Speaker 1: Have you ever just looked up at the night sky
and asked yourself, really asked, where do we actually come from?
We're so used to that standard history textbook story, you know,
humanity of all. Slowly we figured out fire, then the wheel,
and then brick by brick, we finally cracked the secrets
of the cosmos.
Speaker 2: But what if that whole linear timeline is well fundamentally wrong.
Speaker 1: Exactly?
Speaker 2: What if the most profound advancements in antiquity, the things
that just shouldn't have been possible, like the math, the architecture,
the deepest understanding of time itself, what if they didn't
really originate with us? What if they were gifts, cosmic gifts.
Speaker 1: Precisely, that's the exact thought, the only lens we need
for this edition of Thrilling Threads. Today, we are just
diving headfirst into a collection of sources, ancient texts, indigenous myths,
incredible architectural markers that they really demand we reevaluate everything
we think we know about human history right.
Speaker 2: Because these sources all point to a similar idea that
cosmic benefactors or star visitors had a profound influence on everything.
We're talking. Mayan calendars specific prophecies in the Bible, and
even these bizarre effigy mounds you see across North America.
Speaker 1: So our mission today is really to give you a
quick but solid grasp of this recurring theme, this idea
of extraterrestrial contact that seems to be woven through the
myths and ruins of all these different civilizations.
Speaker 2: And they're separated by vast oceans. We're jumping from Central
America to the American Southwest, all the way to the
plains of Israel.
Speaker 1: It's a massive scope. We're looking at indigenous traditions that
talk about unions with star beings, We're looking at these
enormous earthworks that seem designed to be seen only from
the sky.
Speaker 2: And we're even digging into religious texts that when you
look at them through this specific lens, they start to
look less like spiritual visions and more like, well like
eyewitness accounts of galactic warfare.
Speaker 1: I just find that common thread so compelling. You have
to wonder, right, is this all just a shared human
archetype baked into our collective unconscious or is it evidence
of a shared external teacher who visited every corner of
the globe.
Speaker 2: And what's fascinating here. What really stands out from all
this material is how these stories suggest that knowledge, not gold,
not land, but knowledge was the original currency of the universe.
Speaker 1: That's a powerful idea.
Speaker 2: If a truly advanced civilization were to visit us, the
most valuable thing they could possibly give would be the
tools to master our own world and maybe even time itself.
Speaker 1: So let's start there with the people who mastered time,
the Maya.
Speaker 2: The Maya.
Speaker 1: Okay, let's really impact this because the Maya present a
kind of paradox. We know them as one of the
ancient world's most brilliant civilizations. We're talking about their classic period,
flourishing roughly between two fifty and nine hundred a d.
Speaker 2: And this wasn't a small, isolated group. We're talking about
a massive, complex, highly organized society. The population estimates are
just staggered.
Speaker 1: How many are we talking.
Speaker 2: Conservatively fifteen to twenty million people, and their influence stretched
from Mexico all the way south into modern day Honduras
and Guatemala.
Speaker 1: That's huge. Yeah, when you look at their intellectual achievements,
especially considering their isolation, it's just astonishing.
Speaker 2: It really is. They developed a fully functional written language,
incredibly sophisticated architecture, you know, multi story buildings, celestial observatory.
Speaker 1: The math. We have to talk about their mathematics. Ye,
they invented the concept of zero.
Speaker 2: Yes, the concept of zero, which is I mean, it's
fundamental to modern calculus, to computing everything, and they were
using its centuries before it was fully embraced in Europe.
Speaker 1: And that's where the contrast becomes so stark. You don't
want to judge different cultures, but you have to look
at the timeline. While the Maya are solving complex trigonometric
and astronomical problems, Europe was well the source material colorfully
says they were rolling around in the mud.
Speaker 2: It's an oversimplification, of course, but the point is about
the technological level. The Maya had this entire system of
hype advanced astronomy and engineering that seems to have appeared
without that long, slow crawl of invention we see elsewhere.
Speaker 1: It really begs the question, doesn't it. How did an
isolated civilization without a clear line of influence from say,
Egypt or Mesopotamia suddenly make this enormous.
Speaker 2: Leap, And that leads you directly to their own stories
about where all this knowledge came from.
Speaker 1: According to the Maya themselves, this wasn't something their own
kings or priests figured out through centuries of trial and error.
Speaker 2: Not at all. They state very explicitly that it was
a gift, a gift from their gods, and crucially, these
gods existed in the stars.
Speaker 1: That's the key point. Why would a civilization capable of
such genuine world changing genius actively deny credit for it?
Speaker 2: Exactly? I mean, if they'd worked for it, you'd think
their priests and scholars would be legendary figures, intellectual titans.
But instead they credit these external, non human entities. It's
almost as if the knowledge was so complete, so perfect
when it arrived, that it felt like it was handed
down whole.
Speaker 1: It's a foundational belief for them. It puts their entire
culture into a cosmic context from the very beginning.
Speaker 2: Which is why time itself wasn't just a practical tool
for planting crops. For the Maya, keeping up with time
was considered magic and power.
Speaker 1: They were master time keepers.
Speaker 2: Oh, absolutely, celestial masters. They tracked the intricate phases of
the moon, the precise timing of solar and lunar eclipses,
and famously that really complex five hundred and eighty four
day cycle of the planet Venus.
Speaker 1: And they built this knowledge right into their architecture they did.
Speaker 2: But their true achievement, the one that still just baffles
modern astronomers, is their understanding of the procession cycle.
Speaker 1: Okay, that sounds really complex. Break that down for us.
What is the procession cycle?
Speaker 2: Right? So, think of the Earth spinning on its axis
like a top. But as it spins, it also has
this very very slow wobble, a wobble, and this wobble
it's called procession, and it's so slow that over deep,
deep time, it changes our view of the heavens.
Speaker 1: Are we talking here? Okay?
Speaker 2: So imagine watching a specific constellation like the Pleiades, rising
on a certain day of the year. Because of this wobble,
the point where it rises shifts just a tiny bit,
I tell you bit, it shifts one calendar day earlier.
But for that one day shift to happen, it takes
seventy two years.
Speaker 1: Seventy two years for a one day.
Speaker 2: Shift, seventy two years of continuous, precise, documented observation just
to notice a twenty four hour difference. And that requires
not just patients but a multi generational commitment to a single,
unbelievably complex scientific project.
Speaker 1: Wow.
Speaker 2: So to complete a full cycle exactly if you track
that shift all the way around, that Kleide's rising point
won't return to its original position for a staggering twenty
six thousand years.
Speaker 1: Twenty six thousand years.
Speaker 2: And the Maya knew this. They understood time moved in
these enormous repeating cycles, and they designed their famous long
Count calendar to align perfectly with that grand twenty six
thousand year period.
Speaker 1: And what's even more incredible is that their knowledge wasn't
just limited to our solar system. It went deeper, so
much deeper.
Speaker 2: They knew about and tracked the very center of our
Milky Way galaxy, a place they called the Great.
Speaker 1: Rift, which is astounding considering they had no telescopes. The
galactic center is obscured by gas and dust clouds. It's
hard to see even today.
Speaker 2: Yet they knew exactly where it was, and they understood
it contained a massive black hole, maybe a light year cross.
And they gave this dark void a profound, almost spiritual meaning.
Speaker 1: They called it the birth canal of the universe.
Speaker 2: Believing that all creation, all of these grand cycles emerged
from this dark energetic center. And this brings us to
that famous date, December twenty first, twenty.
Speaker 1: Twelve, the end of the Long Count calendar.
Speaker 2: Right, And that date wasn't arbitrary, it wasn't some doomsday prediction.
It was significant because it marked a perfect precise twenty
six thousand year alignment of the Earth, the Sun, and
this great rift the center of the galaxy.
Speaker 1: So just a pause on that for a second. Couldn't
attributing all this to gods and the stars just be
a metaphor, a way for them to explain a scientific
mystery they couldn't fully articulate.
Speaker 2: And that's the core tension right between traditional archaeology and
this alternative theory. Traditionalists would argue for metaphor, but the
AAT argument points to the hyper precision for a calendar
system to be engineered to culminate precisely on the day
of a rare twenty six thousand year celestial event.
Speaker 1: It suggests they were working with a pre existing formula.
Speaker 2: It suggests they had an astronomical blueprint handed down by
the very entities they credited, the visitors from the stars.
So the question for you to think about is could
that perfect synchronization marking the end of this vast, meticulously
tracked cycle really be a mere coincidence.
Speaker 1: It feels less like a coincidence and more like the
precise closing of a cosmic clock.
Speaker 2: And this powerful theme, this idea of advanced cosmic knowledge
being imparted from gods and the stars, it isn't just
in meso America. If you pivot to North Americas, especially
the American Southwest, you find that almost every major indigenous
culture shares the same core belief.
Speaker 1: That's a staggering level of consistency. I mean, we're talking
about hundreds of recognized tribes today, and groups like the Navajo,
the Hopie, the Zuni. They all had these detailed oral
histories of other worldly beings or star beings, and.
Speaker 2: They all say the same thing, These beings descended from
the sky specifically to teach humankind.
Speaker 1: And as stories get really specific, almost intimate, focusing on
this phenomenon of star children, tales of a union between
a star being and a human woman.
Speaker 2: The accounts are often so specific they're haunting. The stories
say these children were born and then raised by the
human tribes, completely integrated into the community, but only for
a time until they reached a certain age, exactly until
they were about six years old, and at that point
the star beings would return to retrieve the children. Can
you imagine? It leaves the entire tribe just gazing up
at the night sky. It really understand was this idea
that these children were placed here with a specific mission,
a purpose that only the star beings truly understood.
Speaker 1: But not all of them were taken back, right, there
was another path, that's right.
Speaker 2: Some of the star children were intentionally left behind, and
they became permanently woven into the fabric of the tribe.
And these individuals were often seen as elders even at
a young.
Speaker 1: Age, because they carried essential.
Speaker 2: Knowledge, yes, knowledge that was far beyond their years. Their
primary purpose was to heal the earth, to bring everything
back into balance. They were, in essence, designated knowledge carriers.
Speaker 1: And this prophetic role is probably most clearly defined in
the traditions of the Hope be people in Arizona. They
believe the earth is fundamentally out of balance.
Speaker 2: They have a term for it, Koyani scatzi. It means
a life of corruption, of turmoil, of spiritual imbalance, and
the primary function of these star kids who are left behind,
is to address this.
Speaker 1: So their mission is huge. It's not just about survival,
it's about reforming the entire earth, remaking human society. Right.
Speaker 2: They are the internal guides, counseling the human elders on
how to restore that balance. They're preparing the world for
what's next.
Speaker 1: And that preparation leads directly to the climax of the
Hopi prophecy, the arrival of the Blue Star.
Speaker 2: The blue star and the Kachina, the star being who
arrives with it. This is considered one of the most
critical prophecies in all of Native American tradition.
Speaker 1: So what is the blue Star supposed to be a
comet a supernova?
Speaker 2: Well, the prophecy itself is visceral and it sounds almost technological.
It says that when the blue Star comes, this dwelling
place in the sky will.
Speaker 1: Crash to the earth, a dwelling place in the sky,
not just a star exactly.
Speaker 2: And after this crash the Blue Star Kachina, the being
that comes from this dwelling, will take off his mask
in the village plaza, and that single act marks the
end of what they call.
Speaker 1: The fourth world, the end of our current age right.
Speaker 2: And the beginning of the next. And this is where
the ancient astronaut theorists really focus their attention. Why call
it a house in the sky or a dwelling in
the firmament? If it were just a natural celestial body,
you'd think the language would reflect that.
Speaker 1: So they see this as a literal prophecy of an
extraterrestrial craft.
Speaker 2: A large vessel may be disguised as a celestial event
that has a fiery descent, a crash, and then the
arrival of an intelligent being.
Speaker 1: And the removal of the mask. That sounds like the
ultimate reveal.
Speaker 2: It does, doesn't it. It implies an instantaneous, undeniable disclosure.
The day that craft lands or crashes, it changes human
history forever because the truth of our origins, the truth
of these star beings, will be revealed to everyone at once.
It's a grand prophecy of contact.
Speaker 1: This theme of star beings in cosmic conflict is just
it's so pervasive, and it leads us to a completely
different continent, but one with a surprisingly similar story of
divine descent and a catastrophic final battle. I'm talking about
the biblical planes of Israel.
Speaker 2: And specifically the prophetic book of Revelation. The setting is
a place called Megido, which is only about eleven miles
from Nazareth, and Revelation describes this ultimate final battle fought
just outside the city.
Speaker 1: Which gives us the famous term armageddon.
Speaker 2: Exactly Now, the traditional interpretation of Revelation is frankly terrifying.
It's literal fire and brimstone, cataclysms, earthquakes, angels and demons
battling in the heavens. It's the ultimate showdown between good
and evil.
Speaker 1: It's what's known as apocalyptic literature, right, visions of the
end times, usually involving mass destruction and then some kind
of divine judgments.
Speaker 2: Yes, but the radical reinterpretation posed by our sources asks
a different question. What if, instead of being a purely
spiritual prophecy, the descriptions of fire, light and massive conflict
are actually descriptions of technologically advanced extraterrestrial activity, a cosmic war.
It really stands out when you read it with that lens.
The imagery is just overwhelming. You have beings flying through
the cosmos casting down what sounds like directed energy. It's
an intense caussemdualism, leading to their reassertion of authority over
wayward angels. It sounds a lot like an interstellar war.
Speaker 1: So if the battle is galactic and fought with what
we would see as superhuman technology, then we have to
completely re examine the role of the main adversary, Satan.
Speaker 2: Right. Is he just a demon the personification of evil?
Or is he as this theory suggests something else entirely
a benevolent et who broke ranks.
Speaker 1: How does that work well?
Speaker 2: This view sees the character of Satan as a composite
of several ancient figures. He's the adversary, yes, but he's
also Lucifer, the light Bringer, and he's the leader of
the Watchers who led a rebellion against the divine command structure.
Speaker 1: So not just one simple character.
Speaker 2: No. The core theory proposes that Satan was part of
the Seraphim.
Speaker 1: The Seraphim, can you clarify that for our listener?
Speaker 2: The Seraphim are described in theology as the highest order
of angels. They're associated with light, with fire, with knowledge,
with being closest to the divine. This theory argues that
the Seraphim were originally sent to Earth as benefactors for humankind.
Speaker 1: So Satan wasn't trying to destroy us. He was trying
to elevate us.
Speaker 2: Even if it meant breaking the rules. The idea is
that the entity we call Satan's stole technology or imparted
forbidden knowledge to lead early humans out of a state
of ignorance to accelerate our development, and that act of
disobedience is what led to his fall.
Speaker 1: So the evil monster narrative was created later.
Speaker 2: The contention is that the human religious establishment created that
narrative to ensure that the main divine authority, the ruling
alien faction, if you will, was never questioned by the
newly enlightened human race. In this context, Satan's mission was
never about malice. It was about bringing knowledge and wisdom
to humanity.
Speaker 1: It completely reframes the Garden of Eden's story. It's not
a punishment for learning, it's a separation because the learning
was unauthorized.
Speaker 2: It presents a profound philosophical challenge. The conflict being described
isn't just good versus evil. It's a battle between control
and potential. The sources are you. You can't have the
light without the dark. You can't understand good without the
option of wrong.
Speaker 1: Humans have to learn through choice.
Speaker 2: And struggle exactly, and that struggle, the act of choosing
right from wrong after being given the tools of knowledge,
is what allows us to evolve, to become like our makers,
or as the sources provocatively put it, to become gods ourselves.
Speaker 1: So if Satan provided that first piece of forbidden knowledge,
he wasn't the monster.
Speaker 2: He was the catalyst, the primary catalyst for our re evolution.
Speaker 1: That's a compelling philosophical take, but it brings us to
the big question. Where's the physical evidence? Our sources point
us toward these massive global markers, sites that seem designed
not just for humans, but for non human observation.
Speaker 2: Let's start with the rock art in the American Southwest.
It's like a literal history book etched into stone. At
a place called Rockered Ranch near Winslow, Arizona, there are
ancient petroclyft panels with depictions that are well, they're hard
to interpret it human.
Speaker 1: The imagery is so specific. I read that a Navajo
elder guided researchers through them. What did they see?
Speaker 2: Okay, So there's one figure with a hollow body and
there's a star clearly etched inside of it. One hand
is pointing up to the sky, the other down to
the earth, almost like a mediator.
Speaker 1: A connection between worlds.
Speaker 2: And right beneath that figure is something that looks disturbingly
familiar to us now, a classic gray alien figure, large
distinct triangular head, no way, But it gets deeper. Beside
that gray alien figure, there's a trapezoidal shaped being standing
next to what looks for all the world like a
double helix. The implication is clear, a recorded connection between
this being and our genetic structure. And this trapezoidal figure
has these wavy curvy lines etched onto it, which symbolize
vibration or energy.
Speaker 1: And that's a crucial link right that symbol.
Speaker 2: It's a huge link because that vibration symbol connects directly
to the Onunaki.
Speaker 1: The Sumerian gods.
Speaker 2: The powerful Samerian deities from Mesopotamia five one thousand years ago,
who supposedly descended on a shining mountain and shared wisdom
with humanity. The suggestion here is that the Navajo ancestors,
thousands of miles and thousands of years apart, are recording
encounters with the same beings.
Speaker 1: So these panels are like a meeting place, a meeting.
Speaker 2: Place of all these different worlds. They showed giants little
people figures with three fingers, which is highly unusual. The
elder pointed out that the ancestors had impeccable powers of observation.
These weren't just doodles. They were putting their history on
the wall, showing where they came from.
Speaker 1: Okay, Now, let's jump continents to South America, to the
High Plateau of Bolivia and the ruins of Tiuanaku.
Speaker 2: This was a major civilization, a precursor to the Inca,
renowned for its architecture, but it was mysteriously abandoned around
eleven hundred AD, and.
Speaker 1: Local legends connected to another even stranger.
Speaker 2: Site nearby right Puma Punku. The legends say Tuanaku was
built as a great religious tilgrimage site to celebrate the
arrival of Skygum at Puma Punku. And this is where
theorists draw a fascinating architectural distinction.
Speaker 1: They talk about two different construction styles exactly.
Speaker 2: Puma Punku, with its impossibly precise interlocking h blocks, that's
considered the older extraterrestrial style. The cuts are so perfect
they look machined.
Speaker 1: Technology that you shouldn't have existed then.
Speaker 2: And then there's Teonaku built nearby that scene as the
later human style. The ideas that it was built as
a massive tribute site to remember the time when a
god was physically present on earth.
Speaker 1: At Puma Punku, so Tiwanaku is essentially a museum built
to commemorate that ancient alien visit.
Speaker 2: And the most tangible evidence for this is found in
its subterranean temple.
Speaker 1: The sunken courtyard with all the heads in the.
Speaker 2: Walls, Yes, hundreds of unique stoneheads inserted into the walls.
And the key detail here is the diversity.
Speaker 1: They say it represents all the races of mankind.
Speaker 2: Yes, you see figures with elongated skulls, turbines, every different
shape of nose and lips. You can imagine it's a
catalog of human phenotypes. But mixed in with all that
human diversity are statues that just don't look human at.
Speaker 1: All, like the gray alien heads.
Speaker 2: Specifically two statues that are white in color and look
very much like gray alien heads. This is why theorists
view the whole complex as a kind of symbolic un headquarters,
a place where all cultures human and non human accepted
its importance because it was the site of that original
divine contact.
Speaker 1: It's a testament to the diversity of the visitors. Now,
let's come back to North America for one of the
most enigmatic markers of all, the Serpent Mound in Ohio.
Speaker 2: This thing is incredible. It's a gigantic effigy mound, over
thirteen hundred feet long, showing a coiled snake eating an egg.
But what makes it so mysterious is that, unlike almost
every other mound from that period, it contains no burials.
Speaker 1: It's purpose with something.
Speaker 2: Else, something symbolic or maybe functional. And the mystery just
deepens when you consider it scale. Much like the Nasca
Lines in Peru. It's so massive that you can't actually
appreciate its shape from the ground. It is clearly meant
to be viewed only from the sky.
Speaker 1: Think about the engineering required for that To lay out
a structure that complex, with all those curves on uneven ground,
you'd almost have to be hovering above it looking down
to get it right.
Speaker 2: The precision is just staggering, But the location is the
biggest clue. The Serpent Mount is built precisely on the
edge of a five mile wide.
Speaker 1: Meteor crater for millions of years ago.
Speaker 2: Three hundred million years ago, and this ancient impact site
is the heart of the AAT interpretation. The clater creates
intense magnetic and gravitational anomalies. They say, if you bring
a compass to certain spots there, the needle just spins endlessly.
Speaker 1: I heard a great story about the passenger pigeons.
Speaker 2: Ah. Yes, pigeons navigate using magnetite in their skulls. The
story goes that the location was so magnetically strange that
millions of passenger pigeons would just circle over the spot,
completely disoriented, unable to figure out which way was north.
It was a known anomaly.
Speaker 1: A natural landmark for the unusual.
Speaker 2: But beyond the magnetic fields, the meteor impact deposited elements
that are not native to that region, specifically iron, uranium,
and iridium.
Speaker 1: And iridium is the key, isn't it. It's incredibly rare
on Earth's surface but common in asteroids.
Speaker 2: It's the critical component. Iridium is exceptional. It's non corrosive,
it can withstand temperatures up to two thousand degrees celsius,
and in modern science, it's used in high performance deep
space technology, specifically for what for thermoelectric circuits. You need
them for deep space probes, the ones that travel beyond
Jupiter where Sun lays two weak. For solar panels, you
need a radioactive power source and incredibly durable components like
iridium to conduct that energy.
Speaker 1: So at this one spot, this one ancient crater, you
have iron, uranium, and iridium, three substances crucial for advanced space.
Speaker 2: Travel, all concentrated in one place by a meteor impact.
The crater also has numerous caves, So the aat conclusion
is that extraterrestrials may have targeted this spot specifically to
mine for their spacecraft, and the Serpent.
Speaker 1: Mound, visible only from the air, was their marker.
Speaker 2: A colossal, enduring landing beacon or quarry sign. And what's
amazing is that Shawnee and Zuni traditions hold that space
travelers are still using the Serpent mound as a marker today.
It connects the physical evidence right back to the star ancestors, which.
Speaker 1: Brings us to our final theme, the connection between these
ancient emergence myths of the Southwest and these very persistent
modern claims of subterranean alien activity in the exact same places.
Speaker 2: It's a seamless link the creation myths of the Navajo, Zuni,
Hopee Apache. They all share this one striking detail. Their
ancestors came out from.
Speaker 1: The ground, and these aren't just simple emergence stories. The
legends talk about ancestors going underground to find safety during
massive cataclysms on the surface, deadly storms of fire and ice,
or periods of falling stars.
Speaker 2: It's reminiscent of the underground city of Darren Kuyu and Turkey.
And critically, in these myths, they weren't alone. They were
helped and show altered by specific non human beings.
Speaker 1: The snake people and the ant people.
Speaker 2: Right The myths describe how these benefactors took the humans
into subsurface dwellings and cared for them for long periods
until the surface world was safe.
Speaker 1: Again, and some of the rock art from that time
depicts beings with large eyes and long fingers.
Speaker 2: Which has led to speculation that maybe people living underground
for centuries might develop traits that resemble what we now
call extraterrestrial biological entities. But the Shamans and Elders have
a much more direct explanation.
Speaker 1: What's their take.
Speaker 2: They say that before emerging onto the surface, of this planet.
Their ancestors were brought here by the star people from outer.
Speaker 1: Space, so the ant people and snake people weren't just animals.
Speaker 2: In that context. They're specific species of extraterrestrials, some insect
like some reptilian, who were helping the newly arrived humans
survive by taking them into prepared underground shelters.
Speaker 1: And this ancient mythology has a stark modern parallel in
one's specific place, Dulce, New Mexico, right near the arch
of Leeda Mesa.
Speaker 2: For decades, this area has been an epicenter for modern
UFO sidings, often connected directly to the mountain. People claim
to have seen UFOs flying out of the mountain. There's
one account of a ship the size of a football
field with a glass dome containing two small.
Speaker 1: Figures in Researchers link these sightings to the rumored Dulce Base.
Speaker 2: A massive deep underground facility supposedly operated in a secret
collaboration between aliens and the US military, and the evidence
they cite is the constant heavy military traffic in the area,
unmarked helicopters, heavy duty chinooks, far more than a small
town like Doulcee should ever see.
Speaker 1: And then there are the stories about the events.
Speaker 2: Yes the Hickory Apache, people reportedly discovered vents or shafts
on the Mesa, and this is where the story takes
a dark turn. People reported hearing strange noises groans, human
groans coming from deep within these.
Speaker 1: Vents, which fuel the modern legend.
Speaker 2: The horrific story that human beings were being experimented on
by strange creatures coming from the Mesa. What starts as
an ancient myth of survival underground with non human help
spirals into a modern story of secret bases and inner
species conflict.
Speaker 1: But the core idea is the same. The mountain isn't
just a mountain. It's a portal or a dwelling for
non human intelligences who have been interacting with us for
a very very long time.
Speaker 2: This whole deep dive has covered just a huge ambitious
span of material. We've gone from the hyper precise mathematics
of the Maya to the prophetic narratives of the Hopie,
to a radical reinterpretation of the Bible as galactic warfare.
Speaker 1: Then to the physical markers at Serpent Mound, and finally
to this convergence of ancient myths and modern claims at Doulte.
Speaker 2: And the enduring theme that connects every single one of
these points is simple, but it's absolutely world changing.
Speaker 1: Our sources consistently suggest that humans were not alone in
our evolution, that crucial world altering knowledge was imparted to us,
not just discovered over time.
Speaker 2: Whether you call them the Seraphim, the star beings, or
the Ananaki, ancient people recorded their history of contact in
ways that were designed to last. In stone, in earth.
In prophecies may be intended to endure until that prophesied
moment when the truth will be revealed.
Speaker 1: So if we accept the premise presented in these sources,
even for a moment, that the greatest cosmic conflict isn't
between good and evil as we define it, but a
battle for the control of knowledge, then we really have
to ask ourselves a question. If an advanced force gave
us the tools to become gods ourselves, what price are
we paying for that wisdom? What do you think the
true currency of the universe is let us know what
stands out to you