed

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<v Speaker 2>that the hidden knowledge from antiquity, the wisdom of the

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<v Speaker 2>ancient magi, could expand understanding and even confer powers. He

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<v Speaker 2>was the heir to the Renaissance tradition of Marsilio Ficino

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<v Speaker 2>and Giovanni Pico della Mirandola, who had revived interest in

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<v Speaker 2>the legendary Egyptian stage, Hermes, Tristemegistus, and other pre Christian

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<v Speaker 2>sources of wisdom. Ficino taught that the ancient theologians Zorest, Hermes, Orpheus, Pythagoras,

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<v Speaker 2>Plato had a glimpse of divine truth that culminated in Christianity.

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<v Speaker 2>Bruno took this idea further and in a subversive direction.

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<v Speaker 2>He argued that much of what passed as Christian truth

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<v Speaker 2>in his time was actually a corruption of the true

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<v Speaker 2>ancient wisdom. He called Aristotle the cornerstone of scholastic theology,

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<v Speaker 2>the stupidness of all philosophers, for having distorted the original

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<v Speaker 2>mystical insights of the ancients. Bruno dreamed of restoring this

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<v Speaker 2>lost primortal wisdom. In his view, the Egyptians, as known

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<v Speaker 2>through Hermetic text and the Pythagoreans had known profound truths

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<v Speaker 2>about the universe in God, which later philosophers had obscured.

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<v Speaker 2>This veneration of ancient ocult wisdom led Bruno to esoteric practices.

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<v Speaker 2>He immersed himself in Kabbalah and astromagic While in the

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<v Speaker 2>Dominican convent, he had read mystical works by Heinrich Cornelius

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<v Speaker 2>Agrippa and others, picking up ideas about natural magic, the

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<v Speaker 2>belief that the knowledgeable can manipulate natural forces through symbols, chants,

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<v Speaker 2>and correspondences. Bruno believed that magic was not demonic, but

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<v Speaker 2>a part of nature's hidden potential. In his dialogues and

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<v Speaker 2>later Latin treaties, Bruno portrays magicians as wise men attuned

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<v Speaker 2>to the unity of nature. One of Bruno's key magical

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<v Speaker 2>pursuits was the art of memory, which he had demonstrated

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<v Speaker 2>to kings and scholars. Far from being a mere nomonic trick,

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<v Speaker 2>Bruno considered it a magical art, a weighed to penetrate

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<v Speaker 2>the structural reality by impressing images on the mind. He

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<v Speaker 2>devised elaborate memory systems that involved constructing mental memory wheels

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<v Speaker 2>or theaters filled with symbolic images, often planetary gods, zodiacal signs,

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<v Speaker 2>or geometric figures. By mentally rotating and permuting these images,

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<v Speaker 2>Bruno claimed one could recall anything and also discover new

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<v Speaker 2>connections between ideas. Bruno's contemporaries often suspected sorcery in his

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<v Speaker 2>nomonic feats King Henry the Third as noted to directly

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<v Speaker 2>as if Bruno's memory was natural or acquired by magic.

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<v Speaker 2>Bruno insisted it was organized knowledge and not sorcery. Yet

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<v Speaker 2>there was an undeniably mystical aspect to his approach. He

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<v Speaker 2>believed by using planet images and symbols, one could tap

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<v Speaker 2>into the deeper patterns of the cosmos and the soul.

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<v Speaker 2>In Bruno's cosmology, mind, nature, and image were all linked,

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<v Speaker 2>a truly hermetic view. Thus, Bruno's memory art was also

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<v Speaker 2>a cult, a way to achieve union with the universe's intellect.

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<v Speaker 2>This blending of mental training and magic is a hallmark

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<v Speaker 2>of Bruno's uniqueness. Bruno's later treaties in Germany delve even

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<v Speaker 2>more explicitly into magic. In Theses d Maginated from fifteen

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<v Speaker 2>eighty nine, he outlines different categories of magic and magical operations,

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<v Speaker 2>arguing that in magus is essentially a natural philosopher who

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<v Speaker 2>understands the secrets of nature. He sees magic as extending

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<v Speaker 2>the powers of the mind. In Will, Bruno analyzes how

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<v Speaker 2>emotions and imaginations can create bonds between people or between

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<v Speaker 2>people and objects, knowledge critical for both magicians and rulers.

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<v Speaker 2>For instance, love combined a person stronger than any chain.

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<v Speaker 2>A skilled magus can use a beloved image or an

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<v Speaker 2>idea to control others. This work is sometimes considered an

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<v Speaker 2>early treatise on psychological influence or even crowd manipulation. It

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<v Speaker 2>is both disconcerting and insightful, showing Bruno's keen understanding of

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<v Speaker 2>human nature. Bruno was particularly fascinated by hermetic symbols and

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<v Speaker 2>Egyptian religion. He believed the Egyptians, in venerating the stars

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<v Speaker 2>and formulating enomatic hieroglyphs, were closer to the divine truth

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<v Speaker 2>than his Christian contemporaries. In Spasio della Bestia, he has

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<v Speaker 2>Egyptian goddess Isis appear as a character, and in other words,

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<v Speaker 2>he extols Hermes Trismegistus as a font of ancient theology.

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<v Speaker 2>Bruno reversed the common Christian view by suggesting that Moses

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<v Speaker 2>had learned from Hermes, not the other way around. Such

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<v Speaker 2>claims were theologically outrageous, effectively subverting the uniqueness of biblical revelation.

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<v Speaker 2>Bruno's reverence for pantheistic and animistic ideas also stemmed from

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<v Speaker 2>his occult outlook. He advocated a form of Egyptian religion

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00:20:27.160 --> 00:20:29.400
<v Speaker 2>that would be free of what he saw as the

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<v Speaker 2>superstitions and petty rules of his errors Christianity. Unsurprisingly, the

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<v Speaker 2>Inquisition found these views abhorrent, seeing Bruno as a giant

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<v Speaker 2>syncretist who mixed paganism and Christianity into a dangerous heretical cocktail.

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<v Speaker 2>To Bruno, religion and morality should be based on philosophical truth,

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<v Speaker 2>not blind faith. He often criticized the corruption of priests

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<v Speaker 2>and the emphasis on external worship. He was not exactly atheists.

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<v Speaker 2>He often spoke of God, but his God was not

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<v Speaker 2>the personal God of the Bible. It was more like

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<v Speaker 2>the soul of the universe, an infinite divine presence manifest

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<v Speaker 2>in everything, what one might call pantheism. God is in

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<v Speaker 2>all things, Bruno taught as the soul is in every

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00:21:18.400 --> 00:21:22.279
<v Speaker 2>part of the body, a notion echoing the Hermetic dictum

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<v Speaker 2>God is a circle whose center is everywhere and circumference nowhere,

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<v Speaker 2>also adopted by Nicholas of cusa earlier. Bruno's idea of

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<v Speaker 2>libertas philosophica the freedom to philosophize, was grounded in his

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<v Speaker 2>conviction that seeking truth through whatever means, reason, experience, even magic,

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<v Speaker 2>is the highest task of the mind. He held that

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<v Speaker 2>no authority should bar the pursuit of truth, even if

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<v Speaker 2>it leads to ideas not accepted by faith, as he

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<v Speaker 2>argued in Venice. This attitude deeply rooted in his mystical

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00:21:57.720 --> 00:22:00.839
<v Speaker 2>confidence that the universe refeels itself to them a bold thinker,

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00:22:01.279 --> 00:22:06.839
<v Speaker 2>made Bruno a martyr figure for later ages. In summary,

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<v Speaker 2>Bruno's mysticism and occultism were not mere side hobbies. They

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00:22:12.119 --> 00:22:15.720
<v Speaker 2>were at the heart of his philosophy. He envisioned the

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<v Speaker 2>universe as a living, unified whole animated by a divine spirit.

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<v Speaker 2>He saw ancient magic and hermetic symbolisms as tools to

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<v Speaker 2>reconnect with the spirit. While modern science found Bruno's ocultism

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<v Speaker 2>to be of little value, historians like Francis Yates argue

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<v Speaker 2>that Bruno and the hermetic tradition contributed to the imaginative

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<v Speaker 2>leap that led to seeing the cosmos as boundless. The

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<v Speaker 2>same mysticism that led Bruno to search the secrets of

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<v Speaker 2>the Egyptians also emboldened him to declare the infinity of worlds.

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<v Speaker 2>In Bruno's mind, magic, religion, philosophy, and science were threads

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<v Speaker 2>of one tapestry. This Renaissance magus philosopher lived in died

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<v Speaker 2>by that synthesis, refusing to abandon his combination of profound

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<v Speaker 2>philosophy and somewhat wilfil contrariness even under the threat of

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<v Speaker 2>the state.

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<v Speaker 1>Geodanna.

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<v Speaker 2>Bruno's most celebrated contributions lie in cosmology, the understanding of

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<v Speaker 2>the structure of the universe. Bruno became known, especially in

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<v Speaker 2>later centuries, as a visionary who, building on Copernicus, imagined

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00:23:26.400 --> 00:23:29.960
<v Speaker 2>a universe far more vast and varied than anyone had

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<v Speaker 2>conceived before. To appreciate Bruno's cosmology, it's important to recall

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<v Speaker 2>what most people of his era believed. Throughout the fifteen hundreds,

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<v Speaker 2>the dominant model taught in universities and upheld by the

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<v Speaker 2>Church was the Ptolemaic Aristolian cosmology, a geocentric universe. In

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<v Speaker 2>this model, the spherical earth rested at the center of creation,

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<v Speaker 2>and around it rotated a series of concentric, transparent spheres

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<v Speaker 2>to which the heavenly bodies were attached. Nearest was the

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<v Speaker 2>Moon sphere, then Mercury, Venus, the Sun, Mars, Jupiter, Saturn,

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<v Speaker 2>the only known planets at the time, and finally the

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<v Speaker 2>vast sphere of the fixed stars. This outermost star sphere

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<v Speaker 2>marked the boundary of the universe. Beyond it was the

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<v Speaker 2>spiritual realm. The stars were thought to be equidistant, all

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<v Speaker 2>embedded in that single celestial shell. The cosmos was finite enclosed,

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<v Speaker 2>like an onion of crystal layers. In fifteen forty three,

336
00:24:30.000 --> 00:24:35.160
<v Speaker 2>Copernicus proposed a sun centered arrangement of the planets. Copernicus's

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<v Speaker 2>system still retained certain traditional features. He still used circular

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<v Speaker 2>orbits and even spheres to some extent. He kept the

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<v Speaker 2>idea of a sphere of fixed stars at the outer boundary,

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<v Speaker 2>so the universe was still finite enclosed in Copernicus's view.

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<v Speaker 2>Copernicus did not suggest that the stars were other suns,

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<v Speaker 2>or that space was infinite. He merely swapped the positions

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<v Speaker 2>of Earth and Sun and adjustice the orbits. Even this

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<v Speaker 2>shift was controversial. It dethroned Earth from the center. It

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<v Speaker 2>had no immediate observational proof. During Bruno's youth, Copernican theory

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<v Speaker 2>was slowly spreading among scholars, but had not been accepted

347
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<v Speaker 2>as fact. By the fifteen eighties, many academics, especially in

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<v Speaker 2>Catholic countries, still dismissed heliocentrism as an absurd or unproven hypothesis,

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<v Speaker 2>often citing the lack of observed stellar parallax as Aristotle had.

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<v Speaker 2>Into this atmosphere came Bruno, who embraced Compernicus with enthusiasm

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<v Speaker 2>and then went much much further. Bruno called Copernicus the

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<v Speaker 2>dawn of the New era, but considered Copernican heliocentrism a

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<v Speaker 2>mere beginning.

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<v Speaker 1>If the Earth is not the.

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<v Speaker 2>Center, Bruno reasoned, why should the Sun be the absolute

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<v Speaker 2>center either. Copernicus had replaced Earth with the Sun as

357
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<v Speaker 2>the fixed point, and still a firmament of stars. Enclosing

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<v Speaker 2>this system, Bruno boldly abolished the firmament.

359
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<v Speaker 1>He asserted that the stars are not lights on a.

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<v Speaker 2>Crystal globe at a fixed distance, but rather innumerable distant

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<v Speaker 2>suns scattered through space. Consequently, there could be no final boundary.

362
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<v Speaker 2>Space extends infinitely in all directions. There is no single

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<v Speaker 2>center of the universe. The center is everywhere, because from

364
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<v Speaker 2>the perspective of any star, it looks like you're at

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<v Speaker 2>the center of your own stars system. Bruno wrote, there

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<v Speaker 2>is no absolute up or down, no absolute location in space.

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<v Speaker 2>The position of a body is relative to that of others.

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<v Speaker 2>The observer is always at the center of things. This

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<v Speaker 2>was a radical claim, essentially introducing the idea of relativity

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<v Speaker 2>of motion and position well before Galileo or Einstein, though

371
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<v Speaker 2>Bruno framed it in qualitative terms. Bruno's infinite universe was

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<v Speaker 2>filled with innumerable worlds. In on the Infinite Universe and Worlds,

373
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<v Speaker 2>he insists that our son is just one star among

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<v Speaker 2>countless and our earth just one world among an infinity

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<v Speaker 2>of worlds of the same kind as our own. He

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<v Speaker 2>credited earlier thinkers for hints of this idea, notably the

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<v Speaker 2>fifteenth century cardinal Nicholas of Cusa, who had written the

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<v Speaker 2>universe has its center everywhere, in circumference nowhere and speculated

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<v Speaker 2>about life on other stars. Bruno indeed called Cusa divine

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<v Speaker 2>and saw him as a kindred spirit. Bruno also acknowledged

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<v Speaker 2>the English astronomer Thomas Diggis, who in fifteen seventy six

382
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<v Speaker 2>had published a Copernican model with an infinite star filled space,

383
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<v Speaker 2>But Bruno's cosmology was more daring and comprehensive than either.

384
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<v Speaker 2>He combined the infinity of space with a philosophical argument.

385
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<v Speaker 2>An infinite God would naturally create an infinite reflection of

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<v Speaker 2>himself the universe. Bruno put it this way, the universe

387
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<v Speaker 2>has no edge a limit, because God's power is unlimited.

388
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<v Speaker 2>The medieval idea of a cozy, well ordered creation was,

389
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<v Speaker 2>in Bruno's eyes, too constraining on God. Because Bruno's universe

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<v Speaker 2>had innumerable sons, It's almost inevitably followed that there are

391
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<v Speaker 2>numerable earths planets like ours orbiting those suns, and to

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<v Speaker 2>Bruno it seemed absurd to think Earth was the only

393
00:28:38.160 --> 00:28:42.359
<v Speaker 2>world teeming with life. Why would an infinite God populate

394
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<v Speaker 2>just one speck with life and leave all other worlds barren.

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<v Speaker 2>Thus Bruno became perhaps the first person in Western thought

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<v Speaker 2>to argue for the plurality of inhabited worlds as a reality.

397
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<v Speaker 2>He declared that other planets and worlds were no worse

398
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<v Speaker 2>and no less inhabitmitted than our Earth, as earlier noted.

399
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<v Speaker 2>By doing so, Bruno implicitly raised profound theological questions. For example,

400
00:29:10.440 --> 00:29:13.240
<v Speaker 2>if those other worlds had sentient beings, did they have

401
00:29:13.319 --> 00:29:18.000
<v Speaker 2>their own Christs and their own incarnations. The Church was

402
00:29:18.039 --> 00:29:21.799
<v Speaker 2>deeply troubled by this line of thought, and indeed Bruno's

403
00:29:21.799 --> 00:29:27.039
<v Speaker 2>belief in metempsychosis, reincarnation, and possibly transmigration of souls between

404
00:29:27.079 --> 00:29:31.160
<v Speaker 2>worlds was one of the charges against him. Bruno seemed

405
00:29:31.160 --> 00:29:34.200
<v Speaker 2>to entertain that souls might migrate, or that each world

406
00:29:34.319 --> 00:29:37.440
<v Speaker 2>might have its own forms of life destined for salvation

407
00:29:37.559 --> 00:29:41.519
<v Speaker 2>or damnation, breaking the unique story of Christian redemption on Earth.

408
00:29:42.559 --> 00:29:49.359
<v Speaker 2>Bruno's cosmic pluralism was thus theologically explosive. In modern retrospect,

409
00:29:50.160 --> 00:29:54.319
<v Speaker 2>Bruno's cosmological vision was remarkably ahead of its time. He

410
00:29:54.440 --> 00:29:58.920
<v Speaker 2>essentially anticipated that Copernican principle taken to the extreme, that

411
00:29:59.039 --> 00:30:02.960
<v Speaker 2>our position in the universe is not special. In the

412
00:30:03.039 --> 00:30:06.960
<v Speaker 2>nineteenth century, Humboldt and others would praise Bruno for this

413
00:30:07.079 --> 00:30:10.200
<v Speaker 2>plurality of world's cosmology, and in the twenty to twenty

414
00:30:10.200 --> 00:30:14.920
<v Speaker 2>first century, as astronomers discovered exoplanets by the thousands, Bruno

415
00:30:15.039 --> 00:30:18.480
<v Speaker 2>often gets credit as a prescient voice who guessed the

416
00:30:18.559 --> 00:30:23.759
<v Speaker 2>vastness of the universe. However, it's crucial to remember Bruno's

417
00:30:23.759 --> 00:30:27.960
<v Speaker 2>reasoning was not based on empirical observation. The telescope would

418
00:30:27.960 --> 00:30:31.480
<v Speaker 2>not be invented until sixteen oh eight, eight years after

419
00:30:31.519 --> 00:30:37.160
<v Speaker 2>his death. His arguments were philosophical and theological, rooted in

420
00:30:37.279 --> 00:30:40.640
<v Speaker 2>ideas of infinity and perfection, as well as a dose

421
00:30:40.680 --> 00:30:43.640
<v Speaker 2>of mystical intuition about the boundlessness of creation.

422
00:30:45.160 --> 00:30:47.200
<v Speaker 1>Bruno wrote that with.

423
00:30:47.200 --> 00:30:50.960
<v Speaker 2>Copernicus, the gates of the sky were flung open, and

424
00:30:51.000 --> 00:30:55.559
<v Speaker 2>we flew out to space, infinite and free. He truly

425
00:30:55.599 --> 00:30:59.480
<v Speaker 2>imagined the universe that we know today, millions of galaxies

426
00:30:59.480 --> 00:31:03.119
<v Speaker 2>with billions of suns, though obviously he couldn't have had

427
00:31:03.160 --> 00:31:06.319
<v Speaker 2>an inkling of the scale. He still thought in terms

428
00:31:06.319 --> 00:31:10.759
<v Speaker 2>of stars and planets, not galaxies, as those concepts awaited

429
00:31:10.839 --> 00:31:17.000
<v Speaker 2>later discovery. Bruno also made qualitative conjectures that foreshadow later science.

430
00:31:18.559 --> 00:31:22.359
<v Speaker 2>For example, he surmised that space is essentially a vacuum,

431
00:31:22.720 --> 00:31:27.880
<v Speaker 2>against Aristotle's ascertation that nature abhors a vacuum, that stars

432
00:31:28.000 --> 00:31:30.880
<v Speaker 2>vary in size, and that the twinkling of stars is

433
00:31:30.960 --> 00:31:35.519
<v Speaker 2>due to their immense distance, a correct insight. He even

434
00:31:35.559 --> 00:31:38.640
<v Speaker 2>means that some stars might have dark companions, or that

435
00:31:38.680 --> 00:31:43.000
<v Speaker 2>space is traversible in theory science fiction, ideas far ahead

436
00:31:43.039 --> 00:31:48.359
<v Speaker 2>of his time. In On Cause, Principle and Unity, Bruno states,

437
00:31:48.440 --> 00:31:52.359
<v Speaker 2>innumerable celestial bodies, no one of which is at the

438
00:31:52.400 --> 00:31:53.599
<v Speaker 2>absolute center.

439
00:31:53.960 --> 00:31:54.920
<v Speaker 1>Fill the universe.

440
00:31:55.920 --> 00:32:00.000
<v Speaker 2>Everywhere there is incessant relative change of position, the observd

441
00:32:00.359 --> 00:32:05.160
<v Speaker 2>is always at the center. This conceptual leap one Bruno

442
00:32:05.359 --> 00:32:09.440
<v Speaker 2>placed in the scientific pantheon for later generations, even though

443
00:32:09.480 --> 00:32:12.440
<v Speaker 2>Bruno did not prove these things or even articulate them

444
00:32:12.640 --> 00:32:19.000
<v Speaker 2>in a rigorous scientific way. Interestingly, Bruno combined his cosmology

445
00:32:19.079 --> 00:32:22.000
<v Speaker 2>with an atomistic physics that was also ahead of its

446
00:32:22.079 --> 00:32:26.559
<v Speaker 2>time in some ways. In his Latin words, he proposed

447
00:32:26.599 --> 00:32:31.440
<v Speaker 2>that matter is made of indivisible minima or monads, essentially

448
00:32:31.559 --> 00:32:35.480
<v Speaker 2>an atomic theory of matter and energy. He extended this

449
00:32:35.519 --> 00:32:38.400
<v Speaker 2>to say there are no minimum particles of body, of

450
00:32:38.519 --> 00:32:42.240
<v Speaker 2>spirit and of quantity, like points the atom of space.

451
00:32:44.039 --> 00:32:48.000
<v Speaker 2>He suggested that matter can't be infinitely divided, a notion

452
00:32:48.119 --> 00:32:52.240
<v Speaker 2>similar to ancient Greek atomism and later science. He also

453
00:32:52.319 --> 00:32:55.759
<v Speaker 2>speculated that these atoms were in constant motion and transmutation,

454
00:32:57.039 --> 00:33:01.480
<v Speaker 2>while Bruno's minima were more metaphysical abstract actions than physical atoms.

455
00:33:01.880 --> 00:33:06.640
<v Speaker 2>Historians note that among the magic, Bruno's writings contain some

456
00:33:06.799 --> 00:33:12.680
<v Speaker 2>remarkable insights, including an atomic theory for matter. Modern commentators

457
00:33:13.160 --> 00:33:16.119
<v Speaker 2>sometimes point out that Bruno's idea of countless worlds and

458
00:33:16.160 --> 00:33:21.079
<v Speaker 2>perhaps countless living atoms resonates loosely with later developments like

459
00:33:21.119 --> 00:33:24.799
<v Speaker 2>the infinite universes of multiverse theory, or the concept that

460
00:33:24.880 --> 00:33:30.039
<v Speaker 2>matter and energy are quantized. However, Bruno did not develop

461
00:33:30.160 --> 00:33:34.960
<v Speaker 2>quantitative laws or experiments, and his knowledge of mathematics was limited.

462
00:33:36.000 --> 00:33:38.880
<v Speaker 2>In fact, Bruno discharged the idea that nature could be

463
00:33:38.920 --> 00:33:43.279
<v Speaker 2>explained by mere mathematics, a distinctly anti Copernican stance on

464
00:33:43.359 --> 00:33:48.559
<v Speaker 2>that point. For Bruno, geometry is for the physical, but

465
00:33:48.599 --> 00:33:52.240
<v Speaker 2>the physical is sustained by the divine, meaning he never

466
00:33:52.319 --> 00:33:55.920
<v Speaker 2>fully embraced the mathematical physics that became the hallmark of

467
00:33:56.039 --> 00:33:57.119
<v Speaker 2>scientific revolution.

468
00:33:58.160 --> 00:33:58.880
<v Speaker 1>This is why some.

469
00:33:59.039 --> 00:34:03.720
<v Speaker 2>Historians like Bertrand and Russell have been harsh, saying Bruno

470
00:34:03.799 --> 00:34:07.839
<v Speaker 2>had fruitful intuitions lost in a disorder and was not

471
00:34:07.920 --> 00:34:12.000
<v Speaker 2>a scientist per se. It is crucial to clarify a

472
00:34:12.039 --> 00:34:16.960
<v Speaker 2>popular misconception Bruno was executed primarily for his religious and

473
00:34:17.000 --> 00:34:22.719
<v Speaker 2>philosophical heresies, not specifically for his cosmological views. In modern times,

474
00:34:22.760 --> 00:34:26.320
<v Speaker 2>Bruno is often held as a martyr for science, implicitly

475
00:34:26.400 --> 00:34:30.480
<v Speaker 2>comparable to Galileo. However, as the Vatican has since stressed,

476
00:34:30.639 --> 00:34:35.039
<v Speaker 2>and as most historians agree, Bruno's trial focused on theological doctrines,

477
00:34:35.159 --> 00:34:38.920
<v Speaker 2>the Trinity, the nature of God, and on magic and metaphysics,

478
00:34:39.400 --> 00:34:43.800
<v Speaker 2>rather than on his belief that Earth moves. Heliocentrism was

479
00:34:43.840 --> 00:34:47.400
<v Speaker 2>not yet an official heresy in sixteen hundred, the Church

480
00:34:47.480 --> 00:34:51.119
<v Speaker 2>would condemn it only in sixteen sixteen. During Galileo's time,

481
00:34:52.440 --> 00:34:56.119
<v Speaker 2>the inquisitors did reprimand Bruno for his plurality of world's

482
00:34:56.280 --> 00:35:02.000
<v Speaker 2>cosmology and infinite universe idea, among his errors, but had

483
00:35:02.000 --> 00:35:04.880
<v Speaker 2>that been Bruno's only deviation, he might have gotten off with.

484
00:35:04.920 --> 00:35:08.000
<v Speaker 1>A slap on the wrist. It was Bruno's.

485
00:35:07.519 --> 00:35:11.519
<v Speaker 2>Pantheism, his denial of core Catholic dogmas, and his refusals

486
00:35:11.559 --> 00:35:16.400
<v Speaker 2>to recant that ultimately led to his execution. As the

487
00:35:16.440 --> 00:35:20.639
<v Speaker 2>Mactudor History of Mathematics Biography notes, it is now generally

488
00:35:20.679 --> 00:35:23.400
<v Speaker 2>recorded that Bruno was burned at the stake for his

489
00:35:23.480 --> 00:35:27.559
<v Speaker 2>belief that the universe is infinite, But as we have seen,

490
00:35:27.679 --> 00:35:32.480
<v Speaker 2>the whole affair was considerably more complicated than that. Bruno himself,

491
00:35:33.079 --> 00:35:37.519
<v Speaker 2>by defending his philosophical positions as compatible with Christianity when

492
00:35:37.519 --> 00:35:41.199
<v Speaker 2>the Church insisted otherwise, almost seems to have challenged the

493
00:35:41.199 --> 00:35:46.599
<v Speaker 2>Inquisition to try him. He was unwilling to capitulate. So

494
00:35:46.639 --> 00:35:50.480
<v Speaker 2>while Bruno's cosmology was visionary, his death was the result

495
00:35:50.519 --> 00:35:54.159
<v Speaker 2>of a collision with Church authority on many fronts. In

496
00:35:54.159 --> 00:35:58.679
<v Speaker 2>Bruno's mind, these fronts were all related. His infinite universe

497
00:35:58.760 --> 00:36:01.559
<v Speaker 2>was part of an integrated heresy about God and nature,

498
00:36:02.039 --> 00:36:05.639
<v Speaker 2>but the Inquisition was most threatened by the theological implications

499
00:36:05.679 --> 00:36:11.760
<v Speaker 2>of his ideas. In retrospect, Bruno's cosmic ideas exerted a

500
00:36:11.800 --> 00:36:15.400
<v Speaker 2>great influence on literature and philosophy, if not directly on

501
00:36:15.519 --> 00:36:20.239
<v Speaker 2>the progression of science in the seventeenth century, Philosophers like

502
00:36:20.280 --> 00:36:25.079
<v Speaker 2>Spinosa and Leibniz, who formulated monads were arguably influenced by

503
00:36:25.079 --> 00:36:29.239
<v Speaker 2>Bruno's bold blending of the infinite and the one. Poets

504
00:36:29.280 --> 00:36:32.559
<v Speaker 2>and writers found inspiration in Bruno's vision of an endless universe.

505
00:36:33.800 --> 00:36:38.320
<v Speaker 2>For example, on sixteen eleven, Shakespeare's contemporary John Don wrote,

506
00:36:38.480 --> 00:36:42.079
<v Speaker 2>the New Philosophy calls all in doubt the element of

507
00:36:42.119 --> 00:36:45.719
<v Speaker 2>fire is quite put out, it's all in pieces, all

508
00:36:45.760 --> 00:36:51.480
<v Speaker 2>coherence gone, reflecting the unsettling impact of new cosmologies. Don

509
00:36:51.559 --> 00:36:55.280
<v Speaker 2>may have been alluding to Bruno's shattering of the crystalline spheres.

510
00:36:56.800 --> 00:37:02.119
<v Speaker 2>Much later, nineteenth century science popularizes and securarists idolized Bruno

511
00:37:02.159 --> 00:37:07.320
<v Speaker 2>as a prophet of modern astronomy. His universe was infinite,

512
00:37:07.559 --> 00:37:11.840
<v Speaker 2>proclaimed an article in nineteen forty lauding Bruno's anticipation of

513
00:37:11.920 --> 00:37:18.239
<v Speaker 2>cosmic pluralism. In the nineteen seventies TV series Cosmos, Karlsagan

514
00:37:18.360 --> 00:37:21.880
<v Speaker 2>famously dramatized Bruno's vision of the vast universe as a

515
00:37:21.960 --> 00:37:27.639
<v Speaker 2>heroic flash of insight. In twenty fourteen, the updated Cosmo

516
00:37:27.760 --> 00:37:31.400
<v Speaker 2>series again featured Bruno, portraying him as a lonely visionary

517
00:37:31.440 --> 00:37:34.679
<v Speaker 2>of an infinite cosmos who was burned by an ignorant church.

518
00:37:36.119 --> 00:37:40.599
<v Speaker 2>This portrayal drew some criticism from historians for oversimplification, but

519
00:37:40.679 --> 00:37:45.280
<v Speaker 2>it shows how strongly Bruno's cosmic legacy endures. Even modern

520
00:37:45.320 --> 00:37:50.440
<v Speaker 2>scientific institutions have paid tribute to Bruno. The SETI Search

521
00:37:50.480 --> 00:37:55.000
<v Speaker 2>for Extraterrestrial Intelligence LEE gives out a yearly Geodono Bruno

522
00:37:55.079 --> 00:37:59.400
<v Speaker 2>Memorial Award to individuals contributing to the search for alien life,

523
00:38:00.039 --> 00:38:04.239
<v Speaker 2>a nod to Bruno's championing of innumerable earths inhabited by

524
00:38:04.280 --> 00:38:09.719
<v Speaker 2>living beings, and fittingly, a twenty two kilometer wide crater

525
00:38:09.840 --> 00:38:13.639
<v Speaker 2>on the Moon's far sight is named Geodano Bruno, as

526
00:38:13.679 --> 00:38:19.320
<v Speaker 2>are at least two asteroids Bruno's ideas, once condemned, now

527
00:38:19.440 --> 00:38:27.280
<v Speaker 2>ride through space. Geodanno Bruno's legacy is multifaceted, spanning philosophy, science, literature,

528
00:38:27.320 --> 00:38:31.000
<v Speaker 2>and even pop culture. Over the centuries since his death,

529
00:38:31.360 --> 00:38:36.119
<v Speaker 2>he has been cast in various lights, heretic, martyr, visionary, madman.

530
00:38:36.880 --> 00:38:41.039
<v Speaker 2>As one modern historian observed, history has not yet registered

531
00:38:41.039 --> 00:38:45.159
<v Speaker 2>a stable appraisal for Geodano Bruno. Perceptions of Bruno were

532
00:38:45.239 --> 00:38:49.000
<v Speaker 2>volatile enough in his lifetime many have remained polarized to

533
00:38:49.039 --> 00:38:53.320
<v Speaker 2>this day. In the seventeenth century, Barokes Spinoza developed a

534
00:38:53.360 --> 00:38:56.559
<v Speaker 2>pantheistic philosophy where God is the substance of the universe,

535
00:38:57.039 --> 00:39:00.000
<v Speaker 2>a concept very much like Bruno's notion of an infinite

536
00:39:00.199 --> 00:39:03.639
<v Speaker 2>God imminent in nature. It's known that Spinoza read earlier

537
00:39:03.719 --> 00:39:08.480
<v Speaker 2>heterodotx thinkers. The similarity in their outlook is striking. Godfreed

538
00:39:08.519 --> 00:39:11.599
<v Speaker 2>Wilhelm Leibniz too, may have been aware of Bruno's writings.

539
00:39:12.480 --> 00:39:16.280
<v Speaker 2>Leibniz's theories of monads so like fundamental units of reality,

540
00:39:16.360 --> 00:39:21.519
<v Speaker 2>is somewhat reminiscent of Bruno's metaphysical atoms or monads. Leibnez

541
00:39:21.599 --> 00:39:27.079
<v Speaker 2>mentions Bruno in some correspondences, though critically. The German Idealis

542
00:39:27.159 --> 00:39:30.679
<v Speaker 2>Shelling wrote an entire dialogue titled Bruno or on their

543
00:39:30.760 --> 00:39:33.920
<v Speaker 2>Natural and Divine Principle of Things in eighteen oh two,

544
00:39:33.960 --> 00:39:38.440
<v Speaker 2>inspired by Bruno's life and ideas. In the nineteenth century,

545
00:39:38.519 --> 00:39:42.400
<v Speaker 2>as the Romantic movement glorified rebels and visionaries, Bruno became

546
00:39:42.440 --> 00:39:46.960
<v Speaker 2>a hero of free thought. In Italy's Unification movement idolized

547
00:39:46.960 --> 00:39:49.559
<v Speaker 2>Bruno as a martyr who died for truth against tyranny.

548
00:39:50.519 --> 00:39:55.880
<v Speaker 2>For instance, the Italian nationalist philosopher Giuseppe Mazzini often cited

549
00:39:55.880 --> 00:40:00.559
<v Speaker 2>Bruno as a guiding spirit of intellectual liberty. Bruno martyrdom

550
00:40:00.599 --> 00:40:05.440
<v Speaker 2>resonated strongly with those seeking to challenge authoritarianism. The Catholic

551
00:40:05.519 --> 00:40:09.239
<v Speaker 2>Church's reputation in the nineteenth century suffered in part because

552
00:40:09.239 --> 00:40:12.639
<v Speaker 2>of high profile cases like Bruno's. He was held up

553
00:40:12.719 --> 00:40:17.159
<v Speaker 2>as an example of the Church's persecution of science and thought.

554
00:40:18.400 --> 00:40:21.480
<v Speaker 2>In eighteen eighty nine, when anti clerical and liberal intellectuals

555
00:40:21.519 --> 00:40:23.880
<v Speaker 2>erected a monument to Bruno and Rome, it was an

556
00:40:23.880 --> 00:40:28.800
<v Speaker 2>international cause. Delegations from across Europe attended the unveiling, and

557
00:40:28.880 --> 00:40:33.119
<v Speaker 2>speeches praised Bruno as a symbol of rational enlightenment triumphanting

558
00:40:33.199 --> 00:40:38.360
<v Speaker 2>over medieval obscurantism. This image of Bruno as a martyr

559
00:40:38.440 --> 00:40:42.400
<v Speaker 2>of science and liberty persists in many popular accounts. The

560
00:40:42.440 --> 00:40:46.239
<v Speaker 2>Catholic Church, on the other hand, has maintained a nuanced position.

561
00:40:47.199 --> 00:40:50.639
<v Speaker 2>In nineteen forty two, the Vatican allowed a historian, Giovanni

562
00:40:50.719 --> 00:40:54.760
<v Speaker 2>Murccatti to publish some of Bruno's trial documents, acknowledging the

563
00:40:54.800 --> 00:40:59.159
<v Speaker 2>harshness of the execution but reaffirming that Bruno's theological errors

564
00:40:59.239 --> 00:41:04.599
<v Speaker 2>were real. During the Millennial Jubilee year two thousand, Pope

565
00:41:04.679 --> 00:41:09.239
<v Speaker 2>John Paul the Second and Cardinal Angelo Sodona expressed profound

566
00:41:09.400 --> 00:41:15.719
<v Speaker 2>sorrow for the harm done by the Inquisition, including Bruno's burning. However,

567
00:41:15.760 --> 00:41:20.639
<v Speaker 2>the Vaticans stopped short of rehabilitating Bruno's doctrines. Cardinal Sedano

568
00:41:20.760 --> 00:41:25.119
<v Speaker 2>explicitly stated in two thousand that Bruno's idea were incompatible

569
00:41:25.519 --> 00:41:30.000
<v Speaker 2>with Christian belief. Effectively, the Church regretted the use of violence,

570
00:41:30.039 --> 00:41:34.639
<v Speaker 2>but did not retract Bruno's label as a heretic. Thus,

571
00:41:34.679 --> 00:41:39.840
<v Speaker 2>Bruno remains a somewhat unresolved figure in Catholic memory. Unlike Gallileo,

572
00:41:40.079 --> 00:41:44.559
<v Speaker 2>who has formally acknowledged as correct in his astronomy, Bruno's

573
00:41:44.559 --> 00:41:50.440
<v Speaker 2>execution is often cited as a cautionary tale about religious intolerance. Today,

574
00:41:50.480 --> 00:41:53.599
<v Speaker 2>he is regarded as an early advocate for intellectual freedom,

575
00:41:53.960 --> 00:41:58.199
<v Speaker 2>a patron saint of free inquiry. Each year on February

576
00:41:58.280 --> 00:42:02.480
<v Speaker 2>seventeenth in Rome, through organizations and citizens gather at Campo

577
00:42:02.559 --> 00:42:06.159
<v Speaker 2>di Fiori under Bruno's monument to commemorate him and affirm

578
00:42:06.199 --> 00:42:10.280
<v Speaker 2>the principle of freedom of expression. Bruno has also had

579
00:42:10.320 --> 00:42:14.480
<v Speaker 2>an impact on modern alternative spiritualities. His blend of hermetic

580
00:42:14.559 --> 00:42:18.119
<v Speaker 2>mysticism and cosmic vision inspired members of the nineteenth century

581
00:42:18.159 --> 00:42:21.679
<v Speaker 2>Theosophical Society and other occult or New Age thinkers.

582
00:42:22.800 --> 00:42:23.159
<v Speaker 1>To them.

583
00:42:23.239 --> 00:42:27.840
<v Speaker 2>Bruno was a martyr of the ancient wisdom tradition. Madame Bolovotski,

584
00:42:27.960 --> 00:42:30.840
<v Speaker 2>founder of Theosophy, mentioned Bruno as one of those who

585
00:42:30.920 --> 00:42:35.519
<v Speaker 2>kept the flame of esoteric truth burning. Bruno's writing on

586
00:42:35.559 --> 00:42:38.800
<v Speaker 2>Magic and the Soul influenced twentieth century scholars of Western

587
00:42:38.960 --> 00:42:43.000
<v Speaker 2>esotericism like Francis Yates, whose book Geodano Bruno and the

588
00:42:43.039 --> 00:42:46.760
<v Speaker 2>Hermetic Tradition from nineteen sixty four cassed Bruno as a

589
00:42:46.800 --> 00:42:50.440
<v Speaker 2>central figure, linking Renaissance magic and the birth of modern

590
00:42:50.519 --> 00:42:56.000
<v Speaker 2>science and Yeates's controversial thesis it was Bruno's hermetic imagination,

591
00:42:56.920 --> 00:43:00.079
<v Speaker 2>his willingness to break the confines of classical thought, that

592
00:43:00.119 --> 00:43:05.199
<v Speaker 2>helped open the way for scientific revolution. Why not all

593
00:43:05.280 --> 00:43:09.760
<v Speaker 2>historians agree with Yates's emphasis, Her work certainly elevated Bruno's

594
00:43:09.760 --> 00:43:13.559
<v Speaker 2>status in intellectual history and promoted deeper study of Renaissance

595
00:43:13.599 --> 00:43:18.639
<v Speaker 2>and Coult philosophy. Today, Bruno is often referenced in discussions

596
00:43:18.639 --> 00:43:23.119
<v Speaker 2>of pantheism and cosmic consciousness. For instance, some neo pagan

597
00:43:23.159 --> 00:43:26.119
<v Speaker 2>and pantheist groups honor Bruno as a saint who saw

598
00:43:26.159 --> 00:43:30.800
<v Speaker 2>God in nature. The term cosmic religion, used by thinkers

599
00:43:30.800 --> 00:43:33.760
<v Speaker 2>like Einstein to describe as spirituality rooted in the wonder

600
00:43:33.760 --> 00:43:37.159
<v Speaker 2>of the universe, could well include Bruno as a predecessor.

601
00:43:38.679 --> 00:43:42.599
<v Speaker 2>Bruno's famous line that God is not in one part

602
00:43:42.760 --> 00:43:46.400
<v Speaker 2>of the universe more than in another was a radical

603
00:43:46.760 --> 00:43:51.679
<v Speaker 2>reimagining of the divine, and it echoes today in spiritual naturalism.

604
00:43:53.280 --> 00:43:56.840
<v Speaker 2>Bruno's dramatic life and bold ideas have captivated many artists

605
00:43:56.920 --> 00:44:02.159
<v Speaker 2>and writers. The nineteenth century poets were especially drawn to him.

606
00:44:02.280 --> 00:44:06.119
<v Speaker 2>We have Algernon Charles Swinburne, the English poet who wrote

607
00:44:06.119 --> 00:44:10.079
<v Speaker 2>a fiery poem The Monument of Giodano Bruno in eighteen

608
00:44:10.079 --> 00:44:13.599
<v Speaker 2>eighty nine, on the occasion of Bruno's statue being erected

609
00:44:14.719 --> 00:44:17.639
<v Speaker 2>in it. Swineburn hails Bruno as a hero of thought

610
00:44:17.760 --> 00:44:22.840
<v Speaker 2>who foresaw a new age of reason. Another poet, Cheslau

611
00:44:22.920 --> 00:44:26.760
<v Speaker 2>Maloes of Poland, wrote the poem Campo di Fiori in

612
00:44:26.840 --> 00:44:30.440
<v Speaker 2>nineteen forty three during World War II, drawing a parallel

613
00:44:30.440 --> 00:44:33.559
<v Speaker 2>between the indifference of people at Bruno's execution and the

614
00:44:33.639 --> 00:44:37.039
<v Speaker 2>indifference of Warsaw citizens to the burning of the Jewish ghetto.

615
00:44:38.760 --> 00:44:42.039
<v Speaker 2>Melos imagines how on that day in sixteen hundred, as

616
00:44:42.039 --> 00:44:45.400
<v Speaker 2>Bruno burned, the market square was full of ordinary life,

617
00:44:45.639 --> 00:44:50.039
<v Speaker 2>flower sellers, fruit vendors, oblivious to the tragedy, much as

618
00:44:50.079 --> 00:44:53.519
<v Speaker 2>people in nineteen forty three Warsaw went about their lives

619
00:44:53.559 --> 00:44:58.079
<v Speaker 2>while atrocities occurred. Bruno thus became a symbol in poetry

620
00:44:58.079 --> 00:45:02.000
<v Speaker 2>for the loneliness of the victim and the callousness of society.

621
00:45:03.320 --> 00:45:06.239
<v Speaker 2>James Joyce, one of the giants of twentieth century literature,

622
00:45:06.360 --> 00:45:10.239
<v Speaker 2>was fascinated by Bruno's idea, particularly Bruno's concept of the

623
00:45:10.280 --> 00:45:16.559
<v Speaker 2>coincidence of opposites. Bruno believed that opposites ultimately converge, very

624
00:45:16.599 --> 00:45:22.719
<v Speaker 2>dialectical mystical notion. Joyce, in Finnigan's Wake in nineteen thirty nine,

625
00:45:23.119 --> 00:45:28.119
<v Speaker 2>makes many allusions to Bruno, often in punting form. He

626
00:45:28.159 --> 00:45:32.079
<v Speaker 2>even names a pair of characters, Brown and Nolan, slyly

627
00:45:32.159 --> 00:45:36.039
<v Speaker 2>referencing Bruno the Nolan from Nola and playing on Brown

628
00:45:36.199 --> 00:45:41.559
<v Speaker 2>and Nolan as a distortion of Bruno's name. In a letter,

629
00:45:41.679 --> 00:45:46.039
<v Speaker 2>Joyce wrote, his philosophy is kind of a dualism. Every

630
00:45:46.119 --> 00:45:48.920
<v Speaker 2>power in nature must evolve an opposite in order to

631
00:45:49.000 --> 00:45:55.639
<v Speaker 2>realize itself, and opposition brings reunion. This Brunan and Hegelian

632
00:45:55.719 --> 00:45:59.800
<v Speaker 2>idea underpins a lot of Joyce's complex wordplay in Finnigan's Wake.

633
00:46:01.199 --> 00:46:04.679
<v Speaker 2>Joyce arguably saw himself and his work reflected in Bruno's

634
00:46:04.679 --> 00:46:08.920
<v Speaker 2>incessant words splitting and joining. So Bruno has a discreet

635
00:46:09.039 --> 00:46:12.119
<v Speaker 2>but significant presence in one of the most challenging novels

636
00:46:12.159 --> 00:46:18.119
<v Speaker 2>of modernist literature. In the realm of fiction, Bruno has

637
00:46:18.159 --> 00:46:21.800
<v Speaker 2>outright been a character. A notable example is the series

638
00:46:21.800 --> 00:46:26.280
<v Speaker 2>of historical mystery novels by S. J. Parris, pseudonym of

639
00:46:26.360 --> 00:46:31.960
<v Speaker 2>Stephanie Merrit, beginning with Heresy from twenty ten, which imagines

640
00:46:32.039 --> 00:46:36.000
<v Speaker 2>Geodano Bruno as a sleuth solving murders in Elizabethan, England

641
00:46:36.280 --> 00:46:41.199
<v Speaker 2>while on the run from the Inquisition. These books, blending

642
00:46:41.239 --> 00:46:45.559
<v Speaker 2>fact and fiction, introduced Bruno to a wide popular audience

643
00:46:45.599 --> 00:46:49.440
<v Speaker 2>as a sort of Renaissance detective, complete with his Nolan

644
00:46:49.480 --> 00:46:55.239
<v Speaker 2>wit and learned tricks. Earlier, in nineteen seventy three, an

645
00:46:55.280 --> 00:47:00.320
<v Speaker 2>Italian French film, Giodano Bruno was released, directed by Juliantiano

646
00:47:00.519 --> 00:47:05.679
<v Speaker 2>Montaldo and starring giann Maria Valante as Bruno. The film

647
00:47:05.719 --> 00:47:10.599
<v Speaker 2>portrays Bruno's wanderings and trials with considerable historical accuracy and

648
00:47:10.639 --> 00:47:15.639
<v Speaker 2>his sympathetic lens. It emphasizes Bruno's defiance and shows scenes

649
00:47:15.639 --> 00:47:19.599
<v Speaker 2>of him debating in venice and suffering in prison, culminating

650
00:47:19.639 --> 00:47:24.480
<v Speaker 2>in a haunting execution scene. The film helped to humanize

651
00:47:24.519 --> 00:47:31.719
<v Speaker 2>Bruno and won critical acclaim for Valente's passionate performance. In music,

652
00:47:32.079 --> 00:47:36.480
<v Speaker 2>Bruno's words and story have also found expression. In eighteen

653
00:47:36.559 --> 00:47:41.480
<v Speaker 2>seventy eight, the French composer Camille sant Sans composed and

654
00:47:41.599 --> 00:47:45.880
<v Speaker 2>Oratio Laid Deluge, in which a section was reportedly inspired

655
00:47:45.880 --> 00:47:51.360
<v Speaker 2>by Bruno's vision of the infinite universe. The German composer

656
00:47:51.760 --> 00:47:55.159
<v Speaker 2>Hans Werna Hens, in nineteen sixty eight wrote a large

657
00:47:55.239 --> 00:47:59.480
<v Speaker 2>choral piece New Praises of the Infinite, using Bruno's text

658
00:47:59.559 --> 00:48:04.480
<v Speaker 2>as Lebeo. This piece, premiered in nineteen seventy is a

659
00:48:04.519 --> 00:48:07.679
<v Speaker 2>cantata for chorus, orchestra and soloist that sets some of

660
00:48:07.719 --> 00:48:12.199
<v Speaker 2>Bruno's Italian poems to music, praising the infinite universe in

661
00:48:12.239 --> 00:48:16.679
<v Speaker 2>the divine found in nature. In the world of opera,

662
00:48:17.199 --> 00:48:22.760
<v Speaker 2>contemporary composer Francesco Philadei premiered and Opera Giordano Bruno in

663
00:48:22.800 --> 00:48:28.920
<v Speaker 2>twenty fifteen in Porto, Portugal. This opera dramatizes Bruno's trial,

664
00:48:29.519 --> 00:48:33.320
<v Speaker 2>incorporating his actual words from trial records and writings, and

665
00:48:33.400 --> 00:48:37.519
<v Speaker 2>reflecting on themes of free thought, effectively turning Bruno's life

666
00:48:37.519 --> 00:48:43.639
<v Speaker 2>into a modern musical tragedy. Even popular music has a

667
00:48:43.679 --> 00:48:47.000
<v Speaker 2>Bruno connection, and this from even one of my favorite

668
00:48:47.039 --> 00:48:50.679
<v Speaker 2>songs one of my favorite bands. In twenty sixteen, the

669
00:48:50.719 --> 00:48:54.440
<v Speaker 2>American rock band Avenged Sevenfold released a song called Roman

670
00:48:54.480 --> 00:48:59.239
<v Speaker 2>Sky about Bruno's execution. The music video shows imagery of

671
00:48:59.280 --> 00:49:02.840
<v Speaker 2>Bruno and clue Wud voiceovers about his life, presenting him

672
00:49:02.840 --> 00:49:06.840
<v Speaker 2>as a martyr who looked at the stars. In heavy

673
00:49:06.840 --> 00:49:12.199
<v Speaker 2>metal and progressive rock circles, Bruno's name occasionally appears. For instance,

674
00:49:12.280 --> 00:49:16.360
<v Speaker 2>there's an Italian progressive rock band named Ilbaccio della Medusa

675
00:49:16.440 --> 00:49:20.679
<v Speaker 2>with an album referencing Bruno. This shows how Bruno's narrative

676
00:49:20.800 --> 00:49:23.320
<v Speaker 2>the man who saw the truth in the stars and

677
00:49:23.440 --> 00:49:28.880
<v Speaker 2>was killed for it, has permeated various cultural niches. Bruno's

678
00:49:28.880 --> 00:49:32.639
<v Speaker 2>confrontational style at Oxford meant he didn't win converts among

679
00:49:32.719 --> 00:49:37.960
<v Speaker 2>English academics. However, Bruno's presence in England did leave some ripples.

680
00:49:38.960 --> 00:49:42.239
<v Speaker 2>Bruno's dedication of two books to Philip Sidney suggests Sidney

681
00:49:42.280 --> 00:49:45.440
<v Speaker 2>and his circle absorbed some of Bruno's ideas on ethics

682
00:49:45.480 --> 00:49:49.440
<v Speaker 2>and the art of memory. Sidney's own writings on poetry

683
00:49:49.440 --> 00:49:53.440
<v Speaker 2>and virtue, while not obviously Brunan, were about ennobling the

684
00:49:53.480 --> 00:49:59.360
<v Speaker 2>soul a concept Bruno Champion. It's been speculated by some

685
00:49:59.400 --> 00:50:03.400
<v Speaker 2>literary sk scholar that Bruno's visit might have indirectly influenced

686
00:50:03.440 --> 00:50:08.119
<v Speaker 2>William Shakespeare. This is highly speculative, but some have noted

687
00:50:08.119 --> 00:50:12.239
<v Speaker 2>that Shakespeare's late play The Tempest in sixteen eleven has

688
00:50:12.280 --> 00:50:16.679
<v Speaker 2>an infinite magical cosmology and a character named Prospero, who,

689
00:50:16.800 --> 00:50:20.119
<v Speaker 2>like Bruno, has a book of magic and is exiled

690
00:50:20.119 --> 00:50:25.159
<v Speaker 2>by the Inquisition. Prospero is a magician duke based from Milan,

691
00:50:25.679 --> 00:50:29.159
<v Speaker 2>which some read as an allegory partly referencing figures like

692
00:50:29.199 --> 00:50:30.000
<v Speaker 2>Bruno or d.

693
00:50:32.199 --> 00:50:32.639
<v Speaker 1>Francis.

694
00:50:32.719 --> 00:50:36.119
<v Speaker 2>Yates argued that Bruno's visit influenced the development of the

695
00:50:36.159 --> 00:50:40.079
<v Speaker 2>School of Knight, a shadowy group of English intellectuals like

696
00:50:40.159 --> 00:50:45.840
<v Speaker 2>Sir Walter Raleigh, the mathematician Thomas Harriot, and perhaps Christopher Marlowe,

697
00:50:46.159 --> 00:50:51.039
<v Speaker 2>who are interested in a cult philosophy and Copernican theory. Harriet,

698
00:50:51.119 --> 00:50:54.360
<v Speaker 2>for instance, became one of the first telescopic astronomers in

699
00:50:54.440 --> 00:50:58.559
<v Speaker 2>England and an advocate for Copernicus, and he actually observed

700
00:50:58.599 --> 00:51:01.440
<v Speaker 2>the Moon with a telescope around the same time as Galileo.

701
00:51:02.920 --> 00:51:06.239
<v Speaker 2>We have no evidence Bruno met Harriet, but its possible

702
00:51:06.280 --> 00:51:10.000
<v Speaker 2>Bruno's Copernican zeal inspired those in Raleighs circle to take

703
00:51:10.079 --> 00:51:15.119
<v Speaker 2>up the new astronomy. Some historians, however, cautioned that the

704
00:51:15.159 --> 00:51:17.880
<v Speaker 2>School of Knight as a formal group is more legend

705
00:51:17.960 --> 00:51:24.639
<v Speaker 2>than fact. Nonetheless, Bruno's English sojourn did plant seeds. It

706
00:51:24.679 --> 00:51:28.000
<v Speaker 2>put advanced ideas into circulation, and proved that even in

707
00:51:28.039 --> 00:51:31.719
<v Speaker 2>a Protestant land his radical brand of thinking was controversial.

708
00:51:32.599 --> 00:51:36.960
<v Speaker 2>Remember that George Abbott, who lampooned Bruno's Copernicism, later played

709
00:51:37.000 --> 00:51:40.000
<v Speaker 2>a role in the trial of Galileo. The chain of

710
00:51:40.039 --> 00:51:45.159
<v Speaker 2>influence is indirect, but noteworthy. In modern times, Bruno's connection

711
00:51:45.239 --> 00:51:48.199
<v Speaker 2>to England has been commemorated through fiction and through English

712
00:51:48.280 --> 00:51:51.480
<v Speaker 2>translations of his works, which became available starting in the

713
00:51:51.559 --> 00:51:57.599
<v Speaker 2>nineteenth century. The poet Percy by Shelley, an English Romantic,

714
00:51:58.039 --> 00:52:01.760
<v Speaker 2>mentioned Bruno in his essay The Defense of Poetry as

715
00:52:01.760 --> 00:52:06.440
<v Speaker 2>someone who paid the price for his genius. Shelley, a

716
00:52:06.480 --> 00:52:11.679
<v Speaker 2>critic of religion, admired Bruno's defiance. Thus Bruno became part

717
00:52:11.719 --> 00:52:16.400
<v Speaker 2>of the English Romantic imagination of the tragic persecuted genius.

718
00:52:17.000 --> 00:52:19.320
<v Speaker 2>Bruno is often regarded by scholars as one of the

719
00:52:19.360 --> 00:52:23.639
<v Speaker 2>last and boldest figures of the Italian Renaissance. He carried

720
00:52:23.639 --> 00:52:28.559
<v Speaker 2>Renaissance platonism and hermeticism to their extreme logical conclusions and

721
00:52:28.679 --> 00:52:33.199
<v Speaker 2>infantite cosmos an exalted role for human reasons, the unity

722
00:52:33.199 --> 00:52:37.199
<v Speaker 2>of art and science, the breakdown of old authorities. In

723
00:52:37.280 --> 00:52:40.920
<v Speaker 2>doing so, he also helped usher in the Early Modern age.

724
00:52:42.039 --> 00:52:42.920
<v Speaker 1>Some call him an.

725
00:52:42.800 --> 00:52:46.360
<v Speaker 2>Early modern for his cosmology and his assistance on following

726
00:52:46.400 --> 00:52:50.920
<v Speaker 2>reason over doctrine. Others call him an ultra renaissance Man

727
00:52:50.960 --> 00:52:55.760
<v Speaker 2>for his syncretic blending of disciplines. Bruno didn't invent a

728
00:52:55.800 --> 00:52:58.920
<v Speaker 2>machine or a physical theory that directly led to an invention.

729
00:52:59.599 --> 00:53:01.920
<v Speaker 2>What he did it did invent, in a sense, was

730
00:53:01.960 --> 00:53:05.519
<v Speaker 2>a new way of thinking about the world, the universe

731
00:53:05.599 --> 00:53:10.559
<v Speaker 2>as a liberated, infinite expanse governed by infinite divine laws,

732
00:53:10.880 --> 00:53:15.000
<v Speaker 2>with an equivalently liberated human mind capable of grasping it.

733
00:53:16.719 --> 00:53:20.239
<v Speaker 2>This expansive vision influenced how later people conceive the human

734
00:53:20.280 --> 00:53:26.880
<v Speaker 2>place in the cosmos, arguably an invention of the modern mindset.

735
00:53:26.960 --> 00:53:30.400
<v Speaker 2>Bruno's figurative fingerprints can be found in works of later

736
00:53:30.480 --> 00:53:35.840
<v Speaker 2>inventors of ideas. For instance, Galileo knew of Bruno's fate

737
00:53:35.920 --> 00:53:40.239
<v Speaker 2>and was cautious in how he presented Copernicism, but Galileo's

738
00:53:40.239 --> 00:53:44.239
<v Speaker 2>writings occasionally echo Bruno's in seeing sunspots or mirrored stars

739
00:53:44.280 --> 00:53:50.760
<v Speaker 2>as evidence against celestial perfection. Did Bruno influence Galileo directly

740
00:53:51.320 --> 00:53:54.960
<v Speaker 2>unlikely in terms of content. Galileo did not need Bruno

741
00:53:55.039 --> 00:53:59.119
<v Speaker 2>to adopt helio Centrism, but Bruno's martyrdom was a warning

742
00:53:59.159 --> 00:54:04.360
<v Speaker 2>that Galileo until sixteen thirty three, when he even fell victim.

743
00:54:05.280 --> 00:54:09.840
<v Speaker 2>In that respect, Bruno indirectly affected how scientific ideas were debated,

744
00:54:10.760 --> 00:54:16.840
<v Speaker 2>the lesson being avoid theological entanglements or Bruno's end awaits

745
00:54:17.800 --> 00:54:22.000
<v Speaker 2>in the Grand Scheme. Geodanno Bruno's life and work form

746
00:54:22.039 --> 00:54:24.960
<v Speaker 2>a bridge between the Renaissance world of magic and the

747
00:54:25.000 --> 00:54:28.440
<v Speaker 2>modern world of science. He was not fully of either,

748
00:54:29.000 --> 00:54:33.599
<v Speaker 2>yet he partook of both. Today, the Geodanno Bruno Foundation

749
00:54:33.679 --> 00:54:37.880
<v Speaker 2>in Germany carries his name as it advocates evolutionary humanism,

750
00:54:38.400 --> 00:54:44.119
<v Speaker 2>a worldview combining scientific understanding with humanist ethics. This foundation,

751
00:54:44.840 --> 00:54:48.800
<v Speaker 2>founded in two thousand and four, is explicitly anti dogmatic

752
00:54:49.039 --> 00:54:52.360
<v Speaker 2>and uses Bruno's legacy as a rallying symbol for free

753
00:54:52.400 --> 00:54:58.039
<v Speaker 2>thought and secularism. It funds projects and publications critiquing religious

754
00:54:58.039 --> 00:55:02.920
<v Speaker 2>fundamentalism and promoting a scientific outlook on the world. If

755
00:55:02.920 --> 00:55:05.559
<v Speaker 2>a sixteenth century monk could become the namesake of a

756
00:55:05.599 --> 00:55:10.679
<v Speaker 2>twenty first century secular humanist organization, that testifies to the enduring.

757
00:55:10.320 --> 00:55:13.119
<v Speaker 1>Power of Bruno's story.

758
00:55:14.039 --> 00:55:17.199
<v Speaker 2>For centuries after his death, Geodano Bruno's ideas and fate

759
00:55:17.280 --> 00:55:21.239
<v Speaker 2>still spark reflection and debate. He stands as a warning

760
00:55:21.320 --> 00:55:24.960
<v Speaker 2>of the perils of suppressing ideas and as an inspiration

761
00:55:25.039 --> 00:55:29.119
<v Speaker 2>to those who champion intellectual freedom. The bronze statue of

762
00:55:29.119 --> 00:55:32.400
<v Speaker 2>Bruno and Rome's Campbeau di Fiori, erected in eighteen eighty nine,

763
00:55:32.760 --> 00:55:37.480
<v Speaker 2>bears an inscription in Italian that reads, to Bruno the

764
00:55:37.480 --> 00:55:43.000
<v Speaker 2>century predicted by him, hear where the fire burned. Those

765
00:55:43.039 --> 00:55:46.679
<v Speaker 2>words capture how nineteenth century admirers saw him a man

766
00:55:46.719 --> 00:55:52.480
<v Speaker 2>who foresaw the future. Indeed, Bruno foretold a coming error

767
00:55:52.519 --> 00:55:55.920
<v Speaker 2>in which the infinite universe he imagined is largely accepted

768
00:55:55.960 --> 00:55:58.679
<v Speaker 2>as reality, and the freedom to think he died for

769
00:55:58.719 --> 00:56:04.039
<v Speaker 2>it is a core value. Giodao Bruno the Nolan, spent

770
00:56:04.119 --> 00:56:06.840
<v Speaker 2>his life pursuing truth as he saw it, with the

771
00:56:06.880 --> 00:56:11.840
<v Speaker 2>infinite universe as his guide. His lectures and debates took

772
00:56:11.880 --> 00:56:16.079
<v Speaker 2>him across Europe. His wandering spread radical seeds in many soils.

773
00:56:17.760 --> 00:56:22.320
<v Speaker 2>While he neither built telescopes nor formulated physics, Bruno ignited

774
00:56:22.360 --> 00:56:24.760
<v Speaker 2>minds with the idea that the cosmos was boundless and

775
00:56:24.800 --> 00:56:29.280
<v Speaker 2>that no authority should curtail the search for knowledge. That

776
00:56:29.400 --> 00:56:33.159
<v Speaker 2>flame lit by Bruno's writings and by the example of

777
00:56:33.199 --> 00:56:37.360
<v Speaker 2>his death, has never been extinguished. It continues to burn

778
00:56:37.440 --> 00:56:40.800
<v Speaker 2>in our collective cultural memory as a symbol of courageous

779
00:56:40.840 --> 00:56:45.679
<v Speaker 2>inquiry in the face of oppression. Bruno's universe was not

780
00:56:45.840 --> 00:56:50.519
<v Speaker 2>mathematical like Galileo's or mechanical like Newton's. It was alive,

781
00:56:50.840 --> 00:56:54.920
<v Speaker 2>soaked in divinity. He saw the stars not as cold

782
00:56:55.000 --> 00:57:00.519
<v Speaker 2>fixed points, but as radiant souls whispering their secrets. He

783
00:57:00.559 --> 00:57:03.360
<v Speaker 2>saw the magician not as a charlatan, but as the

784
00:57:03.360 --> 00:57:06.840
<v Speaker 2>one who remembers the original language of the cosmos, the

785
00:57:06.960 --> 00:57:13.760
<v Speaker 2>words before words. In Bruno's cosmos, to think was to invoke,

786
00:57:14.320 --> 00:57:17.360
<v Speaker 2>to imagine was to create, and to love the infinite

787
00:57:17.559 --> 00:57:22.480
<v Speaker 2>was the highest form of madness. We walk now in

788
00:57:22.519 --> 00:57:26.920
<v Speaker 2>the future. He foretold with the stars accountless, the planet's

789
00:57:26.960 --> 00:57:31.559
<v Speaker 2>many in the center no longer hours, but even in

790
00:57:31.639 --> 00:57:36.079
<v Speaker 2>our age of dark matter and data, his voice still speaks.

791
00:57:36.800 --> 00:57:40.239
<v Speaker 2>It challenges us to remember what's been forgotten, That the

792
00:57:40.280 --> 00:57:44.079
<v Speaker 2>pursuit of truth is holy, that the universe is stranger

793
00:57:44.119 --> 00:57:47.199
<v Speaker 2>than doctrine, and that fire cannot kill a soul in

794
00:57:47.280 --> 00:57:51.760
<v Speaker 2>love with the infinite. So did the memory of Geodano Bruno,

795
00:57:52.480 --> 00:57:58.480
<v Speaker 2>Dominican defector, cosmic visionary, heretic, and martyr. We dedicate this

796
00:57:58.559 --> 00:58:02.440
<v Speaker 2>episode to canonize him, but to summon him back to

797
00:58:02.480 --> 00:58:05.960
<v Speaker 2>the circle, because in the echo of the flames beneath

798
00:58:06.000 --> 00:58:09.440
<v Speaker 2>the dome of endless Stars, we find him still speaking,

799
00:58:10.119 --> 00:58:11.239
<v Speaker 2>and we're still listening.
