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This could get Me Fire podcast?
What up? I'm Jizo. That is

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John Magic and we are back super
excited about today's episode. We have a

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special guest. He's a longtime radio
on their personality, a one time record

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label rep for Sony Music, and
currently the host of a popular, highly

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rated news talk show on our sister
station, Power Talk ninety sixty seven.

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It's called The Trevor carry Show.
Joining us on the pod today, Trevor

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Carrie. Yes, I'm older than
you guys. I'm gonna this is gonna

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be real quick. Because when he
said the say could get me fire podcast,

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I could get me fired? Yeah. No, okay, So you

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know, since it sounds like you
haven't heard that title of our podcast,

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how it came about was this was
when Gizzo was doing the afternoon show.

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Oh well he still does. But
when I came back in the building and

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I would just sit down with him
and commercial breaks and I'm sure you know

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about commercial breaks. It's a good
five minutes, six minutes long. It's

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how I pay my rent. Yeah, exactly. Jess and I would just

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start talking about random topics and then
we would say we wish we could turn

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on the mics and just say what
we're saying right now. And then Joze's

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like, yeah, but that can
get us fired. We looked at each

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other like, that's our podcast title, right. Some of the best radio

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happens in the hallways. And it's
it's it's a thing that it's doesn't come

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natural to people to be natural.
It's acting at times, you're real you

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feel that way, your stories you're
telling and all of that, but it

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really is not. I mean,
right now, was uh are we acting

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kind of right right? Aren't we? The the it's rolling, it's on,

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yeah, yeah, a little bit. It's showmanship, entertainment, it's

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entertainment. We got five seconds these
days to grab people's attention. So I

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think when they when the first words
out of his mouth were this could get

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me fired podcast. That would grab
my ear right. I call it a

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flume first words out of mouth.
And I don't know if you remember that

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training we got from the iHeart guys
from back to East Coast. They were

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saying, hey man, you got
to grab them these days, right,

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And I was like, I already
got a word for that, flume first

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words out of mouth. Wow.
So your poon was good. Oh,

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I appreciate that there's a big podcast
from big Time Personalities in LA that would

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message me and say, you guys
have the best podcast name title name.

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Yeah, we're like really like you
know, I'm just came with it on

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the fly, but I like it
because we have the FCC. Right.

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Yeah. But I always think,
like with Simbad, it was harder to

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be funnier and be not dirty.
Yeah yeah in a way, right,

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it's a skill to that, and
in news talk I gotta have that on

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my show today. Speaker of the
House Mike Johnson, I'm gonna be as

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far as I'll go with it.
I always my mom listens into the sea.

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Yeah, like I try, I
do it like how you would talk

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in a bank line. I'm not
going to say anything on a talk show

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Conservati Grader that I wouldn't say in
a bank line. But speaker Mike Johnson,

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I'm gonna be like, Mike,
why you being such a Johnson?

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That's funny, Yeah, it's like
clean, Yeah, that's me pushing the

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line. Yeah. So wow,
guys, this is exciting stuff that you

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do. How we work together.
I see the sign up here recording though,

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Yeah, yeah, don't entor do
you know that I'm fifty eight years

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old. I started in radio at
seventeen. This is the first time I've

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ever been interviewed. This is Oh
really, how does it fel to be

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on this side? Right? He
just answered the question. You know what

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I've learned by interviewing, and I
know you've probably picked up on this is

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because when the person you ask a
question who's talking? Suddenly your brain goes

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into all right, what am I
going to say next? Yeah? Yeah,

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and you almost don't listen to them, right, Yeah, that's exactly

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where I was going. I do
that. I've gone back and listened to

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interviews I've done and the person on
the other side said something and then my

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grandma shut herself and Blubb was on
the wall, and then I come back.

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I wasn't paying attention. And that's
funny. That is true. That

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does happen. I said in the
beginning on the top of this that I

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was excited about this episode because Trevor
is in a different department in where we

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talk radio, because Jesse and I
are on the music side of it,

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music driven. You're in a news
talk so it's different worlds, but we're

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co workers. And the reason why
I'm super excited is because I've got to

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hang out with Trevor at different events
at live broadcast. You know, one

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of my positions here is sort of
like an acting producer on live on live

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on site broadcast. So I've gotten
to being car rides with him. I've

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gotten to talk to him during commercial
breaks and the stories he has about radio.

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We go to bath houses too,
and I was like, Trevor would

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be a perfect guest. We've had
past radio jocks and we love hearing the

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timeline of how they got into radio. So do you know how weird it

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is to see B ninety five on
the walls right here and to see the

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Marriott across the street when I pull
out every night? When I was twenty

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five years old, just married,
wife worked over there until she was eight

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months pregnant at the front and desk. My daughter born in Clovis, and

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I was just so I was afternoons
at P ninety five. Yeah, see,

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I didn't know that. You didn't
know that I was music director and

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then became programmed direct. Wow.
And then somebody came in and bought it,

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bought the company and said during that
summer, took me to lunch getting

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all the information near my guy.
The day they took over, talk about

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this could get you fired. Podcasts
headed into a firing right here. I

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got a call the night before the
new ownership took over. Granted I just

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had a baby who was an intensive
care and Sacramento who was home and healthy

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now, but that kind of stage
of life where every paycheck is my day

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and I get the call, I'll
show it to work the next day.

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They let eight of us go all
in one day. It wasn't clear channel

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yet or was it already. No, this is back early nineties. It

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was a local guy that bought it
from the receivership. It was in a

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bank receivership and he took it over. Oh wow, and yeah, so

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that boy radio. Have you guys
been fired? I have, I have

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not. I have not. Good
for you and Chizo, You've done a

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long span, man, And if
I if I could think back, I

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would be don't move around as much. Lock yourself in and be and become

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wherever you lock yourself I've been pretty
locked in here. Yeah, yes,

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you have and raised in this city. And so when you were eleven,

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right, yeah, something like that. Exactly how were you when you shart?

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I ride out of high school.
So I was eighteen. He was

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like an insern as John Magic's intern. See I didn't know that. Yeah,

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yeah, you want to interview us. Actually, I am now back

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around. It's while that you mentioned
the marryat because I have ties in that

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too, when I first moved here
about almost twenty five years ago. No,

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no, I'm sorry, that's my
radio career, twenty years of living

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in Fresno. I used to I
had to live at that Marriott when I

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when they moved first moved me here
to Fresno to start the night show until

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I found a spot. I lived
there for like two weeks. You want

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to hear my Marriott story, Go
ahead. She was front desk. That's

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where the phone calls come in.
Right. George Bush President in one nine.

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First George Bush was in Fresno for
a day. He just they just

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needed a place to set up their
offices and for him to hang for a

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minute before a flight or something like
that. He wasn't staying overnight because the

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whole week before the Secret Service was
in clear it was new then, right,

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they were clearing it all out and
checking the phone lines, and I

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was like, just put me through. I was doing afternoon till just just

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just to have them say no,
the President's not available. I just wanted

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that's a good sound by right.
She wouldn't put would yeah? So all

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right, well we always like to
start getting to know somebody. Would Are

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you originally from the valley? Are
you really from here? No? No,

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Born Tennessee, Union City, Tennessee. Lived there until about seven eight,

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moved to Texas, lived there,
moved back to Tennessee, and then

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at thirteen my dad. My dad
was in radio. He was a news

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director and then he became a preacher
and he went back to Seminary Memphis and

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graduated from seminary, and then his
first church was in California. We came

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out to the High Desert in northern
California. So I've lived in California,

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like twenty eight of my fifty eight
years, lived all over California, but

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left it so many times to go
to different places. So it was weird

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man in nineteen seventy nine to move
to California, because man, that as

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a suddenly in seventh grade in Memphis, I was the star because he's moving

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to California. Seriously, you were
like a rock? Is that how people

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looked at California, like it was
a cool place to go. My brother

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and I we'd watched Chips, you
know, same year. Do you know

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how he was asleep when I first
spotted him out Riverside Way. I saw

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him on the freeway when we were
driving, and I woke him up.

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La la la, Look it's it's
chipped when you see you mean, when

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you staw a motorcycle real sea.
I mean it was like driving into a

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magical team day. They felt like
there was celebrities everywhere you looked or something.

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And I think, if you're born
in race here and I tell people,

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I say this on my show that
people in the valley that have been

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born in razed right here. Oh
I just no. Look, you are

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comparing yourself to postcards the Golden Gay
Bridge mouths shoe. Yeah, you know

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all the beauty. Eighty percent of
America would love here because on our weather,

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Yeah, it gets a little hot, but have you gone through humidity

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and Union City, Tennessee. I
was back this summer. It's a killer.

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That's a good point. I think
since we're so close to the La

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and the Bay that we you know, people want to get out of here,

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and they talk so much bad about
Fresno, but like you said,

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it's actually really good here. Yeah, and they don't realize that in Buffalo

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at the ritzy little vegetable fruit places
they have that might be higher priced.

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On the chalkboards they write sam Jai
Quin Valley really seriously. Yeah, it

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means something and people need to realize
that. I think. So you move

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here, like you said, seventy
nine right, yeah, yeah, did

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you know did you understand your dad
what your dad was doing? Did you

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understand he was a radio personality.
He had me in production rooms when I

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was ten. I think that's why
i'm five to five and three quarters because

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I used to balk those old cart
machines to demagnetize them, to race them.

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Oh that's when I started interning.
Yeah, that was the grunt job.

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You don't know about that hunt.
It sounds familiar. Every song,

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every commercial was on like an eight
track kind of thing for a better term

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there. They'd be three minutes long, or the commercial would be thirty seconds.

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I still have one in my living
room. I have a cart at

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the car. But yeah, you
would. That's how you do racing.

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You're racing with a magnet. Yeah, okay, but and you remember when

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they didn't do it right, you
would hear all behind. But Trevor just

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saying that just triggered my memory of
having to do this as an intern,

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because when you felt it, when
it would it would vibrate your great and

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you would like feel that it's eracing, like I don't know it just well

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and neither office are real tall.
My dad's five eleven. My brother is

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about to say something. It was
that demagnetizing, but I listen. I

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love baseball. I would wear my
little league uniform to school on game days.

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I've got to interview Steve Garvey recently. I loved baseball. But when

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on Saturdays, when my dad was
a general manager in Austin of KIXL,

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he would go in on Saturday mornings
like to do extra work, and I

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would get to go with him,
and that's when I would demagnetize. And

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then he would turn on the reel
to reel and I got to turn the

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mic on and say things into it, and I knew how to stop it

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and rewind it. It was like
a cassette player, you know the volume.

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So that was when it really started. All right, then, what

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so you grow up? When was
the first radio gig, like what's the

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story on? My dad saw me
after he became a preacher, and I

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didn't have access to those production rooms
anymore. That was kind of a So

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I had my Hatachi stereo and i'd
had the turntable on and I would record

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commercials onto cassette from the radio right
KFI the mighty six ninety. I would

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record the commercial, so I had
commercials on a cassette, So I would

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talk at as the record was ending, and I'd turn the volume down and

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then flip it. I'm still talking
blah blah blah. I'd flip it over

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to cassette and then we'll be back
with the latest from Olivy Newton John next,

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and I'd hit the car. I
was just practicing in mac you were

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playing radio yeah, And he said
he saw me doing that, and so

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he took me down to twelve forty
Klaway in Ridgecrest John and Beth Quigley,

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I remember their names, the older
couple that owned it. And my dad

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said, he's did some stuff and
he's doing it in his room. Where's

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Rich I'm sorry. Lancaster, Palmdale, North You go to Bakersfeld fifty eight

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when you're going to Vegas, you
go north. It's China Lake Naval Weapon

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Center up there. But they had
that was their only radio station, twelve

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forty KL away. You could get
KOs from LA and the rock station.

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Yes it was say it was a
little mom pause station. So get he

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goes here. He went over to
the teletype the news. He ripped something

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off. He goes here, go
in this room. He had play record.

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He goes read it and close the
door behind me. How old were

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you at this? Seventeen? So
I'm in there and I'm reading it,

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and I don't remember the interview after. But I ended up doing Saturday and

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Sunday nights on twelve four doing it. So everybody in high school's out having

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a great time every Saturday Sunday night
and you're losing the Occasionally they would flip

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00:13:33.320 --> 00:13:35.600
over and listen to me. But
uh, yeah, so I did that

206
00:13:37.039 --> 00:13:41.799
Conna station. Was this They called
it middle of the Road. I know

207
00:13:41.840 --> 00:13:45.080
the first record I played a Livy
Noon John and John Travolta to the time

208
00:13:45.399 --> 00:13:50.759
Wow. And then I go up
to school Junior College in Chico, move

209
00:13:50.840 --> 00:13:52.399
up best room from high school,
and I'm like, I got to get

210
00:13:52.399 --> 00:13:56.919
a radio job. I'm working at
Swinson's ice Cream and Miller's out Post,

211
00:13:56.000 --> 00:14:01.799
two jobs that summer to get money
going. And this girl at Swinson's ice

212
00:14:01.840 --> 00:14:05.000
Cream goes. My boyfriend's a program
director at Chico State Radio station. I

213
00:14:05.039 --> 00:14:09.480
go, really she and she goes, and all the students go home,

214
00:14:09.519 --> 00:14:13.519
and there's nobody look at that opportunity. So I go over there and I

215
00:14:13.559 --> 00:14:18.720
walk in and they got like baby
dolls nailed to the wall, unk rock

216
00:14:18.879 --> 00:14:20.840
right on there. My dodger hat, my op's kind of like, hey

217
00:14:20.879 --> 00:14:24.080
man, and the dude let me
go in and do a demo. I

218
00:14:24.120 --> 00:14:26.240
took that real reel. I go, hey, can I take this home

219
00:14:26.279 --> 00:14:30.360
and record it? And he goes, yeah, man, I guess whatever

220
00:14:30.960 --> 00:14:35.240
you know. So I immediately took
it up to FM ninety seven KMVR Paradise,

221
00:14:35.320 --> 00:14:37.240
Chico, the top forty station up
there, and I knock. I

222
00:14:37.360 --> 00:14:41.360
left it for the guy. Oh, he'll get back with you, Andy

223
00:14:41.440 --> 00:14:43.480
Manuel, I remember his name,
he'll get back to you. And he

224
00:14:43.519 --> 00:14:46.559
didn't get back to me. So
I go back up there. Well,

225
00:14:46.600 --> 00:14:48.320
he didn't have time right now.
Three or four times, but it was

226
00:14:48.320 --> 00:14:52.519
one of these stations where you could
see the DJ it burned down in that

227
00:14:52.559 --> 00:14:56.000
Paradise fire. By the way,
this building was an old Victorian ice cream

228
00:14:56.080 --> 00:14:58.000
store on the bottom and the radio
station above, and you could see the

229
00:14:58.080 --> 00:15:03.039
DJ on the ara there. That's
actually kind of cool. Yeah up there

230
00:15:03.039 --> 00:15:05.919
at two am in the morning overnight
though it may not be too cool.

231
00:15:05.159 --> 00:15:09.159
But I went up front the window, waved my arms and did the like

232
00:15:09.240 --> 00:15:15.480
the pinky the phone signal signal,
like why aren't you calling? Why want?

233
00:15:15.840 --> 00:15:18.519
So I kept bugging him and so
he calls me. He goes,

234
00:15:18.879 --> 00:15:22.879
do you want to do the Top
forty countdown Saturday night? Yeah, all

235
00:15:24.000 --> 00:15:26.879
right, you're you're in. I
told everybody listen, I'm gonna do the

236
00:15:26.919 --> 00:15:30.519
Top forty count And I didn't know
how to do a top party countdown,

237
00:15:30.559 --> 00:15:33.000
but I was gonna go do it. I get there and it's Casey Casem.

238
00:15:33.039 --> 00:15:37.360
He didn't. I'm just board opping
it. So I told everybody to

239
00:15:37.440 --> 00:15:41.000
listen to me, spread the word
around and I couldn't say a word,

240
00:15:41.039 --> 00:15:43.320
but hey, it was the start. Yeah, yeah, that's how I

241
00:15:43.360 --> 00:15:45.759
started on the boards. You know
what I'm saying. Yeah, But what's

242
00:15:45.799 --> 00:15:48.360
funny is hearing Trevor's story. It's
it's the same story that we hear from

243
00:15:48.399 --> 00:15:52.879
you, from me, from Carmen. We just did c K is that

244
00:15:52.360 --> 00:15:54.480
we weren't gonna No one was gonna
tell us no, you know what I'm

245
00:15:54.480 --> 00:15:58.000
saying. You're gonna answer the phone
call, you're gonna do, You're gonna

246
00:15:58.000 --> 00:16:00.840
hear my air check. And we
all share that same story, which is

247
00:16:00.879 --> 00:16:03.519
great, which is probably why we're
still here. I guess yeah. And

248
00:16:03.559 --> 00:16:07.159
it's a love. And I think
the reason you wanted to talk to me

249
00:16:07.279 --> 00:16:08.759
was the record thing. And do
you know when I got out of radio

250
00:16:08.759 --> 00:16:14.960
and went to records, I took
artists to radio stations and it was so

251
00:16:15.759 --> 00:16:19.840
miserable because I still love radio.
Was this after the Chicos things. This

252
00:16:21.000 --> 00:16:23.480
okay, I'm gonna close my eyes
and I'm gonna give you ready, this

253
00:16:23.559 --> 00:16:29.200
is the GPS, this is just
radio. I'm gonna have to close my

254
00:16:29.200 --> 00:16:33.960
eyes. We see Chico, Marysville, Santa Rosa, Colorado, strings Reno,

255
00:16:34.759 --> 00:16:41.399
Fresno, Kansas City, San Jose, Phoenix. You did all those

256
00:16:41.399 --> 00:16:47.759
cities, all those cities. Wow. And then in Phoenix that's when the

257
00:16:47.840 --> 00:16:52.759
radio or the record thing opened up. I was twenty nine thirty and I

258
00:16:52.799 --> 00:16:56.240
thought, well, I want to
go try something different, you know,

259
00:16:56.039 --> 00:17:00.799
and yeah, Relativity, Sony Sony, a bunch of different labels. Relativity

260
00:17:00.960 --> 00:17:07.000
was their street label at the time. Bone Thugs and Harmony and Let's see

261
00:17:07.319 --> 00:17:11.440
Common three six months via H Town, eight Ball, MJG, Fat Joe,

262
00:17:11.480 --> 00:17:14.440
the beat Nuts, you remember those
names. Yeah, these were all

263
00:17:14.559 --> 00:17:19.319
songs artists that I was playing during
the beginning of my clubbing days. I

264
00:17:19.319 --> 00:17:22.640
want to reverse real quick, because
you did say you were in fresent at

265
00:17:22.680 --> 00:17:25.480
that time. Is that when you
were here at ninety five? Yeah?

266
00:17:25.519 --> 00:17:29.240
So what was the format at that
time? The Killer b B ninety five

267
00:17:29.319 --> 00:17:33.680
men you got to live and learn. Let me see we uhre LC boys

268
00:17:33.759 --> 00:17:40.400
to men We yeah, forty well
it was they called it rhythm crossover,

269
00:17:40.599 --> 00:17:44.960
okay, yeah, and so it
was. Yeah, rap was played as

270
00:17:44.960 --> 00:17:48.079
well, but more date parted then
I think I did nights. I remember

271
00:17:48.119 --> 00:17:51.920
more rap was that during that night? Yeah? Yeah, that was a

272
00:17:52.000 --> 00:17:55.960
violent time though it was. The
crime was way worse that time period than

273
00:17:56.000 --> 00:18:00.960
it is now. So it was
the Peace on the Street. We actually

274
00:18:00.960 --> 00:18:03.920
had sweepers. It said Peace on
the Street. We stole it from a

275
00:18:03.960 --> 00:18:07.400
station in San Francisco that was airing
it. But yeah. Yeah, I

276
00:18:07.519 --> 00:18:10.200
was wondering. I wonder if that
was during the time of when LA was

277
00:18:10.279 --> 00:18:12.559
like no color lines, because they
had those. Yeah. Yeah, it

278
00:18:12.599 --> 00:18:15.920
was after Rodney teen, Yeah,
the early nineties. Yeah, yeah,

279
00:18:17.039 --> 00:18:19.240
all right, addressing the violence.
So how long were you in radio during

280
00:18:19.400 --> 00:18:25.200
during that time before he became a
rep? Got into it in nineteen eighty

281
00:18:25.240 --> 00:18:30.240
three and got out of it in
nineteen ninety five. Okay, so I

282
00:18:30.279 --> 00:18:33.880
went twelve years. Yeah, on
the first round. Now there's second Round's

283
00:18:33.920 --> 00:18:38.039
been a whole different journey doing news
talk. But yeah, the guy that

284
00:18:38.119 --> 00:18:41.920
hey, and it always goes to
show be cool to people. Because when

285
00:18:41.920 --> 00:18:45.079
I was a music director at Hot
ninety seven seven in San Jose, this

286
00:18:45.160 --> 00:18:48.599
guy his name was Kevin Carroll.
He worked for a label and he got

287
00:18:48.640 --> 00:18:51.079
and I met him just a few
times, didn't know him that well,

288
00:18:51.200 --> 00:18:53.680
but he got fired and they said, heybody wants to reach out, and

289
00:18:53.720 --> 00:18:56.960
they his number was on there,
you know, pre internet days, his

290
00:18:57.039 --> 00:19:00.640
number was on there. So I
just left him voicemail at his house.

291
00:19:00.680 --> 00:19:03.319
I said, hey, man,
you were a nice guy. If I

292
00:19:03.319 --> 00:19:07.440
hear anybody saying anything open, I'll
let you know. And that was it.

293
00:19:07.480 --> 00:19:10.279
But it stuck in his head obviously, because he called me back and

294
00:19:10.319 --> 00:19:12.440
said, I got in LA opening. Are you interested in records? And

295
00:19:12.480 --> 00:19:15.759
I said, oh wait, I'd
already been to an RCA interview where I

296
00:19:15.880 --> 00:19:22.640
thought I was hired so much my
mom made an RCA cake a really right,

297
00:19:22.759 --> 00:19:26.920
But it ended up that's how weird
the record company is that. But

298
00:19:26.200 --> 00:19:30.839
I got the job in LA being
West Coast at a time when rap talk

299
00:19:30.880 --> 00:19:36.799
about violent. Yeah, nineteen ninety
five and then ninety six and ninety seven,

300
00:19:37.160 --> 00:19:41.000
Yeah, that was the shoot him
up Tupop Biggie days. Yeah.

301
00:19:40.839 --> 00:19:45.160
Yeah. Were you over the radio
thing at this point? I thought I

302
00:19:45.319 --> 00:19:48.599
was until I went out to radio
stations and wanted to be behind, you

303
00:19:48.599 --> 00:19:52.079
know, sitting at the board.
Yeah, so I you know, at

304
00:19:52.079 --> 00:19:55.200
the time, yeah, it paid
better. It was a little bit more

305
00:19:55.279 --> 00:20:00.440
stable. I thought, you know, rais rising up the rain, you

306
00:20:00.480 --> 00:20:03.480
know, a lot of traveling,
right, Uh yeah, yeah, that

307
00:20:03.640 --> 00:20:06.599
was kind of the downside of it. So you were taking these artists to

308
00:20:06.680 --> 00:20:08.519
different radio stations and doing the radio
runs in the hall and you want to

309
00:20:08.519 --> 00:20:11.119
hear my first story, and I
know, you guys know this artist Kid

310
00:20:11.160 --> 00:20:15.839
Frost, Kid Frost. Yeah,
so New York calls me, and I'm

311
00:20:15.279 --> 00:20:18.759
sitting in the office like three days
because the national guy there had there was

312
00:20:18.799 --> 00:20:22.200
a death in his family, so
he would have been showing me the roads

313
00:20:22.200 --> 00:20:25.000
that he wasn't in the office.
So there really wasn't much at the distribution

314
00:20:25.160 --> 00:20:29.400
center there with the label in La
there wasn't a boss or a manager for

315
00:20:29.519 --> 00:20:33.920
the label at that first few days. And I get this call town car

316
00:20:33.960 --> 00:20:37.839
is going to pick you up,
take you out to Riverside, zimmerdywards and

317
00:20:37.839 --> 00:20:41.039
you're gonna pick up kid Frost and
take him down to a Jamin Z ninety

318
00:20:41.079 --> 00:20:45.000
in San Diego. So that was
like leave it now kind of thing.

319
00:20:45.440 --> 00:20:48.839
Oh out there and then down that
was a hall, right, but that's

320
00:20:48.880 --> 00:20:52.680
how we got the artist to a
radio station event. So oh, excuse

321
00:20:52.720 --> 00:20:56.319
me. Wasn't a town card was
a limo because it pulls up in front

322
00:20:56.359 --> 00:20:59.559
of Frost's house and it's a you
know, as you know, a lot

323
00:20:59.559 --> 00:21:03.039
of people think these artists are really
really rich and what them aren't, right,

324
00:21:03.319 --> 00:21:07.640
especially when they start out. It
was a normal middle class house and

325
00:21:07.799 --> 00:21:11.839
with the grass grown up in the
front, and I go up and knock,

326
00:21:11.960 --> 00:21:14.119
hey man, how you doing?
Very friendly? Nice? Give me

327
00:21:14.119 --> 00:21:15.960
a minute, Give me a minute. The sun's there, and he had

328
00:21:15.000 --> 00:21:18.440
a football, and so we start
throwing the football in the front yard and

329
00:21:18.480 --> 00:21:22.720
a little bit of high grass of
the football. Here comes Frost all right,

330
00:21:22.759 --> 00:21:26.759
Hey see you there's I get in
first because I'm going to slide all

331
00:21:26.759 --> 00:21:30.519
the way to the front and let
him sit like Elvis. Right, what

332
00:21:30.640 --> 00:21:34.160
did I step in in that front
yard thing? Oh? No, stuff

333
00:21:34.200 --> 00:21:41.240
that ship? Yeah, and I
drug it across the carpet of the limo.

334
00:21:41.359 --> 00:21:48.079
Right, your feet dragged when you're
slight. Ye, So we get

335
00:21:48.119 --> 00:21:49.880
it. Hey, how you doing
it? Man? You know Frost cross,

336
00:21:51.440 --> 00:21:56.480
It's gonna be a good night.
And we start driving. Oh man,

337
00:21:56.559 --> 00:22:02.799
I oh dude, and ready for
his line he could have been made.

338
00:22:03.880 --> 00:22:07.599
Will stop at kmart and get you
some kids. Hey, that was

339
00:22:07.680 --> 00:22:11.920
his line. That's cool. Did
you guys do it? I went into

340
00:22:11.960 --> 00:22:15.079
a gas station bathroom. I don't
need to get into this. I cleaned

341
00:22:15.119 --> 00:22:18.480
the shoes off, paper, towels
and soap and did the best. But

342
00:22:18.519 --> 00:22:22.839
that was my star. Embarrassing and
in front of artists. And I'll give

343
00:22:22.880 --> 00:22:26.640
you another one. Almost getting fired
within probably the first year, yeah,

344
00:22:26.880 --> 00:22:30.279
or maybe six. We have to
go back. We could guys a record

345
00:22:30.319 --> 00:22:34.799
label rep right now. Bone obviously
an established artists by the time I got

346
00:22:34.799 --> 00:22:38.559
there because I played him in my
in radio days in San Jose and Phoenix

347
00:22:38.599 --> 00:22:44.240
Bone you know they yeah, And
I had do you guys ever know Pete

348
00:22:44.240 --> 00:22:48.839
Manrikez that name. He was my
intern in San Jose that years later was

349
00:22:48.960 --> 00:22:53.000
the music director at Power Wino six. So it was can you imagine your

350
00:22:53.119 --> 00:22:57.160
job being, Hey, it's your
job to go hang out with one of

351
00:22:57.240 --> 00:23:03.839
your good friends and you have a
credit card to pay for whatever, yeah,

352
00:23:03.880 --> 00:23:07.880
for the radio, and so it's
like we're working, just going jet

353
00:23:07.920 --> 00:23:14.400
skime. We're sitting down on was
it Burbank Avenue there, Power whintw six

354
00:23:14.559 --> 00:23:15.839
was in his car went I think
it was a weekend. Yeah, it

355
00:23:15.920 --> 00:23:18.880
was a weekend. It was a
Saturday, and I said, hey,

356
00:23:19.119 --> 00:23:25.000
listen to this cassette I got.
They went in and remixed the Crossroads because

357
00:23:25.279 --> 00:23:30.000
the first album came out Crossroad sounds
different. They did that DJ Unique mix.

358
00:23:30.079 --> 00:23:32.440
I remixed on it, but it
was set on a cassette. He

359
00:23:32.480 --> 00:23:36.240
popped it in his car and it's
the Crossroads you know now sounding, and

360
00:23:36.279 --> 00:23:41.119
he went he went upstairs at Power
Window six and carted carted that thing up

361
00:23:41.640 --> 00:23:45.839
and played it on the air all
weekend. Wow, and those are the

362
00:23:45.920 --> 00:23:51.279
days of calling when the phone lines
blew up? What is this? It's

363
00:23:51.279 --> 00:23:55.759
not in the record stores, it's
not on a video. What in the

364
00:23:55.920 --> 00:23:59.880
where it? But you know what
this? Remember? Somehow almost got fired.

365
00:24:00.640 --> 00:24:04.319
There's another station in LA called ninety
two three the Beat. So these

366
00:24:04.319 --> 00:24:07.880
are the stations I grew up.
Yeah, they're they're competitors. And you

367
00:24:07.880 --> 00:24:11.160
know, as a record company,
you want to you want to be republican.

368
00:24:11.640 --> 00:24:15.079
Yeah, you want to balance if
you do something, if I want

369
00:24:15.079 --> 00:24:18.880
to say, you do something with
the beat. But here it seems like

370
00:24:19.359 --> 00:24:22.279
look what we shuffled to them first, and they're playing it, and you

371
00:24:22.279 --> 00:24:26.599
would do it on the weekend to
when the offices are closed. Yeah.

372
00:24:26.640 --> 00:24:30.680
So by Sunday night, I'm thinking, hey, all right, this is

373
00:24:30.720 --> 00:24:34.039
good. Power's playing, you know, a new guy not realizing. And

374
00:24:34.200 --> 00:24:37.400
I get a call Sunday night about
things I never heard of, like a

375
00:24:37.519 --> 00:24:42.279
cease and desist. An attorney's been
sent out, and Tommy Thompson, the

376
00:24:42.359 --> 00:24:48.759
VP of Urban, is calling for
your job. Right, because that's a

377
00:24:48.799 --> 00:24:51.799
mess up. I messed up,
right, I messed up so good that

378
00:24:51.799 --> 00:24:53.680
that song at the number one.
They forgot about it, and I was

379
00:24:53.720 --> 00:24:57.119
promoted to New York. So there
you go, oh wow a little later.

380
00:24:57.559 --> 00:25:00.319
Yeah, but yeah, I went
through that. Okay, I'm done.

381
00:25:00.359 --> 00:25:03.440
I tried it for less than a
year. It didn't work. I

382
00:25:03.480 --> 00:25:06.680
got fired. That's what I was
thinking going into that Monday. Yeah.

383
00:25:07.200 --> 00:25:08.559
So every time I hear that song, I think I didn't get fired the

384
00:25:08.599 --> 00:25:12.559
Crossroads. I did not get fired
on that one. Uh, Okay,

385
00:25:12.640 --> 00:25:15.720
you want to talk about artists not
making as much money. When I first

386
00:25:15.759 --> 00:25:22.240
got started, Bone Thugs was being
nominated at the American Music Awards, and

387
00:25:22.359 --> 00:25:25.240
my boss was coming out when the
bosses whom New York was coming out,

388
00:25:25.519 --> 00:25:27.160
and he's like, hey, we're
gonna, uh, we're gonna get the

389
00:25:27.279 --> 00:25:30.559
music director and program director from the
Beat to go with us. You know,

390
00:25:30.599 --> 00:25:36.839
we got to do good now,
right and I I let me see,

391
00:25:36.880 --> 00:25:40.039
we just got going. I remember
I just had borrowed money for my

392
00:25:40.160 --> 00:25:42.599
dad to hook up PG and E
service. That's that's where the money was

393
00:25:42.640 --> 00:25:45.920
at at that moment, right,
married two kids. At this point,

394
00:25:47.240 --> 00:25:51.759
LA deposits all this kind of stuff. So it goes to show you're getting

395
00:25:51.759 --> 00:25:53.680
out the American Music Awards and a
limo and you just had to ask your

396
00:25:53.759 --> 00:25:57.559
dad to borrow PG. Yeah.
So the Beat guys ended up they couldn't

397
00:25:57.599 --> 00:26:00.079
go. They ended up they could
and go this. So we had two

398
00:26:00.240 --> 00:26:06.559
extra fifth row right American Musical Ward
tickets with a n after party. So

399
00:26:06.680 --> 00:26:08.160
my boss and I'm like, well, they're just gonna put fillers in the

400
00:26:08.200 --> 00:26:12.039
seat, people dressed up. I
go. Knowing I didn't have much money,

401
00:26:12.039 --> 00:26:15.519
I said, hey, let me
go. Let me so I did

402
00:26:15.559 --> 00:26:18.720
the Yeah, oh, I profiled
because I didn't want to pick a lunatic

403
00:26:18.839 --> 00:26:25.079
that would get me called when they
run and tackle Mariah Carey live on the

404
00:26:25.119 --> 00:26:27.799
New York Feed. But I was
like, hey, I found this couple

405
00:26:27.839 --> 00:26:30.920
and they looked like I said,
hey, face value, no more than

406
00:26:30.920 --> 00:26:33.240
face value. It was almost like
three hundred each or something. He's like

407
00:26:33.319 --> 00:26:37.799
yeah, yeah, gosh, yeah
that Quickly I went back to my boss

408
00:26:37.279 --> 00:26:41.079
split half said here you go,
man, there you go. So they

409
00:26:41.119 --> 00:26:44.720
sat next to me the whole time. You think I'd remember their names,

410
00:26:44.720 --> 00:26:48.599
but that was you know, getting
out of the lima limo with hardly any

411
00:26:48.599 --> 00:26:52.599
money in your bank account. Sure, I wasn't the only one after the

412
00:26:52.640 --> 00:26:59.480
record label run? When was it
where you decided to get back consider the

413
00:26:59.559 --> 00:27:04.319
radio game. I know the I
know the exactly I go this story.

414
00:27:04.319 --> 00:27:10.000
You'll know why. I worked in
New York and saw how much indies made

415
00:27:10.400 --> 00:27:15.039
independent. Yeah, yet the guys
that Attorney General New York of Elliott Spitzer

416
00:27:15.079 --> 00:27:18.039
went after them. And now,
right, it don't matter what company you

417
00:27:18.039 --> 00:27:22.079
work at, right, there's always
ad adndum at the bottom. We take

418
00:27:22.160 --> 00:27:26.079
training right online, training about Paola, where we're all trained on what you

419
00:27:26.200 --> 00:27:30.440
can and cannot do. Jizo can't
have a buddy that has a fish restaurant

420
00:27:30.440 --> 00:27:33.880
and just off the cup, like, hey, what a great fish restaurant.

421
00:27:33.920 --> 00:27:37.400
Here address, and here's he's got
to go through the sales department.

422
00:27:37.480 --> 00:27:41.480
So there was a lot of Plugola
Paola in radio going way back in the

423
00:27:41.599 --> 00:27:45.559
days. Right, But these guys, the independence, I think it's around

424
00:27:45.559 --> 00:27:48.160
two thousand and seven, they got
popped in. It really kind of burst

425
00:27:48.559 --> 00:27:53.440
the bubble. But I saw the
invoices we were paying these independent guys,

426
00:27:53.880 --> 00:27:59.599
and I thought, all it takes
is relationships in radio to be an independent,

427
00:27:59.680 --> 00:28:04.039
That's all that it is. And
I said, I have those so

428
00:28:04.480 --> 00:28:08.160
make long story real long, moved
back to California, started detections of music,

429
00:28:08.200 --> 00:28:14.200
my own company named after my first
son, Dominic dom Detections of Music

430
00:28:14.319 --> 00:28:18.519
dom and I got a few stations, went with McCluskey and Chicago who funded

431
00:28:18.519 --> 00:28:21.160
it, and I was making more
money than I ever made my life.

432
00:28:21.160 --> 00:28:23.519
And I was working a day and
a half a week. I mean,

433
00:28:25.440 --> 00:28:27.960
because I don't want to get into
the whole world of how independence blocked the

434
00:28:29.000 --> 00:28:33.920
record companies from how they forced them
to work with them, because that really

435
00:28:33.039 --> 00:28:37.839
was the whole setup out there.
It was all above board, but they

436
00:28:37.960 --> 00:28:42.880
blew it up with Elliott Spitzer.
But I was taking some promotional CDs off

437
00:28:42.920 --> 00:28:47.119
to the side of the answer Your
Question to the side of the house to

438
00:28:47.160 --> 00:28:51.200
throw them away from my truck,
and my son, who's now thirty in

439
00:28:51.240 --> 00:28:53.480
the Air Force, was eight on
his bike. Dad, damn, wait,

440
00:28:53.480 --> 00:28:57.039
don't's music away? What are you
doing? And I said, it's

441
00:28:57.079 --> 00:29:00.359
not good music, Dominic like it
was something I let them eight ball and

442
00:29:00.599 --> 00:29:03.720
mjby, I don't want my eight
year old. Now I go, it's

443
00:29:03.759 --> 00:29:07.440
not good music Dominica go, And
he goes, why did they send it

444
00:29:07.480 --> 00:29:14.440
to you? I had a moment
of stun like hypocrisy because I was protect

445
00:29:14.559 --> 00:29:17.720
I shield them from you know,
they got to listen to what I mean.

446
00:29:17.759 --> 00:29:21.519
It was so fun to have people
and that would send Hillary Duff advanced

447
00:29:21.519 --> 00:29:25.359
stuff to my daughter. You know, they were all into music and what

448
00:29:25.519 --> 00:29:29.160
were the boy bands? I can't
eating we're all into that. I didn't

449
00:29:29.160 --> 00:29:30.920
want him in the eight ball and
MJG kind of crap, That's what I

450
00:29:32.000 --> 00:29:36.880
was throwing away. But I shielded
them from stuff that I knew I was

451
00:29:37.440 --> 00:29:41.200
promoting to other other kids. And
it's kind of like I felt like I

452
00:29:41.200 --> 00:29:45.160
said, go ride your bike,
and it bothered me for months. And

453
00:29:45.000 --> 00:29:49.799
I told the wife at the time
to a divorce that I felt like,

454
00:29:51.039 --> 00:29:53.680
I want to try news talk radio. And I was kind of quietly.

455
00:29:55.039 --> 00:29:57.759
You didn't go to college. Neither
did Rush Limbaugh. More. I listened

456
00:29:57.759 --> 00:30:03.039
to Glenn Beck's and in my office, to my independent production music office down

457
00:30:03.079 --> 00:30:06.599
there. You know, working a
day and a half gives you a lot

458
00:30:06.640 --> 00:30:08.200
of time to listen to news talk. And I listened more and more.

459
00:30:08.200 --> 00:30:11.240
And I'd always listen to Rush,
and I was always into politics. But

460
00:30:11.720 --> 00:30:18.519
I thought I can't talk for three
yeah, and I Eventually, after talking

461
00:30:18.519 --> 00:30:21.839
to a pastor the church, I
went to, can you imagine getting advice

462
00:30:21.839 --> 00:30:26.160
from a man that looks like and
talks like Martin Luther King? That would

463
00:30:26.200 --> 00:30:29.400
make you listen? I mean,
Pastor read it, read it? Andrew,

464
00:30:29.519 --> 00:30:32.559
he was dead on Martin Luther King. So he's like, Trevor,

465
00:30:32.920 --> 00:30:34.839
is what you're involved in? Because
you know, there's a lot of dealings

466
00:30:34.839 --> 00:30:38.319
that were going. Is it?
Is it on the up and up?

467
00:30:38.359 --> 00:30:42.039
Is it? Is it good or
evil? There's a lot of evil.

468
00:30:42.319 --> 00:30:45.119
Well even after some evil. I
said yeah. He said, well,

469
00:30:45.119 --> 00:30:48.839
then you know what God wants you
to do? And I didn't do it.

470
00:30:48.880 --> 00:30:51.920
I thought God wanted me to do. I kept doing it for a

471
00:30:51.920 --> 00:30:53.200
while, right, but then I
just like, do I want to do

472
00:30:53.240 --> 00:30:56.920
this or as? Is this what
I want to? You know, other

473
00:30:56.000 --> 00:31:02.079
people's talent being based I'm good or
not? You know, hey, good

474
00:31:02.160 --> 00:31:04.200
job or not good job? Based
on how good somebody else sang or raped

475
00:31:04.319 --> 00:31:07.519
or something. It kind of felt
a little empty and shallow, even though

476
00:31:07.519 --> 00:31:11.359
it was it paid good money to
do it. But I just said I'm

477
00:31:11.359 --> 00:31:15.839
gonna try news talk and I did
and it worked. You know, Jesse

478
00:31:15.960 --> 00:31:18.440
and I come from like we said
the music side of it, where we

479
00:31:18.480 --> 00:31:22.599
would turn in air checks. That's
how that's how I was trying to get

480
00:31:22.599 --> 00:31:27.200
an audition by turning in a sample
of how we would sound on the radio.

481
00:31:27.480 --> 00:31:30.720
How does it work for news talk? How did you? How did

482
00:31:30.759 --> 00:31:34.359
you look for a job? You
know what? I did that industry to

483
00:31:34.400 --> 00:31:37.960
get started. While we were in
the process of the divorce, we went

484
00:31:37.960 --> 00:31:40.400
back to Colorado. Both set your
grandparents were back there. So I got

485
00:31:40.400 --> 00:31:42.079
a job at Alis one O five
nine in Denver to have a production room,

486
00:31:42.160 --> 00:31:47.039
right, And so I would listen
to KOA, one of our iHeart

487
00:31:47.039 --> 00:31:49.759
stations in Denver, news talk,
and I would literally with a pen and

488
00:31:49.839 --> 00:31:55.000
paper write down what they were saying. And then I went back and put

489
00:31:55.000 --> 00:31:59.440
it into my own kind of words
and just made a demo and mailed it

490
00:31:59.480 --> 00:32:02.039
out. And there was a talk
station in Denver back when American Idol was

491
00:32:02.079 --> 00:32:07.759
just starting they did called talk Idol, send in your three minutes and bill

492
00:32:07.839 --> 00:32:10.440
if we almost like one of like
our want to be a DJ. He

493
00:32:10.519 --> 00:32:15.440
did those. Yeah. Yeah,
So for talk radio there was something like

494
00:32:15.480 --> 00:32:17.799
that as a contest Talk Idol.
Yeah, that's funny. And I was

495
00:32:17.839 --> 00:32:22.519
coming back from a divorce family court
thing in California. My dad picked me

496
00:32:22.559 --> 00:32:25.599
up the airport in Denver and goes, oh, you got a call.

497
00:32:27.480 --> 00:32:30.000
They want you to do the audition
for the talk, and I'm like at

498
00:32:30.000 --> 00:32:32.720
that moment, I was like,
no, I'm not doing it. And

499
00:32:32.839 --> 00:32:36.720
that was my first thing when it
was real. I thought, you kind

500
00:32:36.759 --> 00:32:37.359
of shook. Oh yeah, I
was like, I can't. I can

501
00:32:37.440 --> 00:32:42.599
talk for a little while and some
music going, but no. I walked

502
00:32:42.599 --> 00:32:45.079
into that audition with a suitcase like
I was going on an airplane. I

503
00:32:45.119 --> 00:32:50.880
had that much prep. I couldn't
talked for two weeks, and I was

504
00:32:50.920 --> 00:32:53.599
amazed how little of it I went
through that first. But if I went

505
00:32:53.640 --> 00:32:57.640
back and listen to that now,
it's horrible. Yeah, that's what I

506
00:32:57.680 --> 00:33:00.720
think about. Listening to that old
air checks probably sounds so bad. I

507
00:33:00.759 --> 00:33:04.240
have mine. I have a suitcase
of cassettes from eighty four on. Really,

508
00:33:04.359 --> 00:33:06.680
we were just talking about that.
I wish I would have saved mine.

509
00:33:06.720 --> 00:33:08.359
I don't have any of my cassettes
anymore. It's weird. I can

510
00:33:08.759 --> 00:33:12.839
do a break. Here's somebody laugh
in the background, and remember who it

511
00:33:12.960 --> 00:33:15.960
was, Oh wow, and that
they were holding a dairy Queen Freezy.

512
00:33:15.039 --> 00:33:17.720
You know the memories come back.
Listen to those old air checks. Did

513
00:33:17.720 --> 00:33:23.480
you win that idol concess? No? The station changed format a few months,

514
00:33:23.640 --> 00:33:28.119
and then I got an audition in
Albuquerque, and then are you this

515
00:33:28.160 --> 00:33:32.359
has a way way way local tie
in here? I was mailing it out

516
00:33:32.440 --> 00:33:36.160
everywhere, and I would even get
people call back and go, are you

517
00:33:36.200 --> 00:33:39.160
on koa? Because I used their
imaging eight to fifty KOA? And then

518
00:33:39.160 --> 00:33:42.880
it meets I made it sound real. I said, no, it's just

519
00:33:42.880 --> 00:33:46.960
something I've made up in the in
there. But it was a program director

520
00:33:46.960 --> 00:33:52.319
in Bakershield named Blake Taylor who's over
with Cumulus at KMJ here our competitor to

521
00:33:52.440 --> 00:33:57.599
power TUK. So he calls me
from Bakersfield he went, and he goes,

522
00:33:57.640 --> 00:34:00.640
hey, we got a night opening. You interested? Yeah, Wow,

523
00:34:00.079 --> 00:34:02.200
Yeah, And it ended up they
didn't have the budget for it,

524
00:34:02.640 --> 00:34:07.000
so it didn't happen. But he
just by chance happened to be on the

525
00:34:07.000 --> 00:34:10.519
phone talking to a general manager in
Colorado, north of Denver and Greeley.

526
00:34:10.880 --> 00:34:14.760
He goes, there's a guy in
Denver there that's looking to do talk.

527
00:34:15.480 --> 00:34:20.280
So he put us together and I
bartered I did chicken for a bag of

528
00:34:20.360 --> 00:34:22.039
grain. I said, you give
me ten at night till one in the

529
00:34:22.079 --> 00:34:28.000
morning, and I get commercials,
and I get eight commercials throughout the day,

530
00:34:29.119 --> 00:34:31.519
and he went deal. I went
all right, as a page like

531
00:34:31.639 --> 00:34:35.599
as your pay, my pay.
It was barter. I didn't get paid.

532
00:34:35.639 --> 00:34:37.880
But see I had the first minute
of each stop break that were mine

533
00:34:37.920 --> 00:34:42.079
to go sell. So I was
a salesman and a talk so oh,

534
00:34:42.199 --> 00:34:44.760
okay, I get it. But
hey, as we know, it's it's

535
00:34:44.800 --> 00:34:49.239
real hard to sell midnight, isn't
there. Yeah, but that was yeah,

536
00:34:49.320 --> 00:34:52.679
yeah. That was during the housing
crisis in Colorado had way over built.

537
00:34:52.920 --> 00:34:55.800
So I went out to this builder
and I said, hey, man,

538
00:34:55.840 --> 00:35:00.519
I'll give you commercials at night on
my show, and I'll give you

539
00:35:00.559 --> 00:35:06.800
all eight during the day. Because
he had empty places out there and it

540
00:35:06.840 --> 00:35:08.400
worked out. I couldn't believe.
I was like, this only has to

541
00:35:08.440 --> 00:35:12.880
be God making this happen, as
he said, because I needed a place

542
00:35:12.920 --> 00:35:15.079
to live, right, but I
didn't have a If I left Alice in

543
00:35:15.119 --> 00:35:17.360
Denver, I wasn't going to have
a paycheck. I was going to be

544
00:35:17.400 --> 00:35:22.280
bartering. So I had to immediately
have a place to live. This builder

545
00:35:22.400 --> 00:35:27.239
gives me three subdivisions. He goes, here's key A, B C for

546
00:35:27.400 --> 00:35:30.719
the uh, the ones that they
show the model hotel. Yeah, he

547
00:35:30.800 --> 00:35:36.039
goes go pick one. Wow,
that's cool, so bam. So then

548
00:35:36.079 --> 00:35:38.280
what happened was, Hey, I'm
on at night in Colorado. Hello,

549
00:35:38.280 --> 00:35:43.199
Bakersfield, you want to put me
on? Yeah? So I'm syndicated right

550
00:35:43.639 --> 00:35:46.880
like that, just like your first
talk radio first talk radio gig. I'm

551
00:35:46.920 --> 00:35:52.559
on in two places. So uh, seven months into it, the baker

552
00:35:52.599 --> 00:35:55.239
Shilt station told me I'm not Handity
enough and they dropped me because I was

553
00:35:55.440 --> 00:35:59.719
Rampaul, I was against the Republicans. I wasn't for Bush. I hated

554
00:35:59.719 --> 00:36:05.360
the word. I just wasn't quote
Hannity enough. So that was my current

555
00:36:05.719 --> 00:36:08.079
competitor. Program director across the street
told me, I wasn't Hannity enough.

556
00:36:08.519 --> 00:36:12.599
Now I'm taking him on. Who
do I come on after? Handed?

557
00:36:13.920 --> 00:36:16.920
Now here is the stranger story to
this. All our bosses here, the

558
00:36:17.360 --> 00:36:22.159
area regional president for what what,
Steve Darnell now spoke Anne down to southern

559
00:36:22.159 --> 00:36:28.760
California. So he was back then
working Yeah, riverside, he's all over

560
00:36:28.880 --> 00:36:32.320
and he's our boss here in this
building and he was at that time working

561
00:36:32.599 --> 00:36:37.440
in Bakersfield, commuting from President to
bakers driving working at a radio station.

562
00:36:37.480 --> 00:36:42.159
There's sales, and I had people
in Denmer going, you're doing what you

563
00:36:42.199 --> 00:36:46.400
left Alice one oh five nine to
go to Tenant night and you're not getting

564
00:36:46.400 --> 00:36:51.719
a paycheck. Little did I know
I was auditioning for my future boss because

565
00:36:51.800 --> 00:36:58.039
he would listen to my show in
Bakersfield when he was driving here and then

566
00:36:58.360 --> 00:37:02.159
I ended up boom, I mean
de Fresno and he's here. So little

567
00:37:02.199 --> 00:37:06.400
do you know when you're working for
free, just hustling, that you're literally

568
00:37:06.519 --> 00:37:10.920
auditioning for your future boss when you
were doing your you know, talk radio

569
00:37:12.519 --> 00:37:15.559
when in the beginning stages of it. We always like a subject that Gesso

570
00:37:15.599 --> 00:37:20.440
and I always bring up is when
we started, we used to emulate people

571
00:37:20.519 --> 00:37:24.639
we heard in our before we found
our voices. Did who were you listening

572
00:37:24.719 --> 00:37:28.440
to? Was there someone you were
trying to compare yourself to. I think

573
00:37:28.440 --> 00:37:30.599
in music radio that's easier to do, like I remember always trying to be

574
00:37:30.639 --> 00:37:35.360
Hollywood Hamilton with the sadus and true, and I think it is I guess

575
00:37:35.400 --> 00:37:37.719
it. In talk would be more
policy driven, like I'm true. Who

576
00:37:37.760 --> 00:37:40.159
do you listen to because I'll tell
you right now, my critique of talk

577
00:37:40.280 --> 00:37:45.719
radio is they need to top forty
it up some it's like because you got

578
00:37:45.719 --> 00:37:49.159
guys that have never been in radio. Guy, all right, cut seven

579
00:37:49.280 --> 00:37:52.119
go. You know on my show
Bam, I just fire it and it's

580
00:37:52.159 --> 00:37:58.199
and it's there and my bumper music
I run. You almost have that radio

581
00:37:58.320 --> 00:38:02.039
mentality that music radio with the talk
radio content. And if you hear my

582
00:38:02.199 --> 00:38:07.679
show, it sounds different than it
sounds. I call it top forty talk

583
00:38:07.840 --> 00:38:10.440
because it's moving, it's kind of
it's audio and I don't say. And

584
00:38:10.519 --> 00:38:15.639
here's what Gavin Newsom had to say
at his press conference on Tuesday, roll

585
00:38:15.679 --> 00:38:19.519
that I'm going, can you believe
what he said? And the next thing

586
00:38:19.559 --> 00:38:22.000
you hear is Gavin talking. That
is true. Sometimes when I'm listening to

587
00:38:22.039 --> 00:38:24.599
the talk radio, you hear like
a lot of dead airs. You can

588
00:38:24.639 --> 00:38:29.400
hear the papers shuffling. They made
know a couple of seconds and then they

589
00:38:29.440 --> 00:38:32.239
start talking. I'll even hear people
eating. If I hear I would fire

590
00:38:32.280 --> 00:38:36.320
somebody if I was a boss and
I heard somebody eating them, Yeah,

591
00:38:36.719 --> 00:38:39.159
that's somebody's ear. Yeah right,
yeah, yeah, This is something I've

592
00:38:39.199 --> 00:38:45.079
witnessed in person. Because you know, like I said, when we do

593
00:38:45.159 --> 00:38:51.719
remote broadcast and there's a board off
that Trevor has to communicate with, he

594
00:38:51.800 --> 00:38:57.480
always likes his show super tight.
Yeah, the volume right, everything from

595
00:38:57.519 --> 00:39:00.559
hitting the sweepers out right. Yeah, I respect yeah, man, because

596
00:39:00.599 --> 00:39:05.400
I'm the same way I like things
sounding. Here's the thing. The listener

597
00:39:05.480 --> 00:39:07.880
doesn't quite know all the time why
they liked something. It's a feeling it

598
00:39:07.920 --> 00:39:13.719
gives them and not having let me
ask a question of you, guys,

599
00:39:13.880 --> 00:39:16.920
is it Do you like the freedom
of doing a podcast long form like this,

600
00:39:17.599 --> 00:39:21.679
not having an intro that you got
to talk over with. Yeah,

601
00:39:21.840 --> 00:39:24.760
it's definitely a switch up. It's
a you know, we can talk longer

602
00:39:24.800 --> 00:39:28.840
on certain topics, we can say
what we want, and we do like

603
00:39:28.880 --> 00:39:30.280
it. It's kind of the biggest
reason why we started it, honestly,

604
00:39:30.360 --> 00:39:34.840
for sure. The same. Yeah. Now, let me ask you you

605
00:39:34.920 --> 00:39:38.960
ever had any aspirations of as you
age in this industry because a lot of

606
00:39:38.960 --> 00:39:44.599
people do that of doing talk to
switch to talk radio. Yeah, I

607
00:39:44.599 --> 00:39:45.960
don't know. Things. It can
get you fired. Go ahead say it

608
00:39:46.000 --> 00:39:51.960
doesn't hard, but you know,
because you do what's three hours, and

609
00:39:52.159 --> 00:39:53.599
I think if we add it up
all the time we talk in it's probably

610
00:39:53.639 --> 00:39:57.639
like five minutes honestly, if time
that we talk in a show. So

611
00:39:57.880 --> 00:40:00.840
just when I think of what you
do and the amount of content that you

612
00:40:00.880 --> 00:40:02.679
have to talk about, it just
seems like a lot. But then to

613
00:40:02.719 --> 00:40:07.199
your point, we're just doing it
on a podcast essentially, So that's the

614
00:40:07.199 --> 00:40:10.440
difference. I guess For me,
I'm sort of real with myself. I

615
00:40:10.480 --> 00:40:20.719
feel like I'm not a great talker, let's leave. Okay, especially watching

616
00:40:20.840 --> 00:40:23.960
you, I've seen you. I
prep though I'm not a great talker for

617
00:40:24.000 --> 00:40:28.039
sure, but I mean even I
feel like I don't have a great vocal

618
00:40:28.159 --> 00:40:32.199
Like I don't have great vocabulary.
It's my words are super simple. But

619
00:40:34.119 --> 00:40:37.760
you know, I like listening to
Howard Stern and you know you, and

620
00:40:37.280 --> 00:40:40.880
yeah, I feel like I can't
do it. Well that's that's being honest,

621
00:40:40.880 --> 00:40:44.280
all right, Yeah, yeah,
out that way too. Remember when

622
00:40:44.280 --> 00:40:47.119
my dad told me, my reaction
was, ah, I don't think I

623
00:40:47.159 --> 00:40:50.400
want to do this, man,
I can't. I can't do it,

624
00:40:50.440 --> 00:40:52.280
but I call it now. I
had a buddy that did talk in Phoenix

625
00:40:52.320 --> 00:40:55.280
for a year and he was like
every show. He's like, right when

626
00:40:55.280 --> 00:41:00.079
it got done, I was like, oh, another one's tomorrow. Ah,

627
00:41:00.119 --> 00:41:04.239
And I said, yes, that's
what it's like for a year or

628
00:41:04.239 --> 00:41:07.960
two. But then you start to
trust the process. My prep process is

629
00:41:08.000 --> 00:41:10.679
so key. If I don't have
that, throw it away, I'd be

630
00:41:12.079 --> 00:41:15.239
phoning it in. Do you ever
get in those situations where you're prepping in

631
00:41:15.280 --> 00:41:17.119
You're just I don't have enough content
to get through an hour old? Well,

632
00:41:17.239 --> 00:41:21.719
so we live in California. Yeah, there's always something to talk about.

633
00:41:21.800 --> 00:41:25.320
I wake up and content is just
waiting for me. Right, Yeah,

634
00:41:25.360 --> 00:41:29.519
it would be hard maybe to do
a talk show if hey, everything's

635
00:41:30.360 --> 00:41:35.039
pretty good, Yeah, nothing going
on? You kind of needed I Hey,

636
00:41:35.079 --> 00:41:37.639
there were some people I know,
including myself, depressed when Biden became

637
00:41:37.679 --> 00:41:40.880
president, and I said, all
right, we're depressed, but hey it's

638
00:41:40.960 --> 00:41:45.559
good for business. Yeah yeah,
yeah, yeah, it's like it is,

639
00:41:45.800 --> 00:41:47.599
it really is. I'm let's switch
it up a little bit with some

640
00:41:47.800 --> 00:41:53.159
little fun questions that you know,
I'm interested about throughout your long career.

641
00:41:53.559 --> 00:41:59.960
Any live interviews that stand out to
you, like, you know obviously you

642
00:42:00.119 --> 00:42:02.199
Mets the Levens. Ready, ready, okay, record, here's one Southeast

643
00:42:02.239 --> 00:42:06.000
I donety seven seven, just a
few days away from Christmas here in the

644
00:42:06.039 --> 00:42:08.519
studio. I can't believe it,
man, I'm so wow. You're one

645
00:42:08.519 --> 00:42:13.559
of my favorite Mary J. Blige
welcome, man. Wow. And she's

646
00:42:13.639 --> 00:42:16.400
got her hood hoodie up and I
can't really see her face as she's over

647
00:42:16.480 --> 00:42:21.480
by the mic right here. OK, something like that. She just said

648
00:42:21.519 --> 00:42:23.000
something I said, and I don't
remember how the whole interview went, but

649
00:42:23.039 --> 00:42:27.800
I went, uh, you got
any old Christmas memories? Is I'm trying

650
00:42:27.840 --> 00:42:30.239
to keep out you got any old
Christmas memories of like one of your favorite

651
00:42:30.280 --> 00:42:35.039
gifts you got in your little girl
or something like that? Dolls head,

652
00:42:36.480 --> 00:42:40.719
A doll's head, She said,
a dolls How do you respond after that?

653
00:42:42.519 --> 00:42:45.559
You respond by, did you say
a doll's head? And she nods.

654
00:42:45.599 --> 00:42:50.360
It's on the radio, so she's
nodding. It went probably a minute

655
00:42:50.360 --> 00:42:53.000
twenty two seconds or something. Well, thank you Mary J. Blige for

656
00:42:53.039 --> 00:42:57.119
coming in. Merry Christmas. The
record guy was like this. They were

657
00:42:57.199 --> 00:42:59.559
leaving, like, hey, she's
been weird all day, man, I'm

658
00:42:59.599 --> 00:43:04.840
sorry always something so that one sticks
out in my mind now. When we

659
00:43:04.920 --> 00:43:08.840
had to pull out of Afghanistan and
I had a trustee of the school board,

660
00:43:08.880 --> 00:43:15.400
Major Terry Sladeck, Marine and his
interpreter when he was over there serving

661
00:43:15.760 --> 00:43:20.760
John, his interpreter was running from
the Talmont and his sister. They'd already

662
00:43:20.800 --> 00:43:23.960
killed his mom, and we had
him on the phone live on the air,

663
00:43:24.239 --> 00:43:28.519
and I thought it was going to
be a yes, mister Sladick,

664
00:43:28.719 --> 00:43:31.280
a major sletic, thank you,
I'm going to remain strong and you hang

665
00:43:31.320 --> 00:43:34.639
in there, John, We're here
for you, buddy. I thought it

666
00:43:34.679 --> 00:43:37.480
was gonna be one of those.
But it was a man crying terror.

667
00:43:37.880 --> 00:43:43.000
And I got to see why the
trustee was also a major, because at

668
00:43:43.000 --> 00:43:45.519
that moment, live talking to down
on the other side of the world,

669
00:43:45.760 --> 00:43:50.000
he went into being a commander like
what you would do to a soldier,

670
00:43:50.039 --> 00:43:52.960
like, soldier, get a hold
of yourself. So that was life changing.

671
00:43:53.039 --> 00:43:55.199
Now, I'll tell you he made
it out, His sister made it

672
00:43:55.239 --> 00:44:00.119
out. John'son Sacramento, married and
has a baby now. But that Mary

673
00:44:00.159 --> 00:44:04.559
J. Blige and that there you
go. Yeah, there's the two extremes.

674
00:44:04.760 --> 00:44:08.280
You know. You you talk about
the different cities you've done radio in.

675
00:44:08.480 --> 00:44:15.559
How about one story of I'm assuming
you've been fired? Oh yeah,

676
00:44:15.639 --> 00:44:17.400
yeah, because I you know,
I've told my story in the podcast.

677
00:44:17.719 --> 00:44:22.559
How about is there a wild story
of you getting fired from one of these

678
00:44:22.000 --> 00:44:24.880
stations? January seventeenth, nineteen ninety
four. Is that what you're doing?

679
00:44:24.920 --> 00:44:31.239
Oh? My goodness, San Jose. Right before I was on doing ten

680
00:44:31.440 --> 00:44:36.000
to three, a lot of music
directors then did the midday shift. You

681
00:44:36.000 --> 00:44:38.159
remember those days? Really? Yeah, so you have your music call time

682
00:44:38.199 --> 00:44:43.760
anyhow. But I got the message
right before I went on at ten,

683
00:44:44.039 --> 00:44:45.840
and it was in a business community
park up there. So I walked out

684
00:44:45.840 --> 00:44:50.000
of the station and went got something
from a little restaurant there, went sat

685
00:44:50.039 --> 00:44:52.159
on a park bench and just let
it soak in. All right, I

686
00:44:52.239 --> 00:44:57.039
just got fired, And what happens? There's somebody filling in for me,

687
00:44:57.079 --> 00:44:59.599
at least a Fox. I remember
she went down to work with That's all

688
00:44:59.679 --> 00:45:04.920
famili with Ryan Seacrest. She was
down in l a Ryan Seacrest and Lisa

689
00:45:04.960 --> 00:45:07.719
Fox. She was at that time
though, in San Jose. So she

690
00:45:07.840 --> 00:45:09.519
came to fill in at ten,
to fill in for the guy that just

691
00:45:09.559 --> 00:45:16.320
got fired. So who calls the
hotline but my wife, right highest Trevor

692
00:45:16.360 --> 00:45:21.480
there. You know that's a hard
place to put her in, right,

693
00:45:21.880 --> 00:45:23.400
I don't even remember if she said, well he got fired or something,

694
00:45:23.440 --> 00:45:28.639
but yeah, that's that was the
toughest because even the guy that fired me

695
00:45:28.719 --> 00:45:30.800
said, it's not right, it's
not you know, as they always say,

696
00:45:30.840 --> 00:45:34.679
it's it's not you, it's odd. Yeah, the budget, it's

697
00:45:34.760 --> 00:45:39.079
all. Yeah. So yeah,
that was a but that's what eventually let

698
00:45:39.119 --> 00:45:43.920
me go to the going doing some
record stuff. So how long have you

699
00:45:43.960 --> 00:45:49.000
been in Fresno Powers Hog? How
long? Nine years now? And hey,

700
00:45:49.280 --> 00:45:52.760
the longest I'd ever lived anywhere my
entire life was four Oh wow,

701
00:45:52.920 --> 00:45:57.559
so more than double, more than
doubled. I just sometimes got to take

702
00:45:57.559 --> 00:46:00.519
a different street to work because I
get tired of the same, the routine.

703
00:46:01.440 --> 00:46:07.000
But that sense of being rooted,
I well, now I can understand

704
00:46:07.000 --> 00:46:09.280
it a little bit more. You
know somebody that's been there their whole life,

705
00:46:09.280 --> 00:46:14.000
that's really deep rooted. Yeah,
for sure, definitely is you've seen

706
00:46:14.039 --> 00:46:19.320
the you know, the rise of
radio, you know all these years.

707
00:46:19.360 --> 00:46:23.400
Something that I'm interested in your thoughts
is where do you see it going with?

708
00:46:24.159 --> 00:46:29.079
You know, you've seen as us, we've seen so many people get

709
00:46:29.199 --> 00:46:34.280
let go. This building used to
have hundreds of employees. Now you can

710
00:46:34.360 --> 00:46:37.880
count them with two hands. Where
do you think the future of radio is

711
00:46:37.920 --> 00:46:45.119
going the way you just said?
I think that there's a lot of mistakes

712
00:46:45.119 --> 00:46:47.920
made. When you walk into a
crowded party and you look around a room

713
00:46:47.960 --> 00:46:52.039
filled with people and you see somebody
that you recognize or not, you're drawn

714
00:46:52.159 --> 00:46:57.280
there. You know them. There
are people in Fresno that no Jozone,

715
00:46:57.400 --> 00:47:00.800
no Trevor. We live here,
We drive on this streets, we talk

716
00:47:00.840 --> 00:47:04.519
about the same potholes, we experience
the same kind of weather. We know

717
00:47:04.760 --> 00:47:08.519
what presno State's record is. We
know what the issues and problems are,

718
00:47:09.159 --> 00:47:14.320
what's good, what's bad, So
that I mean people are drawn to that.

719
00:47:14.679 --> 00:47:17.719
So the more local, local,
local that you can be, I

720
00:47:19.039 --> 00:47:22.400
think is the direction that it should
go. Because if everything becomes national and

721
00:47:22.440 --> 00:47:25.199
generic. You think about it,
when you sit down to watch TV anymore,

722
00:47:25.440 --> 00:47:30.440
they got thousands of choices, you
feel overwhelmed, right, And I

723
00:47:30.440 --> 00:47:34.679
think a lot of people they don't
recognize anything. I hear all these podcasts

724
00:47:34.760 --> 00:47:37.519
on my show that are being advertised. How does a podcast you know,

725
00:47:37.559 --> 00:47:40.840
you got your Joe Rogan's you got
your This is going to get me fired?

726
00:47:42.119 --> 00:47:45.360
You know I'm putting you up there? Yeah, right next to But

727
00:47:45.719 --> 00:47:50.960
I guess my question now is how
does content stick out? Right? Because

728
00:47:50.960 --> 00:47:53.760
people always say, well radio I've
had people say well radio is going away

729
00:47:53.840 --> 00:47:59.840
man with technology and on I go, well maybe it will, but whatever,

730
00:48:00.079 --> 00:48:05.079
there's going to need content. So
I'm content whether and a lot of

731
00:48:05.079 --> 00:48:08.039
people my mom and dad listen on
the app in Tennessee. I'm always thinking

732
00:48:08.440 --> 00:48:13.719
how can I spread that online?
You know, to get people listen to

733
00:48:13.719 --> 00:48:15.760
the app online, the iHeartRadio app
or go to power Talk ninety six seven

734
00:48:15.800 --> 00:48:22.039
dot com and click listen life you
almost how do you market that in the

735
00:48:22.119 --> 00:48:27.679
sea of tens of thousands of choices? Right? Yeah, I know they

736
00:48:27.679 --> 00:48:30.440
have our rankings. Did you get
to see your iHeart ranking? No,

737
00:48:30.480 --> 00:48:32.440
I haven't seen it. With podcasts, no, No, I just know

738
00:48:32.519 --> 00:48:35.559
I looked at it and thought,
all right, I got to catch c

739
00:48:35.760 --> 00:48:40.000
K on there. But yeah,
they have those check that out. Yeah

740
00:48:40.079 --> 00:48:43.840
yeah, all right, Well I
mean that's all I got. Yeah,

741
00:48:43.880 --> 00:48:46.639
man, anything you want to add
or let people know when they could listen

742
00:48:46.679 --> 00:48:51.599
to you to the show, Oh
yeah, three to six Monday through Friday

743
00:48:52.199 --> 00:48:57.639
and all the podcasts I got five
two and forty two hours up. Wow,

744
00:48:58.360 --> 00:49:00.639
And you can get all these podcasts
PowerTalk ninety six to seven dot com.

745
00:49:00.679 --> 00:49:05.000
But you know what I don't like
about the art podcasting is online when

746
00:49:05.199 --> 00:49:07.000
you go down and you have to
hit so many to get it, like

747
00:49:07.039 --> 00:49:10.400
a month or two back, and
if you click on one, it takes

748
00:49:10.440 --> 00:49:15.239
you right back to the top again. Noticed. Yeah, so all right,

749
00:49:15.440 --> 00:49:17.880
can you guys send an email and
get that fix. Yeah, we'll

750
00:49:17.920 --> 00:49:22.559
get that fixed. Hi, Trevor
Kerrey. Until next time, John Magic

751
00:49:22.639 --> 00:49:23.639
Gizzo. This could give me for
our podcasts.

