1 00:00:00,160 --> 00:00:05,960 A very affectionate greeting for the group of cyclists, including the judge I met 2 00:00:06,000 --> 00:00:12,519 yesterday in the total pump of the private one with Romulo Betancourt. I forgot 3 00:00:12,519 --> 00:00:17,280 the name of Gold which came to me Excuse me, brother, that you 4 00:00:17,359 --> 00:00:23,679 almost took an eye out for me, but the pound Albertos couldn' t 5 00:00:23,760 --> 00:00:26,120 concentrate on me. But it doesn' t matter. The conversation was very 6 00:00:26,160 --> 00:00:35,920 pleasant and I must say that the cyclist must be distinguished from the exact biker. 7 00:00:36,479 --> 00:00:40,880 So, if you are a cyclist of those who comply with the rules, 8 00:00:41,240 --> 00:00:45,719 you respect the limits and spaces, which are common to all, for 9 00:00:46,359 --> 00:00:51,240 the enjoyment and use of all of us, you are a cyclist if you 10 00:00:51,320 --> 00:00:57,600 walk like a savage in the street throwing your bike over you breaking the rules 11 00:00:57,640 --> 00:01:03,079 crossing in red at the traffic lights of main avenues and trunks and provoked stoppers 12 00:01:03,159 --> 00:01:07,280 and like it happened with those who were running at night until they made a 13 00:01:07,280 --> 00:01:10,200 chute there in La López de Bega, a tiger squeezed already a few years 14 00:01:10,200 --> 00:01:15,719 ago. You' re a biker then I, when I mean the problem, 15 00:01:15,040 --> 00:01:19,760 don' t talk about the cyclist. It is in the difference between 16 00:01:19,799 --> 00:01:29,879 Sonata owner and sonatero exactly are different things. So nothing. I had quite 17 00:01:29,879 --> 00:01:36,840 a good time. Yesterday I must say a pleasant conversation that ranged from dictatorship 18 00:01:36,959 --> 00:01:44,719 to paying taxes and strategies to report taxes to the state. Now that fiscal 19 00:01:44,879 --> 00:01:51,599 reform is coming to continue funding health and education for Haitians living here in the 20 00:01:52,920 --> 00:01:56,760 Dominican Republic, that' s what the Minister of Economy of the London Government 21 00:01:57,319 --> 00:02:02,959 has said, from the sheath, that this is to finance health. Well, 22 00:02:04,280 --> 00:02:08,280 here thirty- five percent of the budget has only been around for five 23 00:02:08,360 --> 00:02:14,599 years. I figure it' s going to be sixty, and we have 24 00:02:14,919 --> 00:02:17,599 to finance that for them. Yes, and I also want to say hello 25 00:02:17,680 --> 00:02:23,199 to a friend who for a week now, a friend of a friend already 26 00:02:23,319 --> 00:02:32,159 has a European vehicle here. I got out of it, thank God, 27 00:02:32,919 --> 00:02:37,680 but he' s got it. He is he and his families own a 28 00:02:37,719 --> 00:02:45,360 spare piece of European parts. Luis Manuel Florian. Greetings to him. Thank 29 00:02:45,400 --> 00:02:49,039 you for the evening of the previous week. Ah Sami has a vibrian at 30 00:02:49,080 --> 00:02:53,680 the last weekend that we had an evening where we always saw I forgot this 31 00:02:53,719 --> 00:02:58,360 guy' s name. I know that I saw the perverse live that night 32 00:02:59,080 --> 00:03:01,319 and fell asleep when what the name of the other artist lives look at who 33 00:03:02,199 --> 00:03:07,840 invited me to the perverse for a dichotheque and I walked that day in joy. 34 00:03:07,360 --> 00:03:10,520 Maybe we' ll go see what they didn' t tell me. 35 00:03:10,719 --> 00:03:16,800 There is an artist and two urban artists if even Mariachi animando is an urban 36 00:03:16,800 --> 00:03:21,680 altítulo, but ok, Mariachi buda very good animando. Hey, you had 37 00:03:21,800 --> 00:03:23,360 the evil one. Yeah, yeah, yeah, yeah, yeah, everything 38 00:03:23,479 --> 00:03:28,039 that' s on the world' s standards, you' ve already gotten 39 00:03:28,120 --> 00:03:28,960 there, a nightclub that' s out there, it' s called X. 40 00:03:29,080 --> 00:03:30,360 I don' t know if that' s what it' s called 41 00:03:30,719 --> 00:03:32,560 I knew who the other altit e is. I think so. What' 42 00:03:32,719 --> 00:03:38,360 s the name of Wan no, no, no, no, no, 43 00:03:38,520 --> 00:03:40,919 no, no, that has a spider name, very eclectic. I forgot 44 00:03:42,000 --> 00:03:45,319 your name if it' s not a clético, not him, no, 45 00:03:46,240 --> 00:03:49,120 not Luis Manuel Florián, who writes to me and tells me what it was 46 00:03:49,280 --> 00:03:51,960 like to be called the jordiy artist, the one you were seeing. It 47 00:03:52,120 --> 00:03:53,319 was perverse. No. The worst of all wasn' t that I saw 48 00:03:53,400 --> 00:03:55,719 him because I, instead of seeing him blind, am not to listen to 49 00:03:55,719 --> 00:04:00,639 him. Not deaf, eh, that they were charging a cover of 1, 50 00:04:01,039 --> 00:04:04,800 500 pesos that you paid a thousand Ki I paid it, no, 51 00:04:05,039 --> 00:04:09,919 but you give it a leash. And when I saw in Tarima, like 52 00:04:09,960 --> 00:04:14,199 it' s called a moriquet, a pod, so, you went to 53 00:04:14,280 --> 00:04:18,199 the Baby Show one of perveza, because I grabbed you, well you want 54 00:04:18,199 --> 00:04:20,759 to wish, honest, I fell asleep at the beginning of fuck. You 55 00:04:20,879 --> 00:04:28,319 have stopped and when he arrived, when the guy arrived, when the perveza 56 00:04:28,319 --> 00:04:32,959 arrived, because pepe because that woke me up the puy went and I swear 57 00:04:33,079 --> 00:04:36,040 on my mother' s health and when I didn' t, not even 58 00:04:36,079 --> 00:04:42,560 on hers, I swear on my health, that when I woke up and 59 00:04:42,680 --> 00:04:46,839 there was her in Tarima Bailando, I thought it was a show assembled with 60 00:04:46,000 --> 00:04:53,920 mening Black characters, mening Black, Albert Ven the artists seriously judged you as 61 00:04:54,000 --> 00:04:58,560 I came back in and that you understood that the crowned one in the perverse 62 00:04:58,600 --> 00:05:02,120 made a very good show. I had fun enough. Alberto writes our producer 63 00:05:02,160 --> 00:05:05,480 from Miami, what is the mess with the European. That you didn' 64 00:05:05,560 --> 00:05:08,639 t finish the idea. Ah you see it with achievements. It wasn' 65 00:05:08,639 --> 00:05:12,040 t saying hello to this boy. He' s got a vehicle, a 66 00:05:12,079 --> 00:05:15,720 European vehicle recluse. I i Manuel Florián and then I am counting in the 67 00:05:15,800 --> 00:05:19,319 context in which we were sharing and greetings for him. It' s called 68 00:05:19,399 --> 00:05:24,399 the musician already gives him the spare or fell the perverse repute. Ah well, 69 00:05:24,519 --> 00:05:27,360 it' s not that I was hanging out with that corduroy, which 70 00:05:27,439 --> 00:05:31,279 is the president of this company and we were there sharing. The producer has 71 00:05:31,399 --> 00:05:36,240 his BMW there is Miami Apra is that it is called the other tita gras 72 00:05:36,240 --> 00:05:44,199 Wanda, but that man of the devil is like mum mumps mumps who opened 73 00:05:44,360 --> 00:05:46,920 Juan Ludy in Holland, Juan Luis to Olvide, but Juan Luis was the 74 00:05:46,959 --> 00:05:50,240 Juan Luis of us. It was Apapera that I apologized, but I fell 75 00:05:50,279 --> 00:05:56,120 asleep in ten minutes. You Ten Tarima was very tired and what does The 76 00:05:56,720 --> 00:06:00,439 Bow sing or not, of course, poor of course, love Tara no. 77 00:06:00,519 --> 00:06:03,759 There was no presenter, yes he did the paspera show. Not sa 78 00:06:04,040 --> 00:06:10,360 you were an artist, an artist very an urban artist, very much as 79 00:06:10,439 --> 00:06:14,199 it is said, a rising star, the least is glued to the networks. 80 00:06:14,319 --> 00:06:16,920 Yeah, but he did a good show for people. I' m 81 00:06:17,040 --> 00:06:20,360 not the target because I' m already on a subject of age and generation. 82 00:06:20,759 --> 00:06:24,639 Now I go to Bucapa, pear for me I play a song. 83 00:06:25,199 --> 00:06:28,199 Yes, Dad. I' m going to meet the forced spending salt I 84 00:06:28,279 --> 00:06:30,120 met him in the glue nets of the wi FI. Let' s get 85 00:06:30,120 --> 00:06:32,519 back from here. I just stayed in the subject and back there Look, 86 00:06:33,000 --> 00:06:36,920 they think I was the artist. Oh yes, you and Dad were in 87 00:06:38,000 --> 00:06:40,920 that seedling too Erick who didn' t, no, Jose Millo. The 88 00:06:40,959 --> 00:06:45,720 dicoteca is very nice and has very, very nice or bathrooms. It was 89 00:06:45,839 --> 00:06:49,720 a question when I heard it, but the dancers were, dancing like this, 90 00:06:49,839 --> 00:06:53,639 but he really gave me exactly opened to Juan Luis, Yes, Mira, 91 00:06:53,959 --> 00:06:58,040 yes, I want to, but Mira was Rochi cede also people from 92 00:06:58,160 --> 00:07:00,480 but low nui, but Juan Luis was the one who sang. I deserve 93 00:07:00,560 --> 00:07:03,680 what role or they' ll forget Holland, because you see, but look 94 00:07:03,680 --> 00:07:06,279 small about her. Ah but Mira is also what this boy andrés Garcia is 95 00:07:06,319 --> 00:07:10,160 called before what his name is Vicente, Vicente before Gracia. He tells me 96 00:07:10,240 --> 00:07:15,240 that Papera was tiktok before she was an urban artist. I have to say 97 00:07:15,360 --> 00:07:18,800 that in another time, when the algorithm helped me, I didn' t 98 00:07:18,879 --> 00:07:24,040 know all those people and I already know that I tired you so grata in 99 00:07:24,120 --> 00:07:26,759 blues or that you like so blouse, you what has so much blouse. 100 00:07:27,079 --> 00:07:30,439 Of course I know that song. Thanks, buddy, well, I was 101 00:07:30,480 --> 00:07:33,000 over there. I have to say the place. I liked it. The 102 00:07:33,079 --> 00:07:36,839 atmosphere is good, it' s quiet. I didn' t know which 103 00:07:36,839 --> 00:07:42,079 artist I was going to pay for my cover We were going there with a 104 00:07:42,079 --> 00:07:45,439 bunch of fascineros. I didn' t want to go home that day and 105 00:07:45,560 --> 00:07:49,000 went to see myself. I let myself be wrapped in per and the beautiful 106 00:07:49,000 --> 00:07:53,879 paper fur and the beautiful fur. What' s wrong with you, my 107 00:07:53,959 --> 00:07:57,759 God, Alberto, Alberto, I can' t leave you in supervision to 108 00:07:57,879 --> 00:08:03,279 have a good time. So for Mr Luis Manuel, if you know him, 109 00:08:03,680 --> 00:08:07,319 if he was encoded that day, if his partner Bride or whoever he 110 00:08:07,399 --> 00:08:13,040 was didn' t know where he was, he was drinking with me and 111 00:08:13,160 --> 00:08:13,800 they' re asking for coffee and water for you to do the analytics. 112 00:08:15,399 --> 00:08:18,759 I arrived, I arrived at my house that day, at four in the 113 00:08:18,800 --> 00:08:22,040 morning. That was Santa Ella who said it. No. That' s 114 00:08:22,079 --> 00:08:26,319 our usual friend. I' m Manuel, Florian' s name is what 115 00:08:26,360 --> 00:08:28,839 so greetings to him. No, no, no, I turned out fine 116 00:08:30,160 --> 00:08:33,759 and all very well and I didn' t pick up well all of you 117 00:08:33,799 --> 00:08:35,559 here in the city center, in the pass to other speakers. Use the 118 00:08:37,200 --> 00:08:41,440 so on Blusa see let me see that I, honestly, of course, 119 00:08:41,639 --> 00:08:46,480 I felt out of my mind put on a bunch of paper songs to listen 120 00:08:46,679 --> 00:08:48,960 to a pear, but it' s not stuck anything. I don' 121 00:08:48,000 --> 00:08:50,919 t believe it in Blusa hears the light on account, I haven' t 122 00:08:52,440 --> 00:08:54,159 heard it, of course, hear like I didn' t listen to Luinia 123 00:08:54,279 --> 00:08:56,679 talking about him, the goal of the hose. I' m her mom 124 00:08:56,919 --> 00:09:07,600 ' s leaving her outside so you' re in Brusa. I' m 125 00:09:07,840 --> 00:09:11,200 saying you' re so into Blusa. Tigo that you so much in pluza. 126 00:09:11,840 --> 00:09:15,279 I' m saying you' re in Brusa like a duck because I 127 00:09:15,360 --> 00:09:20,200 ' m telling you personal, they' re buying you what' s broken 128 00:09:20,320 --> 00:09:26,440 your ass, you' re getting what you like, you' re getting 129 00:09:26,440 --> 00:09:31,320 poisoned. This also other Binila or it' s called cry and comes out 130 00:09:31,360 --> 00:09:33,720 of the band that puts it. Play that we tone one night. That 131 00:09:33,799 --> 00:09:37,039 woman stole and killed my money with the three of us. You don' 132 00:09:37,159 --> 00:09:39,720 t see how you raise it, not big mouth, hard mouth, and 133 00:09:39,720 --> 00:09:41,960 I don' t know. I don' t like everything short happens I 134 00:09:41,000 --> 00:09:46,720 have hu and give it over time, or this goes and hits it with 135 00:09:46,840 --> 00:09:56,559 the score that' s called the beowu. Not fake. I like mumps 136 00:09:56,600 --> 00:10:03,200 is fine ww. I like you that he' s so mad at you, 137 00:10:03,480 --> 00:10:05,279 you' re the most valuable thing. Mom, you' re very 138 00:10:05,600 --> 00:10:07,200 importacious to offer and the world. But you' ll have the moon, 139 00:10:07,240 --> 00:10:11,000 that' s the brother or I' ll have to worry about it. 140 00:10:11,120 --> 00:10:13,279 I want to invite him to a café to trip me for a while without 141 00:10:13,399 --> 00:10:18,000 delay there is bad faith gloomy fear, and that gives me your color and 142 00:10:18,080 --> 00:10:22,240 I would like to try the pava sia gone. It' s azuau the 143 00:10:22,320 --> 00:10:24,240 moment you have a lot of nervousness. Note another one you call your own 144 00:10:24,399 --> 00:10:33,200 fault. That one I had has potential. Now that I' m stuffed, 145 00:10:33,080 --> 00:10:35,159 you want to get involved so I can pick you up. I also 146 00:10:35,240 --> 00:10:37,399 said you want chul llama, just as dancing you go. Propame per round 147 00:10:37,519 --> 00:10:43,639 alone that the other one is also called. I' m making fun of 148 00:10:43,720 --> 00:10:48,600 her She' s a romantic jack. Yes, thank you well, yes, 149 00:10:48,039 --> 00:10:52,039 and seeing in the crazy half I only looked for myself before I was 150 00:10:52,039 --> 00:10:56,919 a rejecter. They want to see me I love one side coming out this 151 00:10:56,960 --> 00:11:00,960 month The numbers going up I can' t see you. They' re 152 00:11:01,039 --> 00:11:03,320 just living in a man what in this company. Who is what you know 153 00:11:03,360 --> 00:11:09,480 more about urban music in the company Old golden Oli you know of muscle wins 154 00:11:09,480 --> 00:11:11,720 So of course, the goal is parky. I imagine you know about that 155 00:11:11,759 --> 00:11:16,720 sheath. The goldy also the chivato or archive are in that one will go 156 00:11:16,759 --> 00:11:22,240 and Jay Metro also and paintmeters, j Metro, guy doesn' t ta 157 00:11:22,240 --> 00:11:30,440 here no more than Metro tuta again so it' s clear and the subway 158 00:11:30,639 --> 00:11:31,879 or that he' s always drunk, it' s always that good. 159 00:11:33,120 --> 00:11:35,279 And now this girl. The wolf also knows a lot about bo what the 160 00:11:35,360 --> 00:11:41,799 wolf is. It' s the wolf that claribel takes his head. Ma 161 00:11:43,320 --> 00:11:46,120 ' am, you' re a celebrity. But where you work like this 162 00:11:46,159 --> 00:11:48,519 in Grupo Madral Here in Turbo, uh, it' s in Turbo, 163 00:11:52,000 --> 00:11:54,320 ah Ok, well, there' s you imagine Juan Luis Guerra in the 164 00:11:54,399 --> 00:11:58,519 dressing room listening to Pa pera that' s burning. There, there, 165 00:12:00,919 --> 00:12:07,279 cool, stop preting people. Gentlemen, learn from the mistakes of the past 166 00:12:07,759 --> 00:12:11,279 that you say for a whole role because the hills of the past because you 167 00:12:11,320 --> 00:12:16,919 say so. Ah Tedes know no. I don' t know anything I 168 00:12:16,000 --> 00:12:20,320 already want to trust they gave the poor guy. Oh no, I' 169 00:12:20,360 --> 00:12:26,120 m thinking I already told you boy here. Greetings to Luis Manuel Florián, 170 00:12:28,039 --> 00:12:31,519 who will make me stumble dichoteca. What a pod.