Okay h m hmm, okay, but I said sleep. That's now My
buggy said it. Come sheep lead the dollary day. That's happy as nothing
else to say. The photogetic teeting. I'm all on the finger and the
breath the beast. Whoa who we got a chicken in the back? Out?
Whoa? Hello? We got a chicken in the back? Dot?
Whoallo got a chicken in the background? In body the sheep do not have
a present, double, but you can't be a bee. The package is
in a pot stringing every double. Bir a country mom, he's you bull,
your big tell me black and give you catch your break. Woa,
whoa, I got a chicken in the back? Coud whoa I gotta chicken
in the backyard? Who you gotta chicken in the back? Guy? Who
god? Dress is snack? Worry where you going? You are coming back?
A grand? The dollar a day? Rand's all a sad. Don't
take it up that way to square the jus don't break. Oh this together,
are gonna be all right? Whoa, whoa gotta chicken in the back
guy? Whoa, whoa gotta chicken do the back guy? Oh guy,
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command D don't get screely done, Zel giving Welcome back, everybody. It's
Matt connordton unleash. We got a packed a third hour for you coming up
in just a couple of minutes. We have Eric Pilcher's classic film review and
this week the subject is Steven Spielberg's in nineteen ninety three classic this masterpiece,
Shindler's List. And then we've got a band coming in all the way from
Connecticut. They've got a big show coming up in nash weat tonight, so
they're gonna stop in here when the dead bolt breaks. But first a surprise,
This was not advertised, but DJ Reckless, what are we about to
hear? I put a here a world premiere of one of my first tracks
that's coming out with Ja Mason and a few other friends. Okay, but
yeah no. This song is called Way to the World. We wrote it,
it was me Shaun White and who had DJ with and we produced it.
Ja Mason was the top line. It was the listinger on it.
I wrote the lyrics part of them. It was during a time where like
I was just going I guess was going through a really bad breakup. Yeah,
and there was a lot of things with nightlife. I just got college
not going and everything. I was like, that's so much my My anxiety
was that all the time high and this was like I felt way down.
Yeah, a lot of stuff. So we put it in a song basically,
and hence the title Weight of the World. Yeah, all right,
so this is DJ Reckless with Jay Mason and who else Sean White and Sean
White. All right, check it out the World Radio premiere. Light down,
let it out, Pressure to high got me on the ground, open
my eyes, I could see it now, twist off, let it go.
Rather than myself with the camel coles. Another long night with my thoughts.
I'm trying my best hold out by a fine it to make some space.
Let up on to money. He could bat scale so I can carry
thy, Carry so I can carry the way. Carry an extending so I
can carry away, carry the way. I guess it's waiting the waterdcast.
I'm trying my best start on the holder. I gotta find a way to
make sin spaining building up a load too made the border. Say so I
can carry the way carry away, So I can carry the way way way
way alome. So I can't carry it it happens, happen, So I
can carry the way carry away for a faine vain for faelo bgan bumbga ba
yeah, call Nacha, yes, neka right and the world to many six
hundred ye do the same thing I'm doing. I might even make money at
it. I don't know. Come on, do this. I know about
the extra food and clothes. You get them paid for out of your own
pocket. If we make a combined approach, we could get more than four
thousand dollar minor yours as you could relocate them in something like safty a moravia.
I don't know how many stick it you smoke the night good minutes for
everyone you smoke. I spoke half. I've done all mechanical not except that.
No, i'sna count do what you want? Not accept that, no
man, how many eight one hundred and fifty five a day? But take
what stand if or take what to count them? How many? I didn't
you can finish that page? What did good say about this. You just
told him how many people you needed in me. You're not buying them.
You're buying them. You're paying it for each of these. If you're still
working for me, i'd expect you to tell me out of it. It's
costing me a fault. There is the page one space of the body.
The List is an absolutely good The List is life. Historical dramas have a
mixed history in Hollywood. In some cases they have been criticized to the point
where they have been ostracized from film lore, or controversies have diminished their staying
power. Then there are exceptions. These films leave an undeniable impact that time
cannot diminish the message in power they carry. This week's film is one of
those, and it is as important now as it was the thirty plus years
ago. It was released based off the novel Schindler's Arc by Thomas Kanely released
in nineteen ninety three and directed by Steven Spielberg. Schindler's List tells the story
of German Nazi industrialist Oscar Schindler, who decides to use his wealth and power
to save over one thousand Polish Jews from concentration camps. By bribing Nazi officers,
in particular the cold and callous Nazi General Aimon Death played by Ralph Fines.
Rounding out the starring cast is Sir Ben Kingsley in Mbeth Davitz. Spielberg
was initially reluctant to take on the project. He passed it on to several
other directors because he felt he was not mature enough to do the film.
This includes Roman Polanski, Martin Scorsese, Sidney Pollock, among others. Spielberg
finally agreed to direct the film when Holocaust Denial really began to gain traction in
the world, especially here in the United States. The next clip is from
The Today Show in twenty eighteen, celebrating the twenty fifth anniversary of the release
of the film. In this clip, Spielberg talks about the difficulties of making
the film and his decision to film the movie in black and white. In
the fight that followed. I don't think I'll ever do something anything as you
know, as important to my life as the way this film affected personally affected
me and my family. And so this for me is, you know,
something that I will always be proud of. Stough I look back at an
interview you had done about the time of the release of this film, and
he said, what the effect? You didn't expect it to be a hit?
Was? That? Was that the case? Yeah, that was very
accurate. I didn't. I couldn't imagine based on the story that we told
that an audience would tolerate the just the amount of violence, you know,
human against human or inhuman against human. Schindler's List was in fact a hit,
the winner of seven Academy Awards, including Best Picture and Best Director,
but Spielberg says that now famous movie could have looked very different if studio executives
had their way. I was the only one they wanted to shoot the picture
in black and white, but the studio didn't. They didn't think they could
sell like a set if it was in black and white. And at one
point that they were negotiating with me, they said, shoot it in color.
Will release the film in black and white, but then we'll release the
cassette in color. And I said, no, this is I don't know
the Holocaust in color. I wasn't around then, but I've seen documentaries in
the Holocaust, and anybody who's seen any documentaries, they're all shot in black
and white. I can't imagine what it was like to shoot this film.
You're in cracky, you're in some of the places where this actually happened.
I know there's cameras around and all the trappings of movie, but the scenes
had to have taken a personal toll on you, your crew, your cast.
Yeah. Well, I think everybody felt that we were memorializing something,
and it felt to all of us as if we were shooting in a cemetery.
So there was a kind of amazing equanimity of respect, and it was
quiet on the set and everybody just did their work. No one was laughing,
no one was telling jokes. Now, twenty five years later, the
film is still teaching new lessons. Individual hate is a terrible thing, but
when collective hate organizes and gets industrialized, then genocide follows, and we have
to take it more seriously today than I think we have had to take it
in a generation. And now we're in an era that anti Semitism is on
the rise, enophobia. We all know what racism happened in Pittsburgh. Is
this an important time to re release this film. I think this is maybe
the most important time to re release this form. Possibly now is even a
more important time to re release Schindler's List than nineteen ninety three ninety four when
it was initially released. This film is quite powerful in its approach, both
in filming and performances. This includes the game a mental chess being played by
Gath and Schindler. Both men are shrewd and keen touth smarting people. However,
Schindler is compassionate and wants to use his wealth and intelligence to save the
Jews from peril, whereas Gath is a sociopathic, cold blooded killer with no
emotion or remorse. The next two clips show this. First, while building
a stockade at a concentration camp, a Jewish woman who is a contractor tries
to persuade Gath to stop instruction because the foundation is bad. His ruthless means
of dealing with her show the callous nature of the man. Then, Schindler
speaks with Helen Hirsch, a woman Death has selected from a concentration camp to
become his maid, whom he becomes smitten with and due to this begins to
abuse her both verbally and psychologically. Here, Shindler explained with great compassion why
she is safe, while showing care for her plight as they are. So
one of you is very lucky girl. There is an ultimate job away from
all this backbreaking up. That's a villa of you has domestic experience. Yeah,
on second, so I was, I don't really want someone else's mate,
although annoying habits have to undo. I don't want to give you my
call. What's her name? What I can't hear? Cones? Yeah,
you're she says, your great sports just got to take it down. I
told her to come on. The entire foundation has to be torn down and
report. If not, there'ld be at least a silence at the southern end
of the barracks subsidence and then collapse. You are an engineer, Yes,
my name is Jana Haka. I'm a graduate postical engineering from the University of
Milan. I'm educated too, like Karl Marx himself. Shoot her command.
I'm only trying to do my charge. I'm doing mine, sir. She's
farmer of construction, so I'm not going to have arguments with these people.
Okay, oh, shooter, here a party. It will take more than
that. I'm sure you're right. And now, Schindler in hersh I said
to him, I don't know how I say this, I never could say
it now. I said to him, why are you beating me? He
said, The reason I beat you now is because you ask why I beat
you. I know you're sufferings. It doesn't matter. I have accepted them,
accepted them. One day he will shoot me. He wont to shoot
you. I know. I see things. We're on the roof on Monday,
Young Malicia and I and we saw the hair Commandant came outed the front
door and down these steps by the patio, right there below us, and
and there on the steps he drew he's gone, and he shot a woman
who was passing by, the woman carrying the bundle through the throat. Just
just just a woman on her way somewhere. You know. She was no
fatter or thinner, or slower or faster than anyone else. And I couldn't
guess what had she done. The more you see of the Heir Commandant to
the more you see there is no set rules that you can live by.
You can set yourself. If I follow these rules, I will be safe.
He won't shoot you because he enjoys you too much. He enjoys you
so much, he won't even let you wear the star he doesn't want anyone
else to know it's a Jew he's enjoying. He shot the woman from the
steps because she meant nothing to him. She was one of a serious my
offending or pleasing him. But you, Helen, it's all right. It's
not that kind of a cash, yeah. Right. As the war ends,
Schindler is bankrupt due to massive bribes he had to do to keep his
workers and the Polish Jews safe from dire circumstances at concentration camps. In our
final clip, as Schindler plans to flee due to being wanted for war crimes
as a card carrying Nazi, the people he saved give him a ring.
As Schindler cries at those he couldn't save, he is reminded of those he
did m We've written a letter trying to explain things in case you were captured.
Every worker has signed it as he Brew from the town that says we
ever saves one life, that saves the world entirely. I could have got
more. I could have got more. I could have got more. Ask
her. There are eleven hundred people are alive because of you. Look at
them. If I made more money, I threw away heads of lace.
Funny you had no idea if I just generations because of what you did.
I didn't do enough? Who did so much? This film is well deserving
of every great review, award and lasting impact it is received. And then
some and honestly that could not even do this film justice. There could be
multiple reviews on this program with powerful scenes talking about the symbolism in the film
with candles and yes, the little girl in the red jacket, and the
effort all that were involved in had to put forth. It is a film
that everyone must see once in their lives to understand that to do right,
no matter how small you think the impact might be, can have the greatest
lasting ramifications. I hope you join me next week when we begin our month
long tribute to Orson Wells with a special look at the fight he went through
to make his seminal film and in my opinion, the greatest film ever made,
Citizen Kane. And then in two weeks we will actually review Citizen Kane
as it is my favorite film of all time. For WM and H and
Matt Connorton Unleashed. This has been a clasic film review with Eric Pilcher two
Series A, Series three, ninety two three Greased three aster cho who come
to show show Cold Shoe Shay snow O S S S S S S S
S S S. That is called not to Touch the Earth. The band
is when the dead Bolt breaks and I think we have on the phone with
us Aaron from when the dead Bolt breaks, Aeron? Are you there?
Yeah? Are you doing good? Good? Welcome to the Welcome to the
programmer was hoping to have you here in studio. But obviously the weather has
been a challenge for for people. I thought we were just getting rain,
to be honest with you. Yeah, no, it was pretty brutal.
It's actually And we've got everybody here. It's Steve Amber, myself and Rob
is gonna be coming up in a second here. So oh, very good,
very good. Now. Uh so you guys are from Connecticut, correct,
Yes, sir? And whereabouts in Connecticut? Uh, kind of all
spread out throughout the throughout the state, so some of us are through the
eastern part and through the other side, so all around Connecticut. Yeah,
I was a scar area was Yeah, that's true, it is. Yeah.
I was born in Hartford. That's why I was curious. But uh
yeah, a lot of great bands a lot of great bands come out of
that area. What I love that track by the way, not to Touch
the Earth, That is really really good. How how do you for people
who haven't heard uh when the dead bolt breaks? How do you? How
do you describe your music? What? Everyone always say it's this question,
but just for the for the sake of it, like, how do you
categorize what you do? Yeah? Well, we for years have gotten thrown
into the doom category, but I don't know if I've ever really seen it
as a doom band. It's more like a psychedal, psychedelic, heavy experimental
metal I guess. Yeah. We do a little bit of everything from you
know, grind parts to sludgy doom parts to quiet, pink Floyd stuff,
and it's kind of all over the gamut, you know, So it's just
kind of hard to pigeonhole into one doom category, you know, right right
totally? Who does the vocals? Is that you? Yeah, that's me?
You know. Uh. We actually just added Amber to the band this
year, actually last year, so we're splitting a lot of vocals. She's
been on a couple of records before. Okay, okay, particularly curious about
the vocals because I also, I don't know if you've ever heard this before,
if anyone's ever said this to you, maybe, but I also hear
a little bit of the Doors in there, and I think it's because of
the vocals. The vocals actually remind me a little bit of Jim Morrison.
I take that as a huge compliment, thank you. Yeah, yeah,
something about the delivery. So you haven't heard that before or no, no,
I've gotten I've actually gotten typo negative, which always kind of threw me
for a bit of a loop. I can hear that too. Yeah,
you got a little Pete Peter Steele going there. Yeah, I mean I
grew up. I'm a huge fan of you know, the animals, the
doors, you know a lot of the seventies and even the c you know
a lot of the crooner style David Bowie. Yeah, so I think that's
kind of where that whole thing kind of came from. We actually did two
doors. He actually just played one of them. Yeah, no kidding,
what what what? What doors covers? So we did not to touch the
earth and then we also did My Wild Love, which is on one of
our it's an EP, but we did some kind of interesting techno remixes of
some of our stuff on that one. Really. Oh that's interesting. I
want to hear that. It's called the Nightmare versions where Steve actually before he
was in the band, had taken some of our stuff and kind of remix
them as if it basically sounds like Godflesh redid some of our songs. Yeah,
so we ended up throwing on the cover of not of of My Wild
Love on there, which is kind of an interesting version of it. So
yeah, yeah, where does the name come from? By the way,
I love the name? When the dead Bolt Breaks is a great name.
Probably a whole lot of LSD, to be honest, not that I'm promoting
that, but when I was younger, I did, you know, a
lot, and it was a we were in time where I was having this
reoccurring dream or vision kind of thing where of just this cartoon scene of like
this guy on this doorstep it's raining, He's got flowers in one hand and
you know, smoking barrel of a gun in another, and on the other
side of the door, the door is kicked open and you just see the
feet of somebody laying there. So I always thought, kind of when the
dead bowl breaks, it's like, what happens. We don't know, you
know, so that's kind of where it came from. Yeah, No,
no one knows who they were, where they was going. I mean,
I envy, I do, I do oh. I love a good spinal
tap reference. That's good. Now, how long have you guys been around?
The band in general has been around for about fifteen years. Wow.
We've had a lot of lineup changes over the years because it was never really
about the band. It was more about the music and whoever could bring whatever
to the music, you know. So each one of our records has it's
sometimes a different lineup, and you know, always has different people involved with
it doing vocals or you know, certain songs where they added something to it,
you know. So but this line up here two years yeah, okay,
okay, Yeah, I'm looking at your band camp and you've had a
lot of releases over the years, so makes sense that you've been around a
long time. Yeah. We're working on our tenth record now, wow.
Wow, Now where do you record? We we've actually done everything ourselves ever
since the beginning, actually, and it works out good now because I have
my own studio, Rob's got his own studio, and Steve has his yeah,
so we kind of do pieces of it at different spots depending on what
we want to try and accomplish. So yeah, yeah, we're all self
sufficient. So I often say it's amazing that, you know, we live
in a time where you can really do that. There's so many different ways
that you can record music, and you know you can you can be working
in different studios and email tracks back and forth. There's so much you can
do now that you know you really couldn't do. Like when I was growing
up, you know, it was uh, you know, you go to
a studio and and you do everything there, and now you've got a lot
of options as the process, I assume the process has changed over the years
though, right going back fifteen years. Yeah, I mean the first record,
it was a weird process. I mean we ended up getting signed on
that record, even before it's called in the Ruins No La Shall Sign.
So I had just left Cable, which was, you know, it's the
time we were touring. I was touring with them for about a couple of
years and when I left, I had this idea of doing something really heavy
and slow and just discussing and a drummer, and I started putting it together,
and we got an offer like halfway through the process, before we even
had a band put together. So we took the offer, rush kind of
put the band together and then that was it. So after that we end
up doing a lot of we get together for like a weekend, drink a
ton of wine and just write and record simultaneously whatever happens, which is what
we kept you know. Yeah, it's a little more pro you know,
a little more streamline now, but still a unique process, you know.
Yeah, what are your live shows like? By the way, and because
I've not seen you live, but I it seems like your music would lend
itself to to some degree of theatrics or maybe not. Maybe you just maybe
you just show up and play. I don't know what what is the live
show like for you guys? Loud and abrasive? Yeah, yeah, I
mean, you know, Aaron loves doing projection, so we have some visuals
to go along with it. Not a whole lot of talking, but also
not a whole lot of silence between songs. There's always some kind of noise
going on. Yeah, and we I don't want to say we go out
of our way to hurt people, but sometimes it happens, so we try
to make it more. I always wanted it to be more of an experience
than a rock show, right, So from the second we start playing to
the second we end, there's no breaks really, you know, it's a
it's a constant wall of noise, wall of sound, you know, and
sometimes it's a little bit of feedback or it depends on kind of what song
we're coming from and going into and the projections. It's about an hour and
a half that I that I've put together over the years of different images and
different videos that we've actually done for the band. Some parts of the movie
begotten, so it's a little bit of everything. But it's just there's a
lot of dark scene or you a lot of flashes that kind of goes along
with the music. Not fit for those with visual epilepsy, right understood,
understood, sensitive stomach. Now, obviously with the band spanning over fifteen years,
it does earlier materials still show up in the set list or do you
tend to do more recent stuff? Yeah, it does show up. Actually
that we have now is kind of set up. We're not actually some of
the career. Yeah, yeah, well that's a little different though, you
know, it's never quite like the record, particularly with the lineup changes.
You know, it almost be impossible for me to play like you know,
the past basis. So we try to just work within whatever we've got at
the time and just let it go. Yeah, very cool. Now,
have you guys played New Hampshire before you're going to be in Nashua tonight at
Terminus? Have you made it up this way previously? We have over the
years, not often, but over the years we have. I know,
I remember we actually play. We were in stona rock band called Buzzar Canyon
for a while and we played with Scissor Fight at the oh the Drunken Frog
or something like that, The Something Frog. Okay, it might have been
a Manchester I don't remember what we did that. I know dead Bolt's been
up here a couple of times, but not very recently actually, so yeah,
yeah, And how did you get involved in tonight's show, of course
at Terminus with Dank Sinatra and Dad Harrison. How did you get involved?
We've actually played with Den Harrison before, back in Connecticut, excellent, and
we had been booked on the show in Vermont, so I was trying to
get something to build around that and I started talking to Eleanor and she asked
us to come play Terminus. So it worked out pretty well. So we're
excited about It's our first time there and we've heard really good things about it.
So yeah, I was there for the open house, kind of the
grand opening, and I'll tell you I don't want to spoil anything, but
I'll just say this much. Walking into that room, it's like you're in
another world. It's pretty awesome. And there's a picture actually, there's a
picture of me with Andre from Dad Harrison on social media of us standing in
that room and it's just and I said in the post, I said,
it's like another world in here. It's amazing. It's kind of like a
magic room. You know, you'll see what I mean when you get there.
But very very cool. Now, what's are you guys headlining or what's
the order tonight? Actually I don't know, so that's a good question.
Yeah, yeah, you know, we like surprises, so we'll find out
when we get there, I guess. Yeah. Yeah. Do you know
how long you're playing? How long your set is? I mean we the
set we have now, I mean we can easily do probably about an hour
and fifteen so it really depends on how long they want us to play.
Right last night, I think we did about forty forty five minutes something like
that. So yeah, yeah, oh very cool. Now are you guys
doing a lot of shows? Do you have a busy spring and summer ahead
of you? Well, we kind of got stuck behind this year because somebody
broke their leg. Oh and it kind of threw things off schedule for a
little bit. Yeah, way to go broken leg guy. Yeah no,
which came out of the band. I broke my leg back on Christmas Eve,
so oh no, we kind of set our schedule back a bit.
This is actually our first shows of the year. But then right now we've
got a couple of shows in Connecticut schedules. We're going down to play Maryland
doing fest again for the thirty year in a row in June, so we've
we've got some stuff set up, so we're excited. Yeah, very cool,
Very cool. Do you have you must have videos on YouTube? Right?
Do you have videos that you've done for for some of your music?
We do. We've we've done three videos so far. Okay, they're all
up on YouTube. We've written and directed them and did that whole thing ourselves
and made them kind of into stories, like separate little stories because the songs
are kind of long. So yeah, it just kind of made sense to
make it into an epics theme, you know, right, like Thriller,
only without the contact lenses and Vincent Price at the end. Although if we
could get Vincent Price, I wouldn't turn it down. Yeah, when the
dead boult break, oh yeah in his voice, that would be perfect.
That would be perfect. I think he's he's been gone a while unfortunately,
but h yeah, I like that idea a lot. I mean, maybe
some days I'll be able to resurrect them, who knows. Yeah, you
never know. With the technology, Yeah, we can have a virtual virtual
Vincent Price. Well, actually, if you think about it, you can
do that anyway with AI technology. Now, I mean, somebody put a
whole George Carlin album that wasn't actually George Carlin on YouTube, so you could
probably create an AI version of Vincent Price. The possibilities are endless pop up
in the uh have been and prices head pop up during the video, just
like plug words, right, Yeah, yeah, that'd be sweet. That
would go that would go viral. I would think, Yeah, I know
what the Wonkatin. So I am going to play as we were already approaching
the end of the show, but I am going to play this other track,
I Live in Dirt And but before we do that, what should people
know about not only, of course the show tonight. You're gonna be at
Terminus in Nashua tonight, but what should people know too about where to find
you online? Where to keep up with everything that you guys are doing.
Yeah, so, I mean, just you know, we've got the band
camp up. We've got a link to actually a website, dead Bull dot
When the Dead Bull breaks dot Com goes directly to our band campage. Okay,
so thats all merchandise and records up there. Our most recent records were
out in Argonauta Records from Italy and Electric Talent, which is out of Pennsylvania.
We released in the same year. Because it was supposed to be a
double disc, we split it up to two separate records. It's on one
vinyl. Yeah really, but we're on all the major streaming networks and all
that stuff, so you know, Spotify and all that Youtubeify and yeah,
MySpace. Oh wow, we might even have a LinkedIn account somewhere. I
don't know. Yes, my Space. Wow. You know what's interesting about
MySpace is you can't if you've ever been on MySpace, it's impossible to you
know, if you ever, for whatever reason, wanted to remove yourself from
MySpace, you really can't. They make it pretty much impossible. It's all
still up there legitimately. Yeah, I've never been there. I haven't been
there in years. But yeah, we've got the MySpace and reverb Nation too,
whatever that was. Oh yeah, yeah, that's a little more current.
But yeah, MySpace. But yeah, if you've ever had anything on
MySpace, it's still there. Like they make it impossible for you to get
rid of it, so for whatever reason. But no, that's that's cool,
very good, very good. And uh and with a name too,
like when the dead bolt breaks. You're very very googleable, as I like
to say, if you google the name, you know, everything comes right
up, so it's easy to it's easy to find you guys. And uh,
I'm a fan. I'm a fan. I like what you're doing.
It's good stuff. And we are. Yeah, we're already approaching the top
of the hour. But I'm glad you made it. I'm glad you made
it to New Hampshire safely. I know the the weather has been suboptimal,
as someone said earlier in the show, so I thought we were just getting
rain and it turned out to be uh something much more so. Yeah,
but did you all did you all come up in one vehicle? No,
we split up. We split it up because it just made it easier at
the time. So yeah, yeah, there's a lot of gear but uh
yeah, yeah, you know, but we do. We appreciate you having
us on the show, and you know, we're sorry I couldn't make it
into the studio, but we do appreciate it. Yeah, that that's okay,
Like I said, Like I said, the weather kind of screwed us,
but uh we will, uh we'll do this again in the future and
and we'll uh you know, uh uh when when the weather is better,
we'll uh we'll have you on and we'll have you come up and and uh
we'll we'll sit down in the studio and we'll have more time and that'll be
great. But uh but I do appreciate you calling in, and you know,
we had to kind of improvise on the fly, but that's cool.
Have a great show tonight. Uh, Like I said, I I love
what you guys are doing, and uh, we'll let you go. I'm
gonna hit this track as we wrap up. I live in dirt, but
uh, when the dead bolt breaks. Thank you so much for joining us
today, Thank you for having us hat. Thanks all right, you got
it all right, take care, be safe, yep, thanks by bye.
All right. That was when the dead bolt breaks. Calling in and
uh yeah, we'll have them back in the future in studio. The original
plan was they were gonna be here for the third hour, but like I
said, the weather is rough. Although looking outside it looks like they've done
a really good job. They do a pretty good job here in Manchester with
getting the roads clear and whatnot. So hopefully when I leave here the roads
will be in significantly better condition. But thank you everybody who participated today.
Of course DJ Reckless who joined me, he had to take off, but
he was here for most of the show today. Love that track. I'm
gonna listen to that. I told him that song. I'm gonna wait of
the world that he did with this. This is on it with him Sean
White and I forget the who's singing on it, but I told him I'm
going to listen to that as soon as the show's over, I'm gonna listen
to it again, just with the headphones on turned way up, because that
is really, really good, and you'll hear it again in the future.
And of course I thank you again to Andrew North and the Rangers, also
the Jade Trio and of course Eric Pilcher for another great classic film review,
and doctor Bethany Billidou for joining us in the first hour. And she's someone
we definitely have to have back too, because that was I thought that was
a fascinating conversation. So I look forward to having her in studio sometime in
meeting her. And if you missed any part of today's show, it will
be up in just a little bit at Matt at wm andhradio dot org and
at Mattconorton dot com. And that's gonna do it for us. I will
leave you with this. It's a long song. We're not gonna have time
for the whole thing, but I'll leave you with this. This is I
Live in Dirt. This is from when the dead bolt breaks. To wrap
up today's Matt Connerton Unleashed. We'll talk to you a little bit later,
and if you're traveling, be safe out there by. Everybody s s fresh
sche cheese such raw swither no by lives away away the side girl. The
girl's going to turn now to buy. I tell my child roll roll backers
over or closer? Fronto, Fast with the West k on some of my
jazz, The dogs around