1
00:00:03,279 --> 00:00:28,519
Okay h m hmm, okay,
but I said sleep. That's now My

2
00:00:28,600 --> 00:00:33,359
buggy said it. Come sheep lead
the dollary day. That's happy as nothing

3
00:00:33,399 --> 00:00:37,520
else to say. The photogetic teeting. I'm all on the finger and the

4
00:00:37,560 --> 00:00:41,759
breath the beast. Whoa who we
got a chicken in the back? Out?

5
00:00:42,880 --> 00:00:46,159
Whoa? Hello? We got a
chicken in the back? Dot?

6
00:00:47,200 --> 00:01:03,280
Whoallo got a chicken in the background? In body the sheep do not have

7
00:01:03,319 --> 00:01:06,719
a present, double, but you
can't be a bee. The package is

8
00:01:06,760 --> 00:01:11,120
in a pot stringing every double.
Bir a country mom, he's you bull,

9
00:01:11,200 --> 00:01:15,040
your big tell me black and give
you catch your break. Woa,

10
00:01:15,760 --> 00:01:21,480
whoa, I got a chicken in
the back? Coud whoa I gotta chicken

11
00:01:21,480 --> 00:01:26,799
in the backyard? Who you gotta
chicken in the back? Guy? Who

12
00:01:38,319 --> 00:01:42,239
god? Dress is snack? Worry
where you going? You are coming back?

13
00:01:42,519 --> 00:01:45,640
A grand? The dollar a day? Rand's all a sad. Don't

14
00:01:45,640 --> 00:01:49,760
take it up that way to square
the jus don't break. Oh this together,

15
00:01:49,760 --> 00:01:53,120
are gonna be all right? Whoa, whoa gotta chicken in the back

16
00:01:53,200 --> 00:02:00,879
guy? Whoa, whoa gotta chicken
do the back guy? Oh guy,

17
00:02:01,000 --> 00:03:49,360
chick into the background. Wow,
Think Think, I Can Think Then as

18
00:03:49,479 --> 00:05:30,399
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command D don't get screely done,
Zel giving Welcome back, everybody. It's

49
00:08:03,439 --> 00:08:07,480
Matt connordton unleash. We got a
packed a third hour for you coming up

50
00:08:07,480 --> 00:08:11,519
in just a couple of minutes.
We have Eric Pilcher's classic film review and

51
00:08:11,639 --> 00:08:16,839
this week the subject is Steven Spielberg's
in nineteen ninety three classic this masterpiece,

52
00:08:16,839 --> 00:08:20,199
Shindler's List. And then we've got
a band coming in all the way from

53
00:08:20,199 --> 00:08:22,480
Connecticut. They've got a big show
coming up in nash weat tonight, so

54
00:08:22,519 --> 00:08:26,639
they're gonna stop in here when the
dead bolt breaks. But first a surprise,

55
00:08:26,920 --> 00:08:31,160
This was not advertised, but DJ
Reckless, what are we about to

56
00:08:31,199 --> 00:08:33,919
hear? I put a here a
world premiere of one of my first tracks

57
00:08:33,960 --> 00:08:39,639
that's coming out with Ja Mason and
a few other friends. Okay, but

58
00:08:39,799 --> 00:08:41,519
yeah no. This song is called
Way to the World. We wrote it,

59
00:08:41,720 --> 00:08:45,159
it was me Shaun White and who
had DJ with and we produced it.

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00:08:45,879 --> 00:08:48,000
Ja Mason was the top line.
It was the listinger on it.

61
00:08:48,919 --> 00:08:52,120
I wrote the lyrics part of them. It was during a time where like

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00:08:52,240 --> 00:08:56,559
I was just going I guess was
going through a really bad breakup. Yeah,

63
00:08:56,120 --> 00:09:01,679
and there was a lot of things
with nightlife. I just got college

64
00:09:01,759 --> 00:09:05,399
not going and everything. I was
like, that's so much my My anxiety

65
00:09:05,519 --> 00:09:07,840
was that all the time high and
this was like I felt way down.

66
00:09:09,159 --> 00:09:11,559
Yeah, a lot of stuff.
So we put it in a song basically,

67
00:09:11,679 --> 00:09:13,879
and hence the title Weight of the
World. Yeah, all right,

68
00:09:13,960 --> 00:09:18,279
so this is DJ Reckless with Jay
Mason and who else Sean White and Sean

69
00:09:18,279 --> 00:10:09,600
White. All right, check it
out the World Radio premiere. Light down,

70
00:10:11,799 --> 00:10:16,840
let it out, Pressure to high
got me on the ground, open

71
00:10:18,039 --> 00:10:26,559
my eyes, I could see it
now, twist off, let it go.

72
00:10:28,039 --> 00:10:35,080
Rather than myself with the camel coles. Another long night with my thoughts.

73
00:10:37,480 --> 00:10:45,279
I'm trying my best hold out by
a fine it to make some space.

74
00:10:46,320 --> 00:10:54,080
Let up on to money. He
could bat scale so I can carry

75
00:10:54,159 --> 00:11:54,240
thy, Carry so I can carry
the way. Carry an extending so I

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00:11:54,360 --> 00:12:20,919
can carry away, carry the way. I guess it's waiting the waterdcast.

77
00:12:24,120 --> 00:12:30,320
I'm trying my best start on the
holder. I gotta find a way to

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00:12:30,840 --> 00:12:39,960
make sin spaining building up a load
too made the border. Say so I

79
00:12:39,080 --> 00:13:03,120
can carry the way carry away,
So I can carry the way way way

80
00:13:09,879 --> 00:13:39,919
way alome. So I can't carry
it it happens, happen, So I

81
00:13:41,039 --> 00:14:15,200
can carry the way carry away for
a faine vain for faelo bgan bumbga ba

82
00:14:16,000 --> 00:14:26,080
yeah, call Nacha, yes,
neka right and the world to many six

83
00:14:26,200 --> 00:14:33,759
hundred ye do the same thing I'm
doing. I might even make money at

84
00:14:33,799 --> 00:14:35,840
it. I don't know. Come
on, do this. I know about

85
00:14:35,840 --> 00:14:39,240
the extra food and clothes. You
get them paid for out of your own

86
00:14:39,279 --> 00:14:41,080
pocket. If we make a combined
approach, we could get more than four

87
00:14:41,120 --> 00:14:45,799
thousand dollar minor yours as you could
relocate them in something like safty a moravia.

88
00:14:48,200 --> 00:14:54,039
I don't know how many stick it
you smoke the night good minutes for

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00:14:54,200 --> 00:15:01,799
everyone you smoke. I spoke half. I've done all mechanical not except that.

90
00:15:01,039 --> 00:15:05,399
No, i'sna count do what you
want? Not accept that, no

91
00:15:13,000 --> 00:15:16,200
man, how many eight one hundred
and fifty five a day? But take

92
00:15:16,279 --> 00:15:28,960
what stand if or take what to
count them? How many? I didn't

93
00:15:30,559 --> 00:15:41,360
you can finish that page? What
did good say about this. You just

94
00:15:41,600 --> 00:15:48,480
told him how many people you needed
in me. You're not buying them.

95
00:15:52,000 --> 00:15:54,600
You're buying them. You're paying it
for each of these. If you're still

96
00:15:54,679 --> 00:15:58,080
working for me, i'd expect you
to tell me out of it. It's

97
00:15:58,159 --> 00:16:03,879
costing me a fault. There is
the page one space of the body.

98
00:16:33,799 --> 00:16:42,679
The List is an absolutely good The
List is life. Historical dramas have a

99
00:16:42,840 --> 00:16:48,440
mixed history in Hollywood. In some
cases they have been criticized to the point

100
00:16:48,799 --> 00:16:56,399
where they have been ostracized from film
lore, or controversies have diminished their staying

101
00:16:56,600 --> 00:17:02,879
power. Then there are exceptions.
These films leave an undeniable impact that time

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00:17:03,039 --> 00:17:08,039
cannot diminish the message in power they
carry. This week's film is one of

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00:17:08,119 --> 00:17:14,759
those, and it is as important
now as it was the thirty plus years

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00:17:14,799 --> 00:17:22,119
ago. It was released based off
the novel Schindler's Arc by Thomas Kanely released

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00:17:22,200 --> 00:17:27,000
in nineteen ninety three and directed by
Steven Spielberg. Schindler's List tells the story

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00:17:27,200 --> 00:17:33,160
of German Nazi industrialist Oscar Schindler,
who decides to use his wealth and power

107
00:17:33,559 --> 00:17:41,240
to save over one thousand Polish Jews
from concentration camps. By bribing Nazi officers,

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00:17:41,880 --> 00:17:48,160
in particular the cold and callous Nazi
General Aimon Death played by Ralph Fines.

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00:17:48,720 --> 00:17:53,559
Rounding out the starring cast is Sir
Ben Kingsley in Mbeth Davitz. Spielberg

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00:17:53,920 --> 00:17:59,680
was initially reluctant to take on the
project. He passed it on to several

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00:17:59,720 --> 00:18:03,319
other directors because he felt he was
not mature enough to do the film.

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00:18:03,000 --> 00:18:11,720
This includes Roman Polanski, Martin Scorsese, Sidney Pollock, among others. Spielberg

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00:18:11,079 --> 00:18:17,960
finally agreed to direct the film when
Holocaust Denial really began to gain traction in

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00:18:18,039 --> 00:18:22,279
the world, especially here in the
United States. The next clip is from

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00:18:22,400 --> 00:18:27,839
The Today Show in twenty eighteen,
celebrating the twenty fifth anniversary of the release

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00:18:27,920 --> 00:18:33,480
of the film. In this clip, Spielberg talks about the difficulties of making

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the film and his decision to film
the movie in black and white. In

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00:18:38,839 --> 00:18:44,279
the fight that followed. I don't
think I'll ever do something anything as you

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00:18:44,359 --> 00:18:48,880
know, as important to my life
as the way this film affected personally affected

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00:18:48,920 --> 00:18:52,079
me and my family. And so
this for me is, you know,

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00:18:52,640 --> 00:18:56,119
something that I will always be proud
of. Stough I look back at an

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00:18:56,119 --> 00:18:59,440
interview you had done about the time
of the release of this film, and

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00:18:59,519 --> 00:19:02,279
he said, what the effect?
You didn't expect it to be a hit?

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00:19:03,279 --> 00:19:04,680
Was? That? Was that the
case? Yeah, that was very

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00:19:04,720 --> 00:19:11,000
accurate. I didn't. I couldn't
imagine based on the story that we told

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00:19:11,519 --> 00:19:17,440
that an audience would tolerate the just
the amount of violence, you know,

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00:19:17,559 --> 00:19:22,799
human against human or inhuman against human. Schindler's List was in fact a hit,

128
00:19:22,200 --> 00:19:26,279
the winner of seven Academy Awards,
including Best Picture and Best Director,

129
00:19:26,519 --> 00:19:32,759
but Spielberg says that now famous movie
could have looked very different if studio executives

130
00:19:32,839 --> 00:19:34,519
had their way. I was the
only one they wanted to shoot the picture

131
00:19:34,559 --> 00:19:37,400
in black and white, but the
studio didn't. They didn't think they could

132
00:19:37,400 --> 00:19:40,480
sell like a set if it was
in black and white. And at one

133
00:19:40,519 --> 00:19:42,359
point that they were negotiating with me, they said, shoot it in color.

134
00:19:44,440 --> 00:19:45,799
Will release the film in black and
white, but then we'll release the

135
00:19:45,880 --> 00:19:49,000
cassette in color. And I said, no, this is I don't know

136
00:19:49,119 --> 00:19:53,799
the Holocaust in color. I wasn't
around then, but I've seen documentaries in

137
00:19:53,839 --> 00:19:57,000
the Holocaust, and anybody who's seen
any documentaries, they're all shot in black

138
00:19:57,039 --> 00:20:00,440
and white. I can't imagine what
it was like to shoot this film.

139
00:20:00,519 --> 00:20:03,079
You're in cracky, you're in some
of the places where this actually happened.

140
00:20:03,480 --> 00:20:07,920
I know there's cameras around and all
the trappings of movie, but the scenes

141
00:20:08,720 --> 00:20:12,440
had to have taken a personal toll
on you, your crew, your cast.

142
00:20:12,960 --> 00:20:19,240
Yeah. Well, I think everybody
felt that we were memorializing something,

143
00:20:19,720 --> 00:20:23,400
and it felt to all of us
as if we were shooting in a cemetery.

144
00:20:25,279 --> 00:20:32,200
So there was a kind of amazing
equanimity of respect, and it was

145
00:20:32,319 --> 00:20:34,799
quiet on the set and everybody just
did their work. No one was laughing,

146
00:20:34,920 --> 00:20:38,000
no one was telling jokes. Now, twenty five years later, the

147
00:20:38,079 --> 00:20:42,599
film is still teaching new lessons.
Individual hate is a terrible thing, but

148
00:20:42,799 --> 00:20:48,480
when collective hate organizes and gets industrialized, then genocide follows, and we have

149
00:20:48,559 --> 00:20:52,480
to take it more seriously today than
I think we have had to take it

150
00:20:52,839 --> 00:20:56,720
in a generation. And now we're
in an era that anti Semitism is on

151
00:20:56,799 --> 00:21:00,680
the rise, enophobia. We all
know what racism happened in Pittsburgh. Is

152
00:21:00,720 --> 00:21:03,160
this an important time to re release
this film. I think this is maybe

153
00:21:03,240 --> 00:21:06,680
the most important time to re release
this form. Possibly now is even a

154
00:21:06,759 --> 00:21:12,200
more important time to re release Schindler's
List than nineteen ninety three ninety four when

155
00:21:12,240 --> 00:21:18,599
it was initially released. This film
is quite powerful in its approach, both

156
00:21:18,839 --> 00:21:25,599
in filming and performances. This includes
the game a mental chess being played by

157
00:21:25,680 --> 00:21:32,039
Gath and Schindler. Both men are
shrewd and keen touth smarting people. However,

158
00:21:32,200 --> 00:21:37,759
Schindler is compassionate and wants to use
his wealth and intelligence to save the

159
00:21:37,920 --> 00:21:44,559
Jews from peril, whereas Gath is
a sociopathic, cold blooded killer with no

160
00:21:44,759 --> 00:21:49,680
emotion or remorse. The next two
clips show this. First, while building

161
00:21:49,759 --> 00:21:56,640
a stockade at a concentration camp,
a Jewish woman who is a contractor tries

162
00:21:56,720 --> 00:22:03,400
to persuade Gath to stop instruction because
the foundation is bad. His ruthless means

163
00:22:03,519 --> 00:22:08,519
of dealing with her show the callous
nature of the man. Then, Schindler

164
00:22:08,599 --> 00:22:15,119
speaks with Helen Hirsch, a woman
Death has selected from a concentration camp to

165
00:22:15,200 --> 00:22:19,480
become his maid, whom he becomes
smitten with and due to this begins to

166
00:22:19,720 --> 00:22:27,359
abuse her both verbally and psychologically.
Here, Shindler explained with great compassion why

167
00:22:27,519 --> 00:22:34,759
she is safe, while showing care
for her plight as they are. So

168
00:22:41,920 --> 00:22:48,640
one of you is very lucky girl. There is an ultimate job away from

169
00:22:48,680 --> 00:23:06,640
all this backbreaking up. That's a
villa of you has domestic experience. Yeah,

170
00:23:06,680 --> 00:23:08,559
on second, so I was,
I don't really want someone else's mate,

171
00:23:10,319 --> 00:23:18,119
although annoying habits have to undo.
I don't want to give you my

172
00:23:18,200 --> 00:23:38,359
call. What's her name? What
I can't hear? Cones? Yeah,

173
00:23:41,920 --> 00:23:51,000
you're she says, your great sports
just got to take it down. I

174
00:23:51,119 --> 00:23:57,160
told her to come on. The
entire foundation has to be torn down and

175
00:23:57,359 --> 00:24:03,839
report. If not, there'ld be
at least a silence at the southern end

176
00:24:03,880 --> 00:24:08,400
of the barracks subsidence and then collapse. You are an engineer, Yes,

177
00:24:10,440 --> 00:24:14,599
my name is Jana Haka. I'm
a graduate postical engineering from the University of

178
00:24:14,720 --> 00:24:30,440
Milan. I'm educated too, like
Karl Marx himself. Shoot her command.

179
00:24:30,920 --> 00:24:36,119
I'm only trying to do my charge. I'm doing mine, sir. She's

180
00:24:36,200 --> 00:24:38,680
farmer of construction, so I'm not
going to have arguments with these people.

181
00:24:40,640 --> 00:24:57,720
Okay, oh, shooter, here
a party. It will take more than

182
00:24:57,839 --> 00:25:06,680
that. I'm sure you're right.
And now, Schindler in hersh I said

183
00:25:06,720 --> 00:25:11,160
to him, I don't know how
I say this, I never could say

184
00:25:11,200 --> 00:25:17,279
it now. I said to him, why are you beating me? He

185
00:25:17,359 --> 00:25:22,240
said, The reason I beat you
now is because you ask why I beat

186
00:25:22,279 --> 00:25:33,200
you. I know you're sufferings.
It doesn't matter. I have accepted them,

187
00:25:33,759 --> 00:25:41,160
accepted them. One day he will
shoot me. He wont to shoot

188
00:25:41,200 --> 00:25:47,200
you. I know. I see
things. We're on the roof on Monday,

189
00:25:47,920 --> 00:25:52,079
Young Malicia and I and we saw
the hair Commandant came outed the front

190
00:25:52,119 --> 00:25:56,799
door and down these steps by the
patio, right there below us, and

191
00:25:56,839 --> 00:26:03,000
and there on the steps he drew
he's gone, and he shot a woman

192
00:26:03,039 --> 00:26:08,759
who was passing by, the woman
carrying the bundle through the throat. Just

193
00:26:10,079 --> 00:26:14,160
just just a woman on her way
somewhere. You know. She was no

194
00:26:15,680 --> 00:26:18,839
fatter or thinner, or slower or
faster than anyone else. And I couldn't

195
00:26:18,880 --> 00:26:26,000
guess what had she done. The
more you see of the Heir Commandant to

196
00:26:26,039 --> 00:26:30,720
the more you see there is no
set rules that you can live by.

197
00:26:32,240 --> 00:26:34,960
You can set yourself. If I
follow these rules, I will be safe.

198
00:26:37,960 --> 00:26:42,000
He won't shoot you because he enjoys
you too much. He enjoys you

199
00:26:42,119 --> 00:26:47,240
so much, he won't even let
you wear the star he doesn't want anyone

200
00:26:47,279 --> 00:26:52,920
else to know it's a Jew he's
enjoying. He shot the woman from the

201
00:26:53,000 --> 00:27:00,319
steps because she meant nothing to him. She was one of a serious my

202
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offending or pleasing him. But you, Helen, it's all right. It's

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not that kind of a cash,
yeah. Right. As the war ends,

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Schindler is bankrupt due to massive bribes
he had to do to keep his

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workers and the Polish Jews safe from
dire circumstances at concentration camps. In our

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final clip, as Schindler plans to
flee due to being wanted for war crimes

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as a card carrying Nazi, the
people he saved give him a ring.

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As Schindler cries at those he couldn't
save, he is reminded of those he

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did m We've written a letter trying
to explain things in case you were captured.

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Every worker has signed it as he
Brew from the town that says we

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ever saves one life, that saves
the world entirely. I could have got

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more. I could have got more. I could have got more. Ask

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her. There are eleven hundred people
are alive because of you. Look at

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them. If I made more money, I threw away heads of lace.

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Funny you had no idea if I
just generations because of what you did.

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I didn't do enough? Who did
so much? This film is well deserving

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of every great review, award and
lasting impact it is received. And then

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some and honestly that could not even
do this film justice. There could be

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multiple reviews on this program with powerful
scenes talking about the symbolism in the film

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with candles and yes, the little
girl in the red jacket, and the

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effort all that were involved in had
to put forth. It is a film

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that everyone must see once in their
lives to understand that to do right,

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no matter how small you think the
impact might be, can have the greatest

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lasting ramifications. I hope you join
me next week when we begin our month

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long tribute to Orson Wells with a
special look at the fight he went through

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to make his seminal film and in
my opinion, the greatest film ever made,

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Citizen Kane. And then in two
weeks we will actually review Citizen Kane

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as it is my favorite film of
all time. For WM and H and

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Matt Connorton Unleashed. This has been
a clasic film review with Eric Pilcher two

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Series A, Series three, ninety
two three Greased three aster cho who come

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to show show Cold Shoe Shay snow
O S S S S S S S

232
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S S S. That is called
not to Touch the Earth. The band

233
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is when the dead Bolt breaks and
I think we have on the phone with

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us Aaron from when the dead Bolt
breaks, Aeron? Are you there?

235
00:35:17,119 --> 00:35:21,440
Yeah? Are you doing good?
Good? Welcome to the Welcome to the

236
00:35:21,480 --> 00:35:23,719
programmer was hoping to have you here
in studio. But obviously the weather has

237
00:35:23,800 --> 00:35:28,599
been a challenge for for people.
I thought we were just getting rain,

238
00:35:28,679 --> 00:35:31,320
to be honest with you. Yeah, no, it was pretty brutal.

239
00:35:31,400 --> 00:35:37,519
It's actually And we've got everybody here. It's Steve Amber, myself and Rob

240
00:35:37,639 --> 00:35:39,119
is gonna be coming up in a
second here. So oh, very good,

241
00:35:39,239 --> 00:35:43,559
very good. Now. Uh so
you guys are from Connecticut, correct,

242
00:35:44,920 --> 00:35:50,239
Yes, sir? And whereabouts in
Connecticut? Uh, kind of all

243
00:35:50,280 --> 00:35:52,519
spread out throughout the throughout the state, so some of us are through the

244
00:35:52,559 --> 00:35:58,440
eastern part and through the other side, so all around Connecticut. Yeah,

245
00:35:58,519 --> 00:36:00,000
I was a scar area was Yeah, that's true, it is. Yeah.

246
00:36:00,000 --> 00:36:02,239
I was born in Hartford. That's
why I was curious. But uh

247
00:36:02,559 --> 00:36:06,079
yeah, a lot of great bands
a lot of great bands come out of

248
00:36:06,119 --> 00:36:09,760
that area. What I love that
track by the way, not to Touch

249
00:36:09,800 --> 00:36:15,800
the Earth, That is really really
good. How how do you for people

250
00:36:15,800 --> 00:36:17,880
who haven't heard uh when the dead
bolt breaks? How do you? How

251
00:36:17,920 --> 00:36:21,760
do you describe your music? What? Everyone always say it's this question,

252
00:36:21,920 --> 00:36:23,159
but just for the for the sake
of it, like, how do you

253
00:36:23,239 --> 00:36:28,920
categorize what you do? Yeah?
Well, we for years have gotten thrown

254
00:36:28,960 --> 00:36:30,960
into the doom category, but I
don't know if I've ever really seen it

255
00:36:31,079 --> 00:36:37,719
as a doom band. It's more
like a psychedal, psychedelic, heavy experimental

256
00:36:37,800 --> 00:36:42,360
metal I guess. Yeah. We
do a little bit of everything from you

257
00:36:42,440 --> 00:36:45,679
know, grind parts to sludgy doom
parts to quiet, pink Floyd stuff,

258
00:36:45,760 --> 00:36:49,760
and it's kind of all over the
gamut, you know, So it's just

259
00:36:49,920 --> 00:36:53,079
kind of hard to pigeonhole into one
doom category, you know, right right

260
00:36:53,199 --> 00:36:59,639
totally? Who does the vocals?
Is that you? Yeah, that's me?

261
00:36:59,760 --> 00:37:00,880
You know. Uh. We actually
just added Amber to the band this

262
00:37:01,000 --> 00:37:05,960
year, actually last year, so
we're splitting a lot of vocals. She's

263
00:37:06,000 --> 00:37:12,440
been on a couple of records before. Okay, okay, particularly curious about

264
00:37:12,440 --> 00:37:15,559
the vocals because I also, I
don't know if you've ever heard this before,

265
00:37:15,559 --> 00:37:17,000
if anyone's ever said this to you, maybe, but I also hear

266
00:37:17,039 --> 00:37:20,440
a little bit of the Doors in
there, and I think it's because of

267
00:37:20,480 --> 00:37:22,239
the vocals. The vocals actually remind
me a little bit of Jim Morrison.

268
00:37:23,920 --> 00:37:27,239
I take that as a huge compliment, thank you. Yeah, yeah,

269
00:37:27,360 --> 00:37:30,480
something about the delivery. So you
haven't heard that before or no, no,

270
00:37:30,719 --> 00:37:34,840
I've gotten I've actually gotten typo negative, which always kind of threw me

271
00:37:34,920 --> 00:37:37,079
for a bit of a loop.
I can hear that too. Yeah,

272
00:37:37,920 --> 00:37:42,400
you got a little Pete Peter Steele
going there. Yeah, I mean I

273
00:37:42,679 --> 00:37:45,000
grew up. I'm a huge fan
of you know, the animals, the

274
00:37:45,079 --> 00:37:47,199
doors, you know a lot of
the seventies and even the c you know

275
00:37:47,239 --> 00:37:51,559
a lot of the crooner style David
Bowie. Yeah, so I think that's

276
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kind of where that whole thing kind
of came from. We actually did two

277
00:37:53,960 --> 00:37:58,199
doors. He actually just played one
of them. Yeah, no kidding,

278
00:37:59,639 --> 00:38:05,079
what what what? What doors covers? So we did not to touch the

279
00:38:05,159 --> 00:38:10,039
earth and then we also did My
Wild Love, which is on one of

280
00:38:10,079 --> 00:38:16,280
our it's an EP, but we
did some kind of interesting techno remixes of

281
00:38:16,360 --> 00:38:20,920
some of our stuff on that one. Really. Oh that's interesting. I

282
00:38:21,039 --> 00:38:24,000
want to hear that. It's called
the Nightmare versions where Steve actually before he

283
00:38:24,119 --> 00:38:29,519
was in the band, had taken
some of our stuff and kind of remix

284
00:38:29,639 --> 00:38:36,000
them as if it basically sounds like
Godflesh redid some of our songs. Yeah,

285
00:38:36,079 --> 00:38:39,000
so we ended up throwing on the
cover of not of of My Wild

286
00:38:39,039 --> 00:38:42,320
Love on there, which is kind
of an interesting version of it. So

287
00:38:42,719 --> 00:38:45,519
yeah, yeah, where does the
name come from? By the way,

288
00:38:45,519 --> 00:38:47,840
I love the name? When the
dead Bolt Breaks is a great name.

289
00:38:50,800 --> 00:38:55,159
Probably a whole lot of LSD,
to be honest, not that I'm promoting

290
00:38:55,199 --> 00:38:58,000
that, but when I was younger, I did, you know, a

291
00:38:58,079 --> 00:39:00,239
lot, and it was a we
were in time where I was having this

292
00:39:00,480 --> 00:39:07,400
reoccurring dream or vision kind of thing
where of just this cartoon scene of like

293
00:39:07,519 --> 00:39:10,880
this guy on this doorstep it's raining, He's got flowers in one hand and

294
00:39:12,440 --> 00:39:15,400
you know, smoking barrel of a
gun in another, and on the other

295
00:39:15,440 --> 00:39:16,559
side of the door, the door
is kicked open and you just see the

296
00:39:16,599 --> 00:39:20,360
feet of somebody laying there. So
I always thought, kind of when the

297
00:39:20,400 --> 00:39:22,639
dead bowl breaks, it's like,
what happens. We don't know, you

298
00:39:22,679 --> 00:39:24,440
know, so that's kind of where
it came from. Yeah, No,

299
00:39:24,599 --> 00:39:30,320
no one knows who they were,
where they was going. I mean,

300
00:39:30,440 --> 00:39:35,119
I envy, I do, I
do oh. I love a good spinal

301
00:39:35,159 --> 00:39:39,760
tap reference. That's good. Now, how long have you guys been around?

302
00:39:43,719 --> 00:39:46,679
The band in general has been around
for about fifteen years. Wow.

303
00:39:49,000 --> 00:39:51,559
We've had a lot of lineup changes
over the years because it was never really

304
00:39:52,519 --> 00:39:55,639
about the band. It was more
about the music and whoever could bring whatever

305
00:39:55,719 --> 00:40:00,199
to the music, you know.
So each one of our records has it's

306
00:40:00,639 --> 00:40:04,079
sometimes a different lineup, and you
know, always has different people involved with

307
00:40:04,159 --> 00:40:08,119
it doing vocals or you know,
certain songs where they added something to it,

308
00:40:08,199 --> 00:40:15,760
you know. So but this line
up here two years yeah, okay,

309
00:40:16,000 --> 00:40:20,199
okay, Yeah, I'm looking at
your band camp and you've had a

310
00:40:20,239 --> 00:40:23,239
lot of releases over the years,
so makes sense that you've been around a

311
00:40:23,280 --> 00:40:28,400
long time. Yeah. We're working
on our tenth record now, wow.

312
00:40:28,920 --> 00:40:36,280
Wow, Now where do you record? We we've actually done everything ourselves ever

313
00:40:36,360 --> 00:40:39,199
since the beginning, actually, and
it works out good now because I have

314
00:40:39,320 --> 00:40:43,800
my own studio, Rob's got his
own studio, and Steve has his yeah,

315
00:40:43,920 --> 00:40:46,280
so we kind of do pieces of
it at different spots depending on what

316
00:40:46,360 --> 00:40:51,800
we want to try and accomplish.
So yeah, yeah, we're all self

317
00:40:51,800 --> 00:40:53,880
sufficient. So I often say it's
amazing that, you know, we live

318
00:40:53,960 --> 00:40:57,480
in a time where you can really
do that. There's so many different ways

319
00:40:57,519 --> 00:41:00,840
that you can record music, and
you know you can you can be working

320
00:41:00,880 --> 00:41:04,079
in different studios and email tracks back
and forth. There's so much you can

321
00:41:04,119 --> 00:41:06,920
do now that you know you really
couldn't do. Like when I was growing

322
00:41:07,000 --> 00:41:08,199
up, you know, it was
uh, you know, you go to

323
00:41:08,360 --> 00:41:13,119
a studio and and you do everything
there, and now you've got a lot

324
00:41:13,199 --> 00:41:16,519
of options as the process, I
assume the process has changed over the years

325
00:41:16,559 --> 00:41:23,679
though, right going back fifteen years. Yeah, I mean the first record,

326
00:41:27,599 --> 00:41:30,480
it was a weird process. I
mean we ended up getting signed on

327
00:41:30,559 --> 00:41:35,320
that record, even before it's called
in the Ruins No La Shall Sign.

328
00:41:35,519 --> 00:41:37,679
So I had just left Cable,
which was, you know, it's the

329
00:41:37,719 --> 00:41:39,760
time we were touring. I was
touring with them for about a couple of

330
00:41:39,800 --> 00:41:45,679
years and when I left, I
had this idea of doing something really heavy

331
00:41:45,760 --> 00:41:49,679
and slow and just discussing and a
drummer, and I started putting it together,

332
00:41:50,559 --> 00:41:53,199
and we got an offer like halfway
through the process, before we even

333
00:41:53,239 --> 00:41:57,719
had a band put together. So
we took the offer, rush kind of

334
00:41:57,719 --> 00:42:01,000
put the band together and then that
was it. So after that we end

335
00:42:01,119 --> 00:42:06,199
up doing a lot of we get
together for like a weekend, drink a

336
00:42:06,239 --> 00:42:08,920
ton of wine and just write and
record simultaneously whatever happens, which is what

337
00:42:09,039 --> 00:42:13,440
we kept you know. Yeah,
it's a little more pro you know,

338
00:42:13,519 --> 00:42:19,480
a little more streamline now, but
still a unique process, you know.

339
00:42:20,559 --> 00:42:23,320
Yeah, what are your live shows
like? By the way, and because

340
00:42:23,440 --> 00:42:29,239
I've not seen you live, but
I it seems like your music would lend

341
00:42:29,280 --> 00:42:31,920
itself to to some degree of theatrics
or maybe not. Maybe you just maybe

342
00:42:31,960 --> 00:42:35,519
you just show up and play.
I don't know what what is the live

343
00:42:35,559 --> 00:42:40,880
show like for you guys? Loud
and abrasive? Yeah, yeah, I

344
00:42:40,920 --> 00:42:45,960
mean, you know, Aaron loves
doing projection, so we have some visuals

345
00:42:45,000 --> 00:42:50,519
to go along with it. Not
a whole lot of talking, but also

346
00:42:50,679 --> 00:42:54,440
not a whole lot of silence between
songs. There's always some kind of noise

347
00:42:54,519 --> 00:43:00,559
going on. Yeah, and we
I don't want to say we go out

348
00:43:00,559 --> 00:43:07,599
of our way to hurt people,
but sometimes it happens, so we try

349
00:43:07,679 --> 00:43:10,039
to make it more. I always
wanted it to be more of an experience

350
00:43:10,159 --> 00:43:15,280
than a rock show, right,
So from the second we start playing to

351
00:43:15,400 --> 00:43:20,440
the second we end, there's no
breaks really, you know, it's a

352
00:43:20,559 --> 00:43:24,199
it's a constant wall of noise,
wall of sound, you know, and

353
00:43:24,320 --> 00:43:28,559
sometimes it's a little bit of feedback
or it depends on kind of what song

354
00:43:28,599 --> 00:43:34,719
we're coming from and going into and
the projections. It's about an hour and

355
00:43:34,760 --> 00:43:37,599
a half that I that I've put
together over the years of different images and

356
00:43:37,719 --> 00:43:43,760
different videos that we've actually done for
the band. Some parts of the movie

357
00:43:43,880 --> 00:43:46,000
begotten, so it's a little bit
of everything. But it's just there's a

358
00:43:46,079 --> 00:43:50,840
lot of dark scene or you a
lot of flashes that kind of goes along

359
00:43:50,880 --> 00:43:58,079
with the music. Not fit for
those with visual epilepsy, right understood,

360
00:43:58,199 --> 00:44:06,639
understood, sensitive stomach. Now,
obviously with the band spanning over fifteen years,

361
00:44:06,800 --> 00:44:10,519
it does earlier materials still show up
in the set list or do you

362
00:44:10,920 --> 00:44:15,840
tend to do more recent stuff?
Yeah, it does show up. Actually

363
00:44:16,280 --> 00:44:20,719
that we have now is kind of
set up. We're not actually some of

364
00:44:20,760 --> 00:44:24,760
the career. Yeah, yeah,
well that's a little different though, you

365
00:44:24,840 --> 00:44:29,880
know, it's never quite like the
record, particularly with the lineup changes.

366
00:44:29,960 --> 00:44:31,559
You know, it almost be impossible
for me to play like you know,

367
00:44:31,599 --> 00:44:37,119
the past basis. So we try
to just work within whatever we've got at

368
00:44:37,199 --> 00:44:45,079
the time and just let it go. Yeah, very cool. Now,

369
00:44:45,119 --> 00:44:49,519
have you guys played New Hampshire before
you're going to be in Nashua tonight at

370
00:44:49,599 --> 00:44:54,199
Terminus? Have you made it up
this way previously? We have over the

371
00:44:54,320 --> 00:44:58,760
years, not often, but over
the years we have. I know,

372
00:44:58,840 --> 00:45:01,639
I remember we actually play. We
were in stona rock band called Buzzar Canyon

373
00:45:01,679 --> 00:45:07,320
for a while and we played with
Scissor Fight at the oh the Drunken Frog

374
00:45:07,480 --> 00:45:12,480
or something like that, The Something
Frog. Okay, it might have been

375
00:45:12,519 --> 00:45:15,880
a Manchester I don't remember what we
did that. I know dead Bolt's been

376
00:45:15,000 --> 00:45:19,880
up here a couple of times,
but not very recently actually, so yeah,

377
00:45:20,159 --> 00:45:22,320
yeah, And how did you get
involved in tonight's show, of course

378
00:45:22,599 --> 00:45:27,800
at Terminus with Dank Sinatra and Dad
Harrison. How did you get involved?

379
00:45:29,440 --> 00:45:32,000
We've actually played with Den Harrison before, back in Connecticut, excellent, and

380
00:45:34,320 --> 00:45:36,880
we had been booked on the show
in Vermont, so I was trying to

381
00:45:36,920 --> 00:45:40,840
get something to build around that and
I started talking to Eleanor and she asked

382
00:45:40,920 --> 00:45:44,199
us to come play Terminus. So
it worked out pretty well. So we're

383
00:45:44,239 --> 00:45:46,800
excited about It's our first time there
and we've heard really good things about it.

384
00:45:46,880 --> 00:45:51,760
So yeah, I was there for
the open house, kind of the

385
00:45:51,800 --> 00:45:55,039
grand opening, and I'll tell you
I don't want to spoil anything, but

386
00:45:55,079 --> 00:45:58,840
I'll just say this much. Walking
into that room, it's like you're in

387
00:45:58,880 --> 00:46:02,519
another world. It's pretty awesome.
And there's a picture actually, there's a

388
00:46:02,559 --> 00:46:08,639
picture of me with Andre from Dad
Harrison on social media of us standing in

389
00:46:08,679 --> 00:46:10,760
that room and it's just and I
said in the post, I said,

390
00:46:10,760 --> 00:46:15,000
it's like another world in here.
It's amazing. It's kind of like a

391
00:46:15,079 --> 00:46:17,119
magic room. You know, you'll
see what I mean when you get there.

392
00:46:17,239 --> 00:46:21,960
But very very cool. Now,
what's are you guys headlining or what's

393
00:46:22,000 --> 00:46:27,079
the order tonight? Actually I don't
know, so that's a good question.

394
00:46:27,480 --> 00:46:30,360
Yeah, yeah, you know,
we like surprises, so we'll find out

395
00:46:30,400 --> 00:46:32,079
when we get there, I guess. Yeah. Yeah. Do you know

396
00:46:32,119 --> 00:46:37,360
how long you're playing? How long
your set is? I mean we the

397
00:46:37,440 --> 00:46:39,239
set we have now, I mean
we can easily do probably about an hour

398
00:46:39,239 --> 00:46:42,639
and fifteen so it really depends on
how long they want us to play.

399
00:46:42,920 --> 00:46:46,000
Right last night, I think we
did about forty forty five minutes something like

400
00:46:46,079 --> 00:46:50,679
that. So yeah, yeah,
oh very cool. Now are you guys

401
00:46:51,079 --> 00:46:53,440
doing a lot of shows? Do
you have a busy spring and summer ahead

402
00:46:53,480 --> 00:47:02,559
of you? Well, we kind
of got stuck behind this year because somebody

403
00:47:02,639 --> 00:47:06,679
broke their leg. Oh and it
kind of threw things off schedule for a

404
00:47:06,719 --> 00:47:09,960
little bit. Yeah, way to
go broken leg guy. Yeah no,

405
00:47:10,400 --> 00:47:16,079
which came out of the band.
I broke my leg back on Christmas Eve,

406
00:47:16,199 --> 00:47:19,599
so oh no, we kind of
set our schedule back a bit.

407
00:47:20,800 --> 00:47:25,679
This is actually our first shows of
the year. But then right now we've

408
00:47:25,719 --> 00:47:29,559
got a couple of shows in Connecticut
schedules. We're going down to play Maryland

409
00:47:29,599 --> 00:47:34,320
doing fest again for the thirty year
in a row in June, so we've

410
00:47:34,320 --> 00:47:37,039
we've got some stuff set up,
so we're excited. Yeah, very cool,

411
00:47:37,400 --> 00:47:42,239
Very cool. Do you have you
must have videos on YouTube? Right?

412
00:47:42,639 --> 00:47:45,760
Do you have videos that you've done
for for some of your music?

413
00:47:46,119 --> 00:47:51,239
We do. We've we've done three
videos so far. Okay, they're all

414
00:47:51,320 --> 00:47:54,320
up on YouTube. We've written and
directed them and did that whole thing ourselves

415
00:47:54,400 --> 00:48:00,320
and made them kind of into stories, like separate little stories because the songs

416
00:48:00,320 --> 00:48:01,639
are kind of long. So yeah, it just kind of made sense to

417
00:48:04,000 --> 00:48:07,000
make it into an epics theme,
you know, right, like Thriller,

418
00:48:07,159 --> 00:48:12,960
only without the contact lenses and Vincent
Price at the end. Although if we

419
00:48:13,000 --> 00:48:15,559
could get Vincent Price, I wouldn't
turn it down. Yeah, when the

420
00:48:15,800 --> 00:48:22,480
dead boult break, oh yeah in
his voice, that would be perfect.

421
00:48:22,679 --> 00:48:25,119
That would be perfect. I think
he's he's been gone a while unfortunately,

422
00:48:25,239 --> 00:48:30,280
but h yeah, I like that
idea a lot. I mean, maybe

423
00:48:30,320 --> 00:48:31,719
some days I'll be able to resurrect
them, who knows. Yeah, you

424
00:48:32,159 --> 00:48:37,920
never know. With the technology,
Yeah, we can have a virtual virtual

425
00:48:37,119 --> 00:48:39,880
Vincent Price. Well, actually,
if you think about it, you can

426
00:48:39,920 --> 00:48:44,480
do that anyway with AI technology.
Now, I mean, somebody put a

427
00:48:44,559 --> 00:48:49,320
whole George Carlin album that wasn't actually
George Carlin on YouTube, so you could

428
00:48:49,360 --> 00:48:58,239
probably create an AI version of Vincent
Price. The possibilities are endless pop up

429
00:48:58,280 --> 00:49:01,719
in the uh have been and prices
head pop up during the video, just

430
00:49:01,880 --> 00:49:07,679
like plug words, right, Yeah, yeah, that'd be sweet. That

431
00:49:07,679 --> 00:49:10,960
would go that would go viral.
I would think, Yeah, I know

432
00:49:12,079 --> 00:49:17,599
what the Wonkatin. So I am
going to play as we were already approaching

433
00:49:17,639 --> 00:49:21,880
the end of the show, but
I am going to play this other track,

434
00:49:21,960 --> 00:49:25,320
I Live in Dirt And but before
we do that, what should people

435
00:49:25,440 --> 00:49:29,199
know about not only, of course
the show tonight. You're gonna be at

436
00:49:29,320 --> 00:49:32,280
Terminus in Nashua tonight, but what
should people know too about where to find

437
00:49:32,280 --> 00:49:36,119
you online? Where to keep up
with everything that you guys are doing.

438
00:49:37,239 --> 00:49:39,800
Yeah, so, I mean,
just you know, we've got the band

439
00:49:39,880 --> 00:49:45,519
camp up. We've got a link
to actually a website, dead Bull dot

440
00:49:45,599 --> 00:49:47,599
When the Dead Bull breaks dot Com
goes directly to our band campage. Okay,

441
00:49:47,639 --> 00:49:52,519
so thats all merchandise and records up
there. Our most recent records were

442
00:49:52,559 --> 00:49:59,320
out in Argonauta Records from Italy and
Electric Talent, which is out of Pennsylvania.

443
00:49:59,360 --> 00:50:00,639
We released in the same year.
Because it was supposed to be a

444
00:50:00,639 --> 00:50:07,199
double disc, we split it up
to two separate records. It's on one

445
00:50:07,280 --> 00:50:12,199
vinyl. Yeah really, but we're
on all the major streaming networks and all

446
00:50:12,239 --> 00:50:17,639
that stuff, so you know,
Spotify and all that Youtubeify and yeah,

447
00:50:17,760 --> 00:50:24,440
MySpace. Oh wow, we might
even have a LinkedIn account somewhere. I

448
00:50:24,480 --> 00:50:29,840
don't know. Yes, my Space. Wow. You know what's interesting about

449
00:50:29,880 --> 00:50:34,880
MySpace is you can't if you've ever
been on MySpace, it's impossible to you

450
00:50:34,920 --> 00:50:37,119
know, if you ever, for
whatever reason, wanted to remove yourself from

451
00:50:37,119 --> 00:50:42,440
MySpace, you really can't. They
make it pretty much impossible. It's all

452
00:50:42,519 --> 00:50:45,800
still up there legitimately. Yeah,
I've never been there. I haven't been

453
00:50:45,840 --> 00:50:49,119
there in years. But yeah,
we've got the MySpace and reverb Nation too,

454
00:50:49,239 --> 00:50:52,719
whatever that was. Oh yeah,
yeah, that's a little more current.

455
00:50:52,800 --> 00:50:54,320
But yeah, MySpace. But yeah, if you've ever had anything on

456
00:50:54,400 --> 00:50:58,079
MySpace, it's still there. Like
they make it impossible for you to get

457
00:50:58,159 --> 00:51:00,920
rid of it, so for whatever
reason. But no, that's that's cool,

458
00:51:02,480 --> 00:51:06,599
very good, very good. And
uh and with a name too,

459
00:51:06,800 --> 00:51:09,360
like when the dead bolt breaks.
You're very very googleable, as I like

460
00:51:09,480 --> 00:51:12,639
to say, if you google the
name, you know, everything comes right

461
00:51:12,719 --> 00:51:15,920
up, so it's easy to it's
easy to find you guys. And uh,

462
00:51:15,039 --> 00:51:17,119
I'm a fan. I'm a fan. I like what you're doing.

463
00:51:17,280 --> 00:51:22,639
It's good stuff. And we are. Yeah, we're already approaching the top

464
00:51:22,719 --> 00:51:24,000
of the hour. But I'm glad
you made it. I'm glad you made

465
00:51:24,000 --> 00:51:28,800
it to New Hampshire safely. I
know the the weather has been suboptimal,

466
00:51:28,960 --> 00:51:31,599
as someone said earlier in the show, so I thought we were just getting

467
00:51:31,679 --> 00:51:37,559
rain and it turned out to be
uh something much more so. Yeah,

468
00:51:37,519 --> 00:51:43,039
but did you all did you all
come up in one vehicle? No,

469
00:51:43,199 --> 00:51:45,480
we split up. We split it
up because it just made it easier at

470
00:51:45,519 --> 00:51:49,960
the time. So yeah, yeah, there's a lot of gear but uh

471
00:51:50,119 --> 00:51:52,960
yeah, yeah, you know,
but we do. We appreciate you having

472
00:51:53,039 --> 00:51:54,760
us on the show, and you
know, we're sorry I couldn't make it

473
00:51:54,800 --> 00:51:58,639
into the studio, but we do
appreciate it. Yeah, that that's okay,

474
00:51:58,840 --> 00:52:00,119
Like I said, Like I said, the weather kind of screwed us,

475
00:52:00,199 --> 00:52:04,039
but uh we will, uh we'll
do this again in the future and

476
00:52:04,199 --> 00:52:07,000
and we'll uh you know, uh
uh when when the weather is better,

477
00:52:07,079 --> 00:52:08,960
we'll uh we'll have you on and
we'll have you come up and and uh

478
00:52:09,039 --> 00:52:12,960
we'll we'll sit down in the studio
and we'll have more time and that'll be

479
00:52:13,039 --> 00:52:15,920
great. But uh but I do
appreciate you calling in, and you know,

480
00:52:15,000 --> 00:52:17,039
we had to kind of improvise on
the fly, but that's cool.

481
00:52:17,119 --> 00:52:21,119
Have a great show tonight. Uh, Like I said, I I love

482
00:52:21,159 --> 00:52:22,400
what you guys are doing, and
uh, we'll let you go. I'm

483
00:52:22,400 --> 00:52:25,679
gonna hit this track as we wrap
up. I live in dirt, but

484
00:52:25,960 --> 00:52:29,840
uh, when the dead bolt breaks. Thank you so much for joining us

485
00:52:29,840 --> 00:52:32,280
today, Thank you for having us
hat. Thanks all right, you got

486
00:52:32,360 --> 00:52:37,159
it all right, take care,
be safe, yep, thanks by bye.

487
00:52:37,599 --> 00:52:40,440
All right. That was when the
dead bolt breaks. Calling in and

488
00:52:40,719 --> 00:52:45,599
uh yeah, we'll have them back
in the future in studio. The original

489
00:52:45,639 --> 00:52:46,800
plan was they were gonna be here
for the third hour, but like I

490
00:52:46,880 --> 00:52:52,840
said, the weather is rough.
Although looking outside it looks like they've done

491
00:52:52,840 --> 00:52:54,599
a really good job. They do
a pretty good job here in Manchester with

492
00:52:54,840 --> 00:52:59,480
getting the roads clear and whatnot.
So hopefully when I leave here the roads

493
00:52:59,480 --> 00:53:05,320
will be in significantly better condition.
But thank you everybody who participated today.

494
00:53:05,400 --> 00:53:07,559
Of course DJ Reckless who joined me, he had to take off, but

495
00:53:07,840 --> 00:53:12,000
he was here for most of the
show today. Love that track. I'm

496
00:53:12,039 --> 00:53:14,880
gonna listen to that. I told
him that song. I'm gonna wait of

497
00:53:14,920 --> 00:53:17,639
the world that he did with this. This is on it with him Sean

498
00:53:17,679 --> 00:53:22,480
White and I forget the who's singing
on it, but I told him I'm

499
00:53:22,519 --> 00:53:23,440
going to listen to that as soon
as the show's over, I'm gonna listen

500
00:53:23,440 --> 00:53:27,639
to it again, just with the
headphones on turned way up, because that

501
00:53:27,840 --> 00:53:30,440
is really, really good, and
you'll hear it again in the future.

502
00:53:30,159 --> 00:53:34,280
And of course I thank you again
to Andrew North and the Rangers, also

503
00:53:34,400 --> 00:53:37,760
the Jade Trio and of course Eric
Pilcher for another great classic film review,

504
00:53:37,920 --> 00:53:44,239
and doctor Bethany Billidou for joining us
in the first hour. And she's someone

505
00:53:44,280 --> 00:53:45,719
we definitely have to have back too, because that was I thought that was

506
00:53:45,760 --> 00:53:50,480
a fascinating conversation. So I look
forward to having her in studio sometime in

507
00:53:50,559 --> 00:53:52,159
meeting her. And if you missed
any part of today's show, it will

508
00:53:52,159 --> 00:53:57,320
be up in just a little bit
at Matt at wm andhradio dot org and

509
00:53:57,440 --> 00:54:01,280
at Mattconorton dot com. And that's
gonna do it for us. I will

510
00:54:01,360 --> 00:54:05,239
leave you with this. It's a
long song. We're not gonna have time

511
00:54:05,280 --> 00:54:07,679
for the whole thing, but I'll
leave you with this. This is I

512
00:54:07,840 --> 00:54:12,840
Live in Dirt. This is from
when the dead bolt breaks. To wrap

513
00:54:12,960 --> 00:54:15,079
up today's Matt Connerton Unleashed. We'll
talk to you a little bit later,

514
00:54:15,119 --> 00:56:06,199
and if you're traveling, be safe
out there by. Everybody s s fresh

515
00:56:07,559 --> 00:57:15,679
sche cheese such raw swither no by
lives away away the side girl. The

516
00:57:15,800 --> 00:57:34,920
girl's going to turn now to buy. I tell my child roll roll backers

517
00:57:35,039 --> 00:57:40,880
over or closer? Fronto, Fast
with the West k on some of my

518
00:57:42,239 --> 00:57:44,559
jazz, The dogs around